WME WRAPS CMA MUSIC FEST WEEK WITH CHART-TOPPERS, ICONS AND RISING STARS

WME wrapped a monumental week in Nashville as a leading force behind CMA Fest 2026, with clients dominating the lineup from intimate stages to the stadium spotlight. Country music’s biggest week was packed with unforgettable performances, milestone moments and signature WME events that showcased the agency’s broad roster of country superstars, rising talent and genre-shaping legends. Leading the way again this year with the most acts booked over the week, WME represented more than 80 artists throughout the festival.
 
Now in its 53rd year, CMA Fest continues to unite the Country music community, drawing nearly 100,000 attendees daily for four days of nonstop music, connection and celebration. What began in 1972 as Fan Fair® has become the longest-running Country Music festival in the world – anchored by once-in-a-lifetime collaborations, surprise performances and the undeniable energy of Music City.
 
WME kicked off the week with its annual Losers Live concert series at Losers Bar & Grill in Midtown on June 1 and 2. Spanning two nights, the event featured a dynamic mix of artists including Braxton Keith, Jon Pardi, Rhett Akins, Colby Lee Swift, Myles Morgan, Spencer Hatcher, The Kruse Brothers, Timmy McKeever, Trey Pendley, Tyler Booth and more. Drawing packed crowds each night, the showcase reinforced WME’s deep influence across all tiers of country music.
 
On June 2, Becky Gardenhire, WME Nashville Co-Head and Senior Partner, received the CMA Touring Awards' Talent Agent of the Year Award. WME Nashville Co-Heads Gardenhire, Jay Williams and Joey Lee and Senior Partner of Country Music Aaron Tannenbaum, were recognized at Billboard’s 2026 Country Power Players event on June 3, honoring the executives leading the genre forward alongside WME clients Miranda Lambert (Icon of the Year), Tucker Wetmore (Rising Star Award) and The Red Clay Strays (Groundbreaker Award).
 
On Thursday, June 4, viral artist Vincent Mason took the Chevy Riverfront Stage and Nissan Platform Stage while ACM New Male Artist of the Year winner and Billboard Hot 100 star Tucker Wetmore performed hits at the Nissan Stadium Main Stage. 
 
Friday featured breakout newcomers Mack Geiger and Myles Morgan, in addition to fan favorites Laci Kaye Booth and Dasha, before Nissan Stadium evening performances by WME’s Maggie Antone and The Red Clay Strays. 
 
Braxton Keith, Kaitlin Butts, Maddox Batson, Waka Flocka Flame and more energized daytime stages on Saturday before the Nissan Stadium crowd was treated to high-energy performances from Butts, Jordan Davis, Lainey Wilson and Zach Top.
 
Sunday’s lineup brought a powerful close, with Maggie Antone returning for a daytime stage performance and Laci Kaye Booth and Luke Bryan closing the weekend at Nissan Stadium.
 
Back by popular demand, the WME VIP Hospitality Lounge at Chief’s on Broadway served as a central gathering place for clients, their teams and industry leaders throughout CMA Fest. Open June 4–6, the hospitality suite provided a dedicated space for networking, collaboration and connection while welcoming artists, industry partners and friends throughout the week.
 
From debut performances to stadium anthems, WME and its clients once again left a lasting mark on CMA Fest – underscoring the agency’s continued leadership in shaping the future of the genre.

Photo Credit: Jonathan Plarr

Florida Georgia Line has signed with The Core Entertainment

Florida Georgia Line has signed with The Core Entertainment for management under co-CEOs Simon Tikhman and Kevin "Chief" Zaruk, and Creative Artists Agency (CAA) for touring representation under booking agent Jeff Krones. The signings follow the duo’s surprise reunion at CMA Fest 2026 at Nissan Stadium.

The move marks a business return to Kevin "Chief" Zaruk, who managed the band at Big Loud from 2011 to 2020 prior to their stint at Full Stop Management. The Core Entertainment already handles member Tyler Hubbard's solo roster spot.

The duo makes a commercial return supported by their recent Greatest Hits (Expanded Edition) compilation and the Here's To The Summertime - EP. Historically a marquee headliner at events like Stagecoach and CMA Fest, the duo is slated for major upcoming festival appearances following their surprise set at Spotify House.

Landmark career milestones include generating the first country RIAA Diamond single for "Cruise" via 7 million digital downloads, capturing Breakout Artist of the Decade, and spending a record-breaking 50 weeks atop the Hot Country Songs chart with the Bebe Rexha collaboration "Meant to Be".

Florida Georgia Line currently commands 11 million monthly listeners on Spotify, with Chicago, Dallas, Brisbane, Toronto, and Sydney their top five consumption cities.

BELPHEGOR Announces "Praise The Beast" European Tour 2026

Black Death Metal force BELPHEGOR will unleash their magickal processions across Europe in autumn 2026 with the "Praise The Beast" European Tour 2026.

The trek kicks off on September 29th at Turock in Essen, Germany, and will storm through Belgium, the Netherlands, Scandinavia, Central Europe, Poland, and the UK before reaching its final ritual on October 18th at The Underworld in London.

Joining BELPHEGOR as special guests are Death Metal legends KRISIUN and Black Metal coven ASAGRAUM. A fourth band will be announced soon. Stay tuned.

BELPHEGOR "Praise The Beast" European Tour 2026:

29.09. - GER - Essen, Turock
30.09. - BEL - Kortrijk, DVG
01.10. - NLD - Dordrecht, Bibelot
02.10. - NLD - Hengelo, Metropool
03.10. - TBA
04.10. - SWE - Gothenburg, Monument
06.10. - FIN - Helsinki, On The Rocks
07.10. - SWE - Stockholm, Kollektivet Livet
08.10. - SWE - Malmö, Plan B
09.10. - GER - Berlin, Musikbrauerei
10.10. - CZE - Uherske Hradiste, Klub Mir
11.10. - CZE - Plzen, Serikovka
13.10. - POL - Krakow, Hype Park
14.10. - POL - Gdańsk, Drizzly Grizzly
15.10. - GER - Osnabrück, Bastard Club
16.10. - UK - Sheffield, Corporation
17.10. - UK - Torquay, Arena
18.10. - UK - London, The Underworld

Tickets and additional information will be available through local venues and promoters.

Now, as the band approaches its thirteenth studio album, a deeper and more arcane force begins to stir. The number thirteen bears ancient meaning: endings, thresholds, and the passage into the unknown. Rooted in primordial doctrine, the thirteenth seal is said to bind the final veil between worlds, the last barrier between order and chaos.

With this upcoming release, BELPHEGOR prepares to break that seal, not to follow, but to lead. To summon what lies beyond even their own previous creations: something more primal, more ritualistic, more devastating.

Early glimpses of new material point to a continuation of the dark artistic path begun with The Devils, now delving even deeper. The upcoming album takes shape as a focused ritual: precise, uncompromising, and rooted in the band’s unmistakable vision, the glorification of the Devil.

Prepare. The next chapter is imminent. 

More from BELPHEGOR:

www.belphegor.at |Facebook|Instagram|X|Youtube

Defiled Premiere New Album 'Altered State'

Defiled aren’t relics or custodians for the old-school. While the Japanese legends have shared stages with Morbid Angel, Mayhem, Cannibal Corpse and Incantation since the early ‘90s, they’ve carved their own unmistakable path through death metal’s hallowed crypts. With their new album, founding member Yusuke Sumita and his band of technical masters continue to alter the genre in unthinkable ways. On Altered State, they deliver a dizzying blast of death metal straight from the future.  

Altered State comes out tomorrow, Friday, June 12 on Season of Mist, but you can hear all 14 mind-altering songs today by listening to the full album stream below.

“Like many other bands, our musical roots are heavily influenced by early ‘90s death metal and ‘80s thrash and hardcore, however, our interpretation is different and has branched off from the current scene”, Sumita says. “On Altered State, there are many catchy hooks, but tricky progressive rhythms and song structures can be found as well. The album may not be understandable after a few listens, but it taps into a blind spot that many bands have missed. We invite anyone to join us in exploring the outermost edges of the genre”.

Pre-order & Pre-save

https://orcd.co/defiledalteredstate

Hear Defiled perform songs from Altered State during the band’s current Japanese tour, as well as their upcoming shows with Brujeria.

Defiled 2026 Altered State Japanese Tour

June 11 - Fussa @ Chicken Shack

June 12 - Tokyo @ Earthdom

June 13 - Fukushima @ Sora

June 13 - Sendai @ Solfa

June 14 - Aizuwakamatsu @ Karando

June 14 - Niigata @ Rocka

June 15 - Nagano @ Rosebery Cafe

June 16 - Kofu @ Bodega

June 17 - Iida @ Space Tama

June 18 - Nagoya @ Studio 246

June 19 - Osaka @ Hokage

June 20 - Okayama @ Dogvult

June 20 - Hiroshima @ Agit

June 21 - Fukuoka @ Reflex

June 21 - Sasebo @ Distortion

June 22 - Mabi @ Branch

Defiled 2026 Japanese Dates with Brujeria

September 15 - Tokyo @ Cyclone

September 16 - Osaka @ Socore Factory

Altered State isn’t afraid to wind through the darkest and most mysterious corners of our collective consciousness. But listen closely to Defiled and all secrets will be revealed. “Receive the power”, the band command on the album’s title track with a chaos that only they can control.

Lineup
Shinichiro Hamada - Vocals, Guitar
Yusuke Sumita - Guitar
Takachika Nakajima - Bass
Keisuke Hamada - Drums

Production credits
Recorded at Studio Zot in Tokyo, Japan
Producer - Yusuke Sumita
Sound Engineers - Shinichiro Hamada and Keisuke Hamada
Mixing and Mastering Studio - Studio Nest in Chiba, Japan
Mixing and Mastering Engineer - Kenji Kikuchi

Songwriting credits

Music and lyrics by Yusuke Sumita

Cover art
Wes Benscoter

Booking contact
Yusuke Sumita - info@defiled.info

Pre-order & Pre-save
https://orcd.co/defiledalteredstate

Available formats
CD Digipack
12" Vinyl Gatefold (Black)
12" Vinyl Gatefold (Transparent Yellowish-Green)

Follow Defiled
Website : http://www.defiled.info/
Facebook : https://www.facebook.com/defiled
Instagram : https://www.instagram.com/defiledjapan
Bandcamp : https://defiledjapan.bandcamp.com
Soundcloud : https://soundcloud.com/defiled
YouTube: https://www.youtube.com/@defiled
Spotify: https://open.spotify.com/artist/6KDc0SB4ero6zAgrafjVrt
Apple Music: https://music.apple.com/us/artist/defiled/72867298
Amazon: https://www.amazon.com/music/player/artists/B001GJ407S/defiled

BraveWords Records Announces the Signing of AIRFORCE Release Single and Music Video for the Track “Strange World”

BraveWords Records is pleased to announce the signing of AIRFORCE and the release of the single “Strange World” a cover of the Iron Maiden track. Set in the Iron Maiden “Somewhere In Time” universe, the video brings to life the lyrics and themes in the song! Watch as one of the most iconic Maiden cover artworks comes to life!”

Fans can stream and download “Strange World” from Bandcamp at https://bravewordsrecords.bandcamp.com

The band shared their excitement about signing with BraveWords Records, "Airforce are delighted to be joining forces with the phenomenal BraveWords, a highly regarded global media outlet and record label. Airforce are looking forward to a long and successful partnership with BraveWords."

Continuing, the band, (whom features in it's ranks former Iron Maiden drummer Doug Sampson) talked about covering Iron Maiden’s track “Strange World”, “Covering Iron Maiden’s “Strange World” was actually Tony Hatton’s idea. The song has always been a favorite of Chop Pitman since the early days. Plus, our drummer, Doug Sampson, played on the original Iron Maiden version that was recorded during the Soundhouse Tapes sessions, so we thought, “Why not give it a go and see what happens?”

Lino did a great job with the vocals. We didn’t want to simply cover the song as it was originally recorded, so we adapted it to suit Airforce’s style and sound.

Chop Pitman ran the idea past Steve Harris and asked for his blessing.

Steve suggested that we invite Dave Sullivan, one of Iron Maiden’s earliest guitarists, to play on the track—which we did. As a result, we have two former Iron Maiden members performing on the recording.

Chop also came up with the idea of ending the song with the outro from another classic Iron Maiden track, “Remember Tomorrow,” which we felt fit perfectly. Steve and Dave both liked the idea as well.

“Strange World” was played at the funeral of our good friend, Paul Di’Anno, making this recording a tribute to him, too. Paul recorded with Airforce on a couple of occasions, and we miss him dearly.

We would like to thank Steve Harris and Dave Sullivan, as well as Jez Coad, who produced the track, and, of course, my nephew Lee Heffron for creating this amazing video.”

𝗪𝗜𝗡𝗧𝗘𝗥 𝗠𝗘𝗧𝗔𝗟 𝗠𝗘𝗟𝗧𝗗𝗢𝗪𝗡 will see Airforce supporting heavy metal bands Raven, Girlschool and Alcatrazz on tour across the mainland UK this December for night of full on, face pounding metal! 

26 November - Planet Rockstock - Trecco Bay, South Wales (Girlschool, Alcatrazz, Raven only)

27 November - The Brook - Southampton

28 November - The Craufurd Arms (Live Music Venue) - Milton Keynes

29 November - Digital Newcastle Live / Events - Newcastle 

01 December - The Underworld Camden - London 

02 December - Corporation Sheffield - Sheffield

03 December - The Factory Live - Worthing

04 December - Blackbox Hastings - Hastings

05 December - Manchester Academy 3

06 December - The Palace Nightclub Bridgwater - Bridgwater 

Tickets on sale now from your usual local outlets.

About AIRFORCE:

“A Band of Brothers” is not only a term that best describes this London-based heavy rock band, but it is also the title of one of their most memorable songs. The description is fitting because Airforce began their journey unpretentiously as a true band of brothers in music.

Cutting their teeth on the London club circuit, the band shared a passion for the rock lifestyle, the art of songwriting, and the thrill of performing live. This enthusiasm for their craft led them to experience the magic of the unexpected, taking them to stages across Europe and the United States.

Although the roots of the band date back to the late 1970s under the name EL-34, Airforce has existed under its current name since 1986. With two EPs, three studio albums, and one live album to their credit, the band’s name has become synonymous with the classic legacy of the NWOBHM (New Wave of British Heavy Metal) sound.

At the same time, Airforce became pioneers of a new wave of “blast-from-the-past” bands. Unexpectedly emerging as leaders of the genre, they outlasted many younger bands that failed to make a lasting impact.

Airforce evolved from being the exception... to becoming part of a worldwide movement that spread across numerous countries. Throughout it all, they have proudly carried the flag for British heavy rock.

In the last five years alone, despite the challenges of the lockdown era, Airforce have performed more than one hundred shows in over twenty countries, building an army of loyal fans around the world.

AIRFORCE Members:

Lino - Vocals

Chop Pitman - Guitar & Vocals

Doug Sampson - Drums

Tony Hatton - Bass

Links:

https://airforceuk.co.uk

https://www.facebook.com/airf orcebanduk

https://youtube.com/@airforce banduk

https://www.bandsintown.com/a/418862

https://www.instagram.com/air forcebanduk

THE HOWLERS Wake Up from the American Dream on New Single “L.A. Morning”

Following the announcement of their forthcoming sophomore album ‘Heavy,’ London indie rockers THE HOWLERS return with their latest single, “L.A. Morning,” out now via FLG. The track offers another glimpse into the band’s most ambitious chapter yet, ahead of the album’s release on October 9th alongside the announcement of their summer shows alongside Deep Purple and Alice Cooper and their autumn album tour. 

A sun-soaked reflection on the myths we grow up believing, “L.A. Morning” explores the idealized image of the American Dream through a distinctly British perspective. Built around themes of ambition, escapism, and disillusionment, the track captures the tension between youthful fantasy and reality, while retaining the sense of wonder that made those dreams so alluring in the first place.

The song arrived unexpectedly during the final stages of recording ‘Heavy.’ Initially never intended for the album, “L.A. Morning” was written and recorded in a matter of hours during the band's final studio session, with THE HOWLERS committing to their first instincts and capturing a spontaneity that would ultimately make it one of the record’s defining moments.

“As kids, we all grew up with the idea of the American Dream, a notion that has been dashed significantly in recent years by world events, but the romanticised idea of Hollywood is something that every child knows and grows up wanting,” says frontman Adam Young. “’L.A. Morning’ is sort of the realization of that. It was never meant to end up on the album, but it came together so naturally that we couldn’t ignore it. Those moments are rare, and they’re what making music is all about.”

Watch the Official Visualizer for "L.A. Morning"

Following a period of transition at the end of 2024, THE HOWLERS entered a new phase, with frontman Adam Young rebuilding the project as a two-piece alongside drummer Toby Richards — a shift that redefined both the band’s sound and creative direction, bringing a renewed sense of focus and identity.

That reset came off the back of a breakthrough year. Their self-funded debut album ‘What You’ve Got To Lose To Win It All’ landed to widespread European acclaim, breaking into the UK Independent Breakers Charts Top 10 while securing multiple positions across independent, vinyl and physical sales charts. Radio support followed from BBC Radio 1, BBC 6 Music, Radio X and Absolute Radio, alongside international backing and editorial playlisting across Apple Music and Spotify.

That momentum translated directly to the stage. A sold-out 18-date UK headline tour established the band as one of the country’s most exciting live acts, followed by a European run that saw them sell out shows across eight countries — road-testing new material that would ultimately shape what came next.

Where that debut was defined by grief and personal loss, ‘Heavy’ emerges from a very different place. Driven by the tension between desire and consequence, recklessness and reality, it’s an album lit by the pull of the night, the thrill of impulse and the cold clarity that follows.

Written and produced alongside long-time collaborator Chris Ostler (Black Honey), the record deliberately sidesteps traditional studio methods. Instead, it was built remotely — with demos, ideas and reworked compositions exchanged across digital platforms — stripping everything back while pushing each track to its strongest form. Only in the final stages did the band enter rehearsal spaces to capture live drums, grounding its more experimental edges with a raw, physical energy.

Young adds:

“This album is those late night experiences, the after dark conversations, late night phone calls, the seductive nature of impulsiveness that seems so alluring and losing yourself in the addictive nature of recklessness — but it’s also the mirror in the morning, the wake up call, and the harsh reality of knowing those feelings won’t always last. It’s the moment you find yourself again.”

Pre-Order 'Heavy' HERE

For a band that has always worn its honesty as a badge of honour — and built a fiercely loyal following on the back of it — ‘Heavy’ feels like the album THE HOWLERS were always moving towards. With an extensive UK and European headline tour to follow, 2026 is shaping up to be the year they fully arrive.



THE HOWLERS Live:

Summer Tour Dates

6/24 - Monchengladbach @ SparkassenPark (Deep Purple Stadium Tour)

6/27 - Coburg @ HUK Open Air Schlossplatz (Deep Purple Stadium Tour)

6/28 - Ulm @ Wiblington Monastery Courtyard (Deep Purple Stadium Tour)

7/02 - TBC @ TBC (Stadium Tour)

7/03 - TBC @ TBC (Stadium Tour)

7/04 - TBC @ TBC (Stadium Tour)

7/09 - Gelsenkirchen @ Amphitheater (Alice Cooper Stadium Tour)

7/16 - Stratford Upon Avon @ Rother Street Arts House

7/19 - Munich @ Tollwood Festival (Deep Purple Stadium Tour)

7/24 - Croglin @ Gadabout Festival

Instore Tour

10/09 - Nantwich @ Apple Stump

10/09 - Bury @ Wax & Beans

10/10 - Portsmouth @ Pie & Vinyl

10/10 - Kingston @ Banquet Records

10/11 - Chelmsford @ Intense Records (Meadows)

10/11 - Chelmsford @ Intense Records (Viaduct)

10/12 - Bristol @ Rough Trade

10/13 - Oakham @ Rockabuy Records

10/13 - Nottingham @ Rough Trade

10/14 - London @ Rough Trade East

10/15 - Gosport @ A.S.L.O.V

10/15 - Southampton @ Vinilo

10/16 - Oxford @ Truck

10/17 - Liverpool @ Jacaranda Records

10/18 - Glasgow @ Assai

10/18 - Aberdeen @ Assai

10/19 - Edinburgh @ Assai

10/20 - Newcastle @ Beyond

10/20 - Leeds @ Crash

10/21 - Huddersfield @ Vinyl Tap

Album Tour

10/30 - Oslo @ Revolver

10/31 - Trelleborg @ Kulturhuset

11/01 - Copenhagen @ Rust

11/04 - Den Haag @ Paard

11/05 - Amsterdam @ Paradiso

11/06 - Rees @ Haldern Pop

11/07 - Cologne @ Yuca

11/08 - Munich @ Backstage Halle

11/10 - Hamburg @ Betty

11/11 - Berlin @ Urban Spree

11/12 - Poznan @ Klub Pod Minoga

11/13 - Warsaw @ Hybryd

11/14 - Budapest @ Robot

11/15 - Prague @ Cafe V Lese

11/16 - Vienna @ Club Lucia

11/18 - Nova Gorica @ Mostovna

11/20 - Rome @ Wishlist

11/21 - Milan @ Arci Bellezza

11/25 - Paris @ Le Chinois

11/26 - Angouleme @ Tulmulte

11/27 - Bordeaux @ Deus

11/28 - Toulouse @ Labo Des Arts

11/29 - Arthez @ Pingouin Alternatif

3/03 - Edinburgh @ Mash House

3/04 - Newcastle @ The Cluny

3/05 - Manchester @ The Deaf Institute

3/06 - Birmingham @ O2 Institute 3

3/10 - Bristol @ Exchange

3/11 - Southampton @ The Joiners

3/12 - London @ Bush Hall

3/13 - Norwich @ Arts Centre

Metalcore Forces RISING INSANE + ACCVSED Release Video for Collaborative Single "Dark"

Building on the massive momentum of their million-streaming hit "Good Enough," RISING INSANE have joined forces with ACCVSED for their explosive new single "DARK." The track offers a standout testament to the band's relentless creative drive and serves as the latest taste of their upcoming album, DEATHRACE, arriving on August 21 via Long Branch Records.

Reflecting on the song's turbulent journey from the cutting room floor to center stage, RISING INSANE share, "'DARK' was actually on the chopping block for the album for a long time before it unexpectedly transformed into a single. When Sven played the instrumental for the first time, some incredible vocal ideas immediately clicked. But as it often goes, initial ideas don't always pan out the way you hope. As a result, the song ended up gathering dust for a while. Yet, that initial spark from the instrumental version never truly faded, which pushed us to give it a second shot — and that definitive rewrite finally brought 'DARK' to life. Being able to bring ACCVSED on board for a feature was an absolute blessing, and we couldn't be happier with how it turned out."

Watch the video for "DARK" (Feat. ACCVSED)  below.

Pre-order the new album + stream the single here.

Since their debut, Rising Insane have evolved from a fierce independent quintet into a global heavy-hitter, amassing millions of streams across their previous catalog. Their journey to the top has been defined by elite company, having shared stages with genre icons like Papa Roach, Of Mice & Men, and Stray From the Path, transforming them into an unstoppable live force.

This momentum is now reaching a fever pitch with their upcoming album, DEATHRACE. The record includes the standout track "Good Enough" (Feat. CASKETS), alongside the dark and mature "Error" (Feat. Steven Jones of Bleed From Within). Fans can also look forward to explosive new collaborations on the album David Schneider (The Butcher Sisters), as well.

DEATHRACE marks the band's most radical chapter yet, stripping away polished refinement in favor of raw power and primal riffs. It is a limit-breaking statement that finally pushes their sound to the absolute limit — Rising Insane have never stood still, but now they are finally flooring it.

RISING INSANE ARE:
Aaron Steineker — Vocals
Sven Polizuk — Guitar
Ulf Hedenkamp — Bass
Florian Köchy — Guitar
Robert Kühling — Drums

HEY NOW Records Adds Three Key Business + Consumer-Facing Execs: Danny Bess, Rachel Brown & Troy Scott

With HEY NOW Records delivering unprecedented response to their first single, President and Co-Founder Kris Lamb announces key business and commerce hires for the streamlined independent label designed to super-serve singularly talented artists in ways that match their individual needs.

“As the label expands its reach, it’s critical to have systems in place to support the work being done by the various teams,” Lamb says. “To be able to engage executive talent that includes Danny Bess and Rachel Brown on the business side, and Troy Scott for commerce and consumer products, we’re going to be able to move twice as fast, knowing our needs will be supported by a strong foundation.”

Senior Vice President Danny Bess returns to a label from his independent DFB Consulting, where he provided tactical insight for several corporations. A veteran of major labels, he spent seven years as Chief Financial Officer at Warner Music Nashville and 25 years as the Vice President of Finance at Universal Music Group Nashville. A Vanderbilt graduate with an MBA from Tulane’s A.B. Freeman School of Business, he began his career at RCA Records/BMG. 

Manager of Operations Rachel Brown has an extensive background in project management, marketing and merchandising, having spent several years at Aroluxe Marketing where her strength was integrating cross-functional campaigns for a variety of clients. With a Pepperdine MBA, her skills were honed in the fashion space, supporting product strategy and merchandising initiatives for Kendra Scott jewelry. Her expertise in business strategy and brand growth will be deployed to dial in the label’s growth.

“Danny and Rachel both understand the practical business piece of how we get our artists from music created to music consumed,” Lamb explains. “Bess’s knowledge base reflects earned experience, as well as creating a business strategy that gives our staff real support when they are making it happen. Rachel bridges the creativity-execution sectors with not just passion, but an analytic sense that allows us to be tactical and effective.”

Vice President of Commerce & Consumer Products Troy Scott has a quarter century of experience across labels, radio and social media platforms. Starting across the Washington, D.C., Philadelphia and Boston markets managing operations and marketing campaigns for BMG artists including P!nk, Dave Matthews Band, Backstreet Boys, TLC, *NSYNC, Outkast, Martina McBride and Maroon 5, he moved to Universal Music Group in New York as Sales Account Director, securing major brand campaigns for Mary J. Blige, Fall Out Boy, Ne-Yo and Trisha Yearwood. Moving into media, Scott took the role of Sales Manager at Alpha Media in Richmond, Va., overseeing 300+ local and national accounts across a three-station cluster. He then returned to the label side, joining Universal Music Group Nashville in 2014 as Director of Commercial Development, ultimately rising to Senior Director of E-Commerce & Retail. His direct-to-consumer strategies and campaigns for Carrie Underwood, Chris Stapleton, Kacey Musgraves, Sam Hunt, Reba, Luke Bryan and Little Big Town achieved significantly impactful growth in consumer engagement.

“Troy approaches each artist and situation to understand how the pieces connect,” Lamb says. “Over the years, his style’s never been ‘This is how we do it,’ but ‘What is the best way to expose this music and get people to engage?’ Given what we’re hoping to do, the diversity of acts he’s worked with and venues he’s worked in makes him someone who can meet HEY NOW’s roster where they are and super-deliver.”

After locking out the entire reporting country radio panel with Kenny Chesney’s “Carry On” in its first week, only the third time in chart history and first time an independent label has managed the feat, HEY NOW Records is building a future based on artist-first delivery from the moment the music is delivered until long after a project has run its cycle. Focused on what makes music matter to people, the business and consumer-facing functions are as integral to what’s being built as the promo team that continues to create momentum in the traditional means of exposure.

“To me, this isn’t just about how it’s been done,” Lamb offers. “It’s also about how else can we do this? If you can create a structure where trusting the process includes honoring all the ways people find, consume and commit songs to their lives and feed that passion, it doesn’t matter how we shape the process – only finding a path that takes us to where the people who need this music can be found.”

About HEY NOW Records
HEY NOW is an independent record label founded by Clint Higham, Kenny Chesney, John Esposito and Kris Lamb. With an artist forward focus, the boutique label stresses individuality, development and creating a bridge between people seeking music that reflects their lives and artists seeking to connect from the inside out. Based in Nashville, HEY NOW deploys a team across all disciplines, including a promotion staff who work from passion and super serve the hand selected roster at radio, a streaming and digital marketing team focused on driving discovery and audience growth across platforms, and A&R executives who operate from their strengths and bring a diverse spectrum of musical influence. www.heynowrecords.com

BBR MUSIC GROUP/BMG NASHVILLE SIGNS GRAMMY, CMA AND ACM AWARD-WINNING CARLY PEARCE

BBR Music Group/BMG Nashville is thrilled to announce the signing of GRAMMY, CMA and ACM award-winner Carly Pearce. With Stoney Creek Records serving as the radio imprint, Pearce has a new album coming soon and is currently at country radio with the smoldering single “If I Don’t Leave I’m Gonna Stay” with Riley Green. The Grand Ole Opry member has been a celebrated BMG Publishing writer since 2015 and built an incredible career spanning the aforementioned awards, multiple #1 hits and over four billion streams to date. 

A fan-first artist at her core, last week Pearce impacted with country audiences throughout CMA Fest as an Artist of the Day where she anchored a panel on the CMA Close Up Stage, met with fans at Carly’s Closet (her fifth annual benefit for the CMA Foundation) and performed at Nissan Stadium, Billboard Live at Category 10, SiriusXM’s Music Row Happy Hour and Spotify House. In addition, she mentored teens at GRAMMY Camp in Nashville sharing advice and answering questions for the burgeoning next generation of artists and music business talent. 

“Signing with BMG feels less like turning a new page and more like finding the best next chapter. I am incredibly grateful to be surrounded by a team that truly hears my voice and matches my ambition. The horizon looks exactly how it’s supposed to,” says Pearce.

“Carly is one of the most authentic and compelling voices in our format, and we’re beyond excited to welcome her to the recorded side of our family, having been cheering her on from our publishing side for years. Her artistry, vision and connection with fans is unparalleled, and we can’t wait to support this next creative chapter,” says JoJamie Hahr, EVP, Recorded Music, BBR Music Group/BMG Nashville.

“When I approached Jon and JoJamie about this opportunity, their excitement and passion for Carly was immediate and unmistakable and they wasted no time in making her feel right at home. For me, to be back in business with Jon and JoJamie is a genuine homecoming. They were both instrumental in the launch and early success of Big Machine’s Valory Music Company and I’ve watched them turn BBR Music Group/BMG Nashville into a powerhouse. We couldn’t be more confident in what’s ahead for Carly,” says Scott Borchetta, Founder and Chairman, Borchetta Entertainment Group. 

WEBSITE | INSTAGRAM | TIKTOK | YOUTUBE | X | FACEBOOK 

Photo Credit: Kevin Grace

Ho99o9 Unleash Blistering New Anthem "Power in Numbers"

Ho99o9 return with “Power In Numbers,” a blistering new anthem that captures the band at their most direct, urgent, and confrontational. Fusing industrial hip-hop with hardcore punk intensity, the single delivers a powerful message rooted in unity, resistance, and collective strength, reinforcing the duo’s reputation as one of the most uncompromising voices in alternative music.

“Power In Numbers” is a cultural statement that channels the chaos of the current moment and emphasizes the strength of solidarity and shared resistance. The track draws from the lineage of protest music, balancing chaos and control to reinforce its central message of collective power. 

Known for pushing boundaries across genre and culture, Ho99o9 continue to blur the lines between punk, rap, industrial, and hardcore, creating music that is as politically charged as it is sonically destructive. “Power In Numbers” further expands the group’s fearless approach, designed to provoke, energize, and unite.

Recently, the band performed a free show for fans in Los Angeles at Pacific Electric, in conjunction with clothing and graphic apparel tastemakers, Civil Regime. The show served as a send-off for Ho99o9, who kick off their summer European and UK dates today (full dates below).  

Tomorrow We Escape, Ho99o9’s third album, was released recently via 999 Deathkult / Last Gang. A true amalgamation of all the band’s influences, including experimental hip-hop, digital hardcore, future-facing punk, metal, jarring industrial, and off-kilter electronics, the album is their most emotional offering to date, rooted in personal struggle and triumph. It exemplifies the outfit’s collaborative spirit, featuring Nova Twins, Chelsea Wolfe, Greg Puciato, MoRuf, Pink Siifu, and more. Trayer Tryon of avant darlings Hundred Waters (and with prod on recent breakthroughs - The Hellp, Sam Austins, 2Hollis, Alto Arc……) mixes and masters the album, further refining a new sonic landscape, harnessing the very best of the chaos that fans have come to know and love, with a fresh injection of newfound melodies, space, and crystalline production.

The New Jersey-bred outfit made its way to Los Angeles over a decade ago. Surging and seething just below the surface, the pair broke through as an apocalyptically fascinating outlier with their 2017 full-length debut, United States of Horror. In the meantime, their infamous live shows became the stuff of legend as they packed houses on their own and shared stages with everyone from Slipknot, Korn, Alice in Chains, Rob Zombie, Ministry, and The Dillinger Escape Plan to Lil Uzi Vert, Denzel Curry, Cypress Hill, and Ghostface Killah. Earning the respect of an elite cohort of peers, popular collaborations placed them toe-to-toe with Corey Taylor of Slipknot, The Prodigy, JPEGMAFIA, Ghostemane, HEALTH, 3TEETH, and N8NOFACE, among others. Jack Black made an appearance in their KULT CABLE series while they guested on The Eric Andre Show. They’ve received further acclaim from The New York Times, NME, The Guardian, Kerrang!, Metal Hammer, The FADER, Revolver, and more. They stand out as the rare phenomenon that can decimate Hellfest and Aftershock Festival and captivate on A COLORS SHOW.

“Power In Numbers” is available now on all streaming platforms. Stream / Get it HERE.

Ho99o9 Tomorrow We Escape - UK/Europe:

June 10 - Lorient, France - Hydrophone+
June 11 -  La Rochelle, France - La Sirène+ 
June 12  - France - Aucard de Tours festival
June 14 - Toulouse, France - Le Rex+
June 15,16 - Bulle, Switzerland - Ebullition+
June 21 - Hamburg, Germany - Knust
June 23 - Leipzig, Germany - Conne Island
June 25 - Lärz, Germany - Fusion festival
June 26 - Netherlands - Jera On Air festival
June 27  - Berlin, Germany - Trauma
June 29 -  Düsseldorf, Germany - Zakk
July 3 - Brighton, United Kingdom - Patterns+
July 4 - London, United Kingdom - tbc+
July 7 -  Manchester, United Kingdom - Deaf Institute+ 
July 8 - Newcastle, United Kingdom - Think Tank+
July 9 - Liverpool, United Kingdom - Arts Club Loft+
July 10 - Cardiff, United Kingdom - Clwb Ifor Bach+
July 11 - Cheltenham, United Kingdom - 2000 Trees
July 17 - Herk-de-Stad, Belgium - Rock Herk
July 24 - Plovdiv, Bulgaria - Hills of Rock Festival
July 25 - Poland - Wroclaw Film Festival
  +support from DJ Stacy AKA Pink Siifu

For more info on Ho99o9:

Linktree
Instagram

PLAIINS Share New Single "Look Ma, I'm a Don" — LISTEN

British x German alt punks PLAIINS are back with a venomous and vibrantly catchy new anthem that targets the hollow bravado of modern pick-up culture. Building on the massive momentum of over 3 million streams and rave reviews from Visions and Kerrang! describing them as "cartoonishly gobby," the band's latest single, "Look Ma, I'm a Don"  is a masterclass in satirical songwriting. 

The song combines a catchy Brit pop-leaning chorus with the raw, unedited feel of The Libertines through its dual-guitar interplay, anchored by a melodic bass line that Paul McCartney would be proud of. One of the track's most brilliant moments is a cheeky Beyoncé reference: "Say my name, say my name," which perfectly highlights the irony of a character who demands to be known while treating others like disposable products.

Stream "Look Ma, I'm a Don" Below:

Coming off the back of their highly praised debut album Happy Faces (2025) and a collabo with Italian producer Mazare on the song "DIGAF," PLAIINS present their latest song just in time for the upcoming festival summer with several shows all over Europe, before heading to the UK in autumn and a Germany tour in winter with Smile and Burn and The Pill in all major cities.

PLAIINS comment on the new single, "'Look Ma, I'm a Don' is a song poking fun at pick-up culture and the consumerist mindset driving it. The character sees himself as some kind of big-shot 'Don.' while in reality he’s just a hurt little boy trying to fill a void and earn recognition from his mum. It's a critique of treating relationships like a numbers game — keeping the body count high and consuming people like products."

PLAIINS ARE:
Chris Reardon — Vocals, Guitars
Florian Kaninck — Guitars
Adrian Boog — Bass

Jack White Announces New Album "Frozen Charlotte"

Jack White has announced the release of his forthcoming seventh studio album, Frozen Charlotte, arriving via Third Man Records on Friday, July 10. Alongside the announcement, White released the new single “Dollar Bill” which is available on all DSPs and streaming services. The album will be available on black vinyl; a limited-edition “Zug Island Blue” as the Third Man Records exclusive vinyl; a limited-edition “Chrome” for the Jack White tour and webstore; and a limited-edition “Ice Blue” for independent record stores. The album will also be available on CD and cassette.

PREORDER / PRESAVE "FROZEN CHARLOTTE"

STREAM "DOLLAR BILL"

MISSED THE RELEASE LAB? WATCH PART 1 & 2 HERE

MADBALL | RETURN TO THEIR ROOTS ON NEW SINGLE 'TETHERED'

On July 24th, NYHC icons MADBALL return with their tenth studio album, Not Your Kingdom,via Nuclear Blast. Seamlessly bridging the gap between old-school grit and the modern heavy music landscape, MADBALL remains an unrivaled force. Not Your Kingdom pairs the band's trademark tales of street survival with a deeper, introspective edge, cementing the fact that hardcore still runs deep in their veins.

MADBALL has unleashed their second single, 'Tethered.' The track serves as an unapologetic, deeply personal reflection on everything the band represents. Dissecting pivotal moments from both past and present, frontman Freddy Cricien proclaims: “I’m bound to all the things / That I’ve done and seen / Tethered to everything / All the good the bad / That made me.” Delivering the classic, high-octane groove that serves as the genre's lifeblood, the track is paired with a music video directed by Freddy Cricien and Dave Causa who handled filming—a visual love letter to the streets of New York City where the band first took root.

MADBALL's Freddy Cricien comments, "'Tethered' is the opening song on the record and that’s ironic because it’s one of the last ones written for the album. I love the vibe, very bouncy groovy NYHC that really transported me back to the 90’s - hence the lyrics/theme. To my ears, it has a 'nostalgic' feel but still manages to come across as something new for us! Made sense for it to be the second single to demonstrate the diversity of the album - the whole thing is a story, a ride of sorts and this one as the opener really sets a good pace sonically and lyrically."

Stream ‘Tethered’: 
https://madball.bfan.link/tethered

Pre-order/pre-save Not Your Kingdom: 
https://madball.bfan.link/not-your-kingdom

Watch: 'Tethered' music video Below:

Not Your Kingdom was tracked at The Boneyard Studios in Nashville, TN, with additional interludes recorded by Jeff "Stress" Davis and Chuck Treece at Chop Shop Studios. The album was produced and engineered by the team of Andrew Baylis, Aiden Thompson, and Grady Saxman, with final mixing and mastering handled by Lee Rouse. The striking cover art features photography by the legendary Cornell Capa, courtesy of Magnum Photos and the Cornell Capa Estate.

WORLDWIDE DATES
European Dates
06.18  DE  Potsdam @ Waschhaus Potsdam gGmbH - Arena
06.19  PO  Zdunska Wola @ Alternative Day
06.20  PO  Chojnice @ Intertony Festical
06.21  DE  Rostock @ Peter-Weiss-Haus
06.22  PO  Poznan @ Klub B17
06.23  DE  Schneverdingen @ Alte Schlachterei
06.24  DE  Leer (Ostfriesland) @ Zollhaus Gastro
06.25  NL. Ysselsteyn @ Jera On Air
06.26  FR. Rouen @ Furn Defendu
06.27  FR  Rennes @ Superbowl of Hardcore
07.25  DE  Badbergen @ Pistole HC Food
07.26  DE Hünxe @ Ruhrpott Rodeo
07.26  DE  Insming @MozHelll Open Air
07.27  DE  Karlsruhe @ Alte Hackerei
07.28  DE  Cologne @ Gebäude 9
07.29  DE  Kaseel @ Goldgrube
07.30  DE. Löbnitz@ Full Rewind
07.31  CH  Gränichen @ Open Air
08.01  FR  St. Maurice de Gourdans @ Sylak

North & Central American Dates
08.21-22  CA  Montreal, QC @ Vans Warped Tour Montreal(Parc Jean Drapeau)
09.04  MX  Cuidad de Mexico
09.05  MX  Monterrey
09.06  MX  Guadalajara
09.19  US  Louisville, KY @ Louder Than Life (Kentucky Expo Center)

Decades in, MADBALL remains the gold standard of New York Hardcore—proving they are not just survivors, but masters of the craft. Their live performances are a masterclass in controlled chaos, dripping with a ferocity and raw integrity that most bands can only hope to emulate. They’ve stayed sincere, stayed dangerous, and stayed at the top. Ain’t nothing changed.

Photo Credit: Dave Causa

MADBALL is:
Vocals | Freddy Cricien
Guitar | Mike Gurnari
Drums | Mike Justian
Bass | Paul Delaney

Stream MADBALL:
Apple Music | Spotify

Follow MADBALL:
Facebook | Instagram | X | Youtube

DEAD BY WEDNESDAY Drops Devastating New Single + Video “Flesh,” via Combat Records

Veteran New Haven, Connecticut metal band Dead By Wednesday, featuring current and former members of Ellefson, Cro-Mags, and Tantric has officially signed with the newly revived iconic heavy metal label Combat Records to unleash their devastating new single and video “Flesh" worldwide on all major streaming and digital platforms.

After building major momentum during recent live performances, “Flesh” quickly became a fan favorite leading the band to prioritize the song as the first release from their upcoming new EP, due out in early 2027 via Combat Records / Mindsnap Music. The single will also appear on the official Milwaukee Metal Fest promotional compilation album.

Dead By Wednesday was part of the Milwaukee Metal Fest 2026, curated by Jamey Jasta of Hatebreed this past weekend. The band performed on Sunday, June 7 at 4:45 PM on the BLK II BLK / Copycats Media Stage at The Rave Bar alongside an explosive lineup of heavy acts.

Guitarist Dave Sharpe shares, “This is probably one of our toughest songs to date but still captures the true essence of the old school DBW sound & heavy grooves that are known to be the foundation of the band.” 

STREAM "Flesh"

https://orcd.co/dbw_flesh

WATCH "Flesh" Below:

Robert Dujmusic (CEO Combat Records) adds, “Known for their relentless energy, crushing sound, and dedication to the Metal Scene, DEAD BY WEDNESDAY has built a powerful reputation worldwide trough YEARS of touring and amazing releases. We at Combat Records are totally excited to begin this new partnership and help bring the bands next chapter to an even bigger audience.”

“Flesh” was engineered and recorded by Jeff Weed, then mixed and mastered in Los Angeles by Ricky Bonazza bassist of Fear Factory and Butcher Babies.

“Huge love to my brothers in Dead By Wednesday — one of the hardest working bands out there, always grinding, always pushing, and doing it for the right reasons. It was an absolute pleasure mixing this new release, and I’ve got nothing but respect for these guys. A band I’ll always hold close to my heart, and I’m beyond stoked for everyone to finally hear this one," says Ricky Bonazza.

The accompanying music video was filmed in New York City and directed by Grammy-nominated filmmaker Tom Flynn, known for his work with numerous legendary metal artists.

DBW is: 

Esteban Alvarez - Vox

Opus - Drums

Dave Sharpe - Guitar 

Mike Modeste - Bass

ANNIHILUS MUNDI Presents "The Dead Sea Scrolls, Mvt. II - 'Incursion'"

"The Dead Sea Scrolls, Mvt. II - 'Incursion'" is the new single release from progressive extreme metal project ANNIHILUS MUNDI. The track offers a further taste of the band's forthcoming sophomore album, The Dead Sea Scrolls,scheduled for independent release on November 6, 2026.  

Loosely following the story of the 1995 anime series Neon Genesis Evangelion, "The Dead Sea Scrolls, Mvt. II - 'Incursion'" opens with a flashback to the Katsuragi expedition. On the album, "The Dead Sea Scrolls, Mvt. I" and "Mvt. II" combine to form an epic 13-minute opus. While the former delves into project mastermind Daniel Saillant's personal experiences, the latter focuses on fictional examples from Evangelion. "The Dead Sea Scrolls, Mvt. II - 'Incursion'" describes a society who has constructed their goals based on face-value interpretations of the words of ancient civilizations, leading to their mutual destruction.

Lyrically, Composer and lyricist Daniel Saillant explains, "the opening verses about the Katsuragi expedition detail how the titular Dead Sea Scrolls led to the discovery of Adam, the First Angel in Antarctica. Future verses describe how the Angels’ mission to reunite with Adam is motivated by clandestine knowledge given to them by their God, which exists entirely in the shadows. Both the humans and Angels alike operate under the directive of ancient religious knowledge, and in both cases, countless lives are lost and endless destruction is wrought across the planet."

ANNIHILUS MUNDI traverse an amalgamation of styles across "The Dead Sea Scrolls, Mvt. II - 'Incursion'". The track opens with clean tones of acoustic guitar melodies, vocal harmonies, and an enveloping somber mood. Obliterating harsh tones strike through the atmosphere with thunderous impact, and the song features a guitar solo by Andrew Matarazzo (PERENNIAL QUEST). Orchestral strings bring an otherworldly power alongside aggressive harsh vocals and ferocious riffs. The dramatic interplay of light and shade pervades throughout the instrumental arrangements of "The Dead Sea Scrolls, Mvt. II - 'Incursion'".

The Dead Sea Scrolls explores the personal lived experiences of composer and lyricist Daniel Saillant. In a fusion of genres and artforms, ANNIHILUS MUNDI presents the central concepts through the lens of Hideaki Anno’s notorious 1995 anime series Neon Genesis Evangelion and its subsequent 1997 film The End of Evangelion. 

The Dead Sea Scrolls was produced, mixed and mastered, and engineered by Daniel Saillant at Wailing Pines Productions. The album's artwork was created by Chris at Misanthropic Designs.

About ANNIHILUS MUNDI:

Formed in 2018, ANNIHILUS MUNDI is the creation of Daniel Saillant, blending elements of death metal, shoegaze, and progressive rock. His 2019 debut album Grief and subsequent releases have positioned him as a distinctive voice in the underground metal scene. Inspired by bands such as CYNIC, DEAFHEAVEN, and DREAM THEATER, Saillant continues to push musical boundaries, combining harsh and clean vocals, complex guitar arrangements, and introspective lyrics.

ANNIHILUS MUNDI is:

Daniel Saillant (Vocals, Guitar, Bass, Keyboards, Programming)

Connect with ANNIHILUS MUNDI:

Bandcamp: https://annihilusmundi.bandcamp.com/music
Facebook: https://www.facebook.com/annihilusmundi
Instagram: https://www.instagram.com/annihilusmundi/
Threads: https://www.threads.net/@annihilusmundi
YouTube: https://www.youtube.com/@annihilusmundi
Twitch: https://www.twitch.tv/annihilusmundi
Spotify:
https://open.spotify.com/artist/1keHp0ZrVPtDqCcGspP3Xa?si=jUB4r9JRSzqTqB tKJ3RfEg
Apple Music: https://music.apple.com/us/artist/annihilus-mundi/1492843855
TikTok: https://www.tiktok.com/@annihilusmundi
Discord: https://discord.gg/PKJDYWPrg9

Holissstik Announce Debut Album Chapter I: This Endless Solitude

After more than 30 years, Tor-Helge Skei remains one of the most consistent and surprising talents in extreme music. A founding member of the critically acclaimed group Manes, the Norwegian mainstay, multi-instrumentalist and producer has pushed the boundaries of black metal and the avant-garde. Now, with his new collaborative project, Holissstik, he’s expanding his vision like never before.

Today, Skei is announcing Holissstik’s debut album Chapter 1: This Endless Solitude. The album is the first in a trilogy and arrives with a captivating music video for its genre-busting lead single. While full of regrets, “The Rhythm of Silence” speaks to the collective spirit that makes Holissstik such a unified force.  

“Collaboration is the heart and soul of Holissstik”, Skei says. “The name comes from the Greek word Hólos, which, in English, is the root word for ‘whole’. The idea is that the music as a whole is greater than its individual contributions”.   

“With Hollissstik, we’ve built something that transcends traditional metal by focusing on the ‘holos’ - the beauty of the complete, interconnected whole”, says Manes member Tor-Arne Helgesen, who contributes drums to “The Rhythm of Silence”.

Fellow Manes member Eivind Fjøseide, who contributes guitar to “The Rhythm of Silence”, agrees. “Skei and I have worked together on music for more than 30 years. Together, we have a special chemical musical reaction that makes things very exciting”.

Watch the video for “The Rhythm of Silence” below.

Chapter 1: This Endless Solitude comes out August 14, 2026 on Season of Mist.

Pre-order & Stream

https://orcd.co/holissstiktheendlesssolitude

Although the very nature of Holissstik demands that we expect the unexpected, the collective’s future certainly seems to guarantee obsidian horizons and torrential deluges of artistic truth. In other words, the project promises to persistently and ritualistically pummel us with devastating yet necessary, epic masterworks. Skei and his collaborators truly present the most immersive experiences possible and, in Manes language, offer a safe place in the unsafe; dive in with your hands bound, and be submerged within the imprisoning brilliance. Skei continues to participate in a range of outstanding groups, and yet Holissstik stands as the most unpredictable and, counterintuitive as it might sound, accessible undertaking in the history of his illustrious career.

Lineup
Tor-Helge Skei

Guest musicians

Anna Murphy - Vocals on “Obsession Six”

Christophe Denhez - Guitars on “The Rhythm of Silence”, Guitars, vocals and lyrics on “Behind Me”

Eivind Fjøseide - Guitars on all songs except “Projections”

Gabriel Trentini - Vocals and lyrics on “Obsession Six”

Kristoffer Oustad - Synth on “The Rhythm of Silence”, “Projections”, “Reoccuring Dreams”, “This Endless Solitude”

Tor-Arne Helgesen - Drums on all songs except “Behind Me” and “This Endless Solitude”

Marita Hellem - Vocals on “The Rhythm of Silence” and “This Endless Solitude”

Martyna Halas - Vocals and lyrics on “The Rhythm of Silence”, “My Salvation”, “Would You Take This Heart” and “This Endless Solitude”

Nik Košar - Vocals and lyrics on “Projections” and “Reoccuring Dreams”

Pierre Ripka - Vocals and lyrics on “The Rhythm of Silence”

Paritta Monks - Chanting on “Would You Take This Heart”

Rune Folgerø - Vocals on "This Endless Solitude"
Rune Hoemsnes - Drums on "Behind Me"
Stig Waltoft - Synth and sounds on "Would You Take This Heart"
Tom Engelsøy - Vocals on "Obsession Six"
​Torstein Parelius - Bass on "Behind Me" and "This Endless Solitude", lyrics on "This Endless Solitude"
Trond Johansen - Guitars ​on "Would You Take This Heart"

Production credits

Recorded, produced and mixed by Tor-Helge Skei

Mastered by Knut V. Prytz

Songwriting credits

All songwriting and arrangements by Tor-Helge Skei

Biography

Jillian Drachman

Cover art

Adrien Bousson

Pre-order & Stream

https://orcd.co/holissstiktheendlesssolitude

Available formats

CD Digipack with alternative cover

12” Vinyl (Black)

12” Vinyl (Clear, green and purple marbled)

Follow Holissstik  

Official website: https://www.holissstik.com/

Spotify: https://open.spotify.com/artist/2kUEjjZJGqkwgszR0HQ8IK?si=u6nO-aJkT2inWJlOaDT6Vg

Apple Music: https://music.apple.com/us/artist/holissstik/1895853949

Bandcamp: https://holissstik.bandcamp.com/

YouTube:https://www.youtube.com/channel/UCzTKclWOedWL9-sznSesabA

Facebook: https://www.facebook.com/holissstik

Instagram: https://www.instagram.com/holissstik/

Discord: https://discord.gg/rmfY8Jd8ww

Hard Rock Supergroup ICONIC Unveils New Track "Take Me To The Place" + Visualizer

Today, hard rock supergroup ICONIC - featuring Michael Sweet (guitars), Joel Hoekstra(guitars), Marco Mendoza (bass), Tommy Aldridge (drums), and Nathan James (vocals) – have unveiled their new track, “Take Me To The Place,” ahead of the release of their upcoming sophomore album ‘II,’ set for release on July 31, 2026 via Frontiers Music Srl.

Michael Sweet comments on the track:

“'Take Me To The Place' is once again, a song that takes you back to the past. The whole point of this band/album is to remind people of the power of classic rock. Some of the greatest music came out of the 70’s/80’s, and we’re very proud to be able to continue waving that flag and carrying the torch!”

Joel Hoekstra shares:

“It was great fun to riff away to trade leads with Michael Sweet on this one. Nathan James is belting away, and the classic rock vibes are omnipresent. Hopefully you all like it as much as we liked recording it!”

Marco Mendoza also adds:

“Another great song coming from all the talent in this band...Michael and Joel killing it, Nathansounding great and delivering big time...Tommy driving!!!”



Watch the Visualizer for "Take Me To The Place" Below:

ICONIC returns with ‘II,’ a second album that doesn’t just continue the band’s journey - it defines it. Where their debut introduced the chemistry between five world-class musicians, II sharpens that vision into a clearer, heavier, and more confident sonic identity, delivering a sound that is more powerful, more direct, and unmistakably rock.

At the heart of the album lies the electrifying guitar partnership of Joel Hoekstra and Michael Sweet, delivering a masterclass in soaring melodies, blazing solos, and muscular riffs that perfectly balance technical brilliance with pure hard-rock attitude. Beneath them, the rhythm section of Tommy Aldridge and Marco Mendoza drives the record with thunderous authority, creating a groove that is both massive and relentless.

The album kicks off with “Cry No More,” a high-octane opener that immediately sets the tone - an energetic slice of hard rock packed with driving riffs, explosive drums, and a chorus built to stick. 

On the other side of the emotional spectrum, “Tears Keep On Falling” showcases the band’s dynamic range, unfolding as an electrifying power ballad where melody, atmosphere, and intensity come together in dramatic fashion.

Towering above it all is Nathan James, whose performance on ‘II’ is nothing short of extraordinary - powerful, soulful, and commanding, elevating every track with unmistakable presence.

With bigger riffs, deeper grooves, and a stronger sense of identity, ‘II’ captures ICONIC at full force: a band no longer introducing itself but fully owning its sound.

Pre-Order 'II' HERE

Line Up:

Nathan James - Vocals

Michael Sweet - Guitars

Joel Hoekstra - Guitars

Marco Mendoza - Bass

Tommy Aldridge - Drums

Keyboards by Antonio Agate

Backing Vocals by Marco Pastorino

LUNA KILLS Unveil "LOWER" Video

Following the release of their album DEATHMATCH last year, Finnish alternative metal powerhouse LUNA KILLS are already charging forward with a brand new single titled "LOWER" via Sharptone Records.

Speaking about the single, the band shares, "The lyrics of the song are about dealing with the feeling that you don't belong anywhere. You feel the weight of not fitting into the expectations that society or others have placed upon you, or even the expectations you have for yourself. It makes you question your reality, and at the same time, you slowly begin to feel like you'e fading away piece by piece and turning into someone you don't recognize. The song carries a theme — both in lyrics and music — about the contrast between the softness of accepting yourself and the world you have built around yourself and the crushing weight of a never leaving dread whispering whether you made the right choices."

Following the explosive momentum of DEATHMATCH and standout tracks including "WAVES," "LEECH," "sugar rush,""slay ur enemies"  and "love u," the band continues to evolve an unmistakable blend of crushing heaviness, modern production, and emotionally charged songwriting.

LUNA KILLS have added new dates to their 2026 tour schedule, featuring major festival appearances and headline shows across Europe, as well as select support slots for Future Palace and Vianova. View tour dates here.

ABOUT LUNA KILLS:
LUNA KILLS are without a doubt the most refreshing modern metal act in the scene, combining alternative and nu-metal vibes with electronics inspired by game soundtracks. Their frontwoman Lotta with her jazz singing background and incredible fry scream vocals brings the audience to their knees - unless they are speeding around in moshpits, as often witnessed in their fiery live shows. Even as newcomers LUNA KILLS have already opened the door to their beloved gaming world as their music is featured in the hit mobile app Beatstar. The band, first formed in 2019, has now taken their first steps on European stages, gained the attention of multiple rock radios in their native Finland and are moving forward towards their first full-length album with SharpTone Records.

LUNA KILLS ARE:
Lotta Ruutiainen — Vocals
Samuli Paasineva — Guitar
Jimi Kinnunen — Drums
Lassi Peltonen — Bass

DUSTIN LYNCH DELIVERS TWO OF CMA FEST'S HOTTEST TICKETS

During CMA Fest 2026, Dustin Lynch once again proved why fans flock to his signature events year after year, bringing thousands together across two unforgettable celebrations that showcased both sides of his high-energy live experience while his latest country radio single “Easy To Love” continues to climb the charts. 

On Thursday (6/4), Lynch kicked off the festivities with the fourth annual DUSTIN LYNCH POOL SITUATION: NASHVILLE at Margaritaville Hotel Nashville. Long before the gates opened, fans lined up downtown eager to secure a spot at Country music's premier pool party. The rooftop quickly reached capacity as Lynch delivered a crowd-pleasing set packed with fan favorites, joined by special guests David Lee Murphy and Two Friends. Returning Wheel-of-Fun activations including the fan-favorite Belly Flop Competition and Mullet Barber Bar helped transform the afternoon into another memorable installment of the now-annual CMA Fest tradition.

On Friday night, Lynch traded the rooftop for downtown nightlife, bringing his DUSTIN LYNCH NIGHTLIFE PARTY CLUB SET back to Barstool Nashville. Inspired by his ongoing WYNN NIGHTLIFE LAS VEGAS residency, the exclusive event showcased another side of the multi-PLATINUM entertainer as he took over the DJ booth for an explosive EDM set. Bryce Vine joined the festivities as fans packed the venue for one of CMA Fest's most talked-about late-night celebrations.

Together, the two events showcased the distinct space Lynch has created within Country music, blending the energy of a summer concert with the atmosphere of a nightlife destination. What began as fan events have evolved into annual CMA Fest traditions, drawing crowds year after year and cementing their place among the week's most anticipated experiences. Whether poolside under the Nashville sun or taking over the late-night scene downtown, Lynch once again delivered the kind of moments fans plan their festival weekend around.

KEEP UP WITH DUSTIN LYNCH

WEBSITE | FACEBOOK | X | INSTAGRAM | YOUTUBE | TIKTOK

IAN MUNSICK ANNOUNCES 4TH STUDIO ALBUM, THE MOUNTAIN GOAT, ARRIVING AUGUST 21, 2026

As one of modern country’s few Rocky Mountain artists – and the only one to merge its timeless traditions with an electrifying roots-pop edge – Wyoming native Ian Munsick has taken his music to the wild places few singer-songwriters go. With the announcement of his impending fourth studio album, The Mountain Goat, to fans during his fan club party at CMA Fest on Saturday (June 6), Munsick promises to continue doing just that. 
 
Munsick’s first full-length project released via WEST TO THE REST RECORDS / Triple Tigers Records – which he co-produced with Jeremy Spillman and Mike Robinson – The Mountain Goat arrives on August 21, 2026. Pre-save HERE. 
 
Along with co-producing the album, Munsick also played an extensive role in the instrumentation heard on the record. In total, Munsick is credited with playing nine different instruments: acoustic guitar, electric guitar, bass guitar, mandolin, banjo, harmonica, piano, bouzouki and kazoo, as well as lending background vocals and programming.
 
Reflecting on the creative process, Munsick shares, “‘Way up high in isolation, where most men dare not go…’ Since the very start of my musical journey I've always aspired to be an innovator. My voice has always been different so naturally, my music should be a little different too. When we started making this album, the relationship between my voice and the musical production was always at the forefront of the creative process. You'll hear modern sounds rooted in folky textures, soaked with steel guitar and, of course, plenty of fiddle. Melodies that will, hopefully, haunt you till the end of your days and lyrics that will take you to the place that inspires me most; the west. 
 
“These songs are dedicated to the land and the folks that live with it, not on it,” he adds. “Lord knows we need more of those in country music today. This album will take you horseback through pastures, prairies, up to the foothills, past the timberline and up to the summit... The Mountain Goat is waiting for you.”
 
As his single “Love Is Blind” continues to climb the charts at Country radio, Munsick will release his next song, “World War III,” off the 15-track album this Friday. Additionally, five D2C fan packs are available to pre-order on his online store, including an exclusive autographed zoetrope vinyl. Pre-order HERE.
 
Munsick promises to deliver fans a memorable tour of the west with a series of shows during album release week. As part of “The Road to The Mountain Goat,” Munsick just announced his official album release show will be held at Deer Valley Snow Park Outdoor Amphitheater in Park City, Utah on August 22 as part of the Deer Valley Concert Series. 
 
“Some of my favorite shows I've ever played have been in Mountain Time. Home of the Rockies and some of my most die hard fans, I couldn't think of a better place to host my album release show than the gorgeous Deer Valley Amphitheater in Park City,” Munsick beams. “Utah ALWAYS shows up and sings every word to every song and come August 22nd, you'll have 15 more songs to sing along to. 
 
“The Road to The Mountain Goat includes stops in Nevada, Colorado (including the legendary Red Rocks Amphitheater), New Mexico, Texas, South Dakota and, of course, Utah,” he adds. “If you've ever seen me and Rocky Mountain Fever live, you know these will be more than just shows.. they'll be experiences. Don't miss us on The Road to The Mountain Goat.”
 
Munsick is also partnering with The Landmark Hotel & Casino to open the Ian Munsick Cowboy Bar & Western Grill in August in Deadwood, S.D on September 18. Built between 1894-1920, The Landmark is Deadwood’s largest historic structure at approximately 35,000 square feet. The Ian Munsick Cowboy Bar & Western Grill will reside within over 2,600 square feet of the footprint. The venue will promote and celebrate country and western music with old school country bar decor, along with two performance stages, one indoors and one outdoors.

The Road to The Mountain Goat Shows:
Aug 21 || Minden, NV || TJ's Corral Outdoor
Aug 22 || Park City, UT || Deer Valley Snow Park Outdoor Amphitheater
Aug 25 || Morrison, CO || Red Rocks Amphitheatre
Aug 28 || Pueblo, CO || Colorado State Fair
Sept 11 || San Angelo, TX || Black Buck Amphitheater 
Sept 12 || Albuquerque, NM | New Mexico State Fair
Sept 18 || Deadwood, SD || Deadwood Jam
 
About Ian Munsick:
As one of modern country’s few Rocky Mountain artists – and the only one to merge its timeless traditions with an electrifying roots-pop edge – Wyoming native Ian Munsick lives in the wild places few singer-songwriters go. Yet with his fourth album, The Mountain Goat, he climbs farther out on his creative ledge than ever. Marking his first independent album on WEST TO THE REST RECORDS / Triple Tigers Records, Munsick remains as sure footed as his project’s fearless namesake, thriving in the isolation of a Western-flavored modern country frontier. Racking up over one billion career streams with previous albums Coyote Cry, White Buffalo, and Eagle Feather, Munsick has produced one RIAA-Platinum duet “Long Live Cowgirls” (with Cody Johnson) – No. 1 on SiriusXM’s The Highway Hot 30 Countdown – plus two Gold-certified hits: “Long Haul” and “Horses Are Faster.” Spotify, CMT, and the Grand Ole Opry were among those to recognize Munsick’s vision, and concertgoers across the globe have found a Western authenticity that can’t be faked. Munsick made history in 2025, becoming the first Wyoming-born artist to headline Cheyenne Frontier Days – the iconic rodeo known as the “Daddy of ‘Em All” – and with The Mountain Goat, his quest to bring Western mystique to modern fans continues. Fusing genuine tradition with cutting-edge sonics, 15 tracks feature an “earthy” new organic undercurrent, with the multi-instrumental master more connected to his acoustic roots – and more protective of his territory.