Elle King Releases Tyler Childers’ “Jersey Giant”

ELLE KING RELEASES TYLER CHILDERS’ “JERSEY GIANT”

King to Open for Childers at Radio City Music Hall August 2 & 3, 2023

Award winning, singer-songwriter Elle King is dropping “Jersey Giant,” a never-before-released song by acclaimed artist Tyler Childers. “Jersey Giant,” is available here: EK.lnk.to/JerseyGiant.

“Tyler Childers is not too far from where my family lives and he’s a legend,” said King. “The life of a song is something so beautiful to me, and country music has taught me to see that the opportunity to sing a song written by someone else, is nothing short of a gift, a blessing. When you hear a song and say ‘I wish I wrote that’ you know it’s a good’n. I was humbled and so excited that Tyler gave his song to me. I tried to blend the two worlds of honoring traditional bluegrass and what country music is to me. Thank you, Tyler, for your music, and thank you for entrusting me with this gift. I’m so excited for everyone to hear it.”

“I wrote ‘Jersey Giant’ over ten years ago and only performed it for a short period of time,” said Childers. “I was pleased with how it turned out structurally (it even has a bridge, which is rare for me), but I was over performing it pretty fast. I reckon that’s just how songs go sometimes. They can be like that coat you saw and had to have, only to get it home and think, ‘Why gah, I ain’t never gonna wear this thing.’ Or, one that you got from an ex which you would rather just toss out. But that’s not saying anything against the coat, it just doesn’t fit me anymore and hasn’t for some time. I’m super excited that Ms. King has dusted this old song off and given it a new life. I’m extremely grateful for her seeing the potential in this tune and wish her the best out there on the road. Break a leg Elle! And stay warm.”

King, who provides lead and background vocals and is featured on acoustic guitar, co-produced the track with award-winning, singer-writer and multi-instrumentalist and reigning ACM Acoustic Guitar Player of the Year, Charlie Worsham. Worsham lends his signature sound for background vocals, plus acoustic guitar, mandolin and banjo.

King will join Childers on his 2023 Send in the Hounds Tour at Radio City Music Hall in New York City on August 2 and 3.

King is set to release her new album Come Get Your Wife, on January 27. The record includes her current single, “Worth A Shot” (feat. Dierks Bentley), which hit No. 1 this past weekend on SiriusXM’s, The Highway Hot 30 Countdown.

Other tracks already available from the new record are the feisty “Try Jesus,” “Out Yonder,” and “Drunk (And I Don’t Want To Go Home),” with Miranda Lambert. “Drunk” became the first woman-woman collaboration to reach the top-spot on Billboard’s Country Airplay chart since Reba McEntire and Linda Davis’ “Does He Love You,” in 1993.

"Jersey Giant"
Written by Tyler Childers
Produced by Elle King and Charlie Worsham

Arista Records/Monument Records Release New EP for Upcoming Episode of "Monarch;" Episode to Air Tues. 11/15 at 9PM ET/PT on FOX

ARISTA RECORDS/MONUMENT RECORDS
RELEASE NEW EP FOR
FOX’S COUNTRY MUSIC DRAMA, “MONARCH"

The Series’ Latest EP Features New Original Song “Gates of Hell”
Performed by the “MONARCH” Cast and Featuring Trace Adkins, Listen
HERE

Upcoming Episode to Air Tuesday, Nov. 15 at 9:00 PM ET/PT on FOX

Arista Records/Monument Records and FOX Entertainment released the latest EP for “MONARCH” – a drama about America’s leading family of country music which has reached 18.7 million viewers across platforms in the U.S. and Canada. Listen to the EP HERE.

  • Upcoming episode to air Tuesday, Nov. 15 (9:00-10:00 PM ET/PT) on FOX.

  • The upcoming EP for the hit show includes:

    • The original track, “Gates of Hell,” performed by the “MONARCH” cast and featuring three-time Academy of Country Music (ACM) Award winner Trace Adkins (“Old Henry”).

    • A cover of five-time Entertainer of the Year Luke Bryan’s hit song “Country Girl (Shake it for Me)" with an added twist, performed by the “MONARCH” cast featuring Anna Friel (“Pushing Daisies”) in a rendition titled “Country Boy (Shake it for Me)."

    • A cover of three-time ACM Entertainer of the Year Carrie Underwood’s “Before He Cheats,”performed by the “MONARCH” cast and featuring Beth Ditto.

    • A cover of Andy Grammer’s hit song “Fresh Eyes,” performed by the “MONARCH” cast and featuring Emma Milani and Iñigo Pascual.

    • The songs were produced by three-time GRAMMY Award nominee and series executive music producer Adam Anders and co-produced by Peer Åström.

Check Out DERISION CULT CHRIS with CONNELLY (MINISTRY) and REEVES GABRELS (THE CURE) on "Deaf Blood"!!

Mercenary Notes Pt 1 EP, Featuring Chris Connelly(Ministry, Pigface), Reeves Gabrels (David Bowie, The Cure) and Justin Broadrick (Godflesh), Out December 2, 2022 via GLITCH MODE RECORDINGS!

FOR IMMEDIATE RELEASE:

November 9, 2022 - West Chicago Metal Industrial project, led by multi-instrumentalist DAVE MCANALLY, DERISION CULT, has joined forces with MINISTRY'S CHRIS CONNELLY and THE CURE'S REEVES GABRELS on their newest single, "Deaf Blood." Imagined and written by the band, the animated video for "Deaf Blood" was created by ZYGOSLUKSAS at EMPIRE ANIMATION of Vancouver, "Deaf Blood" is the second single off of their upcoming album, which was produced by SEAN PAYNE.

"Chris's lyrics inspired us to create an animated world for the track. The video tells a story of a corrupt corporate mogul who creates a narrative to sell more products through media manipulation and government coercion. It was made by Empire Animation out of Vancouver" - DERISION CULT

Derision Cult is a project by Chicago solo artist Dave McAnally. Dave is an Iowa native and a multi-instrumentalist involved in a number of projects across a range of genres. He’s been featured on releases by Metropolis Records as well as his own imprint South Street Dungeon.

ROB MUNK 'Youth' - a fun rocking ode to a misspent youth. His new 'Phased Out' LP is out November 18

"Sassy power-pop... the same blend of jaunt and joyfulness and slightly downbeat and world-weariness running through their music as, say, The Lemonheads or The Dandy Warhols. Not to mention no small amount of early R.E.M. wonky majesty" ~ Big Takeover Magazine

"Enjoyable, danceable, moshable – timeless in the same way as Pixies and Throwing Muses will never seem old. But Munk’s music itself is perhaps closer to Sebadoh, Sparklehorse, The Shins, Fastball, Weezer or Presidents of the USA" ~ Amplify Music Magazine

"Munk’s an idealistic singer/songwriter with great guitar and vocal chops, not to mention stellar songwriting skills" ~ Popular Culture Beat


American indie rocker Rob Munk presents his new single 'Youth', the latest taster of his 'Phased Out' LP, which it out on November 18 via Montclair-based Magic Door Label, a grassroots imprint founded by Guided by Voices' Kevin March, together with producer Ray Ketchem and artist-vocalist Renée LoBue.

Following earlier singles 'Heavy Shoes (to kill the blues)', 'Ghosts of San Francisco' and the upbeat environmentally-conscious lead track 'Amazon', 'Youth' is a sonic love letter to misspent youth, a misty-eyed celebration of juvenile delinquency and bad decisions made in that magical time before consequences, regret and civic responsibility took their rightful place as guiding principles.

"When we’re young, mistakes and triumphs are often indistinguishable but at least it’s all exciting. We could probably all write this song, and extend it for a thousand verses," says Rob Munk.

"I wanted to try something simple, where the verse and chorus had the same chord progression. I always liked songs that were able to pull that off. Producer Ray Ketchem referenced Love and Rockets when we tracked this, which felt perfect because Seventh Dream of Teenage Heaven was one of my favorite records during peak adolescence."

20 years after leaving the music scene, Rob is back again with better and more personal songs that mean a great deal to him. During the pandemic, he recorded this album with his good friend, actor-writer Daniel London (Old Joy, Minority Report, Manhattan) and Tinsel drummer and writer-director Joe Ventura.

Mixed by Oakland composer-producer Chuck Johnson at Cirrus Oxide, this album was produced, recorded, mastered and partially mixed at Magic Door Recordingby Ray Ketchem, whose production credits include Guided By Voices, Gramercy Arms, Luna and Elk City.

An ambitious modern rock album, this 12-track collection is, in Munk's own words, "a little poppy, a little sloppy and entirely honest". 'Phased Out' is a record that somehow comes out of nowhere from an artist that has been almost everywhere. This is modern rock that respects people's emotional intelligence. With elements of 1990’s and 2000's indie rock and traces of 1970’s AM pop, this is music that respects people's emotional intelligence.

For Rob Munk, music was never the plan. An actor from the age of three, he and his brothers would commute into NYC from New Jersey for gigs to help support life with a single Mom. After several years of filming commercials (including Jello pudding with Bill Cosby), Rob was cast as young Woody Allen in 'Stardust Memories', his brother having played the same role in the Oscar-winning 'Annie Hall'. He left acting at 14, enrolled in boarding school and formed a band, soon learning that music felt more natural and was far more fun than acting. He was hooked.

Upon moving to Boston, Rob’s new band Thudpucker became a staple on the Boston rock scene in the early 90’s as many local bands were starting to explode. Between several singles, local gigs and touring, they opened for everyone from Pavement and Hole to the Afghan Whigs and Juliana Hatfield. After relocating to Chapel Hill, NC, Rob formed the indie rock band Tinsel, having opened for Polvo, Guided By Voices, Pipe and Come, while also playing in cover bands with members of Firehose and Superchunk. After some touring and a few singles, they put out two records before imploding of natural rock and roll causes.

After stints in a few more NYC bands, Munk was once again doing commercials and TV shows, including scenes with Tina Fey, Tony Hale, John Goodman and Paul Giammatti. After moving to LA for a pilot season but getting no traction there, Rob launched the now-defunct blog 'LoserActor', creatively chronicling his daily humiliation. With his writing brought to the attention of the creative directors at famed ad agency Wieden + Kennedy, Rob returned to New York - only this time as a copywriter and creative director, writing huge campaigns for ESPN, Delta Airlines and AT&T.

'Youth' is available everywhere digitally, including Apple Music and Spotify. As of November 18, the full 'Phased Out' album will be available everywhere online, including Bandcamp, where it can already be ordered.

'PHASED OUT' ALBUM CREDITS:
Written by Rob Munk
Rob Munk - vocals, guitar
Daniel London - lead guitar
Joe Ventura - drums
Scott Anthony - bass
Megan Reilly - vocals
Peter Gallagher - vocals
Maple Munk - vocals
George Munk - keyboards
Ray Ketchem - drums, keyboards, synths
Chuck Johnson - guitar, pedal steel, synths
Recorded and mastered by Ray Ketchem at Magic Door Recording
Mixed by Chuck Johnson at Cirrus Oxide in Oakland
Cover artwork by Ron Liberti
'Youth' video concept by Iam Williams and Rob Munk
Directed and edited by Iam Williams @ Shoffice

Keep up with Rob Munk
Website | Bandcamp | TikTok | Instagram | Twitter | YouTube | Apple Music | Spotify| Press contact

Keep up with Magic Door Label
Facebook | Twitter | Instagram | Soundcloud | YouTube

The Bellwether Syndicate explore the voices of mental illness on new 'Dystopian Mirror' single

"Goth Rock Tornado... hair-raising speed, riff-racing insanity and badass drum/bass force... William Faith‘s edged Goth-infused vocals rumble all over this super-duper sucker-punch steamroller" ~ Turn Up The Volume

"Anything but conventional when it comes to rock music... the band is one of the most unique dissonant sounds in the scene" ~ Outburn Magazine

“Amazing, stunning... Post-punk on a not-very-discreet death rock orientation” ~ The Noise Journal

"A glittery piece of glamorous darkness...with William Faith’s crooning vocals and Sarah Rose smoothly cascading guitars” ~ Post-Punk.com


Chicago-based dark alternative post-punk outfit The Bellwether Syndicate presents the single 'Dystopian Mirror', a powerful dark and lush taster of the band's 'Vestige & Vigil' album, which is scheduled for release in the first half of 2023 via Sett Records and Nexilis Records, a division of Schubert Music Europe.

Having reached #11 in the German Alternative Charts (DAC), this glam-noir single wields a relentless assault of hard-edged guitars, buzzsaw synths and tribal beats set the stage for a guided tour through the realm of the unwell, spat out with sardonic conviction by the voices in your head.

The Bellwether Syndicate is made up of William Faith (vox, guitars), Sarah Rose Faith (vox, guitars), Philly Peroxide (keyboards, percussion), Stevyn Grey (drums) and Corey Gorey (guitars).

Six years in the making, the forthcoming album 'Vestige & Vigil' was produced by William Faith, whose credits include Jarboe, Clan of Xymox, Bootblacks and Autumn, and Chad Blinman (Face To Face, Jarboe, Faith and The Muse). Recorded by William Faith at 13 Studio in Chicago, it was mixed by Blinman at The Eye Socket.

"Dystopian Mirror was written about a dear friend of ours, who lost his mind, and eventually his life, to drugs and alcohol. I found that I was still grappling with the sense of loss and lingering anger about the whole thing years after the fact and, ultimately, all those feelings and emotions ended up coming out here, in this song. The lyric is meant to be coming from the voices inside his own head, during his descent into the realm of the unwell," says William Faith.

William Faith is a former member of seminal goth acts Christian Death, Mephisto Walz and Shadow Project and also co-founder of Faith & The Muse. In 2010, he moved from his native Los Angeles to Chicago to form The Bellwether Syndicate with his wife, Sarah Rose Faith a.k.a. Scary Lady Sarah.

An underground legend in her own right, Sarah has been one of the scene’s most eminent DJs and club promoters for decades. She hosts Nocturna, the longest-running goth event in North America, which takes place at Metro in Chicago. Apart from forming the nucleus of The Bellwether Syndicate, the two often DJ together as The Pirate Twins.

The Bellwether Syndicate debuted with 'The Night Watch' EP in 2013, followed by their 2018 single 'Republik'.

'Dystopian Mirror' is out now, available from all fine digital outlets, including Apple Music, Spotify and Bandcamp.

CREDITS
Written and performed by The Bellwether Syndicate
Produced by William Faith & Chad Blinman
Recorded by William Faith at 13 Studio in Chicago
Mixed by Chad Blinman at The Eye Socket
Additional programming and treatments by Chad Blinman
Mastered by Josh Sebek
William Faith - Vox and guitars
Sarah Rose Faith - Vox and guitars
Corey Gorey - Guitars (live)
Philly Peroxide - Keyboards and percussion (live)
Stevyn Grey - Drums (live)
Video directed by William Faith
Filmed by William Faith & David Staudacher

Keep up with The Bellwether Syndicate
Website | Bandcamp | Facebook | Twitter | Instagram | YouTube | Apple Music | Spotify | Press contact

Keep up with William Faith
Website | Twitter | Instagram | LinkTree | Press contact

Keep up with Sett Records
Website | Bandcamp | Facebook | Twitter | Instagram | Email

Brooklyn alternative rock outfit A Cloud of Ravens present biting 'Nature of Artifice' single

“Their sound, though inspired by bands of their youth, is not rooted stubbornly in the past - their music feels of this time, with their messages transversing the cosmos” ~ Post-Punk.com

“A Cloud of Ravens impress not only for the dark poetry, which forms and develops in the band’s lyrics and expands in their alluring titles, but the duo also rivet through their gritty and immediate sonic scheme, which feels pitch dark and hard as nails”Destroy // Exist

"A perfect blend of an homage to the past and the modern construction of the future. A heroic journey through a desolate land" ~ Sounds and Shadows

“They play cold wave, they play post-punk, they are Gothics, and they set to music some of the most striking lyrics you can find out there” ~ White Light // White Heat

NYC-based alternative rock / post-punk duo A Cloud of Ravens present their new single 'Nature of Artifice'. Following lead track 'The Blackest Mantra', this is the second taste of their third full-length album 'Lost Hymns', to be released in early 2023 via Berlin-based Nexilis Records, a division of Schubert Music Europe.

Formed in 2018 in Brooklyn by Matthew McIntosh (guitar and vocals) and Beth Narducci (bass guitar), the duo began work on this new album in the spring of 2021. Completed by autumn, this LP was mastered by ACTORS' Jason Corbett at Jacknife Sound studio in Vancouver.

"The song 'Nature of Artifice' is about choosing to bury your head in the sand, rather than confronting glaring societal ills and moral injustices. It’s easier to get lost in the minutia of our click and swipe modern world than watch its blessings crumble around us. To some extent, none of us are blameless," says Matthew McIntosh.

At the outset, A Cloud of Ravens hit the ground running with a string of self-released offerings, making their mark in the burgeoning contemporary dark music scene and garnering attention that would result in a one-off release date for their 2021 album 'Another Kind of Midnight', a mournful yet triumphant collection exploring the heart of a world amidst a devastating pandemic and torn by moral tribalism.

Effectively merging classic and contemporary post-punk and darkwave sensibilities, their somewhat poetic use of prose and metaphor expressed the trials and joys of the world in which we now find ourselves. A Cloud of Ravens' subsequent remix-based EP featured reimagined tracks by legendary producer John Fryer and such prominent artists as Clan of Xymox, ACTORS, Chris Vrenna and Ritual Howls.

On November 11, 'Nature of Artifice' will be available across digital outlets, including Apple Music, Spotify, Amazon and Bandcamp. The full 'Lost Hymns' album will be released on February 24, 2023.

The band will be playing their final show of the year on December 17 at Prohibition River Live in Nyack, NY. Towards mid-2023, fans can already look forward to North American tour dates with Clan of Xymox and Curse Mackey.

CREDITS
Lyrics and music by Matthew McIntosh
Matthew McIntosh - guitar, vocals, synths, drum programming
Beth Narducci - bass guitar
Recorded by Matthew McIntosh
Produced and mixed by Matthew McIntosh and Beth Narducci
Mastered by Jason Corbett at Jacknife Sound
Artist photos by Kevin W Condon

TOUR DATES (with Clan of Xymox & Curse Mackey)
Wed, May 31 – San Antonio TX
Thu, June 1 – Houston TX
Fri, June 2 – Austin TX
Sat, June 3 – Dallas TX
Mon, June 5 – Albuquerque NM
Tue, June 6 – Denver CO
Wed, June 7 – Salt Lake City UT
Fri, June 9 – Seattle WA
Sat, June 10 – Vancouver BC
Sun, June 11 – Portland OR
Tue, June 13 – San Francisco CA
Wed, June 14 – Costa Mesa CA
Thu, June 15 – San Diego CA
Fri, June 16 – Los Angeles CA

Keep up with A Cloud of Ravens
Facebook | Bandcamp | Instagram | Twitter | YouTube | Apple Music | Spotify | Amazon |

CHRIS CONNELLY presents colossal album 'Eulogy to Christa: A Tribute to the Music & Mystique of Nico'

"Connelly, with his beautiful timbre and artistic candour, delivers a haunting and touching rendition of Nico’s music. Nobody performs quite like this masterful musical chameleon and here, he channels her fabulously, honouring her with depth and personability... impeccable delivery and smoothness" ~ The Spill Magazine

"Chris Connelly has never been an artist of convention... a thematic mirror, Connelly’s songs follow her story – adventurous, controversial, and misunderstood"~ Regen Magazine

"Gently stroking ears with its guitar cast melody, the song simultaneously looms up in tension and anxiety... a moment of intense beauty. Connelly’s tones as the music are emotion and tension personified, leaving his own mark on the song whilst equally bringing forth an evocative and haunting reverberation of its original creators" ~ Ringmaster Review

Alternative music legend Chris Connelly presents his new album 'Eulogy to Christa: A Tribute to the Music & Mystique of Nico', a colossal 24-track offering released by Shipwrecked Industries in the USA and Easy Action in the UK, paying tribute to Nico - iconic muse of The Velvet Underground and one of the most unique, tragic and misunderstood female artists in the history of music.

Along with this, Connelly presents a new video for 'Femme Fatale' created by Iain W. Mutch / Walkerandwilliam in Scotland. Originally performed to perfection by Nico with The Velvet Underground, this iconic song was penned by Lou Reed.

'Eulogy to Christa' is a labour of love, empathy, sadness, acting and channeling, along with Chris’s adoration of the dark corner of rock inhabited by the Velvets and their peers. Now based in Chicago, this album from the Scottish counter-culture icon sees Connelly purposefully adopt the personas of Nico, Lou Reed and John Cale – even Andy Warhol makes a cameo!

Chris Connelly has been creating for circa 40 years. Since his days with Fini Tribein Edinburgh, Chris Connelly has over 20 solo releases. He frequently collaborates with other musicians, including notable projects like Ministry, The Revolting Cocks and Pigface, while contributing to newer ones such as Cocksure and The Joy Thieves. He has also published four books (poetry, autobiographical and fictional narrative).

Initially planned as an album of 10 Nico covers, Connelly ultimately decided to write some additional compositions, spanning her life. The Nico material spans from her first Jimmy Page-composed single and her time with The Velvet Underground to her intense and unique solo recordings up until her death. In song, Connelly follows her from Berlin to New York via Paris, Ibiza, and Rome, then back through Paris, London, Edinburgh, Manchester and up to her tragic and needless death in Ibiza.

This follows 'Ripcord, Ripcord', which Connelly wrote surrounding a little known detail about Nico's life - her rape by a military officer while she was a teenager holding an administrative position for the US Army. This incident and the trauma of being in the rubble of post-war Berlin would inform the rest of her volatile life and create the haunted spirit of Nico.

The album's lead track 'Eulogy to Lenny Bruce', heralded by some as Connelly's finest vocal performance, appeared on Nico's 1967 album 'Chelsea Girl'. Penned by the tragic Tim Hardin about the equally tragic Lenny Bruce but with slightly altered lyrics, Nico's sorrowful delivery is laced with anger at Bruce's death.

On this album, Connelly worked with producer and long-time collaborator Chris Bruce, who is a band member of Meshell Ndegeocello and also worked with Seal, Aaron Neville, Bob Dylan, The Waterboys, My Brightest Diamond, Cheryl Crow and Sam Phillips.

The album was, in part, inspired by the book 'You Are Beautiful and Your Are Alone' by Jennifer Otter Bickerdicke, who contributed to album liner notes, noting “This is a record to be played at full blast, all the way through, as a commemoration not just to Nico the person, the musician, but to art for art’s sake, for making something because it is important and needs to be done – an idea that is as rare and precious as Nico herself.”

As of November 11, this 'Eulogy to Christa' album will be available via Bandcamp, as well as Apple Music and Amazon, coinciding with Connelly's birthday. The CD version will be released on December 4.

CREDITS
Recorded at The Rock Noir July 2021 / January 2022
Mastered by James Scott at Populist Recording and Mastering
Produced by Chris Bruce
Chris Connelly: Vocals, acoustic and electric guitar, harmonium, harmonica, keyboards, bass
Chris Bruce: Additional instruments and guitar solo on 'Ripcord'
Sleeve design by Greg Rolfes. Layout by Kimberly Blessing
Nico cover photo by Alastair MacKay (Edinburgh Nite Club, August 1981)
Inside photo of Nico taken by Howard Goldblatt (Tuts, Chicago 1982)
Tray photo of harmonium by Jonah Rubash
Tracks 1, 2, 4, 5, 8, 10, 12, 14, 15, 16, 17, 20, 23 by Chris Connelly
Tracks 9, 11,13, 18, 21, 22, 24 written by Nico (Christa Päffgen)
Track 3 'The Last Mile' written by Oldham / Page
Track 19 'Vegas' written by Nico / Quilichini
Track 6 'Femme Fatale' written by Lou Reed
Track 7 'Eulogy to Lenny Bruce' written by Tim Hardin

Publicity by Shauna McLarnon @ Shameless Promotion PR
Management: Kimberly Blessing @ Shipwrecked Industries
Chris Connelly is published by Bicycle Music/Concord BMI
Dedicated to Nico (Christa Päffgen) 1938 - 1988
For the lovers on St. Stephen’s

Keep up with Chris Connelly
Website | Bandcamp | Facebook | Twitter | Instagram | Soundcloud | YouTube | Apple Music | Spotify | Amazon

Bad Omens Announce Livestream Events of Both Sold-Out NYC Shows On 'A TOUR OF THE CONCRETE JUNGLE' North American Headliner

Bad Omens

Announce Two Livestream Events 

From Their SOLD-OUT North American Headliner

'A TOUR OF THE CONCRETE JUNGLE'

On Sunday, December 11 + Monday, December 12

Exclusively On Veeps

Tickets Available HERE

Bad Omens slither through boundaries, only to ultimately choke convention in the process. The quartet—Noah Sebastian (vocals), Joakim “Jolly” Karlsson (guitar), Nick Ruffilo (bass), and Nick Folio (drums)—materialize with ghostly atmospherics, striking hooks, and the tingles of sensual high-register harmonies uplifted by cinematic production. Racking up over 250M worldwide streams to date and earning acclaim, the band presents an uncompromising and undeniable vision on their third full-length album, 'THE DEATH OF PEACE OF MIND' (Sumerian Records).

“Making the record changed us as songwriters and musicians. In many ways, I feel like it set me free as an artist because every decision made in the writing process was for myself, with no fear for anyone else’s expectations of what our third album should sound like. Be it our fans or our record label.”

They’ve always wielded this level of magic though…

The group’s 2016 self-titled debut, 'Bad Omens', yielded fan favorites such as “Glass Houses” and “The Worst In Me” which eclipsed nearly 30 million Spotify streams. On its heels, 2019’s 'Finding God Before God Finds Me' spawned “Dethrone” (16 million Spotify streams) and “Careful What You Wish For” (10 million Spotify streams). Along the way, they toured with numerous marquee acts and received tastemaker praise. 

After their first headline tour was canceled mid-way at the top of the global pandemic, the band found themselves at home in Los Angeles with plenty of time. Where they absorbed and imparted a different palette of unexpected inspirations. Channeling what the frontman describes at times as a “cursive sound” they embraced newfound confidence and boundlessly loose creativity. Anything went in the studio, and all “rules” were broken. Noah and Jolly wrote, produced, and engineered the music themselves while GRAMMY® Award-nominated producer and songwriter Zakk Cervini (Halsey, Grimes, Poppy, blink-182) lent his talents with the mix and master. Challenging himself, Noah decided to “make a track sampling items around the house, none of which were musical instruments”. 

This ultimately became the framework for the first single “THE DEATH OF PEACE OF MIND”. Claps puncture the icy soundscape as his voice stretches from a breathy moan into an evocative and entrancing hook, breaking from a whisper into the seductive chant, “It wasn’t hard to realize. Love’s the death of peace of mind.” It culminates on a climactic scream uplifted by a distorted crunch.

“The whole record really details the loss of peace of mind,” he explains. “The lyrics in the title track are a little more specific in terms of the conflict at the heart of something more intimate and personal.”

By speaking it aloud, Bad Omens offer a level of comfort and empathy, with a sinister shroud. At the same time, they also give rock music a sexy new shape on 'THE DEATH OF PEACE OF MIND'.

“Sonically, we want to do something you can’t arrive late or early too,” he leaves off. “You can’t cheat your way to the final act. You have to get on the ride and process it until the end. The songs are meant to be heard from start to finish. We want you to take the whole trip with us.”

Find Bad Omens Online

badomensofficial.com

Death Metal Legends OBITUARY Announce New Album 'Dying of Everything' Out January 13, 2023💀

FALL NORTH AMERICA TOUR BEGINS THIS WEEK

WATCH “THE WRONG TIME” MUSIC VIDEO Below

"Propelled by the inhuman vocals of John Tardy, the obscenely brutal guitar tone of Trevor Peres and rhythmic brilliance of drummer Donald Tardy, Obituary redefined heaviness throughout the 1990s. From undisputed classics 'Slowly We Rot' and 'Cause of Death', through an unexpected hiatus to their current creative renaissance, Obituaryhave pioneered, defined and expanded extreme metal, becoming one of the underground’s most recognized and respected acts." - Decibel Magazine

 

Legendary Florida Death Metal icons OBITUARY return with their highly anticipated new album, 'Dying of Everything', out January 13 on LP/CD/CS/Digital via Relapse Records!

OBITUARY comment:

 

“We couldn’t be more excited to FINALLY get this New Album out and into the hands of the fans! We chose “The Wrong Time” for the first single as it is a true depiction of the sound, style and feel we went for in the studio and is a great taste of what you can expect from 'Dying of Everything'.”

 

Additionally, OBITUARY begins the North America Great Heathen Tour with Amon Amarth, Carcass & Cattle Decapitation this week!

OBITUARY join HATEBREED for a special one-off show tonight in Albuquerque, NM before the tour begins.

OBITUARY returns to Europe in January/February 2023 with Trivium & Heaven Shall Burn. A full list of tour dates is available below.

 

'Dying Of Everything' destroys in the time-honored tradition of early OBITUARY classics 'Slowly We Rot' and 'Cause of Death', while maintaining the killer studio sound that the band has been perfecting in their own studio since 2007’s monstrous 'Xecutioner’s Return'.

Pre-Order 'Dying of Everything' HERE

Like just about every album in OBITUARY’s vast catalog, 'Dying Of Everything' is instantly memorable; it’s a skill that OBITUARY have only improved upon over the years.

It’s unusual for a band that’s been around since the ’80s to be doing some of their best work in the 2020s, but that’s exactly what OBITUARY have accomplished through their do-it-yourself attitude and relentless touring on a worldwide level.

I think it comes down to passion,” vocalist John Tardy offers. “I say this all the time, but if something’s not fun, I’m not gonna do it. And we’re having more fun than ever.”

OBITUARY TOUR DATES:

 NA w/ Amon Amarth, Carcass, Cattle Decapitation

 Nov 10 Albuquerque, NM El Rey Theatre (w/ Hatebreed & Gatecreeper)

Nov 11 Las Vegas, NV Brooklyn Bowl (No Carcass)

Nov 12 Phoenix, AZ Arizona Federal Theatre

Nov 14 San Antonio, TX Aztec Theatre

Nov 15 Houston, TX Bayou Music Center

Nov 16 Dallas, TX Southside Ballroom

Nov 18 Atlanta, GA Tabernacle

Nov 19 Orlando, FL Hard Rock Live

Nov 20 Charlotte, NC The Fillmore

Nov 22 Philadelphia, PA The Fillmore

Nov 23 Boston, MA MGM Music Hall at Fenway

Nov 25 Detroit, MI The Fillmore

Nov 26 Chicago, IL Aragon Ballroom

Nov 27 Cincinnati, OH The Andrew J Brady ICON Music Center

Nov 30 Pittsburgh, PA Stage AE

Dec 01 New York, NY Hammerstein Ballroom

Dec 02 Toronto, ON History

Dec 03 Laval, QC Place Bell

Dec 05 Madison, WI The Sylvee

Dec 06 Minneapolis, MN The Fillmore Minneapolis

Dec 07 Kansas City, MO Upton Theater

Dec 09 Denver, CO The Fillmore

Dec 10 Salt Lake City, UT The Complex

Dec 12 Seattle, WA Showbox SoDo

Dec 13 Portland, OR Roseland Ballroom

Dec 15 Wheatland, CA Hard Rock Hotel & Casino

Dec 16 San Diego, CA SOMA

Dec 17 Los Angeles, CA The Forum

HAMMERHEDD Release New Single "Fruition"

"Hammerhedd has been making the rounds for years now, and for good reason – these kids are some of the best metal musicians out there." - Metal Injection

American tech-metal trio HAMMERHEDD has released a new single from their yet-to-be-announced sophomore album. Fresh off an October US tour run opening for Swedish metal legends In Flames, the Ismert brothers are back with another offering, preceded by the release of "Tunnel" last month. The fraternal Kansas City-based outfit has dropped the track "Fruition" - an eight-minute epic that showcases their talents as heavy progressive acolytes. The new single is accompanied by a visualizer, which can be seen below.

On "Fruition", the Ismert brothers comment, "We’re excited to share our newest single with the metal masses! It’s dark, prodding, and heavy as hell! We hope you enjoy the new sonic landscapes we explore in 'Fruition'"

Stream "Fruition" Here

HAMMERHEDD Lineup:

Henry Ismert - Guitar, Lead Vocals 

Eli Ismert - Drums

Abe Ismert - Bass

WEEDEATER Kicks Off November U.S. Headlining Tour

Cape Fear metal legends WEEDEATER will be hitting the road again across the East Coast U.S. starting TODAY, November 10, with support from TELEKINETIC YETI + DONNIE DOOLITTLE! The trek will kick off tonight in Johnson City, TN and will conclude in the band's home-state of North Carolina in Chapel Hill on December 10!

In addition, the band will also be appearing at Snowblind Fest in Atlanta, GA on November 12. The full itinerary can be found below! All tickets can be found at THIS LOCATION.

WEEDEATER U.S. Tour Dates (w/ Telekinetic Yeti + Donnie Doolittle):
11/10: Johnson City, TN @ The Hideaway [TICKETS]
11/11: Charlotte, NC @ Snug Harbor [TICKETS]
11/12: Atlanta, GA @ Snowblind Fest* [TICKETS]
11/14: Baltimore, MD @ Ottobar [TICKETS]
11/15: Boston, MA @ Crystal Ballroom [TICKETS]
11/16: Brooklyn, NY @ Saint Vitus [TICKETS]
11/17: Rochester, NY @ Bug Jar [TICKETS]
11/18: Philadelphia, PA @ Kung Fu Necktie [TICKETS]
11/20: Richmond, VA @ The Canal Club [TICKETS]
12/10: Chapel Hill @ Local 506 (w/ ASG) [TICKETS]
*Weedeater Only

All of WEEDEATER's albums are now available at fine record stores nationwide and online at the WEEDEATER Bandcamp page.

WEEDEATER was formed by front-man/bassist "Dixie" Dave Collins. Following the release of their 2001 debut ‘…And Justice For Y’All’, WEEDEATER immediately established themselves as a force in the U.S. tour circuit and quickly gained notoriety in the American metal scene. In the time since, the band have released three critically-acclaimed albums: 'Sixteen Tons’ (2002), ‘God Luck And Good Speed’ (2007), and ‘Jason… The Dragon’ (2011), and toured around the world. The band has played prestigious festivals such as Maryland Deathfest, Hopscotch Festival, Stoned From The Underground, Asymmetry Festival, Roadburn Festival, Hellfest, and many more.

For more on WEEDEATER, follow their official FACEBOOK, TWITTER, and INSTAGRAMpages.

Brantley Gilbert Releases New Album 'So Help Me God' + New Single "Heaven By Then" with Blake Shelton ft. Vince Gill

BRANTLEY GILBERT RELEASES SO HELP ME GOD

10-Track Collection Available Now, Including New Single
“Heaven By Then” with Blake Shelton Featuring Vince Gill

Co-Headlining Tour with Five Finger Death Punch Continues Tonight;
Tickets Available at
BrantleyGilbert.com

Gilbert Partners with Nine Line Apparel for Exclusive Shirt Design to
Benefit Veterans Through Nine Line Foundation

Multi-Platinum country star Brantley Gilbert releases his highly anticipated new album So Help Me God, a 10-track project that features five new songs, including his latest single “Heaven By Then” with Blake Shelton and featuring Vince Gill, which had a world premiere via iHeartRadio today. Available now via The Valory Music Co., listen to the album and the single, officially impacting Country radio on Monday, November 14, HERE.

“In the past, my albums were almost direct reflections, direct chapters of my life,” shares Gilbert. “Whatever I’d gone through since I wrote the last record would make its way onto the new album. There’s still some of that with So Help Me God since I’m a cowriter on all the songs – it’s been three years since the last release and a lot of life lived. But I feel like this album is more of a mixtape of great songs.”

Co-written with Brock Berryhill, Michael Hardy, Jake Mitchell, Randy Montana, Hunter Phelps and Taylor Phillips, album opener “Heaven By Then” highlights a way of life that can often feel like it’s disappearing, as the pace of everyday life continues to speed up.

“‘Heaven By Then’ came out of a conversation during a writers retreat in Texas that we do every year. A guitar ended up in HARDY’s lap, which is usually a good sign that it’s about to turn into something special. I think we all knew that as it was being written. It came to life that night.

“To have Blake Shelton and Vince Gill on the song meant so much to me. Those two brought so much to the table and gave it a voice I didn’t have. We were all in separate places when we recorded, but it was a cool way for everyone to put their spin on it. They just did what felt natural and sonically you hear that,” he concludes.

Gilbert has mined a rich vein of conflict between the party and the pew on all his albums. Instead of toiling in limbo, unable to enjoy good times for fear of Judgment Day, Gilbert fully lives––rowdy friend, man of faith, devoted husband, smitten new father––just as he is.

“All of my albums up to this point have been spiritual or faith-based titles, and there’s a reason for that,” Gilbert shares. “I feel like if I’m the ‘what you see is what you get’ guy, and I decide to disregard my faith or not include it, not only am I selling myself short, but I’m selling everybody who plays that record short. Faith is a huge part of my life, and I feel like God tends to bless us a little bit more when we share a little spotlight.”

Gilbert kicked off his co-headlining tour with Five Finger Death Punch last night in and continues this evening in Fort Wayne Indiana. Gilbert is set to tour with 5FDP through December 17, wrapping in Las Vegas, Nevada. For tickets and more information, visit BrantleyGilbert.com.

As a longtime supporter and advocate for service men and women, Gilbert continues championing veterans through his latest partnership with Nine Line Apparel for an exclusive shirt design, which will benefit Nine Line Foundation.

Nine Line Foundation is a charitable organization dedicated to meeting the financial and specialized needs of severely injured soldiers and their families. In combat, Nine Line is an emergency medevac request and is often the difference between life and death for the most severely wounded soldiers. Since 2013, Nine Line Foundation’s mission has been to serve in a similar manner, offering a lifeline once wounded veterans return stateside.

The exclusive design can be purchased on a t-shirt for $25.99, long sleeve for $29.99 or hoodie for $42.99. For more information, visit NineLineApparel.com.
Brantley Gilbert and Five Finger Death Punch Co-Headlining Dates

Nov. 10 Allen County War Memorial Coliseum Fort Wayne, Ind.
Nov. 12 Rupp Arena Lexington, Ky.
Nov. 14 Schottenstein Center Columbus, Ohio
Nov. 16 Bridgestone Arena Nashville, Tenn.
Nov. 17 Thompson-Boling Arena Knoxville, Tenn.
Nov. 19 Charleston Coliseum & Convention Center Charleston, S.C.
Nov. 20 Bon Secours Wellness Arena Greenville, S.C.
Nov. 22 Amalie Arena Tampa, Fla.
Nov. 25 Legacy Arena at The BJCC Birmingham, Ala.
Nov. 26 Simmons Bank Arena Little Rock, Ark.
Nov. 29 T-Mobile Center Kansas City, Mo.
Nov. 30 CHI Health Center Omaha Omaha, Neb.
Dec. 2 Coliseum at Alliant Energy Center Madison, Wis.
Dec. 3 Resch Center Green Bay, Wis.
Dec. 5 Target Center Minneapolis, Minn.
Dec. 7 Wells Fargo Arena Des Moines, Iowa
Dec. 9 Alerus Center Grand Forks, N.D.
Dec. 10 Denny Sandford PREMIER Center Sioux Falls, S.D.
Dec. 13 Spokane Arena Spokane, Wa.
Dec. 15 Ford Idaho Center Arena Nampa, Id.
Dec. 17 Michelob ULTRA Arena Las Vegas, Nev.

About Brantley Gilbert
With back-to-back Platinum albums and a grassroots following millions strong, Brantley Gilbert’s music has been shared, covered and adopted as the soundtrack to Saturday night and Sunday morning by audiences around the world. The Georgia native who started as the defiant life-of-the-party can still go ‘til sunrise, but he’s also emerged as something far greater: the leader of a massive tribe of hard-working, fun-loving believers for whom electric guitar-shredding, rapping, and twang can go hand-in-hand-in-hand. They call themselves the BG Nation, and when the BG Nation watches Gilbert on a stage, they don’t just see a star. They see themselves. Seven No. 1 hits punctuate his career: “Country Must be Country Wide,” “You Don’t Know Her Like I Do,” CMA Awards Song of the Year nominee “Dirt Road Anthem,” “My Kinda Party,” RIAA 5x Platinum-certified “Bottoms Up,” “One Hell of an Amen” and collaboration with Lindsay Ell “What Happens In A Small Town.” Gilbert’s landmark record Just As I Am clinched the 2014 American Music Award for Favorite Country Album. Earning praise from the New York Times, NPR, American Songwriter, and more, Gilbert has mined a rich vein of conflict between the party and the pew on all of his albums. Instead of toiling in limbo, unable to enjoy good times for fear of Judgment Day, Gilbert fully lives––rowdy friend, man of faith, devoted husband, smitten new father––just as he is. H So Help Me God is available now via The Valory Music Co. and features his latest single “Heaven By Then” with Blake Shelton featuring Vince Gill. Gilbert will embark on a co-headlining tour with Five Finger Death Punch November 9 for their 22-date U.S. run that wraps December 17. For tour dates, tickets and additional information, visit BrantleyGilbert.com or follow him Instagram, TikTok and Twitter @BrantleyGilbert and Facebook.com/BrantleyGilbertMusic.

About Nine Line Foundation
Nine Line Foundation is a 501(c)(3) charitable organization, dedicated to meeting the financial and specialized needs of severely injured soldiers and their families. In combat, Nine Line is an emergency medevac request and is often the difference between life and death for the most severely wounded soldiers. Since 2013, Nine Line Foundation’s mission has been to serve in a similar manner, offering a lifeline once wounded veterans return stateside. Our goal is to rebuild, strengthen and enrich the quality of life of wounded veterans. “Leave no man behind.” For more information, visit NineLineFoundation.org.

TEETH - RELEASE NEW MUSIC VIDEO FOR "EYESHORNSMOUTH"

Highly influenced by discomfort, there can be no compromise in the structure of what Ontario, Canada hardcore/metal quartet TEETH are producing because what flows from them is purely honest, and quite unlike anything that has been heard before.

Their adherence to this artistic integrity is a huge part of what caught the eye of heavy metal foundry, Nuclear Blast Records.

Today, the band releases the music video for their new single, "EyesHornsMouth" which can be viewed below.

The band comments, "EyesHornsMouth is a song that encapsulates spiraling out of control - tapping into your darkest judgments and inhibitions. It takes you for a ride and drags you down the rabbit hole of questionable places in your mind.

“When I fucking die, don’t bury me take me home.” 
 

Home is hell. 
 

EHM is the devil's advocate that resides on your shoulder, or in this case, both shoulders. It combines everything that is TEETH while leaning even further into our violent, uncomfortable, disgusting roots, so naturally we felt it'd be the perfect first single via Nuclear Blast.”


Purchase/Stream the new single "EyesHornsMouth" here: https://bfan.link/Teeth-EyesHornsMouth
Watch "EyesHornsMouth" below.

"EyesHornsMouth" was produced and engineered by Davis Maxwell & TEETH on September 1st, 2020 with Lance Prenc handling the mixing and mastering. The cover artwork for the single was created by Heavy Sleeper Co.

Order your copy of TEETH's 575EP here: thttp://nblast.de/Teeth-575EP

Recently, the band released the 575 EP which contains four already-released songs. The EP was produced and engineered by Davis Maxwell & TEETH at Bell Tower Studios in September 2019. The cover artwork was created by Orupting (Madison Roger).

TEETH are of the philosophy that every subsequent part of the song needs to be more disgusting, uncomfortable, and nasty than the part before it. “It’s supposed to feel frantic; super visceral and aggressive,” explains Prince.Pain is an adhesive, and in a time where there’s a lot of pent up emotion towards friends, family, everything around us... it gives people a nice vehicle to air their grievances.” 

Only a couple of things remain to be seen with TEETH: when will their new album drop, and what bands can you look forward to seeing them grace the stage with? Keep your eyes on Nuclear Blast Records and TEETH socials for updates.

TEETH is
Chris LeMasters | Guitarist
Blake Louis Prince | Vocals
Marc Quagliarini | Bass
Mat Stewart | Drums

TURMION KÄTILÖT - Release Video For New Single Sormenjälki From Upcoming Album Omen X

Today, industrial metal outlaws TURMION KÄTILÖT have released a video for 'Sormenjälki ', the second single from their upcoming tenth studio album Omen X that's set for release on 13th January through Nuclear Blast Records.

Watch the new video for Sormenjälki below.

Pre-order Omen X on various formats now from: https://turmionkatilot.bfan.link/omen-x

In regards to the new single, MC Raaka Pee comments:

"The world covers its prints like a cat covers its feces in the litter box.
That cat is held and secrets about people are whispered to it.
When a person is held like that instead of the cat, the litter box changes.
Would you be the kind of person whose fingerprints can be looked at without remorse?”

TURMION KÄTILÖT was formed in 2003 in Finland by MC Raaka Pee and Dj Vastapallo. Soon they were joined by the other members of what would become TURMION KÄTILÖT: Master Bates, Run-Q, DQ and Spellgoth as a second vocalist. With a couple of line-up changes as Dj Vastapallo left the band in 2009 replaced by Bobby Undertaker on guitars (ex-Deathchain) and Spellgoth leaving in 2017 replaced by Shag-U (Fear Of Domination) on vocals, TURMION KÄTILÖT has become the mean disco metal machine they are today.

From the very beginning TURMION KÄTILÖT has had a reputation for being a great live band. Disco beats from the 90’s, stomping metal, melodies, sing-a-longs, you name it – there are no rules. Yet still if you peek under the skin you can find the darkness pointing its finger at you. Their live shows have been praised to be the fiercest and craziest mayhem that can be witnessed creating the twisted world of TURMION KÄTILÖT.

TURMION KÄTILÖT is:

Mc Raaka Pee – Vocals
Shag-U – Vocals
Bobby Undertaker – guitars
Master Bates – bass guitar
Run-Q - synthesizers & keyboards
Dq – drums

Pre-order Omen X on various formats now from: https://turmionkatilot.bfan.link/omen-x

Walker Hayes Releases Emotional New Track "Face In The Crowd"

“I was honored to be nominated for a CMA Award, but the acceptance speech I would’ve made dropped just now… it’s called Face in the Crowd” – Walker Hayes

Anyone who has listened to Walker Hayes’ music knows his wife Laney is his biggest muse. Whether he’s taking her out for a date night at Applebee’s in “Fancy Like,” trying to keep her from figuring out that he married up and she married down in “AA,” or thinking about how he can keep her happy even after he’s gone in “Don’t Let Her,” all he wants to do is make her happy.

That has never been more apparent than in his newest song, “Face In The Crowd.” He sings:

When my 15 minutes ends / and the world loves me a little less / I hope you know that you’re the only one / I was trying to impress / if I sold out Bryant-Denny / made my sweet home so proud / all I ever cared about, all I ever cared about was your face in the crowd”

Written by Hayes with Emily Falvey and Tofer Brown, and produced by Hayes with Joe Thibodeau, the second the song was finished, Hayes began playing it during his pre-show hang while out on his Glad You’re Here arena tour. Immediately, his fans began asking when they could get their hands on the track. Laney, a side stage staple at every Hayes show, is never one to seek the spotlight, but is beloved by fans after making appearances in countless TikTok videos to reluctantly dance beside Hayes.

The song is especially meaningful after a breakthrough year for Hayes and his family that saw the superstar earn a GRAMMY nomination, six Billboard Music Awards nominations, five ACM Awards nominations, a CMT Awards nomination, a CMA nomination and his first No. 1 at Country radio. With success coming nearly 20 years after he started making music in this town, Hayes knows that at the end of the day all that matters is Laney and his six kids.

“I can’t say how grateful I am for the last year of my life. It changed a lot for me and my family, but at the end of the day, money doesn’t fix anything,” says Hayes. “We’ve been doing this a long time, and we were happy when we were poor, too. We’re just lucky to have each other, and that’s really all that matters”

Last night’s 56th CMA Awards ceremony marked Hayes’ first-ever CMA nomination, where he was up for New Artist of the Year. Though he didn’t win, “Face In The Crowd” is his message to Nashville, his fans and his family. Says Hayes. “I was honored to be nominated for a CMA Award, but the acceptance speech I would’ve made dropped just now… it’s called ‘Face in the Crowd.’”

Listen to “Face In The Crowd” HERE

“Face in The Crowd” is the latest release from Hayes, complimenting current single, “Y’all Life,” which is climbing the chart at country radio. These tracks, plus smash hit “Fancy Like” and fan favorite “AA” have made Hayes one of the top streaming artists in country music.

Watch the video for "Face In The Crowd"

ABOUT WALKER HAYES:
Monument Records recording artist Walker Hayes is a singer/songwriter originally from Mobile, Alabama. Last year, his smash hit “Fancy Like” topped every country music sales and streaming chart, spent more than six months at the No. 1 spot on the Billboard Hot Country Songs Chart, hit the top 5 on Billboard’s Hot 100 Songs, hit No. 1 at country radio, and gave Hayes his first GRAMMY Award nomination as an artist for Best Country Song. The song was also featured in a nationwide Applebee’s commercial. That track, as well as follow up single “AA,” and current single “Y’all Life ,” have made Hayes one of the top selling and streamed artists in country music.

Hayes has performed his music, including the Double-Platinum RIAA certified hit “You Broke Up With Me,” to national audiences on Good Morning America, Late Night with Seth Meyers, The Tonight Show Starring Jimmy Fallon and TODAY, and he was profiled for CBS Sunday Morning. This fall, he sets out on his headlining arena tour, the Glad You’re Here tour, which is the same title as the book he released with his best friend, Craig Allen Cooper, detailing his journey to finding Christ

ALIEN WEAPONRY Win Aotearoa Music Award for Te Kaipuoro Rakapioi Toa (Best Rock Artist), for the Second Time!

New Zealand global metal frontrunners ALIEN WEAPONRY have just been awarded one of the most significant and prestigious awards in New Zealand’s music industry, the Aotearoa Music Award (formerly New Zealand Music Award) for Te Kaipuoro Rakapioi Toa (Best Rock Artist). This marks the second time that the band have received this honour, first winning in 2018 for their critically acclaimed debut album 'Tū'.

ALIEN WEAPONRY on the award:

"We are so stoked to win the award for Te Kaipuoro Rakapioi Toa for the second time! We are super thankful to everyone who has helped get us to where we are, to the other artists nominated, and to our fans!"

ALIEN WEAPONRY's kinetic presence and sound – combining elements of thrash and groove metal with lyrics in their native indigenous language, te reo Māori — has attracted throngs of fans and media supporters across the globe.

To finish 2022, ALIEN WEAPONRY will be supporting rock n’ roll giants Guns ‘N’ Roses on their New Zealand stadium tour this December. In February 2023 the band will be joining Gojira in Europe for the third leg of the Fortitude world tour.

 

Watch the Official Music Video for Tangaroa” 

ALIEN WEAPONRY are poised to dominate with their latest album 'Tangaroa'. The album coalesces the band’s growing maturation with an undisturbed songwriting process, resulting in their most inspired, honest and informed material yet. 

'Tangaroa' is immersed in important historical accounts and cultural heritage of the Māori people – in addition to lyrics written in te reo Māori, many tracks feature traditional instruments, called taonga puoro, providing the tracks their own warrior-like attitude.

Rhythmic, dynamic album opener Titokowaru begins with determined rowing chants and depicts the tale of a famous war chief that challenged the colonial government in New Zealand and led a rebel army, backed by quick riffage and driving drums.

Following standout Hatupatu, inspired by the harrowing, legendary tale of a de Jong ancestor facing off with a witch, is carried by frenzied guitars, spirited chanting and tribal-like percussion.

While ALIEN WEAPONRY sourced inspiration from their culture and environmental surroundings while writing most of 'Tangaroa', the band also looked inward – drawing vision for other portions of the album from within. The album dives into some of their most effecting personal experiences, with English-language songs like the pensive Unforgiving.

  

Get your copy of Tangaroa NOW

Since releasing their acclaimed debut 'Tū' (2018), ALIEN WEAPONRY's kinetic presence and sound – combining elements of thrash and groove metal with lyrics in the native indigenous language, te reo Māori — has attracted throngs of fans and media supporters across the globe.

In addition to amassing millions of cross-platform streams and YouTube views, the band has seen bounds of success at SiriusXM Liquid Metal, was recently hailed the “future of metal” by Metal Hammer and was voted by Revolver Magazine fans as “one of the bands most likely to break out in 2021”. 

Furthermore, ALIEN WEAPONRY just added an upcoming tour with metal behemoths Gojira to their hefty performance resume - a list that already included support of some of the biggest names in metal like SlayerBlack Label Society and more.

ALIEN WEAPONRY won the prestigious Aotearoa Music Award (former New Zealand Music Award) for Te Kaipuoro Rakapioi Toa (Best Rock Artist) in 2018 and 2022.


ALIEN WEAPONRY are:                      

Henry Te Reiwhati de Jong - Drums, Backing vocals  

Lewis Raharuhi de Jong - Guitars, Lead vocals          

Tūranga Porowini Morgan-Edmonds - Backing vocals & guitar

Sister Duo Tigirlily Gold Announces Headlining "Introducing Tigirlily Gold: The Tour Presented by Lee"

TIGIRLILY GOLD ANNOUNCES HEADLINING
INTRODUCING TIGIRLILY GOLD: THE TOUR PRESENTED BY LEE®

22-Stop Tour Presented by Lee® Will Benefit Musicians on Call
Via a Call to Donation at All Tour Stops

Powerhouse sister duo Tigirlily Gold has carried their Mid-West work ethic with them through the streets of Nashville’s Lower Broadway for years – dedicating long hours, learning countless songs and forging their own path – often playing four-hour sets, three to four nights a week in local honky tonks. Now, the duo from North Dakota is carrying that same hustle with them on the road with their first headlining tour, Introducing Tigirlily Gold: The Tour Presented by Lee®.

The 22-stop tour presented by Lee®, the 133-year-old iconic denim and casual apparel brand, will travel from coast to coast, including stops in Los Angeles, Denver, Boston and more. Along the way, Tigirlily Gold will give back to Musicians on Call, inviting healthcare workers to each show and calling for donations on stage each night, culminating in a livestream at the end of the tour that will go out to all Musicians on Call hospitals. For exclusive access to the tour date in a city near you, join Tigirlily Gold’s community by texting 615-813-4784.

“We are so excited to get out on the road and play some new songs for everybody,” the sisters shared. “Can’t wait to spend the rest of the year with fans and friends and even more excited for what’s to come in 2023!”

Lee® has always celebrated the originals – those who unapologetically follow their own paths,” said Brigid Stevens, global vice-president of marketing for Lee®. “The sisters have an authentic original voice and presence that shines through in all they do, and we’re thrilled to help support this tour.”

Introducing Tigirlily Gold: The Tour Presented by Lee® Tour Stops:
Mon, Nov 14 St. Louis, MO
Tue, Nov 15 Kansas City, MO
Wed, Nov 16 Denver, CO
Thu, Nov 17 Minneapolis, MN
Fri, Nov 25 San Antonio, TX
Wed, Nov 30 Portland, ME
Thu, Dec 1 Boston, MA
Fri, Dec 2 Orlando, FL
Mon, Dec 5 Louisville, KY
Tue, Dec 6 Detroit, MI
Wed, Dec 7 Cleveland, OH
Thu, Dec 8 Pittsburgh, PA
Fri, Dec 9 Ft. Lauderdale, FL
Sat, Dec 10 Ft. Lauderdale, FL
Tue, Jan 10 Seattle, WA
Wed, Jan 11 Portland, OR
Thu, Jan 12 Los Angeles/Bakersfield, CA
Fri, Jan 13 Phoenix, AZ
Sat, Jan 14 Las Vegas, NV
Wed, Jan 18 San Antonio, TX
Thu, Jan 19 Houston, TX
Fri, Jan 20 Tulsa, OK

Tigirlily Gold is comprised of sisters Krista and Kendra Slaubaugh. Though new to some, the duo has been touring across their home state of North Dakota and the Mid-West since they were young teens. They quickly became an on-demand act with their latest single, “Somebody Does” reaching No. 1 on the iTunes Country Songs and iTunes All Genres Songs charts, reeling in over 5 million streams to-date. Having released their debut, self-titled EP in 2021 with the help of Grammy Award winning songwriter and producer Shane McAnally, the duo has attained over 9 million total career streams.

About Tigirlily Gold
Sister duo Tigirlily Gold has been playing music together since they could walk, and officially formed their band in high school. Growing up, they crisscrossed the mid-west, growing a fierce fan base and selling out amphitheaters across their home-state of North Dakota. After moving to Nashville, they landed a weekly residence at Dierks Bentley’s Whiskey Row on Nashville’s famed lower Broadway. Playing four-hour sets, three to four nights a week, the sisters developed a performance style that’s not only captivating and fun but shows just how much entertaining is in their blood.

After releasing their original song “Somebody Does,” in 2021, the track topped the iTunes chart and Tigirlily Gold was signed to Monument Records. They released their self-titled, debut EP in July 2021, working with multi-Grammy Award Winner Shane McAnally, and hit the road with artists Walker Hayes and Ashley McBryde.

Now, the powerhouse duo is set to embark on a new musical chapter with their upcoming project, Blonde – a deeply personal record that includes poignant tales of love and loss alongside powerful anthems and songs of female empowerment. Ready to bring girl group energy back to country music, Tigirlily Gold is poised for a breakout year.

About Lee®
Lee®, a Kontoor Brands (NYSE: KTB) brand, is an iconic American denim and casual apparel brand. Lee®’s collections include a uniquely styled range of jeans, pants, shirts, shorts and jackets for men, women, and boys. Founded by H.D. Lee® and backed by over 130 years of purposeful design and craftsmanship, Lee®'s movement-inspired innovations, versatile styling and superior fit continue to inspire generations of brand loyalists. For more information, please visit www.lee.com.

Amberian Dawn, Unveil Second Single “Gimme! Gimme! Gimme! (A Man After Midnight)”

ABBA Metal Sensation, Amberian Dawn,

Unveil Second Single

Gimme! Gimme! Gimme! (A Man After Midnight)

& Lyric Video Released Today

 

New Covers Album,

'Take A Chance – A Metal Tribute to ABBA',

Out December 2, 2022 via Napalm Records

Pre-Order Now!

Genre-merging AMBERIAN DAWN does not shy away from experimenting with musical styles and combining nostalgic earworms with their dashing trademark sound. With their newest single Gimme! Gimme! Gimme! (A Man After Midnight) vocalist Capri’s angelic voice merges with electrifying soundscapes to transform this ABBA classic into a metal experience never heard before.

The track comes with an exciting lyric video and is cut from their upcoming covers album, bringing world famous songs by the legendary ABBA into the metal world. 'Take A Chance – A Metal Tribute to ABBA' will be released on December 2, 2022, via Napalm Records. Following their passion, this album pays tribute to one of their biggest inspirations and ushers in the dawn of an entirely new spin on the metal genre.        

                                      

Tuomas Seppälä on the new single:

“This was an easy and obvious pick for this album. The song is a true masterpiece. It was easy to arrange into a metal version. For a while, I considered replacing the famous keyboard lead intro with guitar, but quite soon I wanted to keep the lead part played with keyboards. It gives more ABBA feeling to the song. Capri sings amazingly, once again. And for the very first time, we had a chance for our bassist to play slap bass in the middle part of the song. It's rarely heard in metal music.”

Watch the Video

Continuing their legacy from the previous album, 'Looking For You' (2020), AMBERIAN DAWN have assembled to follow their passion and take a chance at being the dawn of a new era for the metal genre with 'Take A Chance – A Metal Tribute to ABBA'.

Introducing ABBA-Metal, the band does not shy away from experimenting with genres while still staying true to their metal origins. Earworms combined with characteristic AMBERIAN DAWN elements truly metallicize the ABBA legacy and transform it into a metal experience like never heard before. With skillfully implemented synthesizers creating vintage sounding keys, guitar riffs and vocalist Capri’s angelic voice, the original lines immerse perfectly with rocking instrumentals. Dashing drums ensure a high-paced experience that expresses the band’s identity without losing the catchy ABBA-reminiscent keyboards, renowned lyrics and nostalgic feeling of the original. Including evergreens like “Mamma Mia” and “Super Trouper”, AMBERIAN DAWN enchants with a variety of tracks. Representing a wide array of ABBA songs from high energy to moving metal ballads like “Like An Angel Walking Through My Room”, the band delivers astounding ABBA-Metal to a broad audience. So Take A Chance on AMBERIAN DAWN’s new album and get lost in the glorious new metal world of ABBA.

Tuomas Seppälä on the album:

“This was a ‘must do album’ for me. We had so much fun in 2019 working on our first cover song ever (which was ABBA’s ‘Lay All Your Love On Me’), that it was easy to make a decision to continue with a full ABBA covers album. The songs have been carefully selected, there’s a couple of big hit songs of course, but some of my personal favorites, like ‘The Day Before You Came’, are also included. The recording project was eventually a really big challenge for all of us and needed a lot of work, but we’re all 100% satisfied with the results. This album really sounds like an AMBERIAN DAWN album.”

Pre-order your copy NOW!

AMBERIAN DAWN are:

Capri - vocals

Tuomas Seppälä - keyboards

Emil Pohjalainen - guitar

Jukka Hoffren - bass

Joonas Pykäläaho - drums

URIAH HEEP ANNOUNCE RELEASE OF 25TH STUDIO ALBUM, CHAOS & COLOUR

FIRST SINGLE “SAVE ME TONIGHT”
AVAILABLE NOW


PRE-ORDER AT THIS LOCATION
WATCH/LISTEN TO “SAVE ME TONIGHTBelow

British hard rock legends and progenators Uriah Heep announce the release of their 25th studio album, Chaos & Colour, set for release January 27th, 2023 via Silver Lining Music. Pre-orders available from November 8th on this site

Watch the video and listen to the first single, the buoyant and blistering “Save Me Tonight”, (video by Natalia Jonderko Śmiechowicz).

Save Me Tonightis another powerful melodic rock track which we have chosen to be the first single as well as the opening track of the album,” says Mick Box, Uriah Heep’s venerable and effervescent founding member, “it is made for rock radio and will surely be included on our new set list in 2023.”

Save Me Tonight comes from a place of frustration and helplessness” adds co-writer and bass player Rimmer, “living through these unprecedented past couple of years but hanging on to this raging hope that we would all meet again! Once again, collaborating with Jeff Scott Soto has been a natural and very creative experience and the perfect platform for me to express these feelings and to carry on the Heep legacy.”

Chaos & Colour is an album which bristles with explosive classic rock guitars, supreme harmonies, and Heep’s famously generous keyboard foundation . It is, unsurprisingly, an album that found its extra thrust during the COVID-19 pandemic, which was as bizarre for Uriah Heep as it was for humanity in general.

“The album title reflects that we were in chaotic times with being locked down, tours being cancelled, businesses folding, and all the chaos that was thrown into the world,” explains Box, “and as far as I could see it, the only colour people had was through music. It helped so many people get through those difficult years, using that strength and power which music has, to make those bad times not quite so bad.”

There were still the looming spectre of protocols and rules to follow in the middle of 2021, as the world tried to find its feet. Heep slowly found their way into Chapel Studios in London during the summer of 2021 as restrictions were tentatively lifted, working once again with Jay Ruston (Anthrax, Corey Taylor, Black Star Riders).

Jay was completely on board with what we are trying to achieve in the studio,” says Box. “We’re a band that has a fantastic heritage and to carry on that tradition it was vitally important that the band recorded in the studio all playing at the same time. Jay understood that and he pulled out the best of us as a band, as well as individual players, while getting us some amazing sounds.”

Led by Box, it is no surprise that themes of light, love and, ultimately, positivity are constant through the album eleven tracks. “One Nation, One Sun” is a journey of soaring balladic contemplation, “Fly Like An Eagle” takes the listener on a journey of meditation, whilst “Closer To Your Dreams” is a battle cry for all rockers to get out there and do it, with Shaw imploring that “So many have tried but slipped away/Now it’s time for you to have your say.” During the entire album, Bernie Shaw’s timeless vocals sit expertly beside the band’s phenomenal artistry (Mick Box – guitar, Phil Lanzon – keyboard, Russell Gilbrook – drums, Dave Rimmer – bass), rounding out exceptional performances throughout.

Produced by Jay Ruston, and engineered by Pieter Rietkerk, Chaos & Colour is a superb album of quality hard rock from the pioneers of the genre who continue to create top class material. Old fans will be reinvigorated whilst new fans will surely find Chaos & Colour an exceptional discovery.

Following the intense disruption to live music caused by the pandemic, the band are ecstatic to be back on the road and continue to bring their live show across Europe this winter. For a full list of confirmed dates, tickets, and additional information visit this this location

Chaos & Colour will be available to pre-order from November 8, in Black and Coloured Vinyl configurations, as a standard CD Digipak, a Deluxe CD packaged in a hardcover book with Uriah Heep’s Chaos & Colour signature patch and in digital formats.

MICK BOX - Lead Guitar / Vocals
PHIL LANZON - Keyboards / Vocals
BERNIE SHAW - Lead Vocals
DAVE RIMMER - Bass Guitar / Vocals
RUSSELL GILBROOK - Drums & Percussion

Produced by Jay Ruston
Engineered by Pieter Kietkerk
Recorded at Chapel Studios UK
Mixed by Jay Ruston at TRS West, Sherman Oaks, California
Additional Engineering by John Douglass
Mastered by Paul Logus

Follow Uriah Heep on:
Website: www.uriah-heep.com
Facebook: facebook.com/uriahheepofficial
Instagram: instagram.com/uriahheepofficial/
YouTube: youtube.com/UriahHeepOfficial
Spotify: spotify.com/uriahheep
Twitter: twitter.com/uriah_heep

DRUDKH Streams New Album Ahead of Release!

Ukrainian black metal stalwarts DRUDKH will be unleashing their brand new album, "All Belong to the Night," via Season of Mist Underground Activists this Friday, November 11, 2022! The band is now streaming the album in its entirety ahead of its release! Listen below.

Pre-orders are now live HERE and the record can be pre-saved on streaming services HERE.

Earlier this year, DRUDKH unleashed the official music video for the song "The Nocturnal One" as a message of hope and resistance for the people of Ukraine. The song and video can be found HERE.

The year is 2022. Pop culture has decayed to the point where social media platforms set the narrative and by the sheer force of ubiquity, rule the day. On a recent popular television show, heavy metal devotees were portrayed and once again, nothing has changed. Despite all of its nuance, ‘metalheads’ are still the quaint, anachronistic, congenial oafs they were thought to be in the 1980’s. Social media then faithfully broadcasts the fad of the moment to everyone. And while all of that may be harmless, one would have to search long and hard for a genre of music that more seriously reckons the larger questions of the human condition than metal and all that falls beneath its banner. Sometimes these themes are encountered in broad strokes, the threads of stories teased and tugged from the weave of history as a whole. A bit rarer, but no less engaging, come glimpses through the lenses of nations, into the cultural realities of struggles far beyond what memes or profile filters can evince.

Enter the work of Roman Saenko, the man behind the universe that is the band Drudkh. As productive as they are secretive, this entity emerged from Kharkiv, Ukraine in 2002, coalescing from earlier forms such as Blood of Kingu, Hate Forest, and Astrofaes to blend the trappings of black metal into a Slavonic tapestry of sound unique to them. Twenty years hence, already with a library of acclaimed work to their name, Drudkh is releasing their eleventh studio album entitled All Belong To The Night. They are doing this from a homeland flush with uncertainty, embroiled in a political tug-of-war with which its people are all too familiar.

For Drudkh, immersion into regional struggle is nothing new. Saenko’s grasp on it forms the underpinnings of much of his work. And what’s more, he lives within its very crucible. There is no comfortable distance from which he can compose, and we can only guess what it is like to work from the inside of such a sphere of potential violence. The music of Drudkh has always done the talking, so much so that Saenko’s established boundaries around his art have never been breached. Like Darkthrone and Falkenbach, there are no live shows. Unlike Mgla, Gaerea, and Uada, there are not even figures behind masks for our imaginations to hinge upon.

But there is a soul in the music of Drudkh. A longing spirit, akin to the original blueprint of black metal to whom anonymity was so fundamental. Corpse-painted people shrouded in gloom, bearing mythic monikers instead of their given names, helped to establish that otherness that made black metal so appealing to the few who were willing to follow it. Drudkh takes this several steps further, and the history from which they draw inspiration is far closer to our now than the medieval darkness of old.

Of course, simple enjoyment of Drudkh’s music for its own sake is both permissible and possible, as a band who provides little insight beyond recorded output leaves non-Ukrainian fans little choice. Lyrics that are rarely printed or translated, song titles expressed in native tongue; beyond exceptions such as “Ukrainian Insurgent Army” (from 2005’s Blood In Our Wells) leave much to be guessed at for those who wish to go deeper. And unlike the aforementioned 80s’ metal fan trope, those who seek this music will at the very least wonder about what is going on beneath the surface. Many more will delve these depths.

Inevitably, many will cast judgment upon Saenko’s vision. Many have, and from the cushy viewpoint of fans in the West, it is amusing to watch the keyboard class pivot from casting aspersions on Saenko’s Ukrainian nationalism to celebrating it, especially when the latter impulse appears to have been beckoned by their big-tech overlords. This is not to say that there isn’t a ton of genuine sympathy for the plight of Ukrainians. There is, but the journey undertaken with this album is not married to ‘the current thing.’ As on past works, what Saenko appears to be saying on All Belong To The Night eclipses the flimsiness of trends.

For those willing to go deeper, Saenko once more brings to life the voices of Ukrainian past on “The Nocturnal One,” the new album’s opening epic and statement-maker. Based at least in part upon the work of Yakiv Savchenko, and his poem “The Victims Of The Nocturnal One,” this tempered piece hones in on feelings of despair and the encroaching darkness which beset Ukraine during his lifetime. Executed by the regime of Joseph Stalin in 1937, Savchenko’s poetry cannot help but resonate once again, coaxed into consciousness by the empire camped today upon Ukrainian soil. The names change, but the feeling of being beset does not. Featuring sedate midsections with proggy bass guitar, the listener is offered respite from the tortured screams and passion of ever-present vocalist Thurios. The song takes its time, unfurling in cold grandeur with plenty of sonic surprises layered into its breadth.

The pursuit of understanding through myth is called into being on fifteen-minute endcap “Till We Become The Haze.” This is also based upon the work of Savchenko. Rolling along at midtempo, it too offers contemplative oases of inspirational tension-building. As most of the people who will consume this music do not sit poised at the edge of a war, it offers of course the cinematic atmosphere Drudkh is so good at evoking. Fans of competing disciplines of extreme music will find much that is appealing here, as the melding of black metal, prog, and traditional heavy metal offers the connoisseur a little bit of everything.

In the meat of the album, “Windmills” departs with the conventional. It begins with a melancholic chant, painting monochrome hellscapes of displaced village folk, wandering from danger into danger. But is there not perseverance layered into these notes and phrases? Can we not detect a throb of defiance in the lush guitar tones and Thurios’ caustic growls? The pounding drums, courtesy of Vlad, remind us that Drudkh is at its heart from the realm of black metal, and this crescendo of pulse-raising speed comes laden with a melodic lead section that communicates beyond the limit of language something Saenko is offering to the world and his people – hope.

“November” is the third movement in the album, and Drudkh marries their raging heart with sections of a doomy, yet whimsical nature, vaguely reminiscent of something My Dying Bride might do. As with the rest of the album, Drudkh is melding a plethora of moods and textures into their sound. As is their nature, they defy categorization, making art that is as timeless as the strife and romanticism of the Ukrainian people. All Belong To The Night belongs to everyone who fights invading forces, be they tangible or otherwise, because somewhere in all of our histories our ancestors had to unite before struggle and woe, and it is this which shapes us as people. Drudkh will therefore always resonate, long after the algorithms direct our collective attention elsewhere.

Links:
https://www.facebook.com/Drudkh.Official
https://drudkh.bandcamp.com/

Recording/mixing/mastering/production: Viter Music

Cover Art: Edward Novikov

Bio: Nic Franco

Pre-save: https://orcd.co/drudkhabttn

Pre-sales: https://redirect.season-of-mist.com/DrudkhABttN