Colorblind Drop New Song "The Countdown"

Austin, Texas quartet Colorblind  vocalist Travis Moseley, drummer Tyler Moseley, bassist Nicholas Asper, and guitarist Justin Page — are sharing "THE COUNTDOWN," the latest track from their upcoming debut album Who Sold You This Truth ++ Was It Yours To Hold. The album arrives on August 28 via Solid State. Pre-order it here.

 Listen to the song and watch the visualizer below.

The song offers the band's fresh take on a familiar and relatable topic — heartbreak.

"This one felt like it fit so beautifully with the album's themes because it's not really about heartbreak alone—it's about the beliefs we carry into love," says Moseley. "I've always been so trapped between hope and the expectation of loss. The relationship becomes a mirror reflecting old wounds, fears, and identities that haven't fully healed."

Ultimately, Colorblind stand apart because they've never tried to fit in.

Since forming in 2017, the Austin, Texas quartet has forged its own lane in modern heavy music, one captivating song, one sold-out show, and one explosive festival set at a time. They've grown into one of the scene's most compelling new voices, powered by breakout singles like "Motionless," "Needle Eye," and "Letdown" (as featured on SiriusXM Octane), racking up more than 30 million streams in the process.

Their "dreamcore" sound thrives on contrast, blending thundering, detuned riffs with ambient textures and pop-forward melody – pairing weight and atmosphere in a way that feels both immediate and immersive. Beneath that dynamic lies an emotional honesty that has shaped their music from the very beginning: Early independent releases, including their self-titled EP, introduced that core, with songs like "Ghosts" revealing a deeply personal perspective that quickly resonated with listeners. The connection carried into their label debut, WHO SOLD YOU THIS TRUTH, expanding their sound and reach onto tours with blessthefall, Miss May I and Dayseeker, along with major festival stages. Now, with a debut full-length on the horizon and their first headlining tour ahead, Colorblind's future remains wide open, with many more career-defining highs on the horizon with each and every step forward.

Colorblind will return to the road this fall with Catch Your Breath. All dates are below.

COLORBLIND ON TOUR:
WITH CATCH YOUR BREATH:

10/16 — Cincinnati, OH — Bogart’s
10/17 — Chicago, IL — The Vic Theatre
10/18 — Minneapolis, MN — The Fillmore
10/20 — St. Louis, MO — The Hawthorn
10/21 — Lawrence, KS — The Granada
10/23 — Denver, CO — Summit Music Hall
10/24 — Salt Lake City, UT — The Depot
10/25 — Boise, ID — Knitting Factory
10/27 — Portland, OR — Roseland Theater
10/28 — Seattle, WA — Showbox SoDo
10/30 — Sacramento, CA — Channel 24
10/31 — Santa Ana, CA — The Observatory
11/1 — Tempe, AZ — Marquee Theatre
11/3 — San Antonio, TX — Vibes Event Center
11/5 — Destin, FL — Club LA
11/7 — Orlando, FL — The Beacham
11/8 — Atlanta, GA — Tabernacle
11/10 — Charlotte, NC — The Underground
11/11 — Norfolk, VA — The NorVa
11/13 — New York, NY — Irving Plaza
11/14 — Boston, MA — Big Night Live
11/15 — New Haven, CT — Toad’s Place
11/17 — Montreal, QC — Club Soda
11/19 — Toronto, ON — The Danforth Music Hall
11/20 — Detroit, MI — Saint Andrew’s Hall
11/21 — Cleveland, OH — Globe Iron
11/23 — Grand Rapids, MI — The Intersection
11/24 — Columbus, OH — Newport Music Hall
11/25 — Pittsburgh, PA — Roxian Theatre
11/27 — Allentown, PA — Archer Music Hall
11/28 — Baltimore, MD — Nevermore Hall
11/30 — Nashville, TN — Brooklyn Bowl
12/1 — Springfield, MO — Regency Live
12/2 — Little Rock, AR — The Hall
12/4 — Dallas, TX — The Studio @ The Bomb Factory
12/5 — Oklahoma City, OK — Diamond Ballroom

Avant-Grind Extremists SQUID PISSER Release New Single + Music Video

SQUID PISSER — the brainchild of Tommy Meehan (Grodius Maximus of GWAR) — shares their new single "Fart F***** F*** Face," taken from their long-awaited full-length EP,'Throat Slave,' set for release on August 28th via Skin Graft Records / Sweatband Records. The new track arrives alongside an official music video.

On the new single, Baxter Yogurt explains:

“Our new single is about what can happen when you spend your life pretending to be someone you’re not. Denying yourself doesn’t make those feelings disappear. It can turn them into anger, bitterness, and hatred toward people who have the courage to live honestly. The song is about trusting yourself and refusing to become another miserable hypocrite telling everyone else how to live.”

Watch the Visualizer Below:

Following the sensory overload of 2024's 'Dreams of Puke,' Los Angeles slime merchants SQUID PISSER return with 'Throat Slave,' a "full-length EP" featuring five original songs, six demented remixes, and a foreboding introduction that pushes the band's increasingly strange universe into darker territory.

While retaining the band's trademark volatility and sonic intensity, 'Throat Slave' marks a significant evolution, embracing greater groove, atmosphere, and dynamic tension. It also serves as the first SQUID PISSER release to prominently feature the creative contributions of guitarists Michael Armendariz and Raz Azraai, expanding the band's sonic palette while preserving its uniquely unstable identity.

Side A explores paranoia, confrontation, self-examination, and release, using imagery of decay and mutation to examine the struggle to reclaim one's identity from manipulation and illusion. Side B transforms that vision through remixes by Plack Blague, Hyper Gal, Drumcorps, Fartbarf, Ecology: HomeStones, dj Embryonic Petit Sac, and KK Null (Zeni Geva), reimagining the material as electronic hallucinations, industrial rituals, mutant dance music, and psychedelic fever dreams.

Paired with the luminous, unsettling artwork of Bora Murmure, 'Throat Slave' emerges as SQUID PISSER's most immersive and adventurous release yet, occupying a space between nightmare and revelation.

As Baxter Yogurt puts it, “'Throat Slave' is a collection of songs about defending your identity from parasites... Whether they're people, institutions, bad habits, or the voice in your own head telling you to play it safe. The record is filled with bodily fluids, vermin, disease, and decay because that's what these forces feel like when they're attached to you and feeding. Every song is a battle between self-determination and surrender. The answer isn't self-improvement or enlightenment... It's trusting yourself enough to reject what's false. Don't become somebody else's 'Throat Slave.'

Pre-Order 'Throat Slave' HERE

SQUID PISSER Live:

"Tumors Across America Tour"

August 19 - Long Beach, CA @ Alex's Bar

August 20 - Sacramento, CA @ Cafe Colonial

August 21 - Petaluma, CA @ Phoenix Theatre

August 22 - Palmdale, CA @ Transplants

August 23 - Cottonwood, AZ @ Queen B Vinyl

August 24 - Silver City, NM @ Whiskey Creek

August 25 - El Paso, TX @ EP Underground

August 27 - Austin, TX @ Lost Well

August 28 - Houston, TX @ The End

August 29 - New Orleans, LA @ Poor Boys

August 30 - Birmingham, AL @ The Nick

August 31 - Atlanta, GA @ 529

September 1 - Piedmont, SC @ Tribbles

September 2 - Charlotte, NC @ Snug Harbor

September 3 - Asheville, NC @ Static Age Records

September 4 - Cookeville, TN @ Muddy Roots

September 5 - Harrisburg, PA @ Capitol City Music Center

September 6 - Montague, MA @ RPM Fest

September 7 - Wallingford, CT @ Cherry Street Station

September 8 - Philadelphia, PA @ Nikki Lopez

September 9 - Youngstown, OH @ Westside Bowl

September 10 - Chicago, IL @ Livewire

September 11 - Sioux Falls, SD @ The Den

September 12 - Lincoln, NE @ Reverb

September 13 - Kansas City, MO @ MiniBar

Supporting The Dillinger Escape Plan

October 25 - Portland, OR @ Revolution Hall

October 26th - Vancouver, BC @ Commodore Ballroom

October 27th - Seattle, WA @ Neptune Theatre

SQUID PISSER are: (Album Lineup)

Baxter Yogurt aka Tommy Meehan – Vocals, Guitar, Bass

Michael Armendariz – Guitar, Backing Vocals

Raz Azraai – Guitar

Seth Carolina – Drums

Live Band:

Baxter Yogurt - Vocals

Michael Armendariz - Guitar

Raz Azraai - Guitar

Rusty Kennedy - Bass

Brady Kennedy - Drums

Bastion Rose Announces Progressive Hard Rock Anthem "Someday"

Rock’s darker angels fly again. Bastion Rose release a new single called "Someday." It is loud. It is heavy. It carries the weight of a two-million-stream catalog and the daily expectations of hundreds of thousands of monthly listeners. But those are just numbers.

 

To understand the sheer, triumphant energy of this track, you have to understand the silence that came before it.

 

“Only a few years ago, the silence was literal. Cancer,” says Bastion Rose singer and guitarist, Austin Frink. “I had recently watched my parents pass on, and I fought my own physical war not to join them. I did not sing. After surgery and treatment, I couldn't. But hope has a way of coercing those in despair back to motion. To build. To survive. The whisper became a croak. The croak became a quiet, hoarse note. That note became a roar. Bastion Rose is the roar."

 

Musically, the track is a towering achievement of progressive rock. Building on the world-class sonic blueprint established with three-time Grammy-winning producer David Bottrill (Tool, Godsmack, Mastodon, Muse) on the band's earlier records, "Someday"pairs relentless, aggressive instrumentation with an undeniable, aspirational hook.

 

Where previous releases explored the grit and dirt of sheer survival, "Someday" is the breakthrough.

 

"It is the moment you finally stand up," Frink explains. "You realize that you alone have the power to rebuild your reality. You are the creator of your world."

 

That reality is scaling rapidly. Supported by recent acclaim from SPIN, Metal Hammer, and Classic Rock Magazine, Bastion Rose is translating massive digital leverage into a formidable real-world footprint, with their eyes already beyond their upcoming album, ‘Blue Rising,’ to their following record and international campaign of live shows.

 

“There is no light without the weight of the dark. Scars persist, but in fact compose the art of ourselves. We are powerful, fragile things, expanding and dissolving. How beautiful it is to build and to grow and to reach for the sky as long as we live and breathe.” - Austin Frink, Bastion Rose

 

"Someday" is available on all major streaming platforms.

 

STREAM "SOMEDAY": https://linktr.ee/bastionrose

Bastion Rose:
Austin Frink: Vocals and Guitar
Austin Mudd: Guitar
Steve Pierce: Bass
John Donlon: Drums
Barrett Abraham: Keys

 

For More Information Please Visit:

Official Website

Instagram

Facebook

YouTube

Corey Kent & Jason Aldean Unite for Anthem "Rather Be Here"; 'Heartland Rock and Roll' Arrives 9/25

Multi-Platinum Sony Music Nashville recording artist Corey Kent is joined by country superstar Jason Aldean on his new song, "Rather Be Here," available everywhere today. The collaboration marks another preview of Kent's forthcoming album, Heartland Rock and Roll, due Sept. 25. 

Listen to “Rather Be Here”  Below.

Written by Michael Hardy, James McNair, Josh Miller, Morgan Wallen and Daniel Ross, "Rather Be Here" is a rowdy, feel-good anthem celebrating the unmistakable magic of a Saturday night at the local honky tonk. Fueled by a sing-along hook and southern rock swagger, the track captures this simple truth:

"There's nothing I love more about music than playing live, which is why this song resonated so deeply with me," shares Kent. "The energy from a rowdy Saturday night honky tonk crowd is the spirit of this track."

Kent continues, "I really wanted to capture a '70s-style southern rock vibe, and I'm so lucky to have my big brother in country music, Jason Aldean, on this one. It's still surreal every time I hear his voice come in on verse two. Nobody has blended country and rock & roll better than Jason. His early stuff was such an inspiration to me as an artist, so having him on this song is perfect. It has such an infectious, sing-along quality to it, and I can't wait to hear folks sing it with us at shows."

"Rather Be Here" continues the rollout of Heartland Rock and Roll, Kent's highly anticipated third major-label album and the project that finally puts a name to the sound he's spent years building.

"Heartland Rock and Roll is my third major label album, and it's really the first time I've been able to finally name the sound I've been working towards my entire career," shared Kent. "These songs sound like where I'm from. The lyrics span from nostalgia, to honest regrets and gratitude for the simple things I value most in life. From top to bottom, this is me. Every artist wants to leave their mark in music... a way to say, 'I was here and I did it my way.' This feels like mine. This is heartland rock and roll."

Produced primarily by Austin Goodloe, with additional production from Jon Randall and Chris Farren, Heartland Rock and Roll captures golden-hour nostalgia, rugged honesty and the peace that comes with staying true to yourself. Across 16 tracks, Kent blends country, rock and soul into the signature sound that has defined his career.

The new collaboration follows a string of standout releases from the album, including his recent blockbuster single,"Rocky Mountain Low" featuring Koe Wetzel, fan favorite and current single, "Empty Words," which is already Top 50 and climbing on the Billboard Country Airplay Chart following early release due to overwhelming demand and millions of weekly streams, along with "Wannabe," and "Cigarette Burns."

Infusing Oklahoma roots with the untamed energy of a rebel rocker, Kent has built his career on doing things his own way. From dancehalls and dive bars in Bixby, Oklahoma to earning two No. 1 singles at country radio, more than 1 billion career streams and multiple RIAA certifications, Kent's rise has been steady, hard-earned and fueled by conviction.

"I've been fighting my differences for so long, but now it's like, 'Let's just use those,'" Kent explains. "I'm not trying to be anybody else. Bigger fades, 'better' lasts."

The forthcoming album follows Kent's breakout projects Blacktop and Black Bandana, which established the singer-songwriter as one of country music's most compelling and unconventional voices. To date, Kent has earned Platinum certification for "Something's Gonna Kill Me," Gold certification for "This Heart" and Triple-Platinum certification for his No. 1 breakthrough hit "Wild As Her."

Rolling Stone has praised the Oklahoman-native for giving "the region's signature sound a shot of mainstream sensibility," while CMT and the Opry NextStage program have recognized him as an artist to watch. He has toured alongside Morgan Wallen, Jason Aldean, Parker McCollum, Jon Pardi and Koe Wetzel.

For the latest news and information about Corey Kent, visit coreykentofficial.com

Ray Hawthorne Sends The Call To Voicemail On New Single "Hang Up"

Pop punk's most lovable liability, Ray Hawthorne, unravels on his latest single, "Hang Up", where self-awareness stops being productive and starts eating you alive. Trapped between the truth and or self-preservation, "Hang Up" follows the instinct to lie just enough to get through the day, wrapping Ray Hawthorne's ugliest thoughts into something undeniably catchy. Listen to the new single, "Hang Up" Below:

Turning the lens sharply inward, "Hang Up" abandons easy catharsis in favor of something more restless and unresolved. The track wrestles with identity, the comfort of self-sabotage, and the strange safety in never fully meaning what you say. Without a resolution, you're faced with the worst things you believe about yourself on repeat, the dial tone, and the growing suspicion that the line's been dead the whole time.

In an effort to provide insight into the track "Hang Up", Ray Hawthorne took a moment to make things significantly worse:

"When I was recording this song it became abundantly clear to me that it needed to start with a shit talking voicemail. I called a friend of mine that I met at the school bus stop when I was like nine years old and we’ve been inseparable ever since. This girl officiated my wedding, that’s how close we are. So anyway, I call her and I go “Yo pimp, can you shit talk me on a voice note real quick?” She laughed and said she’s literally always ready to talk shit on me. Thats a real friend right there. Like two minutes later I get hit with no less than four voice notes tearing me apart as a person. Shit that cuts deep in a way only your closest friends know how to get to you. It was awesome. We couldn’t even use everything because there was so much shit talk and not enough instrumental intro. But maybe one day I’ll drop the deleted scenes on a Hang Up DVD. Until then, I think the song is worth listening to just for Kristi’s performance alone.”

Renowned for his work in North Kingsley, the acclaimed project alongside Shavo Odadjian of System of a Down, Hawthorne initially captured hearts as the Heartbreak Hero with his inaugural solo release "Heartbreak Feels Good in a Place Like This". Building on his solo work, his debut record "Ray Hawthorne Sucks" further cemented his status as a bold new voice in pop punk, quickly amassing a devoted following and over 20 million streams across all streaming platforms for his magnetic charm and razor-sharp wit.

Blending heartbreak, sarcasm, and just the right amount of emotional stability, Ray Hawthorne leads with a messy kind of hope, turning emotional freefall into something you can scream along to. Where debut album and his firstborn, "Ray Hawthorne Sucks", leaned into an earnest DIY vulnerability, his latest record, "Ray Hawthorne Isn't Real", took a turn and tapped into the restless defiance of a secondborn. The 15 tracks helped embrace the chaos, laugh at the pain, and maybe, just maybe, allow us all to find a little redemption along the way.

Starting from the very real possibility that Ray Hawthorne is just a guy screaming into the ether (and somehow making it sound catchy), his catalog has become a refuge for anyone who's ever felt too loud, too sensitive, or too much. Loud, petty, and deeply cathartic, Ray Hawthorne is proudly one of the most unapologetically honest voices modern pop-punk.

Be sure to stay tuned for more Ray Hawthorne news coming very soon.

ABOUT RAY HAWTHORNE

Do you remember that episode of Degrassi where Ashley really wants Craig to tell her he loves her, but Craig gets all panicked and can’t tell her that he does? It causes so much drama in their relationship. She begins to question her feelings for him and because of that, he becomes seemingly unsure of his feelings for her. So, in an effort to quell the bad vibes, Craig writes a song that includes lyrics IMPLICITLY AND EXPLICITLY stating that he loves her. (Total banger by the way, the only song of his I like better is the one he sings at the battle of the bands after the two inevitably break up, it’s also about Ashley. I believe it’s called ‘What I Know’) Anyway, Craig was only able to admit he loved Ashley in song form, but you as the viewer are left wondering ‘Does he really love her, or was this just his solution to end the drama?’ Or, ’Is this truly the only way he can express himself because he’s kind of nervous about speaking his true feelings outside of the structured environment of a song?’. I tend to believe it’s a mixture of both. So what I’m trying to say is, this collection of songs is kind of like that. I always feel like I have so much to say but often feel a bit too vulnerable when discussing my actual feelings. So for the majority of my life, I’ve just written them into songs instead. These songs can be quite vulnerable even if they seem silly at times. So now you’re left to wonder... am I telling the truth or just trying to get rid of Ashley’s bad vibes?

Miscreance Reach Peak Tech-Thrash on New Single “Oracle’s Rift”

When they first crawled forth from Italy’s underground four years ago, Miscreance were likened to Death, Sadus, Voivod and other immortal beings from the alternate timeline that is the history of extreme metal. But on the band’s upcoming second album, they deliver a mind-altering experience that’s far from just another blast from the past.

Today, Miscreance are releasing the second advanced single from their upcoming new album. By venturing deep into an unrecognizable past, the band reach peak tech-thrash on “Oracle’s Rift”.

“Through a collective hallucination, a voyage through time led us to discover a moment in human history that was lost”, the band says about the far-out path they took to Reminiscence. “‘Oracle’s Rift’ takes us to where the skies end. Whirl to the dirge of judgement and walk the path to oblivion”.

Listen to “Oracle’s Rift” below:

Reminiscence comes out August 28, 2026 on Season of Mist

Pre-order & Pre-save

https://orcd.co/miscreancereminiscence

While recorded in Italy, Miscreance discovered the concept for Reminiscence by sifting through the sands of time. As the band chug, gallop and shred through steep shifts in tempo, “Oracle’s Rift” opens upon a hidden world where ancient cave dwellings house crystal dripstones and a shadowy all-knowing entity.  

We are all very happy with how our first album turned out but we wanted to go bigger by tying Reminiscence to a specific concept”, guitarist Tommaso Cappelletti says.

Bassist Jean-Claude Rossignol explains further. “What we’ve created is a ‘lost album’, sent from an unknown civilization that’s both futuristic and extremely primitive. Through psychic powers and capabilities that transcend earthly comprehension, these primordial extraterrestrials have achieved total neural unity. Yet innate wickedness still lures inside of them, harboring the need for preys, scalps and lust”.

Old-school heshers will raise horns upon recognizing the mark of the greats on “Oracle’s Rift”. “We still play old-school tech-thrash", assures guitarist Andrea Granauro. But while faithful to both Atheist and Dark Angel as it is scrupulous to Coroner, Reminiscence isn’t an attempt to recall death metal’s glory days.

“You’ve never known the face of death / But now it becomes yours”, drummer Andrea Feltrin growls from deep within the many twisted passages of the album’s new single. As Miscreance tear through the final sprint of “Oracle’s Rift” before cleansing themselves in the fires of hell, the last thing you see – or hear – is death metal’s future mutating right before our eyes into an otherworldly fusion of whammy bar and bongo.

While recorded in Italy, Miscreance discovered the concept for Reminiscence by sifting through the sands of time. Along with splintering riffs and trippy tempo shifts, the band uncovered a hidden world where jungle-dwelling hunters and digeridoo coexist with strange tongues, telepathic surgeries and a burning celestial corpse. As imagined by Iranian artist Mona Shiraz, the album’s cover art is a modern interpretation of the kind of painting that was all the rage during the Stone Age. “What we’ve created is a ‘lost album’”, Rossignol says. “It comes from an unknown civilization that’s both futuristic and extremely primitive. Through psychic powers and capabilities that transcend earthly comprehension, these primordial extraterrestrials have achieved total neural unity. Yet innate wickedness still lures inside of them, harboring the need for preys, scalps and lust”. Climbing “The Moaning Hill” is not for the faint of heart, but the intricate twists along its perverse path lead to truly sacred pleasures.

       

“You’ve never known the face of death / But now it becomes yours”, Feltrin growls amidst the many peaks hidden within “Oracle’s Rift”. As the band tear through a torturous passage with ruthless precision, the last thing you see – or hear – is death metal’s future mutating right before our eyes.

With Reminiscence, Miscreance unlock a mind-altering experience of old-school technical death metal.

Lineup
Andrea Feltrin - Drums and Vocals
Jean-Claude Rossignol - Bass
Tommaso Cappelletti - Guitars
Andrea Granauro - Guitars

Guest musicians
Leo Di Angilla - Percussion, Digeridoo, Flute, Berimbau

Recording and Production Credits
Recording Studio - Bridge Produzioni Audio in Susegana, Italy
Mixing and Mastering Studio - Majestic Studio in Silea, Italy
Producer - Marino De Angeli
Mixing, Mastering and Sound Engineer - Marino De Angeli

Cover art
Mona Shiraz

Follow Miscreance
Apple Music: https://music.apple.com/us/artist/miscreance/1502815524
Spotify: https://open.spotify.com/artist/2v4mzDLx1JSnxzq8CsYDzD
Bandcamp: https://miscreance.bandcamp.com/music
YouTube: https://www.youtube.com/channel/UC09Rq5Qo2p914wCf7PVFjqQ
Facebook: https://www.facebook.com/Miscreance/
Instagram: https://www.instagram.com/miscreance_official/

DUNCAN EVANS AND THE WEEPING STARLIGHT Present Introspective New Single "Waiting For Rain"

The new single release "Waiting For Rain" sees DUNCAN EVANS AND THE WEEPING STARLIGHT delve into the unpredictable nature of creativity and inspiration, and the frustration this brings. The band's forthcoming album, The World is a War Zone, is scheduled to arrive on September 18, 2026 via Widowbird Records.

"The early verses talk about feeling imprisoned and 'unanswered prayers'".Explains Duncan Evans. "As the song progresses the verses become more hopeful, speaking of how we can find inspiration from within. The chorus uses metaphors including 'rainfall', 'starlight' and 'heaven' to talk about how we can find the motivation we need from inside ourselves."

DUNCAN EVANS AND THE WEEPING STARLIGHT's use of this imagery occurs throughout The World is a War Zone. In "Waiting For Rain", these themes direct attention inward portraying motivation as something to be cultivated rather than granted at will.

Musically, in the verse of "Waiting For Rain", the band borrows its steady-paced rhythms and dominant guitar hook from folk rock. Accompanied by vocal arrangements that are simple and stark, tension is built ahead of the chorus through movement between major and minor keys. "Waiting For Rain" opens into an intense and frantic chorus that sees discordant touches balance against the lead vocal melody. 

The World is a War Zone marks the first full-length release under the name DUNCAN EVANS AND THE WEEPING STARLIGHT. Formed in 2022 to reflect the emergence of a committed three-piece lineup, the band channels intense post-punk dynamics through the dark and primal undercurrents of folk music. Across nine tracks and 45 minutes, the album explores faith, psychological upheaval, suffering and renewal, navigating the internal battlefields that shape modern existence while holding fast to the possibility of redemption.

About DUNCAN EVANS AND THE WEEPING STARLIGHT:

DUNCAN EVANS AND THE WEEPING STARLIGHT is the collaborative evolution of songwriter and multi-instrumentalist DUNCAN EVANS, built around a committed three-piece lineup that transforms intimate compositions into expansive, emotionally charged performances. Formed under this name in 2022, the project reflects a shift from solo authorship toward a unified band dynamic, where arrangements are shaped collectively and the music breathes with the chemistry of a live unit.

At its core, the band fuses post-punk intensity with the dark and primal undercurrents of folk music. Hypnotic bass lines and powerful, nuanced drumming provide a muscular foundation for chiming guitar arpeggios, warm organ textures and sheets of atmospheric noise. The songs often move through shifting time signatures and dramatic dynamic contrasts, flowing from sparse, fragile passages into towering crescendos with a sense of purpose and emotional weight.

Lyrically, DUNCAN EVANS AND THE WEEPING STARLIGHT explores faith, doubt, suffering, transcendence and the search for meaning in a fractured world. Religious imagery frequently appears, reframed as metaphor and directed inward rather than toward distant absolutes. The writing confronts catastrophe and psychological turmoil with unflinching honesty while holding onto the belief that renewal and redemption remain possible.

The result is a sound that feels sombre, mournful and fiercely committed, grounded in the traditions of post-punk and folk yet shaped by a distinctly personal vision.

DUNCAN EVANS AND THE WEEPING STARLIGHT is:
 

  • Duncan Evans – vocals, guitars, synths, software instruments

  • Ol Jessop – bass guitar

  • Kev Reid – drums


Connect with DUNCAN EVANS AND THE WEEPING STARLIGHT:

Official Website: https://www.duncanevans-music.co.uk/
Bandcamp: https://duncan-evans.bandcamp.com/
E-Shop: https://www.duncanevans-music.co.uk/shop/
Facebook: https://www.facebook.com/duncanevansmusic
Instagram: https://www.instagram.com/duncanevansmusic
Twitter/X: https://www.x.com/devansmusic

Adrian Crowley & Bring Your Own Hammer resurrect the past on 'Quinn The Adventurer' single

Bring Your Own Hammer (BYOH) in partnership with Dimple Discs, continues its acclaimed Music and History Series with the release of "Quinn the Adventurer", a compelling new single performed by celebrated Irish songwriter Adrian Crowley that stands as another striking chapter in this series, bringing an extraordinary true story from Ireland's past vividly into the present through song.

This previews "From the Tombs", This barnstorming  21-song double album is a journey through the history of crime, law and order in Ireland and among the Irish Diaspora in the 19th century.

This is the second BYOH album following "My Grief on the Sea", a collection of songs about the sea, maritime voyages, and migration to and from Ireland during the 1800s, dedicated to Cathal Coughlan (Microdisney, Fatima Mansions), one of Ireland’s most revered artists, who was also involved in this project.

A musical portrait of one of the most remarkable true stories to emerge from the Irish diaspora, "Quinn the Adventurer" tells the extraordinary tale of James Quinn (a.k.a. Tim O'Brien), a young Irish Catholic who left Belfast in 1920 to embark on an astonishing journey across North and South America. By 1924, Quinn had arrived in Hollywood, where he worked as an extra in silent films alongside Charlie Chaplin.

Quinn's adventure took an unexpected turn when L.A. newspapers reported his arrest upon exhibiting a collection of Amazonian shrunken heads at the Long Beach Pike amusement park. Charged with the theft of the collection (valued at $25,000), Quinn was convicted of first-degree burglary and sentenced to San Quentin State Prison. Yet, thanks to the extraordinary twists of his life, he never served his sentence, instead skipping bail before resurfacing in Panama, on his way to Havana, Cuba.

Adrian Crowley's rich, unmistakable voice and masterful storytelling transform Quinn's remarkable journey into an evocative ballad that captures the spirit of adventure, reinvention and myth. The song invites listeners to imagine themselves crossing the Caribbean alongside Quinn, hearing first-hand the stories of a life lived on the edge of history.

One of Ireland's most distinctive musical voices, Crowley has spent more than two decades crafting music celebrated for its poetic depth, haunting narratives and resonant baritone. An award-winning songwriter, singer and composer, his most recent album "Measure of Joy", produced by the acclaimed John Parish, received widespread critical praise and radio support.

Bring Your Own Hammer is a masterclass in collaborative artistry that unites historical scholarship and contemporary composition. Curated by Dr. Richard Mc Mahon(lecturer in History at MIC, Limerick and currently a visiting fellow at the Institute of Criminology, University of Cambridge), BYOH explores forms of invented history, rooted in historical sources from Ireland and overseas, with support from Dr. Niall Whelehan(senior lecturer at the University of Strathclyde in Glasgow, who has written widely on the history of modern Ireland and the Irish diaspora with a focus on the 19th century).

Bringing some of Ireland’s and Britain’s finest songwriters together with historians to create new and original song cycles based on historical sources and to interpret song material rooted in the history of 19th-century Ireland and of the Irish Diaspora. Not a band, nor an ensemble or even a collective, Bring Your Own Hammer is a faction - one that is armed with voices and instruments and dedicated to re-interpreting historical material in song form.

Other contributors to this landmark album include Sean O’Hagan (Microdisney, Stereolab, High Llamas), Audrey Riley, Cian Nugent, Linda Buckley, Tony Higgins, SJ McArdle, Michael Walsh, Lisa LambeLuke Haines (The Auteurs, Baader Meinhof), Miriam Ingram, Hugh Bunker (Fatima Mansions), Damian O'Neill (The Undertones), Brigid Mae Power, Anne Gilpin (Morton Valence),  Lavinia Blackwall (Trembling Bells), Inni-K, NQL. Kelsey Michael, Neil Farrell (Toasted Heretic) and Michael J. Sheehy. 

As of July 10, "Quinn The Adventurer" is out on digital platforms, such as Apple Music, Spotify. and Bandcamp, where 'My Grief On The Sea' is also available on CD and imited Edition vinyl.

CREDITS
Written Adrian Crowley
Adrian Crowley - vocals, guitars, mellotron
Mixed by maxo
Mastered by Seán Mac Erlaine
Produced by Adrian Crowley
Publishing: Domino Publishing Co. Ltd.
Cover design by Paul Callanan & Richard Mc Mahon
Released by Bring Your Own Hammer & Dimple Discs
Publicity by Shameless Promotion PR


Keep up with Bring Your Own Hammer
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hot mess Chase The Feeling Of A Neon Night On New Single "Take Me Home"

Milwaukee pop rock upstarts, hot mess, have today released their latest track, "Take Me Home", a neon lit, pulse racing anthem that marks a bold step for the rising band. Expanding on their knack for infectious hooks and raw-edged energy, hot mess lean into their cinematic, synth-driven production on "Take Me Home", all while holding tight to the grit that captures the impulsive rush of a late night drive or crowded dance floor. Fans can stream "Take Me Home" BELOW.

Built on shimmering, retro-futuristic synth layers and driven by a punk rock backbone, "Take Me Home" finds hot mess fusing 90s nostalgia with a distinct modern edge. At its core, the brand new track is a plea stripped of pretense, yearning for someone or something with total, unguarded intensity and embracing the kind of fleeting, all-in moments that feel like they might not come twice.

Speaking on the DNA of "Take Me Home", bassist Trevor Gallagher shares:

"This is the ultimate track to kick off our new era. The song blends 80’s Blade Runner esque synth layers, with Mötley Crue levels of swagger and punk rock energy. But the 80s are long gone. We needed some new heat for a new day. Something nostalgic enough to get you interested and cool enough to make you stick around for the whole party."

Only six songs into their career, hot mess are still in the earliest chapters of their story, yet the trajectory is unmistakable. Colliding a danceable pop rock with a streak of pop punk grit, the band deliver songs that feel instantly familiar and endlessly replayable. Hook heavy and high energy, hot mess are just rough enough around the edges to hint that something bigger is beginning to take shape.

Stay tuned for more news from hot mess soon.

Photo Credit: Ariel Kassulke

BRAND NEW SONG FROM SYNTH POP LEGEND HOWARD JONES “STAND UP” HAS EXCLUSIVE WORLDWIDE PREMIERE

A brand new song from synth pop legend Howard Jones, “Stand Up,” has its exclusive worldwide premiere today via Billboard. The track is taken from Jones’ forthcoming album GLOBAL CITIZEN (due out in 2027) and is created on his newly-refurbished original Roland Jupiter-8 keyboard (the flagship synth of the early 80s). Of “Stand Up,” Howard Jones commented, “’Stand Up’ was born out of revisiting my original Jupiter-8 synthesiser which has just been repaired. I rediscovered how much I love its analogue sound. It’s my favourite synth and features on ‘What is Love?’, ‘New Song’, and ‘Things Can Only Get Better’. The key message of ‘Stand Up’ is that everyone is important and we must not let others shut our voices down…stand up and be counted.” Jones will perform the song for the first time in front of audiences on his “Things Can Only Get Better” package tour kicking off next week. “Stand Up” will be available for purchase beginning tomorrow here.

The “Things Can Only Get Better” North American tour is the feel-good 80s event of the summer. It features a bill curated and headlined by Jones himself with support from fellow British 80s greats Wang Chung, The English Beat and Modern English and will be hosted by SiriusXM’s Richard Blade. All four artists will perform full sets. Fans can expect to hear the biggest hits from the decade including “Things Can Only Get Better,” “What Is Love, “No One Is To Blame,” “Dance Hall Days,” “Everybody Have Fun Tonight,” “Save It For Later,” “I Confess” and “I Melt With You”. The tour kicks off in Napa, CA at Blue Note Napa Sessions on Sunday, July 19th. Please see below for the complete itinerary. Click here to purchase tickets.  

Electronic music pioneer Howard Jones has been a constant presence on the international touring scene for the past four decades, playing live in several different configurations including intimate solo shows and dates with his full high-tech band set-up. He first burst upon the contemporary music scene in 1983, with his very English songwriting and pioneering synthesizers with “New Song”. His first two albums HUMAN’S LIB and DREAM INTO ACTION were worldwide hits. HUMAN’S LIB reached #1 in 1984 in the UK and featured the hits “New Song,” and “What Is Love?” In 1985, Jones released the follow-up, DREAM INTO ACTION, which quickly became a Top Ten Platinum album in the United States and featured the smashes: “Things Can Only Get Better,” “Life In One Day,” “No One Is To Blame,” and “Like To Get To Know You Well.”  

  

Howard Jones has sold upwards of 10 million albums worldwide and continues to make new music and tour the world. Jones has performed on ABC’s Jimmy Kimmel Live! As well as NBC’s top-rated morning and nighttime shows respectively, Today and The Tonight Show Starring Jimmy Fallon. His ubiquitous hits can be heard in such high-profile television series and films such as “Stranger Things,” “Breaking Bad,” “Watchmen,” “The Carrie Diaries”, “Superstore” and “Bumblebee.”

THINGS CAN ONLY GET BETTER North American tour dates 2026:

JULY

19 Napa, CA - Blue Note Napa Summer Sessions

20 Saratoga, CA - The Mountain Winery

21 Paso Robles, CA - Paso Robles Event Center

23 Los Angeles, CA - The Greek Theatre

24 San Diego, CA - Cal Coast Credit Union Open Air Theatre

26 Las Vegas, NV - Resorts World Theatre

29 West Valley City, UT - Maverik Center

30 Greenwood Village, CO - Fiddler’s Green Amphitheatre

AUGUST

 1 Council Bluffs, IA - Harrah’s Stir Cove

 4 Austin, TX - ACL Live At The Moody Theatre

 5 Grand Prairie, TX - Texas Trust CU Theatre

 7 Indianapolis, IN - Everwise Amphitheater At White River State Park

 8 Rochester Hills, MI - Meadow Brook Amphitheatre

 9 Nashville, TN - Ascend Amphitheatre

11 Kettering, OH - Fraze Pavilion

12 Lewiston, NY - Artpark Amphitheater

14 Atlantic City, NJ - Borgata Resort Spa & Casino

15 Washington, DC - The Anthem

16 Cleveland, OH - Jacobs Pavilion

19 Boston, MA - Citizens House Of Blues

20 Wantagh, NY - Northwell Health At Jones Beach Theater

21 Holmdel, NJ - PNC Bank Arts Center

23 Toronto, ON - The Bowl At Sobeys Stadium

For more information, please visit:

www.howardjones.com

Heavy Metal Pioneers Accept Release Re-Recorded "Balls to the Wall" Plus Video

German heavy metal legends ACCEPT release another single off of their upcoming new album masterpiece, Teutonic Titans 1976-2026, produced, mixed and mastered by the legendary Zeuss. They have teamed up with "Metal God" Rob Halford and guitar icon Matthias Jabs for an explosive new rendition of the genre classic, "Balls to the Wall." Serving as the second single from their massive 50th-anniversary celebratory album, Teutonic Titans 1976-2026, this track perfectly illustrates the band's half-century legacy. Dropping September 4 via Napalm Records, this tight and powerful release delivers a vital blow that proves ACCEPT are as relevant as ever. Featuring 19 timeless songs and more than 50 legendary guest artists, the album culminates in an unforgettable moment as the Metal God himself joins the band on the iconic anthem "Balls to the Wall." The all-star metal supergroup they gathered is another powerful look into the album celebrating both the band's extraordinary 50-year legacy and the heavy metal genre they helped shape itself. 

Wolf Hoffmann about "Balls to the Wall":
"Rob is the Metal God. I don't need to say any more about him. Once we knew that he would do it, it was an obvious choice to give him ‘Balls to the Wall' because it's the best fit imaginable! I played all the rhythm guitars. Matthias Jabs from Scorpions played the solo, which is very cool and a huge honor, and it's Rex Brown on bass and Jason Bowld on drums. So that's a really cool package."

German heavy metal legends ACCEPT celebrate 50 years of pure power, bringing together the scene's A-list musicians for a landmark release. Teutonic Titans 1976-2026 stands as a definitive statement of the band's legacy, forged in steel and driven by unmistakable riffs. Arriving September 4, 2026, via Napalm Records, the album delivers some of the most iconic songs ever written in heavy music.

Led by guitarist Wolf Hoffmann, the longtime architect of ACCEPT's sound, the band is joined by a staggering 50 guests across 19 reimagined versions of their biggest tracks. Teutonic Titans 1976-2026 is ACCEPT's most ambitious and star-studded release to date, reaching far beyond the borders of their country of origin. Featuring the biggest names in heavy music paying tribute to the German icons, the record cements the band's standing on the global stage. This is more than an album; it is a manifesto of metal! Pre-orders are now available in various exclusive formats.

Wolf Hoffmann about Teutonic Titans 1976-2026:
"There is no better way to celebrate this 50-year anniversary than to have our musical peers, friends, and inspirations come together with us to record these classic ACCEPT songs, which I am honored and proud to share with the World. I hope everyone enjoys this very special record as much as we all enjoyed making it."

Get Your Copy Of Teutonic Titans 1976-2026 NOW.

Progressing through albums from their formative years, from I'm a Rebel (1980) to Eat the Heat (1989), ACCEPT present their songs with an all-new, all-star lineup, alongside the signature voice of Mark Tornillo and Wolf Hoffmann's unmistakable riffs. By enlisting a "Who's Who" of metal, no two songs on Teutonic Titans 1976-2026 are the same. Every track features a different combination of vocals, guitars, bass, and drums, giving each classic a fresh edge. 

Tobias Forge delivers a commanding performance on the track "Save Us" (I'm a Rebel, 1980), joined by Ray Luzier on drums. Phil Anselmo, Kirk Hammett, and Mikkey Dee tear through the speed metal classic "Fast As A Shark" (Restless and Wild, 1982). "Balls to the Wall" surges with the powerful range of Metal God Rob Halford, alongside the guitar work of Matthias Jabs, while the reimagined "Love Child" is elevated by Billy Corgan and David Ellefson (both songs from Balls to the Wall, 1983).

Other guest stars on ACCEPT's extraordinary release include Sebastian Bach, Gary Holt, Phil Demmel, Chuck Billy, Joe Lynn Turner, Jeff Scott Soto, John Bush, Frank Bello, John Norum, and Bumblefoot. The album also features a re-recording of "Hellhammer" (Eat the Heat, 1989), performed by ACCEPT's current lineup: Wolf Hoffmann, bassist Martin Motnik, guitarist Philip Shouse and drummer Christopher Williams, joined by Jason McMaster on vocals.

ACCEPT LIVE 2026:

FESTIVALS:
7/10 — Nideggen, DE — Tollrock Festival
7/12 — Herten, DE — Zeche Ewald
7/25 — Istanbul, TR — Maximum Uniq Open Air
7/27 — Sofia, BG — National Palace of Culture
7/29 — Ghimbav-Brașov, RO — Rockstad Extreme Fest
8/7 — Helsinki, FI — Hellsinki Metalfest
8/29 — Newark, UK — Stonedead Festival

GUESTS: TAILGUNNER
8/27 — Wolverhampton, UK — KK's Steel Mill
8/28 — London, UK — Indigo at The O2

GUESTS: DYNAZTY + TAILGUNNER:
11/19 — Leipzig, DE — Haus Auensee
11/20 — Lingen, DE — Emsland Arena
11/21 — Oberhausen, DE — Turbinenhalle
11/22 — Paris, FR — L’Olympia
11/24 — Balingen, DE — Volksbankmesse
11/25 — Lyon, FR — Transbordeur
11/27 — Valencia, ES — Auditorio
11/28 — Madrid, ES — La Cubierta
11/29 — Toulouse, FR — Le Bikini
12/1 — Zurich, CH — Komplex 457
12/2 — Milan, IT — Alcatraz
12/4 — Vienna, AT — Gasometer
12/5 — Zlín, CZ — Sports Hall Datart
12/6 — Budapest, HU — Barba Negra
12/8 — Berlin, DE — Uber Eats Music Hall
12/9 — Gliwice, PL — Arena Gliwice
12/11 — Hamburg, DE — Inselpark Arena
12/12 — Offenbach, DE — Stadthalle
12/13 — Brussels, BE — AB
12/15 — Herford, DE — Kulturwerk
12/16 — Tilburg, NL — O13
12/18 — Neu-Ulm, DE — Ratiopharm Arena
12/19 — Geiselwind, DE — Eventhall
12/20 — Munich, DE — Zenith

ACCEPT ARE:
Wolf Hoffmann — Guitar
Mark Tornillo — Vocals
Philip Shouse — Guitar
Christopher Williams — Drums
Martin Motnik — Bass

Holissstik Bares Tortured Soul on New Single “Would You Take This Heart”

No matter what shape his muse takes, Tor-Helge Skei remains both one of the most consistent and surprising talents in extreme music. As a founding member of the critically acclaimed Manes and Lethe, the Norwegian multi-instrumentalist and producer has pushed the boundaries of metal and electronic music. Now, with his latest experiment, he’s expanding his vision like never before. While it spans an impressive range of genres and features many celebrated collaborators, Holissstik achieves something even greater than its individual accomplishments.

Today, Holissstik are releasing the second advanced single from Chapter 1: This Endless Solitude. While scarred by past misgivings, by bearing its tortured soul, “Would You Take This Heart” reveals the collective spirit that makes Skei and his collaborators such a unified force.    

“Collaboration is the heart and soul of Holissstik”, Skei says. “‘Would You Take This Heart’ was originally a simple, slow, ambient instrumental. But, as is often the case, the song evolved, unplanned and uncontrolled. As more and more collaborators added their parts, it became heavier and heavier, darker and darker”.  

Listen to “Would You Take This Heart” Below:

Chapter 1: This Endless Solitude comes out August 14, 2026 on Season of Mist.

Pre-order & Stream

https://orcd.co/holissstiktheendlesssolitude

Besides Hellem, Murphy and Parelius, the other members of Manes’ core and extended family who contribute to Holissstik include Atrox’s Eivind Fjøseide, ex-Atrox’s Tor-Arne Helgesen, The Third and the Mortal’s Rune Hoemsnes, Drontheim’s Tom Christian Engelsøy and Atrox’s Rune Folgerø. Holissstik also welcomed involvement from Kristoffer Oustad of Kristoffer Nyströms Orkester, Plague Machinery and formerly V:28; Christophe Denhez of Område and Ecr.Linf; rapper Pierre Ripka, or “K-rip”; Nik Košar of Kamra; Gabriel Trentini of Luce d’Inverno and Malaflame; rocker and engineering guru Stig Waltoft, a.k.a. “FluffyBunnyFeets”; and Trond Johansen. Not to mention, Buddhist monks were even persuaded to contribute chanting. While This Endless Solitude is mostly in English, it also features Pali, French, Polish and Italian.  

Although the very nature of Holissstik demands that we expect the unexpected, the collective’s future certainly seems to guarantee obsidian horizons and torrential deluges of artistic truth. In other words, the project promises to persistently and ritualistically pummel us with devastating yet necessary, epic masterworks. Skei and his collaborators truly present the most immersive experiences possible and, in Manes language, offer a safe place in the unsafe; dive in with your hands bound, and be submerged within the imprisoning brilliance. Skei continues to participate in a range of outstanding groups, and yet Holissstik stands as the most unpredictable and, counterintuitive as it might sound, accessible undertaking in the history of his illustrious career.

Lineup
Tor-Helge Skei

Guest musicians

Anna Murphy - Vocals on “Obsession Six”

Christophe Denhez - Guitars on “The Rhythm of Silence”, Guitars, vocals and lyrics on “Behind Me”

Eivind Fjøseide - Guitars on all songs except “Projections”

Gabriel Trentini - Vocals and lyrics on “Obsession Six”

Kristoffer Oustad - Synth on “The Rhythm of Silence”, “Projections”, “Reoccuring Dreams”, “This Endless Solitude”

Tor-Arne Helgesen - Drums on all songs except “Behind Me” and “This Endless Solitude”

Marita Hellem - Vocals on “The Rhythm of Silence” and “This Endless Solitude”

Martyna Halas - Vocals and lyrics on “The Rhythm of Silence”, “My Salvation”, “Would You Take This Heart” and “This Endless Solitude”

Nik Košar - Vocals and lyrics on “Projections” and “Reoccuring Dreams”

Pierre Ripka - Vocals and lyrics on “The Rhythm of Silence”

Paritta Monks - Chanting on “Would You Take This Heart”

Rune Folgerø - Vocals on "This Endless Solitude"
Rune Hoemsnes - Drums on "Behind Me"
Stig Waltoft - Synth and sounds on "Would You Take This Heart"
Tom Engelsøy - Vocals on "Obsession Six"
​Torstein Parelius - Bass on "Behind Me" and "This Endless Solitude", lyrics on "This Endless Solitude"
Trond Johansen - Guitars ​on "Would You Take This Heart"

Production credits

Recorded, produced and mixed by Tor-Helge Skei

Mastered by Knut V. Prytz

Songwriting credits

All songwriting and arrangements by Tor-Helge Skei

Biography

Jillian Drachman

Cover art

Adrien Bousson

Pre-order & Stream

https://orcd.co/holissstiktheendlesssolitude

Available formats

CD Digipack with alternative cover

12” Vinyl (Black)

12” Vinyl (Clear, green and purple marbled)

Follow Holissstik  

Official website: https://www.holissstik.com/

Spotify: https://open.spotify.com/artist/2kUEjjZJGqkwgszR0HQ8IK?si=u6nO-aJkT2inWJlOaDT6Vg

Apple Music: https://music.apple.com/us/artist/holissstik/1895853949

Bandcamp: https://holissstik.bandcamp.com/

YouTube:https://www.youtube.com/channel/UCzTKclWOedWL9-sznSesabA

Facebook: https://www.facebook.com/holissstik

Instagram: https://www.instagram.com/holissstik/

Discord: https://discord.gg/rmfY8Jd8ww

CRAIG MORGAN SALUTES AMERICA'S HEROES WITH NEW SONG, "BLANKET OF STARS,"

Country Music star and Army Reserve soldier Craig Morgan draws from a lifetime of service in his new track, "Blanket of Stars," releasing July 3 on BBR Music Group/BMG Nashville ahead of America's 250th birthday.

Craig Morgan “Blanket Of Stars” HERE

Under this blanket of stars
Nothin' can keep us apart
Whenever I'm standin' in the dark
You'll always be here inside my heart

Written by Johnny Cummings and Krista Marie and produced by Phil O’Donnell and Mickey Jack Cones, “Blanket Of Stars” honors the sacrifice and dedication of the men and women who serve our country and reflects Craig’s unique perspective as both an entertainer and servicemember.

“Going back more than two centuries, our great nation has an inspiring record of military service and it’s a reminder of the sacrifices our military personnel make to protect the freedoms we have all come to know and love,” shares Craig. “‘Blanket Of Stars’ is one of those songs that speaks directly about that sacrifice.”

Fans can hear Craig hosting "4th of July Guest DJ with Craig Morgan" on SiriusXM's Y2Kountry (Channel 57) over the Independence Day holiday weekend, featuring patriotic favorites celebrating America's 250th birthday. He'll also host and perform during America Salutes You Armed Forces 250th Birthday show, streaming July 1 on Disney+ and Hulu.

About Craig Morgan: 

Singer, author, actor, and soldier Craig Morgan has made a name for himself as a country music hitmaker who has amassed more than 2.5 billion career streams and charted over 25 songs on Billboard. With signature hits including “Redneck Yacht Club,” “Almost Home,” “International Harvester,” “Soldier,” “That's What I Love About Sunday,” and his faith-filled tribute, “The Father, My Son, and the Holy Ghost,” the multi-faceted entertainer’s music has formed the soundtrack to our lives for over two decades. His new music, “Blanket of Stars” and his latest EP American Soundtrack (BBR Music Group/BMG Nashville), are no exception, with all of the songs infused with Craig’s faith and patriotism.

Craig received one of country music's highest honors when he was inducted as a member of the Grand Ole Opry in 2008. Prior to becoming a country music star and TV sensation, Craig spent seventeen years serving our country in the Army and Army Reserve and in 2023 enlisted again in the Army Reserve, continuing his military career as a Chief Warrant Officer 2. He remains an avid supporter of America's military personnel and has made nearly two dozen overseas trips to perform for our troops. Craig is a member of the U.S. Field Artillery Hall of Fame and recipient of the USO Merit Award. In 2018, he was awarded the Army’s Outstanding Civilian Service Medal, one of the highest awards the Department of the Army can bestow upon a civilian, in recognition of his significant dedication to our military men and women around the world. He remains committed to supporting active duty and veteran members of our military through work with Operation Finally Home, the USO and more.

His emotional and inspiring memoir - God, Family, Country – is available now. In the book, Craig details all aspects from his inspiring life, revealing never-before-heard stories including the impetus behind his recent enlistment in the Army Reserve, how he worked alongside the CIA as a soldier in Panama, fought sex traffickers as an undercover agent in Thailand, forged his own path to country music stardom, and lives his life by the deepest values: God, family, country.

Learn more at craigmorgan.com and engage with Craig on socials HERE.

Australian Hard Rockers AIRBOURNE Release New Single "Kid In A Candy Store"

Today, AIRBOURNE proudly releases their latest single, “Kid In A Candy Store,” taken from their upcoming self-titled album set for release on August 28th via Spinefarm. The new track is produced by Brian Howes (who helmed 2013’s ‘Black Dog Barking’), engineered by Mike Fraser (who worked on 2010’s ‘No Guts. No Glory’ & 2016’s ‘Breakin’ Outta Hell’), mixed by Zakk Cervini (BMTH, Architects, Evanescence) and mastered by the legendary Ted Jensen.

Available since spring 2025, the do-or-die anthem "Gutsy" sent up the flare, signaling that a new album and a fresh chapter for the band were on the horizon. "Christmas Bonus"followed in November, with "Alive After Death (Last Plane Out)" arriving soon after, both the song and its accompanying video serving as spectacular flag-bearers for the 12-track album to come. Now comes "Kid In A Candy Store," cut from the same battle-jacket cloth, a classic rite-of-passage anthem in the tradition of songs like AC/DC's "Whole Lotta Rosie."

Stream / Listen to "Kid In A Candy Store" HERE

When AIRBOURNE – brothers Joel and Ryan O'Keeffe (vocals/guitar and drums, respectively), bassist Justin Street, and guitarist Brett Tyrrell – entered Music Farm Studioin southeastern Australia to record their new album, they effectively drew a line in the Byron Bay sand. The mission was clear: to create not only the greatest body of work in the AIRBOURNE canon ("Real blockbuster sh*t!," to echo their own words), but to scale the highest possible peak – shirtless, naturally, in true AIRBOURNE style – in the name of hard rock; to break new ground, defend the territory won by the heroes who came before them, and strengthen and celebrate the sacred bond with rock fans around the world.

In short, go forth and GET GUTSY!

Ryan shares:

“We said, this is it, let’s make the oracle. And if we’re going to do it, no corner can be cut. Because if you cut a corner, you’re not going to pull it off."

 

He continues, “This record distils everything we stand for into one place. Everything we love. It’s the best album we could possibly have made.”

 

“It’s a rocket that we’ve been building and building, and we’ve filled it with this fuel and we’re ready to light it up and let it go,” exclaims Joel. “Everything we are as a band, our heart and soul, is in this record.”

Made on home soil in the face of tropical storms, dangerous, potentially lethal wild-life and temperamental vintage gear, ‘Airbourne’ is the album, the statement recording, that only one band could have created; for proud sons of Warrnambool, Joel and Ryan, it was all about setting a high bar, then raising it higher, with Bryan Adams and studio maestro ‘Mutt’ Langeadding their multi-platinum songwriting skills to a couple of the tracks.

 

‘Airbourne’Made with passion. Made in Australia. The Great Barrier Riff.

Pre-Order 'Airbourne' HERE

AIRBOURNE Live:

July 2 - Belfort, France @ Eurockéennes

July 3 - Ballenstedt, Germany @ Rockharz Open Air

July 4 - Vienna, Austria @ Donauinselfest

July 7 - Villafranca di Verona, Italy @ Castello Scaligero

July 10 - Weert, Netherlands @ Bospop

July 11 - Knebworth, UK @ Eddfest

July 16 - Saint-Julien-en-Genevois, France @ Guitare En Scene

July 17 - Ambert, France @ World Festival Ambert

July 20 - Carcassonne, France @ Festival De Carcassonne

July 22 - Solothurn, Switzerland @ Kulturfabrik Kofmehl

July 23 - Liège, Belgium @ OM Concerts

July 25 - Sondershausen, Germany @ Bobfest

July 28 - Zagreb, Croatia @ Boogaloo

July 30 - Râșnov, Romania @ Rockstadt Extreme Fest

August 1 - Wacken, Germany @ Wacken Open Air

August 4 - Bratislava, Slovakia @ Tipos Arena

August 7 - Chemnitz, Germany @ Wasserschloss Klaffenbach

August 8 - Poznań, Poland @ Rockowizna Festival

August 10 - Prague, Czech Republic @ Forum Karlín

August 12 - Dinkelsbühl, Germany @ Summer Breeze

August 14 - Sulingen, Germany @ Reload Festival

August 16 - Carhaix-Plouguer, France @ Motocultor Festival

August 18 - Pamplona, Spain @ Navarra Arena

August 20 - Valencia, Spain @ Roig Arena

August 22 - Château-Gontier, France @ V And B Festival

August 26 - Kraków, Poland @ Klub Studio

August 29 - Tallinn, Estonia @ Helitehas

August 31 - Helsinki, Finland @ Allas Sea Pool

September 3 - Stockholm, Sweden @ Tivoli Gröna Lund

September 5 - Oslo, Norway @ High Voltage Live

Emptiness Release New Single “Nowhere Speaks”

Black/death experimental metal band Emptiness are releasing the title track from the band’s upcoming seventh album as its third and final advanced single. While it serves as the album’s conceptual center, “Nowhere Speaks” builds toward an enclosing, unyielding force.

Listen to “Nowhere Speaks” below:

Nowhere Speaks comes out July 17th, 2026 on Season of Mist.

Pre-order & pre-save

https://orcd.co/emptinessnowherespeaks

Save for vocals, keyboards and additional effects, Nowhere Speaks was played live in the studio, after four years of preparation, rehearsals and tests to ensure the music could be performed with the right weight and intention. This is not a production detail so much as a commitment to a specific kind of tension, the kind that does not survive being assembled in pieces. Emptiness’ previous album, Vide (2021), had no distortion, was sung entirely in French, and existed at the edge of silence; Nowhere Speaks moves in the opposite direction, and does so deliberately, opening exactly where Nothing But The Whole (2014) cut off mid-riff and closing by looping back to that album's opening riff.

The title track opens in unhurried density, a body of sound that grows and presses inward without urgency, The lyrics inhabit the dimension the album describes without mapping it: a mind that twists, a dead world moving alongside something unresolved from the past, and through it all, something vast speaking outward into a landscape of sorrow, addressed to no one in particular. "Nowhere speaks loud thru the wind, in a landscape of sorrow, to a soldier of steel."

Nowhere Speaks is not a return. After the most introverted and isolated record of their career, the band opens outward into density and live intensity. The album, developed over an extended period of time, was composed by Jérémie Bézier and Olivier J.L.W., who oversee its production across both sonic and visual dimensions, bringing the work to completion as a unified whole, committed to tape live in the studio. The structural conceit of opening mid-riff from where Nothing But The Whole ended, and closing with that album's opening riff, is not nostalgia. It is the same logic that has always governed EMPTINESS: the cycle without a fixed point, beginning and ending inside each other, nothing and everything at the same time. The band has spent years demonstrating that they do not move in straight lines. Nowhere Speaks is a continuation from a point the listener was not meant to forget.

Line-up:
Jérémie Bezier — Vocals, Bass
Olivier J.L.W. — Guitars
Simon L. — Guitars
Dea Hydra — Synths
Laye Louhenapessy — Drums

Follow Emptiness:
Facebook: https://www.facebook.com/Emptiness.be
Instagram: https://www.instagram.com/emptiness.official
Bandcamp: https://emptiness.bandcamp.com/
Twitter/X: https://x.com/Emptiness_band
Spotify: https://open.spotify.com/artist/5AXPdt3zknCylvlnEi0JFO
Apple Music: https://music.apple.com/artist/emptiness/303855225
Deezer: https://www.deezer.com/artist/199828
Tidal: https://tidal.com/artist/4813509

GREG FRASER from STORM FORCE Releases a Guitar Instrumental of “O CANADA”

BraveWords Records is honored to release Greg Fraser’s instrumental guitar version of “O Canada”. The single can be streamed and purchased on Bandcamp or listened to on YouTube.

Greg Fraser is a founding member of Storm Force who are releasing their second album Truth, on August 14th via BraveWords Records.

Stream or Purchase “O Canada” : 

https://bravewordsrecords.bandcamp.com/album/truth

“In celebration of Canada Day, I thought it would be fun to record my own instrumental guitar version of “O Canada”.

This is something I’ve wanted to do for the longest time. I’m old enough to remember back in the ’70s, when TV stations would actually sign off for the night. Around 11 or 12 o’clock, the national anthem would play, and after that… pretty much a blank screen.

Someone mentioned that recently, and it brought back a flashback of hearing that traditional version of “O Canada” in my head. It got me thinking — you really don’t hear too many rock versions of our national anthem. So I thought, what the heck, I’m going to give it a shot.

The only thing was, the background arrangement and orchestration felt pretty daunting to me. So I reached out to Storm Force’s touring keyboardist, Mike “Benny” Bedrosian, to see what he could come up with. When he sent me his ideas, I literally got goosebumps. I thought, wow… we might really be onto something here.

We finished the track together with a few tweaks here and there, and then I had Storm Force drummer Roger Banks add some wicked percussion to put the icing on the cake.

I couldn’t be happier with the way it turned out.

Happy Canada Day, everyone. Hope you enjoy it!” - Greg Fraser

Gunshine Release New Single + Video "Shark Lounge"

Florida rock band Gunshine has unleashed their latest single and music video, "Shark Lounge," the sixth track revealed from their highly anticipated forthcoming full-length album, Grand Rising, due out digitally on July 24 via vnclm_ / Create Music Group.

 

Packed with sleazy riffs, larger-than-life storytelling, and an unapologetic rock 'n' roll attitude, "Shark Lounge"draws inspiration from one of Florida's most infamous nightlife landmarks, a notorious Daytona Beach strip club that became legendary for its outrageous atmosphere before ultimately being shut down.

 

Capturing the absurdity and excess of the venue, "Shark Lounge" embraces a fun, raunchy energy that perfectly complements the band's hard-hitting sound. To elevate the track even further, Gunshine enlisted Michael Starr, frontman of Steel Panther, whose unmistakable vocals and larger-than-life personality make him a natural fit for the song's tongue-in-cheek celebration of rock excess.

 

"The song is based on a famous strip club in Daytona Beach that was known for all kinds of debauchery," Austin Ingerman explains. "There were stories of prostitution, drugs, grandma strippers, pregnant strippers, even a dancer with a peg leg and they all performed above a live shark tank with an actual shark swimming below. The lyrics have a fun, raunchy vibe and we thought it would be fitting to feature Michael Starr from Steel Panther."

 

The songs guitars, bass, vocals, were tracked by Austin Ingerman in Pensacola, FL.. Chris Collier played drums (tracked at Ray Luzier’s studio in Nashville called “lose yer ear studios”). 

Chris also mixed and mastered the track, as well as, the whole record. 

 

"Shark Lounge" continues to showcase the diverse sonic landscape of Grand Rising, an album that finds Gunshine pushing their sound while remaining rooted in the swagger, hooks, and high-energy spirit that have earned them a loyal following.

 

Grand Rising arrives July 24 on all major digital streaming platforms.

 

STREAM "Shark Lounge" HERE

 

The album is now available on limited edition vinyl and CD here:

https://gunshine.diggers.store/

 

WATCH "Shark Lounge" Below:

While the digital release of Grand Rising arrives later this summer, fans won’t have to wait long to get their hands on the record. Physical copies of the album, including CD and double vinyl editions, alongside exclusive Gunshine merchandise, are available for purchase online at https://gunshine.diggers.store/ The CD and double vinyl will also be sold through the band at upcoming live shows.

 

"We tracked the whole record, (except "Goth Girl" and "Single Looks Good On You"), in Las Vegas with producer/mixer Chris Collier (Korn, Mick Mars, Whitesnake, Lynchmob).  I've been working with Chris for about 9 years now.  He's incredibly talented, has a great ear, and adds a heavy hitting production value that makes the songs sonically translate very well," says Austin Ingerman.  

Hailing from Pensacola, Florida, Gunshine have built a reputation on catchy vocal melodies, clever lyrics, blistering guitar riffs and solos, and a lethal rhythm section. Their sound blends edgy, raw Rock ’n’ Roll attitude with a melodic, Pop-forward sensibility, creating music that hits hard while remaining instantly memorable. Combined with their high-energy, commanding live performances, Gunshine continue to enthrall listeners and prove themselves a force to be reckoned with.

 

With Grand Rising, Gunshine raise the bar yet again in an exciting evolution of the band. The album takes listeners on a dynamic journey filled with genre-bending twists and turns, shifting moods, and unexpected vibes—all while staying true to the core elements that set Gunshine apart. Featuring 13 tracks, each single-worthy in its own right, Grand Rising is poised to become a modern-day rock classic.

Check out upcoming tour dates HERE

 

Gunshine are:

Austin Ingerman: (Guitar, Vocals)
Jordan Benson: (Lead Vocals, Piano)
Jake Tripp: (Bass, Vocals)
Tommy Salzburg: (Drums, Vocals)

The Paranoyds are back with LATE NIGHTER

“We didn’t know it at the time, but it all started with a vanity plate: L8 NYTR,” say The Paranoyds. “Then there was the tour with the Kills, the two most genuine people and authentic rockers we might have ever crossed paths with. We spent most of August going to Jamie’s home studio with the goal of writing a song a day. We eventually recorded our demos with him later that November. daylight savings comes in, and it gets dark so early--perhaps the depth and grit that our summertime demos needed? We would leave the sessions and come back the next day to find that Jamie had worked total studio magic on the tracks after we left. he was our late nighter, el capitán, guiding everything to exactly where it needed to be.”

FRANK RAY RELEASES HIGHLY ANTICIPATED NEW EP, GOOD FOR THE SOUL

Today, country artist Frank Ray released his brand-new EP Good For The Soul via BBR Music Group/BMG Nashville. Produced by Seth Mosley and Michael “X” O’Connor, the five-song collection showcases Ray’s signature blend of heartfelt storytelling and modern country sound. Listen HERE.

“I’m so excited for everyone to hear my new EP, Good For The Soul. This project is a direct reflection of both my love for ’90s country music and where my life is at right now. Every song tells a piece of that story. I’m incredibly grateful to my amazing collaborators and producers whose creativity and support helped bring this project to life,” says Ray.

Ray’s latest EP blends modern country energy with the timeless charm of classic honky-tonk. Featuring nostalgic romance and barn burner vibes, the collection is a direct reflection of his faith journey, the reality of watching his kids grow up, and what it means to keep falling in love with his wife through every season. With two tracks co-written by Ray and a special appearance from country star Tracy Lawrence on the title track, Good For The Soul captures the authentic sound that first inspired him as an artist.

The lead song, “Third Row George Strait” was written by acclaimed Nashville songwriters Ben Hayslip, Dan Isbell and Ben Stennis, and previously released on May 1st, paying tribute to country legend George Strait with a catchy melody and fresh up-tempo energy.

Fans will be able to see Ray perform at the Grand Ole Opry on July 4th as the Opry celebrates America's 250th. Tickets are available HERE.

About Frank Ray
Blessed with a smooth country vocal, BBR Music Group/BMG Nashville artist Frank Ray is a long road singer-songwriter who built his career on medicinal-strength performances, making the world a slightly-happier place, one night at a time. But with a new understanding of his “duty,” the hit-making former police officer has gone back to his roots. Growing up amid the intense collision of cultures in border towns Laredo, Texas and Columbus, New Mexico, everything from Tracy Lawrence and Rascal Flatts to Tejano, Ranchera, and Norteño music formed his musical foundation, with service in his blood. Spending 10 years as a law enforcement officer in Las Cruces, New Mexico, Ray wrote tickets by day and worked honky tonks by night, until a battle of the bands scored him a gig opening for Keith Urban. A bright fusion of organic honky-tonk pop and smooth Latin twang led to two Texas radio #1s, while the R&B-inflected “Country’d Look Good on You” reached the Top 20 of Billboard’s Country Airplay chart in 2022. Ray’s good-time credentials were solidified on nationwide tours with Luke Combs, Kane Brown, Luke Bryan, and more, and he was hailed by TIME Magazine, Good Morning America, Rolling Stone, Country Radio Seminar, Pandora, Amazon Music, and beyond. A 2023 album debut played up his vibrant Tex-Mex flavor. But on the new EP, Good For The Soul, sunny honky-tonk tones from the ‘90s and 2000s combine with epic balladry and mood-boosting vocals, in a sonic prescription for the good life.


                                         WEBSITE | INSTAGRAM | FACEBOOK | X | TIKTOK

Photo Credit: David McClister

Savage Hands Bleed Honesty On Their Most Compelling Single Yet "It's Me"

Maryland's unflinching alt-metal catalysts, Savage Hands, are hitting their stride with this latest run of massive singles and their newest track, "It's Me", out now via Oxide Music. Without sacrificing an ounce of their metalcore bite, the band lean into a glossier, hook-driven sound on "It's Me" that doesn't shy away from a pop sensibility. Fans can listen to "It's Me" BELOW.

Touching on a devastation and the agony from knowing your own patterns well enough to fear them, "It's Me" traces the loop of addiction and avoidance while digging into the wreckage of self-destruction. Coming from the perspective of desperation to protect the person they love the most, Savage Hands turn the lens entirely inward, flinching to find the problem staring back at them in the mirror.

Additionally, this summer, Savage Hands will be embarking on The Art Of Love And Power Tour alongside Of Virtue for one of the most unmissable heavy tours of the year. The tour will see both bands trading headlining slots each night, giving fans two high caliber sets under one roof. Tickets are available for purchase HERE.

Speaking to the fear and honest woven into "It's Me", vocalist Mike Garrow shares:

"Coming from a family of divorce, I was forced to see failure with love at a young age. I think that’s where the trouble stems from and I wanted to capture that essence of being scared to try. A lot of people may experience a relationship when it’s going great and there’s only 2 ways to go from there…forever or it doesn’t work out. This is from that in-between point where you have to put 2 feet in or get out. Trying to trust in everything you’re afraid of while putting it all out there is really hard to do, but 100% necessary when you know you’ve found the one."

Guided early on by multi-platinum producers Andrew Baylis (Jelly Roll, Sleeping With Sirens, etc) and Lee Rouse (The Funeral Portrait, Teddy Swims, etc), Savage Hands have sharpened their craft into a volatile blend of ominous atmosphere, sledgehammer riffs, and skyscraping choruses. A hybrid sound that dissolves the lines between post-hardcore, metalcore, and alternative rock, all while hitting with precision and purpose.

Propelled by the success of previous singles, "Demon", "Washed Away", and "Halo", the quintet have been in constant forward motion since their 2018 debut, amassing over 55 million streams along the way. From steely Maryland roots to festival stages, Savage Hands' relentless drive has shaped a previous that thrives on the collision of chaos and catharsis bleeding into one another. With their latest releases, "Feel Me", "POWER", "Trust Issues", "Reload Repeat", and "Trace Erase", Savage Hands are opening the door to a new chapter, one that's heavier, sharper and more unapologetic than anything that's come before.

Be sure to stay tuned for more Savage Hands news coming very soon.

THE ART OF LOVE & POWER TOUR

SAVAGE HANDS & OF VIRTUE

July 16 - Greensboro, NC - Hangar 1819

July 17 - Orlando, FL - Conduit

July 18 - Atlanta, GA - The Masquerade

July 20 - Dallas, TX - Three Links

July 21 - San Antonio, TX - Paper Tiger

July 23 - Phoenix, AZ - Rebel Lounge

July 24 - Anaheim, CA - Parish @ House of Blues

July 25 - Sacramento, CA - Starlet Room

July 27 - Seattle, WA - El Corazon

July 28 - Portland, OR - Hawthorne

July 30 - Salt Lake City, UT - Urban Lounge

August 1 - Denver, CO - Marquis

August 2 - Colorado Springs, CO - Black Sheep

August 4 - St Louis, MO - The Duck Room

August 5 - Minneapolis, MN - Amsterdam

August 6 - Milwaukee, WI - X-Ray Arcade

August 7 - Chicago, IL - Reggie's

August 8 - Detroit, MI - Sanctuary

August 9 - Columbus, OH - Ace of Cups

August 11 - Buffalo, NY - Rec Room

August 13 - Hartford, CT - Webster Underground

August 14 - Worcester, MA - Palladium Upstairs

August 15 - Philadelphia, PA - The Foundry

August 16 - Richmond, VA - Canal Club

August 18 - Baltimore, MD - Ottobar

August 19 - Pittsburgh, PA - Preserving Underground

August 21 - Nashville, TN - The End

ABOUT SAVAGE HANDS

After their breakout tracks “Demon”, “Washed Away”, and “Love No More”; Savage Handscemented themselves as leaders in a new, modern rock sound. The band’s ability to balance heavy instrumentation with memorable hooks and raw vocal delivery catapulted their 2020 album “The Truth In Your Eyes” beyond 45 million streams, underscoring the band’s growing global reach. Beyond streaming, Savage Hands dropped two limited vinyl variants which immediately sold out due to large demand.

Like many artists, the global pandemic foiled and unwound plans that were years in the making for Savage Hands. Despite this, the band remained active in touring, supporting acts like Magnolia Park, Wage War, and While She Sleeps; as well as co-headlining with fellow up-and-comers Archers. Savage Hands made their debut DWP festival appearance at Louder Than Life in 2025, marking the Bourbon stage’s largest crowd of the day.

Savage Hands parted ways with Sharptone Records in 2025 and promptly began working on assembling a new album. Joining forces with Oxide Records, the band is preparing to launch a non-stop wave of campaigns starting May 2026.

We are excited to finally close the chapter on all of the uncertainty the pandemic forced into our career. This album has been a long time coming, and we are so extremely grateful for Wetzel and Anthony at Oxide Records for believing in us and pushing us to become the band we were always meant to be.” - Mike Garrow