JASON ALDEAN ANNOUNCES RELEASE OF “30 NUMBER ONE HITS”

ACM Artist of the Decade Jason Aldean today announced the release of 30 Number One Hits, a collection of his career’s chart-topping singles that will be available for digital release this Friday, 10/10. Additionally, the album will be available physically in-stores on 11/28, including a special Vinyl edition that will be available exclusively at Walmart. The record includes songs from the Georgia native’s prolific career that has, to date, spanned over two decades. Pre-save/add “30 Number One Hits” here. Pre-order the Walmart exclusive vinyl here.

“30 Number Ones is a huge milestone, and I couldn’t let it go by without thanking the fans, country radio, the songwriters…” shared Aldean at the time of the milestone. “I appreciate all the support we have gotten from everyone over the last 20 years. And, I don’t plan on going anywhere anytime soon.”

Currently wrapping the 2025 US leg of his Full Throttle Tour, last week with back-to-back sold out shows in Tampa (10/3), West Palm Beach, Florida (10/4), and an upcoming stadium show in Harrison, NJ (10/10), Aldean released  How Far Does A Goodbye Go, his new single from his additional upcoming new album to the largest add date of his career. The Multi-Platinum, award-winning entertainer’s momentum continues with the international and domestic extension of the Full Throttle Tour in 2026, and the recent announcement of his historic return to headline UGA’s Sanford Stadium with Luke Bryan in April 2026.

Last month, Aldean sat down with Armchair Expert to tease the release of new music from his upcoming project, his early career beginnings and career highs and lows, including reaching 30 number ones at country radio earlier this year, joining an elite class of entertainers who have logged 30+ number one hits throughout their career including George Strait, Tim McGraw, Ronnie Milsap, Merle Haggard, and Alan Jackson. With 20 billion streams and more than 20 million albums sold, Aldean has solidified his place as one of the most influential artists of his generation, earning multiple top honors including three ACM Entertainer of the Year wins. For a full list of domestic and international tour dates and for more new music and information, visit www.jasonaldean.com

2026 Full Throttle Tour Dates: 
1/15/2026 - North Little Rock, AR - Simmons Bank Arena
1/16/2026 - Tupelo, MS - Cadence Bank Arena
1/17/2026 - Biloxi, MS - Mississippi Coast Coliseum
1/22/2026 - Peoria, IL - Peoria Civic Center Arena
1/23/2026 - Columbus, OH - Nationwide Arena
1/24/2026 - Charleston, WV - Charleston Coliseum
1/29/2026 - University Park, PA - Bryce Jordan Center
1/30/2026 - Allentown, PA - PPL Center
1/31/2026 - Atlantic City, NJ - Hard Rock Live at Etess Arena
2/19/2026 — Auckland, NZ— Spark Arena
*2/21/2026—Toowoomba, AU — Sunburnt Country
2/22/2026 — Brisbane, AU— Brisbane Entertainment Centre
2/25/2026— Melbourne, AU — Rod Laver Arena
2/26/2026— Sydney, AU — Qudos Bank Arena
*2/28/2026— Hunter Valley, AU — Sunburnt Country
*3/1/2026— Canberra, AU — Sunburnt Country
**4/25/2026-Athens, GA—UGA’s Sanford Stadium

*Sunburt Festival Dates
**‘Live Between The Hedges Show’ Co-Headline Show At UGA

KEEP UP WITH JASON ALDEAN

WEBSITE | INSTAGRAM | TIKTOK | YOUTUBE | FACEBOOK | X

Kaupe - Destroyer of Worlds

From the swamps of Deland, Florida, a sonic storm brews, one forged in technical fury and melodic defiance. KAUPE, the progressive instrumental metal unit known for their dense arrangements and atmospheric scope, return with their third and most daring full-length to date: Destroyer of Worlds, out October 17, 2025 via Morbid Subculture.

Formed in 2016 by guitarist Brett Walker (BLOODLET, JUNIOR BRUCE) and drummer Marc Larabel, KAUPE quickly expanded with the additions of Pete Medrano on bass and Patrick Ross on keys. Their music has always defied easy categorization, blending influences like FAITH NO MORE, MESHUGGAH, DEFTONES, and even synthwave pioneers like PERTURBATOR and CARPENTER BRUT. The result is a uniquely visual, cinematic sound: massive, intricate, and emotional, all without relying on traditional vocals. Until now.

Destroyer of Worlds marks a bold evolution. For the first time, KAUPE invited voices into their dystopian soundscape, including Scott Angelacos (BLOODLET, JUNIOR BRUCE, HOLLOW LEG) on the blistering “RMR-1029” and Matt Decker (TANGENT, GINKO BALBOA) on the thrash-forward “Next Time Wear a Black Shirt.” Sample artist Viewer Discretion (formerly of ACP PRO) lends his textural collage work to key tracks, warping real-world commentary into surreal commentary on modern decay.

The album opens with “The Past Will Own You,” a sample-driven instrumental that sets the tone for what’s to come: crushing grooves, layered synths, and an ominous atmosphere that feels equal parts sci-fi and spiritual collapse. “Living Among the Dead” follows with over 70 recorded tracks: an orchestration of chaos that caused mixing engineer Stephen Sheppert (RADIENT KNIFE) to lovingly scold the band for exceeding the original mix estimate. The song pushes and pulls between moments of clarity and total darkness, offering the album’s most cinematic arc.

“Unresolved Trauma,” once joined with “RMR-1029,” became its own beast during writing. Influenced by THE MARS VOLTA and CAR BOMB, it charges forward with compressed intensity, every second packed with purpose. The title track, “Destroyer of Worlds,” emerges like a machine uprising. Built on off-time dissonance reminiscent of BLOODLET, the song’s polyrhythmic solo section pulses through time signatures like 6/4, 5/4, and 4/4, an apocalyptic overture for the digital age. It’s a metaphor for modern decay: technology, media, and dopamine-fueled consumption tearing apart the very fabric of human interaction.

Then comes the shift. “Next Time Wear a Black Shirt,” a 2:31 eruption of punk-thrash with Matt Decker on vocals, adds a jolt of life. The title, a joke about fashion faux pas at a metal show, hides a song about the quiet importance of simple requests in life’s final moments. From there, the album plunges into darker terrain with “All That’s Left Is Sin,” a blast of aggression softened by haunting synth drones. “The Joy of Sorrow” rides a pendulum between Meshuggah-like precision and sweeping, emotional release, showcasing the band’s unique ability to make technicality feel heartfelt.

But it’s “RMR-1029” that may linger longest in listeners’ heads. Scott Angelacos roars prophetic lines, “Quantum computing will be the key to make better pornography," while Viewer Discretion’s audio collage builds a dystopian narrative of technological dependency. It’s heavy, it’s unnerving, and it feels real.

The final track, “Rosen Bridge,” was originally an interlude but became something greater, a quiet moment of cosmic optimism in an otherwise bleak journey. The dueling guitar and keyboard solos feel like a conversation between machines that finally understand emotion, much like “Transitioning” from Cognitive Dissonance.

Destroyer of Worlds is the culmination of everything KAUPE has built since their debut The Depths in 2018. It’s heavier. It’s darker. It’s more experimental. It features a powerhouse mix by Stephen Sheppert (RADIANT KNIFE), and mastering from legendary engineer Alan Douches (CONVERGE, DILLINGER ESCAPE PLAN). It abandons conventional timing and form in favor of evolution, risk, and emotional release.

For fans of CONVERGE, DEFTONES, TOOL, CARPENTER BRUT, or anyone who’s ever found comfort in the beautiful chaos of sound, Destroyer of Worlds offers something rare: a metal record that doesn’t just rage, it thinks.

About KAUPE:

KAUPE is an instrumental progressive metal band from Deland, Florida that has spent the last decade forging a sound as ferocious as it is cinematic. Formed in 2016 by guitarist Brett Walker (BLOODLET, JUNIOR BRUCE) and drummer Marc Larabel, the band was born from a desire to create music that tells stories without words, narratives carved into melody, rhythm, and atmosphere. Soon joined by bassist Pete Medrano and keyboardist Patrick Ross, KAUPE solidified into a unit intent on pushing sonic boundaries.

Drawing influence from an eclectic range of artists: FAITH NO MORE, MESHUGGAH, DILLINGER ESCAPE PLAN, CARPENTER BRUT, DEFTONES, PALLBEARER, and more, KAUPE crafts music that defies traditional genre expectations. Though most often labeled “progressive metal,” their compositions bend and blend metal, punk, new wave, synth, and even classical elements into sweeping instrumentals full of tension and release. With every release, the band explores new terrain, always moving forward, never nostalgic, and never comfortable.

Their debut The Depths (2018) introduced KAUPE’s penchant for intricate grooves and immersive soundscapes. Cognitive Dissonance (2021) expanded their sonic range and earned praise for its synth-laced melodies and dynamic storytelling. But it’s their upcoming third full-length, Destroyer of Worlds (2025), that fully realizes the band’s vision. For the first time, KAUPE features guest vocalists and sample artists, including: Scott Angelacos (BLOODLET, JUNIOR BRUCE, HOLLOW LEG), Matt Decker (TANGENT, GINKO BALBOA), and Viewer Discretion (formerly of ACP PRO). The result is their heaviest and darkest album yet: a dystopian exploration of modern life and technological dependency, engineered with precision and emotional depth.

Whether performing alongside icons like CYNIC, ANDREW WK, or VIRGIL DONATI, or building immersive sonic worlds in the studio, KAUPE brings unmatched chemistry and purpose to everything they create. Their live shows are celebrated for their energy and musicianship, offering a rare kind of instrumental storytelling that transcends words and speaks directly to the subconscious.

KAUPE is not revivalist. KAUPE is not retro. KAUPE is a glimpse into the sonic future, one shaped by distortion, dissonance, and the haunting beauty of what comes next.

KAUPE is: 


  • Brett Walker – Guitar

  • Marc Larabel – Drums

  • Pete Medrano – Bass

  • Patrick Ross – Keys


Connect with KAUPE:


Bandcamp: https://kaupe.bandcamp.com
Facebook: https://www.facebook.com/KaupeBand/
Instagram: https://www.instagram.com/kaupeband/
YouTube: https://youtube.com/@kaupeband7490
Spotify: https://open.spotify.com/artist/6Pl9nD4kJTHY0vIeSrZsKC?si=Ec213tffRqucNP0bmr1hQg
Apple Music: https://music.apple.com/us/artist/kaupe/1437836230

Creeper Share "Prey for the Night" Video

CREEPER's Sanguivore proved to be their most career-defining album to date, propelling them to their biggest headline show at the OVO Wembley Arena.

Their new album SANGUIVORE II: MISTRESS OF DEATHwhich will be released on Halloween (October 31) goes deeper into that narrative. After enamoring devotees and newcomers alike with the double shot of tracks "Headstones" and "Blood Magick (It's A Ritual)," CREEPER continue to cast a spell of anticipation with the new single "Prey For The Night."

Watch it below.

Throwback darkwave synth stabs flail into the darkness as "Prey For The Night" gets underway, with William von Ghould's sinister baritone setting the scene. From there, it becomes a characteristically lavish and larger-than-life sound, blending classic '80s hard rock riffage, a searing Steinman-esque chorus, theatrical vocal interplay with keyboardist Hannah Greenwood, and a blast of saxophone. Even the title is possessed by a devilishly dark double meaning.

CREEPER's ambition is to always go bigger, grander and more unpredictable than before — and that's what they've achieved with SANGUIVORE II: MISTRESS OF DEATH. The story follows a British rock band immersed in the decadence of an American tour at the height of the Satanic Panic of the '80s. Yet each stop leaves fresh decay in the shape of a mysterious trail of deceased fans. The world is quick to lay blame at the bloodied hands of the band, but there's more to this story than is first apparent… enter the ruthless hunter, Mistress Of Death, who is on their trail with all axe and no mercy. 

The album is bookended with narratives from, good friend of the band, Patricia Morrison (Sisters Of Mercy and The Damned). and the strings come courtesy of the City of Prague Philharmonic Orchestra.

CREEPER have raided the abyss to present a range of collectible curiosities for SANGUIVORE II: MISTRESS OF DEATH, which are available HERE.

Physical formats include blood red and full moon white vinyl formats, both of which will soon sell-out their limited edition runs — a SANGUIVORE double-bill cassette housed in an old school VHS case has already sold-out. New merch designs are just as imaginative, led by a "Mistress of Death" embroidered bomber jacket and a "SANGUIVORE 666" ice hockey shirt.

This year has already seen CREEPER complete sold-out UK headline shows as well as storm festivals from Rock Am Ring/Rock Am Park and Graspop through to Bloodstock and Tomorrow’s Ghosts. Next up is a run of shows as special guests to Ice Nine Kills.

CREEEPER will also appear at the MCM Comic Con at London's ExCel on October 25. Their social media mistress Darcia, The Vampire Familiar will host a live panel to discuss the new album, and they will also participate in a meet-and-greet signing session.

Creeper will tour the UK as special guest to Ice Nine Kills in December. The dates are below.

WITH ICE NINE KILLS:
12/8 — Manchester, UK — O2 Victoria Warehouse
12/9 — Glasgow, SCT — OVO Hydro
12/10 — Nottingham, UK — Motorpoint Arena
12/12 — London, UK — Ovo Arena Wembley

The Devil Wears Prada Share "Eyes" Video

THE DEVIL WEARS PRADA — Mike Hranica [vocals], Jeremy DePoyster[guitar, clean vocals], Kyle Sipress [guitar], Jonathan Gering [keys, synths, programming, percussion], and Giuseppe Capolupo [drums] — will unleash their ninth album Flowers on November 14 via Solid State Records. Pre-order it here.

They share the video for "Eyes."

The video finds Prada as puppets navigating a maze. Watch and find out where the puppet master pulling the strings leads them. 

"'Eyes' is about coming to a point in life where you start to question the reality of what you once believed," states Gering. "It captures the feeling of wanting to break away from something that has only worked against you and the struggle to find a new way to move forward."

DePoyster weighs in, saying, "'Eyes' is a song about desperately yearning for answers, wondering why you keep ending up in the same place without a clear path forward. When you're caught in a wave of anxiety and the things you've been taught are of little help, you're desperate for clarity and hope."

He finishes, "Sonically, this song is a journey, contrasting between tight melodic verses and fuzzed out riffs. It's an anthem for when you need the validation that no one has the answers. We're all just doing our best."

Flowers marks the start of an incredibly epic cycle and phase for the band. The global touring scheduling finds The Devil Wears Prada playing some of the biggest shows of their career. They just wrapped the Summer of Loud tour, which packed amphitheaters through the summer. Additionally, the single "For You" is the band's first-ever track to chart on both the Mediabase and Billboard Active Rock charts. TDWP are continuing to hit new milestones two decades into their career, proving their vitality as a career band.

The band also graces the Fall 2025 cover of Revolver. See the issue below. Get it here

TDWP have a slew of international tour dates on deck, including dates in Australia with Bullet For My Valentine; headline shows in South Africa; and a trek across Europe with Ice Nine Kills and Creeper. The band will also appear at Warped Tour in Orlando on November 15-16. The band will also embark on the Emo's Not Dead Cruise in January, as well. All tour dates are here.

Brutal Surf-Death Metal Band STILLBIRTH Release New Single, "Throne Of Bones", Off Of Upcoming Concept Album 'Survival Protocol'

German brutal-surf-death-party metal band STILLBIRTH leave a trail of bloodshed in their wake with their latest single "Throne Of Bones", off of their upcoming concept album, Survival Protocol. STILLBIRTH will unleash Survival Protocol on October 31st via rising metal label Reigning Phoenix Music. The album is the follow-up to their critically acclaimed Homo Deus, which was released in 2023.

"Throne Of Bones" kicks off with a towering drum groove and ominous guitar riffs. Monstrously guttural vocals dominate the soundscape, calling forth a tale of apocalyptic despair. The rhythmic chorus provides some order among the chaos, but it isn't long before all hell breaks loose once again with a burst of pig squeals and punchy riffs. Though a groovy rhythm pervades the music, STILLBIRTH are determined to keep their listeners on their toes, punctuating the flow of the song with more extreme elements.

Survival Protocol is a concept album that tells the story of an unknown hero surviving a nuclear apocalypse. The narrative began on the album Annihilation of Mankind and now reaches its conclusion on Survival Protocol. It picks up where Homo Deus left off: the true creator descends from the skies, and the epic battle for planetary dominance begins. Humanity is nearly wiped out, with a handful of survivors managing to escape into space. After a long journey, they discover a habitable planet and begin to colonize it. The events of this journey are told across the tracks of Survival Protocol.

Watch the video for "Throne Of Bones" BELOW.

Pre-Order Survival Protocol HERE: https://stillbirth.rpm.link/survivalprotocol

STILLBIRTH is a slamming death metal force from Hagen, Germany, known for their chaotic live shows, unrelenting brutality, and wild blend of Death Metal, Grindcore, Deathcore, and Slam. Since 1999, the band has been obliterating venues and festivals worldwide with an extreme sound fueled by filthy grooves, blast beats, and a tongue-in-cheek attitude that’s equal parts destruction and party.
 
Founded by guitarist-turned-vocalist Lukas Swiaczny, STILLBIRTH quickly gained a cult following with their 2002 debut Happy Stillbirth Party. After a short hiatus from 2003 to 2005, the band came roaring back, contributing to international split releases and building a reputation across Europe. Their sophomore effort, Plakative Aggressionen (2009), led to their first Eastern European tour and set the tone for a relentless schedule of releases and performances.
 
By 2011, Endgame Is Near expanded their reach, earning them a spot on their first U.S. tour. STILLBIRTH's 2015 album Global Error marked a high point, with back-to-back tours across the U.S. and Europe. Their signing to Unique Leader Records saw them level up again with Annihilation of Mankind (2018), landing major festival appearances and a tour through Asia.
 
In 2019, they revisited their roots with Back to the Stoned Age, re-recording fan favorites with updated production and guest vocals. The follow-up, Revive the Throne (2020), doubled down on brutality with dual basses, massive grooves, and razor-sharp production—setting a new bar for heaviness in their discography.
 
Tragedy struck in 2021 with the passing of bassist and engineer Dominik “Pumpa” Koenig. His legacy lives on in the band’s music and spirit. After signing to Distortion Music Group in 2022, STILLBIRTH dropped Homo Deus in 2023, toured Europe with KATAKLYSM and FLESHGOD APOCALYPSE, and crushed stages at Summer Breeze, Party.San, and Tolminator.
 
Now, STILLBIRTH is poised to unleash their ninth full-length, Survival Protocol, on October 31st, a dystopian concept album promising their most refined yet devastating sound to date.
 
STILLBIRTH is a party at the edge of the apocalypse. Total madness guaranteed!

STILLBIRTH IS:

  • Lukas Swiaczny – Vocals

  • Martin Grupe – Drums

  • Lukas Kaminski – Bass

  • Leonard Thoma – Guitar

  • Szymon Skiba – Guitar

Website | Facebook | Instagram 

Ancient Chinese Poetry Meets Symphonic Metal in WHEEL OF TIME’s "China Moon"

Progressive power metal project WHEEL OF TIME is set to release its latest single “China Moon”, a sweeping fusion of East and West that channels the grandeur of symphonic metal with the elegance of traditional Chinese poetics.
 

Encouraged by mentor and ex-MEGADETH guitarist Kiko Loureiro to emphasize national characteristics, Hong originally wrote “China Moon” in Chinese, in the style of Song Dynasty lyric poetry (Song Ci, 宋词), one of China’s most celebrated literary forms. The imagery recalls a poet of old, drifting half-dreaming on a moonlit river, contemplating fate and the fleeting nature of life.

Inspired in part by the 2023 Chinese animated film 30,000 Miles from Chang’an, Hong reimagined the song for an international audience, rewriting the lyrics while preserving its Chinese essence.

The single features a remarkable cast of collaborators: opera and stage vocalist Eszter Vegvari, whose dramatic delivery gives the song its emotional center; orchestrator Marcos Barilari, collaborating with WHEEL OF TIME for the second time and elevating the track with lush symphonic textures; and Ariel Tsao on the traditional Chinese Guzheng, weaving an authentic timbre into the arrangement. Together, they bring to life Hong’s vision of a cross-cultural musical journey that is both intimate and expansive.

The project’s debut full-length album Asymmetry is slated for release on November 12, 2025, promising a grand showcase of WHEEL OF TIME’s progressive, power, and symphonic fusion.

About WHEEL OF TIME:

WHEEL OF TIME is a progressive power metal project founded by Beijing-based composer and multi-instrumentalist Jimmie Hong. Blending the technical precision of progressive metal with the melodic strength of power metal and symphonic elements, WHEEL OF TIME creates expansive, narrative-driven music that crosses genres and borders. The project features collaborations with world-renowned musicians including Derek Sherinian, Tony MacAlpine, Michele Luppi, and Timo Tolkki. With a truly international lineup and a sound that integrates subtle Eastern melodic influences, WHEEL OF TIME explores themes of time, destiny, and self-discovery. The debut full-length album Asymmetry releases November 12, 2025.

Orbit Culture Share "Bloodhound" Video — WATCH // "Death Above Life" Album Out Now

Sweden’s ORBIT CULTURE have released the video for "Bloodhound" ahead of the release of the acclaimed new album Death Above Life. 

Watch the nightmarish, horror movie-influenced video, shot by their longtime partners Riivata Visuals, below.

The band comments "'Bloodhound' is probably the angriest song we've written to date. We've always been somewhat reluctant to use explicit language in our music — maybe out of habit, maybe out of respect, we honestly dont know. But when that opening riff came to life, it just had this raw, primal energy that demanded something more. The song sounded furious from the start, and to match that intensity, we knew it was time to break our own rules and let the anger speak freely.

"The lyrics came together faster than almost anything we've done before. It was like this outburst — a child-like hammering of aggression onto the page. Usually, we try to keep ourselves in check, to polish things a bit. But this track is the 1% of the time where we didn't. Where we couldn't.

"'Bloodhound' is about anger — at people, at situations, at an industry that often exploits the very people trying to make it within it. It's about the cycle of revenge, the moments of acceptance, and then the anger flaring up again because nothing really changes. This song is about reclaiming your voice, your power, your worth. It’s about calling out the bloodsuckers, the manipulators — and making sure they don't get to take from you anymore."

Hailing from the small town of Eksjö, Sweden (located between the revered metal cities of Gothenburg and Stockholm), the quartet (guitarist and vocalist Niklas Karlsson, guitarist Richard Hansson, bassist Fredrik Lennartsson and drummer Christopher Wallerstedt) have grown into a global force, melding together riffs that are equal parts thrash, death metal and industrial with arresting hooks and a layered atmosphere that invites comparison to Gojira, Metallica and Static-X while carving out something that is uniquely their own.
 
ORBIT CULTURE’s 2023 album, Descent and its subsequent EP release, The Forgotten topped many year-end lists in 2023 including Metal Hammer who described the album as: "a formidable entwining of modern metal’s most effective and exciting strands into an impressive milestone." Exhaustive worldwide touring and a steady stream of crowd-pummeling festival slots across the globe have set the stage for something much larger.
 
Orbit Culture is a band poised. They are the sound of metal in the most modern sense.

chokecherry Announce Debut Album "Ripe Fruit Rots and Falls" Out 11/14 + Band Shares "Major Threat" Video

chokecherry, comprised of vocalist/guitarist Izzie Clark and vocalist/bassist E. Scarlett Levinson, are thrilled to announce the November 14 release of their debut album Ripe Fruit Rots and Falls. Pre-order it here

To celebrate this moment, chokecherry release the video for the angular new single "Major Threat." 

While chokecherry are known for crafting lush soundscapes, "Major Threat," whose title nods to hardcore legends Minor Threat, is inherently punk rock and gritty, giving fans something they've not yet heard from the band. It's jarring — in the best possible way. The accompanying visual, shot on VHS and delivered in just a few days, demonstrates the important DIY spirit at chokecherry's core.
 
Watch the video, co-directed by Clark and Whitney Otte below.

"I grew up on heavy surf punk — hello, Southern California — and this track brings me back to 2016-era mosh pits at the Teragram Ballroom in L.A. or the Velvet Jones in Santa Barbara," Clark explains, tearing back the curtain and inviting the listener to fully immerse themself into the experience of the song. "Vocally, I was very inspired by Brendan Yates (Turnstile) and Zack de La Rocha (Rage Against the Machine). The inspiration for the track came from a (fleeting) feeling of being discarded. The accompanying video is co-directed and pokes fun at the hell that is the 21st century dating scene." 

Levinson weights in, saying, "'Major Threat' is one of the few currently recorded chokecherry tracks that really allows listeners to dip their toes into our live energy. This includes mosh pits, screaming, and running into the crowd mid-song. It's a direct homage to the scenes that shaped us and continue to do so, calling on inspirations like Turnstile and Mannequin Pussy."

She continues, "Of course, the bridge is packed out with classic chokecherry harmonies and layers, and the track concludes with a last-minute twist. The final lyrics are a nod to the toxic cycle of craving something (or someone) that's rejecting you; it hurts like hell and drives you crazy, but in the end, getting left is probably for the best."

Pulling from essences of their childhoods exposed to rock 'n'roll, adolescent years spent exploring '90s post-rock, pop, indie, alt-rock, hardcore, queer musicians, even metal, and their own young adulthood filled with small shows in the Bay Area from a plethora of artists and genres, chokecherry's debut LP, produced by Chris Coady, Christopher Grant, and Zach Tuch, fearlessly pursues creating a snapshot in time, capturing the sonic culture of San Francisco, the political movements overflowing our senses in 2025, the social deterioration of empathy and humanity in the 21st century, and what it means to be human in a time where it feels like there are so few left. "The album isn't about heartbreak over an individual — some of it is — but it's from the state of the world. That's what it is. It's about heartbreak over the loss of childhood and the imagined future that you might have had when you were young, because that doesn't exist. It's actively been taken away from all of us and everything is being stripped before our very eyes, constantly, every single day," says Levinson.

Within 10 tracks, chokecherry piece together the very essence of what it means to be a sentient being in this cruel world, Ripe Fruit Rots and Falls is a dichotomy in its entirety;  introspective and panoramic, tender and intense, personal and social, post-rock and shoegaze, but so is the duality of man. chokecherry encompass all that is severely lacking – empathetic humanity.

chokecherry will embark on their first ever full North American headline tour, with special guests The Sewing Club. The trek kicks off with a West Coast record release show weekend, celebrating Ripe Fruit Rots and Falls with special guests Pure Hex. The California release weekend includes a hometown San Francisco show, in addition to shows in Los Angeles and Santa Ana. 


The tour runs through December 21 in Salt Lake City. All dates are below. Get tickets here

CHOKECHERRY:
NORTH AMERICA — FALL 2025:
WITH GUESTS THE SEWING CLUB:

11/14 — San Francisco, CA — Bottom of the Hill* 
11/15 — Los Angeles, CA — Zebulon* 
11/16 — Santa Ana, CA — Constellation Room*
11/29 — Phoenix, AZ — Valley Bar
11/30 — Albuquerque, NM — Launchpad
12/2 — Dallas, TX — Three Links
12/3 — Austin, TX — 29th St Ballroom 
12/5 – Atlanta, GA — The Masquerade 
12/6 — Nashville, TN — Cannery Hall 
12/7 — Carrboro, NC — Cat's Cradle
12/9 — Philadelphia, PA — Warehouse on Watts
12/10 — Baltimore, MD — Metro Gallery 
12/11 — Queens, NY — TV Eye
12/12 — Cambridge, MA — Sonia 
12/13 — Montreal, QC — Cabaret Foufounes
12/14 — Toronto, ON — Hard Luck Bar 
12/16 — Columbus, OH — A&R Music Bar 
12/17 — Chicago, IL — Cobra Lounge 
12/18 — Columbia, MO — Rose Music Hall 
12/20 — Denver, CO — Marquis 
12/21 — Salt Lake City, UT — Kilby Court
*Record Release Show

3-CD DELUXE EDITION ANNOUNCED TODAY OF TEN YEARS AFTER’S 1969 ALBUM, SSSH

TODAY CHRYSALIS RECORDS ANNOUNCE A 3-CD DELUXE EDITION OF TEN YEARS AFTER’S 1969 ALBUM, SSSH

FEATURES THE ORIGINAL ALBUM NEWLY MIXED FROM THE ORIGINAL TAPES AND A NEWLY DISCOVERED LIVE RECORDING, SLEEVENOTES AND UNSEEN PHOTOS 

ALSO AVAILABLE ON AS 2LP SET 

Out OCTOBER 31 

PRE-ORDER LINK:
https://tenyearsafter.lnk.to/Ssssh

Originally released in 1969, Ssssh marked Ten Years After’s breakthrough into mainstream rock, blending blues riffs with the raw energy of British psychedelia.

56 years later, Chrysalis are proud to present the album in its most expansive form to date. Featuring the original 1969 mix, the album has also been newly mixed by Charlie Russell from the original ¼ production multi-track tapes, offering superb fresh sonic detail, while the third disc contains a newly discovered live recording from the Finnish radio archives of the bands stunning performance at the Kulttuuritalo Hall in Helsinki on 3rd December 1969, recorded just months after the bands’ career-altering performance at Woodstock.

At the centre of this hardcover edition are newly written liner notes by Nigel Williamson, testimonial from Joe Bonamassa and previously unseen photographs. 

The 2-LP vinyl edition was remixed from the original 7-track 1” master tapes and remastered by Phil Kinrade and cut at half-speed at AIR Mastering.

Ten Years After’s Leo Lyons on the deluxe reissue: 

Ssssh was the first record that Ten Years After made on an 8-track machine rather than the four track machines used on previous albums. We could finally separate things out, experiment with overdubs, and actually hear the instruments breathe. Before that, you’d often have to bounce tracks together just to make room, which meant losing quality or committing to a sound too early in the process. I’m really looking forward to hearing the remixed and remastered record. There may be things in those old tapes that no one’s heard yet just waiting to be revealed.”

Avatar Show Their "Death And Glitz" in New Video

The heavy metal visionaries collectively known as AVATAR — vocalist Johannes Eckerström, guitarists Jonas Jarlsby and Tim Öhrström, bassist Henrik Sandelin, and drummer John Alfredsson — previously announced the thoroughly fitting October 31 release of their latest masterwork Don't Go in the Forest. Pre-save it here.

Today, the band shares the visuazlier for the new single "Death And Glitz." Watch it below

Eckerström states, ":Death and Glitz' is a song about perversion and detachment. A homeless, young runaway collapses and dies on a dancefloor. The crime scene tape becomes a red velvet rope. The investigator's camera flashes like paparazzi on the red carpet. We love her for dying. Now, she's perfect. Obedient. Anything you want." 

He continues. "The true crime genre is as sick as the sickest goregrind band you've ever heard. Its popularity and the form in which it's being consumed, as a choice between Mickey Mouse and hospital dramas, reveals a darkness. The best ones are when it's someone young and attractive. A couple goes hiking. Only the man returns. What do we project on this very real person's very real tragedy? Do we see ourselves, with a strange envy for being so desired? Do we see a canvas on which we can paint the perfect future, if we were there to make it right? Do we completely dehumanize the victim and those who lost her, obsessed with the puzzle? No matter the reason, it is clear that no one is more obedient than the dead. People simply like it when death has a nice rack."

Regarding the album, Eckerström offers, "The secret ingredient is that we still feel like we're just getting started. Don't Go In The Forest is an album filled to the brim with stuff we've never done before. It's all songs and concepts we haven't been close to touch until now. The mind is wild and we have lost ourselves in the darkest woods, filled with memories, and fantasies. Forbidden thoughts that must be spoken."

He concludes, "It would have been impossible to make this album at any other time than now. That's all we ever wanted, and I think you'll find it's all you ever wanted too."

Avatar have gone from strength to strength over the past several years. There's the critically acclaimed, 2023-released album Dance Devil Dance, which included their first #1 at Billboard’s Mainstream Rock Airplay, "The Dirt I'm Buried In." There have been scores of sold-out headline shows across the globe, and an actual fossil named after them. The list goes on and on.

But the past is the past and the future is, well, dark in the best possible way and that's JUST how Avatar like it!

Avatar will spend the foreseeable future (if not forever) on the road — with forthcoming tours supporting Iron Maiden and Metallica, along with the band's biggest show EVER in Mexico City. See below for a complete rundown of the band's planned tour activity for the next two years.

Avatar show no signs of pausing to take a breath in their quest for absolute world domination — much less stopping. 

2025 U.S. HEADLINE TOUR:
11/5 — Phoenix, AZ — The Van Buren 
11/6 — San Diego, CA —  The Observatory San Diego
11/7 — Riverside, CA — Riverside Municipal Auditorium
11/8 — Las Vegas, NV — Brooklyn Bowl
11/10 — Seattle, WA — Moore Theater 
11/11 — Portland, OR — Roseland Theatre 
11/12 — Boise, ID — Revolution 
11/14 — Salt Lake City, UT — The Union 
11/15 — Denver, CO — Fillmore 
11/17 — Minneapolis, MN — Fillmore 
11/18 — Madison, WI — The Sylvee 
11/20 — Detroit, MI — The Fillmore Detroit 
11/21 — Pittsburgh, PA — Stage AE 
11/22 — Columbus, OH — KEMBA Live!
11/23 — Silver Spring, MD — The Fillmore Silver Spring 
11/25 — Huntington, NY — Paramount
11/26 — Boston, MA — House of Blues
11/28 — Allentown, PA — Archer Music Hall
11/29 — Charlotte, NC — The Fillmore Charlotte
11/30 — Louisville, KY — Old Forester's Paristown Hall
12/2 — Chicago, IL — Riviera Theater
12/4 — Nashville, TN — Marathon Music Works
12/6 — Tulsa, OK —  Tulsa Theater
12/7 — Dallas, TX — House of Blues

For centuries the circus would come to town. Now, for the first time in history, the gravitational pull of Avatar is so strong that the town is coming to the circus. A circus deep in the forest. A forbidden place. A taboo you are destined to break.

AVATAR ARE
Johannes Eckerström — Vocalist
Jonas Jarlsby — Guitarist
Tim Öhrström — Guitarist
 Henrik Sandelin — Bassist 
John Alfredsson — Drummer

VESSELES Announces New Album Home and Unveils Single “Scriptures Etched Into the Mind’s Pillars”

Symphonic black metal project VESSELES announces the release of its sophomore full-length album Home, arriving January 16th, alongside the unveiling of the record’s seventh track, “Scriptures Etched Into the Mind’s Pillars.”

“Scriptures Etched Into the Mind’s Pillars” is an ode to the grand tradition of classic symphonic black metal. It is a vehement composition that grapples with the inner fortresses we build to protect ourselves, only to find them transformed into prisons. As relentless as it is majestic, the song marks a lyrical turning point: moving away from searching for solace in one’s origins toward confronting the distress of internal struggle and the elusive quest for peace.

Founded as a personal vessel for Valira, a demon entity navigating existence within the human world, VESSELES fuses cinematic scale with blackened ferocity. Homeexpands upon the project’s identity-driven narrative, weaving a mythos of belonging, alienation, and ultimate reclamation of power. The album is as much about survival as it is about transcendence, an unflinching exploration of self through sound.

Home is the sound of returning to a place you’ve never truly known,” says Valira.

With its blend of sweeping orchestration, blistering aggression, and emotional weight, Home establishes VESSELES as one of the most uncompromising voices in contemporary symphonic black metal.

Pre-order Homehttps://vesseles.myshopify.com/

Listen to "Scriptures Etched Into the Mind's PIlars" Below.

About VESSELES:
Founded in 2023, VESSELES is the sonic vessel through which Valira speaks the language of her origins. As composer, orchestrator, and architect, she crafts bleak, incantatory soundscapes that fuse serrated guitars with haunted symphonic textures. Her voice, at once seething and spectral, now rises with increasing clarity, layered across both backing and lead roles in studio and on stage. This is not performance. It is possession. Through sound, she casts off the human shell and steps fully into her true form: demon, exile, survivor. VESSELES unveiled the debut EP I Am A Demon in 2024, a liturgy of identity dysphoria, rage, and revelation. "Eternally Within Us" follows the recently released 2025 single, "Flesh Throne".

Credits:
Composed by Valira Pietrangelo.
Performed by VESSELES. 

VESSELES Is:
Valira Pietrangelo - guitar and backing vocals
J Burial (Joel Ferry) - vocals
Ron Graves - bass
Nick Brown - drums

Links: 
Bandcamp: https://vesseles.bandcamp.com/
Facebook: https://www.facebook.com/vesseles/
YouTube: https://www.youtube.com/@Vesseles
Instagram: https://www.instagram.com/vesseles666/
Music and merch: https://linktr.ee/vesseles

Art Rock Trio Our Oceans Share "Leave Me Be" Video

Blending singer/songwriter sensibilities with modern progressive rock elements, Our Oceans' music resonates with listeners who seek a soul-stirring experience, offering both catharsis and hope.

Today, the power trio, featuring singer and guitarist Tymon Kruidenier and his former Exivious bandmates — bassist Robin Zielhorst and drummer Yuma van Eekelen — have released the video for "Leave Me Be." The song is the third single off the new studio album Right Here, Right Now, due out released on October 24 via Long Branch Records.

Watch the "Leave Me Be" music video Below

Stream the single and pre-order the album here

"One of my favorite songs on the album," comments band leader Kruidenier. "It’s built on a bass line Robin originally wrote for Motherly Flame on our last record but never ended up using for that song. Conceptually, this is one of the darkest songs on the album, rooted in childhood trauma — something that’s clearly reflected in both the lyrics and the unsettling vibe of the music. I also think it's one of our more original compositions. From the ominous, hypnotic bass groove to the Middle Eastern-inspired motifs, and finally, the dual drum/guitar solo, it's a song that still gives me goosebumps every time I hear it."

On their new album, Right Here, Right Now, Our Oceans unveil a brighter, more exhilarating sonic landscape while maintaining the evocative emotional depth that has become their hallmark. Inspired by the "bright quality of the now," the band from the Netherlands crafts a richly layered musical journey filled with lush harmonies and uplifting atmospheres. The album captures the vibrancy of the present moment, blending intricate musicianship with an infectious sense of optimism.

"I'm incredibly proud of that album, but it's a bit of a bitter pill to swallow," says Kruidenier. "This time around, I also felt the need to return to the creative philosophy behind the first Our Oceans album: Simply letting things flow. Instead of steering the process or clinging to preconceived ideas of what the music should be, I wanted to trust in an open and unrestricted creative approach, allowing the songs to take shape naturally. It all started with the chorus for what became the album's first track, 'Golden Rain.' From there, everything came together in what felt like one effortless flow state that lasted for a month or two. I think this resulted in a collection of songs that feel balanced and cohesive, yet diverse and playful."

OUR OCEANS ARE:
Tymon Kruidenier — Vocals +Guitars
Robin Zielhorst — Bass
Yuma van Eekelen — Drums

Hooded Menace Premiere Lachrymose Monuments of Obscuration

For more than two decades, Hooded Menace have stood as the pillar between two realms of underground metal. The Finnish band are still transfixed by classic horror on their monumental new album. But Lachrymose Monuments of Obscuration only goes to show that these stewards of death-doom remain far from stuck in their ways. 

Lachrymose Monuments of Obscuration comes out tomorrow, Friday, October 3, but you can hear all seven earthshaking tracks today by listening to the full album stream below. 

Pre-order & Pre-save
https://orcd.co/hoodedmenacelachrymosemonumentsofobscuration


Pre-save on Spotify
https://open.spotify.com/prerelease/3Os1kbdsMgl805olZjrZUr

Ask the band anything about Lachrymose Monuments of Obscuration during tomorrow's Reddit AMA. 

Hooded Menace AMA 
r/Metal
Friday, October 3 @ Noon EST / 18 CEST


Join
https://www.reddit.com/r/Metal/comments/1nr7jx3/hooded_menace_ama/

On Lachyrmose Monuments of Obscuration, Hooded Menace cast death-doom in a ghostly new light. 

Line-up
Harri Kuokkanen — Vocals
Lasse Pyykkö — Guitar, Bass, Keyboards
Pekka Koskelo — Drums

Guest Musicians
Antti Poutanen — Cello
John McNulty — Spoken Word

Production Credits
Recorded by Heikki Marttila at Guru Studio, Joensuu, Finland.
Mixed by Heikki Marttila.
Mastered by Jaime Gomez Arellano at Orgone Studios, Portugal.

Cover Art
Wes Benscoter (https://www.wesbenscoter.com)

Photography
Pasi Nevalaita

Pre-order & Pre-save
https://orcd.co/hoodedmenacelachrymosemonumentsofobscuration

Available formats
Digital download
CD Digipack
12" Vinyl (Black)
12" Colored Vinyl (Red)
12" Colored Vinyl (Purple)
12" Colored Vinyl (Crystal clear with red and blue marble)
12" Liquid-filled Vinyl (Slime yellow)


Follow Hooded Menace
Bandcamp: https://hoodedmenace.bandcamp.com/music
Facebook: https://www.facebook.com/hoodedmenaceofficial/
Instagram: https://www.instagram.com/hoodedmenaceofficial/
Spotify: https://open.spotify.com/artist/10mjw8SFRZjS0d8tecdEW8
Apple Music: https://music.apple.com/artist/hooded-menace/364200709
Deezer: https://www.deezer.com/artist/3748981
Tidal: https://tidal.com/browse/artist/4754969

Brutal Surf-Death Metal Band STILLBIRTH Release New Single, "Throne Of Bones", Off Of Upcoming Concept Album 'Survival Protocol'

German brutal-surf-death-party metal band STILLBIRTH leave a trail of bloodshed in their wake with their latest single "Throne Of Bones", off of their upcoming concept album, Survival Protocol. STILLBIRTH will unleash Survival Protocol on October 31st via rising metal label Reigning Phoenix Music. The album is the follow-up to their critically acclaimed Homo Deus, which was released in 2023.

"Throne Of Bones" kicks off with a towering drum groove and ominous guitar riffs. Monstrously guttural vocals dominate the soundscape, calling forth a tale of apocalyptic despair. The rhythmic chorus provides some order among the chaos, but it isn't long before all hell breaks loose once again with a burst of pig squeals and punchy riffs. Though a groovy rhythm pervades the music, STILLBIRTH are determined to keep their listeners on their toes, punctuating the flow of the song with more extreme elements.

Survival Protocol is a concept album that tells the story of an unknown hero surviving a nuclear apocalypse. The narrative began on the album Annihilation of Mankind and now reaches its conclusion on Survival Protocol. It picks up where Homo Deus left off: the true creator descends from the skies, and the epic battle for planetary dominance begins. Humanity is nearly wiped out, with a handful of survivors managing to escape into space. After a long journey, they discover a habitable planet and begin to colonize it. The events of this journey are told across the tracks of Survival Protocol.

Watch the video for "Throne Of Bones" BELOW :

Pre-Order Survival Protocol HERE: https://stillbirth.rpm.link/survivalprotocol

STILLBIRTH is a slamming death metal force from Hagen, Germany, known for their chaotic live shows, unrelenting brutality, and wild blend of Death Metal, Grindcore, Deathcore, and Slam. Since 1999, the band has been obliterating venues and festivals worldwide with an extreme sound fueled by filthy grooves, blast beats, and a tongue-in-cheek attitude that’s equal parts destruction and party.
 
Founded by guitarist-turned-vocalist Lukas Swiaczny, STILLBIRTH quickly gained a cult following with their 2002 debut Happy Stillbirth Party. After a short hiatus from 2003 to 2005, the band came roaring back, contributing to international split releases and building a reputation across Europe. Their sophomore effort, Plakative Aggressionen (2009), led to their first Eastern European tour and set the tone for a relentless schedule of releases and performances.
 
By 2011, Endgame Is Near expanded their reach, earning them a spot on their first U.S. tour. STILLBIRTH's 2015 album Global Error marked a high point, with back-to-back tours across the U.S. and Europe. Their signing to Unique Leader Records saw them level up again with Annihilation of Mankind (2018), landing major festival appearances and a tour through Asia.
 
In 2019, they revisited their roots with Back to the Stoned Age, re-recording fan favorites with updated production and guest vocals. The follow-up, Revive the Throne (2020), doubled down on brutality with dual basses, massive grooves, and razor-sharp production—setting a new bar for heaviness in their discography.
 
Tragedy struck in 2021 with the passing of bassist and engineer Dominik “Pumpa” Koenig. His legacy lives on in the band’s music and spirit. After signing to Distortion Music Group in 2022, STILLBIRTH dropped Homo Deus in 2023, toured Europe with KATAKLYSM and FLESHGOD APOCALYPSE, and crushed stages at Summer Breeze, Party.San, and Tolminator.
 
Now, STILLBIRTH is poised to unleash their ninth full-length, Survival Protocol, on October 31st, a dystopian concept album promising their most refined yet devastating sound to date.
 
STILLBIRTH is a party at the edge of the apocalypse. Total madness guaranteed!

STILLBIRTH IS:

  • Lukas Swiaczny – Vocals

  • Martin Grupe – Drums

  • Lukas Kaminski – Bass

  • Leonard Thoma – Guitar

  • Szymon Skiba – Guitar

Website | Facebook | Instagram 

EQUILIBRIUM - Announce New Album Equinox + Release Single/Video 'I'll Be Thunder'

Cinematic, folk-metal trailblazers Equilibrium are thrilled to announce that their new studio album, Equinox, will be released on November 28th via Nuclear Blast Records. Today they've also released firey new single 'I'll Be Thunder' accompanied by a raw, earthy performance video.

Equilibrium commented:
"'I'll Be Thunder' is a very impulsive song that shows the experimental and uncompromising side of Equilibrium. Therefore we tried to emphasise this with a unique, archaic performance video. The whole visual concept, set design and costumes have been hand crafted by Jessica Rösch again. I love this song, because while the notes of it came intuitively to my mind, the lyrics are about self-empowerment, breaking free from limitations, and embracing one’s true strength and authenticity.
It is also the perfect moment to announce our upcoming album "Equinox", which is all about authenticity, reconnection with and rediscovering our own art. It took a long time to go through this process since a lot has happened throughout the last few years in the history of Equilibrium. It represents the bright and dark side of our music and we can't wait to share the whole thing with the world and enlighten this new chapter. The album contains all the cinematic, folky, harsh and soft elements an Equilibrium album should have."


Pre-order Equinox here: 
https://equilibrium.bfan.link/equinox

You can watch the video for 'I'll Be Thunder' below: 

Stream 'I'll Be Thunder' here: 
https://equilibrium.bfan.link/illbethunder

Equilibrium are currently touring in mainland Europe alongside Dark Tranquility, Soen and IOTUNN.

Tickets are available here: 
https://equilibrium-metal.net/en/shows/

About EQUILIBRIUM:

The world is spinning faster these days. Chaos, division and destruction hang heavy in the air. But music has long been humanity’s most vital defense against the turbulent tides of time. A band whose very name is a plea for balance and unity, Equilibrium have been making life-affirming music for nearly 25 years, and as they return after a lengthy hiatus, the German legends are more committed than ever to spreading some positivity and hope to the masses.

As they prepare to release their seventh and greatest album to date, the mighty Equinox, creative mainstays René Berthiaume and Jessica Rösch stand proudly at the forefront of modern metal, ushering in an inspirational new era. With a brand new singer, Fabian Getto, leading the charge, Equinox is this band’s most distinctive and powerful statement to date.

Equinox showcases a band in full control of their sonic and spiritual world, with songs that bring their cherished trademarks and authentic instrumentation together with new technology, electronic elements and giant, stirring melodies that rip from the speakers like proclamations from ancient gods. From the joyous rush of recent singles 'Gnosis' and the melo-death inspired 'Bloodwood', to the effortless, cross-pollinated mastery of 'Earth Tongue', 'Legends' and the show-stopping 'Nexus', Equilibrium have never sounded more potent or passionate.

Equinox was recorded and produced by Equilibrium themselves, with some significant help from an assortment of guest musicians – including ex-Eluveitie violinist Shir-Ran Yinon and members of Dutch Viking metal band Heidevolk- and particularly from studio guru and multi-instrumentalist Danny McCook, who oversaw the album’s mixing process.

Inspired by their experiences with other creatives, Equilibrium have also made the decision to embrace authenticity in every aspect of their art. Equinox is adorned with artwork created by Jessica Rösch with her own hands and without any input from A.I. or any other technology. The end result is stunning and speaks volumes about this band’s desire to keep things real.

In turbulent times, real art keeps us all grounded in the things that really matter. Equinox is a statement of intent from a band reborn. Equilibrium have made great music in the past, but never with this much fire and focus. Brimming with smart ideas, anthemic melodies and crushing, state-of-the-art modern metal with an organic, folk-fuelled twist, it kicks open this new chapter in the band’s story with an exhilarating, heartfelt flourish.
 

Follow EQUILIBRIUM:

Website | Facebook | Instagram | TikTok | Youtube | Spotify | Apple Music

1349 Announces 'Winter Mass' Live Album, Shares "I Am Abomination" Performance

True Norwegian black metal horde 1349 is now revealing that their latest live album, 'Winter Mass,' will be released on November 28, 2025 via Season of Mist. The concert was captured on November 20, 2021 in the band's hometown of Oslo (NO) at the venue Parkteatret. To commence this announcement, the band is now sharing the live recording of "I Am Abomination," along with the video, which can be seen below.

1349 frontman Ravn comments, "This show was captured between two lockdowns in the recent plague, and it mirrors the energy that we feel onstage to perfection. What you see here is the raw outburst of what we label 'Aural Hellfire.' To top it off, we also included all of the drawings that Kim Holm has done of us, thus far, and he also is able to convey that energy through his art. Rejoice and ravish this complete package of raw Hellfire!"

The offering will be released on vinyl, CD, and video formats; pre-orders are now live HERE.

1349 has also recently been announced among the first wave of bands to take the stage at next year's edition of Beyond the Gates Festival. The epic four-day metal event will take place once again in the heart of Bergen (NO) from July 29 - August 1, 2026. Tickets are available HERE.

The cover artwork and layouts for 'Winter Mass' were created by Kim Diaz Holm. The Norwegian artist has captured more than 2,000 concerts, often while standing to the side of the stage. Holm has worked with larger-than-life artists like Abbath but developed a special connection with 1349 after drawing them at both Inferno Festival and Hulen in 2012. Over the past 13 years, he has continued to document the band's incendiary live shows and even designed their merch. What he's created for Winter Mass draws fans even closer to fire. Sketched while he was headbanging in the pit, these drawings leap off the page with the same raw, dark spirit as their muse.

Now, fresh from the ashes of their eighth album, The Wolf & The King, 1349 are releasing a new live album. Though recorded shortly after pandemic lockdown was lifted, 'Winter Mass' explodes out the gates with the band’s signature aural hellfire. This hour-plus set, recorded at Oslo's Parkteatret, enraptured their home crowd with apocalyptic spells from across their discography’s massive cauldron of chaos. Early classics like “Sculptor of Flesh” thrash with unchained madness. Recent favorite "Striding the Chasm" whips by at a blistering pace that could only be captured by cover artist Kim Diaz Holm, who drew the album’s artwork while headbanging in the pit.   

"I will always be here / In all ways in all times", snarls Ravn on hellacious cut "I Am Abomination". After three decades and counting, what was once a proclamation is now a testament to 1349's enduring firepower. 

Experience aural hellfire live in the flesh back where it all began with 'Winter Mass.'

Live Line-up

Archaon - Guitars

Destructhor - Guitars

Frost - Drums

Ravn - Vocals

Seidemann - Bass

Recording:

Parkteatret, Oslo on November 20, 2021

Production Credits

Producer & Sound Engineer - Hugo Alvarstein

Mixing Studio - Alvarstein Mix & Mastering Studio Oslo Norway

Mixing Engineer - Hugo Alvarstein

Mastering Studio - Alvarstein Mix & Mastering Studio Oslo Norway

Mastering Engineer - Huge Alvarstein

Cover + Layout Artist:

Kim Holm

Pre-Order // Pre-Save: https://orcd.co/1349wintermass

Links:

Official Website

Facebook

Instagram

X

Apple Music

Spotify

Danheim Summons the Storm on New Single

With more than 1 billion streams and features in the History Channel TV show Vikings, Danheim has become a cornerstone for Nordic folk, Viking and World music alongside Heilung and Wardruna. On his upcoming ninth album and first since signing with Season of Mist, producer Reidar Schaefer Olsen is continuing to evolve the Nordic sound by journeying home.

Today, Danheim is releasing “Stormdans” as the second advanced single from Heimferd. With drums that roll like thunder and strings that swirl with all the silent anticipation of dark clouds on the horizon, the song embodies the tension at the heart of the album between restraint and release, destruction and renewal.

Watch the video for “Stormdans” Below:

Heimferd comes out October 31st, 2025 on Season of Mist.

Pre-order & Pre-save

https://orcd.co/danheimheimferd

Pre-save on Spotify:

https://open.spotify.com/prerelease/5jx5D2KXJEaIyXKSYgiyR1  

“Stormdans” brings the tension swirling at the center of Heimferd to a head. Where other songs on his new album sink into quiet reflection, Danheim’s latest single summons the raw power of a storm. The sky-scraping strings and earthshaking beats resonate with ancient force.

For me, Heimferd is a journey home”, Olsen says, “not to a physical place, but to my ancestry, honoring the weight of old paths while also forging new ones”.

DANHEIM is a Nordic folk/Viking inspired project from the Copenhagen-based Danish producer Reidar Schæfer Olsen, a man with 10 years of experience in electronic and ambient music – focusing on Nordic Folk and Viking age inspired music with a certain Nordic authenticity or mood. Danheim’s music is often composed of ideas and stories based on the darker side of the Viking period, inspired or consisting of Nordic Mythology, old Danish folklore, and a vivid imagination.

Danheim hit 1 billion streams across streaming platforms in 2022, has 585.000 subscribers on YouTube, with music featured in multiple seasons of the popular TV show Vikings.

Early information: Singer-songwriter Reidar Schæfer Olsen, (born in 1985, Brøndby, Denmark), transitioned to focus on music in the early 2000s and has been composing music almost continuously ever since, alongside doing radio shows and starting the indie label Fimbul Records.

With a passion for songwriting running through his veins from an early age, Reidar Olsen’s Viking-inspired music and dark melodies have broadened the Nordic folk genre and inspired millions of listeners around the world, bringing them back in time with a blend of his imagination and creativity.

“A deep connection to his Danish roots and heritage fueled his interest in the Nordic Folk/Viking genre, prompting the creation of Danheim and his indie label Fimbul Records.”

Ǽttartrú, a self-made Scandinavian belief system that reconnects oneself with their ancestors.

Line-up:
Reidar Schæfer Olsen – All Instruments & Production
 
Production Credits:

Recorded, Mixed & Mastered by Reidar Schæfer Olsen in his home studio.

Cover Art:
Reidar Schæfer Olsen

Photography:
Reidar Schæfer Olsen

Pre-order & Pre-save: https://orcd.co/danheimheimferd

Dayseeker Have "Bloodlust" — WATCH + LISTEN

Fresh off an epic performance in front of tens of thousands of rabid fans at Louder Than Life in Louisville, Kentucky this past weekend, Southern California's DAYSEEKER  Rory Rodriguez [vocals], Gino Sgambelluri [guitar], Ramone Valerio [bass], and Zac Mayfield [drums] — have released the visualizer for "Bloodlust."

Watch and listen below
 

"'Bloodlust' is one of the more eerie and chaotic tracks on the record. It's about people in your life who want to metaphorically drain the blood from you — those you can't trust and don't belong in your life,' says Rodriguez.

The track is the band's newest single from the upcoming album Creature In The Black Night, out October 24 via Spinefarm. Pre-save it here.

 Produced by Daniel Braunstein (Spiritbox, Silent Planet) and mixed by Zakk Cervini (Blink-182, Bring Me The Horizon, Lorna Shore), the album is Dayseeker's most immersive and intentional record to date — eerie, cinematic, and threaded with a dark (and sexy) emotional current.

While not a concept album in the traditional sense, Creature in the Black Night exhibits thematic cohesion, from its shadowy visual identity, Grim Reaper iconography, and ominous atmosphere, to how its songs unfold like chapters. "There’s a horror-inspired vibe that took hold early on," Rodriguez explains. "It wasn't planned. But once it started showing up in the songs, we leaned into it." 

Fans expecting a sorrowful descent into depression might be surprised — Creature In The Black Night has sharper edges, heavier riffs, and a newfound sense of clarity. "There was this idea that we'd get more and more commercial over time," Rodriguez says. "But I think the opposite happened — we're riffing more, I'm screaming more. And it feels good. It feels honest."

Dayseeker hasn’t just evolved. They've ascended. 

Dayseeker will spend the rest of 2025 on tour. They are serving as support for both Ice Nine Kills and In This Moment through the fall. All dates are below.

DAYSEEKER ON TOUR:
SUPPORTING IN THIS MOMENT:
9/27 — El Paso, TX — Speaking Rock Entertainment Center 
10/1 — Los Angeles, CA — Hollywood Palladium
10/2 — Las Vegas, NV — The Pearl Concert Theater
10/3 — Paso Robles, CA — Vina Robles Amphitheater
10/4 — Sacramento, CA — Discovery Park
10/8 — Spokane, WA — The Podium 
10/10 — Idaho Falls, ID — Mountain Center America 
10/11 — Casper, WY — Casper Events Center
10/12 — Colorado Springs, CO — Ford Amphitheater 
10/14 — Kansas City, MO – The Midland Theatre
10/19 – Columbus, OH – KEMBA Live!
10/21 – Atlanta, GA – Coca Cola Roxy
10/23 — Greensboro, NC – Greensboro Special Events Center
10/24 — Bethlehem, PA – Wind Creek Events Center

Additional European tour dates are available here

ONE OF NINE Journeys Through Beleriand on Epic New Single, "Quest of the Silmaril"

ONE OF NINE Lineup:

Fellrider of Northern Unlight - Guitars, vocals

Pharazon the Golden - Drums

Gurthang the Black Sword - Guitars

Urmaiar the Rope - Bass

Langon - Keyboards


Guest Musicians:

Hulder as The Tear Maiden (on "Dreadful Leap")

M. of Lamp of Murmuur as Morgoth (on "Behold the Shadow of My Thoughts")


Cover artist:

​Ted Nasmith


RIYL: Dimmu Borgir, Summoning, Gehenna, Emperor, Old Man's Child


Links:

Bandcamp

Instagram

Apple Music

Spotify

From the shadowed vales of Brethil, ONE OF NINE traverses through Beleriand with an epic new lament, "Quest of the Silmaril." Listen to the bards play their tune below.

The song a glimpse into their forthcoming epic, 'Dawn of the Iron Shadow,' to be released on October 31 through Profound Lore Records.

One of Nine says,

"Another page from the Book of the Iron Shadow is unfurled.

"The tale of Lúthien the witch and her thrall Beren, of their willful misdeeds, their callow plotting, their promised demise. For in setting against the absolute dominion of Angband, they received nought but a stray ember from our Lord's radiant pyre, and were everafter hunted and driven to the shores of mortal ruin.

"The tale of the Silmaril’s Quest is one of grave admonition, that none may offend the might of Melkor.”

'Dawn of the Iron Shadow' can be pre-ordered HERE.

The cover artwork (below) was carefully wrought by the hand of Ted Nasmith, a craftsman of no small renown who is the illustrator of J. R. R. Tolkien's works 'The Lord of the Rings,' 'Unfinished Tales,' and 'The Silmarillion.'