ICE NINE KILLS PRESENTS “Hell or High Slaughter (Grave Diggler: Pt. 2)”

Their sons may have eclipsed them in the 21st Century, but for a sleazy moment, Grave Diggler left its stain on hard partying rock n’ roll with decadence, desecrations, and panty raids. The group once stood shoulder to shoulder with their eyeliner-and-excess peers in Poison, Mötley Crüe, and W.A.S.P., before bad business and even worse drugs dampened the fire in their loins. By the early ’90s, like many glam bands, Grave Diggler faded from the spotlight.

But history has a strange way of digglering up the past.

When the directing duo behind Scream (2022) and Scream VI, began work on the sequel to their 2019 black comedy horror hit Ready or Not, they desperately wanted to include one of Grave Diggler’s forgotten classic anthems. But even after Radio Silence Productions deduced the connection with Spencer Charnas, securing the rights was no mean feat. 

 

The ensuing legal battle between fathers and sons resulted in Ice Nine Kills re-recording “Hell or High Slaughter (Grave Diggler: Pt. 2)” for Ready or Not 2: Here I Come and the long-banned 1987 music video for the song seeing the light of day. 

“I’ve been estranged from my father for a long time,” Spencer explains. “But this movie, and this song, while bringing a lot of complicated feelings to the surface, also brought us back together.” 

Ice Nine Kills Presents Hell or High Slaughter (Grave Diggler: Pt 2)” .

Watch and listen Below

Broken Lizard’s Paul Soter (Super Troopers), a lifelong Diggler obsessive, teamed up with director Myles Erfurth (Pandemic Sex Party) and Spencer to detail the band’s tale in a forthcoming documentary. 

Laid to Rest: The Grave Diggler Story features all-new interviews with Ready or Not 2: Here I Come’s Samara Weaving (The Babysitter), Kathryn Newton (Freaky), Elijah Wood (The Lord of the Rings), and directors Matt Bettinelli-Olpin and Tyler Gillett; Stephen Pearcy (Ratt); Matt Pinfield (MTV); Michael Starr (Steel Panther); Jose Mangin (SiriusXM); James A. Janisse and Chelsea Rebecca (Dead Meat); Andy Gould (former Rob Zombie and Guns N’ Roses manager); and both Sonny and Spencer Charnas. 

 

In recent years, Ice Nine Kills toured the world with Metallica;A Grave Mistake” went gold; “A Work of Art” was in Terrifier 3, the highest-grossing unrated film ever; and “Twisting the Knife” ft. Mckenna Grace, from Scream 7 (which topped the box office upon release and set a franchise best record for Scream) shot to No. 1 on multiple Billboard charts. 

But even as Ice Nine Kills Presents “Hell or High Slaughter (Grave Diggler: Pt. 2)” blazes into Ready or Not 2: Here I Come (playing both in an early scene and again over the closing credits), Sonny Charnas remains characteristically unimpressed. “You call my son shrieking into a microphone like a meshuggah mental patient ‘singing’? That’s not heavy metal. I’m heavy metal."

Without A Face Announce Papercut Recordings Signing With New Double Single “Needful Things” & "Resurfacing (feat. Jacob Mathes of Orphan)"

Toronto musician and producer Kevin Rolly today introduces the next chapter of his unbridled deathcore powerhouse Without A Face with the release of “Needful Things,” a new double single out now alongside the official announcement of the project’s signing to Papercut Recordings. Listen to the double single HERE and find the YouTube visualizer BELOW.

The double single release features tracks "Needful Things" and "Resurfacing" (featuing Jacob Mathes of Orphan). Written and performed by Rolly, Without A Face channels unbridled aggression, pressure, frustration and catharsis into something visceral. The goal is simple, the music should provoke a reaction. Whether that response is discomfort, rage or recognition, indifference has no place in the equation.

The project first began gaining attention with the release of the EP Rat Poison, a short, apoplectic and explosive introduction that quickly found an audience within the modern deathcore community. The release earned strong support from platforms including Slam Worldwide and The Brutality Podcast, whose listeners helped amplify the project and ultimately recognized Rat Poison in the outlet’s year-end awards with a nomination for 'New Deathcore Band of the Year'.

That early momentum helped push Without A Face past 930,000 Spotify streams, 125,000 Apple Music streams and more than 340,000 YouTube views, establishing the project as one of the most promising new names emerging from the underground extreme music space.

Needful Things” now serves as the first release of a new era for Without A Face and the first under the Papercut banner.

Without A Face emerged after years of Rolly working professionally in music through production, engineering and underground rap. Although the work built experience and connections, he eventually felt pulled back toward the kind of heavy music that first shaped him. Records that felt volatile, visceral and impossible to ignore. Without A Face became the vehicle for returning to that space with intent.

The aggression that defines the music is grounded in real stakes. A neck injury in recent years, combined with ongoing hearing issues, left Rolly needing an outlet for his rage and frustration. Those searing emotions sit at the core of Without A Face, fueling the project’s unflinching intensity.

With “Needful Things” now released and the partnership with Papercut Recordings in place, Without A Face enters its next phase with momentum already building and more music expected to follow.

ABOUT WITHOUT A FACE

Without A Face is the solo project of Toronto musician and producer Kevin Rolly, created as an outlet for heavy music that carries real emotional weight. After years working professionally in music through production, engineering and underground rap, he returned to the extreme music that first shaped him, creating a project built on catharsis, urgency and impact.

Written and performed by Rolly, Without A Face turns lived experience, frustration and creative pressure into music designed to provoke a real emotional response.

Since launching the project, Without A Face has amassed over 1 million cross platform streams, and more than 340,000 views on YouTube, with early support from platforms including Slam Worldwide and The Brutality Podcast helping introduce the project to a rapidly growing heavy music audience.

Without A Face announced their signing to Papercut Recordings in March of 2026 with the release of double single "Needful Things" and the threat of more new music on the horizon.