Regarding the video, Carifio shares, "This is our first music video ever as a band, which was both exciting and daunting. We shot it in a day — which was a bit chaotic — but I think that energy transferred into the video nicely. I 'directed' and edited the video and my lovely partner Andi Guede shot and co-directed the whole thing."
He continues, "The whole band helped get the storyline to make sense and improved the whole thing, which made it very fun to create. Since 'Cold Streak' is a song about the emotional toll of debt, I thought that a narrative about a down on his luck gambler who schemes up a stupid way to win it all back lined up pretty well thematically. All we do as a band in our free time is talk about movies, so a music video that's basically a Tubi Original version of Uncut Gems-meets-Casino was an easy pitch that Mike, Tyler, and Seamus all did a great job bringing to life as true villains (a mobster, an outlaw biker, and a venture capitalist). The performance scenes were shot where we practice and I loved that there's a giant Converge/Integrity/Coliseum tour poster in some of the shots."
ABOUT MY FICTIONS:
MY FICTIONS are breaking through with TOUCH OF GLASS, their new full-length album and first release on Massachusetts-based metal tastemaker 1126 Records. Throughout over 10 years as a band, My Fictions has specialized in making cathartic music. "I feel compelled to pull from my lowest moments to make something that matches the intensity of the songs," vocalist Bryan Carifioremarks on the process of lyric-writing. That pain-staking process has resulted in the band’s most intense collection of songs to date — Touch of Glass is a record designed to devastate.
My Fictions began around the Boston-area in the distant memory of the early 2010s. The band cut their teeth making noise in basement venues with ridiculous names that have been long since shut down and rented to more responsible tenants. A handful of EPs and split releases honing in on the band’s aggressive and atmospheric sound preceded their 2014 full-length Stranger Songs. Their debut album served as the best summation-to-date of what has become the My Fictions formula: songs must be lyrically dense, sonically pummeling, and emotionally tolling.
After years of inactivity, a revitalized version of the band returned in 2021 with a six-song comeback EP. Time Immemorial brought new, heavier elements into the My Fictions sound while retaining the strange and suffocating undercurrent of earlier offerings. They followed suit by hitting the road with metalcore legends Overcast and Providence-based split partners Dreamwell on separate runs, then carried this energy into Connecticut's Silver Bullet Studios late last year to work for the first time with album engineer and producer Chris Teti (The World is a Beautiful Place & I Am No Longer Afraid to Die, Fiddlehead).
With the band split over two states, the writing process for Touch of Glass was a long one. Over two years, guitarist Tyler Bradley, drummer Seamus Menihane, and newcomer Michael Russo on bass would meet on a weekly basis to write and send ideas to Carifio, who was living in Brooklyn and trying desperately to contribute to the special songwriting happening a few hours away. "I would just buy notebooks and listen on repeat, scribbling ideas endlessly," says Carifio. Inspired by records like Slipknot's Iowa, Alice in Chains' Dirt, and Converge's No Heroes, the aim was always to create an album-long sense of dread with the songs they were building together from a distance, even if it took months to take shape.
"New Face" sets a furious tone to start off the album. A rampaging reflection on the impossibility of starting over that deteriorates mid-song into a droning, ambient instrumental break, closed out with a quote from Cormac McCarthy's play The Sunset Limited – "Who would want this nightmare, but for fear of the next?" An immediate segue into the chaotic single "Dreams of Escape" puts this quote into a fitting context — jagged blast beats and manic start-stop guitar riffs are only parts of the unnerving atmosphere that My Fictions builds like an anxiety dream that carries over the album's 10 songs.
The next single "Cold Streak" comes up next, which according to Bradley is "as close to a fun song as we've ever written." The song's mid-tempo groove is matched by an eerie guitar riff reminiscent of bands like mewithoutYou or Fear Before, building a tense atmosphere until the song’s chaotic breakdown. What follows is title track "Touch of Glass," a slow and somber midway point on the album that brings the album's thematic purpose into focus — trying to reshape shattered bits of something broken into a workable whole is often both a fragile and futile exercise.
The record's latter half is packed with its most unrelenting songs, including the scathing breakdown that ends "Selfish Wish" and "Disguise" – a metal-influenced epic that uses self-immolation as a metaphor for correcting past mistakes – "Can I build an effigy / made from the worst in me?" asks Carifio in the song's scream-along bridge. This all builds up to album ender "Touch of Glass II," the band's heaviest song ever which acts as a dreadful statement of purpose and point of the closure to the album. A disorienting guitar lead haunts over the drum and bass onslaught as the album's final lyrics are screamed into the abyss — "My futures all collapse / no way of turning back / through the glass." It's the fitting conclusion that comes from an album ten years in the making — something formed by the most intense, driven and potentially distressing iteration of My Fictions yet.
