The Iron Roses Return With "AGITPOP" EP Out 9/11 + Share "Class War Cheer Squad"

THE IRON ROSES, your favorite provocative punk rockers with a clear mission, are back with a new single that will get the blood coursing through your veins, your fist pumping in the air, and your brain thinking about how to be the change you want to see in the world! 

Today, the band, previously lauded by SPIN for being "more ambitious both musically and thematically than most artists choose" and by New Noise as "a great fucking listen," share the new single "Class War Cheer Squad."

Listen below.

The band, now fully independent, will release the 3-song AGITPOP EP on September 11. Pre-order/pre-save it here. [[ADD LINK]]

Each single from the EP will launch with an exclusive, limited-to-25-pieces t-shirt, while a portion of the profits from each of these shirts will be donated to a charitable organization 
 
The "Class War Cheer Squad" donations will be made to Border Kindness.

The Iron Roses are touring through the summer — headlining Europe and performing at festivals and supporting Bad Cop Bad Cop in North America. All dates are below.

"'Class War Cheer Squad' is easily the most lyrically direct song in our collection so far," explains Nat Gray. "To the point and going for the throat is the mantra here: '1,2,3,4, I declare a class war!' You don't get much more to the point than that, folks. We are all being failed by systems which demand our submission and praise while giving nothing in return, and where has it gotten us? The rich get richer, the poor get poorer, and the middle class is effectively eliminated. The ruling class whine and moan about the pittance going into social service programs, but never ask where the next several billion in bomb money will come from. We are tired of the lies, the manipulation, and the scapegoating of marginalized communities in order to fear-monger people into voting against their best interests."

Gray finishes, "As punk artists, humans, and musicians, we find it our duty to speak up when many can't (or won't), because isn't that what this platform was always meant for? Just 3-4 simple chords and an axe to grind with power, authority, and oppression. Enjoy!"

About the EP, the band offered the following update.

"We began writing new music in the Winter of 2024, high from an incredible year of growth as a band, and just before the political climate became, once again, dangerously oppressive and hateful," shares Becky Fontaine. "Initially, the songs flowed out as they usually do for us: Anthems of hope in a world that feels hopeless. Songs of joyful resistance. Energetic, uplifting, sociopolitically-driven pieces that served to remind us all that there is a piece of the human experience that cannot be commodified."

Fontaine continues, "But when mid-January 2025 rolled around, we, like so many within our community, were absolutely devastated at the reckless power that took the throne. Writing became our only reprieve from doom-scrolling, grief, and anxiety. There were literal days where Nat or myself couldn't get off the couch, and days when songs were so frantically bursting out of us, one of us might be in tears and the other might be three steps from panic as we fought to tell the stories that needed to be told in the voices that needed to be heard. It quickly became apparent that this new collection of songs was being very strongly informed by the landscape we were in."

Fontaine further pulls back the curtain, "Every single day another horrific order was being announced. Every single day an even more bold attack against human rights, opportunity, equity and autonomy. What shaped itself from our work over those several months were songs that had a bit more frustration and defiance weaved into them, while still holding on to that tangible joy and playfulness that is The Iron Roses Way. It felt really good to be able to take that dichotomy and propel it even further. We truly challenged each other this time around, pushing and pulling each other through the painful parts of songwriting, fine tuning how to bring out the best of what two passionate frontwomen and four of the most talented musicians have to offer."

In conclusion, Fontaine states, "As the world did little to heal itself, and with the worst of humanity becoming somehow even more overt, we decided there was no reason to wait to bring some of these songs to life. We had already recorded them in Pedro's studio, and really needed to release these three songs in this huge moment of history as a reminder that it is OK to be angry and scared and frustrated. You can still fight when you are scared. It feels powerful to take up our protest into our own hands, and we hope that these songs provide the cheerleading people need to get back up, even when bloody and bruised, and show the enemy you won't be erased so easily."

THE IRON ROSES ON TOUR:
EUROPEAN HEADLINE DATES + FESTIVALS:
7/25 — Bausendorf, DE — Riez Open Air
7/26 — Goldenstett, DE —  Afdreit Un Buten
7/27 — Essen, DE — Don't Panic
7/29 — Schweinfurt, DE — Stattbahnhof
7/30 — Erfurt, DE — VEB Kultur
7/31 — Hamburg, DE -Hafenklang
8/1 — Duffel, BE — Brakrock
8/2 — Hannover, DE — Fährmannsfest
8/3 — Cologne, DE — Helios37
8/5 — Tolmin, SI — Punk Rock Holiday
8/8 — Böbing, DE — Böbing Open Air
8/9 — Vilmar, DE — Tells Bells

SUPPORTING BAD COP BAD COP:
9/23 — Hamtramck, MI — Sanctuary Detroit
9/24 — Rochester, NY — Bug Jar
9/25 — Somerville, MA — Warehouse XI
9/26 — Brooklyn, NY — The Woodshop
9/27 — Baltimore, MD — Metro Baltimore
9/28 — Norfolk, VA — The Taphouse Grill
9/30 — Millersville, PA — Phantom Power
10/1 — Pittsburgh, PA — Bottlerocket Social Hall
10/2 — Lakewood, OH — Mahalls
10/3 — Milwaukee, WI — Cactus Club
10/4 — TBA
10/5 — Chicago, IL — Cobra Lounge

THE IRON ROSES ARE:
Nat Gray (She/They) — Vocals
Becky Fontaine (She/Her) — Vocals
Pedro Aida (He/Him) — Guitar + Backing Vocals
Colin Clive (He/Him) — Guitar
Michael Espinosa (He/Him) — Bass + Backing Vocals
Devon Hunt (He/Him) — Drums

Thrown Into Exile to Release "Passageways" EP on 11/15 + Band Shares "Desolation" Video

California quintet THROWN INTO EXILE — Evan Seidlitz, vocals; Mario Rubio, guitar; Austin Monzon, lead guitar; Javi Quinto, bass; and Tom Tierney, drums — are pleased to announce their new EP, Passageways. It arrives on November 15. Pre-save the five-track EP here

Today, the band has shared the video for first single "DESOLATION." Watch the video, which premiered over at Knotfest, below.

The song premiered on Chaos Hour, the show hosted by Trivium's Matthew K. Heafy, on SiriusXM's Liquid Metal earlier this week, as well.

It's a modern and thunderous anthem, packed with riffs and heavy artillery percussion that will have you banging your head so hard, you will burst blood vessels in the back of your beck.

 "'Desolation' is about the feeling you get inside when you unexpectedly lose someone close," says Seidlitz. "It's about feeling mentally desolate, empty, isolated, angry, and alone."

About the EP itself, Rubio comments, "The Passageways EP is heavy in more ways than musically. It deals with grief, loss, and the process that comes with it. At first, we wanted to do standalone singles, but these songs capture a certain state of mind as a band, so we decided to release it as a five-track EP."

Thrown Into Exile got their first break in 2012 when they won the "Road to Mayhem" competition, performing on the same bill as Slipknot, Motörhead, Anthrax, and Slayer. This led to an opening slot on the official Mayhem Festival Tour with Rob Zombie, Five Finger Death Punch, Mastodon, and more. Thrown Into Exile released their self-titled EP in 2013, and followed with two studio albums: Safe Inside in 2016 and II: Illusion of Control in 2020.

The band cites At the Gates, Machine Head, In Flames, Arch Enemy and Children Of Bodom as influences. They recently finished a full U.S. tour with Orbit Culture and have played festivals such as Ozzfest, Milwaukee Metal Fest, Metal Injection Fest, and Mexico Metal Fest.

ONErpm's William Michael Morgan Readies New EP 'Onto Something' for This Friday, 3/15

Six-Song EP Available This Friday, March 15 via ONErpm on all Platforms
Pre-Save HERE
 
Set to Perform at Ole Red Nashville Tomorrow, March 14

Country neo-traditionalist William Michael Morgan is bringing ’70s swagger back to Nashville with his brand new, six-song EP Onto Something, set for release Friday, March 15, on all platforms via ONErpm Nashville. Pre-save Onto Something HERE. Morgan will celebrate the release on the eve of its arrival with a one-hour pop-up set at Blake Shelton’s Ole Red in downtown Nashville, Thursday, March 14.
 
“I couldn’t be more excited to get this EP out,” says the hard-working Morgan, with his famous mustache grin. “Tracking with (multiple CMA, ACM and Grammy Award-winning producer) Keith Stegall was an incredible experience, and I can’t wait for everyone to hear what we put together.”
 
“William’s new music is a welcome addition to the increasingly popular neo-traditional movement that websites like Saving Country Music have credited him with starting,” notes Ryan Cunningham, A&R director of Country Music for ONErpm. “This EP will stand out amid the pop influences that currently define modern country.”

And there’s plenty to notice. The two pre-released tracks, the mid-tempo “In Walked You” with its breezy barroom vibe—In walked you on a Saturday night/Neon blue lightin’ up your eyes—countered by the wistfulness of the bittersweet “Not Letting Go”—We’ve gone too far to get back to where we were before—sets the tone for a free-flowing, six-song set with fiddle and steel guitar licks evocative of the lyrical stylings of decades past.
 
“Country music is alive and well,” states one of Nashville’s most celebrated men behind the scenes and multi-award-winning producer Keith Stegall. “It lives and breathes when William Michael Morgan picks up a guitar and tells us stories of love lost and honky-tonks found. Country music at its finest.”
 
Morgan’s current single, “Pour A Little Whiskey On It,” is like a salve for the EP’s more vulnerable moments. When he croons, If it’s gonna be a lonely night/Might as well put her memory on ice, you know what’s coming—a straight-up drinking song that seeks to right the wrongs with every cowboy (and cowgirl)’s favorite libation:
 
      If she’s really adios,
      I guess it’s easy come, easy go;
      I might as well honky tonk it,
      Maybe all night long it;
      Take this heartache to town,
      And pour a little whiskey on it

The EP’s release will be capped off by the premiere of Morgan’s music video for the track “Pour A Little Whiskey On It” coming later this month.

Morgan and Stegall round the album out with the title track, a gentle nod to the promise of a new relationship; the regret-tinged “She Don’t Like Old Country”; and a goodbye/destination song that, despite the lyrics, isn’t quite as sad as it could be—and maybe that’s the point.

Photo Credit: Sean McGee

About William Michael Morgan
30-year-old Mississippi native William Michael Morgan has built an enthusiastic fan base by touring the country and releasing music that remains true to his Vicksburg roots in a voice that “resonates with the flawless timbre of someone who has been singing country music for decades beyond his years,” according to Pandora. Morgan, who has already accumulated over 100 million on-demand streams, has been dubbed a modern-day traditionalist. He earned his first No. 1 single with “I Met a Girl,” described by Rolling Stone as a “laid-back ode to the joy of romantic discovery” that was named one of NPR Music’s Top 100 Songs in 2016 and paved the way for a Top 5 debut of Morgan’s first album, Vinyl, on the Billboard Country Albums chart.
 
About ONErpm 
ONErpm is a leading next-generation music company and record label operating globally in 43 locations powered by a staff of 600. At its core ONErpm offers label services to artists seeking to elevate their careers and operates one of the world’s largest music distribution platforms and YouTube Multi-Channel Networks. Offering a full suite of services that includes marketing support, supply chain tools, SAAS, business intelligence, publishing, accounting and global payment solutions, ONErpm provides the infrastructure needed to help creators and content owners succeed. As a trusted partner, ONErpm emphasizes transparency in everything it does, from executing a marketing campaign to making payments.