Alt-Pop Artist Dela Kay Drops “Between The Lines”

May 30, 2025

Alt-pop singer-songwriter, Dela Kay, has officially released her latest single, “Between The Lines,” today—a soul-searching, guitar-laced track that marks a bold new chapter in her sonic evolution. “It talks about how unusual and confusing peace can feel,” says Dela Kay. “Reading ‘between the lines’ to self-soothe can sometimes turn into self-destruction. But in my case, my

overthinking ended up being a strong intuition. The line between the two isn’t always easy to see.”

Originally written in July 2024 at collaborator Nick Cozine’s East Nashville home, “Between The Lines” explores the psychological push and pull of vulnerability, intuition, and self-sabotage in relationships. “It’s definitely a vibe I haven’t done before,” Dela Kay shares. “It’s moodier, built around vibey guitar lines, and it might actually be the first song I’ve released with a guitar solo—which is dope!”

Co-written by Dela Kay, Rikki Jo Randall, and Nick Cozine, produced by Stefano Pigliapoco and Nick Cozine, and mixed and mastered by Pigliapoco; “Between The Lines” dives into the tension between emotional safety and perceived threat—highlighting the anxiety that can creep in even during moments of calm.

Dela Kay also partnered with Working Holiday, a Nashville-based creative team known for their recent work with Medium Build, to design the single’s visuals and artwork. “They’re incredibly talented creatives, and I’m so happy I got to work with them on this song.”

With “Between The Lines,” Dela Kay invites fans into a new emotional and sonic space, blending atmospheric textures with raw honesty. “A note to my fans: always listen to your gut,” she adds. “When things go quiet and anxiety settles—what does your heart tell you? That’s the truth.”

MORE INFO:
Dela Kay, who hails from the vibrant music scene of Nashville, TN, draws inspiration from artists such as The Maine, Maggie Lindemann, Paramore, and Avril Lavigne. With previous releases that have amassed over 2M streams collectively, and secured spots on Shazam's Best New Music Apple Playlist; Dela Kay believes that the past year of her career has been her most authentic to date. With a commitment to continue releasing singles throughout the rest of this year, she is determined to leave a lasting impression and make her mark on the music industry with her unique voice and perspective.

At the start of Dela Kay’s career in 2014, her electro-pop style began to emerge through a collaboration with Grammy-winning singer/songwriter and producer, Femke Weidema; which eventually led to her first electro-pop/European-infused single release, “9 out of 10.” Named by Earmilk as an artist who was gifted “with a rich, distinctive vocal style” for her release of “Make You Mine,” Dela Kay went on to continue releasing singles and garnering hundreds of thousands of streams. In 2019 Dela Kay released “All My Love” through Sony Music, which ended up charting 49 on the top 150 global artist charts for Digital Radio Tracker as well as in the top ten for the Top Independent Charts. After a brief hiatus, Dela Kay marked her return by debuting a new, more alternative sound in 2021 with the release of “The Worst Part,” via Wonderland Magazine, and has been releasing this style of music ever since.

Pennsylvania alt-pop artist Celeste Corsano presents haunting & passionate 'Nightbird' single

May 30, 2025

Pennsylvania-based artist Celeste Corsano presents her new single 'Nightbird', the dark side of the ying-yang, following her recently-released debut single 'Sunlight Gazing'. An innovative singer-songwriter, Corsano is the latest artist to be added to the growing roster of the blossoming Montclair, NJ-based indie label Magic Door Record Label.

Corsano's music blends poetic lyricism with adventurous arrangements, unexpected rhythms and a distinct emotional range -- from ethereal and moody to playful and bold. With a natural use of mixed meters and layered vocal timbres, her fearless approach to storytelling conveys a deeper truth.

"I live in a rural area. There's nights when I can't sleep, thinking about my living dreams, desires and worries...the noise and chaos of my circumstances and feelings crowd my mind. When that happens, I lie in bed and look out my window and see the shadows of trees, lightning bugs flash, and sometimes hear the cry of a fisher cat... so eerie and wild. I hear the call of an owl, or see a bird that's been disturbed from its perch and fly to another spot. The sights and sounds become part of a message to me.... a nightbird...calling to me," says Celeste Corsano.

For the past year, Corsano has been working with renowned producer Ray Ketchem (Guided by Voices, Elk City, Gramercy Arms, Luna, Crash Harmony) at Magic Door Recording Studio, who produced, recorded, mixed and mastered this release, as well as several recordings to follow.

With Ketchem also on drums, this single also features fantastically notable guitarist James Mastro (The Bongos, Mott the Hoople, Ian Hunter, Patti Smith, John Cale) and keyboardist-bass player David Nagler of Nova Social (who has also played with Joan Baez, Aaron Neville, Rosanne Cash, Andrew Bird, Steve Earleand Yo La Tengo).

"I came to Ray Ketchem with iPhone recordings of my keyboard, voice, lyrics and a dream.... and for the next few months I traveled 1 1/2 hours one way to have one of the best times and learning experiences of my life. Ray was the producer, drummer and engineer for my songs, He created the fundamental groundwork and direction for Nightbird with his distinctive drum riff," says Celeste Corsano.

"Besides my demo, the drums were a catalyst and inspiration for guitarist James Mastro and synth player-bassist David Nagler to create the full tapestry, against which I could express myself vocally when it came time to record my tracks. I remember feeling so elated and on a musical high watching and listening to Mastro record the tracks for 'Nightbird'. Those hours are unforgettable. He was a part of the music, his entire body and expression connected to his guitar, rippling like water to its sounds. The guitar work expresses the lyrics so perfectly. It was very moving to watch."

She adds, "David Nagler selected the coolest sounds and added so much to the attitude of this song. When the bass first comes into the song it sends chills. Working with Ray, James and David was such an inspiration. All three of them are so down to earth, personable and into the music. They are all legendary in the music realm and I'm so fortunate to have worked with them."

Raised on a steady diet of lyric-driven artists, Corsano then discovered the pulse of the new wave and punk scenes. Quite active in NYC’s live music scene in her youth, she also wrote poetry, studied art and absorbed sound at a granular level. Initially performing Celtic and Bluegrass music in the tri-state area, she ultimately evolved as a solo artist, writing her own material.

Coming from a deeply musical family, Celeste draws constant inspiration from her brothers - Latin roots musician Tony Corsano and avant-garde percussionist Chris Corsano (Björk, Kim Gordon, Thurston Moore). She also honed her ear during countless studio recording sessions attended with her ex-husband Brad Morrison, producer and founder of Absolute A-Go-Go Records, known for working with such notable artists as Phish, the Figgs and Spiral Jetty.

As of May 27, 'Nightbird' is available from fine online music platforms, including Bandcamp, where 'Sunlight Gazing' can also be found. Additional releases are expected to follow throughout 2025.

Larry Fleet Releases the Groove-Filled "Like You Used To"

May 29, 2025

Country hitmaker Larry Fleet is back with a brand-new single and even more chances for fans to catch him live. The blues-tinged “Like You Used To” finds Fleet searching for answers on a fading love that once burned with passion. Listen Below.

Co-written by Fleet with Jamie Moore and Ernest K., the mid-tempo groove leans into warm country soul as Fleet reflects on the little things that once made love feel electric – and how to bring that spark back.

“We’ve all been in that relationship where the fire cools off a bit, and you start looking back, wondering where the spark went,” said Fleet. “That’s what ‘Like You Used To’ is about – but it’s got a groove, and I think a lot of folks will connect with this.”

“Like You Used To” follows Fleet’s “Hard Work & Holy Water” and his recent release “A Lotta Women,” a heartfelt tribute to the kind of steady love that holds it all together – both of which showcase the blue-collar ethos and emotional honesty that define his sound.

And fans will have even more chances to hear these tracks live, as Fleet expands his Hard Work & Holy Water Tour with 25 new U.S. dates running through the end of 2025.

Fleet will first take his soulful mix of country, R&B and Southern rock overseas, kicking off the international leg of the tour in Glasgow, Scotland on August 20, followed by shows across the U.K., Belgium and the Netherlands.

Returning stateside, Fleet heads right to the heartland on September 11 in Shipshewana, Indiana, launching a coast-to-coast trek from Georgia to California, with dates extending through December 12 in Las Vegas. On most nights, fans will enjoy a double shot of Fleet – opening with an acoustic set before returning with his full band for the main show. Rising duo The Kruse Brothers will join select West Coast dates.

Fleet’s recent run of sold-out shows and expanding global footprint underscores a breakout chapter in the making. As Billboard praises, he’s an artist who “delves into blues, rock and retro-country with ease,” and with every new release, he proves there’s no substitute for the real thing.

For more information, visit LarryFleet.com.

See Larry Fleet Live:
Aug. 20, 2025 || Glasgow, UK || SWG3
Aug. 22, 2025 || Camden, UK || Electric Ballroom
Aug. 23, 2025 || Bottesford, UK || The Long Road Festival
Aug. 26, 2025 || Belfast, UK || Limelight 1
Aug. 28, 2025 || Dublin, Ire. || The Academy, Middle Abbey Street
Aug. 30, 2025 || Den Haag, Netherlands || Once In A Blue Moon Festival
Sept. 11, 2025 || Shipshewana, IN, USA || Blue Gate Performing Arts Center
Sept. 12, 2025 || Des Moines, IA, USA || Val Air Ballroom
Sept. 13, 2025 || Burnsville, MN, USA || Buck Hill Ski & Snowboard Area
Sept. 25, 2025 || Bloomington, IL, USA || The Castle Theatre
Sept. 26, 2025 || Wisconsin Dells, WI, USA || Crystal Grand Music Theatre
Oct. 2, 2025 || High Point, NC, USA || Cohab Space
Oct. 3, 2025 || Gainesville, GA, USA || Boot Barn Hall - Gainesville
Oct. 4, 2025 || Douglas, GA, USA || Martin Centre
Oct. 5, 2025 || Winnsboro, SC, USA || Field & Stream Music Fest
Oct. 16, 2025 || Saginaw, MI, USA || Red Room at DOW Event Center
Oct. 17, 2025 || Cleveland, OH, USA || House of Blues
Oct. 18, 2025 || Buffalo, NY, USA || Town Ballroom
Oct. 23, 2025 || Cedar Park, TX, USA || The Haute Spot
Oct. 24, 2025 || Houston, TX, USA || House of Blues
Oct. 25, 2025 || San Antonio, TX, USA || Stable Hall
Nov. 6, 2025 || Sioux City, IA, USA || Hard Rock Hotel & Casino Sioux City - Anthem
Nov. 7, 2025 || Sioux Falls, SD, USA || The District
Nov. 8, 2025 || Hays, KS, USA || Fox Theatre
Dec. 4, 2025 || Phoenix, AZ, USA || The Van Buren*
Dec. 5, 2025 || San Diego, CA, USA || House of Blues San Diego*
Dec. 6, 2025 || Sacramento, CA, USA || Ace of Spades*
Dec. 10, 2025 || Anaheim, CA, USA || House of Blue*
Dec. 11, 2025 || Bakersfield, CA, USA || The Historic Bakersfield Fox Theater*
Dec. 12, 2025 || Las Vegas, NV, USA || Golden Nugget
*with special guests The Kruse Brothers

About Larry Fleet:
Tennessee-born troubadour Larry Fleet grew up on a stack of records spanning Merle Haggard, Otis Redding, Willie Nelson and Marvin Gaye. A thoughtful songwriter with a knack for a one-liner, an ear for a sturdy hook, and a powerhouse voice that strikes like a match, Fleet was working blue-collar jobs to make ends meet long before landing his recording contract with Big Loud Records. Seven years later and again working as an independent artist, the devout family man is turning heads among fans and critics as a songwriter (“Man Made A Bar” recorded by Morgan Wallen featuring Eric Church) alongside his own music, 2021’s tribute to the music that raised him, Stack of Records, his aptly titled 2019 debut, Workin’ Hard, 2023's Earned It, featuring the single “Things I Take For Granted,” and his first latest, 2025’s independently-released “A Lotta Women.” Saving Country Music puts it simply: “If you're looking for the future of traditional country music, then look no further.”

CULTURA TRES Feat. SEPULTURA's PAULO XISTO PINTO JR. and JUANES Unite on “Cien”

May 29, 2025

“CIEN” releases worldwide on May 29, 2025, via ONErpm. For fans of fearless metal, Latin fusion, and socially conscious art—this is a must-listen.

Stream "CIEN": https://music.culturatres.com/cien

CULTURA TRES, the South American metal powerhouse led by Sepultura’s Paulo XistoPinto Jr., joins forces with Latin music icon JUANES on a daring new collaboration: “Cien,” set for release May 29, 2025, through ONErpm.

A seismic blend of thrash, grunge, and Colombian folklore, “Cien” evokes the spirit of ‘90s metal while honoring the rich musical traditions of Latin America. The track is as sonically heavy as it is emotionally evocative—rooted in themes of environmental loss, particularly the deforestation of the Amazon rainforest.

Not a surprising topic, considering these Colombian, Brazilian and Venezuelan musicians, are all from countries with the rainforest in their backyard.

“It’s a pleasure to share a song with Juanes, not only a legend of Latin music, but also a true heavy metal fan,” says Paulo Xisto.

“Man! It’s been a pleasure to make this song with you. Since my teenage years, metal has been a part of my essence, and having the opportunity to record the solo and sing has been amazing,” says JUANES.

A Cross-Cultural Creative Journey

The collaboration unfolded over six months, beginning with CULTURA TRES sendingJUANES a batch of punk-infused riffs. When JUANES returned with haunting, psychedelic guitar additions, the song’s energy shifted entirely—prompting a complete rewrite of the original material. This creative back-and-forth resulted in a track that balances dark melodies with abrasive power.

“JUANES is an incredible metal guitarist—when we first heard his solo on ‘Cien,’ it blew us away,” says frontman Alejandro Montoya.

Originally drafted in English, the lyrics only truly resonated when the band followed Paulo’s suggestion to switch to Spanish. The change added a deeper sense of authenticity and emotional weight. The contrasting vocal styles—JUANES’ melancholic chants and Alejandro’s screaming vocals—reflect the song’s central tensions: beauty versus destruction, tradition versus progress.

“Blending metal and Latin music in one of our native languages (Spanish), helps showcase the power and potential of South American metal!” says Paulo.

Metal Meets Legacy: How It All Came Together

What may surprise casual fans is that JUANES—known worldwide for his Latin pop-rock hits—started his career in a metal band (Ekhymosis, 1988). His admiration for Sepultura and deep respect for Paulo’s legacy created a natural bridge for this collaboration. After one of JUANES’ shows in Amsterdam, Paulo and Alejandro were invited backstage, where they had a chance to check out JUANES’ newly released signature Fender guitar. Mutual admiration, shared roots, and even common crew members eventually led to exchanging riffs and ideas and “Cien” was born.

“Once a metalhead, always a metalhead,” says Paulo.

About CULTURA TRES

With members from Colombia, Brazil, and Venezuela, CULTURA TRES is a genre-defying metal act known for blending sludge, thrash, and traditional South American sounds. Their 2023 album Camino de Brujos (Universal Music) solidified their reputation across Europe, Japan, and Latin America as a truly innovative force in heavy music.

About JUANES

A global ambassador for Latin music, JUANES has earned 25 Latin Grammys, 4 Grammy Awards, and international acclaim for his signature fusion of rock, pop, and Latin folk. Beyond his music, he is a dedicated activist through his Fundación Mi Sangre, championing peace and social justice in Colombia and beyond.

For More Information Please Visit:

CROP Announces New Album S.S.R.I, New Single "Alone" Out Today

May 29, 2025

Lexington, KY’s heaviest export, CROP, has announced the release of their highly anticipated sophomore album S.S.R.I, due out August 22, 2025 via Third House Communications. Alongside the announcement, the band has dropped the album’s first single, “Alone”—a soul-crushing breakup song that cuts deeper than heartbreak and settles into the kind of emotional void that never really closes.

“Alone” is a brutal meditation on what it means to lose someone twice—once in the relationship, and again in the realization that their presence offered no real solace.

Backed by thunderous guitars, unrelenting drums, and vocals that walk the line between raw power and quiet devastation, “Alone” captures the emotional core of S.S.R.I—an album steeped in grief, clarity, and the jagged edge of survival. Recorded, mixed, and mastered by Jason Groves, S.S.R.I builds on the massive sound CROP introduced with their self-titled 2021 debut, and dives even further into the chaos of identity, loss, and mental disintegration.

The seven-track record features emotionally heavy tracks like “Formaldehyde,” “10-56,” and “Break,” and pairs crushing riffs with deeply introspective lyrics, reflecting the band’s evolution from local underground staple to national force.

Known for their blistering live shows and rising reputation in the doom and heavy grunge scenes, CROP has performed at Maryland Doom Fest, RPM Fest, and shared stages with WEEDEATER, CONAN, REZN, BONGZILLA and more. With S.S.R.I, the band delivers not just an album, but a fully immersive psychological and sonic experience.

About CROP:

Formed in 2020 in Lexington, KY, CROP is a four-piece heavy band steeped in the grit of 90s grunge and sharpened by the weight of modern doom. Their sound is both relentless and reflective—massive walls of distortion colliding with lyrics that cut deep. With Marc Phillips on vocals, Zach Hunter on guitar, Braun Dabney on bass, and Andrew Beauvier on drums, CROP crafts songs that explore grief, isolation, existential dread, and the fight to stay human in an increasingly fractured world.

Their debut album CROP (2021) introduced audiences to their brutal honesty and raw sonic identity. With their follow-up S.S.R.I (2025, Third House Communications), the band has expanded both emotionally and sonically, delivering a record that is as vulnerable as it is heavy. Known for cathartic live performances and a growing presence on the underground festival circuit, CROP has shared stages with heavyweights like WEEDEATER, CONAN, and BONGZILLA, while earning praise from outlets like LEO Weekly and Riff Zealot.

For CROP, the music is a confrontation—a refusal to look away from the darkest corners of life, and an insistence that even pain deserves to be heard at full volume.

CROP is:

Marc Phillips – Vocals
Zach Hunter – Guitar
Braun Dabney – Bass
Andrew Beauvier – Drums

Connect with CROP:

Linktree: https://linktr.ee/legalizecrop
Bandcamp: https://legalizecrop.bandcamp.com
E-Shop: http://paypal.me/legalizecrop
Facebook: https://www.facebook.com/legalizecrop
Instagram: https://www.instagram.com/legalizecrop/
YouTube: https://youtube.com/@legalizecrop

Knosis Share New Song "Dokumuma"

May 29, 2025

Japanese metal powerhouse KNOSIS, the visionary project led by renowned multi-instrumentalist and vocalist Ryo Kinoshita, is proud to release their new single "DOKUNUMA," taken from their debut full-length album GENKNOSIS, due out August 1 via SharpTone Records.

KNOSIS blends searing metal, visceral hardcore, and introspective soundscapes,capturing the raw emotion and spiritual tension of life's heaviest moments. Following the powerful debut single "FUHAI" (Featuring Yukina of Hanabie),
and previous single "SHINMON," the release of "DOKUNUMA" continues to set the tone for what promises to be one of the year’s most compelling heavy records.

Stream "DOKUNUMA" here.

PRE-ORDER "GENKNOSIS" HERE

Canadian pop siren LINDS SAIS heats up summer with '2 Hot Weeks of You', teasing debut EP

May 28, 2025

Canadian pop starlet Linds Sais is back with her sizzling new single '2 Hot Weeks of You', a slick and sultry ballad about today’s dating culture and the use of dating apps, where a good "hot and heavy" match that is ultimately only fleeting. Previewing her debut 'Glitter Cowgirl' EP, this track showcases her talent and shows her to be an artist capable of articulating the complexities of modern romance.

Her sonically-balanced flow of raw emotion and artistic depth is firmly establishing her as a captivating voice, mixing Pink's fearless vulnerability, Lana Del Rey's melancholic allure, and Carly Rae Jepsen's ability to find noteworthy dynamics and hope in the everyday. With delicate yet commanding vocals, Linds Sais masterfully navigates the landscape and disillusionment of dating apps, hookup culture and social media, transforming the hollow echoes of digital connections into a poignant, universal anthem.

Hailing from the heart of Canada - Winnipeg - where vast prairie skies echo the expansive reach of her vocal range, Linds Sais emerges as a captivating artist. With magnetic allure and charisma, she has emerged as an artist for our time—undeniably cool and always topical, with a sound that's irresistible.

"The song '2 Hot Weeks of You' is about the difficulties in today’s dating world, where meeting people is centered around dating apps. Ghosting and short flings run rampant, and it can be hard to establish a meaningful connection that stands the test of time," says Linds Sais.

"This song tells the story of a fiery fling that is hot and heavy for a couple of weeks, only for one of the parties to pull back and move on to a new connection after the 2-week mark. The song sounds like it’s the last week of summer and you’re remembering all the great days with both happiness, but also an air of sadness."

On '2 Hot Weeks of You', Linds Sais picks up where she left off on 'Golden Hour', exploring yet another facet of our modern-day Insta culture in a sun-soaked delight that channels the glow of radiant selfies into a playful, feel-good anthem for your inner hype squad. With a voice that floats like vapour and hits like velvet, she observingly explores the sunny intersection of self-love, community and social media.

Inspired by Lauryn Hill and Whitney Houston, and rooted in the soul-bearing intentionality of Alicia Keys and vocal fire of TLC, Linds Sais blends classic influence with a fresh sensibility that feels entirely her own. Her sound is silk-wrapped storytelling: smooth, vulnerable, and unexpectedly powerful when the emotion demands it.

Her forthcoming 'Glitter Cowgirl' EP is a mirror for those trying to grow up gracefully in this chaotic world.
The seeds for this release were laid during the hush of the pandemic, when something shifted. The world paused—and Linds hit play on the backlog of emotion and experience she had yet to articulate. What emerged was a flood of songwriting that felt both personal and universal with lyrics and hooks that often hit in the middle of the night.

As of May 28, '2 Hot Weeks of You' will be available from fine music platforms, including Spotify, Apple Music and Bandcamp. Her self-released 'Glitter Cowgirl' EP will be released digitally on August 1.

CREDITS
Music & Lyrics written by Lindsay Johnston, Tyler John
Performed by Linds Sais
Produced & mixed by Tyler John
Mastered by Joao Carvalho Mastering
Cover art & design by Lindsay Johnston & Nathan Dyck
Video Director - Vincent Tang
Production Assistant - Ingrid Ruiz
Editor - Vincent Tang
Female Actress - Lindsay Donnick
Male Actor - Cieran O'Hara
BTS Photographer - Nathan Dyck
Grip & Electrics - Alec Carlos & Nathan Dyck
Director of Photography - Vincent Tang
Linds Sais - Lindsay Johnston
Venue - Thomas Hinds Sampling Room
Publicity by Shameless Promotion PR

ARSENIC KITCHEN Unleashes Blazing Hard Rock Cover of PANIC! AT THE DISCO’S “I WRITE SINS NOT TRAGEDIES”

May 27, 2025

An Explosive Reinvention of a 2000s Classic — Now Louder and Heavier!

ARSENIC KITCHEN'S cover of 'I Write Sins...' by Panic At The Disco provides a new take on a beloved classic. Much of the instrumentation on the track remains true to the original, however the ARSENIC KITCHEN crew has added some of their personal style to the mix along with a fun music video that's sure to get a grin out of watchers.

LISTEN HERE ON SPOTIFY

ARSENIC KITCHEN is a fusion of early 2000s Alternative and modern Post Hardcore that evokes feelings of nostalgia and heartbreak, anger and excitement, weaved into a theatrical stadium level performance no matter the setting.

From the deserts of Phoenix, Arizona the band stand out as uniquely high energy and meaningful musicians onstage & off. Through the musicality and lyrics of every song, ARSENIC KITCHEN is able to reach and connect with the deepest feelings and emotions of listeners.

With new songs, videos and shows in the works, the band continues to grow, build connections and make an impact on concert goers and listeners alike. They hope to expand in the coming year, further east with two tours in 2025, 6 new singles, a new EP and more on the horizon!

ASKA Release the Lyric Video for the Track "From Out Of The Sky"

May 27, 2025

BraveWords Records is pleased to announce that ASKA have released a video for the track "From Out of the Sky", taken from their latest album "Knight Strike".

Stream of Purchase "Knight Strike": https://smarturl.it/aska

Watch the video below:

"From Out of the Sky" is a followup song ASKA wrote on one of their favorite topics - Extraterrestrial Alien Invasion.

George Call, from ASKA, "We love Science Fiction as much as we love writing about medieval fantasy and such. On our previous album, "Fire Eater", we had a brief soundscape called "The Last Message". It was a final message left on a beacon in space from a now extinct civilization where our world had once been. This message had been playing in space for practically an eternity before our listeners stumble upon it and hear the tale of humanity's demise. "FOotS" kind of picks up, extrapolates and delves deeper. I think we see it as a kind of sequel of sorts. Questions are asked; Are they friend or foe? Will you run or will you stand and fight?

As "TLM" was put together by ASKA bassist, Keith Knight, and he was the principal songwriter on "FOotS", we felt it appropriate that he should take the lead vocals on this one. I thought it would be a great surprise for our fans as it's the first time Keith has sang lead vocal on an ASKA song since our 3rd album, "Nine Tongues"."

Catch ASKA live with BraveWords Records labelmates, Lillian Axe on August 17th at Reno's in (Deep Ellum) Dallas.

http://askahq.com

https://www.facebook.com/askahq

https://www.instagram.com/askahq2024

https://www.tiktok.com/@aska.hq

https://www.youtube.com/@askahq

https://www.bandsintown.com/a/41166

About ASKA:
ASKA, Dallas/Fort Worth, Texas-based, long-running heavy metal band has, as the title they gave their 3rd international tour can attest, "been there, done that". And how! In 1992, just a short year after the release of the group's self-titled debut album, they began touring the world performing at military bases, embassies and satellite installations around the globe for the U.S. Dept. of Defense/USO entertainment services. For nine years the group maintained a steady course, playing for U.S & foreign military troops in well over 56 countries and territories globally before turning their focus to the civilian world. There, they promptly played festivals around America and Europe and furthered their exposure in no small way. From inception to present, ASKA released seven full length albums on both national and international labels.

During the process, ASKA's triple-threat frontman/vocalist/guitarist, George Call, came to the attention of cult, US underground metal pioneers, Omen, where he was promptly recruited to take over the lead vocalist slot for three years while still maintaining his role in ASKA. When that association dissolved, George was immediately snatched up by former Atlantic Records/Metal Blade, Midwestern, MTV veterans, Banshee, where he's been front and center on the band's two newest top notch releases. While helming both bands after a fateful meeting at a festival performance with ASKA in Germany, Call, was further enlisted to join U.K. legendary, cult NWOBHM band, Cloven Hoof, where he proceeded to record and release three critically acclaimed, fan-favorite albums. ASKA drummer Danny White joined George on two of these endeavors while the band's long-serving bassist/vocalist, Keith Knight, engineered and recorded a high percentage of George's extra-curricular activity at his Knight Recording Studios, keeping the three working together even when it was outside of the band.

Sainthood Reps Release New Single "Blue Nothing" + Announce Signing to Smartpunk Records -

May 25, 2025

Smartpunk Records welcomes Sainthood Reps to their label roster and celebrates the announcement with a new single, "Blue Nothing," out now. This is the first taste of more music and announcements from the band coming later this year!

The new track embodies the band's signature blend of heavy grunge and dreamy shoegaze that they have been honing since the late 2000s.

Listen below.

Speaking about the new single, Sainthood Reps vocalist and guitarist Cesco Montesanto shares, "Blue Nothing is kind of the pep talk I would give myself before finally deciding to move on with my life after losing something incredibly dear to me. It's about coming to the realization that the nothingness of what's been left behind is actually a substantial part of who we are, and the path forward isn't to block out the nothingness, but to embrace it. The chorus lyric is “elegize what you’ve lost and you know is gone for good.” If there were ever a "part 2" of this song, it would probably be the elegy itself.

When it came time to lay down vocals for the bridge, we asked our dear friend Gerry Windus (Stand Still) to take the reins. We never even considered anyone else. Turns out, that was the right move because he smashed that part."

ABOUT SAINTHOOD REPS
Sainthood Reps have been known for their unique blend of grunge, post-hard, and shoegaze since the late 2000’s. After releasing Monoculture in 2011, Headswell in 2013, and a couple of singles here and there, the band spent several years pursuing other projects before eventually regrouping during COVID. Since 2022, the band has been in and out of the studio compiling new music that marks a definitive step forward without straying too far from their signature sound.

Sainthood Reps consists of Derrick Sherman, Cesco Montesanto, Bradley Cordaro, and Jani Zubkovs, with Chris Smith featuring in live performances.

PLAIINS Announce Debut Album "Happy Faces" Out 8/15 + Share "Row She Said"

May 25, 2025

Fiery indie punk band PLAIINS have today announced their upcoming debut album Happy Faces, set for release on August 15 via Long Branch Records.

PLAIINS have been on a musical rollercoaster since their inception in late 2020. Already having played with the likes of ITCHY, Cold Years, LEAP, Press Club, and many more, the band signed with Long Branch Records of SPV in 2024. The hard-working group has already released over 20 songs to date, regularly hitting the top playlists on Spotify since the beginning, as well as garnering features on BBC Radio 1, BBC Introducing, KERRANG! chart, and RBB fritz. There's no stopping their momentum as PLAIINS bring a unique blend of British punk, indie, and alt rock, pulling inspiration from the likes of IDLES, Hives, Soft Play, Bad Nerves, The Streets, and Viagra Boys.

"I wanted us to make an album that would stand the test of time, is coherent and characterful, unique and of our own, and would be a great contribution to the wonderful catalog of rock music. I have so much love, reverence, and adoration for the greats and I wanted us to at least be on that level," says singer Chris Reardon.

Along with the album news, the band has also released the new single "Row She Said."

Stream "Row She Said" here.

"'Row She Said' is a song against right wing nationalism," comments Reardon. "We talked about writing a song like this for a while. I wanted to do it with class and not [write] something lyrically one-dimensional, It had to be done poetically with layers and also [be] open for different interpretations unless you read the lyrics and also knew the context where we were coming from. They're my favorite kind of songs, especially when discussing a topic such as this."

He continues, "There are too many punk songs that tackle this subject too plainly, in my opinion, although that also has its place. But I think we really did it right on this one. 'She' in this context is the country where the protagonist is from and how they feel their country calls them and pushes them to protect their idea of sovereignty. I was writing more from the UK point of view, since it's where I'm from, especially in the wake of Brexit. But we also wrote it from the perspective where the [other] guys are from — Germany — but can apply to any country really."

When it came down to the album, Reardon explains, "We all talked about what we wanted to achieve on the album musically speaking and how we wanted to go into the process. We all reflected on what we felt we do best as a band and how we can really hone those elements in and push them to the limit. We all also wanted to add more indie elements into the music, something we've touched on but we wanted to make that more significant in the album. As well as the Britishness to the sound.

"As the singer, it was quite funny because the guys asked me why don't I sing in my normal English accent? I had never thought about it before. I always had a bit more of an American twang when I sang but that was something we opened up and of course felt very natural! In songs like 'Wooha!' and 'Snvkes.,' we had pushed this more rhythmic 'rap' like vocal style too and that was something we wanted to incorporate more. We really worked the songs and never settled for 'that will do.'

"We wanted the album to be fun and bombastic. To have lyrics that would make you laugh but once you sat down and read them would have much more lyrical depth. This is where the idea of paper bags came around. On the surface, there's a face painted on a paper bag which makes you laugh or takes you back for a moment. But when you take off the mask, there's a person underneath that takes time to know and understand and is more complex. There's an element of characterture, almost cartoonish and over blown in some of the lyrics and vocal delivery. We wanted something visual that represented that too.

"Our producer was Manuel Renner as well as mixing and mastering engineer of Ueberlaerm Studios for the album. We have worked with him since the beginning of the band and he has always been such an incredible collaborator and producer. He really helped us take the songs to the next level. We recorded the drums at Sound Pauli in Hamburg where we are based and Manuel and Tobi Schmidt did a great job. We recorded the guitars, bass, and vocals mostly at Ueberlaerm Studios and bits and pieces at my studio in Hamburg."

PLAIINS ARE:
Chris Reardon — Vocals + Guitars
Timon Lanzinger — Bass
David Suhlrie — Drums
Florian Kaninck — Guitars

ENVELOPE THE SKY Drops Powerful NEW Single “DROWNING” FEATURING AARON NORDSTROM OF GEMINI SYNDROME

May 24, 2025

A Thunderous Anthem of Struggle and Survival

Prepare to be submerged in a tidal wave of raw emotion and sonic firepower. Rising alt-metal force ENVELOPE THE SKY has just dropped their latest single, "DROWNING," a blistering track that cuts deep into the soul. Amplifying the intensity is a gripping feature from Aaron Nordstrom, lead vocalist of chart-topping industrial-metal heavyweights

Gemini Syndrome.

"DROWNING" is a visceral journey through the chaos of inner conflict — a song that resonates with anyone who's ever fought to stay afloat amidst life's darkest moments. With haunting melodies, seismic riffs, and Nordstrom’s unmistakable voice elevating the chorus to explosive heights, the track captures both the agony of being pulled under and the strength it takes to rise.

"DROWNING" music wise was written during covid when I was at a low point in my life, and it literally encapsulates how I was feeling and that ultimately it just took a really good friend to reach out and ask me how I'm doing.

- Paul Byrne

Brazilian Prg Metallers JACK THE JOKER Reveal New Single “Sun” + Lyric Video

May 24, 2025

Progressive Brazilian metallers JACK THE JOKER are pleased to share their new single and accompanying lyric video, “Sun," out now via Frontiers Music Srl.

Notorious for incorporating traditional influences from their local culture, JACK THE JOKERincludes musical styles such as maracatu, forró, baião, and frevo. Their unique sound draws inspiration from the eponymous renowned Brazilian novel and explores the metaphysical backlands, where humanity will prevail against the hostility of nature.

Commenting on the new single, the band stated:

“'Sun' refers to the vengeful star that both gives life and takes it away: an allusion to an abusive relationship, in which emotional dependencies are fed by crumbs of affection and countered by emotional abuse”.

Watch the Lyric Video for “Sun" Below;

JACK THE JOKER is a modern progressive metal band with a twist, hailing from the Northeast of Brazil. The band consists of Raphael Joer (vocals), Felipe Faco (guitar), Lucas Colares (guitar), Gustavo Pinheiro (bass), and Vicente Ferreira (drums).

Their instrumental arrangements delineate the environment by fusing regional genres with rock and metal to create a landscape that mirrors the themes in the lyrics. This captivating musical odyssey has already garnered a significant amount of buzz in the prog scene through the first two singles released in 2024.

Stream / Listen to "Sun" HERE

JACK THE JOKER are:

Raphael Joer - Vocals

Felipe Facó - Electric/Acoustic Guitars

Lucas Colares - Electric/Acoustic Guitars

Gustavo Pinheiro - Bass Guitars

Vicente Ferreira - Drums and Percussions

American Metalcore Band Woe, Is Me Release New Single "Devil in My Mind" + Video via SBG Records

May 23, 2025

American metalcore band Woe, Is Me released their new single, “Devil in My Mind.”Available everywhere now via SBG Records.

Produced by Scott Seigel and Corey Bautista, the new track serves as an official glimpse into the band’s upcoming full-length effort.

“This song is about the silent battles that come after sobriety—the moments nobody talks about. It’s not just about getting sober; it’s about staying sober when your mind turns against you. It’s an attempt to capture that internal war, the fear of slipping, and the strength it takes to keep holding the line when everything in you wants to let go," explains Hance.

Woe, Is Me is confirmed to perform at Louder Than Life in Louisville, KY on Saturday, September 20th.

Stay tuned for more announcements surrounding the upcoming album and future tour dates.

STREAM "Devil in My Mind"

https://orcd.co/devil_in_my_mind

WATCH "Devil in My Mind" Below":

Woe, Is Me is a powerful force in the American metalcore scene, hailing from Atlanta, Georgia. Formed in 2009, the band quickly gained attention for their dynamic sound, blending crushing breakdowns with melodic hooks. Their debut album, Numbers, was unleashed on August 31, 2010, and instantly made an impact, debuting at an impressive #16 on the Billboard Top Heatseekers chart.

Known for their high-energy performances and emotionally charged lyrics, Woe, Is Me solidified their place in the metalcore landscape, capturing the hearts of fans across the globe. Their signature mix of raw intensity and refined musicianship has made them a standout force within the genre, with a legacy that continues to resonate.

Woe, Is Me:

Michael Bohn - Vocals

Hance Alligood - Vocals

Kevin Hanson - Guitar

Andrew Paiano - Guitar

Matthew Whyde - Drums

For More Information Please Visit:

MORS PRINCIPIUM EST To Release 9th Studio Album, 'Darkness Invisible,' Through PERCEPTION

May 22, 2025

Finnish melodic death stalwarts MORS PRINCIPIUM EST announce their long-awaited ninth studio album, Darkness Invisible. Officially signed to PERCEPTION, the latest imprint of Reigning Phoenix Music, the band will once again embrace listeners with razor-sharp riffing, sweeping orchestration, melancholic harmonies, and relentless rhythmic precision - topped by Ville Viljanen’s unmistakable vocals.

Viljanen comments: “Joining PERCEPTION marks a powerful new chapter for us. We’re proud to be part of a label family that houses so many legendary titans. With their support, we’re ready to unleash our most furious, blistering and ambitious work yet. The future burns bright, shrouded in “Darkness Invisible.””

“Throughout their career, MORS PRINCIPIUM EST have kept impressing me and the rest of the metal world with solid melodic death of the faster kind. Although they’ve never been the most active live band, they succeed in growing their following with each of their releases what underlines the masterfulness of their craft additionally...and in this case, ‘[Of] Death’ is really just the beginning. Welcome to PERCEPTION!” states label strategist Nils Wasko.

MPE are also not stingy with details above all: Darkness Invisible will finally be unleashed upon the world on September 26, 2025, and was once again self-recorded at Ansa Studio (Ulvila, Finland); Jens Bogren mixed and Tony Lindgren mastered the ten new tracks (plus CD / digital bonus song) at Örebro, Sweden’s Fascination Street Studios (AMORPHIS, SEPULTURA, KREATOR etc.). Alvaro Valverde Fernandez was hired to create artwork and layout.

Pre-order your copy: https://mpe.rpm.link/darknessinvisiblePR

Despite delivering MPE’s much-loved trademark elements, Darkness Invisible is not content to simply revisit old formulas, but it expands upon them: the arrangements are more cinematic than ever, layered with subtle electronic textures, ambient passages, and dynamic shifts that mirror the emotional weight carried within the lyrics - and the result is a work that feels both cathartic and devastating.

First single "Of Death," also the opening track of their new record, a bone-shattering yet enormously melodic piece with a darkly majestic chorus, can be heard below:

About MORS PRINCIPIUM EST

Over the course of seven original studio albums, MORS PRICIPIUM EST refined their modern approach to melodic death metal again and again. Members came and gone, but their music remained untouched: razor-sharp riffing, sweeping orchestration, melancholic harmonies, and relentless rhythmic precision - topped by Ville Viljanen’s unmistakable vocals.

MORS PRINCIPIUM EST were founded in Pori in 1999 and are one of the longest serving Finnish melodic death metal bands. With frontman Viljanen being the most stable members, the present quintet survived several line-up changes before original members and guitarists Jori Haukio and Jarkko Kokko returned to MPE and already took part in recording their latest offering Liberate The Unborn Inhumanity [2022]. Also contributing to these refreshing re-recordings from their early years were former bassist Teemu Heinola and drummer Marko Tommila. A statement to honour the group’s history and to celebrate the freshly motivated line-up, which is now set to blast out their ninth album titled Darkness Invisible on September 26, 2025 through new label home PERCEPTION.

MORS PRINCIPIUM EST are:
Ville Viljanen | vocals
Jori Haukio | guitars, programming
Jarkko Kokko | guitars
Teemu Heinola | bass
Marko Tommila | drums

More on MPE:
morsprincipiumest.com | Facebook | Instagram | YouTube | Spotify | Apple Music

027 Releases New Single “Umbilical Cord” OUT TODAY!

May 22, 2025

As of recently, 027 has been toiling away in their storage unit rehearsal space. Practicing and writing new material while trying to learn from each other and grow through their music. The result is a powerful new single, “Umbilical Cord,” out today! It’s a teaser for the magnitude of what is to come for this Ontario band. Producing their music in their basement recording studio, 027 aspires to create art and to inspire others to do the same!

Intensity abounds in this stunning new track from 027. The intro is jerky and atonal, leading to a double-time wallop of angry vocals and head-banging ferocity. This is arguably the band’s most toe-tapping number yet as it conjures images of grinding mosh

pits and flying elbows while the catchy riffs hold up the edges. “Umbilical Cord” is a true harbinger of 027’s increasingly evolving musical maturity.

The band calls it a “cute and adventurous track we have enjoyed playing live for quite some time.”

Today 027 is also releasing their self-titled album that compiles one new song alongside a selection of pre-released tracks spanning from 2023 to 2025. Acting as both a retrospective and a powerful statement of identity, '027' captures the full scope of the band’s evolution—from the raw grit of their earliest DIY recordings to the sharpened chaos of their most recent work.

The album is a curated journey through their sonic development, offering fans old and new a cohesive snapshot of the trio’s relentless drive, genre-defying riffs, and unfiltered energy that have become their trademark. It stands not just as a release, but as a declaration of who 027 is—and where they're heading next.

Order '027' + Other Merch HERE

027 (pronounced zero two seven) is an energetic fuzz-rock trio shaking Ontario’s underground music scene with raw, unfiltered energy since 2022. Known not only for their crushing live fuzz-rock but for putting on live shows and being stalwarts of the scene they have come up in, this young band puts passion and vigor into self-producing and promoting their music and shows.

The band’s sonic force is powered by a lifelong friendship between Keagan Ross(guitars/vocals) and Caleb Lavictoire (bass). Bonding over music in elementary school, the two played in bands throughout public school. In November 2022, Keagan scored a gig opening for a popular local band. Although he didn't formally have a band assembled, he quickly put together what is now 027. Caleb and Gray Laine (drummer) had never met until that point, and they played that first show having never practiced or rehearsed as a three-piece. The rest, as they say, is history.

The trio loved jamming together and found a similar ethos ran between the two best friends and their new cohort. In spring of 2023, 027 self-produced their first EP, ‘Light Of The Black Sun,’ printing CD jackets using their school’s printers and paper and burning the discs themselves. The band followed up the following spring with an intense EP entitled ‘You’re Not Supposed to Know,’ released in March of 2024.

Definitive supporters of the youth, 027 are committed to only playing venues that allow all ages, and they do their best to book younger bands on their bills to allow them the same exposure they strive for themselves. They are currently working hard on expanding their live audience with multiple Ontario dates already set for May. Rendering a sound that blends punk, metal, stoner rock, and fuzzcore.

See all tour dates below:

05.23.25 Orangeville, ON @ Oddfellows Hall

05.24.25 Hamilton, ON @ Into The Abyss

05.25.25 Toronto, ON @ Array Music

06.07.25 Toronto, ON @ Steelworks Hall

06.08.25 Kitchener, ON @ Midnight Run

06.14.25 Aurora, ON (early) @ 169 Edward st

06.14.25 St Catherine's, ON (late) @ NAC Center

06.22.25 Toronto, ON @ Seascape **19+

06.28.25 Kitchener, ON @ Union

027 are:

Keagan Ross – lead guitar and vocals

Gray Laine – drums

Caleb Lavictoire – bass

J.B.O. Embark On Adventurous Hike Through Franconian Woods In "Ka-Fump!" Music Video

May 21, 2025

J.B.O. the self-proclaimed ‘defenders of nonsense,’ serve the first slug from their upcoming album Haus Of The Rising Fun today. Living in a world turning faster than you can even follow, the Franconians look back on the ‘good ol’ times’ with their single "Ka-Fump!," which invites fans to the band’s new record, due out on January 9, 2026 through new label partner PERCEPTION. The song originates in Shania Twain’s world-wide known track "Ka-Ching!" but comes along in a unique pink wrapping as it can only be created by J.B.O.

They rejoice: “‘Ka-Fump!’ In neo-German, the opening sound of a beer bottle would be described as ‘satisfying.’ We’ve reflected on why it is like that and which emotions it provokes, resulting in the lyrics of this song. Or as we’re used to say in Franconia: ‘Let’s go and have a party!’”

The accompanying music video guides the audience deep into Franconian undergrowth where the group -- Veit, Hannes, Ralph & Wolfram -- have embarked on an almost endless quest for well-deserved after-work beers. At the end of this adventurous trip, J.B.O. are finally rewarded by the Holy Hop Grail - presented by a very special guest. Who that is? Find out below:

Stream the single: https://jbo.rpm.link/kafumpPR

The creational period of J.B.O.’s ‘pink light district’ opus is almost over, and more details can be expected very soon. Until then: cheers!

About J.B.O.

Heavy guitars and German lyrics combined with Franconian sense for nonsense don’t work? Way off the mark! Since 1989, J.B.O. have multiply proven that they’re the real masters of comedy metal - over the course of 14 studio albums to be concrete. Additionally awarded with two gold records, the quartet are mostly known for covering hit songs by artists of different genres, giving them a unique twist through re-written lyrics with an extra portion of humour.

Their original tracks shouldn’t remain unnoticed nevertheless since they also popularise with not minor jocular lyrical content. Fan favourites such as "Ein guter Tag zum Sterben"[‘A Good Day To Die’] are classics of the band’s repertoire and vital parts of each and every J.B.O. concert.

From die-hard old-school metalheads to families and kids and fans beyond the hard’n’heavy boundaries: Their wide range of musical inspiration has resulted in an equally varied amount of followers which sees J.B.O. unite all sorts of people under their multicoloured musical roof and especially in front of the stages, making them even more outstanding amidst the heavily crowded world of artists out there.

J.B.O. are:
Hannes “G. Laber” Holzmann | vocals, guitars
Veit “Vito C.” Kutzer | vocals, guitars
Ralph Bach | bass
Wolfram Kellner | drums

More on J.B.O.:
jbo.de | Facebook | Instagram | Threads | TikTok | Bluesky | Mastodon
YouTube | Spotify | Apple Music | jbo-fans.de

About PERCEPTION

PERCEPTION is the latest label imprint of Reigning Phoenix Music. Following the successful addition of ROAR, a sub-label dedicated to emerging talents and artists, PERCEPTION is set to provide a strong foundation for regionally and stylistically leading bands with high growth potential.

Founded in 2023, Reigning Phoenix Music is truly the 100% independently owned vision of music industry professional Gerardo Martinez and avionics and tech entrepreneur, Sven Bogner. The blueprint is to continue to help heavy metal, extreme and hard music thrive by partnering with an array of well-established acts, new talent, and iconic artists by offering best services and practices in the industry. Reigning Phoenix Music’s paramount goal is to help the artists amplify their music and talent to a winning formula for success. The label recently opened a new office in London, UK.

More on PERCEPTION:
perception.music | Facebook | Instagram | TikTok

ALEX THORN Drops Electrifying NEW Rock Anthem “SHE OWNS THE NIGHT”

May 21, 2025

Rock is far from dead — and ALEX THORN is here to prove it. The dynamic singer, guitarist, and rock revivalist has just released his latest single, "SHE OWN'S THE NIGHT," a full-throttle anthem packed with swagger, seduction, and stadium-shaking energy.

Blending the gritty punch of modern hard rock with the glam-soaked vibes of the '80s,

"SHE OWN'S THE NIGHT" is a sonic tribute to the kind of woman who lights up the darkness and commands every room she enters. Driven by searing guitar riffs, thunderous drums, and Thorn’s magnetic vocals, the track is a bold declaration: the night belongs to her — and you’d better keep up.

"SHE OWN'S THE NIGHT" isn't just a song; it's an anthem for the woman who commands the darkness. Every step, every word, every glance unleashes a primal energy that captivates all under the moon's gaze. This is her domain, and she rules it with untamed desire."

- ALEX THORN

Five years carving a path through the Spanish rock scene. Seven shots fired as singles. Now, the five-song EP is the warning. 10K online get it. 300+ have witnessed the live chaos. 3.8 million YouTube views can't be wrong. 19K Twitter mentions? Just the sound of the impending storm. My solo project is here to unleash the defiant spirit of 80s sleaze rock on the world.

RADIO PLAY DOWNLOAD ASSETS FOR "SHE OWN'S THE NIGHT"

CONNECT WITH ALEX THORN

AGENTS OF YOUR DEMISE Featuring STEPHEN CHESNEY, SLASH'S SNAKEPIT VOCALIST ERIC DOVER, BILLY SHEEHAN, KoRn's RAY LUZIER & G'N'Rs DIZZY REED for Fiery NEW Single "Sick Existence"

May 19, 2025

AGENTS OF YOUR DEMISE

Featuring STEPHEN CHESNEY,

SLASH'S SNAKEPIT VOCALIST ERIC DOVER, BILLY SHEEHAN, KoRn's RAY LUZIER & GUNS N' ROSES DIZZY REED for Fiery

NEW Single "SICK EXISTENCE"

"SICK EXISTENCE" is another song that musically sounds a lot happier at some points than it really is... it tells an important story, If you know you know. I've been waiting to finish this song for a long time so getting it out into the world has been a long time coming."

- Stephen Chesney

ON THE SICK EXISTENCE RECORDING PROCESS:

“We'd been hanging out at a crochet circle and after a lot of hand cramps and light banter we decided to throw our knitting needles at the b*tch giving the class and say stick these up your ass, we're going to go rock this f*cker.” - Eric Dover

THE SONGS

"What you hear on the record in a lot of ways is the story of the last 10/15 years of my life. They’re songs written during some crazy peaks and valleys and I think that makes it a very relatable record. A lot of anger, a lot of venting and a few receipts (maybe…) but there’s a pretty good sense of humor kept within the lyrics throughout. The musicianship of the guys involved is as incredible as you’d expect from them, it was amazing having the songs come together with guys that have the ability that these guys do... and then having Dizzy sign on for the final two songs I was tracking made all the time that it took to get to this point worth it.” - Stephen Chesney

THOUGHTS ON THE RECORD

“I had such a blast playing on this record,

Ray Luzier is so awesome on drums and Stephen played some spectacular guitar on his great songs. I’m glad I could be a part of this!”

- Billy Sheehan

ON THE BAND COMING TOGETHER

“Stephen called me and said hey so i’ve got this idea and these guys in mind to put a band together for a record so I said whats in it for me? - He said he’d buy me a lap dance from a stripper and take you to Buc-ee's to buy beef jerky and I said you know what when you put it that way... by god I’m in.” - Eric Dover

BASK Cover The Brian Jonestown Massacre

May 12, 2025

After a smoking hot tour with their labelmates and fellow North Carolinians Weedeater, Bask are now ready to turn over a different kind of leaf. The Asheville natives will release their fourth album later this year. But first, the band are looking back at one of their influences.

"We've always been inspired by acts like The Brian Jonestown Massacre", says guitarist and vocalist Zeb Wright. "They write songs that feel outside of time and place".

To celebrate the 20th anniversary of the documentary that thrust The Brian Jonestown Massacre into the spotlight, today, Bask are releasing a cover of "Anemone". The road to get to this point has been much smoother than it was for the shaggy San Franciscan collective, but the heavy dose of Americana that the band bring to this cult classic shows how far they've come.

Listen to Bask's heavy and heady cover of "Anemone" below:

Stream
https://bask.fanlink.tv/Anemone

Even though they're separated across coastlines and nearly three decades, Bask and The Brian Jonestown Massacre were in a similar headspace heading into their fourth albums. While partially named after the Rolling Stones' guitarist, BJM shifted from spaced-out shoegaze to flower-powered '60s psychedelia on 1996's Their Satanic Majesties' Second Request. Bask's upcoming full-length also ventures into headier pastures, though their cover of that album's sleeper hit "Anemone" is plucked straight from the band's Appalachian roots.

"You should be picking me up / Instead you're dragging me down", Wright repeats in a dazed drawl while twanging on his banjo.

Bask haven't endured nearly the same amount of lineup turnover as their kindred spirits in The Brian Jonestown Massacre. On "Anemone", Drummer Scott Middleton and bassist Jesse Van Note hold down a bottomless groove that's as sludgy and free-flowing as a riverbed. But this cover is the first release since Jed Willis joined as the band's official fifth member. As his pedal steel ripples against Ray Worth's colorfully swirling leads, the band take cosmic country into a whole new dimension.

"'Anemone' is hypnotic in its repetition and perfectly expresses the combination of emotional distress and unbothered cool that to us feels so integral to BJM's sound and songwriting", Bask says. "It's also really fun to play and riff on".

Hailing from Carolina’s storied Blue Ridge Mountains, Bask came together in the fall of 2013. Guitarist Ray Worth, drummer Scott Middleton, bassist Jesse Van Note and guitarist/vocalist Zeb Wright produce sounds that reflect their lush yet rugged Appalachian habitat.

The band's upcoming fourth album is an inter-dimensional Western that digs its heels into their trailblazing Heavy Americana by swirling between raw, metallic energy and country twang.

Line-up:

Jesse Van Note – Bass
Scott Middleton – Drums
Ray Worth – Guitar
Zeb Wright – Guitar/Vocals
Jed Willis - Pedal Steel

Guest musicians
Kenny Harrington - Tambourine

Recording studio
Echo Mountain Spring

Production
Produced, Engineered and Mixed by Kenny Harrington and Zeb Wright.

Mastered by Joe Hutchinson at Garage Masters in Nashville, TN

Order & Stream
https://bask.fanlink.tv/Anemone

Follow Bask
Official website: www.baskband.com
Bandcamp: https://basknc.bandcamp.com/
Facebook: http://www.facebook.com/basknc
Instagram: https://www.instagram.com/baskband/
Twitter: https://twitter.com/thebandbask
Spotify: https://open.spotify.com/artist/44JvnzLiXzAtiMSDJTnFC7
Apple Music: https://music.apple.com/us/artist/bask/209266263