TX2 Announces Debut Album 'End Of Us'; Drops New Single Feat. Black Veil Brides

Alt-rock phenom, TX2 has announced the release of his long-awaited and highly-anticipated debut album End Of Us, arriving February 13, 2026 via Hopeless Records. The album announcement arrives alongside the release of lead single and title track "The End of Us," an epic six-minute cinematic opus featuring Black Veil Brides, live strings, and TX2's most ambitious music video to date that he self-directed alongside guitarist Cameron Rostami. Stream the new track HERE. Watch the music video Below and pre-order the upcoming album HERE.

End Of Us marks a turning point for an artist who's spent a decade building one of heavy music's most devoted, and polarizing, fanbases. With 1 million monthly Spotify listeners, 1.3 million TikTok followers, and a relentless touring schedule that's taken him from opening slots on the Summer of Loud tour and multiple tours with Ice Nine Kills, performances at the Welcome To Rockville and Sonic Temple, to Download Festival 2026, TX2 has turned online hate into undeniable, unstoppable momentum. Today, TX2 continues his meteoric rise as he heralds the beginning of a new chapter with the album’s title track which captures the weight of betrayal, the chaos of spiraling, and the courageous defiance required to keep going anyway.

Speaking on today's announcement, Evan Thomas (TX2) shares

"'The End of Us' is the darkest song I've ever written. It captures that feeling of spiraling that happens shortly after betrayal, when everything you've built slips away. I said 'fuck it' and wanted to make a 6 minute epic. Live strings captured the emotions perfectly. Then having Andy's voice brings a weight and intensity that was perfect for the emotion of the track—he played the perfect character and created cinematic chaos. This song is the lead single of our album 'The End of Us' and features our biggest music video yet. Cam and I directed the music video, and I think made a video that will live much longer than we expected. I hope this song finds its own meaning to the right person."

TX2 has spent years earning co-signs from scene veterans. Beartooth's Caleb Shomo has publicly praised his "passion, hard work, and talent", his track "MAD" featuring Ice Nine Kills' Spencer Charnas generated over 10,000 TikTok video creations and From First to Last joined him on "THIS ISN'T ABOUT DRUGS (I SWEAR)."

The 13-track album collects previously released singles alongside new material, including recent tracks "The Rain," "HOSTAGE (they will not erase us)," "Feed" featuring DeathbyRomy, and "Nice Guy" featuring Ekoh. Between them, these previously released songs have racked up a staggering 100 million streams and 42 million likes on TikTok in the last 12 months. The upcoming album also features a further collaboration with Magnolia Park and an instrumental version of TX2's track with Ice Nine Kills' Spencer Charnas, "M.A.D".

Beyond the music, TX2 has built something even more impressive: the X Movement, a Discord-based community where thousands of fans support each other through mental health struggles. He goes live on social media to answer fan questions every day and stays after every show, sometimes for hours, to meet every fan. He keeps ticket prices low and uses his platform to advocate for LGBTQ+ rights and fan safety in music spaces. It's work that's made him both a target and a lifeline, depending on who's watching.

End Of Us captures all of it. The noise, the defiance, the exhaustion, and the refusal to quit. Thomas describes the album's sound as "punk meets vampire-core with an Eminem edge," drawing from influences like My Chemical Romance, Green Day, Black Veil Brides, and Linkin Park while carving out space that's entirely his own and elevating the genre, and it’s fandom, to a new level.

TX2 is currently supporting Ice Nine Kills on their EU dates and UK arena tour in December before returning to the UK for Download Festival 2026, where he'll play alongside Linkin Park, Guns N' Roses, and Limp Bizkit.

ABOUT TX2

TX2 is the project of Los Angeles based artist Evan Thomas, known for raw, emotionally charged alt-rock that refuses to play by the rules. Since going viral on TikTok in 2023 with "I Would Hate Me Too," TX2 has amassed 1 million monthly Spotify listeners, 1.3 million TikTok followers, and a touring resume that includes opening for Beartooth, I Prevail, Killswitch Engage, Ice Nine Kills and Parkway Drive on the Summer of Loud tour.

Thomas founded the X Movement, a community dedicated to mental health awareness and creating safe spaces for fans who feel like they don't belong. He's openly queer, vocally advocates for LGBTQ+ rights and fan safety, and stays after every show to meet every fan, sometimes for hours. He's been called emo's most hated artist and its most necessary voice, often in the same breath. His debut album End Of Us arrives February 13, 2026 via Hopeless Records.

Death Thrash Metal Outfit INTOXICATED Announces New Album; Unleashes Video for Furious First Single

Florida death thrash metal outfit INTOXICATED will be unleashing their third full-length, 'The Dome,' on March 27, 2026 via Redefining Darkness! The band is celebrating this release with the vicious first single, "War Club," along with a music video that captures the band unrelenting dominance on stage. The clip can be found below.

Vocalist/guitarist Erik Payne comments, "'War Club' captures Intoxicated’s uncompromising perspective as observers of today’s fractured world. The band likens it to being dragged into fights you never asked for—pushed by forces that don’t reflect who you are or what you stand for. The track channels that frustration into a violent metaphor, exploring how even good people can feel driven to confront the malevolent forces dragging society down."

INTOXICATED is a thrash/death metal band from Altamonte Springs, Florida, originally formed in 1993. Led by vocalist and guitarist Erik Payne, the band quickly carved out a place in Florida’s extreme metal lineage, earning early mentorship from Death’s legendary Chuck Schuldiner. Rooted firmly in Florida’s storied death-thrash tradition, Intoxicated’s sound draws natural comparisons to Death, Sadus, and Obituary— as marked by unrelenting speed, sharp riffing, and concise, high-impact songwriting.

'The Dome' is now available for pre-orders in the USA HERE while it's available for the rest of the world HERE.

In addition, INTOXICATED is hitting the road tomorrow, December 5, in support of Obituary's Florida Swamp Tour 2. The trek will kick off in Destin, FL and make its way through the state until the final stops in Tampa, FL on December 13 - 14. The full itinerary can be found below while tickets can be found HERE.

GET TICKETS HERE

INTOXICATED Tour Dates (Supporting OBITUARY w/ CASTRATOR + COLD STEEL)

12/05: Destin, FL @ Club LA

12/06: Jacksonville, FL @ Albatross

12/07: Orlando, FL @ Conduit

12/12: Miami, FL @ Gramps

12/13: Tampa, FL @ The Brass Mug

12/14: Tampa, FL @ The Brass Mug

Intoxicated is a thrash/death metal band from Altamonte Springs, Florida, originally formed in 1993. Led by vocalist and guitarist Erik Payne, the band quickly carved out a place in Florida’s extreme metal lineage, earning early mentorship from Death’s legendary Chuck Schuldiner. Their first run produced a trio of EPs—.08 (1994), Scars (1995), and Metal Neck (1997)—before releasing their third EP, Drain.

Following their initial rise, Intoxicated went on hiatus as Payne, along with Obituary’s Donald Tardy and Ken Andrews, joined the touring lineup for Andrew W.K. in 1999, a role they held for nearly two decades while performing around the world.

The band reactivated in 2019, returning with the Walled EP (2020) and their long-awaited debut full-length, Watch You Burn (2022). The album showcased the band’s signature blend of ragged thrash aggression and Florida-bred death metal grit. Featuring guest appearances from Ken Andrews (Obituary, ex–Andrew W.K.) and Tony Foresta (Municipal Waste), and produced, mixed, and mastered by Ryan Boesch (Foo Fighters, Andrew W.K.) at Candor Recording—formerly Morbid Angel’s headquarters—Watch You Burn reaffirmed Intoxicated’s place among fans of classic Kreator, Death, Obituary, Protector, and Devastation.

Now, Intoxicated is preparing to unleash their second full-length album, The Dome, on Redefining Darkness Records.

Rooted firmly in Florida’s storied death-thrash tradition, Intoxicated’s sound draws natural comparisons to Death, Sadus, and Obituary— as marked by unrelenting speed, sharp riffing, and concise, high-impact songwriting.

Lineup:

Erik Payne - Guitar/Vocals

John Sutton - Guitar

Shawn Clarson - Bass/Backing Vocals

Colin Vaccaro - Drums

Album credits:

Produced by Ryan Boesch and Erik Payne @ Candor Recording in Tampa Fl

Recorded, mixed and mastered by Ryan Boesch

Cover Artist: Celeste Payne

Formats:

CD

Vinyl

Digital

Pre-orders (Worldwide excl. USA): https://shop.redefiningdarkness.com/

Preorders (USA): https://tornfromthegrave.us/collections/intoxicated

Links:

Official Website

Bandcamp

Facebook

Instagram

YouTube

Spotify

Apple Music

Enthroned Ascend Into the Fires of 'Ashspawn'

Belgian black metal institution Enthroned are opening a new chapter in their storied career with their upcoming twelfth album. Conceived during six years of ritualistic creation, Ashspawn now emerges as the band’s most uncompromising statement. Written in collaboration with occult author Gilles de Laval, it descends into spiritual death, only to emerge reborn amongst the flames.

Ashspawn comes out tomorrow, Friday, December 5, 2025 on Season of Mist, but you can bask in the towering flames of all nine songs by listening to the full album stream on the Season of Mist YouTube channel.

Listen to Ashspawn Below;

Pre-order & Pre-save

https://orcd.co/enthronedashspawn

Ashspawn represents a total unity of vision. Enthroned channel ferocious blast beats, oppressive mid-tempos and progressive structures into an album that moves between violent catharsis and crushing introspection. Solos oscillate from Morbid Angel frenzy to sharp, ascendant phrases that recall classic heavy metal’s virtuosity.

Lead single “Raviasamin” is a chant and a curse, invoking both negation and transformation with frostbitten riffs and serpentine rhythms. The title track embodies the band’s driving ethos, blazing into spiritual destruction as a path toward transcendence. Conceived as the album’s final rite of passage, “Ashen Advocacy” rises in a slow-burning psalm of judgement. With each crack of the judge’s gavel, the song divides the self between accuser and the accused.

Ashspawn now stands darker, heavier, and more personal than anything in Enthroned’s catalogue, crafted as a transformative weapon rather than an act of reiteration.

Now, in 2025, Ashspawn stands as Enthroned’s most ambitious and personal statement to date. Musically, it embodies a total unity of vision: ferocious blast beats, oppressive mid-tempos, and progressive structures collapse into one another, laced with solos that veer from Morbid Angel-like madness to Judas Priest-inspired virtuosity. Lyrically, it operates as a metaphysical architecture, its verses designed not merely to be heard but to infect and transform. Tracks such as “Raviasamin,” “Ashspawn,” and “Ashen Advocacy” reveal its dual nature: violent catharsis intertwined with crushing introspection, a tribunal where the self is broken and reforged.

More than three decades after their inception, Enthroned remain steadfast in their purpose: not to replicate the past, but to realign with the forces that birthed them. Ashspawn is the testimony of this alignment, a ritual weapon that rejects nostalgia and compromise. It is a resurrection of spirit through suffering, a reaffirmation of Enthroned’s place among black metal’s most visionary entities.

Line-up:

Nornagest — Vocals & Samplers

T. Kaos — Guitars & Bass

Menthor — Drums & Percussion

Production Credits:

Recorded at Ophiussa Studio, London, UK.

Produced by Menthor.

Mixed by Stefano Santi at SPVN Studio, Milan, Italy.

Mastered by Phil Bashford at The Hive, London, UK.

Cover Art:

Cover artwork by Jose Gabriel Alegria Sambogal
(https://www.instagram.com/josegabrielalegriasabogal/)

Photography:

Band photography by Emanuela Giurano

Pre-save & Pre-order: https://orcd.co/enthronedashspawn
 
Follow Enthroned:

Facebook: https://www.facebook.com/Frater.Silurian
Instagram: https://www.instagram.com/enthronedofficial/
Bandcamp: https://enthroned.bandcamp.com/
YouTube: https://www.youtube.com/@enthronedofficial
Spotify: https://open.spotify.com/artist/5lmT6zZl7aPNg8hv5UrJGz
Apple Music: https://itunes.apple.com/artist/enthroned/47713289
Deezer: https://www.deezer.com/artist/14611
Tidal: https://tidal.com/browse/artist/3604477

MALEFIC Unleash New Single “In Darkest Dreams” from Forthcoming Album Impermanence

Atlanta blackened thrash visionaries MALEFIC have released their new single “In Darkest Dreams,” taken from the band’s long-awaited full length album Impermanence, arriving February 13, 2026 via Terminus Hate City. As one of the oldest songs in the MALEFIC catalog, originally dating back to the years before 2010, “In Darkest Dreams” has undergone a long evolution to become the fully realized version presented on the record.

The track highlights the band’s increasingly death metal driven approach while still retaining the blackened and thrashy foundation that defines their sound. It is one of the few songs on the album to feature a true chorus, yet it remains progressive in structure, moving through distinct musical chapters that each showcase a different facet of the band’s writing. The middle breakdown section emphasizes the group’s command of shifting rhythms and tight, precise playing, eventually building into a ripping guitar solo by Sam that captures his growth and confidence as a lead player.

Lyrically, “In Darkest Dreams” reflects an earlier era of MALEFIC. The words were initially written by Cory after Devin left the band, and later revised slightly by Aaron to fit the larger narrative arc of Impermanence. The imagery leans heavily into the horror influences that colored the band’s early years, telling the tale of a reaper-like figure whose presence drives the song’s bleak atmosphere. Although the lyrics occasionally veer into abstract territory, the band acknowledges that they maintain a certain cool, visceral quality that fits the track’s history. The chorus in particular remains one of the few lyrical elements to survive from the early days, believed to have been preserved even after the rest of the original lyrics were lost.

The rhythmic overhaul of the song represents an important part of its evolution. With a drum approach shaped by thrash, high speed technical metal and progressive rock, Aaron sought to avoid monotony by frequently shifting the pulse within the same riffs. The early versions of the song relied more heavily on ad-libbed vocal patterns and less structured drumming, so the updated arrangement brings a tighter and more intentional rhythmic feel. Even the chorus sparked debate during recording about whether it should remain upbeat for its entire duration, and the final version reflects a compromise that preserves the song’s energy while serving the tension and release of the overall arrangement.

MALEFIC’s history stretches back to 2007 when the original lineup first emerged in the Atlanta extreme metal scene. After a hiatus beginning in 2009, the band reconvened in 2015 and has moved forward at full speed ever since. Their sound blends technical precision, a tightly locked rhythm section and a keen sense of groove into a modern, aggressive take on melodic death metal that stands apart from their peers in the United States. The creation of Impermanence began in late 2018 and faced numerous challenges as lineup changes forced re-tracking, rewrites and complete remixes of material that had already been considered finished. Despite the setbacks, the band views the album as the culmination of years of dedication, refinement and persistence, and as a definitive statement of what MALEFIC represents.

About MALEFIC:
MALEFIC roared onto the Atlanta metal scene in 2007 with ambitions to modernize the black metal genre. With their tight riffs, tasty leads, and relatable lyricism, MALEFIC abandons cliches and defies traditional genre boundaries. Their special blend of black metal, drawing from thrash and death metal influences, appeals to metalheads across subgenres. They count OLD MAN'S CHILD, CARCASS, TESTAMENT, DISSECTION, and OPETH among their most prominent influences, offering a fresh, modern take on metal that is unrivaled in the United States.

Though they are set to release their very first full-length album, Impermanence, in 2025, MALEFIC boasts an impressive live performance history, having played shows with notable bands such as 1349, CRYPTA, and PROFANATICA. After a hiatus in 2009, the band eagerly picked back up where they left off and reformed with a new lineup. MALEFIC initially began work on Impermanence in 2018, taking their time to ensure that every detail accurately reflected their vision for their album. The band's hard work and dedication has culminated in a powerful debut, lovingly crafted by fans of nuanced, boundary-pushing music. 

MALEFIC lineup:
Jason Davila - Guitar
Aaron Baumoel - Drums, Vocals
Sam Williams - Guitar
Andy McGraw - Bass

UK Death Metal Outfit UNBURIER Unleashes New Single, "Survive the Vermin", And Announces Third EP, 'As Time Awaits'

UK death metal band UNBURIER has returned with a vengeance on their latest single, "Survive the Vermin". The new song introduces the band's upcoming EP, As Time Awaits, with the appropriate blend of ferocity and spellbinding technicality. Vocalist and guitarist Ben Champion shows off a viscerally emotive vocal range, skillfully punctuating his mid-range snarls with screeching highs for maximum impact. Bassist Stan Mitchell and drummer Kim Hughes lay the foundation for the song's intensity with a punchy, driving rhythm section. Finally, guitarist Blake Hibberd propels the momentum forward with a relentless barrage of twisting, turning, shredding leads. The lyrics of "Survive The Vermin" develop themes of purpose and identity on the EP through a first-person account of a cosmic, immortal warrior. Surrendering flesh for steel, the narrator struggles to detach themselves from the sensations they thought to have discarded. The lyrics ask if, when we give ourselves wholly to one purpose, it is worth sacrificing the simplicity of everyday life. Paying homage to sci-fi author Nate Crowley and absurdist philosophy, "Survive The Vermin" provides the most direct declaration of the themes behind the EP. 

Watch "Survive the Vermin" Below.

Pre-Order As Time Awaits HERE: https://www.unburierband.com/category/all-products

About UNBURIER:
Hailing from the south of England, UNBURIER stormed onto the death metal scene in the summer of 2022 with their debut EP Twisted Existence. The EP showcased the band's undeniable technical abilities, in addition to their raw and harrowing sound. In 2024, UNBURIER returned with their follow-up EP, Nebulous, on which the band refined their songwriting and technical prowess. On this release, the band ventured even deeper into the realms of their death metal influences, among which they count DEATH, NECROPHAGIST, and REVOCATION.

Having conquered stages alongside the likes of SANGUISUGABOGG, CRYPTA, and PARTY CANNON, as well as making notable appearances at Bloodstock Open Air and Incineration Festival, UNBURIER continues to carve a path alongside giants of the death metal genre. Their upcoming third EP, As Time Awaits, sees UNBURIER blending old- and new-school death metal styles with technicality, hooks, and razor-sharp songwriting. Carrying the torch of the classic death metal sound into a new age, As Time Awaits is certain to enthrall longtime fans of the genre.
 

UNBURIER lineup:
Ben Champion - Vocals/Guitar
Blake Hibberd - Guitar/Vocals
Stan Mitchell - Bass
Kim Hughes - Drums

Thrash Metal Outfit NUKEM Unleashes Lyric Video for Death-Inspired New Single, "Torture, Murder, Mutilate!"

California has always been fertile ground for thrash metal, leading the charge with some of the genre's most legendary acts. San Diego's NUKEM follows in the footsteps of thrash metal's founding fathers, producing the kind of time-tested, neck-breaking thrash that invokes deep nostalgia while still sounding fresh and modern.

The thrashers are now unleashing a vicious new single, "Torture, Murder, Mutilate!" which was inspired by the band Death. The track can be found along with a lyric video Below.

NUKEM vocalist and guitarist Steve Brogden comments, "'Torture, Murder, Mutilate!' We crafted this track after wrapping up our tour with Death To All & Suffocation, featuring legendary Death members Gene Hoglan, Steve DiGorgio & Bobby Koelble, alongside Max Phelps shredding through the space once ruled by Chuck. This track is deeply rooted in Death's influence, having had the privilege of their music as our nightly soundtrack, it definitely left its mark on us. Blending a touch of death metal with our Nukem style of Thrash, it made for a pretty brutal track!”

The track is taken from the band's forthcoming sophomore full-length, 'The Grave Remains,' which is due on April 10, 2026 via Redefining Darkness. Pre-orders are now live in the U.S. HERE and the rest of the world HERE.

NUKEM also has announced several upcoming performances in their home state of California, which can be found below.

Nukem Live Dates:

12/13: San Diego, Ca @The Tower Bar

01/03: San Francisco, CA @The DNA Lounge 

Nukem is a Thrash metal force from San Diego, California, that delivers an honest, old school thrash attack. Formed in 2012, Nukem released their 2016 debut album "The Unholy Trinity,' which was mixed & mastered by Ulrich Wild (Pantera, Static X, Dethklok, White Zombie) and was released via Sleaszy Rider Records out of Greece.

Nukem had entered the studio in 2024 once again with Ulrich Wild to work on our second album. Ten songs of pure molten metal! Some songs are full on unstoppable Bay Area style Thrash metal violence while others are more of a mid tempo power groove. Nukem has now forged a new union with Redefining Darkness for the release of their oncoming onslaught... stay tuned!

Recording Lineup:

Steve Brogden - Vocals & Guitar

Norm Leggio - Drums

Don Lauder - Bass

Live Lineup:

Steve Brogden - Vocals & Guitar

Norm Leggio - Drums

Don Lauder - Bass

Xander Gambini - Guitar

Special Guests:

Gary Holt (Exodus, Slayer) - Solo on 'Empress of Evil'

Lee Altus (Exodus/Heathen) - Solo on 'Don’t believe a word'

Rob Cavestany (Death Angel) - Solo on 'Into the Kill Zone'

Russ Tippons (Satan) - Solo on 'Random Acts of Violence'

Laura Christine (Dark Angel/Warface) - Solo on 'Empress of Evil'

Cover Art: Megan Mushi

Produced by Steve Brogden & Nukem

Recorded at The Wilderness with Ulrich Wild & Forge Audio with Steve Brogden  

Forge Audio with Steve Brogden

Mixed by Ulrich Wild 

Mastered by Maor Appelbaum

For Fans Of: Exodus, Megadeth, Metallica, Slayer, Anthrax, Overkill

Pre-orders (USA): https://tornfromthegrave.us/collections/nukem

Pre-orders (Rest of World): https://tornfromthegrave.com/collections/nukem

Links:

Bandcamp

Facebook

Instagram

X

YouTube

Spotify

Apple Music

The artwork for 'The Grave Remains' was created by Megan Mushi

HÉR Stay Propulsive on New Single "Patience in Observation"

HÉR are seekers and storytellers. Their upcoming debut album, Monochrome, reflects polar extremes: fire and ice, violence and tenderness, bravery and care, the brutality of war and the solace that’s brought by peace.

Today, the band are releasing the album’s second advanced single. “Patience in Observation” captures one of Monochrome’s most reflective passages. The song unfolds with distilled calm, spurred along by a steady percussive pulse. Swept up by strings and smooth vocals, HÉR remain a grounding force.

Watch the music video for “Patience in Observation” below:

Monochrome comes out January 30, 2026 on Season of Mist.

Pre-order & Pre-save

https://orcd.co/hermonochrome

“Patience in Observation is a reflective journey through the nature of life and the unchanging rhythm of the universe”, says HÉR.

“The world has been moving according to its own rules for millions of years. Our task is to find our place within this dance. ‘Patience in Observation’ is a song about calmness and precision in everyday actions, following the motto ‘calmly and precisely, piece by piece’. It serves as a warning against the desire for things too grand, which may lead us to the edge of an abyss. This is a musical meditation on acceptance and understanding, a reminder that our growth requires patience and harmony with the surrounding world”.

“Hér” in Icelandic means „here”. It is a very clear calling from the band to the audience: be here, experience, be inspired, it is happening now, and it is the essence of participating in our artistic expression. HÉR was formed in Gdańsk, northern Poland. Five independent, strong musical personalities met “here”—in a specific place and time—to create communitas that are both unique and harmonious.

The music the band proposes carries the listener to 11th-century Old Norse wisdom poetry. The first inspiration for this artistic meeting were the poems of the Poetic Edda. Hér reveals wild, root-like, undiscovered musical spaces, the clash of worlds, and a glimpse of the otherworld. It uses raw means of expression and sounds, as raw as the North itself: trembling throat singing, increasing trance-like rhythm, gliding over the violin strings like over an ice surface. We start here: Iceland, the beginning of Europe. It is a musical meditation on a place, growing out of specific soil, reaching to the roots of Norse mythology but not stopping there. It is not only the wisdom of the Vikings, Odin’s recommendations for those who stand at the gates of Valhalla. The threshold of the otherworld leads further to universal, human, fundamental experiences.

By exploring the human nature described in Norse mythology, the musicians make a deep insight into the emotions embedded in its verses. They bring out the dark beauty of the North and its extremes: fire and ice, violence and tenderness, bravery and care, the brutality of war and the solace that peace brings, struggle and feast, the milky sweetness of honey and the salty tang of blood, love and hatred, birth and death, beginning and end, terror and awe…

Sestu hérna, sit here… sit here and listen, sit here and grow, sit here and drift away.

Line-up:
Maciej Świniarski — Vocal, Percussion
Tomasz Chyła — Vocal, Violin, Synth Percussion
Piotr Chęcki — Saxophone, Percussion
Tomasz Sadecki — Bass Guitar, Synth, Percussion
Sławek Koryzno — Drums, Percussion

Production Credits:
Recorded at Monochrom Studio, Gniewoszów, Lower Silesian Voivodeship, Poland.
Produced & Engineered by Ignacy Gruszecki.
Mixed & Mastered by Marcin Bors at Fonoplastykon, Wrocław, Poland.

Guest Musicians:
Magdalena Kuraś „Freya”

Cover Art:
Mary Zaleska

Photography:
Daria Szczygieł (https://dariaszczygiel.com/)

Pre-save & Pre-order

https://orcd.co/hermonochrome

Follow HÉR:
Facebook: https://www.facebook.com/herbandofficialprofile/
Instagram: https://www.instagram.com/her.bandofficial/
Bandcamp: https://hersom.bandcamp.com/

Spotify: https://open.spotify.com/artist/4yHViIb0eCl4eVMFcVnzm5

Apple Music: https://music.apple.com/artist/h%C3%A9r/1751778615

Mayhem Drop Video for "Despair"

The most influential black metal band in history returns with their seventh studio album, Liturgy of Death.

With this new chapter, Mayhem once again cement their reputation as one of the most relentless forces in extreme metal. Nearly 40 years into its career, the band turns its gaze toward the unavoidable truth of mortality. Liturgy of Death explores the philosophy of mortality with stark, uncompromising clarity. The album presents death not as an ending, but as a universal law that touches all life and exposes the fragility of human existence. This impermanence becomes a call to live with full intensity, for every gain and loss ultimately falls back into the same silence. Echoing ancient philosophies, the album portrays life as a transitional state and death as a gateway to a higher form of being, while the solemn, dark beauty of death permeates the entire work.

Stream "Despair" here. 

Watch the video here. 

"Despair" captures this vision in its most visceral form. The track unravels the collapse of being through ritualistic chants, Latin invocations, and blistering blast beats that echo like the pulse of annihilation. Attila’s vocals summon an ancient, fatal truth: the fading of light, the inevitability of death, and the recognition of human fragility. "Despair" stands as the album’s stark revelation — the moment where death is not feared but understood.

Pre-order Liturgy of Death here. 

EXCLUSIVELY AVAILABLE AS:
• Ltd. Deluxe Box Set incl. an exclusive 12" Clear-Black Marbled Vinyl with alternate artwork, bonus 7" Marbled Vinyl with 2 extra tracks, metal pin, patch, art prints, and the special tarot card "Liturgy of Death" (Clear-Black Marbled Edition and Transp. Red-Black Marbled BAND EDITION)
• Ltd. Gatefold Black Vinyl (180g) & 12 pages LP-Booklet
• Ltd. Gatefold Transp. Orange-Black Marbled Vinyl (180g) & 12 pages LP-Booklet
• Ltd. Gatefold Splatter Black-Apricot Vinyl (180g) & 12 pages LP-Booklet
• Ltd. Gatefold Haze Bright Gold-Black Vinyl (180g) & 12 pages LP-Booklet
• Ltd. Gatefold A/B Split Red-Black Vinyl (180g) & 12 pages LP-Booklet (BAND EDITION)
• Ltd. Gatefold Black Ice Ghost Vinyl (180g) & 12 pages LP-Booklet (US EDITION)
• Ltd. Gatefold Cooper Black Ice Vinyl (180g) & 12 pages LP-Booklet (US EDITION)
• Ltd. CD Mediabook in Slipcase (with bonus track and additional artwork)
• Standard CD Jewelcase
• Digital album

With Necrobutcher, Hellhammer, Attila, Morten, and Ghul locked into a unit tighter than ever, Liturgy of Death celebrates Mayhem's own legacy, a continuation of the raw and uncompromising sound that defined their beginnings. The result is a merciless record — dark, fast, and unrelenting — that captures the band in their most dangerous and vital form. 41 years since their formation in Langhus, Mayhem remain a defining force in Norwegian black metal, continuing to shape the sound they helped create.

MAYHEM LINEUP:
Attila Csihar — Vocals
Ghul — Guitar
Hellhammer — Drums
Necrobutcher — Bass
Morten — Guitar

Rotting Christ Announce Re-Recording of Aealo

As they continue to celebrate 35 years of evil existence, Rotting Christ are beginning what is sure to be a monumental new year by reinforcing one of the pillars in their mighty discography.  

Today, the Greek legends are announcing a re-recorded version of the band’s 11th album. Chiseled with modern production, polished by a rich mix and draped with fresh cover art, the new and improved AEALO enhances every aspect that makes this album a cornerstone from Rotting Christ’s Hellenic era.

“Dear friends”, begins the band’s vocalist and guitarist Sakis Tolis. “We have re-recorded, remixed and remastered our 11th album AEALO with deep respect for the original recording. We are proud to present to you the first sample from the album with a new video for its title track”.

Watch the new lyric video for the album’s classic title track below.

The re-recorded version of AEALO comes out January 23, 2026 on Season of Mist.

Pre-order & Pre-save

https://orcd.co/rottingchristaealorerecorded

Long-held as one of Rotting Christ’s defining anthems, “AEALO” is a fierce yet tragic portrayal of warfare. In English, the title means “I destroy” or “I thrash”. Martial percussion, ceremonial melodies and a female choir evoke the spirit of ancient Greek rituals and the psychology of the battlefield. The re-recorded version unearths new layers that were once hidden, strengthening the song’s mythic resonance while reflecting on the album’s larger themes of sacrifice and the cost of conflict.  

In 2019, Rotting Christ’s epic journey continued with The Apocryphal Spell compilation, which offers fans an intimate glimpse into unreleased and rare material. This allowed them to gather strength, preparing for the release of their next, highly anticipated, 14th full-length studio album: Pro Xristou.

Pro Xristou (‘Before Christ’ in Greek), serves as a fervent tribute to the last Pagan kings who resisted the onslaught of Christianity, guarding their ancient values and knowledge. In this thematic odyssey, intricately woven through tracks such as ‘The Apostate’ and ‘Ygdrassil’, Rotting Christ delves into the legacies of historical figures such as Flavius Claudius Julianus and Nordic mythological kings, embodying the might of Pagan wisdom in the face of Christian adversity. The album encapsulates the essence of Rotting Christ’s signature style – melodic, yet harsh at times – reinventing themselves yet again, while remaining rooted in their 35-year legacy.

Line-up:
Sakis Tolis - Guitar, Vocals
Themis Tolis - Drums
Kostas "Spades" Heliotis - Bass
Kostis Fouk - Guitar

Biography:
Sébastien J. Gamez

Follow Rotting Christ:
Official Website: https://www.rotting-christ.com/en/
Facebook: https://www.facebook.com/rottingchristofficial/
Instagram: http://www.instagram.com/rottingchristofficial/
Twitter (X): https://twitter.com/athanatoieste/
YouTube: https://www.youtube.com/user/RottingChristOfficia/
Bandcamp: https://rottingchristofficial.bandcamp.com/
Apple Music: https://music.apple.com/artist/rotting-christ/28441629/
Spotify: https://open.spotify.com/artist/7FhkwcO8Jd7BRWdllBpXBJ/

AGENBITE MISERY Announce New Single “Cascara Sagrada” from Forthcoming Debut Remorse of Conscience

Extreme-metal visionaries AGENBITE MISERY return with their newest single, “Cascara Sagrada,” a ferocious and intricately constructed piece that showcases the band’s most adventurous writing to date. The track serves as the latest preview of their debut full-length Remorse of Conscience, a concept album that adapts every chapter of James Joyce’s Ulysses into a standalone sonic experience.

Originally the final composition written for the record, “Cascara Sagrada” stands apart with its non-traditional structure, technical ambition, and uniquely dissonant atmosphere. Drawing heavily from avant-extreme acts like Pyrrhon and Convulsing, the single embodies the unsettling tension and warped melodicism that defines the band’s sound.

Lyrically and conceptually, the song adapts “Calypso,” the fourth episode of Ulysses, introducing protagonist Leopold Bloom as he navigates a sequence of mundane morning rituals. AGENBITE MISERY push this banality into sinister territory, using repetition, structural distortion, and grinding dissonance to reflect the bleak monotony simmering beneath everyday life. Motifs recur like intrusive thoughts, constantly familiar, perpetually destabilized.

Musically, “Cascara Sagrada” traverses a bold and unpredictable arc: a sludgy, odd-meter opening riff with sliding guitars and angular drum phrasing; a Slint-inspired indie-rock passage filled with tense chord voicings; a plunge into a psychedelic black-metal spiral; an unconventional solo section featuring core-leaning chugs, an explosive drum showcase, and a dissonant death-metal guitar lead; and finally, an extended crescendo of supreme dissonance, slowing in tempo as the band grinds between two unnerving chords, culminating in an uncomfortably powerful resolution.

The lyrics mirror this escalating unease. The opening lines reference Bloom’s domestic tasks (“Kidneys were in his mind”) before spiraling into the concept of metempsychosis, the novel’s core theme of spiritual migration across identities and histories. A spoken-word interlude draws directly from Joyce’s depiction of Bloom in the bathroom, injecting dark humor amid the turmoil. The climactic section erupts into a fever-dream vision of biblical desolation and ancestral dread. The final vocal barrage (“Grey horror seared his flesh / Cold oils slid along his veins…”) pushes the song to a visceral emotional peak.

With Remorse of Conscience, AGENBITE MISERY carve out a singular artistic space where literary modernism and extreme metal collide with startling clarity. “Cascara Sagrada” offers a vivid glimpse into the album’s ambition. The song presents a transformative, genre-defying journey through one of literature’s most challenging works, reimagined through a lens of sonic extremity.

About AGENBITE MISERY:
AGENBITE MISERY is a New Hampshire-based trio that fuses literary ambition with the visceral force of experimental metal. Formed in 2022 by guitarist Sam Graff, bassist Cam Netland, and drummer Adam Richards, the band emerged from a shared academic background in literature and a mutual devotion to the most extreme and boundary-pushing corners of heavy music.

At its core, AGENBITE MISERY is a project rooted in transformation. Their work doesn’t merely incorporate influences, it dismantles them, reshapes them, and recontextualizes them within a vision that is as cerebral as it is punishing. Their sound weaves together elements of black metal, sludge, death metal, post-punk, ambient, and noise rock, unified not by style but by intent: to confront, to immerse, and to challenge.

Individually, the members bring a history of musical experimentation: Sam Graff and Adam Richards were longtime collaborators in the avant-garde project UNDER GREEN SUNS and the Boston metalcore outfit VICARIUM, while Cam Netland previously fronted the Connecticut stoner/black metal band COAGULATE. Together, they’ve forged something entirely distinct, a collective voice that draws from their diverse histories but refuses to be defined by any one genre or scene.

AGENBITE MISERY exists at the edge of metal and the margins of modern art, translating abstract ideas into concrete sound with unrelenting force. Whether performing live or recording in isolation, their ethos remains constant: dig deeper, aim higher, and never repeat what has already been done.

AGENBITE MISERY is:
Sam Graff – Guitars / Vocals / Synth
Cam Netland – Bass / Vocals
Adam Richards – Drums / Vocals

Connect with AGENBITE MISERY:
Bandcamp: https://agenbitemisery.bandcamp.com
Facebook: https://www.facebook.com/profile.php?id=61574211514876#
Instagram: https://www.instagram.com/agenbitemisery/?hl=en
YouTube: https://www.youtube.com/channel/UCwjOZilhkqTRkZHpJJwlbhw
Spotify: https://open.spotify.com/artist/6dYQgCtNvpvNWwfQ06LQQZ
Apple Music: https://music.apple.com/us/artist/agenbite-misery/1716987132
TikTok: https://www.tiktok.com/@agenbite.misery
Ampwall: https://agenbitemisery.ampwall.com/

Pennsylvania's Robin Ross & The Melodynes share 'Spill No Mo Wine', heralding new album

Pennsylvania-based outfit Robin Ross & The Melodynes present 'Spill No Mo Wine', a fun-loving single born from a high-spirited gathering on Lake Huron. Straight from the bottle right to your dancing feet, this track captures the energetic atmosphere of friendship and celebration, using a humorous mishap as a metaphor for resilience when life's plans briefly spill out of control.

Anchoring the band's sophomore 'Mind Space' album, scheduled for release in early 2026 via RPM Entertainment, here the band infuses classic rock with modern pop sensibilities in the spirit of The B-52s, with a side of Tony and even The Pretenders.

Robin Ross & The Melodynes is not just about music - it's about big fun between like-minded artists, including Wharton Tiers, JoJo Ellen Gaetani, Katlyn Albrecht, Nancy Isola, TW Howell, Emery Rhodes, Joe (Bass) Torres and Tony Anniello. Their collective good vibes cannot help but seep into the music, carrying over to their listeners.

'Mind Space' was recorded at Baa Baa Leaf Music Studio in Milford, PA, which straddles the border between Pennsylvania and New Jersey. Ross produced and engineered this album, along with famed engineer Jonathan Duckett (Phillip Glass, Kenny G, David Sanborn). Not long ago, Ross released 'Back To The Forest', the debut EP as Robin Ross & The TW Howlers, a songwriting project with storied folk-rock artist TW Howell, which received critical acclaim and airplay in dozens of countries. 

"'Spill No Mo Wine' came to be on the shores of Lake Huron on the Bois Blanc Island in Michigan. There upon the bowling-ball-shaped rocks, wearing flip-flops, I composed this with a guitar in one hand and one big carafe-sized glass of wine in the other.  I sat down, put the wine carefully on a rock and began playing, when this riff started. I took one more sip of wine, put it down and it fell off the rock, spilling the wine completely into the soppy sand," explains Robin Ross.

"But the glass held firm and didn't break. Deciding to finish the riff, I put it back on the rock and looked into it for inspiration. Then came the hook, chorus and a special break. In good spirit, I returned to the house for a refill and played the song for our friends. The song is about grit and how, sometimes, best laid plans can vanish in one quick moment."

With musical roots in New Jersey and New York dating back to 1988, Robin Ross has established himself in the bustling artistic community of Milford, PA, A musician, songwriter, and producer with diverse musical endeavours spanning over three decades, he has released five albums and played a pivotal role in creating several recording studios, including Triple R Studios and Sound Complex near New York City. Ross' current recording studio, Baa Baa Leaf Music Studio, continues to expand.

In the early 1990s, Robin co-founded the band Laughing Jack, later rebranded as Jack’s Maze, who gained acclaim for a progressive rock sound reminiscent of such icons as Pink Floyd and Led Zeppelin. But, as occurs for many artists, life and business took him in a different direction. In 2021, with rekindled passion, Robin embarked on new projects, including both of the aforementioned projects. Robin also regrouped with Jack's Maze members Frank Cinquegrana, Scott Cowan, and Joe Torres to create new progressive rock albums. The Forecast is predicting a new Jack's Maze album in the Spring of 26'.

As of December 1, 'Spill No Mo Wine' is available via the artist's website and from fine digital platforms, including Apple Music, Spotify, Amazon and Bandcamp.

CREDITS
'Spill No Mo Wine' written by Robin Ross
Performed by Robin Ross, JoEllen Gaetani, Wharton Tiers, Katlyn Albrecht
Robin Ross - guitar, bass, keys, back vocals
JoEllen Gaetani - back vocals
Wharton Tiers - drums
Katlyn Albrecht - vocals
Recorded at Baa Baa Leaf Music Studios (Milford, PA)
Produced and Mixed by Robin Ross
Supervising Engineer: Jonathan Duckett
Photography & videos by Tina Ross
Album design by Tina Ross
Publishing & booking: RPM Entertainment Enterprises, LLC
Publicity by Shameless Promotion PR


Keep up with Robin Ross // Robin Ross & The Melodynes
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ANTI-SAPIEN Release New Single "At the Mercy of the Merciless," Announce New Album

ANTI-SAPIEN unleash their brand new single and official music video for “At the Mercy of the Merciless”, the crushing title track from their upcoming EP due January 16 on Terminus Hate City. 

“At the Mercy of the Merciless” represents a powerful turning point for ANTI-SAPIEN, showcasing a darker, heavier, and more deliberate side of the band. Built around a massive mid tempo groove and anchored by a pounding rhythmic backbone, the track pulls listeners into a spiraling examination of modern life under algorithmic manipulation and economic domination. The lyrics dissect how society has become divided and immobilized, trapped in echo chambers while the wealthy few exploit the chaos. It is both a warning and a rallying cry, sharpened by the band’s trademark blend of death metal intensity and crust punk grit.

The video released today amplifies the song’s message with stark imagery that reflects the disorientation and isolation at the heart of the track. ANTI-SAPIEN have always approached their music with a raw honesty, and this visual companion pushes that commitment even further, matching the song’s heaviness with a bleak and direct look at the systems that grind people down.

Already a standout within the band’s live set, the single marks the first official preview of the upcoming EP and sets the tone for what listeners can expect in January. The band’s sound has evolved significantly since their debut, and “At the Mercy of the Merciless” captures that growth with a tighter production, heavier atmosphere, and even more pointed lyrical focus.

About ANTI-SAPIEN:

ANTI-SAPIEN formed in Brooklyn in 2021 and grew quickly from a loose pandemic experiment into a touring force known for filthy death crust riffs, sweat soaked shows, and a message that cuts through the noise. The band began as a way for friends to blow off steam and write ugly, fun songs that blended their love of D beat punk, death metal, grind, and the classic New York slam tradition. What surprised them was how quickly audiences connected to not only the heaviness but the honesty. Kids responded to the riffs but also to the moments between songs where the band spoke openly about inequality, exploitation, and the systems that grind people down. That connection pushed ANTI-SAPIEN to take the project further, tighten their sound, and hit the road hard across the United States and eventually through Australia, Korea, and Japan.

Over time the band’s lineup shifted into the current form of Blake Charlton, Alex Fewell, Ryan Murphy, and Nathan Rand, all seasoned musicians with long histories in heavy music. Their combined backgrounds in bands like Ramming Speed, Black Mass, Soul Remnants, and others helped shape the sound into something both raw and disciplined, equal parts crust punk grit and death metal precision. They have played festivals like NEDM Funtime Bonanza and the NYDM International Fest, building a reputation for fast sets, filthy tones, and a refusal to shy away from uncomfortable truths.

ANTI-SAPIEN operate with a clear sense of purpose. They are proudly anti fascist, openly political, and committed to calling out abuses of power while keeping their shows rooted in community and catharsis. The band writes music that is catchy and disgusting, equal parts sewer filth and adrenaline, and they deliver it with the conviction of people who believe heavy music can be fun while still saying something worth hearing. Audiences continue to grow each tour, fueled by the band’s willingness to merge riffs, rage, humor, and a perspective shaped by lived experience.

ANTI-SAPIEN is:

Blake Charlton – Guitar and Lead Vocals
Alex Fewell – Drums
Ryan Murphy – Bass and Backup Vocals
Nathan Rand – Lead Guitar

Connect with ANTI-SAPIEN:

Website: terminushatecity.com
Bandcamp: https://anti-sapien.bandcamp.com/music
E Shop: https://anti-sapien.bandcamp.com/merch
Facebook: https://www.facebook.com/AntiSapienBand/
Instagram: https://www.instagram.com/antisapienband/
YouTube: https://www.youtube.com/@antisapienband
Spotify: https://open.spotify.com/artist/4qq4lPjBPdNmudoOk1CfRZ
Apple Music: https://music.apple.com/us/artist/anti-sapien/1679779909

Morgan Wallen to Release Limited-Edition ‘I’m The Problem’ CD Zine

After teasing a book containing a letter from his dad during an interview with Apple Music’s Kelleigh Bannen earlier this year, Morgan Wallen announced the limited-edition I’m The Problem CD zine in reference will be available to fans beginning December 19. Pre-order now HERE. 
 
The limited edition, 100-page, glossy-cover zine includes interviews with Wallen – as well as producer Joey Moi, producer/songwriter Charlie Handsome, songwriter Blake Pendergrass and the heartfelt opening letter from Tommy Wallen – along with never-before-seen photos, lyrics from all 37 tracks and I’m The Problem on 2-Disc CD. Together, the perspectives offer an inside look at the making of Wallen’s 12-week Billboard No. 1 album, I’m The Problem, directly from those who created it.
 
As Wallen reflected on working with his collaborators in the book, he shared, “I don't really write songs unless Charlie [Handsome] is involved at this point in my career. Blake Pendergrass is another guy who's been added into the fold over the last couple years, and I think he's one the best songwriters in Nashville. I feel fortunate to have those types of guys helping me with the process. Once you figure out what you're shooting for, you get in a rhythm of writing with those guys, and it really is fun.” 
 
I’m The Problem arrived May 16, 2025 via Big Loud/Mercury Records and spent 12 non-consecutive weeks atop the Billboard 200 albums chart and 13 non-consecutive weeks at No. 1 on the Billboard Canadian Albums chart. It became Wallen’s third consecutive album to spend at least 10 weeks atop the Billboard 200 – making Wallen the first artist in history to achieve that feat.
 
Internationally, the album debuted at No. 1 in seven countries upon release and became Wallen’s first album to debut at No. 1 on the UK Official Charts, making him one of only five artists to debut at summit with a country album. In Australia, I’m The Problem became the longest-running No. 1 album by a country artist in 10 years, with three consecutive weeks atop the ARIA albums chart, while “What I Want (feat. Tate McRae)” spent five weeks at No. 1 on Australia’s Country Airplay chart.

About Morgan Wallen:
Morgan Wallen sets the pace in, and beyond, country music – with Billboard calling him “one of the biggest stars in the music world right now” and The New Yorker adding “[he’s] popular on a scale that seems to circumvent genre entirely.” With 20 No. 1 singles at Country radio, 19 Billboard Music Awards to-date, 198 weeks spent atop Billboard’s Top Country Albums chart (the most in country music history), the highest selling country tour under his belt and more, Wallen has propelled country music to a global level in less than five years.
 
Wallen’s fourth studio album, I’m The Problem, available now via Big Loud / Mercury, debuted at No. 1 globally across seven countries; while his preceding albums – Dangerous: The Double Album and One Thing At A Time – have remained in the top 10 of the Billboard 200 chart for more than 100 weeks each, making him the first artist ever to achieve that feat. I’m The Problem – which Hits Daily Double observes is “a 37-song cycle of self-reckoning” – has already yielded five No. 1’s at Country radio, including the title track, which remained at No. 1 for eight weeks. Wallen also broke his own record for the most simultaneous entries in Billboard Hot 100 History, with 37 songs charting on release week.
 
After recently concluding his 20-stadium-show 2025 I’m the Problem Tour in September, Wallen is readying his 23-stadium show Still The Problem Tour for 2026. Kicking off April 10 with two consecutive nights at U.S. Bank Stadium in Minneapolis, the run will include stops at four major college football stadiums: Clemson’s Memorial Stadium, Florida’s Ben Hill Griffin Stadium, Michigan’s Michigan Stadium and one night only at Alabama’s Saban Field at Bryant-Denny Stadium.
 
Wallen donates a portion of every ticket sold to his Morgan Wallen Foundation — which supports programs for youth in the areas of sports and music. More at MorganWallenFoundation.org.
 
MorganWallen.com | Facebook | Instagram | TikTok | Twitter/X | YouTube

Ponte Del Diavolo Uncork First Intoxicating Spell from 'De Venom Natura'

Fresh off of leaving a mark on their fiery debut, Ponte Del Diavolo are fanning the flames with their upcoming second album. De Venom Natura pushes the band’s potent blend of black metal and post-punk into an intoxicating trance. Forged in the fires of the band’s ritualistic performances at Roadburn and Inferno Festival, lead single, “Spirit, Blood, Poison, Ferment!”, distills its poisonous essence into a feverish hymn of decay and rebirth.  

“This song was among the first written for our new album”, says Ponte Del Diavolo. “It powerfully marks the transition from our previous work to now. Featured guest Francesco Bucci of Ottone Pesante adds apocalyptic nuances that intensify the song’s atmosphere”.  

Watch the video for “Spirit, Blood, Poison, Ferment!” Below:

De Venom Natura comes out February 13, 2026 on Season of Mist

Pre-order & Pre-save

https://orcd.co/pontedeldiavolovenomnatura

“Spirit, Blood, Poison, Ferment!” encapsulates the potency of Ponte Del Diavolo’s patented blackened post-punk. Erba del Diavolo’s enchantments slither beneath spiky riffs, entangled bass lines, a ritualistic pounding of drums and curious bursts from Bucci’s trombone.

The song’s video was filmed and edited by Underroom Studio and stars Davide Straccione. Along with being the vocalist for Shores of Null, Straccione is a long-time friend and collaborator of Ponte Del Diavolo. He first appeared on the band’s debut album, Fire Blades from the Tomb, where he contributed guest vocals to their cover of “Weeping Song” by Nick Cave & The Bad Seeds.

After two years on the road - appearing at leading European festivals such as Roadburn and Inferno in support of their debut - Ponte del Diavolo return with “De Venom Natura,” a record that extends and refines their musical boundaries.

Line-up:
Erba del Diavolo — Vocals
Khrura Abro — Bass
Kratom — Bass
Nerium — Guitar
Segale Cornuta — Drums

Production Credits:
Recorded at The Deepest Sea, Turin, Italy.
Produced & Engineered by Danilo Battocchio.
Mixed by Danilo Battocchio at The Deepest Sea.
Mastered by Magnus Lindberg at Redmount Studios, Stockholm, Sweden.

Guest Musicians:
Francesco Bucci
Sergio Bertani
Vittorio Sabelli
Gionata Potenti

Cover Art:
Francesco Dossena (https://www.instagram.com/facciobruttefacce/)

Follow Ponte Del Diavolo:
Bandcamp: https://pontedeldiavolo666.bandcamp.com/
Facebook: https://www.facebook.com/PontedelDiavolo/
Instagram: https://www.instagram.com/pontedeldiavoloband/
YouTube: https://www.youtube.com/@pontedeldiavolo3847
Spotify: https://open.spotify.com/artist/4mAfr0B2wgIFbVBUAv9btD/
Apple Music: https://music.apple.com/artist/ponte-del-diavolo/1639072320
Deezer: https://www.deezer.com/artist/179497657
Tidal: https://tidal.com/artist/33773763

ARISING EMPIRE MEDIA ALERT: New Release from Lionheart

California's metallic hardcore titans Lionheart are back and hitting harder than ever with their brand-new single "Bulletproof" — a ferocious statement track that marks the beginning of the next chapter for the band. Groove-heavy, razor-sharp, and fueled by the Oakland outfit's trademark intensity, "Bulletproof" captures everything that has made Lionheart one of the most dominant forces in modern hardcore: Pure aggression, anthemic gang-shouts, and a swagger that could only come from the West Coast.
 

The release of "Bulletproof" also kicks off the official pre-orders for Lionheart's new album Valley of Death II, set for release on January 9 via Arising Empire.

Serving as the sequel to their 2019 record Valley of Death, the new album promises to be heavier, darker, and even more unrelenting.

Now, after officially re-signing with Arising Empire, Lionheart are charging into their next era with renewed force. Their return to Europe in January 2026 for a massive headline tour — joined by Madball, Gideon, and Slope — will showcase exactly why this new chapter with Arising Empire marks a decisive and powerful step forward.

Catch the band live in Europe.

Watch the "Bulletproof" music video Below.

SYLOSIS - Announce 2026 Studio Album 'The New Flesh' + Drop Crushing-As-Hell Title Track

Today, SYLOSIS have revealed the first details of their seventh studio album, titled The New Flesh, slated to drop on February 20th 2026 via Nuclear Blast Records.

The collosal tetrad featuring Josh Middleton (guitar/lead vocals), Ali Richardson(drums), Conor Marshall (guitar) and Ben Thomas (bass), have also unleashed a god-tier single, the album title track 'The New Flesh'.

SYLOSIS stated,
"Introducing The New Flesh. This is us solidifying the line up of the band and moving forward with a new sense of purpose and aggression. After having spent so much of the last 2 years on the road, The New Flesh, and the songs that will follow from the album, have been written with the live environment in mind. There is an energy running through these songs that we’ve never felt on a Sylosis album, until now. We'll see you all in 2026 - Josh, Ali, Ben, Conor"

Pre-order album The New Flesh here: https://sylosis.os.fan/
Watch 'The New Flesh' video Below:
Stream 'The New Flesh' track here: https://sylosis.os.fan/

Across January and February 2026, SYLOSIS will be tearing across the UK and Europe for their biggest ever tour.

Tickets on-sale now via https://sylosis-band.com

SYLOSIS will also be touring North America across April and May 2026 with BLEED FROM WITHIN, GREAT AMERICAN GHOST & LIFE CYCLES Full dates are here:

NORTH AMERICA 2026
w/ BLEED FROM WITHIN, GREAT AMERICAN GHOST & LIFE CYCLES

02.04 - Worcester MA, The Palladium
03.04 - Montreal QC, Theatre Beanfield
04.04 - Toronto ON, Opera House
06.04 - Philadelphia PA, Theatre of the Living Arts
07.04 - Lakewood OH, The Roxy
08.04 - Millville PA, Mr Smalls
10.04 - Detroit MI, St Andrew’s Hall
11.04 - Grand Rapids MI, Elevation
12.04 - Chicago IL, House of Blues
14.04 - Minneapolis MN, Varsity Theatre
15.04 - Lincoln NE, Bourbon Theatre
17.04 - Englewood CO, Gothic Theatre
19.04 - Boise ID, Shrine Social Club
20.04 - Seattle WA, The Crocodile
21.04 - Portland OR, Hawthorne Theatre
22.04 - Roseville CA, Goldfield Trading Post
24.04 - Los Angeles CA, The Regent Theatre 
25.04 - Pomona CA, The Glass House
26.04 - Phenoix AZ, Crescent Ballroom
28.04 - Austin TX, Come and Take It Live
29.04 - Dallas TX, Granada Theater 
01.05 - Tampa FL, The Orpheum
02.05 - Atlanta GA, The Masquerade (Hell)
03.05 - Greensboro NC, Hangar 1819
05.05 - Richmond VA, Canal Club
06.05 - Baltimore MD, Nevermore Hall
07.05 - New York NY, Gramercy Theatre

Tickets on-sale now via https://sylosis-band.com

When the going gets tough, metal gets heavier. SYLOSIS have always been devoted to the fine art of breaking necks, but in recent times, the urgency of their mission has grown exponentially. Still surfing on a wave of acclaim and the effusive fan response to their last album, 2023’s A Sign Of Things To Come, Josh Middleton’s virtuoso wrecking crew are poised to release their latest and best album, The New Flesh. A towering testament to destructive riffing, incisive melody and refined brute force, the band’s seventh full-length offering is a powerful showcase for the state of SYLOSIS in 2025: lethal, uncompromising, and avowedly metal as all hell.  

The New Flesh is a fearsome statement of renewed intent. Harder, heavier and more ruthless than its predecessor, it is full of the kind of explosive, riff-driven anthems that guarantee carnage in the pit. But this is no exercise in mindless bludgeon: instead, Josh Middleton has penned his most evocative and thought-provoking songs to date. From the punishing grooves and breakneck viciousness of the opening 'Beneath The Surface', to the epic conflagration of album closer 'Seeds In The River', The New Flesh is an artful and nuanced take on the pure metal that SYLOSIS hold close to their hearts. This is brutality and catchiness in perfect symbiosis.   

Dark and destructive, but dynamic and diligent, SYLOSIS are on blistering, career-best form on The New Flesh. The purposeful reset that began with The Sign Of Things To Come has evolved into something unstoppable, and the band’s latest work brims with confidence and authority. If it’s skull-shattering, 21st century heavy metal you want, The New Flesh brings it like never before.  

MICHAEL MONROE New Video/ Single ‘DISCONNECTED’ OUT NOW New Album – OUTERSTELLAR – OUT FEBRUARY 20

Michael Monroe releases the irresistibly anthemic second single ‘Disconnected’ from forthcoming new studio album Outerstellar, set for release on February 20th via Silver Lining Music. For pre-orders go to this location.

‘Disconnected’ speaks of something that Michael Monroefeels passionately about: that live music is a rare and vital space for people to find each other in the moment.

“Technology was supposed to bring people closer together, when, in fact, people are more disconnected than ever. They're looking at their phones and their computers and downloading stuff” comments Michael Monroe. “And, you know, the Internet can't take away the experience of being at a live show. You're on stage, and you communicate with the audience who are there, in that moment. That's where the magic really happens, and absolutely no program or device or computer can reproduce that!”

Watch/Listen to ‘Disconnected’ Below;

The new album Outerstellar, is an experience as much as a collection of great songs, a sweet smelling, leathery, glitter-shimmered, sweat-soaked raunch and punch wrapped in one of the great voices in rock ‘n’ roll. The harmonies and vibes roll effortlessly in silk scarves, lounging in leather pants with liquor and a smile on a beat-up sofa in those small AM hours. And the sheer attitude, which screams carefree (not careless!) confidence (not arrogance!), a cocksure sense of self-bathed in the sheer joy of playing real rock ‘n’ roll the right way.

The recently released first video and single, ‘Rockin’ Horse’, is a defiant blast against critics and judges and comes with one of the craziest Michael Monroe videos you’ve ever seen. “I am who I am and I'm not going to edit myself for your benefit,”Michael says unequivocally for anyone who might doubt that fact.

Watch/Listen to ‘Rockin’ Horse’ here – video by Leigh Brooks.

From loud crashing guitars to harmonicas, to gorgeous acoustic moments, you’ll sing, you’ll dance, you’ll shiver, you’ll shake, and you’ll smell this wonderful exhilarating record in all its weathered biker jacket incense-coated glory and you’ll also realize that whatever the hell is going on in the world right now, when you put this album on, it’s an instant escape to carefree days and an emancipation from worries, fears and woes.  

Outerstellar will see a whole burst of life onstage when Michael Monroe and the band bring it to stages internationally over the next year. It is EXACTLY what rock ‘n’ roll in its truest sense is meant to be, in fact, just stop reading this, get off your ‘Rockin’ Horse’ and go see Michael Monroe on tour at your first opportunity! In support of the release of Outerstellar, Michael Monroe and band will embark on a UK co-headline tour with Buckcherry, kicking off in Southampton on February 24th. For a full list of upcoming shows and tickets visit: michaelmonroe.com – more dates to be announced.

Outerstellar will be available on Limited Edition 12” White Vinyl, 12” Turquoise Vinyl, 12” Black Vinyl, CD Digipak, Digital Download, Streaming and special D2C bundles. Available to pre-order now at this location 

Band Line-Up:

Michael Monroe - Lead vocals, Harmonica

Steve Conte - Guitars, Vocals

Rich Jones - Guitars, Vocals

Karl Rockfist - Drums

Sami Yaffa - Bass, Vocals

Follow Michael Monroe:

www.facebook.com/michaelmonroeofficial 

www.x.com/michaelmonroe 

www.instagram.com/michaelmonroeofficial

www.michaelmonroe.com/web/

www.tiktok.com/@officialmichaelmonroe 

RYAN AND RORY TURN EMPTY ROOMS INTO COUNTRY GOLD WITH "LAWN CHAIR IN THE LIVING ROOM"

BBR Music Group/BMG Nashville’s rising duo Ryan and Rory cap off a milestone year with “Lawn Chair In The Living Room,” available everywhere this Friday, November 28. Pre-add/Pre-save HERE.

Written by Ryan Follesé, Rory John Zak, Andy Albert, Trannie Anderson, and Kevin Bard, the song paints a vivid picture of what life looks like before finding that person who turns a house into a home. With easy charm and a dose of self-deprecating humor, the duo reflects on bachelor-life décor – a cable box on the floor, a lawn chair in the living room – and how love changes everything from the furniture to the feeling of belonging.

“Rory had a difficult breakup early this year,” says Ryan Follesé. “And then he came home to an empty house… a circumstance that, to songwriters, inspires a great song title: 'Lawn Chair In The Living Room.'"

“I decided to turn heartbreak into interior design, at least that’s what a guy would call it,” laughs Rory John Zak. “Ryan and I, along with our co-writers, thought this was the perfect time to turn lemons into lemonade.”

Following standout releases including “Together Again (feat. Jamey Johnson)” and “Girls Are Pretty,” the new release marks the final chapter in Ryan and Rory’s 2025 run, a year defined by breakout momentum and a packed tour schedule. Their chemistry, storytelling, and humor continue to shine through as they close the year sharing the stage with John Morgan and the James Barker Band across the U.S. and Canada.

2025 TOUR DATES | Tickets HERE
Nov 24—Lethbridge, Canada*
Nov 26—Medicine Hat, Canada*
Nov 27—Calgary, Canada*
Nov 28—Denver, CO~
Nov 29—Colorado Springs, CO~
Nov 30—Grand Junction, CO~
Dec 4—Great Falls, MT~
Dec 5—Spokane, WA~
Dec 6—Tacoma, WA~
Dec 7—Portland, OR~
Dec 9—Roseville, CA~
Dec 10—San Diego, CA~
* - James Barker Band dates
~ - John Morgan’s Friends Like That Tour

KEEP UP WITH RYAN AND RORY

WEBSITE | INSTAGRAM | TIKTOK | YOUTUBE | FACEBOOK

VRSTY to Celebrate 5-Year Anniversary of "Cloud City" EP With New Acoustic EP + Band Shares "Shameless (Acoustic)"

Genre-blending and bending New York City-based collective VRSTY (pronounced "Varsity") are celebrating the five-year anniversary of their Cloud City EP with a twist.

The band will drop the four-song Cloud City (Archives) EP on December 12. It features acoustic renditions of three of the EP's original tracks ("Dig," "Pathos," and "Shameless"), giving these classic songs a fresh, reimagined flavor. 
 

The new EP also features an acoustic version of "YOU & I." While this song was does not appear on the original Cloud City EP that dropped via Spinefarm in 2020, it was written during that period of the band's history and is, well, from the VRSTY archive.

Pre-order the Cloud City (Archives) EP here.

Today, the band has shared "Shameless" (Acoustic). Listen Below. 

"I've always loved the kinda 'heavy softness that 'Shameless' had and always thought it would be cool to explore that more," says singer Joey Tyler. "I think I went into it with that mentality at first but then also just wanted to do this as a thank you for everyone who has supported 'Shameless' and Cloud City for so many years. After all, that song was the very FIRST time anyone ever listened to us and gave us a chance."

VRSTY will hit the road, supporting Fire From the Gods this coming winter. All dates are below.

VRSTY ON TOUR:
1/22 — Austin, TX — Come and Take It Live
1/23 — Haltom City, TX — Haltom Theater
1/24 — Oklahoma City, OK — 89th Street
1/25 — Tulsa, OK — The Shrine
1/28 — Atlanta, GA — The Masquerade (Purgatory)
1/29 — Winter Park, FL — Conduit
1/30 — Jacksonville, FL — Jack Rabbits
1/31 — Columbia, SC — New Brookland Tavern
2/01 — Richmond, VA — Canal Club (Downstairs)
2/03 — Philadelphia, PA — The Foundry at The Fillmore
2/04 — Clifton, NJ — Dingbatz
2/05 — Brooklyn, NY — The Meadows
2/06 — Lowell, MA — Taffeta Music Hall
2/07 — Syracuse, NY — The Song & Dance
2/10 — Pittsburgh, PA — Crafthouse
2/11 — Columbus, OH — King of Clubs
2/12 — Cadillac, MI — Venue Event Center
2/13 — West Chicago, IL — WC Social Club
2/14 — Madison, WI — The Annex
2/15 — Minneapolis, MN — Underground Music Venue
2/17 — Denver, CO — HQ
2/19 — Los Angeles, CA — The Whisky A Go-Go
2/20 — Anaheim, CA — The Parish at House of Blues
2/21 — Las Vegas, NV — The Wall at Area 15

1349 Streams Full Performance Video for 'Winter Mass' Concert via Black Metal Promotion

True Norwegian black metal horde 1349 is now streaming the full performance of their 'Winter Mass' concert via Black Metal Promotion! The concert was captured on November 20, 2021 in the band's hometown of Oslo (NO) at the venue Parkteatret. Fans can now watch the entire set below.

'Winter Mass' will be released on November 28, 2025 via Season of Mist on vinyl, CD, and audio downloads; pre-orders can be found HERE.

1349 has also recently been announced among the first wave of bands to take the stage at next year's edition of Beyond the Gates Festival. The epic four-day metal event will take place once again in the heart of Bergen (NO) from July 29 - August 1, 2026. Tickets are available HERE.

The cover artwork and layouts for 'Winter Mass' were created by Kim Diaz Holm. The Norwegian artist has captured more than 2,000 concerts, often while standing to the side of the stage. Holm has worked with larger-than-life artists like Abbath but developed a special connection with 1349 after drawing them at both Inferno Festival and Hulen in 2012. Over the past 13 years, he has continued to document the band's incendiary live shows and even designed their merch. What he's created for Winter Mass draws fans even closer to fire. Sketched while he was headbanging in the pit, these drawings leap off the page with the same raw, dark spirit as their muse.

With their signature aural hellfire, 1349 embodies the original spirit of black metal.  

Unhappy with the direction the genre took during the mid-90s, in 1997, vocalist Ravn formed the 1349 with like-minded bassist Seidemann. The band’s current lineup – which is bolstered by guitarist Archaon and Frost (who also drums for Satyricon) – has been in place since 2001. Over the past two decades, they have ignited major European festivals such as Wacken Open Air and Hellfest with their fiery performances and toured internationally with the likes of Cannibal Corpse and Carcass. Each of their eight studio albums have been inspired by the same guiding principal: to bring back the grimness, the eeriness and the primal emotions of Norwegian black metal.

Now, fresh from the ashes of their eighth album, The Wolf & The King, 1349 are releasing a new live album. Though recorded shortly after pandemic lockdown was lifted, 'Winter Mass' explodes out the gates with the band’s signature aural hellfire. This hour-plus set, recorded at Oslo's Parkteatret, enraptured their home crowd with apocalyptic spells from across their discography’s massive cauldron of chaos. Early classics like “Sculptor of Flesh” thrash with unchained madness. Recent favorite "Striding the Chasm" whips by at a blistering pace that could only be captured by cover artist Kim Diaz Holm, who drew the album’s artwork while headbanging in the pit.   

"I will always be here / In all ways in all times", snarls Ravn on hellacious cut "I Am Abomination". After three decades and counting, what was once a proclamation is now a testament to 1349's enduring firepower. 

Experience aural hellfire live in the flesh back where it all began with 'Winter Mass.'

Live Line-up

Archaon - Guitars

Destructhor - Guitars

Frost - Drums

Ravn - Vocals

Seidemann - Bass

Recording:

Parkteatret, Oslo on November 20, 2021

Production Credits

Producer & Sound Engineer - Hugo Alvarstein

Mixing Studio - Alvarstein Mix & Mastering Studio Oslo Norway

Mixing Engineer - Hugo Alvarstein

Mastering Studio - Alvarstein Mix & Mastering Studio Oslo Norway

Mastering Engineer - Huge Alvarstein

Cover + Layout Artist:

Kim Holm

Pre-Order // Pre-Save: https://orcd.co/1349wintermass

Links:

Official Website

Facebook

Instagram

X

Apple Music

Spotify