MØL - share new single & video "Young"

Danish alt-metal visionaries MØL return with 'Young', the second single from their eagerly awaited new album Dreamcrush, due on 30th January 2026 via Nuclear Blast Records. Now available on all streaming platforms, 'Young' follows lead single 'Garland'. 

Where 'Garland' ascended into majestic shoegaze territory, its shimmering guitars and brooding baritone vocals hinting at an impending rupture of blackened force, 'Young' wastes no time. It erupts in classic MØL fashion with searing fury from its very first moments, before plunging listeners into the band's signature haze of glittering guitar lines, towering crescendos and cathartic melodicism that blurs the line between beauty and brutality.

Check out the video for ‘Young’ below:

Listen to 'Young' here: https://moel.bfan.link/young.yde

Pre-order and listen to Dreamcrush here: https://moel.bfan.link/dreamcrush

With their third studio album now just weeks away, MØL continue to push the boundaries of their creative expression. Dreamcrush tempers the band’s sharpest, most jagged edges with soaring alt-rock hooks, delving into the tension between dreams and reality, and the ways aspiration can both sustain and consume us. By steeping even their most aggressive moments in melody, MØL deliver their most explosive and affecting work to date.

Following on from the critically acclaimed Jord (2019) and Diorama (2021), MØL’s latest opus sees their sound continue to evolve as they embrace new horizons - as a band and as individuals. Drawing on influences including My Bloody Valentine, Cocteau Twins and Smashing Pumpkins, the album explores recurring themes of belonging, resilience and finding home within oneself. Dreamcrush arrives with a renewed sense of confidence, acceptance and vigour.

Recording took place over several months in Frederik Uglebjerg’s Aarhus studio, allowing the band to shape the album gradually. Vocalist Kim Song Sternkopf explores his baritone register, delivering lyrics in Danish and English that reflect personal introspection and a revisitation of past events. Guitar solos by Nicolai Busse elevate the emotional journey, while abstract, Emil Nolde-inspired artwork by Daniel Owen at Nemesis Design (Sleep Token, Architects, BFMV, TesseracT) and photography by Rolf Meldgaard visually complement the album’s exploration of dreams, reality and emotional reconciliation.

Fans can experience the album live as MØL embark on a headline tour across Europe and the UK throughout February 2026 with support from Tayne and Cold Night For Alligators, promising shows that translate the album’s intensity into a visceral, unforgettable performance.

Comments vocalist Kim Song Sternkopf, "It feels incredible to bring DREAMCRUSH out into the world, not just through the record, but by stepping back onto stages across Europe and the UK. This will be our second headline run and it honestly feels like a new and thrilling chapter for us in MØL.

"The songs on DREAMCRUSH explore how our hopes and ideals can both lift us up and break us apart. Performing them live will be like tearing up that dream to the crowd, fragile, heavy and luminous all at once. 

"We’ve also been lucky to bring along two incredibly solid acts who embody that same spirit in their own ways: TAYNE, with their raw, industrial noise-pop energy and Cold Night for Alligators, who channel this beautifully intricate and emotional strain of alternative metal from Copenhagen. Together, we plan to bring you dynamic and compelling sets each night across Europe and the UK. We can’t wait to see everyone again!"

Tickets are available here: https://ffm.live/moeldk-tour

MØL are:

Ken Lund Klejs - drums
Holger Rumph Frost - bass
Kim Song Sternkopf - vocals 
Sigurd Kehlet - guitars 
Nicolai Busse - guitars

MØL online: 
INSTAGRAM: https://www.instagram.com/moeldk

FACEBOOK: https://www.facebook.com/share/1BktfiUsPL/?mibextid=wwXIfr

X: https://x.com/moeldk?s=11&t=7GbDMk0_-ITDlUkOmBx7_Q

LinkTree: https://linktr.ee/moeldk

British Metalcore Act Shields Share New Single "Parasites"

British metalcore band Shields have released their new single "Parasites."

The song is taken from their upcoming studio album Death & Connection, to be released on January 30 via Long Branch Records. 

Stream "Parasites" and pre-order the album here. 

"'Parasites' is about the experience of sinking into depression and the warped internal relationship that develops within that state," comments singer Joe Edwards. "Originally a rock song from a previous project, 'Parasites' was repurposed for our album. As the original track already had dark undertones, it was easy to re-frame it in moody industrial arrangements, allowing for a wide range of dynamic shifts between sections."

The band shares, "Our new album Death & Connection is a body of work born from the absence of the people who no longer hold space in our lives. This record was created from a necessity to express and soothe our deepest losses; however, that was never the intention — we simply set out to make an album we wanted to hear."

Founded in 2012 by primary songwriters Joe Edwards (vocals) and Samuel Kubrick Finney (guitar/vocals), Shields quickly made an impact in the heavy music scene with their viral single "I Just Feel Hate" — a track they re-released in a newly reimagined version in April 2025. Their EP GUILT cemented their refined sound, blending brutal instrumentation with poignant, emotionally driven lyrics. With this release, they demonstrated an aggressive adaptability to the ever-evolving alternative music landscape, winning over fans from across adjacent genres. The momentum of their powerful breakthrough led to tour cycles alongside acts such as Loathe, Ice Nine Kills, and Escape the Fate.

Shields' debut full-length album Life in Exile (2018) received critical acclaim for its raw honesty and musical maturity. However, the album cycle was tragically cut short by the sudden passing of guitarist George Christie — an event that ultimately led to the band's untimely and abrupt disbandment.

Their return marks a bold decision, given the tragic circumstances surrounding their 2018 split. Yet, Shields re-emerge with powerful new tracks, inviting audiences to witness the next evolution of their sound - matured, refined, and fearless. This new chapter is supported by a fortified lineup, featuring founding members Edwards andl Kubrick Finney, now joined by Alastair Wain (drums) and Krishan Pujara (bass).

If Shields' discography is any indication of what lies ahead, audiences can expect a torrent of unrelentingly bold strides into new sonic territories.

SHIELDS ARE:
Joe Edwards — Vocals
Samuel Kubrick Finney — Guitar + Vocals
Alastair Wain — Drums
Krishan Pujara — Bass

VESSELES Reveal New Single "Perpetual Chasm of Black Mirrors"

Symphonic black metal project VESSELES has released their new song "Perpetual Chasm of Black Mirrors". The song is from their upcoming release Home, which will be released on January 16, 2026. "Perpetual Chasm of Black Mirrors" highlights the deepening mental decay as Valira sinks deeper into her own internal torment. 

Listen BELOW:

Pre-order Home: https://vesseles.myshopify.com/

About VESSELES:
Founded in 2023, VESSELES is the sonic vessel through which Valira speaks the language of her origins. As composer, orchestrator, and architect, she crafts bleak, incantatory soundscapes that fuse serrated guitars with haunted symphonic textures. Her voice, at once seething and spectral, now rises with increasing clarity, layered across both backing and lead roles in studio and on stage. This is not performance. It is possession. Through sound, she casts off the human shell and steps fully into her true form: demon, exile, survivor. VESSELES unveiled the debut EP I Am A Demon in 2024, a liturgy of identity dysphoria, rage, and revelation. "Eternally Within Us" follows the recently released 2025 single, "Flesh Throne".

Credits:
Composed by Valira Pietrangelo.
Performed by VESSELES. 

VESSELES Is:
Valira Pietrangelo - guitar and backing vocals
J Burial (Joel Ferry) - vocals
Ron Graves - bass
Nick Brown - drums

Links: 
Bandcamp: https://vesseles.bandcamp.com/
Facebook: https://www.facebook.com/vesseles/
YouTube: https://www.youtube.com/@Vesseles
Instagram: https://www.instagram.com/vesseles666/
Music and merch: https://linktr.ee/vesseles

ALL THE DAMN VAMPIRES Turn Benny Mardones' "Into The Night" Into A Gothic Midnight Tragedy

Los Angeles-based synthwave-meets-alternative-metal pioneers All The Damn Vampires drop their haunting reimagination of Benny Mardones' 1980 ballad "Into The Night" today, transforming the classic into a gothic midnight tragedy. The track arrives as the second single from the trio's highly anticipated debut album VICECORE, set for release February 4th, 2026. Fans can stream "Into The Night" HERE, watch the lyric video Below, and pre-orderVICECORE on vinyl HERE.

Founded, produced, mixed, and mastered by multi-instrumentalist Davey Oberlin - a longtime touring member of Korn who's also played in Winds of Plague and been a touring guitarist for Five Finger Death Punch - All The Damn Vampires builds on the original's tender vulnerability transmuting it into something altogether more sinister. Where Mardones delivered romantic yearning, Oberlin and powerhouse vocalist Ryan Rose conjure something darker: a fever dream of doomed love, violent transformation, and supernatural obsession.

"Our reimagining of 'Into The Night' takes the classic Benny Mardones ballad into darker, more goth metal-inspired territory," Oberlin explains. "A midnight race through the hills, a tragic crash, and a love that refuses to die.

One saved by fire. One saved by blood. Both forever changed."

The accompanying lyric video, created by Oberlin, features visuals inspired by classic choose-your-own-adventure books and offers cryptic glimpses into the song's reimagined narrative. Rather than spelling out the story, the video presents fragments of fever dream imagery that lets listeners connect the pieces and imagine their own ending. It's storytelling as much as sound design, inviting audiences into a world where love, death and immortality intertwine.

This mysterious story imagined by Oberlin, is the cinematic heartbeat of VICECORE, an album designed to evoke golden hour drives with the top down along the Pacific Coast Highway whilst ruminating on heartbreak and revenge. Recorded over 18 months, the album weaves completely reimagined covers of classic tracks (including Whitesnake's "Is This Love," Phil Collins' "In The Air Tonight," and Cutting Crew's "(I Just) Died In Your Arms") with original songs, blurring the line between the two. The album features contributions from synthwave producer Sunglasses Kid on the title track, vocals from Jack Underkofler of Dead Poets Society on "Falling Into Darkness" plus guitar solos from virtuosos Andy James and Miles Dimitri Baker, who also rounds out the live lineup. The aesthetic draws from Miami Vice, hardcore merch culture, and Los Angeles gang imagery, filtered through Oberlin's deep love of film soundtracks ranging from The Goonies to John Carpenter's catalog, and a childhood spent obsessing over Type O Negative, Korn, and Alice in Chains.

All The Damn Vampires has already carved out a lane at the intersection of heavy music and visual media. The project's music has appeared in cult horror film Terrifier 2, while Oberlin's collaboration with Avenged Sevenfold on a reimagined version of "Ordinary", which he produced and co-wrote, debuted via a secret Fortnite puzzle, introducing the project to an entirely unexpected audience. With over 12.1 million cross-platform streams and 2.11 million YouTube views to date, All The Damn Vampires continues to build a world where retro can be cinematic, crushing, and heavy.

ABOUT ALL THE DAMN VAMPIRES

All The Damn Vampires is more than a music project. It’s a cinematic world crafted by musician and producer Davey Oberlin. Built on a foundation of synthwave, goth metal, and cinematic sound design, the project evokes neon‑drenched cityscapes, emotional storytelling, and an unapologetic embrace of retro‑futuristic aesthetics.

Oberlin’s musical pedigree adds depth to the project. Having performed and toured with legendary acts like Korn, Five Finger Death Punch, and Winds of Plague, he brings a unique perspective that fuses heavy music sensibilities with lush, melodic synth textures. This balance of grit and atmosphere has become a hallmark of All The Damn Vampires.

The project’s reach has extended into visual media, with its music featured in films such as the cult‑favorite Terrifier 2, connecting the sound of All The Damn Vampires with horror and synthwave subcultures worldwide.

Further elevating the project, Oberlin collaborated with Avenged Sevenfold on a reimagined version of their song “Ordinary.” Serving as both producer and co‑writer, he infused their track with his distinctive sonic vision, melding synth‑pop vibrancy with the band’s powerful rock identity.

Whether crafting immersive soundscapes or collaborating with some of the biggest names in modern music, All The Damn Vampires continues to push boundaries. Delivering beautifully evocative music that’s as cinematic as it is unique and unforgettable.

Second Harbour Drop "Mourning Dove" Video

Canadian emo-rock trio SECOND HARBOUR — comprised of brothers Xavierand Vincent Morency, along with John Muggianu — recently announced their signing to SharpTone Records and will release the Coalesce EP on December 12. Pre-order it here. 

Second Harbour today share the video for angular and unforgettable new single "Mourning Dove."

Watch it below. 

In true DIY fashion, the video was shot and edited by the band and it features the members knuckling down on their instruments while playing in an abandoned house.

As for the song, the subject matter goes for the jugular.

“The lyrics to 'Mourning Dove' are hands down the most painful I've ever written," offers Xavier. "They're made to spear you in the stomach, and unapologetically so. Coincidentally, they're also my favorite lyrics of ours. I spent a lot of time making sure they could be read differently than they were heard, and I couldn't be more proud of the song we built around them.” 

TYKETTO ANNOUNCE NEW STUDIO ALBUM CLOSER TO THE SUN SET FOR RELEASE MARCH 20 NEW SINGLE ‘HIGHER THAN HIGH’ OUT NOW

Hard rocking songsmiths TYKETTO will release their 6th studio album, Closer To The Sun, through Silver Lining Music on March 20th 2026, and with it, unleash some of their best, supremely crafted rock anthems celebratingthe return of this criminally underrated quintet originally founded in New York.

The first video and single taken from Closer To The Sun,

‘Higher Than High' is a burst of swing and swagger that perfectly captures Tyketto’s deep appreciation for the emancipation that music can bring. That spirit rings out unmistakably as vocalist and founding member

Danny Vaughn roars: “In the space you can learn to heal/There is music that helps you feel/Higher than high”.

“Higher Than High is, in my estimation, classic Tyketto, where difficulties in life are seen and named but hope and, more importantly, music, is the thing that gets us through,” comments Danny Vaughn. “It's the first single from our new album which we think is going to be a real favorite with the fans. The song and the album say ‘play me loudly and take me for a drive.’”

Watch/Listen to ‘Higher Than High’ below – directed and edited by Scott Wardell; filmed by

Paul Hollingsworth at KK’s Steel Mill.

Throughout Closer To The Sun, Tyketto speak to the listener about true life loves, losses and pleasures. From the title track’s triumphant, anthemic appreciation of love’s power, to the punchy rawness built to make fists rise and hearts race of “Hit Me Where It Hurts”, to the power balladry of “The Picture”, Tyketto continue to confidently stride the same musical terrain as the likes of Whitesnake and Aerosmith, with the added bonus of being fresh to the ears of many.

Joined by Harry Scott Elliott on guitar, Ged Rylands on keyboards, Chris Childs (Thunder) on bass and Johnny Dee(Doro) on drums, Vaughn leads a lineup that brings exceptional performances and undeniable fire to every track, reaffirming Tyketto as one of rock’s most respected and enduring names. Closer To The Sun was recorded across multiple studios in the UK and Europe, including Flip

Flop Studios and the legendary Rockfield Studios in Wales.

In support of the album’s release, Tyketto have already announced a string of dates for 2026, kicking off at

Planet Rock’s Winter’s End festival in Porthcawl, Wales—and with a full UK Tour set for the spring and European shows to be revealed soon, fans should keep their eyes peeled for what’s coming next.

For a full list of upcoming shows and tickets visit: tyketto.com

Band Line-Up:

DANNY VAUGHN – Lead & backing vocals, acoustic & electric guitars, harmonica, keyboards and percussion

CHRIS CHILDS – Bass Guitar, percussion, keyboards, backing vocals

JOHNNY DEE – Drums, percussion, backing vocals

HARRY SCOTT ELLIOTT – Lead and rhythm electric guitars, percussion, backing vocals

GED RYLANDS – Keyboards, percussion, backing vocals

Follow Tyketto:

www.facebook.com/TykettoTheOfficial/

www.instagram.com/tykettoofficial

www.tyketto.com

www.youtube.com/@TykettoOfficial

Alkaloid Perform Bach

Since assembling in 2013, Alkaloid have known no bounds. Fresh from the minds who brought metalheads Obscura, Triptykon and Dark Fortress, the supergroup has rearranged the very composition of progressive death metal. Their three studio albums are widely acclaimed for synthesizing seemingly opposing forces. Worldly polyrhythms are bent to shape sci-fi storylines, only to morph into brutally catchy choruses. However, last summer, the quintet conducted a truly one-of-a-kind experiment, the kind that only a maestro an perform. 

Today, Alkaloid are announcing their very first live album. Recorded live in the Netherlands during three special performances, Bach Out of Bounds brings the classical world in conversation with the heaviest of underground arts. Joined by an award-winning ensemble of vocalists, accordion and string players, the band present wildly re-imagined arrangements of three compositions from Johann Sebastian Bach, while also infusing the heart and soul of the classic composer into their own songs.

Along with fresh takes on fan favorites from Numen and The Malkuth Grimoire, Bach Out of Bounds introduces two new songs to Alkaloid's cannon. "Haunter of the Void" looks deep into an unknown future, but its far-out tale is guided by the progressive metal maestro's cosmically crushing virtuoso.   

"We're always open for an artistic challenge", says Morean, Alkaloid's vocalist and guitarist. "When Bach Out of Bounds, came our way, we fully embraced the adventure to show yet another side of Alkaloid. We were lucky to be supported by guest artists who share our vision and passion for defying boundaries".

"'Haunter of the Void' was especially commissioned for this show", Morean continues. "The song translates Bach and 18th century polyphony into Alkaloid's sonic universe by applying Baroque counterpoint composition techniques to our own scales and harmonies. This 10-minute epic links Bach and Alkaloid without diluting our identity one iota".  

Watch Alkaloid perform "Haunter of the Void" live at Bachfestival 2024 below.

Bach Out of Bounds - Live in the Netherlands comes out January 23, 2026 on Season of Mist

Pre-order 
https://orcd.co/alkaloidbachoutofbounds

Pre-save on Spotify
https://open.spotify.com/prerelease/2pWtSI1XiPBUoM0TLenyKV?si=VX7Qw3CEQ5ec26ubrYgJiA&nd=1&dlsi=a691e08dbd9948ed

Available Formats
CD Digipack
2x12" Vinyl Gatefold 

Even though it was commissioned specially for this performance by the Dutch Performing Arts Fund (FPK), "Haunter of the Void" couldn't have come from any other mind but Alkaloid's. After all, the band has already charted a multi-part saga about a galactic civilization that reaches god-like levels. Their latest space odyssey follows a digitized brain into the void, where it must defy the impossible in order to protect what little hope remains for a long-dead Earth.      

"Thrown to the darkness / To survive", Morean and soprano Chrysa Tsaltampasi call out to each other as if drifting into a black hole. 

"Haunter of the Void" truly expands Alkaloid's universe. Applying Bach's polyphonic composition techniques has deepened the band's gravitational pull. Accordion, violin and cello streak like shooting stars beneath the meteoric riffs and laser-like solos of new guitarists Max Blok and Justin Hombach. With drums rumbling ahead at warped-speed, the song climbs to a head-banging crescendo that sent the crowd at Bachfestival home happy with their minds fully blown. 

“The audience who came and saw these performances went crazy for it”, Morean remembers. “I’m so happy that we can now share them with people everywhere. People aren’t going to know what hit them. Bach Out of Bounds is very different from what other metal bands - or even Alkaloid – normally do”.    

The video for "Haunter of the Void" was filmed live at the 2024 Bachfestival in Dordrecht, Netherlands. It was created by Thomas Niehof / Creative Headroom & Lindy Balduk Photography.      

With Bach Out of Bounds, Alkaloid deliver a classically innovative performance as only a true maestro can.       

Alkaloid is
Morean - Vocals, guitar
Hannes Grossmann - Drums
Linus Klausenitzer - Bass
Justin Hombach - Guitar
Max Blok - Guitar

Guest musicians
Rianne Wilbers - Soprano
Chrysa Tsaltampasi - Soprano
Julija Hartig - Violin
Oene van Geel - 5-string violin
Marieke Hopman - Accordion
Ketevan Roinishvili - Cello

Recording credits
Recorded live in the Netherlands at Bibelot / Dordrecht and Paard van Troje / The Hague
Front of house engineer: Laurens Voois

Production credits
Produced by Alkaloid
Mixed by Hannes Grossman at Mordor Sounds, Germany
Mastered by Victor Bullok at Woodshed Studio, Germany

Songwriting credits
Music for "Allegro", "Adagio - All Is Vanity" and "Agnus Dei" written by Johann Sebastian Bach
Music for "Cthulhu" written by Morean and Hannes Grossman
Music for "Beneath the Sea" and "Haunter of the Void" written by Morean
Music for "A Fool's Desire" written by Hannes Grossman
Music for "The Fungi from Yuggoth" written by Christian Münzner
Lyrics to "Adagio - All Is Vanity" based on "Es ist alles eitel" by Andreas Gryphius and adapted by Morean
Lyrics to "Agnus Dei" taken from John 1:29
Lyrics to "Beneath the Sea", "Cthulhu", "Haunter of the Void", "A Fool's Desire" and "The Fungi from Yuggoth" written by Morean

Available Formats
CD Digipack
2x12" Vinyl Gatefold 

Pre-order & Pre-save
https://orcd.co/alkaloidbachoutofbounds 

Follow Alkaloid
Website:https://alkaloid-band.com/
Bandcamp:https://alkaloid-band.bandcamp.com
Spotify: https://open.spotify.com/artist/4KMQDFaAsPEKcqKzdvkYKc
Apple Music:https://music.apple.com/us/artist/alkaloid/368935306
YouTube:https://www.youtube.com/c/Alkaloidbandmetal
Facebook:https://www.facebook.com/alkaloid.metal
Instagram:https://www.instagram.com/alkaloid_metal/
Twitter: https://twitter.com/AlkaloidBand

TOMBSTONES IN THEIR EYES shares 'Alive And Well', a hymn of revival & tribute to late bandmate

LA-based indie rock outfit Tombstones In Their Eyes presents 'Alive and Well', a beautifully raucous psychedelic rock revival hymn, following the brooding lead track 'Under Dark Skies'. This unexpectedly fierce and defiant declaration of strength is the second taste of their 'Under Dark Skies' album, to be released via Little Cloud Records (for North America) and Shore Dive Records (for the UK and EU). This 2-track offering also includes the radio edit.

This song is dedicated to TITE guitarist Paul Boutin, who recently lost his battle with cancer. As Paul Lovecraft, he was a prolific musician, releasing music even after an operation nicked his vocal chords. Having met Tombstones' main-man John Treanor at Kitten Robot Studios about 10 years ago while working on his own projects, they fell into the same orbital realms until Paul eventually joined the band. 

The song features John Treanor on vocals and guitar, Paul Boutin on guitar, Nic Nifoussi on bass, Paul Roessler on keyboards, Stephen Striegel on drums and percussion), and Courtney Davies, Clea Cullen and Joel Wasko on backing vocals,

"When our beloved friend and guitar player lost his life on 10/18/25, we were shocked, confused and incredibly saddened. Paul was so kind, generous, intelligent and always optimistic. Being in TITE was a source of pride and joy for Paul. He was so easy to be around and was dedicated, driving many hours for practices and shows, always bringing his cheerfulness and optimism. We miss him greatly and are glad he is all over this record," says John Treanor.

"We were initially going to scrap 'Alive and Well' as a single after Paul's passing (for obvious reasons), but because it was one of Paul's favorites and a song on which he played guitar, we are going ahead with the release. The lyrics are about rising out of desperate circumstances with newfound strength - something Paul himself experienced, having dragged himself out of his own difficulties to ultimately rebuild a life full of joy and purpose. While not planned that way, 'Alive and Well' ended up being a statement of intent - a story of a journey from despair to strength."

The accompanying video was created by Italian multi-arts visionary Francesca Bonci, known for her work with Federale (BJM's Collin Hegna), British bard Philip Parfitt, The Dandy Warhols' Peter G. Holmström a.k.a. Pete International Airport and Slowdive's Rachel Goswell.

A year on from their 'Asylum Harbour' album, this record emerged during a year of intense personal change, before finally moving into a place of light and gratitude. Recorded and engineered by Paul Roessler (The Screamers, Nina Hagen, 45 Grave) at Kitten Robot Studios, this album was co-produced by John Treanor and mastered by multi-platinum engineer Alex DeYoung at DeYoung Masters (Michael Jackson, BTS, Macy Gray, The Linda Lindas, TSOL).

As of November 11, 'Alive and Well' is available everywhere, including Spotify, Apple Music and Bandcamp, where the 'Asylum Harbour' album can also be found on CD and red vinyl. On December 5, the 'Under Dark Skies' album will be released digitally and on vinyl via Little Cloud Records (US) and Shore Dive Records (UK and EU).

CREDITS
Words and Music written by John Treanor
John Treanor - vocals & guitar    
Nic Nifoussi - bass guitar
Stephen Striegel - drums & percussion  
Paul Roessler - keyboards 
Courtney Davies - backing vocals
Clea Cullen - backing vocals
Joel Wasko - backing vocals
Recorded at Kitten Robot Studios in Los Angeles, CA
Produced & Engineered by Paul Roessler
Co-produced by John Treanor
Mastered by Alex DeYoung at DeYoung Masters
Cover design by Robin Gnista
Released by Little Cloud Records (US) LC-136 & Shore Dive Records (UK & EU)
Videos by Francesca Bonci 
Publicity by Shameless Promotion PR 

Keep up with Tombstones In Their Eyes
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Keep up with Little Cloud Records
Website | Facebook | Bandcamp  | Twitter | Instagram | YouTube

Keep up with Shore Dive Records
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Status Quo's Francis Rossi Announces "The Accidental" Out 1/30

The Accidental by Francis Rossi, releasing by earMUSIC on January 30 on CD, LP, and Digital formats, comes as something of a surprise.

It was certainly a surprise to Francis, who had no plans to record an album. "This truly came out of nowhere," says Rossi. "I spend my life in and out of the studio, rehearsing, tinkering, but something happened earlier this year and, before I knew it, we had created something special."

While Rossi's previous solo albums explored his love for acoustic ballads, vocal harmonies, and the blend of British rock with country influences, this album, his first in seven years, marks a true return to the energetic, guitar-driven sound that made him a legend with Status Quo.

The Accidental sees Francis Rossi playing to his strengths, but taking risks, cutting loose, and exploring new territory — this album is all about old bones and fresh blood.

The fresh blood in question comes largely from Hiran Ilangantilike, a guitarist who was originally a school friend of one of Francis' children, and co-producer Andy Brook. What became the sessions for The Accidental was initially born of just plugging in and making some serious noise, but something clicked in the studio. Lightning was indeed bottled: There was a swing and a groove, and the songs started pouring out. With John "Rhino'"Edwards and Leon Cave later laying down the bass and drums parts, and Amy Smith again bringing an extra dimension on back-up vocals, this became a project with a bite and DNA all of its own; albeit Francis' playing is a distinctive as ever. Almost all of the songwriting credits reflect this fresh and collaborative ethos, though there are two that bear the classic Quo hallmark: Rossi/Young. Rossi produced The Accidental; co-producer Andy Brook recorded, mastered, engineered, and played on the record, and co-wrote three tracks.

Kicking off with a flourish "Much Better" segues into the ebullient "Go Man Go," teeing up future classic "Push Comes To Shove" and the plaintive yet strutting blues singalong of "Back On Our Home Ground" [who will be the first sports team to adopt this one?]. By then the engine is well and truly running, and the highlights keep coming. The chug and chant and choppy chords of "Something In The Air (Stormy Weather)" give way to the cantering "Picture Perfect," which could only be a Rossi number. The long strides of "November Again" distill a melancholy refrain into a catchy chorus, and the epic "Beautiful World" channels vintage era Quo with enough guitar to get the balcony of the Glasgow Apollo bouncing again. "Time To Remember" is built around a piano line and swaying melody and serves as a poignant and powerful coda to an extraordinarily strong set of new songs.

Pre-order The Accidental here. 

Today’s announcement coincides with the launch of the first two songs: "Something In The Air (Stormy Weather)" and "Go Man Go" are available for streaming and download now.

Listen to the digital 2-track single below.

"For anyone who liked any of my solo albums previously, well, I've no idea what you'll make of this one because it's a real departure, but I love it," Rossi says. "It's loud, the guitars are right to the fore, and there are some great songs there."

This new album finds Francis Rossi once more at the top of his game, with a searing yet thoughtful collection of rockers that will please anyone who likes their dose of heavy cut with melody and verve. Mark Twain said that the accident is "the greatest of all inventors" when there are no rules, expectations or preconceptions, anything can — and will — happen. The Accidental proves that amazing things unfold when an artist with an unrivaled track record is inspired to create new music — even after more than 50 years of success — by the sheer love of playing. That unbridled joy is where the elemental magic that animates The Accidental is conjured.

Myrath Drop Video for "Until The End" (Feat. Amaranthe's Elize Ryd) — WATCH // Announce New Album "Wilderness of Mirrors"

Tunisian x French progressive metal band Myrath are back with the video for the stunning new single "Until The End," featuring Elize Ryd, the powerhouse vocalist of Amaranthe. Released today alongside the official announcement of their seventh studio album, Wilderness of Mirrors, the single marks the beginning of a bold new era for the band.

"Until The End" is a cinematic duet that explores the fragile line between truth and illusion, blending Myrath's signature Middle Eastern melodies with arena-sized metal and soaring choruses. The collaboration with Ryd adds a dramatic, emotive layer, making the track an instant highlight of the upcoming album.

Listen to "Until The End" here.

Watch the video below. 

Wilderness of Mirrors will be released March 27 via earMUSIC and features 10 brand-new, emotionally charged tracks that continue Myrath's evolution. Fans can expect a journey through fantasy and reality, from haunting melodies to thunderous riffs and cinematic arrangements.

To celebrate the release, Myrath will embark on a major European tour starting in April 2026, bringing Wilderness of Mirrors to fans across 16 countries.

With millions of views on their epic videos, critically acclaimed albums, and performances at festivals such as Hellfest, Wacken, and Sweden Rock, Myrath continue to captivate audiences worldwide. Wilderness of Mirrors represents the band at their most dynamic and authentic, a milestone in their journey toward becoming one of metal’s most exciting acts.

Pre-orders for Wilderness of Mirrors and tickets for the European tour are available now. Don't miss the next chapter in Myrath's epic musical journey.

More info about the European tour dates and tickets here. 

Pre-order the new album here. 

Mayhem Announce New Album "Liturgy of Death" Out 2/6 + Unvei Video for "Weep for Nothing"

The most influential black metal band of all time is back with their seventh studio album Liturgy of Death. 

With this new opus, Mayhem reaffirm their status as the most uncompromising force in extreme metal music. Four decades into their career, Mayhem turn their focus toward the inescapable reality of death. Liturgy of Death examines loss, fear of dying, powerlessness, and the fragility of existence through a stark and unrelenting lens.

Stream "Weep for Nothing" here. 

Watch The visualizer Below. 

"Weep for Nothing" turns the fear of mortality into revelation, a hymn to nothingness where grief becomes meaningless. With its cold and fast grandeur, razor-sharp riffs. and a suffocating atmosphere, the band channels it channels the essence of mortality without offering solace or escape.

Pre-order Liturgy of Death here. 

With Necrobutcher, Hellhammer, Attila, Morten, and Ghul locked into a unit tighter than ever, Liturgy of Death celebrates Mayhem's own legacy, a continuation of the raw and uncompromising sound that defined their beginnings. The result is a merciless record — dark, fast, and unrelenting —that captures the band in their most dangerous and vital form. 41 years since their formation in Langhus, Mayhem remain a defining force in Norwegian black metal, continuing to shape the sound they helped create.

MAYHEM LINEUP:
Attila Csihar — Vocals
Ghul — Guitar
Hellhammer — Drums
Necrobutcher — Bass
Morten — Guitar

Introducing HÉR, a bridge to the raw spirit of the North

Emerging from the northern shores of Poland, HÉR are both seekers and storytellers. Their upcoming debut album, Monochrome, weaves bowed strings, raw incantations and entrancing percussion into ritual soundscapes that conjure the vast and mythical landscape of the North. The album’s lead single, “Needles and Bark”, calls on the enduring spirit of Icelandic fjords and Old Norse myths, inviting us into a meditation on decay and endurance.

“The pine on the rocks dries and dies / needles neither protect nor the bark / why should he live long?”

Watch the video for “Needles and Bark” below.

Monochrome comes out January 30, 2026 on Season of Mist.

Pre-order & Pre-save

https://orcd.co/hermonochrome

Available Formats:
CD Digipak
12” Vinyl Gatefold — Black
12" Colored Vinyl Gatefold — Transparent Orange

“We are honored and deeply thrilled to announce our signing to Season of Mist”, HÉR says. “To begin our musical journey with such a renowned and visionary label is both a privilege and a powerful affirmation of our path.

“HÉR — meaning ‘here’ in Icelandic — is more than a name; it is a call to presence. And here, in this moment, something new begins. Our collaboration with Season of Mist opens a gateway to share our sound, our myth, and our vision with a wider world”.

“This signing marks not only our debut”, HÉR continues, “but also the crossing of a threshold — from the roots of Old Norse poetry and northern mysticism into a vast, boundless landscape of sound and emotion. We stand ‘here,’ united by rhythm, voice, and story, ready to bring the raw essence of the North to those who are willing to listen, feel, and be transformed.

Sit here with us — sestu hérna — and witness what begins now”.

Line-up:
Maciej Świniarski — Vocal, Percussion
Tomasz Chyła — Vocal, Violin, Synth Percussion
Piotr Chęcki — Saxophone, Percussion
Tomasz Sadecki — Bass Guitar, Synth, Percussion
Sławek Koryzno — Drums, Percussion

Production Credits:
Recorded at Monochrom Studio, Gniewoszów, Lower Silesian Voivodeship, Poland.
Produced & Engineered by Ignacy Gruszecki.
Mixed & Mastered by Marcin Bors at Fonoplastykon, Wrocław, Poland.

Guest Musicians:
Magdalena Kuraś „Freya”

Cover Art:
Mary Zaleska

Photography:
Daria Szczygieł (https://dariaszczygiel.com/)

Pre-save & Pre-order

https://orcd.co/hermonochrome

Press-kit: https://presskit.season-of-mist.com/H%c3%89R/
Login: presskit
Password: Presskitofmist

Follow HÉR:
Facebook: https://www.facebook.com/herbandofficialprofile/
Instagram: https://www.instagram.com/her.bandofficial/
Bandcamp: https://hersom.bandcamp.com/

Spotify: https://open.spotify.com/artist/4yHViIb0eCl4eVMFcVnzm5

Apple Music: https://music.apple.com/artist/h%C3%A9r/1751778615

AGENBITE MISERY Release “A Charitable View of Temporary Insanity”

Experimental metal trio AGENBITE MISERY have released “A Charitable View of Temporary Insanity,” the latest track from their forthcoming debut album Remorse of Consciousness, due out February 6, 2026.

Serving as the emotional centerpiece of the record’s first half, the song is a sprawling meditation on death, memory, and inner turmoil. It adapts the “Hades” episode from James Joyce’s Ulysses, in which protagonist Leopold Bloom journeys through Dublin to attend a funeral while reflecting on personal loss. With lyrics drawn directly from Bloom’s internal monologue, the band translates Joyce’s psychological density into a massive, genre-warping composition.

The track unfolds with a gentle, ambient intro that evokes the quiet tension of a city morning. Subtle field recordings and bass harmonics set the scene before a crushing sludge riff drops in, anchoring the song’s emotional gravity. From there, the composition drifts between suffocating heaviness and moments of haunted clarity. Elements of funeral doom, acoustic interludes, blackened chaos, and harsh noise are woven together with meticulous intent.

One of the track’s most jarring moments comes when the instrumentation falls away completely, leaving only sparse percussion and a raw, grief-stricken vocal. The lyrics, drawn from Bloom’s thoughts about his deceased infant son, strike with an emotional immediacy that few metal bands attempt, let alone deliver with this level of conviction.

“A Charitable View of Temporary Insanity” is a clear statement of purpose from a band committed to exploring the limits of what heavy music can express. While dense and ambitious, the song remains grounded in thoughtful, evocative songwriting that rewards close listening.

Remorse of Consciousness adapts each chapter of Ulysses into a standalone piece, forming a concept album that bridges literary complexity with sonic extremity. With this single, AGENBITE MISERY continues to carve out a space entirely their own, where literature and extreme metal converge with startling clarity.

About AGENBITE MISERY:
AGENBITE MISERY is a New Hampshire-based trio that fuses literary ambition with the visceral force of experimental metal. Formed in 2022 by guitarist Sam Graff, bassist Cam Netland, and drummer Adam Richards, the band emerged from a shared academic background in literature and a mutual devotion to the most extreme and boundary-pushing corners of heavy music.

At its core, AGENBITE MISERY is a project rooted in transformation. Their work doesn’t merely incorporate influences, it dismantles them, reshapes them, and recontextualizes them within a vision that is as cerebral as it is punishing. Their sound weaves together elements of black metal, sludge, death metal, post-punk, ambient, and noise rock, unified not by style but by intent: to confront, to immerse, and to challenge.

Individually, the members bring a history of musical experimentation: Sam Graff and Adam Richards were longtime collaborators in the avant-garde project UNDER GREEN SUNS and the Boston metalcore outfit VICARIUM, while Cam Netland previously fronted the Connecticut stoner/black metal band COAGULATE. Together, they’ve forged something entirely distinct, a collective voice that draws from their diverse histories but refuses to be defined by any one genre or scene.

AGENBITE MISERY exists at the edge of metal and the margins of modern art, translating abstract ideas into concrete sound with unrelenting force. Whether performing live or recording in isolation, their ethos remains constant: dig deeper, aim higher, and never repeat what has already been done.

AGENBITE MISERY is:
Sam Graff – Guitars / Vocals / Synth
Cam Netland – Bass / Vocals
Adam Richards – Drums / Vocals

Connect with AGENBITE MISERY:
Bandcamp: https://agenbitemisery.bandcamp.com
Facebook: https://www.facebook.com/profile.php?id=61574211514876#
Instagram: https://www.instagram.com/agenbitemisery/?hl=en
YouTube: https://www.youtube.com/channel/UCwjOZilhkqTRkZHpJJwlbhw
Spotify: https://open.spotify.com/artist/6dYQgCtNvpvNWwfQ06LQQZ
Apple Music: https://music.apple.com/us/artist/agenbite-misery/1716987132
TikTok: https://www.tiktok.com/@agenbite.misery
Ampwall: https://agenbitemisery.ampwall.com/

UK electronic outfit Scissorgun shares 'Gone Rogue', teasing new album 'Scream If You Wanna Go Faster'

UK electronic outfit Scissorgun announce their album 'Scream If You Wanna Go Faster', out November 21 via Dimple Discs. Mixing urban electronica with fuzz and wah guitar, these trailblazers present a solid collection of songs, dances and abstract soundscapes. A must-have for Factory Records collectors, the vinyl includes seven tracks, while the digital and CD versions include three bonus tracks. Ahead of its release, they present the tracks 'Gone Rogue' and 'Bad As Bingo'.

Formed in Manchester in August 2016, Scissorgun is an electronic trio comprised of Dave Clarkson (synths, rhythms, tapes, percussion), Alan Hempsall (vocals, treated guitar, samples, loops) and Adrian Ball (light show and projections). Carriers of Factory Records' legacy.

“We always operate on instinct and improvisation is the key starting point. Some ideas become structured songs, but others remain as first recorded, with the music finding us and not vice versa. The title is a soft attempt at social comment, intended to be inferred rather than overt,” says Dave Clarkson.

Their musical scope is varied - pastoral dreams one minute and, the next, crashing swathes of noise chased down with a dub twist.

"The idea for 'Gone Rogue' started with a busy electro bass line and, as soon as we found a good quote from a conspiracy theorist on social media, the whole thing seemed to turn into a polemic against turning your back on humanity in revulsion. We dwell on the impact of the fight for our attention on the individual and the damage done. All the while, the driving beat is pushing us on with heavy cowbells and pulsing bass. We’ll all feel better if we dance," says Dave Clarkson.

Alan Hempsall adds, "As for 'Bad as Bingo', we were both overjoyed when this came out of the mincing machine. We’d been looking for something with a go-go beat to it, so this was perfect. The words flowed automatically as the best ones always do. Broad brush observations of a situation gone bad coupled with a mawkish sentimentality for what’s lost. The glitching and grinding bass line and barking dogs take on a life of their own. Suddenly it all makes sense and the initial spark revolts into structure and form."

Alan and Dave first met in 2007 when Dave’s band, Triclops, were supporting Biting Tongues at Islington Mill in Salford. Alan was in the audience and was so taken with Triclops’s performance that he wandered over to show appreciation and a friendship was struck up, bonding over a mutual weakness for early industrial, rock and modern jazz. After nine years of gig-hopping and hanging out, the timing was suddenly right for them to organise some jam sessions to see what came out.

It so happens that both of their bands were on hiatus at the time. While Dave Clarkson was in Triclops from 2000 to 2015, he was in White Cube prior to that. He since boasts an extensive catalogue of solo works.

As for Alan Hempsall, he was the vocalist for Crispy Ambulance, who was on Factory Records from 1980 to 1982, before spending five years in the mid ‘80’s playing percussion in a Brazilian Samba band. Hempsall also famously appeared on stage with Joy Division in April 1980, standing in for Ian Curtis at a show in Bury that descended into a riot.

"As with any album, we operate on instinct. Improvisation is the key starting point. At this moment, anything can and generally does come out. The bizarre accidents and serendipity that occur during this process are the parts we keep. Those moments that feel like you’re merely the vessel that the music is transmitted through," says Alan Hempsell.

Dave Clarkson adds, "Some ideas gradually emerge into structured songs whilst others have the fortitude to remain in their original form to some extent or another. Yet no conscious decision is made. We are not in control. It is the music that finds the musicians. As the body of work is growing and developing, it seems to take on its own identity, something else we appear to have little influence on. So, there is an element of Praxis at work here, we’ll do it because we want to and think up the reasons why later."

Prior to this album, Scissorgun released three albums - ‘Assault Two’ (2017), ‘All You Love Is Need’ (2020) and ‘Psychological Colouring Book’ (2021). They frequently perform live and have opened for such artists as Wolfgang Flur, Wrangler and Eric Random.

Ahead of its official release on November 21, ‘Scream If You Wanna Go Faster’ is available via Bandcamp - both digitally and as a signed white label vinyl release (with colour paper photocopy of a brilliant sleeve). It can be ordered on CD and cyan-coloured vinyl from select record shops. Scissorgun's album release show takes place on November 19 at the Amersham Arms in London.

CREDITS
All music written performed and recorded by Scissorgun
Dave Clarkson – synths, keyboards, loops, electronic drums & field recordings
Alan Hempsall – vocals, words, treated guitars, effects & found sounds
Engineering & production by Dave Clarkson
Mastering by Peter Beckmann at Technology Works, East Lothian
Scissorgun device by Kevin Craig
Sleeve design by Bruce
Photography by Wayne Goodman
Recorded over the course of 2024 at Cavendish House Studio, Manchester, UK
With thanks to Adrian Ball at Hollowsphere, AV
Released by Dimple Discs
Publicity by Shameless Promotion PR


Keep up with Scissorgun 
Bandcamp | Stores | Facebook | Instagram | Twitter | BlueSky | YouTube | Apple Music | Spotify | Amazon | Press contact

Keep up with Dimple Discs
Bandcamp | Facebook | Twitter  | Instagram | Proper Music | Press contact

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Kreator Pay Homage to Dario Argento's Horror Classic "Suspiria" in "Tränenpalast" (Feat. Britta Görtz) Video

Metal titans KREATOR have released a new single from their sixteenth full-length, Krushers Of The World, which will be out on January 16 via Nuclear Blast Records.

Arriving just in time for Halloween, the song "Tränenpalast" is a comprehensive homage to horror maestro Dario Argento's 1977 cult film Suspiria, which is hailed by fans as one of the most defining genre entries of its era. While the lead melody references the film's original score by Italian prog band GOBLIN, lending it a melodic death metal touch, the lyrics mention "the three mothers," an ancient witch coven from the Suspiria universe. In addition, the music video created by acclaimed masters of the macabre, Grupa 13, features KREATOR performing in the film's haunted ballet school setting complemented by disturbing images of said witches in various stages of transformation.

You can watch the video below — if you dare!

"Tränenpalast" features vocal coach Britta Görtz of extreme metal band HIRAES.

Mille Petrozza comments,"'Tränenpalast' è il nostro tributo alla grande tradizione del cinema italiano. Ci siamo ispirati al classico Suspiria di Dario Argento e al suo epico remake firmato da Luca Guadagnino. Musicalmente, ci inchiniamo ai grandi Goblin, in diretto dialogo con il maestro Claudio Simonetti. Speriamo che la canzone vi piaccia tanto quanto piace a noi.  Solo amore per i grandi! Salve alle orde!"

+++

"'Tränenpalast' is our tribute to the great tradition of Italian cinema. We drew inspiration from Dario Argento's classic Suspiria and Luca Guadagnino's epic masterpiece remake. Musically, we bow to the great Goblin, in direct conversation with maestro Claudio Simonetti. We hope you enjoy the song as much as we do. Only love to the greats! Hail to the Hordes!"

Pre-order/presave Krushers of the World here.

AVAILABLE IN THE FOLLOWING FORMATS:
Limited 3LP + 2CD Digipak Deluxe Box Set (Black/White/Red Splatter LP + transp. Red 2LP) w/ demon figurine & pin by Cave Toys, LP-sized 24-page photo booklet, beer coaster, patch, poster and alternate box artwork (CD2 and LP2+3 contain bonus live album "Krushing Classics 1985-1990")

Limited 3LP + 2CD Digipak Ltd. Box Set (Gold/Red ink spot LP + transp. Orange 2LP)
w/ LP-sized 24-page photo booklet, beer coaster& poster (CD2 and LP2+3 contain bonus live album "Krushing Classics 1985-1990")

Black LP
Red LP
Transparent Red / Black Marbled LP
Orange / Black / White Splatter LP
Dark Red / White Corona LP
Red Gold LP
Gold / Black Marbled LP

Limited Edition 2CD Digipak 
(CD2  contains bonus live album "Krushing Classics 1985-1990")

Jewelcase CD

Digital Album

FESTIVALS:
5/21 — Baltimore, MD — Maryland Deathfest 2026

Volumes Announce New Album "Mirror Touch" Out 12/12 + Share "S.O.A.P." Visualizer

15 years into their career, Volumes have weathered ups, downs, time, trends, and everything else life could throw at them only to come out stronger on the other side. Against all odds, a devout audience has ridden shotgun and grown with them every step of the way, waiting for this moment.

The Los Angeles quartet — Michael Barr [vocals], Raad Soudani [bass], Myke Terry [vocals], and Nick Ursich [drums] — are thrilled to announce their fifth album, titled Mirror Touch. It will be released digitally on December 12 via longtime label Fearless Records. The physical album will arrive on February 27 of next year. Pre-order it here. 

Volumes have dropped the visualizer for the new single "S.O.A.P." Watch it

Volumes have never sounded as confident and assured as they do on this riff-roaring new single. Crunchy, industrial-tinged production, screamed vs. melodic vocal interplay, and a thunderous breakdown signal the beginning of the new era of Volumes. If Meshuggah or Fear Factory entered into a cage match with the Terminator: Judgment Day's T-1000 liquid antagonist, it would sound a lot like "S.O.A.P."

"'S.O.A.P.' is about pure and impure indulgence," the band explains. "Good versus evil. Playing with fire or magic — the lines are blurred here. We self-nurture habits that are deemed immoral, although who is the person making that decisions for us?"

Through a decade-and-a-half, Volumes' quiet impact has been felt, with over 167 million streams in the U.S. alone, widespread acclaim, and sold-out shows. They've carved out their own corner of heavy music with an inimitable hybrid of head-crushing polyrhythmic prog-spiked metal, hardcore spirit, and unbridled attitude. They have assuredly leveled up over the course of albums such as Via [2011], No Sleep [2014], Different Animals [2017], and Happier? [2021]. KERRANG! hailed the latter as "an album that gives a nod to the band's past while still bringing in new ideas." Meanwhile, the group shared stages on tour with everyone from Ice Nine Kills and Born of Osiris to Dance Gavin Dance and Counterparts. The Los Angeles group continues to fortify a full-on sensory assault with thick riffing, chilling soundscapes, and the venomous bite of its incomparable two-headed vocal hydra.

All Sinners Release New Single "World That's Burning" via Rat Pak Records ​

Massachusetts-based hard rock/metal band All Sinners proudly announce the release of their powerful new single, “World That’s Burning,” available now via Rat Pak Records. The track marks the second single from their highly anticipated upcoming album, We Own the Night, slated for worldwide release on November 14, 2025.

“The powerful and greedy have us divided for their benefit.  But we have the power to take it back!  Strike the match, fan the flames in a world that’s burning down!" comments Mike Golarz.

Stream "World That's Burning"

https://lnk.to/3NI7YuSs

Listen to the teaser for the new single:

The new album marks a bold step forward for the band, combining their signature heavy riffs with more complex arrangements and raw, emotional depth. This powerful new collection of tracks showcases the band’s growth both musically and thematically, building on the foundation laid by their debut EP while introducing new sonic territory that will leave fans and newcomers alike in awe.

We Own the Night delivers an aggressive yet melodic exploration of human struggle, resilience, and redemption, delivered with All Sinners' trademark intensity. The album reflects the band's evolution, blending classic metal influences with elements of modern hard rock, creating a sound that is both timeless and fresh.

“We’ve put everything we have into this album,” says guitarist & singer Mike Golarz. "'We Own the Night' isn’t just a collection of songs; it’s a journey we’re taking with our fans. It’s about facing the dark moments and finding strength in the aftermath.” 

Pre-Order HERE: https://ratpakrecords.com/collections/all-sinners

In addition to the album release, All Sinners will be bringing their high-energy live show to stages across the U.S., with a string of upcoming show dates. Fans can expect an unforgettable mix of new material from We Own the Night alongside favorites from their catalog.

Upcoming Show Dates:

November 5, 2025 Dokken with All Sinners at Whisky A Go Go – Hollywood, CA

November 14, 2025 Dangerous Toys All Sinners / Wreckless Child at Rochester Opera House – Rochester, NH

November 15, 2025 Dangerous Toys All Sinners / Pink (Acoustic) at The Met – Pawtucket, RI

November 29, 2025 All Sinners at Purchase Street Records – New Bedford, MA

December 18, 2025 That Metal Show – Annual Holiday Bash Hosted by: Eddie Trunk – Don Jamieson – Jim Florentine 

FEATURING: Lashing Wire / All Sinners / After Forever at Dingbatz – Clifton, NJ

December 20, 2025 Warrant with All Sinners at Tupelo Music Hall – Derry, NH

February 26, 2026 George Lynch with All Sinners at Racket NYC – New York, NY

February 27, 2026 George Lynch with All Sinners at Empire Live – Albany, NY

February 28, 2026 George Lynch with All Sinners at Fete Music Hall – Providence, RI

March 1, 2026 George Lynch with All Sinners at Tupelo Music Hall - Derry NH 

All Sinners:

Mike Golarz - Vox/Guitar 

Nick Testone - Lead Guitar

Bruce Morrison - Bass

Roger Chouinard - Drums

For More Information Please Visit:

Official Website

Facebook

Instagram

Spotify

NIGHT TERROR'S FIRST SINGLE AND VIDEO “REMEDY IS IN THE POISON” IS OUT ON OCTOBER 31ST THROUGH DEKO ENTERTAINMENT

Meet NIGHT TERROR…the supergroup rising from the newly energized ashes of Seven Witches, and the brainchild of acclaimed guitarist, Jack Frost. Frost, who besides being the face of Seven Witches, is best known for playing & touring with national acts such as Aldo Nova, Savatage, Joey Belladonna, Lizzy Borden and many others, put together this monster all-star band of who’s who in metal today. The line-up consists of vocal legend Jason McMaster of Dangerous Toys & Watchtower, drum icon Karl Wilcox of Diamond Head, TANK & Brothers In Arms, bassist extraordinaire, Dennis Hayes of Iced Earth & Seven Witches, and also esteemed special guest on keys, Eric Ragno of Londen.

Night Terror’s debut album Return Of The Witches will bring you back to the era of the famed Seven Witches, Passage To The Other Side record, with its screaming Halford-like vocals & riffs of pure, unapologetic metal at its finest. That combined with killer thunderous drums and sick bass runs, will take you on a journey to those past days of the early 80’s, and the rise of the New Wave of British Heavy Metal. Frost’s mission in putting together this newest project with some of the industry’s most quintessential players, was not to reinvent the wheel…but rather to resurrect it. As he states, “Night Terror is very special to me. Up from the ashes of Seven Witches. I wanted to do more in that power metal vein. And having the opportunity to work with Jason was a magical moment. He’s one of the greatest voices of that classic NWOBHM. And my boys Dennis and Karl just brought it. This EP is true classic Metal. Horns Up!"

Watch “Remedy Is In The Poison” Video Below.

McMaster continues, "This collection of tunes was an honor to put together with these guys. Jack's guitar playing is taking my brain, and my guts to places in my subconscious.  These places are where I float around and create melodies and topics for lyrics. I feel we are keeping a style of breathing. If you like Dio, Sabbath, UFO, and NWOBHM, this could be satisfaction." The first single and video “Remedy Is In The Poison” is out on Halloween with the full album dropping in early December. There are a limited number of autographed bundles signed by the entire band, so don’t miss out on owning a piece of this soon to be classic NWOBHM release.

Order here: https://www.dekoentertainment.com/inthesquare/night-terror

For more information, visit

www.dekoentertainment.com/

Deko Entertainment–Art Has Value

Singer/Songwriter Kaitlin Butts Signs to Republic Records; New 'Yeehaw Sessions' EP Coming Nov. 14

Gaining traction as one of country music’s fastest-rising artists, acclaimed Nashville-based singer, songwriter, and performer Kaitlin Butts will unveil her new Yeehaw Sessions EP on November 14, 2025. It notably marks the celebrated rising star's debut under her recently minted deal with Republic Records. Pre-order/Pre-save Yeehaw Sessions EP HERE.
 
"From releasing my album over a year ago as an independent artist, to having a viral song, to now signing a record deal with such a prestigious label like Republic Records, the journey has felt nothing short of surreal,” shares Butts. "I’m so inspired by the Republic team and how their vision aligns with the dreams that I’ve always had for myself.”
 
Kicking off this next chapter in earnest, she just shared a powerfully moving cover of the Jimmy Eat World classic “The Middle” giving fans the first taste of the forthcoming  EP. Listen to “The Middle” Below.
 
The woman declared “unafraid to test boundaries,” by Rolling Stone, spikes this pop-punk staple with serious Oklahoma soul. Stripping back the arrangement back to bare acoustic guitar, slide, fiddle, and dobro, her vocals especially shine as she delivers the instantly recognizable hook with a whole lot of heart. Ultimately, this version of “The Middle” illuminates Butts’ impressive range and uncanny ability to make even the most recognizable track her own with respect and reverence.

"It has been such an incredible year! And in the midst of these great things — viral songs, huge tour opportunities — all that positive attention can bring with it some negative moments too. I was feeling particularly down about myself after some of those negative comments online and starting to wonder if maybe they were right. Then one night at karaoke with friends — because that’s what I, as a professional singer, do to make myself feel better,” Butts shares with tongue firmly planted in cheek, “this girl started singing 'The Middle,' a song that I was very familiar with but reading the lyrics on the screen, it was the first time I was able to take in what the song meant and I started to tear up. I needed to hear those words in that exact moment. It was a reminder to me that I’ve worked my entire life for this dream, and I’ll be damned if I let some keyboard warrior rain on my parade. I hope my version meets someone the way that song met me in that moment."
 
On the music video, she shares: "In Jimmy Eat World’s original music video, a girl shows up to a party, strips her coat at the door and walks into a party where everyone is in their underwear. In this video, I wanted to pay tribute to that and throw my band in the back of a truck like we were on our way to that party,” Butts says. "I called up Chris Beyrooty to direct and we headed to Taylor Sheridan’s Bosque Ranch in Weatherford, TX. With the band dressed in their skivvies, we hit record and captured something hilariously beautiful." 
 
In the spirit of her first covers EP, 2022’s Sad Yeehaw Sessions, the Yeehaw Sessions sees Butts re-record, reimagine, and reinvigorate a handful of personal favorite tunes accompanied by her live band. 
 
“A couple years ago I put out an EP called Sad Yeehaw Sessions, a collection of sad covers that I have always loved and wish I had written myself.” Butts shares. “It fit perfectly with my album at the time, What Else Can She Do, which I had written during a difficult time in my life. After releasing Roadrunner!, which features much happier songs, I wanted folks to know that there were brighter days ahead. In keeping with that theme, we've created the antithesis of Sad Yeehaw Sessions, something upbeat, rowdy and fun….all cover songs that I’ve been performing live the last couple years."  
 
After road-testing these renditions much to the delight of audiences everywhere, she has outfitted the EP with covers of “Red Wine Supernova” by Chappell Roan, “Sin Wagon” by The Chicks,” “Tulsa Time” by Don Williams, as well as “The Middle.” Plus, it boasts a new recording of her viral hit “You Ain’t Gotta Die (To Be Dead to Me),” infusing it with a rush of energy.

She will celebrate the arrival of Yeehaw Sessions on November 14 with a very special headline show at the largest honky-tonk in the world—Billy Bob's in Fort Worth, TX. Tickets are available HERE.
 
Throughout 2025, she has captivated crowds everywhere on tour with Sierra Ferrell, Lainey Wilson, Molly Tuttle, Wyatt Flores, The Lone Bellow and Flatland Cavalry. Renowned for her stage presence, she’s also played with the likes of Ella Langley and Brothers Osborne in addition to electrifying festivals, including Lollapalooza, Two Step Inn,C2C, and Breakaway Festival. Not to mention, Opry NextStage touted her among its “Class of 2025,” and CMT named her as part of its CMT Next Women of Country Class of 2025.
 
For the latest news and tour dates visit kaitlinbutts.com, and follow along on Instagram, Facebook and @kaitlinbutts and on TikTok @kaitlinbuttsmusic.

GASKET Share "Purest Existence" Video

Baltimore quartet GASKET will drop heir self-titled debut album on November 21 Blue Grape Music. Pre-order it here.

Today, the band has shared the new track "Purest Existence." It's a two-minute blast of grimy, gnarly riffage. Watch and listen below. 

"'Purest Existence' is about rejecting the world around you and finding a place in-between to exist," shares vocalist Flynn Joseph Zimmer.

GASKET have been doling out a perfectly executed and lethal mix of crusty punk, gnarly, old school hardcore, and grimy metal since their formation in 2022. They quickly hit the road, touring up and down the East Coast and honing their metallic chops. Their filthy sound and DIY ethic caught the attention of Blue Grape Music, which swiftly signed the band. They released two EPS — Dull the Needle (2023) and Babylon (2024) — before hunkering down to craft their self-titled, debut full-length.

GASKET ARE:
Flynn Joseph Zimmer — Vocals
Maxwell Bagster-Collins — Bass
Calvin Mumma — Guitar
 Austin Jenkins — Drums