SWOLLEN TEETH Unleash Emotionally Charged New Single "Family"

Emerging metal force Swollen Teeth have returned with their brand new single, "Family," (out now via Blowed Out Records) marking a bold new chapter following their explosive 2021 debut, their self-titled EP. Once again produced by Slipknot's Sid Wilson and legendary producer Ross Robinson, "Family" continues the band's trajectory of pushing boundaries within the heavy music landscape. Listen to "Family" here and watch the official music video below.

"New flowers bloom only once the wilted return to soil. This is our way of saying WELCOME to the world. FAMILY," Swollen Teeth shares, encapsulating the essence of their new release—a powerful anthem of unity, rebirth, and the strength found in embracing one's chosen family. The single carries forward the intensity of their debut, offering a cathartic experience for listeners and reinforcing the band's message of creating a space for those who feel cast aside.

Sid Wilson, who has been a guiding force in the band's sound adds, "Swollen Teeth, horns down movement. A safe space created to express and shed your feelings, and become a new, better version of yourself for your Family."

With Ross Robinson, expressing his admiration for the band, stating, “‘Family’ showcases the incredible empathy these guys possess. Their main concern is to be a place of safety and home for the ones who are or just feel thrown away. ST is a killer band with an amazing reason for ripping sick jams, I love that so much!”

Swollen Teeth burst onto the scene in 2021 with their self-titled EP, a visceral blend of brutality and raw emotion that garnered praise from heavy music outlets and fans alike. Singles "EMPTY", "LETHAL" "CAR CRASH" and "SWOLLENTEETH" showcased their unpredictable, frenetic energy, which Revolver Magazine described as "brutal as hell." with Metal Hammer enthusing that "there’s an air of grotesque nu metal nastiness that feels like a re-vamped take on the misanthropic nihilism of Iowa’s finest." and Kerrang! musing "What's really heavy, masked, mysterious, sounds like it was made by complete lunatics, and involves Slipknot DJ Sid Wilson and producer Ross Robinson?." "Family" builds on the foundations laid by their 2021 EP, bringing forth a sound that is both more refined and more intense. The track captures Swollen Teeth's unique blend of aggressive riffs, gut-wrenching vocals, and atmospheric elements, creating a soundscape that is as haunting as it is empowering. With "Family," Swollen Teeth invite listeners to join their journey, offering a sanctuary where raw emotion and collective strength thrive.

Swollen Teeth will take the stage at Knotfest Iowa this weekend, bringing the ferocity of "Family" to life in a performance that promises to be as unforgettable as their studio work. Fans can expect a high-octane show that captures the band's ethos of unity and raw power. Information and tickets are available HERE.

ABOUT SWOLLEN TEETH

The sound, the look, the atmosphere, the lore. Swollen Teeth are as much a ritual as a performance, summoning primal ferocity in clouds of intrigue with a thundering rumble. Each musical outburst arrives shrouded in mystery, enveloped by a sense of dread, with passion and purpose. Heavy percussion, riffs, punk gang chants, dive bombs, turntables, breakdowns, shrieks, guttural screams, and powerfully unashamed anthemic melodies coalesce in Swollen Teeth. The collective absorbs the raw intensity of the most potent subculture and spits it back with a determined uniqueness. They’ve spent countless hours in the lab, lobbing out occasional missives online like Molotov cocktails. Each of the scattered, chopped up, and explosive clips unleashed to the world, culled from a handful of shadowy live appearances, built anticipation for the group’s inevitable ascension. They travel in our dimension but are not of it. This is otherworldly chaos without apology. /W\

ABOUT BLOWED OUT RECORDS

Ross Robinson (Korn, The Cure, Slipknot, Glassjaw, At The Drive In and countless others..) artist Ghostemane and Bill Armstrong(SideOneDummy) have joined forces to create a new record label called Blowed Out Records. As veterans of the music industry, they bring a wealth of experience and knowledge to the table and have set out to discover and promote new talent together. The label's first release, "Swollen Teeth," is a hardcore album produced by Sid Wilson of Slipknot and mixed by Mike Balboa with Ross Robinson. It's a collaboration between established and new artists that promises to be a heavy hitting release. Blowed Out Records is dedicated to providing a platform for underground and lesser known bands to showcase their music and gain a wider audience.

Swollen Teeth is managed by Evan Kandilakis for Seek Management.

Swollen Teeth Are

Megaa - Vocals / Sampler / Turntable

Sun - Vocals / Bass

Skutch - Drums

HOG - Guitar

Reuniting after 30+ years, NYC-based CRASH HARMONY shares 'Orange Background' from immutable debut album

"A blast of youthful exuberance, raw energy, and unbridled optimism... both nostalgic and fresh. There’s the Replacements’ raw, garage-rock spirit, the Northern Pikes’ innocence and purity, and hooks like a cross between Husker Du and The Go-Betweens, blended into a harmonious concoction that is undeniably their own" ~ The Spill Magazine 


NYC indie rock outfit Crash Harmony presents 'Orange Background', the second taste of the band's debut record 'No One Asked For This'. Slated for release via Magic Door Record Label after a 30+ year hiatus, the quartet are back with a full-length album of 10 songs, for which they worked with celebrated producer Ray Ketchem (Guided by Voices, Elk City, Gramercy Arms, Luna) at Magic Door Recording in Montclair, NJ.  Earlier, the band released the lead track  'Velour Goddess'.

Crash Harmony is made up of Dave Derby (vocals, guitars), Mike Potenza (guitars, keyboards, vocals), Jon Nighswander (bass, vocals), and Nils Nadeau (drums, percussion, vocals). Formed in 1986 at Yale University in New Haven, CT, the band played its last gig in May 1988 and hadn’t played together again until beginning to record this album in 2022.  

"This is one of our earliest songs.  I always thought it had a kind of feeling that is reminiscent and wistful; we tried to evoke that feeling with ebow guitar parts," says Mike Potenza.

Nils Nadeau elaborates, "'Orange Background' is a letter from our college selves to our grown selves and also, in a way, from Generation X to what we have now in the world. It’s also the only one, played back, that might have made me wet-eyed for a minute".

Yale rock - an oxymoron too good to be dismissed, meeting as undergraduates swept up in the current of something more exciting than college – a New Haven music scene that was real. While college was for figuring out what you wanted to be, college rock was for figuring out what you wanted to sound like. Crash Harmony was absorbing everything, and trying it all on for size at house parties, frat houses, and clubs throughout New England.

Dave went on to The Dambuilders (and then Gramercy Arms), Mike served on The Anderson Council, Jon left for Europe, and Nils wandered north. But no matter where they went, Crash Harmony still kind of mattered. Eventually, they had to come back. They had to return to that place so, decades later, Crash Harmony reformed to make a new record of old songs - a rock-and-roll reenactment of the New Haven scene that changed them forever.

Like their name, the record is an orchestrated pileup of long-ago influences that collided in the chambers of their broken young hearts and have again wriggled free from their throats and amps, pop gems humming like cicadas and dancing for the pure joy of being alive again.

"Dave and I initially bonded over anglophilia, including a shared love of The Jam, cockney slang and alcohol. I came out of the New Hampshire punk scene and was a founding member of Five Balls of Power (other members went on to join such bands as Dropkick Murphys, Scissorfight and the Radicts). Dave and Nils both were willing to play around with different styles and a level of musicianship that was a notch above the average college band," says Jon Nighswander.

Dave Derby adds, "Nils and I had been in a successful indie pop band. I wanted to create something that was both heavier and more psychedelic in that 80s college radio Paisley Underground sort of way, but then we recalibrated towards more of a 70s vibe. We tried really early on to align ourselves with the New Haven scene and not just the Yale one."

If you were fortunate enough to ever be part of a vibrant music scene, then you know how intoxicating, how important, how finally cool you felt to live on this newly discovered planet. It was pulsing with energy and possibility, teeming with talent and artists and then, the jaw drop of realizing your planet was actually part of an entire galaxy of scenes vibrating around the country. A truth revealed that rock legends were not just the leather-pantsed strutters on the national stage but dishwashing oddballs strumming in your neighbor's backyard - heroes you could actually meet, try to impress, emulate and maybe one day open for, if dreams could come true. And, for Crash Harmony, they did for a while.

For these musical dreamers, it’s all so clear now – how lucky they were to have been part of a scene and to have met and grown up in ideal conditions to make music that would somehow find a way to live forever... Everybody, kiss your ghost.

As of September 18, 'Orange Background' will be available exclusively via Bandcamp and officially released everywhere else, including Apple Music and Spotify on September 24. The full album 'No One Asked for This' (out October 18 on vinyl or digitally) can already be pre-ordered via Bandcamp.

CREDITS
Dave Derby - vocals, guitars
Mike Potenza - guitars, keyboards, vocals
Jon Nighswander - bass, vocals
Nils Nadeau - drums, percussion, vocals
Guests:
Mike Schreiber - organ
Peter Hess - saxophone
Ray Ketchem - percussion
Produced by Ray Ketchem and Crash Harmony
Recorded by Ray Ketchem at Magic Door Studios in Montclair, NJ
and Dave Derby at Missile Shells Sound Studios in NYC
Mixed & mastered by Ray Ketchem
All songs written by Crash Harmony
except 'Dancing With Joan' written by Dave Derby and Eric Masunaga
All songs ASCAP / BMI
Artist photos and single cover artwork by Jon Drake
Released by Magic Door Record Label
Publicity by Shameless Promotion PR
Video directed & filmed by Dan Karlok at Magic Door Recording


Keep up with Crash Harmony
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Keep up with Magic Door Record Label
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Keep up with Shameless Promotion PR

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Defiled Premiere 'Horror Beyond Horror'

For the past three decades, Defiled have kept their blade sharp. Ever since Tokyo's underground lost their minds over the band's grotesque arsenal of finishing moves, Yusuke Sumita and his death metal samurai set off on a war path that's left nothing but inevitable ruin in their raw wake. They've ransacked Milwaukee Metal Festival and joined forces with their fellow legends in Mayhem, Incantation, Morbid Angel and Cannibal Corpse.   

Having now churned out three albums in almost as many years, metalheads can be forgiven for believing that Defiled had already reached the highest level. But the Japanese legends have topped themselves again on their eighth album. Horror Beyond Horror comes out this Friday, September 20, but you can hear all 14 slicing and dicing songs today by listening to the full album stream on Season of Mist's YouTube channel. 

Listen to Horror Beyond Horror below.

Pre-order & Stream

https://orcd.co/defiledhorrorbeyondhorror

After they first took to the stage in 1995, Defiled needed nearly a decade before finally erupting with wrath on their debut album. But ever since the band’s lineup solidified around original member Yusuke Sumita, they haven’t stopped to look back and admire all the ugliness they've revealed. Horror Beyond Horror comes hot on the heels of the album they released just last year, which Metal Injection listed as one of the can’t-miss releases of 2023.

Like a poisonous dart, Defiled come shooting out of the shadows on Horror Beyond Horror. Blast beats pummel at unforeseen angles amidst "Smoke and Mirrors". “Every lie has been revealed”, fearless frontman Shinichiro Hamada shouts, taking aim at perpetual frauds and tyrannical technocrats. The band charges into the pit behind bassist Takachika Nakajima's greasy groove, which is snapping plenty of necks on their current Japanese tour. 

"We wanted this album to be natural and realistic", Sumita told New Noise. "We did not use any editing or artificial techniques in the recording process". 

With 30 years and eight albums under their belt, Defiled know where to stick the blade on Horror Beyond Horror. The album's title track shreds through the corrupted torment of mind control with riffs that are honed from the jagged influence of ’80s thrash and hardcore. “The time has come”, the band spit at their captors with utter disgust. “Death strikes you with derision”. 

Defiled aren't afraid to crack open people's skulls, either. Horror Beyond Horror descends deeper and deeper into the psychological shadows the further you go down the track list. "Syndicate" conspires around a greasy, pit-dwelling breakdown but drummer Keisuke Hamada never stops chopping up the tempo. “The path to your elimination”, Shinichiro Hamada cries, digging in amidst a flurry of blast beats during the album's final boss "To See Behind the Wall". Whether they’re slicing, dicing or leaping into a furiously fast solo, the band's riffs take no prisoners.

"We still love death metal and are very proud to be recognized as a death metal band", Sumita tells Antichrist Magazine. "At the same time, it's clear from our songs that we do not follow trends. Who would be interested in a Japanese bands that follows Western trends? We have our own perspective, and we have been going our own way for many years now, and we are convinced that we are on the right path".   

On Horror Beyond Horror, Defiled unleash the kind of old-school ass-kicking that only true masters can deliver.

With a sound as raw as exposed nerve endings and as unrefined as a mass grave, Defiled stands defiantly apart from the polished poseurs and shameless sellouts. They don’t peddle in cheap gimmickry or nostalgia; they deal in the currency of pure, unfiltered destruction. As they look out upon the charred landscape of the genre they’ve helped to define, Defiled is not content to rest on their laurels. Horror Beyond Horror sees them, once again, ascending to the blood-soaked throne of death metal sovereignty.


Line-up
Shinichiro Hamada - Vocals, Guitar
Yusuke Sumita - Guitar
Takachika Nakajima - Bass
Keisuke Hamada - Drums

Recording Studio
Studio Zot, Tokyo, Japan

Production Credits
Sound Engineers - Shinichiro Hamada & Keisuke Hamada
Produced by Yusuke Sumita
Mixed & Mastered by Kenji Kikuchi at Studio Nest, Chiba, Japan

Biography
Defiled, with edits by Sébastien Gamez

Cover Art
Wes Benscoter

Photographer
Shigenori Ishikawa

Booking Contact:
Yusuke Sumita - info@defiled.info

Stream & Order: https://orcd.co/defiledhorrorbeyondhorror

Available formats
Digital Download
CD Digipack
12" Vinyl Colored (Crystal Clear & Transparent Green)

Follow Defiled
Website : http://www.defiled.info/
Facebook : https://www.facebook.com/defiled
Instagram : https://www.instagram.com/defiledjapan
Bandcamp : https://defiledjapan.bandcamp.com
Soundcloud : https://soundcloud.com/defiled
Youtube: https://www.youtube.com/@defiled
Spotify: https://open.spotify.com/artist/6KDc0SB4ero6zAgrafjVrt
Apple Music: https://music.apple.com/us/artist/defiled/72867298
Amazon: https://www.amazon.com/music/player/artists/B001GJ407S/defiled

Plain White T's Share Remix of Billion-Streaming Smash Hit "Hey There Delilah"

PLAIN WHITE T'S — Tom Higgenson [vocals], Tim Lopez [lead guitar, vocals],Mike Retondo [bass], and De'Mar Hamilton [drums] — have shared the RJ Pasin remix of their billion-streaming, platinum smash hit "Hey There Delilah." Watch + listen below. 

The song was originally released back in 2006 and it remains a beloved song among fans and beyond.

Many remixes can be subtle. Not so with the RJ Pasin remix if the platinum hit "Hey There Delilah" by Plain White Ts. The remix adds a little twang, as well as some beats and blips, giving the billion streaming, heartfelt song an unexpected refresh for 2024. Things escalate and get unexpectedly noisier and louder towards the latter half of the song. It's a testament to the songwriting, since the song lends itself to this reworking, which call out all of the many beautiful moments of the song. 

"I love RJ Pasin's reimagining of 'Hey There Delilah,'" says Higgenson. "So much energy, and a totally different spin on the song. It's so cool."

Pasin concurs, "My remix of 'Hey There Delilah' was a fun way to incorporate modern production and guitar composition into such a timeless classic."

The band's latest release, their self-titled album, is out now via Fearless Records. Get it here. 

Plain White T's are on the road this fall. They are supporting The Used through September and October. All upcoming PWTs dates are below.

PLAIN WHITE T'S ON TOUR:
WITH THE USED:
9/21 — Little Rock AR — The Hall
9/23 — Kansas City, MO — Midland Theatre
9/25 — Fort Wayne, IN — The Clyde Theatre
9/26 — Birmingham, AL — Iron City
9/28 — Charlotte, NC — The Fillmore
9/29 — Nashville, TN — Marathon Music Works
10/1 — Atlanta, GA — The Eastern
10/2 — Tampa, FL — Hard Rock Event Center
10/4 — Ft. Lauderdale, FL — Revolution
10/5 — St. Augustine, FL — Saint Augustine Amp
10/7 — New Orleans, LA — House Of Blues

ABOUT PLAIN WHITE T'S:
Since emerging in 1997, Chicago quartet Plain White T's have remained visible and viable. They have consistently delivered unforgettable pop rock anthems that take up real estate in your brain for months at a time. They have amassed over 2.7 billion total global streams, earned two Grammy nominations, and collected several Platinum-plus and Gold certifications across their impressive catalog. Their signature single "Hey There Delilah" went quadruple-platinum, topped the Billboard Hot 100, and earned the pair of aforementioned GRAMMY® nominations in 2008 — for "Song of the Year" and "Best Pop Performance by a Duo or Group with Vocal." They have made their pop culture mark by appearing on highly visible shows such as the Macy's Thanksgiving Day Parade, Sesame Street, iCarly, 90210, Beavis & Butthead, and Frankenweenie, all the while nabbing press accolades from TIME, Billboard, ESPN, Rolling Stone, AV Club, MTV, MSNBC, and more. Plain White T's have proven to be a reliable musical force, as well as a career band that shows no signs of stopping or slowing down. Their self-titled album arrived in late 2023.

10TH CAREER #1: DUSTIN LYNCH REIGNS WITH JELLY ROLL COLLABORATION “CHEVROLET”

MULTI-PLATINUM star Dustin Lynch marks a career milestone by achieving his 10th #1 with current single “Chevrolet” via Broken Bow Records. Featuring his BBR Music Group/BMG Nashville labelmate Jelly Roll, “Chevrolet” reigns the Billboard Country Airplay chart and the Country Aircheck/Mediabase chart in the U.S. this week, in addition to reaching #1 at Canadian Country Radio. It also hit #1 on Australia’s Countrytown Hot 50 Country Airplay chart powered by Radio Monitor at the end of July (week 30). The chart-ruler has racked up over 110 MILLION on-demand streams to date.

“Reaching my 10th #1 is a milestone we are so proud of and grateful for. I feel extra blessed to be able to share this one with my buddy Jelly,” shares Lynch. “This is a true testament to the overwhelming support from my fans who have become family over the past 12 years. Also, to my Broken Bow Records fam and Country radio friends, alongside my team, band, crew, and collaborators – I couldn’t have done any of this without y’all. You are the best of the best. Here’s to the next 10!”

Turning the ignition on a forever-young kind of freedom, “Chevrolet (feat. Jelly Roll)” – written by Chase McGill, Jessi Alexander, Hunter Phelps, and Mentor Williams – is proof of Country music’s unique ability to summon a picture, a mood, and especially a memory with the instantly recognizable throwback melody of the 1973 Dobie Gray hit “Drift Away.” Further providing a timeless soundtrack to an underdog love story, watch the Mason Dixon-directed music video here. Delivered on Lynch’s statement-making sixth studio album, Killed The Cowboy, “Chevrolet (feat. Jelly Roll)” was co-produced by Zach Crowell and Ben Phillips. 

As one of the most successful, recognizable, and dependable faces in Country music since releasing his breakout debut album in 2012, Lynch has previously ruled the #1 spot with his history-making 2X PLATINUM, six-week #1 “Thinking ‘Bout You (feat. MacKenzie Porter),” in addition to “Stars Like Confetti,” PLATINUM, two-week #1 “Ridin’ Roads,” PLATINUM “Good Girl,” 3X PLATINUM, four-week #1 “Small Town Boy,” GOLD “Seein’ Red,” GOLD “Mind Reader,” GOLD “Hell of a Night,” and PLATINUM “Where It’s At.”

Adding to his list of landmark achievements, Lynch has an upcoming bucket list billing headlining DUSTIN LYNCH – LIVE AT RED ROCKS AMPHITHEATRE in Morrison, CO, on November 6. Presented by Coors Banquet, a percentage of the ticket proceeds will benefit the Wildland Firefighter Foundation (WFF). Since 2014, Coors Banquet has donated more than $2 MILLION to the WFF. Playing to over 4 MILLION fans spanning five headline runs, the Grand Ole Opry member has hosted his own see-and-be-seen pool parties in Mexico, Las Vegas, NV, Nashville, TN, and Lake Ozark, MO, and toured with Country’s biggest names like Luke Bryan, Florida Georgia Line, Brad Paisley, and Kane Brown. Full ticketing details for DUSTIN LYNCH – LIVE AT RED ROCKS AMPHITHEATRE can be found here.

ABOUT DUSTIN LYNCH:
Dustin Lynch has "built one of the most consistent recording careers in modern country music” (Billboard), achieving 10 #1s; four Top 5 albums; 10 GOLD, PLATINUM, and MULTI-PLATINUM certified singles; and tallying over 4.4 BILLION cumulative global streams. His sixth studio album Killed The Cowboy (Broken Bow Records), featuring #1 “Chevrolet (feat. Jelly Roll),” is currently making a statement. The follow-up to Blue In The Sky, which delivered the history-making 2X PLATINUM, six-week #1 “Thinking ‘Bout You (feat. MacKenzie Porter)” – the most-played song at Country radio in 2022 landing at #1 on the Mediabase and #2 on the Billboard Year-End Country Airplay charts – also featured hit singles: #1 “Stars Like Confetti” and “Party Mode.” Lynch has headlined packed venues to sold-out crowds like his latest KILLED THE COWBOY TOUR, in addition to touring with Country’s biggest names including Kane Brown, Luke Bryan, Florida Georgia Line, Brad Paisley, and Blake Shelton. Since his PLATINUM breakout “Cowboys and Angels” in 2012, the Tennessee native has earned industry recognition as a Grand Ole Opry member, as well as high-profile nominations for the Academy of Country Music Awards, American Music Awards, Billboard Music Awards, iHeartRadio Music Awards, and CMT Music Awards.

KEEP UP WITH DUSTIN LYNCH
WEBSITE | FACEBOOK | TWITTER | INSTAGRAM | YOUTUBE | TIKTOK

Ashton Nyte shares The Awakening's new single 'Mirror Midnight' (from 12th album) ahead of EU-UK tour

Gothic Rock / Darkwave act The Awakening shares their new single 'Mirror Midnight', which underscores historical tendency towards self-obsession and the media's recurring manipulation of self-perception. This is the first taste of their self-titled album (their 12th to date), which will be released on October 18 via Intervention Arts.

Now based in the USA, The Awakening is a dark musical project formed in Johannesburg, South Africa in the late ’90s as the creative expression of vocalist, multi-instrumentalist and songwriter Ashton Nyte, who was anointed as "Johannesburg's Bowie" for his widely varying musical styles and theatrical performances. Having morphed over the years, The Awakening's sound incorporates numerous genres, including gothic rock, darkwave, post-punk, electronic rock, folk noir, new wave and more.

Also an author, actor and Renaissance man of sorts, Ashton Nyte created the 'Mirror Midnight' video, shot in his preferred black-and-white format, with a gothic noir film treatment.

"Mirror Midnight is about the obsession of the self, as guided and fed and manipulated by mass media, social media and the endless flood of information and disinformation we all deal with constantly. It's the juxtaposition of succumbing to insidious and divisive marketing while the world goes up in flames. And how that cycle feeds itself. It's a story almost as old as time, like the fairy tale it alludes to," says Ashton Nyte.

'The Awakening' album follows Nyte's second book and eighth solo album 'Autumn's Children', which was selected as one of American Songwriter's Top 17 Albums of 2023. This new album is a celebration of the band's roots and influences. "Essentially, I fell in love all over again with the bands and albums that made me want to create this sort of art in the first place. It was a true joy to create this work," says Ashton Nyte.

"The last two Awakening albums were departures for me. 'This Alchemy' (2021) explored the more electronic side of my musical personality, and 'The Passage Remains' (2022) effectively cleared out the vaults of unreleased heavier material. It feels like it's time to come home."

A core contributor to LA-based supergroup Beauty In Chaos, having been involved with every album released to date, Nyte has collaborated with members of The Cure, The Mission, Tricky, All About Eve, as well as Peter Murphy's band. 2024 also saw Nyte involved in the latest Beauty In Chaos album 'Dancing With Angels'.

Having toured extensively and headlined music festivals in the USA, Europe, and South Africa to upwards of 30,000 people, Nyte has also written and performed in theatrical productions and hosted philanthropic events, including his “Rock Against Rape” concert series. He has also presented a lecture series at US universities focusing on tolerance and acceptance.

With a catalogue of over 300 released original songs, Ashton Nyte and The Awakening have enjoyed airplay and chart success on radio stations worldwide, with songs also featured in popular television shows, such as 'Pretty Little Liars: Original Sin' and 'The Purge'. Nyte has contributed to several scores, working with composer Ethan Gold for the movie 'Don't Let Go' (premiering at the Sundance Film Festival) and for the movie 'Pale Horse', directed by the late Pearry Teo.

As of September 4, 'Mirror Midnight' can be downloaded from fine music platforms. 'The Awakening' album, now available for pre-order, will be released on vinyl, CD, digitally and various limited-edition formats.

From the end of September, EU and UK fans can hear the new material live in a career-spanning solo acoustic tour later this year. This will be Nyte's first post-Covid tour, following a 36-date EU tour with The Mission's Wayne Hussey in 2019. Tickets are available via The Awakening's official site.

SINGLE CREDITS
All music and lyrics by Ashton Nyte
Published by Intervention Arts / ASCAP (2024)
Recorded, mixed & produced by Ashton Nyte at Intervention Studios (USA)
Cover artwork & artist photos by Ashton Nyte
Publicity by Shameless Promotion PR
Video created by Ashton Nyte

Keep up with The Awakening
Website | Store | Facebook | Instagram | YouTube | Apple Music | Tidal | Spotify | Press contact

Keep up with Shameless Promotion PR
Website | Facebook | Twitter |  Soundcloud | Instagram | Link edIn | Email

Singer/Songwriter Julie Williams Releases "reckless road"; 'Tennessee Moon' EP Set for 10/17

CMT Next Women of Country artist Julie Williams, known for her soulful lyrics and authentic storytelling, is continuing to draw in listeners with her deep connection to nature and emotion. Her latest release, “reckless road,” perfectly timed with today’s Full Corn Moon, follows recent release ‘just friends?”, which dropped on the rare Sturgeon Blue Moon last month. Both songs align with the full moon phases, as outlined by the Farmers' Almanac. Fitting as she continues to build momentum to the release of her new EP, Tennessee Moon, available Oct. 17, 2024 on the Hunter's Moon.  
 
Produced by Jonathan Smalt and written by Williams with Melody Walker, the uptempo “reckless road” is the second release from her upcoming EP. Listen to “reckless road” Below and pre-save Tennessee Moon HERE.  
 
“I wrote this song about falling for someone who was always looking over their shoulder. Someone who could never stay still for too long and always had their mind on the highway. I wanted to join them on their journey, but they could never quite let me in,” shares Williams. “The more I tried, the farther they ran. Inspired by the 90s country songs I grew up listening to, I wanted a song that I could blast out the window driving down a two-lane mountain highway with my friends and scream so loud that I'd forget that ex who did me wrong.”
 
The 90s-country inspired tune finds Williams reflecting on a lover who is constantly running and chasing something they will never find. A dancing banjo, acoustic guitar, pedal steel and classic-country style drums combine for a song that could be found on either country, Americana, or indie folk playlists. 

Williams is also set to return to AmericanaFest this week with an Official AmericanaFest Showcase on Sept. 21, as well as participating in A Tribute to the Songs of 1974 on Sept. 20. For more information visit americanamusic.org. Her Tennessee Moon Tour in support of the upcoming indie folk project will trek across the Midwest and East Coast with stops in New York, Columbus, Chicago, Philadelphia, Nashville, and more. Tickets for the tour are available now at thisisjuliewilliams.com. 
 
No stranger to the road, Williams has built her career there playing over 120 shows in 26 states in the past two years and captivated audiences at festivals such as Newport Folk Festival, CMA Fest, Tortuga Music Fest, High Water Festival, Cayamo, and AmericanaFest. She has also shared the stage with acts across genres, including Jason Isbell, Allison Russell, Mt. Joy, Devon Gilfillian, Brittney Spencer and Will Hoge.
 
Williams carries her mixed-race heritage and queerness as proudly as she carries her music. Raised in Florida, the singer/songwriter has been turning heads in Nashville’s country and Americana music scenes with her compelling mix of storytelling, soft-yet-powerful vocals, and indie folk production. That creative path is on full display with “just friends?” available now.  The song, a blend of both classic country storytelling and queer reflection, was the first taste of new music from her new EP. The video for the track, which just made its world premiere in Times Square last week via CMT, is a nostalgic, queer story that captures both the sadness and innocence of what romantic feelings for an old friend might have looked like. Watch the video for “just friends?” HERE, listen to “just friends?” HERE. 
 
Music has always been a part of Williams’ life - honing her singing talent in church and beach bars and belting national anthems before packed stadiums. She grew up listening to everyone and everything from The Chicks and James Taylor to Gladys Knight and Michael Jackson. Even though she was drawn to the storytelling of country music, she never quite found the sound that spoke to everything she was: Black, white, Southern, a woman, hopeful, truthful. So naturally, it was up to Williams to make this sound. “My music is mixed like me,” is how she describes it, “I want to tell the stories that need to be told.”

Tennessee Moon Tour Dates
Oct. 5         Durham, NC                 Music on Main
Oct. 10       Oxford, MS                  SarahFest
Oct. 11       Alpharetta, GA             Wire & Wood Songwriters Festival 
Nov. 7        Nashville, TN               Blue Room
Nov. 8        Columbus, OH             Natalie’s Grandview 
Nov. 9        Chicago, IL                  Judson & Moore 
Nov. 10      Cincinnati, OH             Live on Orchard Lane
Nov. 16      New York, NY             Cafe Wha?
Nov. 21      Vienna, VA                  Jammin Java
Nov. 22      Charlottesville, VA      Front Porch
Nov. 23      Easton, MD                  Stoltz Listening Room
Nov. 24      Philadelphia, PA           Milkboy 
 
For the latest news and tour dates, visit thisisjuliewilliams.com and follow along on social media @juliewilliamsmusic on Instagram, TikTok and Facebook and @j_w_music on X.

For Tennessee Moon Williams was inspired by some of her favorite singer/songwriters like Boy Genius, Kacey Musgraves, Allison Krauss, Emmylou Harris and Taylor Swift to create a story-driven sonic journey that was both dreamy and moody while seamlessly blending country, 90s folk and indie production elements.
 
“Tennessee Moon was inspired by a picture that I took of one of my exes as they kayaked at Percy Priest Lake under a stunning Tennessee sunset,” shares Williams. “I watched this person - and our relationship - float farther and farther away from me, just as the sky was fading from orange and red to blue and gray. With that picture, and with this EP, I wanted to capture that wistful feeling - of trying to hold onto a beautiful, golden moment that you know in your heart is not going to last. This EP is an ode to my mid-20s - all the golden days, the dark nights, the flowers, and the dirt.”
 
The Florida native started sharing those stories, and people listened. A student at Duke University, she was signed to Small Town Records whose alumni include Mike Posner and Delta Rae and sang as a vocalist for the Duke Jazz Ensemble. After graduating with a public policy degree in 2019, she moved to Nashville and found her musical home in the Black country and Americana scene. She was named in Rissi Palmer’s Color Me Country Class of 2021 and she was featured in a “PBS NewsHour” special on Black women in country music. In 2022, Julie joined the Black Opry, a collective of Black artists in country, blues, folk, and Americana music. Julie was named a CMT Equal Access artist in 2023, joining the mTheory backed program to support marginalized voices in country music.
 
“People want to hear black voices, black stories,” Williams says. “I was nervous about how my songs would be received by Nashville - but people want honesty. They want honest songs about real life, and for the artists they follow to take a stand.”
 
Tennessee Moon follows her self-titled EP, Julie Williams, with American Songwriter praising her “success through the power of her own voice” and the Tennessean noting she “discovers joy, maturation” on the project. 
 
An activist at heart, Williams launched Green Room Conversations in March 2023, a series of performances and speaking on college campuses to raise awareness of sexual harassment in the music industry and her own experience with sexual violence. Williams hopes to empower the next generation of artists and industry changemakers and has already visited MTSU, University of Texas-Austin, and Duke with more campus visits planned for later this year.
 
“I’m writing my songs for the girl who cries in the shower as she tries to detangle her hair and is afraid to look in the mirror because she hates what she sees; for the 17-year-old who is just now learning to love herself; for the 20-or 30-something who is just trying to figure it out," shares Williams. "That’s who my songs are for.”

This Saturday night in Brooklyn with Agapē !

Hey NYC, Get Ready for Johannes Schuster and Impulsive Behavior This Saturday!

SECURE YOUR TICKET HERE

Closing out an epic summer season with highly anticipated debuts is our thing: @unrealgermany resident @johannesschuster_official and London based talent @impulsivebehaviour_ are set to grace us with their energy on Saturday, September 21st for a night of debauchery in a secret warehouse in Brooklynooklyn location.e the text.

📍 Brooklyn secrett warehouse 

🚪 Doors  10:00 PM - 6:00 AM
🎫 TICKETS AVAILABLE  ON SHOTGUN.LIVE

Thy Catafalque Feast on New Single "Mindenevő"

"...yet another testament to the musical genius of Tamás Kátai" - No Clean Singing

"Few musicians have as long and varied a career as Tamás Kátai of Thy Catafalque" - Angry Metal Guy

"Thy Catafalque are a one of a kind experiment that have never played by traditional rules or boundaries" - New Noise

"A monstrously entertaining, tightly diverse band" - Everying Is Noise

"...will delight metlaheads of all stripes" - Echoes and Dust

Even during its initial gestation period, Thy Catafalque had already expanded beyond the perceived limits of extreme metal. With each album, Tamás Kátai and his band of collaborators have taken another step beyond the genre's boundaries, bringing the world's most vile art form into conversation with the avant-garde.

There's still a light at the end of Thy Catafalque's upcoming twelfth album. But as Kátai winds through its introspective journey into the night, XII: A gyönyörű álmok ezután jönnek revisits the all-consuming heaviness that courses back through the project's 20-year history. While garnished with plenty of classical flourishes, its meaty new single "Mindenevő" growls like the belly of a metallic beast. 

Feast your eyes on the video for  "Mindenevő" Below.

XII: A gyönyörű álmok ezután jönnek comes out November 15, 2024 on Season of Mist.  

Pre-order & Pre-save

https://orcd.co/thycatafalquexiiagyonyorualmokezutanjonnek

A gyönyörű álmok ezután jönnek is still guided by the dreaminess that fans in and outside of Hungary have come to admire about Thy Catafalque. After all, in English, the album's title translates to 'The Beautiful Dreams Are Yet to Come'. "I imagined these songs as a journey into the night", Kátai says. Finding his way along this path required him to head in a different direction - at least, as far as the production goes. The dark waves of synth that streak through the album's title track and lead single glow with the faint but familiar reassurance of the dawn.      

Still, journeying through A gyönyörű álmok ezután jönnek can be a rocky road. While the latest single opens with a plucking oud, "Mindenevő" is a full bore feast for bloodthirsty metalheads. The insatiable blast beats and tongue-flicking tremolo picking are cooked over the same blackened fires as Thy Catafalque's 1999 debut. "Our last album, Alföld, was very bleak", Kátai explains. "Adding classical and acoustic instruments helped add a sprig of color to these new songs, but XII still has plenty of metal". 

Even the progressive flourishes feed the song's sickening theme. A fretless bass waltzes into the room just as the video's dinner party succumbs to their insatiable appetite for destruction. "Blood and fat shall course through every vein", chants a doomy operatic chorus. "We devour everything around us", Kátai says when asked about the philosophical musings that greased the wheels of "Mindenevő" (which means "Omnivore"). "It's absurd. The way we consume everything in our path only leads us closer to our demise".

In the end, the engorged death metal riffs finally eat their fill. Yet as the beastly "Mindenevő" lays to rest amidst a thick delirium of clarinet and French horn, the feeling that's left churning in the pit of your stomach is pure, unfiltered dread. 

"Human beings do have an animal side", Kátai says. "Even though some of us strive for purity, in the end, we have to recognize and accept the morbidity of nature".  

The video for "Mindenevő" was created by G13 Film.

New fans and long-time appreciators can now rediscover just how much Thy Catafalque has grown since their humble beginnings as a duo. This year, Season of Mist re-issued Thy Catafalque's first seven albums.

These reissues include first-edition pressings, limited color vinyls, UV-prints, 3D etchings and new artwork, plus bonus tracks.  

Order:https://redirect.season-of-mist.com/ThyCatafalqueReissues

Thy Catafalque's twelfth album looks back longingly at the past, Tamás Kátai isn't stopping to smell the roses. With A gyönyörű álmok ezután jönnek, he shows that the beautiful dreams are yet to come.

Recording Lineup
Tamás Kátai – guitar, bass, vocals, keyboards, programming

Guest musicians
Martina Veronika Horváth – vocals on Track 1, 6
Ivett Dudás – vocals on Track 8
Helga Kreiter – vocals on Track 4, 10
Gábor Dudás – vocals on Track 2, 5, 6, 10
Bálint Bokodi – vocals on Track 2, 4, 9
Gábor Veres – vocals on Track 3, 8
Attila Bakos – vocals on Track 1
Zoltán Kónya – vocals on Track 3
András Vörös – vocals on Track 4
Breno Machado – lead guitar on Track 2
Zoltán Vigh – lead guitar on Track 3
Krisztián Varga – lead guitar on Track 4
Daniele Belli – acoustic guitar on Track 2
Miguel Velasquez Matija – fretless bass on Track 2, 6
Edu Giró – oud, bouzouki, baglama on Track 2,7
Grigoris Mitropoulos – bouzouki, mpaglamas on Track 7
Sanja Smileska – violin on Track 3
Jo Quail – electric cello on Track 8
Issar Shulman – contrabass on Track 2
Cal Rustad – French horn on Track 2, 8
Manuel Domenech – cor anglais on Track 8
Khachatrian Lernik – clarinet on Track 2
Gergő Bille – flugelhorn, trumpet on Track 7
Joakim Toftgaard – trombone, trumpet on Track 7
Fabian Hernandez – saxophone on Track 5
Viktória Varga – narration on Track 3
Annamari Sánta – narration on Track 7, 8

Recording
Recorded in various countries: Hungary, United Kingdom, Romania, Ukraine, Italy, Spain, Greece, North Macedonia, Israel, U.S.A., Colombia, Brazil.

Producer & Sound Engineer
Tamás Kátai, Gábor Vári

Mixing & Mastering
Miracle Sound Szeged, Hungary. Mixed and mastered by Gábor Vári.

Artwork
Front cover by Dániel Szécsényi and Tamás Kátai
Illustrations by Orsolya Pintér.

Follow Thy Catafalque
https://thy-catafalque.hu
https://www.facebook.com/thycatafalque
https://www.instagram.com/thy_catafalque
https://www.youtube.com/user/kataitamas
https://thycatafalque.bandcamp.com/
https://open.spotify.com/artist/4sgTqbA7htxYkRRJBPZIom
https://music.apple.com/us/artist/thy-catafalque/372164196

Booking contact:  info@thy-catafalque.hu

Billy Morrison, Corey Taylor & Steve Vai Save the World from Corporate Greed in New Animated Video ​

Iconic rock musicians Billy Morrison, Corey Taylor (Slipknot, Stone Sour), and legendary guitarist Steve Vai have teamed up to unleash their latest single and music video, "Incite The Watch." This dynamic release is the fifth single from Billy Morrison’s recently launched solo album, The Morrison Project, available now through TLG | ZOID | Virgin Music Group.

This single follows Morrison's release, "Crack Cocaine," a riveting collaboration with legendary icons Ozzy Osbourne and Steve Stevens that skyrocketed into the nation’s top of the Active Rock Mediabase chart at #1 earlier this year.

 STREAM "Incite the Watch" here: https://ffm.to/tmp-incite-the-watch

Directed by Brett Boggs, known for his work on several Disney films, the video paints a vivid picture of a dystopian Los Angeles. In this alternate reality, society has been overtaken by an oppressive, conformist regime that has outlawed rock and roll, free expression, and all forms of individuality. The city scape is a post-apocalyptic wasteland, with shattered buildings, burning cars, and the remnants of crushed rebellions.

WATCH Billy Morrison, Corey Taylor, Steve Vai - "Incite The Watch" below:

The album is available digitally HERE

“Incite The Watch” was created utilizing a combination of traditional artist drawn and animated characters and designs, with concept driven AI imagery using a new cutting edge application called CineTech. This was done by inputing the script into CineTech which broke it down into individual scene descriptions. Detailed prompts were then input based on the scene descriptions to create background images for each scene which could then be further enhanced to generate the desired appearance. After this was achieved, hand drawn storyboards were uploaded into CineTech which were integrated into the enhanced prompts to achieve the exact imagery needed. Once those images were achieved, CineTech’s ShotSheets feature combined those images into organized PDF files. The files were uploaded into RunwayML to animate and enahce the images and finally input into DaVinci Resolve for final touches, grading, and visual effects. Using CineTech allowed for the creation of a visually compelling product on a shorter timeline without sacrificing quality.

“Billy and I have known each other for so many years and we’ve done many performances together, it was only a matter of time before we put together something original and fascinating. Alternatively, I’ve been a Steve Vai fan since I was 15, and never thought I’d ever get the chance to do something amazing with him. Enter the great Billy Morrison who got both Steve and I on INCITE THE WATCH! I’m so stoked to be a part of this album with so many great artists and I can’t wait to see what happens next.”

--Corey Taylor

“Billy Morrison is always getting into some kind of intense and creative musical mischief, and this record is the evidence of that. When he sent me the track “INCITE” I was very eager to contribute to it. It is slamming and crushing, and the energy of the track is palpable. It’s nice to be part of his mischief.”

--Steve Vai

“The combination of Corey Taylor and Steve Vai on a Billy Morrison song is insanely exciting for me! This track started life as a piano riff from Erik Eldenius and once we had Corey’s fantastic vocal on the song, there was only one man we wanted to tackle the three key change extra long solo section—and luckily Steve said yes!”

“Incite really feels like an opus—

a journey. It twists and turns, hits some unexpected changes and sections and resolves into modern rock heaviness and I am extremely proud that the end result appears on The Morrison Project.”

--Billy Morrison

Photo credit: Jane Stuart

All Time Low + I Prevail Collaborate for "Hate This Song"

Two pillars of their respective genres — alt pop royalty ALL TIME LOW and hard rock titans I PREVAIL — collide on the brand new single "Hate This Song." It's an absolutely epic collab track that combines the best of both bands' sounds and worlds.

Listen below. 

On paper and in theory, All Time Low and I Prevail might seem like an odd pairing, but the execution is utterly flawless.

"Hate This Song" combines ATL's effervescent, three-chord charm and knack for melody with I Prevail's dueling vocals and riffy snarl. "Hate This Song" is a modern breakup track that highlights how music is the universal love language with which we communicate. With its triple vocal attack, catchier-than-a-cold chorus, and moshy breakdown, both fan bases are going to LOVE this song.

"'Hate This Song' has been waiting patiently in the wings since the release of our last full-length Tell Me I’m Alive," says ATL's Alex Gaskarth. "It was an opportunity to explore something kind of cheeky and different with a band we have a ton of respect for at the top of their game. The I Prevail guys brought their signature weight to the song and transformed it into something wonderfully unexpected and I see our bands coming together as the two sides of a coin dropping into the jukebox that's about to spin this song over and over again."

"A while back we were hit up by this little band called All Time Low," says I Prevail's Eric Vanlerberghe. "They sent us a track that they wrote and asked if we could spice it up a bit. We said absolutely and went to work. So happy to have this track out — finally — and to be the first ones to put a blast beat on an ATL song."

ABOUT ALL TIME LOW:
All Time Low's journey from high school friends in Baltimore to an internationally recognized act is a testament to their talent, dedication, and the strong connection they have built with their audience over the years. They have undeniably, albeit unassumingly, carved out their own corner of popular culture. All Time Low's catalog consists of five consecutive Top 10 albums on the Billboard Top 200 in addition to picking up multi-platinum, platinum, and gold certifications. Speaking to their impact, Rolling Stone included the band's So Wrong, It's Right LP in their 50 Greatest Pop-Punk Albums, coming in at #20, alongside albums from Bad Religion, Green Day, and The Descendants. Their single "Monsters (ft. blackbear)" clinched #1 on the Billboard Alternative Airplay Chart for an unprecedented 18 weeks, emerging as the longest charting song ever at the Modern Rock format.

ABOUT I PREVAIL:
I Prevail have established themselves as the forerunners of the genre in the 21st century. Their latest release TRUE POWER, once again produced by Tyler Smyth, features the sort of stadium-sized riffs that will rattle your teeth loose from your gums and unforgettable, supremely catchy melodies that will camp out in your brain for weeks at a time. The band also alternately mixes screamed vocals that sound as though they crawled from the depths of hell with soaring, emotional vocals and heartfelt, intimate lyrics that go so deep, they hit marrow. The end result is an album that resonates with the listener in the most personal way. Rising to an arena level and receiving two Grammy nominations — Best Rock Album for Trauma and Best Metal Performance for crushing lead single "Bow Down" — I Prevail proved that they were built to last. To date, they've racked up more than 4.2 billion global streams, are approaching 755 million YouTube views, and saw both "Hurricane" and "Bad Things" singles top Billboard's Mainstream Rock Airplay chart in 2020 and 2022 respectively. A number of their singles and album Lifelines have now been certified Gold and Platinum, and they have been praised by press far and wide, including Forbes, Billboard, The Hollywood Reporter, Playboy, and NPR. I Prevail have affirmed their position among the genre's elite.

Industrial music icon PIG / Raymond Watts presents 'Fallout', previewing 'Feast of Agony' EP

Industrial music legend Raymond Watts a.k.a. PIG has shared his new single 'Fallout', undoubtedly the most catchy among the six coruscating tracks found on his new 'Feast of Agony' EP, out on September 27 via Metropolis Records.

This EP arrives on the trail of the remastered reissue of PIG's landmark 1995 ‘Sinsation’ album (originally released via Trent Reznor's Nothing Records) and his latest studio album ‘Red Room’, released earlier this year - both albums released via Metropolis.

Raymond Watts aka PIG has enjoyed a stellar career since starting out as a pioneering member of the mid-1980s industrial rock scene. As well as releasing fourteen albums as PIG, he has toured with KMFDM (he was a member of the band in their early days), Nine Inch Nails and Einstürzende Neubauten, written music for fashion and film (for Chloe, Marios Schwab, Halston and The Row), created exhibition sound design for the Metropolitan Museum of Art in New York, and collaborated with the late fashion icon Alexander McQueen.

'Feast of Agony' is the sound of PIG crushing the grinding wheel of grief with the seed of hope and relief. Watts’ anger burns and binds as he cooks up more kick-ass music, begging you to march to the drumbeat of hope with these encounters with the Lord of Lard, in which he brings word to wordless and truth to the truthless.

The EP kicks off with the monstrous 'Heroin for the Damned', screaming like a demon officiating at his own funeral while trying to stem the wounds of reality with the joy juice of depravity, which was co-written with Watts’ collaborator-in-chief Jim Davies, a longtime member of Pitchshifter, but best known for his acidic and acerbic guitar lines on many chart hits by The Prodigy,

The remaining tracks are a cure that’s kind… and a call to the deserts of desperation from the promised land of truth.

Watts will continue his oration against hopelessness, hypocrisy and the ever creeping tide of despair on PIG's ‘Heroin For The Damned’ tour across North America, kicking off on September 28. Joined by Curse Mackey and Unitcode : Machine, this 40-date itinerary follows PIG's headlining set at Cold Waves XII in Chicago.

As of September 27, the 'Feast of Agony' EP is available everywhere, including Apple Music, Spotify and Bandcamp, along with the 'Red Room' and 'Sinsation (Remastered)' albums. The vinyl edition of 'Feast of Agony' is only available on the tour. Tickets can be ordered at https://linktr.ee/ pigtour2024

CREDITS
All songs written by Watts, except 'Heroin for the Damned' (Raymond Watts/ Jim Davies)
and 'The Ratchet Effect' (Raymond Watts/ Mike Watts)
Music performed by Raymond Watts
Jim Davies - additional guitars & remix
Michelle Martinez - backing vocals on 'Baptise Bless & Bleed'
Produced & mixed by Raymond Watts
Additional production by Jim Davies
Recorded & mixed at Ranch Apocalypse and Otherwise Studios
Mastering by Tom Hall at Abbey Road
Artwork by Vlad McNeally
Photography by E Gabriel Edvy / Blackswitch Labs
Audio visual consultant - Mark Alan Griffiths
Released via Metropolis Records
Publicity by Shauna McLarnon at Shameless Promotion PR
'Fallout' video directed by Melody Myers

PIG

'Fallout' from 'Feast of Agony' EP

EP released on Metropolis Records. 'Heroin For The Damned' Tour starts Sept. 28

27 September 2024

View Page

Industrial music icon PIG / Raymond Watts presents 'Fallout', previewing 'Feast of Agony' EP

FOR SHARING
'Fallout' video  https://youtu.be/7kEzKqwGbAc
'Feast of Agony' EP order  https://ingrv.es/feast-of-agony-gpp-g
Bandcamp  https://pigindustries.bandcamp.com/album/feast-of-agony
'Sinsation (Remastered)' album  https://pigindustries. bandcamp.com/album/sinsation- remastered
'Painiac' video  https://youtu.be/3XmSj11f8wc
'Red Room' album  https://pigindustries. bandcamp.com/album/red-room
'Dum Dum Bullet' video  https://youtu.be/ eA5y9tiF0Fs
'Crumbs, Chaos and Lies' feat. Alexis Mincolla of 3Teeth  https://youtu.be/ HDpuAq9ONKU
Spotify  https://open.spotify.com/artist/5riS4sDqcjVAwvC37jxTP0
TOUR TICKETS  https://linktr.ee/ pigtour2024

FOR REVIEW & AIRPLAY 
Online press kit  https://haulix.promo/5ugk  
Download via Google Drive  https://bit.ly/3ye7oSG


Industrial music legend Raymond Watts a.k.a. PIG has shared his new single 'Fallout', undoubtedly the most catchy among the six coruscating tracks found on his new 'Feast of Agony' EP, out on September 27 via Metropolis Records.

This EP arrives on the trail of the remastered reissue of PIG's landmark 1995 ‘Sinsation’ album (originally released via Trent Reznor's Nothing Records) and his latest studio album ‘Red Room’, released earlier this year - both albums released via Metropolis.

Raymond Watts aka PIG has enjoyed a stellar career since starting out as a pioneering member of the mid-1980s industrial rock scene. As well as releasing fourteen albums as PIG, he has toured with KMFDM (he was a member of the band in their early days), Nine Inch Nails and Einstürzende Neubauten, written music for fashion and film (for Chloe, Marios Schwab, Halston and The Row), created exhibition sound design for the Metropolitan Museum of Art in New York, and collaborated with the late fashion icon Alexander McQueen.

'Feast of Agony' is the sound of PIG crushing the grinding wheel of grief with the seed of hope and relief. Watts’ anger burns and binds as he cooks up more kick-ass music, begging you to march to the drumbeat of hope with these encounters with the Lord of Lard, in which he brings word to wordless and truth to the truthless.

The EP kicks off with the monstrous 'Heroin for the Damned', screaming like a demon officiating at his own funeral while trying to stem the wounds of reality with the joy juice of depravity, which was co-written with Watts’ collaborator-in-chief Jim Davies, a longtime member of Pitchshifter, but best known for his acidic and acerbic guitar lines on many chart hits by The Prodigy,

The remaining tracks are a cure that’s kind… and a call to the deserts of desperation from the promised land of truth.

Watts will continue his oration against hopelessness, hypocrisy and the ever creeping tide of despair on PIG's ‘Heroin For The Damned’ tour across North America, kicking off on September 28. Joined by Curse Mackey and Unitcode : Machine, this 40-date itinerary follows PIG's headlining set at Cold Waves XII in Chicago.

As of September 27, the 'Feast of Agony' EP is available everywhere, including Apple Music, Spotify and Bandcamp, along with the 'Red Room' and 'Sinsation (Remastered)' albums. The vinyl edition of 'Feast of Agony' is only available on the tour. Tickets can be ordered at https://linktr.ee/ pigtour2024

CREDITS
All songs written by Watts, except 'Heroin for the Damned' (Raymond Watts/ Jim Davies)
and 'The Ratchet Effect' (Raymond Watts/ Mike Watts)
Music performed by Raymond Watts
Jim Davies - additional guitars & remix
Michelle Martinez - backing vocals on 'Baptise Bless & Bleed'
Produced & mixed by Raymond Watts
Additional production by Jim Davies
Recorded & mixed at Ranch Apocalypse and Otherwise Studios
Mastering by Tom Hall at Abbey Road
Artwork by Vlad McNeally
Photography by E Gabriel Edvy / Blackswitch Labs
Audio visual consultant - Mark Alan Griffiths
Released via Metropolis Records
Publicity by Shauna McLarnon at Shameless Promotion PR
'Fallout' video directed by Melody Myers

TRACK LIST
1  Heroin for the Damned
2  Fallout
3  Comedown
4  Hand of Mercy (Make The Cut)
5  The Ratchet Effect
6  Baptise Bless & Bleed (Red Line Remix by Jim Davies)

TOUR DATES 'Heroin For The Damned' Tour 
9/28/24: Chicago, IL, @ Metro
9/ 29/24: Minneapolis, MN @ Cabooze *
9/30/24: Des Moines, IA @ Lefty’s Live Music *
10/2/24: Milwaukee, WI @ X-Ray Arcade *
10/3/24: Davenport, IA @ Raccoon Motel *
10/4/24: Lawrence, KS @ The Bottleneck *
10/5/24: Denver, CO Kulture Music Hall *
10/6/24: SLC, UT @ Quarters *
10/7/24: Boise, ID @ Visual Arts Collective *
10/9/24: Eugene, OR @ John Henry’s *
10/10/24: Seattle, WA @ El Corazon  ^^
10/13/24: Portland, OR @ Dante’s ^^
10/15/24: Sacramento, CA @ Starlit Room ^^
10/16/24: SF, CA @ DNA ^^
10/17/24: San Diego, CA @ Whistle Stop ^^
10/18/24: Las Vegas, NV @ Sinwave ^^
10/19/24: Los Angeles, CA @ Catch One ^^
10/20/24: Scottsdale, AZ @ Pub Rock ^^
10/21/24: Albuquerque, NM @ Launchpad ^^
10/23/24: OK City @ Beer City ^^
10/24/24: Dallas, TX @ Three Links ^^
10/25/24 - Houston TX @ Secret Group *
10/26/24: Austin, TX @ Elysium *
10/27/24: New Orleans, LA @ Santos *
10/29/24: Pensacola, FL @ Handlebar *
10/30/24: Orlando, Fl @ Handlebar *
11/1/24: West Palm Beach, FL @ Respectable Street *
11/2/24: Jacksonville, FL @ Underbelly *
11/3/24: Greenville, SC @ Radio Room *
11/5/24: Atlanta, GA @ Star Bar *
11/6/24: Richmond, VA @ Fallout *
11/7/24: Baltimore, MD @ Metro Baltimore *
11/8/24: New York, NY @ STIMULATE *
11/9/24 - Wilmington DE @ Bar 13 *
11/10/24: Millersville, PA @ Phantom Power *
11/12/24: Cambridge, MA @ Middle East *
11/13/24: Quebec City, QC @ L’anti Bar *
11/14/24: Montreal, QC @ Cabaret Fous *
11/15/24: Toronto, ON @ Lee’s Palace *
11/16/24: Detroit, MI @ Smalls *
11/17/24: Cleveland, OH @ Beachland Tavern *

*  dates with Unitcode : Machine
^^  dates with Curse Mackey and Unitcode : Machine

Keep up with PIG
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Funeral Usher You into their Unyielding Embrace on New Single

"...set such a high bar for doom metal" - Angry Metal Guy

Few bands tread the line between despair and catharsis as poignantly as FUNERAL. Today, the Norwegian titans of sorrow are unveiling the latest single off their upcoming seventh album Gospel of Bones. "Procession of Misery" ushers you into the raw and unyielding embrace of doom metal.

Listen to "Procession of Misery" below.

Gospel of Bones is out October 18th on Season of Mist.

Pre-order & Pre-save

https://orcd.co/funeralgospelofbones

Hailing from the desolate climates of Norway, Funeral have built their legacy on crafting epic, melancholic soundscapes. The band are stalwart guardians of funeral doom with tones that are weighted as the bowed boughs of winter.

"Procession of Misery" carries forward their legacy, leading listeners through a morose symphony of sorrow. Their new single is a dirge, a solemn march into the abyss that doesn't shy away from staring into the void but rather finds a haunting beauty within it. Punctuated by relentless funeral drums and melodies that etch sorrow into the night sky, it embodies the soul-crushing bleakness that's fuels Funeral's 20-year legacy.  

Line-up
Anders Eek - Drums
Eirik Krokfjord - Vocals
Ingvild Johannesen - Violin
Rune Gandrud - Bass
Stian Kråbøl - Guitars
Morten Søbyskogen - Guitars

Recording Studio
Toproom Studio & Studio 42

Production Credits
Produced by Børge Finstad
Sound Engineered by Anders Langberg
Mixed & Mastered at Toproom Studio by Børge Finstad

Guest Musicians
Øyvind Rauset
Espen Ingjerd
Vilde Kråbøl
Anders Langberg

Cover Art
Tristan Diaz Bastie

Photography
Guilherme Henriques

Pre-order & Pre-save: https://orcd.co/funeralgospelofbones

Follow Funeral:
Facebook: https://www.facebook.com/funeralnorway/
Instagram: https://instagram.com/funeralnorway
YouTube: https://www.youtube.com/@DirgeofMourning
Bandcamp: https://funeraldoom.bandcamp.com/
Spotify: https://open.spotify.com/artist/0q3guqlmd8oVaz5v2Fqy3q
Apple Music: https://music.apple.com/artist/funeral/208973684
Deezer: https://www.deezer.com/artist/194130
TIDAL: https://tidal.com/browse/artist/23777

Singer/Songwriter Angie K Releases Bilingual "Stay" for Hispanic Heritage Month; Announces New EP Coming 10/25

Rising country singer/songwriter and Holler “Artist You Need to Know,” Angie K is bringing her penchant for authentic storytelling,  powerful vocals, and unwavering pride in her Latin heritage to latest release, “Stay.” Available today, the sultry and bilingual new track, released in honor of Hispanic Heritage Month, effortlessly weaves together heartfelt lyrics with melodies that evoke both traditional country sounds and the rhythms of Latin music, showcasing her versatility as an artist. 
 
"Stay" is the latest new music from Angie K and will be featured on her forthcoming self-titled EP, Angie K. Produced by acclaimed writer/producer and BMI Songwriter of the Year, Stephony Smith, the EP is set for release independently on October 25, 2024. Listen to “Stay” Below.
 
“I wrote ‘Stay’ about my relationship of nine years. That may not seem long in the scope of things, but it’s long enough to have truly had to give each other the space to change and grow,” shares Angie K. “There’s such a depth that comes with that. We’ve seen so many sides of each other, both given each other reasons to give in when it gets tough, but every day we show up for each other. We learn to be better for each other. Over and over again. It’s beautiful.” 
 
Written by Angie K along with David Borys, Tom Pino and Jason Haag, the independently released track finds her pleading with a partner in both English and Spanish to stay and fight for their love. 

The queer country artist first made her mark on Music City with bilingual track, “Real Talk,” catapulting her onto the country scene as a “Highway Find” on SiriusXM’s The Highway. The new music follows the  powerhouse vocalist’s recent releases "Death of Me" and “Red Dirt on Mars," which left Billboard praising her "disarming vulnerability." She also recently explained the influence Smith had on her when it came to releasing "Death of Me" in a "Holler Nashville Session" sharing, "It's a very vulnerable song, and I almost didn't put in on the record, but I'm glad I did - just because of the stories I've heard of people relating to it." Listen to “Red Dirt on Mars” HERE and listen to "Death of Me" HERE. 

The 2023 CMT Next Women of Country artist has been in the studio working on the forthcoming EP with Smith, who penned the smash hit “It’s Your Love” for Tim McGraw/Faith Hill and has received cuts from some of music’s biggest stars including The Chicks, Shania Twain, Barbara Streisand, Kenny Chesney, Terri Clark, Reba McEntire and more. 

Named a 2024 CMT LISTEN UP artist with CMT also calling her an “up-and-coming female artist to watch," this year is certainly shaping up to be a breakout year for Angie K. Born and raised in El Salvador till age 11 and raised in Georgia, her love for country music was nurtured from a young age. Her mother’s dedication, saving up to bring her to Nashville to the Grand Ole Opry, came full circle with her making her Opry debut last month, fulfilling a lifelong dream.

American Songwriter was on hand for the emotional evening sharing, “Her voice rang strong and clear through the Grand Ole Opry House, compelling fans to raise their phones on the last song and fill the darkened theater with light—a moving display of acceptance and adoration for a woman who has dreamed of standing in the hallowed circle since before her feet touched North American soil.”

For the latest news and tour dates, visit officialangiek.com and follow @officialangiek on Instagram, TikTok, and Facebook.  

About Angie K
A member of CMT’s 2023 Next Women of Country class, Angie K was named earlier this year to CMT’s 2024 LISTEN UP Class and named an “Artist You Need to Know” by Holler. With a nod to Angie K’s Latin roots, her first bilingual single “Real Talk” catapulted her onto the country scene as a “Highway Find” on SiriusXM’s The Highway. And as an out and independent artist she has accumulated over 20 million+ streams, 500k+ followers and even played on the Nissan Stadium stage during the 2022 CMA Fest. Angie has also shared the stage with Tanya Tucker, Trace Adkins, Melissa Etheridge and more.
 
With CMT calling her an “up-and-coming female artist to watch"  this year, 2024 is certainly shaping up to be a break out year for Angie K. She made her Grand Ole Opry debut in August, and took the main stage  at Nashville Pride and the Reverb Stage at CMA Fest this year. She will release her self-titled EP, Angie K, on Oct. 25. For upcoming tour dates and more information, visit officialangiek.com/ and follow along @officialangiek on Instagram, TikTok, and Facebook. 

Miranda Lambert Sends 'Postcards from Texas' Today, Sept. 13

With NPR’s “All Songs Considered” lauding Miranda Lambert as “the most accomplished and consistently great artist in contemporary country music” as Postcards from Texas leads today’s discussion of the most impactful new releases, the show also declares, “This is an album that proves that she’s a backbone of country; she can make these really beautiful, minimalist country songs that get to the heart of very clear, concise ideas about love and homeland.” Listen to the latest project from the most-awarded artist in Academy of Country Music history HERE.
 
“Usually when you make a record, it’s a snapshot of the past two or three years and where you are in that moment,” reflects Lambert. “Postcards from Texas instead draws on all the different stages of my life and my career, all the influences that have ever inspired me, and gives you a really full picture of who I am.”
 
With a perky backbeat and a come-hither tone, Lambert kicks off Postcards from Texas with “Armadillo,” the plucky, magical-thinking road adventure that sets the tone for the 14-song romp across her home state that is both nostalgic and forward-facing. With an emphasis on the wide-ranging musical palette of Texas itself, Lambert and co-producer Jon Randall created a mélange of sleek ‘70s country (“Looking Back On Luckenbach,” “Wildfire”), slow-burning Neil Young swagger (“Wranglers”), grassy pluck (“Bitch On The Sauce (Just Drunk)”), a hilarious shuffle (“Alimony,” celebrated by the Associated Press as “such a rewarding lyric reversal, it feels almost prototypical – as if plucked from some great country music songbook instead of written into it”) and classic songwriter fare (“No Man’s Land,” “I Hate Love Songs”), plus an unrepentant take on David Allen Coe’s “Living On The Run.”
 
“You’d have to look pretty far and wide to find anyone in music who has been as consistently good or eternally enjoyable as Miranda Lambert,” declares Rolling Stone’s review. With her ninth solo studio project adding to that celebrated discography, the accomplished writer and vocalist of many colors and emotions delivers an album that is in turns sleek, ragged, rocking and honky tonk ready. Think of it as Lambert’s love letter to her home state. Recorded at Austin’s legendary Arlyn Studios, the pair of GRAMMY-winning creative forces drew on some of Texas’s best-known musicians to further root this song cycle in the textures that have defined her storied career. If you like freewheeling, high-flying, seat of your pants ecstasy and slightly salty “here’s how it is,” Lambert’s first album for Republic Records pushes all those buttons, and more.
 
“There’s the line ‘livin’ on a Lone Star love’ in ‘Looking Back on Luckenbach,’ and that could be the thesis statement for this record,” Lambert reflects. “It really sums up the entire journey that I’ve taken with this new path… Going back to the root and putting a lot of steel guitar on it, a lot of country – a lot of kinds of country – it’s just kind of finding my place again artistically.”
 
“At this stage in her career, Lambert doesn’t have anything to prove — and that’s one of many reasons why Postcards from Texas is a ride that works,” applauds the Associated Press, with local cultural authority Texas Monthly adding, “On paper, Lambert seems to have all she ever wanted and more… Rather than taking a victory lap, though, Lambert is pushing into territory that’s as risky as it is familiar.”
 
A masterclass in the phases and stages of a songwriter raised on the potent forces of Willie Nelson, Emmylou Harris, George Strait, Steve Earle and Guy Clark, this is Lambert at her truest and most real. “There are tearful, pedal-steel ballads that could have been written at any point in the past 50 years, but also songs with a more contemporary, arena-ready rock sheen,” notes the Daily Mail, yet as Rolling Stone raves, “the album never feels like a tribute to anything other than her own independent muse.”
 
From start to finish on Postcards from Texas, the woman known for her staunch individualism, no-mess attitude and unwavering truth-telling moves through the expansive freedoms and musical gears that makes Texas such a mythic, magical place – looking back on the journey thus far while also keeping an eye down the road to where all of it might take her.
 
“The beginning and ending were on purpose,” she admits. “We’re gonna start out and end in the same level of brokenness. ‘Living on the Run,’ because of what it says, makes you feel like you’re about to get in the car with that armadillo again, and start it all over. I feel like it’s the signal to start the journey all over again, because that’s what life is.”

About Miranda Lambert
Critically acclaimed groundbreaker/songwriter/superstar Miranda Lambert has defined her multi-faceted career as an artist, entertainer, entrepreneur, advocate and businesswoman with an unflinching quest for excellence, honesty and conviction. With her ninth solo studio album, Postcards from Texas, available everywhere now via Republic Records, the most-awarded artist in Academy of Country Music history, including their top honor for Entertainer of the Year, has also won three GRAMMYs and 14 Country Music Association Awards. A TIME100 honoree and perennial best-of-the-year list maker at the New York Times, TIME, Rolling Stone, Billboard, Stereogum, People and more, NPR has called her “the most riveting country star of her generation.”
 
A multi-dimensional superstar, she’s earned seven No. 1 solo albums, 10 No. 1 hit radio singles, more than 80 prestigious awards and countless RIAA certifications; conquered Las Vegas with her twice-extended Velvet Rodeo residency; blurred genres with Leon Bridges, the B-52s, Loretta Lynn, Enrique Iglesias, Sheryl Crow and Elle King; and delivered her LGBTQ+ inclusive anthem “Y’All Means All” for Netflix’s “Queer Eye.” She’s taken those standards to become a New York Times bestselling author and the first female restaurateur on Lower Broadway with her Tex-Mex cantina Casa Rosa, while also expanding her creative reach with her Wanda June Home collection exclusive to Walmart and her Idyllwind clothing and boot line at Boot Barn. Her passion for rescue animals inspired the creation of her MuttNation Foundation, which has raised nearly $10 million since inception to promote adoption, support shelters across the country, advance spay & neuter and assist with the transport of animals during times of natural disaster.
 
MirandaLambert.com | Facebook | Twitter/X | Instagram | TikTok | YouTube

BLANCO BROWN REMINDS US THAT TRUE JOY OFTEN LIES IN SIMPLICITY WITH HIS SOULFUL NEW TRACK "BACK 2 BASICS”

Discover the pure essence of romance with GRAMMY®-nominated Blanco Brown's latest single, "Back 2 Basics." Featuring infectious melodies and smooth vocals, this title track from his forthcoming new EP, Back 2 Basics, celebrates the beauty found in the simple, fundamental aspects of love. Let the captivating rhythms and heartfelt lyrics remind you of the magic in life's most essential moments. Listen and pre-save, pre-add and pre-order the EP dropping October 18 here.

"The world can be tough, 'Back 2 Basics' is about the comfort we find in the simplicity of being with the one we love," says Blanco.

Set to resonate with fans old and new, “Back 2 Basics” is a testament to Blanco Brown's unique ability to blend heartfelt emotion with music that connects with fans globally. As the anticipation builds for the release of the full EP, the song promises to be a standout addition to his ever-evolving discography. Touted as “a one-of-a-kind talent in the industry” by Country Swag, Brown’s EP navigates feelings of desire and admiration as he uses his signature Trailer Trap sound to explore his heart in this romantic lineup of songs.

Blanco Brown first captured attention with his groundbreaking fusion of country, hip-hop, and soul, exemplified by his viral sensation “The Git Up,” which achieved 11x Platinum status and amassed over four billion streams across all social and streaming platforms. The infectious blend of beats and an irresistible dance challenge showcased his unique ability to bridge musical genres and connect deeply with listeners. However, Blanco's meteoric rise was interrupted when a drunk driver hit him head-on while he was riding his motorcycle, resulting in multiple broken bones, 12 blood transfusions, and requiring resuscitation in the ambulance. Despite the severity of the accident and the challenging rehabilitation process, Blanco made a remarkable recovery, relearning fundamental skills like walking and holding a microphone. Now, with a renewed appreciation for life and his craft, Blanco is celebrating a second chance to pursue his dreams and share his music with the world.

About Blanco Brown:
Blurring the lines between Country, Hip-Hop & Soul, Blanco Brown makes a southern sound that he proudly calls "Trailer Trap." Honing in on his unique sound, Blanco balances both the metropolis and country settings in which he grew up. His viral hit “The Git Up” (certified 11x PLATINUM across three countries) took the world by storm, claiming the top spot in charts across the globe and spawning nearly four billion views across social platforms. It claimed the No. 1 on the Billboard Hot Country Songs chart for 12 weeks and was the top-selling digital Country song in the US for 13 weeks, resulting in Billboard naming him as their No. 1 Top New Country Artist for 2019. Apart from being a GRAMMY®-nominated engineer who has worked with the likes of Fergie, Childish Gambino, Kane Brown and Chris Brown, the multi-talent’s multi-national Platinum-certified collaboration “Just the Way” with Parmalee garnered more than 500 million on-demand streams, earning Brown his first No. 1 hit on Country radio (in the US and Canada). More recently, he doubled down on his genre-bending collaborations, teaming with Nelly on the funky, country inspired track “High Horse,” T.I. for “Trap Still Bumpin’,” LOCASH and the late Leslie Jordan for the funky “Let It Slide,” while pairing with Diplo for “Do Si Do” and Lee Brice and R3HAB for the remix of Brice’s hit song, “Soul.” In 2021,  Blanco Brown also lent soaring vocals to the song “Never Gonna Tame You (Original Song from “The Mustangs: America’s Wild Horses”),” written by Diane Warren. Recovering from a life-threatening accident and leaning on music to heal, Blanco instantly captured the attention of festival audiences across the nation opening his set with a breathtakingly powerful cover blend of Sam Cooke’s “A Change Is Gonna Come” and Chris Stapleton’s “Tennessee Whiskey.” Showcasing his world-class vocal talent and captivating stage presence throughout 2023, Blanco released the emotionally charged track “I’ll Never,” unlike anything the No. 1 hitmaker has ever released, followed by a momentous tribute to the late, great John Denver with Brown’s release of "Take Me Home, Country Roads.” With his April 5th release of Heartache & Lemonade, part one of three 2024 EP’s, this A-Town resident’s branded “Trailer Trap” sound amplified the stories & arrangements on the project. Blanco’s dripping-with-soul vocals also sonically shine throughout as displayed in the lead focus track "Sunshine, Shine.” Part two of three 2024 EP’s, Cedar Walls & Whiskey, dropped June 14th with fans getting their first taste of this collection with the Diane Warren penned “Snapshot.” Rounding out the 2024 EP releases is Brown’s latest project Back 2 Basics, celebrating the beauty found in the simple, fundamental aspects of love. The title track first taste of the EP carries the essence of the project and will be available to fans on September 13th with the forthcoming EP releasing on October 18. 

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Brantley Gilbert Inks Passion, Pain & Perspective on Seventh Studio Album 'Tattoos'

Multi-Platinum country-rock trailblazer Brantley Gilbert knows life has a way of leaving a mark. You can either hide it or embrace it. With his seventh studio album Tattoos, available now via The Valory Music Co., he opts to embrace it. Listen HERE.
 
“All my albums, they capture a chapter of my life,” Gilbert explains. “If somebody wants to know who I am, what I’ve been through and where I stand, they can start at the beginning and listen through, and that’s why it was undeniable that Tattoosshould be the title – because my tattoos do the same thing.
 
“People get ‘em for a lot of reasons, but for most of us, tattoos talk about our victories and losses, our struggles and the whole nine,” he observes. “I was one of those kids who had to learn the hard way. But if I would’ve listened to the advice of others, I don’t know I would have ended up where I am.”
 
Landing on Grammy.com’s “Must-Hear Albums in September,” Tattoos features 10 songs all co-written and co-produced by the Georgia native with a trusted cast of long-time collaborators. The set matches Gilbert’s ink in both striking design and depth of meaning. Through flowing curves and jagged lines, shadow and light look back on a life of blue-collar pride and full-throttle rebellion – along with addictive love, abiding faith and blessings beyond what any of us deserve.
 
Those themes are nothing new to this longtime craftsman, but when the title track “Tattoos” took shape, so too did the album’s reflective theme. Written on an annual retreat to rural Texas with Jake Mitchell, Randy Montana and Cole Taylor, Gilbert knew the slow-burning anthem was something special.
 
“I knew I had one that really captured who I am,” he says. “It doesn’t sound like anything else you’ve heard before, and it really gives you the long and short of my life, which is what my tattoos do.”
 
With about 90 songs to choose from, Gilbert carefully laid his Tattoos out from there. Some came from an all hands-on-deck weekend at Lee Brice’s Nashville property, with Jelly Roll and more, determined to write with no pre-conditions. Others found their way to Gilbert through friends who know his creative soul, and after joining forces with primary co-producer Brock Berryhill, the pair spent late night after late night whittling the pack down to its essential elements.
 
The result – predictably enough – is an electrifying mix of in-your-face aggression and roughneck reflection, as Gilbert delivers another full-spectrum soundtrack to modern country life. But this time, he was careful to put an emphasis on his early days, both in sound and substance, focusing on real instruments over synthetic effects and put to use in a variety of big-picture, small-town settings.

Like the community spirit those towns rely on, the album’s standout feature may be its guest appearances – a trend starting with the first track, “Dirty Money” featuring Justin Moore, as Billboard calls it a “pride-fueled celebration of those who earn their ‘dirty money’ straight from the ground, providing food for communities through raising and harvesting crops,” noting, “this track revs up with all the gritty churn of a combine, as a bed of industrial-scale, frothy guitars, sharp percussion and thudding bass carry the two artists’ intertwined, distinctive drawls.”
 
Lead single “Over When We're Sober” with Ashley Cooke mixes can’t-stop romantic intoxication with a top shelf vocal blend, capturing the raw magnetism of a romantic buzz. Co-written with Justin Wilson, Jelly Roll and Berryhill, the sweet-and-sour concoction jumps out from the speakers.
 
 “God Isn’t Country” – which features a vocal master class from Rascal Flatts legend (and longtime friend) Gary LeVox – fuses feel-good faith with awe for the natural world. And with the hand-over-heart declaration that is “Me and My House” ft. Struggle Jennings and Demun Jones, Gilbert adds another unique tattoo to his collection. A defiant tip of the hat to the independent country rap world Gilbert has always admired, the track is also a nod to bold self-determination – a pledge to uphold his traditional ideals.
 
This deep into his career, Gilbert’s nostalgia is also plain to see. With the namesake of his current headlining tour, “Off The Rails” captures the hard-charging energy of fan favorites like “Kick It In the Sticks,” while heartfelt ballads like “Gone By Now” celebrate the love shared by the star and his wife, Amber. Described as a “transparent” look into his heart, its sunset sonics speak to early romantic ballads.
 
Likewise, “The Hell That Raised Us” tributes the wild-and-free nature of a rural childhood, and while “Out Here” waves a good-timing flag for those living by their own rules, Gilbert finishes with “Miss These Towns,” completing the sonic self-portrait. A stripped-down lament about watching the decline of rural communities all over the U.S. (including his own), Gilbert knows change is inevitable, and not always a bad thing. But he’s been around long enough to know the value of respecting your past.
 
In celebration of his new album Tattoos, Gilbert will headline Brantley Gilbert’s World’s Largest Album Release Party on Broadway in downtown Nashville tonight, September 13. The free multi-artist concert is part of FREEDOM FRIDAY events kicking off the Big Machine Music City Grand Prix weekend (September 13-15). Presented by 1st Phorm Energy, with additional partnership from Rousch, Polaris, and Modern Buggy, the 4th annual FREEDOM FRIDAY concert honors members of the Military, Police, Fire, First Responders and Frontline Heroes. The 160th Special Ops Aviation Regiment will perform a helicopter aerial demonstration and a pre-concert flyover by the 101st Airborne Division.
 

Off The Rails Tour Dates

Sept. 13           Brantley Gilbert’s World’s Largest Album Release Party // Nashville, TN
Sept. 19           Mountain Health Network Arena // Huntington, WV
Sept. 20           Santander Arena // Reading, PA
Sept. 21           DCU Center // Worcester, MA
Sept. 26           LJVM Coliseum // Winston-Salem, NC
Sept. 27           The Corbin Arena // Corbin, KY
Sept. 28           Florence Center // Florence, SC
Oct. 3              Knoxville Civic Coliseum // Knoxville, TN
Oct. 4              First National Bank Arena // Jonesboro, AR
Oct. 5              Ozarks Amphitheater // Camdenton, MO
Oct. 10            Raising Cane’s River Center Arena // Baton Rouge, LA
Oct. 11            Cadence Bank Arena // Tupelo, MS
Oct. 12            The Sounds Amphitheater // Gautier, MS
Oct. 17            Enmarket Arena // Savannah, GA
Oct. 18            McKenzie Arena // Chattanooga, TN
Oct. 19            Atrium Health Amphitheater // Macon, GA
 
*Festival Date
 
About Brantley Gilbert
As one of the godfathers of country’s modern rock-and-rap edge, multi-Platinum The Valory Music Co. trailblazer Brantley Gilbert knows life has a way of leaving a mark. With his seventh studio album, Tattoos, available now,  the Georgia native chooses to embrace it – inspired by the idea that his tattoos tell a story, just like his songs. And just like his songs, he’ll never hide the truth they reveal. An era-defining artist forever bonded to his fans, Gilbert’s been mining the timeless values of hard-working dedication, high-octane thrills and humble faith since his 2009 debut, A Modern Day Prodigal Son, creating a chart-topping grit-and-grace fusion which helped set the stage for today’s genre-blending format. With his dedicated BG Nation behind him, the fiery performer-songwriter has racked up more than 8.3 BILLION career streams, boasting back-to-back Platinum albums and seven No. 1 hits including the RIAA 7x Platinum “Bottoms Up;” 2x Platinum “Country Must Be Country Wide;” 2x Platinum “You Don’t Know Her Like I Do;” 2x Platinum “One Hell of An Amen;” and the Platinum-certified “What Happens In A Small Town” with Lindsay Ell. His world-class pen helped create a watershed hit with Jason Aldean’s 4x Platinum country-rap game changer, “Dirt Road Anthem.” And possessing a can’t-fake-it quality of fierce independence, the ACM, CMA and AMA award winner has toured alongside everyone from Willie Nelson and Toby Keith to Kenny Chesney, Nickelback and more. Tattoos further cements his legacy – 10 cowritten, co-produced tracks with an electrifying mix of in-your-face aggression and roughneck reflection, as Gilbert’s diesel-powered smoke-and-soul vocal delivers another full-spectrum soundtrack to modern country life. Tracks like full-throttle “Off the Rails” and intoxicating chart-climbing single “Over When We’re Sober” with Ashley Cooke lead a set packed with guest appearances from Gary LeVox, Justin Moore and Off The Rails tour mates Struggle Jennings and Demun Jones, as the superstar headlines across the U.S. through October 2024. For more information, visit BrantleyGilbert.com or follow on Instagram, TikTok and X@BrantleyGilbert and Facebook.com/BrantleyGilbertMusic.

Koe Wetzel’s “Casamigos” Out Now w/ Official Music Video

When Koe Wetzel’s highly anticipated fifth studio album 9 Lives arrived in July, it debuted at No. 15 on the all-genre Billboard 200 and No. 5 on the Billboard Top Country Albums chart, earning critical praise commending his most vulnerable work to date. Lead single “High Road” with Jessie Murph – his first-ever at country radio – has already cracked the Top 30 in just 10 weeks, while “Sweet Dreams” earned a nod at this month’s NBC People’s Choice Country Awards and the duo of songs marked Wetzel’s first two Hot Country Songs Top 10 hits, also debuting on at No. 29 and No. 47 respectively on the all-genre Billboard Hot 100 chart. Despite the album’s impressive wave of success, there was just one thing missing: “Where is ‘Casamigos’!?” read countless comments on his social posts. Today, the man celebrated by the Los Angeles Times for establishing his fanbase on the road answers that question emphatically, with “Casamigos” and its accompanying official music video available to stream everywhere now.
 
“It took a while to get this song right,” Wetzel concedes. “I think it changed five or six different times; lyrically, musically, the melody, everything about it. We’d get used to it for a month or so and then we’d change it up again, but once the final was done we knew the song was special. I think going through those ups and downs is one of the reasons why we kept it off the record to begin with, just so it could have its own light and its own time because we’re super happy with the song and now it’s one of my favorites on the record.”
 
Written by Wetzel together with Amy Allen, Sam Harris, Ben Burgess and producer Gabe Simon, the rowdy singalong sees the dark-haired Texan ruminating on the things lost to his wild ways, while noting that perhaps a certain relationship also disappearing from his life is the one thing he may not actually miss, a theme further brought to life in the official music video out now. Directed by Patrick Tohill (“Creeps”) and shot at a lake house in New Jersey, the music video depicts Wetzel leaving everything behind to start over in New York City. Watch Below. 
 
Wetzel will bring the tequila-driven anthem to the remainder of his Damn Near Normal World Tour throughout the fall, making stops in St. Louis, Nashville, Indianapolis, across his home state of Texas and more, before closing out the U.S. run at the iconic Red Rocks Amphitheatre and heading overseas through November. 
 
For more information and to purchase tickets to all upcoming dates, visit KoeWetzelMusic.com and follow on Instagram and Facebook @KoeWetzelMusic, TikTok @Koe_Wetzel and X @KoeWetzel. 

Remaining Damn Near Normal World Tour Dates:
Sept. 13            Camdenton, Mo.  ||  Ozarks Amphitheater  
Sept. 18            St. Louis, Mo.  ||  Chaifetz Arena  
Sept. 20            Huntsville, Ala.  ||  The Orion Amphitheater  
Sept. 21            Macon, Ga.  ||  Atrium Health Amphitheater  
Sept. 25            Alexandria, La.  ||  Rapides Parish Coliseum  – SOLD OUT  
Sept. 26            Tuscaloosa, Ala.  ||  Mercedes-Benz Amphitheater  
Sept. 27            Nashville, Tenn.  ||  Ascend Amphitheater – SOLD OUT
Sept. 28            Little Rock, Ark.  ||  First Security Amphitheater  – SOLD OUT  
Oct. 3               Pikeville, Ky.  ||  Appalachian Wireless Arena  – SOLD OUT  
Oct. 4               Indianapolis, Ind.  ||  Everwise Amphitheater at White River State Park – SOLD OUT
Oct. 5               Evansville, Ind.  ||  Ford Center  – SOLD OUT  
Oct. 10             Abilene, Texas  ||  Expo Center of Taylor County  
Oct. 11             Lubbock, Texas  ||  Cooks Garage  – SOLD OUT  
Oct. 13             Morrison, Colo.  ||  Red Rocks Amphitheatre – SOLD OUT
Oct. 26             Manchester, U.K.  ||  Academy 3
Oct. 27             London, U.K.  ||  The Garage
Oct. 30             Glasgow, U.K.  ||  Oran Mor
Oct. 31             Birmingham, U.K.  ||  Academy 2
Nov. 1              Leeds, U.K.  ||  Brudenell Social Club
Nov.3               Amsterdam, Netherlands  ||  Melkweg (Oude Zaal)
Nov. 5              Hamburg, Germany  ||  Bahnhof Pauli
Nov. 6              Berlin, Germany  ||  Frannz Club
Nov. 7              Cologne, Germany  ||  Club Volta 
 
Additional Shows:
Sept. 14            Prior, Okla.  ||  Born & Raised
Sept. 19            Louisville, Ky.  ||  Bourbon & Beyond
 
About Koe Wetzel
Koe Wetzel never met a genre wall he couldn’t tear down: The Texas singer-songwriter has earned a rabid audience for his songs that mix country, rock, hip-hop, and even Nineties grunge. His 2016 album Noise Complaint endeared him to fans with its no- holds-barred lyrics about drunken nights, broken hearts and stints in jail, and included the Gold-certified hits “Love” (feat. Parker McCollum), “Something to Talk About” and the infamous “February 28, 2016.” Wetzel’s 2020 major label debut, Sellout, only furthered his legend with the Platinum-certified “Drunk Driving” and “Good Die Young” plus the Gold-certified “Kuntry & Wistern.” The 2022 follow-up, Hell Paso, hit No. 3 on Billboard’s Country Albums and spawned hits on both the country and rock charts, including the Gold-certified “Creeps” and “Cabo.” To date, Wetzel has 3.3 billion total streams and has created a genuine experience with his live concerts, which he describes as “total chaos.” In 2023 alone, he sold more than 275,000 tickets, and appeared for a third time on POLLSTAR’s Top Worldwide Tours. Wetzel has played prominent festival sets this summer and opened for Morgan Wallen on the superstar’s One Night at a Time Stadium Tour in Texas, while also headlining his own Damn Near Normal World Tour, currently underway. His new album, 9 Lives (Columbia), is available everywhere now as lead single “High Road” with Jessie Murph arrives as his debut Country radio single while also climbing both the Hot AC and Top 40 charts.

GO AHEAD AND DIE | BETTER DEAD THAN MAINSTREAM: LIVE AT THE MARQUEE THEATER OUT NOW + RELEASE LYRIC VIDEO FOR 'I.C.E. CAGE' LIVE!

Arizona death-crusters GO AHEAD AND DIE's newest offering Better Dead Than Mainstream: Live At The Marquee Theater is now available digitally via Nuclear Blast Records. The audio from the album was taken from their September 25, 2021 show with SOULFLY as well as INCITE and HEALING MAGIC. The night featured a performance of their debut self-titled album which was released two months prior. The audio for the live album was produced, engineered, and mastered by Arthur Rizk. For the album cover, the band enlisted Costin Chioreanu to create the artwork.

To celebrate the live album, the band once again teamed up with Costin Chioreanu who created a lyric video for the track, 'I.C.E. Cage' live.

Stream / purchase Better Dead Than Mainstream: Live At The Marquee Theater digitally, here:
https://bfan.link/gaad-bdtm-live

Watch the lyric video for 'I.C.E. Cage' live below.

Catch GO AHEAD AND DIE live:
11/09/2024 Tempe, AZ - The Marquee Theater @ The Max Cavalera Dynasty Show

GO AHEAD AND DIE unleashed their caustic sophomore album Unhealthy Mechanisms last year via Nuclear Blast Records. A torrential whirlwind born from the livid minds of Igor Amadeus Cavalera (HEALING MAGIC) and Max Cavalera (SOULFLY, CAVALERA CONSPIRACY). The sophomore album is a fresh dive into the madness of society and the pollution that ravages our minds.Unhealthy Mechanisms was produced by Igor Amadeus Cavalera while John Aquilino handled the recording in his Platinum Underground Studio steeped in the mystic ambiance of the Superstition Mountains’ foothills. The mixing and mastering were once again handled by Arthur Rizk (CAVALERA, SOULFLY, TURNSTILE). For the artwork, the band enlisted Santiago Jaramillo of Triple Seis Design to create the unnerving design that fits with the album title. GO AHEAD AND DIE's newest record is a testament to declining mental health around the world, and a reminder that we are not alone in our pain. The mind is lost. The fuse is lit. Time to set everything ablaze.

GO AHEAD AND DIE is:
Max Cavalera | Vocals, Guitar
Igor Amadeus Cavalera | Vocals, Guitar
Johnny Valles | Drums
Jackie Cruz | Bass

Visit GO AHEAD AND DIE at:
www.facebook.com/GoAheadAndDieBand
www.twitter.com/GAADband
www.instagram.com/GoAheadAndDieBand
www.youtube.com/@GoAheadAndDie

Texas Hippie Coalition Release New Single, "Bones Jones"

Texas rockers TEXAS HIPPIE COALITION are back with a heavy new track, "Bones Jones."  Wild riffs toss and turn beneath the song, and frontman Big Dad Ritch relays the tale of a “local entrepreneur” and acquaintance from his youth.
 
“In our hometown, there was a guy named ‘Bones’," says Ritch. "He was about six-foot-seven-inches tall like Lurch from The Addams Family. I’d get weed from him, but he sold everything you could think of. Just weed for me though,” he chuckles.

Texas Hippie Coalition will release their new album, Gunsmoke, via MNRK Heavy on October 4, 2024.  This time, Big Dad Ritch and his crew wholeheartedly embrace their country and Southern rock stylings as well as a lifelong passion for westerns. 

With drinks poured, fists raised, and smiles wide, TEXAS HIPPIE COALITION (THC) always know how to have a good time. A collective of tried-and-true rabble-rousers and dyed-in-the-wool storytellers, the Texas quintet—Big Dad Ritch [vocals], Cord Pool [guitar], Nevada Romo [guitar], Rado Romo [bass], and Joey Mandigo [drums]—spike ass-whopping hard rock with a kick of country swagger and a whole lot of Texas grit and gusto.
 
Gathering tens of millions of streams, logging thousands of miles on the road, and energizing countless fans, they deliver ten anthems tailormade to simmer and scorch on Gunsmoke [MNRK Heavy]. “In terms of the lyrics, the vibe, and where THC come from, we definitely went home on this album,” says Ritch. “It represents the wild west Texas-Oklahoma area. You’ve got a little red dirt country spilling over into the storytelling and metal. It’s a return to the dirt where we came from.”

Tour Dates:
September 13 - Keokuk, IA - L-Treyns Bar
September 14 - Harshaw, WI - Bonnie & Clyde Gangster Park
September 15 - Joliet, IL - The Forge
September 20 - Cincinnati, OH - Riverfront Live
September 21- Wilmington, OH - Farm to Bottle Festival
October 10 - Mechanicsburg, PA - Lovedraft's Brewing Company
October 11 - Frenchtown, NJ - Atie's Bar & Grill
October 12 - Laconia, NJ - The Big House
October 13 - Rochester, NY - Montage Music Hall
October 17 - Pittsburgh, PA - Crafthouse Stage & Grill
October 18 - Marietta, OH - Adelphia Music Hall
October 19 - Flint, MI - The Machine Shop
October 20 - Lakewood, OH - The Winchester

Connect with Texas Hippie Coalition:

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