Hollywood Undead Drop New Single "Hollywood Forever"; Sign To Sumerian Records

  HOLLYWOOD UNDEAD 

Drop Brand New Single  

“HOLLYWOOD FOREVER”  

Listen HERE | Watch Below

Announce Signing with Sumerian Records and Reintroduce Iconic Masks 

Los Angeles, CA – Hollywood Undead, the multi-platinum rap-rock powerhouse, have launched the next chapter of their storied career today with the release of brand new single “Hollywood Forever”, an anthemic tribute to the exceptionally special bond the band have with their enduringly loyal fanbase. The track, accompanied by an official music video, marks the band's first release under their newly inked deal with globally renowned independent label, Sumerian Records. Fans can stream “Hollywood Forever” HERE and watch the music video HERE - which, alongside the artwork for the single, has revealed the reintroduction of the band's iconic masks, each with a brand new, dramatic design from legendary prosthetic artist Jerry Constantine, that matches the band’s larger than life personas.

“Hollywood Forever” embraces the band’s trademark edge, both lyrically and sonically. Never pulling punches when it comes to gritty vulnerability and authentic honesty, the track perfectly displays the reason Hollywood Undead have such a deep and unbreakable connection with their fans whilst also honoring it. Sharing their excitement for the new release Johnny 3 Tears shares "This song is for the fans. They’ve allowed us to live out our dreams and simple words can’t express our gratitude - so we wrote this for them"

Hollywood Undead In 2024 | Credit Travis Shinn

The release of “Hollywood Forever” heralds the start of an exciting new partnership between Hollywood Undead with Sumerian Records, a label known for championing boundary-pushing acts in the rock and alternative scenes. The deal signals a fresh chapter for the band and ignites the fuse on a new season of creativity, continuing to push boundaries, buck trends and shape pop culture without seeking permission or approval. “It’s refreshing to find a group of people who share the same vision and are as passionate as we are about this next chapter for Hollywood Undead” Says Charlie Scene “Our idea of what this band could be has never seemed so possible. Excited to get started.” Ash Avildsen, founder and CEO of Sumerian Records adds “Hollywood Undead is a band who are unapologetically themselves. They are authentic, diehard for their art and never back down from taking a chance for what they believe. In an era where so much has been vitiated, these gents carry the torch for the attitude of rock that made me fall in love with it as a kid.”

As Hollywood Undead moves forward, the band is looking back to the fans who helped shape their path. From their breakout hits like “Undead” and “Everywhere I Go”, to recent anthems like “City of the Dead” and “House of Mirrors” featuring rock-country crossover star Jelly Roll, the band's ability to adapt while staying true to their roots has ensured their longevity. Their continued success is a testament to the fierce loyalty of their fanbase and the relentless dedication of the band. Hollywood Undead continues to dominate across digital platforms. The band has now surpassed an astonishing 3.1 billion cross-platform streams and over 1 billion YouTube views, cementing their status as one of the most streamed rock bands of their generation with an ever-evolving sound that continues to resonate with a global audience. You’re not going to want to miss the next era of one of modern rock’s most important and enduring bands, so stay tuned for more coming from Hollywood Undead soon.

ABOUT HOLLYWOOD UNDEAD

Since the release of Hollywood Undead’s RIAA platinum-certified 2008 debut album, Swan Songs, their distinctive and infectious music has incited a cult audience of millions of fans, resulting in sold out shows across the globe, in addition to receiving nods in the press from the likes of Consequence of Sound, Billboard, Alternative Press, Rolling Stone, and Revolver. The quintet has also garnered massive mainstream appeal, with their 2011 sophomore record, American Tragedy, going gold and hitting #4 on the Billboard Top 200 chart. Now, with over 3.1 billion cross-platform streams, 1 billion YouTube views and 4.1 million monthly Spotify listeners, they have firmly cemented their place as one of the most influential bands of the 21st century. Now signed to Sumerian Records, Hollywood Undead and with the release of their brand new single, 'Hollywood Forever', the band are poised for their most exciting chapter yet.

EPICA - Unveil Haunting Music Video For New Single 'The Ghost In Me (Danse Macabre)' In Collaboration With De Efteling

Dare to dance with the dead! Dutch symphonic metal titans EPICA have unleashed their eeriest creation yet, the spine-chilling music video for 'The Ghost in Me (Danse Macabre),' a haunting track that lures listeners into a world where shadows dance and the afterlife whispers. This song is a unique collaboration with Europe’s second-most visited theme park, Netherlands’s magical DeEfteling, and their much-anticipated new attraction, Danse Macabre.

Drenched in ghostly imagery, the video mirrors the unsettling thrill of De Efteling’s new ride, which opens its gates on October 31st, right in time for this Halloween season. Ever since their childhood, every member of EPICA has loved this theme park that welcomes over 5 million visitors per year. Therefore, this collaboration was a true match made in the otherworld.

Submerge yourself now in the music video which was filmed right inside and in front of the new attraction - and as if this wasn’t already exciting enough, the band even received their very own “Epica gravestone” that you can spot, if you look closely.

EPICA’s keyboard player, Coen Janssen, comments:

“Every kid in the Netherlands knows how magical ‘de Efteling’ is, and working this closely with the most beautiful theme park in the world surely is a dream come true! As a young boy, I immediately got captivated by the “Danse Macabre” by Saint-Saëns as a soundtrack for their haunted house “Spookslot”. So when ‘de Efteling’ announced their new plans for the ghostly attraction “Danse Macabre” all pieces of the puzzle fell into place immediately: Why not combine our symphonic side with the ’scary’ side of metal and do our version of this epic classical piece?!? We are so happy that ‘de Efteling’ trusted our vision and gave their full support, providing us with the new ride's storyline, so we could write lyrics fitting the fantastic narrative and even add a new chapter!”
 
‘The Ghost In Me (Danse Macabre)’ lures fans into a darkly enchanting dance with the dead in this YouTube video and will also appear on all streaming platforms soon… when more of Epica’s next chapter will be unveiled.

The song has already made its live debut at the band’s monumental 'Symphonic Synergy' shows in Amsterdam this September, and fans in Latin America will have the chance to be the next to hear it live at two shows that EPICA will perform exclusively with a full orchestra and choir.

LA psychrock outfit Tombstones In Their Eyes reveals trippy video for 'I Like To Feel Good'

American psych-gaze outfit Tombstones In Their Eyes present the visuals for their new single 'I Like to Feel Good'. The video itself, oscillating between electrified stage performances and scenes from a chilled drive through LA, seemingly reflects the transformation inherent in this song's lyrics, expressing how one's inner strength and individuality can be a catalyst for positive change.

Espousing a heavier sound than the two earlier-released singles from this album - 'Sweet as Pie' and 'I'm Not Like That' - 'I Like To Feel Good foreshadows the band's 'Asylum Harbour' album, out on November 19 via Kitten Robot Records, which sees TITE mainman pull past the pain, numbness and chaos reflected on their previous album 'Sea of Sorrow'.

Based in Los Angeles, Tombstones In Their Eyes is made up of long-time members John Treanor (vocals & guitar), Stephen Striegel (drums), Courtney Davies (vocals) , Phil Cobb (guitar) and Paul Boutin (guitar), along with new band members Joel Wasko (bass) and Clea Cullen (vocals).

"'I Like to Feel Good' has probably my favorite verse of any song that I’ve written. It’s the second long verse and it was written in a stream of consciousness fashion.  I don’t believe that I changed any of the words that came out in that first pass. And it really hit home. It summed up my existence, thinking that my sensitivity was a burden and a malady, only to find that it is a gift that I can use to make life better," says John Treanor.

"Beyond that verse, it also has a really cool wah part leading from the main verse to the last chorus. The part only lasts thirty seconds or less but it came out so good. And I love the overall vibe and sound of the song, it sounds super fuzzy and driving (in the verses especially)."
 
Recorded at Kitten Robot Studios in Los Angeles and  co-produced by John Treanor, this album was produced and engineered by Paul Roessler (45 Grave, Twisted Roots, The Screamers, Nina Hagen), also known for his work with Josie Cotton, Hayley and the Crushers and Gitane Demone.

Tombstones In Their Eyes began a decade ago as a demo-swapping exercise between two childhood friends separated by geography (John Treanor in LA and James Cooper in NYC), but soon blossomed into a full-fledged band and a healthy stream of expansive music that is laced with fuzzed out psychedelic majesty. 

For John, writing and performing has always been a way to deal with anxiety and depression, to speak about a subject without being the centre of the conversation, and to express oneself in a subliminal way rather than directly. This music looks out into the universe as much as it looks inward toward the soul. 

Named after a maritime phrase for a safe place to wait out a storm, 'Asylum Harbour' is an album of resurfacing, reflecting a new phase of healing after re-emerging from the pandemic. Treanor shares, "The album has been ready for some time, so it’s a relief to get it out.... Now we get to go out and play the songs from the new record live." 

'I Like to Feel Good' is out now, available everywhere online, including Spotify, Apple Music and Bandcamp. The full 'Asylum Harbour' album, available November 18 on snazzy red vinyl, CD and digitally, can be pre-ordered directly from Kitten Robot Records or via Bandcamp.

CREDITS
John Treanor - vocals & guitar
Paul Boutin - guitar & backing vocals
Phil Cobb - guitar
Stephen Striegel - drums & percussion
Nic Nifoussi - bass
Courtney Davies - harmony & backing vocals
Paul Roessler - keyboards, harmony & backing vocals
David Murphy - Pedal Steel guitar on 'I'm Not Like That'
Recorded at Kitten Robot Studios in Los Angeles, CA
Produced and Engineered by Paul Roessler
Co-produced by John Treanor
Mastered by Alex DeYoung at DeYoung Masters
Digital album UPC 198595938096
CD catalog #KR20241-CD  (UPC 706091205507)
Vinyl album catalog #KR20241-LP (UPC 706091205514)
 
VIDEO CREDITS
John Treanor - Director
Joel Wasko - Producer
Jon Beanland - Director of Photography & Colorist (for Last Bookmobile Productions)
Jessica Baclesse - Editor (for Last Bookmobile Productions)
Amy Hu - Hair and Makeup
David Hannah - PA


Keep up with Tombstones In Their Eyes
Website | Bandcamp | Facebook | Instagram | Twitter | YouTube | Soundcloud | Spotify | Apple Music | Press contact

Keep up with Kitten Robot Records
Website | Facebook | Instagram | Twitter | YouTube | TikTok

Keep up with Shameless Promotion PR
Website | Facebook | Twitter | Instagram | Soundcloud | Link edIn | Email

Skillet Support Hurricane Relief Efforts + Share New Single "Ash In The Wind"

22x platinum, GRAMMY-nominated rockers SKILLET are offering an exclusive limited run of "All that Matters" and "Ash in the Wind" tees with 100% of all funds going toward Hurricane Relief efforts across Florida, Georgia, North Carolina, South Carolina, and Tennessee.  The band will make donations to Samaritan's Purse and its work across the five-state region.

"We are heartbroken to see the devastation caused by Hurricane Helene and Hurricane Milton," the band said in a statement. "We have played shows in some of the cities that were hit and they are special places for us. We are partnering with organizations who have boots on the ground, helping get those who are impacted the long-term resources they need."

This past Friday, the band released their latest focus track, "Ash In The Wind," from the upcoming album, REVOLUTION, out November 1. The song received a very warm welcome, debuting at No. 1 on the iTunes All-Songs chart. 

Listen to + watch the stunning visualizer video bellow. 

Next week, SKILLET will embark on their first-ever tour of the Middle East. The band will be playing in Turkey, Kazakhstan, United Arab Emirates, and more. All dates are viewable at Skillet.com.

The album's first single, "Unpopular," premiered on SIRIUS XM's OCTANE channel, is climbing the Active Rock radio chart and has received over 5M streams, and 1.5M views of its music video. The last focus track, "All That Matters," resonated loudly with military families and saw them support VET TIX where donating a concert ticket for every preorder of REVOLUTION placed between 9/25 and 10/1.

REVOLUTION, for which the band has a limited number of signed CDs available in the band's pre-order store, is expected to only extend Skillet's formidable legacy. As of 2024, the band have received two GRAMMY® Award nominations, picked up a Billboard Music Award, and landed three albums in the Top 5 of the Billboard 200. Selling over 22 million units worldwide with over 24 billion global streams to date, SKILLET have notched multi-platinum, platinum, or gold RIAA certifications for a total of 12 singles and four full-length albums. Their latest RIAA Gold certifications just hit this summer with the tracks "Legendary" and "Stars."  Not to mention, they have regularly attracted 10 million monthly listeners on Spotify alone, boasting “one of the most-streamed rock songs of all-time” with the 5x-platinum "Monster."

ABOUT SKILLET:
After nearly three decades, eleven albums, and thousands of shows worldwide, Skillet play louder, fight harder, and sound more rebellious than ever. As of 2024, the band have received two-time GRAMMY® Award nominations, picked up a Billboard Music Award, and landed three albums in the Top 5 of the Billboard 200. Selling over 22 million units worldwide, they have notched multiplatinum, platinum, or gold RIAA certifications for a total of 12 singles and four full-length albums. Not to mention, they have regularly attracted 10 million monthly listeners on Spotify, boasting “one of the most-streamed rock songs of all-time” with the 5x-platinum “Monster.” Their presence has impressively surged throughout popular culture with syncs by WWE, Marvel, ESPN, and NFL in addition to coverage from USA Today, The New York Times, and more. As a live force of nature, they have touched down on four continents and in 26 countries, packing arenas everywhere from the Middle East to Russia. Not to mention, Skillet expanded their world with the graphic novel series EDEN. The first installment stood out as Z2 Comics’ best-selling book of all-time. Now, the global hard rock quartet — John Cooper [lead vocals, bass], Korey Cooper [guitar, keys], Jen Ledger [drums, vocals], and Seth Morrison [lead guitar] — deliver an insurgent, infectious, and inimitable body of work with their twelfth full-length offering and first-ever independent album, REVOLUTION, led by the single "Unpopular" and focus tracks "All That Matters" and "Ash In The Wind." 

The Great Old Ones Return with More Lovecraftian Lore

Cast from deep within the mist of Bordeaux, France, The Great Old Ones weave the chilling tales of H.P. Lovecraft into otherworldly black metal. With four albums under their cloaks, the band are masters of the unknown, the unseen and the unconquerable.

"Unlike so many of their contemporaries in the current black metal scene, they morph the stale post-black aesthetic into something monumental and individualistic, a sound that re-imagines post-black metal through an uncommonly aggressive lens", Angry Metal Guy wrote about their last collection of cosmic tales.  

Now, five years after Cosmicism, The Great Old Ones are back with a new dark and mountainous album that blurs the line between fantastical wonder and horrifying dread. Kadath opens with its lead single and opening song "Me, The Dreamer", a two-part epic that tosses and turns like an accursed bout of insomnia.

Kadath comes out January 24th, 2025 on Season of Mist.

Pre-save & Pre-order

https://orcd.co/tgookadath   

Watch the harrowing visualizer for lead single "Me, The Dreamer below:

"Me, The Dreamer" follows Lovecraft's strapping young hero and fictional stand-in Randolph Carter. Always one to keep his head in the clouds, Carter embarks on a mind quest through the treacherous Dreamlands. But, as the divine gods of old would have it, his night time journey is barred by unspeakable perils that push him closer to brink of sanity. 

A name is whispered which chills the spine and quickens the pulse – THE GREAT OLD ONES. Like phantoms emerging from the fog, they have haunted the world of Lovecraftian Black Metal with their sonorous, foreboding melodies and eldritch tales. Descending once more into the abyss of H.P. Lovecraft's enigmatic universe, they have unearthed their latest opus, Kadath - an album that promises to be a journey of both magnificent dreams and unspeakable horrors.

 

THE GREAT OLD ONES emerged in 2009 from the old parts of the ancient Aquitanian harbour city of Bordeaux, France, a city famed for its secrets and deep red wine. After releasing their first album, Al Azif, the reactions of critics and fans were unanimously positive.

 

The band followed up with their second full-length, Tekeli-li, which garnered even higher praise. As a result, THE GREAT OLD ONESplayed a show at the acclaimed Roadburn festival, opened for BEHEMOTH in their homeland, played at Hellfest, and supported label mates SHINING and DER WEG EINER FREIHEIT.

 

The third full length, EOD – A Tale of Dark Legacy, (2017) marked another big step in the band’s fast rising career. The five-piece took the road with the legendary GAAHLS WYRD and embarked on a successful European co-headline tour with AUÐN from Iceland. THE GREAT OLD ONES also appeared on the billing of respected festivals, such as Brutal Assault and Eindhoven Metal Meeting, in front of a gigantic crowd of cultists.

 

THE GREAT OLD ONES have been crafting sonic landscapes that echo with the cries of ancient, cosmic deities and the whispers of forgotten realms. Their discography masterfully showcasing the sheer power of atmosphere and narrative, and has guided listeners through the darkest corners of Lovecraft's mythos, earning them a devoted following among both metal aficionados and acolytes of the macabre. With their unique blend of harrowing intensity and sombre beauty, they have captured the essence of the otherworldly, marrying it with the raw, blackened heart of metal.

 

Kadath marks a bold departure from the oceanic depths of the Cthulhu mythos, venturing instead into the Dreamlands. It is here that we follow the protagonist, Randolph Carter, as he seeks the fabled city that haunts his visions. The album resonates with his longing and determination, embodying the treacherous path he treads amidst the capricious gods and monstrous entities that dwell within this twilight realm. Through seven tracks, THE GREAT OLD ONES tortuously narrate Carter’s odyssey, transcending the boundaries of music to evoke a world where fantasy intertwines with terror.

 

Recorded under the vigilant eye of Francis Caste at Studio Sainte-Marthe, Paris, Kadath's production is nothing short of sorcerous. Each note and whispers are imbued with the power to transport the listener, offering an escape into an epic, immersive universe. Benjamin Guerry’s haunting vocals and guitars, alongside the mesmerizing contributions of Aurélien Edouard and Alexandre Rouleau on guitars, the deep resonance of Gregory Vouillat's bass, and the relentless assault of Julian Deana's drums, forge an album of unmatched emotional depth and technical prowess.

 

Thus, behold the latest chapter in their eldritch saga, Kadath - their unyielding quest to explore the outer margins of reality and imagination. An invitation to journey beyond the familiar, into a world of cosmic dread and awe-inspiring beauty, where the ancient gods still roam and dreams bleed into reality.

Line-up:
Benjamin Guerry - Guitars, Vocals
Aurélien Edouard - Guitars
Hugo Bernart - Guitars
Gregory Vouillat - Bass
Julian Deana - Drums

Recording Studio:
Recorded at Studio Sainte-Marthe, Paris, France

Production Credits:
Produced, Mixed & Mastered by Francis Caste at Studio Sainte-Marthe, Paris, France

Biography:
The Great Old Ones, with additions by Sébastien Gamez

Cover Art:
Jakub Rebelka

Photographer:
Daphnea Doto & Solweig Wood

Pre-order & Pre-save: https://orcd.co/tgookadath

Follow The Great Old Ones:
Website: https://www.thegreatoldonesband.com/
Bandcamp: https://thegreatoldones.bandcamp.com/
Facebook: http://www.facebook.com/thegreatoldones
Instagram: https://www.instagram.com/thegreatoldonesofficial/
YouTube: http://www.youtube.com/user/thegreatoldonesband
Spotify: https://open.spotify.com/artist/1U6VZQrgQ4CNXbS6FpP0QC
Deezer: https://www.deezer.com/en/artist/4377965
Apple Music: https://music.apple.com/artist/the-great-old-ones/596465875 
TIDAL: https://tidal.com/browse/artist/5475055

TESTAMENT | PRACTICE WHAT YOU PREACH AVAILABLE IN PHYSICAL FORMATS + RELEASE LYRIC VIDEO FOR 'TIME IS COMING'

In the Summer of 2023, iconic Bay Area thrash metal pioneers TESTAMENT announced they entered a new partnership with Nuclear Blast which secured the first 6 albums of their catalog in the United States. Starting in late 2023 the band saw the re-release of the first two albums. Now the time has come for the reissue of the 3rd album in the genre defining catalog, the band’s seminal 1989 album Practice What You Preach. The original master of the album will now be available as a CD, an orange bone swirl LP, a limited edition orange cassette (700 worldwide), and a limited edition long box (CD, sticker, and button, limited to 500).

Amidst the current climate of politics around the world, TESTAMENT offers fans a fitting anthem via a lyric video for the track 'Time Is Coming'.

Watch the lyric video for 'Time Is Coming' below:

Pre-order the reissue of Practice What You Preach on the format of your choice here:
https://testament.bfan.link/practice-what-you-preach

TESTAMENT is currently on the final dates of 'Klash of the Titans' North American tour with labelmates and co-headliners KREATOR. Next month, the band will head overseas as special guests for a monstrous union between German thrash titans, KREATOR, and US metal monsters, Anthrax. This unmissable line-up will kick off their 18-date trek in Manchester on November 21st and will conclude in Den Bosch on December 15th. 

Tickets are on sale and are expected to sell quickly for this highly anticipated tour, between three of the genre’s most legendary bands. Purchase the tickets at www.testamentlegions.com 

TESTAMENT + KREATOR's 'Klash Of The Titans North American 2024'
w/ special guests POSSESSED
23-Oct-2024 U.S. - Albuquerque, NM - Albuquerque Convention Center
24-Oct-2024 U.S. - Phoenix, AZ - The Van Buren
26-Oct-2024 U.S. - Los Angeles, CA - Palladium
27-Oct-2024 U.S. - San Francisco, CA - The Warfield

THE HYPOTHESIS Unleashes New Album "Evolve" with Single/Video "Watch The World Burn With Me"! ​  

Today, Finnish progressive metal act THE HYPOTHESIS is celebrating the release of their new album entitled "Evolve", out now on Noble Demon. To fuel the flames of excitement, THE HYPOTHESIS has unveiled a music video for their latest single, 'Watch The World Burn With Me', directed by Teppo Ristola and Juuso Turkki. 

Speaking about the track, the band reveals: "The song tells the story of an individual who sacrifices everything for immortality, only to lose themselves and be banished by the gods, eternally damned and abandoned among the stars. In exile, they summon demons to join them in watching the world burn, finding solace in their shared destruction."

Watch the video for 'Watch The World Burn With Me' below:

Hailing from the darkened realm of Kouvola, Finland, THE HYPOTHESIS was founded in 2009 as a melodic metal entity driven by the desire to break free from genre constraints and evolve with each musical endeavor. With former members now playing in renowned bands such as Opeth and Stratovarius, THE HYPOTHESIS is a powerhouse quartet with a relentless drive for musical excellence.

Emerging on the scene with their debut album "Origin" in 2016, followed by successful single releases in 2018, THE HYPOTHESIS signed with Noble Demon in 2024, marking a significant milestone in their musical journey. With the just-released album "Evolve", fans of bands like Gojira, Textures, and Tesseract can anticipate a captivating sonic experience that pushes the boundaries of progressive metal.

"Evolve" is out now on Noble Demon and available for streaming at 

THIS LOCATION

THE HYPOTHESIS are:
Juuso Turkki - Vocals, Guitar
Asko Sartanen - Guitar, Backing Vocals
Markku Ruuskanen - Bass, Backing vocals
Otso Tiilama - Drums

 

 

For More Information Please Visit:

THE HYPOTHESIS Online:

Instagram

Instagram

Facebook

YouTube

Noble Demon Online:

https://linktr.ee/nobledemon  

Hawaiian Country Act MAOLI Releases New Collaboration With Brett Young "Broke Heart Break"

South Pacific Country music is coming to the mainland. Hawaiian Country artist Maoli (Mah-oh-lee, meaning “native”) has a new single, "Broke Heart Break" [LISTEN below]––a collaboration with multi-platinum singer/songwriter Brett Young––available now on all platforms with ONErpm and Huff Co., who entered into a joint venture last year.

 

“I want people in the Country community and the world to know how special we are as a people and the connection we have with Country music,” says Maoli. “Country music isn’t just a pair of boots I’m trying on. It’s the boots I wear every day, there’s just a little sand in them.”

  

Maoli was raised by cowboys and has lived in the Hawaiian countryside his entire life. His lifestyle has guided his music, perhaps best described as island-influenced country. He’s amassed a dedicated fan base throughout the Pacific Rim and Caribbean and is already popular on the West Coast. Now he’s ready to share his brand of Country music with the rest of the mainland.

 

Maoli was already a big fan of Brett Young’s music, so it’s only fitting his new release is a collaboration with Young. “I covered the song ‘In Case You Didn’t Know,’ and it was a big hit in the South Pacific,” he explains. After Maoli covered several more of Young’s songs, Young reached out on Instagram. As they talked back and forth, Maoli discovered Young’s fondness for Hawaii. The next time Young visited Maui, the two met for dinner and agreed they should do a song together. “And that’s how the collaboration came about,” Maoli says. 

Young, whose No.1 hits include “In Case You Didn’t Know” and “Mercy,” says, “The day Jesse [Frasure] and I wrote this song, I knew it belonged with a special artist. I had been a HUGE Maoli fan for some time, but it wasn’t until I met him for dinner last year in the islands that I realized he was the perfect fit.” Young continues, “The fact Maoli wanted me to be a part of it with him was an absolute honor, and I think this song is going to be a big ole hit!”

 

Now, Maoli is introducing “Broke Heart Break” as the lead single off his new album, slated for release next summer. “Broke Heart Break” is a bittersweet country collaboration featuring island vibes and instrumentation: 

About Maoli(Mah-oh-lee) 

Maoli has developed a huge following at live concerts and online, including fans in the Pacific Rim, Caribbean and on the West Coast. Follow along:

·      YouTube Channel Views 239M

·      Spotify Monthly Listeners 857K

·      Pandora Streams 119M

·      Tik Tok Followers 665K and Likes 5.7M

·      Instagram Followers 496K

·      Facebook Followers 435K

 

For more information on Maoli, visit maolimusic.com

About ONErpm 

ONErpm is a leading next-generation music company and record label operating globally in 43 locations powered by a staff of 600. At its core, ONErpm offers label services to artists seeking to elevate their careers and operates one of the world’s largest music distribution platforms and YouTube Multi-Channel Networks. Offering a full suite of services that includes marketing support, supply chain tools, SAAS, business intelligence, publishing, accounting and global payment solutions, ONErpm provides the infrastructure needed to help creators and content owners succeed. As a trusted partner, ONErpm emphasizes transparency in everything it does, from executing a marketing campaign to making payments.

US alt-rock duo THE YETS announce sophomore album, sharing lead track 'Define The Man'

South Carolina-based alternative rock duo The Yets presents their new single 'Define The Man', a reverie-laden appetizer previewing the main course. Their debut album 'Pinup Girl', to be released in the new year, showcases their evolution as artists, blending modern and classic rock elements to create music that feels both fresh and timeless.  

Based in Myrtle Beach, The Yets features the creative synergy of guitarist-producer Craig Anderson Snook and vocalist Robin Wilson, both natives of the state. Their collaboration fuses Craig’s dynamic guitar work and production expertise with Robin’s rich, emotive vocals, resulting in a sound that is both powerful and distinctive.  Further highlighted by their multi-instrumental performance abilities, The Yets have developed a sound which is truly their own.  From composing to performing to production, Craig and Robin are a “duo” in the most genuine sense of the word.

"This is an introspective and emotive song capturing the complex feelings of an adult women grappling with the distant memory of a man she loved. Set against the backdrop of her childhood bedroom, the song creates an intimate atmosphere that draws listeners into her reflective state," says Robin Wilson.

"As she lies in the bed of her youth, surrounded by relics of her past, the verses paint vivid images of a man who was physically present yet emotionally absent.  There is a longing for understanding woven into a tapestry of regret as she questions who he truly was and how his absence shaped her identity."

The chorus rises with poignant intensity, expressing her struggle to reconcile the man she barely knew with the echoes of his influence in her life.  It embodies her desire to understand him – to “define the man”- even as she acknowledges it’s too late.  The melody swells with emotion, blending sorrow and acceptance, as she confronts the impact of their incomplete relationship on her present-day self.  

In 2022, The Yets made their debut with a critically acclaimed eponymous EP, praised for its melodic sophistication and emotional resonance. They are now ready to release their full-length album 'Pinup Girl', which showcases their evolution as artists, blending modern and classic rock elements to create a sound that feels both fresh and timeless.  Their music is marked by lush, atmospheric instrumentation, soulful melodies, and a seamless fusion of modern and classic rock influences, establishing The Yets as a distinctive presence in the alternative rock scene.

Craig Anderson Snook, who played guitar for several popular bands in the 1980s, such as Gross Negligence, brings decades of musical experience to the duo.  Robin, well known for her extensive touring with rock groups Skirt and  Bachelors of Art (B.O.A.), adds depth and passion to their music. Craig’s intricate compositions provide the perfect backdrop for Robin’s voice to soar, creating immersive and atmospheric landscapes that push the boundaries of alternative rock.

As of October 22, the 'Define The Man' single will be available fine online music stores and streamable via Spotify. The full album, out on February 7, can be obtained digitally or on CD directly from the band via Bandcamp.

CREDITS
Written and performed by Craig Anderson Snook & Robin Wilson
© 2024 Craig Anderson Snook/Robin Wilson Snook (BMI)
Robin Wilson - vocals, other instruments
Craig Anderson Snook - guitars, other instruments
Recorded, mixed and produced by Craig Anderson Snook at 3’s in Myrtle Beach, SC
Mastered by Jay Matheson 
Videos created and produced by The Yets
Album and website art by Robin Wilson
Website design by The Yets
Band photos by Gordon & Jill Backman
Publicity by Shameless Promotion PR

Keep up with The Yets
Website | Facebook | Bandcamp | Instagram | Twitter | Soundcloud | YouTube | Apple Music | Spotify | Amazon | Press contact

Keep up with Shameless Promotion PR
Website | Facebook | Twitter | Soundcloud | Instagram | LinkedIn | Email

Athens post-punk outfit Vision Video releases visceral third album 'Modern Horror'

Athens, Georgia post-punk outfit Vision Video presents their third album 'Modern Horror', an 11-track offering that dives headlong into the viscera of atrocity that we see in our modern world. In related news, Vision Video just won the 2024 FangoriaChainsaw Awards Editor's Eyeball Award and has also just been announced as part of the lineup for the Sick New World Festival in Las Vegas.

Earlier, the band previewed 'Stay' and 'In My Side (Modern Horror Version)' and, most recently, 'Dead Gods', a scathing critique of those who use dogma and ideology to justify violence and authoritarianism.

Formed in 2020 by Dusty Gannon, whose character videos featuring "Goth Dad" have won the hearts of hundreds of thousands of followers, and Emily Fredock, Vision Video creates intense and uncompromising goth rock with a message. Injecting malaise into classic post-punk and new wave, this is refreshingly modern while paying homage to artists like the Chameleons and the Cure.

Moving in a very different sonic direction, the band worked with Grammy Award-winning producer Ben Allen (Erasure, Animal Collective, Washed Out, Deerhunter), who recorded and mixed this album at Maze Studios in Atlanta. Mastered at Abbey Road Studios by Frank Arkwright (The Smiths, New Order, Joy Division, Primal Scream, Blur, Mogwai), this album features cover artwork by Ryan Dunn

'Modern Horror' goes to much darker and acidic places than earlier releases, leaning into Gannon’s experiences as an anti-war Afghanistan veteran and former firefighter-paramedic and drawing attention to the systematic disenfranchisement and seeming hopelessness of current world circumstances. An unrelenting exposition on real-world horrors, this record warns against further war and brutality.

"Writing 'Modern Horror' has been an outlet for my reflections and frustrations of the current state of America and the world at large. I see a lot of regression happening in the world and it is so disheartening to me. Having been through a war personally, then being a paramedic-firefighter during the pandemic, I started to see these shifting and cracking fault-lines in the way that everything worked. I think we're watching the failure of untenable systems, like unbridled capitalism, colonialism and religious fundamentalism. Instead of allowing them to die off, the powers-that-be are doubling down and it is causing a lot of unnecessary atrocities and hardship to occur," says Dusty Gannon.

"I am a huge fan of horror films because they serve as a kind of bizzaro-mirror for us to analyse societal problems, so I wanted this record to be that dark mirror. This record has a lot of "horror" imagery and metaphor use. Another reason I decided on the name "Modern Horror" is because "horror" (or fear, as it is) is an inversion of "love", so it's a cheeky nod to Bowie's "Modern Love" which is one of my favorite songs. There are a couple lyrical nods to that throughout the record as well."

Presenting a larger, more refined sound than earlier Vision Video offerings, 'Modern Horror' maintains its grit under the nails. Charged with anger and frustration, it does not lose its sense of direction or its listenability. The guitar work is fierce and dissonant, but still melodic. Vocally and lyrically Gannon belts and cries out in a pleading, yet controlled manner. Emily Fredock, utilizing vintage synths, creates gorgeous and haunting melodies that remain in your head well after the record stops, while newcomer Ryan Houchens’ drumming gives new energy to the band with a keen sense of ferocity.

"I've been through some really unimaginably awful experiences and they will live with me for the rest of my days. I went through a time in my life where I tried to compartmentalize those memories and push them into a place in my mind where I thought they would remain buried, but I found that to be futile and it always came back to the surface with more vigour and ill-affect.  I now understand that we have to bring these awful things into the light, and examine them head-on, which is essentially the point of the entire album," says Gannon.

"There's an axiom of horror films that I think is relevant here: If you show the monster too much in a horror film, it becomes less scary. The special effects makeup or the mask of the monster slips and shows the superficiality of it, and you understand that it has no actual power over you. I hope this record does that for people to these seemingly insurmountable problems like war and genocide. We can do something about these things, but it requires understanding and unflinching examination. We have to overcome the fear and challenge these things directly."

Vision Video's first two albums 'Inked in Red' (2021) and 'Haunted Hours' (2022) - both recorded and mixed by Tom Ashton of The March Violets - were met with critical praise, with Pitchfork calling their music "tailor-made for the sort of wallflower who sprints to the dancefloor the instant the DJ drops 'Age of Consent' or 'Primary' at Goth Night". Vision Video has made the covers of Auxiliary Magazine and Fangoria Magazine. To date, they've completed eight major tours in North America, the UK and Europe.

On October 22, the 'Modern Horror' album will be released on vinyl and everywhere digitally, including Spotify, Apple Music and Bandcamp. 

CREDITS
Written by Dusty Gannon and Emily Fredock
Dusty Gannon - vocals, guitar, bass
Emily Fredock - synth
Ryan Houchens - drums
Recorded & mixed by Ben Allen at Maze Studios in Atlanta
Mastered at Abbey Road Studios by Frank Arkwright
Cover artwork by Ryan Dunn
Publicity by Shameless Promotion PR

Keep up with Vision Video
Webite | Bandcamp | Store | Facebook | Instagram | Twitter | TikTok | YouTube | Spotify | Apple Music | Songkick | Press contact

Keep up with Shameless Promotion PR
Website | Facebook | Twitter | Soundcloud | Instagram | LinkedIn | Email

Loss Becomes Share "Broken Mirrors" Video — WATCH // New Album "Sonder" Out 1/21

LOSS BECOMES — Brian Tsao, guitar; Will Gomez, bass; Anthony Copozzi, vocals; Anthony Lopardo, guitars; Sean Ageman, drums — have shared their brand new single "Broken Mirrors."

The song will live on the band's forthcoming album, Sonder, out January 21 of next year.

Watch the video for the song, which features guest vocals from Killswitch Engage singer Jesse Leach, below.

"This song is pretty much summed up as a conversation about OCD, something I've dealt with as far back as I can remember. So the idea of 'bad luck' has always been a funny thing that I've both been afraid of and laughed at continuously," says Copozzi.

He continues, "Working with Jesse was one of the best moments in my musical career. He's someone I've looked up to for many years, and now, I'm able to call him my friend. It's an honor and a privilege to work with someone that can challenge you and step up your game, while also helping craft your art into something bigger and better. What a dream come true."

Loss Becomes have booked some East Coast shows next month, with much more touring planned for 2025.  All confirmed dates are below.

LOSS BECOMES LIVE SHOWS:
11/14 — Brooklyn, NY — Lucky 13 Saloon*
11/15 — Poughkeepsie, NY — Reason & Ruckus**
11/16 — Ambler, PA — Off Kilter*
*Headline Show with Luxury Funeral
*With Halo Bite + Luxury Funeral

ABOUT LOSS BECOMES:  
Hailing from Queens and Long Island New York, Loss Becomes are not your typical metal band. Guitarist, YouTuber, and Chef/Owner of Mission Sandwich Social, Brian Tsao, has put together a band like few others. Accompanied by long time friend Will "Doc" Gomez (Johnny Cage is a Fake, Tiger Flowers), Anthony Copozzi (Thracian), Anthony Lopardo (Westfall Recording company), and Sean Ageman (Washed Up Media), Tsao and his bandmates have shaped Loss Becomes into a unique blend of metalcore with flashes of nu metal, hardcore thrash, and more. Having initially crafted their sound during the depths of the pandemic, Loss Becomes journey hasn't always been an easy one. After several years of hard work, the end product has been unleashed upon the world to critical acclaim. The music is unforgivingly aggressive with Anthony Copozzi’s ferocious enthusiasm heard on every lyric, giving the band what can only be described as a full aural assault. Loss Becomes are hungry and are forgetting their manners. Having performed alongside such acts as Alien Weaponry, Darkest Hour, Dr.Acula, Dying Wish, Extinction AD, Moon Tooth, Norma Jean, Swollen Teeth, and more, the band is no stranger to the stage. Loss Becomes are ready and able to take on all challenges regardless of genre and deliver a crushing live set. 

"Madam President" Available Now by GRAMMY® Winning Americana Duo Mark & Maggie O'Connor

The seven time CMA-winning instrumentalist Mark O’Connor teamed up with his wife Maggie, and Country Music Hall of Fame songwriter inductee Gary Nicholson to pen “Madam President.” It’s a song about the 2024 Presidential Election and Vice President Kamala Harris. Mark and Maggie recorded the song in the studio and filmed an official music video available below.

Mark O’Connor says, “Maggie and I had the idea to write a song “Madam President” about the fact that Vice President Kamala Harris could break that final glass ceiling in America."

The duo called their good friend, legendary Nashville songwriter Gary Nicholson and shared the title and some potential lines for the song, and as Mark shares, "He took off running with it, a writer of so many hit songs!" The songwriters went back and forth on lyrics a few times until it all came together. Mark further adds, "I set it all to music with Maggie delivering on the message of this song in the beautiful way she can. We hope it inspires more people to the polls to vote for freedom and democracy!”

About Mark and Maggie O’Connor

Mark O’Connor, a three-time Grammy winner and seven-time CMA Musician of the Year, is a legendary multi-instrumentalist famous for his work on fiddle, guitar and mandolin. He is also a ground-breaking American classical composer known for pieces like “Appalachia Waltz” and “The Fiddle Concerto.” Georgia native Maggie O’Connor, also a Grammy winner, earned a master’s degree in classical violin performance from the famed Peabody Conservatory in Baltimore before returning to her own Americana music roots in the O’Connor Band and releasing the album with Mark, Life After Life.

Embed Block
Add an embed URL or code. Learn more

Defeated Sanity Shred Like Maniacs on New Single

Ever since their maniacal mastermind picked up his first pair of sticks at the tender age of six, Defeated Sanity have found newly inventive ways to spin death metal on its deformed head. This band of technical headbangers have broken onto the Billboard charts with jazz-infused chaos and even recorded a proggy split with...themselves?

But on their upcoming seventh album, Defeated Sanity are returning to the brutal slamming that cemented their legacy. The latest single off Chronicles of Lunacy is still plenty twisted, but "Accelerating the Rot" now stands as one of the fastest songs in the band's history.      
 
Watch the punishing and precise performance video for "Accelerating the Rot” Below.

Chronicles of Lunacy comes out November 22 on Season of Mist. 

Pre-order & Pre-save 

https://orcd.co/defeatedsanitythecroniclesoflunacy

Over the past 30-odd years, many esteemed vocalists have cycled in and out of Defeated Sanity. However, after a satisfyingly gruesome performance on their last album, Josh Welshman is back for Chronicles of Lunacy. His foul emanations bring a refreshing air of continuity. "Each song on the album delves into a different form of mental corruption", Welshman says.

The album's lead single stunk of religious fanaticism, but "Accelerating the Rot" races like the mind of a vigilante whose idea of justice is more than a little warped. "One by one, I decimate the miasmic masses", Welshman roars above a bass line that scrambles all over the fretboard like a blood-hungry tick.

When it comes to death metal, Defeated Sanity understand that there's more than one way to deliver a brutal beating. After all, the band's mastermind is one of the world's sickest drummers. Since his father's passing in 2010, Lille Gruber has composed the bulk of their imposing discography.

"We love experimenting", Gruber explains. Even though "Accelerating the Rot" is just a few scraggly chin beard hairs over three minutes long, he never stops switching between different blistering tempos. And yet - whether he's blasting, pinging or flaying his snare, the song never loses its oddball bounce.    

"Lille's drumming is just ridiculous", says bassist Jacob Schmidt. "He's still the face of the franchise, so we're never going to abandon those head-scratching moments that have always set Defeated Sanity apart". 

The band's previous single crept and crawled into the album's most slam-heavy breakdown. Thanks to its lurching groove, the breakdown on the latest single from Chronicles of Lunacy will still scrunch plenty of noses, but "Accelerating the Rot" punches the gas and heads straight for the loony bin. Their maniacal timekeeper is still working the controls, but the blinding pace is set by new guitarist Vaughn Stoffey, who chews through chunky shredding and squeals of dissonance with fresh fingers.       

"Accelerating the Rot is one of the fastest songs in Defeated Sanity's history", Stoffey says. "It gets back to the sheer brutality that fans love about Psalms of the Moribund and Chapters of Repugnance".

The video for "Accelerating the Rot" was created by Obscenery Films.

The underground lost their collective mind when Defeated Sanity announced Chronicles of Lunacy. Metalheads couldn't wait to bang heads over the first pressing of their new album. Several of the color variants are already sold out, but anyone who missed out isn't condemned to suffer in silence.

The second pressing of Chronicles of Lunacy is now available for pre-order. This pressing includes a transparent lime  variant that's exclusive to the Season of Mist webstore. Don't wait! This variant is limited to 150 copies. 

Order

https://orcd.co/defeatedsanitythecroniclesoflunacy

Can't wait for your pre-order? RSVP for Defeated Sanity's upcoming Bandcamp Listening Party. Chat with the band and listen to all of Chronicles of Lunacy two weeks before the album comes out.

Chronicles of Lunacy Bandcamp Listening Party

Thursday, November 7 @ 9 pm Eastern Time

RSVP
https://defeatedsanity.bandcamp.com/live/chronicles-of-lunacy-listening-party

None of their albums are ever going to follow a straight line, but on Chronicles of Lunacy, Defeated Sanity return to sheer brutality.  


Lineup
Josh Welshman - Vocals
Vaughn Stoffey - Guitars
Jacob Schmidt - Bass
Lille Gruber - Drums

Guest musicians
Danny Nelson and Paolo Paguntalan provide backup vocals on "Amputationsdrang" and "Accelerating the Rot"

Recording Studio
Thousand Caves Studio in January 2024.

Production
Recorded, mixed and mastered by Colin Marston.
Produced by Colin Marston and Defeated Sanity.

Cover Art
Artwork by Jon Zig
Title lettering by Liz Schmidt
Layout by Alex Eckman-Lawn

Pre-order & Stream
https://orcd.co/defeatedsanitythecroniclesoflunacy

Booking: Daniel Defonce TKO: danieldefonce@tkoco.com


Follow Defeated Sanity
https://defeatedsanity.bandcamp.com
https://www.facebook.com/DefeatedSanity
https://www.instagram.com/defeated_sanity_official 
https://open.spotify.com/artist/0dy6peOuKo2QkwaNWPoJpx
https://music.apple.com/us/artist/defeated-sanity/277268753

rosecoloredworld share "broken glass" Video

 Los Angeles pop punk/emo/alt rock duo rosecoloredworld, who signed toVelocity Records earlier this year. are keeping busy and sharing more new music. Today, the duo dropped the video for the latest track "broken glass." It's a moody, '90s-inspired jam that will give you all the feels.

Watch it below.

"'broken glass' is about the stories we tell ourselves, good or bad, and how those narratives affect our mental health," the band explains. "Sometimes, it's okay to not be okay. So, this song is about finding the ones who believe in you even when you don't believe in yourself."

RCW remain on the road, converting fans and concertgoers one show at a time. They recently supported The Dangerous Summer's national U.S. tour, opened west coast dates for The Juliana Theory, and opened for Sum 41, NOAHFINNCE, Hail The Sun, and more this year.

They will tour with Not My Weekend this fall. All dates, which kick off in November, are below. Get tickets and more information here.

rosecoloredworld combine catchy melodies with honest, self-reflective, and narrative-driven lyrics. The band was formed by two artists, Rae and Addison, who met in Hollywood through a mutual friend. Their music has been described as a safe place where people from all walks of life can feel accepted, seen, and celebrated for being exactly who they are. By creating this community, it gives anyone permission to live with a sense of freedom and create their own rosecoloredworld.

ROSECOLOREDWORLD ON TOUR:
WITH NOT MY WEEKEND:
11/8 — Anaheim, CA — Chain Reaction
11/10 — Phoenix, AZ — The Underground
11/12 — Colorado Springs, CO — Vultures
11/14 — Columbia, MO — Rose Music Hall
11/15 — Chicago, IL — Subterranean Downstairs
11/16 — Detroit, MI — The Sanctuary
11/17 — Columbus, OH — Ace of Cups
11/18 — Nashville, TN — The End
11/20 — Atlanta, GA — Aisle 5
11/22 — San Antonio, TX — Vibes Underground
11/23 — Austin, TX — Empire Control Room
11/24 — Fort Worth, TX — Tulips (Scaled)

Koe Wetzel Drops “Good Times (Bonus Track)” Ahead of European Run

As 9 Lives lead single “High Road” feat. Jessie Murph crests the top 20 at country radio (currently at No. 16 and climbing in just 14 weeks) while also impacting at Top 40 and Hot AC, Forbes’s “rising music powerhouse” Koe Wetzel has surprised fans by adding a bonus track to the critically acclaimed album, with brand new song “Good Times (Bonus Track)” out now. Listen Below.
 
“One of the coolest parts of being on the road all summer has been celebrating this new album with the fans every night,” reflects Wetzel of the recently-wrapped U.S. leg of his Damn Near Normal World Tour, which heads to Europe next week. “Going overseas for our first real headlining run in some of these cities, it felt like the perfect time to give the fans one more new song to sing every night. We’re not giving up the good times just yet!”
 
The introspective track penned by Wetzel alongside Steph Jones, Charlie Handsome, Josh Serrato and producer Gabe Simon after a long night out sees the renegade rocker reckoning with leaving the party behind and doubling down on the “new emotional depths” the Los Angeles Times celebrates on “his stirring new album, 9 Lives, reveal[ing] an older, slightly wiser hell-raiser.”

“Every record’s almost turning a new leaf, always a left turn because of how honest I am. I want fans to know that there's a different side of me, not just the sex, drugs, and rock & roll Koe that they may have heard about online,” Wetzel shared upon the album’s release. “I've grown up a little bit. I’m no longer the 20-year-old kid that's partying down and getting thrown in jail all the time. 9 Lives reveals a vulnerable side that people may not be used to hearing.”
 
The new release joins fan-favorite track “Casamigos,” which was recently released along with an official music video, in rounding out the final 9 Lives track list. To date, the critically acclaimed album has accumulated more than 500 million audio/video streams globally after debuting at No. 15 on the all-genre Billboard 200 and No. 5 on the Billboard Top Country Albums chart (No. 2 among new releases behind only the “Twisters” soundtrack).
 
Following the overseas leg of the Damn Near Normal World Tour running through November, Wetzel will also bring the holiday spirit home to Texas this Christmas, with two Wetzel’s Wonderland Live shows set for Friday, Dec. 27 and Saturday, Dec. 28 in Austin and Fort Worth, respectively.
 
For more information and to purchase tickets to all upcoming dates, visit KoeWetzelMusic.com and follow on Instagram and Facebook @KoeWetzelMusic, TikTok @Koe_Wetzel and Twitter/X @KoeWetzel. 

Wetzel’s Wonderland Live Dates:
Dec. 27      Austin, Texas  ||  Moody Center
Dec. 28      Fort Worth, Texas  ||  Dickies Arena
 
About Koe Wetzel
Koe Wetzel never met a genre wall he couldn’t tear down: The Texas singer-songwriter has earned a rabid audience for his songs that mix country, rock, hip-hop, and even Nineties grunge. His 2016 album Noise Complaint endeared him to fans with its no- holds-barred lyrics about drunken nights, broken hearts and stints in jail, and included the Gold-certified hits “Love” (feat. Parker McCollum), “Something to Talk About” and the infamous “February 28, 2016.” Wetzel’s 2020 major label debut, Sellout, only furthered his legend with the Platinum-certified “Drunk Driving” and “Good Die Young” plus the Gold-certified “Kuntry & Wistern.” The 2022 follow-up, Hell Paso, hit No. 3 on Billboard’s Country Albums and spawned hits on both the country and rock charts, including the Gold-certified “Creeps” and “Cabo.” To date, Wetzel has 3.4 billion total streams and has created a genuine experience with his live concerts, which he describes as “total chaos.” In 2023 alone, he sold more than 275,000 tickets, and appeared for a third time on POLLSTAR’s Top Worldwide Tours. Wetzel has played prominent festival sets this summer and opened for Morgan Wallen on the superstar’s One Night at a Time Stadium Tour in Texas, while also headlining his own Damn Near Normal World Tour, currently underway. His new album, 9 Lives (Columbia), is available everywhere now as Platinum-certified lead single “High Road” with Jessie Murph arrives as his debut Country radio single while also climbing both the Hot AC and Top 40 charts.

BLANCO BROWN CELEBRATES THE SIMPLICITY IN LOVE; TAKING IT “BACK 2 BASICS” HIS NEWEST EP AVAILABLE NOW

11x PLATINUM #1 hit singer-songwriter Blanco Brown is taking it Back 2 Basics today releasing his final project in 2024’s journey through a trio of EPs for his fans. Celebrating the beauty found in the simple, fundamental aspects of love, the captivating rhythms and heartfelt lyrics will remind listeners of the magic in life's most essential moments. Navigating feelings of desire and admiration, the GRAMMY® nominee uses his signature TrailerTrap sound to explore his heart in this romantic lineup of songs. Listen HERE.  

“Leonardo Da Vinci said ‘simplicity is the ultimate sophistication,’ going back to basics is about appreciating the simple things in love and life,” says Brown.

Showing why the world-class vocalist is praised as a “one-of-a-kind talent” (Country Swag), Brown produced and either solo-wrote (3) or co-write every track (1). The standout title track is a testament to Brown's unique ability to blend heartfelt emotion with music that connects globally, while the raw and rhythmically catchy “Holding My Breath” depicts a man pining for another, reminding us that timing is everything, but no one can wait forever. The heart-warming “Beautiful To Me” is a gorgeous, sentimental letter to his mom, giving everyone a reminder to check in and cherish their mothers. Rounding out the project is the wistfully reminiscent “Sooner or Later” that fondly takes a trip down memory lane, when time felt like it stood still. 

Beginning a new chapter after looking death in the eyes, Brown turned his worst moments into something to smile about, creating a three-part musical and healing journey. With the lead EP, Heartache & Lemonade, released early 2024, the Atlanta native’s dripping-with-soul vocals sonically shined throughout the project, clearly exemplified through focus track "Sunshine, Shine” - a feel-good anthem that radiates positivity and resilience. 

Next, Cedar Walls & Whiskey dropped over the summer and invited listeners to feel those heavy chest-type memories and experience the nostalgia. Noting this project to be his most impact yet, Brown dug deep to recreate himself in each song, truly exploring the vast versatility of his sound and lyrical creativity. Featuring the Diane Warren penned “Snapshot,” the song is a poignant reflection on the special memories we keep of our loved ones and how these memories bring us back to cherished moments in our lives and provide motivation and hope when needed. Now, Back 2 Basics, spotlighting a return to simplicity, concludes his transformative and therapeutic odyssey. 

First capturing attention with his groundbreaking fusion of country, hip-hop, and soul, Brown achieved global success with his 11x PLATINUM #1 viral sensation “The Git Up” that has amassed over four billion on-demand streams and counting. The infectious blend of beats and an irresistible dance challenge showcased his unique ability to bridge musical genres and connect deeply with listeners. However, Blanco's meteoric rise was interrupted when a drunk driver hit him head-on while he was riding his motorcycle, resulting in multiple broken bones, 12 blood transfusions, and requiring resuscitation in the ambulance. Despite the severity of the accident and the challenging rehabilitation process, Blanco made a remarkable recovery, relearning fundamental skills like walking and holding a microphone. Now, with a renewed appreciation for life and his craft, Blanco is celebrating a second chance to pursue his dreams and share his music with the world. 

About Blanco Brown:

Blurring the lines between Country, Hip-Hop & Soul, Blanco Brown makes a southern sound that he proudly calls "TrailerTrap." Honing in on his unique sound, Blanco balances both the metropolis and country settings in which he grew up. His viral hit “The Git Up” (certified 11x PLATINUM across three countries) took the world by storm, claiming the top spot in charts across the globe and spawning nearly four billion views across social platforms. It claimed the No. 1 on the Billboard Hot Country Songs chart for 12 weeks and was the top-selling digital Country song in the US for 13 weeks, resulting in Billboard naming him as their No. 1 Top New Country Artist for 2019. Apart from being a GRAMMY®-nominated engineer who has worked with the likes of Fergie, Childish Gambino, Kane Brown and Chris Brown, the multi-talent’s multi-national Platinum-certified collaboration “Just the Way” with Parmalee garnered more than 500 million on-demand streams, earning Brown his first No. 1 hit on Country radio (in the US and Canada). More recently, he doubled down on his genre-bending collaborations, teaming with Nelly on the funky, country inspired track “High Horse,” T.I. for “Trap Still Bumpin’,” LOCASH and the late Leslie Jordan for the funky “Let It Slide,” while pairing with Diplo for “Do Si Do” and Lee Brice and R3HAB for the remix of Brice’s hit song, “Soul.” In 2021, Blanco Brown also lent soaring vocals to the song “Never Gonna Tame You (Original Song from “The Mustangs: America’s Wild Horses”),” written by Diane Warren. Recovering from a life-threatening accident and leaning on music to heal, Blanco instantly captured the attention of festival audiences across the nation opening his set with a breathtakingly powerful cover blend of Sam Cooke’s “A Change Is Gonna Come” and Chris Stapleton’s “Tennessee Whiskey.” Showcasing his world-class vocal talent and captivating stage presence throughout 2023, Blanco released the emotionally charged track “I’ll Never,” unlike anything the #1 hitmaker has ever released, followed by a momentous tribute to the late, great John Denver with Brown’s release of "Take Me Home, Country Roads.” With his April 5th release of Heartache & Lemonade, part one of three 2024 EP’s, the A-Town resident’s branded “TrailerTrap” sound amplified the stories and arrangements on the project. Blanco’s dripping-with-soul vocals also sonically shine throughout as displayed in the lead focus track "Sunshine, Shine.” Part two of three 2024 EP’s, Cedar Walls & Whiskey, dropped June 14th with fans getting their first taste of this collection with the Diane Warren penned “Snapshot.” Rounding out the 2024 releases is Brown’s latest project, Back 2 Basics, celebrating the beauty found in the simple, fundamental aspects of love, available now. 

KEEP UP WITH BLANCO BROWN

WEBSITE | INSTAGRAM | TIKTOK | YOUTUBE | FACEBOOK | X

New Single, "Anything In Common," Marks Daniel Arison’s Most Vulnerable Release to Date

Singer, songwriter, and producer Daniel Arison has unveiled his latest single, "Anything In Common," a heartfelt reflection on the emotional journey of growing apart from lifelong friends. The single follows the success of "Easier To Hate You" and "Other People," with the latter peaking at #1 on Spotify’s Viral 50 Playlist in Taiwan.

As Daniel prepares for the release of his highly anticipated album later this year, "Anything In Common" continues to build on the deeply personal narrative that defines his recent work. Speaking about the inspiration behind the song, Daniel reveals: “This is probably the scariest and most revealing song I have ever written. The hardest part of growing up is realizing that you also grow apart from so many people in your life.”

The concept for the song emerged from a true and universal experience of drifting away from childhood friends. Daniel shares, “When I wrote this song, my first thought was what would happen when it comes out, and how my friends would react to it. The people who are still part of my life in some way but no longer as close as they used to be.”

"Anything In Common" promises to resonate deeply with listeners navigating the complexities of friendship and personal growth, continuing the emotional journey that will culminate in his upcoming album release.

MORE INFO:
Daniel’s journey into music began early, with a natural inclination towards learning multiple instruments and experimenting with songwriting. His childhood was steeped in an environment that fostered creativity and self-expression. Daniel's artistic talents also extended into acting, which he pursued all throughout his younger years, further showcasing his versatility.

In his music, Daniel Arison masterfully weaves intricate stories that explore themes of love, identity, and personal growth, drawing from his own diverse life experiences. His songs are a testament to his deep introspection and emotional honesty, qualities that have endeared him to fans around the world. The upcoming album promises to continue this narrative, offering a collection of songs that are both deeply personal and universally relatable. Fans can look forward to the release of additional singles and visualizers, building anticipation for the full album later this year.

CRASH HARMONY reunites after 30+ years, releasing debut album 'No One Asked for This'

NYC indie rock outfit Crash Harmony presents their debut record 'No One Asked For This', released via New Jersey's Magic Door Record Label. After a 30+ year hiatus, the quartet are back with a full-length album of 10 songs and video for 'Orange Background', which Nils Nadeau describes as "a letter from our college selves to our grown selves and also, in a way, from Generation X to what we have now in the world", following the earlier-released video for 'Velour Goddess'.

Crash Harmony is made up of Dave Derby (vocals, guitars), Mike Potenza (guitars, keyboards, vocals), Jon Nighswander (bass, vocals), and Nils Nadeau (drums, percussion, vocals). Formed in 1986 at Yale University in New Haven, CT, the band played its last gig in May 1988 and hadn’t played together again until beginning to record this album in 2022.  

Mixed and mastered by Ray Ketchem (Guided by Voices, Elk City, Gramercy Arms, Luna) at Magic Door Recording in Montclair, NJ, this album was recorded by Ketchem and Dave Derby in NYC, and produced by Ketchem together with Crash Harmony.  

Yale rock - an oxymoron too good to be dismissed, meeting as undergraduates swept up in the current of something more exciting than college – a New Haven music scene that was real. While college was for figuring out what you wanted to be, college rock was for figuring out what you wanted to sound like. Crash Harmony was absorbing everything, and trying it all on for size at house parties, frat houses, and clubs throughout New England.

Dave went on to The Dambuilders (and then Gramercy Arms), Mike served on The Anderson Council, Jon left for Europe, and Nils wandered north. But no matter where they went, Crash Harmony still kind of mattered. Eventually, they had to come back. They had to return to that place so, decades later, Crash Harmony reformed to make a new record of old songs - a rock-and-roll reenactment of the New Haven scene that changed them forever.

Like their name, the record is an orchestrated pileup of long-ago influences that collided in the chambers of their broken young hearts and have again wriggled free from their throats and amps, pop gems humming like cicadas and dancing for the pure joy of being alive again.

If you were fortunate enough to ever be part of a vibrant music scene, then you know how intoxicating, how important, how finally cool you felt to live on this newly discovered planet. It was pulsing with energy and possibility, teeming with talent and artists and then, the jaw drop of realizing your planet was actually part of an entire galaxy of scenes vibrating around the country. A truth revealed that rock legends were not just the leather-pantsed strutters on the national stage but dishwashing oddballs strumming in your neighbor's backyard - heroes you could actually meet, try to impress, emulate and maybe one day open for, if dreams could come true. And, for Crash Harmony, they did for a while.

For these musical dreamers, it’s all so clear now – how lucky they were to have been part of a scene and to have met and grown up in ideal conditions to make music that would somehow find a way to live forever... Everybody, kiss your ghost.

On October 18, 'No One Asked for This' will be released on vinyl and digitally everywhere, including Apple Music and Spotify. In all formats, it can be ordered directly from the label via Bandcamp.

Emerging Swedish Thrashers SARCATOR Announce New Album, Share Music Video for New Single, "Swarming Angels & Flies"

Swedish thrash metal newcomers SARCATOR are pleased to reveal that their new full-length, 'Swarming Angels & Flies,' is due on January 17, 2025 via Century Media Records, making it their debut to the label! To celebrate, the band is now sharing the title track from the offering along with a raucous performance video, which was directed by Christoffer Tönnäng. The clip can be found below.

Sarcator’s “Swarming Angels & Flies” sets the bar high for the upcoming album in terms of speed, heaviness and pure desire to see the song unfold live. Starting off like an explosion, the song delivers a sonic blast hurling the audience straight into a fire pit with raw, untamed energy.

Vocalist Mateo Tervonen shares about the single: “'Swarming Angels & Flies' is the title track for our upcoming record for a reason. It represents the elements of the album perfectly and is one of those songs that you want to break the silence with. It erupts out of nowhere and hits you like a concrete fist. A perfect violent introduction of what's to come and what this album really is about.”

“Swarming Angels & Flies” is now available for pre-order in various formats HERE.

Sarcator will be joining Eradikated, Eternal Evil, and Bloodstain for the “The Rising Four” tour in autumn/winter 2024 with a total of 10 stops throughout Sweden. More information and tickets can be found HERE.

At a juvenile age of 14-20, Sarcator released their first demo tape, “Visions of Purgatory”, via the American label Redefining Darkness Records in 2019. Just two years later the quadrumvirate got nominated for best rock/metal album for the Swedish music award P3 Guld with their 2020’s self-titled debut release for the same label. After releasing their 2nd album, “Alkahest”, via Black Lion Records in 2022, Sarcator finally got a proper chance to play live, captivating crowds with their intense, blackened live shows.

With their current line-up fully committed to the band despite their young age (all members are between 19 and 25) it was time for them to record their third album, which still features previous guitarist Emil Eriksson. Shortly after signing a new worldwide deal with Century Media Records and heading out on a debut European tour supporting Hellripper and Cloak, Sarcator will be releasing 'Swarming Angels & Flies' on January 17, 2025.

This album marks the most intense, brutal and rawest creation yet for the band. It is a remarkably mature and sophisticated piece of work, from mercurial musicians who are only in their early 20’s, and still at the beginning of their creative journey. Across eight, grotesque and utterly venomous tracks, Sarcator have deftly blended the wide-eyed extremity of their debut album with the inspirational musicality of their second record “Alkahest”, while playing everything with more intensity than ever before. Both deliriously melodic and mercilessly brutal: “Swarming Angels & Flies” is the most dangerously potent record the Swedens have made to date. 

Sarcator explains about the record and its creation process, “We wanted to highlight the most aggressive and extreme parts of us, but we still wanted to work with dynamics, so you still have elements of classic rock and post-punk, which we started experimenting with on the last record. There is no question that it’s our most intense, brutal, and rawest creation yet - It's not really a genre album and we like to keep it that way."

With plenty of live activity in support of the upcoming album, Sarcator are already at the forefront of an emergent, highly determined new generation of Scandinavian extreme metal bands and ready to take the rest of the world by storm soon too.

Lineup:

Mateo Tervonen – Vocals, Guitar

Felix Lindkvist – Bass

Leo Buchalle – Guitar

Jesper Rosén – Drums

Formats:

CD Jewelcase (in O-Card) w/ 11 tracks

Ltd. Purple LP (300x copies!) w/ 8 tracks & 2-page LP insert

Black LP w/ 8 tracks & 2-page LP insert

CD Jewelcase (US Version) w/ 8 tracks

Links:

FACEBOOK 

INSTAGRAM

WEB SHOP

BANDCAMP

SPOTIFY

APPLE MUSIC

YOUTUBE

GRAND MAGUS - Release Video For Title Track Of New Album "Sunraven", Which Is Out Now!

Swedish kings of honest and unadorned heavy metal, GRAND MAGUS, are proud to unleash their 10th studio album, Sunraven, on the world today!

Sunraven is a concept album dealing with the legendary poem Beowulf, an ancient tale of epic proportions about heroes and monsters, honor and bravery, victory and defeat. In short, themes that have always played an important role in the lyrical concept of GRAND MAGUS.

Sunraven takes the band’s music to a new level of cinematic boldness and heroic abandon, with numerous new anthems that the faithful are destined to embrace with enthusiasm. Still flying the flag for purity of intent in a cynical world, GRAND MAGUS are weather-beaten veterans on the hard road to heavy metal glory. Dragons beware. Judgement is coming.

Coinciding with the release of the album, GRAND MAGUS have released a music video for its powerful title track, 'Sunraven'.

PURCHASE OR LISTEN TO THE NEW ALBUM SUNRAVEN:
https://grandmagus.bfan.link/sunraven.ema

WATCH THE OFFICIAL VIDEO FOR THE SONG 'SUNRAVEN' Below:

ABOUT GRAND MAGUS

Not every band can be 100 percent authentic and true. Not every band has the necessary cojones to summon the spirit of heavy metal. But GRAND MAGUS are not every band. A trio of windswept warriors, driven by a belief in the power of this ageless music that so many of us consider a real-world lifeline, they return in 2024 with glad tidings of heroism and valor.
 
Over the course of 25 years, the Swedish trio have established themselves as stoic standard bearers for heavy metal in its purest, most triumphant form. From their early years as honorary combatants in the doom scene, GRAND MAGUS have grown in confidence and stature with every passing year. Initially signed to legendary UK imprint Rise Above Records, they released acclaimed albums like 2003’s Monument and 2005’s fiery breakthrough opus Wolf’s Return, and garnered effusive plaudits for live shows that always resounded with the thump of metal’s beating heart.
 
Later signed to first Roadrunner and then Nuclear Blast Records, GRAND MAGUS have marched on through the decades with their now trademark sign a continual benchmark for red-blooded heaviness. Bulging with fresh anthems, albums like Triumph & Power (2014) and Sword Songs(2016) took the band to new heights, as their status as a thunderous, rabble-rousing live band continued to grow. In 2019, the ninth studio album Wolf God put the seal on a second decade of active service, and GRAND MAGUS set off on tour as 2020 dawned; only to be confronted with a worldwide Covid shutdown that might have even spelled the end for Stockholm’s finest.

When work finally began on the tenth GRAND MAGUS album, JB made tentative steps towards something bigger and better than past achievements. With a final deadline waiting at the end of 2023, he began to piece together some ideas in January, slowly forming the backbone of what would become the new GRAND MAGUS album, Sunraven. After reconvening with bassist Fox and drummer Ludwig Witt in Halmstad, Sweden, the new songs swiftly came to life.

Not just the tenth GRAND MAGUS full-length, but their first bona fide concept album, Sunravenis a full-bore return to the heavy metal might of Wolf God and Sword Songs, but with an underlying story that adds greater depth to the Swedes’ earthy bombast. Made manifest via a gritty but grandiose production courtesy of the band and co-producer Staffan Karlsson, Sunravenwas inspired by the revered Old English epic poem of Beowulf. In true heavy metal style, these nine new songs dive deep into heroic fantasy, but with the same real-world resonances that are scorched into the genre’s calloused skin.