Indecent Behavior + Air Drawn Dagger Release Video for Joint Single "Give Me Everything"

German pop punkers Indecent Behavior and their British emo-pop labelmates Air Drawn Dagger have just released the video for the joint single "Give Me Everything." 

Watch it video below.

After performing at Rock am Ring, Rock im Park, and touring with Neck Deep, Zebrahead, and the Donots, Indecent Behavior will unleash their fourth studio album, SICK, on  September 26. Air Drawn Dagger released their debut album A Guide For Apparitions back in April. It was produced by Neil Kennedy (Creeper, Boston Manor) and the band recently toured with Halocene and Crushed By Waves, and performed at the Glastonbury Festival.

"The new single 'Give Me Everything' is for all those who want to break free from a toxic relationship – confidently and looking forward," says Indecent Behavior singer Henrik Bergmann. "People are different — what is completely normal for one person can mean the exact opposite for another. When two fundamentally different personalities come together in a relationship, it often gets complicated — sometimes even painful. 'Give Me Everything' is a liberating blow. The song is about the moment when you realize: 'I don't want this anymore — I'm worth more than this and I won't let myself be manipulated any longer.' It's not about settling scores with anger, but consciously drawing a line under things — without resentment, but with a clear view of the future. Maisie from Air Drawn Dagger brings a second perspective to the song. Because even if at first glance it seems as if there is a clear 'guilty' person, it is often simply a question of fundamentally different views on life and on each other."

Stream the single and pre-order the album SICK by Indecent Behavior here. 

In November, the two bands will also be performing together on stage, as Air Drawn Dagger will be accompanying Indecent Behavior on their SICK tour through Germany from November 20-28. Let's go!

We live in a world full of impressions. What seems like an ocean full of possibilities to some is incredibly overwhelming, oppressive and unfair to others. There is no escape from the mass of unfiltered information that rains down on us every day. No light at the end of the dark news tunnel. No clear way out of the labyrinth of options, which instead of freedom only brings excessive demands. SICK was created precisely from these thoughts and is an album for everyone for whom it sometimes just gets too much. Who feel like they are living in a world that they simply don't understand. For all people who are looking for a place where they can feel understood and comfortable.

INDECENT BEHAVIOR ARE:
Henrik Bergmann — Vocals
Christian Noß — Guitar, Vocals
Denis Selzer — Bass, Vocals
Florian Heintz — Drums

Der Weg einer Freiheit Release Searing New Single "Marter"

Since their formation in 2009, Der Weg einer Freiheit have carved out a singular place in modern black metal. While rooted in the genre’s foundations, these Germans are constantly evolving. On their upcoming sixth album, they turn inward with devastating clarity. Innern tunnels toward collapse and into silence before finally reaching a place of personal transformation.

Today, Der Weg einer Freiheit are releasing the second advanced single from Innern. “Marter” is the album’s searing opener, a harrowing plunge into its core themes of isolation, dissolution and the fragile possibility of release.  

Watch the video for “Marter” below.

Innern comes out September 12th on Season of Mist

Pre-order

https://orcd.co/derwegeinerfreiheitinnern

Pre-save

https://open.spotify.com/prerelease/46CJu30XN9wGChOsoHEJCm

As the opening track from Innern, “Marter” sets the tone for an album that peers inward, confronting pain not as an end, but as a threshold. The song is defined by its contrasts: unrelenting yet fragile, crushing yet imbued with fleeting moments of calm. Opening with mournful restraint, it slowly uncoils into a storm of relentless tremolo-picked guitars. Intricate yet punishing blast beats from Tobias Schuler rumble beneath the grounding weight of Alan Noruspur’s bass. Nikita Kamprad and Nicolas Rausch’s layered guitars oscillate between ferocity and elegiac stillness as Kamprad’s vocals shift from anguished cries to whispered resignation.

On “Marter”, Der Weg einer Freiheit contemplate identity, rebirth and the futility of clinging to words that fall on deaf ears. The lyrics’ imagery of burning throats, collapsing voices and the pull of the stars frames suffering as both torment and an avenue toward renewal. The repeated surrender, “Nimm sie alle, meine Schreie…”(“Take them all, my screams…”), dissolves personal agony into something vast and cosmic.

The lyric video for “Marter” was created by Riivata Visuals.

DER WEG EINER FREIHEIT stand now at the peak of a fifteen-year evolution.Their music is as concerned with silence as it is with sound, as shaped by introspection as by fury. As they prepare to bring Innern to European stages in autumn 2025, they do so not as provocateurs of extremity, but as artists navigating the fragile space between collapse and clarity. In a genre often defined by spectacle, DER WEG EINER FREIHEIT remain committed to vulnerability, transformation, and truth.

Lineup:

Nikita Kamprad — Vocals, Guitars

Nicolas Rausch — Guitars

Alan Noruspur — Bass

Tobias Schuler — Drums

Production Credits:
Recorded, mixed & mastered in Würzburg, Germany by Nikita Kamprad.
Drums recorded separately at Studio Weißmann, Würzburg, Germany.

Cover Art:
Design & layout by Max Löffler (https://maxloeffler.com/)

Photography:
Mario Schmitt

Press-kit: https://presskit.season-of-mist.com/Der_Weg_Einer_Freiheit/

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Follow Der Weg Einer Freiheit:

Official Website: https://derwegeinerfreiheit.de/

Bandcamp: https://derwegeinerfreiheit.bandcamp.com/

YouTube: http://www.youtube.com/derwegeinerfreiheit

Instagram: http://instagram.com/derwegeinerfreiheit

Facebook: http://www.facebook.com/derwegeinerfreiheit

Spotify: https://open.spotify.com/artist/7e823b0KQoVtLG86Ui5xGD

Apple Music: https://music.apple.com/artist/der-weg-einer-freiheit/363526020

Deezer: https://www.deezer.com/artist/1386896

Tidal: https://tidal.com/browse/artist/4479035

ALL HELL returns from the shadows with their fifth full-length album, Sunsetter,

Arriving October 10, 2025 on Terminus Hate City. From their origins in Asheville, North Carolina in 2013, the band has carved a singular path through the underground, blending elements of first wave black metal, deathrock, punk, and film score atmospheres into something entirely their own. Sunsetter is the culmination of years of evolution and hardship, a concept record that stretches from ancient myth to modern apocalypse, driven by fire, blood, and vision.

The band (Jacob Curwen on guitar and vocals, Erik Ballantyne on bass, and Elanti on drums) began work on Sunsetter after the release of 2019’s The Witch’s Grail. Progress was slow and plagued by constant disruption. The pandemic struck, personal tragedies followed, and devastating floods hit their home region. In the midst of all this, the band found themselves burned out and disillusioned with metal entirely. But after stepping back and rediscovering their creative hunger, they emerged with a record that is not only their most metal release to date, but also their most fully realized.

Sunsetter tells a sprawling, violent tale of exile, rebirth, and cosmic vengeance. The story begins in ancient times with the curse of Cain, the first murderer, cast into the land of Nod where he joins with Lilith, the exiled first wife of Adam. From their union comes a cursed bloodline. The album’s opening track, “Exiled into Nod,” skips any slow buildup and immediately drops the listener into the chaos of this mythic prayer. It is followed by “Dominus Sanguis, Domina Nox,” a dark hymn to the Lord of Blood and the Lady of Night, and then “The Violent Brood,” a classic ALL HELL track that portrays the frenzy of being hunted by Cain's spawn.

“The Bleeding” flips the perspective and explores the mind of a predator, with a guest solo from Nate Garnette of SKELETONWITCH adding another layer of menace. The title track, “Sunsetter,” takes a more triumphant tone, capturing the defiance and pride of the children of Cain as they reject the sun and claim dominion over the night. Its straightforward power made it the obvious choice for the album’s name.

Side two of the album begins with “The Flood and the Death,” a cinematic, spoken-word interlude that sets the stage for a shift in time. The next chapter takes place centuries later, where the bloodline of Cain has survived the flood and reemerges in the present. “Behold the Night” brings this rebirth to life with driving energy and shifting dynamics. “Path of Cain” offers a darkly anthemic reflection on lineage, sin, and survival.

The final act of the album accelerates toward doom. “Sacrifice to Shadow” portrays a cult's plea for the return of their ancient masters, while “The Ancients Rise” delivers on that prophecy with grinding riffs and ominous brass that call back to the album’s ancient beginnings. The closing track, “The Outer Night,” brings it all to an end. It begins with militaristic urgency, climbs to apocalyptic grandeur, and fades into the cold silence of a world overrun. Cain and Lilith return, and the sun sets for the last time.

The album was recorded, mixed, and engineered by Chris Adams at Hidden Audio, with mastering by Jacob Curwen. The visual aesthetic, including the album art, was also created by Curwen, preserving the band’s independent and uncompromising approach.

The sun fades. The night takes hold. The world belongs to ALL HELL.

About ALL HELL:

ALL HELL is a blackened metal trio from Asheville, North Carolina, known for their relentless fusion of first wave black metal, deathrock, punk, and horror-driven storytelling. Since forming in 2013, the band has carved out a distinct identity rooted in occult themes, razor-sharp riffs, and a fierce DIY ethos. Their sound is aggressive, stripped-down, and deeply atmospheric — a raw, unfiltered descent into myth, violence, and the supernatural.

With five full-length albums and an EP to their name, including 2025’s apocalyptic concept record Sunsetter, ALL HELL has evolved from a local cult favorite into a powerful underground force. Their live presence has taken them across the U.S., sharing stages with acts like RINGWORM, BLACK TUSK, PROFANATICA, and TURN COLD, and performing at festivals such as Decibel Metal and Beer Fest, Dark Lord Day, and RPM Fest.

The current lineup, Jacob Curwen (guitar and vocals), Erik Ballantyne (bass), and Elanti (drums), continues to push the band’s sound forward while staying true to its core. With each release, ALL HELL digs deeper into a unique mythos that spans history, horror, and apocalypse, embracing the dark, the ugly, and the eternal night.

ALL HELL is:

  • Jacob Curwen – Guitar and Vocals

  • Erik Ballantyne – Bass

  • Elanti – Drums


Connect with ALL HELL:

Bandcamp: https://allhell.bandcamp.com
Facebook: https://facebook.com/allhellband
Instagram: https://instagram.com/allhellband
Spotify: https://open.spotify.com/artist/5FVXnF7zGfuo8WF5qq4XHK
Apple Music: https://music.apple.com/be/artist/all-hell/925520478

HIGHER POWER - announce first UK headline tour in 4 years + 'Better' video

UK alt-hardcore quintet Higher Power are pleased to announce an 8-date UK headline tour this October, bringing their new material live to our stages. This is their first UK headline run since 2021! The band's third studio album, There's Love In This World If You Want It, was surprise released digitally in June via Nuclear Blast Records. The album will be released physically on September 19th and is available for pre-order, HERE.

Higher Power have also released a dreamy video for cathartic new track 'Better', which you can view below.

Frontman Jimmy Wizard commented on the video:
"This video couldn’t be anymore honest, we literally turned up at our practice room with no plan but we let the creativity flow and the result is what you get when some friends hang out, exchange ideas and have fun. The rest of the videos have felt very narrative and metaphor based where as this one needed to be super stripped back and we let the music do the talking!"

Stream There's Love In This World If You Want It and pre-order physical copies here: https://higherpower.bfan.link/love

Inner peace. That’s the aim for us all, isn’t it? Well, the truth is that it is always there waiting for you. You just need to work away a little bit to find it, digging deep and questioning yourself to get closer and closer to achieving that ultimate sense of personal zen. It may not always feel like the search is paying off, but there is always potential for that love, compassion and understanding of who you are to seep through. The journey may be challenging, but you’ll be glad that you took part in it in the end.

For Higher Power, that journey has seen them do things that, when they emerged onto the Yorkshire hardcore circuit in 2015, were never even on their radar. From their innocently frantic beginnings of emulating and celebrating legendary bands like Leeway and Merauder for a new generation, even playing their first two shows in the basement of the house owned by The Flexand at an early iteration of Outbreak Fest respectively, the ten years that have followed have seen them ride every ebb and flow that the music industry has to offer. From touring with everyone from Alexisonfire and Neck Deep to Knocked Loose and Angel Du$t to signing to Roadrunner Records for their sophomore full-length 27 Miles Underwater, they have achieved the sort of things that, up until recently, would never have been on the horizon of possibility for a hardcore band of their ilk. Yet, within experiencing the industry mechanics usually reserved for the highest echelons of rock royalty, they also realised they were drifting away from the things that made them want to do all of this in the first place.

The result of putting what feels right for them first is There’s Love In This World If You Want It, a record that encapsulates the Higher Power spirit in a way that only those whose hearts are truly entrenched in the band can produce. Peeling away layers of assumption and ideology placed upon them by others and focusing once more on the genre-splicing experimentation that inspired them to create together in the first place, they have produced nine songs that showcase exactly what they are made of in a screaming rainbow of colour.

UGLY KID JOE 30TH ANNIVERSARY EDITION OF MENACE TO SOBRIETY ON BOTH SINGLE AND DELUXE DOUBLE VINYL COMING IN NOVEMBER FROM DEKO ENTERTAINMENT

In 1995 Ugly Kid Joe released their 2nd full length record, Menace To Sobriety. A heavier and darker album than the predecessor, which fit the time, and Kerrang! Magazine called it “the album of year”, yet the album received little to no promotion in the US, validating vocalist, Whitfield Crane’s claim that their label was backing away from them.  

30 years later Menace To Sobriety’s true power is evident, without the bias of the times, and with the years having shown that many of the albums that were ignored by the labels prove to have much more life than the ones they spent their PR budgets on, Ugly Kid Joe may have recorded the heaviest and most consequential album of their careers. Menace saw the addition of drummer Shannon Larkin from Wrathchild America, and later of  Godsmack, and his impact was obvious from the opening of the powerful lead off track “God”. His playing propels the doom of the lead off single “Tomorrow’s World”, a track that shows how big of an influence Black Sabbath was on the band, and one of the stand outs on this album. The bands songwriting shines throughout this album, as does the musicianship, and of course the infamous Ugly Kid Joe sense of humor. “Milman’s Son” shows the depth of the band’s writing, and the different textures of Whit’s voice from smooth to snarl, the melody is memorable and so are the lyrics, sincere, yet humorous.  As the record rolls on we hear the powerful chemistry of the guitar duo of Dave Fortman and Klaus Eichstadt with riffs like “Clover” and the amazing “Jesus Rode A Harley”, and the heavy and funky bass playing of Cordell Crockett.  

View “Milkman’s Son” below:

Deko is proud to bring this album back to vinyl for its first Official Repress in two different formats! The single album reissue is on Ugly Kid Joe Ghostly Green, and a double LP pressed at 45RPM on an explosive Orange A-Side / B-Side Splatter that comes in a gatefold, both featuring the bonus track “Slower Than Nowhere”, which was not included on the US release of the album originally.  Both in limited pressings!  

Ugly Kid Joe was formed in 1989, and has released five full-length albums, two compilation albums and two EPs. They burst on to the scene with As Ugly as They Wanna Be (1991) and America's Least Wanted (1992), which were both certified double platinum by the RIAA; the former is notable for being the first EP to go platinum, and propelled by the hit songs “Everything About You”, “Neighbor”, “So Damn Cool” and the huge cover of “Cats In The Cradle”. The band broke up in 1997, and after a 13 year absence, reformed, and have been recording and touring almost annually ever since, and they show no signs of slowing down.

This is a must have for Ugly Kid Joe fans and continues Deko Entertainment’s mission to bring you some of the best reissues with the best sound quality and packaging from some of your favorite bands. Bringing some of these releases to vinyl for the first time including recent reissues from Union, Trapeze, Brian Setzer Orchestra, Dokken, Slaughter and Warrant.

Pre-order here: https://www.dekoentertainment.com/reissues/ugly-kid-joe 

For more information, visit 

www.dekoentertainment.com 

Deko Entertainment–Art Has Value

Barbarians of California (Feat. AWOLNATION, Tinfed) Return With New Ripper "Modern Fashion"

The West Coast's contribution to hardcore punk is undeniable. That tradition of aggression, passion, and scrappy melodicism continues with The Barbarians Of California, an engaging new manifestation of iconoclastic spirit and true bombast. Featuring Aaron Bruno of AWOLNATION and Eric Stenman of Tinfed, as well as being a noted producer, TBOC are equal opportunity iconoclasts, gleefully thrashing the left and the right in the hardcore-punk tradition of nonconformity and raw fury. The band isn't "political," because they aren't advocating for anyone's platform. The central message is defiance.

Today, The Barbarians of California return with the video for the brand new single "MODERN FASHION."

Watch it below.

"Hopefully, 'Modern Fashion' can become a metaphor for whatever you feel like wearing and for whatever music you feel like listening to...never having to explain yourself," declares Bruno.

How many easter eggs can you spot?

The track is built on noisy, choppy riffs that land like electric shocks to your spine. It's gnarly post-hardcore at its absolute finest. 

The band's debut album And Now I'm Just Gnashing My Teeth arrived last year. Get it here.

TBOC will spend the rest of August and September on tour with Deftones. All upcoming TBOC dates are below, including an appearance at RiotFest. 

THE BARBARIANS OF CALIFORNIA ON TOUR:
WITH DEFTONES:
8/22 — Vancouver, BC — Rogers Arena
8/24 — Edmonton, AB — Rogers Place
8/25 — Calgary, AB — Scotiabank Saddledome
8/27 — Winnipeg, MG — Canada Life Centre
8/29 — Minneapolis, MN — Target Center
8/30 — Milwaukee, WI — Fiserv Forum 
9/1 — Buffalo, NY — KeyBank Center 
9/7 — Quebec, QC — Videotron Centre
9/8 — Montreal, QC — Bell Centre 
9/10 — Cleveland, OH — Rocket Mortgage FieldHouse 
9/11 — Baltimore, MD — CFG Bank Arena
9/13 — Saint Louis, MO — Enterprise Center
9/15 — Denver, CO — Ball Arena
9/17 — Kansas City, MO — T-Mobile Center
9/19 — Chicago, IL — Riot Fest*
1/25-1/31 — Shiprocked 2026 

ABOUT THE BARBARIANS OF CALIFORNIA:
So, who, exactly, are The Barbarians of California? Here's a refresher. 
 
Eric Stenman and Aaron Bruno first collided in the California hardcore scene of the early '90s. Stenman cut his teeth in the same Sacramento community that eventually launched diverse and disparate acts like Deftones, Far, Will Haven, Team Sleep, Hella, Death Grips, and Trash Talk. Bruno was born and raised just north of L.A. and nicknamed "AWOL" by his high school friends.  Eric played guitar for cutting-edge, electro-infused rockers Tinfed. Commercial success eluded them despite a cult following, a deal with a major label, and an appearance on the M:I 2 soundtrack.  Bruno co-founded the hardcore band Insurgence as a teenager. His next band, Home Town Hero, toured with Weezer and Stone Temple Pilots and released a major label album, but combusted in 2004. Next came Under The Influence Of Giants, who, despite critical acclaim, disbanded in 2008. Stenman became one of the most sought-after producers of alternative rock. His discography as a producer, mixer, and engineer includes important releases from 7 Seconds, Senses Fail, ††† (Crosses), and AWOLNATION. AWOLNATION, of course, is the multi-platinum act Bruno formed in 2009. 
 
The spirit of the underground and the personal catharsis delivered through metallic hardcore never left either of them. So, when Aaron learned that Eric crafted a batch of throwback bangers combining impassioned angst with modern sensibilities, he wanted in immediately. The Barbarians were born.  The apparent "full circle" moment isn't lost on either of them. "It's a funny time in our lives to go back and make the most aggressive music we've ever created," Stenman laughs. “Both of us have always had a love for this world. If given the opportunity, why not try to give back to it?"

Kaitlin Butts Releases Official Music Video for Viral Hit "You Ain't Gotta Die (To Be Dead To Me)"

Rising country/Americana singer/songwriter Kaitlin Butts has released the official music video for her viral anthem, “You Ain’t Gotta Die (To Be Dead To Me),” a track that has taken on a life of its own across TikTok and streaming platforms. Recently spotlighted in Variety for its runaway virality, the song has become a favorite for fans and artists alike, amassing over 123 million TikTok views, 8 million global streams, and inspiring thousands of fan-created videos that showcase its biting lyrics. Watch the video Below.  

The track is featured on her critically lauded album Roadrunner!, which Holler described as “something worthy of the silver screen.” The new video written and conceived by Butts and directed by Chris Beyrooty delivers on that cinematic promise. It harkens back to a classic western tale where the woman declared “unafraid to test boundaries,” by Rolling Stone, is the one administering her own brand of wild west justice offering a striking and comedic take on the track.

“Making this music video was something I’ve wanted to do since I put out this album,” shared Butts. “I’ve had the treatment for it since January 2024, when I was writing the videos for ‘Wild Juanita’s,’ ‘Hunt You Down’ and ‘Other Girls.’ When ‘You Ain’t Gotta Die’ started to have its viral moment, I was so excited to create something I’ve had in my head for so long. We looped in director Chris Beyrooty to help me bring it all to life and I could not be more pleased with how it turned out. I took some inspiration from some of my favorite movies, Holes, Django Unchained and Chicago. Expect a little dance with a side of blood, lipstick and justice.”

The video follows the breakout success of Butts’ 2024 album, Roadrunner!, which solidified her as one of the most inventive songwriters in modern country. She leaned into her lifelong love of musical theater and dreamed up a modern-day reimagining of the soundtrack to her all-time favorite musical, Rodgers and Hammerstein’s Oklahoma!. It was praised as “epic, involved, entertaining, and thought-provoking” by Saving Country Music and hailed as “a brilliant showcase of what happens when you believe in yourself so much – and so well – that the world is left with no other purpose than to bend to your desires, whatever they may be,” by The Tennessean while No Depression called Butts “one of the more creative songwriters making country music right now” the much buzzed about troubadour is showing no signs of slowing down.
 
With a fearless songwriting style that blends humor, vulnerability, and theatricality, Butts has earned a reputation for music that pushes creative boundaries. “You Ain’t Gotta Die (To Be Dead To Me)” has quickly become a defining moment of her career, bridging the acclaim of Roadrunner! with the viral energy of a new fan-favorite anthem.

This year, Butts will bring her live show to stages across the country, joining some of the genre’s biggest names. She will open for Lainey Wilson on her worldwide Whirlwind Tour, hit the road with Molly Tuttle on The Highway Knows Tour and join Ella Langley on her Still Hungover Tour. She will also reunite with Flatland Cavalry as part of their Flatland Forever(more) Tour, while making appearances at major fairs and festivals, including a highly anticipated set at AmericanaFest 2025.
 
For the latest news and tour dates visit kaitlinbutts.com, and follow along on Instagram, Facebook and X @kaitlinbutts and on TikTok @kaitlinbuttsmusic.

About Kaitlin Butts: 
“Unafraid to test boundaries” (Rolling Stone), Kaitlin Butts fearless approach to country music is helping her reach new heights. In 2024, Butts released her acclaimed album Roadrunner!. She leaned into her lifelong love of musical theater and dreamed up a modern-day reimagining of the soundtrack to her all-time favorite musical, Rodgers and Hammerstein’s Oklahoma!, which ended up on numerous best-of year-end lists. “With the last album I wanted to write about the struggles I’d seen people go through or experienced myself, so a lot of the songs had a sadness or darkness to them,” Butts explains. “I feel like Roadrunner! is much closer to what I’m like onstage, where there’s real emotion and truth but also humor and a tendency to poke fun. It’s all those different versions of me at once.” Butts also hit the road hard in 2024, making her Lollapalooza debut, opening for Dierks Bentley, Brothers Osborne and Flatland Cavalry, and trekking across the U.S. on her first-ever coast-to-coast headlining tour.
 
In 2025, the Tulsa-born, Nashville-based Butts is gearing up for another banner year. Butts will join Lainey Wilson on her Whirlwind Tour this Summer, and will also be featured in the Country Music Hall of Fame’s latest American Currents exhibition. In the exhibit, Butts is featured alongside artists like Lainey Wilson, Miranda Lambert, Luke Combs, Chris Stapleton and others. Butts has also joined the 2025 Opry Next Stage Class alongside Kashus Culpepper, Tigerlily, Tucker Wetmore, Dasha, Avery Anna and Chayce Beckham, as well as the CMT Next Women of Country Class of 2025.

Toronto’s most determined and hardest‑working power trio, DANKO JONES, let out a mighty roar in Leo Rising

Toronto’s most determined and hardest‑working power trio, DANKO JONES, let out a mighty roar in Leo Rising, an eleven-track masterclass in sweat-soaked, no-nonsense rock ’n’ roll. The album – produced to red‑hot perfection by long‑time collaborator Eric Ratz – lands on 21 November 2025 via Perception - A Division of Reigning Phoenix Music and Sonic Unyon (for Canada).

“You know the sound every kid makes with their mouth when they play air guitar?”Danko asks. “That’s still the sound I want to put on every album we make. If we can come close to that sound, that’s an album worth releasing. Eric Ratz produced this album and he knows this about me. I have complete faith in the guitar tones he manages to capture. There weren’t any changes in recording. We still did it all apart from one another, like our previous two albums. JC recorded in Finland, Rich flew in from Prince Edward Island to Toronto to record his drums, and I worked with Eric in Toronto on guitars and vocals.”

Leo Rising is another triumph from one of the most consistent bands in the business. Above all, it showcases the fizzing, electrified chemistry between the three members of this explosive powerhouse. Operating as a stable and harmonious unit since 2013, DANKO JONES join forces on stage every night, united in their love for riffs, melodies, and a raucous, sweat-drenched good fucking time.

“This is the line-up I wish we had from the start,” Danko concludes. “I’m not just saying that because time has already proven it. First and foremost, we all get along with each other onstage and offstage. The mood is always light and nobody’s ego gets in the way. When it comes to writing and recording, we are all on the same page and we service the songs, always!”

Leo Rising may just be the most uplifting and inspirational DANKO JONES album to date. A thunderous display of high octane guitar-driven rock awaits, from the thrill seeking opener "What You Need" to the blues infused seductive delight, "Too Slick For Love". Also lying in wait on Leo Rising is the power-pop hit "Everyday Is Saturday Night" which brings the party vibes with a catchy lyrical hook you'll find yourself repeating everyday of the week. "It's A Celebration" sees the energy continue flowing with fiery rhythms across the dynamic track. Unafraid to reveal a grittier side as the distortion is turned up a notch, the sleaze-metal leaning "Pretty Stuff" is followed by the edgy "Gotta Let It Go". 

About DANKO JONES:
Every time someone announces the death of rock ‘n’ roll, Canada’s most incendiary power trio roll with the punches and keep rocking with maximum commitment to the cause. DANKO JONES are a three-piece rock ‘n’ roll band from Toronto. They never sleep. They sweat blood. And they are keeping rock alive by doing it better than anyone else.
 
On duty since 1996, these unstoppable road-hogs have devoted their lives to rousing the people with blistering, no-bullshit, all-action rock. They have rallied a global army of rock-hungry fans, and blown them away with a steady stream of explosive, anthem-packed albums and an absurd number of live shows. From early underground smashes like We Sweat Blood [2003] and Sleep Is The Enemy [2006], to the band’s recent, triumphant triumvirate of A Rock Supreme [2019], Power Trio [2021] and Electric Sounds [2023], DANKO JONES have been a relentless force for rock ‘n’ roll good, both in the studio and on the road. And they have absolutely no intention of stopping.
 
“You know what? I like the routine of recording, touring, writing, and repeat,” states singer/guitarist, Danko Jones himself. “I can do that till I’m dead! It may sound boring, but it’s so hard for a band to achieve. I don’t take this lightly. Also, it’s a page out of the MOTÖRHEAD handbook so it works! Since “Electric Sounds” we’ve been touring and touring. We managed to play in Mexico and Greece for the first time, and we even played Prince Edward Island, a province in Canada we’d never been to before. Other than that, it’s been a life of gigs and writing more songs to play more gigs!”
 
Proving that their time was well-spent, Danko, bassist John Calabrese and drummer Rich Knox have conjured yet another blazing banquet of nourishing rock goodness on their 12th studio record, due for release later this year.

DANKO JONES are:
Danko Jones | vocals, guitars
John Calabrese | bass
Rich Knox  | drums

FALLUJAH PAYS TRIBUTE TO MESHUGGAH WITH NEW MUSIC VIDEO FOR 'THE OBSIDIAN ARCHITECT'

Progressive death metal masters FALLUJAH are paying tribute to extreme metal pioneers MESHUGGAH with their new music video for ‘The Obsidian Architect,’ in which they recreate the band’s iconic DIY video for ‘New Millennium Cyanide Christ.’ Watch it below.

Commenting on the video, the band states:

“We spent our entire budget on Lamborghinis and tattoos for the Labyrinth of Stone music video, so we had to shoot this one ourselves. Best we could do. Enjoy.”

‘The Obsidian Architect’ is found on the band’s recent, critically acclaimed album, Xenotaph, that’s available now via Nuclear Blast Records.

Purchase/Stream Xenotaph: https://fallujah.bfan.link/xenotaph

About FALLUJAH:

Prog death-metal outfit FALLUJAH expand horizons and solidify their position as one of America’s most exciting acts on their new album, Xenotaph, through Nuclear Blast. The quintet’s confidence in the lineup that made their previous album, Empyrean (2022), such a resounding success—earning high marks from Metal Injection, New Noise, and Guitar World—has been reconfigured slightly, with guitarist Sam Mooradian (INHALE EXISTENCE, SAM MOORADIAN) and drummer Kevin Alexander (DISEMBODIED TYRANT, BROUGHT BY PAIN) bringing their jaw-dropping musical proficiency to the fold, as vocalist Kyle Schaefer, guitarist Scott Carstairs, and bassist Evan Brewer enter a new chapter with FALLUJAH. Moored by singles ‘Kaleidoscopic Waves,’ ‘Labyrinth of Stone,’ and ‘Step Through the Portal and Breathe,’ Xenotaph is FALLUJAH personified, reinvigorated, and re-imagined.

Xenotaph was produced by FALLUJAH, engineered by Dave Otero (CATTLE DECAPITATION, ARCHSPIRE) and Mike Low (VITRIOL, ABORTED) at Flatline Audio in Denver, Colorado and Top Track Studios in Nashville, Tennessee. Otero also mixed and mastered Xenotaph. The main goal was elevation, building upon yet soaring upward from Empyrean, one of the group’s strongest productions to date. The team focused the separation of FALLUJAH’s breakneck pace, meticulous songcraft, euphonious leads, and unrivaled intensity, creating an experience pulls the listener into Xenotaph’s high-caliber music and concept.

Beyond releasing Xenotaph to an anticipating fanbase, FALLUJAH take aim at the road, drawing upon the success of their Empyrean runs. Indeed, attendees to the group’s live performances have witnessed some of Xenotaph’s songs already, namely the shimmery prog-bounce and inner world horror of ‘The Obsidian Architect.’ FALLUJAH are in a perpetual state of evolution, and Xenotaphdemonstrates the group’s hard-won, if profound journey. For there is no reverse—only forward progress, and the path ahead is illuminating before them.

Kyle Schaefer | Vocals, Programming
Scott Carstairs | Guitars
Sam Mooradian | Guitars
Evan Brewer | Bass
Kevin Alexander | Drums

Follow FALLUJAH:

Linktree | Facebook | Instagram | X | Youtube | Patreon

Laura Cox Announces New Album "Trouble Coming" — A Bold Blend of Classic Rock Spirit + Modern Edge

French rock artist Laura Cox is set to release her  new album Trouble Coming on October 31 via earMUSIC / Verycords.

Following the release of the singles "No Need to Try Harder" and "Trouble Coming," the album captures everything that made Cox one of Europe's most exciting rock exports — while adding a sharper, modern appeal that points firmly toward the future.

From explosive guitar anthems like "Do I Have Your Attention?" to more atmospheric, introspective tracks such as the aforementioned "Trouble Coming," the album balances raw riffs with melodic storytelling. Laura Cox, once a viral guitarist on YouTube, has grown into a beloved voice of modern hard rock — bridging generations of listeners who crave both tradition and innovation.

The album is available in multiple formats, including a CD Digipak, standard black LP, and two limited marbled vinyl editions (black/white and transparent red/black).

Pre-order the new album Trouble Coming here. 

"Trouble Coming marks a new era in my musical evolution, still firmly rooted in the rock that shaped me, but driven by complete freedom in writing and composition. This album reflects a sense of letting go, both through the themes it explores and the modern sounds that emerged from an unexpected collaboration," states Cox.

ABOUT LAURA COX:
From viral guitarist to festival mainstay, Laura Cox has carved her own lane in the European rock scene. With over 513K YouTube subscribers and a combined 105 million views, her journey from bedroom covers to main stages like Hellfest, Rockpalast, and Pol'and'Rock has become the blueprint for independent rock success. Her 2023 album Head Above Water showcased a striking evolution in both sound and songwriting — and if Trouble Coming is any indication, there's plenty more fuel in the tank.

BRAINSTORM Release New Single & Visualiser Video "The Boys Of Summer"

Still riding on the wave of success caused by their 2025 album Plague Of Rats (February 28, 2025 via Reigning Phoenix Music; DE #13, SE #13, AT #41, CH #42, GR #50), Southern German heavy/power metallers BRAINSTORM use the final weeks of the warm season by having a creative stopover at the beach on their way back from the myth-enshrouded Indus world. Today, they present nothing but a metalled-up take on DON HENLEY’s classic track "The Boys Of Summer" to their fans.
 
The track was recorded during BRAINSTORM’s Plague Of Rats sessions in 2024, and the timing of its release couldn’t be more fitting as the group have entered the final stages of this year’s festival season.
 
Vocalist Andy B. Franck adds: “Even though ‘The Boys Of Summer’ deals with rather nostalgic themes of ‘summer love’ and the memory of a past relationship, for me - at the time a 13-year-old - it was, beyond the metal anthems of the 80s, a great song that I associated with summer, girls and the corresponding feeling for many, many years. DON HENLEY and the EAGLES are simply awe-inspiring. Even today, this song still evokes great memories for me, and since it’s also a song about questioning the past, this track fits perfectly into our times. I’m proud that we recorded it, and maybe it will be part of a show soon. People will love it and then share memories with this, our version!”
 
Watch the official visualizer video below.
Stream "The Boys Of Summer": https://brainstorm.rpm.link/theboysPR
 
But the metal world doesn’t have to worry - the band are far from resting on their latest laurels: Behind the curtain, BRAINSTORM have been working on extending their 2025/2026 Plague Of Rats touring cycle, and the announcement of more live dates following their confirmation for the next edition of Summer Breeze Open Air (Dinkelsbühl, Germany) is really just a matter of time… Stay tuned!

BRAINSTORM remain a vital force in the metal scene, seamlessly blending traditional elements with modern influences in their latest work, Plague Of Rats. Drawing inspiration from the rich and mystical narratives of ancient Indian civilization, this album delivers an energetic line-up of tracks devoid of slow songs or ballads, fully embodying the band’s dynamic and robust metal style. Expertly crafted with the collaboration of Sebastian “Seeb” Levermann (ORDEN OGAN, ANGUS McSIX) for mixing and mastering at Greenman Studios, and featuring striking artwork by Gyula Havancsák (DESTRUCTION, KREATOR, GRAVE DIGGER etc.) and photography by Alex Kühr, Plague Of Rats offers ten compelling new tracks that transport listeners to the captivating worlds of India and beyond.
 
Order/stream Plague Of Rats: https://brainstorm.rpm.link/plagueofratsPR

About BRAINSTORM
BRAINSTORM look back on an unparalleled career: since their 1997 debutHungry, the band have continued to develop and to consolidate their position in the international metal scene with albums like Metus Mortis [2001], Soul Temptation [2003], Liquid Monster [2005], and most recently Midnight Ghost [2018] and Wall Of Skulls [2021]. They have toured worldwide and achieved impressive chart positions in recent years, but instead of resting on their laurels, they are more determined than ever and setting new milestones with their brand new album Plague Of Rats.

BRAINSTORM are:
Andy B. Franck | vocals
Torsten Ihlenfeld | guitars
Milan Loncaric | guitars
Dieter Bernert | drums
 
More on BRAINSTORM:
brainstorm-web.net | Facebook | Instagram | X | TikTok | RPM

KITTIE Announce Spit XXV EP; Celebrating 25th Anniversary of Landmark Debut Album

Canadian heavy music pioneers Kittie mark a quarter-century milestone with the announcement of Spit XXV, a four-track EP celebrating the 25th anniversary of their gold-certified debut album. The collection features freshly updated and re-recorded versions of four of the albums biggest tracks, "Brackish," "Charlotte," "Do You Think I'm A Whore" and the title track "Spit ," all produced, once again, by Garth Richardson who helmed the original 1999 sessions at EMAC Studios. The EP arrives September 19th via Sumerian Records, with the brand new version of the title track, "Spit XXV" available today across all streaming platforms. Listen HERE and watch the official music video below. Pre-save the EP HERE.

Speaking about the milestone project, Kittie vocalist/guitarist Morgan Lander reflects: 

"It's hard to believe that 25 years after its release, and almost 30 years since Kittie began, people are still talking about Spit. There is something truly unexplainable in why our debut album is still resonating with people, finding a new audience and has had such a lasting impact on so many. Reimagining some of these classic songs for the 25th anniversary of 'Spit' was a lot of fun and a true testament to their longevity. It reveals just how relevant in the musical landscape they still are today. We were honoured to work with Garth again where it all began after more than 2 decades, and doing so was a cool way to pay homage to the past while updating these songs with a modern sound, bringing them into the future."

Released January 11, 2000, Kittie's debut full-length album, Spit transformed them from four Canadian teenagers into international heavyweights, achieving gold certification with over 660,000 US sales. The album became a defining moment for women in heavy music, with its aggressive sound and uncompromising attitude proving that metal made by women could achieve both critical respect and commercial success during nu-metal's completely male-dominated peak era.

The original Spit earned critical recognition from Rolling Stone, who ranked the title track #82 on their "100 Greatest Heavy Metal Songs of All Time" in 2023. The album's influence continues rippling through generations of musicians, with artists like Serena Cherry of Svalbard crediting it as "the reason she became a metal musician," while experimental artist Poppy covered the title track in 2023.

The Spit XXV EP arrives as Kittie continues their triumphant second chapter following 2024's critically acclaimed comeback album Fire, their first new material in 13 years. The album reached #13 on UK Rock & Metal Albums charts and #20 on Billboard Top Album Sales, while single "We Are Shadows" became the band's highest-charting song on the Billboard Mainstream Rock Airplay chart at #20. The album earned the band a 2025 Juno Award nomination for Metal/Hard Music Album of the Year, confirming their continued artistic evolution.

Reuniting with Richardson again proved both nostalgic and revelatory for the band, who last collaborated with the producer during their breakthrough era. The reunion has allowed Kittie to approach these foundational songs with two and a half decades of musical growth while maintaining the raw power that made them revolutionary.

Since returning from their hiatus in 2022, Kittie has experienced a remarkable resurgence across demographics, with their 784,700 monthly Spotify listeners spanning longtime fans and new generations discovering their music through social media. Their performances at major festivals including Sick New World, Welcome to Rockville, and Sonic Temple have demonstrated the band's enduring live power, while their successful 2024 North American headline tour proved their enduring and undeniable ability to command stages as headliners.

The Spit XXV EP is proof of Spit's lasting relevance and Kittie's evolution as artists. Twenty-five years after four teenagers from Ontario redefined who belonged in heavy music's most aggressive spaces, Kittie continue creating pathways for others while cementing their legacy as genuine pioneers.

ABOUT KITTIE

When you discovered Canadian heavy music pioneers Kittie has a direct influence on how you see them. For those on board from the beginning with Spit in 2000, Kittie was part of nu-metal's explosive rise. Through later albums including Oracle (2001), In The Black (2009), and I've Failed You (2011), the band evolved into something far more sinister, viewed as a serious metal outfit. After a prolonged hiatus broken only by a 2017 hometown show and 2018's documentary Kittie: Origins/Evolutions, the band returned in 2022 following festival offers including Sick New World.

12.6 million career streams later, vocalist/guitarist Morgan Lander, drummer/backing vocalist Mercedes Lander, guitarist Tara McLeod, and bassist Ivy Vujic maintain that Kittie never broke up because it remains ingrained in their identity. Their 2024 album Fire, produced by Nick Raskulinecz (Foo Fighters, Rush, Alice In Chains), marked their triumphant return with renewed fury and unfathomable sonic brutality. As Kittie now pay homage to their past whilst also bringing it firmly into the present day, with the new Spit XXV EP, the new era of Kittie continues to blaze forth, illuminating the way as they take their rightful place as torchbearers for heavy music.

Kittie are

Morgan Lander (vox/guitar)

Mercedes Lander (drums/backing vox)

Tara McLeod (guitar)

Ivy Vujic (bass)

TOMBS Unveils Haunting New Single "The Sun Sets"

New Jersey experimental metal collective TOMBS is now unveiling a haunting new single, "The Sun Sets" which can be heard below.

TOMBS bassist Drew Murphy comments, "I'm incredibly proud of what we've accomplished on the album. I'm particularly proud of this song. It's definitely a standout track in my opinion. When I listen to this song I feel like it takes me on an epic journey that ends with being stranded in the middle of a very angry sea. I hope everyone enjoys it as much as we do."

"The Sun Sets" is taken from the band's upcoming studio album, 'Feral Darkness,' which will be released on October 17, 2025 via Redefining Darkness! The title track from the offering was previously released and can be heard HERE.

The band is not only returning with a new label, but also with a new sound! While 'Feral Darkness' still embraces TOMBS' black metal roots, it also explores the band's gothic, death rock side, creating the band's darkest and most haunting record to date!

Pre-orders for 'Feral Darkness' are now live via Bandcamp as well as via the Redefining Darkness store.

Formed in 2007, New Jersey-based experimental metal outfit TOMBS blends bleak, post-punk minimalism with the ferocious attack of sludge and haunting goth rock. TOMBS have established themselves as an act that's as committed to consistency as it is to growth, developing smoothly (but never predictably) over the course of their career.

TOMBS Lineup:

Mike Hill – guitar / vocals / synth

Justin Spaeth – drums / guitar

Andrew Murphy – Bass / guitar / vocals

Dan Higgins - guitar

Guest Musicians:

Sera Timms – vocals on "Nightland" (Black Mare, Black Math Horsemen, Ides of Gemini)

Cover Artist: Seldon Hunt

Recording and Mixing: Justin Spaeth

Mastering: Andreas Rosczyk

Photos: Mike Goncalves

Links:

Bandcamp

Facebook

Instagram

X

Spotify

Apple Music

YouTube

Carach Angren Announce 'The Cult of Kariba'

Since they crawled out from their curious vault in 2003, Carach Angren have mastered the dark art of composing symphonic, blackened ghost stories. Now into their third decade, on their upcoming EP, the Dutch masters of horror are returning to the source that inspired their first album. The Cult of Kariba reveals the hidden intent behind the resurrection of its titular sorceress. On lead single “Ik Kom Uit Het Graf” (I Emerge From the Grave), the mysterious Kariba returns with vengeance.

Watch the shocking music video for “Ik Kom Uit Het Graf” below.

The Cult of Kariba comes out October 17 on Season of Mist

Pre-order

https://orcd.co/carachangrenthecultofkariba

Pre-save

https://open.spotify.com/prerelease/6haPZ1Ex0DuzfaeGL9D3Fo?si=-wG2OmnQQUSlOetHuxywdw

The Cult of Kariba is both a return and a continuation. The EP expands on Carach Angren’s first album Lammendam by entwining the sinister figure of Kariba within the folk tale of the White Lady. “Ik Kom Uit Het Graf” (I Emerge from the Grave) - which is their first song written entirely in Dutch - follows a man who was poisoned by Kariba, only to be summoned centuries later by an errant cult ritual. What unfolds is so sinister, it could only be composed by this group of evil masterminds.      

The video for “Ik Kom Uit Het Graf” was produced and directed by Zoran Bihac.

THE HALO EFFECT - unveil new cover of Kent's classic "If You Were Here"

As the summer festival season winds down after a string of unforgettable performances, THE HALO EFFECT surprise fans with a brand-new release — a cover of the beloved 1997 hit 'If You Were Here' by Swedish alternative pop-rock icons Kent (originally released in Swedish as “Om du var här”).

Handpicked by bassist Peter Iwers, the track is a heartfelt tribute to a band that helped shape Sweden’s musical landscape. The Halo Effect’s rendition blends Mikael Stanne’s rich, emotive clean vocals with a hypnotic, pounding bass line and soaring melodic guitars, honoring the song’s essence while infusing it with the band’s signature sound.

Listen to 'If You Were Here' on all platforms: https://thehaloeffect.bfan.link/iywhsg

Watch the visualizer for 'If You Were Here' Below.

THE HALO EFFECT live:

29.08. RO Campulung Muscel – Posada Rock Festival 

30.08. GER Schramberg-Tennenbrom – Metalacker Festival  

21.11. BU Sofia – Joy Station 

22.11. TUR Istanbul – If Besiktas 

25.11. JP Osaka – Bigcat  

26.11. JP Tokio – Toyosu Pit 

29.11. FI Joensuu – Unholy Winterfest 

 

THE HALO EFFECT is:
Niclas Engelin | guitar
Jesper Strömblad | guitar
Mikael Stanne | vocals
Peter Iwers | bass
Daniel Svensson | drums

THE SORROW OF BEING IMMACULATE Releases "Sea of Trees"

THE SORROW OF BEING IMMACULATE provide another sonic space in which to dwell inside the uncomfortable and the emotional in the new single "Sea of Trees". The anonymous solo project has announced their new full-length album Suicide Forest, will arrive on September 26, 2025 via Drone Alone. 

"Sea of Trees," another name for Japan's Aokigahara Forest, is built around a single crushing riff, slowly embellished with lead parts that rise and twist like the restless spirits often imagined in that place. Following the release of the first single and title track "Suicide Forest," it continues the project's theme around an abstract tribute to those spaces where despair and silence meet. 

Written and recorded in solitude in a remote Welsh barn during winter 2024, Suicide Forest is an instrumental descent into psychological ruin, framed by loops of distorted guitar, subterranean bass, and meditative drones. The album’s eleven tracks move between suffocating sludge and eerie ambience, rooted in themes of trauma, detachment, and the long half-life of sorrow. There are no vocals. No catharsis. Just the sound of emotional erosion played at full volume.

The album was engineered and co-mixed by Mike Bannard at Safehouse Studios, Oxford, with mastering, artwork, and production handled by THE SORROW OF BEING IMMACULATE themselves. The result is a record that feels more exorcism than expression—music created not for others, but in spite of everything.

Suicide Forest follows 2024’s Church Music for Satanists EP, which gained underground attention for its immersive gloom and hypnotic minimalism. The new album expands on that aesthetic while deepening its emotional range and sonic intensity.

About THE SORROW OF BEING IMMACULATE:

THE SORROW OF BEING IMMACULATE is an anonymous solo project from Oxford, England, crafting bleak, instrumental sludge and drone since 2023. With no vocals, no public identity, and no live appearances, the music exists in complete isolation: just distortion, repetition, and emotional exhaustion.

Emerging from the Welsh countryside with the debut EP Church Music for Satanists in early 2024, THE SORROW OF BEING IMMACULATE quickly established a signature sound: hypnotic, heavy, and relentlessly minimal. The follow-up full-length, Suicide Forest, released by drone alone in 2025, pushed further into themes of anxiety, decay, and existential fatigue, blending guitar-driven doom with eerie drones and field-recorded interference.

Influenced by artists such as ELECTRIC WIZARD, SUNN O))), EARTH, and CARTER/TUTTI/VOID, the project explores psychological weight through slow repetition and spiritual dissonance. There are no lyrics because nothing more needs to be said. The riffs are the message.

For those drawn to the darker corners of sound, where catharsis is earned through endurance, THE SORROW OF BEING IMMACULATE offers a solitary descent.

Connect with THE SORROW OF BEING IMMACULATE:
 

UK Alt-Punks KID KAPICHI Release New Single "Stainless Steel" + Lyric Video

UK alt-punks KID KAPICHI dawn a new age with the release of their new single “Stainless Steel,” a deeply personal track for frontman Jack Wilson. The new track arrives alongside an official lyric video, available below.

 

“I wrote the lyrics during a particularly difficult few months last year,” explains Jack. “I realized that I’m not invincible or immune from my own mental health issues, hence ‘I’m not made of stainless steel…’ It came about during one of the darkest periods of my life, and a lot of the songs written around that time feel like a blur or like they were written by someone else. Listening back to them now feels like advice given to me from my past self. It's comforting to know that I got out of that place and am doing better, but it’s also a stark reminder that you aren’t in control of when you may slip again.”

 

Jack continues, “'Stainless Steel' also felt like a new direction for us; slowing things down and stripping things back after years of sensing that 'more is more'. It finally felt like less could be...”

Watch the Lyric Video for "Stainless Steel"

Produced by Mike Horner & Ben Beetham alongside KID KAPICHI, and mixed by George Perks, “Stainless Steel” is the band’s first single since the departure of longstanding friends and co-conspirators, guitarist Ben Beetham and drummer George MacDonald, marking the turning of a new page.

 

Since coming together a decade ago in Hastings, UK, KID KAPICHI have always been more brotherhood than band; like-minded musicians bound together by the belief that music and message can happily co-exist, and that being proud of where you’re from should in no way limit your ambition or narrow your view of the world.

 

New line-up details will be announced shortly.

Stream / Listen to "Stainless Steel" HERE

Meanwhile, KK have confirmed an extensive UK headline tour for October / November 2025. These “up-close & personal” shows will see the new line-up taking to the road for the very first time.

A number of UK festival appearances are also in place for August, preceded by a warm-up headline show in Bristol.

AGENBITE MISERY - Remorse of Conscience

AGENBITE MISERY is a New Hampshire-based trio whose debut album Remorse of Conscience is one of the most ambitious concept records to emerge from the modern extreme metal underground. Formed in late 2022 by guitarist Sam Graff, bassist Cam Netland, and drummer Adam Richards, the band began with a deceptively simple idea: to adapt James Joyce’s Ulysses into an experimental metal album. What emerged from that idea is a 55-minute odyssey of layered sonic aggression and literary depth, an album that blends blackened sludge, dissonant death metal, post-punk, ambient drone, and more into a singular, genre-defying statement of purpose.

The name AGENBITE MISERY is itself a reflection of the band’s literary roots, pulled from a line in Ulysses that references the 14th-century English devotional text Agenbite of Inwit. The phrase, literally “again-bite of inner wit,” or modernized as “remorse of conscience," became the perfect thematic and philosophical framework for an album steeped in grief, alienation, and the search for meaning in modern life. The band’s name was chosen because it reflects the deep, biting sorrow that pervades the novel and their music. Though the original pronunciation might have been “ah-jehn-bite,” the band opts for a harder, contemporary “ae-ghen-bite” as a nod to their mission of dragging ancient texts into the present.

Remorse of Conscience was written over the course of 2023 and recorded in 2024, entirely self-produced by the band, with mixing by Eric Sauter and mastering by Brad Boatright. The recording sessions were a direct extension of the trio’s collaborative ethos: a commitment to honesty, maximalism, and transformation. Each of the album’s eight songs adapts a chapter from Ulysses, using lyrics pulled directly from Joyce’s prose and reshaping them into brutal, beautiful sonic forms. The band sees each track not merely as a song but as a new translation, an attempt to convert stream-of-consciousness literature into aural energy.

The album opens with "Telemachean Echoes," a short, grinding burst of power violence and hardcore chaos that adapts the novel’s opening scene: Stephen Daedalus waking from a bitter dream of guilt and loss. The lyrics, shouted and whispered, move from internal shame to furious defiance: “Hyperborean scrotum tightening mother killer” to the repeated cry of “Let me be and let me live, Agenbite of Inwit.” It’s a blistering introduction to the world AGENBITE MISERY has constructed.

From there, the album spirals into "Cascara Sagrada," a disorienting piece of blackened death metal that explores the quiet horror of Leopold Bloom’s morning routine. Built on warped time signatures, sliding guitars, and sections that move from Slint-inspired indie to full-blown noise assault, the song captures the mundane terror at the heart of Bloom’s lonely life. Lyrics range from meditations on defecation to biblical hallucinations: “Captivity to captivity, multiplying dying being born everywhere, the grey sunken cunt of the world.”

The centerpiece of the album’s first half is the 13-minute "A Charitable View of Temporary Insanity," a devastating doom-sludge epic based on Bloom’s experience at a funeral. Lurching between minimal ambient textures and towering funeral doom riffs, the song reflects on loss, failure, and the strange bureaucracy of death. The vocals echo with grief: “If little Rudy lived, if I had seen him grown, my son, me and his eyes,” while the final line offers a glimmer of hope: “The blood sinking in gives earth new life.”

At the edge of genre, "Whatness of Allhorse" reimagines post-punk and industrial through a metal lens. With deadpan vocals, massive drum machines, horror-synth textures, and a blackgaze-style climax, the track adapts a scene where Stephen Daedalus debates Shakespearean theory with literary elites. The chaotic freedom of that conversation translates into a song full of bold choices and layered absurdity. “He left her, and gained the world of man,” we hear before the song explodes into shimmering tremolo guitars and a final scream: “But I’ll survive.”

"Bellwether and Swine" brings the record back to pure metal, a pummeling, riff-driven anthem inspired by Bloom’s argument with a xenophobic Irish nationalist. The song weaponizes the tropes of epic metal to mock toxic patriotism, stacking sludgy power chords over blast beats, while spoken word passages echo Old Testament imagery. The narrator’s bile is palpable: “Begob, he got as far as the door. Begob, always some bloody clown or other.”

With "Circe," the band returns to black metal, this time with a psychedelic bent. The chapter in Ulysses this track adapts is a hallucinatory descent into Dublin’s red-light district. The song mimics this spiral with hypnotic guitar lines, overlapping time signatures, and an atmosphere of dread. At the climax, we’re given one of the novel’s most haunting images: “A white lambkin peeps out of his waistcoat pocket.” It’s a fever dream of guilt and memory.

"The Twice-Charred Paths of Musing Disciples" offers a brief, contemplative interlude. Inspired by the penultimate chapter of Ulysses, the piece uses dungeon synth textures and ambient layering to conjure the quiet moment when Bloom invites Stephen to stay the night, and is turned down. The central melodic motif is taken from actual sheet music printed in the text, adapted into a modern drone setting.

The record closes with the monolithic "Mnesterophonia," a sprawling, droning epic that mirrors the novel’s final chapter, told from Molly Bloom’s perspective. Drawing on indie rock, doom, and freeform noise, the track builds from intimate to immense. The lyrics pull from Molly’s internal monologue as she drifts into sleep: “When I put the rose in my hair and how he kissed me and I thought well as well him as another…” The final lines of both book and album, “Yes, I will, Yes”, are screamed over a wall of sound, sealing the record with one of the most powerful emotional moments in modernist literature.

Though Remorse of Conscience is steeped in literary references, its emotional core is universal. At every turn, AGENBITE MISERY seeks to translate not just words but the raw human experience: grief, desire, disconnection, hope. In doing so, they’ve created something greater than a concept album, it’s a reinvention of what metal can do.

There is no other band like AGENBITE MISERY, and no album like Remorse of Conscience. This is a project that refuses to compromise, refuses to simplify, and refuses to be easily categorized. Instead, it dares to ask the same question Ulysses once did: can we still find truth, beauty, or meaning in the wreckage of the modern world? And their answer, it seems, is a resounding Yes. Yes, we will. Yes.

About AGENBITE MISERY:

AGENBITE MISERY is a New Hampshire-based trio that fuses literary ambition with the visceral force of experimental metal. Formed in 2022 by guitarist Sam Graff, bassist Cam Netland, and drummer Adam Richards, the band emerged from a shared academic background in literature and a mutual devotion to the most extreme and boundary-pushing corners of heavy music.

At its core, AGENBITE MISERY is a project rooted in transformation. Their work doesn’t merely incorporate influences, it dismantles them, reshapes them, and recontextualizes them within a vision that is as cerebral as it is punishing. Their sound weaves together elements of black metal, sludge, death metal, post-punk, ambient, and noise rock, unified not by style but by intent: to confront, to immerse, and to challenge.

Individually, the members bring a history of musical experimentation: Sam Graff and Adam Richards were longtime collaborators in the avant-garde project UNDER GREEN SUNS and the Boston metalcore outfit VICARIUM, while Cam Netland previously fronted the Connecticut stoner/black metal band COAGULATE. Together, they’ve forged something entirely distinct, a collective voice that draws from their diverse histories but refuses to be defined by any one genre or scene.

AGENBITE MISERY exists at the edge of metal and the margins of modern art, translating abstract ideas into concrete sound with unrelenting force. Whether performing live or recording in isolation, their ethos remains constant: dig deeper, aim higher, and never repeat what has already been done.

AGENBITE MISERY is:

Sam Graff – Guitars / Vocals / Synth
Cam Netland – Bass / Vocals
Adam Richards – Drums / Vocals

Connect with AGENBITE MISERY:

STEVE GORDON MIA Shares Stories Behind Recording and Writing His First Two Singles

“We Go To War (feat. Ray West)” introduced STEVE GORDON MIA's hard rock firepower. With his latest single “Pharaoh Lives”, Steve Gordon proves that even without words, the guitar alone can lead the charge. Now Steve Gordon shares some stories behind the songs.

First up, Steve Gordon talks about the meaning behind his song "We Go To War (feat. Ray West)". He clarifies that the song is about relationships and not actual war. He explains that the song is about the feeling of being with a partner so much that you sometimes feel like you're going crazy and need a minute to yourself. He reiterates that it's "real life", not "real war".

Steve Gordon follows by talking about his instrumental rock track titled "Pharaoh Lives". He explains that he didn't name the track until it was completely finished because it didn't have any lyrics to draw the title from. He decided on the name after listening to the track and feeling that the beginning of the song sounded "a little Egyptian". He mentions his personal interest in the subject, including watching documentaries on King Tut and lost Egyptian treasures. Since pharaohs no longer exist, he felt that his pharaoh "lives in that song", leading to the title "Pharaoh Lives".

YouTube Playlist Sharing the Stories: https://www.youtube.com/playlist?list=PLjpfBXV8ojBi07RZC0Fpe0_bRrQnD11nX

 

Listen to WE GO TO WAR BELOW.

Listen to PHARAOH LIVES: https://hypeddit.com/stevegordonmia/pharaohlives

Known for his work on more than 50 Gold and Platinum albums alongside legends like Bon Jovi, Prince, Rob Thomas, James Ingram, Rita Marley, Betty Wright, Motley Crüe / 2 Live Crew, Morgan Wallen, Najee, Donell Jones, Natalie Cole, Celine Dion, Rod Stewart, Frank Sinatra, Aretha Franklin, Matt Kramer (Saigon Kick), Inner Circle, Brian Howe (Bad Company), Betty Wright, Phyllis Hyman, Regina Belle, Tito Jackson, Steve Gordon’s latest work proves he’s not just a master behind the scenes — he’s a commanding creative force in his own right.

Spread Eagle's Ray West on working with Steve Gordon, "Collaborating with my talented compadre Steve Gordon is all about the joy of making cool music, while having way too much fun. Steve's got a high energy personality, and an approach to writing that is infectious, not to mention a maniacal  sense of humor that will have you laughing so hard, your face will hurt.

Those who know his studio credits know how good his ears are, but as a musician he's what I call "A two headed beast guitar player" because he not only writes the coolest solo's, he's also gifted with a great sense of rhythm, which for me is the icing on the cake."

About Steve Gordon

Steve Gordon has contributed guitar work to some of the most iconic recordings & movie soundtracks of the past three decades. A seasoned studio and stage veteran, he’s worked with artists spanning Rob Thomas, Phil Collins, Aretha Franklin, Rod Stewart, Howard Hewett, Rita Marley, Wu-Tang Clan, and many more. As Steve Gordon MIA, he now channels that legacy into a solo career that fuses old-school power with modern cinematic metal.

 
Links to Website and All Socials 

https://stevegordonmia.com

https://www.facebook.com/profile.php?id=61576615768613

https://www.instagram.com/stevegordon_mia

https://youtube.com/@stevegordon1562

OBSIDIAN TONGUE Announces West Coast Headliner

Progressive black metal duo OBSIDIAN TONGUE will be embarking on a West Coast U.S. headliner next month! The trek will kick off in Seattle, WA on September 18 and will dominate 10 cities until the final stop in Spring Valley, CA on September 27. The tour will not only celebrate the release of OBSIDIAN TONGUE's latest studio album, 'Eclipsing Worlds of Scorn." The full itinerary can be found below!

'Eclipsing Worlds of Scorn,' which is out now via Profound Lore Records and can be ordered HERE.

Comprised of multi-instrumentalist Brendan Hayter (Thrawsunblat/Obsequiae live) and drummer Raymond Capizzo (Falls Of Rauros/Panopticon live), OBSIDIAN TONGUE returned to the all-analog Mystic Valley Studio, where their first two records were made, to print their Covid-era home sessions onto two-inch tape. Mixed and mastered in the analog domain as well by Alex Garcia-Rivera, 'Eclipsing Worlds of Scorn' boasts a unique and unmistakable sonic force amidst the modern digital landscape; created with a total absence of click tracks, quantization, or sound replacement of any kind. 

OBSIDIAN TONGUE Tour Dates:

09/18: Seattle, WA @ BYC

09/19: Eugene, OR @ John Henry's

09/20: Portland, OR @ High Water Mark 

09/21: Olympia, WA @ The Crypt

09/22: Medford, OR @ Rockafairy Express

09/23: Nevada City, NV @ The Owl Cave

09/24: Santa Rosa, CA @ The Shop

09/25: Fresno, CA @ Summer Fox Brewing

09/26: Los Angeles, CA @ Five Star Bar 

09/27: Spring Valley, CA @ The Bancroft

Sixteen years into the band’s existence, Obsidian Tongue clearly show no signs of running out of new ways to alter their sound - song by song, album by album.

Lineup:

Brendan Hayter - Guitar, Vocals, Bass, Synth

Raymond Capizzo - Drums

Recorded @ Mystic Valley Studio

Mixed & Mastered by Alex Garcia-Rivera

Photos by: Stephanie Sintra

Pre-Orders: https://linktr.ee/obsidiantongue

Recommended for Fans Of: Agalloch, Blut Aus Nord, Dødheimsgard, Wolves in the Throne Room

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