CREMATORY Announce Greatest Hits Album “Born” Video Single Streaming Now!

German gothic metal pioneers CREMATORY have announced the release of their Greatest Hits album containing English Hymns & Deutsche Hymnen, set to arrive on May 15, 2026 via ROAR – A Division of Reigning Phoenix Music. The release celebrates 35 years of the band’s influential career and will be available as an expansive three-CD edition as well as limited double-vinyl versions.

The 3-CD set will feature CD1 English Hymns, CD2 Deutsche Hymnen, and CD3 Engulfed in Darkness Demo. In addition, the LP vinyl editions will be available as a Neon Green double vinyl containing the English Hymns selection and a Turquoise double vinyl featuring the Deutsche Hymnen selection.

Pre-order CREMATORYs Greatest Hits at: https://crematory.rpm.link/greatesthitsPR

Alongside the announcement, the band has unveiled a video clip for the the track “Born,” which is available now on all major streaming platforms! Built around a haunting refrain “I was born in a wrong time / wrong world,” and carried by heavy guitars and atmospheric synth layers, the track captures the emotional depth that has defined the band’s sound for decades.  

Watch the video below:
 

Stream "Born": https://crematory.rpm.link/bornPR 

Frontman Felix Stass explains:
"'Born' is about feeling out of place in your own time and world. It’s for everyone who has ever felt they don’t belong - yet keeps standing."

Formed in 1991 in Mannheim, Germany, CREMATORY have become one of the most enduring and influential acts in European gothic metal. Over more than three decades, the band evolved from their early death metal roots into a distinctive style combining heavy riffs, melodic keyboards, industrial textures, and contrasting vocal approaches.

Throughout their career, CREMATORY have explored themes of life, pain, introspection, and atmosphere, often blending deep growls with clean vocals to create a sound both powerful and haunting. Their growth in the 1990s brought them recognition across Europe through relentless touring and festival appearances.

The upcoming Greatest Hits album reflects the band’s bilingual legacy. English Hymns & Deutsche Hymnen gathers key tracks from across their catalogue in both languages and also includes the band’s earliest demo recordings, offering fans a comprehensive retrospective of CREMATORY’s long and influential journey.

In support of the release, the band will embark on an extensive European run throughout 2026.

With 35 years of history, countless tours, and a legacy that helped shape European gothic, death and industrial metal, Greatest Hits stands as both a celebration of CREMATORY’s past and a powerful reminder that the band remains as vital as ever!
 
CREMATORY is:
Felix Stass - Vocals
Rolf Munkes - Guitar
Oliver Revilo - Bass
Katrin Jüllich - Keyboards, Samples
Markus Jüllich - Drums, Programming
 
Visit CREMATORY online:
Website | https://www.crematory.de 
Facebook | https://www.facebook.com/crematory.de 
Instagram | https://www.instagram.com/crematory.de 
YouTube | https://www.youtube.com/@crematory-de 
 
Visit ROAR online:
Homepage: https://www.roar-records.de
Facebook: https://www.facebook.com/rpmroar
Instagram: https://www.instagram.com/rpm_roar/
TikTok: https://www.tiktok.com/@rpm_roar
X: https://x.com/rpmroar
YouTube: https://www.youtube.com/@ReigningPhoenixMusicOfficial 
Spotify

APOSTLE Release New Single and Video "Distortions of Light"

"Distortions of Light" is the new single and video to arrive from ATLANTA, GA metal trio APOSTLE. With a sound designed to encourage emotional connection and catharsis, APOSTLE entwine elements from grindcore and hardcore, post-black metal, shoegaze and post-rock. The band's upcoming full-length album A Splinter in the Infinite Noumenon, is set for release on June 5, 2026 via Terminus Hate City. 

"Distortions of Light" begins with a recording of E.E. Cummings offering advice to students and aspiring writers. As he states,  “…but the moment you feel, you are nobody but yourself”, it is here that APOSTLE's sonic expression takes charge. 

The musical arrangement is intended to evoke a sense of unease, "the listener is cast without reason into a world of darkness and confusion, the song lurches forward through a barren wasteland of murky and ominous melodies" the band explain. Melodies "beckon the listener like a will-o’-the-wisp to follow down some unseen path to discover what lies beyond the distortions of light."

The imagery and metaphor of the narrative, as envisioned by APOSTLE, is rooted in the concept of reality being represented by a giant diamond suspended in the sky. Upon breaking, and the splinters falling to earth, it is a distorted version of reality that is revealed in the fragments on the ground. 

The album title references Carl Jung’s description of humanity as a “splinter in the infinite deity,” framing the record as an exploration of spiritual duality, grief, and self-examination. Across six tracks and 27 minutes, the band move through themes of loss, mortality, internal conflict, and eventual healing. The record serves as both a meditation on the human condition and a deeply personal tribute shaped by grief and remembrance.

Produced, engineered, and mixed by Connor Ray at Sobek Sound and mastered by Erol Ulug at Bright Lights, A Splinter in the Infinite Noumenon presents APOSTLE in their most refined and expansive form.

Pre-order A Splinter in the Infinite Noumenon here: https://www.terminushatecity.com/product-page/preorder-apostle-a-splinter-in-the-infinite-noumenon-lp

Their latest album, A Splinter in the Infinite Noumenon, represents the band’s most fully realized work to date. Drawing from existential philosophy and deeply personal experiences with grief and remembrance, the record explores humanity’s connection to something greater while acknowledging the struggle inherent in being human. Across its runtime, APOSTLE seek connection through shared emotional experience, transforming personal suffering into collective release.

APOSTLE is:

Murice White – vocals, guitar
Michael Thomas – bass, vocals
Evan Price – drums

Connect with APOSTLE:

Bandcamp: https://apostlesucks.bandcamp.com
Store: https://www.terminushatecity.com
Instagram: http://www.instagram.com/apostlesucks
Facebook: http://www.facebook.com/apostlesux
Spotify: https://open.spotify.com/artist/67cjLOrbhdb2gFmS9OJKfS
YouTube: https://youtube.com/@terminushatecity

CHRONICLER OF ARDUL Releases New Single "Zarek the Bloody" Ahead of Upcoming Album Sounds of Ardul

The fantasy-driven project CHRONICLER OF ARDUL unveils its latest single, "Zarek the Bloody," offering listeners their first glimpse into the evolving sound and storytelling of the upcoming album Sounds of Ardul, set for release April 10, 2026.

Framed as one final bard’s song, "Zarek the Bloody" explores the blurred line between legend and truth. In the world of Ardul, bards carry the responsibility of immortalizing heroes and villains alike, singing of their triumphs, their infamy, and the complicated truths that lie somewhere in between. Zarek is one such figure, a renowned and widely traveled warrior whose reputation precedes him wherever the songs are sung.

Driven by accordion, bass, percussion, and vocals by David Williams, the track presents Zarek as both myth and man. The verses paint him as a heroic wanderer worthy of praise, while the choruses suggest something more ambiguous beneath the legend. Like many figures etched into history through song, Zarek’s story may depend on who is telling it, or perhaps who commissioned it to be told.

The composition began its life on guitar before evolving into its final arrangement built around accordion, giving the piece a brooding folk character reminiscent of the opening theme from the television series Peaky Blinders. As the song developed, its lyrics shifted and reshaped until the narrative and melody aligned, revealing a layered portrait of a character whose true nature remains open to interpretation.

Zarek himself plays a role in the creator’s larger fantasy trilogy, and "Zarek the Bloody" offers an early glimpse of the character’s presence within that story. The song hints at the deeds that built his legend and raises new questions. Is the feared warrior truly the hero the verses celebrate? And what of the cursed blade whispered about in taverns and camps alike? Could Zarek possess the legendary Sword of Virné?

The single arrives ahead of Sounds of Ardul, the third release from CHRONICLER OF ARDUL. The album represents a new creative direction for the project, leaving behind metal elements in favor of orchestral and fantasy-focused compositions.

In wide brush strokes, Sounds of Ardul paints the emotional landscape of its world. From the dark beauty of the Woodlands to the lurking depths of the Underground, from heroic calls to arms to uneasy encounters with figures whose true nature remains hidden. The album plays like a video game soundtrack set within a classic fantasy setting, built for immersion and storytelling.

And like many great adventures, it all begins in a tavern, with bards singing songs.

"Zarek the Bloody" is available now. Sounds of Ardul arrives April 10, 2026.

CHRONICLER OF ARDUL IS:
David Williams – Music and Lyrics

Links:
Website: https://chroniclerofardul.com/
Bandcamp: https://chroniclerofardul.bandcamp.com/
Instagram: https://www.instagram.com/chronicler_of_ardul/

Season of Mist Announces Reissue of Borknagar’s True North

In staying true to metal’s origins, Borknagar have always let their spirit guide them. Starting with the band’s self-titled beginnings back in 1996, these Norwegians pushed past the boundaries set by traditional black metal. Over the course of the past 30 years, the band’s domain has come to include prog, neofolk and darkly enchanting hard rock, capped by major international tours and chart placements across the world.

Season of Mist is proud to announce a reissue of Borknagar’s album True North. More than two decades into their storied career, the band reached another creative peak on their eleventh full-length, which includes the hit singles “Up North”, “Voices” and “The Fire That Burns”.    

True North will be reissued by Season of Mist on May 15, 2026.

Pre-order

https://redirect.season-of-mist.com/BorknagarShop

Available formats

2x12" Vinyl Gatefold (Black)

2x12” Vinyl Gatefold (Crystal clear, black and white marbled)

Lineup

Øystein Brun - Guitars

ICS Vortex - Bass, Vocals

Lars A. Nedland - Keyboards, Vocals

Bjørn Dugstad Rønnow - Drums, Percussion

Jostein Thomassen - Guitars

Guest musicians

John Ryan - Violin, cello

Production Credits

Recorded and engineered by Marius Strand

Mixed and mastered by Jens Bogren

Dirty. Groove. Rock. Crobot Unleash High-Octane New Single “Foot Off” From Upcoming Album Supermoon

With “Foot Off,” CROBOT doubles down on the groove that made them dangerous in the first place. The track plows forward on a bluesy bone tingling riff and a chorus built to cut through the roar of a vintage American muscle car. It’s a full-throttle return to the band’s Dirty Groove Rock roots—raw, electrified, and impossible to ignore.

Hard rock powerhouse CROBOT is back with a thunderous new single, “Foot Off,” offering fans another taste of the band’s upcoming album Supermoon. Known for their signature blend of groove-heavy riffs, explosive energy, and undeniable swagger, CROBOT once again proves why they remain one of the most electrifying bands in modern rock.

Foot Off” hits like a runaway freight train from the opening riff, combining crunchy guitar work, pounding drums, and the unmistakable powerhouse vocals of frontman Brandon Yeagley. The track delivers an adrenaline-fueled anthem built around the idea of pushing forward without hesitation—never slowing down and never taking your foot off the gas.

"Foot Off" puts us right back in the driver's seat of charging our way through open highways at break neck speed with our destination set to our Dirty Groove Rock roots. This one is for the fans that have been with us from the beginning and fans that want to know exactly what we're all about - still after 15 years of being a band." 

- Brandon Yeagley

“It’s somewhere between ZZ Top, Aerosmith, and Clutch. Right where I like to be baby. I’m happy we are back to funkin’. Ever since I was a wee little boy, that’s what’s always got my

motor running.” - Bishop

Lyrically, the song channels themes of determination, rebellion, and relentless drive. It’s a track that captures CROBOT'S high-energy spirit while encouraging listeners to keep charging ahead no matter the obstacles in

their path.

ATAVISTIA Present New Single “Seeker of Time", Ahead of The Upcoming Album Old Gods Awaken

ATAVISTIA embrace an adventurous spirit in the magical new single "Seeker of Time". Accompanied with a lyric video this is the latest offering to land ahead of the forthcoming album Old Gods Awaken, set for release on May 15th, 2026 via Blood Blast Distribution.

Leaning further into folk metal realms, ATAVISTIA's new compositions delve into an array of folk tales and fantasy-led themes. “'Seeker of Time' is our first song to not be written in the 1st person perspective". The band reveal. "It tells the story of a sorcerer’s pursuit of time."

Musically, this track delivers a shorter and sharper impact driven primarily by a riff-focused structure. It's powerful and explosive while remaining characterful as ATAVISTIA seamlessly blend folk metal with a blackened edge. The narrative behind "Seeker of Time" is aptly portrayed through the instrumental arrangements, along with the wider themes of Old Gods Awaken, to ensure the effect is one that is fully immersive. 

"Seeker of Time" follows the celebratory mood of their first single "Mystic Tavern", presenting fans with a further glimpse into the alluring world of Old Gods Awaken.

Due out May 15th, 2026, Old Gods Awaken runs 43 minutes and 21 seconds and represents the uplifting first chapter of a two album concept. Incorporating Swedish and Finnish lyrics for the first time in the band’s catalog, the album draws from Nordic heritage and mythic atmosphere while delivering some of ATAVISTIA’s most memorable hooks to date. From tavern revelry to forest mysticism and epic progressive climaxes, the record marks a confident evolution in their sound.

With “Mystic Tavern” and "Seeker of Time" now unleashed, ATAVISTIA invite listeners to step inside, raise a horn, and prepare for the awakening.

ATAVISTIA lineup:

Mattias Sippola - Guitar, Vocals, Composition, Production
Max Sepulveda - Drums, Engineering
Elia Baghbaniyan - Guitar
Spencer Budworth - Bass, Vocals

CRIMSON GLORY Announce their First New Album in 26 Years “Chasing The Hydra” Listen to New Track “Angel In My Nightmare”

Crimson Glory recently announced their brand new album “Chasing The Hydra”, the first new album in 26 years. The album will be released worldwide on all digital services, CD and vinyl on April 17th via BraveWords Records. The early reviews have been incredible and today the band releases a new track to YouTube for the fans… “Angel In My Nightmare”

Alongside mainstay founding members Ben, Jeff and Dana, the band announced in 2023 the addition of amazing new vocalist Travis Wills and guitarist Mark Borgmeyer. The band have been touring heavily over the past year... making this album one of the most anticipated releases of 2026 within the Heavy Metal Scene!

For US and European CD and vinyl preorder links: https://tr.ee/k3s7jc_MSq

Presave the album on Spotify: https://tr.ee/k3s7jc_MSq

Watch CRIMSON GLORY “Angel In My Nightmare”Below:

About Crimson Glory:

Crimson Glory, an American heavy metal institution that formed in 1983 in Sarasota, Florida, USA. The classic line-up featured vocalist Midnight, guitarists Jon Drenning and Ben Jackson, bass guitarist Jeff Lords, and drummer Dana Burnell. With this line-up, they rose to international fame in the mid-1980s and were considered one of the pioneers of the American progressive metal movement, alongside bands like Queensrÿche, Dream Theater, Fates Warning, and Watchtower. With 3/5 of the classic line up still intact, and now joined by acclaimed new vocalist Travis Wills, the band have been touring heavily over the past year... making this album one of the most anticipated releases of 2026 within the Heavy Metal Scene!

TESTAMENT ANNOUNCES REMASTERED/REISSUE OF 'PRACTICE WHAT YOU PREACH' OUT MAY 8TH

Iconic Bay Area thrash band TESTAMENT has announced the upcoming remastered reissue of their coveted 1989 album, Practice What You Preach, on May 8th via Nuclear Blast Records

The Practice What You Preach (2026 Remaster) reissue was remastered by Justin Shturtz at Sterling Sound. It will be available digitally and 180G vinyl on Yellow and Orange Swirl with Black Splatter (limited to 1250 worldwide) and is packaged with brand new artwork from Bill Benson (who also designed the original cover art), a 20pg booklet showcasing old photos and documents provided by Chuck Billy and Eric Peterson of the band and newly provided liner notes. 

Commenting on the reissue, Chuck Billy says: 
"I am stoked about the remastered Practice what you Preach release with Nuclear Blast. With new artwork and Bigger sound than the original. Drop the needle and bang your head!!"

Stream 'Envy Life (2026 Remaster)': 
https://testament.bfan.link/envy-life-remastered
Preorder Practice What Your Preach (2026 Remaster)
https://testament.bfan.link/practice-what-you-preach-remastered

'ENVY LIFE (2026 REMASTER)' VISUALIZER BELOW :

TESTAMENT returns to the stage this spring for their "Thrash of the Titans" world tour with OVERKILL and DESTRUCTION in support of their critically acclaimed new album Para Bellum. Tickets are on sale now at https://www.testamentlegions.com/.

TESTAMENT's "Thrash of the Titans" US Tour Dates: 

Mar 14 - Portland, OR - Roseland theater
Mar 15 - Boise, ID - Treefort Music Hall
Mar 16 - Salt Lake City, UT - Rockwell at the Complex
Mar 18 - Denver, CO - Summit Music Hall
Mar 20 - Milwaukee, WI - The Rave
Mar 21 - Minneapolis, MN - The Fillmore
Mar 22 - Chicago, IL - Ramova Theatre
Mar 24 - Detroit, MI - St. Andrew's Hall
Mar 25 - Cleveland, OH - Agora Ballroom
Mar 27 - Worcester, MA - The Palladium
Mar 28 - Sayreville, NJ - Starland Ballroom
Mar 29 - Reading, PA - Club Reverb
Mar 31 - Atlanta, GA - Buckhead Theater
Apr 1 - St. Petersburg, FL - Jannus Live
Apr 3 - Houston, TX - House of Blues
Apr 4 - Dallas, TX - The Bomb Factory
Apr 5 - San Antonio, TX - Aztec Theatre
Apr 8 - Phoenix, AZ - The Van Buren
Apr 9 - Los Angeles, CA - The Belasco
Apr 10 - Berkeley, CA - The UC Theatre (No Overkill)

TESTAMENT's lauded new album, Para Bellum, stands as both a battle cry and an observation of humanity's uneasy alliance with its own creations. As technology accelerates and disconnection grows, Para Bellum sees TESTAMENT reflecting the modern chaos through music that’s urgent, sharp, and unflinchingly human.

Purchase/Stream Para Bellumhttps://testament.bfan.link/para-bellum

TESTAMENT is:
Chuck Billy | Vocals
Eric Peterson | Guitar
Alex Skolnick | Guitar
Steve DiGiorgio | Bass
Chris Dovas | Drums

Follow TESTAMENT:
Website | Facebook | Instagram | X | Youtube | BandcampSpotify | Apple Music

CONNIE CONVERSE HOW SAD, HOW LOVELY OUT MARCH 27TH

Nearly 51 years after the singer-songwriter’s disappearance comes the first reissue of this album in nearly 10 years in any format. 20 tracks (including a bonus 7" featuring the previously unreleased “House” and the new remix of “Playboy of the Western World” courtesy of Dirick Cummins) that are as poignant and potent as ever and showcase an artist that was operating light years ahead of her time. 

Elegant Weapons Release New Single “Bridges Burn” Following Signing with Exciter Records; Album Evolution Due April 24

Elegant Weapons, the hard rock and heavy metal powerhouse led by Judas Priest guitarist Richie Faulkner, have released their new single “Bridges Burn,” the first track from the band’s forthcoming sophomore album Evolution, due April 24, 2026 on Exciter Records.

The album will be released digitally and on CD on April 24, 2026, with a special edition vinyl pressing to follow later in the year. 

The lead single “Bridges Burn” is available now on all streaming platforms:
https://exciter-records.ffm.to/elegantweapons-bridgesburn

Watch the official lyric video below:

Pre-save and pre-order the album Evolution here:
https://exciter-records.ffm.to/elegantweapons-evolution

Elegant Weapons features a formidable lineup: Richie Faulkner (Judas Priest), vocalist Ronnie Romero (Rainbow, MSG), bassist Dave Rimmer (Uriah Heep), and drummer Christopher Williams (Accept). 

With Evolution, the band pushes its sound forward — combining razor-sharp riffing, arena-sized hooks, and technical precision with a chemistry forged through touring and collaboration. The album was co-produced by Faulkner alongside Andy Sneap (Judas Priest’s touring guitarist, who also produced Priest’s Invincible Shield), with the recording spanning Nashville, Europe, and France — a truly global effort reflecting the band’s international pedigree.

“This record represents growth in every sense,” said Richie Faulkner. “When the four of us come together, we sound like Elegant Weapons. We’ve spent time on the road, we’ve developed a chemistry, and you can hear that evolution in the performances. I’m proud of what we’ve built, and I’m excited to begin this next chapter with Exciter Records.”

For Exciter Records, the signing marks a strategic move into contemporary metal while reinforcing the label’s deep ties to the genre’s foundations. Exciter Records and its publishing affiliate Reach Music, recently acquired Judas Priest’s landmark early albums Rocka Rolla and Sad Wings of Destiny, making the partnership with Richie Faulkner and Elegant Weapons a natural continuation of that legacy into a new era. 

“Richie Faulkner is not only one of the most respected guitarists as a member of Judas Priest, but he is also a leader in forming and developing Elegant Weapons,” said Michael Closter, Founder and President of Exciter Records. “Signing Elegant Weapons is a natural step for Exciter Records as we continue to honor metal’s heritage while investing in its future.”

The album features standout tracks including the opener “Evil Eyes,” the groove-driven anthem “Generation Me,” and the lead single “Bridges Burn,” alongside the instrumental “Rupture,” an emotionally charged composition inspired in part by Faulkner’s life-threatening onstage medical emergency in 2021.

With Evolution, Elegant Weapons solidify their identity as a band defined not simply by pedigree, but by forward momentum.

For more information, visit ExciterRecords.com

Dirty Heads Announce New Album "7 Seas" // Share "One Of Those Days" Video

Southern California's favorite sons, the RIAA Platinum Certified band DIRTY HEADS, will serve up their much-anticipated ninth full-length album, 7 Seas, on June 12 via Better Noise Music. Pre-order/pre-save 7 Seas here.

To herald this exciting news, the band shared the video for new single "One of Those Days."

Listen to the song here.

Watch the official music video below.
 
Regarding the track, vocalist/guitarist Dustin Bushnell (Duddy B) says, "This is a song about getting together with some close friends and just enjoying the moment. With everything going on in the world today, it's nice to have a lighthearted song like this to remind us to go have a good time."

The band's Jon Olazabal furthers, "'One of Those Days' is a quintessential Dirty Heads song. It feels like something you want to blast in your car and sing along with at the end of a long week. It's about getting together with the people you love and having a good time."

He finishes, "We recorded this song out in Nashville, which has sort of become our second home for writing and recording music."

DIRTY HEADS' signature brew of sun-kissed reggae, breezy hip-hop, boundary-breaking alternative, and hazy pop is as intoxicating as ever on "One of Those Days." Anchored by a head-nodding groove, slick verses crest on the wave of an instantly unforgettable hook. The accompanying visual welcomes everyone into the group's world, bringing the song to life seamlessly. As always, the track and the video continue to distinguish this collective as outliers. 7 Seas represents yet another evolution for the outfit.

About the album, Olazabal shares, "This album has something for everyone. Every mood, every vibe, every occasion. Having beers at the beach? Gotcha covered. Need some hype ass, late night bangers? Gotcha covered there, too. And everything in between, as well. We worked our asses off on this record, and as a band and individuals, we've been through a lot during the process. We are stoked to release it into the wild and for people to find their own connections with these songs."

In tandem with the impending LP, DIRTY HEADS have just launched a collaboration with 4ocean — a global organization on a mission to end the ocean plastic crisis. The seeds for this alliance were planted when frontman Jared Watson embarked on an excursion alongside the 4ocean team. Together, they picked up trash from the shoreline of Key Largo at the John Pennekamp Coral Reef State Park. A major success, the trip resulted in the removal of over 750 pounds of trash - equivalent to approximately 36,000 plastic water bottles. The trash collected on the excursion has been recycled into a Dirty Heads 4ocean bracelet. Fans can help 4ocean pull even more plastic out of the ocean with purchase of the bracelets — either individually or as part of a very special and very limited, premium vinyl edition of the new album, which is now available for pre-order on the band's store [LINK]. This edition also features an exclusive vinyl color variant, the aforementioned Dirty Heads 4ocean bracelet, and a 16-page booklet of images documenting the 4ocean cleanup effort, as well as photos from the studio sessions for 7 Seas. It's a "must own" for DIRTY HEADS diehards.

A pre-order will launch on the band's online store here.

DIRTY HEADS ARE:
Jared Watson — Vocals
Dustin "Duddy B" Bushnell — Vocals + Guitar
Jon Olazabal — Percussion
Matt Ochoa — Drums
Dave Foral — Bass

FIND DIRTY HEADS ONLINE:
INSTAGRAM  // YOUTUBE // FACEBOOK // WEBSITE // TIKTOK // SPOTIFY

sace6 Announce New Forthcoming Album 'brutalist' Out Friday, May 8 via Sumerian Records

Enigmatic, genre-bending R&B-metal duo sace6 have today announced their forthcoming new album, 'brutalist', out on Friday, May 8 (via Sumerian Records). In celebration of the news, the band have dropped their latest offering "covet"and the official video. When asked about today's release, the band commented:

"Our second single off of 'brutalist' - “covet” remaining anchored to the definition of the word this song is an audible representation for jealousy, wanting what/who someone else has to the point of being inept at moving within my own connection.

Pre-order 'brutalist' at the link here, stream "covet" here, and watch the official video below.

North American fans will soon have their chance to see sace6 hit the stage on The Pale Moonlight Tour with Dayseeker, Northlane and Wind Walkers starting on Friday, May 1, through Saturday, May 30. Following the tour, the band will bring the heat on all four announced Warped Tour dates (Washington, DC, Long Beach, California, Mexico City, Mexico, and Orlando, Florida) beginning in June. For ticket information, click here.

The Pale Moonlight Tour Dates with Dayseeker, Northlane + Wind Walkers:

5/1/2026 - Huntington, NY @ The Paramount - Sold Out

5/2/2026 - Wallingford, CT @ Toyota Oakdale Theatre - Sold Out

5/3/2026 - Sayreville, NJ @ Starland Ballroom - Sold Out

5/5/2026 - Allentown, PA @ Archer Music Hall - Sold Out

5/6/2026 - Buffalo, NY @ Buffalo RiverWorks - Low Tix

5/8/2026 - Grand Rapids, MI @ GLC Live at 20 Monroe - Sold Out

5/9/2026 - Green Bay, WI @ EPIC Event Center - Sold Out

5/10/2026 - West Des Moines, IA @ Val Air Ballroom - Low Tix

5/12/2026 - Oklahoma City, OK @ Diamond Ballroom - Sold Out

5/15/2026 - St Louis, MO @ The Pageant - Sold Out

5/16/2026 - Kansas City, MO @ Grinders KC - Low Tix

5/19/2026 - Winnipeg, MB @ Burton Cummings Theatre - Low Tix

5/20/2026 - Saskatoon, SK @ Coors Event Centre - Sold Out

5/22/2026 - Edmonton, AB @ Midway - Sold Out

5/23/2026 - Calgary, AB @ MacEwan Hall Concerts - Sold Out

5/25/2026 - Vancouver, BC @ Commodore Ballroom - Sold Out

5/26/2026 - Spokane, WA @ Knitting Factory - Sold Out

5/28/2026 - Wheatland, CA @ Hard Rock Live Sacramento - Sold Out

5/29/2026 - Pomona, CA @ The Fox Theater Pomona - Low Tix

5/30/2026 - San Diego, CA @ SOMA - Low Tix

Warped Tour Dates:

6/12 - 6/13 - Washington, DC @ Warped Tour DC

7/25 - 7/26 - Long Beach, CA @ Warped Tour Long Beach

9/12 - 9/13 - Mexico City, MX @ Warped Tour Mexico City

11/14 - 11/5 - Orlando, FL @ Warped Tour Orlando

ABOUT SACE6

sace6 are pop’s newest innovators, a Northeast-bred duo (NY + NJ) turning emotional contrast into sonic chemistry. Formed in 2024 by sace. and Noah Thomas, the project lives where pop melody, R&B intimacy, and metal intensity collide, genres not blended, but forced to coexist. Built on a monochromatic romanticism and a tension heavy aesthetic, sace6 creates music that feels both fragile and confrontational. Their sound thrives on duality: softness versus distortion, vulnerability versus volume. They have already taken their vision worldwide with standout appearances across North America, UK, and Europe. With new music on the horizon in 2026 and a packed touring schedule ahead, sace6 are just getting started, and they’re not interested in playing it safe.

Eihwar Premiere New Album 'Hugrheim'

Hot off a year of electrifying performances at Wacken Open Air, Midgardsblot and dates with The Hu, Eihwar are back to pull the world deeper into their Viking War Trance with hotly anticipated new album Hugrheim.

“Eihwar drags ancient, blood soaked combat directly into the heavy throb of the underground”, Folk N Rock writes in a track-by-track feature on Hugrheim. “They hammer voltage directly into iron battle axes, bringing sharpened steel to the dancefloor and burying war chants under some brutal weaponized distortion”.

Hugrheim comes out tomorrow, Friday, March 13 on Season of Mist, but you can hear all 10 pulse-pounding tracks today below.

Pre-order & pre-save

https://orcd.co/eihwarhugrheimalbum

With Hugrheim, Eihwar invite listeners into the hidden tenth world of Yggdrasil. The album is a thunderous trip, powered by war drums, pagan chants and questionable life choices.

Blending Nordic folk instrumentation with electro-industrial pulse and thunderous ritual percussion, Hugrheim captures the chaotic energy that has already rattled festival grounds from Wacken Open Air to Midgardsblot. Eihwar treat Norse mythology less like a museum piece and more like a very loud celebration. Ancient symbolism collides with trance languages, pounding rhythms and the kind of ritual enthusiasm that tends to make crowds forget they are supposed to stand still.

Across ten tracks, Hugrheim unfolds like a guided tour through the stranger corners of this unseen world. From the rune-bound trial of lead single “Nauðiz” and the invocation of “Freyja’s Calling” to the victorious chant of “Heill Óðinn,” each composition opens a new gateway into Hugrheim’s shifting landscapes, including the album’s eponymous track “Hugrheim”. There are battle rites, shadow realms and luminous gardens. There are also quite a lot of drums.

At the center of the story stand Mark and Asrunn, wandering spirits whose memories of Hugrheim slowly return while inhabiting human bodies on Midgard. Through chants, war drums and trance-driven rhythms, the duo translate that mythology into sound. The result is a concept album that moves easily between ritual atmosphere and outright pagan dancefloor energy.

There is something truly unique about Eihwar. In a way, the band relates to Vikings much like the Teenage Mutant Ninja Turtles relate to turtles: wild, over-the-top superheroes who don’t take themselves too seriously. And yet, from their mischievous spirit and contagious joy emerges a deep and moving poetry. A kind of childlike wisdom.

Following the release of Hugrheim, Eihwar will carry the Tenth World across Europe on a headline run presented under the banner Pagan Folk Nights, joined by special guest Mira Ceti. After commanding major festival stages and igniting packed club shows, the duo now bring their ritual drums, trance chants and industrial folk pulse into an extended continental campaign.

Line-up:
Asrunn — Vocals, Shamanic Drums
Mark — Vocals, War Drums, Lute, Folk Guitar, Tagelharpa, Percussion & Programming

Production Credits:
Mark & Asrunn of Eihwar — All Production, Mixing & Mastering at Eihwar Studio.

Artwork & Photography:
© Eihwar

Follow Eihwar:

Website: https://www.eihwar.com/
Bandcamp: https://eihwar.bandcamp.com/
BandsInTown: https://www.bandsintown.com/a/15564238-eihwar
YouTube: https://www.youtube.com/@eihwar
Instagram: https://www.instagram.com/eihwar.music/
TikTok: https://www.tiktok.com/@eihwar
Facebook: https://www.facebook.com/eihwar.music
Apple Music: https://music.apple.com/artist/eihwar/1700795908
Spotify: https://open.spotify.com/artist/2VFxoCJQPfQauZujESPjQK
Deezer: https://www.deezer.com/artist/224131655
Tidal: https://tidal.com/artist/41105436
Discord Invite: https://www.eihwar.com/

Booking Contacts:

Doomstar Bookings (Luc): luc@doomstarbookings.com
The Link Productions (Romain): romain@thelinkprod.fr

Available Formats:

CD Digipak
12" Vinyl Gatefold — Black
12" Coloured Vinyl Gatefold — Blue, Black & White Marbled
12" Coloured Vinyl Gatefold — Magenta, Crystal Clear, Pink & Blue Marbled
12" Coloured Vinyl Gatefold — Clear, Blue & Black Marbled
12" Feather Filled Vinyl Gatefold

Rising Rock Trio THE GEMS Reveal Single "Happy Water" Video

SOPHOMORE ALBUM, YEAR OF THE SNAKE, OUT THIS FRIDAY, MARCH 13 VIA NAPALM RECORDS — PRE-ORDER

Ready to unleash their highly anticipated sophomore album Year Of The Snake this Friday, March 13, THE GEMS strike with another new single!

"Happy Water" is the album's closer — and is one of the most explosive songs on it. The Swedish trio kicks the party off by serving pure rock 'n' roll energy so addictive it’ll make you forget the musicians' Thundermother past.

THE GEMS made their status as a strong player in modern hard rock clear from the very beginning: The band hit #2 on the German Rock Radio Airplay Charts with their first-ever single and impressed fans and critics alike with the 2024 debut album Phoenix (2024). Now, Year Of The Snake continues to prove the band's standing in the scene, with beyond others hitting #1 on the German Rock Airplay charts with the title track "Year Of The Snake." 

Don't miss out on pre-ordering your copy of the new album now (first editions are already sold out!) and make sure to check the official reel for "Happy Water".

THE GEMS on "Happy Water":

"The song is a Motörhead-inspired banger about Vietnamese moonshine, a snake-infused liquor called 'Happy Water.' It’s a party song about just letting go, not knowing where the night will take you. Sometimes you just need to play with fire."

THE GEMS return with their second album Year Of The Snake, out on March 13. The Swedish trio solidifies their position as a strong player in modern hard rock. Their very first single, "Like A Phoenix," instantly hit #2 on the German Rock Radio Airplay Charts and they impressed both fans and critics with their debut record Phoenix (2024). With one album under their belt, and numerous electrifying live shows, THE GEMS quickly established what Year Of The Snake now effortlessly proves: this is the future of rock!

THE GEMS on Year Of The Snake:
"Year Of The Snake is about facing previous hardships in your life, letting go and moving forward to a brighter chapter. It's packed with strong and empowering themes, just like a snake shedding its skin and now standing strong in its own power! Year Of The Snake is a homage to our fans at our live shows. We wrote the songs envisioning an excited festival crowd; from our loyal diamonds in the front row, knowing all lyrics by heart to the crazy headbangers in the back. The album is packed with Van Halen and Europe-inspired hard hitting grooves and riffs that will take you back to the 80s. Yet, the production is modern and fresh. In an increasingly artificial world, we want to stay true to our roots - solid musicianship and songwriting from the heart. Our aim is to always create a great sounding album with the live show in mind. The future is live and heavy glam rock is here to stay!"

Pre-Order Year Of The Snake NOW

THE GEMS LIVE 2026:
Following their formation in 2023, THE GEMS quickly showed the exceptional live energy of the new band, with highlight performances including Sweden Rock Festival 2024. After the release of the upcoming full-length, THE GEMS will hit the road on their "Slithering Through Europe" tour.


THE GEMS ARE:
Guernica Mancini —Vocals
Emlee Johansson — Drums
Mona "Demona" Lindgren — Guitar, Bass

A.A. WILLIAMS Announces New Album Solstice And Releases New Single And Video "Hold It Together"

After wrapping up a successful UK and European tour, musician, singer, and songwriter A.A. WILLIAMS, known for her atmospheric, emotionally charged music, returns with her new single "Hold It Together" taken from her newly announced forthcoming album Solstice, due for release on 5th June via RPM. Pre-orders for the album open on April 22nd.

"Hold It Together" explores the fragile tension between resilience and internal collapse. With her characteristic blend of haunting atmosphere, immersive sound and emotional intensity, the London-based artist captures the experience of carrying deep feeling while presenting calm on the surface.

Speaking about the song, A.A. WILLIAMS explains:

“Silence exists where you long for answers, a bleak fragility that you daren’t disturb. Where beauty stood only the faintest glow remains, afraid of smothering it you shrink into a mould of your own making. Your edges dulled, your features disappearing, you put on that brave face not knowing whether you do it to protect others or yourself. You smile, you carry on, feeling everything, showing nothing.”

The track unfolds with quiet intensity, balancing vulnerability and restraint while drawing listeners into its immersive and emotionally rich soundscape.

Watch the video Below: 

Solstice finds A.A. WILLIAMS standing at the threshold between shadow and renewal, shaping songs that feel carved from storms and starlight. Known for her haunting vocals, cinematic dynamics and emotional clarity, Williams expands her sonic world with music that moves like a ritual through shifting seasons. Moments of stark intimacy open into surging crescendos as guitars swell and crash like gathering weather, anchored by a formidable sense of weight and scale. Strings glow with fragile warmth before giving way to waves of heavy distortion and all-encompassing catharsis, while her voice rises from quiet confession to commanding intensity. Drawn from years of global touring, acclaimed collaborations and boundary-pushing reinterpretations, Solstice captures an artist in full command of her craft. The album is intimate yet immense, delicate yet thunderous — guiding listeners through darkness with both vulnerability and force toward a distant, resolute dawn.

About A.A. Williams

Having made her debut live appearance at the prestigious Roadburn Festival in the Netherlands off the back of a self-titled EP, A.A. WILLIAMS has since toured across the globe with the likes of CULT OF LUNA, EXPLOSIONS IN THE SKY, RUSSIAN CIRCLES, SLEEP TOKEN and THE SISTERS OF MERCY, as well as establishing herself as a headline artist - including a show at the iconic Queen Elizabeth Hall inside London's Southbank Centre.

Standout festival appearances have dovetailed with two album releases - 2020's "Forever Blue" and 2022's "As The Moon Rests" - both of which received widespread critical acclaim and placed A.A. WILLIAMS at the forefront of a wave of artists taking textured, epic and folk-rooted heavy music into new and progressive directions. A BBC session at the legendary Maida Vale Studios only bolstered her credentials.

Never one to rest on her laurels, she has also released a series of "companion pieces": a collaborative single with Japanese post-rock titans MONO ("Exit In Darkness"); a solo covers collection recorded during 2020's pandemic lockdown - Songs From Isolation - that drew praise from THE CURE's Robert Smith and SMASHING PUMPKINS' Billy Corgan; and perhaps most impressively, 2021's arco, in which the multi-instrumentalist completely reworked her debut EP from rock instrumentation to string ensemble, drawing on her classical training to stunning effect.

Now signed to Reigning Phoenix Music, the singles "Just A Shadow" and "Wolves" - the first taste of forthcoming album Solstice, due 5th June 2026 - have already turned heads, with Rock Sound calling her "one of the most vital voices in modern alternative culture" and Kerrang! declaring her work "typically spell-binding." 

Find A.A. WILLIAMS online:

Website
Spotify
Apple Music
Bandcamp
Instagram
Facebook
Twitter
TikTok

HELLRIPPER Unleashes Music Video for Sinister New Single, "Mortercheyn"

Scotland's ibex-obsessed blackened thrash bastard of Hades, otherwise known as HELLRIPPER, is now delivering yet another crushing blow from his forthcoming opus! The ominous new single, "Mortercheyn," can be found along with a sunning music video that was video produced, directed and edited by David Gregory below.

"Mortercheyn" is taken from HELLRIPPER's upcoming fourth studio album, 'Coronach,' which will be released worldwide on March 27, 2026 via Century Media Records, making it his debut to the label! 'Coronach' can be pre-ordered HERE.

Hellripper mastermind, guitarist/vocalist and songwriter James McBain comments, "Much like the previously released 'Kinchyle (Goatkraft and Granite),' the lyrics on this track come from a more personal place. The title itself is a little nod to a track on the previous album, 'The Nuckelavee,' and mortercheyn is said to be the disease spread by the creature in its wake. It is a contagious and lethal sickness that primarily affects horses, and is used in the song to represent the decay and downfall of the world.

"Musically, 'Mortercheyn' is a crust track at its core, drenched in a sinister atmosphere that lies between the black metal vibe of Watain and the raw aggression of bands like Martyrdöd and Skitsystem. Hints of Whiplash and Agent Steel are clearly evident in the guitar work and are paired with some uncomfortable ambience inspired by the likes of Aphex Twin and Venetian Snares. On the surface, it may feel like one of the less 'complex' songs on the album, but I think there's quite a lot going on throughout”.

In addition, Hellripper has recently announced a string of support shows for thrash metal legend Testament in Spain and France. In addition, Hellripper will next embark on European headline tour alongside Schizophrenia and Sarcator to promote 'Coronach' and has also revealed a number of festival appearances and two performances in Mexico.

Enter the GOAT KVLT HERE.

The brainchild of guitarist/vocalist/solitary force, James McBain, Hellripper has been running like a denim-vested, backpatch-encrusted William Wallace, bravehearting his way through metal's bloodiest battlefields since first coagulating his personal darkness in 2014. Taking armaments from “Kill 'Em All” era Hetfield and “Welcome to Hell” era Mantas, McBain has immersed his fascination with darkness and speed with Scottish history and come with bloody masterpieces like 2023's “Warlocks Grim & Withered Hags” that Metal Injection stated: "Bursts with growth and a mature exploration of darkness and eeriness while maintaining that original high-octane burning”. McBain is presently sharpening his blades and casting new spells that will transmogrify into Hellripper's Century Media debut “Coronach”.

Hellripper Lineup:

James McBain – All Instruments & Vocals

Hellripper live and video performance line-up:

James McBain – Guitar & Vocals

Joseph Quinlan – Guitar

Andy Milburn – Bass

Max Southall – Drums

Album credits:

Recorded and mixed by Hellripper’s James McBain at Coronach Studios in Scotland, UK

Mastered by Damien Herring at Subterranean Watchtower Studios in the USA.

Cover Artwork: Adam Burke / Nightjar Illustration

Formats:

Jewelcase CD

Digital Album

LP (formats below):

- “Black Cuillin” LP on black vinyl (Unlimited, available in Europe)

- “Wild Thistle” LP on transp. magenta vinyl (Ltd. to 400x copies, available from UK retailers and Hellripper)

- “Saltire” LP on blue vinyl (Ltd. to 300x copies, available from selected German & Austrian retailers and from Hellripper)

- “Highland Mist” LP on grey vinyl (Ltd. to 1000x copies, available from Hellripper)

- “Baobhan Sith” LP on transp. forest green vinyl (Unlimited, available in the USA)

- “Granite City” LP on electric smoke colored vinyl (Ltd. to 500x copies, available in the USA)

- “Bean Nighe” LP on ultra clear vinyl (Ltd. to 300x copies, available in the USA from Hellripper)

Pre-order // pre-save: https://hellripperband.lnk.to/Coronach-AlbumID

Links:

Website

Instagram

YouTube

Spotify

TikTok

Discord

Twitch

Facebook

The Noise Who Runs (Sneaker Pimps' Ian Pickering) releases scathing 'Bang Bang' single, heralding new 'RE: GEN X' album

UK alternative electro-pop artist The Noise Who Runs is back with the topical single 'Bang Bang' and accompanying video, capturing the psychic exhaustion of life lived inside permanent crisis mode. It’s a song about running on empty — physically, emotionally, politically — where outrage replaces thought and reaction substitutes for responsibility. Previewing the new 'RE: GEN X' album, forthcoming via TNWR Records, he also presents the similarly-minded 'The Bodies Are Under The Bus Again' with a video that will resonate with folks at their very core.

The Noise Who Runs is songwriter, vocalist and multi-instrumentalist Ian Pickering, known for his work with Sneaker Pimps and Front Line Assembly. Native toHartlepool in the north-east of England, Pickering co-authored such Sneaker Pimps hits as 'Spin Spin Sugar', '6 Underground' and 'Tesko Suicide'. In 2019, he launched this project, three years after relocating to Lille, France.

“Bang Bang is a day in the life of a typical 21st Century employee. The verses are the day to day reality, the mundane grind of routine for little reward, struggling against soaring costs and stagnant wages, watching idiots with fortunes dictate the agenda for destroying, first, the post-war dream, and second, the entire planet on which we depend," says Ian Pickering.

“This is the reality for everyone, but it’s Generation X, the true beneficiaries of the post-war dream, who marched everyone up to the top of the hill and sat down to enjoy its ultimately selfish, me-first view, while Generation Y, Z and all who follow have to navigate life on the knife-edge precipice. And seemingly, it’s Disney lemmings time - honey, we fucked up the kids!”

The lyrics collapse the serious and the trivial into the same breath, mirroring a culture where catastrophe, misinformation and distraction coexist without hierarchy. Repeated questions about “bringing it back” point to our compulsion to recycle failed systems and ideas, even after recognising their damage, while the refusal of false enlightenment rejects the comforting myth that awareness alone leads to change.

The Noise Who Runs' new offerings follow the 2024 EP ‘Come and Join the Beautiful Army’ and the 2023 debut album ‘Preteretrospective’, both released to rave reviews and airplay in more than 60 countries. As with those, the new record was mixed and mastered by Colin C at The Cell Studio.

'RE: GEN X' is both a reckoning and a reply — a response from within a generation that inherited progress, equality, and expanding liberty, but failed to defend them when they came under threat. Framed by the cultural optimism of late-1980s youth and the 1990s second summer of love, the album questions how a generation defined by scepticism, freedom, and possibility became comfortable with inaction as those gains were slowly dismantled and how scepticism hardened into detachment, irony replaced action, and silence came to feel like neutrality. Rather than nostalgia, it offers a critique of passivity: what happens when a generation knows better, but does nothing.

Across the record, exhaustion, outrage, and repetition form a recurring loop. Political failure, cultural denial, and performative morality are examined not as abstract forces, but as habits — things learned, tolerated, and repeated. The album resists slogans and solutions, instead holding up a mirror to complicity, comfort and collapse. This record doesn’t ask to be forgiven; it asks to be examined — and leaves open the question of whether awareness, this time, will finally lead to action.

On March 10, 'Bang Bang' is available from fine music platforms, including SpotifyApple Music and Bandcamp. On May 8, the "RE: GEN X" album will be released via TNWR Records.

CREDITS
Music & lyrics written by Ian Pickering
Performed by The Noise Who Runs
Recorded, engineered & produced by The Noise Who Runs
Additional production by Colin Cameron at The Cell Studios
Mixed & mastered by Colin C. at The Cell Studio 
Video by Ian Pickering
Cover artwork and layout by Ian Pickering
Artist photos by Lucie Logier https://lucielogier.com/accueil-1
Publicity by Shameless Promotion PR


Keep up with The Noise Who Runs
Website | Bandcamp | Facebook | Instagram | Twitter | Soundcloud | YouTube | Spotify | Apple Music | Press contact

Keep up with Shameless Promotion PR
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Green Carnation Seize the Moment on New Single “I Am Time”

Three decades into a storied career, Green Carnation continue to stand the test of time. Just last year, the Norwegian prog bards reached crushing new highs during the grand and gloomy opening chapter of their long-awaited album trilogy. Now, as the band descend into deeper, darker and more personal depths on Part II of A Dark Poem, they are breaking past the surface with the album’s emotional peak.

Today, Green Carnation are releasing the second advanced single from A Dark Poem, Part II: Sanguis. While awash with melancholy over the past, “I Am Time” seizes the moment with the band’s unwavering control and raw emotions.

“‘I Am Time’ is one of the songs from the forthcoming A Dark Poemalbum trilogy that discusses the fragile nature of our lives”, Green Carnation vocalist Kjetil Nordhus says. “We do not have control over time. We should try and live in the here and now, before suddenly, it’s too late”.  

“To make the song a bit more interesting, the lyrics personify time”, says Green Carnation bassist and lyricist Stein Roger Sordal. “They’re about how we should respect and cherish the time that we have”.

Listen to “I Am Time” below:

Read Green Carnation’s new interview with Loudwire about A Dark Poem.

https://loudwire.com/green-carnation-interview-2026-dark-poem-trilogy/

A Dark Poem, Part II: Sanguis comes out April 3 on Season of Mist

Pre-order

https://orcd.co/greencarnationsanguis

Can’t wait to hear Part II of a Dark Poem? RSVP for Green Carnation’s upcoming Bandcamp listening party and hear all six dark and doomy songs on Sanguis before the album comes out.

A Dark Poem, Part II: Sanguis Bandcamp Listening Party

Tuesday, March 24 @ 1:30 pm ET

RSVP

https://greencarnationsom.bandcamp.com/live/a-dark-poem-part-ii-sanguis-listening-party

Recording lineup
Kjetil Nordhus - Vocals
Stein Roger Sordal - Bass, Rhythm Guitars, Lead Guitars, Keyboards, Lead Vocals on "Loneliness Untold, Loneliness Unfold"
Bjørn Harstad - Lead Guitars, Effects
Endre Kirkesola - Keyboards, Synthesizers, Organs, Effects, Backing Vocals on "Lunar Tale"
Jonathan Alejandro Perez - Drums

Guest musicians
Ingrid Ose - Flute on "Lunar Tale"

Live lineup
Kjetil Nordhus - Vocals
Stein Roger Sordal - Bass
Tchort - Guitars
Bjørn Harstad - Guitars
Trond Breen - Guitars
Endre Kirkesola - Keyboards

Recording, Mixing & Mastering Studio
DUB Studio

Production Credits
Producers - Endre Kirkesola, Stein Roger Sordal, Kjetil Nordhus
Sound Engineers - Endre Kirkesola, Bjørn Harstad
Mixing Engineers - Endre Kirkesola, Bjørn Harstad
Mastering Engineer - Lawrence Mackrory

Cover artist
Niklas Sundin

Pre-order & Pre-save
https://orcd.co/greencarnationsanguis

Available Formats
CD Digipack
12" Vinyl Gatefold (Black)
12" Vinyl Gatefold (Yellow and Red Marbled)
​12" Vinyl Gatefold (Orange and ​Coke Bottle Green)
12" Vinyl Gatefold (Gold Splatters)
12" Vinyl Gatefold (Silver, White and Black Marbled)
12" Vinyl Gatefold (Transparent Green and Purple Marbled)

Follow Green Carnation:
Bandcamp: https://greencarnationsom.bandcamp.com/
Facebook: https://www.facebook.com/GreenCarnationNorway
Instagram: https://www.instagram.com/green2carnation/
Twitter (X): https://x.com/Green2Carnation
YouTube: https://www.youtube.com/channel/UC2vfEaTADayEniT7xbG-XCA
Spotify: https://open.spotify.com/artist/1ZaJhNBAhJ3HjPsWiB9sDc
Apple Music: https://music.apple.com/artist/green-carnation/72866964
Deezer: https://www.deezer.com/artist/8192
Tidal: https://tidal.com/browse/artist/23079

ACIDOSIS Release New Single “Tied To The Tracks” From Upcoming Album Arrival

Crossover thrash band ACIDOSIS have released their new single, “Tied To The Tracks,” taken from the upcoming full-length album Arrival, arriving March 27, 2026.

“Tied To The Tracks” traces back to the earliest origins of ACIDOSIS. The song was first written in 10th grade after the band’s frontman was kicked out of a friend’s band, channeling feelings of betrayal, confusion, and emotional fallout into what became the first fully realized ACIDOSIS song. A homemade music video for the track unexpectedly went viral on MySpace, helping build a grassroots cult following throughout Florida during the band’s formative years.

The track delivers a direct punch of crossover thrash energy driven by speed, precision, and raw emotion. The opening riff spins up with mounting tension before launching into a relentless climb of shredding guitars and driving momentum. Lyrically, the song explores the moment when trust collapses and emotions shift from shock to acceptance, capturing the realization that there is no turning back.

Influenced by classic thrash songwriting and fueled by a massive, chant-ready chorus, “Tied To The Tracks” remains a live favorite during the band’s Florida performances, where crowds continue to shout along to its arena-sized refrain.

Arrival marks the band’s next chapter and will be released worldwide on March 27, 2026.

ACIDOSIS will support the album with a run of U.S. tour dates this spring.

ACIDOSIS Tour Dates

3/11 | Milwaukee, WI @ Falcon Hall*
3/12 | Chicago, IL @ Sleeping Village
3/26 | Brooklyn, NY @ Market Hotel
3/27 | Boston, MA @ Haymarket Lounge
4/3 | Miami, FL @ Las Rosas
4/4 | Orlando, FL @ Will’s Pub
4/8 | Los Angeles, CA @ Non Plus Ultra*

* Ben Katzman only

Tickets: https://app.getpinpoint.io/bkdegreaser

Arrival is a full-length album nearly 20 years in the making. Originally drafted during Ben Katzman’s teenage years, the songs have been brought back to life by a re-formed ACIDOSIS lineup featuring Katzman on bass and vocals, Diego Edsel, Deo Budnevich, and Jonathan Rusten on guitars, and Harry Schwarz on drums. The album was produced by Katzman and Ryan Haft, mixed by Haft, and mastered by Howie Weinberg. Art is by Juan Montoya (TORCHE) and layout by Perry Shall (GREEN DAY, BLACK KEYS).

Jah Wobble & Jon Klein present scathing single 'Who Wins?' ahead of ‘Automated Paradise' LP

Previewing their new 'Automated Paradise' album, Jah Wobble (Public Image Ltd) and guitarist Jon Klein (Siouxsie & The Banshees, Specimen) reveal the fire-buster 'Who Wins?', a song about distrust — about the growing sense that the grand halls of power have become echo chambers of empty promises. The question echoes long after the final note fades — we probably wouldn't like the answer.

The title itself acts as a refrain and a provocation. Who wins? Not answered outright, the song understands something important: the most powerful question in politics is often the one that leaves the listener finishing the sentence themselves. Less of a statement and more like a mirror, this song fits squarely inside the long lineage of protest music. Songs that capture a moment when the atmosphere shifts — when dissatisfaction becomes a chorus and the private complaint becomes public noise.

'Automated Paradise' is Wobble & Klein's third collaborative record and also their debut album as a duo with Dimple Discs, previewed by the motorik lead track ‘Fading Away’, pulsating with the raw electrical tension of British post-punk and new wave. These two legends first combined forces on the 'Metal Box – Rebuilt In Dub' album in 2021, they continue to collaborate live and in the studio.

"'Who Wins?' is a good old protest song, pointing fingers and making a racket! It was a bass line that turned into a metal riff. The noisier songs on this album tend to reflect on today’s information overload, where there’s no security, and people are becoming more polemic and stressed, but there seems to be a thread of hope that truth and justice will maybe prevail," says Jon Klein.

"Working with Jah Wobble is always an inspiring experience. When I started working with him in recording sessions, he often quoted the words of Holger Czukay, the bass player of German band Can: “First we play, then afterwards we talk! We like to make things happen in the moment. Often we complete a working draft to a piece of music from scratch in a few hours.”

Jah Wobble adds, "The music comes from that silent place. It’s pre-existing. You just allow it to flow...  Proper post punk. Angry and humorous. Okay, it’s the end of civilisation. But nothing lasts forever right? We shouldn’t take it to heart."

This is Jah Wobble’s first post-punk album in recent years, these brash guitar-driven tracks reflecting his preoccupation with the declining state of the nation. Driven by his weekly experience with Klein, working at the "Tuned In" music community project in Merton, this record recalls the spirit of Mark Stewart - angry in an empathetic, constructive way. The lyrical content mainly came together on the spot in the studio.

This album follows two 2025 albums for Wobble -  ‘Dub Volume 1' (Dimple Discs) and the expanded reissue of the 2017 album 'The Usual Suspects', featuring 25 career highlights, re-recorded and including some of Wobble’s finest material, alongside tracks by Invaders Of The Heart and PiL.

Guitarist and producer Jon Klein was a member of Siouxsie and the Banshees from 1987 until 1994 (the 'Peepshow', 'Superstition' and 'The Rapture' era). Originally in the Bristol band Europeans, he then formed the glam-goth act Specimen and relocated to London, where he co-founded The Batcave nightclub. He has worked with Talvin Singh and Sinéad O'Connor, and co-produced a string of No. 1 albums for Warner-signed Fangoria, fueling a decade-long streak of chart-topping success in Spain. 

Born John Wardle, bassist and vocalist Jah Wobble is from East London. An original member of Public Image Ltd (PiL) from 1978-80, he made two seminal albums with the band, including the iconic ‘Metal Box’. Wobble formed Invaders of the Heart in 1982, collaborating with Can's Holger CzukayJaki LiebezeitU2's The Edge and producer François Kevorkian. By the 1990s, he was well known, had chart success and a Mercury Music Prize nomination for the album ‘Rising Above Bedlam'. After releasing the top-40 album ‘Take Me To God’ and then ‘Heaven and Earth' via Island Records, Wardle fled record company constraints to more experimental recordings.

Wobble has collaborated with Sinéad O’Connor, Massive Attack, Ginger Baker, Björk, Brian Eno and Pharoah Sanders, was part of the supergroup The Damage Manual, worked with Julie Campbell aka LoneLady on ‘Psychic Life’, and with his wife Zi Lan Liao on the album ‘Chinese Dub, winning the Songlines Magazine World Music Award. He also plays and records with his sons Charlie and John Wardle in Tian Qiyi.  2024 brought his 'Timeless Roots' album with Horace Andy, followed by 2025's 'Old Fashioned Ways' album with Jamaica's Ken Boothe. Wobble played on Richard Russell’s album ‘Everything is Recorded' (notably ‘Losing You’ feat. Sampha).

Wobble published his autobiography ‘Memoirs of a Geezer: Music, Life, Mayhem’ via Serpent’s Tail in 2009, following his 2008 radio documentary on Sid Vicious for BBC Radio 3. 30 Hertz Records, the independent label Wobble launched in 1997, still releases music in collaboration with Cherry Red,  including 'Dark Luminosity – The 21st Century Collection' and 'In Dub II: Deluxe'.

On March 27, 'Automatic Paradise' is available on CD and transparent vinyl, limited to 800 copies. The digital download can be pre-ordered via Bandcamp. Jah Wobble & The Invaders Of The Heart continue touring the UK in 2026, for which tickets are available at https://jahwobble.com/#live

CREDITS
'Fading Away' written by Jah Wobble, John Tian Chi Wardle & Jon Klein
'Who Wins?' written by Jah Wobble, Izumi Karaage & Jon Klein
Jah Wobble - bass & vocals
Jon Klein - guitar, synthesizer, backing vocals & programming
Izumi Karaage - drums on 'Who Wins?'
John Tian Chi Wardle - drums on 'Fading Away'
Keiko Yamazaki - backing vocals on 'Fading Away'
Produced by Jah Wobble & Jon Klein
Engineered & mixed by Jon Klein at Tuned In Studio & Ground Control.
Mastered by Anthony Chapman
Cover artwork & design by Jah Wobble
Released by Dimple Discs
Barcode 5052571225325
Vinyl catalogue ID #DEEDEE081LP / CD catalogue ID #DEEDEE081CD
Live photos by Fergus Kelly / Room Temperature
Other photos by Peter McDowell
Publicity by Shameless Promotion PR

JAH WOBBLE & THE INVADERS OF THE HEART - TOUR DATES
Mar. 28  BUTLIN'S SKEGNESS - Shiine On Weekender 2026
Apr. 02  WIMBORNE MINSTER - Tivoli Theatre
Apr. 03  TOTNES - Barrel House
Apr. 04  CARDIFF - Clwb Ifor Bach
Apr. 10  STOKE ON TRENT - Artisan Tap
Apr. 11  DARWEN - Library Theatre
Apr. 25  GWYNEDD - Neuadd Ogwen
May 15  CAMBERLEY - Login Lounge
May 30  LYME REGIS - Marine Theatre


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