DROP DEAD, GORGEOUS Unleash "Ghosts"

Drop Dead, Gorgeous emerged in the mid-2000s with an emotionally charged take on post-hardcore that helped define the era. As teenagers from Denver, their 2006 debut In Vogue became a landmark for Rise Records, blending synth-laced breakdowns, theatrical flair, and raw vulnerability. Follow-up albums like Worse Than a Fairy Tale and The Hot N' Heavy cemented their place in the scene, influencing a wave of bands that followed.

The tastemakers at VICE tipped the band as that which helped to "perfect a style of post-hardcore that other bands would model themselves after. Where other bands in the scene would regurgitate the same testosterone-tinged bro-rock, Drop Dead, Gorgeous made their mark by putting [emotional] vulnerability into song."

After a decade-long hiatus, core members Daniel "Stills" Stillman, Danny Cooper, and Jake Hansen returned in 2024 with a string of surprise shows and, in 2025, released their first new music in years with the single "Six Feet." The followup "Burn" continued that momentum. They closed out 2025 with "Sink Your Teeth."

"'GHOSTS' captures the feeling of drowning in chaos while daring us to face the flames instead of looking away," says Stills. "It's dark, visceral, and impossible to ignore."

CHRONICLER OF ARDUL Releases New Single "Zarek the Bloody" Ahead of Upcoming Album Sounds of Ardul

The fantasy-driven project CHRONICLER OF ARDUL unveils its latest single, "Zarek the Bloody," offering listeners their first glimpse into the evolving sound and storytelling of the upcoming album Sounds of Ardul, set for release April 10, 2026.

Framed as one final bard’s song, "Zarek the Bloody" explores the blurred line between legend and truth. In the world of Ardul, bards carry the responsibility of immortalizing heroes and villains alike, singing of their triumphs, their infamy, and the complicated truths that lie somewhere in between. Zarek is one such figure, a renowned and widely traveled warrior whose reputation precedes him wherever the songs are sung.

Driven by accordion, bass, percussion, and vocals by David Williams, the track presents Zarek as both myth and man. The verses paint him as a heroic wanderer worthy of praise, while the choruses suggest something more ambiguous beneath the legend. Like many figures etched into history through song, Zarek’s story may depend on who is telling it, or perhaps who commissioned it to be told.

The composition began its life on guitar before evolving into its final arrangement built around accordion, giving the piece a brooding folk character reminiscent of the opening theme from the television series Peaky Blinders. As the song developed, its lyrics shifted and reshaped until the narrative and melody aligned, revealing a layered portrait of a character whose true nature remains open to interpretation.

Zarek himself plays a role in the creator’s larger fantasy trilogy, and "Zarek the Bloody" offers an early glimpse of the character’s presence within that story. The song hints at the deeds that built his legend and raises new questions. Is the feared warrior truly the hero the verses celebrate? And what of the cursed blade whispered about in taverns and camps alike? Could Zarek possess the legendary Sword of Virné?

The single arrives ahead of Sounds of Ardul, the third release from CHRONICLER OF ARDUL. The album represents a new creative direction for the project, leaving behind metal elements in favor of orchestral and fantasy-focused compositions.

In wide brush strokes, Sounds of Ardul paints the emotional landscape of its world. From the dark beauty of the Woodlands to the lurking depths of the Underground, from heroic calls to arms to uneasy encounters with figures whose true nature remains hidden. The album plays like a video game soundtrack set within a classic fantasy setting, built for immersion and storytelling.

And like many great adventures, it all begins in a tavern, with bards singing songs.

"Zarek the Bloody" is available now. Sounds of Ardul arrives April 10, 2026.

CHRONICLER OF ARDUL IS:
David Williams – Music and Lyrics

Links:
Website: https://chroniclerofardul.com/
Bandcamp: https://chroniclerofardul.bandcamp.com/
Instagram: https://www.instagram.com/chronicler_of_ardul/

Dirty. Groove. Rock. Crobot Unleash High-Octane New Single “Foot Off” From Upcoming Album Supermoon

With “Foot Off,” CROBOT doubles down on the groove that made them dangerous in the first place. The track plows forward on a bluesy bone tingling riff and a chorus built to cut through the roar of a vintage American muscle car. It’s a full-throttle return to the band’s Dirty Groove Rock roots—raw, electrified, and impossible to ignore.

Hard rock powerhouse CROBOT is back with a thunderous new single, “Foot Off,” offering fans another taste of the band’s upcoming album Supermoon. Known for their signature blend of groove-heavy riffs, explosive energy, and undeniable swagger, CROBOT once again proves why they remain one of the most electrifying bands in modern rock.

Foot Off” hits like a runaway freight train from the opening riff, combining crunchy guitar work, pounding drums, and the unmistakable powerhouse vocals of frontman Brandon Yeagley. The track delivers an adrenaline-fueled anthem built around the idea of pushing forward without hesitation—never slowing down and never taking your foot off the gas.

"Foot Off" puts us right back in the driver's seat of charging our way through open highways at break neck speed with our destination set to our Dirty Groove Rock roots. This one is for the fans that have been with us from the beginning and fans that want to know exactly what we're all about - still after 15 years of being a band." 

- Brandon Yeagley

“It’s somewhere between ZZ Top, Aerosmith, and Clutch. Right where I like to be baby. I’m happy we are back to funkin’. Ever since I was a wee little boy, that’s what’s always got my

motor running.” - Bishop

Lyrically, the song channels themes of determination, rebellion, and relentless drive. It’s a track that captures CROBOT'S high-energy spirit while encouraging listeners to keep charging ahead no matter the obstacles in

their path.

BIG ASS TRUCK I.E. RELEASES NEW SINGLE 'PUSHED BEYOND THE BRINK’

Breakout hardcore wrecking crew BIG ASS TRUCK I.E. have returned with a brutal new single, ‘PUSHED BEYOND THE BRINK,’ out now via Nuclear Blast Records.

BIG ASS TRUCK I.E.’s eagerly awaited follow-up to late 2025’s pit anthem “BACK WHEEL STOMP,” is the sound of pure mayhem; a runaway freightliner as it barrels through earholes on a path of sonic destruction.

Commenting on the track the band says:

We’re super stoked for this track! This idea had been in the tank for a while and we were all very excited to finally bring it to fruition. The KILLDOZER is a legendary vehicle/event and id like to think we did it justice in showing how maniacal that whole situation was/is. We’re hoping this track can resonate with anyone else who feels life is just punching down on you everyday.

BIG ASS TRUCK I.E. is currently en route through Europe delivering their ferocious music to the masses with BODYSNATCHER and PSYCHO FRAME.

Stream ‘PUSHED BEYOND THE BRINK’: https://bigassmftruck.bfan.link/pushed-beyond-the-brink

‘PUSHED BEYOND THE BRINK’ MUSIC VIDEO BELOW:

About BIG ASS TRUCK I.E.:

Born in the Inland Empire. Fueled by diesel and bad decisions.

2000 horsepower breakdowns. 12-ton riffs. Anyone in the way catches the back wheel stomp.

Not a band. A wrecking crew on bald tires.

BIG ASS TRUCK I.E. isn’t here to partake in hardcore. It’s here to run it over, back it up, and run it over again.

Big riffs. Big energy. BIG ASS TRUCK.

Follow BIG ASS TRUCK I.E.:

Instagram | X | Bandcamp | Spotify | Apple Music

COLIN STOUGH TAKES ON HARD LESSONS EARLY WITH “21 YEAR OLD MAN BLUES”

Mississippi native Colin Stough digs deeper into the weight of growing up too fast with his gripping new release, “21 Year Old Man Blues,” available now. Listen Below.

Written by Stough alongside Brandon Hood and Marc Beeson and produced by Hood, the track captures the restless tension of youth carrying consequences beyond its years. Set against a gritty, Delta-inspired backdrop, “21 Year Old Man Blues” blends swampy guitar tones, sparse but driving rhythm, and Stough’s signature gravel-edged vocal to deliver a sound steeped in the raw, lived-in spirit of his home state.

“‘21-Year-Old Man Blues’ is about being a young fella and feeling the old man blues,” Stough shares. “It’s about constantly feeling like you're running from something. Brandon Hood and I wrote the song and two days later we were cutting vocals on it. I told him I wanted it to sound like Mississippi with the instrumentation and he absolutely nailed it.”

Through vivid storytelling that moves from Tupelo to the Delta and out onto the open road, the song follows a young man wrestling with mistakes, expectations, and the heavy cost of living wild. It’s a stark, cinematic portrait of reckoning and survival, and another example of Stough’s ability to turn hard truths into compelling, no-frills country storytelling.

With a skinned-raw delivery and an instinct for songs rooted in real life, Stough continues to build momentum as one of the genre’s most authentic emerging voices. He will continue releasing new music and connecting with fans on the road throughout 2026.

About Colin Stough

Born and raised on the Mississippi-Alabama line, 21-year-old Colin Stough was brought up on Southern rock and second chances. A self-taught guitarist and gravel-voiced storyteller influenced by The Allman Brothers, Conway Twitty, and Koe Wetzel, he first picked up a guitar at age eight, later trading prized possessions for a pawn shop acoustic he still plays today. After high school, he worked full-time as an HVAC tech until his mom pushed him to audition for American Idol Season 21. That leap launched a life-changing ride, including a standout third-place finish, a deal with 19 Recordings/BMG Nashville, and breakout songs like “Sober,” “’Til The Day One Does,” and the hard-edged anthem “White Trash.” With a skinned-raw vocal and lyrics carved from lived experience, Stough has built a loyal following of more than 800k across social platforms. His EPs Promiseland and Lookin’ For Homeoffer a no-frills portrait of a young man navigating life with Southern grit, while releases including “White Trash,” “20 Bucks,” and “Best For You” showcase his no-holds-barred storytelling. His new track, “21 Year Old Man Blues,” continues that trajectory, pairing Delta-rooted grit with a hard-lived perspective well beyond his years. On the road, he has opened for acts like Chase Matthew, Drake White, and Kidd G as he continues to build his audience one show at a time. A student of Skynyrd and the outlaw spirit, Stough isn’t chasing trends. He’s telling the underdog’s truth, one song at a time.

KEEP UP WITH COLIN STOUGH
WEBSITE | FACEBOOK | INSTAGRAM | TIKTOK | YOUTUBE

Fight From Within Release New Single “Let Me Out” Featuring Hidden Track “TATT”

Upstate New York metalcore outfit Fight From Within released their new single, “Let Me Out,” through an exciting new partnership with Arson Theory. Produced by Pablo Viveros (Formerly Chelsea Grin), the track captures the band’s energy and edge to their sound.

 

“We had a blast with this track,” the band shares. “We wanted it to be intense and kind of trippy. We even added a little surprise in the release." 

 

That surprise comes in the form of a hidden track titled “TATT,” which stands for “Tired All The Time.” The track delivers a pointed message from the band about their frustrations with the current state of the scene.

 

“TATT stands for ‘Tired All The Time’ because we’re so over the bullshit in the scene,” the band explains.

 

Alongside the release of “Let Me Out,” Fight From Within will be hitting the road this spring, bringing their high-energy live show to fans across multiple cities. Known for their explosive performances and uncompromising attitude, the band continues to build momentum both on record and on stage. Recently, the band 

signed with Core Collective Talent Agency for US and Canada tours & Timeframe Booking for Europe.

 

“Let Me Out” is available now on all major streaming platforms.

 

Listen to Let Me Out:

https://arsontheory.vyd.co/LetMeOut

 

WATCH the Lyric Video for "Let me Out" below:

Fight From Within/Autumn Lies Buried

The Mini Gun/Mini Run Tour

 

APRIL 23 IRONTON, OH THE CROWS NEST

APRIL 24 OWENSBORO, KY ESCAPE TODAY

APRIL 25 FORT WAYNE, IN PIERE’S

APRIL 26 JOLIET, IL THE FORGE 

 

Confessions Of A Traitor/Fight From Within/ExitWounds

The Sacred & Severed Tour

 

MAY 7 CHICAGO, IL THE W.C. SOCIAL CLUE

MAY 8 AKRON, OH AFTERLIFE NIGHTCLUB

MAY 9 NEW BALTIMORE, MI DIESEL CONCERT LOUNGE

MAY 10 LANSING, MI MAC'S BAR

MAY 11 ERIE, PA CENTENNIAL HALL

MAY 12 ROCHESTER, NY PHOTO CITY MUSIC HALL

MAY 13 MANCHESTER, NH BUNGALOW BAR

MAY 14 BROOKLYN, NY LUCKY 13 SALOON

MAY 15 CATONSVILLE, MD MORSEBERGERS TAVERN

MAY 16 WILMINGTON, NC REGGIE'S 42ND ST TAVERN

MAY 17 RICHMOND, VA EMBER MUSIC HALL

MAY 18 RALEIGH, NC CHAPEL OF BONES

MAY 19 NASHVILLE, TN THE VINYL LOUNGE

MAY 20 ATLANTA, GA BOGGS SOCIAL & SUPPLY

MAY 21 PENSACOLA, FL THE HANDLEBAR

MAY 22 WINTER PARK, FL THE CONDUIT

MAY 23 BRADENTON, FL OSCURA

MAY 24 JACKSONVILLE, FL JACK RABBITS

 

 

Tickets can be found HERE

Fight From Within were founded in Upstate New York in early 2021. Their sound lands at the intersection of metalcore, hardcore, and beatdown. With deeply diverse influences ranging from Bury Your Dead, Polaris, Evergreen Terrace, Emmure, Invent/Animate, Every Time I Die, and Attila, they have crafted their own distinct sound.

 

In 2022, they began tracking new music with Pablo Viveros of Chelsea Grin. They have taken the stage at many key festivals, from Sonic Temple to The Gathering of the Juggles to Inkcarceration to Louder Than Life. The band headed into 2026 like a freight train — all gas, no brakes.

For More Information Please Visit:

 

Official Website

Spotify

Facebook

Instagram

YouTube

Merch

CONNIE CONVERSE HOW SAD, HOW LOVELY OUT MARCH 27TH

Nearly 51 years after the singer-songwriter’s disappearance comes the first reissue of this album in nearly 10 years in any format. 20 tracks (including a bonus 7" featuring the previously unreleased “House” and the new remix of “Playboy of the Western World” courtesy of Dirick Cummins) that are as poignant and potent as ever and showcase an artist that was operating light years ahead of her time. 

Lost In Separation Sign to SBG Records; Release New Single "Can't Forget"

Rising Texas metalcore outfit Lost In Separation have officially signed with SBG Records and are celebrating the announcement with the release of their new single, “Can’t Forget.” 

 

“'Can’t Forget' is about coping with the unexpected loss of a loved one and learning how to pick up the pieces and move forward. The song was written and produced with Austin Coupe (The Devil Wears Prada, Thousand Below, Papa Roach), and marks an exciting new chapter with the signing to SBG Records,"  shares the band. 

 

Lost In Separation is a Metalcore Band from Dallas, Tx. Cathartically combining aggression, melody, and emotional storytelling to find silver linings in a world that seems to be falling apart more and more each day.

 

More new music and announcements are expected soon.

 

STREAM "Can't Forget"

https://stem.ffm.to/cantforget

 

WATCH the Lyric Video for "Can't Forget" Below:

For More Information Please Visit:

Instagram

Facebook

TikTok

BRAINSTORM Kick Off Tour with ANGUS McSIX and Release Cover Version Of “Celebrate Youth”!

Today, German power metal force BRAINSTORM are kicking off their upcoming tour run and celebrate the moment with a special release: their cover version of “Celebrate Youth” is now available digitally for the very first time! The track was previously only available as an exclusive CD bonus track on their latest studio album Plague Of Rats, released via RPM in 2025.

"With 'Celebrate Youth,' we chose a song that meant a lot to me personally in my early Youth," Andy B. Franck reveals. "Yes, not a metal song—but a song that perfectly reflected that era and my feeling as a young person of wanting to achieve a lot. Listening to the younger generation, giving them a voice... I don't think I've ever really matured that much deep down, I've retained that feeling and still think and feel like a young guy. This thing rocks, and we had a lot of fun recording it. The Youth, then and now, needs to be heard and understood. This song is the perfect statement about that topic."
 
Stream the single here: https://brainstorm.rpm.link/youthPR

The digital release follows the overwhelming response to the band’s cover of Don Henley's classic “Boys Of Summer”, which was released in August last year and quickly gained strong traction across streaming platforms.

Released in early 2025 via Reigning Phoenix Music, Plague Of Rats marks another milestone in BRAINSTORM’s long career. The album combines the band’s trademark sound - powerful riffs, soaring melodies and gripping choruses - with a renewed intensity and modern production. With over nearly three decades of history, worldwide touring and numerous chart placements, BRAINSTORM remain one of the most consistent and respected acts in German metal. Order Plague Of Rats here: https://brainstorm.rpm.link/plagueofratsPR

About BRAINSTORM
When it comes to metal “Made in Germany”, there is no way around BRAINSTORM. Since their debut album Hungry (1997), the band has continuously evolved while maintaining their unmistakable sound built on powerful riffs, driving rhythms and memorable choruses. Albums such as Metus Mortis, Soul Temptationand Liquid Monster helped establish the band internationally, followed by acclaimed releases like Midnight Ghost and Wall Of Skulls.
 
With their latest album Plague Of Rats, BRAINSTORM once again demonstrated their ability to combine classic power metal energy with fresh influences. Produced by Seeb Levermann, the record captures the raw intensity of their live performances and continues the band’s tradition of delivering uncompromising metal. After decades on the road and countless shows worldwide, BRAINSTORM remain a defining force in the international metal scene; and the best is yet to come!
 
BRAINSTORM is:
Andy B. Franck (Vocals)
Torsten Ihlenfeld (Guitars)
Milan Loncaric (Guitars)
Danij Perl (Bass)
Kevin Lütolf (Drums)
 

More on BRAINSTORM:
Website | https://www.brainstorm-web.net 
Facebook | https://www.facebook.com/officialbrainstorm 
Instagram | https://www.instagram.com/official.brainstorm/ 
X | https://www.twitter.com/Brainstorm_band 

Siamese Unleash New Single "drown" Ahead Of Headline Tours

Modern metal act Siamese return with their powerful new single "drown," the first taste of a new album campaign following their acclaimed releases HOME (2021) and ELEMENTS (2024).

Having amassed more than 100 million streams and toured worldwide alongside heavyweights including Korn, Corey Taylor and Dayseeker, the Copenhagen outfit continues to refine its emotionally charged blend of metalcore and modern rock.

"'Drown' is self-directed anger," explains frontman Mirza Radonjica. "It's about knowing exactly where it hurts and going there anyway. The mirroring in this song is selfdepravating(sic?). I think that when I sing 'I want you to break me till I drown,' that’s both a confession and a request. My drowning becomes a release, not a punishment."

Watch the video for "drown" below.

Stream the single  here.

The single arrives as Siamese kick off an extensive U.S. headline tour, ahead of Danish headline shows this spring, major European festival appearances including Copenhell, Impericon Festival and Vainstream, and a European tour with Dayseeker later this year.

SIAMESE LIVE:
U.S.:

3/13 — Chicago, IL — Cobra Lounge
3/14 — Columbus, OH — Ace Of Cups
3/15 — Pittsburgh, PA — Preserving Underground

EU:
4/9 — Odense, Denmark — Posten
4/10 — Esbjerg, Denmark — Tobakken
4/11 — Silkeborg, Denmark — Kedelhuset
4/18 — Aalborg, Denmark — Studenterhuset
4/24 — Roskilde, Denmark — Gimle
5/13 — Aarhus, Denmark — Train
5/14 — Thisted, Denmark — Plantagehuset
5/15 — Vordingborg, Denmark — Stars
6/26 — Münster, Germany — Vainstream Festival
6/27 — Leipzig, Germany — Impericon Festival

UK:
11/28 — Wolverhampton, UK — KK's Steel Mill (w/ Dayseeker, Northlane)
11/29 — Wolverhampton, UK — KK's Steel Mill (w/ Dayseeker, Northlane)
12/1 — Leeds, UK — Project House (w/ Dayseeker, Northlane)
12/2 — Manchester, UK — Academy 1 (w/ Dayseeker, Northlane)
12/3 — Bristol, UK — Prospect (w/ Dayseeker, Northlane)
12/5 — Glasgow, UK — O2 Academy (w/ Dayseeker, Northlane)
12/6 — London, UK — O2 Academy Brixton (w/ Dayseeker, Northlane)
12/8 — Paris, France — Elysee Montmartre (w/ Dayseeker, Northlane)
12/9 — Oberhausen, Germany — Turbinenhalle 1 (w/ Dayseeker, Northlane)
12/10 — Hannover, Germany — Capitol (w/ Dayseeker, Northlane)
12/12 — Warsaw, Poland — Proxima (w/ Dayseeker, Northlane)
12/13 — Berlin, Germany — Huxley's (w/ Dayseeker, Northlane)
12/15 — Prague, Czech Republic — Lucerna Music Bar (w/ Dayseeker, Northlane)
12/16 — Munich, Germany — Tonhalle (w/ Dayseeker, Northlane)
12/18 — Amsterdam, Netherlands — Melkweg (w/ Dayseeker, Northlane)

GET TICKETS — HERE

SIAMESE ARE:
Mirza Radonjica – Vocals
Christian Lauritzen — Guitar, Violin
Marc Nommesen — Bass
Joakim Stilling — Drums

Rising Rock Trio THE GEMS Reveal Single "Happy Water" Video

SOPHOMORE ALBUM, YEAR OF THE SNAKE, OUT THIS FRIDAY, MARCH 13 VIA NAPALM RECORDS — PRE-ORDER

Ready to unleash their highly anticipated sophomore album Year Of The Snake this Friday, March 13, THE GEMS strike with another new single!

"Happy Water" is the album's closer — and is one of the most explosive songs on it. The Swedish trio kicks the party off by serving pure rock 'n' roll energy so addictive it’ll make you forget the musicians' Thundermother past.

THE GEMS made their status as a strong player in modern hard rock clear from the very beginning: The band hit #2 on the German Rock Radio Airplay Charts with their first-ever single and impressed fans and critics alike with the 2024 debut album Phoenix (2024). Now, Year Of The Snake continues to prove the band's standing in the scene, with beyond others hitting #1 on the German Rock Airplay charts with the title track "Year Of The Snake." 

Don't miss out on pre-ordering your copy of the new album now (first editions are already sold out!) and make sure to check the official reel for "Happy Water".

THE GEMS on "Happy Water":

"The song is a Motörhead-inspired banger about Vietnamese moonshine, a snake-infused liquor called 'Happy Water.' It’s a party song about just letting go, not knowing where the night will take you. Sometimes you just need to play with fire."

THE GEMS return with their second album Year Of The Snake, out on March 13. The Swedish trio solidifies their position as a strong player in modern hard rock. Their very first single, "Like A Phoenix," instantly hit #2 on the German Rock Radio Airplay Charts and they impressed both fans and critics with their debut record Phoenix (2024). With one album under their belt, and numerous electrifying live shows, THE GEMS quickly established what Year Of The Snake now effortlessly proves: this is the future of rock!

THE GEMS on Year Of The Snake:
"Year Of The Snake is about facing previous hardships in your life, letting go and moving forward to a brighter chapter. It's packed with strong and empowering themes, just like a snake shedding its skin and now standing strong in its own power! Year Of The Snake is a homage to our fans at our live shows. We wrote the songs envisioning an excited festival crowd; from our loyal diamonds in the front row, knowing all lyrics by heart to the crazy headbangers in the back. The album is packed with Van Halen and Europe-inspired hard hitting grooves and riffs that will take you back to the 80s. Yet, the production is modern and fresh. In an increasingly artificial world, we want to stay true to our roots - solid musicianship and songwriting from the heart. Our aim is to always create a great sounding album with the live show in mind. The future is live and heavy glam rock is here to stay!"

Pre-Order Year Of The Snake NOW

THE GEMS LIVE 2026:
Following their formation in 2023, THE GEMS quickly showed the exceptional live energy of the new band, with highlight performances including Sweden Rock Festival 2024. After the release of the upcoming full-length, THE GEMS will hit the road on their "Slithering Through Europe" tour.


THE GEMS ARE:
Guernica Mancini —Vocals
Emlee Johansson — Drums
Mona "Demona" Lindgren — Guitar, Bass

Defences Unveil Metamorphosis" Video

Defences are your new favorite alternative metal band.

Known for their eclectic mix of synth-heavy melodies and crushing riffs, fronted by the sultry and androgynous tones of singer Cherry Duesbury, Defences have taken what we've all come to love about metalcore to the next level.

Over 10 years, two EPs, and three LPs, the underlying theme of the necessity for introspection, self-reflection, and finding your inner strength bears strong. It's self-acceptance-core at its finest.

Today, the band, hailing from Hertfordshire, UK, returns, with their new single "Metamorphosis"  a motivational reminder to keep going, a reminder that you get to write your own story, and sometimes that can mean burning everything down to start over. In the wake of the single's release, Defences will tour the UK with Mason Hill, perform at summer festivals in the UK and EU, and support Future Palace on their UK run in November.

Watch the "Metamorphosis" video below

Stream the single here.

"'Metamorphosis' is all about transformation, and surrendering to it," comments Defences. "We are evolutionary beings, constantly growing and adapting to the different paths life takes us down, constantly saying goodbye to old versions of ourselves. It can be painful, uncomfortable, and terrifying, even when we know it's meant for us. This song is a motivational reminder to keep going, a reminder that you get to write your own story, and sometimes that can mean burning everything down to start over."

DEFENCES ARE:
Cherry Duesbury — Vocals
William Young — Keys, Vocals
Calum Wilmot — Guitar
Kyle Parke — Drums

ILLUSIONS OF GRANDEUR Unleash Dark, Powerful New Video For Their Single “Curses”

Rising rock force ILLUSIONS OF GRANDEURare set to captivate listeners with the release of their intense and emotionally charged new video for their single “Curses.” Blending haunting atmosphere with explosive rock energy, the track delivers a powerful sonic experience that explores the darker side of human emotion and the consequences of choices that linger long after they’re made.

“Curses” dives deep into themes of inner struggle, regret, and the weight of words and actions that can haunt a person over time.

Through evocative lyrics and gripping instrumentation, the song paints a vivid picture of confronting past demons and the emotional aftermath that follows.



From its opening moments, “Curses” pulls listeners into a moody, immersive soundscape before erupting into thunderous guitars, driving rhythms, and soaring vocals. The band masterfully balances melodic depth with raw power, creating a track that feels both haunting and cathartic.

ABOUT THE SONG:

The song "Curses" by ILLUSIONS OF GRANDEUR explores themes of consequence, judgment, and the power of words, continuing the band's narrative-driven style rooted in Greek mythology The song deals directly with the concept of curses and their inescapable consequences. The lyrics begin, "Listen carefully, Lessons silence teach, The more you learn, The less you speak, Wisdom wanes, What lies beneath, Curses, Spoken, Webs your Words wea...". This suggests that actions and even words have lasting, often negative, impacts that can ensnare a person.

BIO:

ILLUSIONS OF GRANDEUR

is a powerful female-fronted metal band that captivates audiences with their dynamic sound and theatrical performances.

ILLUSIONS OF GRANDEUR is a Theatrical Hard Rock/Fantasy Metal band based in

Los Angeles, CA USA.

Their performance, “The Siren Saga”, is a story of the journeys, perils, and triumphs of the Siren and her warriors. The story mixes facts and fiction combining Greek and Norse Mythology, Sirens, Gods, Archangels.

 

Illusions of Grandeur

12,000,000+ Total Streams on Spotify

640,000+ Total Views on YouTube

57,600+ Followers on Instagram

44,000+ Followers on Facebook

Green Carnation Seize the Moment on New Single “I Am Time”

Three decades into a storied career, Green Carnation continue to stand the test of time. Just last year, the Norwegian prog bards reached crushing new highs during the grand and gloomy opening chapter of their long-awaited album trilogy. Now, as the band descend into deeper, darker and more personal depths on Part II of A Dark Poem, they are breaking past the surface with the album’s emotional peak.

Today, Green Carnation are releasing the second advanced single from A Dark Poem, Part II: Sanguis. While awash with melancholy over the past, “I Am Time” seizes the moment with the band’s unwavering control and raw emotions.

“‘I Am Time’ is one of the songs from the forthcoming A Dark Poemalbum trilogy that discusses the fragile nature of our lives”, Green Carnation vocalist Kjetil Nordhus says. “We do not have control over time. We should try and live in the here and now, before suddenly, it’s too late”.  

“To make the song a bit more interesting, the lyrics personify time”, says Green Carnation bassist and lyricist Stein Roger Sordal. “They’re about how we should respect and cherish the time that we have”.

Listen to “I Am Time” below:

Read Green Carnation’s new interview with Loudwire about A Dark Poem.

https://loudwire.com/green-carnation-interview-2026-dark-poem-trilogy/

A Dark Poem, Part II: Sanguis comes out April 3 on Season of Mist

Pre-order

https://orcd.co/greencarnationsanguis

Can’t wait to hear Part II of a Dark Poem? RSVP for Green Carnation’s upcoming Bandcamp listening party and hear all six dark and doomy songs on Sanguis before the album comes out.

A Dark Poem, Part II: Sanguis Bandcamp Listening Party

Tuesday, March 24 @ 1:30 pm ET

RSVP

https://greencarnationsom.bandcamp.com/live/a-dark-poem-part-ii-sanguis-listening-party

Recording lineup
Kjetil Nordhus - Vocals
Stein Roger Sordal - Bass, Rhythm Guitars, Lead Guitars, Keyboards, Lead Vocals on "Loneliness Untold, Loneliness Unfold"
Bjørn Harstad - Lead Guitars, Effects
Endre Kirkesola - Keyboards, Synthesizers, Organs, Effects, Backing Vocals on "Lunar Tale"
Jonathan Alejandro Perez - Drums

Guest musicians
Ingrid Ose - Flute on "Lunar Tale"

Live lineup
Kjetil Nordhus - Vocals
Stein Roger Sordal - Bass
Tchort - Guitars
Bjørn Harstad - Guitars
Trond Breen - Guitars
Endre Kirkesola - Keyboards

Recording, Mixing & Mastering Studio
DUB Studio

Production Credits
Producers - Endre Kirkesola, Stein Roger Sordal, Kjetil Nordhus
Sound Engineers - Endre Kirkesola, Bjørn Harstad
Mixing Engineers - Endre Kirkesola, Bjørn Harstad
Mastering Engineer - Lawrence Mackrory

Cover artist
Niklas Sundin

Pre-order & Pre-save
https://orcd.co/greencarnationsanguis

Available Formats
CD Digipack
12" Vinyl Gatefold (Black)
12" Vinyl Gatefold (Yellow and Red Marbled)
​12" Vinyl Gatefold (Orange and ​Coke Bottle Green)
12" Vinyl Gatefold (Gold Splatters)
12" Vinyl Gatefold (Silver, White and Black Marbled)
12" Vinyl Gatefold (Transparent Green and Purple Marbled)

Follow Green Carnation:
Bandcamp: https://greencarnationsom.bandcamp.com/
Facebook: https://www.facebook.com/GreenCarnationNorway
Instagram: https://www.instagram.com/green2carnation/
Twitter (X): https://x.com/Green2Carnation
YouTube: https://www.youtube.com/channel/UC2vfEaTADayEniT7xbG-XCA
Spotify: https://open.spotify.com/artist/1ZaJhNBAhJ3HjPsWiB9sDc
Apple Music: https://music.apple.com/artist/green-carnation/72866964
Deezer: https://www.deezer.com/artist/8192
Tidal: https://tidal.com/browse/artist/23079

ACIDOSIS Release New Single “Tied To The Tracks” From Upcoming Album Arrival

Crossover thrash band ACIDOSIS have released their new single, “Tied To The Tracks,” taken from the upcoming full-length album Arrival, arriving March 27, 2026.

“Tied To The Tracks” traces back to the earliest origins of ACIDOSIS. The song was first written in 10th grade after the band’s frontman was kicked out of a friend’s band, channeling feelings of betrayal, confusion, and emotional fallout into what became the first fully realized ACIDOSIS song. A homemade music video for the track unexpectedly went viral on MySpace, helping build a grassroots cult following throughout Florida during the band’s formative years.

The track delivers a direct punch of crossover thrash energy driven by speed, precision, and raw emotion. The opening riff spins up with mounting tension before launching into a relentless climb of shredding guitars and driving momentum. Lyrically, the song explores the moment when trust collapses and emotions shift from shock to acceptance, capturing the realization that there is no turning back.

Influenced by classic thrash songwriting and fueled by a massive, chant-ready chorus, “Tied To The Tracks” remains a live favorite during the band’s Florida performances, where crowds continue to shout along to its arena-sized refrain.

Arrival marks the band’s next chapter and will be released worldwide on March 27, 2026.

ACIDOSIS will support the album with a run of U.S. tour dates this spring.

ACIDOSIS Tour Dates

3/11 | Milwaukee, WI @ Falcon Hall*
3/12 | Chicago, IL @ Sleeping Village
3/26 | Brooklyn, NY @ Market Hotel
3/27 | Boston, MA @ Haymarket Lounge
4/3 | Miami, FL @ Las Rosas
4/4 | Orlando, FL @ Will’s Pub
4/8 | Los Angeles, CA @ Non Plus Ultra*

* Ben Katzman only

Tickets: https://app.getpinpoint.io/bkdegreaser

Arrival is a full-length album nearly 20 years in the making. Originally drafted during Ben Katzman’s teenage years, the songs have been brought back to life by a re-formed ACIDOSIS lineup featuring Katzman on bass and vocals, Diego Edsel, Deo Budnevich, and Jonathan Rusten on guitars, and Harry Schwarz on drums. The album was produced by Katzman and Ryan Haft, mixed by Haft, and mastered by Howie Weinberg. Art is by Juan Montoya (TORCHE) and layout by Perry Shall (GREEN DAY, BLACK KEYS).

Jah Wobble & Jon Klein present scathing single 'Who Wins?' ahead of ‘Automated Paradise' LP

Previewing their new 'Automated Paradise' album, Jah Wobble (Public Image Ltd) and guitarist Jon Klein (Siouxsie & The Banshees, Specimen) reveal the fire-buster 'Who Wins?', a song about distrust — about the growing sense that the grand halls of power have become echo chambers of empty promises. The question echoes long after the final note fades — we probably wouldn't like the answer.

The title itself acts as a refrain and a provocation. Who wins? Not answered outright, the song understands something important: the most powerful question in politics is often the one that leaves the listener finishing the sentence themselves. Less of a statement and more like a mirror, this song fits squarely inside the long lineage of protest music. Songs that capture a moment when the atmosphere shifts — when dissatisfaction becomes a chorus and the private complaint becomes public noise.

'Automated Paradise' is Wobble & Klein's third collaborative record and also their debut album as a duo with Dimple Discs, previewed by the motorik lead track ‘Fading Away’, pulsating with the raw electrical tension of British post-punk and new wave. These two legends first combined forces on the 'Metal Box – Rebuilt In Dub' album in 2021, they continue to collaborate live and in the studio.

"'Who Wins?' is a good old protest song, pointing fingers and making a racket! It was a bass line that turned into a metal riff. The noisier songs on this album tend to reflect on today’s information overload, where there’s no security, and people are becoming more polemic and stressed, but there seems to be a thread of hope that truth and justice will maybe prevail," says Jon Klein.

"Working with Jah Wobble is always an inspiring experience. When I started working with him in recording sessions, he often quoted the words of Holger Czukay, the bass player of German band Can: “First we play, then afterwards we talk! We like to make things happen in the moment. Often we complete a working draft to a piece of music from scratch in a few hours.”

Jah Wobble adds, "The music comes from that silent place. It’s pre-existing. You just allow it to flow...  Proper post punk. Angry and humorous. Okay, it’s the end of civilisation. But nothing lasts forever right? We shouldn’t take it to heart."

This is Jah Wobble’s first post-punk album in recent years, these brash guitar-driven tracks reflecting his preoccupation with the declining state of the nation. Driven by his weekly experience with Klein, working at the "Tuned In" music community project in Merton, this record recalls the spirit of Mark Stewart - angry in an empathetic, constructive way. The lyrical content mainly came together on the spot in the studio.

This album follows two 2025 albums for Wobble -  ‘Dub Volume 1' (Dimple Discs) and the expanded reissue of the 2017 album 'The Usual Suspects', featuring 25 career highlights, re-recorded and including some of Wobble’s finest material, alongside tracks by Invaders Of The Heart and PiL.

Guitarist and producer Jon Klein was a member of Siouxsie and the Banshees from 1987 until 1994 (the 'Peepshow', 'Superstition' and 'The Rapture' era). Originally in the Bristol band Europeans, he then formed the glam-goth act Specimen and relocated to London, where he co-founded The Batcave nightclub. He has worked with Talvin Singh and Sinéad O'Connor, and co-produced a string of No. 1 albums for Warner-signed Fangoria, fueling a decade-long streak of chart-topping success in Spain. 

Born John Wardle, bassist and vocalist Jah Wobble is from East London. An original member of Public Image Ltd (PiL) from 1978-80, he made two seminal albums with the band, including the iconic ‘Metal Box’. Wobble formed Invaders of the Heart in 1982, collaborating with Can's Holger CzukayJaki LiebezeitU2's The Edge and producer François Kevorkian. By the 1990s, he was well known, had chart success and a Mercury Music Prize nomination for the album ‘Rising Above Bedlam'. After releasing the top-40 album ‘Take Me To God’ and then ‘Heaven and Earth' via Island Records, Wardle fled record company constraints to more experimental recordings.

Wobble has collaborated with Sinéad O’Connor, Massive Attack, Ginger Baker, Björk, Brian Eno and Pharoah Sanders, was part of the supergroup The Damage Manual, worked with Julie Campbell aka LoneLady on ‘Psychic Life’, and with his wife Zi Lan Liao on the album ‘Chinese Dub, winning the Songlines Magazine World Music Award. He also plays and records with his sons Charlie and John Wardle in Tian Qiyi.  2024 brought his 'Timeless Roots' album with Horace Andy, followed by 2025's 'Old Fashioned Ways' album with Jamaica's Ken Boothe. Wobble played on Richard Russell’s album ‘Everything is Recorded' (notably ‘Losing You’ feat. Sampha).

Wobble published his autobiography ‘Memoirs of a Geezer: Music, Life, Mayhem’ via Serpent’s Tail in 2009, following his 2008 radio documentary on Sid Vicious for BBC Radio 3. 30 Hertz Records, the independent label Wobble launched in 1997, still releases music in collaboration with Cherry Red,  including 'Dark Luminosity – The 21st Century Collection' and 'In Dub II: Deluxe'.

On March 27, 'Automatic Paradise' is available on CD and transparent vinyl, limited to 800 copies. The digital download can be pre-ordered via Bandcamp. Jah Wobble & The Invaders Of The Heart continue touring the UK in 2026, for which tickets are available at https://jahwobble.com/#live

CREDITS
'Fading Away' written by Jah Wobble, John Tian Chi Wardle & Jon Klein
'Who Wins?' written by Jah Wobble, Izumi Karaage & Jon Klein
Jah Wobble - bass & vocals
Jon Klein - guitar, synthesizer, backing vocals & programming
Izumi Karaage - drums on 'Who Wins?'
John Tian Chi Wardle - drums on 'Fading Away'
Keiko Yamazaki - backing vocals on 'Fading Away'
Produced by Jah Wobble & Jon Klein
Engineered & mixed by Jon Klein at Tuned In Studio & Ground Control.
Mastered by Anthony Chapman
Cover artwork & design by Jah Wobble
Released by Dimple Discs
Barcode 5052571225325
Vinyl catalogue ID #DEEDEE081LP / CD catalogue ID #DEEDEE081CD
Live photos by Fergus Kelly / Room Temperature
Other photos by Peter McDowell
Publicity by Shameless Promotion PR

JAH WOBBLE & THE INVADERS OF THE HEART - TOUR DATES
Mar. 28  BUTLIN'S SKEGNESS - Shiine On Weekender 2026
Apr. 02  WIMBORNE MINSTER - Tivoli Theatre
Apr. 03  TOTNES - Barrel House
Apr. 04  CARDIFF - Clwb Ifor Bach
Apr. 10  STOKE ON TRENT - Artisan Tap
Apr. 11  DARWEN - Library Theatre
Apr. 25  GWYNEDD - Neuadd Ogwen
May 15  CAMBERLEY - Login Lounge
May 30  LYME REGIS - Marine Theatre


Keep up Jah Wobble
Website | Facebook | Bandcamp  | Twitter | Instagram | Soundc loud | Spotify | Apple Music | Press contact

Keep up with Jon Klein
Facebook | Instagram | YouTube | Spotify | Apple MusicPress contact

Keep up with Dimple Discs
Bandcamp | Facebook | Twitter  | Instagram | Proper Music | Press contact

Keep up with Shameless Promotion PR
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Diamante Releases New Track and Official Video "Bite of the Beast" via Sumerian Records

Charismatic chanteuse Diamante has today released her new single "Bite of the Beast", a cinematic rock anthem about the addictive yet self-destructive embrace of romantic obsession, and the accompanying official video (via Sumerian Records). When asked about the inspiration behind the song, Diamante shared:

‘Bite of the Beast’ was inspired by the dark romance novels I’ve been reading and the song is set in a twisted fairytale world. It’s about a kind of all-consuming infatuation that changes you forever — the kind where, once it’s over, nothing else can ever compare. I wanted the song to feel visceral and dangerous, like falling under a spell you know will ruin you. It’s the kind of heartbreak that you don't want cured.

After being featured as a Stowaway earlier this year on ShipRocked 2026, fans now have the chance to see her electric energy live on the SPIN THE WHEEL US TOUR alongside labelmates I See Stars and special guests Mothica and Until I Wake. Diamante will also be performing at the recently announced Louder Than Life 2026 festival on Saturday, September 19 (ticket information here). Stream "Bite of the Beast" here, and watch the official video below.

SPIN THE WHEEL TOUR US Dates with I See Stars, Mothica and Until I Wake:

Mar 6 - Worcester, MA - Palladium (Upstairs)

Mar 7 - Baltimore, MD - The Recher

Mar 8 - Charlotte, NC - The Underground

Mar 10 - Atlanta, GA - Center Stage (The Loft)

Mar 12 - Fort Lauderdale, FL - Culture Room

Mar 13 - Orlando, FL - The Beacham

Mar 14 - Destin, FL - Club LA

Mar 16 - Houston, TX - Scout Bar

Mar 17 - Austin, TX - Come and Take It Live

Mar 18 - Dallas, TX - Trees

Mar 20 - Mesa, AZ - Nile Theater

Mar 21 - Las Vegas, NV - 24 Oxford

Mar 22 - Los Angeles, CA - El Rey Theatre

Mar 23 - Roseville, CA - Goldfield Trading Post

Mar 25 - Portland, OR - Hawthorne Theatre

Mar 26 - Seattle, WA - El Corazón

Mar 28 - Billings, MT - The Pub Station

Mar 29 - Denver, CO - Oriental Theater

Mar 30 - Colorado Springs, CO - The Black Sheep

Apr 1 - Kansas City, MO - Warehouse on Broadway

Apr 2 - St. Louis, MO - Delmar Hall

Apr 3 - Indianapolis, IN - Deluxe At Old National Centre

Apr 4 - Detroit, MI - Saint Andrew's Hall

Louder Than Life 2026:

Sept 19 - Louisville, KY - Kentucky Expo Center

ABOUT DIAMANTE

With her iconic 80s glamour and undeniably powerful vocals, Diamante has become a beacon in today's music scene, seamlessly weaving the vibrant energy and bold aesthetics of the era while forging her own distinct identity with contemporary flair. She first turned heads with her debut album 'Coming In Hot' in 2018 soon after followed by her sophomore full-length 'American Dream' including her smash-hit reimagination of Goo Goo Dolls classic "Iris" featuring Ben Burnley (Breaking Benjamin), earning widespread acclaim and further propelling her into the spotlight. Diamante has toured alongside prominent acts such as Nita StraussShinedownThe Pretty RecklessBreaking Benjamin, and Three Days Grace while performing at major national festivals including Sonic TempleLouder Than Life, and Welcome To Rockville. The alt-pop powerhouse has begun a new era after signing with her new label home Sumerian Records, and released the irresistibly catchy "1987" and "All For The Glory". She then contributed to the American Psycho Comic Series Soundtrack with her spin on Pat Benatar's classic "Love Is A Battlefield", and collaborated with labelmates Kittie and The Pretty Wild for an emotional cover of Metallica's "The Unforgiven" for the Queen Of The Ring Soundtrack. With her empowering anthems and rebellious spirit, the sky is the limit as Diamante continues to prove she is a force to be reckoned with, both in the studio and on stage.

LUNGBURNER Unleash New Single "Adamu" From Upcoming Album Dogma, Out April 17

Atlanta-based metal collective LUNGBURNER have announced the release of their new single "Adamu", the opening track from their forthcoming third full-length album Dogma, due out April 17. The single serves as the first glimpse into the band’s most expansive and conceptually driven work to date.

Listen to the track below:

Based out of Atlanta, GA, LUNGBURNER present their third release in the form of Dogma. Heavily schooled in the southern sludge methodology and intermixing industrial atmospheres with progressive melodic sensibility, Dogma sees the band stretch their creative legs as they slowly evolve into their own unique footprint within the metal and underground scenes. Dripping with spiritual, social, and human context, Dogma is LUNGBURNER’s thesis on the modern trappings of entrenched thinking, and the horror blind obedience lays upon mankind.

Opening the album, "Adamu" begins with a haunting invocation to the Fallen Angel Lucifer layered over tribal drum samples, immediately establishing the ritualistic tone of the record. The track quickly unfolds into a melodic statement before landing in a driving rhythmic pulse that propels the song forward. Anchored by the thunderous low end of Joshua on bass and Jens’ aggressive vocal delivery, the rest of LUNGBURNER drives the song relentlessly forward, claiming the sonic moment as their own.

Notably, "Adamu" was the first song LUNGBURNER wrote for Dogma following the addition of bassist Joshua in early 2025, marking the beginning of a new creative chapter for the band and setting the tone for the album’s thematic and sonic direction.

With Dogma, LUNGBURNER push deeper into their blend of southern sludge weight, industrial atmosphere, and progressive melody, delivering a record that is as philosophically provocative as it is sonically punishing.

"Adamu" is available now, with Dogma arriving in full on April 17.

Outside of music, all members work professionally in various engineering fields, and none of them originally came from traditional doom or stoner rock backgrounds. Their approach to the genre grew organically from a shared appreciation for heavy music and experimentation, which continues to shape the band's evolving sound as they move toward a more progressive direction while maintaining their doom foundation.

LUNGBURNER is:

Jens Anderberg — guitar, lead vocals
Joseph Mills — guitar, backup vocals
Joshua Broughton — bass

CONNECT WITH LUNGBURNER:

Bandcamp: https://lungburner.bandcamp.com
Facebook: https://www.facebook.com/lungburneratl
Instagram: https://www.instagram.com/lungburneratl
Threads: https://www.threads.com/@lungburneratl
Spotify: https://open.spotify.com/artist/0WRBgLDbYMfLSrbb3tjNzK
Apple Music: https://music.apple.com/ca/artist/lungburner/1724598173

RYAN AND RORY LEAN INTO LAST-CALL HONKY-TONK CHAOS WITH “WASN’T THINKIN’” – OUT NOW

BBR Music Group/BMG Nashville’s Ryan and Rory turn up the neon-soaked mischief with their new track “Wasn’t Thinkin’,” available everywhere now. Listen Below.

Produced by Kevin Bard and written by Joey Hyde, Ryan Follesé, and Emma-Lee, “Wasn’t Thinkin’” is a high-energy honky-tonk rocker built for last call and the stories that come with it. Driven by cranked-up guitars, a boot-stomping groove, and a head-bobbing rhythm that feels tailor-made for crowded dance floors and late-night singalongs, the track that they premiered earlier this week when they returned to the Grand Ole Opry captures the reckless fun of a night where good decisions take a back seat to good times.

“Yep, the song is about ‘one of those nights,’” says Ryan Follesé. “‘Wasn’t Thinkin’’ is exactly the point. Sometimes, you don’t need to overthink a good time. Just roll with it!”

“Even in the fog of a morning-after hangover,” adds Rory John Zak. “Once you piece together what happened the night before, this song makes you want to run it back again in real life as soon as possible.”

Packed with vivid snapshots of karaoke bars, double pours, and questionable rides home, the track leans into the duo’s signature mix of humor, relatability, and rowdy charm, turning small regrets into big memories and reminding listeners that sometimes the best nights are the ones you never planned. 

With music that is connecting with audiences globally, the duo will make their C2C debut with a three-show run in London starting on March 14. More information and tickets are available HERE

Following a string of fan-favorite releases that showcase both their heart and their high-energy live spirit, Ryan and Rory continue to build momentum with a sound that blends modern country polish with throwback honky-tonk attitude. With “Wasn’t Thinkin’,” the SiriusXM Highway Find duo deliver another crowd-ready anthem built for neon lights, raised glasses, and stories worth laughing about the next morning.

KEEP UP WITH RYAN AND RORY

WEBSITE | INSTAGRAM | TIKTOK | YOUTUBE | FACEBOOK

THE WHO ANNOUNCE LIVE AT EDEN PROJECT: A HISTORIC PERFORMANCE WITH THE HEART OF ENGLAND PHILHARMONIC ORCHESTRA

IN STORE MAY 29 — PRE-ORDER

FIRST SINGLE "PINBALL WIZARD" OUT NOW —
LISTEN

Few bands have shaped the landscape of rock music with the force and longevity of The Who.

For nearly six decades, their sound, spirit, and unmistakable energy have echoed across generations, influencing artists and audiences around the world. In 2026, the band adds a remarkable new chapter to their legacy with Live at Eden Project — a landmark live recording that captures the raw power, emotional depth, and artistic ambition of their unforgettable July 2023 performance at Cornwall's iconic Eden Project.

Set within one of the UK's most sustainable and visually striking venues — a breathtaking network of biomes nestled in the Cornish countryside — the concert stands as a testament not only to The Who's musical evolution but also to their enduring cultural relevance. Backed by the Heart of England Philharmonic Orchestra, founding members Pete Townshend and Roger Daltrey delivered a performance that fused classic rock intensity with orchestral grandeur. The Eden Project's natural acoustics and enclosed structures created a warm, detailed sonic environment that offered a clarity and intimacy unmatched by traditional stadium settings.

The recording reflects this unique atmosphere. Fans have long cherished The Who's "special location" shows, and Eden stands among the most memorable — a once-in-a-lifetime convergence of music, environment, and artistic vision. The smaller capacity fostered a deeper connection between the band and audience, allowing for heightened interaction, greater emotional resonance, and a sense of being inside the performance rather than observing it from afar. This intimacy, combined with the band's refined orchestral approach, captures The Who at a defining moment in their modern era.

Live at Eden Project also presents one of the strongest and most focused setlists of The Who’s orchestral period. Alongside beloved anthems such as "Baba O'Riley" and "Pinball Wizard," the album includes rarely performed gems like "Cry If You Want," "Anyway, Anyhow, Anywhere," and "The Rock," creating a career-spanning journey that balances hits, deep cuts, and orchestral showpieces with remarkable fluidity.

Today's announcement coincides with the launch of the first single, "Pinball Wizard," which is available for streaming and download immediately. The track offers a powerful first glimpse into the atmosphere and artistry of the Eden performance, capturing the heightened clarity, emotional nuance, and orchestral depth that define the full release.

Scheduled for release on May 29th, Live at Eden Project will be available as a 2CD Digipak, a limited 3LP Gatefold edition pressed on recycled vinyl with no plastic shrink wrap and packed in a separate paper wallet, a standard 3LP Gatefold, and across all major digital platforms. Every format showcases the full emotional and sonic range of a night that stands among the most compelling in The Who's recent history.

Vibrant, immersive, and uniquely alive, Live at Eden Project is the definitive document of The Who's orchestral era — a recording that captures not only a legendary band in peak form but also the spirit of a venue whose environmental ethos and natural beauty mirror the band's own commitment to evolution and innovation.

Pre-Order Live at Eden Project  HERE