Matt Wilier began improvising on piano at the age of 5, with no knowledge of music other than his own feelings and sensations. After practicing for a few years, it was at the music conservatory that he discovered technique and then classical music.
From the age of 12, he would fall asleep listening to Keith Jarrett’s solo piano albums, including ‘The Köln Concert’ and ‘La Scala’. During the same period, after having studied the Romantics (and Chopin’s rubato), he was captivated by impressionist music and became fascinated by the French movement ‘Les Six’. But ultimately, he considers ‘Gaspard de la Nuit’ by Maurice Ravel to be one of the most beautiful piano works.
While retaining his initial desire for improvisation, he threw himself into minimalist and repetitive music, freeing himself from judgement and taking an interest in sonic resonances, frequencies and vibrations of the piano as proof of the passage of time.
In 2019, he released his first EP ‘Jours’, a collection of older improvised recordings, and chose to regularly release tracks resulting from his process of creation with the French label, Bruit Blanc.
‘Variations’, his 11-track album, was released on 28th June 2024. The recording of this album was no exception, with Matt once again focusing on resonances. ‘Variations’ is built in the same way, with changing melodies, harmonies and rhythms.However, this time the piano is not alone, with strings, string layers, ensemble and analog bass frequencies as accompaniment.
This album is built like an original movie soundtrack. Images flash by as you close your eyes and listen to it.
In September 2024, he recorded some solo piano tracks after a series of improvisational recordings, which he released in short bursts: 'Burning Through The Ground' and 'A Suspended Moment' (a two track EP which also included 'My Hand Lovingly Caressed Her Face, She Awoke Softly And Fixed Her Gaze Upon Mine').
Feb. 28, 2025 - He releases two versions of the song “Together”, one of which was recorded in a train station while waiting for departure time. In the studio, he added powerful strings, giving this track two very different worlds, as two people can be to each other.
'Music For Mass' (July 2025) is a 5-tracks EP without piano but strings and Church Organ ; 'The Chrysalis Awakes' (Aug. 2025), a live improvised version of a song played during his concert at Piano Revenge Festival, 1st Edition, in Paris in June 2025.
After a collaboration with the piano neo-classical label AD21 and its compilation 'Autumn Sketches, Vol.1' of original piano works - 'Promises' composed by Matt - Matt released 'Playing with Light' EP and then, 'Winter Movement'.
'Winter Movement' was recorded a year ago in the French Alps while it was snowing. But the timing wasn’t right to release it as spring was already approaching. This EP isn’t sad, but it invites the kind of introspection that snowy mountains inspire.
New Single Vianova -Remix
vianova continue their rise with the release of their new single and collaboration "Oh No (Ando San Remix)."
Following a breakthrough year that firmly established them as an exciting new forces in heavy music, the band now pushes it sound into fresh territory with a bold and modern reinterpretation of one of its standout tracks.
The Ando San Remix injects "Oh No" with a new pulse, blending vianova's trademark heaviness and emotional intensity with electronic textures and club-driven energy, while preserving the raw impact that has fueled the band's rapid ascent. The result is a dynamic crossover moment that highlights vianova's openness to experimentation and their instinct for forward-thinking collaborations.
vianova's momentum has been nothing short of explosive.
Their debut album has already amassed over 10.5 million streams worldwide, resonating deeply within the modern metalcore scene and far beyond. Capping off this breakout run, the band were recently honored with the Nik Nocturnal Award for Best Breakthrough Band of 2025, a milestone that underlines their growing influence and visibility on an international level.
With "Oh No (Ando San Remix)," vianova once again prove that they are not content to stand still. Confident, ambitious, and constantly evolving, the band continues to redefine what modern metalcore can sound like – and its trajectory shows no signs of slowing down.
Catch the band live in 2026 — more info about vianova's EU shows here and UK shows here.
VIANOVA U.S. 2026 TOUR DATES:
SUPPORTING THORNHILL:
5/1 — Los Angeles, CA — El Rey Theatre
5/2 — Sacramento, CA — Ace of Spades
5/4 — Phoenix, AZ — The Van Buren
5/6 — San Antonio, TX — Vibes Event Center
5/7 — Dallas, TX — The Studio at The Bomb Factory
5/8 — Houston, TX — Warehouse Live Midtown
5/10 — Daytona, FL — Welcome To Rockville (Festival)
5/11 — Atlanta, GA — Variety Playhouse
5/13 — Charlotte, NC — The Underground
5/14 — Norfolk, VA — The NorVa
5/15 — Philadelphia, PA — Brooklyn Bowl
5/17 — Columbus, OH — Sonic Temple (Festival)
5/18 — Baltimore, MD — Baltimore Soundstage
5/19 — Boston, MA — Royale
5/20 — New York, NY — Webster Hall
5/22 — Toronto, ON — The Opera House
5/23 — Detroit, MI — The Majestic Theatre
5/24 — Chicago, IL — The Vic Theatre
5/26 — Englewood, CO — Gothic Theatre
5/27 — Salt Lake City, UT — The Complex
5/29 — Portland, OR — Roseland Theatre
5/31 — Seattle, WA — The Showbox
More info about vianova's U.S. shows here.
New Single Doomcrusher
German metalcore force Doomcrusher continue their ascent with the release of their brand-new single "Odyssey." Forged in an atmosphere shaped by uncertainty and upheaval, the project was created with a clear purpose: To push against stagnation and channel heaviness into something powerful, focused, and forward-moving.
Founded by Andy Posdziech (Any Given Day) alongside Jean Bormann (Rage), Marv Kinkel, and Rob Lee, Doomcrusher combine stomping, heavy mid-tempo industrial riffs with uncompromising guttural vocals that resolve into expansive, uplifting hooks. Layered electronic elements add depth and tension, creating a modern metalcore sound that feels both massive and controlled while staying firmly rooted in metal's foundations.
With "Odyssey," Doomcrusher take their next decisive step, expanding their sonic scope while maintaining the crushing intensity that has defined the project from the start. Following the strong response to their first releases"Breakout," "Reflect," and "Adrenaline," featuring Any Given Day, the band has already surpassed 1.2 million streams worldwide with only three singles — a remarkable foundation for a project still in its early stages.
Driven by a clear artistic vision and an uncompromising approach, Doomcrusher are not simply adding another chapter to their story with "Odyssey" — they are continuing a deliberate exploration of modern heavy music, proving that intensity, atmosphere, and ambition can co-exist at full force.
ANTI-SAPIEN Release New Single "At the Mercy of the Merciless," Announce New Album
Atlanta’s crust smeared death metal unit ANTI-SAPIEN return with their new single “D.E.A.D.”, a track that highlights the band’s punk, hardcore and crust influences. Built on a mosh friendly intro, a fast d-beat verse and sharp higher register vocals, “D.E.A.D.” taps into the band’s love of filthy crust and NYDM style slam riffs. The song breaks away into a vicious party slam section complete with vintage 808 bass drops, showcasing the band’s ability to merge primitive heaviness with energetic hooks.
“D.E.A.D.” stands for “Do Everything All Day”, an acronym coined by a longtime friend of Blake over twenty years ago. The song’s theme reflects the idea that too much of life is wasted on worry, stagnation and unfulfilling obligations. ANTI-SAPIEN use the track to champion a philosophy of living fully and deliberately, honoring the dreams of loved ones who are no longer here and refusing to get caught in cycles of empty distraction.
The band notes that “D.E.A.D.” has quickly become one of their strongest live songs. Audiences respond instantly to the opening mosh part, and the track’s position as the start of Side B of the upcoming EP is intentional. Written with a side A and side B mindset, the song is meant to reintroduce listeners with a surge of energy and leave them wanting more as it barrels into a double bass driven solo and breakdown finale.
The EP At the Mercy of the Merciless arrives January 16 on Terminus Hate City. It is the second official recording from ANTI-SAPIEN and continues the band’s growth as purveyors of crust smeared death metal. The members bring decades of experience across grind, death metal and classic metal projects and write specifically to support the unique tone set at the band’s inception: fun and catchy, but grimy, sweaty and raw. Written throughout their touring schedule, the EP reflects the band’s evolution into more complex riffing and structures while preserving the primitive, oozing character that defines their sound. Pre-orders are available HERE.
About ANTI-SAPIEN:
ANTI-SAPIEN formed in Brooklyn in 2021 and grew quickly from a loose pandemic experiment into a touring force known for filthy death crust riffs, sweat soaked shows, and a message that cuts through the noise. The band began as a way for friends to blow off steam and write ugly, fun songs that blended their love of D beat punk, death metal, grind, and the classic New York slam tradition. What surprised them was how quickly audiences connected to not only the heaviness but the honesty. Kids responded to the riffs but also to the moments between songs where the band spoke openly about inequality, exploitation, and the systems that grind people down. That connection pushed ANTI-SAPIEN to take the project further, tighten their sound, and hit the road hard across the United States and eventually through Australia, Korea, and Japan.
Over time the band’s lineup shifted into the current form of Blake Charlton, Alex Fewell, Ryan Murphy, and Nathan Rand, all seasoned musicians with long histories in heavy music. Their combined backgrounds in bands like Ramming Speed, Black Mass, Soul Remnants, and others helped shape the sound into something both raw and disciplined, equal parts crust punk grit and death metal precision. They have played festivals like NEDM Funtime Bonanza and the NYDM International Fest, building a reputation for fast sets, filthy tones, and a refusal to shy away from uncomfortable truths.
ANTI-SAPIEN operate with a clear sense of purpose. They are proudly anti fascist, openly political, and committed to calling out abuses of power while keeping their shows rooted in community and catharsis. The band writes music that is catchy and disgusting, equal parts sewer filth and adrenaline, and they deliver it with the conviction of people who believe heavy music can be fun while still saying something worth hearing. Audiences continue to grow each tour, fueled by the band’s willingness to merge riffs, rage, humor, and a perspective shaped by lived experience.
ANTI-SAPIEN is:
Blake Charlton – Guitar and Lead Vocals
Alex Fewell – Drums
Ryan Murphy – Bass and Backup Vocals
Nathan Rand – Lead Guitar
Connect with ANTI-SAPIEN:
Website: terminushatecity.com
Bandcamp: https://anti-sapien.bandcamp.com/music
E Shop: https://anti-sapien.bandcamp.com/merch
Facebook: https://www.facebook.com/AntiSapienBand/
Instagram: https://www.instagram.com/antisapienband/
YouTube: https://www.youtube.com/@antisapienband
Spotify: https://open.spotify.com/artist/4qq4lPjBPdNmudoOk1CfRZ
Apple Music: https://music.apple.com/us/artist/anti-sapien/1679779909
COLIN STOUGH’S VULNERABLE NEW BALLAD “BEST FOR YOU” AVAILABLE NOW –
19 Recordings/BMG Nashville artist Colin Stough gets vulnerable on his brand-new ballad, “Best For You,” out now. Penned by Stough along with Phillip Kane, the new track slows the pace after the up-tempo energy of “White Trash” and his recent release, “20 Bucks.” With growing streaming momentum, a rapidly expanding fanbase, and strong engagement across socials and live shows, the Mississippi native and American Idol finalist’s newest release offers a heartfelt, country lyric as it mines his emotional depths. Stough shared the story behind the song and an intimate acoustic performance live last night on Instagram.
“This song’s about loving somebody and watching ’em walk away like it’s nothing, but still wanting the best for them,” shares Stough. “Now felt like the right time to release this since the seasons are changing and y’all were begging me on socials to drop it. Hope y’all like it.”
“Best for You” by Colin Stough is a raw, heart-on-the-sleeve country ballad about loving someone enough to let them go. Through imagery of airplanes, streetlights, and unanswered calls, the lyrics paint the pain of watching someone move on while you’re still stuck in the hurt. Even as he admits he keeps coming back and can’t numb the heartbreak, the chorus lands on a powerful truth: no matter how bad it gets, he doesn’t wish her ill will. In the end, the love stays unconditional. He still wants the best for her, even if it breaks him.
About Colin Stough
Born and raised on the Mississippi-Alabama line, 21-year-old Colin Stough was brought up on Southern rock and second chances. A self-taught guitarist and gravel-voiced storyteller influenced by The Allman Brothers, Conway Twitty, and Koe Wetzel, he first picked up a guitar at age eight, later trading in his prized possessions for a pawn shop acoustic — one he still plays today. After high school, he worked full-time as an HVAC tech until his mom pushed him to audition for American Idol Season 21. That leap launched a life-changing ride: a standout third-place finish, a deal with 19 Recordings / BMG Nashville, and breakout songs like “Sober,” “’Til The Day One Does,” and 2025’s hard-edged anthem, “White Trash.”
With a skinned-raw vocal and lyrics carved from lived experience, Stough has built a loyal following of over 800k across social platforms. His EPs Promiseland and Lookin’ For Home offer a no-frills portrait of a young man navigating life with Southern grit, and his recent releases, “White Trash,” “20 Bucks,” and “Best For You,” keep with the no-holds-barred, hold-nothing-back theme. On the road, he’s opened for acts like Chase Matthew, Drake White, and Kidd G, and is continuing to build his live show through 2025. A student of Skynyrd and the outlaw spirit, Stough isn’t chasing trends — he’s telling the underdog’s truth, one song at a time.
KEEP UP WITH COLIN STOUGH
WEBSITE | FACEBOOK | INSTAGRAM | TIKTOK | YOUTUBE
BLAZONER Announces First Single "I'm In Love With My Car" From Upcoming Covers EP Sonic Chambers
Fredericksburg, Virginia heavy rock trio BLAZONER has released "I'm In Love With My Car," the first single from their upcoming covers EP Sonic Chambers, due out February 13, 2026. The track offers an electrified and harmony rich reinterpretation of the classic QUEEN deep cut.
The band approached the recording with a mix of respect, intensity, and playfulness. Drummer Andy Murray takes the lead vocal, a nod to Roger Taylor’s original performance, while Brian Carnes and Stephen Sullivan join him to build thick, layered choruses that showcase the trio’s signature multi vocal sound. The band recorded an extensive number of vocal tracks to capture the fullness and dramatic lift that makes the original song such a standout. Longtime friend and producer Jeff Covert helped guide the arrangement and brought extra clarity and dimension to the performance.
"I'm In Love With My Car" marks the first look at Sonic Chambers, a collection born from a spontaneous decision to record a few favorite covers in the studio. What began as a simple session quickly evolved into a five track EP that celebrates the music that shaped BLAZONER’s sound and spirit. The single highlights their ability to blend heavy rock power with melodic precision while staying true to the emotional core of the source material.
Listen Below;
About BLAZONER:
BLAZONER is a heavy rock power trio from Fredericksburg, Virginia, built on the belief that loud music should feel both massive and melodic. The band leans into thick, saturated riffs, driving rhythms, and vocal harmonies that hit as hard as the instruments behind them. Their sound blends the grit of stoner rock, the pulse of classic heavy rock, and the swirling textures of psychedelia, creating a style that feels raw, hook driven, and unmistakably their own.
Formed by Andy Murray, Brian Carnes, and Stephen Sullivan, BLAZONER is powered by the natural chemistry the three share when they play together. Every member sings, which gives the band a vocal identity rarely found in heavy music. Whether delivering gritty leads or layered harmonies, the voices of all three members work together to add color and emotion to the band’s thick wall of sound. The result is a blend of heaviness and melody that stands out both live and on record.
BLAZONER came out of the gate with a commitment to playing hard, writing often, and letting instinct lead the way. Since releasing their first music in 2023, the band has grown quickly through high energy performances that showcase their volume, intensity, and connection as performers. Crowds respond not only to the weight of the riffs and the immediacy of the songs, but also to the sense that the band is having as much fun onstage as anyone in the room.
Their music reflects a wide range of influences, yet everything is filtered through the same core approach. Play loud, play with purpose, and make songs that feel alive. Whether crafting originals or reimagining the tracks that shaped them, BLAZONER focuses on movement, emotion, and the thrill of a great groove hitting at full power.
BLAZONER continues to evolve as they write, record, and perform, always pushing toward a heavier, tighter, more expressive version of their sound. For the band, heavy music is more than a style. It is energy, teamwork, and a constant exploration of what three people can create when they trust every instinct and hold nothing back.
BLAZONER Is:
Andy Murray — drums and vocals
Brian Carnes — bass and vocals
Stephen Sullivan — guitar and vocals
Connect with BLAZONER:
Bandcamp: https://blazoner.bandcamp.com/album/escape-to-electric-land
Facebook: https://www.facebook.com/share/1VxuvmkoQn/?mibextid=wwXIfr
Instagram: https://www.instagram.com/blazonerband?igsh=MTNqMGplYXh2NHlrNA%3D%3D&utm_source=qr
YouTube: https://youtube.com/@blazoner?si=a5PLZSKRjAmk4vB0
Spotify: https://spotify.link/Z17LAAz7KXb
Apple Music: https://music.apple.com/us/artist/blazoner/1709365327
Chronicler of Ardul Announces New Single “To Arms!” From the Forthcoming Album Sounds of Ardul
CHRONICLER OF ARDUL presents “To Arms!,” a powerful new single that plunges listeners into the intensity of open conflict within the dark fantasy world of Ardul. Arriving ahead of the upcoming album Sounds of Ardul, due out April 10, 2026, the track highlights the project’s most dynamic orchestral writing yet, capturing the decisive moment when tension gives way to full-scale battle.
“To Arms!” surges with commanding brass, urgent strings, and relentless percussion, creating a vivid and cinematic sense of motion. Composer David Williams channels the spirit of classic video game battle themes while shaping a narrative turning point within the album’s broader emotional landscape. The piece expands on motifs that appear earlier in the record, transforming subtle melodic hints into a triumphant and volatile climax.
Serving as a counterpart to the more intimate “To Arms! (String Quintet),” the new single presents the full battle in its largest, boldest form. Where the quintet version evokes a duel or contained skirmish, “To Arms!” unleashes the full orchestra to paint a much grander conflict.
With Sounds of Ardul, CHRONICLER OF ARDUL deepens its commitment to immersive worldbuilding, weaving thematic motifs and emotional storytelling into every composition. “To Arms!” stands as one of the album’s defining moments, a track that invites listeners to feel the rush, fear, and determination of a hero forced to act.
About CHRONICLER OF ARDUL:
CHRONICLER OF ARDUL was started as a passion project by David Williams when he wanted to combine his love of metal music and dark fantasy to tell a story that spanned over songs and albums. After graduating from Berklee College of Music, he puts his skills to the test to create the music for a story he had been working on for 9 years. The debut EP called Myrewood released late 2023, with its written short story partner, Myrewood Part 1, published in May 2024. The following EP, Sword Of Virné arrived in the summer of 2024. Musically, CHRONICLER OF ARDUL draws from the likes of SHADOW OF INTENT and MENTAL CRUELTY in the metal world, while also taking inspiration from Japanese composer Nobuo Uematsu.
CHRONICLER OF ARDUL IS:
David Williams – Music and Lyrics
Links:
Website: https://chroniclerofardul.com/
Bandcamp: https://chroniclerofardul.bandcamp.com/
Instagram: https://www.instagram.com/chronicler_of_ardul/
TikTok: https://www.tiktok.com/@chronicler_of_ardul
CLOCKTOWERS Present Emotive and Atmospheric Single "Genesis"
Thundering heaviness and atmospheric melodic elements intertwine seamlessly across CLOCKTOWERS' new single, "Genesis". The song is a deeply emotive reflection on fatherhood, and the delicate balance of wanting to provide protection from the chaos of our modern world. The single showcases the heart of the forthcoming full length, Genesis, set to arrive in early 2026.
Rising modern rock outfit CLOCKTOWERS fuse together the ferocious power of metal and grit of rock into a dynamic modern sound. Conveying emotion through carefully crafted melodies, technical details add further dimension to the band's musical arrangements.
CLOCKTOWERS' "Genesis" sees classical-style riffs emerge through a haunting atmosphere before the darker intensity of the track takes form. This new offering contains catchy moments and memorable hooks that see it draw the listener further into CLOCKTOWERS' compelling narratives.
About CLOCKTOWERS:
CLOCKTOWERS is a genre-blending rock/metal duo that proves lightning can strike twice—first in the past, then in the most unexpected moment years later. The band was officially born in 2022, but the story begins long before that.
Vocalist Tarek Puska and multi-instrumentalist Dakota Logan first crossed paths in an earlier metal outfit that spent five years grinding through shows, songwriting sessions, and the chaotic rhythm of band life. Life eventually pulled them in different directions—but fate clearly had other plans. Years later, in the unassuming town of Reily, Ohio, the two reconnected by chance at a local pizza joint. A quick conversation turned into a jam session. One riff became a song—“Spirit Junkie”—and by the end of that session, CLOCKTOWERS had begun.
What followed was a creative eruption. Tarek and Dakota fell into a regular routine, meeting 2 to 3 days per week to write, explore sounds, and record from the ground up in a DIY home studio setting. Over the next two years, this process grew into their debut full-length album, Genesis—a record that pulses with heavy riffs, soaring melodies, and the kind of authenticity that only comes from lived experience and musical trust.
At its core, CLOCKTOWERS thrives on contrast and chemistry. Tarek, born in 1969, brings a lifetime of hard-earned perspective and vocal power rooted in classic metal and rock traditions. Dakota, born in 1995, injects fresh energy, fearless experimentation, and a modern edge that pushes the sound into uncharted territory. Their 25-year age gap isn’t a limitation—it’s a superpower. It allows the band to seamlessly blend old-school grit with new-school fire, delivering music that’s nostalgic without being dated, current without being trendy.
CLOCKTOWERS draws inspiration from a wide palette of heavy music: the swagger and electricity of AC/DC, the doom-soaked weight of BLACK SABBATH, the eerie theatricality of GHOST, the brooding darkness of TYPE O NEGATIVE, the bombast of KISS, and the razor-sharp muscle of METALLICA. Yet, these aren’t just influences—they’re launch pads. CLOCKTOWERS takes what’s familiar and twists it into something personal and raw, layering in textures, emotions, and hooks that make their sound unmistakable.
The band’s songwriting is deeply intentional. Some tracks stem directly from personal experience—loss, growth, heartbreak, and perseverance—while others flow from instinct and emotion, letting the pen follow the pulse of the heart. The result is music that hits hard not just sonically, but emotionally. Big choruses, pounding grooves, and intricate guitar work are matched with lyrics that are introspective, honest, and often cathartic.
One of their standout tracks, “Ashes,” caught the attention of Jason Viebrooks, known for his work with HEATHEN, GRIP INC., and now EXHORDER. Viebrooks lent his talents on bass and guitar alongside Dakota for the single, while Todd J. Farler, a seasoned drummer from Cincinnati, added a thunderous groove that elevated the track even further. It’s the only track on the record that features guest musicians—every other note, riff, and lyric on Genesis comes straight from the two founding members. That was a deliberate decision. CLOCKTOWERS is about preserving a raw, undiluted vision. No filler. No compromises.
With Genesis, CLOCKTOWERS has positioned itself not just as a band, but as a statement—a declaration that real, passionate, no-bullshit rock and metal is alive, evolving, and still capable of hitting you straight in the soul. Whether you’re a lifer raised on vinyl and leather jackets, or a newcomer looking for authenticity in a crowded digital landscape, CLOCKTOWERS offers something that resonates.
This is music forged in connection. Fueled by memory. Driven by instinct. And played with the kind of conviction that can only come from two people who live and breathe it.
CLOCKTOWERS is:
Tarek Puska – Vocals
Dakota Logan – All instruments (guitars, bass, additional production)
Piebald's "If It Weren't For Venetian Blinds..." to Be Released on Vinyl Via Iodine Recordings
Before PIEBALD were known for their anthemic sing-alongs and offbeat charm, there was ...Venetian Blinds, an evolution from hardcore roots into something uniquely their own with all of their trademark chaos and cleverness.
Originally released in 1999 on Big Wheel Recreation, If It Weren't For Venetian Blinds, It Would Be Curtains For Us All brought Piebald's blend of the sincere and the satirical to the '90s emo and indie rock scene
Now, Iodine Recordings proudly presents a deluxe reissue of this quintessential record. It has been completely remastered for vinyl by Jack Shirley (Joyce Manor, Quicksand) at The Atomic Garden, and has been out of print since its original release. Calling all collectors!
This remastered edition features fully updated artwork reconstructed from original source materials and photos, as well as a retrospective commentary written by the band.
Springing from the thriving Merrimack Valley scene that produced Converge and Cave In, Venetian Blinds bridged the gap between underground post-hardcore experimentation and the hook-driven songwriting that would soon define an era. Witty, heartfelt, and impossible to categorize, this deluxe reissue celebrates a crucial piece of Piebald's history.
Pre-order the release here.
PIEBALD ARE:
Jon Sullivan
Andrew Bonner
Aaron Stuart
Travis Shettel
Piebald are playing shows through the end of the year. All dates, including a 2026 show, are below.
PIEBALD LIVE:
12/7 — Detroit, MI — The Fillmore (With Hot Mulligan)
12/8/ — Millersville, PA — Phantom Power (With The Worst)
12/10 — Albany, NY — Lark Hall (With The Worst)
12/11 — Hamden, CT — Space Ballroom (With The Worst)
12/12- Worcester, M — Palladium (With Saves The Day, Glassjaw)
12/13 — Portland, ME — House of Music (With The Worst)
3/26/ — Boston, MA — Roadrunner (With The Format, Adult Mom)
STEVE GORDON MIA RELEASES EXPLOSIVE NEW MUSIC VIDEO FOR “BROKEN” FEAT. RAY WEST (SPREAD EAGLE)
Rock/Metal Guitarist, Producer, Mixer, and longtime industry veteran “Steve Gordon MIA” has officially released the music video for his breakout single “BROKEN”, featuring powerhouse vocalist Ray West of Spread Eagle. The track has already made major noise at radio currently at #22 on Metal Contraband Radio Charts--and the new visual brings the song's emotional intensity, modern heaviness, and cinematic atmosphere to life.
“BROKEN” marks the second collaboration between Gordon and West, following their acclaimed single “We Go To War,”that climbed to #18 on the Metal Charts and continues the sonic blueprint Gordon has spent years crafting: classic metal emotion delivered with hard hitting modern production.
The new video is the most fully realized chapter of the “Steve Gordon MIA” visual universe so far. Combining gritty cinematics, emotional narrative, and Gordon’s signature heavy aesthetic, the “BROKEN” video plunges viewers into the darker themes behind the song—pain, recovery, addiction, rebirth,survival and the razor-thin line between destruction and redemption. Ray West’s soaring performance is on fire, backed by Gordon’s relentless guitar work and massive mix, delivering a modern metal anthem—but unmistakably stamped with Gordon’s veteran sonic identity.
STEVE GORDON MIA “Broken” Official Music Video below:
Listen to BROKEN: https://hypeddit.com/stevegordonmia/broken
About Steve Gordon MIA
With deep New York roots, Steve Gordon MIA is a guitarist, songwriter, producer, and mixer. His sound merges the brutality of modern Metal with the precision and musicality only decades of top-tier experience can create.
STEVE GORDON MIA may be a newer solo name to many fans, but his fingerprints are all over the rock world & radio worldwide. A Grammy-nominated engineer, a 50+ Gold & Platinum guitarist, and a behind-the-scenes force across rock, metal, pop, R&B, and film, Gordon has played guitar for, Produced or Mixed:
Bon Jovi, Wu-Tang Clan, Rod Stewart, Phil Collins, Prince, Toni Braxton, Celine Dion, Frank Sinatra, Morgan Wallen, Rob Thomas, Motley Crew/2 Live Crew (HanginWith The Homeboys Movie Soundtrack), Regina Belle, Matt Kramer (Saigon Kick), Inner Circle, and Tito Jackson, Phyllis Hyman, Betty Wright, Gregory Abbott, Dr. John, Rita Marley, Kirk Whalum, Najee, Walter Beasley, David Sanborn, Donell Jones, Aretha Franklin, Howard Hewitt, Natalie Cole, Bad Company (Brian Howe) & more.
In addition to his recording and session work, Gordon has placed over 30 songs in major films and soundtracks, including “The Little Things” starring Denzel Washington, “80 For Brady” starring Jane Fonda, Sally Field, Rita Moreno, Lily Tomlin, and NFL legend Tom Brady, and “Mafia Mama” starring Toni Collette and Monica Bellucci. His work also extends to Disney movies & soundtracks, as well as placements across Netflix, HBO, and Paramount & Showtime, showcasing his versatility and wide-reaching impact. After decades shaping the sound of Icons & other artists, Gordon is now carving out his own lane—leading into the upcoming full-length album “In The Blink Of An Eye” that features world class internationally known Hard Rock Metal singers in the Hard Rock / Metal arena coming out January 2026). Gordon is also a Grammy-nominated engineer credited for the“Betty Wright & The Roots’ song titled “Surrender”.
Links to Website and All Socials
https://www.facebook.com/profile.php?id=61576615768613
LEVELS Drop "Black Dove" Video
Central Arkansas-based, cyber-industrial x metal quartet LEVELS — Kolby Carignan [vocals], Jager Felice [guitar], Jacob Hubbard [bass], and Dalton Kennerly [drums] — have come roaring out of the gates to close out the year with the video for the new single "Black Dove."
Watch it below.
The song, with its glitchy riffs, deep grooves, and kinetic vocals, will take up real estate in your brain for days on end. And the balls-out breakdown will leave you seeing stars.
"'Black Dove' is a requiem for lost faith and forbidden love, a haunting prayer that drifts through the ruins of devotion to ghosts born in the mind," the band explains
The new track follows "Covert One," which arrived over the summer. Watch the video here.
LEVELS are known for fusing heavy music with elements of pop, electronic, and drum and bass. Since forming in 2016, they have independently amassed millions of streams, drawing influence from artists as diverse as Billie Eilish, The Prodigy, Static-X, and The Weeknd.
Following the success of their 2023 EP PULSE on SharpTone Records, which surpassed 1 million streams, LEVELS aren't adding to the noise, they're building something new, sharp, and unapologetically their own. Their sound fuses digital grit with raw emotion; dark, distorted, and built to break through the static. LEVELS have built their rise on a fierce DIY ethic, steadily growing from small rooms to bigger stages, playing alongside bands such as: Kittie, ERRA, Beartooth, The Devil Wears Prada, and more.
LEVELS are more than a band. Their ever evolving world is built from cinematic visuals, visceral performances, and immersive storytelling, standing out in a hyper-connected yet emotionally disconnected era. With each track, they seek to reignite authentic connection. As they continue to carve their path through the metal landscape, their mission remains clear: Don't bury emotion. Embrace it. Channel it. And turn it into something that makes you feel again.
MALEFIC Unleash New Single “In Darkest Dreams” from Forthcoming Album Impermanence
Atlanta blackened thrash visionaries MALEFIC have released their new single “In Darkest Dreams,” taken from the band’s long-awaited full length album Impermanence, arriving February 13, 2026 via Terminus Hate City. As one of the oldest songs in the MALEFIC catalog, originally dating back to the years before 2010, “In Darkest Dreams” has undergone a long evolution to become the fully realized version presented on the record.
The track highlights the band’s increasingly death metal driven approach while still retaining the blackened and thrashy foundation that defines their sound. It is one of the few songs on the album to feature a true chorus, yet it remains progressive in structure, moving through distinct musical chapters that each showcase a different facet of the band’s writing. The middle breakdown section emphasizes the group’s command of shifting rhythms and tight, precise playing, eventually building into a ripping guitar solo by Sam that captures his growth and confidence as a lead player.
Lyrically, “In Darkest Dreams” reflects an earlier era of MALEFIC. The words were initially written by Cory after Devin left the band, and later revised slightly by Aaron to fit the larger narrative arc of Impermanence. The imagery leans heavily into the horror influences that colored the band’s early years, telling the tale of a reaper-like figure whose presence drives the song’s bleak atmosphere. Although the lyrics occasionally veer into abstract territory, the band acknowledges that they maintain a certain cool, visceral quality that fits the track’s history. The chorus in particular remains one of the few lyrical elements to survive from the early days, believed to have been preserved even after the rest of the original lyrics were lost.
The rhythmic overhaul of the song represents an important part of its evolution. With a drum approach shaped by thrash, high speed technical metal and progressive rock, Aaron sought to avoid monotony by frequently shifting the pulse within the same riffs. The early versions of the song relied more heavily on ad-libbed vocal patterns and less structured drumming, so the updated arrangement brings a tighter and more intentional rhythmic feel. Even the chorus sparked debate during recording about whether it should remain upbeat for its entire duration, and the final version reflects a compromise that preserves the song’s energy while serving the tension and release of the overall arrangement.
MALEFIC’s history stretches back to 2007 when the original lineup first emerged in the Atlanta extreme metal scene. After a hiatus beginning in 2009, the band reconvened in 2015 and has moved forward at full speed ever since. Their sound blends technical precision, a tightly locked rhythm section and a keen sense of groove into a modern, aggressive take on melodic death metal that stands apart from their peers in the United States. The creation of Impermanence began in late 2018 and faced numerous challenges as lineup changes forced re-tracking, rewrites and complete remixes of material that had already been considered finished. Despite the setbacks, the band views the album as the culmination of years of dedication, refinement and persistence, and as a definitive statement of what MALEFIC represents.
About MALEFIC:
MALEFIC roared onto the Atlanta metal scene in 2007 with ambitions to modernize the black metal genre. With their tight riffs, tasty leads, and relatable lyricism, MALEFIC abandons cliches and defies traditional genre boundaries. Their special blend of black metal, drawing from thrash and death metal influences, appeals to metalheads across subgenres. They count OLD MAN'S CHILD, CARCASS, TESTAMENT, DISSECTION, and OPETH among their most prominent influences, offering a fresh, modern take on metal that is unrivaled in the United States.
Though they are set to release their very first full-length album, Impermanence, in 2025, MALEFIC boasts an impressive live performance history, having played shows with notable bands such as 1349, CRYPTA, and PROFANATICA. After a hiatus in 2009, the band eagerly picked back up where they left off and reformed with a new lineup. MALEFIC initially began work on Impermanence in 2018, taking their time to ensure that every detail accurately reflected their vision for their album. The band's hard work and dedication has culminated in a powerful debut, lovingly crafted by fans of nuanced, boundary-pushing music.
MALEFIC lineup:
Jason Davila - Guitar
Aaron Baumoel - Drums, Vocals
Sam Williams - Guitar
Andy McGraw - Bass
Ecce Shnak teams with famed DJ-producer Madison Mars on dance-ready 'Prayer On Love' remix
Art rockers Ecce Shnak have teamed up with world-famous DJ-producer Madison Mars on the club anthem 'Prayer On Love (Madison Mars Remix)'. A 360-degree transformation of the chilled original version of 'Prayer On Love', found on their 'Shadows Grow Fangs' EP, this ecstatic dance version serves as a bridge towards their full-length debut album, 'Dandy Variances', slated for spring release.
Based in New York City, Ecce Shnak (pronounced Eh-kay sh-knock) is made up of David Roush (composer, bassist and one of two singers), Bella Komodromos(vocals), Chris Krasnow (guitar), Gannon Ferrell (guitar), and Henry Buchanan-Vaughn (drums).
Known for their thrilling performances — a high-stakes auditory experience where fierce instrumental prowess and an element of playful chaos exist in perfect, precarious balance — they cleverly manage to serve up one sonic adrenaline shot after another. Tossing the rulebooks out the window, Ecce Shnak has a talent for spinning serious subjects—the stuff of great rock tradition—into the same whirlwind as the wildest, most trivial footnotes of life, all delivered with blinding focus.
Madison Mars (aka Madis Sillamo) has a solid reputation as an electronic music producer, having created remixes for such artists as Pink, Sia, Armin Van Buuren, Shaggy, Robin Schulz, and even Sting. A recording artist with numerous sync licensing deals to his name, he has released music via top labels around the world, including Warner Music, Sony and Universal Music and earned a Double Platinum Record for his 'New Vibe Who Dis' album.
Ecce Shnak also recently released another electronic reworking of their original 'Jeremy, Utilitarian Sadboy' fashioned by German DJ-producer Eskei83. This re-envisioning — 'Jeremy, Utilitarian Sadboy (Kill Em Mix)' — is an invigorating adrenaline-filled hit that evokes imagery of sci-fi and action-thriller scenes from the Matrix and Bladerunner, the original’s math-metal guitar riff is transformed into a throbbing dubstep synth-bassline and its frenetic drums into a straightforward high-octane dance-beat.
In February 2025, Ecce Shnak released their debut EP 'Shadows Grow Fangs', which was recorded and produced by Jeff Lucci, mixed by Nicholas Vernhes (Animal Collective, Deerhunter, Wild Nothing, The War on Drugs) and mastered by Grammy award-winning engineer Joe LaPorta (David Bowie, The Weeknd, Foo Fighters, Vampire Weekend).
Since then, Ecce Shnak has garnered ample press attention and airplay, released their live 'Backroom Sessions' EP, hosted a hot series of live shows in New York City, and toured the USA with platinum-selling legends Spacehog and EMF. Ecce Shnak also features on the EMF single 'LGBTQ+ Lover', an epic indie dance track that offers a safe space for the marginalized queer community, the video footage being filmed during their recent joint tour.
'Prayer On Love (Madison Mars Remix)' is out now viaRecords, Man Records, available from digital music platforms, includingSpotify,YouTube and Apple Music.
CREDITS
Written / composed by David Roush
'Prayer On Love' remix by Madison Mars
'Kill Em' Remix' by Eskei83
Vocals by David Roush and Isabella Komodromos
Sound Engineer: Jeff Lucci at the Art Farm (NY)
Released by Records Man, Records
Artist photos byTommy Krause
A&R: Beth Narducci forYou + Me Entertainment
Publicity by Shauna McLarnon forShameless Promotion PR
Keep up with Ecce Shnak
Facebook | Bandcamp | Instagram | Twitter | YouTube | TikTok | Spotify | Apple Music | YouTube Music | BandsInTown | Booking | Press contact
Keep up with Shameless Promotion PR
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VISERION Announce New Single “Harrenhal” From Their Forthcoming Album Fire and Blood
Black metal quartet VISERION unveil their crushing new single “Harrenhal,” a fresh look into their forthcoming full-length album Fire and Blood, set for release on January 16th, 2026. This record marks the band’s first standalone album featuring their current four-piece lineup, a formation solidified in 2022 that has pushed their sonic identity to new extremes.
Drawing deep inspiration from George R.R. Martin’s Game of Thrones universe,Fire and Blood centers thematically on the legendary Targaryen dynasty, embracing their infamous house words as its title. Formed in Queens, NY in 2020, Viserion have since carved a reputation for crafting bleak, immersive soundscapes. With this release, the band elevates the sound they have been meticulously refining over the years while showcasing their evolution as musicians and storytellers.
“Harrenhal” embodies a mood of despair, anguish, and lingering dread, capturing the cursed legacy of one of Westeros’ most infamous strongholds. Its lyrics recount the brutal destruction of Lord Harren’s mighty fortress at the hands of Aegon the Conqueror and his dragon, an inferno that left only smoldering ruins and a legacy of misfortune for all who would dare inhabit them thereafter.
With “Harrenhal,” Viserion offer a powerful glimpse into the world of Fire and Blood, an album that promises sweeping scope, thematic depth, and the heaviest, most refined sound the band has unleashed to date.
About VISERION:
Located in Queens, NY, VISERION blend brutal and aggressive black metal with atmospheric and melodic passages in their own distinctive take on the genre. Storytelling is embedded in their musical creativity, highly influenced by the writings of George R.R. Martin and the World of Westeros. The band initially formed as a three-piece in 2020 by Ben Marvilli taking on bass and vocals, Matt Marvilli on drums and John Magnani performing guitars. Subsequently, in 2022, Magnani left and Ben Marvilli swapped out bass for guitar. Cris Valentine also joined on guitar and Tasso Diakov took on the bass. The debut album Natural Selection dropped in 2021, followed by a split EP release with TELOCH VOVIN titled The Iron Age of Kali Yuga in 2023. Now, Fire and Blood is set to emerge on January 16, 2026.
VISERION Is:
Benedetto Marvilli -Guitar/Vocals
Matthew Marvilli - Drums
Cris Valentine - Guitar
Tasso Diakov - Bass
Album Credits:
Producer: Billy Pfister
Recording Studio: Westfall Recording
Engineer: Billy Pfister
Mastering: Jacob Buczarski
Mixing: Chris Grigg
Cover art: “Fire in Rome” by Hubert Robert
Links:
Bandcamp: https://viserion.bandcamp.com/
Instagram: https://www.instagram.com/viserion_official/
Facebook: https://m.facebook.com/ViserionOfficial/
YouTube: https://www.youtube.com/@viserion9676
VUKOVI Share Video For "Bladed"
Electrifying alt rock duo VUKOVI have dropped a stunning, volatile video for the track "BLADED," the final song from their critically acclaimed album MY GOD HAS GOT A GUN.
"BLADED" comes loaded with radiance and ruin, which is captured beautifully in the flawless video by Zak Pinchin.
VUKOVI's Janine Shilstone comments: "Closing the chapter of MGHGAG with my favorite track off the album. The video is monochromatic and enchanting with the undertones of destruction and mental illness. Beauty and poise doesn’t portray what truly lies beneath."
Watch the video for "BLADED" below.
Listen to "BLADED" here.
Catch VUKOVI live on their 2026 UK tour dates. Tickets are on-sale now HERE.
Purchase and stream MY GOD HAS GOT A GUN here.
ABOUT VUKOVI:
VUKOVI (from North Ayrshire, Scotland) are a dynamic two-piece alt-rock outfit fronted by vocalist Janine Shilstone and guitarist Hamish Reilly. Their sound combines blistering riffs and melodic vocals with elements of heavy-rock, noise-pop, and nu-metal, suitable for fans of Bring Me The Horizon, PVRIS, Don Broco and Royal Blood.
Following the critical success of their 2017 debut VUKOVI and the electrifying follow-up Fall Better (2020), VUKOVI truly ascended to stratospheric new heights with their third album, NULA (2022). While ‘La Di Da’, drawn from their debut, remains a perennial fan favourite, tracks such as ‘Lasso’, ‘Hades’ and the anthemic ‘I Exist’ continue to command chaos from fans in live settings across the globe.
VUKOVI released their latest album MY GOD HAS GOT A GUN via Sharptone Records in 2025, recorded and co-produced by legendary Machine at The Machine Shop Studio in Texas. The album garnered praise from BBC Radio 1, Kerrang!, Rock Sound and Metal Hammer for its cathartic yet exorcistic expression of themes surrounding mental health, religion and female empowerment. The album channels raw emotions through a refined, ferocious delivery, taking influence from titans such as Rage Against The Machine and Deftones.
Having toured with the likes of Babymetal, Enter Shikari, PVRIS, Nothing More and One Ok Rock, VUKOVI continue to build their audiences worldwide. The band have a reputation for their explosive live performances, with Janine famously able to command a crowd with such intensity where pits ignite at a single gesture. Their recent Main Stage performance at 2000 Trees Festival (UK) marked a pivotal moment, firmly cementing their status as future headliners.
VUKOVI boast an enviable history of appearances at major international festivals including Welcome To Rockville (USA), Sonic Temple (USA), Download Festival (UK), Graspop (BE), Resurrection (ES), Rock For People (CZ), Jera On Air (NL), Reload (DE) any many more.
VUKOVI ARE:
Janine Shilstone — Vocals
Hamish Reilly — Guitars
Philadelphia Tri-State artist Celeste Corsano brings ethereal wave on new 'Shellfish' single
Alternative pop artist Celeste Corsano presents her new single 'Shellfish', the fifth in a series of stellar singles released via Magic Door Record Label. Based in Milford, Pennsylvania (on the border with New Jersey), this Kate Bush-esque offering brings a sound wrapped in analogue perfection. Brother and fellow artist Chris Corsano (Björk, Kim Gordon, Thurston Moore) has contributed the cover artwork.
Produced, recorded, mixed and mastered by Ray Ketchem (Guided by Voices, Elk City, Gramercy Arms, Luna, Crash Harmony) at Magic Door Recording Studio in Montclair, NJ, this song features James Mastro (The Bongos, Mott the Hoople, Ian Hunter, Patti Smith, John Cale) on electric guitar, Ketchem on drums and percussion, and David Nagler (Nova Social, Joan Baez, Aaron Neville, Rosanne Cash, Yo La Tengo) on bass and acoustic guitar.
"This is a break up song with a little fun put in... some cute, but pissed-off lyrics, because the heart is still wondering a little what the person has rationalized to enable themselves to sleep at night. What better than to have a little bit of a tongue twister to illustrate an almost childlike awe at how another person could bring so much hurt with their selfish actions?" asks Celeste Corsano.
Corsano's compositions merge introspective writing with audacious arrangements, employing complex rhythmic structures and a vast emotional spectrum that ranges from ethereal contemplation to unbridled energy. Her fearless storytelling achieves a deeper, more candid truth through the natural application of asymmetric meters and multilayered vocal coloring. With an unassuming style, she conveys a disarming sincerity and vulnerability with messages that also resonate with a collective human experience.
"James Mastro's spot-on use and timing of the wah peddle in the pre-chorus is such a delight. I was so thrilled when I first heard his ideas during the recording session. The effect lends itself to an underwater feel where a shellfish might reside as well as captures the mood and style of the song. He's such a thoughtful and creative guitarist and adds the perfect feel to the song," says Celeste Corsano.
"David Nagler also played guitar on this track acoustically and it added so much. He introduced the idea for acoustic and it really worked and was the first song we used acoustic on. Ray's drums on this track had super energy and his arrangement idea of lengthening the ending so that the drums could really make a splash was excellent."
Earlier, Corsano released the singles 'Stuck', 'Nightbird', 'Sunlight Gazing', and her latest - 'XS' (with an animated video by Brother JT), expressing feelings of insecurity, body image issues, and the pressure for perfection and success. The emotional impact intensified by her sparse, almost innocent vocal quality, her sound recalls such artists such as Kate Bush, Tori Amos, and Julia Holter. Yet her unique persona shines brightly, establishing Corsano as a singular artist whose intensity and distinctive timbre are truly mesmerizing.
Celeste's artistry is inspired by her brothers - percussionist Chris Corsano and Latin roots musician Tony Corsano. Starting off in NYC's music scene, she was inspired by punk, new wave, poetry and art, not to mention countless studio sessions with ex-husband Brad Morrison (producer and Absolute A-Go-Go Records founder), working with the likes of Phish, the Figgs and Spiral Jetty. Initially performing Celtic and Bluegrass, she eventually began writing music rooted in the alternative music scene.
As of December 1, 'Shellfish' is available from fine online music platforms, including Spotify, Apple Music and Bandcamp, where all of her previous singles can also be found.
CREDITS
Written by Celeste Corsano
Celeste Corsano – vocals & keyboards
James Mastro – electric guitar
Ray Ketchem – drums & synths
David Nagler – bass & acoustic guitar
Produced by Ray Ketchem
Recorded, mixed & mastered by Ray Ketchem at Magic Door Recording, Montclair, NJ
Cover artwork by Chris Corsano
Released by Magic Door Record Label
'Stuck' & 'XS' video production & concept by Brother JT
Publicity by Shameless Promotion PR
Keep up with Celeste Corsano
Facebook | Bandcamp | Instagram | YouTube | Spotify | Apple Music | Press contact
Keep up with Magic Door Record Label
Bandcamp | Facebook | Instagram | Soundcloud | YouTube | Magi c Door Studio | Press contact
Keep up with Shameless Promotion PR
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VOICES OF EXTREME Sign with BraveWords Records and Release “Stoned Babies” the First Single from the Upcoming Album “Faith In Action”
BraveWords Records announces the signing of VOICES OF EXTREME and the release of the first single “Stoned Babies” from their upcoming full-length album ‘Faith in Action’ to be released in 2026.
Don - “We're beyond excited to launch “Stoned Babies” as our first single with BraveWords Records. This track really captures the energy of the new lineup while sharing a message that is current in today’s landscape. We look forward to sharing it with everyone!
Paul Ranieri - “Releasing “Stoned Babies” as our first single is a huge moment for us. The song has a bit of satire and social commentary, but that doesn’t hinder it from having a cool bass line 😉
Rod Morgenstein - “Really pumped about the premiere of ‘Stoned Babies’, the band’s first video from our debut album, ‘Faith in Action’, on BraveWords Records. Hope you dig watching the band in action!”
VOICES OF EXTREME “Stoned Babies” Lyric Video watch below.
VOICES OF EXTREME “Stoned Babies”, stream the single: https://smarturl.it/VoxStonedBabies
VOICES OF EXTREME share their thoughts on signing with BraveWords Records…
Don - “We’re absolutely thrilled to join forces with BraveWords Records. This is a huge step for Voices of Extreme, and we can't wait to bring Faith in Action to life with a team that truly understands our vision."
Paul Ranieri - “I'm really excited about this partnership with BraveWords Records. It’s amazing to have a label that shares our passion and is ready to help us push Faith in Action out into the world. It's going to be an incredible journey together.”
Rod Morgenstein - “It is an absolute pleasure to be part of the BraveWords Records family, a powerhouse of creative spirit and boundless energy. Don, Paul and I anxiously look forward to working with them, in our shared vision of bringing ‘Faith In Action’ to every corner of the globe.”
Giles Lavery, BraveWords Records A&R, “I have known these guys for many years individually... so it's a real honor to be working with them as a collective. Voices Of Extreme joining the BraveWords Records roster is a match made in Rock Heaven!”
Voices of Extreme, originally launched in 2004, storms back in 2025 with a fierce new lineup and a brand new album that redefines modern hard rock. Fronted by powerhouse vocalist Don Chaffin (RED LAMB, Ram Jam, former co-managed by Nicko McBrain of Iron Maiden), whose commanding voice has opened for legends like Godsmack, Foreigner, Alice in Chains and Tesla. The band also features bass virtuoso Paul Ranieri, known for his melodic precision and slapping technique, with credits alongside Emmy-winning violinist Mark Wood and prog-fusion outfit Stratospheerius. On drums is the iconic Rod Morgenstein, a multi-time Modern Drummer award winner and founding member of the Dixie Dregs and Winger, whose explosive style has powered tours alongside Rush, Jordan Rudess, and countless others. This powerhouse trio unites decades of rock pedigree into a sound that’s bold, dynamic, and unapologetically Extreme.
Links:
https://www.facebook.com/VOICESOFEXTREME/
https://youtube.com/@voicesofextremetv
https://www.instagram.com/voicesofextreme/
https://www.bandsintown.com/a/2199204
Upon Wings Drop Metalcore Single "Velvet Shadow" + Holiday Song
Upon Wings' new single, "Velvet Shadow," is ethereal, dark, dreamy, and totally irresistible. From the very first beat, it grabs you — dark, intense, and heartbreakingly beautiful — and doesn't let go. This isn’t just a song; it's a gothic metalcore anthem that flirts with your emotions while slamming you with crushing guitar riffs and industrial punches. And those angelic vocals from Anne Autumn Erickson? They wrap around your heart and whisper straight into your soul.
Upon Wings' latest song "Velvet Shadow" fits right next to bands such as Bad Omens and Falling in Reverse, but it's a sound all their own.
ABOUT UPON WINGS "VELVET SHADOW"
"Velvet Shadow" is all about juxtaposition — soft and sweet, hard and heavy, tender and terrifying. There's metalcore fury, industrial grit, and even a touch of techno that sneaks in. It's playful, it's dramatic, it's intoxicating — and you might just find yourself hitting replay because you need more. The industrial edge gives it bite, the subtle techno adds rhythm, and the layering keeps you discovering little surprises every listen.
At its core, "Velvet Shadow" is unapologetically emotional, wildly beautiful, and simply angelic. Gothic yet soaring, aggressive yet tender, heavy yet flirtatious — Upon Wings have crafted a track that pulls at your heart while slamming your soul with power. It's a song to get lost in, to feel everything at once, and maybe even to fall a little in love with.
"Velvet Shadow" isn't just music. It's a tender confession that's going to linger in your head long after the last note fades.
As 2025 wraps up, Upon Wings' music has been making waves online. Their 2022 single "Last Love" has garnered more than 27,000 streams on Spotify, and their 2023 follow-up "Distant Memory" is at more than 12,000 Spotify streams. Both of those songs feature guitars from Kevin Jardine and pummeling rhythms from Kyng drummer Pepe Clarke Magaña, while "Distant Memory" also features a shredding guitar solo from Lita Ford guitarist Patrick Kennison. The band's debut single, "Afterlife," featuring Brett Hestla of Creed and Dark New Day, sits at more than 18,000 Spotify streams.
Listen to "Velvet Shadow" on all platforms.
Find Upon Wings on Spotify and Apple Music.
Anne of Upon Wings also has a solo project, and with it, she just released a brand new, original Christmas single, called "Snow Is Falling."
"Snow Is Falling" is the ultimate Christmas song. It's pure cozy magic wrapped in a pop-trap beat you can't resist. It's heartfelt, fun, and festive, a pop Christmas song with trap energy that feels like sipping hot cocoa by the fire. It's everything wonderful about the holidays wrapped into one little song.
"Snow Is Falling" offers a sparkling, heartwarming pop track with a holiday trap beat that glistens with bells and sparkling beats. It's fun, sweet, and irresistible, mixing modern, angelic vocals with rhythms that pulse and sparkle like freshly fallen snow.
The vocals are the heart of the song. Anne's sweet, whispery, emotive voice carries the lyrics, and it truly feels like a new classic. "Snow Is Falling" simply captures the magic of the season. It's the ultimate modern Christmas song, offering something angelic, playful, and sparkling with energy. That makes it impossible not to fall in love with — just like the first snow of the season.
Stream and download "Snow is Falling" on all platforms.
Find Anne's solo music on Spotify and Apple Music.
Rotten Sound Blast the Alarm on "Idealist"
Few grindcore bands have enjoyed the shelf life of Rotten Sound. After outrunning the apocalypse on their last long-player, the Finnish grindcore vets are back with another politically-charged EP. The latest single from Mass Extinction is slightly more optimistic about our future than its initial discharge, but "Idealist" gets its message across with such blunt force, that it's impossible not to heed the band's charge.
"'Idealist' is a cynical D-beat anthem about our fight for a better future", says the band's vocalist Keijo Niinimaa. "I do believe that better times are ahead, but it feels impossible to find a new level in humanity. The transition seems to take forever. That frustration led me to write the lyrics to this song. Mika's riffs and Sami's grooves open the circle into a mosh pit".
Listen to "Idealist" Below.
Mass Extinction comes out December 12 on Season of Mist.
Pre-order
https://orcd.co/rottensoundmassextinction
Pre-save on Spotify
https://open.spotify.com/prerelease/4GjDqqrZi7TTEjCmvvXq5f?si=maLSpuYJTP-Vqs4RmsTaUA
All of the songs on Mass Extinction mutated out of the same radioactive Petri dish that spawned Rotting Sound's prior LP Apocalypse. But even though it clocks in at a freakishly fast nine minutes, the band's new EP is no half-life mutation. As they recently demonstrated while touring Latin America with Crypta, Baixo Calao and Season of Mist labelmates DVRK, their time-tested blend of D-beat punk and Swedish death metal has only grown more dangerous after two decades. "Idealist" marches at a spirited pace toward a new state of light and glory before Niinimaa's screaming commands launch the song into a downright hostile groove.
"Wake up!" At this earth-shaking volume, ignore Rotting Sound if you dare.
Next year, Rotting Sound will return to the grind with a fresh set of European headline dates in support of Mass Extinction. Following this blistering ride with Repulsive Feast and Teething, the band will return to the U.S. for a special set at Maryland Death Fest celebrating their classic albums Murderworks and Exit.
Rotten Sound know how to get their message across. In just under 10 minutes, Mass Extinction chews through toxic consumerism, labor exploitation and other plagues on society. Lead single “Brave New World” pushes for unity over divisive politicking behind a barrage of blast beats. But while our leaders certainly need to clean up their act, there’s nothing stale about this band’s filthy brand of grindcore. Even the slightly optimistic “Idealist” gives way to a downright hostile groove upon Niinimaa’s screaming command.
“Wake up!” With so much atomic force, it’s impossible not to heed Rotten Sound’s warning on Mass Extinction.
Recording lineup
Keijo Niinimaa - Vocals
Mika Aalto - Guitars
Sami Latva - Drums
Matti Raappana - Bass, Backing vocals
All music written by Mika Aalto
All lyrics written by Keijo Niinimaa
Producer
Rotten Sound
Recording & Sound Engineer
Janne Saksa
Recording Studio
Sound Supreme for drums and vocals, Nordic Audio Labs for guitar and bass
Mixing
Jesse Gander at Rain City Studios
Mastering
Brad Boatright at Audio Siege
Cover art
Error Design
Photos
Mika Aalto
Pre-order & Pre-save
https://orcd.co/rottensoundmassextinction
Available formats
Digital Download
CD Digipack
12" Vinyl (Black with B-side etching)
12" Colored Vinyl (Dark Green with B-side etching)
12" Colored Vinyl (Half Copper, Half Black with B-site etching)
Follow Rotten Sound
https://music.apple.com/artist/rotten-sound/71466405
http://rottensound.bandcamp.com/
https://www.facebook.com/RottenSoundOfficial
https://www.instagram.com/rottensoundgrind/
https://open.spotify.com/artist/4aglyvdJ7ApTfDC6aQ2LFf
Rap-Metal Pioneers CLAWFINGER unleash new Video Single “Big Brother” ahead of long-awaited Comeback Album "Before We All Die"!
Swedish-Norwegian rap-metal trailblazers CLAWFINGER are back with another explosive taste of their long-awaited comeback album Before We All Die, their first studio offering in 18 long years! The new single "Big Brother" arrives with a razor-edged video clip and all the pent-up fury you’d expect from a band that helped define the crossover sound of the ’90s.
The first album appetizer "Scum" (listen here) followed by "Ball & Chain" (stream here) have already racked up thousands of plays and reactions across digital platforms, hitting with the force of a small online detonation and proving that CLAWFINGER’s return is striking a nerve and Zeitgeist. Even with a recent live performance of their hit 'Biggest & Best' going viral on Instagram, or Zak performing 'The Truth' in a hilarious karaoke video, CLAWFINGER are being rediscovered by a new generation of metal fans, showing that their music remains as powerful and relevant as ever, nearly two decades after their last album.
The new track "Big Brother" hits like a steel-toed boot to the chest. Mechanical, grinding riffs, an industrial undercurrent that pulses like a surveillance camera’s hum, and Zak Tell delivering one of his most acerbic vocal performances to date: half-rapped, half-snarled, always unmistakably CLAWFINGER. Sonically, "Big Brother" feels like a bridge between the band’s classic Use Your Brain ferocity and a darker, more claustrophobic modern edge.
Lyrically, Tell digs deep into the rot of attention-driven culture:
"Big Brother is an idea I wrote back in 2007 but it never turned into a finished song. It’s about how we trade authenticity and privacy for approval. Fake lives lived on camera, zero substance, 15 seconds of fame and nothing good to say. We binge mindless content, go numb, and don’t even question constant surveillance. We’ve learned to love being tracked, controlled, and fed nonsense 24/7, we don't think even think about it. Who the fuck are we?"
Stream / Download "Big Brother": https://clawfinger.rpm.link/bigbrotherPR
Watch the video Below;
Known for their pioneering fusion of metal, rap, and unflinching social commentary, 2026 will see CLAWFINGER return with their brand new record Before We All Die, that will rekindle the fire which made them one of Europe’s most groundbreaking crossover acts. This hotly-anticipated comeback marks not just a return, but a reinvention, proof that true intensity never fades.
Before We All Die arrives February 20, 2026 on PERCEPTION - A Division of Reigning Phoenix Music. Pre-save/pre-order the album now at: https://clawfinger.rpm.link/beforewealldiePR
From environmental collapse to political hypocrisy, personal disillusionment to collective denial, Before We All Die is CLAWFINGER at full volume - still pissed off, still sharp as ever, still sprinkled with a touch of self-irony, and still refusing to shut up while the world pretends it’s all fine.
“This album is part protest, part therapy, and part middle finger,” the band says. “We’re not offering solutions. We’re screaming because silence is surrender.”
CLAWFINGER are:
Zak Tell | vocals
Jocke Skog | guitar, keyboards
Bård Torstensen | guitars
André Skaug | bass
Micke Dahlén | drums
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