DIY Punk Rock Band KEDDIES RESORT Releases New Single "Duffel Bags" + Music Video — Out Now via Sweatband Records

Today, Portland’s punk rock outfit KEDDIES RESORT are excited to release their new single, “Duffel Bags,” a gritty, high-energy track that captures the band’s raw DIY spirit. Known for their fusion of punk rock intensity and power pop hooks, KEDDIES RESORT delivers another dose of angst and rebellion, wrapped in their signature lo-fi sound.

“Duffel Bags” furthers the band’s exploration of the absurdities of modern life, channeling frustration and urgency through distorted guitars, driving rhythms, and a sharp-edged vocal delivery — all while building anticipation for their upcoming album, 'American Spirit,' out July 4th via Sweatband Records.

The band comments on the new single:

"This song is about a dude who goes soul searching off the Oregon coast. He’s parked at a viewpoint daydreaming of things he wishes he could see/do in real life. 'Duffel bags of cash watching airplanes crash.' This song is the beginning of his plots for destruction against his workplace.”

Watch the Music Video for "Duffel Bags" Below:

KEDDIES RESORT is a three piece explosion with a catalogue consisting of 4 EP’s and 2 albums titled 'Makita' and 'KYST.'

Since their first show on April 2nd of 2022 they’ve quickly climbed the ranks in the Portland music scene gaining popularity and solidifying a strong fan base. The power trio punches above its weight, with a striking mix of Alt-rock, punk, and harmonic pop sensibilities.

Their stage antics have gained the band major notoriety in the all ages scene landing them the title “Portlands most infamous band.” When they’re not inducing indoor crowd tornadoes, you can find them playing generator shows under bridges and in the basements and garages that have been served as the backbone of underground youth culture in Portland for years.

Their upcoming album, 'American Spirit,' delivers sweet, fuzzed-out power pop packed with infectious hooks and raw energy. KEDDIES RESORT captures the spirit of Portland’s youth and counter culture with a sound that’s as vibrant and unfiltered as it is unforgettable. A blast of pure DIY exhilaration on wax.

Pre-Order 'American Spirit' HERE

Heaven Shall Burn Team Up with Old Friend Jesse Leach of Killswitch Engage for "Numbered Days" Cover

Following their tradition of covering some of their favorite and most influential tracks featuring members of the original, Heaven Shall Burn are releasing "Numbered Days" (Feat. Jesse Leach of Killswitch Engage).

Check out the visualizer that is accompanying the celebration of the friendship between the bands below. 

Bonus points for anyone catching the title of one of Heaven Shall Burn's classics in the lyrics.

Heimat will be released on June 27 by the band's long-standing label partner Century Media Records. 

The band comments, "Killswitch Engage are THE metalcore band! When we heard 'Numbered Days' for the very first time, it totally blew us away. It was clear that something new was brewing up. No other band has influenced this style of music more and interpreted it better. Just because the guys have been very good friends for many years doesn't mean you can't pay tribute to this great band. We hope the song means as much to you as it does to us!"

Leach further adds, "All of us are honored by Heaven Shall Burn covering 'Numbered Days.' That song truly kicked off an album for us that would change our lives. All these years later to have people still resonate with our music means the world to us. Now to have a band like Heaven Shall Burn cover it 23 years later is really wild! Grateful and very stoked to have been a part of the reshaping of this song and to hear someone else's take on it!"

Make sure to catch Killswitch Engage on their upcoming European tour, because "Numbered Days" isn't the only song from this legendary band that had a lasting impact on modern extreme music.

Another pending question is finally answered: After Heaven Shall Burn had to cancel some shows due to their singer Marcus Bischoff suffering from a severe infection of his vocal chords, the band is happy to announce that Britta Görtz from HIRAES will be filling in. "We have a plan!" says Bischoff. "Britta from HIRAES will fill in for me at the upcoming shows, so tomorrow in Kufstein as well as next weekend! Give her a warm welcome, show her what HSB fans are made of and make the shows something very special in the band's history! We are really looking forward to it! Things are already looking better for me, too! Your Molle and the HSB guys!"

 Get well soon and welcome Britta!

"Heimat" = German for "home/homeland/native land" — a term that merely refers to a relationship between people and spaces but has nevertheless always been highly emotionally charged. Often misused, it sometimes causes discomfort, lively discussions, and battles over interpretation.

Guitarist Maik Weichert comments, "Heimat is not meant as the narrow-minded end point in the sense it has been used by agitators and populists, but the starting point for observations and perspectives. The album is about a much wider sense of the term 'Heimat': The homelands for many different people and also about the spiritual home, something that shapes and determines our thoughts and actions."

Heaven Shall Burn took their time with the follow-up to Of Truth And Sacrifice, which reached No. 1 on the Official German Album Charts in 2020. Heimat was produced at the band's own studio, The Dude Ranch, which is run by guitarist Alexander Dietz. As in the past, Danish producer Tue Madsen took care of the mixing and mastering.

The Thuringians enlisted the renowned artist Eliran Kantor for the artwork, who previously crafted the artwork for Of Truth And Sacrifice. The centerpiece of the impressive triptych is a rearing stag — in its roaring variant a classic motif of wildlife painting, the epitome of kitsch and trivial art from the 19th and 20th centuries and interpreted by some as a symbol of patriarchy and capitalist competition, but here placed as a vital allegory of resistance amid an apocalyptic scene. He is flanked by a hunting lynx and a watchful owl, which complete the highly symbolic artwork concept as further elements of the triptych. As with Of Truth And Sacrifice, Heaven Shall Burn worked together with composer, producer and director Sven Helbig and conductor Wilhelm Keitel, this time supported by the Mondëna Quartet and the Ukrainian Sophia Chamber Choir.

HEAVEN SHALL BURN ARE:
Marcus Bischoff — Vocals
Maik Weichert — Guitar
Alexander Dietz — Guitar
Eric Bischoff — Bass
Christian Bass — Drums

NAILED TO OBSCURITY - Release Video For New Single 'Spirit Corrosion'

NAILED TO OBSCURITY are delighted to unveil another single from their upcoming fifth studio album, Generation Of The Void, which will be out on September 5th, 2025 via Nuclear Blast Records. With its captivating chorus, 'Spirit Corrosion' might be the band's most accessible song to date and perfectly underlines the record's nuanced and cinematic approach.

Alongside the single, a music video has been released, which you can watch below.

NAILED TO OBSCURITY commented:
"'Spirit Corrosion’ is one of those songs that hit us hard while writing — emotionally raw, yet powerful and strangely uplifting. We’re incredibly proud of how it turned out and can’t wait to finally share the song and video with you. It’s got one of the most captivating choruses we’ve ever written, layered with dynamic drumming and a deep sense of atmosphere."

With Generation Of The Void, NAILED TO OBSCURITY have crafted their most mature and expansive album to date. The album reflects the turmoil of the post-pandemic era, the shadows of war in Europe, and the relentless changes affecting all of humanity. Beyond its political and social commentary, the album also dives deep into personal struggles, confronting themes of dark emotions, depression, and fear. Every note, every lyric carries the weight of uncertainty and disillusionment, while no one knows what one will find within the void or beyond.


PRE-ORDER / PRE-SAVE GENERATION OF THE VOID:
https://nto.bfan.link/generation-of-the-void

STREAM THE SINGLE 'SPIRIT CORROSION':
https://nto.bfan.link/spirit-corrosion

WATCH THE VIDEO FOR 'SPIRIT CORROSION' below:

ABOUT NAILED TO OBSCURITY:

Formed in 2005 by guitarists Jan-Ole Lamberti and Volker Dieken, NAILED TO OBSCURITYstarted their journey as teenagers with an uncompromising vision. They released their independent debut Abyss in 2007, proving their resilience in an industry where many bands fade before they rise. With lineup evolutions in the early days and sonic transformations, the Germans honed their melancholic yet crushing sound, which reached new heights with Opaque (2013) and King Delusion (2017), released via Apostasy Records. These albums marked the first steps from a local underground act to a serious, globally touring band, following the arrival of vocalist Raimund Ennenga in 2012.

By 2018, NAILED TO OBSCURITY had earned a place among the greats, signing with Nuclear Blast and unveiling Black Frost in January 2019, an album that solidified their identity and positioned them on some of the biggest stages in Europe and North America. With bassist Lutz Neemann joining in May 2024, replacing long-time member Carsten Schorn, the current lineup was completed.

In 2022, NAILED TO OBSCURITY released the singles 'Liquid Mourning' and 'Clouded Frame', both of which are featured on Generation Of The Void. These tracks provided a glimpse into the band's evolving sound and set the stage for what was to come.

Now, after years of meticulous crafting and relentless touring, Generation Of The Void emerges as the next chapter—a visceral and evocative testament to the times.

NAILED TO OBSCURITY ONLINE:
https://linktr.ee/nailedtoobscurity

THE CHRIS SLADE TIMELINE Release a Visually Exicting Lyric Video for the Track "Time Flies"

THE CHRIS SLADE TIMELINE released the amazing lyric video for the track "Time Flies" from their new album "Timescape". 

 

You can watch the video below:

 

Chris Slade discusses the new video and song, "Time Flies, the song and the video was originally envisaged as a sort of sonic experiment. I only had the vaguest idea of a melody, but I knew I wanted the end of the lines to be repeated in echo. I'd demo'd half the song with Mike Clark (keyboards) help before I thought, "This needs a chorus".  The heartbeat etc. and the silences between sections was a very dangerous thing to have in the middle of a song. The inspiration for both song and video came from some meditation experiences both real and imagined. You'd be surprised if you knew which is real and which imagined. I've been doing zen meditation since early 1970s.  70s saw me meditating twice a day for 45mins each sitting, every day.  Even when travelling on tour with Manfred Mann's Earthband all over the world. I've never taken hallucinogenic drugs even while spending all my life, so far, in rock bands."

 

Chris continues, "The End of the Universe bought in James Cornford on guitar. It comes from the concept of the end of time itself which could be next Wednesday or 115, million, million, centuries away, or, whenever you can make it really.  The stars will literally go out one by one just like The Carpenters predicted."

 

Chris Slade

Sent from my Galaxy

THE CHRIS SLADE TIMELINE album Timescape can be purchased or streamed at: https://smarturl.it/ChrisSladeTimeline

THE CHRIS SLADE TIMELINE is:
Paul “Bun” Davis vocals
Stevie Gee vocals, Bass
James Cornford guitar, vocals
Mike Clarke Keyboards, guitar, vocals
Chris Slade Drums, vocals
 
Andy Crosby Bass on Sundance, Vengeance, Questions
Mark Veich Godden was playing bass liveshows for 2022

Chris Slade launched the band ‘THE CHRIS SLADE TIMELINE’ in 2012 to mark 50+ years as a professional rock drummer. For this project, Slade took on phenomenal vocalists STEVE GLASSCOCK and PAUL “BUN” DAVIS with the added stunning musical techniques of guitarist JAMES CORNFORD along with keyboard and guitar player MICHAEL J. CLARK you most certainly have a band to be reckoned with and worthy to mark Slade’s illustrious musical career.

This is a concept for Slade that will include performances from a varied set list from Tom Jones, Manfred Mann’s Earthband, Uriah Heep, The Firm, ASIA, MSG, David Gilmour, Gary Moore along with a fair degree of AC/DC numbers and many surprises to be unwrapped along the way.

"After all these years recording and playing with some of the world’s greatest rock musicians such as Tom Jones, Manfred Mann's Earthband, Gary Moore, Gary Numan, Denny Laine, Jimmy Page, Paul Rodgers, David Gilmour, Uriah Heep, Asia and of course AC/DC

About Chris Slade:
Slade started his career at the age of 16 with Tom Jones before he changed his name to Tom Jones, this included World tours and recording throughout the 60's.
 
Chris Slade was a founding member of 'Manfred Mann’s Earth Band' in January of 1971. He was to spend seven years with the band, recording eight albums and achieving three UK Top Ten singles in the process: 'Joybringer' (No. 9, October 1973), ‘Blinded By The Light’ (No. 6, September 1976 & a multi million selling #1 in the USA) and ‘Davy’s On The Road Again’ (No.6, June 1978). After 'Earthband' he spent 2 years with 'Uriah Heep.' A Year with Gary Numan and a year with David Gilmour in 1984.
 
He later teamed up with Jimmy Page, Paul Rodgers and bassist Tony Franklin to form 'The Firm'. They produced two excellent albums for Atlantic in 1985 and 1986 that gave them a few radio hits including 'Radioactive' and 'Satisfaction Guaranteed.'
 
Then Chris joined Gary Moore, taking over from Cozy Powell just four days before the start of the 1989 ‘After The War’ tour. It was at one of Gary Moore’s gigs in The UK that Malcolm Young saw Chris Slade play. After the tour it was Chris’s intention to put together a band with ex-Aerosmith guitarist Rick Dufay. But the call from AC/DC scuppered those plans as he was destined to tour and record with them over the course of the next five years, playing on their acclaimed 'Razors Edge' Album, and giving a killer performance on their concert DVD “Live from Donington”.
 
After his stint with AC/DC Chris joined the prog-rock band 'Asia', who (even with the many personnel changes over the years) had still been managing to churn out some excellent music. Chris recorded with them on their 2000-2004 studio recordings, 'Aura' and 'Silent Nation' , and put forth his 'trademark' energy-filled live performances on all the subsequent tours that ensued over five years in total.
 
In the 21st Century, for a period of 5 years, Slade played drums for German guitarist Michael Schenker before forming THE CHRIS SLADE TIMELINE in 2012.

 

https://chrisslade.com
https://www.facebook.com/ChrisSladeACDC
https://www.instagram.com/chrissladedrums
https://x.com/ChrisSladeDrums
https://www.instagram.com/the.chrisslade.timeline
https://www.bandsintown.com/a/5974162

Cryptopsy Release Eye-Popping New Single

After 30 years, Cryptopsy are no strangers to the spotlight. Since their ungentle exhumation from the Canadian underground in 1993, the Montreal natives have worn the horned crown as the most vile band in death metal. Their upcoming ninth album and first since winning a JUNO Award embodies the many malicious mutations that have defined their Hall of Fame discography. But while infectious, the latest single from An Insatiable Violence brutally illustrates that society's viral takeover isn't all it's cracked up to be.

"'Dead Eyes Replete' is one of the most brutal songs on our new album", vocalist Matt McGachy says. "It reaches into the depths of the sordid world of YouTube child stars and how parents rob them of their youth and innocence all in the name of greed".    

Watch the lyric video for "Dead Eyes Replete" below:

An Insatiable Violence comes out June 20 on Season of Mist.

Pre-order

https://orcd.co/cryptopsyaninsatiableviolence

Pre-save on Spotify

https://open.spotify.com/prerelease/68bFcUq3E7rilegbUCwexu?si=56ImYUobTLe2WyguJnMEFQ

RSVP for the Bandcamp Listening Party and chat with Cryptopsy about their new album before it comes out.

An Insatiable Violence Bandcamp Listening Party
Thursday, June 17 @ 1:30 pm ET

RSVP
https://cryptopsyofficial.bandcamp.com/merch/an-insatiable-violence-listening-party

The concept for Cryptopsy's upcoming new album appeared to vocalist Matt McGachy in an eerily prescient dream. But the latest single from An Insatiable Violence was inspired by the real life horrors of kidfluencing. "Nurture the chosen one", McGachy barks, opening "Dead Eyes Replete" with his freshly groomed death growls.

"We've played at least 140 shows since our last album", he says, "and all those reps have helped me deepen and darken my false chord screams".   

Just like a doe-eyed YouTuber is pounced upon by wolves waiting hungrily in the comment section, "Dead Eyes Replete" opens in unfiltered, all caps, attack mode. As Christian Donaldson bends his frets like a spotlight operator who's gone haywire, Flo Mounier rolls out carpet-bombing blasts beats with blinding precision. "Since our last album, I've developed new techniques that allow us to go even faster", says Mounier. His controlled chaos is still the force that binds Cryptopsy's bloodlust, though he managed to raise the eyebrows of their in-house producer. Blink and you may miss it, but lurking within the song's stuffed sockets is a trampling fill that resembles another powerhouse.

"I love John Bonham's playing", Mounier says. "I told Chris that we were leaving that part in there. It's the closest we're ever going to come to sounding like Led Zeppelin".

During death metal's initial spike in popularity, Cryptopsy quickly staked their claim as the scene's most brutal band of technicians. They never stop knifing between surgical tempo changes and filthy hooks, but An Insatiable Violence gouges deeper into the lascivious grooves that won them last year's Canadian Grammy for best Metal/Hard Music Album. "Beware the spotlight" McGachy flashes with his signature bat-like shriek just before bassist Oli Pinnard slams "Dead Eyes Replete" shut with a career-best breakdown.

The video for "Dead Eyes Replete" was created by B2crea.

In the wake of spreading bloodshed all over Europe with Decapitated, Cryptopsy are now fiending to feast on the new cuts from An Insatiable Violence with their ravenous fans across the U.S.

This fall, the band are joining brutal technical death metal pharaohs Nile on a 25-date tour of the East Coast, Midwest and Pacific Northwest. Joining them on this run are The Last Ten Seconds of Life and Cognitive. 

"We are so excited to bring An Insatiable Violence to the United States. It's a pleasure to tour amongst friends and this lineup is incredibly stacked!", Cryptopsy says. "Our new album was written for a live setting. The songs are more brutal and grooving so that people can really latch on and bang their heads". 

Cryptopsy's setlist for this tour will pull from the band's latest albums while mixing in revered classics. 

The Underworld Awaits Tour USA 2025 
September 12 - Raleigh, NC @ Chapel of Bones [TICKETS]
September 13 - Philadelphia, PA @ Underground Arts [TICKETS]
September 14 - Leesburg, VA @ Tally Ho [TICKETS]
September 16 - Brooklyn, NY @ Brooklyn Monarch [TICKETS]
September 17 - Hampton, NH @ Wally's [TICKETS]
September 18 - Hartford, CT @ Webster Hall [TICKETS]
September 19 - Lititz, PA @ Mickey's Black Box [TICKETS]
September 20 - Clifton, NJ @ Dingbatz [TICKETS]
September 21 - Rochester, NY @ Montage Music Hall [TICKETS]
September 22 - Cleveland, OH @ Mercury [TICKETS]
September 24 - Detroit, MI @ Sanctuary [TICKETS]
September 25 - Hobart, IN @ Hobart Art Theatre [TICKETS]
September 26 - Madison, WI @ The Annex [TICKETS]
September 27 - Minneapolis, MN @ Studio B Skyway [TICKETS]
September 28 - Belvidere, IL @ Apollo Theater [TICKETS]
September 29 - Sioux Falls, SD @ Bigs Bar [TICKETS]
October 1 - Billings, MT @ Pub Station [TICKETS]
October 3 - Seattle, WA @ El Corazon [TICKETS]
October 4 - Spokane, WA @ Knitting Factory [TICKETS]
October 5 - Boise, ID @ Knitting Factory [TICKETS]
October 6 - Salt Lake City, UT @ Urban Lounge [TICKETS]
October 7 - Denver, CO @ Oriental Theater [TICKETS]
October 9 - Des Moines, IA @ Wooly's* [TICKETS]
October 10 - Chicago, IL @ Reggie's* [TICKETS]
October 11 - Indianapolis, IN @ Hi-Fi Annex* [TICKETS]
*Nile, Cryptopsy and Cognitive only

With Cryptopsy’s latest career renaissance showing no signs of slowing down, the recent accolades are only the beginning. An Insatiable Violence reaches a new peak in a career loaded with them.

Lineup 
Flo Mounier - Drums
Matt McGachy - Vocals
Christian Donaldson - Guitar
Oli Pinard - Bass

Recording, Mixing & Mastering Studio
Christian Donaldson’s Studio

Production, Sound & Mixing Engineer
Christian Donaldson

Guest Musicians
Mike DiSalvo performs vocals on "Embrace the Nihility"

Cover Art
Martin Lacroix

Photography
Maciej Pieloch

Biography
Adrien Begrand

Pre-order & Pre-save
https://orcd.co/cryptopsyaninsatiableviolence


Booking agents
USA - Continental Touring

www.continentaltouring.us 


Europe - Avocado Booking
http://www.avocadobooking.com/

Follow Cryptopsy
Bandcamp:https://cryptopsyofficial.bandcamp.com/
Facebook:https://www.facebook.com/cryptopsyofficial
Instagram:https://www.instagram.com/cryptopsyofficial/
Spotify:https://open.spotify.com/artist/29PgYwTelpNl6370XLqFtN
Youtube:https://www.youtube.com/@CryptopsyDeathMetal
BandsInTown:https://www.bandsintown.com/a/2941-cryptopsy

ELECTROMANCY Unleashes Queer-Driven Black/Doom/Death Manifesto with Visions of Utopia

ELECTROMANCY, genre-warping, queer-driven force in extreme metal’s darkest realms, is excited to announce their new album, Visions of Utopia, out September 10th, 2025. The album is about composer, Steph Tranovich, and their journey of chronic illness. With themes of grief and healing, queer resilience and identity, technology and adaptation, and hope, healing and utopia this album serves as an inspiration, especially to those queer, disabled, or politically progressive, to going when times get tough.

Their first single, "Utopic Visions" is out now. A defiant invocation of hope amid hardship, the track confronts the realities of chronic illness and societal despair while daring to imagine a brighter future. Composer and vocalist Steph Tranovich calls it “a spell to summon Utopia, or as close to it as we can reasonably get.”

Musically, the song delivers a powerful blend of crushing low-end guitars, piercing highs, and swirling synths that build a hypnotic atmosphere, punctuated by glitch effects and Shaun Gallagher’s commanding, razor-sharp vocals. With its dense textures and emotional clarity, “Utopic Visions” captures the heart of ELECTROMANCY’s sonic alchemy—turning pain into purpose, distortion into resolve.

About ELECTROMANCY:

Forged at the intersection of grief, resilience, and radical creativity, ELECTROMANCY is a boundary-defying black/doom/death metal duo from the Bay Area blending blistering sonic chaos with DIY robotics and raw human emotion. Formed in June 2019 by composer and vocalist Steph Tranovich (they/them), alongside co-vocalist Shaun Gallagher (he/him), ELECTROMANCY uses custom-built robotic instruments as a form of assistive technology—enabling Steph to continue making music despite their chronic illness. Their discography, spanning from the brutal Technopagan to the emotionally complex Visions of Utopia, chronicles Steph’s journey through disability and healing, channeling pain, perseverance, and moments of cathartic joy. With influences like THOU, MESHUGGAH, and LITURGY, the band fuses intricate polyrhythms with avant-garde metal, while exploring themes of queer identity, grief, and radical strength. Their live shows are visceral, theatrical experiences—robot guitars and LED-lit mannequins sharing the stage with two unapologetically human voices. ELECTROMANCY isn’t just for metal fans—it’s for anyone searching for something different, something real, and something powerful.

 

ELECTROMANCY is:

  • Steph Tranovich (they/them) - composition, robotics, vocals

  • Shaun Gallagher (he/him) - vocals

Blackened Speed Metallers SADISTIC FORCE Release New Single "Strike After Strike"

Today, Austin, Texas-based blackened speed metal unit SADISTIC FORCE unleash their new single, "Strike After Strike," the second track revealed from their upcoming EP, 'Morbid Odyssey,' due out August 22nd. The single arrives alongside a lyric video, available to view below.

"Strike After Strike" features a blistering guest guitar solo from Matteo Von Bewitcher of the satanic speed metal band Bewitcher.

On the new track, SADISTIC FORCE comments:

"'Strike After Strike' is the spiritual successor to 'Strike Of The Iron' off of our debut album. The nonstop intensity of 'Strike After Strike' showcases the development of the SADISTIC FORCE sound. Matteo Von Bewitcher adds his signature guitar sound in a blistering guest guitar solo that meets the barreling barrage of riffs head on."

Matteo Von Bewitcher adds:

“Back in December, Bewitcher played a one-off show in Austin with Sadistic Force. The show went great, and that night James asked me to do a solo on their new record. I got home, knocked it out, sent it over, and they were into it. Later, I ran into Mike on tour, and he told me that track was their Judas Priest 'Painkiller' moment. That hit home, Bewitcher has songs like that too, so it was cool to be part of it. Shout out to the homies—can’t wait to hear the full record and see them hit the road.”

Watch the Lyric Video for "Strike After Strike" Below:

'Morbid Odyssey' is SADISTIC FORCE's most refined and punishing work yet. Mixed and mastered by Noah Buchanan (Nunslaughter, Midnight) at Mercenary Studios, the five-track EP showcases SADISTIC FORCE at their most ferocious and focused. Featuring blistering guest solos from Matteo Von Bewitcher (Bewitcher), Tony Rot, and Mark Pursino (Electrocutioner), the EP stands as a testament to their deep roots in traditional heavy metal, thrash, and extreme metal brutality. 

Thematically, 'Morbid Odyssey' plunges into psychedelic necromancy, artistic serial killers, satanic vengeance, and BDSM-driven nightmares, all set to a backdrop of unrelenting speed and power. From the eerie, drug-fueled visions of the title track to the witch-trial revenge fantasy of "Abnormal Cruelties," the EP burns with dark, cinematic storytelling and a razor-sharp edge.

On the new EP, the band comments:

"SADISTIC FORCE isn’t just another modern metal band—we’re a high-octane resurrection of metal’s golden era, dripping with raw energy, virtuoso musicianship, and a commitment to keeping heavy metal loud, fast, and unapologetically sinister. Our upcoming release, 'Morbid Odyssey,' is our most refined and punishing yet."

With 'Morbid Odyssey,' SADISTIC FORCE is setting their sights on domination—and they're ready to take on any label bold enough to unleash their fury on the world.

Pre-Order 'Morbid Odyssey' HERE

Meant to be listened to on 8-track in a '75 Camaro while passing a hash pipe and sipping beer from a pull-tab can, SADISTIC FORCE is the band who will restore the adjective "heavy" to metal music. Emerging from the dark heart of Austin, Texas, they deliver a blistering assault of blackened speed metal infused with old-school heavy metal spirit. Led by James Oliver(guitar/vocals), the band channels the raw intensity of classic acts Judas Priest, Motörhead, and the New Wave of British Heavy Metal while injecting the relentless aggression of extreme metal. 

Formed in late 2020, SADISTIC FORCE began as Oliver's vision of unfiltered, high-energy heavy metal-built on speed, attitude, and a horror-infused aesthetic. What started as a solo project quickly evolved into a full-throttle force of nature, as rock'n'roll bassist Mike Gupta and extreme metal powerhouse drummer JP Campo completed the lineup. The result? A band that seamlessly fuses vintage metal riffs, lightning-fast rhythms, and blackened vocals into a sonic onslaught that's as nostalgic as it is modern.

SADISTIC FORCE are:

James Oliver - Guitar/Vocals

Mike Gupta - Bass

JP Campo - Drums

The Estes Method Unveil Their Darkest Track Yet With New Single “I’ve Become”

Rising from the wreckage of raw emotion and creative defiance, THE ESTES METHOD returns with a haunting new single that dares to dig deeper than ever before. “I’ve Become” arrived June 9 — and it’s not just a song, it’s a mirror held up to the self.

Following the incendiary success of their breakout single “Reclaim”, The Estes Method pushes their sonic boundaries once more, crafting a track that is as devastating as it is beautiful.

“I’ve Become” confronts the internal war between self-destruction and the will to survive.

The song explores the physical toll of recklessness and emotional torment—where pain is both a consequence and a catalyst. The song follows the protagonist beginning to break free, and drawing strength from the very blood and suffering that once consumed them. It’s a declaration of resilience: pain won’t win and a stronger self emerges. “I’ve Become” is about transformation through darkness—embracing the scars and feeding the fire, one drop at a time.

LISTEN ON SPOTIFY

LISTEN ON APPLE MUSIC

THE ESTES METHOD BIO

THE ESTES METHOD is a female-fronted metal band forged in the shadows of Kansas City, MO. Blending haunting melodies with brutal riffs, they explore themes of personal ruin, rebirth, and the chaos in between. Fusing heavy metal with dark atmospheres and cinematic tension, their sound is a descent into emotional extremes — equal parts raw vulnerability and unrelenting power.

CARSEX Release 'Landmine' Video From "Human Interest" EP

Long Beach, CA Punk/Metal band CARSEX have released their ferocious new EP “Human Interest”, which is a deep dive into timely themes about the current state of our chaotic world.  They channel their anger and angst into 7 pummeling tracks.  The EP was produced by Steve Evetts (Sepultura, The Dillinger Escape Plan, Butcher Babies) at Maple Studios in Santa Ana, CA, and mastered by Alan Douches at West West Side Music in New Windsor, NY. 

 

The EP’s focus track “Landmine” is a heavy, chugging anthem that’s forges ahead like a sonic M1 Abrams Tank.  CARSEX singer Nigel Burk says “Landmine’ is a follow-up to our song “Your Lesson”, which delved into succumbing to various forms of temptation and how we’re taught to fear divine retribution if we fall prey to these desires.  “Landmine” takes it a step further - it’s akin to a bad acid trip where everything is distorted…    You come to the realization that there is no absolution and you’re going to burn anyway.  It’s like walking through a field of landmines – you’re going to blow up, no matter what you do”.

Director Chris Michael explains the “Landmine” video concept: “I teamed up with my buddies in CARSEX to bring their video “Landmine” to life. This track’s a banger, and I was honored to storyboard and shoot it. The concept dives into the effects of an acid trip: The cool blue colors for the initial calm, then harsh reds and awkward angles take over as the hallucinations hit. We swapped the mic for a grenade to push the hallucinatory theme further.”  He continues: “We were under red and blue lighting for hours so long we actually thought we were tripping…. Some of the guys swore the colors were shifting and moving.  Everything about the shoot stayed true to the theme: chaos, distortion, and the constant threat of land mines.”

CARSEX has previously released 2 songs from the EP - “Crooked Canvas” and “Sitting Ducks”, with both tracks gaining support on Heavy Music playlists including Spotify, Apple Music, Deezer, Pandora and Audiomack. The band’s other releases include 2019’s CarSex and 2020’s 2020 EP, which featured the singles “Your Generation” and “Lovesick”. The band is scheduling shows in support the EP release and will be doing an extended tour in the fall.

 

Live Show

Saturday, Sept. 6th - Supply & Demand - Long Beach CA

 

CARSEX:

  Nigel Burk - Vocals

Shane Lausch – Lead Guitar

Justin Jolley – Rhythm Guitar

Jeremy Schott – Bass

Jason Blaustein - Drums

   

Connect & Share with CARSEX

Official Website: https://carsexlbc.com/

Facebook: https://www.facebook.com/CARSEXLBC/

Instagram: https://www.instagram.com/carsexlbc/

TikTok: https://www.tiktok.com/@carsexlbc

AVERSIONS CROWN | ANNOUNCE THEIR NEW EP A VOICE FROM THE OUTER DARK OUT AUGUST 5TH + WATCH THE MUSIC VIDEO FOR THE TITLE TRACK

Emerging from Brisbane’s seething metal underground, AVERSIONS CROWN returns from the void with A Voice From The Outer Dark. The EP which will be released on August 5th via Nuclear Blast Records is a three-track statement of renewed intent, brutal evolution, and total annihilation. Marking the band’s first new material in several years, the EP represents a bold new chapter in both sound and vision.

Today, the band release a music video for the thunderous first track and title of the album, 'A Voice From The Outer Dark'. Watch the Matrix-esque music video directed by Colin Jeffs, below:


AVERSIONS CROWN comments, "This song marks the beginning of a new chapter for us. We’ve been quiet for a few years now, but that silence was the calm before something much heavier. A Voice From The Outer Dark is the first signal that we’re back, and this time we’re not coming in peace.".

Pre-order or pre-save A Voice From The Outer Dark EP, here:
https://aversionscrown.bfan.link/avftodep

A Voice From The Outer Dark captures AVERSIONS CROWN in a new phase of creative intensity. The EP distills everything the band is — and everything it’s becoming — into three tracks of sheer ferocity. Conceptually, the band continues to explore existential and cosmic horror themes, blurring the lines between science fiction and spiritual annihilation, channeling the sound of a world tearing itself apart from the inside out. The arrival of new vocalist Alex Teyen(formerly of BLACK TONGUE) signals a seismic shift.

A Voice From The Outer Dark was recorded in October 2024. It was produced by Lance Prenc and Edward Sklavos. Prenc was also responsible for the mixing and mastering while Sklavos handled the engineering. The cover artwork for the EP was created by Róbert A Borbás(aka Grindesign).

A Voice From The Outer Dark is the sound of a band reborn through fire, silence, and darkness — ready to reestablish their legacy and redefine deathcore in the process.

AVERSIONS CROWN is:
Alex Teyen | Vocals
Chris Cougan | Guitar
Mick Jeffery | Guitar
Jayden Mason | Drums

More information:
Facebook | Instagram | X | YouTube

Vestige Release Heavy New Single Ahead of Hellfest Debut

Ahead of their first-ever performance at Hellfest, today, Vestige are releasing a heavy new single. “Envy” is shaped by the scars of childhood trauma. The way the song flips between haunting post-metal atmosphere and hard melodic edge captures the volatile state between fragility and fury.  

Watch the blazing video for “Envy” below:

Stream

https://orcd.co/vestigeenvy

Vestige burst onto the modern metal landscape last year with their debut album Janis, but the band’s new single is rooted in deep psychological trauma. “Envy” finds vocalist and guitarist Théodore Rondeau returning to a cycle of domestic abuse, only to confront a parental figure’s jealous partner. “You never broke me / You tried”, he shouts, before pleading “Let me shine away from your controlling games”. Slowly and with deliberation, clean, sorrowful shoegaze gives way to eruptions of razor-sharp distortion and pummeling drums.

“Envy is always seen / It hides from your words”, Rondeau roars, naming and reclaiming what was almost lost.    

Vestige will perform “Envy” as well as songs from  Janis during their performance at Hellfest on Saturday, June 21.

Janis is now available on Season of Mist

Order & Stream

https://orcd.co/vestigejanis

The signing with Season of Mist brings the band’s first milestone, allowing VESTIGE to share their journey in the form of their debut album, Janis. Poised for release in late 2024, the album is a culmination of their collective efforts and a statement of the band’s arrival in the heavy music scene. Weaving through atmospheric shoegaze textures, melodic landscapes and intense, tormented moments that reflects the emotional spectrum of the human experience, the band established a foothold into the genre of modern metal.
 

Beyond the studio, VESTIGEis gearing up for a series of live performance in 2024, setting the stage for an introspective musical experience that brings raw and authentic energy. A cathartic release that pulls in the listener into the emotional depths the band has to bring.


Lineup:
Théo dore Rondeau - Vocals, Guitar

Thomas Petit - Guitar

Pierre-André Krauzer - Bass
Quentin Regnault - Drums

Photography & Video Production:
Mathieu Ezan

Stream & Order debut album ‘Janis’: https://orcd.co/vestigejanis

Follow Vestige:
https://linktr.ee/vestigemusic

Rex Tycoon Announce Upcoming Album "No Limit 2 Luv" + Release New Single via Smartpunk Records

Smartpunk Records welcomes rock n roll stars, Rex Tycoon, to their label roster and celebrates the announcement with a new album, "No Limit 2 Luv." On this record, the band doubles down on the fusion of power pop greatness, punk energy, and grooving riffs that define their music. For a taste of what to expect, the band shares the first glimpse of the upcoming record on their single "Jesus Drives."

Listen here.

Music video below.

Pre-order the album here.

Speaking about the new single, Rex Tycoon shares, "This song came about after a trip back home to my parents’ house around Christmas time. My grandmother was telling a story she loves to tell, about how after my grandfather passed away, when I was really young, I would ask her, “What kind of car does Jesus drive?” Because my grandfather was really into cars. I never got to know my grandfather very well since I was so young when he passed but this song sort of transformed into an ode to the kind of guy that I came to know him as from stories and photographs, the blue-collar, hard-working, salt-of-the-earth working class individual who’s back the world is built upon but who the world is nevertheless constantly spitting on in return. The song seemed to be a perfect fit for both the album closer and the lead single."

ABOUT REX TYCOON
In a fusion of power pop greatness, punk energy and grooving riffs, Rex Tycoon’s debut full-length No Limit 2 Luv (Smartpunk Records) shows off what makes the band so special. Bursting to life with “Rock ‘N Roll Star,” No Limit 2 Luv kicks off feeling stadium huge while lyrically professing a humble reality, the sound manifesting the kind of rock ‘n’ roll stardom this album deserves. Over the course of ten songs Rex Tycoon conjures the energy of beer-soaked basement parties as well as meandering, soul searching drives. It’s eclectic but consistent, showing the band’s flexibility and unique stylistic foundation. Guitarist and vocalist Austin Reesman’s knack for storytelling reaches its pinnacle with the album closer “Jesus Drives,” a bluesy, straight ahead rocker that relays the reality and drudgery of the working class people doing their best to survive under untenable circumstances.

Rex Tycoon may dabble in slacker rock, but there’s never been anything lazy about the way these songs come to life. Reesman, Joey Tiberio (guitar), Keith Tucker (bass, synth, vocals) and Jared Stalker (drums) have spent years fine tuning and self-recording infectious rock riffs and poppy hooks from Tucker and Stalker’s Pittsburgh basement. The band took their punk spirit out of the basement and into the studio for their Smartpunk debut No Limit 2 Luv. The album was recorded with Damion Schiralli at Russian Recording in Bloomington, Indiana and mastered by Mike Bridavsky (Russian Recording), and the result is a more spacious sound to reveal all the thoughtful details of Rex Tycoon’s songwriting. 

Whiskey Myers Preview 9/26 Album 'Whomp Whack Thunder' with "Tailspin," Out Now

Acclaimed Southern rockers Whiskey Myers continue to turn up the heat with the release of “Tailspin,” the second track from their highly anticipated seventh album, Whomp Whack Thunder, due Sept. 26 via the band’s own Wiggy Thump Records and available for preorder now. Listen Below.
 
Following the adrenaline-fueled lead single “Time Bomb,” the multi-Platinum independent band keeps the pedal down with “Tailspin,” a scorching track that captures the band’s signature swagger, blending gritty guitars, pounding rhythms and unflinching lyrics: I was cruising for a little while, but now I’m in a tailspin / If I’m going out, I’m going out in style / I’m headed for the bottom again.
 
Equal parts anthem and confession, “Tailspin” delivers a raw portrayal of life in freefall – chasing relief, clinging to vices and hoping for a parachute on the way down. The track’s unfiltered energy and hard-driving instrumentation showcase Whiskey Myers at their most urgent and unapologetic, further previewing what fans can expect on the forthcoming album.
 
Born from the piney woods of East Texas and shaped in the soul of Nashville during an immersive three weeks with renowned producer Jay Joyce – known for bringing edge, atmosphere and unpredictability to every project (Eric Church, Cage the Elephant, Halestorm, Lainey Wilson) – Whomp Whack Thunder is a strong statement from the genre-defying six piece. 
 
“We didn’t set out to chase a specific sound – we set out to make a Whiskey Myers record,” shared lead guitarist John Jeffers when announcing the project. “Jay pulled something out of us that’s raw and real, and every track’s got a piece of our story in it. This album’s about where we’ve been, what we’ve lived and the scars we earned along the way – and I think Whomp Whack Thunder might just be our most fearless album yet.”
 
Whomp Whack Thunder is the sound of a band at the height of its powers, marrying Southern swagger with arena-sized rock and soul-searching songwriting. Frontman Cody Cannon penned all 11 tracks solo, delivering stories that hit with the emotional weight of lived experience and the firepower of the band’s signature sound. From the breakneck energy of “Tailspin” to the introspective grit of “Icarus” and the raucous stomp of “Ramblin’ Jones,” it’s a record born of the road and shaped by nearly two decades of defiant, grassroots momentum.
 
The album features the full force of the band – Cannon (vocals, guitar), Jeffers (guitar), Cody Tate (guitar), Jamey Gleaves (bass), Jeff Hogg (drums) and Tony Kent (percussion, piano) – with Joyce also contributing keys, organ and guitar, crafting a sonic landscape that stretches from greasy blues-rock riffs to gospel-tinged country soul.
 
Ahead of the fall release, fans can catch early previews of the new music on the What We Were Born To Do Tour, kicking off today, June 6 and hitting cities across the U.S. throughout the summer. Whiskey Myers also co-headlines 14 dates of the Live in 25 Tour with Tedeschi Trucks Band later this year in addition to headlining their own personally curated Moon Crush “Whiskey Moon” music vacation taking over Miramar Beach, Fla. Nov. 7-9.
 
For more information, visit whiskeymyers.com and follow on social media @WhiskeyMyers.

Upcoming Whiskey Myers Tour Dates
What We Were Born To Do Tour
June 6  ||  Des Moines, Iowa  ||  Lauridsen Amphitheater at Water Works Park
June 7  ||  La Vista, Neb.  ||  The Astro
June 8  ||  Rapid City, S.D.  ||  The Monument – Summit Arena
June 10  ||  Bonner, Mont.  ||  KettleHouse Amphitheater
June 12  ||  Fargo, N.D.  ||  Scheels Arena
June 13  ||  Prior Lake, Minn.  ||  Mystic Lake Casino Hotel – Mystic Amphitheater
June 14  ||  Gary, Ind.  ||  Hard Rock Casino Northern Indiana
June 15  ||  Interlochen, Mich.  ||  Interlochen Center for the Arts – Kresge Auditorium
June 23  ||  Pittsburgh, Pa.  ||  Stage AE
June 25  ||  Johnson City, Tenn.  ||  Freedom Hall Civic Center
June 26  ||  Evansville, Ind.  ||  Ford Center
July 12  ||  Kansas City, Mo.  ||  Starlight Theater
July 17  ||  Macon, Ga.  || Atrium Health Amphitheater
July 18  ||  Birmingham, Ala.  ||  Coca-Cola Amphitheater
July 19  ||  Nashville, Tenn.  ||  Ascend Amphitheater
July 20  ||  Salem, Va.  ||  Salem Civic Center
July 22  ||  Manteo, N.C.  ||  Roanoke Island Festival Park
July 24  ||  Charlotte, N.C.  ||  Skyla Credit Union Amphitheatre
July 25  ||  Virginia Beach, Va.  ||  Virginia Beach Dome
July 26  ||  Richmond, Va.  ||  Allianz Amphitheater at Riverfront
July 27  ||  Cherokee, N.C.  ||  Harrah’s Cherokee Casino Resort
Aug. 16  ||  Highland, Calif.  ||  Yaamava' Theater
Aug. 27  ||  Toledo, Ohio  ||  Toledo Zoo & Aquarium – Amphitheater
Sept. 18  ||  Jonesboro, Ark.  ||  First National Bank Arena
Sept. 19  ||  Alexandria, La.  ||  Laborde Earles Coliseum
Sept. 20  ||  Brandon, Miss.  ||  Brandon Amphitheater
Sept. 25  ||  Austin, Texas  ||  Moody Amphitheater at Waterloo Greenway
Sept. 26  ||  Oklahoma City, Okla.  ||  Paycom Center
Sept. 27  ||  The Woodlands, Texas. ||  The Cynthia Woods Mitchell Pavilion
Oct. 9  ||  Chattanooga, Tenn.  ||  Soldiers and Sailors Memorial Auditorium
Oct. 10  ||  Greensboro, N.C.  ||  White Oak Amphitheatre at Greensboro Coliseum Complex

Live in 25 Tour with Tedeschi Trucks Band
Aug. 7  ||  Bend, Ore.  ||  Hayden Homes Amphitheater
Aug. 8  ||  Bend, Ore.  ||  Hayden Homes Amphitheater
Aug. 9  ||  Quincy, Wash.  ||  The Gorge Amphitheatre
Aug. 12  ||  Berkeley, Calif.  ||  The Greek Theatre at UC Berkeley
Aug. 13  ||  Los Angeles, Calif.  ||  The Greek Theatre
Aug. 15  ||  Stateline, Nev.  ||  Lake Tahoe Outdoor Arena at Harveys
Aug. 18  ||  Phoenix, Ariz.  ||  Arizona Financial Theatre
Aug. 19  ||  Albuquerque, N.M.  ||  Isleta Amphitheater
Aug. 23  ||  Noblesville, Ind.  ||  Ruoff Music Center
Aug. 24  ||  St. Louis, Mo.  ||  Hollywood Casino Amphitheatre
Aug. 26  ||  Cincinnati, Ohio  ||  Riverbend Music Center
Aug. 28  ||  Syracuse, N.Y.  ||  Empower Federal Credit Union Amphitheater at Lakeview
Aug. 29  ||  Vienna, Va.  ||  Wolf Trap
Aug. 30  ||  Vienna, Va.  ||  Wolf Trap
Sept. 1  ||  Gilford, N.H.  ||  BankNH Pavilion
 
Additional Dates
June 27  ||  South Greenfield, Mo.  ||  Baker-Spain Stampede
June 28  ||  Carrolton, Texas  ||  LIV Golf Dallas
Oct. 11  ||  North Charleston. S.C.  ||  Riverfront Revival Music Festival
Nov. 7-9  ||  Miramar Beach, Fla.  ||  Moon Crush “Whiskey Moon”

About Whiskey Myers
Genre-bending band Whiskey Myers have played nearly 3,000 live shows to ever-increasing crowd sizes since their emergence in 2007. In addition to headlining their own sold-out shows from coast to coast at iconic venues such as Red Rocks Amphitheatre and Ryman Auditorium, plus performing at marquee festivals Bonnaroo, Stagecoach, Download and more, the six-piece was also personally selected to open The Rolling Stones’ Chicago stadium show. The band is poised to begin their next chapter with their highly-anticipated seventh studio album Whomp Whack Thunder arriving Sept. 26 via the band’s own Wiggy Thump Records, with lead single “Time Bomb” available everywhere now. Their previous project, Tornillo, featured the No. 17 most-played Americana song of 2022, “John Wayne,” and followed breakthrough album Whiskey Myers, which debuted at No. 1 on both the Country and Americana/Folk sales charts, at No. 2 on the Rock chart and No. 6 on the all-genre Billboard 200 chart (No. 3 among new releases). In total, Whiskey Myers have sold more than 2.5 million albums and amassed over 3.7 billion streams while earning nine RIAA Gold, Platinum and multi-Platinum certifications as an independent band. Known for their high-energy live show and unique sound, the band praised by Esquire as “the real damn deal” has also earned sync success with features in Paramount’s hit shows “Yellowstone” (including an on-screen performance) and “Landman,” plus Netflix series “What/If,” Angelina Jolie film “Those Who Wish Me Dead” and CBS series “SEAL Team,” among others. USA Today describes their sound as “a riff-heavy blend of Southern rock and gritty country that has earned comparisons to the Allman Brothers Band and Led Zeppelin,” with Rolling Stone noting “it’s the seminal combination of twang and crunchy rock & roll guitars that hits a perfect sweet spot.”

PRESIDENT Share Latest Address With "Fearless"

PRESIDENT have revealed the next presidential address under the name of "Fearless." 

The powerful single follows on from the multi-million streaming debut proclamation of "In The Name Of The Father."

BE AMONG THE FAITHFUL.

Watch the video below or listen here.

Operating at the intersection of heavy music, electronic experimentation, and cinematic atmosphere, PRESIDENT doesn't conform to the traditional structures of genre or identity. Prioritizing intent over image and shifting the spotlight away from those who have created this movement, firmly onto the music itself.

PRESIDENT will make their debut at Download Festival on June 15.

PRESIDENT LIVE:
7/30 — The Garage — London (SOLD OUT)

OPETH Present Official "§1" Band Performance Video

Swedish 2025 Grammi winners OPETH are pleased to unveil a full-on band performance video for "§1." The track is taken from their current success album The Last Will And Testament (released on November 22, 2024 through Moderbolaget / Reigning Phoenix Music), which was highly praised by press and fans alike and saw frontman Mikael Åkerfeldt return to growling vocal territory for the first time in 16 years. Their new material has additionally been warmly welcomed during their ongoing world tour, which is why the video arrives right in time as their touring cycle commences at the legendary Sweden Rock Festival today.
 
Åkerfeldt states: “So here’s a video (of sorts) for your ‘enjoyment.’ We had requests left, right & centre to do one of them measly ‘lyric videos’ or ‘visualizers’ for ‘content.’ Now, right there are three words I despise! I’ve made it clear in our circle of trust that we shouldn’t use the word ‘content’ even if that’s exactly what we’re working on. We’re not some goddamn influencers, now are we? So can we please settle on the old-fashioned word ‘video’ without meddling with modern online lingo? And a video is what it really is. A performance video, no less. We figured it’s a bit more happening to look at (should you decide to do so) than a lyric video. ‘§1’ is the opener on “The Last Will And Testament.” A good song. I like it! The video looks good. As good as it can look when involving 5 middle-aged, slightly hungover geezers miming along to something. We shot it in some industrial area in Birmingham (UK) on the latest Euro tour. Everyone (well, the band and crew) were quite eager to get out of there as we had dinner planned at a fancy curry house locally. Much thanks to Ash Pears and ASH TV, who were really professional (ie: quick!) and made the whole experience rather easy on us. Hope you dig it, people!”
 
Watch the video Below:
Order/stream The Last Will And Testament: https://opeth.rpm.link/lastwillPR

OPETH’s 14th album was written by Åkerfeldt, with lyrics conferred with Klara Rönnqvist Fors (THE HEARD, ex-CRUCIFIED BARBARA). The Last Will And Testament was co-produced by Åkerfeldt and Stefan Boman (GHOST, THE HELLACOPTERS), engineered by Boman, Joe Jones (KILLING JOKE, ROBERT PLANT), and OPETH, with Boman, Åkerfeldt, and the rest of the band mixing at Atlantis and Hammerthorpe Studios in Stockholm. The strings on The Last Will And Testament were arranged by Åkerfeldt and Dave Stewart (EGG, KHAN) and conducted by Stewart at Angel Studios in London. Not one to miss a beat, visual artist Travis Smith returns to the fold, crafting his 11th cover, a haunting ‘photograph’ reminiscent of Stanley Kubrick's infamous Overlook Hotel photograph. Miles Showell (ABBA, QUEEN) also revisits mastering and vinyl lacquer cutting at Abbey Road Studios in London.
 
Åkerfeldt rolls out the red carpet for storied flutist and JETHRO TULL leader Ian Anderson. Not only do Anderson’s signature notes fly on "§4" and "§7," he narrates on "§1," "§2," "§4," and "§7." Joining Anderson, EUROPE’s Joey Tempest lends a backing vocal hand on "§2," while Åkerfeldt's youngest daughter, Mirjam Åkerfeldt, is the disembodied voice in "§1."
 
The Last Will And Testament is gripping from start to finish, jaw-dropping inside and out, representing some of OPETH’s finest material to date. Just as OPETH welcomed many into its distressed arms over the years, the Swedes again deliver on the promise that great music always tells a compelling story - this time with growls we had not heard since the 2008 Watershed.
 
More from “The Last Will And Testament”:
"§1 [Radio Edit]" OFFICIAL AUDIO:
https://www.youtube.com/watch?v=bwDrIelXirY
"§1 [Radio Edit]" OFFICIAL LYRIC VIDEO:
https://www.youtube.com/watch?v=nZmFQE3TlPA
"§3" OFFICIAL AUDIO:
https://www.youtube.com/watch?v=7Ph5o3xpJ_8
"§4" OFFICIAL LYRIC VIDEO:
https://www.youtube.com/watch?v=UenLRXki8KA
The Last Will And Testament ALBUM COMMENTARY:
https://www.youtube.com/watch?v=LKldtkUJocw
 
Additional drum, guitar and bass play-through videos can be found at https://www.youtube.com/@opeth.

OPETH are:
Mikael Åkerfeldt | vocals, guitars
Fredrik Åkesson | guitars, backing vocals
Martín Méndez | bass
Waltteri Väyrynen | drums, percussion
Joakim Svalberg | keys, backing vocals
 
More on OPETH:
opeth.com | Facebook | Instagram | X | YouTube | Spotify | Apple Music | RPM

OLD MACHINES Unleash First Single from The Cycles of Extinction

Cosmic harbingers OLD MACHINES are excited to announce their debut album,The Cycles of Extinction, out August 22nd, 2025. Their first single, "The Sundering of the Irradiated Sons, and the Rebellion Sparked by the Gene-Plague", is out now.

The song tells a story of The Irradiated Suns, once heroes of war, and their spiral into chaos as overpopulation and bloodlust render them uncontrollable. Sterilized by a gene plague, they now roam as deadly mercenaries seeking purpose. Musically, the track blends thrash, black, and death metal with catchy 90s power metal flair—delivering a triumphant yet grim anthem that's become a fan favorite and the band's first single.

OLD MACHINES comments on the album and what lies ahead for the band, stating "This is not a little project we began for fun, but a journey we intend to embark on together.  Some members might come and go as years pass, but the members of the band Old Machines will remain as a collective to warn society of the dangers the real Old Machines present to all living organic life.  Nobody ever knows when they will break free from hibernation, as these are only rumors we pick up from the cosmos.  What we do know is that we have already begun recording Act III and that we will do our best to HOLD THE LINE against these unholy terrors from the black abysmal vortex."

About OLD MACHINES:

From the darkest depths of the oceans of time and space comes a legend over two billion years old, which has spawned a multitude of harrowing galactic sagas. These stories arrive to us in the form of the debut album from OLD MACHINES titled The Cycles of Extinction, featuring eight songs regarding mysterious, malevolent horrors, which create the very extinction cycles all organic life forms are forever trapped in.  These are tales of horror, war, and genocide, spanning eight tracks for one hour of music which can be described as Extreme Cosmic Metal; combining elements of thrash, death, black, and power metal.  If any of this story sounds familiar, it may be because we have re-conceptualized plots from our favorite video games with a series of concept albums in chronological order, while musically, for now, being in the vein of bands such as BAL SAGOTH, EMPEROR, LIMBONIC ART, OBSIDIAN GATE, combined with the story-telling element of BLIND GUARDIAN. The Cycles of Extinction will be the first in a series of concept albums from OLD MACHINES, an ongoing project with current and former members of OXYGEN DESTROYER, SKELETAL REMAINS, SILVER TALON, THIRSTING ALTAR, and DOMINUS NOX. There will be more of such epics in this fashion because...extinction...is only the beginning....


OLD MACHINES is:

  • Gary Reavis - Vocals

  • Jason Stares - Keyboards

  • Brian Rush - Guitar

  • Devon Miller - Guitar

  • Joel Henigson - Bass

  • Chris Craven - Drums

CARBONSTONE Fires Back with Explosive NEW Single “STANDOFF” feat. Jonny Santos of Spineshank

"STANDOFF" to me is about betrayal, defiance, and reclaiming power. Reflecting on a chaotic relationship where trust was shattered and where manipulation ran deep. It’s about once being vulnerable and unsure and then eventually rising up, standing firm and refusing to be controlled or broken any longer. 

The repeated confrontational refrain — “come and get a piece of me” — is a bold challenge to the betrayer, turning pain into strength. The song builds from confusion and heartbreak into full-blown resistance, ending in a decisive emotional and personal standoff. - Corey James

BIO:

Rising from the shadows of Baltimore’s underground, CARBONSTONE is the sonic embodiment of raw emotion, industrial grit, and modern aggression. Fusing elements of nu-metal, industrial rock, and electronic chaos, the band delivers a sound that’s as brutally honest as it is addictively infectious. Think pounding grooves, razor-edged riffs, and a voice that shifts from melodic sorrow to throat-tearing rage in a heartbeat.

Led by the relentless vision of frontman Corey James, CARBONSTONE is a resurrection story forged in trauma, redemption, and absolute defiance. After years of silence, the band roared back to life—stronger, darker, and more venomous than ever.

Their rebirth was carved into the steel of their breakout album “Dark Matter”—a dark, cinematic odyssey produced by acclaimed engineer Tony Correlli (Deep End Studio), whose signature production sharpened the band’s sound into a weapon. The album tore through expectations, racking up over 1 million streams and igniting a loyal cult following of fans who crave music with teeth

CARBONSTONE'S latest evolution sees collaborations with heavy-hitters like

Jonny Santos of Spineshank, pushing their sound into even more volatile territory. Whether it’s the adrenaline-soaked “Standoff” or the brooding menace of earlier tracks like “AM Trauma”, Carbonstone isn’t just making music—they’re setting the fuse to explode the status quo.

This isn’t just a band. It’s a war cry.

Carbonstone is here to burn it down and build something real from the ashes.

Welcome to the uprising.

See CARBONSTONE

at INKCARCERATION Music & Tattoo Festival on Saturday July 19!!

dead7 Drop "PLEASE" Video" (Feat. Marcus Vik)

dead7 will drop their new album LOVE WHAT YOU CAN WHILE YOU GOT SOMETHING LEFT TO LOVE on July 11 via SharpTone. Pre-order it here. 

On the album, the St. Louis, MO quintet — Jason Kozik [vocals], Dexter Greer[guitar], Tim Quinn [guitar], Stephen Salyer [bass], and Zach Guinn [drums] — temper guitar-driven grooves with electronics, atmospheric keys, and evocative vocals. Simultaneously, death and romance become interchangeable, rotating around an axis of relatable emotional turbulence.


dead7 have dropped the video for "PLEASE." The track features a guest appearance from Invent Animate's Marcus Vik.

Watch it Below:

"We were making a joke about being kind of horny, and we tried to encapsulate it," Kozik says about the song's interesting origin story. "It's about the highs of relationships. If you say, 'Please,' you could tell me to do anything. It doesn't matter, just ask nicely. It has our ridiculously low guitar tones that we love, but it also feels like a pop song. We really wanted to have fun with this one."

Fun, indeed!

Armed with this boundary-breaking style, dead7 initially rose up out of St. Louis during 2022. Following "unwanted" and "bite it," the group collaborated with Nathan Johnson of Fox Lake on "heaven only knows." Meanwhile, "tape mouth" surged with over 433K Spotify streams, paving the way for the new pain collection EP and all time does is pass and all i do is remember EP. Along the way, they packed headline gigs and graced the bills of festivals such as POINTFEST with Incubus, Bad Omens, Coheed and Cambria, The Pretty Reckless, and more. In late 2024, they caught the attention of Sharptone Records and inked a deal with the label. Hitting the studio, the band reteamed with frequent collaborators and producers Caleb Freihaut and Ben McGuiness to record what would become LOVE WHAT YOU CAN WHILE YOU GOT SOMETHING LEFT TO LOVE. This time around, the guys nodded to inspirations such as Loathe, Bring Me The Horizon, and Three Days Grace.

British Rock Sensation INGLORIOUS Releases New Studio Album 'V' via Frontiers Music Srl

Acclaimed British hard rock band INGLORIOUS is thrilled to release their highly anticipated new studio album, “V,” out now via Frontiers Music Srl. To celebrate, the band has released a new track, "Say What You Wanna Say," alongside a visualizer, available to view below.

Vocalist Nathan James commented on the new single:

“’Say What You Wanna Say’ is the kind of track that all the INGLORIOUS fans are going to love. It's that high energy high tempo vibe with lots of punch, but also with a bit of a twist. Colinwrote this musically and I love the chorus. It's a big tune and one I'm really looking forward to doing live”.

Bassist Colin Parkinson added:

“The track is a statement of attitude with a punk meets Mötley Crüe feel. Nathan was very open to changing up vocal styles and trying new approaches on this, which has worked really well. I look forward to playing this one live!”

 

Watch the Visualizer for “Say What You Wanna Say” Below:

INGLORIOUS returns with frontman Nathan James and original bassist Colin Parkinson. Nathan James, who founded the band in 2014, has been singing professionally for 20 years. He has performed/recorded with artists such as Ginger Baker, Uli Jon Roth, and The Trans-Siberian Orchestra.

More recently, he has appeared in Jeff Wayne’s musical version of The War Of The Worlds, Steve Steinman’s Vampires Rock Symphonic, 80’s Classical, and Zeppelin Symphonic. Nathan also fronts Supergroup Iconic, under the Frontiers roster featuring Michael Sweet, Joel Hoekstra, Marco Mendoza, and Tommy Aldridge.

In 2022, after a lengthy UK tour, INGLORIOUS announced a hiatus. After seven years of non-stop touring with bands such as The Winery Dogs, Steel Panther, The Dead Daisies, Last In Line, as well as their own international tours and festival appearances, recording four original albums, a live album and a covers album, everyone felt it was the right time to take a break.

Nathan is now back, looking forward to unleashing his powerful voice, and he joined forces once again with original INGLORIOUS bass player and main co-writer Colin Parkinson, who co-wrote and released the first three albums with the band: 'Inglorious,' 'II' and 'Ride To Nowhere.'

Joining them is renowned guitarist Richard Shaw, best known for his work with English extreme metal band Cradle Of Filth, as well as NG26, Emperor Chung, and Plague Of Angels. Richard brings exceptional musicality and a fresh energy to the band’s sound.

On drums, longtime friend of Nathan, Henry Rogers, completes the lineup. A celebrated musician, Henry has played with Touchstone, Mostly Autumn, Mia Klose, and Mark Kelly’s Marathon and has earned accolades such as “Drummer Of The Year” in Classic Rock Prog Magazine and Rhythm Magazine’s list of influential progressive drummers.

Produced by Colin Parkinson, 'V' was mixed by Tony Draper, who also worked on 'Inglorious II' and 'Ride To Nowhere,' ensuring the album retains the band’s signature sound while exploring new heights.

About the new album, James stated:

“In the summer of 2023, I sent a message to Colin and asked him if he wanted to come for a pint. A few meetings and writing sessions later, we had more than an album’s worth of great material, and I can honestly say I've enjoyed every second of creating this album with him and the new lineup. Colin has always been a great songwriter, and over the years we've both matured as artists, writers, performers, and people. This is going to be a great year for INGLORIOUS and I'm excited to welcome Colin back and to share this new music with everyone”.

Parkinson adds:

“I am extremely happy to be returning to INGLORIOUS after a while away. It’s the right time to get some kickass new music out there for the fans and to focus on the future. Writing and recording with Nathan again has been the easiest it’s ever been; it all flowed so well. We’ve all played and sang our asses off on these songs and I know the new album will not disappoint!”

Order 'V' HERE

INGLORIOUS are:

Nathan James - Vocals, backing vocals

Colin Parkinson - Bass guitar, /acoustic guitar, electric guitar, keys, percussion

Richard Shaw - Electric guitars

Henry Rogers - Drums, percussion

Tony Draper – Keys

Final Chapter of FERMENTOR’s Trilogy Agreement Set for August 15 Physical Release

Brutalambient instrumental duo FERMENTOR is excited to announce the physical release of their new album Agreement, landing August 15th, 2025. This 17-track release marks the third and final chapter in a bold instrumental trilogy, following 2023’s Mind Meld and 2025’s Release Me. Agreement takes listeners on an immersive ride through the crushing weight of death metal, blended with the sweeping, improvisational textures of post-rock.

It’s a sound that’s both fierce and fluid—raw, yet meticulously layered. FERMENTOR thrives in the tension between chaos and control, fusing looping grooves, sharp dynamics, and free-form intuition into something that defies easy categorization.

Drummer Dylan Marks, who also performs with legendary progressive death metal band ATHEIST, brings added firepower and recognition to the release. His reputation in the extreme metal world offers a compelling entry point for new listeners, while also underscoring the technical depth that runs throughout Agreement.

The band shares, "Agreement isn’t just another release—it’s the final step in a bigger experiment. From Mind Meld to Release Me, and now this, we’ve been exploring how far we can push instrumental music emotionally and technically. This record is the closing statement."

FERMENTOR is:

  • Dylan Marks - Drummer

  • Adam "Wally" Wollach - Guitarist

About FERMENTOR:

FERMENTOR is a San Diego-based two-piece instrumental metal band formed in 2008 by drummer Dylan Marks and guitarist Adam “Wally” Wollach. Relying solely on drums and guitar as contrapuntal voices, the cousins discovered their chemistry while recording their first EP, Matanzaa, within four weeks. After a brief time living on opposite coasts, they reunited to release two EPs: Fermentor (2011) and Rate of Cognition (2015), gaining a reputation for their explosive, high-energy performances alongside acts like BEHOLD!... THE ARCTOPUS AND CAPTURED BY ROBOTS. Their first full-length album, Continuance (2020), showcased progressive, intricately arranged compositions and introduced their first music videos, including the acclaimed "Seventh Circle". In 2023, Mind Meld marked a new peak in production quality and maturity, recorded live without click tracks, earning critical acclaim and expanding their fanbase. The 2024 FermenTOUR brought their unique sound to West Coast audiences, followed by the 2025 release Release Me, a 17-track fully improvised album spanning multiple genres, shared weekly with accompanying videos to great acclaim. Not slowing down, FERMENTOR announced another 17-track improvised album, Agreement, continuing their exploration of looping and genre-defying music. In 2025, they plan to tour again, committed to sharing their evolving artistic vision worldwide.