THE BELLWETHER SYNDICATE present glamorous post-punk treasure-trove on ‘Vestige & Vigil' LP. Watch the video for ‘Golden Age’

"Goth Rock Tornado... hair-raising speed, riff-racing insanity and badass drum/bass force... William Faith‘s edged Goth-infused vocals rumble all over this super-duper sucker-punch steamroller" ~ Turn Up The Volume

"Anything but conventional... the band is one of the most unique dissonant sounds in the scene" ~ Outburn Magazine

“Words so relevant to the time we are living in... Superb... The Bellwether Syndicate is full of brilliant surprises” ~ The Spill Magazine

“The time seems right for a new wave of post-punk to be ushered in... The Bellwether Syndicate is leading the charge” ~ Big Takeover Magazine

"A glittery piece of glamorous darkness...with William Faith’s crooning vocals and Sarah Rose smoothly cascading guitars” ~ Post-Punk.com


Alternative post-punk outfit The Bellwether Syndicate present their greatly anticipated 'Vestige & Vigil' album, released on April 28 via Sett Records in North America and elsewhere via Nexilis Records /  Schubert Music Europe. It arrives nine years after debuting with 'The Night Watch' EP.

Six years in the making, 'Vestige & Vigil' is truly a distillation of life in the modern age, made timeless by the deep truths conveyed in the work, whether by word or by note. This is a hard-hitting album for those who hear the call.

Produced by William Faith, whose credits include Jarboe, Clan of Xymox, Bootblacks and Autumn, and Chad Blinman (Face To Face, Faith and The Muse, Jarboe), Faith recorded this music at 13 Studio in Chicago, which Blinman then mixed at The Eye Socket.

'Vestige & Vigil' offers a view of the world from two perspectives: Vestige (a celebration of what remains) and Vigil (an acknowledgement of what’s been lost).

Ahead of this, the band presents the album's final single 'Golden Age'. With its ethereal atmosphere and haunted vocals, 'Golden Age' warns of getting lost in nostalgia at the cost of the time that remains, yielding an unforgettable shimmering chorus that stays with you. Directed by William Faith, the video was created by Sarah Rose Faith, Kristen Chiacchia, Hani von Gehenna and William Faith with images by Bobby Talamine, Kristen Chiacchia and James Currie.

Based in Chicago, The Bellwether Syndicate is William Faith (vox, guitars), Sarah Rose Faith (vox, guitars), Philly Peroxide (keyboards, percussion), Stevyn Grey (drums) and Corey Gorey (guitars). Formerly of seminal goth acts Christian Death, Mephisto Walz and Shadow Project and co-founder of Faith & The Muse, William Faith moved from his native LA to Chicago in 2010, forming The Bellwether Syndicate with Sarah Rose Faith a.k.a. Scary Lady Sarah, one of the scene’s most eminent DJs and club promoters and host of Nocturna, the longest-running goth event in North America.

"Golden Age' is a rare gift in that I received nearly the entire song in a dream… The beat, the guitar and bass melody, and the chorus lyric were all just there in my head when I woke up and, without saying a word to Sarah, I ran down to the studio to capture it before I lost it," explains William Faith.

"It has a haunting quality which felt very nostalgic to me, so the lyric is really about the danger of getting lost in nostalgia and losing the present as a result. This is a conversation we have a lot, as so many people seem to stop looking ahead, content to rummage through the past. I’ve always said that tomorrow is way more interesting to me than yesterday, so this song warns about getting stuck there. As for the chorus, it’s anyone’s guess what it means, as it’s all a dream!"

The band earlier released the singles 'We All Rise' (a tale of hope and struggle, of inner-courage and rage for what could be), 'Beacons' (its ‘set adrift’ narrative supported by liquid, chorused guitars and distress-signal bass and synth) and the glam-noir lead track 'Dystopian Mirror'.

'Golden Age' is out now. As of April 28, the 'Vestige & Vigil' album will be availabie from all fine digital outlets, including Apple Music and Spotify, and also directly from the artist via Bandcamp.

CREDITS
Written and performed by The Bellwether Syndicate
Produced by William Faith & Chad Blinman
Recorded by William Faith at 13 Studio in Chicago
Mixed by Chad Blinman at The Eye Socket
Additional programming and treatments by Chad Blinman
Mastered by Josh Sebek
William Faith - Vox and guitars
Sarah Rose Faith - Vox and guitars
Corey Gorey - Guitars (live)
Philly Peroxide - Keyboards and percussion (live)
Stevyn Grey - Drums (live)
All videos directed by William Faith

Keep up with The Bellwether Syndicate
Website | Tour | Bandcamp | Facebook | Twitter | Instagram | YouTube | Apple Music| Spotify | Press contact

Keep up with William Faith 
Website | Twitter | Instagram | LinkTree | Press contact

Keep up with Sett Records
Website | Bandcamp | Facebook | Twitter | Instagram | Email

Keep up with Shameless Promotion PR
Website | Facebook | Twitter | Soundcloud | Instagram | LinkedIn | Email

TSJUDER Unleashes New Single, "Iron Beast"

Norwegian black metal legend TSJUDER is now unleashing a ferocious new single, "Iron Beast," which is taken from the band's forthcoming album, 'Helvegr!' The song can be found along with a ferocious visualizer below.

TSJUDER comments: "This is 'Iron Beast.' Death to all!"

The album will be released on various physical formats, such as cd digipack and coloured vinyl, but also limited edition clamshell box (cd) and LTD vinyl box. These limited editions come with a bonus album 'Scandinavian Black Metal Attack,' in which TSJUDER pays a special ode to Bathory.

'Helvegr' is due on June 23, 2023 via Season of Mist. Pre-orders are now available HERE while the album can be pre-saved HERE.

Since their inception in 1993, Oslo’s TSJUDER have been responsible for some of the most hate-filled ferocity perpetrated under the banner of TRUE NORWEGIAN BLACK METAL.
 
The band’s unholy fire was initially lit when founding members NAG (vocals/bass), BERSERK (guitar) and DRAUGLUIN (guitar) grew weary of playing death metal and sought out engorged levels of extremity to sate their increasingly profane ambitions. The time was ripe to inaugurate a ceaseless campaign committed to an uncompromising strain of brutally raw black metal, influenced by the primal thrash blasts of Sodom, Kreator, Destruction, Sarcófago and early Sepultura; black metal first wave trailblazers such as Bathory and Hellhammer; and, most vitally, Mayhem’s seminal Deathcrush, and Darkthrone’s game-changer, A Blaze in the Northern Sky.

Assuming the TSJUDER name, a moniker plundered from a mythical, murderous Northern tribe, various embryonic line-ups gathered around the all-conquering core of Nag and Draugluin, laying the fearsome foundations for what was to follow with two demos – Ved Ferdens Ende and Possessed – recorded between 1995-96. But it was with 1997’s EP, Throne of the Goat, that the black metal underground really began to sit up and take notice, the release establishing TSJUDER’s reputation as a blasphemous bulldozer hellbent on crushing the insipid and nostalgic in relentless blizzards of sub-zero riffage, punitive blast beats and blood-curdling screams.

Recordings for an inaugural full-length in 1999 were lost to a computer virus, but from the scavenged remnants of these sessions would emerge the Atum Nocturnem demo, an obnoxious foretaste of the group’s debut album, Kill For Satan, an international breakthrough slathered in slime-encrusted sacrilege. That damnable release saw the aptly-named ANTI-CHRISTIAN open his TSJUDER account, the drummer blasting a succession of gateways though the underworld, pulverising a punitive march to the band’s malevolent maelstroms.

Demonic Possession (2002) and Desert Northern Hell (2004) sustained the band’s focus on death, devils and destruction, while ratcheting up the production levels on a barbaric brace of flesh-strippers conjuring a landscape of frost-bitten wastes and foul abyssal realms. With the music press busy dishing out plaudits, the band’s burgeoning confederacy of fanatics were becoming desperate for some TSJUDER live action. Heeding the clarion, the band embarked on a full European tour with fellow countrymen Carpathian Forest. They also recorded a pair of gloriously powerful live performances in 2005, in Norway, which would subsequently be documented on the group’s NorwegianApocalypse DVD.

TSJUDER would take a deserved hiatus in 2006, with members finding other musical outlets for their creativity; Nag launching heretical black metal outfit KRYPT; Draugluin and Anti-Christian doing time with the thrashier TYRANN.

But it wouldn’t be long before the irresistible call of TSJUDER would exert itself once more. The band reconvened, reenergised and eager to make up for lost time, returning to live performances in 2010 before finally unleashing the mighty Legion Helvete (2011), a typically uncompromising comeback interspersed with pronounced Motörhead influences on punkish hyper-blasters such as ‘Slakt.'

It would be another four years before TSJUDER issued the merciless Antiliv(2015), a snarling lycanthropic howl of a record, heavy-loaded with vindictive black’n’roll swagger and lashings of buzzsaw guitar.   
 
TSJUDER quickly set about creating the follow-up to Antiliv, but musical differences and protracted disputes led to a parting of the ways, with Anti-Christian bowing out after an impressive 20-year tenure with the group. Undaunted, Nag and Draughluin enlisted doyen tub-thumper JON RICE to provide the requisite drum artillery and continued to work on new recordings – fine-tuning guitar tones and sharpening mixes.

Then COVID-19 struck, the pandemic further stymieing the album’s release as the world tumbled from its fragile axis. But humanity is now benignly settling into its most chronic phase of perpetual abnormality and TSJUDER are steeled again to hoist their inverted cross above the barricades of conciliation. Their latest opus, Helvegr, is a devastatingly savage offering, one which fully adheres to the band’s eternal credo of “NO FUCKING COMPROMISE."


Recording Line-up:
Nag - Bass & Vocals
Draugluin - Guitars & Vocals
Jon Rice – Drums

Guest musicians:
Guitar solo on ‘Gamle Erik’ by Pål Emanuelsen
Guest vocals on ‘Gods of Black Blood’ by Seidemann (1349)

After the departure of Anti-Christian, Jon Rice and Eivin Brye has shared the drum duties on TSJUDER 's live performances.

Links:
https://www.facebook.com/tsjuderofficial
https://www.instagram.com/officialtsjuder

Mixing + Mastering: North Waves Studios by Pål Emanuelsen

Artwork: Jonas Svensson and Laura Nardelli

Biography: Spencer Grady

Shop: https://redirect.season-of-mist.com/Tsjuder-HEL
Pre-save: https://shop.season-of-mist.com/list/tsjuder-helvegr

Formats:
Digital
CD Digipak  
Cassette
CD Clamshell box (+ Bathory cover album)
Vinyl in various colours
LTD Box Vinyl (+Bathory cover Vinyl)

Grove Street Sign With UNFD + Watch "Lessons of the "Past Video"

INTRODUCING GROVE STREET!

BAND SIGNS TO UNFD + SHARES VIDEO FOR SIGNING ANNOUNCEMENT

UNFD are pleased to announce the signing of GROVE STREET to the label.

"Grove Street becoming a part of UNFD felt like it was meant to happen," says guitarist Sandy. "A label that fully believes in us and wants to nurture our growth as a band is a rare thing to be seen. This band started out as fun between friends, we never had any expectations of reaching the levels we have, and with UNFD behind us, we can push those levels even further."

Watch the signing announcement video here.

Hailing from Southampton, Grove Street blend elements of hardcore and thrash that gives a heavy nod to the sound of late '80s and early '90s crossover. The band have garnered a reputation as a must-see live act, having already toured with legendary bands such as Agnostic Front and Sick of It All, as well as making major festival appearances at the likes of Download and Boomtown. Their signing to UNFD marks a new chapter for the band as they take a step on a new path, with their debut LP coming soon!

With new music around the corner, please get yourselves acquainted with Grove Street via recent single "Lessons of the Past."

Speaking of the track, the band shares, "'Lessons of the Past' focuses on police brutality, abuse of power, systemic oppression, and racism. People not taking a stand against these things only encourages them to manifest further, and we as people must do better to hold those in power accountable."

GROVE STREET IS:
Sully — Vocals
Sandy — Guitar
Andy Harper — Guitar
Joe Paine — Bass
Josh Williams — Drums

The Acacia Strain Share "CHAIN" Feat. Jacob Lilly — LISTEN

TWO NEW ALBUMS — STEP INTO THE LIGHT + FAILURE WILL FOLLOW — ARRIVE MAY 12 VIA RISE RECORDS

THE ACACIA STRAIN — vocalist Vincent Bennett; guitarists Devin Shidaker and Mike Mulholland; bassist Griffin Landa; and drummer Kevin Boutot — recently surprised fans again by announcing TWO new albums arriving on May 12 via Rise Records: STEP INTO THE LIGHT and failure will follow 

Today, they share "CHAIN" (featuring Chamber's Jacob Lilly) from STEP INTO THE LIGHT. 

"'Chain' is possibly the hardest song we have ever written," says Bennett. "Shout out to Jacob Lilly."

Early love for the new TAS material has been intense and copious! Rock Sound stated that the band "goes harder than absolutely everybody else." Brooklyn Vegan lauded the track as "enough to get us very intrigued about what else they might have up their sleeves." Elsewhere, Revolver tipped the band on their 55 Most Anticipated Albums of 2023 list.  

THE ACACIA STRAIN ON TOUR:
5/5 — Atlantic City, NJ — Bamboozle

RECORD RELEASE SHOWS:
FEATURING ESCUELA GRIND, VOMIT FORTH, + CHAINED TO THE BOTTOM OF THE OCEAN:
5/19 — Syracuse, NY — The Lost Horizon
5/20 — Albany, NY — Empire Underground
5/21 — Portland, ME — The Cavern

WITH INTEGRITY + TRIBAL GAZE:
6/13 — Cleveland, OH — Beachland Ballroom
6/14 — Pittsburgh, PA — Preserving Underground
 6/15 — Louisville, KY — Portal
6/16 — Cincinnati, OH — Legends
 6/17 - Birmingham, AL — Sloss Furnaces (No Tribal Gaze)
6/18 - Durham, NC — Motorco Music Hall

ENVY OF NONE ANNOUNCE NEW EP ‘THAT WAS THEN, THIS IS NOW’ OUT JUNE 9th VIA KSCOPE

PRE-ORDER HERE (https://EnvyOfNone.lnk.to/TWTTIN)


Returning after their breakout 2022 self-titled debut, Envy of None reveal their new EP, ‘That Was Then, This Is Now, out June 9th via Kscope. 

The all-star line up of Alex Lifeson , Andy Curran, Maiah Wynne and Alf Annibalini, continue their exponential growth of their trippy, edgy atmospheric sound that took the world by surprise. The new EP is made up of very adventurous tracks that consist of remixes of ‘Dumkoptf’ and ‘Dog’s Life’. Alongside ‘Lethe River’ and ‘You’ll Be Sorry’ only previously released on the deluxe edition of their debut record.

Following these, the EP culminates with a newly recorded track ‘That Was Then’. The song undulates with progressive dexterity and is a perfect example of the unbound writing ability this incredible band showcase. 

All tracks were written, arranged, recorded and produced by Envy of None.

Andy Curran comments: 

“Very happy to say that chapter 2 for Envy of None has officially started. We have a brand new song called “ That Was Then, This Is Now” which marks the first new track we’ve recorded since our debut album release almost a year ago.”

He continues: 

The new EP has that song sandwiched between some really trippy remixes that we had some serious fun creating. We’re also looking forward to sharing all of these songs in 360 surround sound to take it one step further. Stay tuned for more cool news around the corner for EON…” 

‘That Was Then, This Is Now’ remains in canon with the band’s sound of their eponymous debut whilst also pushing the boundaries and is a fantastic prologue to the next chapter of Envy of None’s story as the band have been in the studio creating new music and remixes.

An essential addition to their repertoire.

Alongside this vinyl release the band are also a part of this year’s Record Store Day with their new reissue of their self titled album available as a picture disc on April 22nd. Find your local Record Store dealer here and pick up a copy. 

Sleep Token Share "DYWTYLM" Video — WATCH // Fall 2023 Headline Tour Completely Sold Out In Two Days♡

THIRD STUDIO ALBUM, TAKE ME BACK TO EDEN, SET FOR RELEASE ON MAY 19 VIA SPINEFARM

ALL 2023 HEADLINE SHOWS ACROSS AUSTRALIA, U.S., + GERMANY ARE SOLD OUT

19 SUMMER FESTIVAL APPEARANCES CONFIRMED ACROSS EUROPE + THE UK

Sleep Token have today released new single "DYWTYLM." Offering something entirely different from what we've heard thus far, you can watch the official video below.  

With fan worship more intense than ever, and worldwide interest and intrigue growing at runaway speed, studio album No. 3, Take Me Back To Eden, will be released on May 19 via Spinefarm.

Take Me Back To Eden (an hour-plus of music across 12 distinctive tracks) is Part 3 of a trilogy, a spectacular chapter-closer in the ongoing Sleep Token saga — a saga that kicked off in earnest with debut album, Sundowning (2019). 

Eden features probably the heaviest moments thus far recorded by Sleep Token (i.e. "Vore" and "The Summoning"), along with some of the most immediate and certainly the most emotional (i.e. "Aqua Regia" and "DYWTYLM"), with a slew of other tones, textures, and tangents touched on in-between. 

TMBTE sees Sleep Token boldly re-confirming a true love of the epic (the title track is eight minutes plus), whilst further exploring and developing those elements that keep the music removed from any kind of pack, howling at a moon that's all its own.

Pre-orders are now available across various formats, including four stunning limited vinyl pressings, exclusive cassettes and other merch items such as t-shirts, long-sleeves, and hoodies. 
 
Meanwhile, available album tracks, "Chokehold," "The Summoning," "Aqua Regia," "Granite," and "Vore" have collectively amassed over 85 million streams, whilst standout single "The Summoning" has generated some 38.8 million streams alone, causing the track to trend on Twitter and take the #1 song spot on a host of international Spotify viral charts, as well as being selected as a "YouTube Trending Artist On The Rise," featuring on YouTube's homepage, viewed by millions of people every day. 

The unprecedented accolades keep rolling in, between the fact that ST has never played a headline show in the UK that didn't sell out, "Aqua Regia" picking up consistent airplay on the Radio One "Future Sounds" show hosted by Clara Amfo, plus huge pop star Demi Lovato sharing Sleep Token's music with her 153 million Instagram followers, Sleep Token consistently smash boundaries that they refused to acknowledge in the first place. 

And even though Sleep Token notoriously do not speak to the press (out of necessity, not ego or gimmick), media can't help but write about the phenomenon, reporting on the band's every move; NME note, "Sleep Token offer their fans an entire world to immerse themselves in if they so wish. It's a place of escapism, and the foundation of a huge fan community that's dedicated to studying the band's creativity. While they have the same fervor as any other fandom, there's still a notable difference." Elsewhere, Metal Hammer called them "the most exciting band in metal right now."
 
As such, Sleep Token's entire upcoming Australian and U..S tours, in addition to a one-off headliner in Germany, are completely sold-out. U.S tour dates are below.

SLEEP TOKEN ON TOUR:
9/8 — Alton, VA — BLUE RIDGE ROCK FEST*
9/9 — Philadelphia, PA — Union Transfer
9/10 — New York, NY — Webster Hall
9/12 — Worcester, MA — The Palladium
9/13 — Baltimore, MD — Ram's Head Live
9/15 — Detroit, MI — The Cathedral at The Masonic
9/17 — Minneapolis, MN — The Myth
9/19 — Dallas, TX — Studio at The Factory
9/20 — Oklahoma City, OK — Tower Theatre
9/22 — St. Louis, MO — Hawthorn
9/23 — Louisville, KY — LOUDER THAN LIFE*
9/25 — Denver, CO — The Ogden Theatre
9/26 — Salt Lake City, UT — The Complex
9/28 — Spokane, WA — Knitting Factory
9/29 — Boise, ID — Knitting Factory
9/30 — Seattle, WA — The Showbox Market
10/1 — Portland, OR — Roseland Theatre
10/3 — San Diego, CA — The Observatory NP
10/4 — Los Angeles, CA — The El Rey Theatre
10/5 — Anaheim, CA — House of Blues
10/7 — Sacramento, CA — AFTERSHOCK*
*FESTIVAL DATES

Prog Rock Trio BLACK ORCHID EMPIRE Shares Lyric Video for "Scarlet Haze"

Progressive rock trio BLACK ORCHID EMPIRE is now sharing a new lyric video for the song "Scarlet Haze," which is taken from the band's latest album, 'Tempus Veritas!' The clip can be found below.

Speaking about "Scarlet Haze," Paul Visser says: "We've always loved filthy riffs and heavy songs, but huge, melodic tracks have a vital place in our sonic landscape; 'Scarlet Haze' is one of those. We can't wait to hear you screaming the chorus back to us at a live show. We're so excited for people to hear 'Tempus Veritas' and explore the new musical worlds which we've had such a great time crafting.

"Lyrically this song is written from the point of view of the first human in space - Yuri Gagarin. In his final moments aboard the test flight on which he would ultimately lose his life, he contemplates the stars above him - realizing he will never reach them again."

'Tempus Veritas' was released on April 14, 2023 and can be streamed, ordered, and downloaded HERE.

BLACK ORCHID EMPIRE create huge, memorable rock music that combines heavy-hitting savagery with intense melodic beauty. Their technical, fearlessly complex grooves and gigantic sing-along choruses have already earned them a widespread fanbase.
 
A ferociously tight live band, BLACK ORCHID EMPIRE have toured Europe and the UK extensively, supporting Skunk Anansie, HED p.e, INME and Black Map as well as festival slots at Download, Standon Calling and Planet Rockstock. Black Orchid Empire have sealed the bands reputation as a force to be reckoned with.
 
Having released their debut album ‘Archetype’ (2016) to universal acclaim, BLACK ORCHID EMPIRE signed with German label Long Branch Records to release the follow up albums ‘Yugen’ (2018) and ‘Semaphore’ (2020). Both albums received stellar reviews and over 3,000,000+ combined streams.
 
“Tempus Veritas” is a collection of stories that seeks to find compelling imaginary narratives hidden away in what we all think of as history.  Behind every milestone or major event in humanity’s long, complex past lies a treasure trove of possibilities for invention - how did Pope Urban VIII feel when confronted by his friend Galileo about the true nature of the sun?  What really happened during an almost triumphant but ultimately doomed Everest attempt? What was it like to be a Norse settler amongst the Saxons; did the omens of the ancient gods begin to disappear?
 
In approaching “Tempus Veritas”, BLACK ORCHID EMPIRE sought collectively to push themselves both musically and thematically. Their pursuit of heaviness, melody, emotional power and rhythmic complexity has pushed them to create something they‘re immensely proud of. “Semaphore” was an album of Sci-Fi, this is an album of Hi-Fi. Tempus Veritas.                 

 

Recording studio:
The Recording Studio London
 
Producer / sound engineer:
Produced by Black Orchid Empire
Paul Visser (engineer)
Dobromir Vasilev (assistant engineer)
 
Mixing studio and engineer:
The Recording Studio London
Paul Visser (mix engineer)
 
Mastering studio and engineer:
Systematic Productions
Ermin Hamidovic (mastering engineer)
 
Line-up:
Paul Visser: Vocals | Guitar
Dave Ferguson: Bass | Vocals
Billy Freedom: Drums

Cover artwork: Black Orchid Empire & Ines Hernandez
 

Links:
www.blackorchidempire.com
www.fb.com/blackorchidempire
www.instagram.com/blackorchidempire
www.tiktok.com/@blackorchidempire
www.youtube.com/blackorchidempire
https://spoti.fi/3HqEfEh
https://blackorchidempiresom.bandcamp.com

Pre-sales: https://redirect.season-of-mist.com/BOETV

Formats:
Digital
Digipak
Vinyl in various colours

Phil Firetog Trio & Co. Release Cruel (Live at Vudu Studio)

It is with great pleasure that we announce the release of our latest video, "Cruel," a stunning live studio session recorded at Vudu Studios. This song is a powerful testament to the process of moving on from a toxic relationship and finding solace in the acceptance phase.


The opening line, "Well, I'm not angry anymore," sets the stage for the remainder of the song, which delves into the feeling of exhaustion and detachment that often comes from being neglected for an extended period. The lyrics are profound and universally relatable, and the raw emotion of the performance is palpable.


We are honored to share this video with you and trust that it will resonate with you on a deeply personal level. Please follow the link below to watch the video and let us know your thoughts.

THE NOISE WHO RUNS release beguiling and anthemic 'Preteretrospective' album, newest output from Ian Pickering (Sneaker Pimps / Front Line Assembly)

"Ian Pickering is among the most relevant songwriters of this generation, with topical subject matter, sharp lyricism, a relatable attitude and music that is addictive as F*&@. The same spunk that the progenitors of punk and orderly chaos of early post-punk is made of" ~ The Spill Magazine

"Beguiling... anthemic yet accessible, gothic, grand and graceful, delicately dance-driven and dark, coiled and ornate, slow and seductive" ~ Big Takeover Magazine

"A poetic brutality in the lyrics that reflects our current climes with clinical precision... the anthemic grace and stature of something by The Sisters of Mercy: it has an Arctic chill through which a lyrical, passionate heat radiates" ~ Backseat Mafia

"The cult of popular personality that follows deceptive and narrow-minded fame campaigns, the act of putting the dimmest star on the highest plinth has a new detractor" ~ Sound Read Six

"Rhythms stroll and guitars weave melodic webs within that ethereal electronic intimation. Light and dark entangle... Struck a chord in an instant but it is over time that its true splendour and prowess emerged and our pleasure and fascination escalated" ~ Ringmaster Review


UK-France duo The Noise Who Runs present their ‘Preteretrospective’ album, a 14-track offering sprung from the mind of Ian Pickering (of Sneaker Pimps and Front Line Assembly). Featuring songs from their first two EPs - curated and set in a more far-reaching context - along with six new, previously unreleased tracks.

Ian Pickering (co-author of such hits as 'Spin Spin Sugar', '6 Underground' and 'Tesko Suicide') wrote this material simultaneously to material for the latest Sneaker Pimps album. Formed four years ago upon relocating from Hartlepool, England to Lille, France, The Noise Who Runs is now a duo with Brazilian-French guitarist Felipe Goes.

A literal translation of ‘O bruit qui cour’, a French phrase meaning ‘gossip’, The Noise Who Runs was also the name of Pickering’s favourite restaurant, where the ideas for this project fell into place.

The Noise Who Runs' is rooted in the shared principles and approach to making music of punk/new wave and early hip-hop - both the mentality and the message. This brand of indie-electronic rock is heavily shaped by the 1970's experimental electronic scene in Sheffield, the 1990's guitar-house mix of the Manchester scene, Primal Scream's guitar-electronic sound after 1997’s 'Vanishing Point', and 2000’s XTRMNTR.

Earlier, the duo released lead tracks 'Beautiful Perhaps' and the highly cynical 'Takes a Long Cold Look and Then The Kitchen Sink' - the illegitimate child of solo album-era Syd Barrett and post-Talking Heads David Byrne and '2poor2die', which is at once, a celebration of ordinary bravery in the face of the daily grind of routine and a condemnation of the eternal ideology that sees working people as disposable.

TNWR drifts effortlessly between analogue and digital, from instrument to instrument and between genres, the duo ultimately achieving a blend of abrasive beauty from electric guitars and electronica.

The electronic, looped simplicity of ‘Off the Rails’ is followed by the pandemic-inspired songs 'Things Fall Apart', 'Electronic Babysitter' and the wonderfully bizarre groove of 'Somewhere Between Dogs and Wolves', inspired by Ted Hughes’ poem ‘The dogs are eating your mother’.

'So Good It’s Free' and 'Zoe’s Edible Garden' deliver among the most direct and obvious lyrics on the album, addressing the growing inequality in society and the struggle of what Pickering describes as the unheard and unseen decent people without voices and increasingly without hope, barely considered worth considering.

The utopian optimism of 'So It Goes' to the bleak but beautiful view of ‘New York to L.A. in 2-and-a-half Minutes' led to 'Under the Sun', a campfire song with balearic beats that recounts the aftermath of the revolution that should be coming and finally 'L’altruisme', a strangely disconcerting slice of electronic weirdness.

As of April 21, the 'Preteretrospective’ album is available across digital music platforms, including Spotify, Apple Music and Bandcamp, where this and other releases can e obtained directly from the artist.

ALBUM CREDITS
All songs written by Ian Pickering
Felipe Goes - electric guitars and keyboards
Ian Pickering - vocals, electric guitar and keyboards
All songs recorded, engineered and produced by The Noise Who Runs
Drums and additional recording and production by Julien Guyot
Additional production by Colin C at The Cell Studio (thecellstudio.com), except 'Beautiful Perhaps', recorded and produced by Claudio Meza aka 'Spural' at Mauco Records, Chile.
All songs mixed and mastered by Colin C at The Cell Studio
Artist photos by Théo Valenduc

Keep up with The Noise Who Runs
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THE STEVE MORSE BAND ANNOUNCES FIRST LIVE SHOWS IN OVER A DECADE

Reunited and performing together for the first time in over 10 years, the Steve Morse Band returns with a long-awaited live set including fan favorites from the band’s illustrious career. Featuring a trio of some of the world’s most notable instrumentalists - Steve Morse, Dave LaRue, and Van Romaine - this evening with the legendary act promises to be a must-see event in music history and a true testament to their status as the original gold standard in rock fusion. Performances are set for April and May, and tickets can be purchased via this link:
 
https://stevemorse.com/tour/
 
The night brings together three icons, beginning with the band’s namesake and Guitar Player Hall of Famer Steve Morse, songwriter and bandleader of The Dixie Dregs, member of supergroup Flying Colors, as well as former guitarist of Deep Purple, Kansas and more. Morse’s bandmates feature Dave LaRue, also of Flying Colors and The Dixie Dregs, as well as Van Romaine, one of the most in-demand percussionists throughout his extensive career playing live and recording with legendary names like Blood, Sweat & Tears, Billy Joel, Naughty by Nature and many more. 
 
“This mini tour is us getting back to what made us the happiest, musically,” says Morse. “Working with friends you know and trust, playing snippets of the best part of your lives together is too much fun to call ‘work’! We are very excited to be coming back and playing here, since we formed the foundation of the music touring and playing this town!”
 
In a can’t-miss celebration of musical prowess and unparalleled instrumental songwriting, this evening’s set from the inimitable trio is undoubtedly poised to be a music lover’s dream come true. Steve Morse brings back one of his original career-defining acts that introduced the world to his supreme virtuosity over 30 years ago. Still at the top of their musical game, the Steve Morse Band have returned to showcase and share their genre-defining musicianship once again.

TOUR DATES:
 
Saturday, April 22, 2023     Annapolis, MD          Rams Head 
Sunday, April 23, 2023       Glenside, PA             Keswick Theater 
Monday, April 24, 2023       Alexandria, VA         Birchmere         
Thursday, May 25, 2023     Homer, NY                Homer Center for the Arts 
Friday, May 26, 2023          Oakmont, PA             Oaks Theatre 
Saturday, May 27, 2023     Lititz, PA                    Mickey's Blackbox 
Sunday, May 28, 2023        Cleveland, OH          Music Box Supper Club
 
FOR MORE INFORMATION, PLEASE VISIT:
 
Socials: https://www.facebook.com/stevemorseguitar/
 
Web:    https://stevemorse.com/ 

Gozu Share New Single "CLDZ" — LISTEN

 FIFTH ALBUM REMEDY OUT MAY 19 BLACK LIGHT MEDIA/METAL BLADE

Boston's GOZU — Marc Gaffney (vocals and guitar); Joseph Grotto(bass); Doug Sherman (lead guitar); and Seth Botos (drums) — return riffing and screaming with their fifth full-length Remedy. It arrives via Black Light Media/Metal Blade on May 19. Pre-order it here.

Today, the band has shared the new single "CLDZ." Listen below. 

 "Rain or shine, these 'CLDZ' will brighten your day, every single time," the band states.

The record was engineered and mixed by Dean Baltulonis (Death Ray Vision, The Hope Conspiracy) at Wild Arctic Studios in Portsmouth, New Hampshire. It was mastered by Ryan Williams at Augmented Audio.

The record was engineered, mixed, and mastered by Dean Baltulonis (Death Ray Vision, The Hope Conspiracy) at Wild Arctic studios in Portsmouth, New Hampshire. The album will be available via Digital/Streaming, CD, and vinyl. The U.S. vinyl variant will be Blue/White Melt, while the European vinyl variant will be Red/Black Melt. 

About the album Gozu says, "A wise man said, 'To rock is human, to roll is divine. Gozu's Remedy should be cranked at full volume, all the time,"

Gozu will be on tour next month, as well. They share, "On May 19, Gozu hit the road with some serious BGVs. Get ready to stop, drop, and open up shop! See you all at a club near you. Woooo." All dates are below.

GOZU ON TOUR:
5/19 — Brooklyn, NY — Saint Vitus
5/20 — Philadelphia, PA — Kung Fu Necktie
5/21 —  Pittsburgh, PA — Green Beacon Gallery
5/23 — Indianapolis, IN — Black Circle *
5/24 — Columbus, OH — Ace of Cups *
5/25 — Newport, KY — Southgate House/Revival Room *
5/26 — Chicago, IL — Reggies / Music Joint *
5/27 — Lincoln, NE — Cosmic Eye Brewery
5/28 — Denver, CO —The Crypt
5/30 — Houston, TX — Black Magic Social Club
5/31 — Austin, TX — The Lost Well
6/1 — Arlington, TX — Division
6/2 — New Orleans, LA — Gasa Gasa
6/3 — Nashville, TN — Springwater *
6/4 — Atlanta, GA — Boggs Social & Supply *
6/5 — West Columbia, SC — New Brookland Tavern *
6/7 — Raleigh, NC — The Pour House *
*With Ancient Days

ABOUT GOZU:
This is Gozu's world, we're just living in it. Given that it has been five years since the Boston quartet dropped the monstrous Equilibrium, returning with Remedy is one hell of a way to make sure that everyone — whether previously familiar with them or otherwise — realizes that they are perhaps the most badass of American rock bands, for they have taken everything to the next level.

"There is a certain maturity mixed with a childlike enthusiasm to play music, and we all are better players now than on Equilibrium," says vocalist/guitarist Marc Gaffney. "We have all really tried to look at what we enjoy but more what we do not enjoy. Playing music is a gift and when it becomes A Nightmare on Elm St Part 37.3, you are done." The result is nine tracks of their signature combination of fuzzy, '70s-inspired riffs, rich, catchy, grunge-esque vocal melodies and a touch of old school trippy psychedelia written and played with the utmost passion and enthusiasm, eclipsing everything else in their catalogue. "The band wanted a very heavy groove-oriented album with singalong choruses. We also wanted sonically to hit you in the chest, like a three-combination, left-right-left, like Micky Ward. Harmonies and melodies were something we really looked at and wanted to shine, and thick guitar tones, driving bass and drums were under the microscope."

One element that gave the band a kick in the pants going into Remedy was drummer Seth Botos joining Gaffney, guitarist Doug Sherman and bassist Joe Grotto. "Seth brings such an impeccable work ethic and freshness to the band that it was infectious. He is the breath of delicious fresh air the three old men needed. He reminds us of a young Kevin Bacon/Wayne Rooney." Auditioning drummers ate up some of the time elapsed between records but like for so many bands the biggest obstacle was COVID, which slowed down the whole process.

Recording with honorary fifth member of Gozu, producer/engineer Dean Baltulonis (Death Ray Vision, The Hope Conspiracy) at Wild Arctic studios in Portsmouth, New Hampshire, sessions were unlike any that the band had previously experienced. Botos laid his drums down in just a day-and-a-half, taking all suggestions his bandmates had and putting his signature spin on them, echoing the fact that they were all invested in the process more than ever before. 

The band obviously hopes to tour the record after so long off the road, and they would love the opportunity to share the stage with bands they admire. When asked what other unfulfilled goals they have at this juncture, Gaffney answers without hesitation: "To always improve, write better, play better, enjoy everything that we are offered and take advantage of it. I feel we are always setting goals for ourselves so we are not stagnant or believe we can’t do more. The goal should always be to have fun, kill it and let the music set people free. The minute we stop setting goals and challenges for ourselves is the minute we have failed."

SPIRITBOX Release New Single "The Void"

Band Currently On The Road For The Completely Sold-Out

The Eternal Blue Tour 2023

With Support From After The Burial and Intervals

Heavy music’s hottest band, Spiritbox, have announced the official release of brand new track, "The Void" and it's accompanying visualizer today. The track features the band's calling card of complex, multi-layered soundscapes and gloriously ethereal, hugely catchy vocals whilst also furthering their incredible ability to release music that is immediately recognizable as Spiritbox but simultaneously sounds unlike any of their previous releases.

Find "The Void" on streaming services HERE and watch the visualizer below.

Spirtbox are currently on the road for their first ever US headline run - the completely sold-out "Eternal Blue Tour", where the new track has been making its surprise live debut to much excitement from fans. Speaking on the official release of "The Void", Spiritbox vocalist, Courtney LaPlante shares

The Void is a song that came about very quickly. I didn’t have to fight with anything to write it, and when that happens, I don’t argue with it. It’s a type of song that I’ve been wanting to write for a long time, I’ve heard it hundreds of times now, and it makes me so happy every time I hear it. It’s been such an amazing experience playing this song on our tour, and watching people hear it for the first time, in real time.

The Eternal Blue Tour 2023, produced by Live Nation, began in Vancouver on April 10th and will culminate in Minneapolis on May 10th. For more information head to Spiritbox.com. Full routing below.

Spiritbox | Eternal Blue Tour 2023

 04/19/23 | Denver, CO - Summit Music Hall

04/21/23 | Dallas, TX - Echo Music Hall

04/22/23 | Austin, TX - Emo’s

04/23/23 | Houston, TX - House of Blues

04/25/23 | Atlanta, GA - Buckhead Theatre

04/26/23 | Orlando, FL - House of Blues

04/28/23 | Silver Spring, MD - The Fillmore

04/29/23 | Boston, MA - House of Blues

04/30/23 | New York, NY - Irving Plaza

05/02/23 | Philadelphia, PA - TLA

05/04/23 | Toronto, ON - The Danforth Music Hall

05/05/23 | Detroit, MI - Saint Andrew’s Hall

05/06/23 | Cleveland, OH - House of Blues

05/08/23 | Chicago, IL - House of Blues

05/10/23 | Minneapolis, MN - The Fillmore

The history-making tour is in support of Spiritbox’s phenomenal, chart topping debut album of the same name, released in September of 2021 via Rise Records and Pale Chord. Since releasing Eternal Blue, Spiritbox have been conquering the live arena one mind-bending performance at a time. Prior to the Eternal Blue Tour, they played major festivals in the US, Australia, Europe and the UK, several sold-out, one-off headline shows in major cities such as London, Los Angeles and Munich and toured with the likes of Underoath, Ghost and Lamb of God.

Once done touring the US, Spiritbox will hit Europe for a run of shows with Ghost in France, Bring Me The Horizon in Budapest and Paris, two co-headline shows with Motionless In White in Germany, stand alone headline shows in Milan (ITA), Munster (GER), Haarlem (NL), Eindhoven (NL) and Helsinki (FIN), several major festivals and finally the UK, where they will play a run of headline shows supported by Loathe and Brand of Sacrifice. Tickets and full routing HERE.

ABOUT SPIRITBOX:

 SPIRITBOX arguably *the* hottest band in heavy music, dropped their debut album, Eternal Blue,  in September of 2021. It rolled in on a global tsunami of critical acclaim, from perfect score reviews and features everywhere including Spin, Forbes, Billboard and Alternative Press to multiple front covers including Kerrang!, Metal Hammer, Alternative Press, Rock Sound, Distorted Sound, Pollstar, and Revolver. The album spawned a string of hit singles including "Holy Roller", "Constance", “Circle With Me”, "Secret Garden" and most recently, "Hurt you". 'Eternal Blue' charted #13 Billboard Top 200, #1 Rock, #1 Hard Rock, #1 Vinyl, #2 Internet Albums, #2 Independent, #3 Digital Albums, #3 Album Sales and top 20 of the official charts in Australia (#8), Germany (#17) and UK (#19). To date, Eternal Blue has clocked up 235 million streams.

 

Spiritbox followed the release of Eternal Blue with the 3-song Rotoscope EP, in 2022. The title track for which came accompanied by an official music video shot by Max Moore, which has run up over 3.1 million YouTube views. The EP has clocked up 24.9 million streams

 

To date, Spiritbox have accumulated over 395 million career streams across platforms and 76.4 million YouTube views. They were also nominated for 2 Juno Awards this year for Breakthrough Group Of The Year and Metal/Hard Music Album of The Year last year.

Find SPIRITBOX Online:

spiritbox.com

MISCREANCE Shares Mind-Bending Song, "No Empathy"

Old school technical death metal revivalists MISCREANCE will be reissuing their debut album, 'Convergence,' via Season of Mist on May 19, 2023! The album was originally self-released by the Italian newcomers in in September 2022. The band is now offering another taste of their debut record; listen to "No Empathy" below.

MISCREANCE comments: "The song's about losing any kind of emotion ever felt, and while trying to change this chosen path, to start feeling something again, that sensation of emptiness grows more and more, letting you feel no joy, no sorrow and... No Empathy."

'Convergence' will be re-released on three different colored vinyl as well as CD formats. The record is now available for pre-order HERE while you can stream it across all digital platforms HERE.

Though many have tried, few bands have successfully replicated the mind-bending technical death metal formula that was established during the genre’s advent by the Godfathers of DEATH. That is until Italy’s Miscreance entered the ring in 2022 with its debut full-length, ‘Convergence.’ Unlike tech death contemporaries who are known for speed and extremity, Miscreance artistry lies within its carefully executed precision, underscoring the focused discipline behind the music’s eloquent complexities.

Miscreance is a project reborn from the ashes of Atomic Massacre. As the former band's members decided to change the course of their stylistic direction, they felt it was time for a rebirth, changing the name as well. In 2018, the band released its first demo, 'From Awareness to Creation,' which was originally co-produced by Red Wine Rites records in Switzerland and limited strictly to 100 copies.
 
Shortly after the demo release, the band ceased their search for a singer upon realizing that drummer Andrea F. was exactly what they were looking for, so they exhumed three songs from the pre-demo era and recorded a split with death metal grind-crushers Vile Apparition (AUS), released in late 2021.
 
In 2022, Miscreance made its debut with its first full-length, ‘Convergence,’ which took almost five years to complete. The offering quickly garnered the attention of Season of Mist, who formed a union with the emerging band and is now reissuing the full-length for worldwide distribution as the old school tech death revivalists prepare to unleash a sophomore offering onto the masses.
 

Recording Line-up:
Andrea Feltrin: Drums/Vocals
Andrea Granauro: Guitars
Tommaso Cappelletti: Guitars
Emiliano Zinà: Bass

Guest musicians:
Marco Scattolin: Keyboards/Synth
Todd Wilson: Spoken Words

Current Line-up:
Andrea Granauro: Guitars
Jean-Claude Rossignol: Bass
Andrea Feltrin: Drums/Vocals
Tommaso Cappelletti: Guitars

Links:        
https://www.facebook.com/Miscreance
https://www.instagram.com/miscreance_official/        
https://www.youtube.com/@miscreance2709    
https://miscreance.bandcamp.com/    

Mixing + Mastering:Marino De Angeli

Recording studio:Bridge Produzioni Audio & Studio, Susegana (TV), Italy

Artwork:James McCarthy

Stream here:https://orcd.co/convergence
Pre-order here:https://redirect.season-of-mist.com/MIS-CON 

Formats:
Digital
CD Digipak  
Black vinyl
Vinyl in various colours

VOYAGER Shares Metal Cover of Andrew Lambrou’s "Break a Broken Heart"

As Perth’s fearless, riff-laden, genre-bending band VOYAGER gets ready to conquer the world stage at the 67th Eurovision Song Contest, the band is now sharing a metal cover of "Break a Broken Heart." The song is the current Eurovision song entry from Cyprus' representative Andrew Lambrou. VOYAGER's heavy version of the song can be found below.

VOYAGER comments on the cover, "We had such a wonderful time meeting Andrew Lambrou at Eurovision: Australia Decides in 2022, and were surprised to find he had one of the biggest metal playlists you've ever seen! So, covering his banger of an entry for Cyprus in the Eurovision Song Contest this year, 'Break a Broken Heart,' just felt like a natural fit. Can't wait rock out in Liverpool mate!”

Representing Australia in this year's Eurovision Song Contest, VOYAGER is entering promised land with their new progressive synth-metal anthem “Promise!" In addition to the cover song, VOYAGER shredders Simone Dow and Scott Kay are now sharing a guitar play-through for the track, which you can find HERE.

You can watch the official music video for "Promise" at THIS LOCATION.

"Promise" can be streamed everywhere HERE.

ICYMI: Voyager has recently launched a limited edition 7inch vinylfeaturing “Promise” and the song that started it all, “Dreamer,” making this the perfect collector’s item for any Voyager or Eurovision fan! The 7inch is limited to exclusive black and pink pressings, which are limited to 300 copies each! Numbers 1-50 of the black color variation will be signed by the band and will be exclusively available via the Season of Mist e-shop. 

Pre-orders are now live HERE.

Stay tuned to the SBS Eurovision website for updates HERE.

The opening line of Voyager’s 2023 Eurovision song "Promise" is somewhat prophetic. As vocalist Danny Estrin belts out the lyric, “Have you ever done anything like this before?” audiences across the globe will realize they haven’t. For the first time ever, a band will represent the country – and not just any band – a band with soaring melodies, masterful riffs, keytar solos, powerhouse rhythms, and enough charisma to take on the world.

Shattering expectations, their resilience and determination has finally paid off. Theirs is a story of passion, perseverance, and patience. The band has been throwing their hat in the ring for the Eurovision Song Contest since Australia announced its participation back in 2015. Eight years later, they have prospered, overcome, and are now victorious. Voyager are a band who take everything in their stride, over the years garnering a strong fanbase near and far, continuing to vie for their Eurovision dream. At last year’s Eurovision – Australia Decides, they took out second place in a nail-biting finish, leading the public vote with their song "Dreamer."

Now, Voyager are about to set sail Merseyside with their song "Promise;" an epic, progressive pop metal track that transports the listener on an emotive story of adventure and redemption. Its stunning music video was captured in the region of Western Australia’s mid-west Kalbarri that boasts the pink ethereal Hutt Lagoon, and Kalbarri National Park, where there are epic gorges and rock formations including Nature’s Window.

Blending New Romantic, ‘80s infused vocals with technical, melodic framework, groovy basslines, bombastic drums, and what is fast becoming the band’s signature instrument, the keytar, it’s sure to lift the roof off Pier Head, Liverpool. They have toured the world many times over, with an influx of fans on their latest European tour won over by their electric live performances.

Voyager will soon embark on their eighth album cycle, but before they can begin their next chapter, they must first take on the epic battle they have long been fighting for.

Ukraine’s Kalush Orchestra won the 2022 Eurovision Song Contest in Turin, Italy, with their song Stefania. This year, the United Kingdom will host the competition on Ukraine’s behalf with the theme United by Music. This is the ninth time the United Kingdom will host Eurovision and the fifth time it’s hosted for other countries due to financial or capacity issues.

SBS’s exclusive coverage will once again be in the capable hands of music buff Myf Warhurst and comedian Joel Creasey. This year marks 40 years of SBS broadcasting the Eurovision Song Contest to all Australians, and the eighth year Australia has participated in the event.


Style:Electro Progressive Metal

Line-up
Danny Estrin - Vocals, Keytar
Simone Dow - Guitars
Alex Canion - Bass
Scott Kay - Guitars
Ash Doodkorte - Drums

"Promise" Song Credits:
Written by Voyager
Recorded at Hopping Mouse Studios 
Mixed by Matt Templeman at Staywell Audio, Perth
Mastered by Simon Struthers at Forensic Audio

"Promise" Video Credits:
Video Directed and edited by Joseph Varley at DarkSpiritPhotography
Lighting Design by Dean Gratwick at Beatmatch Audio
Lighting and LED Supply from Showscreens Perth
Filmed at The Naval Store, Fremantle, The Hutt Lagoon and Kalbarri National Park.

Voyager acknowledges the Whadjuk and Nanda people as the traditional land owners of where they have filmed.

Follow Voyager:
http://www.facebook.com/voyageraustralia
https://www.instagram.com/voyagerau
https://www.tiktok.com/voyagerau
http://www.voyagerau.com
https://twitter.com/Voyagerau
https://voyager.bandcamp.com/

Stream/Download:https://orcd.co/v-promise

'Another Kiss' from postpunk-new romantic outfit Candy Coffins journeys through life's quickening timeline

"Lush instrumentation and sombre storytelling. Their gothic post-punk vortex engulfs you. Poignant vocal melodies swoon amongst soft guitars and expansive synths to craft a song that will continue wandering the sonic corridors of your mind" ~ The Record Stache

"A passionately powerful collection that, while steeped in pop nostalgia, is loaded with resonant melodies and an overall denser shimmer...channels the best from 1980s music in modern compositions that are entirely appealing for the here and now" ~ The Spill Magazine

"The band at their considerable best, walking a fine-tuned line between darkness and the silver-lining of new romanticism. Haunting with loads of energy... nervous, edgy vocal delivery" ~ Amplify Music Magazine

"An enthralling and fascinating listen with their sonic imagery, emotional turbulence and new romantic underpinnings" ~ Skylight Webzine


South Carolina-based postpunk outfit Candy Coffins presents 'Another Kiss', the latest offering from their 'Once Do It With Feeling' album. With Cure-esque textures and melody, thematic elements and the visceral delivery of The Afghan Whigs, this 10-track collection showcases their best work to date, chronicling a relationship from the onset of the first crack to its complete crumbling dissolution.

Songwriter-singer Jame Lathren takes a deeply introspective turn on the treatment for the video, culling through literally thousands of photographs to present both the beauty and the sobering timeline of life. While the video appears to be very personal, it is one with which all of us can closely identify. Just as with life - the pivotal moments are captured, and the longer it goes on, the faster the pace seems.

“I love all the songs on the album, obviously - they’re my babies, but 'Another Kiss' is so special to me. I love the dynamics of the song and the brevity of, yet how impactful, the lyrics. But truly I love this song so much because the band, along with producer/engineer John Furr, were able to create what was in my head so closely - the sonic juxtaposition of the prelude to and the actual event of losing control. And many times that’s what artists are chasing, whether it be film, physical art mediums, or music - it’s that vision in your head. That’s what I am always chasing and this song gets there," says James Lathren.

“Ever since this song was written, I have envisioned a video that presents life on a timeline with the pressing urgency that comes with time seeming to move faster as one ages, as we all experience. I was elated (and a little surprised) that I was able to get that vision pulled off so succinctly, yet eloquently, in my opinion.”

Mixed by David Barbe (Drive-By Truckers, Superchunk, Deerhunter) at Chase Park Transduction (Athens, Georgia), the 'Once Do It With Feeling' album was produced and engineered by John Furr (E.Z. Shakes, Flippants) at Pow Pow Sound (Columbia, South Carolina).

'Another Kiss' follows the short film for 'Tangled Up In Teacups', the third act crescendo of a relationship in a tailspin with an urban ballerina-themed video produced and directed by The Pierson Collective. Earlier, the band previewed lead singles 'Every Day A Fresh Atrocity' and 'Seaside Girls'.

Vocalist, guitarist and songwriter Jame Lathren formed Candy Coffins in 2018 in Columbia, South Carolina. A cultural outcast, his resilience, sensitivity and hyper-awareness of his emotional state would ultimately permeate his own music, getting right to the heart of the emotions surrounding the human condition.

After disbanding his band Crown The Cake, he formed Candy Coffins with hometown guitar legend Tom Alewine (Bachelors of Art), followed by seasoned bassist Alex Mabrey, keyboardist Justin Purdy and drummer Jonathan Bradley (Iron & Wine). With dynamic and textured approach, the band's trademark lush sound bolsters Lathren’s emotive songwriting and delivery.

With tasteful nods to Joy Division, The Cure, The Psychedelic Furs, The Afghan Whigs and The Cult, as well as The Brian Jonestown Massacre, Spiritualized, Black Rebel Motorcycle Club and Interpol, Candy Coffins’ sound is dark and emotionally restless, but with elements of hope and elation. Defiantly unique, their sound is a welcome respite from musical mediocrity.

The 'Once Do It With Feeling' LP is out now and is available everywhere digitally, including Spotify, Apple Music and Bandcamp, where it can be ordered directly from the artist. Candy Coffins will be playing a series of shows this spring-summer - find more information and tickets.

TOUR DATES
Apr. 22  COLUMBIA, SC - Record Store Day at Scratch N’ Spin Records
Apr. 28  CHAPEL HILL, NC - Local 506
July 21  ASHEVILLE, NC - Fleetwoods
July 22  CHARLOTTE, NC - Starlight on 22nd
July 29  COLUMBIA, SC - Art Bar


Keep up with Candy Coffins
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THE FLOWERS OF HELL to release deluxe first vinyl pressing of Lou Reed-endorsed 'Odes' album for Record Store Day UK

“So beautiful and great. Exquisite” ~ Lou Reed on Sirius/BBC6

“I never thought anyone could cover a Joy Division song and do it proper justice but The Flowers Of Hell prove me wrong big time!” ~ Tim Holmes (Death In Vegas)

“They take orchestral pop to the next level” ~ Rolling Stone

“Stirringly evocative” ~ NME

“They balance stately chamber pop with noise” ~ Pitchfork


Toronto-London collective The Flowers Of Hell will release the first vinyl pressing of their cult classic ‘Odes’ album on April 22nd for Record Store Day UK. With a deluxe die-cut sleeve, this 180-gram red coloured pressing will be released via Space Age Recordings (known for its tightly curated roster with releases from Spacemen 3, Spectrum, The Telescopes, Acid Mothers Temple and The Silver Apples).

Lou Reed began the final episode of his BBC6 / Sirius-XM New York Shuffle radio show in 2012 premiering three tracks from this covers album, declaring the release to be “An amazing, amazing album” and praising it as, “So beautiful and great” and “Exquisite”, amongst other compliments shared.

The Flowers Of Hell mastermind Greg Jarvis notes, “Lou Reed’s praise meant more to us than a Grammy ever would," says  "It also meant all the time I spent in my youth smoking weed while listening to The Velvet Underground wasn’t a waste – it was research!”

Paying tribute to some of their favourite artists through orchestral-pop covers of BobDylan, Klaatu, Stereolab, Laurie Anderson, The Velvet Underground, Siouxsie & the Banshees and Neutral Milk Hotel, this album features appearances from Sea Power’s Neil ‘Hamilton’ Wilkinson and Abi Fry (Bat For Lashes, Sea Power), Prague underground legend Ivo Pospíšil and the Plastic People Of The Universe. Recorded in Toronto, 'Odes' was co-produced by the band & Grammy winning engineer Peter J. Moore (Bob Dylan, Joni Mitchell, Neil Young, Joe Strummer), who returned to remastered it for vinyl.
   
The band has also shared videos for their renditions of Joy Division’s 'Atmosphere' and 'Calling Occupants of Interplanetary Craft', made famous by Toronto prog-rock group Klaatu (who were, at that time, thought to be The Beatles working under a pseudonym) and later on, The Carpenters. Penned in the early 1970s, this song was inspired by the 1950s International Flying Saucer Society effort to unite their members across the planet with a time and date to telekinetically communicate a specific message to alien lifeforms beyond Earth in hopes they might pick up on this. ‘Calling Occupants’ is now the official anthem of World Contact Day.  
 
The Flower of Hell frontman Greg Jarvis says, “When a 1950s global flying saucer society gets people to telepath a message into outer space and a mysterious ‘70s Toronto prog band turns that message into a tune that a spiraling-out pop act transforms into a 7-minute hit, how could we not try it for our covers album? It’s musically an incredibly complex song to do and so when Lou Reed spun our version on his radio show, it was like getting an A++ in music class.”

Since starting in London in 2005, playing Sonic Cathedral and AC30 club, The Flowers Of Hell have traversed the experimental edges of indie and orchestral music with works often rooted in the audio-visual synesthesia of Greg Jarvis. Despite relative obscurity, they’ve also been championed by Spacemen 3’s Pete Kember a.k.a. Sonic Boom, My Bloody Valentine's Kevin Shields and members of The Legendary Pink Dots, Death In Vegas, The Wedding Present, The Fugsand The Plastic People Of The Universe, not to mention support from NASA’s mission control team and the Tate Gallery.
 
On May 12th, the group also releases their sixth studio album and their first in six years. 'Keshakhtaran' is a 42-minute psilocybin meditation piece in two parts, involving 20 artists, including Rishi Dhir (Elephant Stone, Brian Jonestown Massacre, The Black Angels, Beck) and avant-accordion legend Angel Corpus Christi (Suicide, Spiritualized, Dean Wareham). The advance taster single ‘Foray Through Keshakhtaran’ is out now, across digital platforms, including Apple Music, Spotify and Bandcamp.
 
Following Record Store Day UK, 'Odes' will be available on import in international shops two weeks later, on Friday, May 5th.

Keep up with The Flowers Of Hell
Website | Bandcamp | Facebook | Instagram | Twitter | YouTube | Soundcloud | Apple Music | Spotify | Press contact

Keep up with Space Age Recordings
Website | Bandcamp | Instagram | YouTube

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RAS-1 Drops Video For New Single "California Radio". New EP Coming June 1st Via Bottles To The Ground

Pioneer of the SoCal reggae-rock scene and founding member of Long Beach Dub All Stars, RAS-1, has released new single "California Radio" today. Find the track on streaming platforms HERE and watch the video below.

Speaking on today's release, RAS-1 shares

“I got a ghettoblaster for Christmas when I was 14, and I never left home without it. From the block to the beach I shared the soundtrack of my life. Be it Fishbone, Black Flag, Yellow Man, or Dio…. I couldn’t live without my radio.“

"California Radio" follows previous single, "Take Me Home" (co-written and produced by Fat Mike of NOFX) an emotional tribute to RAS-1's late father and features on his upcoming self-titled EP produced by Jungle Josh and due out on Fat Wreck label imprint, Bottles To The Ground on June 1st. The artwork for the EP, the "California Radio" single and the lyric video were all designed by famed poster artist EMEK. Pre-orders for the EP are available HERE.

RAS-1 will be playing a handful of SoCal shows in the coming months. Get tickets and further info HERE.

April 22 @Seales in Huntington Beach, CA

May 7 @ Sealegs in Huntington Beach, CA

July 8 @ Dipiazza’s in Long Beach, CA

ABOUT RAS-1

RAS-1 (Richard Arthur Smith) is a singer, songwriter, guitarist, and visual artist. RAS-1 was an original member of LONG BEACH DUB ALL STARS, the band co-founded in 1996 by SUBLIME’S bassist and drummer, Eric Wilson and Bud Gaugh, after the untimely passing of Sublime frontman Bradley Nowell.

RAS-1 became a principal member of the collective on both guitar and lead vocals, while penning many of the LBDA classics including his signature first single “Trailer RAS” and the hit “SUNNY HOURS” featuring WILL.I.AM of the multi-platinum hip-hop superstars BLACK EYED PEAS. These tracks, in addition to other fan favorites including “Rolled Up” and “Rosarito” from the LB DUB albums 'Right Back' (1998) and 'Wonders of the World' (2001), were released as one of the first artists and earliest album collections on David Geffen’s newly formed Dreamworks label.

 

Born and raised in North Town Long Beach to musical parents, RAS‘s mother, Dora Gail Smith sang for the all-girl Long Beach Jazz Quintet, DREAM. His father, Richard Smith was also known to play guitar while supporting his family working for the Union Pacific Railroad. RAS-1 began his musical career as a teenager in a band THE GRIFFIN with his songwriting cousin, J-Sun, who currently plays with STONEWING. JAH CHILDREN was RAS-1’s next original band, often playing on the same bill as SUBLIME at Long Beach backyard parties and punk rock clubs. A membership in local thrashers ALL DAY followed featuring PENNYWISE alumni Randy Bradbury and cohort Paul McFadden. RAS-1 additionally sang and played lead and rhythm guitar in SHORTBUS, a side project with SUBLIME’S bassist Eric Wilson, guitarist Trey Pangborn of FALLING IDOLS.

 

For 2 decades RAS-1 has maintained his own style while collaborating with legends along the way and is respected in the California reggae-jam scene as an architect of both the style and sound stemming from Southern California’s vibrant musical subculture.

 

RAS-1’s visual art is highly stylized Southern California cool. RAS-1 finds ZEN through the medium of paint and is often commissioned for custom work with various well-known brands and entities to design skateboards and other essential gear.

NOW, RAS-1 returns as a SOLO ARTIST with a full band. After RAS-1 father’s passing, and with deepening health issues of his own, RAS-1 began a profound journey of self-discovery culminating in the poignant and honest requiem “Take me Home”.

 

A brand new album is in the works with the finishing touches being applied to an EP of new material including “Not Sorry" and “California Radio,” which were recently debuted during his high profile comeback slot on the inaugural CaliVibes Festival (Feb 2022). RAS-1’s unique songwriting and gritty authenticity brings it back to that original roughneck Long Beach reggae sound with an eye and ear towards the future.

RAS-1 is back, and his soul and his sound are healthier than ever!

THY CATAFALQUE Shares Music Video for New Song "A csend hegyei"

Avant-garde project THY CATAFALQUE is now sharing a stunning music video for the brand new single, "A csend hegyei!" The song is taken from THY CATAFALQUE's latest opus 'Alföld,' which is due via Season of Mist on June 16, 2023. Watch the video below.

Mastermind Tamás Kátai comments: "The title of the song means 'The Mountains of Silence' and this is the opening track of the album with the vocals of Lambert Lédeczy from Ahriman and Mörbid Carnage. The song is somber and dark, something that has been inside me for years and finally released. The video was created by Chad Michael Ward and shot in Sweden."

Pre-orders for 'Alföld' are now available HERE, while the album can be pre-saved HERE

THY CATAFALQUE is a metamorphic entity that’s constantly evolving, showcasing musical ingenuity that’s as limitless as it is daring. Meaning “The Great Plains,” ‘Alföld’ is grounded in the Avant Garde project’s heavy beginnings. While the record takes a cue from THY CATAFALQUE’s early days, mastermind Tamás Kátai’s modern progressive instincts shine through, elevating the record beyond the realm of metal as-you-know-it and once again creating a cutting-edge sound that’s far ahead of its time.

"'Alföld' is the most straight forward and classic extreme metal album the project ever recorded," says mastermind Tamás Kátai. "This time I just wanted to do metal without any innovation or progression, focusing on songs and riffs rather than experimenting and breaking new grounds. Had to let the old ideas out, so I did it with enjoyment. Alföld means The Great Plains, a massive flat part of South-East Hungary where I was born and raised and we shot the video for Néma vermek in the middle of the barren lands, in Makó-Bogárzó."

Originally, THY CATAFALQUE emerged as a black metal band founded by singer/keyboard player Tamás Kátai with the aid of guitarist/bassist János Juhász. Following their joined debut ‘Sublunary Tragedies’ (1999), the Hungarians evolved into quite different directions, but steadily gaining more followers in the process through the following albums, ‘Microcosmos’ (2001) and the self-released ‘Tűnő idő tárlat’ (2004).

On their fourth full-length, ‘Róka hasa Rádió’ (2009), THY CATAFALQUEinvited Ágnes Tóth from neo-folk outfit THE MOON AND THE NIGHTSPIRIT and Attila Bakos to add their haunting vocals. With fifth album ‘Rengeteg’ (2011), Tamás Kátai finally went solo with the help of guest musicians that again included Ágnes Tóth an Attila Bakos. Dubbing his eclectic musical amalgamation avant-garde metal, the Hungarian explored new sonic possibilities with ‘Sgùrr’ (2015). The sixth full-length turned out to be slightly more complex than its successor, ‘Meta’ (2016), which returned to a more direct approach without losing the steadily growing sonic diversity. In 2018, THY CATAFALQUE continued this path with the release of ‘Geometria’. THY CATAFALQUE delivered another spectacular musical mosaic with their ninth full-length entitled ‘Naiv’, inspired by the “Naïve Art” movement.

In 2021, THY CATAFALQUE return with ‘Vadak’. Meaning “Wildlings” in Hungarian, the album title is a deliberate clue to the exotic and feral essence of ‘Vadak.’ Like seedlings scattered throughout the forest by the mere forces of nature, THY CATAFALQUE’s imaginative sound grows with an organic sense of whimsy, cultivated within the vast influences of our megacosm. Thematically, ‘Vadak’ is a foreboding lesson in mortality. Emphasizing the fragility that is shared by man and beast alike, the record explores our Freudian life instincts, in which we inherently fear and run from the ultimate goal of existence: death.

Now, the visionary is looking to the past as it journeys onward and upward with its latest opus, which is just as familiar as it is forward-thinking, certain to mesmerize a vast swath of metal enthusiasts across all genres.

Mixed by: Tamás Kátai in Budapest, Hungary 
Mastered by: Imperial Mastering, Austin, Texas, U.S.A., Colin Davis

Recording line-up:
Tamás Kátai - guitar, bass, keyboards, programs, vocals
Martina Veronika Horváth (The Answer Lies In The Black Void, Mansur) - vocals
Lambert Lédeczy (Ahriman, Mörbid Carnage) - vocals
Bálint Bokodi - vocals
Gábor Veres (Watch My Dying) - vocals
Gábor Dudás (Reason) - vocals
Breno Machado - lead guitar
Daniele Belli - acoustic guitar, double bass
Dario Cei – flute
Chris Lyons - violin, viola
Ido Romano - ney
Samuel Chacon - fretless bass
Austris Apenis - French horn

Guest musicians:
Martina Veronika Horváth – Track 4
Lambert Lédeczy – Track 1, 4, 6
Bálint Bokodi – Track 2, 3
Gábor Veres – Track7, 9
Gábor Dudás – Track 6
Breno Machado – Track 1, 2, 3, 4, 7, 8
Daniele Belli – Track 5
Dario Cei – Track 5
Ido Romano – Track 6
Samuel Chacon – Track 3
Austris Apenis – Track 4, 7

Cover artwork: 
Photography by Orsolya Karancz
Lay-out by Tamás Kátai

Links:
https://www.facebook.com/thycatafalque
https://www.instagram.com/thy_catafalque
https://www.youtube.com/user/kataitamas
https://thycatafalque.bandcamp.com/

Pre-sales: https://redirect.season-of-mist.com/TCAlfold
Pre-save: https://orcd.co/thycatalfold

Formats:
Digital
CD Mediabook
Vinyl in various colours

BOY GEORGE AND CULTURE CLUB ANNOUNCE ‘THE LETTING IT GO SHOW’ 2023 TOUR w/ Howard Jones & BERLIN

BOY GEORGE AND CULTURE CLUB ANNOUNCE

‘THE LETTING IT GO SHOW’ 2023 TOUR

HOWARD JONES AND BERLIN TO JOIN ACROSS ALL DATES

Tickets Available Starting Wednesday, April 19 with Citi Presale

General Onsale Begins Friday, April 21 at 10 AM Local on LiveNation.com

Today, music icons Boy George and Culture Club announced their 2023 tour, The Letting It Go Show, featuring very special guests Howard Jones and BERLIN across all dates. The prolific band will be performing all the hits, including “Do You Really Want To Hurt Me,” ‘Karma Chameleon,’ and ‘Church of the Poisoned Mind,’ right up to their current releases.

Produced by Live Nation, the 25-city run comes fresh on the heels of Boy George and Culture Club wrapping up their sold-out Vegas shows. The Letting It Go Show kicks off on Thursday, July 13 in West Palm Beach, FL at iTHINK Financial Amphitheatre, with stops across North America in Atlanta, GA, Nashville, TN, Toronto, ON, Chicago, IL, Austin, TX and more before wrapping up on Saturday, August 20 in Concord, CA at Concord Pavilion.

TICKETS: Tickets will be available starting with a Citi presale (details below) beginning Wednesday, April 19. Additional presales will run throughout the week ahead of the general onsale beginning Friday, April 21 at 10 AM local time at livenation.com.

PRESALE: Citi is the official card of the Culture Club tour. Citi cardmembers will have access to presale tickets beginning Wednesday, April 19 at 10 AM local time until Thursday, April 20 at 10 PM local time through the Citi Entertainment program. For complete presale details visit www.citientertainment.com.

THE LETTING IT GO SHOW 2023 TOUR DATES:

Thu Jul 13 – West Palm Beach, FL – iTHINK Financial Amphitheatre

Sat Jul 15 – Tampa, FL – MIDFLORIDA Credit Union Amphitheatre

Sun Jul 16 – Jacksonville, FL – Daily's Place Amphitheatre

Tue Jul 18 – Atlanta, GA – Cadence Bank Amphitheatre at Chastain Park

Wed Jul 19 – Charlotte, NC – PNC Music Pavilion

Thu Jul 20 – Nashville, TN – Ascend Amphitheater

Sat Jul 22 – Bethel, NY – Bethel Woods Center for the Arts

Sun Jul 23 – Wantagh, NY – Northwell Health at Jones Beach Theatre

Tue Jul 25 – Mansfield, MA – Xfinity Center

Wed Jul 26 – Holmdel, NJ – PNC Bank Arts Center

Fri Jul 28 – Bristow, VA – Jiffy Lube Live

Sat Jul 29 – Darien Center, NY – Darien Lake Amphitheater

Sun Jul 30 – Philadelphia, PA – TD Pavilion at the Mann

Tue Aug 01 – Toronto, ON – Budweiser Stage

Thu Aug 03 – Tinley Park, IL – Hollywood Casino Amphitheatre

Fri Aug 04 – Clarkston, MI – Pine Knob Music Theatre

Sat Aug 05 – Cincinnati, OH – Riverbend Music Center

Tue Aug 08 – Kansas City, MO – Starlight Theatre

Thu Aug 10 – Dallas, TX – Dos Equis Pavilion

Fri Aug 11 – The Woodlands, TX – Cynthia Woods Mitchell Pavilion

Sat Aug 12 – Austin, TX – Germania Insurance Amphitheater

Mon Aug 14 – Rogers, AR – Walmart AMP

Fri Aug 18 – Phoenix, AZ – Talking Stick Resort Amphitheatre

Sat Aug 19 – San Diego, CA – North Island Credit Union Amphitheatre

Sun Aug 20 – Concord, CA – Concord Pavilion

About Culture Club

Few new wave groups were as popular as Culture Club. During the early '80s, the group racked up seven straight Top Ten hits in the U.K. and six Top Ten singles in the U.S. with their light, infectious pop-soul. Though their music was radio-ready, what brought the band stardom was Boy George, the group's charismatic, cross-dressing lead singer. George dressed in flamboyant dresses and wore heavy makeup, creating a disarmingly androgynous appearance that created a sensation on early MTV. George also had a biting wit and frequently came up with cutting quips that won Culture Club heavy media exposure in both America and Britain.

By the time Culture Club's second album Colour by Numbers was released in the fall of 1983, the band was the most popular pop/rock group in America and England. "Karma Chameleon" became a number one hit on both sides of the Atlantic, while the album reached number one in the U.K. and number two in the U.S. Throughout 1984, the group racked up hits, with "It's a Miracle" and "Miss Me Blind" reaching the Top Ten. In the fall, the group returned with its third album, Waking Up with the House on Fire. While "The War Song" reached number two in the U.K., the album was a disappointment in America, stalling at platinum; its predecessor went quadruple platinum.

Following a brief tour in February, Culture Club went on hiatus for 1985, with Craig, Moss, and Hay pursuing extracurricular musical projects in the interim. Though their comeback single, "Move Away," became a hit in April, its accompanying album From Luxury to Heartache stayed on the charts for only a few months.

George confirmed the group's disbandment in the spring of 1987, and he began a solo career later that year. While his solo career produced several dance hits in Europe, he didn't land an American hit until 1992, when his cover of Dave Berry's "The Crying Game" was featured in the Academy Award-nominated film of the same name. In 1995, George published his autobiography, Take It Like a Man. Culture Club reunited in 1998, issuing the two-disc set VH1 Storytellers/Greatest Hits.

A new album, Don't Mind If I Do, appeared in 1999, reaching 64 on the U.K. charts; it did not receive an American release. Culture Club next celebrated their 20th Anniversary with a 2002 concert at Royal Albert Hall.

Culture Club reunited in 2014 for a tour and the band also began work on a new album with producer Youth. The group scheduled the release of an album called Tribes in 2015, but the record never materialized. Instead, the recordings provided the foundation for Life, the 2018 album that marked Culture Club's first new album in nearly 20 years. ~ Stephen Thomas Erlewine, Rovi.

Connect with Culture Club:

Instagram | Twitter | Facebook | YouTube | Website

About Howard Jones

2023 marks the 40-year anniversary of the release of Howard Jones’ “New Song,” the ebullient hit that kicked off his career. Howard Jones’ most recent album is DIALOGUE, which was released in September of last year. DIALOGUE is the third album in a trilogy of electronic releases from Jones with multi-media project ENGAGE coming out in 2015 and studio album TRANSFORM out in 2019. DIALOGUE garnered serious coverage in outlets such as Spin, Stereogum and more. Last summer’s headlining tour with his full band/electronic set-up, featuring special guest alternative music legend Midge received rave reviews. LA Weekly declared Jones, “…poignant and perfect” and “absolutely superb”.

Electronic music pioneer Howard Jones has been a constant presence on the international touring scene for the past four decades, playing live in a number of different configurations including intimate solo shows and dates with his full high-tech band set-up. He first burst upon the contemporary music scene in 1983, with his very English songwriting and pioneering synthesizers with “New Song”. His first two albums HUMAN’S LIB and DREAM INTO ACTION were worldwide hits. HUMAN’S LIB reached #1 in 1984 in the UK and featured the hits “New Song,” and “What Is Love?” In 1985, Jones released the follow-up, DREAM INTO ACTION, which quickly became a Top Ten Platinum album in the United States and featured the smashes: “Things Can Only Get Better,” “Life In One Day,” “No One Is To Blame,” and “Like To Get To Know You Well.”

Howard Jones has sold nearly 10 million albums worldwide and continues to make new music and tour the world. Jones has performed on NBC’s top-rated morning and nighttime shows respectively, Today and The Tonight Show Starring Jimmy Fallon. His ubiquitous hits can be heard in such high-profile television series and films such as “Stranger Things,” “Breaking Bad,” “Watchmen,” “The Carrie Diaries”, “Superstore” and “Bumblebee”.

Connect with Howard Jones:

Twitter | Facebook | YouTube | Website

About BERLIN

BERLIN will forever be recognized as the American progenitor of electro-pop artistry with sensually appealing lyrics. Few bands emerging from the era of BERLIN have achieved as far-reaching and long-lasting an impact and, rarely, such a timeless array of musical grooves. The Los Angeles-based band made its first national impression with the provocative single "Sex (I'm A...)" from the platinum-selling debut EP Pleasure Victim in 1982. “The Metro” and “No More Words” were also chart toppers, but it was the unforgettable, intimate, and strikingly beautiful love song, “Take My Breath Away” that took the band to another level. The ballad’s defining role in the Tom Cruise film, Top Gun, helped solidify BERLIN’s everlasting place in American pop-culture. The song was a #1 international hit and received both the Golden Globe and Academy Award for “Best Original Song” in 1986.

BERLIN’s discography has yielded twelve gold and platinum album awards. The band—founded by Nunn, bassist John Crawford, and keyboard player David Diamond—made its everlasting place in American pop-culture. Nunn’s ongoing influence earned her the #11 spot on VH1.com’s “100 Greatest Women in Rock,” while, as an actress, she played leading roles in films including Katie: Portrait of a Centerfold with Kim Basinger, and Thank God It’s Friday with Jeff Goldblum and Debra Winger. Along with comedienne, Wendy Liebman, Nunn also previously hosted the critically acclaimed radio show Unbound with Terri Nunn on 88.5 FM KCSN Los Angeles.

Connect with BERLIN:

Instagram | Twitter | Facebook | Website

About Live Nation Entertainment

Live Nation Entertainment (NYSE: LYV) is the world’s leading live entertainment company comprised of global market leaders: Ticketmaster, Live Nation Concerts, and Live Nation Sponsorship. For additional information, visit www.livenationentertainment.com.

MEDIA CONTACTS:

Culture Club

Shoshanna Stone | shoshanna.stone@edge-ent.com

Howard Jones

Carise Yatter | cyatter@gmail.com

BERLIN

Andy Lurie | andy@mintartistmgmt.com

Live Nation Concerts

Monique Sowinski | moniquesowinski@livenation.com

Maya Sarin | mayasarin@livenation.com

Parkway Drive Announce Fall 2023 U.S. Headline "Monsters of Oz" Tour + Band Celebrating 20th Anniversary!🚌

PARKWAY DRIVE ANNOUNCE FALL 2023 HEADLINE TOUR AS BAND CELEBRATES 20TH ANNIVERSARY!

THE "MONSTERS OF OZ" TOUR TO FEATURE FELLOW AUSTRALIAN ACTS THE AMITY AFFLICTION, NORTHLANE, + MAKE THEM SUFFER

 LATEST ALBUM DARKER STILL OUT NOW VIA EPITAPH RECORDS

 DON'T CLOSE YOUR EYES BEING RELEASED ON VINYL FOR THE FIRST TIME!

Australian metal juggernauts PARKWAY DRIVE — Winston McCall (vocals), Luke Kilpatrick (guitar), Jeff Ling (guitar), Jia O'Connor(bass), and Ben Gordon (drums) — are returning to the U.S. for a Fall 2023 headline tour. The band will also appear at several festivals, including Louder Than Life and Aftershock. 

The "Monsters of Oz" tour, which follows Parkway Drive's highly successful, sold-out Winter 2023 run, is special as it marks Parkway Drive's 20th anniversary as a band.

The trek will feature an all-Aussie lineup, with The Amity Affliction as direct support. Northlane and Make Them Suffer round out the bill.

Tickets go on sale on Friday, April 21 at 10am local time. Get tickets here. 

"20 years is a milestone in any career," says McCall. "The journey that has lead us to this moment has been insane, to say the least. We wanted to mark this time with a tour that represents who we are and where we come from. For the first time on North American soil, we are bringing the fully-formed version of the Parkway Drive live experience, and if that wasn't enough, we're bringing an all-Australian lineup with us. No compromise, no surrender. This is who we are — The Monsters Of Oz. Come celebrate with us and burn it all away."

 

As part of the anniversary celebration, Don't Close Your Eyes will be available on vinyl for the first time ever. This expanded version of the band’s 2004 debut includes the original eight tracks, with the addition of bonus tracks included from their split album with I Killed The Prom Queen and compilation albums What We've Built and True Til Death, Volume 1. It will be available August 18. Pre-order it here.

Parkway Drive's seventh album Darker Still is out now via Epitaph Records. Listen here. Darker Still has been lauded by Forbes, Revolver, Loudwire, NME, and Kerrang!

PARKWAY DRIVE ON TOUR:
WITH THE AMITY AFFLICTION, NORTHLANE, + MAKE THEM SUFFER:
9/10 — Atlanta, GA — Coca Cola Roxy
9/12 — Pittsburgh, PA — Stage AE Outdoors
9/13 — Detroit, MI — Masonic
9/15 — Worcester, MA — Palladium Outdoors
9/17 — New York, NY — Hammerstein Ballroom
9/19 — Montreal, QC — Place Bell
9/20 — Toronto, ON — RBC Echo Beach
9/22 — Cleveland, OH — Jacobs Pavilion
9/23 — Louisville, KY — Louder Than Life Festival*
9/24 — Chicago, IL — Radius
9/26 — St. Paul, MN — Myth Live
9/27 — Oshkosh, WI — Oshkosh Arena
9/29 — Denver, CO — Mission Ballroom
9/30 — Albuquerque, NM — The Revel
10/1 — Mesa, AZ — Mesa Amphitheater
10/3 — Salt Lake City, UT — Complex
10/5 — Las Vegas, NV — The Theater at Virgin Hotels
10/6 — Irvine, CA — FivePoint Amphitheatre
10/7 — Sacramento, CA — Aftershock*
*Festival Dates