Detachment'; Drop New Music Video For "depleted"

September 7, 2025

Genre-defiant nu-core disruptors Tallah release their most ambitious work to date—Primeval: Obsession // Detachment, a fully live-tracked, sci-fi concept album that pulls listeners into a world of collapsing morality, split identities, and sonic chaos. Out now via Earache Records, the album’s release is accompanied by a brand new music video for focus track“depleted,” one of the album’s strangest and most textural songs. Stream the album HERE and watch the music video for 'depleted' below.

Shot among rusted rebar and yellow-jacket swarms, the “depleted” video captures the dystopian atmosphere of the record’s second act - wild, decaying, and haunted. Sharing more on the experience, vocalist Justin Bonitz shares

“Despite all the dust, yellow jackets, and rusty rebar, this was one of the coolest locations we have ever shot at. There was so much to explore, and it really captured the vibe/aesthetic we saw in our heads when listening to the song. Derek Rathbun (director) made everything so easy and streamlined, so the shoot felt a lot shorter than it actually was. ‘Depleted’ is one of the weirdest songs on the album, and we were hoping the video would match the same energy. Have fun listening!”

Primeval: Obsession // Detachment was recorded live in Michigan with producer Josh Schroeder using no clicks, no edits, and no safety nets. Like its four predecessors “What we know”, “A primeval detachment”, “augmented" and "as fate undoes" also ties directly into the album’s layered sci-fi narrative. The concept follows two characters, Ana and Sheelah, on a morally destructive journey across an alien world. Fans can dive deeper into the lore through The Primeval Game, a playable story-world that’s updated monthly with new clues, song teasers, and narrative expansions. Explore the game, built in collaboration with Enzo Interactive at primevalgame.com

Primeval: Obsession // Detachment stands as Tallah's most ambitious and uncompromising work to date. Weaving sci-fi storytelling together with deliberately imperfect performances, Tallah prove that human instinct still has power in an increasingly artificial landscape.

Following today’s release, Tallah will play a select run of album release shows this month before hitting the road this fall in support of King 810, kicking off November 3 in Lawrence, KS. The tour was sparked after the band’s longtime producer Josh Schroeder played King 810 frontman David Gunn an early preview of Primeval.

“David Gunn hit us up after Josh Schroeder showed him our new album,” says bassist Max Portnoy. “Both bands share a love for raw, live recordings, so he was super into what we were doing and invited us to join the tour. We were stoked since we’ve been into King for as long as we’ve been a band.”

Tickets for all shows are available HERE. Full routing below.

TALLAH – ALBUM RELEASE SHOWS

September 5 – Philadelphia, PA @ Warehouse on Watts

September 6 – Mechanicsburg, PA @ Lovedraft’s Brewing Co

September 7 – Brooklyn, NY @ The Meadows

TALLAH – US TOUR W/ KING 810

November 3 – Lawrence, KS @ The Bottleneck

November 4 – Oklahoma City, OK @ 89th Street Collective

November 6 – Mesa, AZ @ The Rosetta Room

November 7 – Anaheim, CA @ Chain Reaction

November 8 – Berkeley, CA @ Cornerstone

November 9 – Bend, OR @ Volcanic Theatre

November 10 – Portland, OR @ Dante’s

November 11 – Seattle, WA @ El Corazon

November 13 – Rapid City, SD @ Aby’s

November 14 – Sioux Falls, SD @ Icon Event Hall

November 15 – Saint Paul, MN @ Turf Club

November 16 – Chicago, IL @ Bottom Lounge

November 18 – Hartford, CT @ The Webster

November 19 – Clifton, NJ @ Dingbatz

November 20 – Harrisburg, PA @ Capital City Music Hall

November 21 – Richmond, VA @ Canal Club

November 22 – Greensboro, NC @ Hangar 1819

November 24 – Nashville, TN @ The End

November 25 – Lexington, KY @ Manchester Music Hall

ABOUT TALLAH

Emerging from Pennsylvania in 2018, Tallah fuse the percussive force of second-generation drummer-turned-bassist Max Portnoy with the unpredictable dexterity of vocalist and viral phenom Justin Bonitz and the phenomenal guitarist duo of Derrick Schneider and Alex Snowden to form a sound that’s part brutalist nu-metal, part theatrical meltdown, and entirely their own. What began as a raw homage to the early-2000s metal they were raised on—Slipknot, Korn, Linkin Park—has since evolved into something far stranger and far more singular.

After making waves with their 2020 debut 'Matriphagy', a twisted concept album soaked in trauma and noise, the band were hailed by Knotfest as delivering “one of the best metal releases of the year” and by Metal Hammer as “leading the charge on the new wave of nu-metal.” The follow-up, 'The Generation Of Danger' (2022), saw them push their hybrid sound further into chaos—earning millions of streams, high-profile festival slots, and nominations at both the Heavy Music Awards and AIM Independent Music Awards.

But it’s on album three, 'Primeval: Obsession // Detachment' (out now via Earache Records), that Tallah truly shatter what’s left of the mould. Decamping to Michigan to record the entire project live with longtime producer Josh Schroeder, the band abandoned edits, clicks, backing tracks, and rules. What remains is pure instinct—feral, volatile, and unrelentingly human.

Conceptually, the record unfolds across a sci-fi narrative that follows Ana, a nurse, and Sheelah, an assassin—two strangers manipulated by a shadowy force and driven to the edges of their morality. The mirrored structure, warped sonic callbacks, easter eggs and ambiguous lyrical layering reflect a story full of tests, dualities, and spiraling identity shifts.

To date, Tallah have clocked up 29.7 million Spotify streams and 6 million YouTube views.

TALLAH ARE

Vocals: Justin Bonitz

Guitar: Alex Snowden

Guitar: Derrick Schneider

Bass: Max Portnoy

Drums: Joel McDonald

DJ: DJ Navi

TALLAH Add Experimental Twist To Nu-Core Roots With New Single, "augmented"

June 16, 2025

Following the chaos of their last two singles, Tallah return with “augmented”—a brutal, groove-heavy offering that throws back to their nu-core roots while flexing the wild experimentation that defines their upcoming album Primeval: Obsession // Detachment, out September 5 via Earache Records. Watch the official music video now below. Listen to the track on DSPs HERE.

Bassist Max Portnoy, who made the creative leap from drums to bass for this album, shares:

“Probably the most ‘nu-core’ track on the record. It feels very reminiscent of where we came from but still steps into the sonic world of Primeval, with acoustic guitars and live strings at points. The experimentation is sprinkled on every song this album. I also wrote ‘Augmented’ at the peak of my slap bass interest, and it made for the most intricate bass track in our discography. So many weird techniques crammed into this one. It’s a bitch to play.”

Commenting on the official music video, Portnoy continues

"In the studio, we wanted to use Josh's VHS camera to film some cool content, and we decided on 'augmented', as it was the first song we jammed together as a unit for this session. It was the song that really got us situated and in the right headspace for this record, so it made sense to film the studio video of this track."

The new track is Tallah at their most rhythmically unhinged—toggling between jagged grooves, acoustic breaks, and dense basswork that cements Max’s evolution as one of heavy music’s most creative rhythmic masterminds. Paired with Justin Bonitz’s raw, one-take vocal performance and a recording process that scrapped all editing and click tracks, “augmented” captures the primal, chaotic energy that’s earned the band over 29.7 million Spotify streams and 66 million YouTube views to date.

Like its predecessors “What we know” and “A primeval detachment,” “augmented” also ties directly into the album’s layered sci-fi narrative. The concept follows two characters, Ana and Sheelah, on a morally destructive journey across an alien world. Fans can dive deeper into the lore through The Primeval Game, a playable story-world that’s updated monthly with new clues, song teasers, and narrative expansions. Explore the game, built in collaboration with Enzo Interactive at primevalgame.com

Primeval: Obsession // Detachment arrives September 5 via Earache Records. Tracked completely live with no edits or safety nets, it’s Tallah’s most dangerous and defining work to date.

ABOUT TALLAH

But it’s on album three, 'Primeval: Obsession // Detachment' (out September 5, 2025 via Earache Records), that Tallah truly shatter what’s left of the mould. Decamping to Michigan to record the entire project live with longtime producer Josh Schroeder, the band abandoned edits, clicks, backing tracks, and rules. What remains is pure instinct—feral, volatile, and unrelentingly human.

To date, Tallah have clocked up 29.7 million Spotify streams and 6 million YouTube views.

TALLAH ARE

Vocals: Justin Bonitz

Guitar: Alex Snowden

Guitar: Derrick Schneider

Bass: Max Portnoy

Drums: Joel McDonald

DJ: DJ Navi

Tallah Announce Third Album; Drop New Single & Music Video "What we know"

April 2, 2025

Unpredictable, uncompromising and unrelentingly original, Tallah have never been easy to categorise. The Pennsylvania-bred unit are back with a vengeance today as they announce brand new album ‘Primeval: Obsession // Detachment’, due out September 5th via Earache Records and drop “What we know”—the first single and opening track.

Listen to "What we know" HERE and watch the accompanying music video Below.

Pre-Order 'Primeval: Obsession // Detachment" HERE.

Simultaneously maximalist, raw and unfiltered, “What we know” sets the tone for what’s to come—an album unshackled by rules or expectations. Blending acoustic guitars, trap-metal 808s, string quartets, talkbox solos and more into one furiously cohesive piece, the track is a mission statement for the chaos ahead.

“The first song that was written for the album, and easily my #1 Tallah song to date,” says bassist Max Portnoy. “The amount of experimentation on this track paved the road for the tone of the whole record. From performing the first half of the song on acoustic guitars, to layering trap-metal 808’s over a string quartet with dissonant plucks in the chorus, to a trading guitar solo with a talkbox and a slide, you can find so many fun tools we incorporated, without it feeling disjointed. To have all that experimentation, in a driving and energetic track with a massive chorus, made for my favorite piece of work yet. It was a no-brainer to start the record with this one.”

‘Primeval: Obsession // Detachment’ is a concept album rooted in narrative and boundless in scope. Set on an alien planet, it follows Ana, a nurse, and Sheelah, an assassin—two strangers pushed to the brink of their morality by the same mysterious group of beings. Their journeys spiral through tests of belief, identity, and loyalty, building toward a finale laced with twists, dualities, and mirrored consequences. Architect of the exceptional and intricate world-building Tallah have become known for on each of their albums, vocalistJustin Bonitz shares

“Primeval Obsession/Detachment is a concept album taking place on an alien planet. The story follows two characters, Ana (a nurse) and Sheelah (an assassin). Both are approached by the same group of beings, who ask the main characters to each perform a task that will test their values and push their morals to the limit before ending with twist after twist. The album explores morality, duty, personal beliefs, duality, and understanding one's place in society.”

Tracked live in Michigan with longtime producer Josh Schroeder, the record captures Tallah in their purest, most unhinged form. No click. No edits. No polish. Just instinct and execution. It also sees founding member, Max Portnoy, making a major creative shift from drums to bass and Justin recording the vocals for the whole album in one, continuous take.

Providing further context, Max Shares

“For me, this album is Tallah finding our voice. During the writing process, no boxes were in place. No rules were set. Whatever felt uniquely us, that was what made the cut. I'm not sure how to even label this record's sound beyond 'Tallah'. It's weird. It's experimental. It's driving, and energetic. It's raw. We recorded live, every instrument at the same time, with no click. That's how we play shows, so why would we record differently? This album also marks my first recording dedicated to bass. I translated my drum knowledge to a new instrument and it was a huge creative breath of fresh air for me.”

For vocalist Justin Bonitz, the experience was equally intense.

"I practiced for months and was able to record the entire album in one huge, continuous take with no edits or redos or anything! And I was recovering from pneumonia! Nobody is gonna believe me! It was honestly the highlight of my entire vocal career. I was unsure if I could pull it off, but I went into the booth, grabbed an SM57, turned off the lights, and whatever happened happened. I think it feels more intimate and naked with all the flaws and imperfections, which is perfect for the raw, organic sound of this album."

From mirrored track titles to reversed riffs, ‘Primeval: Obsession // Detachment’ is Tallah at their most deliberate and deranged. It’s a labyrinthine listen made for close listening and repeat immersion. As with everything they do, the chaos is crafted, and the madness is methodical.

‘What we know’ is streaming now. ‘Primeval: Obsession // Detachment’ arrives September 5th via Earache Records.

ABOUT TALLAH

Emerging from Pennsylvania in 2018, Tallah fuse the percussive force of second-generation drummer-turned-bassist Max Portnoy with the unpredictable dexterity of vocalist and viral phenom Justin Bonitz and the phenomenal guitarist due of Derrick Schneider and Alex Snowden to form a sound that’s part brutalist nu-metal, part theatrical meltdown, and entirely their own. What began as a raw homage to the early-2000s metal they were raised on—Slipknot, Korn, Linkin Park—has since evolved into something far stranger and far more singular.

To date, Tallah have clocked up 29.7 million Spotify streams and 6 million YouTube views.

TALLAH ARE

Vocals: Justin Bonitz

Guitar: Alex Snowden

Guitar: Derrick Schneider

Bass: Max Portnoy

Drums: Joel McDonald

DJ: Ivan Little