Belgian Psychedelic Post-Metallers Psychonaut Announce New Album "World Maker" + Share "Endless Currents" Video

A record born of insurmountable joy and simultaneous profound loss; World Maker marks a time of great change for Psychonaut, both personally and musically, as the band burn away the philosophical narrative complexities of previous offerings with a searing, panoramic clarity that implores us to savor the beauty of the now as a means of leaving a legacy for the future.

The album arrives October 24 via Pelagic. Pre-order it here. 

Today, the band has shared "Endless Currents." Watch it below.

The traditional, three-piece line up of Belgian, psychedelic post-metal collective Psychonaut has long belied the compositional prowess, captivating narrative depth and crushing live presence of a band now operating at the forefront of forward-thinking, contemporary heavy music.

Having sent a shockwave through the post-metal and prog scenes with their three times repressed Pelagic Records debut Unfold The God Man in 2020 before following it up with the transformative metaphysical complexities of 2022’s Violate Consensus Reality, Psychonaut have played prestigious Belgian open-air festivals like Alcatraz, Rock Herk and Boomtown Festival as well as boutique events such as Soulcrusher, Roadburn Redux and A Colossal Weekend whilst sharing stages across Europe with the likes of Amenra, Brutus and Pelagic labelmates The Ocean and PG.Lost.

The seed of World Maker took shape just as the campaign for Violate Consensus Reality came to a close, with the news that guitarist/vocalist Stefan De Graef was to become a father. This tilting of life’s axis led De Graef, like most fathers-to-be, to re-assess what was really important. As such, the music he was inspired to write felt free of the band’s previous philosophical and spiritual foundations and instead took the form of life lessons for his unborn son, a legacy of love in case something were ever to happen.

This hopeful euphoria shines keenly throughout World Maker as an uncharacteristically optimistic warmth; from the reverberating Rhodes organ on the titular opening track and the meandering, free-jazz inspired guitar solo that introduces "Everything Else is Just The Weather" to elements of world music, electronica and the otherworldly voice of Dutch multi-instrumentalist and old friend Anthe Huybrechts (Anthe/Helion Creek) most notably on tracks like "Origins" which also features tabla, a pair of indian hand drums, as its propulsive heartbeat.

PSYCHONAUT ARE:
Stefan de Graef — Guitars/Vocals
Thomas Michiels — Bass/Vocals
Harm Peters — Drums

Hiroe Unveil Video for "Collider" From Album "Wield" Out 6/10

Hiroe, the new darlings of the American post-rock underground, have revealed their latest single "Collider," taken from their forthcoming debut album, Wield, out June 20 via Pelagic Records.

Watch the "Collider" video below.

Pre-order Wield here.

"Collider" is a 10-minute epic, presenting listeners with a sonic journey into the heart of modern existence, reflecting life's often opposing and overwhelming demands. Its elaborate structure provides the band with an opportunity to showcase diverse instrumentation, from the resonant standing bass and the delicate chime of a glockenspiel to captivating guitar tapping sections that crescendo into a powerful three-part harmony. Embodying a musical representation of the contradictory elements in balancing life's competing priorities, it evokes the moment when all facets of life come to a head, resulting in a profound convergence, just as its title, "Collider," implies.

Hiroe guitarist Eric Kusanagi comments, "'Collider' is a song that when we play live seems to be a crowd favorite. It's the longest song in our catalogue, at about 10 minutes long, and we wanted to take the listener on a journey that goes through a lot of peaks and valleys."

The single is another glimpse of the forthcoming album Wield, showcasing the Philadelphia-based quintet mastering their craft, of creating compelling melodies that sound larger than life.

2022 saw Hiroe burst onto the scene with an explosive debut EP full of soaring anthems and sublime soundscapes. Combining the sonic expansiveness of Deftones with the dynamic heaviness of bands like Isis and Caspian, Hiroe immediately already figured out how to make the most majestic sounding post-rock early in their career. 

"Our first release, Wrought, was a statement of creation," explains principal songwriter and guitarist Kusanagi.
 
For the recording of Wield, Jill Paslier moved from bass to guitars, with Brian Kong (guitars), Jon Seiler (bass), and Dan Sagherian (drums) joining to complete the lineup. Produced once more by Mario Quintero (Spotlights), Wield capitalizes on everything the band learned in the creation of its predecessor, adding to it a new focus on textural intricacies and compositional detail.
 
"We wanted to show a larger range of musical themes on this record," continues Kusanagi. "You'll hear us dive into some synth work, some piano work, some really interesting effects that Mario helped us dial up." 

As a result, Wield packs in a huge range of details, which reveal themselves over repeated listens. 
 
Nevertheless, Wield is still an affair of instant gratification for fans of guitar driven post-rock. From the soaring leads of "Tides" to the epic finale of "I've Been Waiting For You All My Life," Hiroe show they've upped their game in every department, but especially that which tugs at your heartstrings.

Wield presents the brave new future we all need in these confusing times. A new American frontier on which we can build our wildest dreams and our most daring ambitions.

HIROE ON TOUR:
6/6 — Baltimore, MD — Monument City Brewing
6/7 — Washington, DC —The Pocket
6/13 — Brooklyn, NY — Gold Sounds
6/14 — Boston, MA — Deep Cuts
6/20 — Harrisburg, PA — JB Lovedraft’s
6/21 — Lancaster, PA  — The Upside
6/27 — Philadelphia, PA — Kung Fu Necktie
6/28 — Pittsburgh, PA — Ormsby's
7/23 — Indianapolis, IN — Black Circle (Post-Fest Pre-Show)

HIROE ARE:
Eric Kusanagi — Guitar
Jill Paslier — Guitar
Brian Kong — Guitar
Jon Seiler — Bass
Dan Sagherian — Drums

Hiroe Share Video for "Dancing at the End of the World" Video From "Wield" Out June 20

Hiroe, the new darlings of the American post-rock underground, have released the second single "Dancing at the End of the World" from their debut album, Wield, out June 20 via Pelagic Records.

Stream "Dancing at the End of the World" here.

Watch the video below. 

 Pre-order Wield here. 

Both powerfully melodic and heavy, Wield shows the Philadelphia-based quintet mastering its craft of creating compelling melodies that sound larger than life.

On "Dancing at the End of the World," the band comments, "Though seemingly contrasting, 'dancing' and 'the end of the world' are brought together to symbolize our shared human capacity to transform pain and vulnerability into something profound and meaningful when facing overwhelming adversity. 'Dancing at the End of the World' represents an act of defiant optimism to find hope in the face of hopelessness. It's a conscious choice to find light in darkness, and to not to be consumed by despair, even when all hope seems lost, even when it feels like the end of the world."

2022 saw Hiroe burst onto the scene with an explosive debut EP full of soaring anthems and sublime soundscapes. Combining the sonic expansiveness of Deftones with the dynamic heaviness of bands like Isis and Caspian, Hiroe immediately already figured out how to make the most majestic sounding post-rock early in their career. 

"Our first release, Wrought, was a statement of creation," explains principal songwriter and guitarist Eric Kusanagi.
 
For the recording of Wield, Jill Paslier moved from bass to guitars, with Brian Kong (guitars), Jon Seiler (bass) and Dan Sagherian (drums) joining to complete the lineup. Produced once more by Mario Quintero (Spotlights), Wield capitalizes on everything the band learned in the creation of its predecessor, adding to it a new focus on textural intricacies and compositional detail.
 
"We wanted to show a larger range of musical themes on this record," continues Kusanagi. "You'll hear us dive into some synth work, some piano work, some really interesting effects that Mario helped us dial up." 

As a result, Wield packs in a huge range of details, which reveal themselves over repeated listens. 
 
Nevertheless, Wield is still an affair of instant gratification for fans of guitar driven post-rock. From the soaring leads of "Tides" to the epic finale of "I've Been Waiting For You All My Life," Hiroe show they've upped their game in every department, but especially that which tugs at your heartstrings.

Wield presents the brave new future we all need in these confusing times. A new American frontier on which we can build our wildest dreams and our most daring ambitions.

HIROE ON TOUR:
6/6 — Baltimore, MD — Monument City Brewing
6/7 — Washington, DC —The Pocket
6/13 — Brooklyn, NY — Gold Sounds
6/14 — Boston, MA — Deep Cuts
6/20 — Harrisburg, PA — JB Lovedraft’s
6/21 — Lancaster, PA  — The Upside
6/27 — Philadelphia, PA — Kung Fu Necktie
6/28 — Pittsburgh, PA — Ormsby's
7/23 — Indianapolis, IN — Black Circle (Post-Fest Pre-Show)

French Post-Metal Collective Year of No Light Announce New Album Out 5/23 and Stream Excerpt Single

French post-metal collective Year of No Light return with their highly unique, evocative live album Les Maîtres Fous, to be released May 23 via the esteemed Pelagic Records.
 
Haunting, discordant and deeply unsettling, Les Maîtres Fous ("The Mad Masters") was written by the group in response to French filmmaker Jean Rouch's controversial 1950s docufiction of the same name.
 
Captured live in 2015, this arresting piece of music is now available to hear for the first time in a decade.

To acknowledge the album announcement, the group have streamed an excerpt from the album. Listen below.

Pre-order Les Maîtres Fous here.

Commissioned by Musée Du Quai Branly in Paris for their 2012 "L'nvention Du Sauvage" exhibition, Year of No Light approached the ritual practices of the Hauka movement as depicted in the original film and responded with their uniquely hypnotic heaviness.
 
Performed only twice, once at the exhibition on January 6, 2012 and again in Bordeaux on January 29, 2015, this release is a live recording of the second and final performance of Les Maîtres Fous. Whilst Year of No Light have a long history of collaboration with forward-thinking filmmakers and visual artists, the sensitivity of this documentary's problematic subject matter and the intensity of the band's performance made this performance both a physically and emotionally demanding experience; something that can be keenly felt upon listening.

Founded in September 2001 by a collection of Bordeaux's heavy scene stalwarts as an ongoing side project encompassing elements of sludge metal and shoegaze, Year of No Light released their debut album, Nord, in 2006 to critical acclaim. The subsequent years, however, saw a significant lineup change, with the band replacing their vocalist with a third guitarist to become a fully instrumental sextet, incorporating aspects of black metal, drone electronica, and dark ambient into their already formidable sound.
 
2010's four-track epic Ausserwelt and the 2013 followup Tocsin saw Year of No Light distilling their punishing sound even further; stalling the tempo to a glacial crawl and tuning guitars ever downwards to new uncharted depths. Consolamentum, the band's first full-length release in nine years and their first with Pelagic Records, brought the outfit's crushing double-drumming percussion to the fore — as a masterclass in dynamic control saw Year of No Light embrace the highest highs and the lowest lows of the intervening years.
 
Now approaching their 25th anniversary, Les Maître Fous is a pressing reminder that, despite the band's long and ongoing journey, Year of No Light have never been afraid to experiment, to take risks, to square up to life's ugliness and look it straight in the eye.

YEAR OF NO LIGHT ARE:
Bertrand Sebenne
Shiran Kaidine
Mathieu Megemont
Pierre Anouilh
Johan Sebenne
Jerome Alban

Hiroe Announce New Album "Wield" + Share "Tides" Video

Hiroe, the new darlings of the American post-rock underground, will release their debut album, Wield, on June 20 via Pelagic Records. Pre-order Wield here. 

The band has released their first single from Wield, the titanic-sized "Tides."

Stream "Tides" here. Watch the video below.

Both powerfully melodic and heavy, Wield shows the Philadelphia-based quintet mastering their craft, of creating compelling melodies that sound larger than life.

"The intention for 'Tides' was to evoke aural imagery akin to an unstoppable force colliding with an immovable object," comments the band. "Our studio intern's observation perfectly captured this sentiment: 'It sounds like a soundtrack for Godzilla fighting King Kong.' There's an undercurrent of frustration woven into the song. It serves as a metaphor for the very universal human experience for us all — the constant challenges, both monumental and mundane, that we all face in a struggle to exist."

2022 saw Hiroe burst onto the scene with an explosive debut EP full of soaring anthems and sublime soundscapes. Combining the sonic expansiveness of Deftones with the dynamic heaviness of bands like Isis and Caspian, Hiroe immediately already figured out how to make the most majestic sounding post-rock early in their career. 

"Our first release, Wrought, was a statement of creation," explains principal songwriter and guitarist Eric Kusanagi.
 
For the recording of Wield, Jill Paslier moved from bass to guitars, with Brian Kong (guitars), Jon Seiler (bass) and Dan Sagherian (drums) joining to complete the lineup. Produced once more by Mario Quintero (Spotlights), Wield capitalizes on everything the band learned in the creation of its predecessor, adding to it a new focus on textural intricacies and compositional detail.
 
"We wanted to show a larger range of musical themes on this record," continues Kusanagi. "You'll hear us dive into some synth work, some piano work, some really interesting effects that Mario helped us dial up." 

As a result, Wield packs in a huge range of details, which reveal themselves over repeated listens. 
 
Nevertheless, Wield is still an affair of instant gratification for fans of guitar driven post-rock. From the soaring leads of "Tides" to the epic finale of "I've Been Waiting For You All My Life," Hiroe show they've upped their game in every department, but especially that which tugs at your heartstrings.

Wield presents the brave new future we all need in these confusing times. A new American frontier on which we can build our wildest dreams and our most daring ambitions.

HIROE ON TOUR:
6/6 — Baltimore, MD — Monument City Brewing
6/7 — Washington, DC —The Pocket
6/13 — Brooklyn, NY — Gold Sounds
6/14 — Boston, MA — Deep Cuts
6/20 — Harrisburg, PA — JB Lovedraft’s
6/21 — Lancaster, PA  — The Upside
6/27 — Philadelphia, PA — Kung Fu Necktie
6/28 — Pittsburgh, PA — Ormsby's
7/23 — Indianapolis, IN — Black Circle (Post-Fest Pre-Show)

HIROE ARE:
Eric Kusanagi — Guitar
Jill Paslier — Guitar
Brian Kong — Guitar
Jon Seiler — Bass
Dan Sagherian — Drums

Swedish Experimentalists Gösta Berlings Saga Announce New Album "Forever Now" + Share "Through The Arches"

Fearlessly experimental, deliciously irreverent and defiantly unclassifiable for 25 years, Stockholm’s Gösta Berlings Saga have announced the release of Forever Now, their seventh studio album, out June 6 via Pelagic Records. The quintet haS also unveiled the first single and video "Through The Arches."

Watch the video for "Through The Arches" below. 

Pre-order Forever Now and stream the single here. 

"'Through the Arches' is GBS in 2025 — pure and amplified," states the band. "One of the first tracks completed for the new album, it packs all the classic GBS ingredients, but turned up a few notches. Melodic, cosmic, chaotic, euphoric — all in one track. The accompanying video, crafted by Martin Gustafsson, is a visual journey into the everlasting and beyond, perfectly capturing the song's essence."

A masterful collision of intricate songwriting, raw rock spontaneity and their signature disregard for genre limitations, Forever Now rests on no laurels; it's a driving continuation of a journey that suggests, even after two decades and counting, the band's best work may still be ahead of them.

On the new album, the band continues, "Super stoked to soon unleash Forever Now upon the world. It's an album we've put our heart, soul and every atom of our beings into. Written, recorded, mixed, and produced by ourselves, it fills us with great pride that even after 20+ years we still find joy, creativity and new ways to approach music. Forever Now is a journey in search of small fragments of eternity within the present moment - where time dissolves, and music becomes the gateway to the infinite."

Stockholm, the Saga began in 2000 with a creative spark keenly felt between keyboardist David Lundberg and drummer Alexander Skepp. Taking formative inspiration from the '60s jazz fusion improvisations of fellow Swedes Hansson & Karlsson, Gösta Berlings Saga broadened their sonic palette with the addition of bassist Gabriel Tapper and guitarist Mathias Danielsson before the release of their debut album Tid Är Ljud in 2006. Danielsson subsequently left the project to be replaced by Einar Baldursson, contributing to the darker and more complex sound of 2009's Detta Har Hänt, 2011's Glue Works and 2016's Sersophane.

The overt manipulation of sound and melody on this trio of early releases helped set Gösta Berlings Saga apart from the rest of the progressive pack, swerving easy cliché and navel-gazing nostalgia in favor of a fervently forward-thinking ethos. Undoubtedly influenced by the greats of prog, art-rock, electronica and the avant-garde, Gösta Berlings Saga have remained thrillingly impervious to categorization.

2017 saw another evolution within the band as Baldursson left to be replaced with Rasmus Booberg whilst percussionist and multi-instrumentalist Jesper Skarin also joined the ranks. Rejuvenated and revitalized, Gösta Berlings Saga’s subsequent albums, ET EX (2018) and Konkret Music (2020), introduced a whole new audience to the band's idiosyncratic fearless experimentation, breakneck rock 'n' roll infused with even more found sound electronics and sonic obscura. Uncompromising and utterly distinct, these albums solidified the band’s belief that staying true to their own artistic vision was always the only way forward.

Forever Now is 10 tracks of hand-crafted chaos that bear all the brilliance of Gösta Berlings Saga's 25 years of irreverent innovation. Entirely written, recorded, produced, and mixed by the band for the very first time, the album sees synthesizers and arpeggiated guitars spiral ever higher, colliding with helter skelter percussion and pulse-racing drums on the way, whilst the band's innate trust in each other and in their music form the propulsive core of a perpetual energy engine five years in the making.

Although not established as a concept album as such, personal tragedies during the early writing process ultimately left their mark. For a time the band tried to separate their collective creativity from the events of their private lives but, rather than grief and darkness making their presence felt, Gösta Berlings Saga built this album on the pursuit of the eternal — a euphoric glimpse beyond time, where music becomes a bridge between the present and what was and will be, echoing connections that never fade.

GÖSTA BERLINGS SAGA ARE:
Jesper Skarin — Percussion
Gabriel Tapper — Bass
David Lundberg — Keys
Rasmus Booberg — Guitars
Alexander Skepp — Drums

Telepathy Share Video For New Single "End Transmission"

UK-based post-metal instrumentalists Telepathy have shared "End Transmission," the third single from their forthcoming new full-length, Transmissions. The album is set for release on March 28, through forward-thinking Berlin label Pelagic Records,

A synth-driven instrumental epic that would make Vangelis himself proud, today's new single "End Transmission" was the first song of the new album to be fully formed and subsequently became the anthemic blueprint from which the band reverse-engineered the record's otherworldly atmosphere. Colossal riffs, space age synthesizers and Telepathy's signature use of found sounds combine to form this 15-minute odyssey that passes in the blink of an adrenaline-fueled eye.

"'You can spot, from a distance, a madman making sense,'" the band says. "'End Transmission' became the foundation of the record’s concept and the gateway to our newfound love for all things synth. As we worked on the album, this track opened up the space to blend electronic and found sounds, taking our music in a more cinematic direction. We first trialed this on tour with Oranssi Pazuzu in 2022, and it quickly became the highlight of our set. It marked the beginning of our shift in direction, and became a highlight of the show for us and the crowd. This song is like the climax of a film, reminiscent of the 16-minute piece from The Dark Knight — a riffy and cinematic crescendo to the new album. It created the perfect conclusion before leading to the album's final track — 'Home.'"

Telepathy will be celebrating the album's release with a headline show at London's The Black Heart venue on April 17.

Formed in 2011, Telepathy is the creation of three Polish brothers: Piotr, Albert, and Krystian Turek, and English guitarist Richard Powley. Bringing a collision of musical influences from Tool, Deftones, and Vangelis to genres as diverse as synthwave and post-punk, it is the collective's pervading love for film and movie scores that truly unites the band's members under the Telepathy banner. Together, the four-piece quickly made a name for themselves through their instrumental balance of atypical tunings, found audio samples and joyride-like time signatures, conveying remarkably deep and dynamic narratives through their instruments alone.

Transmissions marks the culmination of four years of introspection, experimentation and revitalisation; representing the band at its expressive core. Inspired by faded photographs unearthed in the brother's family home and the surprise discovery of a long lost relic, Transmissions is a cluster of musical messages that hurtles between nostalgic snapshots of the past and the everyday chaos of the present. 

Mastered by Grammy-nominated producer/engineer Machine (Lamb of God, Clutch, Unpeople), Transmissions was recorded and produced by the band at their newly established studio in their rural base in the East of England.

you, infinite (Feat. Members of This Will Destroy You) Share New Single "The Elder"

You, infinite, the new project from This Will Destroy You founding members, have shared "The Elder;" the latest single from their self-titled debut full-length due February 28, 2025 through Berlin's Pelagic Records.

you, infinite reunites Jeremy Galindo and Raymond Brown, founders of acclaimed instrumental outfit This Will Destroy You, in a new collaborative project. After departing TWDY to pursue a career in medicine, Brown continued to write music while establishing a successful practice in Austin, Texas. During the pandemic, he accumulated a collection of melodies and ideas which he shared with Galindo, sparking a renewed creative partnership. Separated by distance, with Galindo in Los Angeles and Brown in Austin, the duo began to exchange ideas digitally in order to shape the foundations of you, infinite's electronic-edged, panoramic post-rock sound.

Between 2021 and 2024, the two came together in person to refine the pieces and ultimately to finalize the album. Working with Andrew Hernandez, who recorded and mixed the album in the summer of 2024, Brown and Galindo were joined by Johnnie McBryde, Ethan Billips, and Nicholas Huft, all current members of Galindo's TWDY lineup, in order to truly bring the album to life.

An epic collision of fuzzy, acoustic warmth and huge, wall-of-sound guitar work; the exhilarating dynamic composition of "The Elder" is simultaneously a knowing nod to lives since lived whilst also proving that, newly reunited, this groundbreaking creative partnership has so much more to give.

A modern successor to TWDY's own seminal S/T release, you, infinite is a reflection on over 15 years of growth and experience, both as bandmates together and as friends apart. A reimagined and reinvigorated approach to the sound they once pioneered, as you, infinite Galindo and Brown are charting a new course across a familiar yet altogether different landscape; honouring their past whilst boldly forging ahead into places unknown.

you, infinite is due to be released on the February 28. Pre-order it here.

SOM Share Video For New Single "Chemicals"

SOM have shared the video for new single "Chemicals," the latest single taken from their forthcoming third full-length album Let The Light In, on March 14 through Berlin's Pelagic Records.

With a unique sound dubbed "Doom Pop" by Metal Injection, SOM's dreamy shoegaze roots are on display across Let The Light In but there is heft at its core that is bracing and ferocious.

If the band's debut album The Fall explored hitting rock bottom and sophomore release The Shape of Everything grappled with the ever-darkening world around us, Let The Light In sees SOM turn their sights inward, towards our most primal impulses: Seeking solace and reconciliation from the vibrancy within ourselves and the people we hold close. 

Adversity became the catalyst for change when, due to unforeseen circumstances, the band's founding drummer left midway through the album's writing and recording process. SOM took the remainder of 2023 to reshape and refocus, eventually re-recording most of the album in a new configuration that allowed them to paint in even broader sonic strokes. The result is a raw but richly melodic album unafraid to travel through the depths of human emotion, ultimately guiding us towards growth and enlightenment.

Angular and anthemic, "Chemicals" is SOM at their most dynamically adept. Marrying the alt-metal menace of high-gain distortion and punching, half-time drums with catchy hooks and soaring vocal euphoria; "Chemicals" is the newly-refigured four-piece fully embracing the broad spectrum of their "Doom Pop" dichotomy. Directed by artist/director Joel Villegas, who has worked with the likes of Holy Fawn, Poison The Well, and Glassing, the video for "Chemicals" is a sultry, psyched-out trip that pairs the saturated, lo-fi warmth of CRT monitors with the band's truly panoramic sound.

Since 2019, SOM have toured extensively across North America, Europe and the UK alongside acts including Katatonia, Solstafir, Slow Crush, and many more. This relentless live commitment across 21 countries, coupled with 2023's introspective restructuring, has profoundly altered their creative approach. 

As they began working on this new material, the members of SOM found themselves in a fresh headspace, armed with a newfound, hard-earned maturity. Let The Light In is SOM's testament to resilience and evolution. Born from challenge and change, the album pulses with confidence and catharsis, imploring the listener and the band themselves to traverse the darkness and find the light.

Let The Light In is released on the March 14.

"Chemicals" is out now.

SOM ON TOUR:
WITH EARTHSIDE:
2/21 — Boston, MA — Middle East
2/22 — Montreal, QC — Bar le Ritz
2/23 — Toronto, ON — Drake Underground
2/25 — Detroit, MI — Sanctuary
2/26 — Cleveland, OH — The Foundry
2/27 — Chicago, IL — Beat Kitchen 
3/1 — Nashville, TN — The End
3/2 — Atlanta, GA — The Masquerade
3/5 — Orlando, FL — Conduit
3/7 — Baltimore, MD — Metro Gallery
3/8 — Brooklyn, NY — The Meadows

Tickets are available here. 

you, infinite (Feat. Members Of This Will Destroy You) Share New Single "Shine Eternal"

You, infinite, the new project from This Will Destroy You founding members, have shared new single "Shine Eternal" from their self-titled debut full-length due February 28, 2025 through Berlin's Pelagic Records.

you, infinite reunites Jeremy Galindo and Raymond Brown, founders of acclaimed instrumental outfit This Will Destroy You, in a new collaborative project. After departing TWDY to pursue a career in medicine, Brown continued to write music while establishing a successful practice in Austin, Texas. During the pandemic, he accumulated a collection of melodies and ideas which he shared with Galindo, sparking a renewed creative partnership. Separated by distance, with Galindo in Los Angeles and Brown in Austin, the duo began to exchange ideas digitally in order to shape the foundations of you, infinite's electronic-edged, panoramic post-rock sound.

Between 2021 and 2024, the two came together in person to refine the pieces and ultimately to finalize the album. Working with Andrew Hernandez, who recorded and mixed the album in the summer of 2024, Brown and Galindo were joined by Johnnie McBryde, Ethan Billips, and Nicholas Huft, all current members of Galindo's TWDY lineup, in order to truly bring the album to life.

A simple, sparkling guitar refrain rises to full anthemic splendour in "Shine Eternal," the latest single from you, infinite’s debut full-length. The new project from founding members of shoegaze pioneers This Will Destroy You, "Shine Eternal" serves as proof of the indelible bond between Jeremy Galindo and Raymond Brown; the breathtaking result of a unique creative friendship newly reunited.

A modern successor to TWDY's own seminal S/T release, you, infinite is a reflection on over 15 years of growth and experience, both as bandmates together and as friends apart. A reimagined and reinvigorated approach to the sound they once pioneered, as you, infinite Galindo and Brown are charting a new course across a familiar yet altogether different landscape; honouring their past whilst boldly forging ahead into places unknown.

you, infinite is due to be released on the February 28. Pre-order it here.

"Shine Eternal" is out now.

Telepathy Announce New Album "Transmissions" + Share New Track "Oath"

UK-based post-metal instrumentalists Telepathy have announced the release of their fourth full-length, Transmissions, on March 14 through Berlin's Pelagic Records. Pre-order it here.

Formed in 2011, Telepathy is the creation of three Polish brothers: Piotr, Albert, and Krystian Turek, and English guitarist Richard Powley. Bringing a collision of musical influences from Tool, Deftones, and Vangelis to genres as diverse as synthwave and post-punk, it is the collective's pervading love for film and movie scores that truly unites the band's members under the Telepathy banner. Together, the four-piece quickly made a name for themselves through their instrumental balance of atypical tunings, found audio samples and joyride-like time signatures, conveying remarkably deep and dynamic narratives through their instruments alone.

Telepathy's latest offering Transmissions marks the culmination of four years of introspection, experimentation and revitalisation; representing the band at its expressive core. Inspired by faded photographs unearthed in the brother's family home and the surprise discovery of a long lost relic, Transmissions is a cluster of musical messages that hurtles between nostalgic snapshots of the past and the everyday chaos of the present. Amongst precious memories and family treasures, the Turek brothers stumbled upon a recording of the first radio broadcast of statesman Józef Piłsudski, widely regarded as the founder of modern Poland. The wonder and optimism in his voice, captured over 100 years ago, ignited an inspirational drive to reflect this sense of awe in the present by pushing their musical creativity further than ever before.

This revolutionary reinvention is immediately apparent on lead single and opening track "Oath," which poured effortlessly out of the band in just one day. A recreation of that famous radio transmission introduces eight formidable minutes of widescreen riffs and thundering drums augmented by a new arsenal of cinematic synth textures that pushes Telepathy's already genre-defying ethos towards introspective new terrain as they reframe nostalgic awe as a means of embracing the beauty of a shared present

"Oath" is out now. Listen below.

 "'Oath' embodies so much of why we make music and our commitment to one another and to our craft," the band says. "It's a big, heavy, and cinematic track, both epic and intimate. More than just a track, it's a promise—  a vow to push the boundaries of our sound and to create music that resonates deeply with us and you."

SOM Share Video For New Single "Nightmares" — WATCH // Announce Spring Tour With Earthside

SOM have shared the video for new single "Nightmares," taken from their forthcoming third full-length album Let The Light In, on March 14 through Berlin's Pelagic Records.

With a unique sound dubbed "Doom Pop" by Metal Injection, SOM's dreamy shoegaze roots are on display across Let The Light In but there is heft at its core that is bracing and ferocious. If the band's debut album The Fall explored hitting rock bottom and sophomore release The Shape of Everything grappled with the ever-darkening world around us, Let The Light In sees SOM turn their sights inward, towards our most primal impulses: Seeking solace and reconciliation from the vibrancy within ourselves and the people we hold close. 

Adversity became the catalyst for change when, due to unforeseen circumstances, the band's founding drummer left midway through the album's writing and recording process. SOM took the remainder of 2023 to reshape and refocus, eventually re-recording most of the album in a new configuration that allowed them to paint in even broader sonic strokes. The result is a raw but richly melodic album unafraid to travel through the depths of human emotion, ultimately guiding us towards growth and enlightenment.

Latest single "Nightmares" is one of their heaviest compositions to date. An exhilarating collision of uplifting vocal melodies, triumphant reverb-soaked guitar work and the snarling, bass-heavy bite of a metal breakdown, "Nightmares" bears evidence of challenge and change, showing a newly reconfigured SOM reveling in their "doom pop' dichotomy. Taken from their imminent album, the new track arrives alongside an epic video within a hauntingly glitched-out post-apocalyptic fever dream directed by Joel Villegas (Poison The Well, Holy Fawn, Glassing).

Since 2019, SOM have toured extensively across North America, Europe and the UK alongside acts including Katatonia, Solstafir, Slow Crush, and many more. This relentless live commitment across 21 countries, coupled with 2023's introspective restructuring, has profoundly altered their creative approach. 

As they began working on this new material, the members of SOM found themselves in a fresh headspace, armed with a newfound, hard-earned maturity. Let The Light In is SOM's testament to resilience and evolution. Born from challenge and change, the album pulses with confidence and catharsis, imploring the listener and the band themselves to traverse the darkness and find the light.

Let The Light In is released on the March 14.

"Nightmares" is out now

SOM ON TOUR
WITH EARTHSIDE
2/21 — Boston, MA — Middle East
2/22 — Montreal, QC — Bar le Ritz
2/23 — Toronto, ON — Drake Underground
2/25 — Detroit, MI — Sanctuary
2/26 — Cleveland, OH — The Foundry
2/27 — Chicago, IL — Beat Kitchen 
3/1 — Nashville, TN — The End
3/2 — Atlanta, GA — The Masquerade
3/5 — Orlando, FL — Conduit
3/7 — Baltimore, MD — Metro Gallery
3/8 — Brooklyn, NY — The Meadows

Tickets are available here. 

Jaye Jayle Share New Track "Fear Is Here"

Kentucky-based, gothic blues ensemble Jaye Jayle have shared "Fear Is Here," the third single taken from their fifth full-length album, After Alter, set for release on the January 31 through Berlin's Pelagic Records.

Listen to "Fear Is Here" Below.

Originally formed as an unfiltered outlet for the sounds inside the head of band leader Evan Patterson, Jaye Jayle have always been an unpredictable entity. In the beginning, the songs were short and lighthearted, written on acoustic guitar with no plans to release them or even perform them publicly but, within a year, the private solo project had evolved into a full band and a full-length album: 2016's haunting post-punk, kraut-blues debut House Cricks and Other Excuses To Get Out. Time is indeed a fickle thing, as Jaye Jayle's forthcoming fifth album will attest.

With a truncated blues piano hook slowly contorted into something strange and hideous, latest single "Fear is Here" sees Jaye Jayle facing up to how day-to-day existence can turn to nightmare in the blink of an eye. As lighthearted as it is alarming, "Fear Is Here" is a shining example of bandleader Evan Patterson’s apocalyptic impression of our present. 

An astounding collection of musical memories and emotional fragments, ‘After Alter’ is a body of work drawn together from previous recording sessions and previous lives in order to chart a driving, cathartic course into territories unknown. The latest record serves as both a document of the band’s history and as a new beginning. By creatively exorcising these poignant moments, Jaye Jayle are opening themselves up to new inspirations and there is already much more to come.

After Alter will be released on January 31.

you, infinite (Feat. Members Of This Will Destroy You) Announce Debut Album + Single "Throughlines"

You, infinite, the new project from This Will Destroy You founding members, have announced the release of their self-titled debut full-length on February 28, 2025 through Berlin's Pelagic Records.

you, infinite reunites Jeremy Galindo and Raymond Brown, founders of acclaimed instrumental outfit This Will Destroy You, in a new collaborative project. After departing TWDY to pursue a career in medicine, Brown continued to write music while establishing a successful practice in Austin, Texas. During the pandemic, he accumulated a collection of melodies and ideas which he shared with Galindo, sparking a renewed creative partnership. Separated by distance, with Galindo in Los Angeles and Brown in Austin, the duo began to exchange ideas digitally in order to shape the foundations of you, infinite's electronic-edged, panoramic post-rock sound.

Between 2021 and 2024, the two came together in person to refine the pieces and ultimately to finalize the album. Working with Andrew Hernandez, who recorded and mixed the album in the summer of 2024, Brown and Galindo were joined by Johnnie McBryde, Ethan Billips, and Nicholas Huft, all current members of Galindo's TWDY lineup, in order to truly bring the album to life.

As the lead single, "Throughlines" is the first you, infinite music shared with the world and it’s a delicate yet decisive declaration. A tender balance of piano warmth, shimmering guitars and rousing, anthemic percussion; "Throughlines" nurtures an intimate nostalgia for lives since lived whilst also conjuring wordless courage for whatever lies ahead.

"Throughlines" is out now. Listen below.

A modern successor to TWDY's own seminal S/T release, you, infinite is a reflection on over 15 years of growth and experience, both as bandmates together and as friends apart. A reimagined and reinvigorated approach to the sound they once pioneered, as you, infinite Galindo and Brown are charting a new course across a familiar yet altogether different landscape; honouring their past whilst boldly forging ahead into places unknown.

you, infinite is due to be released on the February 28. Pre-order it here.

Jaye Jayle Share New Track "Bloody Me"

Kentucky-based gothic blues ensemble Jaye Jayle have shared "Bloody Me," the second single taken from their fifth full-length album, After Alter,  set for release on the January 31 through Berlin's Pelagic Records.

Listen to "Bloody Me" below:

Originally formed as an unfiltered outlet for the sounds inside the head of band leader Evan Patterson, Jaye Jayle have always been an unpredictable entity. In the beginning, the songs were short and lighthearted, written on acoustic guitar with no plans to release them or even perform them publicly but, within a year, the private solo project had evolved into a full band and a full-length album: 2016's haunting post-punk, kraut-blues debut House Cricks and Other Excuses To Get Out. Time is indeed a fickle thing, as Jaye Jayle's forthcoming fifth album will attest.

An astounding collection of musical memories and emotional fragments, After Alter is a body of work drawn together from previous recording sessions and previous lives in order to chart a driving, cathartic course into territories unknown. "Bloody Me," the latest track shared from the album is Jaye Jayle's janiform identity made manifest. 

Written even before the band's debut album, "Bloody Me" is a bolshy, bass-driven punk rock retaliation to dressing up for Halloween because Patterson is alwaysdressed for Halloween. However, the track appears twice on the record, with a tender solo acoustic retelling cut straight to wax at Third Man Records in Nashville, mere hours before Patterson saw Bob Dylan perform for the first time, bringing the album to an introspective close. Two sides of the same coin; this latest single ferocious and snarling, its symbiotic sister plaintive and bare, but both unapologetically Jaye Jayle.

As this duality of "Bloody Me" shows, After Alter serves as both a document of the band’s history and as a new beginning. By creatively exorcising these poignant moments, Jaye Jayle are opening themselves up to new inspirations and there is already much more to come.

Patterson says, "'Bloody Me' is a testament for those that chose to not live their lives in the stereotype of the capitalistic calendar. I don't need to be told when and how to celebrate the what I love with those that I love. I do my best to celebrate everyday."

After Alter will be released on January 31.

SOM Announce New Album "Let The Light In" + Share Video For New Single "Give Blood"

SOM have announced the release of their third full-length album, Let The Light In, on March 14 through Berlin-based, left-field label Pelagic Records.

With a unique sound dubbed "Doom Pop" by Metal Injection, SOM's dreamy shoegaze roots are on display across Let The Light In but there is heft at its core that is bracing and ferocious. If the band's debut album The Fall explored hitting rock bottom and sophomore release The Shape of Everything grappled with the ever-darkening world around us, Let The Light In sees SOM turn their sights inward, towards our most primal impulses: Seeking solace and reconciliation from the vibrancy within ourselves and the people we hold close. 

Adversity became the catalyst for change when, due to unforeseen circumstances, the band's founding drummer left midway through the album's writing and recording process. SOM took the remainder of 2023 to reshape and refocus, eventually re-recording most of the album in a new configuration that allowed them to paint in even broader sonic strokes. The result is a raw but richly melodic album unafraid to travel through the depths of human emotion, ultimately guiding us towards growth and enlightenment.

Serving as a reinvigorated statement of intent, lead single "Give Blood" unleashes a barrage of post-metal, high gain distortion and pummeling drums before opening up into a panoramic, cloudbusting chorus that sees duelling guitars and vocalist Will Benoit's tender-yet-commanding voice freely intertwined, spiralling ever upwards.

To accompany this brand new song, SOM have unveiled a music video with a particularly cinematic feel, directed by Alex Pace (Blood Incantation, Wayfarer, Abrams). The video features an anonymous couple in a series of intense, dreamlike shots crossed by swirls of light. But abruptly, a darker side appears, counterbalancing this idyll. A sumptuous video that seems to invite viewers to make their own interpretation of it.

Watch the video below:

"It's a sort of post-pandemic reflection on kindness and how we treat one another," says Benoit. "The idea came while I was laying on a table, actually giving blood. It occurred to me how kind someone would have to be to be doing this during a pandemic. I started to think about how many people were doing awful things at that time, spreading misinformation, and just generally being horrible people in society. I continue to want to do everything I can to not be that person, I want to be the kind of person who 'gives blood.'"

Since 2019, SOM have toured extensively across North America, Europe and the UK alongside acts including Katatonia, Solstafir, Slow Crush, and many more. This relentless live commitment across 21 countries, coupled with 2023's introspective restructuring, has profoundly altered their creative approach. 

As they began working on this new material, the members of SOM found themselves in a fresh headspace, armed with a newfound, hard-earned maturity. Let The Light In is SOM's testament to resilience and evolution. Born from challenge and change, the album pulses with confidence and catharsis, imploring the listener and the band themselves to traverse the darkness and find the light.

Let The Light In is released on the March 14.

"Give Blood" is out now

Jaye Jayle Announce New Album "After Alter" + Share Single "Father Fiction"

Kentucky-based gothic blues ensemble Jaye Jayle have announced the release of After Alter, their fifth full-length album, on January 31 through Berlin's Pelagic Records. Pre-order it here.

Originally formed as an unfiltered outlet for the sounds inside the head of band leader Evan Patterson, Jaye Jayle has always been an unpredictable entity. In the beginning, the songs were short and lighthearted, written on acoustic guitar with no plans to release them or even perform them publicly but, within a year, the private solo project had evolved into a full band and a full-length album: 2016's haunting post-punk, kraut-blues debut House Cricks and Other Excuses To Get Out. Time is indeed a fickle thing, as Jaye Jayle's forthcoming fifth album will attest.

An astounding collection of musical memories and emotional fragments, After Alter is a body of work drawn together from previous recording sessions and previous lives in order to chart a driving, cathartic course into territories unknown. The excitement of nascent creative relationships collides with the crushing demise of turbulent personal ones as pivotal moments and unfinished refrains from the band’s rollercoaster career as outsider artists are reworked and reframed as a powerful of what Jaye Jayle is and alway has been: the raw, undiluted outpouring of Patterson’s creative mind. A host of fleeting feelings dragged once again to the surface; at once volatile, gut wrenching and serene, expect the unexpected.

Lead single and After Alter's opening track "Father Fiction," for example, dives headlong into the fables and factious ideologies of organised religion with hardened gazes and wry smiles as rolling drums and repetitive discordant guitar refrains spiral ever down into the labyrinth of meaning and misinterpretation before the album careens off to different places, times and people from Jaye Jayle’s past.

As much as After Alter serves as a document of the band’s history, the album also represents a new beginning. By creatively exorcising these poignant moments, Jay Jayle have opened themselves up to new inspirations and there is already so much more to come.

After Alter will be released on January 31, 2025.

Klone Share New Track "Magnetic"

French art rock band Klone have shared "Magnetic," the latest single from their forthcoming full-length album, The Unseen, set for release on November 8 through Berlin's Pelagic Records. Pre-order it here.

A bold new journey through a singular yet contrasting soundscape, The Unseen is an immersive, dreamlike experience that pushes Klone's already sumptuous sound to new, magisterial heights and speaks to the significance of things that at first glance seem to lack it.

"Magnetic" is out now. Listen below.

Emotive and conceptual, Klone have once again broken new sonic ground and built further on their signature expansive sound. Since the release of Le Grand Voyagein 2019, Klone have risen to new heights across the globe, touring in Europe, USA, Australia, and Mexico alongside the likes of Devin Townsend, Leprous, Riverside, Pain of Salvation, Gojira, and blowing away festival crowds at Hellfest 2024, Prog Power USA, Midsummer Prog, and Cruise to the Edge. Coming off the back of their phenomenal album Meanwhile, which was released in 2023, The Unseen is a masterpiece of both performance and production that sees Klone wearing their years of experience proudly on their sleeves.

With every member and every instrument pushed to its expressive limit, The Unseen has a might and intensity to it that, whilst sometimes abrasive, simultaneously feels natural, coherent and unified as the band move from motif and melody as one; guided as ever by the unmistakable voice and vision of Yann Ligner.

"Magnetic," the third single taken from The Unseen, is a defiant and direct ode to love. The track's comparatively simple, yet undeniably effective structure sees the five-piece blend pounding drums and acoustic guitar warmth with soaring euphoric melodies and Ligner's powerful lyrics to reach a fist-pumping, pulse-racing crescendo.

With such an inimitable 25 years of music already behind them, it seems apt that The Unseen is also Klone's tenth full-length release. The album serves as a milestone that uses reflections on the past as a means of appreciating the beauty of the present, with the band employing their shared decades of creativity and collaboration to offer enlightening new perspectives on the here and now.

About "Magnetic," Yann Ligner says, "This track’s strength lies in its simplicity. Its simple structure gets straight to the point and offers a breath of fresh air. It is an honest, joyous and rebellious ode to love."

The Unseen will be released on November 8.

Klone Share Title Track From Forthcoming Record "The Unseen"

French art-rock band Klone have released the title track from their forthcoming full-length album, The Unseen, set for release on November 8 through Berlin's Pelagic Records. Pre-order it here.

A bold new journey through a singular yet contrasting soundscape, The Unseen is an immersive, dreamlike experience that pushes Klone's already sumptuous sound to new, magisterial heights and speaks to the significance of things that at first glance seem to lack it.

"The Unseen" (title track) is out now. Listen below

Emotive and conceptual, Klone have once again broken new sonic ground and built further on their signature expansive sound. Since the release of Le Grand Voyage in 2019, Klone have risen to new heights across the globe, touring in Europe, USA, Australia, and Mexico alongside the likes of Devin Townsend, Leprous, Riverside, Pain of Salvation, Gojira, and blowing away festival crowds at Hellfest 2024, Prog Power USA, Midsummer Prog, and Cruise to the Edge. Coming off the back of their phenomenal 2023 album Meanwhile, The Unseen is a masterpiece of both performance and production that sees Klone wearing their years of experience proudly on their sleeves.

With every member and every instrument pushed to its expressive limit, The Unseen has a might and intensity to it that, whilst sometimes abrasive, simultaneously feels natural, coherent and unified as the band move from motif and melody as one; guided as ever by the unmistakable voice and vision of Yann Ligner.

The album's title track sees Klone deftly balance musical melancholy with uplifting optimism as the five-piece build a lilting, 6/8 groove before dialing up the distortion to euphoric heights whilst Ligner’s words resound with a newly uncovered outpouring of lyrical vulnerability that celebrates the bittersweet beauty of the moment.

With such an inimitable 25 years of music already behind them, it seems apt that The Unseen is also Klone's tenth full-length release. The album serves as a milestone that uses reflections on the past as a means of appreciating the beauty of the present, with the band employing their shared decades of creativity and collaboration to offer enlightening new perspectives on the here and now.

Linger says, "'The Unseen' is a contemplative piece which takes time to fully open up. Musically, we tried to strike a delicate balance between melancholy and optimism and lyrically I tried to reflect the fleeting beauty of a vulnerable nature and, as such, the importance of embracing the present moment; whatever it may bring."

Klone Announce New Album "The Unseen" + Share "Interlaced"

French art-rock band Klone have announced the release of their tenth full-length album, The Unseen, set for release on November 8 through Berlin's Pelagic Records. Pre-order it here.

A bold new journey through a singular yet contrasting soundscape, The Unseen is an immersive, dreamlike experience that pushes Klone’s already sumptuous sound to new, magisterial heights and speaks to the significance of things that at first glance seem to lack it.

Emotive and conceptual, Klone have once again broken new sonic ground and built further on their signature expansive sound. Since the release of Le Grand Voyagein 2019 , French art-rockers Klone have risen to new heights across the globe, touring in Europe, USA, Australia, and Mexico alongside the likes of Devin Townsend, Leprous, Riverside, Pain of Salvation, Gojira, and blowing away festival crowds at Hellfest 2024, Prog Power USA, Midsummer Prog, and Cruise to the Edge. Coming off the back of their phenomenal 2023 album Meanwhile, The Unseen is a masterpiece of both performance and production that sees Klone wearing their years of experience proudly on their sleeves.

With every member and every instrument pushed to its expressive limit, The Unseen has a might and intensity to it that, whilst sometimes abrasive, simultaneously feels natural, coherent and unified as the band move from motif and melody as one; guided as ever by the unmistakable voice and vision of Yann Ligner.

Lead single and album opener "Interlaced" is a breathtaking journey through rich, rhythmic depths; chiming intertwined guitars give way to a soaring, free-jazz inspired saxophone solo as lyrics exploring moments that allow us to rediscover our youth establish the introspective themes of the album as a whole.

With such an inimitable 25 years of music already behind them, it seems apt that The Unseen is also Klone's tenth full-length release. The album serves as a milestone that uses reflections on the past as a means of appreciating the beauty of the present, with the band employing their shared decades of creativity and collaboration to offer enlightening new perspectives on the here and now.

The Unseen is releasing on November 8.

"Interlaced" is out now. Listen below.

Linger says, "'Interlaced' opens the album, introducing several new facets of our sound and establishing tones and themes that continue throughout 'The Unseen.' The lyrics of 'Interlaced' describe those moments that take us back to our youth, those situations that, through play, allow us to rediscover our childlike soul."