Jenna Paulette Jumps ‘Back In The Saddle’ with New Tour + Deluxe Album (Arriving 1/30)

After learning the ropes of navigating a career and newfound motherhood in 2025, Leo33 rising country artist Jenna Paulette is jumping Back In The Saddle with a 26-date tour in 2026, with more shows to come. To celebrate, Paulette will also release a deluxe version of her sophomore album, Horseback, on January 30. Pre-save Horseback (Deluxe) HERE. 
 
“This tour is appropriately named. At the end of 2025, I finally felt like I was finding my footing again after becoming a mom and getting through the first year of parenthood,” Paulette reflects. “A lot of last year was spent figuring out how to get back in the saddle in every area of my life. I can’t wait to be on the road again and a lot more in 2026. It’s gonna be a ride.”
 
The Back In The Saddle Tour is underway now, and includes stops at the legendary Gruene Hall in New Braunfels, Texas as well as new cities, including Milwaukee, Wisconsin; Tulsa, Oklahoma; Greenville, South Carolina and more. Tickets are available at JennaPaulette.com. 
 
Consisting of 20 tracks, Horseback (Deluxe) contains all 13 tracks off the original album, which was released in 2024, starting with “Wild Is Her Favorite Color,” celebrating the freedom that comes with living authentically, before delving into “3 Kings,” a tip of her hat to the three kings that have influenced her lifestyle, “King George, King Ranch, King James.”
 
The album intertwines upbeat tracks, including previously released “Outside” and “Run The Damn Ball,” harkening back to the values of grit and hard work that Paulette has come to embody, with empowering “Darlin,’” which signals the redemption of love lost and found again.
 
Paulette also finds a new spin on tracks in her duets with longtime friends and collaborators on “The Dirt,” “Chasin’ Whiskey” and “The Prophet (Grandaddy’s Song);” featuring John Morgan, Jake Worthington and Ashley McBryde, respectively. 
 
While Paulette took a step back from touring in 2025, her business endeavors continued to expand with the launch of her Sunrise and Sunset Boots collection with Justin Boots, as well as a new Fall collection of her women’s rangewear line with Ely Cattleman, CowboyGirl. To learn more, visit JennaPaulette.com.

Back In The Saddle tour dates: 
Jan 24 // New Braunfels, Texas // Gruene Hall *co-headlining with Jesse Raub Jr. 
Jan 31 // Tulsa, Okla. // Mercury Lounge
Feb 1 // Kansas City, Mo. // Knuckleheads
Feb 3 // Venice, Neb. // Buck’s Bar and Grill
Feb 4 // Davenport, Iowa // Raccoon Motel
Feb 5 // Yorkville, Ill. // Law Office Pub & Music Hall
Feb 6 // Milwaukee, Wis. // Shank Hall
Feb 7 // Clinton, Wis. // BOXCARS Pub & Grub
Feb 14 // Dunn, N.C. // Bird’s Nest Listening Room
Feb 15 // Greenville, S.C. // Doc’s Tavern
Feb 19-21 // Alpine, Texas // Lonestar Cowboy Poetry Gathering
Feb 26 // Fort Worth, Texas // Rhinestone Saloon
March 7 // Conroe, Texas // Table at Madeley
April 1 // Decatur, Ga. // Eddie’s Attic
April 2 // Nashville, Tenn. // Chief’s on Broadway *co-headline with Sammy Arriaga
April 11-16 // Galveston, Texas // Rock the Coast
April 23 // Corpus Christi, Texas // Brewster Street Icehouse
July 11 // Woodland Park, Colo. // America’s Mountain Festival

About Jenna Paulette:
A CMT Next Women of Country honoree and an Apple Music’s Country Riser, singer-songwriter Jenna Paulette – a cowgirl who came of age amid the gritty realities of ranch life – is part of Nashville’s growing wave of female artists who are rewriting the rules and charting their own paths. Paulette settled in Nashville in 2015, where she struck up a mentorship with Ashley Gorley – a veteran songwriter with 80+ No. 1 tunes under his belt – which ultimately led to her publishing deal with Sea Gayle Music in June 2021. Since collaborating with songwriters Will Bundy, Rhett Akins, and Jessie Jo Dillion, as well as opening for Mason Ramsey, Parmalee, John Michael Montgomery, Clay Walker, and most recently Aaron Watson, Paulette has landed brand partnerships with Justin Boots, Boot Barn, Ely Cattleman, and Ranch Water.
 
With the arrival of her debut album The Girl I Was in 2023, Grammy.com remarked the project as “transformative,” noting it “fuses the sounds of [Shania] Twain and Miranda Lambert, tackling mental health with the somber ‘You Ain’t No Cowboy’ and waxing philosophical on ‘Country In The Girl.’” She continued to spotlight her authentic Western lifestyle with the launch of her Cowboygirl line with Ely Cattleman and performing the national anthem at the National Finals Rodeo two years in a row. Paulette recently signed with independent label Leo33. Paulette’s sophomore album, Horseback, is available everywhere now as Horseback (Deluxe) arrives January 30, 2026. For more information, visit www.jennapaulette.com.

Poison the Well Announce New Album "Peace In Place" + Share "Thoroughbreds" Video

POISON THE WELL released the definitive album The Opposite of December... A Season of Separation in December 1999 and it went on to become a benchmark of the genre that has inspired a generation of bands. The album was chosen as one of the "15 '90s Metalcore Albums That Still Resonate Today" by Brooklyn Vegan; as one of the "21 Best U.S. Metalcore Albums of All Time" by Kerrang!; as one of the "25 Best Metalcore Albums of All Time" by Loudwire; and as one of the "Top 60 Best Hard Rock Albums of All Time" by Revolver. Its influence is indisputable.

But the band is not content to rest on the laurels of its past achievements, as mighty as those achievements are.

Today, PTW announce the March 20 release of PEACE IN PLACE, their first album in 16 years.   It will arrive via SharpTone Records. Pre-order it here. 

They are also sharing the video for "THOROUGHBREDS."

Watch it Below:

The song boasts all the hallmarks fans have come to know, love, and expect from Poison the Well — introspective lyrics, urgent riffing, massive breakdowns that cause tectonic plates to shift, and soaring melodies.

"Joining Poison the Well at 18 and chasing music shaped how I approach life," says singer Jeffrey Moreira. "Coming back 16 years later — unsure if I could still do what I once left behind — only reinforced how strong our bond is and how much this band has given me. I'm grateful to do this again with my friends, and to share a record made with honesty, intention, and connection at its core."

Regarding the new song "THOROUGHBREDS," he says, "Beasts of burden are hard to break—not because they're strong, but because they're stubborn. 'Thoroughbreds' is about realizing that some lifelong bonds don't fail early; they fail after you believed they were there to stay."

As for the album as a complete body of work, the singer shares. "Peace In Place is probably the most pissed record we've ever made. After stepping away from Poison the Well,  it felt like all the emotion from that time — frustration, heartache, disappointment — compressed into something heavy and unavoidable. But anger isn't what drives us. Connection is. Sometimes that connection starts in darker places, and having an outlet for those emotions is how we find our way forward. This record lives across that entire spectrum. It’s about turning something negative into something honest, putting it into the world, and realizing that even in anger, we’re still capable of moving forward, relating to each other, and finding some form of peace—if not happiness, then at least a place to stand."

PTW also collaborate with Frank Maddocks (Linking Park, Deftones) on the Peace In Place cover art.
 
POISON THE WELL ARE:
Jeffrey Moriera — Vocals 
Ryan Primack — Guitar
Vadim Taver — Guitar 
Christopher Hornbrook — Drums 
Noah Harmon — Bass

ABOUT POISON THE WELL:
In the space of barely a breath, Poison the Well pacify fits of jarring brutality with moments of fragile beauty. Their unmistakable melodic hardcore gently dilutes the effects of trauma, betrayal, depression, and loss with hard-won wisdom and diligently earned self-acceptance. For as much force as they commit to the riffs and the breakdowns, there’s an equal amount of naked emotion encoded in their relatable hooks. At this point, they are unassumingly, yet undeniably embedded in the DNA of modern metal and hardcore. Poison The Well’s 1999 debut, The Opposite of December… A Season of Separation has claimed spots on Brooklyn Vegan's 15 '90s Metalcore Albums That Still Resonate Today; KERRANG!'s 21 Best U.S. Metalcore Albums of All Time; Loudwire's 25 Best Metalcore Albums of All Time; and Revolver's 10 Most Influential Metalcore Albums of All Time. Stereogumput it best, "The Opposite of December… A Season of Separationinfluenced a whole generation of metalcore bands." Meanwhile, 2003's You Come Before You remains regarded among Metal Hammer's 100 Greatest Metal Albums of the 21st Century and Rock Sound's 250 Greatest Albums of Our Lifetime. Despite going on hiatus following 2009's The Tropic Rot, the group's influence has only expanded over the years (as evidenced by over 100 million streams across their catalog). After touring in 2015 and 2021, they've commemorated milestone birthdays of both You Come Before You and The Opposite of December... with in-demand headline jaunts. Once again, the members felt an intense need to create as a unit. Rallying together, the guys channeled the spirit of their most celebrated material through a prism of new experience on their sixth full-length offering, Peace In Place.

Post-Rock Trio Jagged City Share "Ocean East, Ocean West" Video

Post-rock band Jagged City, featuring Jake Woodruff (Defeater) and Carlos Torres (former touring member of Explosions In The Sky) have unveiled their new single "Ocean East, Ocean West." This is the second single taken from their debut EP, There Are More of Us, Always, to be released on January 30 via Pelagic Records.

Watch the visualizer Below.

Stream HERE.

There Are More of Us, Always is a bold collection that moves between spacious, melodic guitar passages and raucous, swelling climbs. With heartfelt, melodious songwriting, a diverse range of eclectic touches buried within, and eruptions of dense, layered sound, this record delivers wonderfully balanced compositions through raw and personal production.

The project began as a cross-continental art experiment between Woodruff and Torres. What started as a simple exchange of ideas quickly found real shape through collaborative composition and thoughtful arrangement. Early sessions with David Haik helped refine the song structures and drum frameworks, setting the groundwork for what would become Jagged City's striking debut.

"We wrote with pure instinct, just tried to add something new to a genre that we love. As we traded ideas, we took some left turns and incorporated elements that may be unexpected," commented Woodruff.

When it came time to record, scheduling issues led to an inspired change of plans. Urian Hackney joined the project both behind the kit and behind the board, engineering and performing the drum parts that propel the record. In two intense days at The Box studio in Burlington, Vermont, Jake and Urian captured the core of the album with an immediacy and urgency that remain audible in every take. 

Carlos recorded bass in Los Angeles alongside longtime musical colleague Michael James (Explosions In The Sky), while Jake added further guitar textures from his home studio, creating layers that thread the compositions together.

This debut is both a statement of intent and an open invitation: Jagged City offer music that rewards close listening and communal experience—an instrumental journey shaped by collaboration and a fierce commitment to feeling. While still post-rock, There Are More of Us, Always utilizes a diverse range of influence, giving a freshness to each uniquely realized track.

"This record is a product of collaboration and love and creativity - we hope it inspires people to be connected and think collaboratively and creatively together. That's the only way forward," concludes Woodruff.

JAGGED CITY ARE: 
Jake Woodruff — guitar
Carlos Torres — bass
Urian Hackney — drums & production
Featuring Takaakira Goto as guest guitarist on "Deluge in a Paper Cup"

MØL RELEASE CATHARTIC NEW SINGLE/VIDEO 'CRUSH'

As Danish alt-metal visionaries MØL count down to the release of their eagerly awaited new album DREAMCRUSH on 30th January via Nuclear Blast Records, the band unveil 'CRUSH', a powerful new single that sharpens the focus on what promises to be their most immersive body of work yet. Arriving as MØL prepare to take DREAMCRUSH on the road across Europe and the UK throughout February, 'CRUSH' follows singles 'Garland' and 'Young', offering another glimpse into the emotional intensity that defines their new record.

Check out the video for ‘CRUSH’ Below:

Listen to 'CRUSH' here: https://moel.bfan.link/crush

Pre-order and listen to DREAMCRUSH here: https://moel.bfan.link/dreamcrush

Guitarist Nicolai Busse comments on the new single, "CRUSH encapsulates in many ways the dichotomy we as a band always have sought to balance, the journey between melancholy and jubilee, uplifting beauty and devastation. 

"It is a gradual change or undoing of the known over time. The gravitational push and pull between the individual and the world. An acceptance of the many grey days, the mundane. Right there in the embrace of the chaos within the nuances of blues and yellows - we might discover small hints of slow emerging greens. Of beginning growth.” 

With their third studio album now just weeks away, MØL continue to push deeper into their own creative world. DREAMCRUSH balances the band’s sharpest, most jagged edges with soaring alt-rock hooks, exploring the fragile space between dreams and reality and how aspiration can both carry us forward and slowly consume us. By weaving melody into even their most aggressive moments, MØL emerge with their most explosive, soul stirring work to date.

Following on from the critically acclaimed Jord (2019) and Diorama (2021), MØL’s latest opus sees their sound continue to evolve as they embrace new horizons - as a band and as individuals. Drawing on influences including My Bloody Valentine, Cocteau Twins and Smashing Pumpkins, the album explores recurring themes of belonging, resilience and finding home within oneself. DREAMCRUSH arrives with a renewed sense of confidence, acceptance and vigour.

Recording took place over several months in Frederik Uglebjerg’s Aarhus studio, allowing the band to shape the album gradually. Vocalist Kim Song Sternkopf explores his baritone register, delivering lyrics in Danish and English that reflect personal introspection and a revisitation of past events. Guitar solos by Nicolai Busse elevate the emotional journey, while abstract, Emil Nolde-inspired artwork by Daniel Owen at Nemesis Design (Sleep Token, Architects, BFMV, TesseracT) and photography by Rolf Meldgaard visually complement the album’s exploration of dreams, reality and emotional reconciliation.

Fans can soon experience the album live as MØL embark on a headline tour across Europe and the UK throughout February with support from Tayne and Cold Night For Alligators, promising shows that translate the album’s intensity into a visceral, unforgettable performance.

Comments vocalist Kim Song Sternkopf, "It feels incredible to bring DREAMCRUSH out into the world, not just through the record, but by stepping back onto stages across Europe and the UK. This will be our second headline run and it honestly feels like a new and thrilling chapter for us in MØL.

"The songs on DREAMCRUSH explore how our hopes and ideals can both lift us up and break us apart. Performing them live will be like tearing up that dream to the crowd, fragile, heavy and luminous all at once. 

"We’ve also been lucky to bring along two incredibly solid acts who embody that same spirit in their own ways: TAYNE, with their raw, industrial noise-pop energy and Cold Night for Alligators, who channel this beautifully intricate and emotional strain of alternative metal from Copenhagen. Together, we plan to bring you dynamic and compelling sets each night across Europe and the UK. We can’t wait to see everyone again!"

Tickets are available here: https://ffm.live/moeldk-tour

MØL are:

Ken Lund Klejs - drums
Holger Rumph Frost - bass
Kim Song Sternkopf - vocals 
Sigurd Kehlet - guitars 
Nicolai Busse - guitars

MØL online: 
Facebook | Instagram | Linktree | Nuclear Blast  

Alkaloid Release Classic New Version of "The Fungi From Yuggoth"

Even among progheads, Alkaloid are metal's maddest scientists. While testing the boundaries of extremity, the progressive death metal supergroup have explored what lies beneath the Antarctic crust and discovered a galactic civilization that ascends to god-like levels of domination. But on their upcoming live album, the band conduct a one-of-a-kind experiment that only a true maestro can perform. Bach Out of Bounds brings revered classical composer Johann Sebastian Bach in conversation with the heaviest of underground arts.  

Today, Alkaloid are releasing the third and final advanced single from Bach Out of Bounds. Even though the original proved to be a stroke of genius, this new classical version of "The Fungi From Yuggoth" emerges as a real live beast. 

"This performance captures the essence of Bach Out Of Bounds", says Morean, Alkaloid's chief composer. "'The Fungi From Yuggoth' is a pure death metal track, but this version is enhanced by five-string violin and cello with an extended improvisation section."   

Watch Alkaloid perform "The Fungi From Yuggoth" Below.

Bach Out of Bounds - Live in the Netherlands comes out January 23, 2026 on Season of Mist

Pre-order 
https://orcd.co/alkaloidbachoutofbounds

Pre-save on Spotify
https://open.spotify.com/prerelease/2pWtSI1XiPBUoM0TLenyKV?si=VX7Qw3CEQ5ec26ubrYgJiA&nd=1&dlsi=a691e08dbd9948ed

Available Formats
CD Digipack
2x12" Vinyl Gatefold 

Can’t wait until release day? Hear all of Bach Out of Boundsbefore the album comes out during this week’s Bandcamp Listening Party

Alkaloid Bach Out of Bounds Bandcamp Listening Party

Wednesday, January 14 @ 1:30 pm Eastern Time

RSVP

https://alkaloidsom.bandcamp.com/merch/bach-out-of-bounds-listening-party

With Bach Out of Bounds, Alkaloid deliver a classically innovative performance as only a true maestro can.

Lineup:
Morean — Vocals, Guitar
Hannes Grossmann — Drums
Linus Klausenitzer — Bass
Justin Hombach — Guitar
Max Blok — Guitar

Guest Musicians:
Max Blok — Guitar
Rianne Wilbers — Soprano
Chrysa Tsaltampasi — Soprano
Julija Hartig — Violin
Oene van Geel — 5-String Violin
Marieke Hopman — Accordion
Ketevan Roinishvili — Cello

Recording Credits:
Recorded live in The Netherlands at Bibelot (Dordrecht) & Paard van Troje (The Hague).
Front of house engineer: Laurens Voois

Production Credits:
Produced by Alkaloid.
Mixed by Hannes Grossman at Mordor Sounds, Germany.
Mastered by Victor Bullok at Woodshed Studio, Germany.

Songwriting Credits:
Music for "Allegro", "Adagio - All Is Vanity" and "Agnus Dei" written by Johann Sebastian Bach.
Music for "Cthulhu" written by Morean and Hannes Grossman.
Music for "Beneath the Sea" and "Haunter of the Void" written by Morean.
Music for "A Fool's Desire" written by Hannes Grossman.
Music for "The Fungi from Yuggoth" written by Christian Münzner.
Lyrics to "Adagio - All Is Vanity" based on "Es ist alles eitel" by Andreas Gryphius and adapted by Morean.
Lyrics to "Agnus Dei" taken from John 1:29.
Lyrics to "Beneath the Sea", "Cthulhu", "Haunter of the Void", "A Fool's Desire" and "The Fungi from Yuggoth" written by Morean.

Pre-order & Pre-save:
https://orcd.co/alkaloidbachoutofbounds

Pre-save on Spotify:
https://open.spotify.com/prerelease/2pWtSI1XiPBUoM0TLenyKV

Available Formats:
CD Digipak (Hand-numbered & Limited to 1,000 copies)
2x12" Vinyl Gatefold (Hand-numbered & Limited to 500 copies)

Follow Alkaloid:
Website: https://alkaloid-band.com/
Bandcamp: https://alkaloid-band.bandcamp.com/
Spotify: https://open.spotify.com/artist/4KMQDFaAsPEKcqKzdvkYKc
Apple Music: https://music.apple.com/artist/alkaloid/368935306
YouTube: https://www.youtube.com/c/Alkaloidbandmetal
Facebook: https://www.facebook.com/alkaloid.metal
Instagram: https://www.instagram.com/alkaloid_metal/
Twitter: https://twitter.com/AlkaloidBand

Mayhem Drop "Life Is a Corpse You Drag" Video

Mayhem, the defining pioneers of black metal return with their seventh studio album, Liturgy of Death.

With this release, Mayhem further solidify their standing as one of the most unyielding forces in extreme music. Now more than four decades into their career, they turn their focus toward the unavoidable presence of mortality.

Liturgy of Death explores the philosophy of mortality with stark, uncompromising clarity. The album presents death not as an ending, but as a universal law that touches all life and exposes the fragility of human existence. This impermanence becomes a call to live with full intensity, for every gain and loss ultimately falls back into the same silence. Echoing ancient philosophies, the album portrays life as a transitional state and death as a gateway to a higher form of being, while the solemn, dark beauty of death permeates the entire work.

Stream new single "Life Is a Corpse You Drag" HERE.

Mayhem's Attila comments on the new track, "'Life Is a Corpse You Drag' is not a slogan, but a ritual and a realization. It names an ancient law: Consciousness as burden, the body as vessel, faith as a seal on a grave already closed. There is no comfort in this recognition but there is release. If we have been dead all along, there is nothing left to lose. What remains is pure energy: Movement without fear, presence without compromise, a victorious march into the final destruction."

Pre-order Liturgy of Death HERE.

With Necrobutcher, Hellhammer, Attila, Morten Bergeton Iversen, and Ghul locked into a unit tighter than ever, Liturgy of Death celebrates Mayhem's own legacy, a continuation of the raw and uncompromising sound that defined their beginnings. The result is a merciless record — dark, fast, and unrelenting — that captures the band in their most dangerous and vital form. 41 years since their formation in Langhus, Mayhem remain a defining force in Norwegian black metal, continuing to shape the sound they helped create.

MAYHEM LINEUP:
Attila — Vocals
Ghul — Guitar
Hellhammer — Drums
Necrobutcher — Bass
Morten Bergeton Iversen — Guitar

NYC Heavy Metal Icons Prong to Release New Live Album "Live and Uncleansed" on 3/6

There's one thing that most people readily agrees on: Live concerts are the icing on the cake for musicians and fans alike. Every show is a very special experience and sometimes even creates an almost magical performance. Such moments are beyond explanation; you just have to be there to believe it or, in a best-case scenario, have them recorded for posterity — as American Metal act Prong have done with their latest live album. 

It is exactly what guitarist/vocalist Tommy Victor and bandmates Christopher Dean (bass) and Tyler Joseph (drums) have achieved on Live And Uncleansed.

 Recorded over seven nights in July and August 2025, they are now ready to present 11 powerful live songs, plus three live bonus tracks, all pure and unadulterated, authentic and honest, which is the reason why the result is so incredibly captivating.

 "We were really well rehearsed, this is truly a live (!) record, everything is as is," explains Victor, proudly adding: "You can hear some of the little mistakes here and there, but that makes it cool!"

PRE-ORDER LIVE AND UNCLEANSED — OUT MARCH 6 — HERE

Status Quo's Francis Rossi Shares Double Single "Push Comes To Shove + November Again"

Francis Rossi kicks off 2026 in emphatic style with two brand-new songs, released as a digital double single and taken from his long-awaited new studio album The Accidental, out January 30.

"Push Comes To Shove" bursts with energy, grit and Rossi's unmistakable guitar sound, while "November Again" turns a melancholy refrain into a soaring, catchy chorus. Both tracks capture the founding Status Quo frontman in full flow: Confident, energized, and recalling the sound that made him a cornerstone of British rock.

The Accidental was born from spontaneous studio sessions with guitarist Hiran Ilangantilike and co-producer Andy Brook, resulting in a vibrant album that sounds immediate, alive and free of expectations.

Together, with the previously released tracks "Something In The Air (Stormy Weather)" and "Go Man Go," the new songs "Push Comes To Shove" and "November Again" set the tone for what promises to be one of Francis Rossi's most exciting solo releases to date.

The Accidental finds Francis Rossi once more at the top of his game, delivering a searing yet thoughtful collection of rockers that will please anyone who likes their heavy cut with melody and verve.

Listen to the "Push Comes To Shove" + November Again" Below.

Pre-Order The Accidental HERE.

"For anyone who liked any of my solo albums previously," says Francis Rossi, "… well, I've no idea what you'll make of this one because it's a real departure, but I love it. It's loud, the guitars are right to the fore, and there are some great songs there."

JASON ALDEAN RELEASES THREE NEW SONGS AHEAD OF SONGS ABOUT US APRIL 24 ALBUM RELEASE

Multi-platinum award-winning artist and reigning country powerhouse Jason Aldean continues the rollout of his upcoming album, Songs About Us, with the release of three new tracks today. The songs offer fans a deeper look into the emotional breadth of his new 20-track album and includes Aldean’s long-awaited duet with his wife. “Easier Gone” featuring Brittany Aldean, “Her Favorite Color” and “What’s A Little Heartache” are available now ahead of the official release of Songs About Us on April 24, 2026. Pre-add, pre-save, pre-order HERE.

“This album is about real life,” shared Aldean. “The highs, the lows, and everything in between. Every song started from a real place, and when it all came together, I realized these really are songs about all of us.”

Coinciding with the new music, Aldean, a two-time nominee at the 2026 iHeartRadio Music Awards, appears as the January cover star of Nashville Lifestyles, reflecting on family, longevity, and the personal experiences shaping this next chapter of his career. The feature mirrors the heart of Songs About Us, an album rooted in real-life stories and the music that defines him. To read his cover story, visit here.

Today’s release follows the November announcement of Songs About Us and the surprise drop of “Help You Remember,” “Hard To Love You,” and “Lovin’ Me Too Long,” along with Aldean’s current Top 10-and-climbing single, “How Far Does A Goodbye Go.” Songs About Us follows the reigning ACM Artist of the Decade’s last album, Highway Desperado, which earned him his first career Billboard Hot 100 chart-topping hit and his 30th career #1 at country radio.

Over the past two decades, Aldean has built a remarkable career with 13 Top 10 country albums, 30 No. 1 hits at country radio, and a chart-topping Billboard Hot 100 hit. Recently honored with a SoundExchange Hall of Fame Award for being one of the most-streamed artists of all time, the multi-platform headliner also spearheaded CBS’s New Year’s Eve 2026: Nashville’s Big Bash, performing live for millions across the country and debuting a new track from his upcoming album.

Aldean is set to continue his high-energy Full Throttle World Tour, which returns to the US next week (January 15) before kicking off its 2026 international run in New Zealand, where he will headline for the first time, and Australia, marking his long-awaited return after more than a decade.

For more information on Songs About Us, Full Throttle tour dates, and other Aldean updates, visit www.JasonAldean.com.

KEEP UP WITH JASON ALDEAN

WEBSITE | INSTAGRAM | TIKTOK | YOUTUBE | FACEBOOK | X

The Laughing Hyenas Announce New Anthology That Girl: Live Recordings 1986-1994 Out February 20th

If ever a band deserved an LP of live material, it’s the Laughing Hyenas. As Wolf Eyes’ Aaron Dilloway so eloquently put it, “The Laughing Hyenas were the scariest band I have ever seen.”

Though the band recorded three blistering LPs and an array of singles and EPs – much of which was reissued by Third Man in 2028 - before calling it a day, their true legacy lies in their brutal, unforgiving live performances, including countless headline runs, tours alongside Sonic Youth and Killdozer, and myriad college radio sessions across the country. That Girl – Live Recordings 1986-1994 now serves as a long overdue reminder of the Laughing Hyenas’s orgiastic power and one-of-a-kind gale-force fury.

https://thirdmanrecords.com/products/that-girl-live-recording-1986-1994

IRON SAVIOR Unleash Powerful Metal Cover Of “Relax”

Hamburg’s power metal pioneers IRON SAVIOR return with their brand-new single "Relax", a crushing metal reinterpretation of the legendary 80s hit by Frankie Goes to Hollywood.

Following their previously released covers of Irene Cara’s “Fame” and Alphaville’s “Forever Young”, the band once again proves their ability to transform iconic pop songs into uncompromising power metal anthems. “Relax” is the latest single taken from the upcoming album Awesome Anthems of the Galaxy, scheduled for release on March 27, 2026 via PERCEPTION – A Division of Reigning Phoenix Music.

Originally built on provocation and groove, “Relax” is reborn as a driving, riff-heavy anthem that turns restraint into raw energy. "Relax is one of my all time favorite non-metal song," IRON SAVIOR frontman Piet Sielck reveals. "It’s been on my mind for a very long time to do this and I really think, this version serves the original well. We did a good job in transferring the vibe and the energy of the original into the Iron Savior cosmos."

The band injects the track with soaring vocals, massive guitars, and their unmistakable melodic power, without losing the spirit of the original. With Awesome Anthems of the Galaxy, IRON SAVIOR prove once more that great songs never age - they just get heavier!
 
Stream / Download "Relax" at: https://ironsavior.rpm.link/relaxPR

After reigniting their cosmic engines with Machine World – Reforged in 2025, IRON SAVIOR embark on their boldest mission yet. “Awesome Anthems of the Galaxy” transforms some of the most iconic pop hits of the 1980s into full-throttle power metal epics, combining nostalgia, passion, and the band’s trademark precision and fire, proving that the past can shine brighter than ever when reforged in metal.

From the electrifying rush of A-ha’s “Take On Me” and the thunderous drama of Phil Collins’ “Against All Odds” to the cinematic pulse of Jermaine Jackson & Pia Zadora’s “When The Rain Begins To Fall” and the adrenaline-fueled “Maniac” by Michael Sembello, IRON SAVIOR turn pop classics into heroic, melodic metal anthems.

“After the huge success of the 2002 Condition Red bonus track “Crazy” (Seal), which was actually used in a HBO TV show, we have been asked by fans and medias almost constantly to do a complete cover tracks album," Sielck explains, and adds: "So… two decades later here we are!” quotes frontman Piet Sielck. “AWESOME ANTHEMS continues the transformation from pop-to-metal in Iron Savior style as started with Seal’’s “Crazy” and Eurythmics “Sweet Dreams. We are absolutely proud of the outcome, which never looses the original vibe of the tracks but yet is 100% Iron Savior. Just listen yourself.. I guarantee a lot of smiles while doing so!” 
 
Pre-order the album now at: https://ironsavior.rpm.link/awesomeanthemsPR

About IRON SAVIOR:
Forged in Hamburg’s metal heart, Iron Savior have been delivering their signature brand of powerful, melodic heavy metal for nearly three decades. Led by founder, vocalist, guitarist, and producer Piet Sielck, the band has become a cornerstone of the German power metal scene with their blend of high-octane riffs, anthemic choruses, and sci-fi storytelling.
 
For More Info Visit:
Website | Facebook | Youtube

MALEFIC Strike With “Blood Of The Throne,” A Ruthless Opening Statement From Impermanence

Blackened thrash force MALEFIC returns with ferocity intact on their new single, “Blood Of The Throne,” the opening salvo from their forthcoming full-length album Impermanence, due out February 13th, 2026 via Terminus Hate City. Pre-orders for Impermanence are available HERE. 

Starting the album with a bang, “Blood Of The Throne” is a blistering blackened thrash track driven by relentless high tempos and unyielding aggression. The song showcases each member of MALEFIC at their absolute limits, featuring extremely fast and precise guitar picking, overly ornate drumming, and a sharp command of leads, melodies, and harmonic interplay.

Lyrically, “Blood Of The Throne” confronts the struggles of capitalism and the systems of global control imposed on the masses. While its sentiment echoes the idea of slaying the monarchy, the focus is firmly on modern structures of power, including CEOs, members of Congress, and world leaders. Ironically, the song was originally written by former guitarist Cory, whose later political alignment moved in a drastically different direction. Despite that, the lyrics remain strikingly relevant, fitting both the desperation present in the music and the broader social climate. Regardless of where listeners fall on the American political spectrum, the message is clear. We all recognize the real demons in our society, we simply do not agree on the solution.

As a high-energy, hype-driven track, the band felt Impermanence had to begin with something uncompromising. “Blood Of The Throne” sends a clear message that MALEFIC is not here to ease listeners in. Originally intended to be the album title, the song instead lent its name and artwork to a four-song demo released on Bandcamp and later on cassette. Having existed since the band’s early days, the track has evolved significantly with the modern lineup.

The song builds tension through desperate, biting vocals before opening into a soaring melodic break reminiscent of classic 1980s heavy metal. It ultimately closes with a final verse and solo, turning what was once a somber, reflective ending into a decisive final statement. That choice reinforces the song’s core theme. Capitalism and global politics do not quietly fade out, they grind forward until there is nothing left.

A proven crowd-pleaser and one of the band’s favorite tracks to perform live, “Blood Of The Throne” is also among the most demanding songs in the MALEFIC catalog, particularly for the drummer and vocalist, due to the sheer intensity and density of every part.

About MALEFIC:
MALEFIC roared onto the Atlanta metal scene in 2007 with ambitions to modernize the black metal genre. With their tight riffs, tasty leads, and relatable lyricism, MALEFIC abandons cliches and defies traditional genre boundaries. Their special blend of black metal, drawing from thrash and death metal influences, appeals to metalheads across subgenres. They count OLD MAN'S CHILD, CARCASS, TESTAMENT, DISSECTION, and OPETH among their most prominent influences, offering a fresh, modern take on metal that is unrivaled in the United States.

Though they are set to release their very first full-length album, Impermanence, in 2025, MALEFIC boasts an impressive live performance history, having played shows with notable bands such as 1349, CRYPTA, and PROFANATICA. After a hiatus in 2009, the band eagerly picked back up where they left off and reformed with a new lineup. MALEFIC initially began work on Impermanence in 2018, taking their time to ensure that every detail accurately reflected their vision for their album. The band's hard work and dedication has culminated in a powerful debut, lovingly crafted by fans of nuanced, boundary-pushing music. 

MALEFIC lineup:
Jason Davila - Guitar
Aaron Baumoel - Drums, Vocals
Sam Williams - Guitar
Andy McGraw - Bass

Shields' New Single "Miss Me" Is Their Tribute to the Unbearably Tragic Loss of a Friend

NEW ALBUM DEATH & CONNECTION OUT JANUARY 30 — PRE-ORDER

Acclaimed British metalcore band Shields have released their new single and music video "Miss Me."

The song is taken from their upcoming studio album Death & Connection, to be released on January 30 via Long Branch Records. 

"We lost someone dear to us. This song is our tribute — a personal account of the unbearably tragic farewell to our friend, George Christie," the band says.  

Stream "Miss Me" and pre-order the album HERE.

"Our new album Death & Connection is a body of work born from the absence of the people who no longer hold space in our lives," comments the band. "This record was created from a necessity to express and soothe our deepest losses; however, that was never the intention — we simply set out to make an album we wanted to hear."

Watch the "Miss Me" music video Below.

Founded in 2012 by primary songwriters Joe Edwards (vocals) and Samuel Kubrick Finney (guitar/vocals), Shields quickly made an impact in the heavy music scene with their viral single "I Just Feel Hate" — a track they re-released in a newly reimagined version in April 2025. Their EP GUILT cemented their refined sound, blending brutal instrumentation with poignant, emotionally driven lyrics. With this release, they demonstrated an aggressive adaptability to the ever-evolving alternative music landscape, winning over fans from across adjacent genres. The momentum of their powerful breakthrough led to tour cycles alongside acts such as Loathe, Ice Nine Kills, and Escape the Fate.

Shields' debut full-length album Life in Exile (2018) received critical acclaim for its raw honesty and musical maturity. However, the album cycle was tragically cut short by the sudden passing of guitarist George Christie — an event that ultimately led to the band's untimely and abrupt disbandment.

Their return marks a bold decision, given the tragic circumstances surrounding their 2018 split. Yet, Shields re-emerge with powerful new tracks, inviting audiences to witness the next evolution of their sound - matured, refined, and fearless. This new chapter is supported by a fortified lineup, featuring founding members Joe Edwards and Samuel Kubrick Finney, now joined by Alastair Wain (drums) and Krishan Pujara (bass).

If Shields' discography is any indication of what lies ahead, audiences can expect a torrent of unrelentingly bold strides into new sonic territories.

More info about Shields on tour in the UK here.

SHIELDS ARE:
Joe Edwards — Vocals
Samuel Kubrick Finney — Guitar + Vocals
Alastair Wain — Drums
Krishan Pujara — Bass

Death Thrash Metal Outfit INTOXICATED Unleashes Vicious New Single, "Shifted Cross"

Florida death thrash metal outfit INTOXICATED will be unleashing their third full-length, 'The Dome,' on March 27, 2026 via Redefining Darkness! The band is now unleashing the vicious second single from the album, "Shifted Cross," which can be found below.

Vocalist/guitarist Erik Payne comments, "'Shifted Cross' was written for the puppeteers. The ones that hide in the night, the manipulative cowards. It's a reminder that we see them and to never get complacent. They as well can be pulverized where they snivelingly hide."

INTOXICATED is a thrash/death metal band from Altamonte Springs, Florida, originally formed in 1993. Led by vocalist and guitarist Erik Payne, the band quickly carved out a place in Florida’s extreme metal lineage, earning early mentorship from Death’s legendary Chuck Schuldiner. Rooted firmly in Florida’s storied death-thrash tradition, Intoxicated’s sound draws natural comparisons to Death, Sadus, and Obituary— as marked by unrelenting speed, sharp riffing, and concise, high-impact songwriting.

'The Dome' is now available for pre-orders in the USA HERE while it's available for the rest of the world HERE.

In addition, INTOXICATED is hitting the road tomorrow, December 5, in support of Obituary's Florida Swamp Tour 2. The trek will kick off in Destin, FL and make its way through the state until the final stops in Tampa, FL on December 13 - 14. The full itinerary can be found below while tickets can be found HERE.

The cover artwork for 'The Dome' was created by Celeste Payne.

Intoxicated is a thrash/death metal band from Altamonte Springs, Florida, originally formed in 1993. Led by vocalist and guitarist Erik Payne, the band quickly carved out a place in Florida’s extreme metal lineage, earning early mentorship from Death’s legendary Chuck Schuldiner. Their first run produced a trio of EPs—.08 (1994), Scars (1995), and Metal Neck (1997)—before releasing their third EP, Drain.

Following their initial rise, Intoxicated went on hiatus as Payne, along with Obituary’s Donald Tardy and Ken Andrews, joined the touring lineup for Andrew W.K. in 1999, a role they held for nearly two decades while performing around the world.

The band reactivated in 2019, returning with the Walled EP (2020) and their long-awaited debut full-length, Watch You Burn (2022). The album showcased the band’s signature blend of ragged thrash aggression and Florida-bred death metal grit. Featuring guest appearances from Ken Andrews (Obituary, ex–Andrew W.K.) and Tony Foresta (Municipal Waste), and produced, mixed, and mastered by Ryan Boesch (Foo Fighters, Andrew W.K.) at Candor Recording—formerly Morbid Angel’s headquarters—Watch You Burn reaffirmed Intoxicated’s place among fans of classic Kreator, Death, Obituary, Protector, and Devastation.

Now, Intoxicated is preparing to unleash their second full-length album, The Dome, on Redefining Darkness Records.

Rooted firmly in Florida’s storied death-thrash tradition, Intoxicated’s sound draws natural comparisons to Death, Sadus, and Obituary— as marked by unrelenting speed, sharp riffing, and concise, high-impact songwriting.

Lineup:

Erik Payne - Guitar/Vocals

John Sutton - Guitar

Shawn Clarson - Bass/Backing Vocals

Colin Vaccaro - Drums

Album credits:

Produced by Ryan Boesch and Erik Payne @ Candor Recording in Tampa Fl

Recorded, mixed and mastered by Ryan Boesch

Cover Artist: Celeste Payne

Formats:

CD

Vinyl

Digital

Pre-orders (Worldwide excl. USA): https://shop.redefiningdarkness.com/

Preorders (USA): https://tornfromthegrave.us/collections/intoxicated

Links:

Official Website

Bandcamp

Facebook

Instagram

YouTube

Spotify

Apple Music

The Hirsch Effekt Explore A Less Melancholic Theme With Video for Emotional Single "Die Brücke"

Today, German rock/metal trio The Hirsch Effekt present the new single "Die Brücke."

It's the third track released from the new studio album Der Brauch, which arrives January 30 via Long Branch Records.

"Meiner? Ebenso. Viel zu lange wach schon. Echt K.O. Und bei dir? Gehst du noch raus? Jetzt noch?"

"'Die Brücke' — matching the music — takes on a less heavy theme," says singer Nils Wittrock. "It's more of an every day scene. Two people meet at home after a long day and ask each other how it went. One decides to go straight to bed. The other chooses to keep working. Amidst the every day stress, the protagonist — realizing how much the close environment depends on him — tries to remain a safe harbor."

Watch the "Die Brücke" video Below. 

Stream the new single and pre-order the album HERE.

Since their formation The Hirsch Effekt have carved out a unique niche in the German-speaking music scene. Yet, despite — or perhaps because of — their elusiveness, the band has captivated a devoted audience. Musically, The Hirsch Effekt have always embraced limitless possibilities. Acoustic, introspective moments — where bassist Ilja John Lappin brings out his cello or guitarist Nils Wittrock returns to his classical roots — sit naturally alongside massive progressive metal onslaughts.

While earlier works, despite their diversity, were still labeled "metal albums," this new record explores paths first hinted at on the multilayered second album, Holon: Anamnesis — the same album that fans of VISIONS magazinevoted the only German-language entry among the 20 best albums of all time. Der Brauch can be seen as a return to that pivotal point - and simultaneously as a bold step forward. Drummer Moritz Schmidt doesn't entirely forgo blast beats, but the record demands a new heading. In the end, though, there is only one truth: It unmistakably sounds like The Hirsch Effekt.

THE HIRSCH EFFEKT ARE:
Nils Wittrock — Guitar, Vocals
Ilja John Lappin — Bass, Vocals
Moritz Schmidt — Drums, Vocals

SYLOSIS - Drop Devastating Second Single 'Erased' From Forthcoming Album 'The New Flesh'

Late last year, SYLOSIS almost left a rift in the cosmos with furious track 'The New Flesh'. Now they're back for blood, delivering devastating second single 'Erased'.

'Erased' is taken from their upcoming seventh studio album, The New Flesh, slated to drop on February 20th via Nuclear Blast Records. The New Flesh is a towering testament to destructive riffing, incisive melody and refined brute force.

SYLOSIS stated,
"Erased was one of the last songs to be written for the album. As we were approaching the deadline to get everything submitted there was a pressure there that really helped shape this song into something special. There's a massive chorus here and one of our favourite middle 8 sections that we've ever put together. We can't wait to play this one live."

Pre-order album The New Flesh here: https://sylosis.os.fan/
Watch the 'Erased' video below:
Stream 'Erased' here: https://sylosis.bfan.link/erased 

Across January and February 2026, SYLOSIS will be tearing across the UK and Europe for their biggest ever tour.

Tickets on-sale now via https://sylosis-band.com

SYLOSIS will also be touring North America across April and May 2026 with Bleed From Within, Great American Ghost & Life Cycles. Full dates are here:

NORTH AMERICA 2026
w/ Bleed From Within, Great American Ghost & Life Cycles

02.04 - Worcester MA, The Palladium
03.04 - Montreal QC, Theatre Beanfield
04.04 - Toronto ON, Opera House
06.04 - Philadelphia PA, Theatre of the Living Arts
07.04 - Lakewood OH, The Roxy
08.04 - Millville PA, Mr Smalls
10.04 - Detroit MI, St Andrew’s Hall
11.04 - Grand Rapids MI, Elevation
12.04 - Chicago IL, House of Blues
14.04 - Minneapolis MN, Varsity Theatre
15.04 - Lincoln NE, Bourbon Theatre
17.04 - Englewood CO, Gothic Theatre
19.04 - Boise ID, Shrine Social Club
20.04 - Seattle WA, The Crocodile
21.04 - Portland OR, Hawthorne Theatre
22.04 - Roseville CA, Goldfield Trading Post
24.04 - Los Angeles CA, The Regent Theatre 
25.04 - Pomona CA, The Glass House
26.04 - Phenoix AZ, Crescent Ballroom
28.04 - Austin TX, Come and Take It Live
29.04 - Dallas TX, Granada Theater 
01.05 - Tampa FL, The Orpheum
02.05 - Atlanta GA, The Masquerade (Hell)
03.05 - Greensboro NC, Hangar 1819
05.05 - Richmond VA, Canal Club
06.05 - Baltimore MD, Nevermore Hall
07.05 - New York NY, Gramercy Theatre

Tickets on-sale now via https://sylosis-band.com

When the going gets tough, metal gets heavier. SYLOSIS have always been devoted to the fine art of breaking necks, but in recent times, the urgency of their mission has grown exponentially. Still surfing on a wave of acclaim and the effusive fan response to their last album, 2023’s A Sign Of Things To Come, Josh Middleton’s virtuoso wrecking crew are poised to release their latest and best album, The New Flesh. A towering testament to destructive riffing, incisive melody and refined brute force, the band’s seventh full-length offering is a powerful showcase for the state of SYLOSIS in 2025: lethal, uncompromising, and avowedly metal as all hell.  

The New Flesh is a fearsome statement of renewed intent. Harder, heavier and more ruthless than its predecessor, it is full of the kind of explosive, riff-driven anthems that guarantee carnage in the pit. But this is no exercise in mindless bludgeon: instead, Josh Middleton has penned his most evocative and thought-provoking songs to date. From the punishing grooves and breakneck viciousness of the opening 'Beneath The Surface', to the epic conflagration of album closer 'Seeds In The River', The New Flesh is an artful and nuanced take on the pure metal that SYLOSIS hold close to their hearts. This is brutality and catchiness in perfect symbiosis.   

Dark and destructive, but dynamic and diligent, SYLOSIS are on blistering, career-best form on The New Flesh. The purposeful reset that began with The Sign Of Things To Come has evolved into something unstoppable, and the band’s latest work brims with confidence and authority. If it’s skull-shattering, 21st century heavy metal you want, The New Flesh brings it like never before.  

Cosmic Inheritance And Inescapable Darkness As PROFANE ELEGY Unveils “Immutable

Independent black metal band PROFANE ELEGY unveils “Immutable,” a stark and uncompromising new track that delves into the shadowed realities of human inheritance and cosmic fate.

“Immutable” explores the negative attributes, conditions, and pathologies that are etched into us at birth. It reflects on the idea that existence itself is governed by a cruel balance of blessing and curse, with cosmic luck determining the circumstances, traits, and burdens we are born into. While growth and transformation remain possible, the song confronts the unsettling truth that the darkness within us can never be fully erased, only understood and endured.

Musically, “Immutable” channels PROFANE ELEGY’s raw black metal intensity, pairing aggressive ferocity with a contemplative undercurrent that mirrors the song’s philosophical weight. The track stands as both a personal reckoning and a universal meditation on inevitability, decay, and the limits of escape.

“Immutable” is the latest preview from the forthcoming album Herezjarcha, set for release on January 30, 2026. With this release, PROFANE ELEGY continues to carve a path defined by bleak introspection, unfiltered emotion, and a relentless commitment to confronting the darker truths of the human condition.

For listeners drawn to uncompromising black metal that faces existence without illusion, “Immutable” offers a haunting glimpse into what awaits on Herezjarcha.

About PROFANE ELEGY

PROFANE ELEGY is a black metal band from Bangor, Pennsylvania, formed in late 2021 by guitarist J Gulick and vocalist Mikael L. Originally conceived as a two-man studio project, the band quickly evolved into a full lineup with the addition of bassist David G and drummer Sean M in 2023. What sets PROFANE ELEGY apart is their refusal to remain confined within genre boundaries—while rooted firmly in black metal, their sound incorporates elements of death, doom, and progressive metal, often enhanced by orchestral arrangements and clean vocals.

The band’s debut album When All Is Nothing (2023) was released independently and drew attention for its blend of atmospheric aggression and emotional vulnerability. The release earned praise for its ability to move fluidly between blistering speed and melancholic melody, with Doom Heart calling it “a massive Doom delight.” Following the album’s release, PROFANE ELEGY made their live debut and began performing across the northeastern United States, including a notable support slot for Dark Funeral in late 2024.

Lyrically, the band explores themes of nihilism, mortality, philosophy, and religious symbolism, often invoking figures like Satan not as dogmatic statements, but as metaphors in a broader spiritual and existential dialogue. Their work is poetic, introspective, and often challenges the listener to confront uncomfortable truths about life, death, and belief.

Their upcoming full-length album Herezjarcha, set for release in January 2026, represents the band’s most ambitious and expansive work to date. With a more dynamic sound, deeper orchestration, and a clear conceptual throughline, the record pushes their sonic and thematic boundaries further than ever before. The album title, the Polish translation of the English word heresiarch (meaning arch-heretic), encapsulates the spirit of the band: rebellious, introspective, and unafraid to question the sacred.

PROFANE ELEGY continues to forge a unique path within the underground metal scene. Blending bleak intensity with philosophical weight, they aim not just to be heard—but to be felt.

PROFANE ELEGY is:
 

• Mikael L – Vocals, Orchestration

• J Gulick – Guitars, Orchestration

• David G – Bass, Orchestration

• Sean M – Drums

Connect with PROFANE ELEGY:
 

• Bandcamp: https://profaneelegy.bandcamp.com/

• Facebook: https://www.facebook.com/people/Profane-Elegy/100092367915270/

• Instagram: https://www.instagram.com/profane_elegy/

• Twitter/X: https://twitter.com/profaneelegy666

• YouTube: https://youtube.com/@profaneelegy-23?si=OGKGak-ibt4gl7vK

• Spotify: https://open.spotify.com/artist/68ATD5yRmlH8jtbdZQzVFy?si=4THaO3qZRQaWLZUCvS4N1Q

• Apple Music: https://music.apple.com/us/artist/profane-elegy/1687009599

• TikTok: https://www.tiktok.com/@profaneelegy

All The Damn Vampires Close The Vicecore Story With New Single "Sunset Over The Final Chapter" Featuring Miles Dimitri Baker (Ice Nine Kills)

Los Angeles-based synthwave-meets-alternative-metal pioneers All The Damn Vampires drop "Sunset Over The Final Chapter" today, the album-closing track from their highly anticipated debut VICECORE (out February 6th). The single marks a pivotal moment for the project: the first proper introduction of guitarist and official live member, Miles Dimitri Baker (Ice Nine Kills) to All The Damn Vampires fans, and the emotional culmination of the story woven throughout the album.

Fans can stream "Sunset Over The Final Chapter" HERE, watch the live performance video Below, and pre-order VICECORE on vinyl .

Where previous singles "Last Man Standing" and "Into The Night" leaned into AI-generated visuals, "Sunset Over The Final Chapter" brings the band into sharp, tangible focus. The video splices smoky, neon-drenched band performance footage with cinematic shots of a young woman looking out over Los Angeles from the Hollywood Hills—a visual representation of the album's themes of longing, closure, and release. It's intimate and atmospheric, grounding the project's retro-futuristic world in raw human emotion.

Speaking on today's release. ATDV founder, songwriter, producer and guitarist - Davey Oberlin - shares

"'Sunset Over The Final Chapter' is not only our way of introducing guitar virtuoso Miles Dimitri Baker to our All The Damn Vampires listeners, but it closes out the story being told throughout our VICECORE album.It's the culmination of a delicate blend of synthwave and heavy that will define the direction going forward for ATDV."

Miles Dimitri Baker also adds

“So stoked on this track and video finally coming out. I really like how the solo turned out and it’s awesome to be doing something not only with my friends, but musicians I respect.”

Musically, "Sunset Over The Final Chapter" delivers everything that's made All The Damn Vampires compelling: vintage synthwave textures colliding with crushing alternative metal, industrial elements threading through the arrangement, and gut-punch beatdowns that hit like emotional catharsis. But it's Baker's incendiary guitar solo that elevates the track into something transcendent. Dripping with emotion and technical firepower, the solo showcases a different facet of his exceptional talent that may pleasantly surprise fans who are only familiar with his work in Ice Nine Kills. Powerhouse vocalist, Ryan Rose delivers one of his most vulnerable performances yet, his classically trained voice cutting through the dense production with raw intensity.

Throughout VICECORE, there's a story being told. A narrative that unfolds across reimagined covers (Benny Mardones' "Into The Night," Whitesnake's "Is This Love," Phil Collins' "In The Air Tonight," Cutting Crew's "(I Just) Died In Your Arms") and original tracks that blur the line between the two. "Sunset Over The Final Chapter" brings that story to its conclusion, leaving listeners to piece together the details themselves.

"Throughout the VICECORE album there is a story being told," Oberlin explains. "It's up to the listener to pinpoint exactly what is being told—we're just providing the paintbrush and canvas. This song closes out the story with subtle direction, where we see ourselves walking away from a day that never seems to end, finally letting this next sunset be its last."

Recorded over 18 months and entirely self-produced by Oberlin, VICECORE also features contributions from synthwave producer Sunglasses Kid on the title track and a blistering guitar solo from virtuoso Andy James on "Is This Love." The album's aesthetic draws from Miami Vice, hardcore merch culture, and Los Angeles gang imagery, filtered through Oberlin's deep love of film soundtracks and a childhood spent obsessing over Type O Negative, Korn, and Alice in Chains.

All The Damn Vampires has already carved out a lane at the intersection of heavy music and visual media. The project's music has appeared in cult horror film Terrifier 2, while Oberlin's collaboration with Avenged Sevenfold on a reimagined version of "Ordinary", which he produced and co-wrote, debuted via a secret Fortnite puzzle. With over 12.7 million cross-platform streams and 2.14 million YouTube views to date, All The Damn Vampires continues to build a world where nostalgia can be cinematic, crushing, and transformative.

ABOUT ALL THE DAMN VAMPIRES

All The Damn Vampires is more than a music project. It’s a cinematic world crafted by musician and producer Davey Oberlin. Built on a foundation of synthwave, goth metal, and cinematic sound design, the project evokes neon‑drenched cityscapes, emotional storytelling, and an unapologetic embrace of retro‑futuristic aesthetics.

Oberlin’s musical pedigree adds depth to the project. Having performed and toured with legendary acts like Korn, Five Finger Death Punch, and Winds of Plague, he brings a unique perspective that fuses heavy music sensibilities with lush, melodic synth textures. This balance of grit and atmosphere has become a hallmark of All The Damn Vampires.

The project’s reach has extended into visual media, with its music featured in films such as the cult‑favorite Terrifier 2, connecting the sound of All The Damn Vampires with horror and synthwave subcultures worldwide.

Further elevating the project, Oberlin collaborated with Avenged Sevenfold on a reimagined version of their song “Ordinary.” Serving as both producer and co‑writer, he infused their track with his distinctive sonic vision, melding synth‑pop vibrancy with the band’s powerful rock identity.

Whether crafting immersive soundscapes or collaborating with some of the biggest names in modern music, All The Damn Vampires continues to push boundaries. Delivering beautifully evocative music that’s as cinematic as it is unique and unforgettable.

Bizarrekult Haunt Hopes and Dreams on New Single “Drøm”

Without breaking, Bizarrekult continues to bend black metal’s traditions by honing its mastermind’s singular, tortured vision. Much like Roman V.’s two previous retreats into the studio, his upcoming third album slowly and painstakingly emerged from a deeply personal crisis. Only this time, he’s not alone in confronting all there is.  

Today, Bizarrekult is releasing the second advanced single from Alt Som Finnes (All There Is). While hounded by a familiar sense of dread, “Drøm” (Dream) escapes by following the mysterious call of Predatory Void and Cross Bringer vocalist Lina R. before the darkness closes in once more.

“Chased like a hunted beast, you run in haste, all your life, only to lose that crazy race”, Roman says about the inspiration behind “Drøm”. “It’s only in your dreams that you remember who you are and what your purpose is. Only in dreams are you yourself. But there is no place to hide when you are awake”.    

Watch the haunting video for “Drøm” below;

Alt Som Finnes comes out February 20, 2026 on Season of Mist Underground Activists.

Pre-order & Pre-save

https://orcd.co/bizarrekultaltsomfinnes

In keeping with Norwegian tradition, Alt Som Finnes (All There Is)maintains the manic energy of old-school black metal. Chased by frantic riffs and horrified screams, there’s no escaping “Drøm”. The song’s video brings its mental prison to life. A woman breaks free from her captor, only for him to hunt her down through the woods. But in a strange twist of fate invoked by Lina R.’s heavy, sighing incantations, she escapes once again. Or does she? As blast beats pound away at the dreamy passage carved out by the guitar melody, she’s left to ponder whether her scars will ever heal.    

“I was not ready for all this”, Roman says about Bizarrekult’s new album. “None of us are, when the time comes. But at the end of this journey, it seems to have all been worth it. The music gave me hints as to where to go and what can be”.  

The video for “Drøm” was directed by Natalia Drepina (@mourneress). It stars Pavel V. Boldyrev (@somebodyawful) and @dustofreason.

Line-up
Roman V. — Vocals
Ignat P. — Guitars & Bass
Alexander P. — Drums

Production Credits
Recorded at Seaside Room.
Produced, mixed & mastered by Miguel Tereso at Demigod Recordings, Portugal.

Guest Musicians
Yusaf "Vicotnik" Parvez (Dødheimsgard) — Vocals on "Blikket Hennes"
Lina (Predatory Void / Cross Bringer) — Vocals on "Drøm” (Recorded by Tim De Gieter)
Kim Song Sternkopf (Møl) — Vocals on "Tomhet"

Cover Art
Gravestench Art (https://www.instagram.com/gravestench_art/)

Photography
Radmila Volchenkova

Available Formats
CD Jewelcase

12” Vinyl (Black)

12” Vinyl (Purple, black and white marbled)

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NYC artist NEVARIS shares 'Ninth Sun - Live', previewing 'SoundSession' EP, involving BILL LASWELL

Manhattan-based artist Nevaris presents 'Ninth Sun-Live', the first offering from his new 'SoundSession' EP, a fruitful and soulful live recording that combines dub, funk, Afro-Latin rhythms, turntablism and extended improvisation. This follows his 2023 debut 'Reverberations' album, released via M.O.D. Reloaded, with the one and only Carlos Santana calling it "a work of supreme creativity”. 

A live studio recording from percussionist Agustín Nevaris, and a nine-piece ensemble that includes DJ Logic, Jonathan Maron, Angel Rodriguez, Will Bernard, Peter Apfelbaum,  Jojo Kuo, Lockatron and Matt Dickey, 'SoundSession' is the fourth collaboration between Nevaris, legendary bassist-producer Bill Laswell, and this lineup of musicians. 

Captured in Laswell’s Orange Sound studio in West Orange, New Jersey, this EP was recorded live in a single session on May 30th, 2023. Originally planned as a streaming virtual performance, the band scrapped that idea to instead focus on the simplicity of playing live with multiple cameras documenting the process. There were no edits or overdubs to the recording, and all instruments were captured synchronously in real time. The result is 'SoundSession'.

Recorded and mixed by James Dellatacoma and mastered by Michael Fossenkember at Turtletone Studios, this recording features interpretations of music previously written by Nevaris and Bill Laswell, including specific basslines that were written by Laswell, which bassist Jonathan Maron learned and performed when Bill was unable to participate in the recording for health reasons.

"SoundSession is about playing together live without being stressed by ticket sales or a venue accommodating so many musicians. Bill Laswell's studio in West Orange, New Jersey has always been an inspiring place with so much history. (It was built for Franki Valli originally.) The live room is something magnificent. We had never used it in a way that fully took advantage of it," says Nevaris.

"So this was a chance to do so, using the full space of this sizeable room. From the first notes, we could tell there was something good happening. And the recording documents it exactly as it was, with no overdubs or edits. Every note feels right from my perspective; exactly how it happened in real time."

Agustín Nevaris is a percussionist, keyboardist, vocalist and composer, heavily influenced by Afro-Latin, dub, and funk music. From the Upper West Side of Manhattan, Nevaris also performs under the name Loud Apartment with an evolving lineup of musicians, most notably Bernie Worrell of P-Funk and Talking Heads.

"People think everything is manipulated in the studio and a lot of it is. And everybody is talking about AI now. But we are moving in the opposite direction where everything gets more organic and raw with every project we work on," says Nevaris.

"There is nothing that can compare to the beauty of artists making work in its most organic form. There's a place for technology and a place for getting back to the old school way of doing things. And that's what this recording is about. Playing live together without any click track or overdubbing, or edits of any kind. And it takes cats who can really play to pull it off. It is a joy to play with every one of the musicians involved in this process."

Inspired by the energy of growing up in New York City, Nevaris is of European and Mexican descent with multi-generational roots in both NYC and LA's Echo Park neighborhood. A visual and multimedia artist, who has worked on a vast array of creative projects across mediums, Nevaris also co-founded Nolej Records, Nolej Studios and the Uncomun Festival.

Already in the works is a second studio album that features some truly exciting special guests, which will be released via Bill Laswell's label M.O.D. Reloaded later in 2026.

As of January 7, 'Ninth Sun - Live' will be available on the 'SoundSession' EP pre-order via Bandcamp. On February 27, the full EP will be released via digital music platforms, including Apple Music, Spotify and Bandcamp, where the 'Reverberations' album can also be found.

CREDITS
Written by Agustín Nevaris, Bill Lasswell, DJ Logic, Peter Apfelbaum, Jojo Kuo, Will Bernard, Lockatron, Angel Rodriguez, Jonathan Maron & Matt Dickey
Agustín Nevaris - timbales, bongos, Hammond Organ
Angel Rodriguez - bata drums, shekere, congas, darbuka
Jojo Kuo - bata drums, shekere, misc. percussion
DJ Logic - turntables
Peter Apfelbaum - sax, flute, melodica, reed organ
Will Bernard - guitar
Lockatron - drumset
Matt Dickey - guitar
Jonathan Maron - bass
Produced by Agustín Nevaris
Recorded at Orange Sound in West Orange, New Jersey
Recorded & mixed by James Dellatacoma
Mastering by Michael Fossenkember at Turtletone Studios
Artwork by Realize
Artist photos by Michael Black
Publicity by Shameless Promotion PR 


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