DONT YOU DARE Drop "I Love Misery" Video

Born from the raw concrete of Sacramento, California, DONT YOU DARE (styled without the apostrophe) are a modern rock duo fusing the intensity of nu-metal and metalcore with raw, unfiltered emotion.

Vocalist Noah Duarte, a poet-turned-frontman, joined forces with guitarist Matt English to create a sound that's both therapeutic and confrontational, and the foundation of what would become DONT YOU DARE.

The band shares the video for "I LOVE THE MISERY," because, really, who doesn't? Watch it below.

"'I LOVE THE MISERY' is the darkest song we've written to date. It's the story of isolation and self-destruction. It takes you through every emotion you could think of when you’re on that cliff about to jump, but then you ask 'Why?,'" the band states.

"'I LOVE THE MISERY' is a personal favorite of mine because every night I sing it, it allows me to let go and release those demons from years ago that still linger," shares Duarte. "It's the pause in the set, the moment everyone opens their eyes to DONT YOU DARE. This song helped me heal. It's such an amazing experience to see people who don't even know us feel that as well. It doesn't matter what walk of life you're in, everyone has felt what 'I LOVE THE MISERY' is. 'I wanna wake up' — I came up with that years ago at this point, and to this day the hook still rings true when I'm going through a rough patch. I always tell myself, 'It will never get that bad again and I put one foot in front of the other.' It's an extremely painful and dark song but the underlying message is healing so cry, scream, yell or sing. Let it all out and live in the moment. That's what 'I LOVE THE MISERY' actually is."

DYD's debut single, "S.O.S." saw the band come out swinging, generating strong momentum across streaming platforms and rapid audience growth on social media with their second single, "BLACK & BLUE," continuing that momentum. "DIE4ME" doubled the growth and got the band their debut spot on Sirius XM Octane Test Drive. "I LOVE THE MISERY" takes the emotional intensity that the band is known for, telling a story about isolation and self-destruction.

The Artery Foundation is a familiar name to hard rock fans. In 2025, the brand has rebooted and is a full service company. It's a label, artist management and producer management firm, among other things. During its 2010s heyday, the brand helped author the burgeoning metalcore scene, having been responsible for signing and breaking genre titans.

From the sweaty chaos of basements and VFW halls to the world's biggest festivals, Artery has helped guide talent from local notoriety to global recognition. The list of heavy music cornerstone acts that started with Artery speaks for itself: A Day To Remember, Motionless In White, Dance Gavin Dance, Beartooth, Sleeping With Sirens, The Amity Affliction, Asking Alexandria, The Devil Wears Prada, Our Last Night, Memphis May Fire, Fit For A King, The Plot In You, Attila, Attack Attack!, and more. 

In 2010, the company launched Artery Recordings, a label imprint that gave rise to breakout acts like Chelsea Grin and Kublai Khan TX. As Artery continued to expand, founder Eric Rushing concurrently deepened his influence on Sacramento's music and nightlife culture. His handiwork is evident in various live venues, restaurants, and bars.

ATREYU Unleashes New Single "Children Of Light" Featuring Max Cavalera + Visualizer

Today, while gearing up for their spring tour supporting Sevendust, ATREYU are excited to unleash their new single, "Children Of Light," featuring the legendary Max Cavalera. The new track is taken from ATREYU's upcoming album, 'The End is Not the End,' set for release on April 24, 2026 via Spinefarm.

On the new single, ATREYU comments:

"'Children of Light' was created with a primal spirit in mind. A 'festival' song. Heavily inspired by classic Sepultura, though it seemed like an untouchable ask, we wanted Max involved. We’re honored to share this song with a legend."

Watch the Visualizer for "Children Of Light" Below:

‘The End is Not the End' is undeniably ATREYU’s heaviest album ever and their most adventurous. “We realized what made ATREYU great in the beginning was that we didn’t sound like anyone else,” frontman Brandon Saller explains. “We didn’t really make sense anywhere. We weren’t an emo band, a metal band, a punk band — but somehow it all worked. We kind of just carved our own path.”

Guitarists Dan Jacobs and Travis Miguel, bassist Porter McKnight, drummer Kyle Rosa, and Saller created several of 'The End is Not the End'’s songs on creative trips.

“Tokyo made us feel like kids again,” Saller says. “We’d write for a few hours in the morning, then go out and get lost in all this inspiration. The first song we finished was ‘Dead,’ and we knew we were onto something.” 

After the Japanese sessions, the band and their producer decamped to San Juan Island off the coast of Washington, where isolation became a creative accelerant. “It was the polar opposite of Tokyo. We didn’t leave the house for four days and wrote some of the heaviest songs on the record.” 

The result is an album that feels simultaneously classic and unfamiliar, aggressive and unselfconscious, deeply emotional and unconcerned with trends. Produced by Matt Pauling, ATREYU’s tenth album is vibrant, inventive, and beautifully aggressive.

“It’s our heaviest, most metal record we’ve made,” Saller points out. “But it’s also the biggest musical journey we’ve taken in years.” 

The album moves seamlessly from soaring melodic heft to muscular metallic weight, with cinematic shades and atmosphere, all tied together by a driving, raw intensity. Tracks like “Dead,” “Ghost in Me,” “Children of Light (featuring Max Cavalera),” and “Afterglow”sound both timely and timeless. 

Pre-Order 'The End is Not the End' HERE

ATREYU recently announced a spring tour supporting Sevendust kicking off April 20th in Indianapolis, IN before concluding in Knoxville, TN on May 20th. For the full list of dates, please see below.

ATREYU Live:

4/15 - Milwaukee, WI @ The Rave^

4/17 - Des Moines, IA @ Wooly's^

4/18 - St. Louis, MO @ Delmar Hall^

4/20 - Indianapolis @ Egyptian Room at Old National Centre*

4/21 - Lexington, KY @ Manchester Music Hall*

4/22 - Birmingham, AL @ Iron City Bham*

4/24 - Mobile, AL @ Soul Kitchen Music Hall*

4/25 - Destin, FL @ Club LA*

4/27 - Corpus Christi, TX @ House Of Rock^

4/28 - Dallas, TX @ House of Blues*

4/29 - Oklahoma City, OK @ Diamond Ballroom*

5/1 - Denver, CO @ Summit*

5/2 - Albuquerque, NM @ Sunshine Theater*

5/4 - Wichita, KS @ The Cotillion*

5/5 - Springfield, MO @ Regency Live*

5/7 - Daytona Beach, FL @ Welcome to Rockville+

5/8 - Greensboro, NC @ Hangar 1819^

5/9 - North Myrtle Beach, SC @ House of Blues*

5/11 - Norfolk, VA @ The NorVa*

5/12 - Harrisburg, PA @ XL Live*

5/14 - McKees Rocks, PA @ Roxian Theatre*

5/15 - Columbus, OH @ Sonic Temple Art & Music Festival+

5/16 - Baltimore, MD @ Nevermore Hall*

5/17 - Asbury Park, NJ @ House of Independents^

5/19 - Charlotte, NC @ The Fillmore*

5/20 - Knoxville, TN @ The Mill & Mine*



*Supporting Sevendust

^Headlining

+Festival Appearance

ATREYU’s riffs, hooks, melodies, and relentless energy remain a driving force in heavy music, with over a billion streams worldwide and a fanbase that keeps growing. The Southern California band recently wrapped a triumphant co-headlining U.S. run and tore through massive festivals like Download, Hellfest, Welcome to Rockville, and Inkcarceration.

Since forming around the turn of the millennium, ATREYU have pushed well beyond their DIY roots—earning multiple RIAA Gold records, Top 20 Billboard 200 debuts, and spots on major film and video-game soundtracks. Their latest album, 'The Beautiful Dark of Life' (2023, Spinefarm), debuted in the Top 10 on Billboard’s Top Hard Rock Albums and has already racked up over 75 million streams, with singles like "Gone" and "Watch Me Burn" lighting up rock radio and flagship playlists like Spotify’s "Volume" and Apple Music’s "The Riff."

ATREYU are: 

Brandon Saller - Lead Vocals 

Dan Jacobs - Guitar 

Travis Miguel - Guitar

Porter McKnight - Bass/Vocals

Kyle Rosa - Drums

Yellowcard Recharge Their Hit Single "Bedroom Posters" With New Version Feat. Blippi

Continuing what has become the most unexpected and awesome collaboration of 2026, multi-platinum pop-punk royalty Yellowcard have joined forces with global children's education sensation Blippi to recharge and revamp their buzzing hit "Bedroom Posters" with a brand new duet version, out now via Better Noise.It's Yellowcard and Blippi's second track together, following "Go Go Go," and third recording of "Bedroom Posters."

Listen to "Bedroom Posters" (Feat. Blippi) here and watch the video below. 

This iteration of the track maintains the energy of the original, yet Blippi brings his own magic to the party. He has retrofitted the tune with a fresh and family-friendly perspective, flipping lyrics like "Tear down my bedroom posters" to "Look at my bedroom posters" and soaring with the band on a sky-high chant of "Airplanes and rollercoasters." Together, they also excitedly continue the "Year of Vehicles," extending the celebration of the vehicles kids dig the most — from race cars and monster trucks to excavators and everything in between.

It's the ultimate pop-punk anthem for the kids and mom and dad!

About the track, Yellowcard's Ryan Key said, "My favorite part about this process was handing over an instrumental version of 'Bedroom Posters' to the Blippi team and letting them completely re-write the lyrics. I had the idea that this feature could be perfect because of the concept of posters on kids' walls. I think they nailed it and this is hopefully going to inspire a generation of new little rockers!

Regarding the accompanying video, he states, "It was so fun to make. I think it pushed us all out of our comfort zones a little, and at this stage of our career, that usually leads to an amazing outcome. For me, as a first-time dad of a 2-year-old who is already showing signs of being very musical, I think this is going to be a really special way for him to connect with my music and see me doing what I love. I hope that energy is what other parents find when they are watching and listening to this with their kids."

Blippi said, "Music is one of my favorite ways to play and collaborate, so teaming up with my friends in Yellowcard was a blast! We turned 'Bedroom Posters' into a version that kids and families can sing, dance, and laugh along with. I can't wait for everyone to hear it!"

As mentioned, "Bedroom Posters" follows hot on the heels of Yellowcard's appearance on Blippi's "Go Go Go." The collab caught the attention of Billboard, praising how the track "introduces pop-punk to a new generation just in time for Yellowcard's comeback."

Yellowcard's "Bedroom Posters" has quietly emerged as a staple with millions of streams and views as well being the current radio single featuring Good Charlotte; it's landed at No. 5 on the Alternative Radio Charts. Beyond looks from Alternative Press Magazine, Rock Sound, and more, Consequence applauded how "the song finds Yellowcard singer Ryan Key trading vocals with Good Charlotte’sJoel Madden," while Rolling Stone put it best, "It’s the collaboration made in pop-punk dreams."

Meanwhile, Yellowcard are set to embark on their eagerly awaited headline run, "Up Up Down Down Tour," across the US. The stacked bill features special guests New Found Glory and Plain White T's. This run kicks on May 6 at Atlanta's Coca-Cola Roxy, visits major cities such as Chicago, Denver, San Francisco, Las Vegas, Nashville, and New York, and concludes on June 17 at Boston's Leader Bank Pavilion. 

All confirmed tour dates are below.

YELLOWCARD ON TOUR:
5/6 — Atlanta, GA — Coca-Cola Roxy
5/8 — Hollywood, FL — Hard Rock Live
5/13 — Sterling Heights, MI — Michigan Lottery Amphitheatre at Freedom Hill
5/16 — Chicago, IL — Salt Shed Outdoors
5/17 — Milwaukee, WI — Landmark Credit Union Live
5/20 — Denver, CO — JUNKYARD
5/21 — Sandy, UT — The Plaza at America First Field
5/23 — Bend, OR — Hayden Homes Amphitheater
5/24 — Woodinville, WA — Chateau Ste. Michelle
5/25 — Airway Heights, WA — BECU Live at Northern Quest
5/27 — San Francisco, CA — Bill Graham Civic Auditorium
5/28 — Stateline, NV — Tahoe Blue Event Center
5/30 — Las Vegas, NV — BleauLive Theater at Fontainebleau
5/31 — Santa Ana, CA — Observatory Festival Grounds
6/1 — Phoenix, AZ — Arizona Financial Theatre
6/4 — Houston, TX — 713 Music Hall
6/5 — Irving, TX — The Pavilion at Toyota Music Factory
6/6 — San Antonio, TX — Freeman Coliseum
6/8 — Nashville, TN — Ascend Amphitheater
6/9 — Charlotte, NC — Skyla Credit Union Amphitheatre
6/11 — New York, NY — SummerStage in Central Park
6/12 — Asbury Park, NJ — Stone Pony Summer Stage
6/15 — Moon Township, PA — UPMC Events Center
6/17 — Boston, MA — Leader Bank Pavilion

YELLOWCARD ARE:
William Ryan Key – Vocals/Guitar
Sean Mackin – Violin
Ryan Mendez – Guitar 
Josh Portman – Bass 

Swedish Rock Band MARYLANE Release New Single "Doreen" + Music Video ​

Following the successful release of their debut album Winners Write History in 2024, Swedish female-fronted rock newcomers MARYLANE return with their gripping new single “Doreen,” accompanied by an official music video. The track serves as the first video single from the band’s upcoming studio album, due out later this year.

With “Doreen,” MARYLANE continues to evolve—pushing beyond their earlier pop rock roots and stepping boldly into a darker, heavier, and more intense sound. The song captures the band’s growing identity as one of Sweden’s most exciting rising rock acts.

 

The music video for “Doreen” was created by renowned director Patric Ullaeus (Delain, Amaranthe, Dimmu Borgir, Arch Enemy, In Flames, Lacuna Coil), marking the band’s first collaboration with the celebrated producer.

 

“Doreen” is a powerful message of empowerment and resilience, and a reminder to always trust your heart.

 

All songs on the forthcoming album were written by MARYLANE and mixed and mastered by Andy La Rocque at Sonic Train Studios.

 

As MARYLANE gears up for their next chapter, “Doreen” sets the tone for what’s ahead—heavier, bolder, and more fearless than ever.

 

STREAM "Doreen"

https://music.suricatemusic.com/doreen

 

WATCH MARYLANE - "Doreen" Official Music Video Below: 

Once upon a time, nestled in a corner of the bustling city, there existed a magnificent amusement park named Marylane, which was operated by Marymaker the Clown. He was perceived by the public as both terrifying and captivating, and there were rumors that he possessed the ability to attract both light and darkness simultaneously, as if he were a master of duality. During the park's prime, one could hear the excited cheers of visitors from afar and the sound of carousels roaring under the summer sun. However, as the years went by, fewer and fewer people found the time to visit the amusement park, leaving Marymaker with a deep sense of abandonment.

 

The very thing that he had once been so passionate about now seemed to wither away and rely solely on artificial respiration. Filled with desperation, Marymaker embarked on a journey to find himself, only to encounter chaos and despair at every turn. One evening, while lost in his own thoughts, Marymaker overheard a group of people gathering on the Tivoli stage to compose music. There was one particular melody that caught his attention, as it exuded both sadness and hope. Intrigued, he felt compelled to venture out and discover the source of this captivating music. Could it be that the songs were about him?

 

Marylane is a swedish rockband formed in 2023 and draws inspiration from vintage sounds infusing them with a modern intimate touch. With their music they delve into the depths of the human experience exploring the paradoxial and existential questions that haunt our minds. Their sound is a harmonious blend of captivating melodies, groovy rythms, ephic choruses and introspective lyrics.

The single cover is painted by Annika Borglund.

For More Information Please Visit:

Official Website
Instagram

Facebook

TikTok

YouTube

Impure Wilhelmina Release New Single "Blanche réalité"

With "Blanche réalité," post-hardcore vets IMPURE WILHELMINA offer the second glimpse into Le sanglot, their upcoming new album and first entirely in French.

"Blanche réalité" (White Reality) maps a state of persistent, low-grade alienation: a person going through the motions of daily existence, disoriented at the center of a world from which all warmth has been subtracted. The song finds its biographical root in a winter hike Impure Wilhelmina vocalist and guitarist Michael Schindl took, during which he nearly lost himself in the fog. That real, physical experience of erasure sits at the core of the song's emotional logic, grounding an otherwise interior state in something concrete and felt.

                                        Watch the official music video for "Blanche réalité" Below:

Le Sanglot comes out May 22, 2026 on Season of Mist

Pre-order & pre-save

https://orcd.co/iwlesanglot

The video for "Blanche réalité" extends the song's territory rather than illustrating it. Shot entirely on location in fog-bound natural landscapes with no band performance, the video follows a solitary figure moving through mist-consumed fields and bare woodland without ever arriving anywhere. The palette is almost entirely de-saturated, with animals functioning as the visual counterpart to the lyrics: present, unreachable, moving through the fog with a purposefulness the human figure lacks. Only in the final seconds does color return, a handful of amber leaves around water, an image that offers no clear resolution.

Line-up:
Michael Schindl — Vocals, Guitar
Mario Togni — Drums
Sébastien Dutruel — Bass
Edouard Nicod — Guitar

Production Credits:
Recorded at Kitchen Studio, Geneva, Switzerland.
Produced, engineered & mixed by Yvan Bing at Kitchen Studio, except for track 9, recorded by Serge Morattel at Rec Studio.
Mastered by Magnus Lindberg at Redmount Studio, Stockholm, Sweden.

Recording Line-up:
Michael Schindl
Mario Togni
Sébastien Dutruel
Edouard Nicod

Guest Musician:
Marion Leclercq (Mütterlein) on the track 6, ‘Train Mort’.

Cover Art:
Giganto (http://giganto.ch/)

Photography:
Mehdi Benkler

  

Pre-order & pre-save

https://orcd.co/iwlesanglot

Available Formats:
CD Digipak

Digital Download

12” Vinyl Gatefold (Black)

12” Vinyl Gatefold (Transparent Violet)

Follow Impure Wilhelmina:
Bandcamp: https://impurewilhelmina.bandcamp.com/
Facebook: https://www.facebook.com/impurewilhelmina/
Instagram: https://www.instagram.com/impurewilhelmina/
Apple Music: https://music.apple.com/artist/impure-wilhelmina/299336044
Spotify: https://open.spotify.com/artist/29luUtCyre5DdAujrV8Pob
Tidal: https://tidal.com/artist/4178564
Deezer: https://www.deezer.com/artist/1309118

CONJURER REVEAL NEW LIVE VIDEO 'THE SEARING GLOW'

British metal heavy weights CONJURER have unveiled a new live video for 'The Searing Glow', recorded at their sold-out November 2025 London headline show at The Underworld.

Watch Below:

The band comment: "Headlining, let alone selling out, The Underworld was one of the last milestones we had left for this band. From seeing Yob level the place on September 8th 2014 and deciding that night that we had to make this band happen, it's been a long time coming. Naturally, we'd want to document the occasion so we enlisted our trusty videographer Joe Guppy to get some multicam footage and here it is: 'The Searing Glow', from our album Unself, live at The Underworld, London."

Catch CONJURER on tour in the UK, EU, and North America this year: 

UK
13/06/2026 Donington, UK @ Download Festival
22/08/2026 Bristol, UK @ ArcTanGent Festival

EU
14/05/2026  Alkmaar, NL @ Hal 25
15/05/2026 Leeuwarden, NL @ Neushoorn
16/05/2026 Brussels, BE @ La Botanique
17/05/2026 Tilburg, NL @ Little Devil
19/06/2026 Clisson, FR @ Hellfest
27/06/2026 Bourlon, FR @ Rock In Bourlon
08/08/2026 Josefov, CZ @ Brutal Assault

NORTH AMERICA w/ Sadness, Snooze, & Pains
05/22/2026  US   NY  New York City @ The Meadows
05/23/2026  US   ME Portland @ Geno's Rock Club
05/24/2026  US   MA Boston @ The Rockwell
05/26/2026  US   RI  Providence @ Alchemy
05/27/2026  CAN QC Montreal @ Cabaret Foufs
05/28/2026  CAN ON Ottawa @Dominion Tavern
05/29/2026  CAN ON Toronto @ Prepare The Ground
05/30/2026  US   OH Columbus @ Donatos Basement
05/31/2026  US   IL   Chicago @ Sleeping Village
06/01/2026  US   IN  Indianapolis @ Black Circle
06/02/2026  US   KY  Louisville @ Portal
06/03/2026  US   TN  Nashville @ DRKMTTR
06/04/2026  US   GA  Atlanta @ Boggs Social & Supply
06/05/2026  US   NC  Raleigh @ Chapel Of Bones
06/06/2026  US   MD  Baltimore @ Motown Ballroom

06/07/2026  US   PA   Philadelphia @ Kung Fu Necktie

Photo Credit: Matthieu Gill

CONJURER have evolved radically since the release of their debut album (Mire, 2018), and their second release (Páthos, 2022) saw them lauded among the most exciting British metal bands. Whilst award nominations and accolades accumulated, the four-piece band retained their very simple mission: to make heavy music and have fun whilst doing so. Preferring to use their spotlight to showcase technicality and musicality rather than centring politics or opinions, CONJURER lived in the moment and embraced everything that came their way.
  
Within the tumult of forging a renewed identity as a band, on Unself there is a more intense, more personal voyage of discovery unfurling for vocalist/guitarist Dani Nightingale. Diagnosed with autism at age 31, their long-held view of self, and perception of their place in the world began to unravel. Unself documents much of the piecing back together around the diagnosis, alongside the realisation they were non-binary. 
  
These vignettes of processing and self-actualisation take place against the backdrop of a society careening towards glassy-eyed capitalist dystopia; finding firm footing eludes many of us - and CONJURER delve headfirst into exploring these suffocating new societal parameters.
 
Within Unself's nine tracks, CONJURER deliver the writhing post-metal sound they’ve become known for, but have loosened their grip on the desire to fill every moment with sonic obliteration. Instead, they have leaned into utilising space, gifting listeners a little breathing room which serves to make the heavy elements feel all the more intense. 
  
A more direct, organic approach to songwriting was facilitated by the ever-strengthening bonds within the band, and the supportive environment created by producer Joe Clayton. Allowing themselves more time than with any previous recording experience, they committed to preproduction sessions, followed by an elongated recording period in order to do justice to the material they had crafted. Stripping back the excesses of previous outings to reveal their solid songwriting chops allowed for more clarity and more dynamics to shine through. To their ears, the mood, the core of the lyrical content and the music are more aligned than ever before. 
  
This record is the sound of four individuals living with more purpose and as a consequence creating with more purpose. Unself sees them reaching out to offer community, catharsis and connection. CONJURER remain true to their original mission - they’re still having fun, playing interesting heavy music - but now that music is imbued with the power that comes from opening themselves up to others, at first within the band, and now beyond.

Order Unself here: 
https://conjurer.bfan.link/unself

Conjurer are:
Brady Deeprose | guitars, vocals
Dani Nightingale | guitars, vocals
Conor Marshall | bass
Noah See | drums

Conjurer online:
https://www.facebook.com/conjureruk
https://x.com/ConjurerUK
https://www.instagram.com/conjureruk
https://www.conjureruk.com

Graphic Nature Announce Century Media Signing And Release New Single "Faceless" And Official Music Video

London quartet Graphic Nature have returned with new single, "Faceless", a feral slab of nu-metalcore, digging into identity, pressure and the urge to strip everything back. It leans into that raw, cathartic side of the band while keeping things direct and grounded. The release, the band’s first for new label home Century Media, lands just ahead of their one-off London headline show on April 30th. "Faceless" is a track to sit with when things feel a bit too real, or simply just to play loud and get out of your head for a minute.

“'Faceless' is the beginning of the new era of Graphic Nature,” states frontman Harvey Freeman. “We spent a lot of time working on what we wanted to get out of the new sound, our collective influences helped pave the way for what we've created. We are pleased to announce this single will be released via our new record label Century Media.”

Graphic Nature are fast becoming one of the most uncompromising voices in modern heavy music, fusing the grit of nu-metal with the weight and precision of contemporary metalcore. Since emerging with their debut album ‘A Mind Waiting To Die’ (2023) and its follow-up, ‘Who Are You When No One Is Watching?’ a year later, the band have built a reputation for crafting visceral, groove-driven tracks that channel frustration, identity and the pressure of modern life into something raw and immediate.

With a growing live presence and a string of increasingly confident releases behind them, Graphic Nature are stepping into their next chapter with purpose. Leaning further into heavier textures and sharper conceptual ideas, the band continue to refine a sound that feels both familiar and forward-thinking, positioning themselves as one of the UK’s most vital and confrontational new heavy acts. Stream "Faceless" here and watch the official music video below.

GRAPHIC NATURE is:

Harvey Freeman (vocal)

Pete Woolven (guitar)

Matas Michailovskis (guitar)

Jack Bowdery (drums)

Brazilian Rockers ELECTRIC MOB Share New Live Version of "4 letters" + Official Video

Brazilian rock trio ELECTRIC MOB are proud to share the new live version of "4 letters," taken from the upcoming digital deluxe edition of their sophomore album '2 Make U Cry & Dance,' set for release on July 10th via Frontiers Music Srl. The digital deluxe edition will feature the full studio release alongside six live tracks performed at Capital Moto Week 2024.

On the live version of "4 letters," the band shares:

"It’s a deep honest declaration of the reality of love. For someone, something or simply yourself. We often downplay or trivialize feelings like it’s nothing, and '4 letters' is a wake up call to love and to mean it."



Watch the Live Performance Video for "4 letters" Below:

Without hiding their classic rock influences and driven by a modern, restless vision, ELECTRIC MOB are unafraid to break away from clichés and push rock fans beyond their comfort zone.

Hailing from Curitiba, Brazil, the band burst onto the scene like a mad dog on the loose with their debut album 'DISCHARGE' (2020). Raw, unapologetic, and emotionally charged, the record broke through borders, surprising international audiences and carving out space on rock radio stations throughout the United States and Europe.

In January 2023, the band released their second album, '2 MAKE U CRY & DANCE,' earning positive reviews across multiple countries. This was followed by a Brazilian headlining tour through 12 cities in six different states. The momentum continued as ELECTRIC MOB joined forces with Project 46 for a nationwide run that expanded into Brazil’s Northeast.

Their live streak carried into 2024 and 2025 with a strong presence at major festivals, including Summer Breeze Brasil, now known as Bangers Open Air, where Billboard Brasil cited the band as “one of the most praised performances of the event.” Additional highlights include a main stage appearance at Capital Moto Week, which resulted in the live recording 'Live @ Capital Moto Week,' and performances at Porão do Rock (DF), Mundial Rock (SC), SBO Rock Fest (SP), and HackTown (MG).

On the upcoming deluxe release, vocalist Renan Zonta comments:

"We’re thrilled to release this super special edition of something we’re very proud of. The DLX version of our second album '2 Make U Cry & Dance' comes with kickass live and raw cuts, and it’s here to re-insure the power inside this beautiful cake. Give it an extra spin while we’re cooking a new one ⚡️😈"

Guitarist Ben Hur adds:

"We’ve always considered ourselves a band forged on stage. That’s where everything truly comes to life. In this deluxe release of our second album, we’re capturing a part of that energy and sharing it with fans who haven’t yet had the chance to experience it with us in person."

Pre-Save the '2 Make U Cry & Dance' Digital Deluxe Edition HERE

ELECTRIC MOB are:

Renan Zonta - Vocals

Ben Hur Auwarter - Guitar

Mateus Cestaro - Drums

Ho99o9 Release New Video for "Ok, I'm Reloaded"; EU/UK Summer Tour Announced

Ho99o9 continue their Tomorrow We Escape era with the release of another epic music video, this time for "OK, I’m Reloaded." The duo say, “We wanted to make a video for one of the meanest and unapologetic songs on the album, with the track paying homage to the movie Carlito’s Way & JAŸ-Z’s early albums. IYKYK.”

Having brought their incendiary live show back to the UK & Europe at the start of 2026, Ho99o9 have announced a second leg of their Tomorrow We Escape tour with a string of further dates this summer, around their already-announced and sure-to-be-epic festival appearances. See below for details; Tickets on sale now. For a taster of what’s in store, check out last year’s K! Pit performance.

Tomorrow We Escape, Ho99o9’s third album, was released recently via 999 Deathkult / Last Gang.  A true amalgamation of all the band’s influences—experimental hip-hop, digital hardcore, future-facing punk, metal, jarring industrial, and off-kilter electronics—the album is their most emotional offering to date, rooted in personal struggle and triumph. It exemplifies the outfit’s collaborative spirit, featuring Nova Twins, Chelsea Wolfe, Greg Puciato, MoRuf, Pink Siifu, and more. Trayer Tryon of avant darlings Hundred Waters (and with prod on recent breakthroughs - The Hellp, Sam Austins, 2Hollis, Alto Arc……) mixes and masters the album, further refining a new sonic landscape, harnessing the very best of the chaos that fans have come to know and love, with a fresh injection of new found melodies, space, and crystalline production.

The New Jersey-bred outfit made its way to Los Angeles over a decade ago. Surging and seething just below the surface, the pair broke through as an apocalyptically fascinating outlier with their 2017 full-length debut, United States of Horror. In the meantime, their infamous live shows became the stuff of legend as they packed houses on their own and shared stages with everyone from Slipknot, Korn, Alice in Chains, Rob Zombie, Ministry, and The Dillinger Escape Plan to Lil Uzi Vert, Denzel Curry, Cypress Hill, and Ghostface Killah. Earning the respect of an elite cohort of peers, popular collaborations placed them toe-to-toe with Corey Taylor of Slipknot, The Prodigy, JPEGMAFIA, Ghostemane, HEALTH, 3TEETH, and N8NOFACE, to name a few. Jack Black made an appearance in their KULT CABLE series while they guested on The Eric Andre Show. They’ve received further acclaim from The New York Times, NME, The Guardian, Kerrang!, Metal Hammer, The FADER, Revolver, and more. They stand out as the rare phenomenon that can decimate Hellfest and Aftershock Festival and captivate on A COLORS SHOW.

For more info on Ho99o9:

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FLESHCRAWL Sign to Distortion Music Group (DMG) - Powered by Reigning Phoenix Music, Unveil New Single "Blood Dominion"

The long-established German death metal ensemble FLESHCRAWL has signed a worldwide deal with Distortion Music Group (DMG) - Powered by Reigning Phoenix Music. The signing marks a new chapter as the band prepares to unveil their tenth studio album, Epitome of Carnage on June 12, 2026. FLESHCRAWL's obliterating new single "Blood Dominion" marks the first release under this collaboration, following a series of prior releases that saw select DMG roster artists issued via Reigning Phoenix Music.

On the single release, FLESHCRAWL comments: "Choosing 'Blood Dominion' as our first single is a statement. It is the ultimate teaser for what this album delivers: no mercy. It captures the very essence of FLESHCRAWL - fast, raw, and straight to the point. An uncompromising and pure reflection of what that band is about." The band continue, "We didn't want any long-winded intros or other stuff - we wanted to hit the ground running and go straight all in. From the second you put this on, you know exactly what’s coming: pure, rough chaos. That was always the plan."

"Blood Dominion" is unforgiving in its brutal nature. Striking ferociously with untamable rhythms, thunderous percussion and bloodthirsty vocals, "Blood Dominion" offers a thrilling display of unrestrained intensity that makes a clear statement. 

The long-awaited Epitome of Carnage is constructed on the foundation of an expansive career. FLESHCRAWL remain devoted to the death metal genre despite having encountered loss and change along the way. As the tenth full-length release, the new album stands as testament to FLESHCRAWL's unwavering creativity and drive. Arriving seven years after 2019's Into the Catacombs of Flesh, Epitome of Carnage reveals a renewed vigor and power that bleeds through the track list. 

Contained within Epitome of Carnage are twelve vicious onslaughts that showcase FLESHCRAWL's unimpeded speed and power. Materializing alongside demonstrations of inescapable heaviness, explosive riffs, and melodic touches amongst the shadows, they leave behind no survivors. 

Epitome of Carnage is set for release on June 12, 2026. Pre-order Epitome of Carnage here: https://fleshcrawl.rpm.link/epitomePR

FLESHCRAWL is: 
Bastian Herzog - Drums, Vocals
Manu Markowski - Bass
Apu Justin Reisch - Guitars
Christian Kalbrecht - Guitars
Borisz Sarafutgyinov - Vocals

FLESHCRAWL Online:
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Swedish Gothic Doom Entity DRACONIAN Drop "Misantrophe River" Video

Swedish gothic doom metal entity DRACONIAN reveal their new single, "Misantrophe River," the second offering cut from their upcoming full-length, In Somnolent Ruin, to be released on May 8 via Napalm Records. "Misantrophe River" confronts listeners in true DRACONIAN fashion with life's hardest questions, exploring feelings of alienation when swimming against the stream, and the search for direction in unfamiliar territory.

The undisputed leaders of the second wave of gothic doom metal are finally back — and they return in better shape than ever! In Somnolent Ruin promises to be one of the most personal records in DRACONIAN's discography, revealed through a dream-like journey across 9 tracks and the poetic lyricism of vocalist Anders Jacobsson. The new album also marks the return of long-time vocalist Lisa Johansson — the band's vocalist for their first five records. 

Ander Jacobsson about the new single:
"'Misanthrope River' was the first song written for this album. The initial idea goes back to the early days of Under a Godless Veil, but it remained dormant until work on this record began. It's an emotional gothic doom track- fairly minimalist, yet expansive in feel, with subtle touches that hint at post-metal and give the atmosphere a broader sense of depth. There's a suggestion of something ancient and mysterious running through it. Although interactive, at its core, the song deals with separation and isolation in a world where the larger truth has been kept from you and how those feelings slowly turn into resentment. You're pushing against the current wading upstream while doubting the way forward. In that struggle you'll be grasping at straws for any sense of peace while unintentionally shutting out the one closest to you. Shot in the Faroe Islands, the video places its actors within vast, striking landscapes. It was directed by Gaui H., the same director behind 'Cold Heavens.'"


Watch the official music video for "Misantrophe River" Below:

Pre-Order Your Copy of In Somnolent Ruin — NOW!

In Somnolent Ruin captures the essence of a band that no longer needs to prove anything — and yet still does. Active since the mid-1990s and having released their debut album, Where Lovers Mourn, in 2003, DRACONIAN have continuously demonstrated their unmatched ability to craft otherworldly doom melodies and searing heavy instrumentation, complemented by lyrics that read like poetry. Their art cuts deep, compelling listeners to confront their inner demons, wander through the darkest shadows, and even embrace emotional numbness, only to emerge with a sense of inner peace. This album confronts listeners with life's hardest questions, exploring feelings of alienation and the search for direction in unfamiliar territory.

In Somnolent Ruin’s journey begins with "I Welcome Thy Arrow," which captivates from the very first seconds through haunting melodies and a vocal interplay that embodies fragility and strength alike. Tracks such as "The Monochrome Blade" and "The Face of God" introduce increased tempo and eruptive vocal dynamics. "Anima" features Swedish artist Daniel Änghede, adding layers of emotional depth and confronting listeners with their darker impulses, capturing the sense of being lost and questioning one's place in the world. "Asteria Beneath the Tranquil Sea" serves as a transitional interlude between "I Gave You Wings" and "Cold Heavens", the latter exploring the delicate balance between life and death and not finding relief in any of both, while delivering the album's most intense vocal performance. "Misanthrope River" opens with an extended instrumental passage and narration by Simon Bibby, slowing the tempo but by no means reducing the emotional weight, reflecting life’s daily struggles and obstacles. The closing track, "Lethe," references the river of forgetfulness in Greek mythology. Those who drank from it would lose all memory. "Oh, shooting star… Drown in me! Drink. Forget. Repeat," mourns Jacobsson through devilish growls. And yet, In Somnolent Ruinremains a work of art one wishes not to forget — not a single blink of an eye.

DRACONIAN ARE:
Johan Ericson – Guitar, Vocals + Keys
Anders Jacobsson – Vocals
Lisa Johansson – Vocals
Daniel Arvidsson – Bass
Niklas Nord – Guitar
Daniel Johansson – Drums

The Ghoulstars Resurrect B-Horror on "Graverobbers from Outer Space"

Flying saucers, open graves, mind pollution, mushroom clouds and evil villains with a smile on their face. Meet The Ghoulstars, a fresh - and frightening blast from pop-culture’s past. Since beaming down onto their native haunt of Finland, this White Zombie-loving group of horror punks have captivated press and tantalized crowds without releasing a single bloody track. Until now! On their blockbuster debut album, The Dark Overlords of the Universe, no tome is too sacred for these ghouls to summon back to life!

“Fans of The Misfits, Wednesday 13, and White Zombie should swarm to this like freshly turned corpses sniffing out warm flesh”, Black Angel Promotion writes in an early review of The Dark Overlords of the Universe. “This isn’t Horror Punk done to death. This is Horror Punk resurrected - stitched together, jolted with lightning, and set loose on an unsuspected world”.

Pavillon666 howls in agreement. “This is a very strong debut for The Ghoulstars, sure to please fans of Misfits, White Zombie, or Murderdolls. If you enjoy music steeped in pop culture and horror films, grab this album and devour it like the vile creatures you are”.

Today, The Ghoulstars are thrilled to announce the second advance single from The Dark Overlords of the Universe. “Graverobbers from Outer Space” pays faithful homage to Ed Wood’s 1957 cult classic Plan 9 from Outer Space, but the band spin off a few spooky twists of their own.

“‘Graverobbers from Outer Space’ is one of my favorite songs on The Dark Overlords of the Universe”, The Ghoulstars guitarist Markus “Daddy Ghoul” Laakso says. “Horror movies are practically in my blood flow, especially quirky classics like Plan 9 from Outer Space. This song was written as a straightforward pile-driving tribute, though I can’t think of many punk rock songs that have a doomy C-part and güiro”.

Watch the fun and frightful music video for “Graverobbers from Outer Space” below:

The Dark Overlords of the Universe comes out May 15, 2026 on Season of Mist.

Pre-order & Pre-save

https://orcd.co/theghoulstarsdarkoverlords

Despite their ghostly appearance, The Ghoulstars are a collection of real talent. The band features an all-star cast of current and former members of death-doom royalty and Season of Mist labelmates Hooded Menace, stoner rockers Thermate and Finland’s Top Ten charting Kuolemanlaakso.

What bands these ghouls together on “Graverobbers from Outer Space” is their morbid fascination with classic cult cinema. Filmed in grainy black and white after Ed Wood’s own heart, the song’s music video leaps off the screen. Fellow horror aficionados will spot plenty of Easter eggs: Beetlejuice’s threads, the dashing and deadly Vampira, a flying saucer cited from a thinly veiled piece of string. The song’s infectious chorus will have even the crustiest of old metalheads barking at the moon. But it’s the dark and doomy riffs, followed by a mysterious presence of güiro, that add a delightfully unexpected twist to this monstrously catchy mash-up.  

“The Dark Overlords of the Universe is a love letter to everything that blew our minds as kids”, Laakso says. “The album is loaded with huge riffs, big choruses, surprising curve balls and Easter eggs from old horror, sci-fi and coming-of-age movies. Holding it all together is our sheer joy in watching all the pieces fall into the right place.

The video for “Graverobbers from Outer Space” was directed, filmed and edited by Toni Hiltunen.

Additional video credits

An Anti-Teatteri Production

Written by Toni Hiltunen and Markus Laakso

Set design by Sami Kokkonen

Lighting and UFO by Toni Hiltunen

Starring Emilia Matilainen, Sami Kokkonen, Kalle-Pekka Salmela & The Ghoulstars  

The Ghoulstars may be undead, but there’s nothing pale or lifeless about The Dark Overlords of the Universe. The title track crosses surf beats, heavy riffing and a hair-raising transition into a chorus that’s absolutely to die for. “We can’t wait to unleash this delightful horror upon the world”, Laakso says with an ominous glint in his bloodshot eye. “As V. Santura told me: ‘The record is unique, catchy and a really fun listen’”.        

With The Dark Overlords of the Universe, The Ghoulstars direct a monstrously catchy mash-up between metal, punk and B-horror.

Lineup
Markus "Daddy Ghoul" Laakso - Guitars
Toni "Ghoulio" Ronkainen - Drums
Arthur "LL Ghoul A" Thure - Vocals
Markus "Hella Ghoul" Makkonen - Bass

Guest musicians
Mathias "Vreth" Lillmåns (...and Oceans, Finntrol) - Backing Growls
Tommi "Tuple" Salmela (Tarot, Raskasta Joulua, Lazy Bones) - Backing Vocals on "The Dark Overlords of the Universe")

Production credits
Produced by Markus Laakso
Guitars recorded by Markus Laakso and Erkka Närhi
Vocals recorded by Markus Laakso and Mathias "Vreth" Lillmåns
Drums recorded by Erkka Närhi
Bass recorded by Samu Männikkö and Markus Laakso
Percussion recorded by Markus Laakso
Mixed & Mastered by V. Santura at Woodshed Studio in Germany

Cover art

Niko Anttila


Pre-order & Pre-save
https://orcd.co/theghoulstarsdarkoverlords

Available formats
Digital Download
CD Digipack
12" Vinyl Gatefold (Black)
12" Colored Vinyl Gatefold (Yellow, red and white marbled)

Booking info

info@theghoulstars.com

Follow The Ghoulstars
Official website: http://www.theghoulstars.com
Bandcamp: https://theghoulstars.bandcamp.com

Spotify: https://open.spotify.com/artist/2Pr3ThFZK0tnUDqDSlMuBX

Apple Music: https://music.apple.com/us/artist/the-ghoulstars/1872811142

YouTube: https://www.youtube.com/@TheGhoulstars

Instagram: https://www.instagram.com/theghoulstars/
Facebook: https://www.facebook.com/theghoulstars/

ROB ZOMBIE DELIVERS GRITTY VIDEO FOR 'THE BLACK SCORPION'

Rock and metal icon ROB ZOMBIE has unveiled the music video for his latest single, “The Black Scorpion,” taken from his acclaimed new album, The Great Satan. Bathed in eerie green light, Zombie and his crew rip through the blistering punk-metal track, which clocks in at under two minutes.

“The Black Scorpion,” along with recent standouts “F.T.W. 84,” “(I’m a) Rock ’N’ Roller,” “Heathen Days,” and “Punks And Demons,” marks ROB ZOMBIE’s return to the forefront of heavy music, further solidifying his already legendary status.

Across more than four decades, Zombie has cemented himself as a singular cultural force. Fusing avant-garde aesthetics with monstrous, groove-driven rock, his work has consistently defied convention. With The Great Satan, Zombie extends that legacy, delivering one of the boldest and most fully realized records of his career.

Purchase/Stream The Great Satan: https://robzombie.bfan.link/the-great-satan

ROB ZOMBIE will embark on a Summer 2026 co-headline tour with labelmate MARILYN MANSON in August with support from THE HU and ORGY. Tickets and VIP packages onsale now at https://www.robzombie.com/tour

ROB ZOMBIE (w/MARILYN MANSON) Tour Dates:

8/20 - West Palm Beach, FL - iTHINK Financial Amphitheatre^+

8/21 - Tampa, FL - MIDFLORIDA Credit Union Amphitheatre^+

8/23 - Alpharetta, GA - Ameris Bank Amphitheatre^+

8/24 - Charlotte, NC - Truliant Amphitheater^+

8/26 - Holmdel, NJ - PNC Bank Arts Center^+

8/27 - Mansfield, MA - Xfinity Center^+

8/29 - Burgettstown, PA - The Pavilion at Star Lake^+

8/30 - Darien Center, NY - Darien Lake Amphitheater^+

9/01 - Toronto, ON - RBC Amphitheatre^+

9/02 - Cuyahoga Falls, OH - Blossom Music Center^+

9/04 - Clarkston, MI - Pine Knob Music Theatre^+

9/05 - Tinley Park, IL - Credit Union 1 Amphitheatre^+

9/06 - Noblesville, IN - Ruoff Music Center^+

9/09 - St. Louis, MO - Hollywood Casino Amphitheater^+

9/10 - Kansas City, MO - Morton Amphitheater^+

9/12 - Greenwood Village, CO - Fiddler’s Green Amphitheatre^+

9/14 - West Valley City, UT - Utah First Credit Union Amphitheatre^+

9/16 - Airway Heights, WA - BECU Live at Northern Quest+

9/17 - Auburn, WA - White River Amphitheatre^+

9/18 - Ridgefield, WA - Cascades Amphitheater^+

9/20 - Concord, CA - Toyota Pavilion at Concord^+

^With The Hu

+With Orgy

DUNCAN EVANS AND THE WEEPING STARLIGHT Present New Single "Deathless"

"Deathless" is the latest single from DUNCAN EVANS AND THE WEEPING STARLIGHT. An honest and open offering inspired by Evans' lived experience with mental health struggles, the track is taken from the forthcoming new album, The World is a War Zone, due September 18, 2026 via Widowbird Records.

Journeying through soundscapes and metaphors of encroaching storm clouds, floods of rainfall and lightning strikes, this intimate track explores the enduring battle and following upheaval when attempting to readjust to life post-diagnosis. "Deathless" confronts the life-reframing reality of mental illness and the want to experience life to the fullest. 

Constructed around a melancholic guitar ostinato, the track's instrumental layers steadily build joined by warm organ textures and an increasing rhythmic presence driven by percussion. The arrangement of "Deathless" leads into a memorable chorus with heightened emotive power across the instruments and lyrics as the storm gathers more intently. Across each verse, the intensity lightens briefly, providing a few moments to breathe before the atmosphere darkens once again.

The World is a War Zone marks the first full-length release under the name DUNCAN EVANS AND THE WEEPING STARLIGHT. Formed in 2022 to reflect the emergence of a committed three-piece lineup, the band channels intense post-punk dynamics through the dark and primal undercurrents of folk music. Across nine tracks and 45 minutes, the album explores faith, psychological upheaval, suffering and renewal, navigating the internal battlefields that shape modern existence while holding fast to the possibility of redemption.

DUNCAN EVANS AND THE WEEPING STARLIGHT is:
 

  • Duncan Evans – vocals, guitars, synths, software instruments

  • Ol Jessop – bass guitar

  • Kev Reid – drums


Connect with DUNCAN EVANS AND THE WEEPING STARLIGHT:

Official Website: https://www.duncanevans-music.co.uk/
Bandcamp: https://duncan-evans.bandcamp.com/
E-Shop: https://www.duncanevans-music.co.uk/shop/
Facebook: https://www.facebook.com/duncanevansmusic
Instagram: https://www.instagram.com/duncanevansmusic
Twitter/X: https://www.x.com/devansmusic

XCOMM Announce Debut Album 'Time To Burn' Out May 22 via Blowed Out Records; Drop New Single "Borrowed Happiness"

Venice Beach hardcore unit XCOMM announce their debut album Time To Burn, due Friday, May 22 via Blowed Out Records, and share new single and music video "Borrowed Happiness" today. Watch Below. Stream HERE.

Produced by Ross Robinson (Korn, The Cure, Slipknot, Glassjaw, At The Drive In), Time To Burn is the full statement that previous singles - "Reasons," "Fake ID," and "Hot Pursuit / One And Nothing" have been pointing toward since XCOMM first broke cover in September 2025. In the months since, "Fake ID" surpassed 2.5 million views, the band opened for the Foo Fighters at a sold-out Kia Forum charity show, they earned a spot on the prestigious NME 100 of 2026, and built a following of nearly 80,000 Instagram followers in a matter of weeks.

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Speaking on the making of Time To Burn, drummer Revel Ian shares:

"Ross Robinson transformed us into musical weapons that will blow your head off when you play our record."

Frontman Michael Gatto adds:

"I'll forever be grateful for having the opportunity to record this album, the whole process from tracking to mixing was truly incredible. Borrowed Happiness is one of my favorite tracks on the record, shooting the music videos with Darren and all the dudes in the van was super cool and I love when we play this one live."

Producer Ross Robinson says:

“Nothing brings me more satisfaction as a producer than sharing that undeniable life force of untainted expression…XCOMM, being the youngest band I’ve ever worked with, I had to nickname the studio sessions as “daycare.” It was so fun and alive throughout the whole process. Made me realize on another level how important the pulse of youth truly is.”

The release arrives with XCOMM's live presence already in full swing. Fresh off opening for the Foo Fighters at a sold-out Kia Forum charity show in January and an appearance at the 3rd Anniversary Parking Lot Show at The Punk Rock Museum in Las Vegas alongside Spike and the Gimme Gimmes, Kate Clover, The Whops, and River Ratts, the band head to Pacific Electric in Los Angeles on April 11th for California Chaos Festival alongside Militarie Gun, Stateside, Grave Secrets, Blossom, Jawdropped and Star 99, before joining Warped Tour 2026 in Washington D.C. on June 13th and 14th and Long Beach, CA on July 25th and 26th.

XCOMM 2026 Live Dates

April 11, 2026 -- Los Angeles, CA -- Pacific Electric (California Chaos Festival)

June 13 and 14, 2026 -- Washington, D.C. -- Warped Tour

July 25 and 26, 2026 -- Long Beach, CA -- Warped Tour

Time To Burn is out Friday, May 22 via Blowed Out Records. Pre-order HERE.

ABOUT XCOMM

XCOMM are a ferocious hardcore punk band from Venice Beach, fusing old-school intensity with a modern sense of chaos and clarity. Formed in 2023, the band features frontman Michael Gatto, bassist Adan Escoto, drummer Revel Ian, and DJ/sampler Hunter Grogan.

Signed to Blowed Out Records, XCOMM recorded their upcoming debut album Time To Burn with the legendary Ross Robinson producing. Early singles “Reasons,” “Fake ID,” and “Hot Pursuit / One And Nothing” showcase their ability to bottle frustration, urgency, and sharp self-awareness into precise, pummeling anthems. “Fake ID” alone has amassed over 2.5 million views across all platforms, helping propel the band to nearly 80,000 Instagram followers in just a few short weeks.

XCOMM kicked off 2026 supporting the Foo Fighters at the Kia Forum in Los Angeles and were named in the prestigious NME 100 of 2026. In 2025, they shared a stage with Down at Milwaukee Metal Fest, earned heavy rotation on SiriusXM’s Liquid Metal and Faction Punk. They will appear at both Warped Tour 2026, 3rd Anniversary of The Punk Rock Museum in Las Vegas and California Chaos Festival at Pacific Electric in Los Angeles.

XCOMM are:

Michael Gatto – Vocals/Guitar

Revel Ian – Drums

Adan Escoto – Bass

Hunter Grogan – DJ

Sneaker Pimps' Ian Pickering shares 'Commercial Road', previewing The Noise Who Runs' new 'RE: GEN X' album

UK alt-pop artist The Noise Who Runs presents 'Commercial Road', previewing the 'RE: GEN X' album, forthcoming via TNWR Records. A stark and confrontational snapshot of moral paralysis in an age that mistakes spectacle for substance, this song is set against the symbolic backdrop of a real street that becomes a metaphor for transaction, decay and quiet complicity. The song dissects a world where everything is for sale — bodies, truths, and even outrage itself.

The opening lines immediately establish a tone of uncomfortable intimacy, pulling the listener into scenes of exploitation and denial. Relationships are reframed as exchanges, identity as something eroded — whether through commodification (“trades promises for money”) or chemical numbness (“lithium disfigures what vanity implodes”). These are not just personal tragedies; they are symptoms of a broader cultural sickness, where the pursuit of profit renders the individual expendable, turning institutional failure into a practiced, daily routine.

The Noise Who Runs is songwriter, vocalist and multi-instrumentalist Ian Pickering, known for his work with Sneaker Pimps and Front Line Assembly. Native to Hartlepool in the north-east of England, Pickering co-authored such Sneaker Pimps hits as 'Spin Spin Sugar', '6 Underground' and 'Tesko Suicide'. In 2019, he launched this project, three years after relocating to Lille, France.

“Commercial Road is not a protest song in the traditional sense, it does have a kind of pre-'Out of Time' R.E.M. thing about it, even a Dylanesque aspect but it doesn’t offer solutions or slogans. Instead, it holds up a mirror: cold, unsentimental, and accusatory. It asks what we tolerate, what we ignore, and what we quietly become as a result. In a culture addicted to noise, it’s maybe a reminder that the real danger isn’t the fire — it’s the absence of it where it counts,” says Ian Pickering.

Earlier, The Noise Who Runs shared the timely anti-war song 'The Bodies Are Under The Bus Again' and the lead track, 'Bang Bang'. Capturing the psychic exhaustion of life lived inside permanent crisis mode, this is a song about running on empty — physically, emotionally, politically — where outrage replaces thought and reaction substitutes for responsibility.

The Noise Who Runs' new offerings follow the 2024 EP ‘Come and Join the Beautiful Army’ and the 2023 debut album ‘Preteretrospective’, both released to rave reviews and airplay in more than 60 countries. As with those, the new record was mixed and mastered by Colin C at The Cell Studio.

'RE: GEN X' is both a reckoning and a reply — a response from within a generation that inherited progress, equality, and expanding liberty, but failed to defend them when they came under threat. Framed by the cultural optimism of late-1980s youth and the 1990s second summer of love, the album questions how a generation defined by scepticism, freedom, and possibility became comfortable with inaction as those gains were slowly dismantled and how scepticism hardened into detachment, irony replaced action, and silence came to feel like neutrality. Rather than nostalgia, it offers a critique of passivity: what happens when a generation knows better, but does nothing.

On RE: GENX, Pickering documents a civilization caught in a downward spiral of its own making. The album frames systemic greed, perpetual warfare, and the erosion of human dignity not as anomalies, but as the foundational mechanics of a world engineered for its own ruin. It serves as a cold assessment of a society fueled by the interests of the elite, leaving behind a singular, urgent uncertainty: whether a collective realization of this decay can actually dismantle the structures of power or if the momentum of destruction has become unstoppable.

On April 8, 'Commercial Road' is available from fine music platforms, including Spotify, Apple Music and Bandcamp. On May 8, the "RE: GEN X" album will be released via TNWR Records.

CREDITS
Music & lyrics written by Ian Pickering
Performed by The Noise Who Runs
Recorded, engineered & produced by The Noise Who Runs
Additional production by Colin Cameron at The Cell Studios
Mixed & mastered by Colin C. at The Cell Studio 
Video by Ian Pickering
Cover artwork and layout by Ian Pickering
Artist photos by Lucie Logier 
Publicity by Shameless Promotion PR


Keep up with The Noise Who Runs
Website | Bandcamp | Facebook | Instagram | Twitter | Soundcloud | YouTube | Spotify | Apple Music | Press contact

Keep up with Shameless Promotion PR
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Bodysnatcher Release New Single "Plague Of Flies" And Official Music Video via MNRK Heavy

South Florida deathcore mainstays Bodysnatcher have unleashed their latest rager "Plague Of Flies" and the official video (via MNRK Heavy). The track is taken from their soon-to-be-released new album 'Hell Is Here, Hell Is Home', out this Friday, April 10. 'Hell Is Here, Hell Is Home' will be the band's fourth full-length and newest body of work since 2024's 'Vile Conduct', and promises to be their most furious and bloodthirsty work yet. Leading up to today, the quartet has released "Blade Between The Teeth", "The Maker", and most recently, "Violent Obsession". Speaking about "Plague Of Flies", guitarist Kyle Carter commented:

"To me, "Plague of Flies" is about giving in to the negativity and pain that the world brings, and becoming numb to the point where you welcome it and even add to it. This is one of the more exaggerated topics of the album. I don’t live in this headspace constantly, but there are times when I just want to say “fuck it, everyone else is an asshole, so I should be too.”  

'Hell Is Here, Hell Is Home' is available now for pre-order at the link here. Watch the "Plague Of Flies" official video below, and stream the track here.

After having wrapped up their first UK/EU headliner, Bodysnatcher will next embark on the Chaos & Carnage 2026 tour across the US starting in May alongside Thy Art Is Murder, Carnifex, 200 Stab Wounds, Ingested, Gates To Hell and Bodybox. The band will also be bringing the heat at Welcome To Rockville and Sonic Temple next month, as well as at Louder Than Life and Aftershock this fall. Be sure to get your tickets while you can at the link here.

Chaos & Carnage 2026 Dates:

May 2 - Phoenix, AZ @ The Van Buren

May 3 - Albuquerque, NM @ The Historic El Rey Theater

May 5 - San Antonio, TX @ Vibes Event Center

May 6 - Houston, TX @ House of Blues Houston

May 8 - Nashville, TN @ Brooklyn Bowl

May 10 - Daytona Beach, FL @ Welcome To Rockville 2026*

May 12 - Charlotte, NC @ The Fillmore

May 13 - Baltimore, MD @ Nevermore Hall

May 14 - Columbus, OH @ Sonic Temple 2026*

May 15 - Reading, PA @ Reverb

May 16 - Worcester, MA @ Palladium

May 17 - Brooklyn, NY @ Brooklyn Monarch

May 19 - Chicago, IL @ Ramova Theater

May 20 - West Des Moines, IA @ Val Air Ballroom

May 22 - Denver, CO @ Ogden Theatre

May 23 - Salt Lake City, UT @ The Complex

May 24 - Boise, ID @ Treefort Music Hall

May 26 - Seattle, WA @ Showbox

May 27 - Portland, OR @ Roseland Theatre

May 29 - Berkeley, CA @ The UC Theatre

May 30 - Los Angeles, CA @ The Wiltern

May 31 - Las Vegas, NV @ House of Blues Las Vegas

Louder Than Life:

Sep 19 - Louisville, KY @ Kentucky Expo Center*

Aftershock:

Oct 2 - Sacramento, CA @ Discovery Park*

*Festival Date

Lord Of The Lost Release New Single + Final Video "The Days Of Our Live" | Album Trilogy Finale "OPVS NOIR Vol. 3" Out 4/10

LORD OF THE LOST show their emotional side and present the final video of the OPVS NOIR trilogy with the music video for their single "The Days Of Our Lives," unveiled today. With the release of OPVS NOIR Vol. 3 this Friday, April 10, the band concludes the album trilogy that began in the summer of 2025. "The Days Of Our Lives" is a soulful and seemingly hopeless ballad, situated somewhere between a soundtrack and cold electronica, and, as the closing track, serves as the curtain call for the entire work.
 
With nearly half a million listeners on Spotify, their appearance at the Eurovision final in 2023, followed by a number-one album and international tours with Iron Maiden, LORD OF THE LOST are proving themselves to be one of the most exciting and successful acts on the scene right now. OPVS NOIR Vol. 3 represents the creative peak of a band whose repertoire leaves no room for stagnation. The year started with shows in the USA, Canada, and Australia, and now continues with a headline run across Europe. All tour dates are noted below.

Watch the official music video for "The Days Of Our Lives" Below:

The most out-of-the-box of the full album trilogy, OPVS NOIR Vol. 3, the third and final chapter of LORD OF THE LOST's latest journey, sees the six-piece close this era on a fulminant high note, intertwining heavy guitars and dark electronica with compassionate messages and cinematic orchestrations. It continues to push the band’s unpredictable path without settling for the familiar. Rounding off this impressive work, the album takes listeners by the hand and guides them through their darkest paths.

Get your copy of OPVS NOIR Vol. 3 NOW — first formats are already sold out!

Following the captivating BLOOD & GLITTER, which brought them to the grand final of the Eurovision Song Contest 2023 and a #1 chart entry in their native Germany to go along with it, LORD OF THE LOST once again demonstrate their unmatched diversity on OPVS NOIR Vol. 3. Initiated by beautiful cello melodies, "Kill The Lights" is an overture like no other, setting a dark mood, but also unafraid to switch it up to make room for catchy and reassuring "I'm A Diamond." Stomping "I Hate People" invites horror punk icon WEDNESDAY 13 to an industrial duet about equality, after which gentle "The Shadows Within" hits twice as hard with its symphonic arrangement.

Next, Chris Harms and parting KISSIN’ DYNAMITE frontman Hannes Braun deliver "La Vie Est Hell," before going back to "Square One." "When Did The Love Break?" is a heartfelt song of lost love – the addition of whimsical vocals by Ambre Vourvahis of XANDRIA drives the emotions of this universal topic right home. After "Your Love Is Colder Than Death," LORD OF THE LOST team up with Damien Edwards of British glam rock band CATS IN SPACE for the captivating duet "Take Me Far Away", before the album closes with a ballad, "The Days Of Our Lives" – the sweeping track simultaneously being the closest LORD OF THE LOST have ever been to a cinematic soundtrack. The happy ending is skipped, almost making it sound like a goodbye…
 
OPVS NOIR Vol. 3: the trilogy is finally concluded.

LORD OF THE LOST ARE:
Chris Harms – Gesang, Gitarre
Pi Stoffers – Gitarre
Benjamin "Benji" Mundigler – Gitarre, Synths
Klaas Helmecke – Bass
Gerrit Heinemann – Piano, Synths, Percussion
Niklas Kahl – Schlagzeug

REVERYA Unveils Haunting New Single “Lost," A Modern, Ethereal Descent into Emotional Undertow

Emerging progressive act REVERYA returns with their newest single, “Lost,” a sweeping and emotionally immersive track that blends modern progressive composition with an ethereal sonic atmosphere. The song captures the feeling of surrendering to forces beyond control, whether love, memory, or the tides of one's own mind.

Built on dynamic shifts and layered textures, “Lost” moves fluidly between introspective calm and crushing intensity. REVERYA crafts a soundscape that mirrors the ocean imagery threaded through the lyrics. Calm surfaces give way to powerful currents beneath, creating a track that feels both intimate and cinematic while balancing vulnerability with explosive momentum.

At its core, “Lost” explores the pull between self preservation and emotional surrender. The lyrics evoke a haunting push and pull between staying near the surface and feeling irresistibly drawn into deeper waters. Lines such as “Dive deep into the sea as the waves crash down to seduce me” and “Drag me down and leave me to drown in a love to get lost in” embody the song’s central theme, the allure and danger of losing oneself in something consuming.

Musically, REVERYA leans into progressive sensibilities through expansive arrangements, evolving rhythms, and atmospheric layers that unfold gradually before crashing into moments of catharsis. The track’s dynamic composition reinforces its emotional arc, shifting from delicate tension to powerful release.

With “Lost,” REVERYA continues carving out a distinct identity within the modern progressive landscape, one where ethereal ambience and emotional intensity coexist in powerful contrast.

Norwegian Black Metal Titans DIMMU BORGIR, SATYRICON + ENSLAVED Unite for Historic Halloween Arena Show

On October 31, black metal history will be written in Oslo (NO). For one night only, three of Norway’s most influential and globally revered bands – Dimmu Borgir, Satyricon and Enslaved – will unite at Oslo Spektrum for a landmark event set to become the biggest black metal show ever staged on Norwegian soil. Tickets go on sale this Friday, April 10, 10:00 CEST at THIS LOCATION.

Few genres have had the global cultural impact of Norwegian black metal – and today, its dominance is undeniable. From headlining Europe’s premier festivals to selling out venues worldwide, Norwegian acts continue to define and push the genre forward. UNHOLY HALLOWEEN brings together three of its most pioneering forces for an exclusive, once-in-a-generation celebration of the scene’s past, present and future.

Each band arrives at this moment at the height of its powers. Dimmu Borgir recently headlined Tons of Rock, Satyricon has sold out the Oslo Opera House and delivered a critically acclaimed commission for the Munch Museum, while Enslaved continues to redefine the genre – earning multiple Norwegian Grammy Awards for their groundbreaking work.

For Dimmu Borgir, the night also marks a long-awaited homecoming. It has been 15 years since their last headline show in Oslo – a landmark performance with the Norwegian Radio Orchestra at the very same venue.

“We’re releasing our new album 'Grand Serpent Rising' this spring, followed by extensive touring across Europe and other markets. By the time we return to Norway, we’ll be ready to deliver something truly massive. Since it’s been so long since our last headline show at home, we’re going all in. This will be the biggest Dimmu Borgir production to date,” says DIMMU BORGIR vocalist Shagrath.

“It’s been over 20 years since I first explored the idea of bringing together some of the giants of Norwegian black metal on the biggest stages in Europe. We never made it happen back then. Now, two decades later, it’s finally becoming a reality – and on a scale beyond anything we imagined. This will be our Super Bowl,” says SATYRICON's Sigurd Wongraven.

“We are very excited about being invited to be part of this massive endeavour; which will celebrate the leading edge of Norwegian Metal on the appropriate scale! We will bring our best game as always… and then some!" comments ENSLAVED's Ivar Bjørnson.

DIMMU BORGIR guitarist Silenoz (Sven Atle Kopperud) emphasizes the broader significance of the event:

“This is more than a concert – it’s a statement. A celebration of a culture we’ve helped build over decades. Sharing the stage at Oslo Spektrum with bands that have been part of that same journey feels both powerful and necessary.”

DIMMU BORGIR will be releasing its new full-length, 'Grand Serpent Rising,' on May 22 via Nuclear Blast Records. The band has recently commemorated the upcoming opus with an official music video for the first single, "Ulvgjeld & Blodsodel," which can be found Below.

In addition, DIMMU BORGIR will be co-headlining the "In League with Satan" tour with BEHEMOTH in October 2026 with support from DARK FUNERAL. The full itinerary can be found below while tickets are available HERE.