Emptiness Release New Single “The Threat”

Black/death experimental metal band Emptiness are releasing “The Threat” as the second single from their upcoming seventh album Nowhere Speaks. Stretching the boundaries between black and death metal, “The Threat” is located in territory that, for the Belgian band, is intimately familiar: the darkness of the human condition.

Listen to “The Threat” below:

Nowhere Speaks comes out July 17th, 2026 on Season of Mist.

Pre-order & pre-save

https://orcd.co/emptinessnowherespeaks

Save for vocals, keyboards and additional effects, Nowhere Speaks was played live in the studio, after four years of preparation, rehearsals and tests to ensure the music could be performed with the right weight and intention. This is not a production detail so much as a commitment to a specific kind of tension, the kind that does not survive being assembled in pieces. Emptiness’ previous album, Vide (2021), had no distortion, was sung entirely in French, and existed at the edge of silence; Nowhere Speaks moves in the opposite direction, and does so deliberately, opening exactly where Nothing But The Whole (2014) cut off mid-riff and closing by looping back to that album's opening riff.

From early in their career, EMPTINESS has worked this way: Jérémie Bézier handling production across all its dimensions, Olivier J.L.W. directing the visual work in its entirety. Sound and image conceived, shaped and finalized from within. Nowhere Speaks continues that closed circuit, as it always has been.

Nowhere Speaks is not a return. After the most introverted and isolated record of their career, the band opens outward into density and live intensity. The album, developed over an extended period of time, was composed by Jérémie Bézier and Olivier J.L.W., who oversee its production across both sonic and visual dimensions, bringing the work to completion as a unified whole, committed to tape live in the studio. The structural conceit of opening mid-riff from where Nothing But The Whole ended, and closing with that album's opening riff, is not nostalgia. It is the same logic that has always governed EMPTINESS: the cycle without a fixed point, beginning and ending inside each other, nothing and everything at the same time. The band has spent years demonstrating that they do not move in straight lines. Nowhere Speaks is a continuation from a point the listener was not meant to forget.

Line-up:
Jérémie Bezier — Vocals, Bass
Olivier J.L.W. — Guitars
Simon L. — Guitars
Dea Hydra — Synths
Laye Louhenapessy — Drums

Follow Emptiness:
Facebook: https://www.facebook.com/Emptiness.be
Instagram: https://www.instagram.com/emptiness.official
Bandcamp: https://emptiness.bandcamp.com/
Twitter/X: https://x.com/Emptiness_band
Spotify: https://open.spotify.com/artist/5AXPdt3zknCylvlnEi0JFO
Apple Music: https://music.apple.com/artist/emptiness/303855225
Deezer: https://www.deezer.com/artist/199828
Tidal: https://tidal.com/artist/4813509

Booking Contact:

Benny (Triple Bookings)

benny@triplebookings.com

unpeople Announce Debut Album "we are unpeople" Set For 10/9 + New Single "friends" Out Now!

Today, rapidly ascending four-piece unpeople announce their unifying, genre-spanning debut album we are unpeople  out October 9 on SharpTone Records, which takes the philosophy behind the band's name and turns it into a powerful, uncompromising statement of intent.

The announcement is accompanied by brand new single "friends" — listen below.

"'friends' is essentially a love song from the perspective of someone who is wholly skeptical about the very concept of love and what it's come to mean in a modern context," explains vocalist Jake Crawford. "I am essentially saying I am going to kill the very concept of love before it's even had a chance to get a hold of me - I am that afraid of being that vulnerable. I'd rather not bother than risk saying something I don’t mean, and then pay for it emotionally down the line. I'm fully aware that this is not necessarily healthy, but the mind takes you to some strange places when strong feelings are involved."

A seamless ability to connect across boundaries and conjure communal spirit, sits at the very heart of this debut album. Built upon massive choruses, four-part vocal harmonies, and unabated heaviness, we are unpeople captures a band whose ambition is matched by their belief in the power of music to unite people.

With stadium-busting choruses,to '00s Reuben-esque mega riffs, and the stunningly unpredictable eccentricity of System Of A Down, the album is colorful and joyous, yet aggressive and intense, having already spawned infectious tasters that include "clouds," "the garden," and "waste."

Comprised of Jake Crawford, Luke Caley, Em Lodge, and Richard Rayner,unpeople have quickly established themselves as one of the UK's most exciting new alternative bands, earning themselves a reputation for creating music that feels equally at home on the biggest rock stages and the heaviest festival bills — having fittingly been described as the lightest band at Bloodstock, and the heaviest band at Kendal Calling — finding themselves equally at home in both settings.

Originally used to describe those considered politically unimportant or without value, the term "unpeople" has since become another way to dismiss those whose views differ from our own. The band have reclaimed the phrase entirely, transforming it into a celebration of shared humanity, individuality, and belonging.

Since forming in 2023, that approach has seen unpeople rise at remarkable speed, with Kerrang! hailing them as "one of alternative music's best new bands." Live, they've opened for Metallica in Vienna, shared bills with Smashing Pumpkins andCoheed & Cambria, drawn huge crowds at 2000trees, and will a perform a landmark Main Stage-opening set at Download Festival this weekend — as well as appearances at Reading & Leeds Festival, Copenhell, Hurricane, Southside & many more this summer.

The rest of 2026 and beyond is there for the taking for a band rapidly on the ascension. "'we are unpeople is released into the world on October 9 and we couldn’t be more proud of it," says the band. "We collectively put our absolute everything into it and we can’t wait to share it with you all!

we are unpeople.
you are unpeople.
we are all unpeople."

UNPEOPLE LIVE:

6/10–6/14 — Hradec Králové, CZ — Rock For People
6/11–6/13 — Interlaken, CH — Greenfield Festival
6/14 — Donington, UK — Download Festival
6/19–6/21 — Scheeßel, DE — Hurricane Festival
6/19–6/21 — Neuhausen ob Eck, DE — Southside Festival
6/25–6/27 — Ysselsteyn, NL — Jera On Air
6/27 — Copenhagen, DK — Copenhell
7/17–7/18 — Joensuu, FI — Ilosaarirock
7/31–8/2 — Manchester, UK — Radar Festival
8/27–8/30 — Reading & Leeds Festival — UK
9/3 — Torquay, UK — The Foundry

UNPEOPLE ARE:
Jake Crawford — Guitar, Lead Vocals
Luke Caley — Guitar, Vocals
Meg Mash — Bass, Vocals
Richard Rayner — Drums, Vocals

New Jersey's DEARDARKHEAD reveals 'In Another Life', previewing first album in 26 years

New Jersey alternative rock outfit Deardarkhead presents 'In Another Life', their second offering from 'The Pendulum Swings', - their first full-length album in 25 years. Balancing tension between crystalline guitar arpeggios, a wall of fuzzed out tremolo, and melodic baselines, the band concocts an introspective atmosphere about what could have been.

Built around soaring guitar leads and melodic bass hooks, this follows the lead track 'Letting Go'. A song about growth and change, centered on releasing old patterns and embracing new directions, this track features keyboardist Joe McGinty, known for his work with The Psychedelic Furs, Nada Surf, Ryan Adams and Deborah Harry, adding additional layers of atmosphere and texture.

Now made up of guitarist Kevin Harrington, drummer Robert Weiss and bassist James Malizia, who recently replaced Brandon Howard following the recording of this album. Deardarkhead has built a distinctive identity since the departure of vocalist-bassist Michael Amper in 2009, shifting fully into instrumental composition where melody and texture take the place of vocals. 

With many notable milestones over their nearly four decades, including shows with the likes of Supergrass, The Psychedelic Furs, Everclear, Nothing and The Lilys, the new album captures an ever-evolving band, refining their voice through texture, atmosphere, and emotional momentum. 

Taking their name from the 1867 Irish poem “Cean Dubh Dilis” by Samuel Ferguson -- a work about a beautiful dark-haired girl -- Deardarkhead was formed in 1988 in the Atlantic City, New Jersey area. Their identity rooted as much in mood as in melody, their music blends atmospheric dreampop, shoegaze shimmer and ethereal rock, unfolding as an original, guitar-driven psychedelic tightrope walk balancing moody textures and shimmering melodies. 

Drummer, Robert Weiss was particularly inspired by sitar music for the rhythmic droning lead sections while writing the song. He shares, "'In Another Life' is about the choices you didn’t make which still haunt you to some degree. The what ifs we all think about, but ultimately have no real impact. There’s no way of knowing where a different path would have lead, so you can’t be too bothered about it. One must live in the present."

Deardarkhead's sixth recording and second full-length album, 'The Pendulum Swings' captures a period of renewed experimentation and refinement. Recorded at Miner Street Recordings in Philadelphia, they worked with producers Brian McTear and Amy Morrissey (The War on Drugs, Kurt Vile, Sharon Van Etten) and Grammy-nominated mastering engineer Joe Lambert (Animal Collective, Blonde Redhead, Beach House, M83, Wild Nothing).

Across ten instrumental tracks, the record moves through shifting moods ranging from soaring, psychedelic-tinged guitar anthems to driving post-punk rhythms and more ambient, abstract passages. The result is a dynamic and cohesive work that highlights the band’s signature blend of shimmering guitars, pulsing bass, and powerful percussion. The band pushes the envelope with their instrumental approach, using drum loops, unusual time signatures, ebow, bass VI, and expanded guitar layering.

Deardarkhead has released five recordings via Fertile Crescent Records, beginning with their 1998 debut album 'Unlock the Valves of Feeling', and featured on numerous US and Japanese indie compilations. In 2011, Captured Tracks released 'Oceanside: 1991-1993', a retrospective of their early material (and second released in their Shoegaze Archives series). They then joined iconic label Saint Marie Records in 2015, releasing their critically-acclaimed 'Strange Weather' EP with them in 2016.

As of June 9, 'In Another Life' is available from music platforms, including Spotify, Apple Music and Bandcamp. Now available for pre-order, 'The Pendulum Swings' album will be released on CD, digitally, and on 180-gram vinyl on July 10.

CREDITS
Written by Robert Weiss & Kevin Harrington
Kevin Harrington - guitars (all tracks) and bass VI, ebow & bass (track 10)
Robert Weiss - drums & percussion
Brandon Howard - bass (tracks 1-9)  
Joe McGinty - keyboards (track 6)  
Recorded at Miner Street Recordings, Philadelphia, PA  
Produced, engineered & mixed by Brian McTear & Amy Morrissey
Mastered by Joe Lambert  
Cover photography & design by Robert Weiss
Video directed and edited by William Murray
Band photos by Mike Maney & Rob Weiss
Publicity by Shameless Promotion PR


Keep up with Deardarkhead
Website | Bandcamp | Facebook | Instagram | Twitter | YouTube | Spotify | Apple Music | Press contact

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South Arcade Reveal New Single "Deadmeat"

About to embark on a massive summer of festivals, shows, and more music, South Arcade are back with their latest single, "DEADMEAT." The track is available now on all streaming platforms via BKM in partnership with Atlantic Records. Listen Below.

Speaking of the new single, the band says, "We went into writing wanting to tell a sort of modern Romeo and Juliet story (but with a less depressing ending), and we left with 'DEADMEAT.' It has this reckless optimism about it where the two characters' worlds shouldn't really overlap but they've found each other regardless — they want to escape all of that noise, steal a car, and leave town. It had this 'Us against the world' energy that we loved."

The energetic track shows a playful side to the band while keeping their signature sound. The four-piece have revealed the single ahead of a summer packed of festivals including playing mainstage at Download, Rock 4 People, and TRNSMT before heading to the U.S. later this month for the Idobi Summer School Tour and the iconic Vans Warped Tour (see full itinerary below). Recently finishing the huge UK and EU arena tour with global band 5 Seconds Of Summer, South Arcade teased fans with "DEADMEAT," building huge anticipation for the release.

"DEADMEAT" follows on from last single "SUPERMAN" which was released in April and became the band's biggest streaming debut to date with over 1.5 million streams on Spotify alone. The band recently announced their biggest headline show to date, playing the iconic O2 Academy Brixton in London on February 25, 2027, marking a huge milestone in their already incredibly impressive career. The last few remaining tickets are available here.

Named one of "the most exciting rising artists to watch in 2026" by Alternative Press, South Arcade are conquering all areas of the industry, amassing over 180 million global streams, building a social following of over 2.2 million fans across socials, and completely selling out their first-ever North American headline tour last fall. 

Hot off the heels of EPs PLAY! and 2005, both championed relentlessly by BBC Radio 1 across multiple shows, South Arcade have made the kind of noise that's impossible to ignore. With standout cuts "FEAR OF HEIGHTS," "Supermodels," and "Drive Myself Home" turning heads, they're taking over the alternative scene and the loudest chapters are still to come...

SOUTH ARCADE 2026 TOUR DATES:
Idobi Radio Summer School Tour (6/20-7/23):
Vans Warped Tour (7/25-26, 11/14-15):

6/12 — Hradec Králové, CZ — Rock For People Festival
6/13 — Donington Park, UK — Download Festival
6/14 — Glasgow, UK — TRNSMT Festival
6/20 — Los Angeles, CA — The Belasco
6/21 — Phoenix, AZ — The Van Buren
6/23 — Dallas, TX — House of Blues
6/24 — Houston, TX — House of Blues
6/26 — Orlando, FL — House of Blues
6/27 — Atlanta, GA — Buckhead Theatre
6/28 — Charlotte, NC — The Fillmore
6/30 — Silver Spring, MD — The Fillmore Silver Spring
7/1 — New York, NY — Irving Plaza
7/5 — New Haven, CT — Toad’s Place
7/7 — Boston, MA — House of Blues
7/8 — Allentown, PA — Archer Music Hall
7/10 — McKees Rocks, PA — Roxian Theatre
7/11 — Cleveland, OH — House of Blues
7/12 — Cincinnati, OH — Bogart’s
7/14 — Detroit, MI — Saint Andrew’s Hall
7/16 — Chicago, IL — House of Blues
7/17 — Minneapolis, MN — Uptown Theater
7/19 — Denver, CO — Summit
7/20 — Salt Lake City, UT — The Depot
7/22 — Seattle, WA — Showbox SoDo
7/23 — Portland, OR — McMenamins Crystal Ballroom
7/25 — Long Beach, CA — Vans Warped Tour
7/26 — Long Beach, CA — Vans Warped Tour
8/6 — Eschwege, DE — Open Flair Festival
8/7 — Rothenburg, DE — Taubertal Festival
8/8 — Hamburg, DE — Amplified Festival
8/14 — Osaka, JP — Summer Sonic
8/16 — Tokyo, JP — Summer Sonic
11/14 — Orlando, FL — Vans Warped Tour
11/15 — Orlando, FL — Vans Warped Tour

SOUTH ARCADE ARE:
Harmony Cavelle — Vocals
Harry Winks — Guitar
Ollie Green — Bass
Cody Jones — Drums

Metalcore Band Provenance Release New Single + Music Video "Broken Bonds" via Arson Theory

Massachusetts metalcore band Provenance have released their powerful new single, "Broken Bonds," alongside an accompanying music video that brings the song's themes of betrayal, abandonment, and emotional turmoil to life.

Released via Arson Theory, the four-piece metalcore band from Fitchburg, Massachusetts, formed in 2025 and has quickly begun carving out its place in the modern heavy music scene with an aggressive sound.

At the heart of "Broken Bonds" is a deeply personal message about being left behind when support is needed most. The song's emotional centerpiece arrives in the lyric, "You watched the whole world fall around me," which perfectly captures the song's central theme of feeling abandoned by someone who was expected to stand by your side.

"'You watched the whole world fall around me' heavily reinforces the overall feeling of this song and what it's about being let down and abandoned by someone you counted on for support," says the band.

With "Broken Bonds," Provenance continue to establish themselves as a promising new voice in the metalcore scene, delivering music that resonates with listeners facing their own struggles with loss, disappointment, and fractured relationships.

"Broken Bonds" and its official music video are available now on all major streaming and video platforms.

STREAM "Broken Bonds"

https://arsontheory.vyd.co/ProvenanceBrokenBonds

WATCH "Broken Bonds" (Official Music Video) Below:

Upcoming Shows: 
June 23rd @ The Worcester Public Market in Worcester Ma
June 26th @ Pub on Park in Rhode Island
July 3rd @ Bad Brgr in Manchester, NH
July 25th @ The Webster Underground in Hartford, CT
July 31st @ The Bungalow in Manchester, NH
August 1st @ The Met in Rhode Island
August 15th @ Buffalo Iron Works in Buffalo, NY

Band Members: 
Jake Aveyard - Vocalist
DeAundre Smith - Guitarist 
Kyle Ford - Drummer
Corey Muchata - Bassist

For More Information Please Visit:

Instagram

Facebook

TikTok

YouTube

Violet Breed featuring Brian Wheat (Tesla) Releases Lyric Video for Single "SING"

Violet Breed return with their fifth single “SING,” an electrifying rock anthem with music and lyrics written by Alex Gonzato & Brian Wheat, that blends alternative and classic rock influences with a bold modern edge. From the very first note, the track commands the attention of the listener. Driven by an anthemic chorus- layered in melodic vocal harmonies, soaring gritty guitars and thunderous drums that create an undeniable sense of urgency. It’s clear that with this latest release the band have explored a heavier and rebellious rock sound. The band has released the official lyric video for "SING."

STREAM "SING"

https://linktr.ee/violetbreed

WATCH Violet Breed - SING (Official Lyrics Video) Below:

With its chant-like hook and high-energy delivery, “SING” is an uplifting rock song about using your voice as a rallying cry. Standing up for yourself and others around you urging listeners to break free from the routine and restrictions of everyday life and spreading a message of hope.

With bassist and founding member Brian Wheat at the helm of the track’s production and engineering, Violet Breed’s sound is pushed to its maximum potential- establishing a polished authentic sound that highlights the raw emotion and vocal performance of lead singer AleX.

Violet Breed continue to carve out their place within the alternative rock scene. “SING” showcases a sound that is both refreshingly urgent and unapologetically bold, marking an exciting new chapter for the band as they push their creative boundaries.

Violet Breed represents a powerful collaboration between Wheat, a seasoned rock icon, and AleX, a fresh and dynamic voice in the music industry. The pair have spent the last five years meticulously crafting an album that draws from their own life experiences, creating music that resonates with listeners of all ages. With honest and emotive lyrics, Violet Breed’s sound blends rich rock and pop influences, promising a unique and compelling listening experience.

The debut album showcases the musical prowess of the duo. Fans of both Tesla and AleX will be eager to hear the new material, as Violet Breed looks to make a significant impact on the global music scene.

Brian and AleX are able to tap into experiences from these diverse generations, which add to the depth of the music they produce. Their passion and inspiration for music is born from a shared love for records by The Beatles, Paul McCartney, Queen, and My Chemical Romance. Influences from these bands is subtly interwoven into their music.

For More Information Please Visit:

Official Website

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RAZORWIRE HALO Take On NINE INCH NAILS Classic with Haunting New Cover Of "SOMETHING I CAN NEVER HAVE"

"When approaching the cover of "Something I Can Never Have", our goal was not to reinvent the song, but to honor what made it special while incorporating elements of our own musical identity. We stayed closely aligned with the original piano and synth-driven foundation, preserving the mood and intimacy that define the track. At the same time, we introduced our own stylistic touches through the performance, production and overall sonic texture to create a version that feels both familiar and uniquely ours."

The recording process focused heavily on atmosphere and emotion. We wanted every piano note, synth layer, and vocal phrase to contribute to the emotional journey of the song. Rather than overcomplicating the arrangement, we concentrated on capturing the sense of longing and reflection that has made the original such a timeless piece. Finding the right balance between staying faithful to the source material and expressing our own artistic voice was the most important part of the process.

Covering "Something I Can Never Have" was an opportunity to pay tribute to a song that has inspired us for years, and we are excited to share our interpretation with listeners who have loved the original as much as we do.

RAZORWIRE HALO has never been a band afraid to embrace darkness, vulnerability, and raw emotion. Now, the band is paying tribute to one of the most influential acts in alternative and industrial rock history with their powerful new rendition of the Nine Inch Nails classic, "Something I Can Never Have."



Originally appearing on Nine Inch Nails' groundbreaking 1989 debut Pretty Hate Machine, the song has long stood as one of Trent Reznor's most emotionally devastating compositions. Rather than simply recreate the original, RAZORWIRE HALOdigs deep into the song's haunting core, delivering a version that is both respectful of its legacy and unmistakably their own.

From the opening notes, RAZORWIRE HALO transforms the familiar track into a cinematic journey of heartbreak, obsession, loss, and longing. Atmospheric textures, crushing dynamics, and emotionally charged vocals breathe new life into a song that has resonated with listeners for generations.

LISTEN ON BANDCAMP

RAZORWIRE HALO BIO

In the tumultuous realm where electronic pulses collide with the visceral power of rock, emerges RAZORWIRE HALO, a force to be reckoned with, carving a niche in the sonic landscape with a relentless fusion of heavy electronics and searing rock intensity. Drawing inspiration from the likes of Nine Inch Nails, RAZORWIRE HALO pushes the boundaries of genre, creating a sonic maelstrom that captivates and consumes.

RAZORWIRE HALO is the brainchild of visionary artist,

Tak Kitara, whose hauntingly evocative lyrics and impassioned vocals serve as the band's guiding force. Joined by Skylar Kitara, Rob Harrington, Kyle Potter,

Billy Alexander, and Drew Greer, the group weaves a sonic tapestry that is as intricate as it is ferocious.

RAZORWIRE HALO'S music is an exploration of the darker facets of the human experience, delving into themes of inner conflict, societal discord, and the relentless pursuit of self-discovery. The band's sound is a relentless barrage of electronic beats, pulsating synths, and razor-sharp guitar riffs that cut through the air like a sonic weapon. Their live performances are a visceral experience, a cathartic journey that blurs the lines between man and machine, emotion and electricity.

The band's discography is a testament to their commitment to pushing the boundaries of electronic rock. From the industrial onslaught of "Retaliate" to the introspective depths of "All The Terrible Things" RAZORWIRE HALO'S music is a sonic odyssey that transcends the conventional.

With a growing legion of fans drawn to their electrifying live shows and genre-defying sound, RAZORWIRE HALO stands poised at the forefront of the electronic rock revolution. Unapologetically intense, their music resonates with those who seek a sonic escape into the unknown, a journey through the shadows where raw emotion meets the cold embrace of technology.

As RAZORWIRE HALO continues to carve its name into the annals of heavy electronic rock, one thing is certain, their music is a force that cannot be contained. Brace yourself for the electrifying onslaught of RAZORWIRE HALO, where the wires of emotion and technology entwine, creating a sound that is as captivating as it is destructive.

Merrimack Cover Depeche Mode’s “Wrong”

Veteran French black metal band Merrimack are releasing a cover of “Wrong” by Depeche Mode. Originally appearing on the UK synth-pop band’s 2009 album Sounds of the Universe, “Wrong” reached the Top 10 in nine countries and peaked at Number #1 on the U.S. Billboard Dance Club Songs chart. While faithful to the original, Merrimack’s cover is black metal in every breath.

Listen to “Wrong” Below:

Stream

https://orcd.co/merrimackwrong

Merrimack’s latest album, Of Grace and Gravity, is available now on Season of Mist.

Order

https://redirect.season-of-mist.com/MerrimackGraceGravity

Merrimack’s cover of “Wrong” is rooted in long-standing devotion. Guitarist, Perversifier, who proposed the cover to his bandmates,describes Depeche Mode as having "only grown better over the years". He singles out "Wrong" for "already carrying more darkness than even Black Metal rarely reaches."

Merrimack recorded their cover of “Wrong” during the sessions for  their 2012 album The Acausal Mass. The cover was shelved for more than a decade before the band returned to record vocals. Perversifier says their cover "highlights just how dark the original song already is". They preserved all the notes from the original, only bringing "the level of violence that Black Metal can bring”. Where Depeche Mode channel obsessive self-negation through cold synth-pop, Merrimack strip away any distance the original might have offered.

Although MERRIMACK decided to reach out to a larger audience with the release of their first full-length 'Ashes of Purification', the Parisians did not sever their roots with the underground at any time. With the following albums, 'Of Entropy and Life Denial' (2006) and 'Grey Rigorism' (2009), MERRIMACK closed ranks with the most influential, active, and authentic acts of the French black metal scene. Their classic combination of harsh sound with epic structures appealed to critics and fans alike and put the band on their celebrated first US tour with MARDUK and NACHTMYSTIUM in 2009.

After recording 'The Acausal Mass' (2012) in the legendary Necromorbus Studio (WATAIN, DESTRÖYER 666) again, MERRIMACK embarked on a European tour with Norwegian icons MAYHEM and accepted invitations to prestigious festivals such as Hellfest in their native France, Germany's Party-San Open Air and Summer Breeze as well as Montreal's Messe des Morts in Canada. With their latest album, 'Omegaphilia', MERRIMACK were breathing fresh life into an exhausted genre. While ignoring epithets such as progressive, post-, and avant-garde, the French focused on razor-sharp songwriting, captivating melodies, and close to perfect arrangements.

Line-up

Vestal — Vocals
Perversifier — Guitars
A.K. — Guitars
Daethorn — Bass
Blastum — Drums

Recording Studio

Music: Necromorbus Studio (Stockholm, Sweden), Vocals: Tehom Productions

Production Credits

Music produced, recorded & mixed by Tore Stjerna at Necromorbus Studio

Vocals recorded, mixed & mastered by Xavier Berthiaume at Tehom Productions

Cover Art

Photo by © Alizée Adamek

Follow Merrimack
Bandcamp: https://merrimack.bandcamp.com/

Facebook: https://www.facebook.com/merrimackofficial

Instagram: https://www.instagram.com/merrimack666/

Deezer: https://www.deezer.com/en/artist/99176

Spotify: https://open.spotify.com/artist/3XWKabUW6Y9pm9vyNGlrhV

Tidal: https://tidal.com/browse/artist/3642745

Apple Music: https://music.apple.com/artist/merrimack/41660594

Amazon: https://www.amazon.com/music/player/artists/B000QKG2N8

GET OUT ALIVE SHARE "DEATH HAS BEEN DEFEATED"

"'Death Has Been Defeated' is an emotionally deep cut that explores the idea that death is not truly the end," says GOA's Chas Huff. "The song lyrically dives into the darker side of spirituality, suggesting that with strong enough faith, even death itself cannot win. Emotionally intense and driven by slamming drums, hardcore-inspired guitars, and honest vulnerability, the song is a desperate plea for God to reach out a hand and pull you away from the self sabotaging destruction behaviors of the world."

Chas Huff is a solo alternative metal artist originally from the southwest suburbs of Chicago, Illinois, who later relocated to Palm Coast, Florida. His musical journey began in high school, producing on a borrowed computer before stepping into the local scene as a performer. Over the years, he played in multiple bands, including a punk band which shared stages with acts like Puddle of Mudd, and later a group that opened for artists such as Fame on Fire, collaborated with notable features, and secured a distribution deal. He further expanded his reach through an international project earning another distribution deal and working alongside recognized collaborators.

After years of band experiences and setbacks, Chas shifted his focus toward his solo project, Get Out Alive, creating a fully independent outlet for his artistic vision. Self-produced and developed alongside collaborator Zack Baker (Rain City Drive), his sound blends heavy riffs, immersive atmosphere, melodic vocals, and emotionally driven, hook-focused songwriting. Outside collaborations and industry opportunities ultimately reinforced his decision to invest fully in his solo path.

Born out of isolation and personal struggle, Chas uses Get Out Alive as more than just music, it serves as a self-help-driven creative expression rooted in growth, faith, and introspection. Influenced by psychology and philosophy, his work explores the balance between light and dark while embracing raw honesty. Through his music, he aims to turn pain into purpose, offering listeners both emotional release and a sense of hope, grounded in the belief that to truly get out alive, you must face the truth.

he didnt Releases New Single "Death to Self" From Forthcoming Album Dark Making

he didnt announces the release of "Death to Self", the most melodic moment from the forthcoming album Dark Making, out July 3rd via drone alone productions. 

Built from a beat, an acoustic guitar and a humming vocal, "Death to Self" is a simmering opting-out of society. It is stark, direct and strangely beautiful: a song that steps away from noise without losing the tension, distortion and unease at the centre of he didnt.

he didnt began as a solo project exploring industrial noise, riffs and drones with guitars. As the project and albums developed, samples and electronics became necessary to fully realise the ideas, both live and in the studio. The sound now combines live guitars and bass recorded in a studio, samples of those guitars and bass, and other samples of beats, synths and vocals.

Influenced by 1980s industrial, early MINISTRY albums, Pretty Hate Machine and PUBLIC IMAGE LTD, Dark Making follows that vein and shows he didnt’s use of technology and distortion as writing tools, and as forces for expressing emotion.

Some of the tracks on Dark Making are rough and cut in awkward, jarring ways, with sparse arrangement and production, like an idea creeping out of an underground DIY radio station at 4am. The album continues and develops the sound of he didnt’s debut album Anti-Ambient Passive Resistance, while albums two, three and four moved further into drone territory. Dark Making returns with more of a goth-industrial edge.

Playing drones live is great, but you also need some shorter and more direct songs to keep people interested, and some beats to dance to. Even if that dancing is a slow swaying of the arms and head.

he didnt’s fifth album is a journey into the distortion navel that umbilically links us all. At the centre of that journey is "Death to Self": melodic, minimal and withdrawn, a song for stepping out of the system without knowing where else to go.

About he didnt:

Rooted in industrial noise, the Oxfordshire, UK, based solo project he didnt initially started to explore industrial noise, riffs and drones with guitars. As the project has developed, he didnt began to incorporate further electronics and samples to achieve the desired sound. The project now operates with a combination of live guitars and bass recorded in a studio, samples of those guitars and bass, and other samples of beats, synths and vocals.

For live performances, he didnt doesn't use software, syncing or turntables. Instead he didnt utilizes a laptop, the main basic track, extra samples and various guitar pedals to build the sound.

Since its inception, he didnt has release four full length albums via drone alone: Anti-Ambient Passive Resistance and Blood Red (2023), Nothingness Manifested (2024) and Distraction Threshold (2025). he didnt has received praise for previous releases from Bandcamp Daily, BBC Introducing, The Quietus and Electronic Sound. 

The forthcoming album, Dark Making, is scheduled for release on July 3, 2026, via drone alone productions. 


Connect With he didnt / drone alone productions:

Instagram: https://www.instagram.com/drone_alone_prods/
YouTube: https://www.youtube.com/@dronealoneprods
Bandcamp: https://dronealoneprods.bandcamp.com/

LAINEY WILSON’S NEW SINGLE “PHONE, KEYS, WALLET” OUT NOW

16x ACM, 12x CMA and Grammy Award-winner Lainey Wilson’s new single, “Phone, Keys, Wallet,” is out now, featuring special guest John Mayer on guitar. Listen to the song below (BBR Music Group/BMG Nashville), which world premiered at country radio across the U.S. and Canada today. 

Written during the final leg of the Whirlwind World Tour and recorded at Mayer’s Chaplin Studios in Los Angeles, the track finds Wilson embracing the messy, fast-moving parts of life, and celebrating the person who chooses to love her through it all. 

“I feel like a tornado with boots on half the time, and this song is really about finding somebody who’s okay with that chaos and chooses to love you through it anyway,” Wilson shares. 

“Phone, Keys, Wallet” follows Wilson’s recent releases “Younger You,” a special collaboration with Miley Cyrus, and “Can’t Sit Still,” which Billboard calls, “a rollicking stomp of a song where the frenetic music perfectly matches the driving lyrics,” while iHeartRadio praises, “[it] captures Wilson’s free-spirited, yet driven and hard-working character.” 

The new music adds to yet another monumental year for the Louisiana native, who headlined Stagecoach with an electric set, is the subject of the new Netflix documentary, Lainey Wilson: Keepin’ Country Cool (watch HERE) and recently kicked off a run of stadium shows with Chris Stapleton, which will continue through the summer. Wilson also made her film acting debut in Universal’s adaptation of Colleen Hoover’s Reminders of Him earlier this spring, was selected as one of USA Today’s 2026 Women of the Year and featured on the cover of People Magazine. 

“The reigning current standard-bearer for women in country” (Variety), Wilson hosted the 59th CMA Awards (the first solo female host since Reba McEntire in 1991) last fall, where she won three awards: Entertainer of the Year, Female Vocalist of the Year and Album of the Year (Whirlwind). She also released the deluxe version of her acclaimed album, Whirlwind, this past August, which features five additional tracks, including her #1 single, “Somewhere Over Laredo.” 

The Grand Ole Opry member is a prolific, sought-after songwriter, who has scored nine #1 hits including “4x4xU,” “Wildflowers And Wild Horses,” the 3x PLATINUM certified “Watermelon Moonshine” and the 4x PLATINUM Certified “Heart Like A Truck,” in addition to award-winning collaborations with Cole Swindell (“Never Say Never”), Jelly Roll (“Save Me”) and HARDY (“wait in the truck”). Moreover, Wilson has collaborated with artists such as Reba McEntire, Miranda Lambert, Dolly Parton and Post Malone, made her acting debut in Paramount’s hit television series, Yellowstone, and recently launched her fifth collection with Wrangler, as well as her own boot (Golden West Boots) and jewelry lines (The Lainey Wilson Jewelry Collection). 

LAINEY WILSON CONFIRMED TOUR DATES

June 6—Nashville, TN—CMA Fest
June 13—Tampa, FL—Raymond James Stadium*
June 20—Charlotte, NC—Bank of America Stadium*
June 26—Nashville, TN—Nissan Stadium (Alan Jackson: Last Call – The Finale)
June 28—Calgary, AB—Country Thunder Alberta
July 4—Boston, MA—Hatch Shell at Charles River Esplanade
July 10—Chicago, IL—Windy City Smokeout
July 12—Craven, SK—Country Thunder Saskatchewan
July 17—Pasa Robles, CA—California Mid-State Fair
August 1—Cincinnati, OH—Paycor Stadium*
August 6—Detroit Lakes, MN—WE Fest
August 7—Oshkosh, WI—Xroads41
August 8—Detroit, MI—Ford Field*
August 9—Canton, OH—Concert for Legends
August 12—Sturgis, SD—The Sturgis Buffalo Chip
August 15—Springfield, IL—Illinois State Fair
August 16—Des Moines, IA—Iowa State Fair
August 21—Atlanta, GA—Mercedes-Benz Stadium*
September 19—Las Vegas, NV—iHeartRadio Music Festival
October 2—Ocean City, MD—Country Calling Festival
*with Chris Stapleton

WEBSITE | INSTAGRAM | TIKTOK | YOUTUBE | X | FACEBOOK

 Photo Credit: Cece Dawson

Ray Hawthorne Is Nine Years Sober And Proud Of Every Scar On "I Tried"

Pop punk's most lovable liability, Ray Hawthorne, is back with his latest single, "I Tried", trading in his usual chaos to step into a confessional for a moment. A bruising, yet beautiful ballad, "I Tried" tackles the particular weight of being deep in addiction and deciding that trying, even poorly, was the only thing left to offer. Listen to the new single, "I Tried", Below.

Serving as the sixth single of his latest era, "I Tried" encapsulates Ray Hawthorne's journey prior to sobriety. Now proudly nine years sober, Ray Hawthorne peers back at the moments where survival felt like too much to ask for. Almost as if it was a scar that is shown off by someone who made it out, "I Tried" is proof that all stories have a next chapter after all.

Rather than address the emotional weight of his most vulnerable work to date, Ray Hawthorne chose to discuss why the current state of the entertainment industry should inspire you to listen to his latest single:

"Nick Cage is Spider-Man. YouTubers are making hit Hollywood movies. A Lego store is somehow the most exciting thing in the news cycle. Also Beartooth exists. And here I am trying to make you care about my song. How, in this climate, can I even compete? Well I think I’ve got something.

Remember in Beauty and the Beast when Belle is rolling around singing about books? She’s like “It’s my favorite. Far off places, daring sword fights, magic spells, a prince in disguise!” What if I told you that “I Tried” also has all those things. The far off places are places secret drug deal locations. The sword fights are my internal struggle to stop. The magic spells are drugs. I wasn’t able to figure out how to connect the prince in disguise part so I’ll leave that up to you. I tried though. How’s that? I bet you’ve never heard someone link their stories of almost dying as a drug addict to Beauty and the Beast. Good thing Disney never sues anybody. I bet that makes you want to listen. Go ahead. I won’t stop you.”

Renowned for his work in North Kingsley, the acclaimed project alongside Shavo Odadjian of System of a Down, Hawthorne initially captured hearts as the Heartbreak Hero with his inaugural solo release "Heartbreak Feels Good in a Place Like This". Building on his solo work, his debut record "Ray Hawthorne Sucks" further cemented his status as a bold new voice in pop punk, quickly amassing a devoted following and over 20 million streams across all streaming platforms for his magnetic charm and razor-sharp wit.

Blending heartbreak, sarcasm, and just the right amount of emotional stability, Ray Hawthorne leads with a messy kind of hope, turning emotional freefall into something you can scream along to. Where debut album and his firstborn, "Ray Hawthorne Sucks", leaned into an earnest DIY vulnerability, his latest record, "Ray Hawthorne Isn't Real", took a turn and tapped into the restless defiance of a secondborn. The 15 tracks helped embrace the chaos, laugh at the pain, and maybe, just maybe, allow us all to find a little redemption along the way.

Starting from the very real possibility that Ray Hawthorne is just a guy screaming into the ether (and somehow making it sound catchy), his catalog has become a refuge for anyone who's ever felt too loud, too sensitive, or too much. Loud, petty, and deeply cathartic, Ray Hawthorne is proudly one of the most unapologetically honest voices modern pop-punk.

Be sure to stay tuned for more Ray Hawthorne news coming very soon.

ABOUT RAY HAWTHORNE

Do you remember that episode of Degrassi where Ashley really wants Craig to tell her he loves her, but Craig gets all panicked and can’t tell her that he does? It causes so much drama in their relationship. She begins to question her feelings for him and because of that, he becomes seemingly unsure of his feelings for her. So, in an effort to quell the bad vibes, Craig writes a song that includes lyrics IMPLICITLY AND EXPLICITLY stating that he loves her. (Total banger by the way, the only song of his I like better is the one he sings at the battle of the bands after the two inevitably break up, it’s also about Ashley. I believe it’s called ‘What I Know’) Anyway, Craig was only able to admit he loved Ashley in song form, but you as the viewer are left wondering ‘Does he really love her, or was this just his solution to end the drama?’ Or, ’Is this truly the only way he can express himself because he’s kind of nervous about speaking his true feelings outside of the structured environment of a song?’. I tend to believe it’s a mixture of both. So what I’m trying to say is, this collection of songs is kind of like that. I always feel like I have so much to say but often feel a bit too vulnerable when discussing my actual feelings. So for the majority of my life, I’ve just written them into songs instead. These songs can be quite vulnerable even if they seem silly at times. So now you’re left to wonder... am I telling the truth or just trying to get rid of Ashley’s bad vibes?

SATURN'S DOWNFALL Ignites the Future of Modern Rock with Explosive NEW Single "ELECTRIC SKYLINE"

"Electric Skyline” is an anthem about breaking free from the noise, reclaiming control, and building your own future driven by massive hooks, heavy guitars, and pure modern rock energy."

The future belongs to those willing to take it, and

SATURN'S DOWNFALL is making that statement loud and clear with their powerful new single, "Electric Skyline."

Fueled by soaring melodies, thunderous riffs, and an undeniable sense of purpose, "Electric Skyline" arrives as a bold declaration from a band determined to leave its mark on the modern rock landscape. Blending massive hooks with hard-hitting guitar work and infectious energy, the track captures the spirit of breaking free from limitations and forging a path forward on your own terms.



The song's electrifying atmosphere mirrors its message. Every riff surges with urgency, every chorus demands to be shouted back at full volume, and every lyric speaks to those who refuse to be defined by the expectations of others. It's a soundtrack for dreamers, fighters, and anyone ready to take the wheel of their own destiny.

BIO:

SATURN'S DOWNFALL is a modern hard rock band built for fans of massive choruses, heavy riffs, and the emotional intensity that defined the golden era of 2000s rock.

Formed in 2025 in York, Pennsylvania by drummer Brady Hearn and his father, guitarist Scott Hearn, the band was built on a foundation of family, long-standing creative chemistry, and a shared vision to create powerful modern rock with timeless energy.

Drawing influence from Three Days Grace, Breaking Benjamin,and Skillet, SATURN'S DOWNFALL blends cinematic atmosphere, driving low end, and anthemic songwriting that bridges classic rock power with

modern production.

With themes of struggle, rebirth, and cosmic destiny woven throughout their music, the band has quickly begun building momentum with their breakout single “Chasing Gravity,” earning early radio traction across the U.S. and internationally, including spins on 105.7 The X, 92.7 WQLZ, 97.9X, The Sound, and Australia’s Valley FM 89.5, along with a #4 placement on an independent Top 10 countdown.

SATURN'S DOWNFALL delivers emotionally charged modern rock built for both the stage and the next generation of rock listeners.

Swedish Hard Rockers S.O.R.M Release New Single "Raise Hell"!

Swedish hard rock powerhouse S.O.R.M unleashes its brand-new stand-alone single, "Raise Hell" - an explosive, riff-driven anthem released in celebration of the band’s upcoming debut appearance at Sweden Rock Festival this June.

Packed with thunderous guitars, massive hooks and the raw energy the Swedish trio is known for, "Raise Hell" perfectly captures the adrenaline and pure rock’n’roll spirit surrounding the band’s upcoming performance at one of Scandinavia’s most iconic rock and metal festivals.

Stream the single Below

S.O.R.M comments: "Since we finally get to play Sweden Rock in 2026 we wanted to write the ultimate hard rock song. And I think we fuzzing nailed it. So this song is an extension to us and all fans that gonna support us at our first show at Sweden Rock. Hope you guys love it."

"Raise Hell" is out now via Noble Demon and available on all major streaming platforms.

About S.O.R.M:
Formed in 2017, S.O.R.M quickly made a name for themselves with the release of their outstanding "Hellraiser" EP (2020), which introduced the band to the world and captivated audiences with their infectious hooks right from the start. The band's 2023 debut album, "Under My Skin" (Noble Demon), further solidified their position in the hard rock scene, featuring guest appearances by legendary guitarists Doug Blair of W.A.S.P. and Nick Petrino of Dee Snider. Get the band's latest album HERE

S.O.R.M are:
Micke Holm - vocals/ backing guitar
Patrik Sandström - backing vocals/ lead guitar
Johan Östman - Backing vocals/ bass
Robin Wernebratt - Drums

 For more info visit:

Official Website

Facebook

Instagram

Noble Demon

Revered Melodic Rockers PRIDE OF LIONS Share New Single "Edge Of Forever" + Visualizer

Today, PRIDE OF LIONS, led by Jim Peterik and Toby Hitchcock, are proud to share the new single "Edge Of Forever," taken from their upcoming new album, 'Unbridled,' set for release on July 10th via Frontiers Music Srl. Produced by Jim Peterik and mixed by Larry Millas, 'Unbridled' marks the eighth studio album from PRIDE OF LIONS. "Edge Of Forever"arrives alongside an official visualizer.

On the new track, Jim Peterik shares:

"The song 'Edge Of Forever' is one of my favorite tracks from our latest PRIDE OF LIONSalbum- 'Unbridled.' But to be honest, I wasn’t sure how are fans would respond to it. It breaks with our tradition of songs of positivity and light and replacing it with with the feeling that the world situation seems to keep getting more and more unsettled posing the question 'Are we standing at the edge of forever?' Toby and I offer hope of course for a better world by joining hand and coming together. Peace."

Watch the Official Visualizer for "Edge Of Forever" Below:

With ‘Unbridled,’ legendary AOR torchbearers PRIDE OF LIONS return with their eighth studio album, a commanding statement from one of melodic rock’s most enduring acts. Since their formation in 2003 by Jim Peterik — the songwriting force behind anthems like “Eye of the Tiger” and “The Search Is Over” — and powerhouse vocalist Toby Hitchcock, PRIDE OF LIONS have been celebrated for fusing classic melodic sensibilities with modern rock energy. Over two decades later, they remain at the forefront of the genre, consistently delivering songs that resonate with depth, emotion, and unforgettable hooks.

‘Unbridled’ is a 12-track journey that showcases the band’s remarkable craft. Every element of the lineup shines: Ed Breckenfeld’s driving drums and percussion lay a solid foundation; Mike Aquino’s lead and acoustic guitars deliver both fire and finesse; Bob Lizik’s bass anchors each arrangement with strength and groove; and Jim Peterik’s keyboards and secondary guitar add lush melodic layers. The signature dual vocal performances from Peterik and Hitchcock — alternately commanding, expressive, and harmonically rich — elevate the songs to new heights.

The album is mixed by longtime collaborator Larry Millas, whose work brings clarity, depth, and punch to every track. Standout singles like the title track “Unbridled” — with its striking guitar intro and immediate melodic hook — and “Edge of Forever” underline the band’s ability to craft timeless rock songs that feel both classic and contemporary.

Through ‘Unbridled,’ PRIDE OF LIONS reaffirm their status as masters of melodic rock and AOR. It’s an album that will satisfy longtime fans while serving as a powerful introduction for new listeners, showcasing a band that continues to evolve without ever losing its core identity.

Pre-Order 'Unbridled' HERE

PRIDE OF LIONS are:

Toby Hitchcock and Jim Peterik: Lead Vocals

Ed Breckenfeld: Drums And Percussion

Mike Aquino: Lead Electric And Acoustic Guitar



Keyboards: Jim Peterik

Secondary Guitar: Jim Peterik

Bass Guitar: Bob Lizik

SWANWRITER Unveils Haunting And Heavy Single "the painted valley"

Inspired by the dark and gory historical figure, Blood Countess Elizabeth Bathory, SWANWRITER delivers a haunting and dynamic offering in the new single, "the painted valley". Hailing from Vancouver, BC, the progressive metal project is preparing to unveil the second full-length album, melodies of despair, on June 26, 2026.

In the late 16th and early 17th centuries, the Hungarian noblewoman was alleged to have killed hundreds of girls and women, and to have bathed in their blood. In "the painted valley", "The protagonist of the story is a young orphan girl who was taken in by a supposedly kind figure. At the end of the track, she found out that this was an evil witch who was secretly killing them to bathe in their blood", explains project founder Koda.

A solo piano arrangement opens "the painted valley". The music suddenly shifts into a waltz, the piano now joined by a pair of acoustic guitars. A heavy explosion manifests as drums and distorted electric guitars arrive, building the intensity of the sound. Powerful and atmospheric, the shadows descend as harsh vocals growl into life.   

The genre-fusion continues throughout the track's progressive compositional style. Falsetto vocals await in the chorus with a string trio creating an eerie layer beneath, before returning to the heavy onslaught. Followed by a minimalist arrangement of classical guitar and piano, "the painted valley" arrives at a foreboding end. SWANWRITER presents a thoroughly compelling display of light and shade through intricate, considered progressive instrumental arrangements. Across melodies of despair, SWANWRITER balances chaos and calm through explorations of dark and emotional narratives.  

melodies of despair was produced and mixed by Koda, mastered by Roland Rodas, and features cover artwork by 無た｡ / muta.

About SWANWRITER:
  SWANWRITER is a dark progressive metal project based in Vancouver, British Columbia, created and performed entirely by the anonymous multi-instrumentalist known as Koda. Formed in 2023, the project emerged from a desire to merge progressive metal songwriting with classical composition, atmospheric storytelling, and emotionally driven arrangements.

Having studied classical piano from an early age before later discovering extreme metal, Koda developed SWANWRITER as a space to explore long-form composition without stylistic limitation. The music draws influence from progressive and experimental metal alongside classical composers such as Bach, Beethoven, and Chopin, resulting in compositions that emphasize dynamics, texture, and narrative pacing.

SWANWRITER debuted with There is a darkness in June 2023, establishing a sound centered on extended song structures, melodic development, and cinematic atmosphere. Rather than focusing on technical exhibition, the project prioritizes mood, storytelling, and cohesion across full-length releases.

Themes throughout SWANWRITER’s work often intersect with psychological horror, melancholy, and introspection, shaped in part by inspiration from horror games, film soundtracks, and dark ambient music. Each release is approached as a complete artistic statement, with careful attention given to sequencing, emotional progression, and sonic detail.

Operating independently, SWANWRITER remains a studio-focused project, with future ambitions that include composing music for horror and narrative-driven media.

Connect with SWANWRITER:

Bandcamp: https://swanwriter.bandcamp.com/
Instagram: https://www.instagram.com/swanwritermusic/
Facebook: https://www.facebook.com/swanwritermusic/
X / Twitter: https://x.com/swanwritermusic
YouTube: https://www.youtube.com/@swanwriter
Spotify: https://open.spotify.com/artist/6unE9CWOXt5c4UIiaHD5RR
Apple Music: https://music.apple.com/us/artist/swanwriter/1686779640
TikTok: https://www.tiktok.com/@swanwritermusic

Chicago's CURSED AWAKENING Descend Into The Abyss With "Engulfing Void"

Descend into CURSED AWAKENING's "Engulfing Void". This is the newest single offering to land ahead of the band's forthcoming concept album Path Of A Soul, set to release later this year. The album's narrative follows a fresh born soul as it navigates its new existence in a dystopian landscape. 

Over the course of the track list, the fresh born soul stumbles through self-discovery and self-destruction. In "Engulfing Void", the introspective lyrics reveal discontentment at the life that has been lived. Approaching the beginning of the end within the album's narrative, the theme of this track also explores wider notions of regret, remorse and despair at not having lived the life one wanted. 

"Engulfing Void" carries an emotional weight, heavy with melancholy and a gloomy atmosphere. A somber guitar lead introduces the track with a mournful tone before CURSED AWAKENING unleash their thunderous heavy assault. Fast riffs and anguish fueled lyrics bring power while the instrumental layers across the chorus build intensity. "Engulfing Void" draws to a close returning to the forlorn passage first heard in the song's opening. 

About CURSED AWAKENING

Formed in Chicago, Illinois in 2021, CURSED AWAKENING (formerly known as ARRHYTHMIA) delivers a thrashy death metal sound rooted in classic influences such as DEATH, BOLT THROWER, AT THE GATES, SLAYER, THE BLACK DAHLIA MURDER, and SUFFOCATION. Their music combines old school riffing, melodic passages, neoclassical soloing, and introspective lyricism that goes beyond surface level extremity.

After reforming under the CURSED AWAKENING name in early 2026, the band solidified their creative identity and lineup. The current lineup consists of Abraham Verdin on rhythm guitar and lead vocals, Michael Nystrom Bala on lead guitar, Brady Dukart on bass and backing vocals, and Ronnie James Keough on drums.

With 2024 bringing notable live performances in Chicago and beyond, CURSED AWAKENING continues to sharpen their sound and vision. The band's latest release of singles including "Past Newtonium" and "The Rift", alongside the newest "Rest In Chains", are further testament to the band's continuation and escalation, marking a darker and heavier chapter as the band moves toward their upcoming 2026 album.

CURSED AWAKENING is:

Abraham Verdin – Rhythm Guitar, Lead Vocals
Michael Nystrom Bala – Lead Guitar
Brady Dukart – Bass, Backing Vocals
Ronnie James Keough – Drums

Connect with CURSED AWAKENING:

• Official Website: https://cursedawakening.com

• Bandcamp: https://cursedawakening.bandcamp.com/

• Facebook: https://www.facebook.com/profile.php?id=61553444026271

• Instagram: https://www.instagram.com/cursedawakening/

• Twitter/X: https://x.com/CursedAwakening

• YouTube: https://www.youtube.com/@cursed.awakening

• Twitch: https://www.twitch.tv/cursedawakening

• Linktree: https://linktr.ee/cursedawakening

• TikTok: https://www.tiktok.com/@cursed.awakening?lang=en

• Server Invite Link: https://discord.gg/27Vj4xtt

BLACK SITES Present New Single "Giving Up The Ghost"

Chicago's heavy ensemble BLACK SITES present their next single release, "Giving Up The Ghost". Written about losing one's belief in a higher power, the new track arrives ahead of the band's forthcoming full length, For Eternity, set to release independently on July 17, 2026.

On the musical influences behind "Giving Up The Ghost", BLACK SITES founder Mark Sugar shares, "I was very much trying to channel Tony Iommi and Jimmy Page on this track. The intro is total Iommi worship, specifically what he did on 'Die Young'. The guitar overdubs at the end were an idea borrowed from Depeche Mode’s 'Policy of Truth'." 

Across the album's track list, BLACK SITES deliver impactful catchy choruses and lyrical hooks alongside a powerful riff-driven sound. "Giving Up The Ghost" showcases this stylistic direction with a highly emotive element that manifests through touches of orchestral strings and somber guitar leads. 

For Eternity was produced by Mark Sugar & Chris Black, recorded at I Can’t Believe It’s Not Mace Street Studios, with mixing and mastering by Dan Swano. Drums on For Eternity were recorded by Vladimir Ružičić at Kebac Recording Studio.

About BLACK SITES:
Based out of Chicago, IL, USA, BLACK SITES was founded in 2016, initially as a studio project, by vocalist and guitarist Mark Sugar. Sugar was later joined by members John Picillo (bass), Ryan Bruchert (guitar) and Chris Avgerin (drums). BLACK SITES combines old school metal with guitar harmonies, melodic/clean vocals and progressive elements, primarily drawing inspiration from the likes of VOIVOD, BLACK SABBATH, and KING’S X.

BLACK SITES released their debut In Monochrome in 2017 (Mascot/Provogue Records), followed by Exile in 2019. 2021 saw the release of Untrue that was produced by Sanford Parker and awarded Record Of the Year by Dr. A.N. Grier at AngryMetalGuy.com. BLACK SITES ventured to The Promised Land? with their 2024 full-length that featured Tom Draper. (Ex-CARCASS/SPIRIT ADRIFT) on the track "Chasing Eternity".

Now, in 2026, Mark Sugar is joined by new members Jose Salazar (bass), Lee Smith (guitar) and Chris Black (drums). The forthcoming album For Eternity is set to release independently on July 17, 2026.

BLACK SITES Is:
Mark Sugar (vocals, guitar)
Jose Salazar (bass)
Lee Smith (guitar)
Chris Black (drums)

Connect With BLACK SITES:
Bandcamp: https://blacksites.bandcamp.com
Facebook: https://www.facebook.com/blacksites
Instagram: https://www.instagram.com/blacksitesmusic
TikTok: https://www.tiktok.com/@blacksitesmusic
YouTube: https://www.youtube.com/@blacksites
Spotify: https://open.spotify.com/artist/0yY6r4UHQDv4BUOr5bKu1o

Blood Command Drop Summer Anthem "Flowers To A Knife Fight"

With "Flowers To A Knife Fight," Norwegian deathpop punks Blood Commandturn betrayal, disappointment and emotional exhaustion into a blazing modern punk anthem built for sweaty clubs and massive festival singalongs alike.

Fueled by explosive energy, razor sharp hooks and the band’s unmistakable blend of punk urgency, pop sensibility and chaotic heaviness, the track captures the moment where heartbreak transforms into defiance. Driven by the instantly memorable refrain "I'm never gonna be that dumb," "Flowers To A Knife Fight" channels the frustration of broken trust and fading idols into a massive shout along chorus impossible to shake.

Lyrics about stolen light, empty apologies and losing faith in the people once held closest give the song an emotional rawness beneath its infectious energy. Rather than sinking into bitterness, Blood Command turn personal disappointment into something empowering, loud and unapologetically alive. Bursting with punchy riffs, relentless momentum and the band's signature deathpop chaos, the single balances aggression and melody with effortless confidence.

The contrast between emotionally cutting lyrics and euphoric summer anthem energy gives "Flowers To A Knife Fight" its unique intensity, sounding equally cathartic and celebratory from start to finish. Since forming in 2008, Blood Command have built a cult following through their fearless genre bending sound, acclaimed live performances and relentless touring alongside artists such as Refused, Kvelertak ,and Biffy Clyro. With Kerrang! acclaim and multiple Spellemann nominations under their belt, the band continue to push punk into bold new territory. "Flowers To A Knife Fight" is another explosive reminder why Blood Command remain one of the most exciting and unpredictable forces in modern alternative music.
 
BLOOD COMMAND LIVE:
5/29 — Montaigu, FR—  Zinor (Collective ICROACOA
5/30 — Bordeaux, FR — Union Saint Bruno
7/29 — Wacken, DE — Wacken Open Ai

Hopsydian Unveil New Single "ELYSIUM"

Hopsydian push emotional extremity and crushing heaviness to new heights with their latest single "ELYSIUM," a dark and cinematic descent into fractured identity, spiritual abandonment and the violent pursuit of transcendence.

Combining relentless modern metalcore aggression with sacred choir elements, towering atmosphere and beatdown loaded riffs, the track balances brutality and beauty with unsettling intensity. Driven by themes of inner ruin, corrupted faith and self deification, "ELYSIUM" explores the emotional conflict between guilt and empowerment.

Lyrics like "Every scar is a vow I survived" and "There's grace in sin" paint a portrait of someone shaped by pain, no longer searching for salvation but becoming something terrifyingly divine in the process. The song constantly shifts between whispered confession and explosive defiance, mirroring the psychological collapse unfolding beneath its massive production. Haunting choirs echo like fractured prayers throughout the track, colliding with crushing breakdowns and punishing drums that amplify the tension between sin and transcendence. As the song builds toward its radiant and emotionally overwhelming chorus, Hopsydian create a sound that feels both apocalyptic and euphoric, equal parts spiritual reckoning and violent rebirth.

With "ELYSIUM", Hopsydian showcase a bold modern approach to metalcore that merges cinematic atmosphere, raw emotional weight and unrelenting heaviness into something immersive and devastating. Dark, aggressive and impossible to ignore, the single positions the band as one of the genre’s most exciting emerging forces.

HOPSYDIAN LIVE:
6/27 — Vienna, AUT — Chelsea
8/15 — Dinkelsbühl, DE — Summer Breeze Open Air