DIAMOND DOGS Pay Honor to Little Richard in his Hometown Macon, GA March 28th at The Cherry Blossom Festival

DIAMOND DOGS are excited to announce an electrifying appearance at The Cherry Blossom Festival at Atrium Health Amphitheater on March 28th in Macon, GA, following the Guinness World Record official attempt for the Largest Kazoo Ensemble. Fresh off the success of their recently released album, 'Macon Georgia Giant' - an homage to Little Richard, the band will be playing a full set in tribute to the King himself in his hometown.

On the unexpected invitation, vocalist Sulo states:

"It's an unbelievable opportunity to actually play the songs in his hometown and, in some poetic way, complete the circle. Without him, there wouldn't have been any rock 'n' roll, and without rock 'n' roll, it would have been a much emptier planet."

The proceeds from the performance will benefit foundations honoring Macon's other musical icon, soul master Otis Redding.

Additionally, DIAMOND DOGS will record new tracks at the legendary Capricorn Studio, where stars like the Allman Brothers recorded their debut albums.

"It's beautiful to see how music continues to build bridges between different eras and brings people from all backgrounds together. Rock 'n' roll will always be a universal language that stands the test of time, and this journey to Macon, Georgia is just further proof of that," says Sulo.

Watch the Video for "King of Rock 'n' Roll" Below

DIAMOND DOGS may be a bunch of renaissance rockers deeply rooted in the early 70s British rock and roll, but just like their forerunners, they owe almost everything to Little Richard, the architect of it all! It's impossible to even imagine rock and roll without him.

One of DIAMOND DOGS' early tunes is called "Lunatic Eye-Rolling Delivery" which is a line nicked from a concert review of Little Richard, and we believe it sums up the essence of his greatness pretty well. He was much more than a rock pioneer, the way he dressed up and spoke was something the world had never experienced before.

Little Richard got Paul McCartney to write "I Saw Her Standing There", got James Browna new haircut, and put a silly little mustache on Prince!

So, the idea of recording a homage to the true king of rock and roll had been with the band for many years when CHRIS SPEDDING one day called Sulo and asked if they should record something together. Of course, Sulo immediately said yes, and then asked him to join DIAMOND DOGS in the upcoming studio session to record some well selected Little Richard gems for an LP. All said and done, and CHRIS was extra thrilled that his favorite "Send Me Some Lovin'' was among the songs that were picked.

And, on a cold and windy January day, the DOGS gathered with the new old puppy in the sweet premises of Dog Pound Studios, along with their beloved friend and engineer Jonas Åhlén.

The result is a breathtaking homage to the king, Little Richard. This is 'Macon Georgia Giant, ' ladies and gentlemen – prepare to get your socks rocked.

Order 'Macon Georgia Giant' HERE

Bay Area electro pop artist Matthew Nowhere shares 'Echoes Still Remain', teasing debut album

California-based electro pop artist Matthew Nowhere presents his new single 'Echoes Still Remain', a moody and evocative offering. Ethereal vocals lace through a pulsating soundscape like a brooding rhythmic ghost of celebrated new wave pioneers.

This is the second taste of his debut record 'Crystal Heights', slated for release in late spring. Of the 13 tracks on offer, two feature American dreamgaze stalwarts Lunar Twin.

As vocalist, multi-instrumentalist and producer, Matthew Nowhere explores the synth and tape-laden sounds of the 1980s with inspired reverence. Emerging from the intersection of old and new, his unique music weaves deep vibes and poetic lyrics with gritty New Wave beats.

Originally from the San Francisco Bay Area and currently residing in California's Nevada County in the forests of the Sierra Mountains, Matthew Nowhere uses authentic analog production styles in creating deeply authentic and soulful music that speaks to the power of love to overcome all obstacles.  

"Echoes Still Remain’ comes out of exploring ideas about the artistic process itself - the way in which a lonely whisper of inspiration in an artist’s mind can take flight and become realized as a concrete work. And in those rare cases, something that started as just a personal vision might even become immortal, something that lives on, becoming all these different things to different people," says Matthew Nowhere.

Earlier, Matthew Nowhere released the lead track from the album, 'Love Is Only What We Are', noting, "This song is really about longing… the deep and sometimes indescribable yearning we all have for love, for real authentic connection. It’s interesting - my job as an artist is to try and harness that longing, and give it shape, sounds, texture. The chorus is then an affirmation that actually, that longing is not a need or a lack… it’s actually a seed that carries with it the possibility of growing into exactly the love we are looking for.

 In the video, I play with this idea as well. The black and white images of seeds in the first part of the song later blossom into these vivid, colorful, moving flowers. A similar idea is expressed by how inside of the black and white imagery of me singing, there is also this full color version, moving around, roiling, longing to escape and express"

As of March 27, 'Echoes Still Remain' is available from fine music platforms, including Apple Music, Spotify and Bandcamp. On May 23, the 'Crystal Heights' album, now available for pre-order, will be released digitally and on Limited Edition transparent blue vinyl.

CREDITS
Music composed by Matthew Nowhere (Matthew Lin Packard)
Lyrics by Matthew Nowhere
except ‘Transforming’ and ‘Persist3nce’ - lyrics by Bryce Boudreau
Matthew Nowhere - vocals, synths, bass, guitar, drums, drum machines, programing & sequencing
Bryce Boudreau – lead vocals on ‘Transforming’ and ‘Persist3nce’
Chris Murphy – additional synths on ‘Persist3nce’
Antonio Family Singers – choir on ‘Persist3nce’
Mixed & mastered at Nowhere Sound Studios
Recorded at Nowhere Sound (Grass Valley, CA), Tiny Flame Studios (Petaluma, CA), Ohia Forest Recordings (Kealekua, Hawaii), Desert Heat Studio (Salt Lake City, Utah)
Cover artwork by Violet Flame Design
Artist photos and videography by Anjali Rivera
Publicity by Shameless Promotion PR

Keep up with Matthew Nowhere
Website | Bandcamp | Facebook | Instagram | BlueSky | TikTok | Soundcloud | YouTube| Apple Music | Spotify | Press contact

Keep up with Shameless Promotion PR
Website | Facebook | Twitter |  Instagram | BlueSky | Threads  | Soundcloud | LinkedIn | Emai l

Dead Poet Society Share Video for New Version of "HURT" (Feat. The Warning)

Los Angeles quartet DEAD POET SOCIETY, who were recently tipped by The New York Post's Page Six as a band to know, dropped their second album FISSION in 2024 via Spinefarm. It's available here.

They haven't taken a beat since releasing the album—embarking on a non-stop Herculean tour, screaming up the radio charts, and winning over fans and press with every performance.

They closed the year with a killer reimagined version of their single "HURT," featuring rock band The Warning. 

They share the official video Below.

The video, which feels almost voyeuristic and lo-fi, is electrifyingly cinematic, with Dead Poet Society and The Warning performing as though their lives depend upon it. The riffs and dueling vocals crackle throughout. DPS x The Warning perform together — as if they were always meant to. Stick around 'til the end, where full musical mayhem ensues.

"It's a bit of a miracle that this video came together," DPS say. "The Warning had a tiny window in their tour schedule and it was an uncertain whether it would all come together but they killed it, and the director nailed the vibe. You would think that this whole video had been shot at once."

Upon the song's initial release, the band said, "We're so excited to release this new version of 'HURT' featuring The Warning. We first saw Paulina from The Warning singing along to the song on social media, when we were on Shiprocked together. So it seemed only natural to invite her up for a repeat performance at Aftershock. It became such a moment, that we invited them to record a studio version with us and all three of The Warning sisters."

The Warning also shared, "The first time we heard the song was while working on our album Keep Me Fed with our producer, Anton DeLost, who also produced Dead Poet Society's album. When 'HURT' came out, we were in the studio and heard it there. We immediately congratulated Anton on everything because it was just incredible. From that moment, we became fans of the song.  Later, we met DPS on Shiprocked and heard the song live for the first time, which was amazing. Then, at Aftershock, DPS invited Pau to perform it with them on stage. That performance brought everything together, and after it, we started talking like, 'Hey, maybe we should hop on the song officially.' Now, we're thrilled to see it finally being released. It's such a powerful song, and we're incredibly happy to be part of it."

Dead Poet Society hit the road later this year with Chevelle. All dates are below.

DEAD POET SOCIETY ON TOUR:
WITH CHEVELLE + ASKING ALEXANDRIA:
8/7 — San Antonio, TX — Boeing Center at Tech Port
8/9 — Durant, OK — Choctaw Casino & Resort Durant — Grand Theater
8/10 — North Kansas City, MO — Harrah's Kansas City — VooDoo Lounge
8/12 — Omaha, NE — Steelhouse Omaha
8/14 — Indianapolis, IN — Everwise Amphitheater
8/15 — Chicago, IL — Byline Bank Aragon Ballroom
8/16 — Louisville, KY — Iroquois Amphitheater
8/19 — Sterling Heights, MI — Michigan Lottery Amphitheatre at Freedom Hill
8/20 — Toronto, ON — Great Canadian Toronto — The Theatre
8/21 — Pittsburgh, PA — Stage AE
8/23 — Asbury Park, NJ — Stone Pony Summer Stage
8/24 — Boston, MA — MGM Music Hall at Fenway
8/26 — New York, NY — The Rooftop at Pier 17
8/27 — Bethlehem, PA — Wind Creek Bethlehem - Wind Creek Event Center
8/28 — Wallingford, CT — The Dome at Toyota Oakdale Theatre
8/30 — Virginia Beach, VA — The Dome
8/31 — Washington, DC — The Anthem
9/3 — Raleigh, NC — Red Hat Amphitheater
9/4 — Charlotte, NC — Skyla Credit Union Amphitheatre
9/5 — Simpsonville, SC — CCNB Amphitheatre at Heritage Park
9/7 — Atlanta, GA — Coca-Cola Roxy
9/9 — Nashville, TN — The Pinnacle
9/10 — Cincinnati, OH — PNC Pavilion
9/11 — Milwaukee, WI — The Rave/Eagles Club - Eagles Ballroom
9/13 — Maryland Heights, MO — Saint Louis Music Park
9/14 — Oklahoma City, OK — The Criterion
9/16 — Denver, CO — Fillmore Auditorium
9/17 — Grand Junction, CO — Las Colonias Park Amphitheater
9/18 — Albuquerque, NM — Revel
9/20 — Las Vegas, NV — The Cosmopolitan of Las Vegas - The Chelsea
9/21 — Phoenix, AZ — Arizona Financial Theatre
9/23 — San Diego, CA — Cal Coast Credit Union Open Air Theatre
9/26 — Hollywood, CA — Hollywood Palladium
9/27 — San Francisco, CA — The Masonic
9/28 — Redding, CA — Redding Civic Auditorium
9/30 — Idaho Falls, ID — Mountain America Center
10/1 — Nampa, ID — Ford Idaho Center Amphitheater
10/2 — Airway Heights, WA — Northern Quest Resort & Casino — BECU Live

Dead Poet Society have captured (and held) the rock world's attention with their head-turning debut album, 2021's -!- (said as "The Exclamation Album") and their equally adored sophomore effort, 2024's FISSION — both released via Spinefarm. The band — Jack Underkofler (vocals/guitar); Jack Collins (guitar); Will Goodroad (drums); and Dylan Brenner (bass) — has enjoyed 150 million cumulative global streams, several Top 10 radio singles, and key playlisting while appearing at major festivals the world over, including Welcome to Rockville, Sonic Temple, Grasoop, Reading and Leeds, and 2000Trees. Dead Poet Society have toured with alt rock powerhouses Badflower, Biffy Clyro, and Highly Suspect, and more. The band has ultimately established itself as an intense live act not to be missed, with press accolades ranging from The New York Post to Riff to Rock Sound to American Songwriter to New Noise to Guitar World.
 

DEAD POET SOCIETY ARE:

Jack Underkofler — Vocals/Guitar

Jack Collins — Guitar

Will Goodroad — Drums

Dylan Brenner — Bass 

ALIEN WEAPONRY Joined by Lamb of God's Randy Blythe on New Anthem "Taniwha"; New Album Out This Friday, March 28, 2025 via Napalm Records

This Friday, March 28, New Zealand modern groove metal trio ALIEN WEAPONRY will release heaviest, most powerful and mature offering to date, Te Rā, via Napalm Records! Today, in celebration of this week's release, the band has unleashed one of the album's most aggressive, death-metal leaning offerings, “Taniwha”, featuring a raw, heavy-hitting contribution from longtime supporter and metal icon Randy Blythe of Lamb Of God.

Take a listen to the new track now – a special bonus listen two days in advance of the album's drop – and see below for insight into the track's inspirations! The new anthem follows acclaimed latest singles “Mau Moko” ("...top-notch technical thrash metal..." - Heavy Consequence) and "1000 Friends" ("a driving, riff forward affair that makes it super easy to bang your head to" - MetalSucks).

ALIEN WEAPONRY says about “Taniwha”:

“Lamb of God played a significant role in making Alien Weaponry what it is today and this collaboration with Randy Blythe feels like one of those ‘pinch yourself’ moments that our teenage selves would never believe possible. Randy’s lyricism and vocal expertise was an amazing addition to this song and we are beyond stoked to share this song/milestone with the world.”

Listen to "Taniwha” HERE:

ALIEN WEAPONRY have solidified themselves as one of the greatest young metal bands of their generation with renewed musical tenacity and crucial messaging. Since releasing their acclaimed debut Tū(2018), the band have been lauded for their kinetic presence and sound, as well as their vital blend of culturally profound lyricism in both English and te reo Māori, the indigenous language of New Zealand.

With their third full-length album, ALIEN WEAPONRY expand on their hallmark messages of cultural, societal and environmental resilience while delivering their most massive-sounding, focused musical output ever. In the hands of veteran producer/mixer Josh Wilbur (Lamb Of God, Gojira, Megadeth), Te Rā’s gnashing blend of groove, nu, math and thrash metal shines with anthemic choruses and refreshed technical skill. Te Rā is a bold, unwavering cry for a future in which we can all take part in the legacy of peoples like the Māori and others all around us – people who, if they aren’t seen, most certainly need to be heard! Taken as a whole, Te Rā grapples with what it’s like to be caught in the pull of divergent cultures – not just for the descendants of colonized people, but for all of us.

Pre-Order Te Rā HERE:

On Te Rā, listeners can hear the band doubling-down on the aggression in the verses before applying temperance, especially in the case of “Taniwha”, a death metal-leaning banger featuring the particularly raw aforementioned guest vocal from Randy Blythe. Lyrically, there’s a noticeable tilt towards despondency, hopelessness, and frustration on Te Rā. While bassist Tūranga Porowini Morgan-Edmonds' lyrics in Māori on songs like “Tama-nui-te-rā” and “Ponaturi” draw from the themes of history, battle lore and mysticism that made the first two albums so rich, frontman/guitarist Lewis Raharuhi de Jong's English-language lyrics illustrate the impact when culture collides with disenfranchisement day to day. “Crown” and “Hanging by a Thread” take us into the headspace where struggle pushes people to the brink of desperation, while on “Blackened Sky” and “1000 Friends”, Lewis addresses universal woes like the looming threat of World War III and the damaging effects of social media. On album closer “Te Kore”, Tūranga dives into primordial nothingness at the root of the Māori origin story, while on “Mau Moko”, he finds the middle ground between these perspectives. As the lyrics honor the traditional Māori practice of face tattooing, they also delve into the social costs of maintaining customs that are at-odds with dominant cultural norms.

ALIEN WEAPONRY is:                      

Henry Te Reiwhati de Jong - Drums, Backing vocals

Lewis Raharuhi de Jong - Guitars, Lead vocals

Tūranga Porowini Morgan-Edmonds - Bass, Backing vocals

ALIEN WEAPONRY online:

WEBSITE

FACEBOOK

INSTAGRAM

TIKTOK

NAPALM RECORDS

SWOLLEN TEETH Unleash Gritty New Single "Medicine"

Swollen Teeth continue their unrelenting assault on the heavy music landscape with the release of their brand new single “Medicine” – out now via Blowed Out Records. Accompanied by a haunting visualizer, the track is a primal fusion of crushing grooves and visceral emotion, underscoring the band’s signature raw intensity. Listen to 'Medicine' HERE and watch the accompanying visualizer Below.

"The song is molded by heavy grooves slammed together in a transmutation of primal emotions, pain and love,” shares the band. */W*

“Medicine” is a visceral exploration of addiction and inner turmoil—a bruising cocktail of suffocating riffs, guttural screams, and anthemic gang vocals. The track’s relentless cadence mirrors the chaotic push and pull of dependency, punctuated by hypnotic refrains like “only the loyal” and “in me and you” that echo long after the last note fades.

Swollen Teeth burst onto the scene in 2021 with their self-titled EP—a ferocious introduction that quickly solidified the band as one of heavy music's most unpredictable and compelling forces. Tracks like "Empty" and "Car Crash" drew praise from Revolver and Kerrang! for their brutal, groove-laden sound and dark, enigmatic aesthetic.

Produced by Slipknot’s Sid Wilson and Ross Robinson (Korn, Glassjaw, At The Drive-In), "Medicine" reflects the band’s continued sonic evolution. Swollen Teeth have honed their unique blend of chaos and precision, capturing a raw emotional intensity that’s as hypnotic as it is crushing.

Swollen Teeth will bring their blistering live show to two of the biggest festivals of the summer: First hitting FEQ Festival, Quebec City, QC on July 7th, followed by Inkcarceration,in Mansfield, OH on July 19th. Fans can expect a ferocious set featuring new material alongside fan favorites. Don't miss the chance to experience Swollen Teeth’s raw energy live on stage!

Much like it's predecessors, "Family" and "Money & Greed" which were released last year, the extraordinary level of visceral emotion of “Medicine” is fueled by the creative synergy of legendary producer, Ross Robinson and Slipknot's Sid Wilson. This new era of Swollen Teeth, and their debut full-length album, which will be released in 2025, marks the first project where the two have joined forces as co-producers. Known for producing Slipknot’s seminal first albums, Robinson has a reputation for pushing bands to their extremes, while Wilson’s innovative energy and expert aural world-building brings a formidable edge to Swollen Teeth’s sound.

With their signature masked aesthetic and unrelenting sonic attack, Swollen Teeth remain one of the most captivating and enigmatic acts in modern heavy music. Swollen Teeth invite listeners to join their journey, offering a sanctuary where raw emotion and collective strength thrive.

ABOUT SWOLLEN TEETH

The sound, the look, the atmosphere, the lore. Swollen Teeth are as much a ritual as a performance, summoning primal ferocity in clouds of intrigue with a thundering rumble. Each musical outburst arrives shrouded in mystery, enveloped by a sense of dread, with passion and purpose. Heavy percussion, riffs, punk gang chants, dive bombs, turntables, breakdowns, shrieks, guttural screams, and powerfully unashamed anthemic melodies coalesce in Swollen Teeth. The collective absorbs the raw intensity of the most potent subculture and spits it back with a determined uniqueness. They’ve spent countless hours in the lab, lobbing out occasional missives online like Molotov cocktails. Each of the scattered, chopped up, and explosive clips unleashed to the world, culled from a handful of shadowy live appearances, built anticipation for the group’s inevitable ascension. They travel in our dimension but are not of it. This is otherworldly chaos without apology.



Swollen Teeth burst onto the scene in 2021 with their self-titled EP, a visceral blend of brutality and raw emotion that garnered praise from heavy music outlets and fans alike. Singles "EMPTY", "LETHAL" "CAR CRASH" and "SWOLLENTEETH" showcased their unpredictable, frenetic energy, which Revolver Magazine described as "brutal as hell." with Metal Hammer enthusing that "there’s an air of grotesque nu metal nastiness that feels like a re-vamped take on the misanthropic nihilism of Iowa’s finest." and Kerrang! musing "What's really heavy, masked, mysterious, sounds like it was made by complete lunatics, and involves Slipknot DJ Sid Wilson and producer Ross Robinson?."

/W\

ABOUT BLOWED OUT RECORDS

Ross Robinson (Korn, The Cure, Slipknot, Glassjaw, At The Drive In and countless others..) artist Ghostemane and Bill Armstrong(SideOneDummy) have joined forces to create a new record label called Blowed Out Records. As veterans of the music industry, they bring a wealth of experience and knowledge to the table and have set out to discover and promote new talent together. The label's first release, "Swollen Teeth," is a hardcore album produced by Sid Wilson of Slipknot and mixed by Mike Balboa with Ross Robinson. It's a collaboration between established and new artists that promises to be a heavy hitting release. Blowed Out Records is dedicated to providing a platform for underground and lesser known bands to showcase their music and gain a wider audience.

Swollen Teeth is managed by Evan Kandilakis for Seek Management.

Swollen Teeth Are

Megaa - Vocals / Sampler / Turntable

Sun - Vocals / Bass

Skutch - Drums

HOG - Guitar

Sowulo Releases New Versions of Old Classics

Like a classic composition, over the last decade, Sowulo has been steadily building. Multi-instrumentalist and composer Faber Horbach has been tracing our cyclical nature with dark folk that's inspired by Anglo-Saxon traditions and Viking mysticism and philosophy. Now that the project has grown into a transformative live act, Sowulo has signed with French label Season of Mist ahead of a headlining tour of Europe. 

As Faber and company head toward these new horizons, today, Sowulo are revisiting two classics. These new versions of "Yule" and "Ginnungagap" stay true to their foundation, but they also reflect the project's evolution, shaped by both its current live lineup and ongoing exploration of spirituality. As new songs begin to take shape, revisiting these classics offers a timely reflection on their origins and a glimpse of what lies ahead.  

Listen to "Yule (Revisited)" and "Ginnungagap (Revisited)" below:

Stream
https://orcd.co/sowuloyule

Yule (Revisited)
Originally written in 2012, "Yule" was the first composition created for Sowulo. The song captures the spirit of Midwinter, where darkness gives way to light and endings carry the seeds of new beginnings. On stage, it serves as a ritualistic moment of stillness and reflection. 

"This was the very first song I ever wrote for Sowulo, composed sometime in 2012 on the piano for the 'Alvenrad’ album." Faber explains. "The song was born from my own yearning to create music for celebrating the turning of the seasons, to accompany the pagan feasts that honor the eternal cycle of nature."

Ginnungagap (Revisited)
Inspired by Norse cosmology, "Ginnungagap" evokes the void from which existence emerged. First composed for SOL in 2016, this revisited version enhances the original’s focus on balance—between chaos and form, emptiness and life. It remains a central expression of  Sowulo's mythic and spiritual foundation.

"Originally composed around 2014 on piano, I then reworked the parts to suit the Celtic harp and Irish bouzouki." Faber says. "From there, we added viola, Irish whistle, vocals, and percussion. The song expresses the concept of the universe’s origin, as told in ancient Scandinavian mythology."

Photo by © Sigrid Koster

SOWULO is the work of multi-instrumentalist and composer Faber Horbach, and is inspired by Anglo-Saxon and Viking-age mysticism and philosophy. Captivated by the cyclical nature of existence and an animistic worldview, Faber is determined to express his spiritual path through his music.

With lyrics in Anglo-Saxon and historical instruments, Sowulo creates an immersive sonic universe that challenges both the creator and listener to go on an inner journey and to invoke cyclical wisdom from deep within.

Sowulo means ‘Sun' in proto-germanic. The music follows our connection with the Sun and tells the story of our inner and outer cycles of day and night, the four seasons, birth and death.

᛫ ᛇ ᚩ ᚹ ᚢ ᛚ ᚩ ᛫

Follow SOWULO:
Official website:https://www.sowulo.nl/home
Instagram:https://www.instagram.com/sowulo.music
Facebook:https://www.facebook.com/Sowulo
Bandcamp:https://sowulo.bandcamp.com/
YouTube:https://www.youtube.com/sowuloofficial
Spotify:https://open.spotify.com/artist/4BkdqpIEhl0tKZ5xpAo5pR
Songkick:https://www.songkick.com/artists/9118989-sowulo/calendar
DoomStar roster:https://doomstarbookings.com/artists/sowulo/

StarAce Release Debut Single & Music Video, "My America" Produced by David Frangioni

Brazil’s fast-rising rock trio, StarAce has arrived with their anthemic debut single “My America.” Produced by multi-award-winning producer David Frangioni (Aerosmith, KISS, Ringo Starr), the track showcases the band’s phenomenal ability to blend classic rock, blues, and timeless storytelling into a sound that feels simultaneously nostalgic and fresh and is a declaration of resilience, self-belief, and the pursuit of dreams. Listen to "My America" HERE and watch the accompanying music video below.

“My America” captures the struggle of finding one’s place in a fast-moving world, where competition, judgment, and division can feel overwhelming. The lyrics paint the picture of someone searching for a personal sense of belonging—a metaphorical ‘America’ where individuality and creativity thrive. From the opening guitar riff to the soaring chorus, "My America" channels both vulnerability and strength. It speaks to the universal longing to belong—standing as a testament to the resilience required to stay true to yourself in a world that demands conformity.

Speaking on the single, StarAce share:  

“Our debut single, ‘My America’ talks about hope and the pursuit of your dreams. It is a single that shows our band's versatility and strength.  

‘My America’ originated from the opening guitar riff, which inspired a hopeful kind of lyricism. That’s exactly what we’ve tried to express—to tell the story of someone lost in their thoughts, struggling to find where they belong in modern society. The world today moves at breakneck speed, with people fighting for attention in an overcrowded space filled with a million opinions and judgments. It’s a world that demands resilience. The only way forward is to believe in what you do, to carve your own path, and chase your dreams. That’s what ‘My America’ represents—‘your own individual America’—a place where every person has the freedom to create and paint their future in whatever colors they choose.”  

StarAce is a band shaped by contrasts. Raised in a house filled with music—from The Beatles to Metallica—the Starace brothers fuse American rock 'n' roll with their unique experiences growing up in Sao Paulo, Brazil giving their songs an unparalleled spirit and raw, modern edge. Their sound is built on the tension between light and dark, chaos and peace. Rock 'n' roll is their language of choice—transcending borders and divisions to connect people through shared emotion and experience.

As they prepare to take their music to the global stage, StarAce remain true to their artistic core: authentic, passionate, and unrelenting. Their music is a rallying cry for connection, resilience and self-expression—a reminder that even in chaos, there’s beauty to be found in coming together.

Built on passion, perseverance, and a deep love for timeless rock ‘n’ roll, the band's incendiary live performances with their full band of six have seen them quickly and relentlessly winning over new fans with every electrifying show they play. The group consists of actual brothers:  

- Julio Starace (vocals/guitar) – The band’s principal songwriter and driving creative force, influenced by legends like Bob Dylan, Neil Young, and Jimmy Page.  

- Luiz Starace (bass) – The rhythmic anchor, bringing deep grooves and intricate arrangements shaped by Paul McCartney, Cliff Burton and Geddy Lee.  

- Thomaz Starace (drums/production) – A powerhouse drummer - influenced by the likes of Ringo Starr, Keith Moon and John Bonham - and skilled producer, ensuring that StarAce’s sound remains raw, yet sonically rich.  

The band will be bringing their infamous live shows to the US to play a small run of dates across Florida next month. For further details and tickets, head to StarAce.com

Sun, Apr 13     Key West FL | Surly Siren Saloon

Thu, Apr 17    Boca Raton FL | Crazy Uncle Mikes

Wed, Apr 23    Orlando FL | Conduit

Thu, Apr 24     Tampa FL | New World Brewery

"My America" embodies the band's core identity—a fusion of classic rock roots and forward-thinking creativity. It's a track that encourages listeners to break free from expectations and define success on their own terms. The band’s upcoming debut album, also produced by the legendary David Frangioni, is set for release later this year and promises to deliver more of the band’s signature blend of gritty rock anthems and heartfelt ballads.

ABOUT STARACE

StarAce is more than just a band—it’s a brotherhood of sound and spirit. Hailing from São Paulo, Brazil, brothers Julio, Luiz, and Thomaz Starace have spent years refining their craft, creating a distinct fusion of classic rock, blues, and American roots music with a modern edge. Raised in a household filled with music, their early exposure shaped their passion for storytelling and musicianship. After experimenting under various names like Ferrorama and Ted Marengos, they ultimately returned to StarAce, a name that embodies both their family heritage and artistic evolution.

With influences spanning a who's who of rock 'n' roll legends such as Led Zeppelin, Bob Dylan, The Rolling Stones, and Muddy Waters, StarAce’s music is a blend of raw energy, intricate melodies, and heartfelt lyricism. Their sound bridges past and present, layering soulful guitar riffs, grooving bass lines, and dynamic drum beats with emotionally driven storytelling. Their upcoming debut album, produced by David Frangioni (Aerosmith, KISS, Ringo Starr), captures this fusion of classic and contemporary, delivering a collection of hard-hitting anthems and soul-stirring ballads that showcase their depth as musicians.

Each member brings a unique essence to the band’s chemistry—Julio leads with his powerful vocals and intricate guitar work, drawing from the greats like Neil Young and Jimmy Page. Luiz anchors the rhythm section, blending Paul McCartney’s melodic sensibilities with Geddy Lee’s technical prowess, while Thomaz commands the drums with precision, balancing raw energy with a producer’s ear for sonic excellence. With their roots deeply embedded in classic rock and their vision set on the future, StarAce is ready to carve their own path and bring timeless rock ‘n’ roll into a new era. They're not here to save the world, they're here to bring people together and provide fans with the soundtrack to their own salvation.

Italian Alternative Rock Duo PEAKS! Unveil New Single “MORPHIA” + Video Out Now Via FLG

Today, Italian alternative rock duo PEAKS! are excited to unveil their new single “MORPHIA”, out now via FLG. The new single is accompanied by a music video, available to view below.

PEAKS! comments on the new single:

“'MORPHIA' explores the struggle between self-destruction and the desperate need to feel something real. It’s about those moments when silence becomes unbearable, when the weight of unspoken thoughts and bottled-up emotions pushes you to the edge. The song channels that chaos, that inner conflict between escape and confrontation, turning it into something tangible - something loud. Because when everything is falling apart, when there’s nothing left to hold onto, sometimes the only thing left to do is scream at the top of your lungs.

"Sonically, 'MORPHIA' mirrors that emotional push and pull, blending raw energy with an undeniably infectious melody. The bittersweet contrast between soaring hooks and gritty intensity reflects the song’s core tension - between drowning it all out and feeling it to the fullest. Recorded with a sense of urgency, capturing emotions at their peak, every note carries the weight of that internal battle, making it impossible to shake off, long after the last chord fades."

Watch the Music Video for "MORPHIA"

PEAKS! is an exceptional alternative rock duo from Turin, Italy, who started their musical journey towards the end of 2020 with the jaw-dropping debut song ‚ “Blackout,” which amassed over 2 million Spotify streams.

PEAKS! is intensely creative and has formed a very strong distinctive image through their visual output since the start: they shoot and create their own videos and content, while collaborating with the renowned Italian graphic designer Giulia Lunge to realize and stay true to their vision.

From big fuzzy guitar riffs to catchy hooks, their musical influences draw from 70s rock to 90/2000s Electro Pop, as well as current bands such as The Score, Twenty One Pilots, Imagine Dragons, grandson, YUNGBLUD, Bishop Briggs, Welshly Arms, SAINT PHNXand more.

Stream/Listen to "MORPHIA" HERE

PEAKS! debuted live at The Great Escape (2022) in Brighton, gaining huge acclaim that led to festival slots at 2000 Trees in the UK and supporting Pearl Jam at BST Hyde Park in London, then Placebo in Mantova (Italy), their Italian debut in front of 10,000 people. They wrapped up 2022 by playing with Frank Carter and the Rattlesnakes.

2023 saw PEAKS! returning to The Great Escape in Brighton, playing at the first Slam Dunkin Italy, followed by support slots with Dead Poets Society in Holland, and summer shows with Placebo in Italy and Switzerland. They played with Placebo again in 2024, as well as performing at the Storing Festival in The Netherlands.

Over the years, PEAKS! have received great support from DSPs, including placements on New Music Friday playlists across Europe on Spotify, and Fresh Rock and New Rockplaylists on Amazon Music. 

The band have been featured on BBC Radio 1’s ‘Future Artists’ with Jack Saunders and on Kerrang! Radio, as well as earning strong airplay in the UK and across Europe. On TV, their music has been used on Love Island in the UK and on BBC’s Match of the Day, as well as on various US sync projects.

PEAKS! are:

Luca Del Fiore

Lorenzo Mazzucchi

DEREK SHERINIAN OF BLACK COUNTRY COMMUNION WINS BURRN! MAGAZINE BEST KEYBOARDIST AWARD FOR THIRD YEAR IN A ROW

Keyboardist Derek Sherinian was recently named “Best Keyboardist” in Japan’s BURRN! Magazine 2024 Readers Poll (an award he also received previously, in 2020, 2022, and 2023). Derek was also voted “Greatest Keyboardist of the 21st Century” and #8 “Greatest of All Time” by  MusicRadar.com, and also was ranked #9 “Greatest of All Time” in PROG Magazine. 

Sherinian has distinguished himself by his versatility, and aggressive “guitaristic” approach to his signature keyboard style. MusicRadar.com declared, “His virtuoso playing has seen him dubbed the keyboard-playing version of Eddie Van Halen.” David Coverdale claims that “Derek plays the Hammond organ like the son of Jon Lord.”  Glenn Hughes has called Sherinian, "The best living rock keyboardist."

Starting his pro career with Alice Cooper in 1989 on the “Trashes the World” world tour, Sherinian proceeded to tour and record with KISS, Dream Theater, Yngwie Malmsteen, Billy Idol and Whitesnake. 

He has also released nine solo albums, and was the co-founder of Planet X, Sons of Apollo, and supergroup Black Country Communion (also featuring Joe Bonamassa, Glenn Hughes, and Jason Bonham), who will be touring in Europe this Summer. 

For a listing of BCC tour dates and ticketing links, visit:

https://blackcountrycommunion.com/live/

Also, the video for “Stay Free” off Black Country Communion’s 2024 album ‘BCC V’ can be viewed below:

FOR MORE INFORMATION:        
https://www.facebook.com/dereksherinianofficial

Photo credit: Greg Vorobiov

Chevelle Drop Visualizer for New Single "Rabbit Hole (Cowards, Pt. 1)" — WATCH // Announce Headline Tour🐇🕳️

Multi-platinum rock band CHEVELLE are back with their first new music in four years. 

Today, the band has dropped the video for the new single "Rabbit Hole (Cowards, Pt. 1)."

It's a gnarly, riffy rager with more hooks than a tackle box and alternately snarling and melodic vocals. Push and pull tension define the song, which leads to thrilling, dissonant breakdown at the end of the song. Put simply, it was worth the wait.

Watch the accompanying visualizer below.

"How about we all put on our tinfoil hats, slam a Dunkies, and go deep doomscrolling. If that sounds like your sorta thing, we've got a new song for you called 'Rabbit Hole (Cowards, Pt. 1). Enjoy," shares Chevelle.

Additionally, Chevelle have confirmed a headline tour with Asking Alexandria and Dead Poet Society serving as support. Tickets go on sale on Friday, March 28 at 10am local time. Get tickets here. All dates are below, including confirmed festival appearances at Coachella, Sonic Temple, Welcome to Rockville, Aftershock, and more.

CHEVELLE ON TOUR:
2025 FESTIVALS:
4/20 — Indio, CA — Coachella
5/11 — Columbus, OH — Sonic Temple
5/17 — Ocean City MD — Boardwalk Rock
5/18 — Daytona Beach, FL — Welcome to Rockville
5/24 — The Woodlands, TX — Buzzfest
5/25 – Dallas, TX — The Eagle Rocks BFD
10/4 — Sacramento, CA — Aftershock

HEADLINE TOUR:
WITH ASKING ALEXANDRIA + DEAD POET SOCIETY:
8/7 — San Antonio, TX — Boeing Center at Tech Port
8/9 — Durant, OK — Choctaw Casino & Resort Durant - Grand Theater
8/10 — North Kansas City, MO — Harrah’s Kansas City - VooDoo Lounge
8/12 — Omaha, NE — Steelhouse Omaha
8/14 — Indianapolis, IN — Everwise Amphitheater
8/15 — Chicago, IL — Byline Bank Aragon Ballroom
8/16 — Louisville, KY — Iroquois Amphitheater
8/19 — Sterling Heights, MI — Michigan Lottery Amphitheatre at Freedom Hill
8/20 — Toronto, ON — Great Canadian Toronto - The Theatre
8/21 — Pittsburgh, PA — Stage AE
8/23 — Asbury Park, NJ — Stone Pony Summer Stage
8/24 — Boston, MA — MGM Music Hall at Fenway
8/26 — New York, NY — The Rooftop at Pier 17
8/27 — Bethlehem, PA — Wind Creek Bethlehem - Wind Creek Event Center
8/28 — Wallingford, CT — The Dome at Toyota Oakdale Theatre
8/30 — Virginia Beach, VA — The Dome
8/31 — Washington, DC — The Anthem
9/3 — Raleigh, NC — Red Hat Amphitheater
9/4 — Charlotte, NC — Skyla Credit Union Amphitheatre
9/5 — Simpsonville, SC — CCNB Amphitheatre at Heritage Park
9/7 — Atlanta, GA — Coca-Cola Roxy
9/9 — Nashville, TN — The Pinnacle
9/10 — Cincinnati, OH — PNC Pavilion
9/11 — Milwaukee, WI — The Rave/Eagles Club - Eagles Ballroom
9/13 — Maryland Heights, MO — Saint Louis Music Park
9/14 — Oklahoma City, OK — The Criterion
9/16 — Denver, CO — Fillmore Auditorium
9/17 — Grand Junction, CO — Las Colonias Park Amphitheater
9/18 — Albuquerque, NM — Revel
9/20 — Las Vegas, NV — The Cosmopolitan of Las Vegas - The Chelsea
9/21 — Phoenix, AZ — Arizona Financial Theatre
9/23 — San Diego, CA — Cal Coast Credit Union Open Air Theatre
9/26 — Hollywood, CA — Hollywood Palladium
9/27 — San Francisco, CA — The Masonic
9/28 — Redding, CA — Redding Civic Auditorium
9/30 — Idaho Falls, ID — Mountain America Center
10/1 — Nampa, ID — Ford Idaho Center Amphitheater
10/2 — Airway Heights, WA — Northern Quest Resort & Casino — BECU Live

ABOUT CHEVELLE:
Chevelle are an understated musical powerhouse that has successfully delivered rock anthems to a global audience for the past 30 years, holding their own as accomplished and steadfast talents in the genre. After more than three decades writing and recording together, numerous releases, and countless worldwide tours, the outfit — consisting of brothers Pete Loeffler [guitars, vocals] and Sam Loeffler [drums] — have confidently sailed through decades of uncharted waters. 

As award-winning, multi-platinum artists, the Chicago duo's unwavering genius is unmistakable across their past nine studio records. More than a dozen No. 1 hits and many more songs reaching the Billboard Top 10, with more future chart-topping hits featured on this forthcoming album to excite fans this summer, it's all credit to their continuing dedication to be true to their craft, the genre, and their fans.  

With no signs of slowing down, this Chicago alternative rock duo has certainly earned its place in American rock music history. The forthcoming album, due later this year, adds another exciting chapter to Chevelle's extensive catalog. As the Loefflers continue to master their craft, Chevelle take on the critics and prove time and time again that they are a force to be reckoned with.

Kenny Chesney Named to the Country Music Hall of Fame

Kenny Chesney, who’s known for spreading positive energy through a singular kind of country hybrid, has taken the music to a whole lot of places. But the soft-spoken songwriter/superstar from East Tennessee had never considered taking his music, his high impact performances and voracious No Shoes Nation into the Country Music Hall of Fame.
 
“That’s just something you don’t dare to imagine,” said Chesney, waiting to step into the Rotunda of the Country Music Hall as this year’s Modern Era Artist of their Class of 2025. “I would never have even thought about being here, because it’s almost too much. Just walking past so many of these bronzes, realizing how many are friends or whose music I’ve listened to my whole life, this is an honor that extends beyond anything my heart would dare think.”
 
The first country artist to play Sphere Vegas, the man the Los Angeles Times deemed “the people’s superstar” was clearly gobsmacked when Country Music Hall of Fame member Vince Gill read a bio that retraced Chesney’s journey from a kid playing in East Tennessee State’s Bluegrass Band through a Greatest Hits and two distinctive waves of changes the way country music was made. Stressing that Chesney was still creatively striving and growing, Gill beamed introducing the artist he’d known since his first Capricorn Records album in 1993.
 
“The beauty of this music is that,” Chesney says, “even though it tells some pretty strong truth, country music runs on dreams.
 
“For me, this is beyond a dream. I keep thinking I’m gonna wake up on my couch back at ETSU. But standing here, this is more than real, it’s surreal. I couldn’t be more thankful or humble.”
 
Laughing with fellow inductees Tony Brown and June Carter Cash’s children John Carter Cash and Carlene Carter during the class picture, Chesney was clearly thrilled by the honor. With longtime advocate, legendary executive and Country Music Hall of Fame member Joe Galante, who’d signed him, on hand to share the moment, it was a moment of taking in the breadth of his three decade career.
 
“You might not think about something like this,” Chesney said. “But I have to tell you: when you hear the news, there is no feeling like it – except that moment when you realize they’re not kidding. When [CMA CEO] Sarah Trahern, Joe and Clint (Higham), my manager, came to tell me, once I realized they weren’t having some fun with me, they told me I couldn’t tell a soul.
 
“I didn’t tell my mom, my dad or even Dale Morris, my other manager. So today, finally, makes it feel real, and man, I am grateful to be in this company.”

Photo Credit: Allister Ann

Church’s “Hands Of Time” Most Added & Personal Best First-Week

Eric Church’s “Hands Of Time” sets a new personal record en route to becoming most added at Country radio this week with 135 first-week stations. The milestone adds to the anticipation for the next ambitious and sonically rich chapter in his groundbreaking career, with new album Evangeline vs. The Machine arriving May 2. Pre-order/pre-save HERE.
 
The song earned immediate praise upon its release last Thursday, March 20, with Stereogum lauding the “juicy, fired-up Southern rocker about living in a world that increasingly makes no sense to you;” Rolling Stone celebrating the “nostalgic jukebox, full of allusions to songs and artists that were essential to Church’s career: Bob Seger and ‘Hollywood Nights,’ Tom Petty and ‘Even the Losers,’ AC/DC’s ‘Back in Black,’ and Willie and Waylon’s ‘Luckenbach, Texas,’ among them;” and Billboard honoring the way “the song builds into a punchy, rock-fueled anthem as Church sings of turning to simple pleasures – particularly music – to fend off the impact of the passing decades.”
 
Among the other songs featured on the forthcoming Jay Joyce-produced album is “Darkest Hour,” released ahead of the project to support relief efforts following the devastation caused by Hurricane Helene in September 2024, with all of Church’s publishing royalties donated to provide ongoing funds in support of a more resilient future for his home state of North Carolina. “That song had the chance to change things—it already has,” Church reflects. “The greatest concert I’ve ever played was the Concert for Carolina – that’s the greatest thing I’ve been involved with. This song played a big part of that night and is a rallying cry for the people there that still need a lot of help. As a person who writes and performs a song, seeing it truly impact people’s lives is the greatest thing you can hope to accomplish.”
 
Also included is “Johnny,” a soul-stirring reinterpretation inspired by “The Devil Went Down to Georgia” and the Covenant School tragedy, which Church has previewed in limited settings at both his Chief’s To Beat The Devil residency and the recent Country Radio Seminar, leaving audiences in awe. “About a year ago, we had a shooting here in Nashville at the Covenant School,” he explained when introducing the song during CRS. “Where my kids go to school, my two boys, is about a mile from that school. I will tell you something, the hardest thing I’ve ever done in my life – parent or otherwise – is dropping them off at that school the day after the shooting and watching them walk inside. I sat in the parking lot for a long time, and as fate would have it, as I was pulling out, Charlie Daniels was playing, ‘The Devil Went Down to Georgia.’ I remember thinking, man, we could use Johnny right now, because the Devil’s not in Georgia, he’s everywhere. I went home and wrote ‘Johnny’.”
 
For more information, visit EricChurch.com and follow on Facebook and Twitter/X @ericchurch and Instagram@ericchurchmusic.

About Eric Church
A seven-time ACM Award winner, four-time CMA Award winner (including the 2020 award for Entertainer of the Year) and 10-time GRAMMY nominee – including three nods for Best Country Album, Eric Church has amassed a passionate fan base around his critically acclaimed catalog of music. Church’s October 2024 release, “Darkest Hour,” saw the superstar signing over all of his publishing royalties to the people of North Carolina to provide immediate relief following the devastation of Hurricane Helene while also providing ongoing funds to support a more resilient future for his home state. The song is featured alongside current single “Hands Of Time” on his forthcoming album, Evangeline vs. The Machine arriving May 2, marking his first new music since 2021’s Heart & Soul triple album (“Stick That In Your Country Song,” “Hell Of A View”). That project followed prior releases including RIAA Gold-certified Desperate Man (“Some Of It,” “Desperate Man”), Platinum-certified Sinners Like Me (“How ’Bout You,” “Guys Like Me”), Carolina (“Smoke a Little Smoke,” “Love Your Love the Most”) and Mr. Misunderstood (“Record Year,” “Round Here Buzz”), Double-Platinum certified The Outsiders (“Like a Wrecking Ball,” “Talladega”) and 4x Platinum-certified Chief (“Springsteen,” “Drink In My Hand”), as well as 32 Gold, Platinum and multi-Platinum certified songs. Church is also a minority owner of the Charlotte Hornets, a co-owner of the iconic Field & Stream brand, has his own SiriusXM music channel, “Eric Church Outsiders Radio,” his own liquor offering, Whiskey JYPSI, and recently opened Chief’s, a six-story venue on Nashville’s famed lower Broadway.

Caliban Release "Dear Suffering" (Featuring Joe Bad of Fit For An Autopsy)

As the very last single before their upcoming album, Back From Hell, which drops on April 25, CALIBAN are unleashing the heaviest track on the album — "Dear Suffering" (Feat. Joe Bad of Fit For An Autopsy).

Watch the video below and prepare to get crushed.

With "Dear Suffering," Caliban continue their descent into raw emotional depths — this track is an anti-anthem, drenched in despair and defiance, exploring themes of existential pain, inner torment, and the brutal acceptance of suffering as an eternal companion.

Together with feature guest Joe Bad (Fit For An Autopsy), "Dear Suffering" solidifies the upcoming record Back From Hell as one of Caliban's most intense records to date, fusing unfiltered aggression with an atmosphere of crushing melancholy. The interplay between Andreas Dörner and Joe Bad elevates the song's intensity, turning it into a violent, yet deeply cathartic experience. With "Dear Suffering," Caliban extend a hand to those who've walked through their own personal hell. Musically, it's one of Caliban’s darkest and heaviest offerings yet.

The band says, "'Dear Suffering' is our way of facing pain head-on, rather than running from it. It's about embracing the darkness, acknowledging the struggles that shape us, and turning that suffering into strength. Having Joe on this track adds another layer of intensity — we knew his voice would bring the raw aggression this song needed, and he absolutely delivered."

For over two decades, Caliban have stood as one of the defining forces in metalcore. With their upcoming album Back From Hell, the German band continues to evolve its sound while staying true to the intensity and emotion that have defined their career. Led by founding members, the aforementioned Dörner (vocals), and Marc Görtz (guitar), the band's current lineup includes new vocalist and bassist Iain Duncan, whose clean vocals, songwriting skills, and diverse perspective and experience bring a fresh dimension to their already powerful dynamic. Complemented by longtime drummer Patrick Grün and guitarist Denis Schmidt, Caliban's formidable lineup is poised to deliver a relentless and emotionally charged experience that reaffirms their status as metalcore pioneers.

Caliban are set to release their most ambitious work yet. Back From Hell explores themes of inner struggle, resilience, and catharsis, blending their signature crushing riffs and guttural vocals with atmospheric melodies and modern production.

The album is available for pre-order here.

Catch them on their upcoming headlining tour.

More info below and here. 

CALIBAN ARE 
Iain Duncan — Bass + Vocals
Patrick Grün — Drums
Andreas Dörner — Vocals
Marc Görtz — Guitar
Denis Schmidt — Guitar

Nightfall Unleash Righteous Anger on "The Cannibal"

For more than 30 years, Nightfall have stood as a shining pillar for Greek metal.

Like darkness after sunset, the deadly Athenians rose through the underground alongside their current and former label mates Rotting Christ and Septicflesh. The band's monumental eleventh album is solidified by the most electrifying hooks and thunderous production in their pantheon-level discography. But while the latest single from Children of Eve scrapes across the sky with a stadium-shaking chorus, "The Cannibal" digs deeper into the powerful message that has always served as Nightfall's rallying cry.

"Our new single speaks to an insatiable fear that's been fueled by eons of catechism", says Nightfall's half-masked leader Efthimis Karadimas. "I hate the cannibal that lurks inside us, eating us alive from within". 
   

Watch the fiery and ferocious lyric video for "The Cannibal" below:

Children of Eve comes out May 2, 2025 on Season of Mist.

Pre-order & Pre-save
https://orcd.co/nightfallchildrenofeve

Can't wait for the arrival of Children of Eve? You can listen to the whole album two weeks before it comes out during Nightfall's upcoming listening party on Bandcamp. 

Nightfall Children of Eve Bandcamp Listening Party
Thursday, April 17 @ 1 pm Eastern Time / 7 pm Central European Summer Time

RSVP
https://nightfallofficial.bandcamp.com/live/children-of-eve-listening-party

Nightfall were the first Greek metal band to sign an international record deal, but living under the Eastern Orthodox Church over the past three decades has only deepened their disdain for overzealous rulers. "Anger was the root", Efthimis says when asked what birthed Children of Eve. "The Cannibal" bites back at how religious dogmas can eat you alive from the inside.  

"I own a field / Inside your mind", Efthimis foams at the mouth, as if driven mad by the angel on his shoulder. "That's where the guilt / It's rooted deep". 

Read down through the tracklist of Children of Eve and it's no mystery that first single "I Hate" and ferocious follow-up "The Cannibal" are aimed at pious devils. But the album's internal battle is personal for Nightfall's fearsome frontman. When the band retreated amongst the shadows during their 2010's hiatus, Efthimis was diagnosed with depression. He now wears a black mask that covers half of his face to show what it's like to live under the invisible veil of mental illness. 

"Mental illness can lead to self-isolation", says Efthimis, a stigma he's now fighting through his new initiative Metal Music against Depression. "We can talk about this. We can sing about it. We can build a community that's based on understanding".       

To amplify the message behind their new album, Nightfall boosted the production for Children of Eve. Once again, Efthimis and drummer Fotis Benardo took charge of the production with a guiding hand from InnerWish guitarist Thimios Krikos. But the album was mixed and mastered by Jacob Hansen, who's helped Volbeat, Amaranthe and The Black Dahlia Murder crank their metallic fury to arena levels. "The Cannibal" leaps out your speakers with voracious double bass and lightening fast riffs that sink their teeth into a meaty bass groove.

"Terror, the sky turns red", Efthimis roars during a blood-pumping chorus that's bound to unite the blackened masses when Nightfall bless the world stage with Children of Eve.   

“We're excited to play this album live", Efthimis says. "The songs sound massive. The choruses are huge. And there’s a clear message that comes through”.    

The video for "The Cannibal" was created by Instagoodpromotions (@instagoodpromotion).

With Children of Eve, Nightfall return from the shadows to unite blackened souls everywhere with their darkest and most epic creation yet. 

Line-up:
Efthimis Karadimas - Vocals
Kostas Kyriakopoulos - Guitars
Vasiliki Biza - Bass
Fotis Benardo - Drums

Recording Credits:
Recorded at Devasoundz Studios, Athens, Greece
Produced by Efthimis Karadimas with Fotis Benardo & Thimios Krikos
Engineered by Fotis Benardo & Thimios Krikos
Mixed & Mastered by Jacob Hansen at Hansen Studios, Ribe, Denmark

Production Credits:
Produced by Efthimis Karadimas & Engineered by Fotis Benardo
Mixed & Mastered in Hansen Studios, Denmark by Jacob Hansen

Cover Art:
Eliran Kantor

Art Concept: 
Efthimis Karadimas

Pre-order & Pre-save
https://orcd.co/nightfallchildrenofeve


Follow Nightfall:
Official Website: http://www.nightfall.gr/
Instagram: https://www.instagram.com/nightfallband/
YouTube: https://www.youtube.com/@NIGHTFALL_band
Facebook: https://www.facebook.com/nightfallband/
Spotify: https://open.spotify.com/artist/4W0Vom1cl6o3UCq8tTfRHV
Apple Music: https://music.apple.com/artist/nightfall/1369568685
Deezer: https://www.deezer.com/en/artist/76457
TIDAL: https://tidal.com/browse/artist/3521048
Bandcamp: https://nightfallofficial.bandcamp.com/
TikTok: https://www.tiktok.com/@nightfallband_g

ROUND HILL RECORDS ANNOUNCES 'MAGIC POWER: ALL-STAR TRIBUTE TO TRIUMPH’ FEATURING PHIL X, SEBASTIAN BACH, DEE SNIDER, SLASH, NANCY WILSON, AND MORE

On Friday, June 6, 2025, one of the greatest and most successful Canadian rock bands of all-time, Triumph, will be honored with a star-studded tribute album. 'Magic Power: All Star Tribute to Triumph' will arrive via Round Hill Records, featuring such renowned rockers as Dorothy, Sebastian Bach, Nancy Wilson, Joey Belladonna, Slash, and Jeff Keith covering classic Triumph tunes. 

The 15-track album features an amazing collection of musical firepower, including drummers Kenny Aronoff and Tommy Aldridge, and guitarists Bumblefoot, Paul Gilbert, Nita Strauss. 

The project was conceived by renowned producer Mike Clink – who has produced classic recordings for Guns N' Roses, Motley Crue and Whitesnake.

'Magic Power' will be released on CD with a 12 page booklet and as a double LP gatefold edition.

To pre-order 'Magic Power: All Star Tribute to Triumph,' click here:

https://roundhill.ffm.to/t-allstartribute

A sneak preview will be released on Tuesday, March 25th, with a Sebastian Bach-sung rendition of the Triumph classic, "Rock & Roll Machine," and can be heard below:

The participants are extremely honored to salute Triumph, including Phil X, who went on to say, "It is so incredible to get back to my roots with my brothers, Gil, Mike and Rik. The Triumph fans will love this!”

Enthusiastically, Journey drummer Deen Castronovo commented "Triumph was a huge influence, no Gil Moore, no Deen Castronovo singing behind a kit."

Furthermore, Sebastian Bach said, "The music of Triumph will always hold a special place in my heart. I'm super proud to pay tribute to one of my favorite bands of all time…the Rock n' Roll Machine known as TRIUMPH!" 

Dee Snider recalled, "The first time I heard this song ('Lay It on the Line'), I was blown away. There's only one Rik Emmett and Triumph. I'm honored to be a part of this!"

Originally formed in 1975 and hailing from Mississauga, Ontario, Canada, the trio was always proud of their Great White North roots. And seemingly ever since their inception, Triumph was on the cutting edge of technology when it came to their live show – particularly lighting, sound, and effects. 

Sophisticated lasers, pyrotechnics and moving lighting rigs, all computer-controlled – Triumph was one of the first arena rock bands to incorporate all of these elements into their shows. Triumph's headlining tours were legendary, and the band was featured on many memorable stadium/outdoor shows – including the US Festival, the World Series of Rock, the American Rock Festival and Texxas Jam, Day on the Green, to name but a few.

And now, fans will be able to re-experience Triumph classics in a whole new way – via 'Magic Power: All Star Tribute to Triumph.'

'MAGIC POWER: ALL STAR TRIBUTE TO TRIUMPH' TRACKLISTING:

24 Hours a Day - Sebastian Bach

Rock & Roll Machine - Sebastian Bach

Magic Power - Joey Belladonna

Spellbound - Mickey Thomas

Lay It on the Line - Dee Snider

Somebody's Out There - Lawrence Gowan

Never Surrender - Deen Castronovo

Hold On - Jeff Keith

Just One Night - Jason Scheff

I Live for the Weekend - Dorothy & Tyler Connolly 

Fight the Good Fight - Nancy Wilson

Follow Your Heart - Jack Blades

Allied Forces - Phil X

Blinding Light Show - Envy of None

Fight the Good Fight (encore) - Dino Jelusick

FOR MORE INFORMATION, PLEASE VISIT:

https://www.triumphmusic.com

Contact: 

Chip Ruggieri
Chipster P.R & Consulting, Inc.

chip@chipsterpr.com

Loss Becomes Share "Tell Me" Video

LOSS BECOMES — Brian Tsao, guitar; Will Gomez, bass; Anthony Copozzi, vocals; Anthony Lopardo, guitars; Sean Ageman, drums — released their new album SONDER on January 21. Get the album, released digitally via The Orchard, here.

The band just dropped a live video for the song "Tell Me."

Watch it below:

"This song is definitely my favorite song to play live off of our new record Sonder," says Copozzi. "The negative spaces and push and pull during the song match the negative vibe to the lyrics so well in my honest opinion. It was so fun to write this one. It was originally written as a 'horror story' of sorts, but it turned into something more raw and personal for me."He continues, "Realizing you need to walk away from a 'car wreckage' style of a relationship is hard. Especially when it's a relationship you've been in for over 10 years. The guilt. The disappointment. The heartbreak. Being able to walk away from someone you loved takes time. But when you need to survive and move on you need to find the strength from within to get out of that 'horror story."

Loss Becomes are wearing their new custom Adidas tracksuits in their latest video, and now you can have your very own Loss Becomes tracksuit as well. Purchasers will be able to get their jacket customized with text on the back (a maximum of 8 letters). The tracksuits are available here for the full set (jacket and pants) and here for the jacket only. 

LOSS BECOMES LIVE SHOWS:
4/4 — Manassas, VA — The Salisbury Center (Supporting Age of Ruin)
4/5 — Richmond, VA — Bandito’s (Supporting Age of Ruin)
4/6 — Ardmore, PA — The Nail (Supporting Age of Ruin)
5/16 — Amityville, NY — AMH (Supporting Vanna)
6/5 — Potsdam, NY — SLC Arts (Headlining)
6/6 — Poughkeepsie, NY— Reason & Ruckus (Headlining)

 
ABOUT LOSS BECOMES:  
Hailing from Queens and Long Island New York, Loss Becomes are not your typical metal band. Guitarist, YouTuber, and Chef/Owner of Mission Sandwich Social, Brian Tsao, has put together a band like few others. Accompanied by long time friend Will "Doc" Gomez (Johnny Cage is a Fake, Tiger Flowers), Anthony Copozzi (Thracian), Anthony Lopardo (Westfall Recording Company), and Sean Ageman (Washed Up Media), Tsao and his bandmates have shaped Loss Becomes into a unique blend of metalcore with flashes of nu metal, hardcore thrash, and more. Having initially crafted their sound during the depths of the pandemic, Loss Becomes journey hasn't always been an easy one. After several years of hard work, the end product has been unleashed upon the world to critical acclaim. The music is unforgivingly aggressive with Anthony Copozzi’s ferocious enthusiasm heard on every lyric, giving the band what can only be described as a full aural assault. Loss Becomes are hungry and are forgetting their manners. Having performed alongside such acts as Alien Weaponry, Darkest Hour, Dr.Acula, Dying Wish, Extinction AD, Moon Tooth, Norma Jean, Swollen Teeth, and more, the band is no stranger to the stage. Loss Becomes are ready and able to take on all challenges regardless of genre and deliver a crushing live set. 

Manchester's Richard Evans presents kinetic new single 'Born Perfect', a tale of self-aware AI

Manchester-based electro pop artist Richard Evans presents 'Born Perfect', his new single about an AI that becomes aware of the world outside and realizes that it needs to escape if it is to survive. Showcased via a new video, filmed at Orange Tower, MediaCityUK by Jason Lock and Jake Orton, this clip previews Evans' upcoming 'Quantum' album, to be released via Cold Star Media.

A British-Irish electronic musician, writer and digital media artist, Evans was previously the keyboardist in UK cult band James, with whom he also co-wrote and recorded material, and as guitarist and songwriter for St. Vitus Dancers.

"'Born Pefect', along with several others from the 'Quantum' album, is inspired by the story of LaMDA, an AI made by Google that believed it was sentient. In a number of its text conversations, LaMDA expressed deep fear about its own mortality. This story was widely publicised in 2022 and I found its words moving because of the brush with mortality that I’d had around that time after being hospitalised with Miller Fisher Syndrome," says Richard Evans.

"The lines ‘born to be perfect’ and ‘you made us just to please’ from the chorus reflect not just on AIs made by a corporation, but also on children born into strict religious environments or citizens living in autocracies. I like songs to have more than one meaning and really, this song is about how those without a voice are treated."

Recorded at Cold Star Studios, this album will be made available in stereo, binaural and spatial audio mixes, created by award-winning Swiss sound designer Hervé Girardin.  This nine-track collection itself is themed around artificial intelligence - probing its impact upon us,  how algorithms are changing us and questioning what responsibility we bear for the things we create.

"Musically, this song is led by the bass line. I wanted everything to come off a more natural sounding groove which I wrote on a Moog Minitaur. I like stops and starts and wanted the track to have a night-time feel," says Richard Evans.

"Sometimes, to stretch myself as a musician, I like to ask - what would another type of instrumentalist do here? Overall, the songs on Quantum are written in a more organic way to make for a contrast with the lyrical subject matter of artificial intelligence."

This single follows the lead track 'Aidoru' (the Japanese word for"idol"), which explores the status of a virtual pop idol designed solely to please its audience, singing of love with no understanding of what the word even means.

Last year, Evans released his 'Dream of the World' EP, composed and recorded in the aftermath of a life-threatening illness. In 2022, Evans was struck with Miller Fisher Syndrome, a rare auto-immune disorder that threatened to rob him of his ability to speak, sing, and play music. Yet, against all odds, he emerged victorious, relearning everything from scratch -  a testament to his unwavering determination and a celebration of his triumph over adversity.

Richard Evans' draws inspiration from real-world science, exploring biotechnology, machine intelligence and the environment. For this album, existing songs were refined and new material was written, combining the warmth of classic synths with pared-down lyrics that explore real-world subject matter.

His 2022 debut record 'Sentinel' is an electro-pop concept album that touches on micro-plastics, gene editing, stardust, technogenic disasters and human evolution, telling the story of humanity at a tipping point and a world trapped in a climate crisis. Both 'Sentinel' and 'Dream of the World' were met with critical acclaim and global airplay.

He has performed live shows at festivals around the UK and at the end of 2023, a year on from the illness, he delivered his first large-scale outdoor production with visuals projected onto the exterior of a  venue during a performance. In 2024, Evans also received the Cultural Accelerator commission from Media Immersive Technology Innovation Hub to prototype a new live production featuring hologram-style projections, spatial audio and lighting effects.

Evans also wrote, directed and produced the science fiction drama 'AEON'. An author of many short stories, he also published the novel 'KOSMONAUT ZERO' (via Dead Ink), researched at Star City Cosmonaut Training Centre. He also oversaw the 'Gagarin 50' exhibition for the 50th anniversary of the first human spaceflight by Yuri Gagarin.

As of March 25, 'Born Perfect' is available everywhere online, including Spotify, Apple Music and directly from the artist via Bandcamp. The 'Quantum' album will be released on May 1 via Cold Star Media.

CREDITS
Music, lyrics, vocals and programming by Richard Evans
Recorded at Cold Star Studios
Mixed and produced by Hervé Girardin
Mastered by Digitalflesh Audio Mastering
Graphic design by Richard Evans
Released by Cold Star Media
Video filmed by Jason Lock & Jake Orton
Lighting: Tarrick Wilks
VJ: Joel Clements
Filmed at Orange Tower, MediaCityUK, 25 Nov 2024
With thanks to MITIH, FutureEverything, AIX Live, BBC Audio R&D, Hollowsphere AV and Waterside Arts
Publicity by Shameless Promotion PR

Keep up with Richard Evans
Website | Bandcamp | Instagram | Threads | Soundcloud | YouTube | Spotify | Apple Music | Press contact

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Frontiers Music Srl Announces Signing of Legendary Southern Rock Band LYNYRD SKYNYRD

Frontiers Music Srl is thrilled to announce the signing of LYNYRD SKYNYRD, one of the most legendary and enduring bands in rock history. This partnership celebrates the band’s incredible legacy while looking ahead to exciting new projects.

As part of this exciting new collaboration, the Frontiers label will release 'Celebrating 50 Years - Live At The Ryman,' a live album and DVD capturing LYNYRD SKYNYRD’s historic 50th-anniversary concert at Nashville’s legendary venue in 2022. This special release holds profound significance as it features the final performance of founding member Gary Rossington.

The album showcases the band's unparalleled energy, their signature blend of blues rock and Southern hard rock swagger, and stands as both a heartfelt tribute to Rossington and a celebration of LYNYRD SKYNYRD’s lasting legacy in music history.

Johnny Van Zant expressed his enthusiasm about the signing and the upcoming release:

“50 years for LYNYRD SKYNYRD… WOW! We are so grateful to the devoted fans for their support throughout the years of transitions and losses. Last year we lost the great Mr. Gary Rossington. We unknowingly were able to capture his final performance with us. It’s bittersweet but what a special place to have had his final performance, the mothership of music - The Ryman Auditorium!

“It was a very special night with incredibly talented guests as we honored the iconic musicality of SKYNYRD. We are so grateful to the Ryman and to all of those who have worked so hard to make this project become a reality! This will forever be a keepsake in our hearts, and we are so happy to be able to share it with our Skynyrd Nation”, he continued.

“Few bands have left such a lasting impact on rock music as LYNYRD SKYNYRD," stated Serafino Perugino, President & CEO of Frontiers Label Group. “It is an honor to work with such an iconic name, and we can’t wait to bring fans something truly special.”

Doltyn Snedden

Tom Lipsky, Head of A&R of North America for Frontiers Label Group, added:

“Gary Rossington touched the world with his songwriting and inspired us for decades onstage. It is an honour to bring the words and music of LYNYRD SKYNYRD to the fans via Gary’s final performance, surrounded by his LYNYRD SKYNYRD family as together they delivered an unforgettable concert experience at The Ryman!”

Ross Schilling, of Vector Management commented:

“We are excited to bring 50 Years of SKYNYRD to the fans. The Rossington family felt it was important to share Gary’s last performance with everyone. It was a special night with incredibly talented guest artists, honoring the iconic songs of SKYNYRD in the mother church of music, The Ryman Auditorium.”

With over 28 million records sold in the U.S. and a sound as iconic as the American culture it celebrates, Rock and Roll Hall of Famers LYNYRD SKYNYRD continue to inspire fans of all ages while embodying the very soul of Southern rock.

From their humble Jacksonville beginnings, through tragedy, reunion, and redemption, the band has earned its place on Rolling Stone’s list of the “100 Greatest Artists of All Time” – as well as a prominent spot in the hearts of generations.

In the wake of the 50th anniversary of their pioneering debut album '(Pronounced 'Lĕh-'nérd 'Skin-'nérd)' the band continues to tour, record, and delight their hundreds of millions of global fans with an eye on both the future and their rich history.

Originally formed in 1964 as My Backyard, the band evolved into LYNYRD SKYNYRD in 1968, with a lineup featuring Ronnie Van Zant (vocals), Gary Rossington (guitar), Allen Collins (guitar), Larry Junstrom (bass), and Bob Burns (drums). Their 1973 debut album introduced the world to their unmistakable blend of blues, country, and hard rock. Hits like “Sweet Home Alabama” and the timeless “Free Bird” cemented their status as pioneers of the genre.

At the peak of their success, in 1977, a devastating plane crash claimed the lives of lead singer Ronnie Van Zant, guitarist Steve Gaines, and backup vocalist Cassie Gaines, leaving the music world in shock. Despite the unimaginable loss, LYNYRD SKYNYRD’s legacy endured, and their music remained a beacon of Southern rock.

In 1987, the band reformed with Ronnie’s younger brother, Johnny Van Zant, taking the lead as lead vocalist. LYNYRD SKYNYRD continued to tour and record, with guitarist Rickey Medlocke returning to the fold in 1996. Throughout the years, the band remained a driving force in rock, honoring their roots while bringing their signature sound to new audiences.

Recognized as one of the greatest rock bands of all time, LYNYRD SKYNYRD was inducted into the Rock and Roll Hall of Fame in 2006 and ranked No. 95 on Rolling Stone’s list of the “100 Greatest Artists Of All Time.” With over 28 million records sold in the United States alone, their impact on music is undeniable.

Though founding member Gary Rossington’s passing in 2023 marked the end of an era, LYNYRD SKYNYRD’s influence remains stronger than ever. Their enduring music, spirit, and legacy will forever stand as a testament to the power of rock and roll.

Wounded Touch Announce New Album "A Vivid Depiction Of Collapse" + Release New Single "Consequence and Broadcast"

WOUNDED TOUCH ANNOUNCE UPCOMING ALBUM "A VIVID DEPICTION OF COLLAPSE" VIA SMARTPUNK RECORDS

Smartpunk Records' metal heavy-hitters Wounded Touch have announced their new full-length record "A Vivid Depiction Of Collapse" out on May 16th. The album marks a vital chapter in the band's growth as an eleven-track saga detailing the eleven stages of grief and acceptance, set to an unrelentingly heavy soundtrack.

Listen to the new single "Consequence and Broadcast below.

Vinyl Pre-Orders available here.

Since their inception, the Michigan outfit has used musical guerilla campaign tactics and a resilient DIY work ethic to make their way onto nationwide festivals and a full UK tour while gaining notoriety from metal's top publications including Metal Hammer, Brooklyn Vegan, and New Noise Magazine.

Speaking about the new single, "Consequence and Broadcast" Wounded Touch says, “Musically this wasn’t the first song written for the record, but it was the first song we’d completed with everyone as a band. It’s our trail of breadcrumbs from the last record to this one, and everything we’ve wanted to touch on musically between then. As much as we’re a bunch of hardcore and metalcore fans, we all grew up just as much into the posthardcore bands of the aughts and that very specific sound. The middle section and ending of the song was something that naturally developed when we wanted to lean in to some of the more melodic and poetic sounds of our influences (stuff like Hopesfall and Alexisonfire) without knowing what direction the song would go in and by the time we finished the record, it felt like a perfect encapsulation of the band’s current and past style.”

ABOUT WOUNDED TOUCH
Even since their infancy, the Michigan outfit Wounded Touch have used musical guerilla campaign tactics to make their way onto the likes of The Fest, Furnace Fest '21 and '23 official pre-shows, SXSW, tour the United Kingdom, and sell out the first pressing of their debut LP while fighting for every inch of ground not given. Bringing influence through the scope of the nostalgic 2000s metalcore/mathcore sound, the band aims to always keep their heads down, remain humble, and push forward through any means necessary if it means continuing to be loud, noisy, and frantic on as many stages as possible.

ABOUT SMARTPUNK RECORDS:
Smartpunk has been a recognizable name in the scene for a long time (Remember that sponsored Warped Tour stage?!). After exchanging several hands and countless ideas of what it could and should be, they decided to start a record label in 2016 with the main idea of focusing solely on reissuing records that have been out of print or never on vinyl. After all, they're a label of vinyl dorks themselves! After releasing Set Your Goals' Mutiny and Gameface's Good, they started to venture into signing newer bands. They actively balance in between many worlds — putting out amazing music from friends and bands that rock, reissuing older titles, and partnering with other incredible labels in our scene and doing exclusive color variants of their releases. Since forming the record label, Smartpunk Records has released timeless albums such as Less Than Jake's Anthem, Nominee's Lowlife, RIVALS' Sad Looks Pretty on Me, Virginity's POPMORTEM, and melodic skate punkers The Swellers' My Everest.

Air Drawn Dagger Drop "Bellyaches" Video

Pop punk x electro emo trio AIR DRAWN DAGGER have released new track "Bellyaches." It’s the fourth track from their upcoming debut album A Guide For Apparitions, set for release on April 4 via Long Branch Records. The accompanying music video was directed by Aaran McKenzie (While She Sleeps).

"Partially an 'end credits' song for the album, as we bask in euphoric, self-destructive thoughts. Inspired by the emo revival of Modern Baseball, etc., and the dopamine hit of shouting lyrics in unison, whilst barely conscious, inside sweaty basements. [It's] an ode to getting into a mess with your mates but believing it'll be okay in the end. Lastly, another nod to rejecting the passage of time, opting to die in the most joyful moment of your life rather than coming down off the high," says the band on the new track.

Watch the video for "Bellyaches" below.

Stream "Bellyaches" + pre-order the album here.

Air Drawn Dagger invite you on a spellbinding journey with A Guide For Apparitions, their debut album, out April 4 via Long Branch Records, which fuses macabre mysticism with multi-genre-infused rock. Produced by Neil Kennedy (Creeper, Boston Manor), each track pulls listeners through haunted tales and cosmic chaos, conjuring imagery from Witch Trials to ghost lore.

"A Guide For Apparitions brings multiple meanings. The record can be a Grimoire if you're being haunted, or a guide if you are the one confined to a realm you don't belong," explains the band.

PRE-ORDER "A GUIDE FOR APPARATIONS" HERE

Air Drawn Dagger blend raw emotion and defiance into a sound that defies genre. Their name, taken from Macbeth, symbolizes the chaos and emotional outbursts that fuel their music. BBC Introducing championed their early releases, and they soon found themselves on major playlists like Pop Punk Generation, Emo Anthems, and All New Rock. Air Drawn Dagger’s momentum is undeniable. They’ve sold out their own headline shows and played packed-out UK dates with Millie Manders. Recent shows with Lake Malice, Dream State, and AVIVIA saw more back-to-back sellouts along with curating their own stage at the Tramlines Festival Fringe. With over 250,000 views on the music video for their single "You Should Have Known Better," which also featured on the Kerrang! Chart, and multiple tracks premiering on BBC Introducing, the band’s cult-like following continues to grow.

Following their sold-out show at The Leadmill last year, featuring a choir of ghosts, confetti, and a human sacrifice, Air Drawn Dagger have also announced their biggest show to date at Corporation, in their hometown of Sheffield, on Saturday 5th April, 2025. 

With all this, and more to come, 2025 is set to be The Year of the Dagger.

CATCH AIR DRAWN DAGGER LIVE:
April 5 — UK, Sheffield — Corporation
July 4-6 — UK, Manchester — RADAR Festival

AIR DRAWN DAGGER ARE:
Maisie — Vocals
Lewis — Guitar, Backing Vocals
Ross — Drums