AGNOSTIC FRONT (Featuring Darryl "DMC" McDaniels) Release New Single, "Matter Of Life & Death"

New York City offers a world of collisions of cultures, sounds, and attitudes; and the latest scorching offering from the city’s underground veins proves that this legacy lives on. Hardcore legends AGNOSTIC FRONT have teamed up with Darryl “DMC” McDaniels of RUN-DMC for a new single and music video, “Matter Of Life & Death” to reignite the flames of New York hardcore.

On "Matter Of Life & Death", AGNOSTIC FRONT and DMC prove that they have far more to offer than mere nostalgia. In a refreshingly modern take on genre-blending, the single charges into a snarling street fight between hardcore punk and old-school hip-hop swagger. Blasting out with razor-sharp riffs, thunderous beats, and DMC’s unmistakable cadence, the music hits harder than a Queens-bound freight train. Producer and New York Hardcore stalwart Mike Dijan keeps the sound raw and relentless, while director Blake Farber turns the video into a non-stop adrenaline reel. With mosh pits meeting boom boxes, fists in the air, and sweat flying off the walls, it's New York grit distilled into less than 3 minutes of pure energy.

In an era of overproduced and predictable genre mash-ups, “Matter of Life & Death” feels alive, dangerous, and necessary. AGNOSTIC FRONT and DMC are the perfect unlikely pairing: two giants from different musical worlds finding common ground in aggression, defiance, and their New York roots. 

And this is just the 2nd shot fired, leading into AGNOSTIC FRONT's highly-anticipated upcoming album, Echoes in Eternity, dropping November 7th. If you needed a reminder that the spirit of crossover still has teeth, this is it.

Watch the video Below.

Stream "Matter Of Life & Death" here: https://agnosticfront.rpm.link/moldPR 

Catch AGNOSTIC FRONT on tour:

EAST MEETS WEST TOUR DATES
Oct. 15 Denver, CO @ The Oriental Theater 
Oct. 16 Salt Lake City, UT @ Metro Music Hall 
Oct. 17 Boise, ID @ The Shredder  
Oct. 18 Portland, OR @ Hawthorne Theatre  
Oct. 19 Seattle, WA @ El Corazon  
Oct. 21 San Jose, CA @ The Ritz 
Oct. 22 Sacramento, CA @ Goldfield Trading Post 
Oct. 23 Berkeley, CA @ Cornerstone Berkeley
Oct. 24 Ventura, CA @ Ventura Music Hall 
Oct. 25 Pomona, CA @ The Glass House 
Oct. 26 Las Vegas, NV @ Swan Dive 
Oct. 28 Tucson, AZ @ The Rock 
Oct. 29 Mesa, AZ @ The Nile Theater 
Oct. 30 Palmdale, CA @ Transplants Brewery 
Nov. 01 San Diego, CA @ House of Blues
Nov. 02 Garden Grove, CA @ Garden Amp 

East Coast American Tour 2025
Dec. 4 Cambridge, MA @ The Middle East
Dec. 5 Atlantic City, NJ @ Anchor Rock Club
Dec. 6 NYC, NY @ Irving Plaza
Dec. 9 Richmond, VA @ The Canal Club
Dec. 10 Columbia, SC @ New Brookland Tavern
Dec. 11 Atlanta, GA @ The Masquerade (Hell)
Dec. 12 Melbourne, FL @ Pineapples (Moon Room)
Dec. 13 Miami, FL @ Gramps
Dec. 14 Tampa, FL @ The Orpheum
Dec. 15 Jacksonville, FL @ The Albatross
Dec. 16 Greenville, SC @ Radio Room
Dec. 17 Wilmington, NC @ Reggie’s 42nd Street Tavern
Dec. 18 Raleigh, NC @ The Pour House
Dec. 19 Lynchburg, VA @ Super Rad Arcade
Dec. 20 Altoona, PA @ McGarvey’s Bar & Grill
Dec. 21 Allentown, PA @ Archer Music Hall (Arrow)

About AGNOSTIC FRONT:
Founded in 1982, AGNOSTIC FRONT stand among the most esteemed pioneers of the hardcore genre. No band comes close in sonic and socio authenticity and sincerity, where the struggles of survival on the streets have quite literally given life to a sound that remains as impactful today as it was over four decades ago. AGNOSTIC FRONT‘s battering, socially critical sounds serve as the foundation of true New York hardcore and helped initiate the emergence of crossover thrash. Following a slew of pummeling offerings, the band, led by the inimitable roar of Roger Miret and Vinnie Stigma's legendary charismatic guitar playing, continue to showcase unapologetically honest lyrics and signature aggression in Echoes in Eternity. 

https://www.agnosticfront.com/ | Facebook | Instagram | Spotify 

Bambie Thug Shares Official Music Video for "Redrum"

Fresh off the heels of dropping their defiant single "REDRUM," Bambie Thug returns with the track's official music video. Directed by Jake Ringsell, the eerie video draws inspiration from one of cinema's most disturbing images: The Ludovico Technique from Kubrick's A Clockwork Orange. The forced transformation sets the tone for a nightmarish visual that descends into themes of indoctrination, control, and psychological breakdown. With distorted realities and unnerving intensity, Bambie paints a raw and rebellious reflection of the current world.

Speaking about the music video, Ringsell said, "As soon as I heard 'REDRUM,' I knew we were going to make something special. The song gripped me from the first moment. I'd already seen them perform it live at Glastonbury earlier that year, and the energy felt like a war cry — unapologetic and defiant. 

"In our first conversation about the video, Bambie mentioned one of cinema's most indelible images — 'The Ludovico Technique' from Kubrick's A Clockwork Orange. That reference struck a chord. The raw helplessness of that scene, the horror of forced transformation, became the thread we wove everything else upon. From there, the vision took on a life of its own: Hypnotic, visceral. and unflinching.

"This music video stands as my favorite collaboration to date. I hope it speaks with the same clarity and conviction that the song does — a mirror held up to the world, reflecting both its darkness and its fire."

Bambie Thug quite simply adds, "Interpret it for yourselves."

Since its release, "REDRUM" has received widespread praise from critics across the globe. Kerrang! hailed it as "raging and incredibly vital," while Wonderland noted, "Bambie's vocals in the hook pierce your eardrums, and the political lyricism is slick and profound," with Hot Press further commending their songwriting, stating, "The highlight of the song, however, is the lyrics: It's a loud, proud, rebel cry."

Produced by Shaun Lopez (††† & Deftones), "REDRUM" fuses sinister guitar riffs and crashing drums with Bambie's signature screams and politically charged lyrics into a powerful rebel cry. Lyrically locked in on the state of the world, the track is a fearless statement of who Bambie Thug is: An unwavering voice for the queer community and other marginalized groups and an artist that refuses to be silenced.

On the single Bambie Thug said, "'REDRUM' is a masterclass, sonically and lyrically. Seeing the reaction it's had live just emphasizes to me how important the song is. It's political, it's anti-war, it's a 'rebel cry' for the LGBTQIA community and for everyone who is fed up with living in this disconnected world. All I can offer to these turbulent times is my art and hope it wakes people up."

"REDRUM" marks Bambie Thug's first release under their global recording deal with Spinefarm, home to Bullet For My Valentine, Creeper, Dayseeker, and Black Veil Brides. This video continues an incredibly exciting year for Bambie, which as already seen them cap off a massive European arena tour with Babymetal and Poppy, a sensational debut performance at Glastonbury. and attend major London and Paris fashion week shows by Dilara Findikoglu, Ann Demeulemeester, Maximilian Raynor, and more.

ABOUT BAMBIE THUG:
Cork-born alt disruptor Bambie Thug (they/them/fae) is smashing through gender and socio-political stereotypes to create an era-defining sound that borders on elements of pop, rock, electronic and more. Self-coining the term ‘Ouija-pop’ to describe their sound, Bambie Thug has made serious waves over the last few years with a series of genre-defying singles and a critically acclaimed EP CATHEXIS. Bambie represented Ireland at the 2024 Eurovision Song Contest with their spellbinding entry "Doomsday Blue," finishing at sixth place — the highest placement for an Irish act in 24 years. Following the contest, "Doomsday Blue" flooded the charts globally, reaching the top 40 in Ireland (#23), Lithuania (#9), Greece (#12), Finland (#40), as well as earning their first UK chart entry at #67. A strikingly visual artist, Bambie’s cinematic videos have seen them transform into a variety of otherworldly characters such as "HIM" from The Powerpuff Girls, a lethal arachnid creature and a vampire bride. No stranger to the big stage, Bambie has played festivals across the world including Glastonbury, Download and Electric Picnic to much critical acclaim. Their show-stopping performances have been described as "a genderqueer, occult-tinged, strikingly theatrical edge” (Evening Standard), and they have received ongoing global support from the likes of NME, Kerrang!, Rolling Stone UK, GAY TIMES, BBC Radio 1, Spotify, Amazon Music and more.

AS I LAY DYING Ignite a New Chapter with Powerful Single “Echoes”

Metalcore mainstays AS I LAY DYING have roared back with their latest single, “Echoes," a track that signals not only a powerful sonic statement, but the beginning of an inspired new chapter for the band.

Layered in emotion, precision, and melodic depth, “Echoes” explores the internal battles we fight, the shadows we leave behind, and the strength found in forging a new identity. Delivered with unrelenting passion and signature intensity, the song highlights the band’s trademark balance of crushing heaviness and poignant introspection.

“Echoes” also marks the debut of a dynamic new AS I LAY DYING lineup, bringing together seasoned talent and fresh energy:

  • Tim Lambesis – Vocals

  • Chris Clancy – Bass, Clean Vocals

  • Bill Hudson – Guitar

  • Don Vedda – Guitar

  • Tim Yeung – Drums

"As the only primary songwriter on every AILD album, I’m always going to a find a path forward for this catalog of music that I’m so passionate about,"says Tim Lambesis."But sometimes things come together even better than expected. I’m incredibly grateful for my new bandmates. In addition to being incredibly talented, they genuinely care about my well being and the band we are now all a part of."

"Tim L and I first met almost 20 years ago and I’ve been in multiple bands with Tim Y,"adds Bill Hudson. "It’s an honor to be a part of the new chapter of As I Lay Dying. What a great way to get together and play with so many friends of 15+ years at the same time!"

"Excited to finally share this new chapter. Check out the music video for Echoes, proud of what we've created together. Hope you enjoy it,"affirms Chris Clancy.

This new formation infuses the band with renewed vitality and artistic momentum. Each member brings a unique voice and refined musicianship, helping to craft a sound that’s both familiar and forward-thinking, rooted in legacy, but boldly reaching into new territory.

Additionally, AS I LAY DYING will embark on an electrifying European tour this fall, celebrating the 20th anniversary of their landmark album Shadows Are Security. Fans will experience a career-spanning set, with deep cuts, timeless anthems, and a renewed fire on stage. Tickets are available HERE. 

Moodring Return With Video for New Single "Half-Life"

Founded in Florida yet now based in Atlanta, Georgia, Moodring is a nu-metal x alt-rock project led by dynamic frontman Hunter Young.

The band's 2022 debut Stargazer captured attention from the tastemaker crowd, including a 4 out of 5 star review from Kerrang! Now, newly signed to SharpTone Records, the band has dropped the video for brand new single "Half-Life."

Watch it below.

"'Half-Life" is an incredibly personal (and intense) song, as it addresses the many changes in Young's life and in Moodring's configuration. With Young now unable to actively tour, Moodring became a concept that is malleable and can morph and take different shapes, and with different collaborators without defined borders and boundaries.

"'Half-Life' was one of the first songs written after I received a life-changing medical diagnosis and was forced to grieve losing the person that I thought I was and had identified as for most of my sentient life," Young shares, laying his cards face up on the table with no hesitation. "It was a devastating blow to an already-tarnished nervous system. This song and sub-sequential songs were my way of coping and writing an obituary for the person I lost in that doctor's office."  

He continues, "But when looking at 'Half-Life' through a broader lens, I believe anyone who's ever been forced to face realities or truths they cannot change can relate in ways that weren't the original intention."

Stay tuned for more from Moodring.

DISSENTIENCE Unleashes First Single “Obsidian Tomb” from Upcoming EP Kaiju

Bethlehem, PA metal act DISSENTIENCE has released “Obsidian Tomb,” the crushing first single from their forthcoming concept EP Kaiju, due out February 20, 2026, accompanied by a brand-new lyric video.

A blistering blend of thrash aggression, death metal precision, and cinematic atmosphere, “Obsidian Tomb” serves as the opening chapter in Kaiju’s apocalyptic narrative. The song begins with a somber acoustic passage before erupting into a relentless assault of blast beats, crushing riffs, and haunting melodies. Lyrically, the track captures the first moments of devastation as a colossal, nameless monster emerges from the depths to annihilate an unsuspecting city.


Rather than grounding the story in a specific place or era, DISSENTIENCE leaves the monster and setting deliberately vague, allowing listeners to project their own fears into the music. The result is a track that feels as timeless as it is terrifying.

Kaiju is a four-track concept EP inspired by Japanese monster cinema and Lovecraftian horror. Produced by the band alongside Corey Pierce, the record was engineered by Matt Menafro at Peach Pie Sound, mixed by Zeuss, and mastered by Alan Douches. The full EP will be released independently on digital and CD formats.

About DISSENTIENCE: 

Formed in 2013 in Bethlehem, Pennsylvania, DISSENTIENCE is a progressive death-thrash metal band that combines the technical precision of death metal with the relentless energy of thrash. Rejecting retro imitation and genre stagnation, the band creates forward-thinking metal that is both aggressive and dynamic. Drawing influence from bands like TRIVIUM, REVOCATION, SYLOSIS, THE BLACK DAHLIA MURDER, DEATH, and LAMB OF GOD, DISSENTIENCE forges a sound built on sharp riffs, crushing rhythms, and inventive songwriting.

The lineup features Connor Valentin on guitar and vocals, James Vitale on guitar, Sean Langer on bass, and Nick Scherden on drums. Known for their intense live performances and refusal to be confined to a single subgenre, the band continuously pushes their sound in new directions. Their music balances chaos and melody while exploring dark themes through a modern lens.

After releasing their debut EP Mask of Pretense in 2018 and their full-length album Empire Anatomy in 2022, DISSENTIENCE returned with the concept EP Kaiju in 2026. The record blends the devastation of giant monster cinema with the dread of Lovecraftian horror, showcasing the band’s evolution in sound and narrative depth. DISSENTIENCE has earned a reputation as one of the most compelling rising forces in heavy music. Their mission is clear: to make metal that is uncompromising, inventive, and unapologetically intense.

Your Inland Empire Spark on New Single "Grinding"

From the ashes of Crown, rises a shiny new banner for dark wave. On Your Inland Empire, the duo of Stéphane Azam and David Husser take the heavy electronics that they first donned on Crown’s last album a step further into the darkness of the club.

Today, Your Inland Empire are releasing “Grinding” as the second single off their upcoming debut album. Churning with pulsing beats, sparking riffs and shadowy bass lines, the song cuts straight to the album’s core, dancing between conflicting emotions and industrial decay, through the darkness and into the light.  

Watch the video for “Grinding” below.

Your Inland Empire’ self-titled debut album comes out November 14, 2025 on Season of Mist.

Pre-order & Pre-save

https://orcd.co/yourinlandempireyie    

In 2021, Crown’s The End of All Things revealed a striking metamorphosis. The album shifted the duo of Stéphane Azam and David Husser away from their sludge-laden origins into a cinematic fusion of industrial rock, post-metal atmosphere and darkwave sensibility. Its balance of bleakness and accessibility was praised for expanding Crown’s sonic vocabulary, yet the record ultimately stood as both culmination and chrysalis: the closing of one chapter and the quiet emergence of another.

That emergence is now complete. Your Inland Empire opens a new frontier with their upcoming self-titled debut album. “Grinding” pulses against bleak meditations on distance and dissolution. “I’m falling apart / In the void of my heart”, Azam sings, as if through gritted teeth, as he drifts through a haze of electro-shocked guitars.

“When writing music and lyrics, I often have very abstract visions — living paintings that I try to transcribe into sound,” Azam explains. “It can be colors, shapes, landscapes, people, all evolving in my imagination like a trance”.

The video for “Grinding” was directed by Brice Hincker & Amelie Diane. Your Inland Empire would like to give a special thanks to Philippe Dolfus and Olivier Guillemin for their collaboration and support on the video.  

Line-up
David Husser — Guitars, Programming, Production, Experimentation
Stephane Azam — Vocals, Guitars, Songwriting, Experimentation
Nicolas Uhlen — Drums
Marc Strebler — Bass Guitar

Production Credits
Recorded & mixed by David Husser at La Grange Studio, France.
Mastered by Jaime Gomez Arellano at Orgone Studio, Porto, Portugal.

Cover Art
Design & layout by Jeffrey V. Daniels.

Photography
Band photos taken by Jennifer Brachet.

Pre-save & Pre-order

https://orcd.co/yourinlandempireyie

Available Formats
Digital Download
CD Digipak
12” Vinyl Gatefold – Black
12” Coloured Vinyl Gatefold – Turquoise w/ Black Splatters

Irish singer-songwriter Ger Eaton heralds the release of debut album 'Season Changes'

Well known in his homeland thanks to a string of brilliant singles, Irish bard par excellence Ger Eaton is back with a large dose of Renaissance Pop. Finally, he will be releasing his long-awaited debut album 'Season Changes' via Dimple Discs, a Peckham-based label that has championed many Irish artists. In the home-stretch before its release, he shares the singles 'Hollow' and 'The Time It Takes To Fall'.

Ger Eaton is the singer and sonic auteur behind a remarkable and acclaimed set of songs, released as singles over the past two years, both on his own imprint and by enterprising indie label Dimple Discs, who spotted a good thing and snapped him up. An artist who has graced many a stage, his distinctive keyboards have graced many Irish bands of the last two decades.

With a rich progression from baroque pop and cinematic balladry to more folk elements, Eaton creates music that is laced with broad orchestral arrangements, drama, and honesty. Complimenting the video for his recent single 'Season Changes', a live rendition of 'Phoenix (Reborn)' and 'Season Changes' was also recorded live at Hyde Dublin.  

"‘Season Changes’ is essentially an old fashioned break-up LP. All of the songs deal with the complexities, both emotional and physical, that come with the ending of a very long and significant relationship. Mirroring the seasons, ‘Season Changes’ charts the often inevitable decay of a relationship, from the glowing bloom of its Spring, gradually ebbing away to its wintery conclusion," says Ger Eaton.

"The songs were written about and recorded during the end of my marriage, and I decided from the off that the Lyrics would be raw and honest… I felt I owed that much to myself. Musically, I wanted the arrangements and instrumentation to bring a lushness and drama that would wrap the words in the appropriate Musical Cloak ...For me, music has always been a place where I can both lose and find myself… a Solice … my Phoenix."
 
Beginning with 'I Thought I’d A Friend' and continuing through the beautiful 'Hollow', 'The Time It Takes To Fall', 'Phoenix (Reborn)', 'Home Again' and the most recent single 'Season Changes', Ger’s work carries echoes of Scott Walker, Jimmy Webb, Brian Wilson, Ian Brown and the high melodic heyday of the late 1960s, yet shot through with a contemporary slant and edge.  

Each new song and accompanying video has marked an exciting stage in Ger’s progress and has received recognition and tremendous support from national and regional radio programmers in his native Ireland and also in the UK, as well as music writers and tastemakers.

On October 17th, the 'Season Changes' album will be released on vinyl and CD. It will also be available from digital platforms, including Spotify, Apple Music and also Bandcamp. 

On October 23rd, Ger Eaton and his 11-piece band take the stage at The National Concert Hall in Dublin, with support  from Andrew Keeling & vocalist Toni Kay.  Tickets can be ordered at https://www.nch.ie/all-events-listing/metronome-ger-eaton-oct25

CREDITS
All songs written by Ger Eaton
Produced, recorded and mixed by Ger Eaton, Duncan Maitland & Sean Coleman
Recorded at Old County Studios, The House of Horns, Clane HQ and at Ger Eaton's home
Mastered by Anthony Chapman
Cover Illustration and Design by Josh Fogarty
Ger Eaton - vocals, drums, guitars, mellotron, xylophone, sitar, tabla & percussion
Duncan Maitland - acoustic & electric guitars, bass, mellotron & vocals
Sean Coleman - glockenspiel, mini moog, guitars, harmonium  & vocals
Kieran Eaton - flutes & recorders
Ronan Dooney - trumpets & flugelhorns
Graham Hopkins - drums
Gavin Fox - bass
Castle Quartet - Strings
String Arrangements - Andrew Keeling
Released via Dimple Discs. Catalogue No DD 027LP
Publicity by Shameless Promotion PR


Keep up with Ger Eaton
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Seattle's AudioGust battles the noise on new single 'Easier', an escape from news fatigue

Seattle-based artist AudioGust presents 'Easier', which explores the mental toll of living in a world overflowing with bad news. This is the second single from his third album 'Falling From Down' — his most unflinching yet — a journey through collapse, resilience, and the fragile beauty of survival. This arrives on the trail of the post-grunge lead track 'Isotope'.

Opening with introspective verses that capture the strain of living in a world full of overwhelming news and challenges. The refrain— “Some days, it would be easier if I didn’t know”—becomes a mantra for that tension between awareness and avoidance. Midway, the song bursts into a high-energy pop-punk bridge, imagining what life might feel like if one could truly escape the weight of it all, before settling back into reflective intensity, acknowledging that life’s challenges inevitably return.

“I wrote ‘Easier’ out of frustration with how overwhelming it can be to take in all the bad news every day. There’s a fantasy in the song about how simple life might feel if you just tuned it all out — but in the end, you can’t really look away. The world always pulls you back," says Chris Evans.

"Easier serves as the emotional and thematic centerpiece of the album, hinting at a journey through struggle, growth, and resilience that listeners will encounter in the full release."

An accomplished songwriter, producer, and multi-instrumentalist, AudioGust is Chris Evans, whose journey started as a guitarist and bassist in various 1980s bands. After a decades-long detour in the software industry, he has returned to his true passion - writing and recording in his own studio, releasing loads of music and collaborating with artists worldwide.

With powerful, emotionally resonant music, AudioGust is known for his ability to blend high-energy performances with deeply personal storytelling. He has released over four dozen songs across multiple albums and EPs, including his debut 'Walk With Me', follow-ups 'Hope from Darkness' and 'Love and Pain', and his second album 'Here We Go Again', released earlier this year and exploring the highs and lows of creativity, and the unpredictable nature of inspiration.

The coming 'Falling From Down' album showcases a harder-edged post-grunge and modern rock sound while retaining the melodic hooks and storytelling that have become his signature. Combining raw rock intensity with strong melodies and emotionally resonant lyrics, AudioGust's tracks are full of energy and memorable hooks, reflecting both a deep understanding of rock’s past and a fresh, contemporary approach. His songs resonate long after the last note fades.

Crafting memorable melodies and thought-provoking lyrics, upbeat rhythms and arrangements, AudioGust's music speaks to the disenchanted and dreamers alike through sonic explorations of the modern human condition. AudioGust was also a finalist in the 2024 USA Songwriting Contest. Writing hooky anthems, AudioGust creates a sound vortex imbued with 90’s to 2000’s alt-rock, his guitar-driven music brings in a strong, driving rhythm section, big choruses and even bigger bridge sections.
 
'Easier' is out now, available from online music platforms, including Spotify, Apple Music and Bandcamp. The 'Falling From Down' album will be released on November 7.

ALBUM CREDITS
Music & Lyrics by Chris Evans
Guitar, Bass, Drums, Keyboards and Vocals by AudioGust
Produced & performed by AudioGust
Recorded, mixed and mastered at AudioGust studio in Clinton, WA
Cover artwork by Chris Evans
Artist photos by Ernie Shapiro
Publicity by Shameless Promotion PR

Keep up with AudioGust
Website | Bandcamp | Facebook | Instagram | Threads | Twitter | BlueSky | YouTube | Spotify | Apple Music | Press contact

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Fitzsimon and Brogan (FaB) presents 'The Hourglass Girl', a sonic commentary on serial dating

UK indie rock duo Fitzsimon and Brogan (FaB) present their new single 'The Hourglass Girl', a sharp, indie-rock takedown of modern-day dating, offering a catchy, powerpop-laced commentary on fly-by-night relationships. The central character acts like a black widow of the modern dating world. The story takes a cynical turn, as our subject is attractive and charming, but also calculated, counting down the time before moving on to her next catch.

This is FaB's second single this year, released through Booster Music WTPL France, following 'Flowers At Her Door' in August - a sonic and lyrical achievement that recalls Debbie Harry with the deep tone of German singer-songwriter Nico.

In a music landscape starved for originality, FaB proves that sometimes the freshest sounds are born from old-school inspiration. Made up of songwriter Neil Fitzsimon and vocalist Bee Brogan, both members of the Sony-licensed band Pretty Blue Gun, the two went on to form the London-based songwriting-production partnership FaB Productions and record their 'Big Blue World' album at Abbey Road's Studio Two, where The Beatles recorded so many great songs.

About the new single, Neil Fitzsimon explains, "We thought we’d turn the rather hackneyed phrase, "the hourglass girl", on its head and instead write a song about the ephemeral modern-day dating scene. The girl in question, the ‘hourglass’ girl, leads partners into thinking they have something special, whilst all the time, she is counting down the clock before she moves on to her next victim".

Creating remarkable power pop for now people, FaB has captured the attention of legends, with David Bowie's drummer Woody Woodmansey praising their ability to stand out from the crowd and Elvis Costello's Pete Thomas saying the avant-garde would be proud. 

FaB has crafted a project that's both emotive and lighthearted, successfully bridging the spirit of '60s and '70s songwriting with a truly new feel. Recorded at FaB Productions, this single was co-produced, mixed and mastered by Martin Smith (Electric Light Orchestra, Shakin' Stevens) at Garage Studios in London. The music and lyrics for 'Flowers at Her Door' are written by Fitzsimon, with Brogan handling vocals, keyboards, drums and engineering.  

FaB's 2020 album 'This Wicked Pantomime' was co-produced by Pat Collier (Katrina and the Waves, Primal Scream, Maximo Park) at Perry Vale Studios, London and involved dummer Woody Woodmansey (David Bowie Spiders from Mars), plus Elvis Costello drummer Pete Thomas. This followed the well-received albums 'Venus in Reverse' (2011), 'His Latest Squeeze' (2015), 'Big Blue World' (2018) and 'The Girl Who Shouted Love at the Heart of the World' (2019).

Those releases involved world-class musicians from The Art of Noise, Eric Claptonbassist Dave Bronze, Moody Blues' Tobias Boshell and Pip Williams (Walker Brothers). Having toured nationally and achieved Film and TV placements, they also wrote the musical 'Jack Dagger', showcased at the Greenwich Theatre, London for the Musical Futures Award, and also at the Bridewell and the Royal College of Music in London. With chart success in France, Belgium, and South Africa—and a song featured in a U.S. sci-fi film—the band is making waves on every front.

As of October 10, 'The Hourglass Girl' is available from music platforms globally, including Apple Music, Spotify and Bandcamp.

CREDITS
Music and Lyrics by Neil Fitzsimon
All guitars, bass played by Neil Fitzsimon
Vocals, keyboards, drums and engineering by Bee Brogan
Recorded and produced by FaB Productions, London
Mixed and mastered by Martin Smith at Garage Studios, London
Cover artwork by FaB Productions
All songs released via Booster Music WTPL, France
Publicity by Shameless Promotion PR

Keep up with Fitzsimon and Brogan (FaB)
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NYC songstress Jessie Kilguss unveils brilliantly inspired ‘St. Teresa in Ecstasy’

NYC singer-songwriter Jessie Kilguss presents her single 'St. Teresa of Ecstasy', showcased in a brilliantly inspired video by Alex Dar, a sonic exploration of being moved by something magical and the sheer, vital power of all great art. Inspired by Bernini's dramatic Roman sculpture, this is a lyrical journey rooted in a feeling of being whisked away by something that feels celestial and profoundly greater than us all.

This is the second taste of her sixth album 'They Have A Howard Johnson's There',which was engineered, produced, mixed and mastered by Charlie Nieland (Debbie Harry, Rufus Wainwright, Blondie, Scissor Sisters) at Saturation Point Studios in Brooklyn. This song features drummer-percussionist Rob Heath (Madison Square Gardeners, Julia Nunes), guitarist-keyboardist Kirk Schoenherr (Tegan and Sara, Elle King, Chet Faker) and guitarist Andrea Longato (Duncan Shiek, Jeremy Jordan, Alphonso Ribeiro), with Charlie Nieland on bass, violin bow guitar and keys.

"The story of this song is really in the lyrics. I was visiting a friend in Rome and two different friends highly recommended I go see the sculpture The Ecstasy of St Teresa by Gian Lorenzo Bernini in the Cornaro Chapel of Santa Maria della Vittoria," explains Jessie Kilguss.

"I had a transcendent experience looking at this piece of art which I think I express better through song rather than just speaking or writing about it. Art (of all disciplines) has the ability to transport us to other places or states of being. The song is about experiencing the magic of this specific sculpture and maybe in a greater sense, the magic of being transported by something that feels bigger and more important than the everyday – something that feels otherworldly and divine."

Kilguss recently released the near-title track 'Howard Johnson's' with an era-inspired nostalgic video by Deborah Magocsi, for which she is accompanied by John Kengla (David Byrne, Ben Kweller, Serena Ryder) on guitar, bass and keys, Rob Heath on drums and percussion, and Dave Derby (The Dambuilders, Gramercy Arms, Lloyd Cole) and Charlie Nieland on backing vocals. Rembert Block (Rembert and the Basic Goodness. also features elsewhere on this album.

This offering follows her single 'Too Far From Texas' (a collab with Jim Andralis), 'You're the One' and 'Wuthering Heights'. Kilguss' 2022 album 'What Do Whales Dream About at Night?' LP features drummer Brian Griffin (Patti Smith, Brandi Carlisle, Lana Del Rey), bassist Whynot Jansveld (The Wallflowers, Butch Walker, Sara Bareilles), composer-producer Naren Rauch, and Nathan Schram (Bjork, David Crosby, David Byrne), with whom Kilguss ran the non-profit organization Musicambia.

A former actress, whose acting highlights include 'The Crucible' (with Daniel Day Lewis and Winona Ryder) and the stage production 'As You Like It' (directed by Royal Shakespeare Company founder Sir Peter Hall), Kilguss made songwriting her focus after working with musical heroes Marianne Faithfull and Mary Margaret O'Hara in the Tom Waits / William Burroughs musical 'The Black Rider'.
 
Kilguss also sings with the Loser’s Lounge, Gramercy Arms, Jim Andralis and the Syntonics and Benjamin Cartel. She's also performed at the Sundance Film Festival and with Freddie Stevenson, touring as support for The Waterboys' European tour. In June 2025, Kilguss was an artist in residence at Fish Factory Creative Center in Stodvarfjordur, Iceland where she wrote 9 new songs.

As of October 8, 'St. Teresa In Ecstasy' is available everywhere, including Apple Music, Spotify and Bandcamp with the full album to follow on November 14th. On November 5, Kilguss' Record Release Show is at Berlin Under A, with Life in a Blender and Charlie Nieland, who marks the release of his 'Stories From The Borderlines' album. 

ALBUM CREDITS
All songs written by Jessie Kilguss, except 'Jesus Was a Crossmaker' (written by Judee Sill)
Produced, engineered, mixed & mastered by Charlie Nieland at Saturation Point Studios, Brooklyn
Jessie Kilguss - vocals, arrangement
John Kengla – guitar, bass, keys on Howard Johnson’s, Fool’s Fight, Lost Causes, Jesus Was a Cross Maker
Kirk Schoenherr – guitar and keys on Chasing Down a Ghost and St Teresa in Ecstasy
Andrea Longato – guitar on St Teresa in Ecstasy
Rob Heath – Drums and percussion
Rembert Block – Backing vocals on Fool’s Fight, Chasing Down a Ghost and Lost Causes
Dave Derby - Backing vocals on Howard Johnson’s
Charlie Nieland – bass, violin bow guitar and keys on St Teresa in Ecstasy, Fool's Fight and Lost Causes, backing vocals on Howard Johnson’s
Single cover photo by Shervin Lainez
Video by Deborah Magocsi
Graphic design by Scott MX Turner
Publicity by Shameless Promotion PR


Keep up with Jessie Kilguss
Website | Facebook | Bandcamp | Twitter | Instagram | Soundcloud | YouTube | Spotify | Apple Music | Press contact

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Pinkshift Drop New Song"Authority Problem" Ahead of U.S. Headline Tour Kickoff

Over the summer, Maryland trio PINKSHIFT — vocalist Ashrita Kumar(they/them), guitarist Paul Vallejo (he/him), and drummer Myron Houngbedji (he/him) — released their head-turning new album EARTHKEEPER via Hopeless Records. Get it here. 

The band has shared the brand new song "Authority Problem."

"Fuck ICE, fuck the left and the right, fuck the false decorum of rules and laws and executive orders just created to make people feel small and helpless. Only I know who I am, and if you disrespect me then I don’t care, you’ll feel my wrath," the band says about releasing the song in the here and now.

Pinkshift will hit the road this week on a headline U.S. run. All dates are below.

PINKSHIFT ON TOUR:
10/10 — Asbury Park, NJ — Asbury Lanes
10/11 — Richmond, VA — Richmond Music Hall
10/12 — Carrboro, NC — Cat's Cradle Backroom
10/14 — Atlanta, GA — The Masquerade
10/15 — Orlando, FL — Conduit
10/17 — Houston, TX — White Oak Music Hall
10/18 — Austin, TX — The Ballroom
10/19 — Dallas, TX — Club Dada
10/21 — Phoenix, AZ — Rebel Lounge
10/22 — San Diego, CA — The Voodoo Room
10/23 — Santa Ana, CA — Constellation Room
10/24 — Los Angeles, CA — The Echo
10/25 — San Francisco, CA — Bottom of the Hill
10/27 — Portland, OR — Polaris Hall
10/28 — Seattle, WA — Neumos
10/30 — Salt Lake City, UT — Kilby Court
11/01 — Denver, CO — Marquis Theater
11/02 — Lawrence, KS — Bottleneck
11/04 — Minneapolis, MN — 7th Street Entry
11/05 — Chicago, IL — Bottom Lounge
11/07 — Detroit, MI — The Sanctuary
11/08 — Cleveland, OH — Mahall's
11/09 — Pittsburgh, PA — Thunderbird Music Hall & Café
11/11 — Toronto, ON — Hard Luck Bar
11/13 — Boston, MA — Brighton Music Hall
11/14 — Hamden, CT — Space Ballroom
11/15 — Philadelphia, PA — First Unitarian Church
11/16 — Washington, DC — Atlantis

Gideon Drop New Track "Wrong One" + Official Music Video via Sumerian Records

Tuscaloosa, Alabama quartet Gideon has released their new single "Wrong One" and the official music video (via Sumerian Records). Laden with in-your-face vocals and the band's iconic crushing beatdowns, today's drop is Gideon's second via their new label home, following "Til The Wheels Fall Off", released earlier this summer. Speaking about the inspiration behind "Wrong One", the band commented:

“We wrote this song at a time when we were simply fed up with always giving folks the benefit of the doubt. Never mistake kindness for weakness.”

Stream "Wrong One" here, and watch the official music video below.

Fans still have their chance to see Gideon bring the heat across the US alongside Kublai Khan TX, Drain, and Guilt Trip. Click here for ticket information, and be sure to keep 'em peeled for more Gideon news coming soon.

Upcoming Gideon US Tour Dates With Kublai Khan TX, Drain + Guilt Trip:

10/12 - Dallas, TX @ The Bomb Factory

10/14 - Kansas City, MO @ Uptown Theater

10/15 - Denver, CO @ Fillmore Auditorium

10/16 - Albuquerque, NM @ Sunshine Theater

10/17 - Tempe, AZ @ Marquee Theatre - SOLD OUT

10/20 - Salt Lake City, UT @ The Complex

10/21 - Boise, ID @ Knitting Factory

10/23 - Sacramento, CA @ Ace Of Spades - SOLD OUT

10/24 - San Jose, CA @ San Jose Civic Center

10/25 - Riverside, CA @ Riverside Municipal Auditorium - SOLD OUT

10/26 - Los Angeles, CA @ Hollywood Palladium - SOLD OUT

THE NOCTAMBULANT Unveil "Bring The Sorrow", A Sinister Hymn From The Southern Void

Drawing from the raw bloodlines of blues, rockabilly, goth rock, and American country, Florida’s dark torchbearers THE NOCTAMBULANT open the gates to the abyss with their new single “Bring The Sorrow.”

With this release, the band channels the haunted spirits of the South, where gospel hymns curdle into laments and salvation tastes of rust and whiskey. “Bring The Sorrow” is the first true blast of sound from a forthcoming chapter in THE NOCTAMBULANT’s evolution, a forceful wake-up call from the shadows of the American heartland.

The track begins with the metaphorical crack of a Bible slamming shut on a pulpit, signaling the end of blind faith and the beginning of reckoning. Its lyrics twist the familiar words of Psalm 91, a passage once meant to promise protection and peace, into something deeply corrupted. In the world of “Bring The Sorrow,” faith offers no refuge, only torment. The song reimagines the sacred as profane, echoing through the backwoods of Appalachia and the swamps below, where every prayer is answered with silence.

“Bring The Sorrow” captures The Noctambulant’s signature fusion of dark Americana and gothic metal, where howling guitars and funeral dirges collide. It is both a sermon and a curse, a lament for a world where redemption has lost its meaning.

About THE NOCTAMBULANT:
In 2013, THE NOCTAMBULANT formed in Jacksonville, Florida, with a mission to spread the culture of Southern Appalachia through their unique interpretation of black metal. Merging the genre’s primal aggression with the crushing weight of blackened death metal and the haunting atmospherics of Southern Gothic, they sought to honor the myths, spirits, and eerie folklore of the region.

Founded by E. Helvete (Guitars, Vocals) and D. Franseth (Drums) following the breakup of their psychobilly band, THE NOCTAMBULANT emerged as they delved into the darker realms of black metal. With the addition of Lars Goerschafft (Bass) and, later, Rev Beaumont (Guitar), the band fully embraced a sound that merges relentless intensity with ghostly Appalachian storytelling, crafting an auditory spell of sorrow, brutality, and mysticism.

Their music weaves a sonic tapestry of feral blackened riffs, ominous melodies, and immersive soundscapes steeped in spectral Appalachian lore. Drawing inspiration from metal legends such as VENOM, CELTIC FROST, BATHORY, and DARK FUNERAL, THE NOCTAMBULANT channels both ferocity and haunting atmosphere, merging the unrelenting force of extreme metal with the ghostly echoes of ancient myths and the desolation of the Southern Gothic landscape. Their next album is set to emerge in 2026.

THE NOCTAMBULANT is:
E. Helvete - Guitars/Vocals
D. Franseth - Drums
Lars G - Bass
Rev. Beaumont - Lead Guitar

Links: 
Facebook: https://m.facebook.com/TheNoctambulant/
Instagram: https://www.instagram.com/thenoctambulant/
TikTok: https://vm.tiktok.com/ZMeEM8R9y/

ESHTADUR Announces Mexico Dates for “Bellum Regiis” Tour and Symphonic Live Album Release

Colombian blackened melodic death metal force ESHTADUR returns to Mexico this October as direct support for Polish death metal titans HATE on the incendiary “Bellum Regiis” Tour.

Kicking off on October 11 in Mexico City, this brutal cross-country trek will see ESHTADUR delivering their signature fusion of crushing riffs, symphonic grandeur, and tribal intensity to audiences across seven cities. The opening night in CDMX will be a monumental event, also featuring none other than BEHEMOTH. As one of the most internationally acclaimed extreme metal acts to emerge from Latin America, ESHTADUR is poised to conjure chaos and catharsis in every city they touch.

The tour comes ahead of ESHTADUR’s upcoming live album, Symphonic Crows – Live at the Santiago Londoño’s Theater, arriving December 4, 2025 via Void Nation. Recorded in their hometown with a full symphonic orchestra, the album is a triumphant testament to the band’s cinematic sound and uncompromising energy.

Featuring seven tracks including Lowborn Bastard, Umbra, The Red Door, and She The Void, the album captures the magic of their genre-defying performance in Pereira, Colombia. Produced by Jorg August, mixed and mastered by Diego Rodriguez, and recorded at the Santiago Londoño’s Theater, this release is a milestone in the band’s legacy, melding orchestral majesty with the relentless pulse of death metal.

About ESHTADUR: 

ESHTADUR was founded in the fall of 2005 by Jorg August, releasing the Timo Be Timo demo with a sound in the vein of COVENANT, DIMMU BORGIR, and OLD MAN’S CHILD. Since then, they have released a pair of EPs and four powerful full-length albums. ESHTADUR, meaning "the rebellion of angels," can be most closely likened to bands such as SEPTIC FLESH, BEHEMOTH, FLESHGOD APOCALYPSE, CARACH ANGREN, and the like. Like their scene counterparts, the band embodies a deathly melodic atmosphere that reaches into realms of darkness and despair through the decay of humanity. It seeks to rebel, in its darkened way, embracing the abject reality.

ESHTADUR is: 

  • Jorg August – Vocals and Guitars

  • Camilo Barbosa – Lead Guitars

  • Andres Gonzalez – Bass

  • Juan Lopez – Drums

Connect with ESHTADUR:

The Belair Lip Bombs Release New Single Back Of My Hand

The Belair Lip Bombs release “Back of My Hand,”  the third single/video from their new album, Again, out October 31st via Third Man Records. 

 

 The song undulates with an easygoing rhythm before bursting into Weezer-style guitar riffs on its heart-in-hand chorus. It’s another instance of the band’s total sincerity as Maisie implores a romantic connection to trust in the strength of their connection.

 

“Writing the lyrics was an up-and-down process,” Maisie explains. “I wrote the second verse first, the night I got home from the rehearsal where we wrote the song. I got a bit stoned and laid in bed with a notepad and a pen and the lyrics and the melody kinda just poured out of me, which pretty much never happens, so I guess it was a fluke.”

LISTEN HERE

PRE-ORDER

Blackshape Release New Track "Falling" and Official Visualizer via Papercut Recordings

Atmospheric post-metal outfit BLACKSHAPE have dropped their latest offering "Falling" and the surreal accompanying visualizer (via Papercut Recordings). Rife with soaring, expressive guitar melodies interlaced with menacing beats, "Falling" is taken from the band's forthcoming new EP 'Prismer I', set for release on October 24. Speaking about today's release, the band commented:

“'Falling' captures the tension at the heart of [our] sound—the pull between making music [that is] heavier and more abrasive, and at the same time more beautiful. An intense instrumental journey, “Falling” speaks for itself while setting the stage for its vocal-driven sister song on [our] upcoming record, 'Prismer I'".

Stream "Falling" here, watch the official visualizer below, and pre-save 'Prismer I' here.

ABOUT BLACKSHAPE

Haunting, intricate, and emotionally brutal, BLACKSHAPE create music that lives in the shadowed space between chaos and clarity. Their compositions stretch across post-metal, math rock, and ambient minimalism—twisting tension and release into something visceral and cinematic. For fans of sonic unease, dramatic builds, and songwriting that lives outside the lines.

Making Prismer I, BLACKSHAPE’s new record, pushed the band to their breaking point. The process became their prison, a crucible of relentless personal and creative pressure. But the music was a prism—refracting that pressure into something beautiful, harrowing, and cathartic, and ultimately reshaping their perspective in the very act of making it. The title reflects this duality, capturing both the burden of confined thinking and the liberation in breaking it apart. Like a prism splitting light, every experience expands perspective into countless paths, showing that escaping the prison of one view means embracing the full spectrum: beautiful, ugly, terrifying, and freeing. This is Prismer.

BLACKSHAPE is:

Bryan Lee

Joseph Woit

Josh Dunn

Scott Shepard

CORELEONI Present Official "Sick & Tired (live)" Visualiser Video; to Release Live at Hallenstadion Zurich

The world is getting pale, leaves are falling, rain and fog are the only constants at the weather forecast: who wouldn’t suffer from autumn blues every now and then under these circumstances? But don’t worry as Swiss based hard rock quintet CORELEONI have come to deliver the perfect antidote for everyone.

Today, the band - GOTTHARD guitarist Leo Leoni, phenomenal singer Eugent Bushpepa, guitarist Jgor Gianola as well as the pumping rhythm section (Mila Merker on bass & Alex Motta on drums) - release "Sick & Tired (live)," the first single from their brand new live album Live at Hallenstadion Zurich. Due out on December 12, 2025 via PERCEPTION - A Division of Reigning Phoenix Music, the digital offering can be pre-saved here: 
https://coreleoni.rpm.link/zurichlivePR

“This is probably the heaviest track on our latest record III, where the vocal parts reach some of the highest tones of the album. The crowd in Zurich pushed us to the point where we and especially Gent delivered 110% of the magic we had to give. This becomes very clear when listening to this recording,” states guitarist Jgor Gianola.

Leo Leoni adds about the original intention behind the track: “It’s a great song with a lot of energy that helps you when you’re ‘sick and tired’ of things you wanna get rid of. Then the guitar riff kicks in and the rock ‘n’ roll spirit brings back the positive vibes.”

Watch the official visualizer video below.

Live at Hallenstadion Zurich was recorded on July 3, 2025 at their show supporting the mighty JUDAS PRIEST and comprises 9 electrifying tracks. Including both covers of the rich GOTTHARD catalogue and tracks from III, CORELEONI’s first original effort which came out in early 2022, this new recording is essential rock ‘n’ roll: raw yet heavily rocking.

These history-charged 40 minutes simply had to be captured for eternity - not only for the 7,000 attending fans to relive the event but also for CORELEONI’s and hard rock fans all over the world!

About CORELEONI

Founded by guitarist Leo Leoni in 2018, CORELEONI started reviving the early GOTTHARD days successfully with their album duo consisting of The Greatest Hits - Part 1 and II. The band also convinced fans and critics alike with their high-energy performances all over Europe, making the five-piece write their very own material. The result titled III was finally released in early 2022 and saw the addition of gifted Albanian singer Eugent Bushpepa to CORELEONI’s powerful line-up, which is completed by guitarist Jgor Gianola (ex-GOTTHARD, ex-U.D.O.), bass player Mila Merker and drummer Alex Motta. The group’s latest record hit the official Swiss album chart at no. 2 and thereby cemented the high demand for their captivating craft. Of course, III guided the quintet’s way across the continent once again while making one thing even clearer: CORELEONI are more than just a studio band and need to be experienced (a)live to understand their vision in full. So what are you waiting for? Feel the magic & enjoy their second live offering, Live at Hallenstadion Zurich!

CORELEONI are:
Eugent Bushpepa | vocals
Leo Leoni | guitars
Jgor Gianola | guitars
Mila Merker | bass
Alex Motta | drums
 

More on CORELEONI:
coreleoni.com | Facebook | Instagram | X | YouTube | Spotify | Apple Music

ARISING EMPIRE MEDIA ALERT: Defocus Return

German modern metalcore outfit Defocus are back with the video for new single "Coma," a track that pushes their intense, atmospheric heaviness to new extremes. Defocus once again deliver a song that feels both brutal and deeply immersive.
 

The band made waves with the debut album In The Eye Of Death We Are All The Same, which established them as one of the most promising heavy acts to emerge from Germany as of late. With millions of streams across their catalog, Defocus built a strong international following and proved that their sound resonates far beyond their home turf.
 

With "Coma," Defocus underline their unstoppable rise — a fierce and uncompromising anthem that confirms they are ready to step up to the next level.

Catch the band live with Breakdown of Sanity— tickets here. 

Watch the "Coma" music video Below.

ARISING EMPIRE MEDIA ALERT: Annisokay Share New Track

German metalcore powerhouse Annisokay are back with their brand-new single "Splinters," further cementing their reputation as one of Europe's most exciting heavy acts. Formed in Halle (Saale) in 2007, the band has built an impressive legacy across six major releases — including the acclaimed Abyss Pt I & II EPs and five full-length albums — each pushing their sound and reach to new heights.
 

Their steady rise has been reflected on the charts, with Enigmatic Smile (2015) debuting at #68, Devil May Care (2016) at #74, Arms (2018) climbing to #26, and Aurora (2021) breaking into the Top 20 in Germany at #18 while also hitting #49 in Switzerland. On the streaming front, Abyss Pt I & II together have racked up over 36 million Spotify streams, with the band now boasting more than 480,000 monthly listeners worldwide.
 

Renowned for their explosive live presence, Annisokay recently took their energy to new levels with the Abyss Pt II Europe Tour — the biggest headline run of their career, spanning 30 shows across 14 countries — and their largest festival appearances to date at Summer Breeze and Wacken Open Air.
 

With "Splinters," Annisokay not only deliver another crushing anthem but also officially launch the pre-order for Abyss – The Final Chapter, arriving on November 21. Uniting Pt I and Pt II into one definitive statement, the release marks the culmination of the band’s most ambitious era to date.


Catch the band live on tour in the UK + EU — more info here. 

Watch the "Splinters" music video below.

DANKO JONES Pay Homage to KISS on New Video Single “Diamond In The Rough” feat. Marty Friedman (MEGADETH)

Toronto’s hardest-hitting rock ’n’ roll trio DANKO JONES are back with their explosive new single “Diamond In The Rough”, the latest cut from their upcoming album Leo Rising — out November 21, 2025, via Perception – A Division of Reigning Phoenix Music and Sonic Unyon (Canada)!

The track is a high-voltage homage to classic KISS, supercharged by a blazing guest solo from guitar legend Marty Friedman (MEGADETH, CACOPHONY).

The band comments: “Channeling early Kiss, this is a favorite of mine, especially with the one and only Marty Friedman on lead guitar!”

“Diamond In The Rough” channels the raw, unfiltered energy of 1970s arena rock. Friedman’s fiery fretwork ignites the song, adding his unmistakable touch of guitar heroism that takes the band’s signature power-trio sound into overdrive.

Listen / Download: https://dankojones.rpm.link/diamondPR

Watch the official video for “Diamond In The Rough” below.

Following the adrenaline-fueled singles “What You Need”, “Everyday Is Saturday Night,” and today’s release of “Diamond In The Rough”, DANKO JONES‘ forthcoming studio offering Leo Rising promises to be a masterclass in sweat-soaked, no-nonsense rock — produced to perfection by longtime collaborator Eric Ratz. Packed with razor-sharp riffs, thunderous rhythms, and infectious hooks, the album reaffirms that DANKO JONES are keeping rock alive by doing it better than anyone else.

John Calabrese laid down bass tracks from Finland, Rich Knox flew to Toronto to record drums, and Danko worked with producer Eric Ratz in the same city to capture vocals and guitars. Despite recording separately once again, the band’s chemistry is unmistakable. The result is pure DANKO JONES: tight, loud, and built for the stage.

Leo Rising may be their most electrifying and uplifting record yet — a jolt of high-octane rock made for packed clubs, open highways, and everything in between!

Pre-order Leo Rising and exclusive vinyl editions here:
https://dankojones.rpm.link/leorisingPR

About DANKO JONES
Every time someone announces the death of rock ‘n’ roll, Canada’s most incendiary power trio roll with the punches and keep rocking with maximum commitment to the cause. DANKO JONES are a three-piece rock ‘n’ roll band from Toronto. They never sleep. They sweat blood. And they are keeping rock alive by doing it better than anyone else.

On duty since 1996, these unstoppable road-hogs have devoted their lives to rousing the people with blistering, no-bullshit, all-action rock. They have rallied a global army of rock-hungry fans, and blown them away with a steady stream of explosive, anthem-packed albums and an absurd number of live shows. From early underground smashes like We Sweat Blood [2003] and Sleep Is The Enemy[2006], to the band’s recent, triumphant triumvirate of A Rock Supreme [2019], Power Trio [2021] and Electric Sounds [2023], DANKO JONES have been a relentless force for rock ‘n’ roll good, both in the studio and on the road. And they have absolutely no intention of stopping.

“You know what? I like the routine of recording, touring, writing, and repeat,” states singer/guitarist, Danko Jones himself. “I can do that till I’m dead! It may sound boring, but it’s so hard for a band to achieve. I don’t take this lightly. Also, it’s a page out of the MOTÖRHEAD handbook so it works! Since 'Electric Sounds' we’ve been touring and touring. We managed to play in Mexico and Greece for the first time, and we even played Prince Edward Island, a province in Canada we’d never been to before. Other than that, it’s been a life of gigs and writing more songs to play more gigs!”

Proving that their time was well-spent, Danko, bassist John Calabrese and drummer Rich Knox have conjured yet another blazing banquet of nourishing rock goodness on their 12th studio record, due for release later this year.

DANKO JONES are:
Danko Jones | vocals, guitars
John Calabrese | bass
Rich Knox | drums
 

More on DANKO JONES:
dankojones.com | Facebook | Instagram | TikTok | X | Spotify | Apple Music