GIRISH AND THE CHRONICLES Return with Hard-Hitting New Single “Generation Coward” OUT NOW via Frontiers Music Srl

GIRISH AND THE CHRONICLES are excited to unleash their new single “Generation Coward," along with an official visualizer, out now via Frontiers Music Srl.

The hard-hitting new single blends the band’s signature melodic hard rock and metal with modern alternative influences. Driven by crushing riffs, soaring melodies, and anthemic hooks, the track showcases a heavier, more contemporary edge while remaining unmistakably GATC.

The band commented:

“Lyrically, 'Generation Coward' is an unflinching reflection on fear, conformity, hypocrisy, and the silence that often surrounds human suffering in today’s world. In an age where tragedy unfolds in real time and outrage can be reduced to a passing moment on a screen, the song challenges listeners to question blind obedience, empty virtue, and our growing desensitization to injustice.”

Balancing melody with raw intensity, “Generation Coward” captures both the frustration and urgency of the times while pushing GATC’s sound into bold new territory. It is a powerful reminder that hard rock can still provoke thought as much as it delivers unforgettable hooks.

Watch the Official Visualizer for “Generation Coward” Below:

Over the last few years, GIRISH AND THE CHRONICLES have evolved from one of India's best-kept hard rock secrets into a truly international force. Fueled by extensive European touring and a widely acclaimed appearance on the hit American television show America's Got Talent, the band has experienced remarkable growth, expanding its audience far beyond its homeland and earning recognition among rock fans across the globe.

Staying true to the melodic hard rock and classic heavy metal foundations that have defined their sound from the very beginning, the band’s sound proudly embraces their roots while confidently pushing toward the future. A sound filled with big hooks, soaring choruses, electrifying guitar work, and a renewed sense of ambition.

At the heart of it all is frontman Girish Pradhan, whose unmistakable voice continues to set the band apart. Possessing a rare combination of power, range, grit, and emotion, Girish channels the spirit of the great rock singers of the past while maintaining a personality and charisma that are entirely his own. His commanding vocal performance elevates every track, bringing passion, intensity, and authenticity to the album's diverse musical landscape.

This is a band at the peak of its creative powers: proud of its heritage, energized by its international success, and ready to claim its place on the global hard rock stage. GIRISH AND THE CHRONICLES are no longer just one of India's premier rock exports - they are a band whose time has truly arrived.

Listen to "Generation Coward" HERE

PC: GATC and Ashish Limbu

Australian Hard Rockers AIRBOURNE Release New Single "Here She Comes" - Co-Written with Mutt Lange & Bryan Adams

When you're making an album that offers a 21-gun salute to hard rock’s proud past, its history and its heart, it makes perfect sense to align with writers and producers who have played a key role in championing the music worldwide, and who continue to do so.

Highly fitting, therefore, that AIRBOURNE’s latest single, "Here She Comes," out today, should and was co-written with Bryan Adams & Mutt Lange – names responsible for hundreds of millions of sales and for creating some of rock’s most revered and timeless releases, the likes of ‘Reckless’ and ‘Waking Up The Neighbours’ (global chart-toppers for Adams, the latter No. 1 in 11 different countries), and ‘Back In Black’ and ‘Hysteria’ (seminal albums produced by Lange for AC/DC and Def Leppard respectively, game-changers for the genre as a whole).

Watch the Visualizer for "Here She Comes" Below:

Add in the talents of producer Brian Howes (who helmed 2013’s ‘Black Dog Barking’ for AIRBOURNE), engineer Mike Fraser (who worked on 2010’s ‘No Guts. No Glory’ & 2016’s ‘Breakin’ Outta Hell’), mixing engineer Zakk Cervini (BMTH, Architects, Evanescence) and mastering legend Ted Jensen, and you have a track – Single 5 from the forthcoming self-titled studio album, out September 4th via Spinefarm – that manages to both box and charm the ears at the same time.

First there was do-or-die anthem ‘Gutsy’, then ‘Christmas Bonus’ (“Ho-ho-ho – let’s go!”), then ‘Alive After Death (Last Plane Out)’, officially No. 1 at German Rock Radio, and most recently ‘Kid In A Candy Store’, a rite-of-passage rocker in the spirit of AC/DC’s "Whole Lotta Rosie"; and now, blowing in hard on a festival-ready chorus and enough full-blooded ‘woahs’ to lift an arena roof or part the lower clouds, there’s ‘Here She Comes’, complete with guitar solo cranked high in the mix for maximum shoulder-straddling impact.

Lyrics like, "Here she comes, raising a hurricane, there she goes blowing my mind" might sound like they’re about one of vocalist/guitarist Joel O’Keeffe’s favourite subjects, women – which, to be fair, they are – but they also nod to the tropical storm that bore down on Music Farm Studio in Byron Bay, south-eastern Australia, as AIRBOURNE were recording, adding to a list of tribulations topped up by dangerous, potentially lethal wild-life and uncooperative vintage gear.

“It was like a hurricane came through,” recalls drummer Ryan O’Keeffe. “I remember screaming, ‘Get away from the windows!’ Streetie [bassist Justin Street] was sleeping in an old bus outside the studio, and a tree fell right next to it and almost crushed him!”

Adds brother Joel: “That’s how the song came about. It’s just out of this storm that blew in. Everyone was sitting there going, ‘Here she comes!’ Then we flipped it, and it became a bit of a double entendre. It’s so much fun.”

Pre-Order 'Airbourne' HERE

When AIRBOURNE – brothers Joel and Ryan O'Keeffe (vocals/guitar and drums, respectively), bassist Justin Street, and guitarist Brett Tyrrell – entered Music Farm Studioin southeastern Australia to record their new album, they effectively drew a line in the Byron Bay sand. The mission was clear: to create not only the greatest body of work in the AIRBOURNE canon ("Real blockbuster sh*t!," to echo their own words), but to scale the highest possible peak – shirtless, naturally, in true AIRBOURNE style – in the name of hard rock; to break new ground, defend the territory won by the heroes who came before them, and strengthen and celebrate the sacred bond with rock fans around the world.

In short, go forth and GET GUTSY!

Ryan: “This record distils everything we stand for into one place. Everything we love. It’s the best album we could possibly have made.”

“Everything we are as a band, our heart and soul, is in this record,” confirms Joel.

‘Airbourne’ is The Album, the statement recording, that only one band could have created; for proud sons of Warrnambool, Joel and Ryan, it was all about stepping up to the mighty task, staunchly protecting their beliefs and keeping the vision alive – no compromise, no corners cut, still no ballads (or bullshit); and if that meant staring down deadly snakes and even deadlier super-sized spiders, then so be it. Bring it on, Big Boy!

‘Airbourne’. Made with passion. Made in Australia. The Great Barrier Riff.

AIRBOURNE Live:

July 30 – Rockstadt Extreme Fest, Romania

August 1 – Wacken Open Air, Germany

August 4 – Tipos Arena, Slovakia

August 7 – Wasserschloss Klaffenbach, Germany

August 8 – Rockowizna Festival, Poland

August 10 – Forum Karlin, Czech Republic

August 12 – Summer Breeze, Germany

August 14 – Reload Festival, Germany

August 16 – Motocultor Festival, France

August 18 – Navarra Arena, Spain

August 20 – Roig Arena, Spain

August 22 – V And B Festival, France

August 26 – Klub Studio, Poland

August 29 – Helitehas, Estonia

August 31 – Allas Sea Pool, Finland

September 3 – Tivoli Grona Lund, Sweden

September 5 – High Voltage Live, Norway

MALVADA Share New Single “Anymore (English Version of “Aversa~O”)”

Women-led, talented Brazilian Rock band MALVADA are pleased to share the new single and official visualizer for 'Anymore (English version of “Aversa~o”)', as part of the digital deluxe edition of their self-titled album, originally released in June 2025 and out now via Frontiers Music Srl.

The band commented: “Anymore” is about breaking free from a relationship built on manipulation, greed, and lies. It's the moment when someone stops seeing the other person through a fantasy, recognizes the truth behind the mask, and decides to close the door on everything that no longer deserves a place in their life. At its core, the song is about liberation, self-awareness, and reclaiming your own strength”.

Watch the Official Visualizer for

“Anymore (English version of “Aversa~o”)” Below:

The rising star of the Brazilian rock scene has a name: MALVADA, and they are ready to take over the world!

MALVADA was initially formed in March 2020, during the beginning of the pandemic. With a rock n' roll style full of personality, the band quickly attracted attention as one of the most promising acts in the Brazilian rock scene.

In January 2021, MALVADA released their first single entitled "Mais Um Gole", which gained greater prominence in the scene. Shortly afterward, in May of the same year, it was time to release the second single "Cada Escolha uma Renúncia", which preceded the launch of the band's debut album, "A Noite Vai Ferver". 

In the years 2022 and 2023, MALVADA solidified its presence on the national rock panorama, performing more than a hundred shows in several cities in Brazil. The band had the privilege of participating in huge festivals, such as Rock in Rio, Best of Blues and Rock, Angra Fest and Chama Rock, sharing the stage with renowned national and international rock names, like Pitty, Ira!, Angra, Viper, Edu Falaschi, Matanza, Golpe de Estado, Extreme and Tom Morello.

In November 2023, MALVADA, composed of Indira Castillo, Bruna Tsuruda, Rafaela Reoli and Juliana Salgado surprised with a big announcement: the band has become the newest signee of the prestigious Italian label Frontiers Records, which has renowned bands in its catalog such as Mr. Big, Asia, Whitesnake, Jeff Scott Soto, among others, promising to take them to a new level, with opportunities to expand their reach and conquer the global market.

Their latest self-titled album, released last June and produced by the Brazilian Grammy awarded producer Giu Daga, delivers a powerful and exciting musical experience, featuring tracks in both English and Portuguese, setting the bar for the band to conquer a global audience. 

MALVADA recently toured Europe with Michael Schenker, wrapping the tour up last month, and are set to play again at Rock in Rio in September, along with Bring Me The Horizon, Avenged Sevenfold, Bad Omens and Poppy.

MALVADA are:

Indira Castillo - Vocals

Bruna Tsuruda - Guitar

Juliana Salgado - Drums

Rafaela Reoli - Bass

ESOTERIK Shatter the Binary with New Single “No Absolutes”

ESOTERIK unveil their new single “No Absolutes,” a hypnotic and high-impact track that captures the tension between spiritual awakening and human volatility. Built on down-tuned riffs, syncopated industrial rhythms, and a massive electronic low-end, the song delivers a collision of polished mechanical precision and raw emotional release.

Where the band’s previous single “Cycles” introduced listeners to the agonizing loops of human repetition, “No Absolutes” violently shatters the wheel. The track rejects artificial moral binaries and societal expectations of perfection, urging listeners to embrace the fractured, chaotic, and beautifully imperfect nature of the human journey.

At the center of the song is Allison Eckfeldt’s dynamic vocal performance, moving seamlessly from intimate, haunting whispers to explosive, confrontational anthems. Her delivery mirrors the track’s central theme: the divided self is not something to be conquered, but integrated.

Musically, “No Absolutes” was crafted to feel expansive, heavy, and precise. The band relied on a Mesa Boogie Mark V amplifier to preserve mid-range clarity while cutting through the electronic weight of the production. Rhythm guitars were re-amped and doubled with a wide left-right panning spread, carving out a powerful center channel for Allison’s vocals to strike with maximum impact. Subtle octave layers lift the choruses, giving the track added depth and scale at its most explosive moments.

The single’s visual identity expands the song’s philosophy through sacred geometry. The cover art features the Vesica Piscis, an ancient symbol formed by the intersection of two identical circles and often associated with creation, duality, and the meeting point between the spiritual and physical worlds. Wrapped in protective shielding and untamed thorny vines, the imagery reflects the song’s thesis: we are not fragmented, warring personalities, but one unified being experiencing life across multiple frequencies.

With “No Absolutes,” ESOTERIK deliver a sonic manifesto for anyone caught between contradiction and self-acceptance. Heavy, hypnotic, and emotionally charged, the single stands as one of the band’s most urgent and resonant releases to date.

ESOTERIK Is:

Allison Eckfeldt (Vocals)
Brady Bledsoe (Instruments/Vocals)


Connect With ESOTERIK:

Official Website: https://www.esoterikmusic.com/
YouTube: https://www.youtube.com/@kazlovesbats
Instagram: https://www.instagram.com/esoterik_music
Facebook: https://www.facebook.com/esoterikmusic

Dissonant Black Metal Project AGONANIST Launches New Single "The Gateway" + Visualizer

AGONANIST, the experimental black metal project spearheaded by Tyler Henthorn, proudly launches it's new single "The Gateway," taken from the upcoming sophomore album 'The Spirit of Gravity,' set for release on August 28th via Transylvanian Recordings. The new track arrives alongside a visualizer.

Equal parts haunting and transcendent, "The Gateway" embraces abstraction to evoke the infinite, inviting listeners to contemplate the impermanence of life and the inevitability of what follows. In the artist's own words, the song is about "death and infinity."

Watch the Premiere of the Visualizer for "The Gateway" Below:

AGONANIST is the experimental music project of multidisciplinary artist Tyler Henthorn, based in San Francisco. 

The debut album, 'The Cynicism of Solitude,' was released by Transylvanian Recordingsin 2020. It was written and recorded while Henthorn was living nomadically between London and Ho Chi Minh City, and features microtonal guitars that were hand-fretted by Henthornusing a jeweler's saw. He also built an improvised zither using fencing wire and piano tuning pegs, played with a bow. Field recordings captured in Vietnam are present on the album. 

The project's second album, 'The Spirit of Gravity,' is forthcoming in 2026 on Transylvanian Recordings. It was produced in Ho Chi Minh City and the entire album features guest work by Andrew Lee (Ripped to Shreds), Colin Marston (Krallice, Gorguts, Behold the Arctopus), and Kevin Paradis (Benighted, Svart Crown). Microtonal guitars, bass, and keys are used throughout the album, with side A being a mix of 17ET and 12ET, and side B of 22ET. 

Henthorn comments about the album:

"'The Spirit of Gravity' represents inevitability, our experience of time being an illusion, causality being a continuous web that spans the entire universe where everything exists at once in a splatter of liquid."

Pre-Order 'The Spirit of Gravity' HERE

The name AGONANIST is taken from an English translation of a short story by the Polish science-fiction writer Stanisław Lem, wherein a civilization has engineered itself beyond recognition and robots have created a monastic religion which promises nothing. 

Lyrically, AGONANIST explores existential themes, drawing on ideas from literature such as the writing of Nietzsche, Pessoa, Cioran, and Camus. Sonically, the project sits adjacent to dissonant black metal in the vein of Deathspell Omega, Blut aus Nord, Xasthur, and Krallice.

Misery Index Release Ferocious New Single "Feral Future"

After 25 years, Misery Index continue to stand tall at the forefront of extreme music. The band, which features current and former members of Dying Fetus and Pig Destroyer, started 2026 off strong by re-signing to Season of Mist. Now, as they prepare to embark on a headline tour of Europe and the United Kingdom, the firebrands are unleashing their first new single in four years. While still the product of their high-intensity combination of death metal and grindcore, “Feral Future” answers the call of the wild.

“‘Feral Future’ is about changing the way we think about our relationship with nature”, Misery Index bassist and vocalist Jason Netherton says. “Nature isn’t something we rule over or exist outside of. It’s something we are immersed in everywhere all the time. This song champions the rewilding of damaged and corrupted human spaces and reclaims a more feral connection that respects the sublime wonder of nature”.  

Watch the lyric video for “Feral Future” below.

Stream “Feral Future”

https://orcd.co/miseryindexferalfuture

Misery Index An Epitaph for Endtimes EU + UK Summer Tour 2026

July 28 - Helsinki, Finland @ Kult [TICKETS]

July 30 - Wacken, Germany @ Wacken Open Air [TICKETS]

August 1 - Dortmund, Germany @ Dortmund Death Fest [TICKETS]

August 2 - Saint Maurice de Gourdans, France @ Sylak Open Air [TICKETS]

August 4 - Deinze, Belgium @ Elpee [TICKETS]

August 5 - The Hague, Netherlands @ Musicon [TICKETS]

August 6 - Schlotheim, Germany @ Party San Open Air [TICKETS]

August 8 - Swansea, United Kingdom @ Sin City [TICKETS]

August 9 - Manchester, United Kingdom @ Rebellion [TICKETS]

August 11 - Bridgwater, United Kingdom @ The Cobblestones [TICKETS]

August 13 - Munich, Germany @ Backstage [TICKETS]

August 14 - Dinkelsbühl, Germany @ Summer Breeze [TICKETS]

August 15 - Sulingen, Germany @ Reload Festival [TICKETS]

On “Feral Future”, Misery Index keep their social commentary razor-sharp. The band’s new single was one of the very first songs written for their upcoming eighth full-length and its untamed energy helped shape the album’s thematic core. Adam Jarvis pounds his drums until they’re one with the dirt while Mark Kloeppel and Darin Morris sharpen their axes into a filthy headbanging groove.

“This is our future”, Netherton growls during its final blood-pumping sprint. “Feral Future” might be a grim warning for the fate of our planet, but for Misery Index, it’s a sign of more greatness to come.  

The lyric video for “Feral Future” was created by Cloud Motion Design.

Misery Index previously released Live in Munich (2013), The Killing Gods (2014) and Rituals of Power (2019) with Season of Mist. The Killing Gods and Rituals of Power are available now through the label’s web shop.

Order

https://redirect.season-of-mist.com/MiseryIndexShop

“Misery Index is a band for the hellish news cycle we are all trapped in”, Invisible Oranges wrote in a review of Complete Control.      

Now, having toured their previous album extensively since 2022, Misery Index are back with Season of Mist ahead of their upcoming eighth full-length album. The band released their first new single in four years, “Feral Future”, ahead of their An Epitaph for Endtimes European and United Kingdom summer tour.  

Lineup

Jason Netherton - Bass, Vocals

Mark Kloeppel - Guitar, Vocals

Darin Morris - Lead guitar

Adam Jarvis - Drums

Songwriting credits

Music by Jason Netherton and Adam Jarvis

Lyrics by Jason Netherton

Production credits

Mixed by Ricardo Borges

Mastered by Jens Bogren at Fascination Street Studios

Booking contact

Enzo Marangelli (enzo@decibel-touring.com)

Order

https://redirect.season-of-mist.com/MiseryIndexShop

Follow Misery Index

Website: http://www.miseryindex.com

Bandcamp: https://miseryindex.bandcamp.com/

Spotify: https://open.spotify.com/artist/1kTUJy3zL57iEANLB9FpIA

Apple Music: https://music.apple.com/us/artist/misery-index/41588457

YouTube: https://www.youtube.com/c/MiseryIndexOfficial

Facebook: https://www.facebook.com/MiseryIndex

Instagram: https://www.instagram.com/miseryindex.official/

X: https://x.com/MiseryIndex

Iconic Hard Rockers NIGHT RANGER Share Newly Remastered Single "Sister Christian (2026)" + Visualizer

Today, hard rock legends NIGHT RANGER are proud to share the newly remastered version of their classic power ballad, "Sister Christian (2026)," taken from their upcoming ‘Best Of’ album, set for release on August 28th via Frontiers Music Srl. The new single arrives alongside an official visualizer, available below.

'Best Of' features newly remixed & remastered versions of classic hits spanning NIGHT RANGER’s illustrious career, alongside some standout tracks from the band’s more recent releases. The album will be released on both CD and Vinyl. The double LP is available in 3 different colors: black, gold, & orange splatter.

"The new 'Best Of' is a celebration of not only our classic hits but also what we’ve created over the last 20 years. And we’re just gonna keep cranking it cause we’re having too much fun to stop! So enjoy the ride and see ya on the road!” – Jack Blades

Watch the Visualizer for "Sister Christian (2026)" Below:

Few bands have defined the sound of American melodic rock quite like NIGHT RANGER. From the soaring anthem of “Sister Christian” to the thunderous riffs of “Don’t Tell Me You Love Me," and fan favorites like “You Can Still) Rock in America” this album’s ‘Best Of’ collection captures the very essence of their decades-long career — now refreshed for 2026.

Featuring the classic hits alongside standout tracks from their more recent albums, this compilation spans the full spectrum of NIGHT RANGER’s signature sound: anthemic choruses, blazing guitar solos, and unforgettable melodies. Highlights include the power-pop perfection of “(You Can Still) Rock in America,” the heartfelt balladry of “When You Close Your Eyes,” and the cinematic sweep of “Four in the Morning.”

But the ‘Best Of’ is not just a look back. It also celebrates the band’s creative output over the last 20 years, spotlighting tracks like “Time of Our Lives,” “High Road,” “No Time to Lose,” “Somehow Someway,” and “Truth,” proving that NIGHT RANGER’s energy, songwriting, and musicianship have only grown stronger with time. These songs show that the band continues to innovate while staying true to the melodic rock roots that made them legendary.

The band — Jack Blades (bass and vocals), Kelly Keagy (drums and vocals), Brad Gillis(guitars), Eric Levy (keyboards), and Keri Kelli (guitars) — delivers every track with the energy and precision that have kept NIGHT RANGER at the forefront of rock for more than four decades.

This ‘Best Of” album also features two bonus tracks that make this collection of songs truly special: a fresh take on “Wasted Time” recorded live off the floor at Sweetwater Studios, also accompanied by an exclusive music video, and a festive live performance of “Feliz Navidad” that showcases the band’s playful side.

Perfectly timed ahead of their summer 2026 tour, this ‘Best Of’ album serves as both a definitive introduction for new fans and a must-have collection for longtime followers. Whether revisiting the classics or discovering the new 2026 remasters, NIGHT RANGER’s ‘Best Of’ is a celebration of enduring melodies, electrifying performances, and the unforgettable spirit of one of rock’s most iconic bands.

Pre-Order ‘Best Of’ HERE

NIGHT RANGER Live:

7/17/2026 Fond Du Lac County Fair

7/18/2026 – St. Louis, MO @ Hollywood Casino

7/24/2026 – Mahnomen, MN @ Shooting Star Casino

7/25/2026 – Bay City, MI @ Veterans Memorial Park

7/26/2026 – Detroit, MI @ Sound Board inside Motorcity Casino Hotel

8/8/2026 – Lincoln City, IN @ Lincoln State Park Amphitheatre

8/14/2026 – Louisville, KY @ The Louisville Palace

8/15/2026 – Gibson City, IL @ Gibson City Summer Bash

9/4/2026 – Du Quoin, IL @ Du Quoin State Fair

9/6/2026 – Essex Junction, VT @ Champlain Valley Expo

11/13/2026 – Las Vegas, NV @ Kiss Kruise Landlocked in Vegas 2026

11/14/2026 Las Vegas, NV @ Kiss Kruise Landlocked in Vegas 2026

11/15/2026 – Las Vegas, NV @ Kiss Kruise Landlocked in Vegas 2026

2/27/2027 – New Orleans, LA @ The 80s Cruise

2/28/2027 – New Orleans, LA @ The 80s Cruise

3/1/2027 – New Orleans, LA @ The 80s Cruise

3/2/2027 – New Orleans, LA @ The 80s Cruise

NIGHT RANGER are:

Jack Blades: lead vocals, bass guitar

Brad Gillis: lead guitars

Kelly Keagy: lead vocals, drums

Keri Kelly: lead guitars

Eric Levy: keyboards

Kami Kehoe Goes All In: "THE END" Out Now, New Album "LOVE IS A WEAPON" Coming August 28

Alt-rock star on the rise, Kami Kehoe, bares her heart on new single, "THE END", out now via Atlantic Records, alongside the announcement of her highly anticipated record, "LOVE IS A WEAPON", arriving on August 28th. Following the runaway success of her "KANDY" EP, which racked up millions of streams and over 100 million views in short form content, Kami Kehoe continues to raise the stakes with "LOVE IS A WEAPON", a full-length album rooted in a defining truth: love can destroy you, or it can rebuild you. Pre-save the upcoming album "LOVE IS A WEAPON" HERE.

Exploring the duality of love as both a source of empowerment and destruction, "LOVE IS A WEAPON" finds Kami Kehoe turning heartbreak, vulnerability, and resilience into 15 tracks that lean into danger and desire. Pivoting away from her "KANDY" EP, which chronicled heartbreak and healing,"THE END" builds on the central theme of devotion on the upcoming record, finding Kami Kehoe in the aching promise of loving someone throughout distance, doubt and everything in between.

Hot on the heels of her latest singles "DIRTY", "PSYCHO", smash hits "DOPAMINE" and "FADE OUT,", and a nationwide tour supporting Daughtry, Seether, and POD (which saw her regularly invited to join them on stage), Kami continues to cement her place as one of the genre's most magnetic rising voices. Named as one of Pandora's Artists to Watch in 2026 (The Pandora Ten) and continuing to rack up spins on Sirius XM's Octane, Kami is set to take on some of the country's biggest stages this fall as support for Breaking Benjamin.

With signature gritty guitars, atmospheric production, and Kami's evocative vocals, her smash hit, "FADE OUT" closed out 2025 as one of her most emotionally charged releases to date. The track capped off her "KANDY" EP era that documented the full arc of heartbreak and healing, garnering millions of streams, 100 million views in short form content, and viral popularity worldwide. Her hit single, "DOPAMINE", earned over 30 million streams and hit #11 on Sirius XM Octane's "Big Uns" Countdown, spotlighting her growth in the modern rock landscape.

Carving out her own space in the alt-rock world, Kami Kehoe has impressively amassed over 105 million streams and more than 2 million social media followers by blending a sultry, velvety vocal with a hard-charged rock energy. Since breaking out with the viral hit “SLEEP WHEN I’M DEAD”, she has continued to evolve her sound—infusing shoegaze, metal, and hip-hop influences into her music while remaining unapologetically authentic.

Be sure to stay tuned for more Kami Kehoe news coming very soon.

Adding to an already landmark year, Kami will be joining rock's most established names at Rock Fest (WI) this weekend before embarking on a run alongside Breaking Benjamin, Chevelle, and Starset for a nationwide tour this fall, hitting Louisville's iconic Louder Than Life Festival along the way.

KAMI KEHOE

BREAKING BENJAMIN TOUR



Sep 2 | Camden, NJ | Freedom Mortgage Pavilion

Sep 3 | Bridgeport, CT | Hartford HealthCare Amphitheater

Sep 5 | Wantagh, NY | Northwell Health at Jones Beach Theater

Sep 6 | Holmdel, NJ | PNC Bank Arts Center

Sep 9 | Toronto, ON | RBC Amphitheater

Sep 10 | Darien Center, NY | Darien Lake Amphitheater

Sep 12 | Allegan, MI | Allegan County Fairgrounds

Sep 13 | Clarkston, MI | Pine Knob Music Theatre

Sep 15 | Burgettstown, PA | The Pavilion

Sep 16 | Noblesville, IN | Ruoff Music Center

Sep 18 | Tinley Park, IL | Credit Union 1 Amphitheatre

Sep 20 | Council Bluffs, IA | Mid-America Center

Sept 22 | Shakopee, MN | Mystic Lake Amphitheater

Sep 24 | Riverside, MO | Morton Amphitheater

Sep 25 | Maryland Heights, MO | Hollywood Casino Amphitheatre

Sep 28 | Denver, CO | Ball Arena

Sep 30 | West Valley City, UT | Utah First Credit Union Amphitheatre

Oct 2 | Las Vegas, NV | Michelob Ultra Arena

Oct 3 | Anaheim, CA | Honda Center

Oct 5 | Phoenix, AZ | Talking Stick Resort Amphitheater

Oct 7 | Albuquerque, NM | First Financial Credit Union Amphitheater

Oct 10 | The Woodlands, TX | Cynthia Woods Mitchell Pavilion

Oct 12 | Fort Worth, TX | Dickies Arena

Oct 13 | Rogers, AR | Walmart Arkansas Music Pavilion

Oct 16 | Tuscaloosa, AL | Mercedes-Benz Amphitheatre

Oct 17 | Alpharetta, GA | Ameris Bank Amphitheatre

Oct 20 | West Palm Beach, FL | iTHINK Financial Amphitheatre

Oct 23 | Raleigh, NC | Coastal Credit Union Music Park

Oct 24 | Bristow, VA | Jiffy Lube Live

The Ocean Share New Single "Belligerence"

"Belligerence," the second single off The Ocean's upcoming 12th studio album Solaris is a heavy one: A song that makes reference to the band's older albums while imbuing it with a fresh sense of intensity. Listen below.

New vocalists Enrico Tiberi's vocals deliver a familiarity and energy that is sure to resonate with long-time fans of the band. Meanwhile, Lane Shi (Otay:Onii), who used to sing for the American band Elizabeth Colour Wheel, adds a new direction to The Ocean's sound, comprising elements and experience as a musician and performance artist who has appeared at events such as CTM, Biennale, or as part of Florentina Holzinger's polarizing opera Sancta. When Shi's and Tiberi's voices meet in the harmonized verses, it's moments of unprecedented beauty. 

"Belligerence" draws parallels between the cosmic explorations of Tarkovsky's 1972 film Solaris — the inspiration behind the band's new album — and the explorative nature of artists and current-day political leaders. One of the last lines of the lyrics of "Subatlantic," the closing track of Holocene is "prepare for departure" — invoking the idea of a group of survivors embarking on a ship to take them away from a sinking mothership earth, to build a new place to live in space.

Solaris is an album that tells a story of cosmic escapism:  journey on that ship, which is essentially a celestial rescue boat escaping from a metaphorically sinking Mother Earth. The rescue boat can be imagined as a historic naval vessel, and the lyrics and episodes of the album  make reference to the real-life explorers of the past who set out to discover (back then) unknown continents and uncharted territories: Da Gama, Magellan, Sir Frances Drake, as well as the Polar explorers Amundsen, Scott, Rasmussen etc.

The stories of these historic journeys all share similar elements: Storms, disease, wreckage, power games, personal rivalries, egos, belligerence, mutiny, AND finally the quest for truth and justice. While most explorers initially had noble motives and were driven by a limitless spirit of exploration and discovery which was stronger than the many hardships suffered along the way, their legacy is often stained with cultural imperialism, genocide and tales of dictatorial leadership.

Far from being a glorification of male, white explorers who sought to colonize unknown worlds, or a romanticization of patriarchal constructs, Solaris draws a line between these extremely driven explorers and present-day political leaders. It poses questions of the shadowy darkness of being a "great" leader, it queries the very notion of a divine calling and the cost of following such an instinctive pull. It also traces the shape of these psychological patterns into the creative world and applies the same lines of enquiry to creative forces. Can exploration be redefined to be conceived as a process of silent observation, documentation and learning, rather than bequeathing our own ideas and values on others?

The album serves as a critique of the underlying motives and psychological dispositions of an explorative mindset and a thirst for power. It is an existential questioning, a probe of reason of the general purpose of technological advance, in the specific light of the destruction of our habitat. It's a dystopian outlook into a future where Earth has become uninhabitable – not despite, but as a direct consequence of human intelligence, as the foundation of technological advance.

The band comments, "'Belligerence' is a song about the culture of arguing and about the destructive force of contained anger and belligerence as a trait of character, often transfigured as an attribute of reason and a critical mind."

THE OCEAN IS:
Robin Staps — Guitar, Cocals
In addition, the following musicians performed on this record:
Mattias Hägerstrand — Bass 
Jordi Farré — Drums + Percussion
Thorsten Quaeschning — Keys 
Enrico Tiberi — Vocals + Keys
Lane Shi — Vocals 
Emmanuel Jessua — Guitar
Marco Gennaro — Guitar 
Orestis Zafiriou – Keys
Simen Eifring — Trombone
Jiawei Zhang — Vibraphone

Atmospheric Progressive Metal Act FALLEN LETTERS Present "A Familiar Absence"

Hailing from Bengaluru, India, FALLEN LETTERS infuse powerful storytelling into a progressive, heavy sound that refuses to shy away from emotional vulnerability. The new single release, "A Familiar Absence", sees the band continue to develop their style expanding further into heavier realms with contrasting moments of fragility and unease. 

On "A Familiar Absence" the band shares:

"With 'A Familiar Absence', FALLEN LETTERS ventures into darker territory than ever before. Blending eerie atmospheres, expansive melodies and crushing progressive metal, the song feels both intimate and unsettling, moving between fragile restraint and overwhelming catharsis.

Set against the backdrop of a psychological narrative, 'A Familiar Absence' blurs the line between memory and reality, inviting listeners to piece together its meaning with each listen. Rather than revealing its secrets outright, it lingers like a forgotten memory—familiar, elusive, and impossible to shake long after the final note fades.

Built on a foundation of progressive metal, the track incorporates shades of death, black and post-metal while maintaining the band’s signature focus on melody, atmosphere and storytelling."

"A Familiar Absence" emerges with a repeating lead motif and driving momentum in the accompanying rhythm. A sense of urgency and foreboding rises through the instrumental layers across the track. Melodic moments, brighter tones and progressive touches introduce a sense of calm, while the thunderous heavy passages and explosive vocal performances signify something darker. 

"A Familiar Absence" was produced by FALLEN LETTERS. The single release was mixed and mastered by Johan Martin, with the cover artwork created by Aleh Zelenkevich. 

About FALLEN LETTERS:

FALLEN LETTERS is a progressive metal band from Bengaluru, India, formed in 2023. In a short span, the band has positioned itself as one of the most compelling new voices in India’s heavy music landscape, combining atmospheric restraint with crushing intensity while placing emotional and psychological depth at the core of its songwriting.

2025 brought the release of their debut album Mindfractures which has accumulated over 150,000 streams. FALLEN LETTERS have toured multiple Indian cities and earned recognition from Rolling Stone India, The Hindu and appeared on Spotify's editorial playlists.


FALLEN LETTERS is:

Vocals / Guitars / Synths – Vishal Naidu
Guitars – Aditya Ramesh
Bass – Abhay
Drums – Mukund


Connect With FALLEN LETTERS:

Official Website: https://fallenlettersband.com/ 
Bandcamp: https://fallenletters.bandcamp.com/album/mindfractures
Facebook: https://www.facebook.com/fallenlettersband/
Instagram: https://www.instagram.com/fallenlettersband/
YouTube: https://www.youtube.com/@fallenlettersband/

THE L.I.F.E. PROJECT—Feat. Stone Sour’s Josh Rand & Casandra Carson—Unveil New Single “You Can't Bring Me Down” OUT NOW via Frontiers Music Srl

THE L.I.F.E. PROJECT - the dynamic collaboration between guitarist and songwriter Josh Rand (Stone Sour) and powerhouse vocalist Casandra Carson (Paralandra, Casandra’s Crossing) – is thrilled to unveil the new single, “You Can’t Bring Me Down," out now via Frontiers Music Srl, along with an official visualizer. The track was originally released by Suicidal Tendencies in 1990 and recorded in a new, powerful version by Rand and Carson.

Josh Rand commented:

"I can’t think of a better way to kick things back off after some downtime than with this track. Suicidal Tendencies’ 'Lights…Camera…Revolution!' is one of my top five all-time favorite records. The lyrics to this track are just as relevant today as they were the day it was released, making it timeless. I hope you enjoy it as much as we did recording it. Turn it up!!”

Casandra Carson also stated:

“This felt like the perfect song for Josh and me to cover for a lot of reasons. First off, it’s an absolute headbanger, and that’s reason enough, but beyond that, I resonate deeply with the lyrics and the message. It’s all about refusing to conform or compromise your beliefs and standards just to fit in with the crowd, and songs like that have always lit a fire in me”.

I’ve been in the music industry for over a decade now, and I’ve been criticized, doubted, and told ‘no’ more times than I can count, but I’ve never let that stop me from doing what I love or doing it my way, ‘regardless what the cost might be’. That mindset is exactly why this song still resonates so strongly today, and why it felt like the right one for us to put our own spin on”, she added.

Watch the Official Visualizer for “You Can’t Bring Me Down” Below:

Born from a shared musical vision and an undeniable creative chemistry, THE L.I.F.E. PROJECT represents a fresh and compelling artistic union. While Rand had long envisioned launching a female-fronted project, it wasn’t until 2020 - when a mutual connection introduced him to Carson - that the idea truly began to take shape. What started as an exploratory collaboration quickly evolved into something far more meaningful, laying the groundwork for a project driven by purpose and artistic synergy.

Musically, THE L.I.F.E. PROJECT fuses Rand’s signature heavy riffs and affinity for strong melodic hooks with Carson’s commanding and versatile vocal delivery. Drawing inspiration from classic metal, thrash, and progressive influences, the project channels the raw energy and spirit that first inspired Rand to pick up the guitar, while offering Carson the opportunity to explore new sonic and emotional territories.

Over time, the band has crafted a distinct sound that balances intensity with accessibility, underpinned by a natural creative partnership. Their material reflects a thoughtful and organic development process, allowing ideas to evolve freely and cohesively.

Lyrically, THE L.I.F.E. PROJECT sets itself apart by venturing beyond traditional rock themes, embracing broader narratives and concepts. Their songs often draw from history, social issues, and real-world tensions, exploring themes such as empowerment, resistance, and societal challenges. This approach adds depth and substance to their music, complementing its powerful sonic foundation.

Line Up:

Casandra Carson - Vocals

Josh Rand - Guitar

Deathcore Act SARCOMA Present New Explosive Single "En Llamas"

"En Llamas", which translates to "on fire, or in flames" is an explosion of aggression. The latest single to land from Ecuador's extreme metal act SARCOMA, it is a brutal and ferocious offering designed for the mosh pit. "En Llamas" arrives ahead of SARCOMA's forthcoming album that is set to release later in 2026. 

SARCOMA comment on "En Llamas":
"From its inception, when there were just a couple of riffs, we immediately got the feeling that this one was meant to be about violence and perfect for frantic moshpits. Lyrics refer to exhaustion, laceration and the burning sensation of a deadly circle pit.

It's all about avoiding being crushed by this deadly vortex while the band keeps feeding it with a fiery beat.

The same overlaying theme of proving oneself is also subtly present, this time in the live show scenario."

Musically, "En Llamas" is a hybrid of Latin and extreme metal styles. The track is powered by beats drawing from Latin and modern death metal, with blackened death metal riffs and a Latin / metallic hardcore chorus. Over the course of the song's arrangement, there is a further sonic shift and the track ends with a progressive breakdown and an apocalyptic mood. 

Obliterating rhythms establish the untamable power of "En Llamas" in the first moments of the track. Eerie dissonance returns throughout the track's arrangement enhancing a dark tension and sense of unease. Contrasting intense speed with a slow and unrelenting pace, "En Llamas" demonstrates SARCOMA's extreme nature over multiple forms. 

Hidden ahead of the first chorus is the subtle audio sample, “welcome to hell”. A brief line of dialogue from Pinhead to one of his victims, it was taken from one of the Hellraiser movies. This continues SARCOMA's theme of utilizing audio samples to enhance the themes of their music. 

"En Llamas" was produced by Juan Pablo Flores and recorded at Valley of the Death recording studio. The single was mixed and mastered by Juan Pablo Rivas. 

About SARCOMA:
SARCOMA is the first Spanish-language deathcore band in the world. Formed in Quito, Ecuador, in 2006, the quartet launched their debut EP Silenciosa Tortura independently that same year. 2016 brought a hiatus until seven years later, in 2023, original members Santiago Romero and Juan Pablo Flores returned to write new music, now joined by Andrés Jaramo (drums) and Andrés Éguez (bass). 

During SARCOMA's first incarnation, following the first EP, the band released the debut, self-titled full-length album in 2008 with the Esclavitud del Siglo XXI EP arriving in 2013. The band embarked on a heavy national and international touring schedule in neighboring countries. 

SARCOMA's unmistakable style, technical precision, and impressive live performances led them to be considered, by the media and the public alike, as the undisputed "fathers of deathcore" in South America. In early-mid noughties, the band's unique mix of hardcore and death metal elements was something unheard of in the country at the time.

The band's sound draws influence from the likes of DECAPITATED, DYING FETUS, KNOCKED LOOSE, SEPULTURA, DESPISED ICON, GOJIRA, with the addition of progressive elements and a thematic focus on their life experiences and environment of Latin America.

2023 saw the band return with renewed vigor and intent unleashing the EP Mesak, the live releases Al Rojo Vivo and En Vivo En Quito in 2024, and "Divino Poder" single in 2025, all via Valley of the Death. SARCOMA wasted no time returning to the live stage in 2023 venturing on the Mesak Ecuador National Tour, along with performances at Mechanimal Fest and Quitofest. 

SARCOMA Is: 
Santiago Romero (Vocals)
Juan Pablo Flores (Guitar / Vocals)
Andrés Jaramo (Drums)
Andrés Éguez (Bass)

Connect With SARCOMA:
Bandcamp: https://sarcomaec.bandcamp.com/music
Facebook: https://www.facebook.com/sarcomaecuador
Instagram: https://www.Instagram.com/sarcomaecuador

YouTube: https://www.youtube.com/@SARCOMAEC
Spotify: https://open.spotify.com/artist/3w5oB1ujWelLK4xPXR4fEZ?si=vj-DZzOZS2e0HkUHjUrpjw
Apple Music: https://music.apple.com/ca/artist/sarcoma/1655035683
Twitter/X: https://x.com/sarcomaec 
TikTok: https://www.tiktok.com/@sarcoma.ec

DED Release Deluxe Edition of "RESENT" Today + Share "Denouncer"

DED  — Joe Cotela (vocals); Alex Adamcik (guitar); Kyle Koelsch (bass); and Matt Reinhard (drums) — are pleased to release the deluxe version of their September 2025-released album RESENT via UNFD.

Get it here.

RESENT: Deluxe Edition will feature unreleased tracks and demos, adding 11 new tracks to the original 12-track album and offering fans a deeper look into the creative sessions that ultimately shaped RESENT.

Today, they share "DENOUNCER," which premiered at SiriusXM's Octane. 

Listen Below:

The RESENT Deluxe edition expands on the band's third studio album with five additional songs, including the previously released single "Weapon" and the aforementioned "DENOUNCER." It also features three tracks that were strong contenders for the original album but ultimately didn't make the final tracklist, along with six demos ranging from raw early ideas to near-finished recordings.

"We thought it would be cool to put everything out there and give people a look behind the curtain," says frontman Joe Cotela. "These songs and demos were all part of the creative process behind RESENT, and we wanted fans to hear the full picture of what we were working on during that era."

Speaking about "DENOUNCER," Cotela explains, "I've always loved this song. I wanted it on the record, but I think it ended up feeling a little left-of-center compared to the rest of the album. It's not necessarily a strange song, but it has a different energy and perspective that made it stand apart from the other tracks. Looking back, that may be exactly what makes it interesting.

"At its core, the song is about finding your own spiritual power and refusing to hand that power over to people who want to use fear, guilt, or authority to control others. A lot of the inspiration came from seeing evangelists, institutions, politicians, and religious figures use faith as a tool for influence rather than a path to connection. The song isn't about attacking pure religion or telling people what to believe. It's about questioning anyone who claims to speak on behalf of something greater or weaponizing that for gain while using that position to manipulate others.

"For me, spirituality, faith, love, energy, life, death, the essence of being alive—those are deeply personal experiences. No other human being can define my relationship with the universe, with the creator, or with whatever connects us all. I believe people should be encouraged to look deep within themselves, ask questions, and find their own path rather than externally and faithfully following someone else's version of truth. Ultimately, 'DENOUNCER' is a reminder that we should question everything we think we know—not from a place of cynicism, but from a place of curiosity, growth, and personal freedom. Well, maybe a little cynicism."

Overall, the deluxe is a "must-listen" for fans.

DED will hit the road this July on a headline tour with support from Dropout Kings and VRSTY. All dates are below.

DED ON TOUR:
WITH DROPOUT KINGS + VRSTY:
7/11 — Phoenix, AZ — The Rebel Lounge
7/13 — Lubbock, TX — Jake's
7/14 — Oklahoma City, OK — 89th Street
7/15 — Lawrence, KS — The Bottleneck
7/17 — Mansfield, OH — Inkcarceration Festival*
7/18 — Cadott, WI — Rock Fest
7/19 — Minneapolis, MN — Studio B
7/20 — Joliet, IL — The Forge
7/21 — Des Moines, IA — XBkx Live
7/22 — Iowa City, IA — Wildwood
7/23 — Madison, WI — The Annex
7/24 — Westland, MI — The Token Lounge
7/25 — Rochester, NY — Montage Music Hall
7/26 — Pittsburgh, PA — The Crafthouse
7/28 — Clifton, NJ — Dingbatz
7/29 — Boston, MA — Brighton Music Hall
7/30 — Reading, PA — Reverb
8/1 — Lansing, MI — Rock Lansing
8/3 — Sauget, IL — Pop’s Venue
8/4 — Wichita, KS — WAVE
8/6 — Colorado Springs, CO — The Black Sheep
8/7 — Denver, CO — HQ
8/8 — Grand Junction, CO — Mesa Theater
*Festival Date

PAUL LAINE Announces New Album ‘The Long Road Back’ Out on September 25, 2026 via Frontiers Music Srl

Today, renowned Canadian singer PAUL LAINE is thrilled to announce his new studio album, ‘The Long Road Back,’ set for release on September 25, 2026 via Frontiers Music Srl. To celebrate the announcement, LAINE shares the first single, “Love Me Or Leave Me,” along with an official visualizer.

LAINE comments:

“I'm so happy to launch a new era in my solo career with my new single 'Love Me Or Leave Me.' I feel like I finally got a chance to pick up where I left off all those years ago, when I finished making 'Stick It In Your Ear.' Come join me on my new musical journey with 'The Long Road Back' album. See y'all out on the Road in 2027.”

Watch the Visualizer for "Love Me Or Leave Me" Below:

A masterclass in melodic rock, PAUL LAINE’s new album delivers soaring hooks, heartfelt ballads, and arena-ready anthems that traverse the full spectrum of the genre. From the driving energy of “Love Me Or Leave Me,” to the intimate vulnerability of “Someday” (co-written with Andrew Oye), every track is meticulously crafted, showcasing LAINE’s signature vocal power and melodic sensibility. “Don’t Let Me Go Tonite” comes alive with a striking video that complements its infectious energy.

LAINE states:

“Ever since I released my first solo album, I've wondered when I'd finally have the chance to make a follow-up. Life - and music - have a way of taking you places you never expect. Looking back, every chapter of my career has led me down a different road, and each one has shaped me as both a songwriter and a person.”

“I've been incredibly fortunate to make records with Danger Danger, Darkhorse, The Defiants, Shugaazer, and Jetset Junkies. Every one of those experiences taught me something and gave me memories I'll always carry with me. But somewhere in the back of my mind, I always knew the road would eventually lead me home - to where it all started. Just a kid with a guitar, trying to make sense of love, life, loss, hope, and everything in between through songs,” he added.

"‘The Long Road Back’ is exactly that. It's a musical journey back to my roots, but it's also a reflection of every mile I've travelled to get here. Every song carries a piece of the life I've lived, the people I've met, and the lessons I've learned along the way. In many ways, this record feels like coming full circle. After all these years, I'm grateful to finally share this chapter with everyone who's been waiting for it. I hope these songs find a place in your story, just as they've become part of mine,” LAINE concluded.

Joining LAINE in the studio are longtime collaborators Bruno Ravel (his bandmate in The Defiants and also in Danger Danger - bass, producer), Scotty “Hooch” Taylor (drums), Andrew Oye (lead guitar), with production handled by LAINE and Ravel. The album features standout singles like “Love Me Or Leave Me,” the video-driven “Don’t Let Me Go Tonite,”and the heartfelt “Someday.”

Musically, the record touches every corner of melodic rock, yet the songs sound like they’re coming from the classic era when Bon Jovi dominated the airwaves - both in LAINE’s soaring vocals and in the anthemic, hook-laden songwriting. This is an album for fans who crave big choruses, passionate performances, and the kind of timeless melodic rock that only PAUL LAINE can deliver.

Pre-Order 'The Long Road Back' HERE

Line Up:

Paul Laine

Bruno Ravel

Scotty “Hooch” Taylor

Andrew Oye

Sleep Theory Release "(E)motional (S)upport (C)are (P)ackage" EP + Cover Taylor Swift's "Cruel Summer"

SLEEP THEORY — vocalist Cullen Moore, guitarist Daniel Pruitt, bassist Paolo Vergara, and drummer Ben Pruitt — are continuing their string of unexpected yet perfectly executed pop covers.

The band is thrilled to announce the surprise release of its new covers EP, (E)motional (S)upport (C)are (P)ackage, today via Epitaph. Listen and download here.

Alongside the news, Sleep Theory have also dropped a just-in-time-for-the-holiday video for their take on Taylor Swift's "Cruel Summer." Watch it below. 

It's truly Sleep Theory — and Taylor Swift — like you've never heard them before.

"Cruel Summer" follows Sleep Theory's studio covers of NSYNC's "Bye Bye Bye," which is a staple of their live shows, as well as their version of Paramore's "My Heart." 

With catalog streams at 875 million to date on the back of one album and one EP,  Sleep Theory are coming off their third No. 1 at Rock Radio, a Best New Rock Artist win at the iHeart Radio Awards, a sold-out debut European headline tour, and two sold-out North American headline runs. They issued their debut album, Afterglow, produced by David Cowell and mixed by Zakk Cervini (Bring Me The Horizon, Bad Omens, Architects), last spring. 

Upcoming Sleep Theory tour dates and live appearances are below.

SLEEP THEORY ON TOUR: 
U.S. TOUR DATES:
7/18 — Mansfield, OH — Inkcarceration@
7/19 — Tinley Park, IL — Summer of '99 & Beyond Festival@
7/28— Kansas City, MO— The Truman (SOLD OUT) *
7/30— Green Bay, WI— EPIC Event Center*
7/31— Dubuque, IA— Dubuque County Fair Association*
8/1— Omaha, NE— The Admiral Theater*
8/2— Springfield, MO— The Regency Live*
8/21— Montreal, QC— Warped Tour Montreal@
8/22— El Reno, OK— Lucky Star Amphitheater— Rock 100.5FM Kattfest@
9/12-13— Mexico City, MX— Warped Tour Mexico City@
9/20— Louisville, KY— Louder Than Life Festival@
10/4— Sacramento, CA— Aftershock Festival@
10/17— Nashville, TN— Ceremony Festival@
10/24 — Fort Worth, TX — Sick New World@
*Headline Date
@Festival

SUNSWARM Present New Single "Sour ///", A Visceral Rejection Of Deception And Complicity

Southampton, UK, based industrial post-metal act SUNSWARM present a thematic and stylistic shift in the new single release, "Sour ///". Where previous releases explored the systemic erosion of self-worth, "Sour ///" turns its gaze outward. It is a raw, unsparing response to the lies, performance and rot at the heart of the societal and political structures we live in.

Built around a distorted breakbeat and rhythmic breakdowns, "Sour ///" marks a subtle but significant shift in SUNSWARM's sound. The industrial and post-metal architecture remains intact — crushing, textured, unrelenting — but the technical, rhythmic propulsion cuts through the density with surgical momentum. Deception, predatory behaviour and the hollow weight of broken trust are dissected and discarded. The verdict is simple: "shut your mouth".

On "Sour ///", SUNSWARM share:
"Your choice tastes, to me, sour. It's about the lies people tell — the ones dressed up as strength that are really just weakness in disguise. The eyes give it away every time. They swarm like sharks. This song is about seeing through it, rejecting it, and refusing to swallow it."

"Sour ///" opens with Sludge guitars over a restless, grinding breakbeat establishing an unease that feels both human and mechanical. Vocals arrive with unusual directness, words stripped back to their bluntest form. "Flies in the sunshine. Lies from your mouth." As the track builds, the full weight of SUNSWARM's sonic architecture descends — metallic, relentless, dystopian. The chorus lands like a verdict: "So you can shut your mouth. Yeah, you can shut your mouth."

Throughout their tracks SUNSWARM construct harsh soundscapes utilizing metallic textures, intense rhythms, and black-metal inspired vocal performances. Dystopian and brutalist is the nature of the atmosphere the music evokes. SUNSWARM do not offer escape, but rather explore the darkness in full force through their compositions. 

SUNSWARM's "Sour ///" was produced, mixed and mastered by Wayne Adams and recorded at Bear Bites Horse, London.

About SUNSWARM:

SUNSWARM is led by vocalist and bassist Rich Lee-Davis and vocalist and guitarist Neil Sutton, joined by additional contributors who extend the band’s sonic and visual reach. Together they construct an immersive environment where sound, light, and texture collide. Their creative world is defined by sensory overload, stark monochrome imagery, disorienting strobe work, and the feeling of being enclosed within an atmosphere that is both vast and hostile. Everything they create is intended to overwhelm, to blur the line between performance and encounter.

From their earliest ideas, SUNSWARM have operated from a place of complete self-definition, shaping a language of heaviness that goes beyond impact or aggression. They approach weight and intensity as emotional terrain, a landscape shaped by pressure, absence, and the darker edges of lived experience. 

Emerging from UK South Coast underground scene, SUNSWARM draw influence from the brutal desolation of GODFLESH, the spiritual intensity of AMENRA, the sonic extremity of THE BODY, and the cosmic dread of ORANSSI PAZUZU. Their sound merges industrial noise, post-metal density, and extreme vocal expression into something immersive and deeply physical.

SUNSWARM is: 

Rich Lee-Davis - vocals, bass
Neil Sutton - vocals, guitar
Additional contributors (live and studio) - to be announced

Connect with SUNSWARM:

Website: https://sunswarm.bandcamp.com/
Bandcamp: https://sunswarm.bandcamp.com/
Facebook: https://www.facebook.com/sunswarmband
Instagram: https://www.instagram.com/sunswarmband/
YouTube: https://www.youtube.com/@SUNSWARM

CARLY PEARCE TO RELEASE FIFTH STUDIO ALBUM

Today, GRAMMY, CMA and ACM-Award winning country star Carly Pearce announces her highly anticipated fifth studio album, Honest Woman, will arrive August 28 via BBR Music Group/BMG Nashville. Pre-order, pre-add, and pre-save the album HERE , including new track “She Don’t” which dropped today alongside the album announcement. Available now on all platforms, the song further highlights Carly’s witty lyricism and love of storytelling with her traditional country sensibilities for a sure-to-be fan favorite. Watch the visualizer Below;

Co-produced by Pearce with longtime collaborator Ben West, Honest Woman sees Pearce embrace every aspect of who she was, is, and will become through narrative-driven lyrics and a sonic return to form. Including features with Riley Green, Dan Tyminski and Molly Tuttle, the album leans into her bluegrass roots and focuses on authentic country craftsmanship. Honest Woman is an ‘honest’ portrayal of life’s journey delivered by a woman who understands that it’s the fullness of time that defines you.

"When I started making Honest Woman, I found myself rediscovering who I am and why I wanted to be a country music singer in the first place,” says Pearce. “This album takes me back to the beginning of my story, where the sounds of classic country and bluegrass music shaped who I am. I’m so proud of this body of work, and I truly feel like it’s my best yet.”

Anticipation was at an all-time high during CMA Fest as the phrase “Honest Woman” was seen in various places around Nashville – from her “Carly’s Closet” charity pop-up that raised $20,000 for the CMA Foundation, to the sidewalks outside her CMA Artist of the Day panel moderated by Hillary Scott of Lady A and performances at Nissan Stadium, Billboard Live at Category 10, SiriusXM’s Music Row Happy Hour and Spotify House – leading Pearce’s fans to speculate if Honest Womanwas the title of her forthcoming album.

In addition to today’s release, “She Don’t,” Pearce’s forthcoming album will include current single and “blockbuster duet” (Billboard) with Riley Green, “If I Don’t Leave I’m Gonna Stay,” along with the “delightfully snarky & sassy” (Music Row) “You Can Have Him,” “honest anthem” (Rolling Stone) “Church Girl” and the “unfiltered, introspective” (Billboard) “Dream Come True.” As Pearce is readying Honest Woman, each track continues to define “the tone for her most vulnerable era yet” (The Tennessean).

To support the album, Pearce will be performing special two-night residencies across North America. Kicking off September 10 with two nights in Detroit, Pearce will bring her “Honest Woman: Up Close” live shows presented by Conundrum Wines to intimate venues in Chicago, Minneapolis, Los Angeles, Toronto and Boston before concluding with two nights in New York City. Belle Frantz will join Pearce as support.

Tickets will be available starting Tuesday, June 23 at 12pm local time with the Official Carly Pearce Fan Club presale, where members can redeem their code for tickets to the tour. To sign up for the fan club, fans can visit fanclub.carlypearce.com. General tickets will be available for purchase beginning Friday, June 26 at 10am local time.

CARLY PEARCE - “HONEST WOMAN: UP CLOSE” ROUTING
Thursday, September 10 – Detroit, MI – Saint Andrew’s Hall*
Friday, September 11 – Detroit, MI – Saint Andrew’s Hall*
Wednesday, September 16 – Chicago, IL – Joe’s on Weed*
Thursday, September 17 – Chicago, IL – Joe’s on Weed*
Friday, September 18 – Minneapolis, MN – Fine Line*
Saturday, September 19 – Minneapolis, MN – Fine Line*
Sunday, September 27 – Los Angeles, CA – The Troubadour*
Tuesday, September 29 – Los Angeles, CA – GRAMMY Museum
Thursday, October 15 – Toronto, ON – Toronto Opera House*
Friday, October 16 – Toronto, ON – Toronto Opera House*
Sunday, October 18 – Boston, MA – The Sinclair*
Monday, October 19 – Boston, MA – The Sinclair*
Wednesday, October 21 – New York, NY – Gramercy Theatre*
Thursday, October 22  – New York, NY – Gramercy Theatre*

*With support from Belle Frantz

Traditional Heavy Metallers THE UNKNOWN Launch Title-Track from Upcoming Album

Traditional thrashers THE UNKNOWN proudly share the title-track from their upcoming sophomore album, 'Graveyard of Empires,' set for release on September 4th via Mission 84 Productions. The new single arrives alongside an official lyric video premiering on Metal Insider, available below.

"Graveyard of Empires," the title track and second single from the forthcoming album, is a heavy, groove-laden beast with a haunting Middle Eastern undercurrent that sets it apart from anything in the band's catalog. Lyrically, it's a visceral reckoning with a painful pattern of history: nations swallowed whole by occupation, greed, and endless war before they ever had the chance to become what they were meant to be. The song doesn't mourn conquerors. It mourns potential.

On the new track, guitarist Aamir Syed shares:

"'Graveyard of Empires' is the heart of the record, and I think it earns that title. The song is heavy and relentless, but there is an undercurrent of grief. Musically I was drawing from Ritchie Blackmore and Middle Eastern folk and classical music. That combination gave the riff its character. We looked at history and saw the same pattern over and over: nations, people, potential, all swallowed before they became what they could have been."

Check Out the Lyric Video Premiere for "Graveyard of Empires" Below:

THE UNKNOWN are a U.S.-based heavy metal band forging a powerful blend of traditional metal and thrash. Drawing influence from bands such as Jag Panzer, Manilla Road, Anthrax, and Iron Maiden, their sound combines crushing riffs and driving rhythms with soaring melodies and commanding, emotive vocals.

Their debut album, ‘Vanishing Point,’ released through ZYX/GoldenCore Records, earned strong reviews from metal publications and fans around the world, establishing the band as a rising force in the underground heavy metal scene.

Now, THE UNKNOWN return with their forthcoming album, ‘Graveyard of Empires,’ pushing their sound even further with bigger arrangements, deeper atmosphere, and an even sharper edge. Rooted in the spirit of classic heavy metal while bringing their own modern intensity, the band continues their mission to keep true metal alive while carving out their own path within the genre.

The album's title is a conceptual statement. 'Graveyard of Empires' explores the fall not of nations, but of ideas, the collapse of peace, the erosion of the human spirit, the slow unraveling of everything we build and everything we believe in. From the battlefields of World War II to the death of civilizations that never got the chance to flourish, to the quiet question of what remains of humanity when humanity itself is no longer the only answer...

Featuring cover artwork by Charles Borkowski, 'Graveyard of Empires' arrives September 4, 2026.

About the album, Aamir Syed comments:

"As an album, it isn't about geopolitics, but there is a running theme throughout the stories that we're telling. The empires that fall in this record are ideas, concepts and the slow collapse of peace. The belief that we're building toward something and then it falls part due to greed and corruption. That's what we're mourning."

THE UNKNOWN Live:

September 11th - Hamden, CT @ The Cellar

September 13th - Brooklyn, NY @The Meadows

+ More Dates to Be Announced!

THE UNKNOWN are:

Aamir Syed - Guitars

Matt Fisher - Vocals

Andic Salcedo - Bass

Michael Dale - Guitars

ARISING EMPIRE MEDIA ALERT: Doomcrusher Drops New Song

With "Forsaker," Doomcrusher unleash a relentless metalcore assault that cuts straight to the core of betrayal, self-destruction, and personal rebirth. The latest single from the German heavy music supergroup is an uncompromising statement of resilience, transforming inner turmoil and emotional scars into a devastating display of modern Metalcore aggression. Featuring members of renowned German acts Any Given Day, Rage, and Betontod, Doomcrusher combine decades of collective experience with a fresh and uncompromising vision. Since their formation, the band has quickly gained momentum within the heavy music scene, amassing more than 2 million streams across digital platforms and establishing themselves as one of the most promising new forces in modern metalcore.

At its core, "Forsaker" is a song about breaking free. It captures the painful realization that some people, relationships, and even parts of ourselves can become toxic enough to hold us captive. Through brutally honest lyrics, the track explores the feeling of being trapped in an endless cycle of self-doubt, chasing shadows while becoming a slave to your own thoughts. What begins as a desperate search for clarity gradually evolves into a declaration of independence, culminating in the track's defining message: Cutting out everything that stands in the way of growth and survival. Musically, "Forsaker" showcases Doomcrusher at their most explosive. Haunting spoken-word passages create an atmosphere of unease before giving way to savage screams, crushing breakdowns, thunderous drums, and razor-sharp riffing. The band's ability to seamlessly blend raw emotion with technical precision results in a track that is as punishing as it is memorable. Every breakdown lands with devastating impact, while intricate guitar work and dynamic songwriting elevate the song beyond pure aggression. Thematically, "Forsaker" represents the moment of reclaiming control. It is about finding the strength to walk away from manipulation, betrayal, and self-destructive patterns. The song does not offer comfort or easy answers—instead, it embraces confrontation, forcing listeners to face their demons head-on and emerge stronger on the other side.

Doomcrusher continue to push their sound forward while remaining firmly rooted in the intensity and authenticity that define them. With "Forsaker," the band delivers one of its most powerful statements to date: A crushing anthem of liberation, determination, and the courage to become your own savior. For fans of Fit For A King, Currents, August Burns Red, Bleed From Within, and As I Lay Dying, "Forsaker" is a devastating soundtrack for anyone who has ever had to sever toxic ties in order to survive.

THE HOWLERS Wake Up from the American Dream on New Single “L.A. Morning”

Following the announcement of their forthcoming sophomore album ‘Heavy,’ London indie rockers THE HOWLERS return with their latest single, “L.A. Morning,” out now via FLG. The track offers another glimpse into the band’s most ambitious chapter yet, ahead of the album’s release on October 9th alongside the announcement of their summer shows alongside Deep Purple and Alice Cooper and their autumn album tour. 

A sun-soaked reflection on the myths we grow up believing, “L.A. Morning” explores the idealized image of the American Dream through a distinctly British perspective. Built around themes of ambition, escapism, and disillusionment, the track captures the tension between youthful fantasy and reality, while retaining the sense of wonder that made those dreams so alluring in the first place.

The song arrived unexpectedly during the final stages of recording ‘Heavy.’ Initially never intended for the album, “L.A. Morning” was written and recorded in a matter of hours during the band's final studio session, with THE HOWLERS committing to their first instincts and capturing a spontaneity that would ultimately make it one of the record’s defining moments.

“As kids, we all grew up with the idea of the American Dream, a notion that has been dashed significantly in recent years by world events, but the romanticised idea of Hollywood is something that every child knows and grows up wanting,” says frontman Adam Young. “’L.A. Morning’ is sort of the realization of that. It was never meant to end up on the album, but it came together so naturally that we couldn’t ignore it. Those moments are rare, and they’re what making music is all about.”

Watch the Official Visualizer for "L.A. Morning"

Following a period of transition at the end of 2024, THE HOWLERS entered a new phase, with frontman Adam Young rebuilding the project as a two-piece alongside drummer Toby Richards — a shift that redefined both the band’s sound and creative direction, bringing a renewed sense of focus and identity.

That reset came off the back of a breakthrough year. Their self-funded debut album ‘What You’ve Got To Lose To Win It All’ landed to widespread European acclaim, breaking into the UK Independent Breakers Charts Top 10 while securing multiple positions across independent, vinyl and physical sales charts. Radio support followed from BBC Radio 1, BBC 6 Music, Radio X and Absolute Radio, alongside international backing and editorial playlisting across Apple Music and Spotify.

That momentum translated directly to the stage. A sold-out 18-date UK headline tour established the band as one of the country’s most exciting live acts, followed by a European run that saw them sell out shows across eight countries — road-testing new material that would ultimately shape what came next.

Where that debut was defined by grief and personal loss, ‘Heavy’ emerges from a very different place. Driven by the tension between desire and consequence, recklessness and reality, it’s an album lit by the pull of the night, the thrill of impulse and the cold clarity that follows.

Written and produced alongside long-time collaborator Chris Ostler (Black Honey), the record deliberately sidesteps traditional studio methods. Instead, it was built remotely — with demos, ideas and reworked compositions exchanged across digital platforms — stripping everything back while pushing each track to its strongest form. Only in the final stages did the band enter rehearsal spaces to capture live drums, grounding its more experimental edges with a raw, physical energy.

Young adds:

“This album is those late night experiences, the after dark conversations, late night phone calls, the seductive nature of impulsiveness that seems so alluring and losing yourself in the addictive nature of recklessness — but it’s also the mirror in the morning, the wake up call, and the harsh reality of knowing those feelings won’t always last. It’s the moment you find yourself again.”

Pre-Order 'Heavy' HERE

For a band that has always worn its honesty as a badge of honour — and built a fiercely loyal following on the back of it — ‘Heavy’ feels like the album THE HOWLERS were always moving towards. With an extensive UK and European headline tour to follow, 2026 is shaping up to be the year they fully arrive.



THE HOWLERS Live:

Summer Tour Dates

6/24 - Monchengladbach @ SparkassenPark (Deep Purple Stadium Tour)

6/27 - Coburg @ HUK Open Air Schlossplatz (Deep Purple Stadium Tour)

6/28 - Ulm @ Wiblington Monastery Courtyard (Deep Purple Stadium Tour)

7/02 - TBC @ TBC (Stadium Tour)

7/03 - TBC @ TBC (Stadium Tour)

7/04 - TBC @ TBC (Stadium Tour)

7/09 - Gelsenkirchen @ Amphitheater (Alice Cooper Stadium Tour)

7/16 - Stratford Upon Avon @ Rother Street Arts House

7/19 - Munich @ Tollwood Festival (Deep Purple Stadium Tour)

7/24 - Croglin @ Gadabout Festival

Instore Tour

10/09 - Nantwich @ Apple Stump

10/09 - Bury @ Wax & Beans

10/10 - Portsmouth @ Pie & Vinyl

10/10 - Kingston @ Banquet Records

10/11 - Chelmsford @ Intense Records (Meadows)

10/11 - Chelmsford @ Intense Records (Viaduct)

10/12 - Bristol @ Rough Trade

10/13 - Oakham @ Rockabuy Records

10/13 - Nottingham @ Rough Trade

10/14 - London @ Rough Trade East

10/15 - Gosport @ A.S.L.O.V

10/15 - Southampton @ Vinilo

10/16 - Oxford @ Truck

10/17 - Liverpool @ Jacaranda Records

10/18 - Glasgow @ Assai

10/18 - Aberdeen @ Assai

10/19 - Edinburgh @ Assai

10/20 - Newcastle @ Beyond

10/20 - Leeds @ Crash

10/21 - Huddersfield @ Vinyl Tap

Album Tour

10/30 - Oslo @ Revolver

10/31 - Trelleborg @ Kulturhuset

11/01 - Copenhagen @ Rust

11/04 - Den Haag @ Paard

11/05 - Amsterdam @ Paradiso

11/06 - Rees @ Haldern Pop

11/07 - Cologne @ Yuca

11/08 - Munich @ Backstage Halle

11/10 - Hamburg @ Betty

11/11 - Berlin @ Urban Spree

11/12 - Poznan @ Klub Pod Minoga

11/13 - Warsaw @ Hybryd

11/14 - Budapest @ Robot

11/15 - Prague @ Cafe V Lese

11/16 - Vienna @ Club Lucia

11/18 - Nova Gorica @ Mostovna

11/20 - Rome @ Wishlist

11/21 - Milan @ Arci Bellezza

11/25 - Paris @ Le Chinois

11/26 - Angouleme @ Tulmulte

11/27 - Bordeaux @ Deus

11/28 - Toulouse @ Labo Des Arts

11/29 - Arthez @ Pingouin Alternatif

3/03 - Edinburgh @ Mash House

3/04 - Newcastle @ The Cluny

3/05 - Manchester @ The Deaf Institute

3/06 - Birmingham @ O2 Institute 3

3/10 - Bristol @ Exchange

3/11 - Southampton @ The Joiners

3/12 - London @ Bush Hall

3/13 - Norwich @ Arts Centre