M.A.G.S. Releases New Album "CREATOR"

Smartpunk Records' indie rock prodigy M.A.G.S. has released his new album CREATOR via Smartpunk Records. It is an accompaniment and reimagination to last year's fan-favorite album Destroyer

Each song from Destroyer has been reconstructed and bent into new forms to create a new tracklist on CREATOR that is an exploratory showcase of M.A.G.S.'s imaginative, diverse capabilities as a multi-instrumentalist.

When discussing the album, Elliott Douglas (the man behind the moniker) says, "With CREATOR, I wanted to subvert the expectations of my listeners and bend my genre to a nearly unrecognizable extent. There was a moment a few years ago in the music industry where it was sort of this novel trend to be a black person in rock music, like it was some completely new concept that black people could play guitar and be in bands that sound like Paramore or The Strokes. I’ve been on my own wave for the majority of my career and CREATOR is the perfect example of what happens when I choose to create what feels right to me and not what is expected. With the help of 2 of my most talented friends, we reimagined my previous album ‘Destroyer’ over the course of 9 days in an apartment in Chicago in late 2023. Constructed entirely from my acoustic demos, we experimented and collaborated our way into a sound that goes far beyond what I ever thought M.A.G.S. was capable of."

CREATOR was conceived and mixed by Elliott and was produced in collaboration with Jeremy Strange and Ehmed Nauman of Chicago's This House Is Creaking.

M.A.G.S. also announced October tour dates. Those are posted below.

M.A.G.S.:
WITH BARELY CIVIL:

10/10 — Los Angeles, CA  —  The Paramount
10/13 — Los Angeles, CA  —  El Rey Theatre*
10/15 — San Francisco, CA  —  Bottom of the Hill
10/16 — Reno, NV  —  Holland Project
10/17 — Portland, OR  —  Swan Dive
10/20 — Boise, ID  —  Shrine Social Club (Basement)
10/21 — Salt Lake City, UT  —  Urban Lounge
10/24 — Denver, CO  —  Marquis
10/25 — Kansas City, MO  —  Encore
10/27 — Minneapolis, MN  —  7th St. Entry
10/28 — Milwaukee, WI  —  Cactus Club
10/29 — Chicago, IL  —  Subterranean (Downstairs)
*Supporting American Football

ABOUT M.A.G.S.
M.A.G.S. is the solo moniker for Buffalo-bred multi-disciplinary artist Elliott Douglas. His style seamlessly glides between genres ─ from funky garage rock to minty alt-pop with a punk-inspired energy. The release of his third full-length album Destroyer in 2023 via Smartpunk Records pushed Douglas into a more textural direction, dripping with flavors of post-punk while keeping his genre-bending melodies. Written by Douglas and produced by Jay Mass (Defeater), the album is about having to destroy yourself in order to grow and move forward — an extremely relatable phase in one's life.

M.A.G.S. released his first solo record in 2015, an EP titled Cellophane, and his self-titled LP arrived two years later — securing a seat amongst the most prominent indie/alt-rock artists. With his new batch of music, Douglas displayed marked growth in vocal prowess, overall musicality and lyrical bite through the release of 2020's Lost Tapes EP. Dougals' universal appeal feeds his success, and it's never at the expense of his art. Elsewhere in his blossoming catalog, songs like "MVP" and "Hi Tops" zig-zag from visceral, gnarly heavy metal to lo-fi folk-rock, respectively; his musicianship is a marvel to witness, each entry building on the last with refreshing acrobatics.

ABOUT SMARTPUNK RECORDS:
Smartpunk has been a recognizable name in the scene for a long time (Remember that sponsored Warped Tour stage?!). After exchanging several hands and countless ideas of what it could and should be, they decided to start a record label in 2016 with the main idea of focusing solely on reissuing records that have been out of print or never on vinyl. After all, they're a label of vinyl dorks themselves! After releasing Set Your Goals' Mutiny and Gameface's Good, they started to venture into signing newer bands. They actively balance in between many worlds — putting out amazing music from friends and bands that rock, reissuing older titles, and partnering with other incredible labels in our scene and doing exclusive color variants of their releases.

Since forming the record label, Smartpunk Records has released timeless albums such as Less Than Jake's Anthem, Nominee's Lowlife, RIVALS' Sad Looks Pretty on Me, Virginity's POPMORTEM, and melodic skate punkers The Swellers' My Everest.

LOLITSLEA Releases Neon Pop-Punk Single "What's That To You" Feat. glimmers and Magnolia Park

DEBUT ALBUM NOTHING LASTS FOREVER!, OUT OCTOBER 11

Yesterday, lolitslea released "What's That To You" featuring guest vocals from glimmers and Joshua Roberts from Magnolia Park. It's a sassy, showstopping mashup spotlighting three of today's fastest-rising acts in the pop-punk scene. The powerhouse collaboration on this track is no coincidence as the song taps into the angsty, heavy, and aggressive feelings synonymous with pop punk's origins.

When asked about the song, lolitslea says, "'What’s That To You?' is a salty tune about stubbornness with a twist of aggressive, riff-driven pop punk. I guess my new stuff is just not his style, *shrug* This tune features glistening pop punk band, glimmers, and Joshua Roberts from Magnolia Park."

 lolitslea is the epitome of bright, nostalgia-driven music for today's youth (imagine if Artist Vs Poet or Hey Monday came out in 2024). Growing up in the small, yet touristy beach town of Point Pleasant, NJ, lolitslea was homegrown from all kinds of music from the Asbury Park alternative scene and Warped Tour era. The neon-pop punk bangers on her upcoming album "NOTHING LASTS FOREVER!" are relatable, danceable, and oh-so-fun!

LOLITSLEA 2024 TOUR DATES:
10/9 —  Philadelphia, PA —  The Rotunda
10/10 —  Asbury Park, NJ —  Bond Street Bar
10/11 —  Baltimore, MD —  Zen West
10/12 —  Raleigh, NC —  Kings
10/15 —  Orlando, FL —  Will's Pub
10/18 —  Atlanta, GA —  Smith's Olde Bar
10/19 —  Murfreesboro, TN —  1507 Diana St

ABOUT LOLITSLEA:
Growing up in the small, yet touristy beach town of Point Pleasant, New Jersey, lolitslea was homegrown from every and all kinds of music that came out of the Asbury Park alternative scene and Warped Tour era. The independent artist has intertwined the boldness of punk and the colors of pop to bring back the bright sounds of the Neon Pop Punk scene we all grew to love in the mid-2000s. Think Artist Vs Poet or early Fall Out Boy.

After topping the charts with her college a cappella group (Twisted Measure), lolitslea set off to grow her project. lolitslea's sound has been produced and developed by emo icons such as Chase Coy (formally with Universal Music Group), Tom Denney (formerly A Day To Remember), and Roye Robley (Meet Me @ The Altar, Fluorescents), with features from Kellin Quinn (Sleeping With Sirens), Bemo Rouge, Joshua Roberts (Magnolia Park), glimmers, Smooth Brain, and more to come.

lolitslea is finishing up her debut full-length to be released October 2024. Following that, she'll be busy in writing sessions with Dan Swank (All Time Low, Taylor Acorn), Cassadee Pope (Hey Monday), Cameron Walker, and many more.

SIMONE SIMONS - Debut Solo Album Out Now + New Video For 'Cradle To The Grave' ft. Alissa White-Gluz

Yesterday saw the release of Vermillion, the debut solo album from SIMONE SIMONS. To celebrate, she has revealed a brand new video for 'Cradle To The Grave' featuring Alissa White-Gluz of Arch Enemy.

SIMONE SIMONS & ARJEN LUCASSEN comment:

“'Cradle to the Grave' is about the universal experience of navigating life's ups and downs and the quest for meaning and purpose. It views the human condition as one of struggle and resilience, where despite efforts to build and achieve, there's an underlying acceptance that life is brief, finite, and often cruel."

Watch the video for 'Cradle To The Grave' below.

Purchase and stream Vermillion now at:
https://simonesimons.bfan.link/vermillion

About SIMONE SIMONS:

For more than 20 years, ever since she was a teenager, SIMONE SIMONS has been carving her own path as a woman within the world of metal. As a lead singer, icon, and role model for a whole generation of female metalheads, the Epica lead singer remains one of the most prominent key figures in all things metal. After eight albums and countless global tours with her band, SIMONE SIMONS finally found the time to release her first solo album – a moment 15 years in the making! Her breathtaking debut Vermillion is a stunning feat chronicling her storied past as well as her rise to fame, and showcasing her many different influences ranging from prog rock to film scores to metal to electronic elements.

Of the timing for her eagerly awaited foray into the realms of a solo career, the Dutch singer says with a disarming grin: Epica has my priority and I always have the liberty to do other musical projects besides my career in Epica. Yet, I never had the time to dive into a project to this extent.
Some endeavors require patience and time, and rightly so. Simone chose not to rush her solo project, opting instead to thoughtfully consider how she wanted to present herself. Enter stage right Arjen Lucassen (AYREON). Her musical partner and longtime collaborator is no stranger to her soaring operatic voice. Together they have crafted a sonic universe that befits the influential figure she is. And while many would use their solo effort as a radical, even provocative departure from everything they stood for, SIMONE remains true to her love for epic melodies, huge choruses, and monumental, intelligent music.

INFERNO FESTIVAL NORWAY 2025 Adds KYLESA, THE BLACK DAHLIA MURDER, DØDHEIMSGARD + PONTE DEL DIAVOLO to Lineup

GET PASSES HERE

“Something strange and magical happens in the town of Oslo, Norway over Easter week. Most of polite society flees to the mountains while a scourge of metal heads pour in from all over the globe to experience the four day extravaganza of extreme metal, hedonism & hepatocyte known as Inferno Festival. Subsequently, the entire city becomes a misanthropic miscreant’s soggy dream come true, and we’ve got the whole place to ourselves!” - Metal Injection

INFERNO FESTIVAL NORWAY 2025 is pleased to now welcome the next set of bands to the highly anticipated lineup, which will once again take place in Oslo (NO) from April 17-20 for another blasphemous Easter! The festival now welcomes KYLESA, THE BLACK DAHLIA MURDER, DØDHEIMSGARD + PONTE DEL DIAVOLO to the lineup! Tickets and passes can be found HERE.

The full lineup is now as follows with more TBA:

BEHEMOTH

1349

TSJUDER

TIAMAT

KYLESA

NECROPHOBIC

BLOOD INCANTATION DØDHEIMSGARD

THE BLACK DAHLIA MURDER

GAEREA

AETERNUS

SETH

ABYSSIC

SPECTRAL WOUND

LAMENTARI

ANGIST

BYTHOS

SCHWEIN

PONTE DEL DIAVOLO

SYN

VORBID

VIOLENT MAGIC ORCHESTRA

ROSA FAENSKAP

BOOK HOTEL HERE

INFERNO FESTIVAL NORWAY previously announced the hotel deals for the 2025 edition. The official festival hotel partner is once again the Clarion Hotel® The Hub. Fans can now book their rooms at a discounted rate using the code "INFERNO," which is good until March 17, 2025! For more information can be found via the official Inferno Festival Website or can be booked directly HERE.

The audience, artists, media, and music industry personnel will gather at Clarion The Hub for happenings, partying and a good night sleep.

Moreover, The Inferno Music Conference will take place at the hotel prior to the festival doors opening on Thursday and Friday, for which more info will be revealed soon! Hotel guests will also be treated to an epic and inclusive breakfast buffet that runs until 11:00 A.M. (it's worth waking up early for!) as well as free access to the swimming pool and sauna.

The Hub boasts Oslo’s best location, right in the city centre, next to Oslo Central Station and the

Airport Express Train. It's also only about a five-minute walk from the iconic rock bars and venues in which Inferno Festival will be hosting bands and special events: Rockefeller & John Dee, Salt, Kniven, Vaterland, Brewgata and Rock In, allowing guest to travel freely without the expense of taxis or transit.

The iconic Inferno Metal Festival started in 2001 and is the longest running metal festival in

Norway and one of the most important extreme metal festivals in the world. We are very proud

of this position and we will continue fronting Norwegian metal and bringing bands from all over

the world to Norway. Inferno Metal Festival is being held four days at Rockefeller Music Halls’

two stages Rockefeller and John Dee as well as many smaller clubs around Oslo. The festival takes place during Easter in Norway when not a lot of other stuff is happening in Oslo. The festival are usually sold out and more than fifty percent of the audience are from outside of Norway. The ticket sales are from all over the world including China, Australia, Chile, Japan, Taiwan, Canada, USA, Columbia, Argentina and many more.

Links:

Official Inferno Fest Website

Facebook

Instagram

Twitter

Tickets

OUT NOW: Within The Ruins' 'Phenomena II'

Progressive deathcore giants WITHIN THE RUINS are pleased to unleash their new video for “Demon Killer.” The ferocious new hymn comes off of the band’s Phenomena II full-length, out today on MNRK Heavy!

Phenomena II serves as the sequel to the WITHIN THE RUINS ’ critically lauded Phenomena full-length, which was released a decade ago and has reaped over 18 million streams to date! “We had written a handful of songs, and we were searching for inspiration,” recalls guitarist Joe Cocchi. “We wanted to celebrate the tenth anniversary of Phenomena, because it was a pinnacle point of our career. I wrote a demo that reminded [vocalist] Steve [Tinnon] of Phenomena. So, it was his idea to create Phenomena II. The styles really aligned in terms of the unique guitar effects and the themes where each track tells a story from a comic book character’s point-of-view.”

With “Demon Killer,” the band tempers technicality with moral ambiguity within its depiction of [DC Comics antihero] Constantine. “It checked all of the boxes by utilizing this glitchy effect we started using on Phenomena,” Cocchi elaborates. “‘Demon Killer’ is Constantine. He was born into a world that never appreciated him. Steve is breaking down his character by talking about his internal conflicts and how he’s fighting evil with evil.”

“We absolutely love how this video turned out,” adds Tinnon. “The imagery and effects do incredible justice to the character of John Constantine, and really encapsulate his struggle between the forces of good and evil.” 

WITHIN THE RUINS recently confirmed five Southwest headlining shows this October with support from Gore. See all confirmed dates below and stay tuned for additional shows to be announced in the weeks to come.

SEE ALL DATES HERE

JELLY ROLL ANNOUNCES NEW ALBUM, BEAUTIFULLY BROKEN, OUT OCTOBER 11th

Award-winning multi-genre phenomenon Jelly Roll revealed the highly-anticipated follow up album to his record-breaking Country debut, Whitsitt Chapel, will be released October 11th. Named Beautifully Broken after his upcoming headlining tour set to launch August 27th, the new album features the reigning CMA New Artist of the Year’s current Top 15 hit “I Am Not Okay,” fan-favorite track “Liar,” and newly released track “Get By,” which was recently selected by ESPN as the 2024 College Football Season anthem and can be heard below. Starting today, fans can also pre-order the album here. All net profits from every pre-order of Jelly Roll’s new album “Beautifully Broken” in his U.S. web store will benefit organizations helping individuals facing challenges with mental health and addiction as part of the album launch. Learn more about the charities HERE.

After teasing initial details about the project earlier this Summer on Jimmy Kimmel Live!, Jelly opened up to New York Times Magazine ahead of today’s announcement, sharing additional details about the album as well as his connection with his fanbase and continued desire to find purpose. His current single, “I Am Not Okay,” debuted on The Howard Stern Show in June and continues to resonate with fans, with Billboard noting the Hot 100 Crossover hit “shines a light on a dark national crisis.” Co-written by Jelly Roll, Taylor Phillips, Ashley Gorley and Casey Brown, “I Am Not Okay” follows the Nashville native’s fourth consecutive #1 at Country radio and 5th career #1, including his Grammy-nominated multi-week #1, “Save Me.”

Jelly’s 2024 Beautifully Broken Tour is set to launch in Salt Lake City on August 27 before heading across the U.S. including Los Angeles’ Crypto.com Center and New York City’s Madison Square Garden. For more information on The Beautifully Broken Tour and album, visit Jellyroll615.com.

 

JELLY ROLL BEAUTIFULLY BROKEN 2024 TOUR DATES:
8/27/2024 - Salt Lake City, UT - Delta Center #
8/28/2024 - Nampa, ID - Ford Idaho Center #
8/30/2024 - Spokane, WA - Spokane Arena #
8/31/2024 - Seattle, WA - Climate Pledge Arena #
9/1/2024 - Portland, OR - Moda Center #
9/3/2024 - San Jose, CA - SAP Center #
9/4/2024 - Sacramento, CA - Golden 1 Center #
9/6/2024 - Los Angeles, CA - Crypto.com Arena #
9/7/2024 - Anaheim, CA - Honda Center #
9/9/2024 - El Paso, TX - Don Haskins Center #
9/11/2024 - San Antonio, TX - Frost Bank Center #
9/13/2024 - Lafayette, LA - CAJUNDOME #
9/14/2024 - New Orleans, LA - Smoothie King Center #
9/17/2024 - Orlando, FL - Kia Center #
9/19/2024 - Charleston, SC - North Charleston Coliseum #
9/20/2024 - Raleigh, NC - PNC Arena #
9/21/2024 - Washington, DC - Capital One Arena #
9/24/2024 - Albany, NY - MVP Arena #
9/26/2024 - Boston, MA - TD Garden #
9/27/2024 - New York, NY - Madison Square Garden #
9/28/2024 - Belmont Park, NY - UBS Arena #
9/29/2024 - Newark, NJ - Prudential Center #
10/1/2024 - State College, PA - Bryce Jordan Center #
10/2/2024 - Philadelphia, PA - Wells Fargo Center #
10/5/2024 - Pittsburgh, PA - PPG Paints Arena #
10/6/2024 - Buffalo, NY - KeyBank Center #
10/9/2024 - Columbus, OH - Nationwide Arena #
10/11/2024 - Chicago, IL - United Center #
10/12/2024 - Louisville, KY - KFC Yum! Center #
10/15/2024 - Wichita, KS - INTRUST Bank Arena #
10/16/2024 - Springfield, MO - Great Southern Bank Arena #
10/18/2024 - Tulsa, OK - BOK Center #
10/20/2024 - Bossier City, LA - Brookshire Grocery Arena #
10/22/2024 - Little Rock, AR - Simmons Bank Arena #
10/23/2024 - St Louis, MO - Enterprise Center #
10/25/2024 - Knoxville, TN  - Thompson-Boling Arena at Food City Center #
10/26/2024 - Atlanta, GA - State Farm Arena #
10/27/2024 - Charlotte, NC - Spectrum Center #
10/30/2024 - Charlottesville, VA - John Paul Jones Arena *
11/1/2024 - Charleston, WV - Charleston Coliseum *
11/4/2024 - Cincinnati, OH - Heritage Bank Center *
11/6/2024 - Detroit, MI - Little Caesars Arena *
11/7/2024 - Indianapolis, IN - Gainbridge Fieldhouse *
11/8/2024 - Lexington, KY - Rupp Arena *
11/10/2024 - Evansville, IN - Ford Center *
11/12/2024 - Omaha, NE - CHI Health Center Arena *
11/13/2024 - Kansas City, MO - T-Mobile Center *
11/14/2024 - Oklahoma City, OK - Paycom Center *
11/17/2024 - Houston, TX - Toyota Center *
11/18/2024 - Corpus Christi, TX - American Bank Center *
11/19/2024 - Austin, TX - Moody Center *
11/21/2024 - Birmingham, AL - Legacy Arena at the BJCC
11/22/2024 - Columbia, SC - Colonial Life Arena *
11/23/2024 - Jacksonville, FL - Vystar Veterans Memorial Arena *

#Warren Zeiders & Alexandra Kay
*ERNEST, Shaboozey & Allie Colleen

KEEP UP WITH JELLY ROLL

WEBSITE | INSTAGRAM | TIKTOK | YOUTUBE | FACEBOOK | TWITTER

LAINEY WILSON’S HIGHLY ANTICIPATED NEW ALBUM WHIRLWIND OUT TO WIDESPREAD ACCLAIM

“THE BEST RELEASE OF HER CAREER”
THE TENNESSEAN

“LAINEY WILSON HAS LEVELED UP ON THIS RECORD”
ASSOCIATED PRESS

“A ROMANTIC SURVIVOR WITH COWGIRL CRED, CARRIED BY A VOICE THAT CAN CONVEY ACHE AND METTLE IN EQUAL MEASURE”
THE NEW YORK TIMES

Whirlwind, the highly anticipated new album from Grammy Award-winning, multi-platinum singer, songwriter and musician Lainey Wilson, is out now via BBR Music Group/BMG Nashville. Get it HERE. The official music video for the album’s title track will also debut today, listen below..

Produced by Grammy Award-winning producer Jay Joyce (Miranda Lambert, Eric Church), Whirlwind’s 14 tracks are filled with Wilson’s distinct and engaging songwriting. Current single “Hang Tight Honey” is nearing the top 10 on the Country Airplay chart and continues to rise.

Whirlwind is kind of the Western sister of Bell Bottom Country,” says Wilson. “Since that album, I have gotten to experience so many new things and meet folks from different walks of life. Because of that, I’ve become a better songwriter, and I have more understanding. I feel like I’ve truly stepped into what it is that I’m called to be doing. Ironically, I found my path within all the craziness—and that’s the whirlwind.”

The album adds to an already triumphant career for Wilson, who, in just the past year, was inducted into the Grand Ole Opry, won Best Country Album at the 2024 Grammy Awards, three awards at the 59th annual ACM Awards and five awards at the 57th annual CMA Awards (being named Entertainer of the Year at both the ACMs and CMAs). Most recently, Wilson received two awards at the ACM Honors earlier this week: the prestigious Triple Crown Award—presented to those who have won ACM Entertainer of the Year, Female/Male Vocalist of the Year and New Female/Male Vocalist of the Year—and the Milestone Award, which is given to an artist who has had an unprecedented or outstanding year in country music.

Known for her electric live performances, Wilson will continue to tour throughout the fall with her extensive “Country’s Cool Again” headline tour. Upcoming stops include Los Angeles’ Greek Theater (sold out), Fresno’s Save Mart Center (sold out), Lubbock’s United Supermarkets Arena, Alpharetta’s Ameris Bank Amphitheatre (sold out), Pittsburgh’s Petersen Events Center (sold out), Oklahoma City’s Paycom Center (sold out), Omaha’s CHI Health Center (sold out) and Las Vegas’ MGM Grand Arena among many others. See below for the complete tour itinerary, full details can be found at www.laineywilson.com/tour.

Originally from Baskin, Louisiana and now based in Nashville, Wilson is poised for global stardom. Since her 2016 debut, Wilson has toured extensively across the world and released her last studio album in 2022, the Grammy and CMA Award-winning Bell Bottom Country. Variety raved, “one of the more irresistible collections to come out of the genre in some time. Everything about her is a breath of fresh air,” while The Wall Street Journalproclaimed, “Lainey Wilson’s rock-tinged country songs are taking Nashville—and beyond—by storm.” Also a sought-after and prolific songwriter, Wilson has earned seven #1 singles at country radio and written songs for artists such as Post Malone and Dolly Parton, Luke Combs, Ashley McBryde and more. She made her acting debut in season five of Paramount’s the hit show Yellowstone.

LAINEY WILSON CONFIRMED TOUR DATES
August 23—Chula Vista, CA—North Island Credit Union Amphitheatre
August 24—Concord, CA—Toyota Pavilion at Concord (SOLD OUT)
September 1—Los Angeles, CA—The Greek Theatre (SOLD OUT)
September 13—West Valley City, UT—Utah First Credit Union Amphitheatre (SOLD OUT)
September 14—Nampa, ID—Ford Idaho Center Amphitheatre (SOLD OUT)
September 15—Missoula, MT—University of Montana – Adams Center (SOLD OUT)
September 19—Fresno, CA—Save Mart Center (SOLD OUT)
September 20—Stateline, NV—Lake Tahoe Outdoor Arena at Harveys (SOLD OUT)
September 21—Stateline, NV—Lake Tahoe Outdoor Arena at Harveys (SOLD OUT)
September 26—Vancouver, BC—Rogers Arena (SOLD OUT)
September 27—Auburn, WA—White River Amphitheatre
September 28—Ridgefield, WA—RV Inn Style Resorts Amphitheater (SOLD OUT)
October 4—Winnsboro, SC—Field & Stream Fest
October 5—Ocean City, MD—Country Calling Festival (SOLD OUT)
October 10—Lubbock, TX—United Supermarkets Arena
October 11—Durant, OK—Choctaw Casino (SOLD OUT)
October 18—Raleigh, NC—Red Hat Amphitheater (SOLD OUT)
October 19—Alpharetta, GA—Ameris Bank Amphitheatre (SOLD OUT)
October 20—Wilmington, NC—Live Oak Bank Pavilion (SOLD OUT)
October 24—London, ON—Budweiser Gardens (SOLD OUT)
October 25—Oshawa, ON—Tribute Communities Centre (SOLD OUT)
October 26—Pittsburgh, PA—Petersen Events Center (SOLD OUT)
November 1—Little Rock, AR—Simmons Bank Arena
November 2—Evansville, IN—Ford Center (SOLD OUT)
November 3—Charleson, WV—Charleston Coliseum (SOLD OUT)
November 7—Oklahoma City, OK—Paycom Center (SOLD OUT)
November 8—Ohama, NE—CHI Health Center (SOLD OUT)
November 9—Sioux Falls, SD—Denny Sanford Premier Center (SOLD OUT)
November 15—Monroe, LA—Monroe Civic Center (SOLD OUT)
November 16—Monroe, LA—Monroe Civic Center (SOLD OUT)
December 14—Las Vegas, NV—MGM Grand Arena
May 30, 2025—Panama City Beach, FL—Pepsi Gulf Coast Jam
June 27, 2025—Cadott, WI—Country Fest
July 12, 2025—Cavendish, PEI—Cavendish Beach Music Festival

KEEP UP WITH LAINEY WILSON

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Photo Credit: Eric Ryan Anderson

GAEREA Show Their True Faces on New Single "Unknown"

"As someone who's already heard Coma in full, you're getting a glimpse at one of the best metal records of 2024" - Metal Injection

"One of extreme music's most commanding, compelling forces" - Knotfest 

"...separates itself from the pack thanks to hearty doses of dark melody, top notch production and skilled songwriting"
- Decibel

"...builds upon itself until the sound and fury can’t be contained any longer, spilling over itself with raging vocals and pounding blast beats".- Metal Sucks

"Terrifying at times, but beautiful, almost like life" - New Noise

"Gaerea really aren’t like the other black metal bands...If you have any care for music as heartrending as it is heavy, this is a must-listen" - Angry Metal Guy

"...increasingly wizard-like and meteorically rising" - No Clean Singing

Though they formed during the most uncertain time in recent history, Gaerea emerged from pandemic limbo with a new strand of black metal. Instead of pagan beliefs or lo-fi fidelity, the masked visionaries were guided by a purging of raw emotions. The world has quickly come to share their vision, following them from the gates of Hellfest to tours across China and the U.S. 

But on their upcoming fourth album, Gaerea are proving that they're no longer just a black metal band. While it still packs plenty of bloodied emotion, with Coma, the Portuguese sensations are poised to surface to the top of extreme metal. On "Unknown", they unveil both the beauty and brutality of their new identity.


Watch the luminous video for "Unknown" below.

Coma comes out October 25, 2024 on Season of Mist. 

Pre-order & Pre-save:
https://orcd.co/gaereacoma

When Coma was secretly introduced back in May, Gaerea set the world ablaze. The album's first official single raised everyone's hopes by delivering an anthem for our dying era. "Unknown" heightens the anticipation to an unbearable degree. Like an out-of-body experience, the opening guitar solo hovers as if suspended from a ghostly height, grounded by a warm but numbing bass line.   

The maze-like existence that Gaerea speak of on Coma becomes hazier on "Unknown". Even when the song opens into soft post-rock passages, the melodies are haunted by a familiar dread. "A mere observer, detached creature", the band's tortured vocalist cries out, as if forced to watch some other masked deviant write his life story.  

But Gaerea know who they are. Within its many twists and turns, "Unknown" springs with more deadly hooks than a booby trap. The riff slithers and shakes with minor key tremolo picking before the chorus worms into your ear canals with sharp pangs of melodic distortion. Once the blast beats have sucked you into their vortex, the band's sheer artistic force is blinding, like looking upon the face of god. "This is who I am, sublime". 

With "Unknown", Gaerea make their presence felt on the world of extreme metal. 

The video for "Unknown" was directed by Claudio Marino and produced by Artax Film.

To usher in this new era, Gaerea are touring behind Coma later this year. The masked sensations will return to North America in November with Zeal & Ardor and ZETRA.

Gaerea North American Tour 2024 with Zeal & Ardor and ZETRA

November 23 - Philadelphia, PA @ Union Transfer [TICKETS]
November 24 - New York, NY @ Le Poisson Rouge [TICKETS]
November 25 - Allston, MA @ Brighton Music Hall [TICKETS]
November 27 - Montreal, QC @ Le Studio TD [TICKETS]
November 28 - Toronto, ON @ Opera House [TICKETS]
November 29 - Detroit, MI @ The Majestic [TICKETS]
November 30 - Millvale, PA @ Mr. Smalls Theatre [TICKETS]
December 2 -   Indianapolis, IN @ The Vogue [TICKETS]
December 3 -   Chicago, IL @ Thalia Hall [TICKETS]
December 4 -   Minneapolis, MN @ Varsity Theatre [TICKETS]
December 6 -   Engelwood, CO @ Gothic Theatre [TICKETS]
December 7 -   Salt Lake City, UT @ Urban Lounge [TICKETS]
December 9 -   Seattle, WA @ The Showbox [TICKETS]
December 10 - Vancouver, BC @ Rickshaw Theatre [TICKETS]
December 11 - Portland, OR @ Wonder Ballroom [TICKETS]
December 13 - Berkeley, CA @ UC Theatre [TICKETS]
December 14 - Santa Ana, CA @ The Observatory [TICKETS]
December 15 - Phoenix, AZ @ Crescent Ballroom [TICKETS]
December 17 - Austin, TX @ Mohawk [TICKETS]
December 18 - Dallas, TX @ Studio at The Factory [TICKETS]

Recording Studio
Demigod Studios at Redbox Studios

Production Credits
Produced by Gaerea
Recorded by Miguel Tereso at Redbox Studios
Mixed and Mastered by Miguel Tereso at Demigod Studios

Artwork
Nathan Lorenzana

Photography
Chantik Photography
 
Biography
Gaerea


Stream & Order: https://orcd.co/gaereacoma

Links/Follow Artist:
Official Website: https://www.gaerea.com/
Facebook: https://www.facebook.com/gaerea
Instagram: https://instagram.com/gaerea_
TikTok: https://tiktok.com/@gaereaofficial
Spotify: https://open.spotify.com/artist/1wXoI3Ajpv4WwQ3LmcrSBw
Discord: https://discord.gg/CSyqFQZ6
YouTube: https://www.youtube.com/channel/UCdQOfL4E3Z_SpHLL52tOIpQ
Twitter: https://x.com/gaerea_official


Booking & Management Contact: 
US Booking - nickstorch@artistgrp.com
World booking: https://www.teamwass.com / Contact info: tom.taaffe@teamwass.com

Available Formats:
Digital Download
CD Digisleeve
2X12" Vinyl Gatefold (Black)
2X12" Coloured Vinyl Gatefold (Solid White) [SOLD OUT]
2X12" Coloured Vinyl Gatefold (Crystal Clear) [SOLD OUT]
2X12" Coloured Vinyl Gatefold (Solid Gold) [SOLD OUT]
2X12" Coloured Vinyl Gatefold (Snowy White) [SOLD OUT]
2X12" Coloured Vinyl Gatefold (Safari) [SOLD OUT]
2X12" Coloured Vinyl Gatefold (Dracula) [SOLD OUT]
2X12" Coloured Vinyl Gatefold (Cool Blue) [SOLD OUT]

Seven Hours After Violet Announces Debut Album; Drops New Single & Music Video "Radiance"

Seven Hours After Violet, the new heavy metal powerhouse led by Shavo Odadjian, bassist of the iconic, multi-platinum band System of A Down, is thrilled to announce their self-titled debut album, scheduled for release on October 11th, 2024, through Sumerian Records imprint 1336 Records. This announcement comes alongside the release of the band's ethereal second single, "Radiance," which is available now on all major streaming platforms, accompanied by a visually stunning music video. Stream "Radiance" HERE. Watch the official music video below. Pre-Order the debut album, 'Seven Hours After Violet' HERE.

Seven Hours After Violet is the the groundbreaking new project from Shavo Odadjian featuring Taylor Barber (Left To Suffer), Morgoth(platinum-selling producer and guitarist of Winds of Plague), Alejandro Aranda (Scarypoolparty, American Idol) and Josh Johnson(Winds of Plague). They exploded into existence back in June with the release of their debut single 'Paradise' garnering much praise and excitement from both fans and critics alike. Speaking on the announcement of their debut full-length, Shavo shares

"This album is the culmination of years of creative exploration. With Seven Hours After Violet I wanted to return to my roots in heavy music but also bring something entirely new to the table. "Radiance" and its precursor, "Paradise'" are but a small glimpse of the intensity, musical diversity and emotion that run through this album. We can't wait for everyone to hear it in full and to bring these songs to life on stage at our first live performance at Mayhem Fest."

Seven Hours After Violet will play their first ever live show at this year's recently announced Mayhem Fest, taking place at the Glen Helen Amphitheatre in San Bernardino on October 12th. For tickets and further information, head to mayhemfest.com

About Seven Hours After Violet

When the universe aligns, magic happens. This was certainly the case when Shavo Odadjian, the legendary bass player of System of a Down, crossed paths with platinum-selling producer, songwriter and guitarist, Morgoth at a party on 2.22.22. Their initial sessions were a spontaneous combustion of creativity, transforming from a potential solo venture into a full-fledged band. “We wrote a song right away. It wasn’t like any writing session I had been part of before, riffs were just flowing out of me without me even having to try. Every time I felt like I couldn't write anything. Morgoth would hand me a guitar and say, “go, go, go”. I needed that, you know? I needed someone to push me when I wasn't pushing myself. ” Shavo recalls. As music continued to pour out in torrents, with Shavo writing and performing all the guitar and bass parts and Morgoth producing and providing the beats, atmospherics and FX, Morgoth suggested they turn it into a Shavo solo project. However, with his eye now firmly set on the live arena, Shavo decided to create a full band.

Finding the right vocal talent to compliment the musical landscape created by Shavo and Morgoth was crucial. Morgoth’s recommendation of Taylor Barber from Left to Suffer was a game-changer. Shavo was blown away: “He was singing in falsetto one minute and growling the next—it was ridiculous. He became the singer because he knocked every song out of the park.” With Shavo on bass and Morgoth on guitar, the band also brought in Morthgoth’s Winds Of Plague band mate, Josh Johnson on drums and Alejandro Aranda, known for his solo project Scarypoolparty and as runner-up on American Idol, as lead guitarist and backing vocalist.

Once the new music was complete, mixed by Zach Jones and mastered by Maor Applebaum, Shavo partnered with Ash Avildsen,founder and CEO of Sumerian Music Group to create the brand new joint label venture 1336 Records, with Seven Hours After Violet being the first singing.

Seven Hours After Violet Are

Taylor Barber - Vocals

Morgoth - Guitar & Production

Shavo Odadjian - Bass

Alejandro Aranda - Guitar/Backing Vocals

Josh Johnson - Drums

PIG (Raymond Watts) presents remastered version of seminal 'Sinsation' album, originally released via Trent Reznor's Nothing Records

"A harrowing masterpiece of industrial music, ‘Sinsation’ was born from a crucible of desperation and nihilism, this album captures the raw intensity and emotional turmoil of Raymond Watts at his most vulnerable, reflecting a solitary journey into the depths of his own psyche, fueled by a relentless pursuit of sonic extremity" ~ The Spill Magazine


On the trail of his latest 'Red Room' album, industrial legend Raymond Watts a.k.a. PIG is re-releasing his seminal 'Sinsation' album via Metropolis Records (digital, CD) and Armalyte Industries (vinyl). Out of print for several decades now. this album now makes a fine re-entry to the world, completely re-remastered at Abbey Road

'Sinsation' was originally released in the mid-1990s - both in Japan and on Nothing Records, which was established by Nine Inch Nails kingpin Trent Reznor. An influential and commercially successful label with a cult underground following, PIG joined such artists as Nine Inch Nails, Marilyn Manson, Squarepusher, Autechre, Meat Beat Manifesto, Pop Will Eat Itself, Einstürzende Neubauten and Plaid.

Here, Watts adeptly blends the profound and the profane, featuring such PIG classics as 'Painiac', 'Hamstrung On The Highway' and 'Hot Hole'. As it was since the beginning, Watts & Co teases, taunts, tempts and tantalizes with PIG's singular blend of hook laden, genre-bending, electronic-tinged alternative rock, loaded with malevolent reverence, glitz, glamour, sleaze, sin and swing. 

"Every record I make is PIG through a different noose … and when I made Sinsation the noose hung high. Sinsation was born in 1995 at Ranch Apocalypse in London. The culmination of creation and cremation … an apotheosis of desperation, nihilism and desire … the only place I could go was to the poison well and drink deeply," says Raymond Watts.

"I was locked inside the studio and myself. The barricades were up in my fortress of solitude with only Steve White and a large box of drugs for company. Sinsation was the sound of the last card turning and burning. The only way out was through. I had to give birth to the noise inside my head and record it. A fiendishly simple and yet simply fiendish task. A place in which I was so uncomfortable that success would be to fail, as to fail had been my only success."

Recorded and mixed by PIG and Helen Woodward (Pale Saints, Dodgy, Kitchens of Distinction, Alien Sex Fiend, Ultra Vivid Scene), this album features contributions by several notable artists, including Karl Hyde (Underworld), Jimmy Cauty (The KLF) andt Steve White (KMFDM), who has also collaborated and recorded with Ocean Colour Scene and Mekon, as well as Carol Anne Reynolds (Sow) and Japanese artists Imai Hisashi (Buck Tick) and Hoppy Kamiyama

"Sinsation wasn’t anything about the ascent of man. It was the descent of ham. As surely as everything passes, so did the spotlight on sin, as the long thin shadow that scratched the words from deep within and conducted the chaos would soon cast its darkness on a new vision. PIG would crawl to a different master in me and hang from a new noose," says Watts.

"I was surprised and saddened to re-visit Sinsation, surprised by the energy and invention and saddened to hear the pain … But I was strangely glad to have visited hell, and blessed that I didn’t stay."

Raymond Watts has had quite a colourful and stellar career since cutting his teeth in the mid-1980s industrial rock scene as a member of KMFDM. Apart from releasing 14 albums as PIG, he has toured with Nine Inch Nails, KMFDM and Einstürzende Neubauten, written music for fashion and film (Chloe, Marios Schwab, Halston, The Row), and even did sound design for the exhibition 'Punk: Chaos to Couture' at the Metropolitan Museum of Art in New York.

Watts also collaborated with the late fashion icon Alexander McQueen, who commissioned him (with John Gosling) to embellish the serene instrumental track ‘Inside’ (from PIG's 1999 album ‘Genuine American Monster’) for the soundtrack to ‘Plato’s Atlantis’. The show was reprised after McQueen’s untimely death in as the finale of ‘Savage Beauty', a posthumous retrospective that broke all records at both The Metropolitan Museum of Art and the Victoria & Albert Museum.

As of August 23, 'Sinsation (Remastered)' is available from fine online platforms, including Apple Music, Spotify and Bandcamp, where 'Red Room' can also be found (on CD and digitally). The limited edition vinyl offers 2 slabs of black, heavyweight vinyl - barely enough to contain the sin, sleaze and salvation that his album oozes. The gatefold sleeve comes with two inserts - a 12" by 12" lyric sheet and a huge foldout poster (approx 7" x 42") showcasing designer Steve Lovell-Davis' inspired artwork. On the fourth side of the vinyl is Armalyte's very first etched piece - a true beauty of a beast.

On September 28, PIG launches his ‘Heroin For The Damned’ tour with Curse Mackey and Unitcode : Machine. The 40-date itinerary follows PIG's headlining set at Cold Waves XII in Chicago.

ALBUM CREDITS
All songs written by Raymond Watts,
except 'Shell' written by Raymond Watts & Karl Hyde
Recorded & mixed by Helen Woodword & Raymond Watts at Ranch Apocalypse (London),
except 'Analgesia', mixed by Raymond Watts & Jimmy Cauty
Produced & arranged by Raymond Watts
Mastering by Tom Hall at Abbey Road
Raymond Watts - vocals, synth, guitar, drums, programming
Steve White - guitar

Imai Hisashi - guitar on 'Analgesia'

Karl Hyde - guitar on 'Shell'

Jimmy Cauty - keyboards

Hoppy Kamiyama - loops on 'Painiac'

Carol Anne Reynolds - backing vocals on 'The Sick'

Additional words by Anna Wildsmith
Cover photo by Steve Lovell-Davis
Released by Metropolis Records
Publicity by Shauna McLarnon atShameless Promotion PR

TOUR DATES 'Heroin For The Damned' Tour 
9/28/24: Chicago, IL, @ Metro
9/ 29/24: Minneapolis, MN @ Cabooze *
9/30/24: Des Moines, IA @ Lefty’s Live Music*
10/2/24: Milwaukee, WI @ X-Ray Arcade*
10/3/24: Davenport, IA @ Raccoon Motel*
10/4/24: Lawrence, KS @ The Bottleneck*
10/5/24: Denver, CO Kulture Music Hall*
10/6/24: SLC, UT @ Quarters*
10/7/24: Boise, ID @ Visual Arts Collective*
10/9/24: Eugene, OR @ John Henry’s*
10/10/24: Seattle, WA @ El Corazon ^^
10/13/24: Portland, OR @ Dante’s^^
10/15/24: Sacramento, CA @ Starlit Room^^
10/16/24: SF, CA @ DNA^^
10/17/24: San Diego, CA @ Whistle Stop^^
10/18/24: Las Vegas, NV @ Sinwave^^
10/19/24: Los Angeles, CA @ Catch One^^
10/20/24: Scottsdale, AZ @ Pub Rock^^
10/21/24: Albuquerque, NM @ Launchpad^^
10/23/24: OK City @ Beer City^^
10/24/24: Dallas, TX @ Three Links ^^
10/25/24 - Houston TX @ Secret Group *
10/26/24: Austin, TX @ Elysium *
10/27/24: New Orleans, LA @ Santos *
10/29/24: Pensacola, FL @ Handlebar *
10/30/24: Orlando, Fl @ Handlebar *
11/1/24: West Palm Beach, FL @ Respectable Street *
11/2/24: Jacksonville, FL @ Underbelly *
11/3/24: Greenville, SC @ Radio Room *
11/5/24: Atlanta, GA @ Star Bar *
11/6/24: Richmond, VA @ Fallout *
11/7/24: Baltimore, MD @ Metro Baltimore *
11/8/24: New York, NY @ STIMULATE *
11/9/24 - Wilmington DE @ Bar 13 *
11/10/24: Millersville, PA @ Phantom Power *
11/12/24: Cambridge, MA @ Middle East *
11/13/24: Quebec City, QC @ L’anti Bar *
11/14/24: Montreal, QC @ Cabaret Fous *
11/15/24: Toronto, ON @ Lee’s Palace *
11/16/24: Detroit, MI @ Smalls *
11/17/24: Cleveland, OH @ Beachland Tavern *

*  dates with Unitcode : Machine
^^  dates with Curse Mackey and Unitcode : Machine



Keep up with PIG
Website | Store |BandcampFacebook |InstagramTwitter | SoundCloud | YouTu be | Apple Music | Spotify | Tour tickets | Press contact

Keep up with Metropolis Records
Website | Bandcamp | Facebook  |Twitter | Instagram | YouTub e

Keep up with Shameless Promotion PR
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FLESHGOD APOCALYPSE RELEASES MONSTROUS NEW ALBUM, OPERA

The wait is over. Italian Symphonic Death Metal maestros FLESHGOD APOCALYPSE have returned with their massively anticipated album, Opera, today! Available for stream and purchase now from Nuclear Blast Records, the baroque operatic band’s 6th record is a ferocious collection of intense, volatile tracks directly inspired by frontman Francesco Paoli’s 2021 near fatal mountain climbing accident.

Today, FLESHGOD APOCALYPSE unveils the turbulent video for the opus ‘Morphine Waltz’; a  turbulent glimpse at the band’s raging stage show.

Commenting on the track Paoli says:

‘Morphine Waltz’, THE visionary song par excellence, has a much deeper meaning, which goes beyond its lysergic atmosphere. It’s actually a true anthem to science, which once again has proved itself to be the only reality that counts. 

But this track is also a perfect demonstration that our new line-up is on a whole new level, showcasing Veronica’s amazing versatility besides Eugene’s and Fabio’s insane technical skills.

After a few cinematic music videos, we wanted to pay tribute to another essential, if not the most important, dimension for the band: the stage. Delivering intense and truly theatrical live performances allows us to create a direct, unbreakable bond with our fans. And our upcoming North American tour will be our most theatrical ever.

Folks, today is the day! Let's not waste any more time with words and let the music speak for itself.

Ladies and gentlemen, welcome to the ‘Opera’!

Opera is structured like a 10-act theatrical piece, as the title itself, draws a clear thread with the everlasting tradition of Italian classical music theater combining it with the epic brutality of death and symphonic metal, which has become their trademark sound. Mixed and mastered by Grammy-nominated producer Jacob Hansen (Volbeat, Epica, Arch Enemy), Opera definitely marks another step forward for the band, incorporating new suggestions into that unique blend that FLESHGOD APOCALYPSE are renowned for: sheer violence, majestic orchestrations and soaring melodies. Such an ambitious musical endeavor called for an equally impressive artwork, a team effort between two arising Italian talents (artist extraordinaire Felicita Fiorini and visionary photographer Francesco Esposito), following the path traced by baroque painters like Caravaggio and Artemisia Gentileschi. The cover art portrays Veronica as Music, a superior entity that defeats the social and artistic decay of modern age.

With this new record, FLESHGOD APOCALYPSE are setting the bar even higher than before, pioneering what looks like a completely new sub-genre that might be called “Opera Metal”: an unprecedented mix of extreme music and theatrical elements.

Purchase/Stream Opera: https://fga.bfan.link/opera

‘MORPHINE WALTZ’ MUSIC VIDEO: BELOW

FLESHGOD APOCALYPSE will return to North America in September for a co-headline tour with SHADOW OF INTENT, and support acts INGESTED, THE ZENITH PASSAGE and DISEMBODIED TYRANT.

Purchase tickets at https://theblackopera.soundrink.com/

FLESHGOD APOCALYPSE Tour Dates:

9/14 - Cleveland, OH - House of Blues

9/15 - Chicago, IL - Metro

9/16 - Bloomington, IL - The Castle Theatre

9/18 - Detroit, MI - Saint Andrew’s Hall

9/19 - Toronto, ON - The Opera House

9/20 - Montreal, QC - L'Olympia

9/21 - Ottawa, ON - Brass Monkey

9/22 - Worcester, MA - New England Metal & Hardcore Festival

9/23 - Brooklyn, NY - Warsaw

9/25 - Reading, PA - Reverb

9/26 - Baltimore, MD - Baltimore Soundstage

9/27 - Charlotte, NC - The Underground

9/28 - North Myrtle Beach, SC - House of Blues

9/29 - Tampa, FL - The Orpheum

10/01 - Austin, TX - Come And Take It Live

10/02 - San Antonio, TX - Paper Tiger

10/03 - Dallas, TX - Granada Theater

10/04 - Oklahoma City, OK - Diamond Ballroom

10/05 - Albuquerque, NM - Sunshine Theater

10/06 - Mesa, AZ - The Nile Theater

10/08 - San Francisco, CA - DNA Lounge

10/09 - Sacramento, CA - Ace of Spades

10/10 - San Diego, CA - House of Blues

10/11 - Riverside, CA - Riverside Municipal Auditorium

10/12 - Las Vegas, NV - House of Blues

10/13 - Salt Lake City, UT - Metro Music Hall

10/15 - Denver, CO - Ogden Theatre

Born in 2007, Fleshgod Apocalypse quickly established themselves among the leaders of symphonic death metal.

As of today, some of their most acclaimed releases such as Agony (2011) or King (2016) are still considered milestones by fans and critics alike. With this new record, they're setting the bar even higher, pioneering what looks like a completely new sub-genre that might be called “Opera Metal”: an unprecedented mix of extreme music and theatrical elements.

For sure, this won't sound surprising for anyone who has witnessed one of their intense live performances.

The band is now preparing a huge worldwide touring campaign in support of this new masterpiece.

Fleshgod Apocalypse are now ready to take everyone to “Opera”.

Follow FLESHGOD APOCALYPSE:

https://shop.fleshgodapocalypse.com/

https://www.facebook.com/fleshgodapocalypse

https://www.instagram.com/fleshgodofficial/

https://www.tiktok.com/@fleshgodofficial

https://twitter.com/FApocalypse

https://www.youtube.com/@FleshgodApocalypse

Joe Henry Unveils Remastered Edition Of 2007 Album "Civilians"

Gifted songwriter and vocalist Joe Henry is known for his intimate and richly detailed songs shaped by an eclectic musical world view, encompassing the sounds of rock, folk, country, soul and jazz. In 2024, he revisits a special trio of albums that represent his "coming-of-age" as a record maker. All three albums will be issued on vinyl for the very first time as part of the 2024 reissue series.

Starting off the series, today Henry unveils a remastered edition of his acclaimed 2007 studio album Civilians. The 2024 edition features all original album tracks in remastered sound as well as four previously unreleased demos from Joe’s personal archives. Henry describes Civilians as a very intentional record that took him back to a traditional approach of songwriting. Instead of working from loops and samples, he found himself going back to the idea of starting songs on his guitar and putting a big importance on crafting the lyrics. The four additional demos on the 2024 edition of the album add tremendously to this acoustic-driven, visceral intimacy of Civilians and allow the listener to dive even deeper into Henry’s poetic lyricism.

Accompanying the release of the reissue edition is the launch of a restored performance video of "Time Is A Lion" on earMUSIC’s YouTube channel. According to Henry, the song functions as a major key stone for the sound and narrative of Civilians

"'Time is A Lion' is one of the earliest songs I had for Civilians. It kind of came out of nowhere, and it was the beginning, kind of the building block." Henry describes the importance of the song, "It was maybe the second or third song we recorded. I think it became a template for the record in a certain way, certainly as a tonality and lyrical stance. It sort of sets the table for everything else."

The reissue edition of Civilians is available in stores as of today as black double-vinyl in a high-quality gatefold jacket, CD Digipak and for digital download and streaming. 

Besides Civilians, the reissue trilogy also includes Henry’s 2009 record Blood From Stars and the 2014 album Invisible Hour. All three reissue-albums will be pressed on 180g double-vinyl and additionally be made available as CD Digipak, for streaming and digital download via earMUSIC.

Access Civilians here.

THE HYPOTHESIS - Finnish Progressive Metal Outfit Announces New Album "Evolve" ; Shares Video for First Single "Stray"!

Finnish progressive metal outfit THE HYPOTHESIS have announced their upcoming new album Evolve, slated to be released on October 18 via Noble Demon. With the track "Stray", THE HYPOTHESIS have unleashed the first single today. The song is released alongside a brand new music video directed by Andre Rodriguez and Juuso Turkki, which you can watch below.

Diving into the essence of the track, the band shared:
"An anxious traveller fights himself through struggles. Ghosts from the past are holding him down and heavy words from his past are echoing in his head. Finally he breaks free from the burdens of past and finds his way home."

Hailing from the darkened realm of Kouvola, Finland, THE HYPOTHESIS was founded in 2009 as a melodic metal entity driven by the desire to break free from genre constraints and evolve with each musical endeavor. With former members now playing in renowned bands such as Opeth and Stratovarius, THE HYPOTHESIS is a powerhouse quartet with a relentless drive for musical excellence.

Having toured Finland, the Baltic countries, and Spain with notable acts such as Wolfheart and Swallow the Sun, and shared festival stages worldwide with acts such as Scar Symmetry, Before the Dawn, Amaranthe, and more, THE HYPOTHESIS are ready to unveil the highly anticipated next chapter in the band's history!

Evolve will be coming out on October 18 via Noble Demon and is now available for pre-order at THIS LOCATION

THE HYPOTHESIS are:
Juuso Turkki - Vocals, Guitar
Asko Sartanen - Guitar, Backing Vocals
Markku Ruuskanen - Bass, Backing vocals
Otso Tiilama - Drums

For More Information Please Visit:

THE HYPOTHESIS Online:

Instagram

Facebook

YouTube

Noble Demon Online:

https://linktr.ee/nobledemon

Texas Hippie Coalition to release new album “Gunsmoke”

Texas rockers TEXAS HIPPIE COALITION are set to release their new album, Gunsmoke, via MNRK Heavy on October 4, 2024. 


This time, Big Dad Ritch and his crew wholeheartedly embrace their country and Southern rock stylings as well as a lifelong passion for westerns. This comes through loud and clear on the first single and title track, "Gunsmoke." Rustic acoustic guitar crawls through a stomping beat punctuated by waves of groaning distortion. It climaxes on a chantable chorus, “I sell weed and liquor to the city slickers. I can get you there quicker, and like a gun…I smoke.”

With drinks poured, fists raised, and smiles wide, TEXAS HIPPIE COALITION (THC) always know how to have a good time. A collective of tried-and-true rabble-rousers and dyed-in-the-wool storytellers, the Texas quintet—Big Dad Ritch [vocals], Cord Pool [guitar], Nevada Romo [guitar], Rado Romo [bass], and Joey Mandigo [drums]—spike ass-whopping hard rock with a kick of country swagger and a whole lot of Texas grit and gusto.

Gathering tens of millions of streams, logging thousands of miles on the road, and energizing countless fans, they deliver ten anthems tailormade to simmer and scorch on Gunsmoke [MNRK Heavy]. “In terms of the lyrics, the vibe, and where THC come from, we definitely went home on this album,” says Ritch. “It represents the wild west Texas-Oklahoma area. You’ve got a little red dirt country spilling over into the storytelling and metal. It’s a return to the dirt where we came from.”

TEXAS HIPPIE COALITION TOUR DATES

August 17 - Post Falls, ID - Cruiser's
September 13 - Keokuk, IA - L-Treyns Bar
September 14 - Harshaw, WI - Bonnie & Clyde Gangster Park
September 15 - Joliet, IL - The Forge
September 20 - Cincinnati, OH - Riverfront Live
September 21- Wilmington, OH - Farm to Bottle Festival
October 10 - Mechanicsburg, PA - Lovedraft's Brewing Company
October 11 - Frenchtown, NJ - Atie's Bar & Grill
October 12 - Laconia, NJ - The Big House
October 13 - Rochester, NY - Montage Music Hall
October 17 - Pittsburgh, PA - Crafthouse Stage & Grill
October 18 - Marietta, OH - Adelphia Music Hall
October 19 - Flint, MI - The Machine Shop
October 20 - Lakewood, OH - The Winchester

GET TICKETS HERE

Miranda Lambert Explores “No Man’s Land” With Latest Preview of ‘Postcards from Texas’ Arriving 9/13

Following the recent release of her tongue-in-cheek, honky tonk shuffle “Alimony,” Miranda Lambert takes a vulnerable and reflective turn with today’s release of “No Man’s Land” off her upcoming debut for Republic Records, Postcards from Texas, arriving Sept. 13. 
 
Cowritten with frequent collaborator Luke Dick (“Bluebird,” “Actin’ Up,” “Settling Down”), the evocative ballad showcases Lambert’s unmatched ability to weave narratives of independence and self-discovery, painting a vivid picture of a woman who embodies both the wild beauty of untamed landscapes and the fierce independence of a life lived on her own terms.
 
“‘No Man’s Land’ is a love song to me, and it’s one of my favorite songs I’ve maybe ever written,” reflects the woman whose songwriting Paste celebrates as “unparalleled in country music – and beyond.” “When Luke sent me the initial idea, the lyrics just struck me—they were so beautiful, so raw. It felt like, ‘This is how I can explain it to the man who’s willing to love a girl like me—a free spirit, a wildflower, a wild card but with a big heart and all the love to give.’ It's that sentiment of ‘love her but leave her wild,’ and it’s not really a warning; it’s just a ‘let me tell you what you're getting into, and if you want to jump off and take this ride with me, then let’s go.’”
 
With a voice that speaks directly to the heart, Lambert invites listeners into a world where love is not about possession but about partnership. “‘No Man’s Land’ is like saying, ‘Come with me. Let’s do this together,’ rather than, ‘I’m your property,’” she adds. “It’s about embracing the wild, uncharted territories of love and life, with all the risks and rewards that come with it.”
 
One of 14 musical postcards from Lambert’s home state on her forthcoming album, Stereogum’s “single greatest country star to come along this century,” opens the song with a tribute to West Texas, noting, “I think the line ‘90 miles from Pecos / Lightyears from anywhere’ is both a state of mind and a place. It’s the middle of nowhere, but it’s also a feeling—a place you go in your mind, especially if you’re a creative.”
 
“No Man’s Land” is perhaps the perfect embodiment of what Slate declares to be true of the three-time GRAMMY winner and most-awarded artist in Academy of Country Music history: “Above all, Lambert’s name has stood for frank, unapologetic self-possession – reveling in the trappings of femininity without allowing them to confine her. She steers through heartbreak when necessary, but always while enroute to a damn good time.”

About Miranda Lambert
Acclaimed groundbreaker/songwriter/superstar Miranda Lambert has defined her multi-faceted career as an artist, entertainer, entrepreneur, advocate and businesswoman with an unflinching quest for excellence, honesty and conviction. With her ninth solo studio album, Postcards from Texas, set for release Sept. 13 via Republic Records, the most-awarded artist in Academy of Country Music history, including their top honor for Entertainer of the Year, has also won three GRAMMYs and 14 Country Music Association Awards. A TIME100 honoree and perennial best-of-the-year list maker at the New York TimesTIMERolling Stone, Billboard, Stereogum, People and more, NPR has called her “the most riveting country star of her generation.”
 
With seven No. 1 solo albums, 10 No. 1 hit radio singles, more than 80 prestigious awards and countless Gold, Platinum and multi-Platinum sales certifications, she’s conquered Las Vegas with her twice-extended Velvet Rodeo residency and blurred genres with Leon Bridges, Enrique Iglesias, the B-52s, Loretta Lynn, Sheryl Crow and Elle King as well as her LGBTQ+ inclusive anthem “Y’All Means All” for Netflix’s “Queer Eye.” She’s taken those standards to become a New York Times bestselling author and the first woman on Lower Broadway with her Tex-Mex cantina Casa Rosa, while expanding her creative reach with her Wanda June Home collection exclusive to Walmart and her Idyllwind clothing and boot line available at Boot Barn. Driven by her passion for rescue animals, her MuttNation Foundation has raised nearly $10 million since inception to promote adoption, support shelters across the country, advance spay & neuter and assist with the transport of animals during times of natural disaster.
 
MirandaLambert.com | Facebook | Twitter/X | Instagram | TikTok | YouTube

Photo by James Macari

SOUNDCHECKS AND TAPE DECKS = Old School Intro to Supergroup Rosie & the Revival

SOMEWHERE ON THE ROAD – Nobody thought anything about an album, or writing new material. They didn’t even realize when they started blasting through rock, pop, old country and songwriter classics they were sowing the seeds of a band that’s equally funky, gleaming, blazing and joyous. But that’s what happened when extended soundchecks turned into jamming in the off hours, getting together to lay some tracks down turned into writing songs.
 
And now there’s Rosie & the Revival. Six musicians, all singular creative specialists on their own. Together, they’re a musical force to reckon with. Wyatt Beard, Nick Buda, Jon Conley,  Kenny Greenberg, Harmoni Kelley, and Danny Rader have played in enough bands, they recognized the alchemy, moving from playing everyone’s favorite songs to writing their own. Rather than keep it to themselves, they decided to hunker down and capture the chemistry.
 
Soundchecks and Tape Decks is the sum of all that. Five covers, including AC/DC’s band-naming “Whole Lotta Rosie,” six originals from a band who has recorded and toured with artists including GRAMMY-winners Bonnie Raitt, Shelby Lynne, Willie Nelson, the Allman Brothers, Chris Stapleton, Steve Earle, Merle Haggard and Taylor Swift. Designed to create a song cycle that delivers on the Revivals’ vast experience and set of influences, the collection also evokes a time when freeform album rock radio was a place where people could hear all kinds of music tied together by a certain creative intention. 
 
“We didn’t think about making a record,” recalls keyboardist/vocalist Wyatt Beard. “We’ve all played in all kinds of groups, and sometimes it’s good, sometimes it’s great. But this was something very different…”
 
“It was really a way to have fun when we were doing soundchecks with Kenny Chesney,” continues guitarist/producer Kenny Greenberg. “We were in Tampa a few years ago, and just started calling out songs. Suddenly, we’d been there almost two hours. Everyone up here takes music very seriously, but this was just a blast. And the more we did it, the more fun we had.”
 
“We can play a lot of different things,” adds multi-instrumentalist/vocalist Jon Conley. “But at our core, Soundchecks and Tape Decks is who we are as musicians, writers, producers. Writing for this turned out to be great, it really focused us as a band. But getting to record songs by everyone from Tom Petty to the Meters to the Stones? When you can find that kind of musical alignment, you start to really understand the engine that drives this band.”
 
Like the Eagles, whose “Already Gone” is included and who coalesced as Linda Ronstadt’s backing band, Rosie & the Revival came together touring with Kenny Chesney, whose own form of rock-steeped country has become a sound and place all its own. Working together on some of America’s biggest – and most intimate – stages creates an almost telekinesis that lets them hairpin-turn almost reflexively. That freedom and torque is all over Soundchecks.
 
To celebrate the release of this stellar group’s debut, No Shoes Radio aired an exclusive interview with the band earlier this week announcing the project, with album tracks “Just Getting Started,” “Wait A Minute” and “Keep It Coming” in regular rotation on the channel all week. With a release date that coincides with Chesney’s tour closing, three nights at Gillette Stadium, it’s also one more reason to celebrate.

Randall King Expands Reach with Sold-Out Shows in Norway, Sweden & Denmark

As fans arrived to Randall King’s first three Into the Neon Tour dates in Europe — Norway, Sweden and Denmark — they were greeted with venue signage noting all shows had sold out in advance. A feat the West Texas native never imagined. 

“This was the first time we’ve ever played any of these cities,” King marveled after the first run. “We never imagined we’d play in places as beautiful as Oslo, Stockholm and Copenhagen, but this crazy dream is bringing us all together everywhere.” 

With no tickets available by the time King took the stage, King's 90-minute set included 17 songs spanning his catalog, encompassing current country radio single "I Could Be That Rain" off his sophomore album Into The Neon, released in January; reflective "Mirror, Mirror" off his self-titled 2018 project; and two-stepping, viral fan-favorite "You In A Honky Tonk" off his major-label debut Shot Glass.

King's international trek spans 10 shows, with remaining headlining stops in Cologne, Germany; Amsterdam, Netherlands; London, UK and more. King will conclude his international tour with a set at The British Country Music Festival in Blackpool, UK on Aug. 31. Limited tickets remain at RandallKingMusic.com.

Photo Credit: Jonas Jonnerby

About Randall King: 
A West Texas native and self-described “old soul," Warner Music Nashville's Randall King has never wavered in his honky-tonk allegiance – in fact, he’s worn it like a badge of honor, growing with pride into a leading voice for today’s traditional country. Amassing nearly 400 Million streams with singles like “You In A Honky Tonk,” “Hey Cowgirl” and “Mirror, Mirror,” he’s kept the twang alive in country’s mainstream while also earning acclaim through deeply personal EPs like 2020’s Leanna, and his 2022 major label album debut, Shot Glass – which landed on both Whiskey Riff’s Top 40 Country Albums of 2022 and Billboard’s All Genre 50 Best Albums of 2022 (So Far). Schooled on icons like Keith Whitley, George Strait, Alan Jackson and John Anderson, but inspired by modern masters like Dierks Bentley and Gary Allan, King first built an independent, grass-roots following on the strength of his electrifying live shows – each one a harrowing mix of rowdy roughnecking, romantic tenderness and breathtaking emotion – never asking for permission to explore his creative vision. He has since gone on to headline all across the U.S., the U.K. and Europe, where he continues to play nearly 150 shows a year and hone his craft where it matters most. Named a Country Artist to Watch by everyone from Pandora and Country Now to Music Mayhem Magazine, his sophomore major label album Into the Neon, available now, takes that craft to the next level, as King’s neo-traditional roots meet the blood-pumping rhythms and sharp, arena-sized grooves of Y2K-era country and beyond. Co-produced by King and Jared Conrad, and featuring 18 tracks, punchy sounds exist side-by-side with timeless swagger, further blurring the line between yesteryear and today – even as King renews his forever-country vows.

Philadelphia's ROCKERS GALORE bring sun-soaked vibes on ‘Sweet Sensei’, previewing debut album

"'Blood In The Sand' stuns with its meticulous craftsmanship. Crowned with a smooth and captivating rhythm, this music boasts an extremely unique feel, seamlessly blending a one-of-a-kind melody with a groove that’ll lock you in" ~ Amplify Music Magazine

"A sonic embrace of the tropics... a potent blend of Marley's optimism, Black Uhuru's raw energy, and Steel Pulse's conscious lyrics, creates a hypnotic soundscape that transports you to a white-sand beach, the salty breeze carrying the infectious beat into your soul" ~ The Spill Magazine


Philadelphia reggae-hip hop collective Rockers Galore presents 'Sweet Sensei',  a summer anthem that's pure sunshine in sonic form and the latest taster of their debut record 'Vamos a la Playa'. This collaborative track was inspired by the love of music and sinsemilla, nature's elixir and bringer of verdant euphoria. Fusing musical talents and cultural influences, Rockers Galore takes us on a journey through sound and storytelling, celebrating the power of collaboration and the enduring allure of sinsemilla.

"Tracing the origins of sinsemilla, 'Sweet Sensei' was inspired by Iya Terra's song 'Real Sensi'. Adam came up with a great guitar melody when we started writing this song. We ended up crafting the beat around it, explains Blayer Point du Jour.

"I wanted to write about the origins of sinsemilla, which grows all over the world. I mentioned Haiti and Peru because I am Haitian and Adam is Peruvian. We hope to visit Peru soon. I created the drum and bass parts. Adam wrote a great guitar melody. Michael created the final drum tacks.  Once we started jamming, we eventually crafted the song around the guitar. Oxana laid down some amazing piano. We went to Milkboy the Studio and worked with Tommy Joyner. Talia added some amazing vocals to the track. It was great to work with her again."

The 'Sweet Sensei' video arrives on the trail of their invigorating single 'Blood In The Sand', featuring Philadelphia guitarist Joe Jordan (Oxymorrons, Pure Hell, JJX) and a passionate Spanish-language spoken word performance by Sydelle Prosopio.

This new single and most of the album tracks were recorded, mixed & mastered at Milkboy the Studio by Tommy Joyner (of Digable Planets), who has overseen recordings by James Taylor, Dave Matthews and Miley Cyrus, among many other notable artists. 'Blood In The Sand' is the excption, being mixed & mastered by Arik Creep at Creep Records Studio.

Founded in 2008 by multi-instrumentalist Blayer Point du Jour, Rockers Galore began as a solo project, transforming into a songwriting partnership with guitarist Adam Benites and gradually involving other passionate and visionary artists. With a fantastic and infectious fusion of old-school funk and brand-new spunk, they cleverly blend roots, hip hop, reggae, rock, Haitian kompa music and Latin rhythms. Since releasing their debut 'Port Au Prince' EP in 2011, they have released numerous singles and EPs

Truly a labor of love, their forthcoming 'Vamos a la Playa' album is the product of four years of songwriting, rehearsals, pre-production and arrangements. From initial sketches through to full realization, the tracks found on this album eventually crystallized in a professional studio, where the final recordings were completed and ultimately mixed and mastered.

Blayer Point du Jour explains, "For this album, we took our time and waited until we felt inspired to write. This is a mix of rhythms we enjoy playing. We aim to honor our diverse backgrounds in music and create a new sound that people have not heard before. We believe this is our best work to date. I grew up with a lot of first-generation Americans. We all came from different backgrounds but we learned to respect each others’ cultures. I try to mix the genres in an effort to bring everyone together.”

'Sweet Sensei' is out now, available from fine digital platforms, including Spotify, Apple Music and Bandcamp, where 'Blood In The Sand' can also be found. The full 'Vamos a la Playa' album will be released on September 13.

CREDITS
Music written by Blayer Point du Jour & Adam Benites
Blayer Point du Jour - Lyrics, Vocals, Keyboards and Bass
Adam Benites - Guitar
Joe Jordan - Guitar
Tyler Hayduk - Keyboards
Michael Pipitone - Drum Programming
Chris Tolomeo - Trumpet
Josiah Krawiec - Saxophone
Timi Dread - Vocals on 'Sweet Sensei'
Talia Morris - Vocals on 'Sweet Sensei'
Sydelle Prosopio - Spoken word on 'Blood In The Sand'
Produced by Blayer Point du Jour and Adam Benites
‘Sweet Sensei’ recorded, mixed & mastered by Tommy Joyner at Milkboy the Studio
'Blood In The Sand' mixed & mastered at Creep Records by Arik Creep
Cover artwork by Michael Pipitone
Artist photos by Adam Wallacavage
Publicity by Shameless Promotion PR

VIDEO CREDITS
Video filmed by @Southstphilly, Carlie Sweeney & Melissa Rivera
Video edited by Marques Adams
Blayer Point du Jour – vocals and guitar
Charles Francis Duquesne – conga
Julius Rivera – djembe
Talia Morris – backing vocals

Keep up with Rockers Galore
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Keep up with Shameless Promotion PR
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ARISING EMPIRE ALERT: News + New Music From The Oklahoma Kid

The Oklahoma Kid, a stalwart in the German metalcore scene, continues to captivate their audience with the release of the eagerly awaited EP, Featherminded, out now via Arising Empire. This latest offering showcases the band's ability to blend intricate guitar work with soaring melodies and compelling lyrical narratives.

The new track "Nostalgic Love" combines aggressive instrumentation with melodic hooks, creating a dynamic tension that reflects the song's thematic depth. This single further establishes The Oklahoma Kid's penchant for pushing musical and thematic boundaries, solidifying their reputation as innovators in the genre.

Watch the visualizer below.

Download or stream Featherminded EP here.

THE OKLAHOMA KID stand for breathtaking modern metal that bridges the gap between technical intricacy and energizing rhythms. Since their formation in 2012 the band has consistently pushed the envelope and have established their foundation in the German metal scene.

After their successful debut album Solarray (2019) and struck by the global pandemic, THE OKLAHOMA KID set their focus on writing new music, with one simple goal in mind, to best themselves and give every fan something to crave for — Tangerine Tragic.

Tangerine Tragic is built on the strengths of their debut Solarray. It plays with new ideas and concepts, comes gentle as a breeze and strikes hard as a wreckingball. The album was recorded and produced by Jan Kerscher (Ghost City Recordings) - mixed and mastered by Lance Prenc (Alpha WolfPolarisDealer) that gives this production its full blown punch.

They toured the country with renowned acts such as Stick To Your Guns, Carnifex, Evergreen Terrace and Hatebreed and electrified crowds with their passionate, relentless performance.
  
THE OKLAHOMA KID ARE:
Tomm Brümmer | Vocals
Fred Stölzel | Guitar
Andreas Reinhard | Guitar
Robert Elfenbein | Bass
David J. Burtscher | Drums