CRIPPLED BLACK PHOENIX Premier New Cover Album

In light of the band's 20th anniversary, Crippled Black Phoenix are continuing their tradition of haunting homages. Horrific Honorifics Number Two (2) includes dark new covers that range from a faithfully fierce rendition of Fugazi's "Blueprint" to NoMeansNo, Deep Purple and Laura Branigan's Top 10 hit "Self Control"

Horrific Honorifics Number Two (2) comes out this Friday, November 29 on Season of Mist, but you can hear all eight haunting covers today by listening to the full album stream on the Season of Mist YouTube channel. 

Listen Below.


Pre-order & Pre-save
 https://orcd.co/cbpwolf

https://orcd.co/cbphonorifics

In true CRIPPLED BLACK PHOENIX fashion, the Lucy Marshall-created Banefyre cover leaves plenty to the imagination, depicting four animals seated at a table — interacting and dressed like human beings. “It’s sort of like Planet of the Apes showing what animals could do to humans,” says Greaves. “The cover was specially commissioned and is unique to the album. It’s incorporating all the classic CRIPPLED BLACK PHOENIX elements with the love for animals and twisting the narrative around.”

 

CRIPPLED BLACK PHOENIX’s reputation was built on the back of their studio albums and live shows. The pandemic prevented the band from supporting Ellengæst, but it did provide them additional time to bring in new members to their live configuration.

 

“We’ve done one show since 2019,” says Greaves. “We are going to do something in Europe this year. Hopefully, we can get back on track. We’re also going to do something in the States — that’s not just talk, we’re actually going to do it. It’s well overdue. The live band is fucking amazing. We have the five of us and now we have Jordi [Farré] on drums, Paco [Fleischfresser] on synth and a really good friend of mine, Matt Crawford on bass.

 

“We did the Leipzig show and even though the rehearsals were better than the show itself, that lineup, our live band, is so good. Because we haven’t been under pressure to put a live band together since 2019 and spent so long talking to people, we’ve got a better band from those results. Out of disaster, we’ve got quite a good, positive thing.”

The Wolf Changes Its Fur But Not Its Nature & Horrific Honorifics Number Two(2) are a double album celebrating the 20 year existence of CRIPPLED BLACK PHOENIX.

Recorded in 2023 at:
Chapel Studios, Lincolnshire
Engineered by Pieter Rietkerk

Additional Vocal Sessions at:
Kapsylen Studio, Stockholm
Engineered by Jörgen Jugglo Wall.
House Of Foto, Louisville, KY
Engineered by Ryan Patterson

Additional Production Credits:
Mixed by Pieter Rietkerk
Mastered by Magnus Lindberg
Produced by Justin Greaves

Cover Art:
Erebus Art (Thanasis Stratidakis)


Pre-save & Pre-order 'The Wolf Changes Its Fur But Not Its Nature': https://orcd.co/cbpwolf

Pre-save & Pre-order 'Horrific Honorifics Number Two(2)': https://orcd.co/cbphonorifics

Follow Crippled Black Phoenix:
Official Website: https://www.crippledblackphoenix.net/
Bandcamp: https://crippledblackphoenixsom.bandcamp.com
Facebook: https://www.facebook.com/CBP444/
Instagram: https://www.instagram.com/cbp_444/
Twitter (X): https://x.com/cbp_official/
Spotify: https://open.spotify.com/artist/6WEyPcf9ezhNLm1xOBjbwH
Apple Music: https://music.apple.com/artist/crippled-black-phoenix/251718934
Deezer: https://www.deezer.com/artist/391823
TIDAL: https://tidal.com/browse/artist/3607159

CRIPPLED BLACK PHOENIX Cover Fugazi

Since banding together in 2004, Crippled Black Phoenix haven't played around when it comes to shedding light on our troubled existence. This year, Justin Greaves (ex Iron Monkey and Electric Wizard), long-time vocalist Belinda Kordic and their many collaborators are celebrating their 20th anniversary with a new two-part compilation.

While the first side of this compilation offers something slightly different than what long-time fans have come to expect,  the flip side continues the dark progressive rock band's tradition of haunting homages. Horrific Honorifics Number Two (2) includes all-new covers that range from NoMeansNo to Deep Purple, Built to Spill and Laura Branigan's Top 10 hit "Self Control".

Today, CBP are releasing a faithfully ferocious cover of "Blueprint", which Fugazi included on their widely canonized breakout album Repeater back in 1990.         

Hear Crippled Black Phoenix cover "Blueprint" below.

Horrific Honorifics Number Two (2) and The Wolf Changes Its Fur But Not Its Nature come out November 29 on Season of Mist.

Pre-order & Pre-save


https://orcd.co/cbpwolf

https://orcd.co/cbphonorifics

In true CRIPPLED BLACK PHOENIX fashion, the Lucy Marshall-created Banefyre cover leaves plenty to the imagination, depicting four animals seated at a table — interacting and dressed like human beings. “It’s sort of like Planet of the Apes showing what animals could do to humans,” says Greaves. “The cover was specially commissioned and is unique to the album. It’s incorporating all the classic CRIPPLED BLACK PHOENIX elements with the love for animals and twisting the narrative around.”

 

CRIPPLED BLACK PHOENIX’s reputation was built on the back of their studio albums and live shows. The pandemic prevented the band from supporting Ellengæst, but it did provide them additional time to bring in new members to their live configuration.

 

“We’ve done one show since 2019,” says Greaves. “We are going to do something in Europe this year. Hopefully, we can get back on track. We’re also going to do something in the States — that’s not just talk, we’re actually going to do it. It’s well overdue. The live band is fucking amazing. We have the five of us and now we have Jordi [Farré] on drums, Paco [Fleischfresser] on synth and a really good friend of mine, Matt Crawford on bass.

 

“We did the Leipzig show and even though the rehearsals were better than the show itself, that lineup, our live band, is so good. Because we haven’t been under pressure to put a live band together since 2019 and spent so long talking to people, we’ve got a better band from those results. Out of disaster, we’ve got quite a good, positive thing.”

The Wolf Changes Its Fur But Not Its Nature & Horrific Honorifics Number Two(2) are a double album celebrating the 20 year existence of CRIPPLED BLACK PHOENIX.

Cover Art:
Erebus Art (Thanasis Stratidakis)


Pre-save & Pre-order 'The Wolf Changes Its Fur But Not Its Nature': https://orcd.co/cbpwolf

Pre-save & Pre-order 'Horrific Honorifics Number Two(2)': https://orcd.co/cbphonorifics

Follow Crippled Black Phoenix:
Official Website: https://www.crippledblackphoenix.net/
Bandcamp: https://crippledblackphoenixsom.bandcamp.com
Facebook: https://www.facebook.com/CBP444/
Instagram: https://www.instagram.com/cbp_444/
Twitter (X): https://x.com/cbp_official/
Spotify: https://open.spotify.com/artist/6WEyPcf9ezhNLm1xOBjbwH
Apple Music: https://music.apple.com/artist/crippled-black-phoenix/251718934
Deezer: https://www.deezer.com/artist/391823
TIDAL: https://tidal.com/browse/artist/3607159

Available Formats:
Digital Download
CD Digipak
3x12" Tri-Gatefold - Black
3x12" Coloured Vinyl Tri-Gatefold - Transparent Red

3x12" Coloured Vinyl Tri-Gatefold - Yellow, Black & Red Marbled
3x12" Coloured Vinyl Tri-Gatefold - Black & Silver Marbled

Crippled Black Phoenix Rewrite Grim Tale of "444"

Since emerging from the great smog of the United Kingdom, Crippled Black Phoenix have burned like a signal flare against the night, warning weary travelers of the troubles ahead. This year, Justin Greaves (ex Iron Monkey and Electric Wizard), long-time vocalist Belinda Kordic and their many collaborators are celebrating 20 years of end-time ballads with a new, two-part compilation. 

Horrific Honorifics Number Two (2) continues the UK band's tradition of haunting homages with covers that range from Fugazi to NoMeansNo, Deep Purple, Built to Spill and Laura Branigan's Top 10 hit "Self Control". The Wolf Changes Its Fur But Not Its Nature reworks their early signature songs, including the darker, gloomier "Goodnight, Europe (Pt2)".

Today, CBP are releasing a revamped version of "444". Originally released on 2009 standout The Resurrectionists, this dirge quickly became a fan favorite and staple in the band's set list. While faithful to how the song is performed live, this recording includes new lyrics that once again reflect the perils of our times.  

Listen to the new version of "444".

https://youtu.be/Y71jgGtfbq0

The Wolf Changes Its Fur But Not Its Nature and Horrific Honorifics Number Two (2) come out November 29 on Season of Mist.

Pre-order & Pre-save


https://orcd.co/cbpwolf

https://orcd.co/cbphonorifics

CRIPPLED BLACK PHOENIX’s reputation was built on the back of their studio albums and live shows. The pandemic prevented the band from supporting Ellengæst, but it did provide them additional time to bring in new members to their live configuration.

 

“We’ve done one show since 2019,” says Greaves. “We are going to do something in Europe this year. Hopefully, we can get back on track. We’re also going to do something in the States — that’s not just talk, we’re actually going to do it. It’s well overdue. The live band is fucking amazing. We have the five of us and now we have Jordi [Farré] on drums, Paco [Fleischfresser] on synth and a really good friend of mine, Matt Crawford on bass.

 

“We did the Leipzig show and even though the rehearsals were better than the show itself, that lineup, our live band, is so good. Because we haven’t been under pressure to put a live band together since 2019 and spent so long talking to people, we’ve got a better band from those results. Out of disaster, we’ve got quite a good, positive thing.”

The Wolf Changes Its Fur But Not Its Nature & Horrific Honorifics Number Two(2) are a double album celebrating the 20 year existence of CRIPPLED BLACK PHOENIX.


Original Credits:
All tracks on Horrific Honorifics Number Two(2) are covers of various artists.

Vengeance
Originally recorded by New Model Army, Written by: Sullivan/Morrow

Self Control
Originally recorded by Laura Branigan, Written by: Giancarlo Bigazzi, Raffaele Riefoli, Steve Piccolo

Blueprint
Originally recorded by Fugazi, Written by: Canty, Lilly, MacKaye, Picciotto

And That’s Sad
Originally recorded by NoMeansNo, Written by: NoMeansNo

Hammer Song
Originally recorded by Sensational Alex Harvey Band, Written by Alex Harvey

When A Blind Man Cries
Originally recorded by Deep Purple, Written by: Gillan, Glover, Blackmore, Lord, Paice

My Pal
Originally recorded by God, Written by: God, Joel Silbersher)

Goin’ Against Your Mind
Originally recorded by Built To Spill, Written by: Doug Martsch, Jim Roth, Brett Nelson, Scott Plouf

Lineup:

Vengeance
Ryan Patterson - Vocals
Justin Greaves - Drums, Guitars, Backing Vocals
Belinda Kordic - Backing Vocals
Wesley J. Wasly - Bass

Self Control
Belinda Kordic - Vocals
Justin Greaves - Drums, Guitars
Andy Taylor - Baritone Guitar
Helen Stanley - Synth
Wesley J. Wasley - Bass

Blueprint
Ryan Patterson - Vocals
Justin Greaves - Drums, Guitars
Helen Stanley - Piano
Wesley J. Wasley - Bass

And That's Sad
Justin Greaves - Drums, Guitars, Vocals
Wesley Wasley - Bass, Vocals

Hammer Song
Belinda Kordic - Vocals
Justin Greaves - Drums, Guitars
Andy Taylor - Guitar, Acoustic guitar
Helen Stanley - Synth, Hammond
Wesley J. Wasley - Bass

When A Blind Man Cries
Belinda Kordic - Vocals
Justin Greaves, Drums, Guitars
Andy Taylor - Guitars
Helen Stanley - Piano
Kostas Panagiotou - Hammond
Wesley J. Wasley - Bass

My Pal
Belinda Kordic - Vocals
Justin Greaves - Drums, Guitars, Backing Vocals
Wesley J. Wasley - Bass

Goin' Against Your Mind
Justin Storms - Vocals
Justin Greaves - Drums, Guitars
Andy Taylor - Guitar
Wesley J. Wasley - Bass

Recorded in 2023 at:
Chapel Studios, Lincolnshire
Engineered by Pieter Rietkerk

Additional Vocal Sessions at:
Kapsylen Studio, Stockholm
Engineered by Jörgen Jugglo Wall.
House Of Foto, Louisville, KY
Engineered by Ryan Patterson

Additional Production Credits:
Mixed by Pieter Rietkerk
Mastered by Magnus Lindberg
Produced by Justin Greaves

Cover Art:
Erebus Art (Thanasis Stratidakis)

Pre-save & Pre-order 'The Wolf Changes Its Fur But Not Its Nature': https://orcd.co/cbpwolf

Pre-save & Pre-order 'Horrific Honorifics Number Two(2)': https://orcd.co/cbphonorifics

Follow Crippled Black Phoenix:
Official Website: https://www.crippledblackphoenix.net/
Bandcamp: https://crippledblackphoenixsom.bandcamp.com
Facebook: https://www.facebook.com/CBP444/
Instagram: https://www.instagram.com/cbp_444/
Twitter (X): https://x.com/cbp_official/
Spotify: https://open.spotify.com/artist/6WEyPcf9ezhNLm1xOBjbwH
Apple Music: https://music.apple.com/artist/crippled-black-phoenix/251718934
Deezer: https://www.deezer.com/artist/391823
TIDAL: https://tidal.com/browse/artist/3607159

CRIPPLED BLACK PHOENIX Release Haunting Cover of "Self Control"

" A voice for the voiceless with their distinct and unique sound" - Echoes and Dust

"Pity the fool who tries to tell Crippled Black Phoenix that the album is dead" - Drowned in Sound

"One of the best post-rock bands I've discovered upon my travels" -
Toilet Ov Hell

Profoundly heavy and truly mesmerizing" -
Metal Hammer

Since banding together in 2004, Crippled Black Phoenix have stood as a voice for big city dreamers and creatures of the forest. This year, Justin Greaves (ex Iron Monkey and Electric Wizard), long-time vocalist Belinda Kordic and their many collaborators are celebrating 20 years of shedding light on our troubled existence by releasing a new, two-part compilation. 

The Wolf Changes Its Fut But Not Its Nature collects reworked versions of the UK band's early signature songs, including the darker, gloomier "Goodnight, Europe (Pt2)". Horrific Honorifics Number Two (2)continues their tradition of haunting homages with covers that range from Fugazi to NoMeansNo, Deep Purple and Built to Spill.

Today, CBP are releasing their haunting cover of Laura Branigan's "Self Control", which peaked at #4 on the Billboard Hot 100 back in 1984.   

Hear Crippled Black Phoenix cover "Self Control" below.

The Wolf Changes Its Fur But Not Its Nature and Horrific Honorifics Number Two (2) come out November 29 on Season of Mist.

Pre-order & Pre-save


https://orcd.co/cbpwolf

https://orcd.co/cbphonorifics

With their version of "Self Control", Crippled Black Phoenix extract the same eerie sense of longing that Laura Branigan hit on with her 1984 recording. Belinda Kordic's ever-captivating croon gives voice to a shared darkness, breathing new life into a song that still resonates with the tortured souls of our modern age.

In true CRIPPLED BLACK PHOENIX fashion, the Lucy Marshall-created Banefyre cover leaves plenty to the imagination, depicting four animals seated at a table — interacting and dressed like human beings. “It’s sort of like Planet of the Apes showing what animals could do to humans,” says Greaves. “The cover was specially commissioned and is unique to the album. It’s incorporating all the classic CRIPPLED BLACK PHOENIX elements with the love for animals and twisting the narrative around.”

 

CRIPPLED BLACK PHOENIX’s reputation was built on the back of their studio albums and live shows. The pandemic prevented the band from supporting Ellengæst, but it did provide them additional time to bring in new members to their live configuration.

 

“We’ve done one show since 2019,” says Greaves. “We are going to do something in Europe this year. Hopefully, we can get back on track. We’re also going to do something in the States — that’s not just talk, we’re actually going to do it. It’s well overdue. The live band is fucking amazing. We have the five of us and now we have Jordi [Farré] on drums, Paco [Fleischfresser] on synth and a really good friend of mine, Matt Crawford on bass.

 

“We did the Leipzig show and even though the rehearsals were better than the show itself, that lineup, our live band, is so good. Because we haven’t been under pressure to put a live band together since 2019 and spent so long talking to people, we’ve got a better band from those results. Out of disaster, we’ve got quite a good, positive thing.”

The Wolf Changes Its Fur But Not Its Nature & Horrific Honorifics Number Two(2) are a double album celebrating the 20 year existence of CRIPPLED BLACK PHOENIX.

Original Credits:
All tracks on Horrific Honorifics Number Two(2) are covers of various artists.

Vengeance
Originally recorded by New Model Army, Written by: Sullivan/Morrow

Self Control
Originally recorded by Laura Branigan, Written by: Giancarlo Bigazzi, Raffaele Riefoli, Steve Piccolo

Blueprint
Originally recorded by Fugazi, Written by: Canty, Lilly, MacKaye, Picciotto

And That’s Sad
Originally recorded by NoMeansNo, Written by: NoMeansNo

Hammer Song
Originally recorded by Sensational Alex Harvey Band, Written by Alex Harvey

When A Blind Man Cries
Originally recorded by Deep Purple, Written by: Gillan, Glover, Blackmore, Lord, Paice

My Pal
Originally recorded by God, Written by: God, Joel Silbersher)

Goin’ Against Your Mind
Originally recorded by Built To Spill, Written by: Doug Martsch, Jim Roth, Brett Nelson, Scott Plouf

Lineup:

Vengeance
Ryan Patterson - Vocals
Justin Greaves - Drums, Guitars, Backing Vocals
Belinda Kordic - Backing Vocals
Wesley J. Wasly - Bass

Self Control
Belinda Kordic - Vocals
Justin Greaves - Drums, Guitars
Andy Taylor - Baritone Guitar
Helen Stanley - Synth
Wesley J. Wasley - Bass

Blueprint
Ryan Patterson - Vocals
Justin Greaves - Drums, Guitars
Helen Stanley - Piano
Wesley J. Wasley - Bass

And That's Sad
Justin Greaves - Drums, Guitars, Vocals
Wesley Wasley - Bass, Vocals

Hammer Song
Belinda Kordic - Vocals
Justin Greaves - Drums, Guitars
Andy Taylor - Guitar, Acoustic guitar
Helen Stanley - Synth, Hammond
Wesley J. Wasley - Bass

When A Blind Man Cries
Belinda Kordic - Vocals
Justin Greaves, Drums, Guitars
Andy Taylor - Guitars
Helen Stanley - Piano
Kostas Panagiotou - Hammond
Wesley J. Wasley - Bass

My Pal
Belinda Kordic - Vocals
Justin Greaves - Drums, Guitars, Backing Vocals
Wesley J. Wasley - Bass

Goin' Against Your Mind
Justin Storms - Vocals
Justin Greaves - Drums, Guitars
Andy Taylor - Guitar
Wesley J. Wasley - Bass

Recorded in 2023 at:
Chapel Studios, Lincolnshire
Engineered by Pieter Rietkerk

Additional Vocal Sessions at:
Kapsylen Studio, Stockholm
Engineered by Jörgen Jugglo Wall.
House Of Foto, Louisville, KY
Engineered by Ryan Patterson

Additional Production Credits:
Mixed by Pieter Rietkerk
Mastered by Magnus Lindberg
Produced by Justin Greaves

Cover Art:
Erebus Art (Thanasis Stratidakis)

Pre-save & Pre-order 'The Wolf Changes Its Fur But Not Its Nature': https://orcd.co/cbpwolf

Pre-save & Pre-order 'Horrific Honorifics Number Two(2)': https://orcd.co/cbphonorifics

Follow Crippled Black Phoenix:
Official Website: https://www.crippledblackphoenix.net/
Bandcamp: https://crippledblackphoenixsom.bandcamp.com
Facebook: https://www.facebook.com/CBP444/
Instagram: https://www.instagram.com/cbp_444/
Twitter (X): https://x.com/cbp_official/
Spotify: https://open.spotify.com/artist/6WEyPcf9ezhNLm1xOBjbwH
Apple Music: https://music.apple.com/artist/crippled-black-phoenix/251718934
Deezer: https://www.deezer.com/artist/391823
TIDAL: https://tidal.com/browse/artist/3607159

CRIPPLED BLACK PHOENIX Premieres Haunting New Music Video, "Bonefire"

The veil is thin and progressive rock collective CRIPPLED BLACK PHOENIXhave a treat for you today! The band is now sharing the haunting new music video for the song "Bonefire," which is taken from the band's brand new album, 'Banefyre,' out now! The video, which was directed by Guilherme Henriques, can be found below.

The band comments, "We gift to you a musical curse on the miserable ruling class politicians! Again, working with Guilherme was a total pleasure and a complete win. He got the vibe and the intensity spot on. Plus, he raised the bar a whole lot with production value, so what we have is basically a little cult horror film, telling the story of Bonefire. The ruling class getting some just karma in the flames."

'Banefyre' is out NOW and can be streamed, ordered, and downloaded HERE.

The thread that binds CRIPPLED BLACK PHOENIX’s bold and towering discography — a dozen studio albums, a half-dozen mini-albums, a handful of compilations and swaths of bootlegs — could not be more apropos circa 2022. Since its 2004 creation by multi-instrumentalist and songwriter Justin Greaves, CRIPPLED BLACK PHOENIX has served as the voice for the voiceless, whether it be animals, the unequal and the different. Greaves and longstanding vocalist and lyricist Belinda Kordic have often proffered that these beings cannot fend for themselves. Henceforth, CRIPPLED BLACK PHOENIX’s mission has been to shed light on the human condition and the inequalities that befall humankind and its creatures. Their battle marches on with their latest studio album, Banefyre.

Banefyre follows 2020’s Ellengæst — an effort that found CRIPPLED BLACK PHOENIX employ a series of notable guest vocalists alongside Kordic, prompting Metal Hammer to describe it as their “most cohesive and emotionally devastating record.” Kordic is now paired with Swedish vocalist Joel Segerstedt, who made his CRIPPLED BLACK PHOENIX debut last year via the “Painful Reminder/Dead is Dead” single. Piano, synth and trumpet player Helen Stanley and additional guitarist Andy Taylor complete the lineup. Greaves says Stanley and Taylor “fit so well creatively,” which has made CRIPPLED BLACK PHOENIX feel like a band when making plans and decisions.

Also central to this is Segerstedt. According to Kordic, the vocalist and lyricist lives a mere five minutes from her in Sweden and has quickly integrated himself into the band. “What I like about Joel is that he’s a good person,” she says. “There’s no fakeness with him; he has cajones. He’s not a bitch-talker, either. I can’t handle people who don’t have a backbone, but Joel is real and can speak his mind.”

“I like how Joel has come in and spoke for himself,” adds Greaves. “He’s in the band for the right reasons. I see him the same way as Belinda — she took an interest in the whole artistic thing behind CRIPPLED BLACK PHOENIX, like the vocals, lyrics, artwork and aesthetic. It’s the same with Joel. He has taken an interest in all of those things. In the past, we had people who didn’t contribute artistically and only cared about what they got out of the band. But Joel is really proactive and takes the initiative.”

Greaves assembled 13 songs (including “No Regrets,” a bonus track for his new project with Kordic, Johnny the Boy) imbued with the depth and introspection that will reinforce CRIPPLED BLACK PHOENIX’s standing as a band that defies genre. The album was tracked at Chapel Studios in South Thoresby, Lincolnshire, with vocals cut at Monolith Studio and Kapsylen Studio in Stockholm, Sweden. Kurt Ballou handled mixing in GodCity Studios in Salem, Massachusetts — a pivotal move in determining the album’s overall sound.

“I love the album so much because it was a different approach with the production,” says Greaves. “For my part, it was a little bit of a reaction. I didn’t want to do the same warm, safe CRIPPLED BLACK PHOENIX album. I’m aware that when we did [2012’s] I, Vigilante, everyone wanted I, Vigilante again. As it so often happens with this band, people complain about the next one, then grow into it. Ellengæst is like I, Vigilante. It’s a shorter album. It hit the mark and was done really well, but everyone will expect another Ellengæst. I feared that, but I care enough not to make another Ellengæst. It’s the right thing to do. That’s why we got Kurt to mix it — we wanted that analog, raw power. Even though the album has mellow moments, those are edgy as well. We just didn’t want to do the same album twice. We’re never going to be a band that people can rely on.”

Greaves’ summation of his band notwithstanding, his distinctive guitar playing and enduring knack for immersive songwriting is the propellent behind the haunting, chant-laden “Ghostland,” pensive “The Reckoning” and forlorn “Everything is Beautiful but Us,” the band’s spot-on analysis of the retreat of humankind indoors during the pandemic that revealed nature’s priceless beauty. The album is also stocked with no less than four ten-minute-plus cuts (“Rose of Jericho,” “Down the Rabbit Hole,” “I’m Okay, Just Not Alright” and “The Scene is a False Prophet”) that are intermixed with drama and melancholy.

It all ties into Banefyre’s central theme of the persecution of people who are deemed “different” by society. The album title is a play on the song “Bonefire” that Kordic named and wrote lyrics for. In classic CRIPPLED BLACK PHOENIX fashion, Greaves turned it into the Olde English translation to represent the bonfires that engulfed witches and politicians through the 15th and 18th centuries, hence, the name Banefyre.

The album begins with “Incantation for the Different,” which was written and orated by Chicago-based witch, artist, author and occultist Shane Bugbee, who, according to Greaves, “brought us some positive, dark energy.” Banefyre then delves into the Salem Witch Trials (“Wyches and Basterdz”), fox hunting in Great Britain (“The Reckoning”), politicians of an unscrupulous and dishonest kind (“Bonefire”) and the New York City Blackout of 1977 (“Blackout77”).

Greaves says Banefyre’s topics may have a decidedly negative and pessimistic tone, but a glimmer of hope and joy remains. “There’s always the random bits, but overall, Banefyre is about the people who have suffered because they are different. The album covers inequality and oppression, like ‘Incantation for the Different,’ which is about overcoming when you’re put down because you’re not like everyone else.”

In true CRIPPLED BLACK PHOENIX fashion, the Lucy Marshall-created Banefyre cover leaves plenty to the imagination, depicting four animals seated at a table — interacting and dressed like human beings. “It’s sort of like Planet of the Apes showing what animals could do to humans,” says Greaves. “The cover was specially commissioned and is unique to the album. It’s incorporating all the classic CRIPPLED BLACK PHOENIX elements with the love for animals and twisting the narrative around.”

CRIPPLED BLACK PHOENIX’s reputation was built on the back of their studio albums and live shows. The pandemic prevented the band from supporting Ellengæst, but it did provide them additional time to bring in new members to their live configuration.

“We’ve done one show since 2019,” says Greaves. “We are going to do something in Europe this year. Hopefully, we can get back on track. We’re also going to do something in the States — that’s not just talk, we’re actually going to do it. It’s well overdue. The live band is fucking amazing. We have the five of us and now we have Jordi [Farré] on drums, Paco [Fleischfresser] on synth and a really good friend of mine, Matt Crawford on bass.

“We did the Leipzig show and even though the rehearsals were better than the show itself, that lineup, our live band, is so good. Because we haven’t been under pressure to put a live band together since 2019 and spent so long talking to people, we’ve got a better band from those results. Out of disaster, we’ve got quite a good, positive thing.”

Line-up
Justin Greaves : Guitars, Drums, Bass, Samples, Saw
Belinda Kordic : Vocals, Percussions
Helen Stanley : Grand Piano, Synthesisers, Monochord, Trumpet
Andy Taylor : Guitar, Baritone Guitar, 12 String Guitar
Joel Segerstedt: Vocals, Guitar

www.facebook.com/CBP444
www.instagram.com/cbp_444
www.crippledblackphoenix.net
https://evilgreed.net/collections/crippled-black-phoenix
https://crippledblackphoenixsom.bandcamp.com
https://riseupandfight.bandcamp.com

Recording:
Recorded at Chapel Studio, Lincolnshire, November 2020 & April 2021.
Engineered by Pieter Rietkerk
Additional vocal sessions recorded at:
Kapsylen Studio, Stockholm - Engineered by Jörgen Jugglo Wall.
Monolith Studio - Engineered by Tomas Asklund
Churchstreet Studio, Bergen - Engineered by Rene Misje
Mixed live by Kurt Ballou at God City Studio
Mastered by Magnus Lindberg
Produced by Justin Greaves

Artwork: Original paintings created for this album by Lucy Marshall
Layout master: Benedikt Demmer

Pre-Save link: https://orcd.co/cbp-banefyre
Pre-sale link: https://redirect.season-of-mist.com/CBP-Banefyre

CRIPPLED BLACK PHOENIX Streams Entire New Album "Banefyre"

Progressive rock collective CRIPPLED BLACK PHOENIX will be releasing a brand new album, 'Banefyre,' THIS Friday, September 9 via Season of Mist! The band is now streaming the effort in its entirety ahead of its release! Listen below.

The band comments on the stream: "Finally after two years of weirdness, we get to unleash our own kind of weirdness on the world. There’s some very dark Magik going on here with 'Banefyre.' Things are going to start changing, in ways that people will never know. Strap in and treat this like a film. Start at the beginning and get lost in it until the end. Maximum volume yields maximum results."

Pre-orders for 'Banefyre' are now live HERE while the album can be pre-saved across digital streaming services HERE.

The thread that binds CRIPPLED BLACK PHOENIX’s bold and towering discography — a dozen studio albums, a half-dozen mini-albums, a handful of compilations and swaths of bootlegs — could not be more apropos circa 2022. Since its 2004 creation by multi-instrumentalist and songwriter Justin Greaves, CRIPPLED BLACK PHOENIX has served as the voice for the voiceless, whether it be animals, the unequal and the different. Greaves and longstanding vocalist and lyricist Belinda Kordic have often proffered that these beings cannot fend for themselves. Henceforth, CRIPPLED BLACK PHOENIX’s mission has been to shed light on the human condition and the inequalities that befall humankind and its creatures. Their battle marches on with their latest studio album, Banefyre.

Banefyre follows 2020’s Ellengæst — an effort that found CRIPPLED BLACK PHOENIX employ a series of notable guest vocalists alongside Kordic, prompting Metal Hammer to describe it as their “most cohesive and emotionally devastating record.” Kordic is now paired with Swedish vocalist Joel Segerstedt, who made his CRIPPLED BLACK PHOENIX debut last year via the “Painful Reminder/Dead is Dead” single. Piano, synth and trumpet player Helen Stanley and additional guitarist Andy Taylor complete the lineup. Greaves says Stanley and Taylor “fit so well creatively,” which has made CRIPPLED BLACK PHOENIX feel like a band when making plans and decisions.

Also central to this is Segerstedt. According to Kordic, the vocalist and lyricist lives a mere five minutes from her in Sweden and has quickly integrated himself into the band. “What I like about Joel is that he’s a good person,” she says. “There’s no fakeness with him; he has cajones. He’s not a bitch-talker, either. I can’t handle people who don’t have a backbone, but Joel is real and can speak his mind.”

“I like how Joel has come in and spoke for himself,” adds Greaves. “He’s in the band for the right reasons. I see him the same way as Belinda — she took an interest in the whole artistic thing behind CRIPPLED BLACK PHOENIX, like the vocals, lyrics, artwork and aesthetic. It’s the same with Joel. He has taken an interest in all of those things. In the past, we had people who didn’t contribute artistically and only cared about what they got out of the band. But Joel is really proactive and takes the initiative.”

Greaves assembled 13 songs (including “No Regrets,” a bonus track for his new project with Kordic, Johnny the Boy) imbued with the depth and introspection that will reinforce CRIPPLED BLACK PHOENIX’s standing as a band that defies genre. The album was tracked at Chapel Studios in South Thoresby, Lincolnshire, with vocals cut at Monolith Studio and Kapsylen Studio in Stockholm, Sweden. Kurt Ballou handled mixing in GodCity Studios in Salem, Massachusetts — a pivotal move in determining the album’s overall sound.

“I love the album so much because it was a different approach with the production,” says Greaves. “For my part, it was a little bit of a reaction. I didn’t want to do the same warm, safe CRIPPLED BLACK PHOENIX album. I’m aware that when we did [2012’s] I, Vigilante, everyone wanted I, Vigilante again. As it so often happens with this band, people complain about the next one, then grow into it. Ellengæst is like I, Vigilante. It’s a shorter album. It hit the mark and was done really well, but everyone will expect another Ellengæst. I feared that, but I care enough not to make another Ellengæst. It’s the right thing to do. That’s why we got Kurt to mix it — we wanted that analog, raw power. Even though the album has mellow moments, those are edgy as well. We just didn’t want to do the same album twice. We’re never going to be a band that people can rely on.”

Greaves’ summation of his band notwithstanding, his distinctive guitar playing and enduring knack for immersive songwriting is the propellent behind the haunting, chant-laden “Ghostland,” pensive “The Reckoning” and forlorn “Everything is Beautiful but Us,” the band’s spot-on analysis of the retreat of humankind indoors during the pandemic that revealed nature’s priceless beauty. The album is also stocked with no less than four ten-minute-plus cuts (“Rose of Jericho,” “Down the Rabbit Hole,” “I’m Okay, Just Not Alright” and “The Scene is a False Prophet”) that are intermixed with drama and melancholy.

It all ties into Banefyre’s central theme of the persecution of people who are deemed “different” by society. The album title is a play on the song “Bonefire” that Kordic named and wrote lyrics for. In classic CRIPPLED BLACK PHOENIX fashion, Greaves turned it into the Olde English translation to represent the bonfires that engulfed witches and politicians through the 15th and 18th centuries, hence, the name Banefyre.

The album begins with “Incantation for the Different,” which was written and orated by Chicago-based witch, artist, author and occultist Shane Bugbee, who, according to Greaves, “brought us some positive, dark energy.” Banefyre then delves into the Salem Witch Trials (“Wyches and Basterdz”), fox hunting in Great Britain (“The Reckoning”), politicians of an unscrupulous and dishonest kind (“Bonefire”) and the New York City Blackout of 1977 (“Blackout77”).

Greaves says Banefyre’s topics may have a decidedly negative and pessimistic tone, but a glimmer of hope and joy remains. “There’s always the random bits, but overall, Banefyre is about the people who have suffered because they are different. The album covers inequality and oppression, like ‘Incantation for the Different,’ which is about overcoming when you’re put down because you’re not like everyone else.”

In true CRIPPLED BLACK PHOENIX fashion, the Lucy Marshall-created Banefyre cover leaves plenty to the imagination, depicting four animals seated at a table — interacting and dressed like human beings. “It’s sort of like Planet of the Apes showing what animals could do to humans,” says Greaves. “The cover was specially commissioned and is unique to the album. It’s incorporating all the classic CRIPPLED BLACK PHOENIX elements with the love for animals and twisting the narrative around.”

CRIPPLED BLACK PHOENIX’s reputation was built on the back of their studio albums and live shows. The pandemic prevented the band from supporting Ellengæst, but it did provide them additional time to bring in new members to their live configuration.

“We’ve done one show since 2019,” says Greaves. “We are going to do something in Europe this year. Hopefully, we can get back on track. We’re also going to do something in the States — that’s not just talk, we’re actually going to do it. It’s well overdue. The live band is fucking amazing. We have the five of us and now we have Jordi [Farré] on drums, Paco [Fleischfresser] on synth and a really good friend of mine, Matt Crawford on bass.

“We did the Leipzig show and even though the rehearsals were better than the show itself, that lineup, our live band, is so good. Because we haven’t been under pressure to put a live band together since 2019 and spent so long talking to people, we’ve got a better band from those results. Out of disaster, we’ve got quite a good, positive thing.”

Line-up
Justin Greaves : Guitars, Drums, Bass, Samples, Saw
Belinda Kordic : Vocals, Percussions
Helen Stanley : Grand Piano, Synthesisers, Monochord, Trumpet
Andy Taylor : Guitar, Baritone Guitar, 12 String Guitar
Joel Segerstedt: Vocals, Guitar

www.facebook.com/CBP444
www.instagram.com/cbp_444
www.crippledblackphoenix.net
https://evilgreed.net/collections/crippled-black-phoenix
https://crippledblackphoenixsom.bandcamp.com
https://riseupandfight.bandcamp.com


Recording:
Recorded at Chapel Studio, Lincolnshire, November 2020 & April 2021.
Engineered by Pieter Rietkerk
Additional vocal sessions recorded at:
Kapsylen Studio, Stockholm - Engineered by Jörgen Jugglo Wall.
Monolith Studio - Engineered by Tomas Asklund
Churchstreet Studio, Bergen - Engineered by Rene Misje
Mixed live by Kurt Ballou at God City Studio
Mastered by Magnus Lindberg
Produced by Justin Greaves

Artwork: Original paintings created for this album by Lucy Marshall
Layout master: Benedikt Demmer

Pre-Save link: https://orcd.co/cbp-banefyre
Pre-sale link: https://redirect.season-of-mist.com/CBP-Banefyre

CRIPPLED BLACK PHOENIX Premieres New Song, "Bonefire"

Progressive rock collective CRIPPLED BLACK PHOENIX will be releasing a brand new album, 'Banefyre,' on September 9 via Season of Mist! The band is now sharing the third new single from the offering, "Bonefire," which can be heard below.


Singer/percussionist Belinda Kordic explains, "'Bonefire' is targeted at the politicians, who’re some of the wealthiest people around, and also the most un-empathetic sons of bitches towards the poorest and most vulnerable in our society. These people in government have the power to change things around, make a difference, but they choose not to. It’s an ideological choice they make. The bottom line is.. these people just don’t give a hoot about anything but themselves. They are not all bad. But there sure are some rotten eggs. Chuck em on a fire of bones and let them contemplate on their actions for a while. 

"Ps! No politicians were hurt during the making of this song."

Mastermind Justin Greaves adds, "This song makes so much sense to me. When Belinda told me what it’s about and sent me the lyrics, i saw how pissed off she is at the way things are with the ruling class. And so am I. And so are a lot of people. I mean, the song was written two years ago, and it was bad then, but now, especially here in the UK it has reached a new low when it comes to the massive class divide and the utter contempt the dumb government scumbags show to people. The people who are supposed to be taken care of. I personally think we should burn the whole damn political system down. Throw the politicians on the fire and cleanse the energy of the world."

Pre-orders for 'Banefyre' are now live HERE while the album can be pre-saved across digital streaming services HERE.

The thread that binds CRIPPLED BLACK PHOENIX’s bold and towering discography — a dozen studio albums, a half-dozen mini-albums, a handful of compilations and swaths of bootlegs — could not be more apropos circa 2022. Since its 2004 creation by multi-instrumentalist and songwriter Justin Greaves, CRIPPLED BLACK PHOENIX has served as the voice for the voiceless, whether it be animals, the unequal and the different. Greaves and longstanding vocalist and lyricist Belinda Kordic have often proffered that these beings cannot fend for themselves. Henceforth, CRIPPLED BLACK PHOENIX’s mission has been to shed light on the human condition and the inequalities that befall humankind and its creatures. Their battle marches on with their latest studio album, Banefyre.

Banefyre follows 2020’s Ellengæst — an effort that found CRIPPLED BLACK PHOENIX employ a series of notable guest vocalists alongside Kordic, prompting Metal Hammer to describe it as their “most cohesive and emotionally devastating record.” Kordic is now paired with Swedish vocalist Joel Segerstedt, who made his CRIPPLED BLACK PHOENIX debut last year via the “Painful Reminder/Dead is Dead” single. Piano, synth and trumpet player Helen Stanley and additional guitarist Andy Taylor complete the lineup. Greaves says Stanley and Taylor “fit so well creatively,” which has made CRIPPLED BLACK PHOENIX feel like a band when making plans and decisions.

Also central to this is Segerstedt. According to Kordic, the vocalist and lyricist lives a mere five minutes from her in Sweden and has quickly integrated himself into the band. “What I like about Joel is that he’s a good person,” she says. “There’s no fakeness with him; he has cajones. He’s not a bitch-talker, either. I can’t handle people who don’t have a backbone, but Joel is real and can speak his mind.”

“I like how Joel has come in and spoke for himself,” adds Greaves. “He’s in the band for the right reasons. I see him the same way as Belinda — she took an interest in the whole artistic thing behind CRIPPLED BLACK PHOENIX, like the vocals, lyrics, artwork and aesthetic. It’s the same with Joel. He has taken an interest in all of those things. In the past, we had people who didn’t contribute artistically and only cared about what they got out of the band. But Joel is really proactive and takes the initiative.”

Greaves assembled 13 songs (including “No Regrets,” a bonus track for his new project with Kordic, Johnny the Boy) imbued with the depth and introspection that will reinforce CRIPPLED BLACK PHOENIX’s standing as a band that defies genre. The album was tracked at Chapel Studios in South Thoresby, Lincolnshire, with vocals cut at Monolith Studio and Kapsylen Studio in Stockholm, Sweden. Kurt Ballou handled mixing in GodCity Studios in Salem, Massachusetts — a pivotal move in determining the album’s overall sound.

“I love the album so much because it was a different approach with the production,” says Greaves. “For my part, it was a little bit of a reaction. I didn’t want to do the same warm, safe CRIPPLED BLACK PHOENIX album. I’m aware that when we did [2012’s] I, Vigilante, everyone wanted I, Vigilante again. As it so often happens with this band, people complain about the next one, then grow into it. Ellengæst is like I, Vigilante. It’s a shorter album. It hit the mark and was done really well, but everyone will expect another Ellengæst. I feared that, but I care enough not to make another Ellengæst. It’s the right thing to do. That’s why we got Kurt to mix it — we wanted that analog, raw power. Even though the album has mellow moments, those are edgy as well. We just didn’t want to do the same album twice. We’re never going to be a band that people can rely on.”

Greaves’ summation of his band notwithstanding, his distinctive guitar playing and enduring knack for immersive songwriting is the propellent behind the haunting, chant-laden “Ghostland,” pensive “The Reckoning” and forlorn “Everything is Beautiful but Us,” the band’s spot-on analysis of the retreat of humankind indoors during the pandemic that revealed nature’s priceless beauty. The album is also stocked with no less than four ten-minute-plus cuts (“Rose of Jericho,” “Down the Rabbit Hole,” “I’m Okay, Just Not Alright” and “The Scene is a False Prophet”) that are intermixed with drama and melancholy.

It all ties into Banefyre’s central theme of the persecution of people who are deemed “different” by society. The album title is a play on the song “Bonefire” that Kordic named and wrote lyrics for. In classic CRIPPLED BLACK PHOENIX fashion, Greaves turned it into the Olde English translation to represent the bonfires that engulfed witches and politicians through the 15th and 18th centuries, hence, the name Banefyre.

The album begins with “Incantation for the Different,” which was written and orated by Chicago-based witch, artist, author and occultist Shane Bugbee, who, according to Greaves, “brought us some positive, dark energy.” Banefyre then delves into the Salem Witch Trials (“Wyches and Basterdz”), fox hunting in Great Britain (“The Reckoning”), politicians of an unscrupulous and dishonest kind (“Bonefire”) and the New York City Blackout of 1977 (“Blackout77”).

Greaves says Banefyre’s topics may have a decidedly negative and pessimistic tone, but a glimmer of hope and joy remains. “There’s always the random bits, but overall, Banefyre is about the people who have suffered because they are different. The album covers inequality and oppression, like ‘Incantation for the Different,’ which is about overcoming when you’re put down because you’re not like everyone else.”

In true CRIPPLED BLACK PHOENIX fashion, the Lucy Marshall-created Banefyre cover leaves plenty to the imagination, depicting four animals seated at a table — interacting and dressed like human beings. “It’s sort of like Planet of the Apes showing what animals could do to humans,” says Greaves. “The cover was specially commissioned and is unique to the album. It’s incorporating all the classic CRIPPLED BLACK PHOENIX elements with the love for animals and twisting the narrative around.”

CRIPPLED BLACK PHOENIX’s reputation was built on the back of their studio albums and live shows. The pandemic prevented the band from supporting Ellengæst, but it did provide them additional time to bring in new members to their live configuration.

“We’ve done one show since 2019,” says Greaves. “We are going to do something in Europe this year. Hopefully, we can get back on track. We’re also going to do something in the States — that’s not just talk, we’re actually going to do it. It’s well overdue. The live band is fucking amazing. We have the five of us and now we have Jordi [Farré] on drums, Paco [Fleischfresser] on synth and a really good friend of mine, Matt Crawford on bass.

“We did the Leipzig show and even though the rehearsals were better than the show itself, that lineup, our live band, is so good. Because we haven’t been under pressure to put a live band together since 2019 and spent so long talking to people, we’ve got a better band from those results. Out of disaster, we’ve got quite a good, positive thing.”

Line-up
Justin Greaves : Guitars, Drums, Bass, Samples, Saw
Belinda Kordic : Vocals, Percussions
Helen Stanley : Grand Piano, Synthesisers, Monochord, Trumpet
Andy Taylor : Guitar, Baritone Guitar, 12 String Guitar
Joel Segerstedt: Vocals, Guitar

www.facebook.com/CBP444
www.instagram.com/cbp_444
www.crippledblackphoenix.net
https://evilgreed.net/collections/crippled-black-phoenix
https://crippledblackphoenixsom.bandcamp.com
https://riseupandfight.bandcamp.com


Recording:
Recorded at Chapel Studio, Lincolnshire, November 2020 & April 2021.
Engineered by Pieter Rietkerk
Additional vocal sessions recorded at:
Kapsylen Studio, Stockholm - Engineered by Jörgen Jugglo Wall.
Monolith Studio - Engineered by Tomas Asklund
Churchstreet Studio, Bergen - Engineered by Rene Misje
Mixed live by Kurt Ballou at God City Studio
Mastered by Magnus Lindberg
Produced by Justin Greaves

Artwork: Original paintings created for this album by Lucy Marshall
Layout master: Benedikt Demmer

Pre-Save link: https://orcd.co/cbp-banefyre
Pre-sale link: https://redirect.season-of-mist.com/CBP-Banefyre

CRIPPLED BLACK PHOENIX Reveals New Song, "Everything is Beautiful But Us"

Progressive rock collective CRIPPLED BLACK PHOENIX will be releasing a brand new album, 'Banefyre,' on September 9 via Season of Mist! The band is now sharing the second new single from the offering, "Everything is Beautiful But Us," at THIS LOCATION.
 

CRIPPLED BLACK PHOENIX mastermind Justin Greaves explains, "Although this is not a 'lock down' song, Belinda's lyrics were certainly inspired by the lack of human activity we found when the first lock down began. We were going for walks where I live in the countryside and the silence was amazing, the air seemed more fresh and there was a definite increase of wildlife activity. So it made us both realise more than ever how ugly we are as a race, humans basically ruin everything.
 

"Musically this is one of my personal faves on the new album, 'BANEFYRE, The Musical!' It plays an integral part in the sound journey, it’s simple but powerful. Very CBP."

Singer/percussionist Belinda Kordic adds, "Justin sent me the demo with the title, I thought the song was beautiful, so I couldn’t just plonk down (write) just anything. It had to be right. The inspiration for the song hit me during the first wave of Covid. When I was over visiting Justin in the UK, and I couldn’t get back home for quite some time due to travel restrictions. So, we were spending a lot of time outside in the countryside and i was amazed at the quick turn nature took for the better, as soon as humans were removed out of the equation.


"The increased symphony of birdsong, bumble bees the size of my fist turning up in the garden, animals coming out of hiding and popping up here, there and everywhere. Nature and its inhabitants were thriving to the very fullest. As they should.

"It was beautiful, but also sad at the same time. knowing that when we get back to 'normal,'the destruction continues."

Pre-orders for 'Banefyre' are now live HERE while the album can be pre-saved across digital streaming services HERE.

The thread that binds CRIPPLED BLACK PHOENIX’s bold and towering discography — a dozen studio albums, a half-dozen mini-albums, a handful of compilations and swaths of bootlegs — could not be more apropos circa 2022. Since its 2004 creation by multi-instrumentalist and songwriter Justin Greaves, CRIPPLED BLACK PHOENIX has served as the voice for the voiceless, whether it be animals, the unequal and the different. Greaves and longstanding vocalist and lyricist Belinda Kordic have often proffered that these beings cannot fend for themselves. Henceforth, CRIPPLED BLACK PHOENIX’s mission has been to shed light on the human condition and the inequalities that befall humankind and its creatures. Their battle marches on with their latest studio album, Banefyre.

Banefyre follows 2020’s Ellengæst — an effort that found CRIPPLED BLACK PHOENIX employ a series of notable guest vocalists alongside Kordic, prompting Metal Hammer to describe it as their “most cohesive and emotionally devastating record.” Kordic is now paired with Swedish vocalist Joel Segerstedt, who made his CRIPPLED BLACK PHOENIX debut last year via the “Painful Reminder/Dead is Dead” single. Piano, synth and trumpet player Helen Stanley and additional guitarist Andy Taylor complete the lineup. Greaves says Stanley and Taylor “fit so well creatively,” which has made CRIPPLED BLACK PHOENIX feel like a band when making plans and decisions.

Also central to this is Segerstedt. According to Kordic, the vocalist and lyricist lives a mere five minutes from her in Sweden and has quickly integrated himself into the band. “What I like about Joel is that he’s a good person,” she says. “There’s no fakeness with him; he has cajones. He’s not a bitch-talker, either. I can’t handle people who don’t have a backbone, but Joel is real and can speak his mind.”

“I like how Joel has come in and spoke for himself,” adds Greaves. “He’s in the band for the right reasons. I see him the same way as Belinda — she took an interest in the whole artistic thing behind CRIPPLED BLACK PHOENIX, like the vocals, lyrics, artwork and aesthetic. It’s the same with Joel. He has taken an interest in all of those things. In the past, we had people who didn’t contribute artistically and only cared about what they got out of the band. But Joel is really proactive and takes the initiative.”

Greaves assembled 13 songs (including “No Regrets,” a bonus track for his new project with Kordic, Johnny the Boy) imbued with the depth and introspection that will reinforce CRIPPLED BLACK PHOENIX’s standing as a band that defies genre. The album was tracked at Chapel Studios in South Thoresby, Lincolnshire, with vocals cut at Monolith Studio and Kapsylen Studio in Stockholm, Sweden. Kurt Ballou handled mixing in GodCity Studios in Salem, Massachusetts — a pivotal move in determining the album’s overall sound.

“I love the album so much because it was a different approach with the production,” says Greaves. “For my part, it was a little bit of a reaction. I didn’t want to do the same warm, safe CRIPPLED BLACK PHOENIX album. I’m aware that when we did [2012’s] I, Vigilante, everyone wanted I, Vigilante again. As it so often happens with this band, people complain about the next one, then grow into it. Ellengæst is like I, Vigilante. It’s a shorter album. It hit the mark and was done really well, but everyone will expect another Ellengæst. I feared that, but I care enough not to make another Ellengæst. It’s the right thing to do. That’s why we got Kurt to mix it — we wanted that analog, raw power. Even though the album has mellow moments, those are edgy as well. We just didn’t want to do the same album twice. We’re never going to be a band that people can rely on.”

Greaves’ summation of his band notwithstanding, his distinctive guitar playing and enduring knack for immersive songwriting is the propellent behind the haunting, chant-laden “Ghostland,” pensive “The Reckoning” and forlorn “Everything is Beautiful but Us,” the band’s spot-on analysis of the retreat of humankind indoors during the pandemic that revealed nature’s priceless beauty. The album is also stocked with no less than four ten-minute-plus cuts (“Rose of Jericho,” “Down the Rabbit Hole,” “I’m Okay, Just Not Alright” and “The Scene is a False Prophet”) that are intermixed with drama and melancholy.

It all ties into Banefyre’s central theme of the persecution of people who are deemed “different” by society. The album title is a play on the song “Bonefire” that Kordic named and wrote lyrics for. In classic CRIPPLED BLACK PHOENIX fashion, Greaves turned it into the Olde English translation to represent the bonfires that engulfed witches and politicians through the 15th and 18th centuries, hence, the name Banefyre.

The album begins with “Incantation for the Different,” which was written and orated by Chicago-based witch, artist, author and occultist Shane Bugbee, who, according to Greaves, “brought us some positive, dark energy.” Banefyre then delves into the Salem Witch Trials (“Wyches and Basterdz”), fox hunting in Great Britain (“The Reckoning”), politicians of an unscrupulous and dishonest kind (“Bonefire”) and the New York City Blackout of 1977 (“Blackout77”).

Greaves says Banefyre’s topics may have a decidedly negative and pessimistic tone, but a glimmer of hope and joy remains. “There’s always the random bits, but overall, Banefyre is about the people who have suffered because they are different. The album covers inequality and oppression, like ‘Incantation for the Different,’ which is about overcoming when you’re put down because you’re not like everyone else.”

In true CRIPPLED BLACK PHOENIX fashion, the Lucy Marshall-created Banefyre cover leaves plenty to the imagination, depicting four animals seated at a table — interacting and dressed like human beings. “It’s sort of like Planet of the Apes showing what animals could do to humans,” says Greaves. “The cover was specially commissioned and is unique to the album. It’s incorporating all the classic CRIPPLED BLACK PHOENIX elements with the love for animals and twisting the narrative around.”

CRIPPLED BLACK PHOENIX’s reputation was built on the back of their studio albums and live shows. The pandemic prevented the band from supporting Ellengæst, but it did provide them additional time to bring in new members to their live configuration.

“We’ve done one show since 2019,” says Greaves. “We are going to do something in Europe this year. Hopefully, we can get back on track. We’re also going to do something in the States — that’s not just talk, we’re actually going to do it. It’s well overdue. The live band is fucking amazing. We have the five of us and now we have Jordi [Farré] on drums, Paco [Fleischfresser] on synth and a really good friend of mine, Matt Crawford on bass.

“We did the Leipzig show and even though the rehearsals were better than the show itself, that lineup, our live band, is so good. Because we haven’t been under pressure to put a live band together since 2019 and spent so long talking to people, we’ve got a better band from those results. Out of disaster, we’ve got quite a good, positive thing.”

Line-up
Justin Greaves : Guitars, Drums, Bass, Samples, Saw
Belinda Kordic : Vocals, Percussions
Helen Stanley : Grand Piano, Synthesisers, Monochord, Trumpet
Andy Taylor : Guitar, Baritone Guitar, 12 String Guitar
Joel Segerstedt: Vocals, Guitar

www.facebook.com/CBP444
www.instagram.com/cbp_444
www.crippledblackphoenix.net
https://evilgreed.net/collections/crippled-black-phoenix
https://crippledblackphoenixsom.bandcamp.com
https://riseupandfight.bandcamp.com


Recording:
Recorded at Chapel Studio, Lincolnshire, November 2020 & April 2021.
Engineered by Pieter Rietkerk
Additional vocal sessions recorded at:
Kapsylen Studio, Stockholm - Engineered by Jörgen Jugglo Wall.
Monolith Studio - Engineered by Tomas Asklund
Churchstreet Studio, Bergen - Engineered by Rene Misje
Mixed live by Kurt Ballou at God City Studio
Mastered by Magnus Lindberg
Produced by Justin Greaves

Artwork: Original paintings created for this album by Lucy Marshall
Layout master: Benedikt Demmer

Pre-Save link: https://orcd.co/cbp-banefyre
Pre-sale link: https://redirect.season-of-mist.com/CBP-Banefyre

CRIPPLED BLACK PHOENIX Announces Live Streamed Leipzig (DE) Concert

Progressive rock collective CRIPPLED BLACK PHOENIX will be live-streaming their upcoming concert from the Felsenkeller venue in Leipzig (DE) on October 29! The band will be joined by special guest Jonathan Hultén (former TRIBULATION). This will be CRIPPLED BLACK PHOENIX's only concert of 2021 in which they will debut their new lineup, new singer Joel Segerstedt, and new music. The event will start at 1:00 P.M. EDT // 19:00 CEST via TixForGigs,TV. Tickets are available now at THIS LOCATION and more information on the event can be found HERE.

Those who wish to attend the concert in person can find tickets HERE.

CRIPPLED BLACK PHOENIX is supporting 2020's full-length 'Ellengæst,' which can be streamed, ordered, and downloaded HERE.

“One thing we’ll never do is stick to the rules and stay within the box.”

Such are the words from Crippled Black Phoenix founder, songwriter and guitarist Justin Greaves, who has guided this progressive, thought-provoking, shape-shifting musical collective since their 2004 formation. Their new effort, Ellengæst, follows a recent pattern of the band in releasing a mini-album in between studio LPs. It is the direct result of their ceaseless creativity — when Greaves has songs, Crippled Black Phoenix records them. Ellengæst has the difficult task of following 2018’s profound and moving Great Escape. Ellengæst, though, does not make any attempts in pairing with or succeeding Great Escape. Circumstances largely prevented it anyway.

On the day tracking started for Ellengæst, Crippled Black Phoenix — completed by vocalist and lyricist Belinda Kordic, guitarist Andy Taylor and multi-instrumentalist Helen Stanley —suddenly, unexpectedly found themselves without a male lead vocalist and keyboardist. Whereas events of a similar thread would spell doom for most bands, Greaves took it as an opportunity to tap into his deep network of musician friends. Before he knew it, several prominent guest vocalists were secured, ready and able to lend their considerable talents to Ellengæst: Anathema’s Vincent Cavanagh, Gaahls Wyrd’s Kristian “Gaahl” Espedal, Coliseum/Fotocrime/one-time Crippled Black Phoenix touring bassist Ryan Patterson, up-and-coming U.K. solo artist Suzie Stapleton and Tribulation’s Jonathan Hultén.

“It all came together really easy, to be honest,” says Greaves. “Because we’re working with people that you’ve got a connection where you see things the same way or you wouldn’t get along as friends. When it comes from an artistic standpoint, we’re already on the same page. It all just weirdly worked out. It’s not like I had to go out and think, ‘Okay, who do I know that could sing on this song that sounds like this?’ It was just like, ‘I’ve got a bunch of songs that we’ve always talked about doing something with. Which song would this singer suit?’”

Ellengæst, which in Olde English - with some scandinavian connection - translates as “strong spirit” and another reference as “mischievous demon”,represents Crippled Black Phoenix’s duality. “It comes from the same place, but with different connotations,” says Greaves. “That’s this band in a nutshell. We’ve had to stay strong because of all the BS we’ve encountered, yet we’re still going and subversive. It’s like we’re giving kids candy with razor blades in them.”

Tackling themes of the human condition and the perpetual internal struggles people face, Ellengæst begins with Cavanagh pairing with Kordic on “House of Fools” and “Lost,” the two switching lead vocal responsibilities for each song. Gaahl’s appearance on “In the Night” was born from his long-standing relationship with Greaves, the two men grew close after countless late tour nights in hotel rooms chatting the evening away. Gaahl, whose vocal exploits are often limited to black metal circles, was given “In the Night” because Greaves thought he could do something unique with the track.

“He doesn’t do these sorts of things; he doesn’t collaborate very often, if at all,” he says. “Kristian confessed to me that this is the first time he’s done something like this. When he sent me the files, he then called me up and asked if it was okay. He explained, ‘I did it in a spoken word because the song is stoic and melancholy.’ He hit the nail right on the head. Then you have Belinda doing her angelic vocals over it. You have the light and the dark represented.”

Patterson and Stapleton blend seamlessly on the momentous “Cry of Love,” while Kordic casts yet another heart-rendering vocal spell across “Everything I Say.” Yet another surprise comes in the form of Hultén’s trance-inducing, but soaring performance on “The Invisible Past.” A cover of Bauhaus’s “She’s in Parties” sung by Kordic rounds out the set.

Crippled Black Phoenix are no strangers to adversity, making the events surrounding the creation of Ellengæst yet another roadblock for a band whose very existence has been threatened on more than a few occasions. Their unique setup and stubborn refusal to bow to musical norms may confuse the casual music consumer. However, the core of Crippled Black Phoenix — Greaves, Kordic, Taylor and Stanley — thrives on the unconventional, remaining steadfastly singular and undefinable. Accordingly, Greaves believes this incarnation of Crippled Black Phoenix is the strongest to date. All it took was another dramatic sea-change to prove it.

“This was the best thing that could have happened to us,” he says. “Before, there was this horrible cloud of drama following us. There was always something going on. Once that had gone and the people who were on the outside of the band who were a part of that, once they had gone and the drama had gone, me and Helen found ourselves tracking in the studio in the first session. We just got on with it; we didn’t think twice. In the second session, we just felt liberated. We just knew, ‘This is going to be great.’ We’re all so excited about the possibilities. It feels like we’re rejuvenated.”
Style: Dark Rock

Line-up
Justin Greaves : Guitars, Drums, Bass, Samples, Saw
Belinda Kordic : Vocals, Percussions
Helen Stanley : Grand Piano, Synthesisers, Monochord, Trumpet
Andy Taylor : Guitar, Baritone Guitar, 12 String Guitar
Joel Segerstedt: Vocals, Guitar

Pre-sale link:https://redirect.season-of-mist.com/CBPPainful

Bio:David E. Gehlke

For more onCRIPPLED BLACK PHOENIX, visit the band's officialFACEBOOK,INSTAGRAM,BANDCAMP, andTWITTER.

CRIPPLED BLACK PHOENIX Announces New EP, Reveals First Single

Progressive rock collective CRIPPLED BLACK PHOENIX will be releasing a new EP, 'Painful Reminder / Dead is Dead' on July 16 via Season of Mist! The cover art and track list can be found below. In celebration of the EP, CRIPPLED BLACK PHOENIX has now shared the first single, which is a cover of SNFU's "Painful Reminder," along with a music video accompaniment.

In further news, CRIPPLED BLACK PHOENIX is welcoming vocalist/lyricist Joel Segerstedt to the lineup. The band comments:

"The first thing we’re doing after 'Ellengæst' is a special single. A cover version of the classic SNFU song 'Painful Reminder.' And it features new vocalist/lyricist Joel Segerstedt. He joins the band to be the male voice and the contrast to Belinda Kordic in the female/male dynamic which is now an integral part of the CBP sound. Being a Stockholm resident, it seems all the more serendipitous that we find each other. And after hearing his vocal talent in his other band The Open Up And Bleeds, we knew Joel could be the missing piece of the jigsaw.

"This release is a way of introducing Joel to our crowd while at the same time, paying tribute to the SNFU vocalist Mr Chi Pig. The song was already on the shortlist of cover song ideas Justin (Greaves) keeps in his pocket, but now was the time to do it because of the sad passing of Chi Pig in 2020. It seemed the right thing to pay our respects to a talented and underrated singer/lyricist and unique character in the punk rock world.
"

The EP is available now for pre-orders HERE.

“One thing we’ll never do is stick to the rules and stay within the box.”

Such are the words from Crippled Black Phoenix founder, songwriter and guitarist Justin Greaves, who has guided this progressive, thought-provoking, shape-shifting musical collective since their 2004 formation. Their new effort, Ellengæst, follows a recent pattern of the band in releasing a mini-album in between studio LPs. It is the direct result of their ceaseless creativity — when Greaves has songs, Crippled Black Phoenix records them. Ellengæst has the difficult task of following 2018’s profound and moving Great Escape. Ellengæst, though, does not make any attempts in pairing with or succeeding Great Escape. Circumstances largely prevented it anyway.

On the day tracking started for Ellengæst, Crippled Black Phoenix — completed by vocalist and lyricist Belinda Kordic, guitarist Andy Taylor and multi-instrumentalist Helen Stanley —suddenly, unexpectedly found themselves without a male lead vocalist and keyboardist. Whereas events of a similar thread would spell doom for most bands, Greaves took it as an opportunity to tap into his deep network of musician friends. Before he knew it, several prominent guest vocalists were secured, ready and able to lend their considerable talents to Ellengæst: Anathema’s Vincent Cavanagh, Gaahls Wyrd’s Kristian “Gaahl” Espedal, Coliseum/Fotocrime/one-time Crippled Black Phoenix touring bassist Ryan Patterson, up-and-coming U.K. solo artist Suzie Stapleton and Tribulation’s Jonathan Hultén.

“It all came together really easy, to be honest,” says Greaves. “Because we’re working with people that you’ve got a connection where you see things the same way or you wouldn’t get along as friends. When it comes from an artistic standpoint, we’re already on the same page. It all just weirdly worked out. It’s not like I had to go out and think, ‘Okay, who do I know that could sing on this song that sounds like this?’ It was just like, ‘I’ve got a bunch of songs that we’ve always talked about doing something with. Which song would this singer suit?’”

Ellengæst, which in Olde English - with some scandinavian connection - translates as “strong spirit” and another reference as “mischievous demon”,represents Crippled Black Phoenix’s duality. “It comes from the same place, but with different connotations,” says Greaves. “That’s this band in a nutshell. We’ve had to stay strong because of all the BS we’ve encountered, yet we’re still going and subversive. It’s like we’re giving kids candy with razor blades in them.”

Tackling themes of the human condition and the perpetual internal struggles people face, Ellengæst begins with Cavanagh pairing with Kordic on “House of Fools” and “Lost,” the two switching lead vocal responsibilities for each song. Gaahl’s appearance on “In the Night” was born from his long-standing relationship with Greaves, the two men grew close after countless late tour nights in hotel rooms chatting the evening away. Gaahl, whose vocal exploits are often limited to black metal circles, was given “In the Night” because Greaves thought he could do something unique with the track.

“He doesn’t do these sorts of things; he doesn’t collaborate very often, if at all,” he says. “Kristian confessed to me that this is the first time he’s done something like this. When he sent me the files, he then called me up and asked if it was okay. He explained, ‘I did it in a spoken word because the song is stoic and melancholy.’ He hit the nail right on the head. Then you have Belinda doing her angelic vocals over it. You have the light and the dark represented.”

Patterson and Stapleton blend seamlessly on the momentous “Cry of Love,” while Kordic casts yet another heart-rendering vocal spell across “Everything I Say.” Yet another surprise comes in the form of Hultén’s trance-inducing, but soaring performance on “The Invisible Past.” A cover of Bauhaus’s “She’s in Parties” sung by Kordic rounds out the set.

Crippled Black Phoenix are no strangers to adversity, making the events surrounding the creation of Ellengæst yet another roadblock for a band whose very existence has been threatened on more than a few occasions. Their unique setup and stubborn refusal to bow to musical norms may confuse the casual music consumer. However, the core of Crippled Black Phoenix — Greaves, Kordic, Taylor and Stanley — thrives on the unconventional, remaining steadfastly singular and undefinable. Accordingly, Greaves believes this incarnation of Crippled Black Phoenix is the strongest to date. All it took was another dramatic sea-change to prove it.

“This was the best thing that could have happened to us,” he says. “Before, there was this horrible cloud of drama following us. There was always something going on. Once that had gone and the people who were on the outside of the band who were a part of that, once they had gone and the drama had gone, me and Helen found ourselves tracking in the studio in the first session. We just got on with it; we didn’t think twice. In the second session, we just felt liberated. We just knew, ‘This is going to be great.’ We’re all so excited about the possibilities. It feels like we’re rejuvenated.”
Style: Dark Rock
Line-up
Justin Greaves : Guitars, Drums, Bass, Samples, Saw
Belinda Kordic : Vocals, Percussions
Helen Stanley : Grand Piano, Synthesisers, Monochord, Trumpet
Andy Taylor : Guitar, Baritone Guitar, 12 String Guitar
Joel Segerstedt: Vocals, Guitar

Pre-sale link:https://redirect.season-of-mist.com/CBPPainful

Bio:David E. Gehlke

For more onCRIPPLED BLACK PHOENIX, visit the band's officialFACEBOOK,INSTAGRAM,BANDCAMP, andTWITTER.

CRIPPLED BLACK PHOENIX Streams New Album in Full

'Ellengæst' represents Crippled Black Phoenix's duality. At times, it is dark and melancholy, but also delivers progressive heaviness while maintaining an un...

Dark Progressive rock outfit CRIPPLED BLACK PHOENIX will be releasing the full-length 'Ellengæst' on October 9 via Season of Mist! The band is now streaming the record in its entirety ahead of Friday's release.

Several prominent guest vocalists lend their considerable talents to Ellengæst: ANATHEMA’s Vincent Cavanagh, GAAHLS WYRD’s Kristian “Gaahl” Espedal, COLISEUM/FOTOCRIME/one-time Crippled Black Phoenix touring bassist Ryan Patterson, up-and-coming U.K. solo artist Suzie Stapleton and TRIBULATION’s Jonathan Hultén. 

'Ellengæst' can be pre-ordered in various formats HERE.

The artwork for 'Ellengæst' was created by artist Thanasis Stratidakis (Erebus Art) and graphic designer Benedikt Demmer. It can be found below along with the tracklist.

“One thing we’ll never do is stick to the rules and stay within the box.” 

Such are the words from Crippled Black Phoenix founder, songwriter and guitarist Justin Greaves, who has guided this progressive, thought-provoking, shape-shifting musical collective since their 2004 formation. Their new effort, Ellengæst, follows a recent pattern of the band in releasing a mini-album in between studio LPs. It is the direct result of their ceaseless creativity — when Greaves has songs, Crippled Black Phoenix records them. Ellengæst has the difficult task of following 2018’s profound and moving Great Escape. Ellengæst, though, does not make any attempts in pairing with or succeeding Great Escape. Circumstances largely prevented it anyway. 

On the day tracking started for Ellengæst, Crippled Black Phoenix — completed by vocalist and lyricist Belinda Kordic, guitarist Andy Taylor and multi-instrumentalist Helen Stanley —suddenly, unexpectedly found themselves without a male lead vocalist and keyboardist. Whereas events of a similar thread would spell doom for most bands, Greaves took it as an opportunity to tap into his deep network of musician friends. Before he knew it, several prominent guest vocalists were secured, ready and able to lend their considerable talents to Ellengæst: Anathema’s Vincent Cavanagh, Gaahls Wyrd’s Kristian “Gaahl” Espedal, Coliseum/Fotocrime/one-time Crippled Black Phoenix touring bassist Ryan Patterson, up-and-coming U.K. solo artist Suzie Stapleton and Tribulation’s Jonathan Hultén. 

“It all came together really easy, to be honest,” says Greaves. “Because we’re working with people that you’ve got a connection where you see things the same way or you wouldn’t get along as friends. When it comes from an artistic standpoint, we’re already on the same page. It all just weirdly worked out. It’s not like I had to go out and think, ‘Okay, who do I know that could sing on this song that sounds like this?’ It was just like, ‘I’ve got a bunch of songs that we’ve always talked about doing something with. Which song would this singer suit?’” 

Ellengæst, which in Olde English - with some scandinavian connection -  translates as “strong spirit” and another reference as “mischievous demon”,represents Crippled Black Phoenix’s duality. “It comes from the same place, but with different connotations,” says Greaves. “That’s this band in a nutshell. We’ve had to stay strong because of all the BS we’ve encountered, yet we’re still going and subversive. It’s like we’re giving kids candy with razor blades in them.” 

Tackling themes of the human condition and the perpetual internal struggles people face, Ellengæst begins with Cavanagh pairing with Kordic on “House of Fools” and “Lost,” the two switching lead vocal responsibilities for each song. Gaahl’s appearance on “In the Night” was born from his long-standing relationship with Greaves, the two men grew close after countless late tour nights in hotel rooms chatting the evening away. Gaahl, whose vocal exploits are often limited to black metal circles, was given “In the Night” because Greaves thought he could do something unique with the track. 

“He doesn’t do these sorts of things; he doesn’t collaborate very often, if at all,” he says. “Kristian confessed to me that this is the first time he’s done something like this. When he sent me the files, he then called me up and asked if it was okay. He explained, ‘I did it in a spoken word because the song is stoic and melancholy.’ He hit the nail right on the head. Then you have Belinda doing her angelic vocals over it. You have the light and the dark represented.”   

Patterson and Stapleton blend seamlessly on the momentous “Cry of Love,” while Kordic casts yet another heart-rendering vocal spell across “Everything I Say.” Yet another surprise comes in the form of Hultén’s trance-inducing, but soaring performance on “The Invisible Past.” A cover of Bauhaus’s “She’s in Parties” sung by Kordic rounds out the set. 

Crippled Black Phoenix are no strangers to adversity, making the events surrounding the creation of Ellengæst yet another roadblock for a band whose very existence has been threatened on more than a few occasions. Their unique setup and stubborn refusal to bow to musical norms may confuse the casual music consumer. However, the core of Crippled Black Phoenix — Greaves, Kordic, Taylor and Stanley — thrives on the unconventional, remaining steadfastly singular and undefinable. Accordingly, Greaves believes this incarnation of Crippled Black Phoenix is the strongest to date. All it took was another dramatic sea-change to prove it. 

“This was the best thing that could have happened to us,” he says. “Before, there was this horrible cloud of drama following us. There was always something going on. Once that had gone and the people who were on the outside of the band who were a part of that, once they had gone and the drama had gone, me and Helen found ourselves tracking in the studio in the first session. We just got on with it; we didn’t think twice. In the second session, we just felt liberated. We just knew, ‘This is going to be great.’ We’re all so excited about the possibilities. It feels like we’re rejuvenated.”

Style: Dark RockLine-up:

Justin Greaves - Guitars, Drums, Bass, Samples, Saw.
Belinda Kordic - Vocals, Percussion
Helen Stanley - Grand Piano, Synthesisers, Trumpet
Andy Taylor - Guitar

Recording line-up for 'Ellengæst':
Justin Greaves
Belinda Kordic
Helen Stanley
Andy Taylor
Ben Wilsker
Rob Al-Issa

Friends & Guests
'House Of Fools' - Vincent (lead vocals) with Belinda (backing vocals) 
'Lost' - Belinda (lead vocals) with Vincent (backing vocals)
'In The Night' - Gaahl and Belinda (duet)
'Cry Of Love' - Ryan (lead vocals) with Suzie (backing vocals) 
'Everything I Say' - Belinda (vocals) 
'The Invisible Past' - Jonathan (vocals) 
'She’s In Parties' - Belinda (vocals), Suzie (Guitar) 

Studio: Recorded at Chapel Studio, Lincolnshire (UK)
Producer/sound engineer: Produced by Justin Greaves & Karl Daniel Lidén 
Mixed/Mastered: by Karl Daniel Lidén, Stockholm (SE)

Cover art
Thanasis Stratidakis - Erebus Art –
Graphic designer Benedikt Demmer

Bio: David E. Gehlke

For more on CRIPPLED BLACK PHOENIX, visit the band's official FACEBOOKINSTAGRAMBANDCAMP, and TWITTER.

CRIPPLED BLACK PHOENIX Shares New Song and Music Video

Crippled Black Phoenix official music video for the track 'Lost', taken from the upcoming album "Ellengæst" which will be released worldwide on October 9, 20...

Dark Progressive rock outfit CRIPPLED BLACK PHOENIX will be releasing the full-length 'Ellengæst' on October 9 via Season of Mist! The band has partnered with Metal Injection to premiere the thought-provoking music video for their brand new single, "Lost." The song and video, which was once again created by Guilherme Henriques

Mastermind Justin Greaves comments on the track: "As the quote goes from Belinda’s lyrics ‘The dangerous nature of an ignorant mind, the final fall for mankind.’ This line stands out to represent our feelings on the subject of global and human decline. 
 
“Generally people know more of what happens in the world than they’re willing to face, instead they turn away and choose to ignore things that are uncomfortable or inconvenient. Well, we’d like to invite those people to be aware and maybe get some fucking empathy! 
 
“As for the song itself, Belinda really took the bull by the horns and wrote some of her best lyrics ever, and her delivery is perfect, along with Vincent who adds his powerful voice to the song. You can hear both voices with genuine emotions. 
 
“And the video. What can I say? Guilherme [Henriques] has blown us away with his visuals again. Working with the brief, he understood what we were wanting to put across and obviously connected with it as his video is perfect. It is brutal, sad, thought provoking and kind a tragically beautiful. Personally, I think if you don’t feel any reaction to this video then your dead inside. 
 
“It is time to wake the fuck up. It is not about politics or religion or profit. It is about ethics, empathy, and integrity for social and global issues. We are all responsible.” 
 
Vocalist and lyricist Belinda Kordic adds:
"It is a mad, mad and sad world out there. And excuse my lack of optimism (or not)... it isn’t getting any better. It’s getting far worse. No other living creature on this broken planet exudes such destruction as us humans. The cruelty, lack of empathy and respect for not only each other, but all forms of life. 
 
“The saying goes 'live in the now' maybe that is the problem? Who cares about the future if 'I can grab what I want now' with no care in the world for who or what will suffer or die for it? I think we need to live in the future to see where it is heading....it is not a beautiful sight. And honestly, I do not envy future generations who have to live in this great big mess we leave behind."

Several prominent guest vocalists lend their considerable talents to Ellengæst: ANATHEMA’s Vincent Cavanagh, GAAHLS WYRD’s Kristian “Gaahl” Espedal, COLISEUM/FOTOCRIME/one-time Crippled Black Phoenix touring bassist Ryan Patterson, up-and-coming U.K. solo artist Suzie Stapleton and TRIBULATION’s Jonathan Hultén. 

'Ellengæst' can be pre-ordered in various formats HERE.

“One thing we’ll never do is stick to the rules and stay within the box.” 

Such are the words from Crippled Black Phoenix founder, songwriter and guitarist Justin Greaves, who has guided this progressive, thought-provoking, shape-shifting musical collective since their 2004 formation. Their new effort, Ellengæst, follows a recent pattern of the band in releasing a mini-album in between studio LPs. It is the direct result of their ceaseless creativity — when Greaves has songs, Crippled Black Phoenix records them. Ellengæst has the difficult task of following 2018’s profound and moving Great Escape. Ellengæst, though, does not make any attempts in pairing with or succeeding Great Escape. Circumstances largely prevented it anyway. 

On the day tracking started for Ellengæst, Crippled Black Phoenix — completed by vocalist and lyricist Belinda Kordic, guitarist Andy Taylor and multi-instrumentalist Helen Stanley —suddenly, unexpectedly found themselves without a male lead vocalist and keyboardist. Whereas events of a similar thread would spell doom for most bands, Greaves took it as an opportunity to tap into his deep network of musician friends. Before he knew it, several prominent guest vocalists were secured, ready and able to lend their considerable talents to Ellengæst: Anathema’s Vincent Cavanagh, Gaahls Wyrd’s Kristian “Gaahl” Espedal, Coliseum/Fotocrime/one-time Crippled Black Phoenix touring bassist Ryan Patterson, up-and-coming U.K. solo artist Suzie Stapleton and Tribulation’s Jonathan Hultén. 

“It all came together really easy, to be honest,” says Greaves. “Because we’re working with people that you’ve got a connection where you see things the same way or you wouldn’t get along as friends. When it comes from an artistic standpoint, we’re already on the same page. It all just weirdly worked out. It’s not like I had to go out and think, ‘Okay, who do I know that could sing on this song that sounds like this?’ It was just like, ‘I’ve got a bunch of songs that we’ve always talked about doing something with. Which song would this singer suit?’” 

Ellengæst, which in Olde English - with some scandinavian connection -  translates as “strong spirit” and another reference as “mischievous demon”,represents Crippled Black Phoenix’s duality. “It comes from the same place, but with different connotations,” says Greaves. “That’s this band in a nutshell. We’ve had to stay strong because of all the BS we’ve encountered, yet we’re still going and subversive. It’s like we’re giving kids candy with razor blades in them.” 

Tackling themes of the human condition and the perpetual internal struggles people face, Ellengæst begins with Cavanagh pairing with Kordic on “House of Fools” and “Lost,” the two switching lead vocal responsibilities for each song. Gaahl’s appearance on “In the Night” was born from his long-standing relationship with Greaves, the two men grew close after countless late tour nights in hotel rooms chatting the evening away. Gaahl, whose vocal exploits are often limited to black metal circles, was given “In the Night” because Greaves thought he could do something unique with the track. 

“He doesn’t do these sorts of things; he doesn’t collaborate very often, if at all,” he says. “Kristian confessed to me that this is the first time he’s done something like this. When he sent me the files, he then called me up and asked if it was okay. He explained, ‘I did it in a spoken word because the song is stoic and melancholy.’ He hit the nail right on the head. Then you have Belinda doing her angelic vocals over it. You have the light and the dark represented.”   

Patterson and Stapleton blend seamlessly on the momentous “Cry of Love,” while Kordic casts yet another heart-rendering vocal spell across “Everything I Say.” Yet another surprise comes in the form of Hultén’s trance-inducing, but soaring performance on “The Invisible Past.” A cover of Bauhaus’s “She’s in Parties” sung by Kordic rounds out the set. 

Crippled Black Phoenix are no strangers to adversity, making the events surrounding the creation of Ellengæst yet another roadblock for a band whose very existence has been threatened on more than a few occasions. Their unique setup and stubborn refusal to bow to musical norms may confuse the casual music consumer. However, the core of Crippled Black Phoenix — Greaves, Kordic, Taylor and Stanley — thrives on the unconventional, remaining steadfastly singular and undefinable. Accordingly, Greaves believes this incarnation of Crippled Black Phoenix is the strongest to date. All it took was another dramatic sea-change to prove it. 

“This was the best thing that could have happened to us,” he says. “Before, there was this horrible cloud of drama following us. There was always something going on. Once that had gone and the people who were on the outside of the band who were a part of that, once they had gone and the drama had gone, me and Helen found ourselves tracking in the studio in the first session. We just got on with it; we didn’t think twice. In the second session, we just felt liberated. We just knew, ‘This is going to be great.’ We’re all so excited about the possibilities. It feels like we’re rejuvenated.”
Line-up:
Justin Greaves - Guitars, Drums, Bass, Samples, Saw.
Belinda Kordic - Vocals, Percussion
Helen Stanley - Grand Piano, Synthesisers, Trumpet
Andy Taylor - Guitar

Recording line-up for 'Ellengæst':
Justin Greaves
Belinda Kordic
Helen Stanley
Andy Taylor
Ben Wilsker
Rob Al-Issa

Friends & Guests
'House Of Fools' - Vincent (lead vocals) with Belinda (backing vocals) 
'Lost' - Belinda (lead vocals) with Vincent (backing vocals)
'In The Night' - Gaahl and Belinda (duet)
'Cry Of Love' - Ryan (lead vocals) with Suzie (backing vocals) 
'Everything I Say' - Belinda (vocals) 
'The Invisible Past' - Jonathan (vocals) 
'She’s In Parties' - Belinda (vocals), Suzie (Guitar) 

Studio: Recorded at Chapel Studio, Lincolnshire (UK)
Producer/sound engineer: Produced by Justin Greaves & Karl Daniel Lidén 
Mixed/Mastered: by Karl Daniel Lidén, Stockholm (SE)

Cover art
Thanasis Stratidakis - Erebus Art –
Graphic designer Benedikt Demmer

Bio: David E. Gehlke

For more on CRIPPLED BLACK PHOENIX, visit the band's official FACEBOOKINSTAGRAMBANDCAMP, and TWITTER.

CRIPPLED BLACK PHOENIX Announces New Album, Premieres New Single

Crippled Black Phoenix with 'Cry of Love', taken from the upcoming album "Ellengæst" which will be released worldwide on October 9, 2020. ► Order here: https...

Dark Progressive rock outfit CRIPPLED BLACK PHOENIX will be releasing the full-length 'Ellengæst' on October 9 via Season of Mist! The band has shared the emotional first single, "Cry of Love," which features guest vocals from Ryan Michael Patterson (FOTOCRIME, ex-COLISEUM.) The song is available along with an official music video, which is created by Guilherme Henriques.

Several prominent guest vocalists lend their considerable talents to Ellengæst: ANATHEMA’s Vincent Cavanagh, GAAHLS WYRD’s Kristian “Gaahl” Espedal, COLISEUM/FOTOCRIME/one-time Crippled Black Phoenix touring bassist Ryan Patterson, up-and-coming U.K. solo artist Suzie Stapleton and TRIBULATION’s Jonathan Hultén. The album art and tracklist can be found below.

Mastermind Justin Greaves comments on the track: "This is a song about losing a loved family member, but not a human one, it’s about our feline companions. Ryan [Patterson] came back with the words and vocals after I sent him the song and it blew us away. We already connected with Ryan when on tour and being fellow animal lovers and vegans, he, Belinda and myself have a deep appreciation for speaking out about our animal friends.

"The song lyrics are about Ryan’s cat Willie who sadly passed away. Coincidentally, at the same time we (Belinda and myself) lost two of our cat family, Nell and Tigger (the old three-legged dude who starred on the cover of Horrific Honorifics). So this song is like a coming together to celebrate the love we have for the cats, how we miss them and how they influence our lives.

"Joining Ryan on 'Cry Of Love' is our friend and previous collaborator Suzie Stapleton. Putting her distinctive voice on, giving it another dimension. The video for this fried my brain, I love it so much and so do the rest of the band; Guilherme [Henriques] totally understood what the feelings of the song are about, and he made a beautiful and simple narrative which will touch even the coldest heart. If you love your cat, or lost one you love, then be prepared to grab the tissues.” 


'Ellengæst' can be pre-ordered in various formats HERE.

“One thing we’ll never do is stick to the rules and stay within the box.” 

Such are the words from Crippled Black Phoenix founder, songwriter and guitarist Justin Greaves, who has guided this progressive, thought-provoking, shape-shifting musical collective since their 2004 formation. Their new effort, Ellengæst, follows a recent pattern of the band in releasing a mini-album in between studio LPs. It is the direct result of their ceaseless creativity — when Greaves has songs, Crippled Black Phoenix records them. Ellengæst has the difficult task of following 2018’s profound and moving Great Escape. Ellengæst, though, does not make any attempts in pairing with or succeeding Great Escape. Circumstances largely prevented it anyway. 

On the day tracking started for Ellengæst, Crippled Black Phoenix — completed by vocalist and lyricist Belinda Kordic, guitarist Andy Taylor and multi-instrumentalist Helen Stanley —suddenly, unexpectedly found themselves without a male lead vocalist and keyboardist. Whereas events of a similar thread would spell doom for most bands, Greaves took it as an opportunity to tap into his deep network of musician friends. Before he knew it, several prominent guest vocalists were secured, ready and able to lend their considerable talents to Ellengæst: Anathema’s Vincent Cavanagh, Gaahls Wyrd’s Kristian “Gaahl” Espedal, Coliseum/Fotocrime/one-time Crippled Black Phoenix touring bassist Ryan Patterson, up-and-coming U.K. solo artist Suzie Stapleton and Tribulation’s Jonathan Hultén. 

“It all came together really easy, to be honest,” says Greaves. “Because we’re working with people that you’ve got a connection where you see things the same way or you wouldn’t get along as friends. When it comes from an artistic standpoint, we’re already on the same page. It all just weirdly worked out. It’s not like I had to go out and think, ‘Okay, who do I know that could sing on this song that sounds like this?’ It was just like, ‘I’ve got a bunch of songs that we’ve always talked about doing something with. Which song would this singer suit?’” 

Ellengæst, which in Olde English - with some scandinavian connection -  translates as “strong spirit” and another reference as “mischievous demon”,represents Crippled Black Phoenix’s duality. “It comes from the same place, but with different connotations,” says Greaves. “That’s this band in a nutshell. We’ve had to stay strong because of all the BS we’ve encountered, yet we’re still going and subversive. It’s like we’re giving kids candy with razor blades in them.” 

Tackling themes of the human condition and the perpetual internal struggles people face, Ellengæst begins with Cavanagh pairing with Kordic on “House of Fools” and “Lost,” the two switching lead vocal responsibilities for each song. Gaahl’s appearance on “In the Night” was born from his long-standing relationship with Greaves, the two men grew close after countless late tour nights in hotel rooms chatting the evening away. Gaahl, whose vocal exploits are often limited to black metal circles, was given “In the Night” because Greaves thought he could do something unique with the track. 

“He doesn’t do these sorts of things; he doesn’t collaborate very often, if at all,” he says. “Kristian confessed to me that this is the first time he’s done something like this. When he sent me the files, he then called me up and asked if it was okay. He explained, ‘I did it in a spoken word because the song is stoic and melancholy.’ He hit the nail right on the head. Then you have Belinda doing her angelic vocals over it. You have the light and the dark represented.”   

Patterson and Stapleton blend seamlessly on the momentous “Cry of Love,” while Kordic casts yet another heart-rendering vocal spell across “Everything I Say.” Yet another surprise comes in the form of Hultén’s trance-inducing, but soaring performance on “The Invisible Past.” A cover of Bauhaus’s “She’s in Parties” sung by Kordic rounds out the set. 

Crippled Black Phoenix are no strangers to adversity, making the events surrounding the creation of Ellengæst yet another roadblock for a band whose very existence has been threatened on more than a few occasions. Their unique setup and stubborn refusal to bow to musical norms may confuse the casual music consumer. However, the core of Crippled Black Phoenix — Greaves, Kordic, Taylor and Stanley — thrives on the unconventional, remaining steadfastly singular and undefinable. Accordingly, Greaves believes this incarnation of Crippled Black Phoenix is the strongest to date. All it took was another dramatic sea-change to prove it. 

“This was the best thing that could have happened to us,” he says. “Before, there was this horrible cloud of drama following us. There was always something going on. Once that had gone and the people who were on the outside of the band who were a part of that, once they had gone and the drama had gone, me and Helen found ourselves tracking in the studio in the first session. We just got on with it; we didn’t think twice. In the second session, we just felt liberated. We just knew, ‘This is going to be great.’ We’re all so excited about the possibilities. It feels like we’re rejuvenated.”

Style: Dark Rock
 
Press-kithttps://presskit.season-of-mist.com/Crippled_Black_Phoenix/

Line-up:
Justin Greaves - Guitars, Drums, Bass, Samples, Saw.
Belinda Kordic - Vocals, Percussion
Helen Stanley - Grand Piano, Synthesisers, Trumpet
Andy Taylor - Guitar

Recording line-up for 'Ellengæst':
Justin Greaves
Belinda Kordic
Helen Stanley
Andy Taylor
Ben Wilsker
Rob Al-Issa

Friends & Guests
'House Of Fools' - Vincent (lead vocals) with Belinda (backing vocals) 
'Lost' - Belinda (lead vocals) with Vincent (backing vocals)
'In The Night' - Gaahl and Belinda (duet)
'Cry Of Love' - Ryan (lead vocals) with Suzie (backing vocals) 
'Everything I Say' - Belinda (vocals) 
'The Invisible Past' - Jonathan (vocals) 
'She’s In Parties' - Belinda (vocals), Suzie (Guitar) 

Studio: Recorded at Chapel Studio, Lincolnshire (UK)
Producer/sound engineer: Produced by Justin Greaves & Karl Daniel Lidén 
Mixed/Mastered: by Karl Daniel Lidén, Stockholm (SE)

Cover art
Thanasis Stratidakis - Erebus Art –
Graphic designer Benedikt Demmer

For more on CRIPPLED BLACK PHOENIX, visit the band's official FACEBOOKINSTAGRAMBANDCAMP, and TWITTER.