Vera Grace + Hyden

Join us on Friday, August 16th in welcoming the dark, industrial sound of @veragraceb and international groove giver @hydenmusic as we say goodbye to summer in proper form.

 

Support your lovely locals @djauspex , @_devoye , @evelyn_isalive , and @_muertelenta_ as they all debut for AGAPĒ on this special night. Enjoy the moment, be present, and connect with your fellow dancers! Zero tolerance for any type of discrimination. ■ NO RACISM ■ NO SEXISM ■ NO HOMOPHOBIA ■ NO TRANSPHOBIA ■ TAKE CARE OF EACH OTHER, ALERT OUR STAFF IF SOMEBODY ISN'T FEELING WELL

 

Born and raised in the Netherlands, Vera Grace is a DJ and producer currently based in Amsterdam. Her distinctive, raw sound is characterized by textures and hypnotic atmospheres, infused with a sense of tension and release. Vera leads her listeners on a restless journey, drawing inspiration from eeriness and the raw sounds of old-school techno, such as the iconic 909 drum machine. While she is recognized for her harder edge, she's also venturing into more slower, hypnotic realms, bringing her listeners in a trance while staying true to the core elements of techno. Much like herself, she keeps the dancefloor moving while building towards eclectic and powerful climaxes.

 

Hyden has played for many Parisian clubs and collectives but also abroad. Through his residency within Exil Parisian collective, Hyden now stands out as a figure of the French techno nightlife.

If the mix of genres were to meet the young generation of Parisian techno producers, Hyden would be the result. Both passionate about harmonies and frenzied percussion, he creates music tinged with groovy, old school and mental sounds from multiple influences to offer its own vision of techno : incisive and hypnotic. Let yourself be carried away by his musical signature, stamped with the warehouses of the French capital, which have carved his universe as finely as a sharp blade. Since 2022, Hyden is also in a duo with the DJ and producer Seigg under the name Random Order. They released an EP “Long Live the Groove” with mental and oldschool influences and they perform in B2B.

 

📍 H0l0 1090 WYCKOFF AVE

🚪 DOORS  AT 10:00 PM
🎫 TICKETS AVAILAIBLE  AT $25

Future Palace Share "DREAMSTATE" Video — WATCH

Female-fronted, post-hardcore high flyers Future Palace will release their newalbum Distortion, due out September 6 via Arising Empire! Pre-order it here.

Today, the band has shared the video for "DREAMSTATE." Watch it below

Sometimes, the world is so overwhelming that the thought of another reality seems like salvation. With "Dreamstate," this Berlin post-hardcore trio describes the escape into a dream world with musical vigor.

Dense synthwave arpeggios put the epic instrumentals into fluid hovering states, and the energetic drums sound like a racing heartbeat, while singer Maria Lessing lets all emotions run free in a monumental hook. With the crashing breakdown in the finale, in which the constructed illusion finally collapses like a nightmare, it becomes clear that this escape offers no real way out. Future Palace emphasize — both sonically and lyrically — a desire for escapism that arises from deep pain.

That "Dreamstate" has become such a massive sonic demonstration of power is not at all evident from the song's genesis.

 "At first, I actually intended to write a piano ballad," says guitarist Manuel Kohlert. "But the song quickly became much harder."

"It's now one of my favorite songs on our new album," adds Lessing.

The organic development process of the song, in which quiet sounds were ultimately overtaken by massive anger, can perhaps even be read symbolically — after all, the singer was also thinking about her career as a musician, which sometimes seems just as overwhelming. "Very often I lack the strength to see it all through," she continues. "I think many people can empathize with this feeling of being overwhelmed in our performance-oriented society."

 For the music video of "Dreamstate," the band once again collaborated with Pavel Trebukhin and traveled back to Riga, Latvia.

The world is a firework of overstimulation, and Future Palace have dedicated their latest album Distortion, to this overwhelming feeling.

On the new record, the band delves into a mass of mental illnesses and societal problems, creating music that, fittingly, delivers more hooks than ever before, shifting seamlessly from the quietest depths to the loftiest heights.

While their previous album, Run, leaned toward musical extremes, Distortion is the ultimate culmination of all the tones Future Palace have absorbed on their Europe-wide journey as one of the most exciting acts in alternative guitar music. The album features the most powerful metalcore breakdowns meeting trembling darkwave beats, anthemic emocore refrains à la Bad Omens contrasted with sacred choirs, and the coldness of industrial clashing with the powerful emotionality of Sleep Token, making Distortion more like a manifesto.

Future Palace's music has always explored internal struggles, and Distortion is the brutal climax of this approach. The album title, derived from the psychological term cognitive distortion, reflects a world where changing perceptions trap individuals in recurring pitfalls. Distortion addresses various mental illnesses and personal struggles, from ADHD to depression to narcissism. The band's third album is a powerful force of emotions, cycles, and cries of desperation, overwhelming listeners with its intensity.

The band's creativity shines as they tackle demanding topics with fresh perspectives. On Distortion, they build on their previous work by incorporating new elements, like orchestral interjections in "The Echoes of Disparity," which combines brutal screams and chant-like passages to convey psychological struggle. "Panic Paralysis" features a massive vocal motif with an arabesque touch, while "They Take What They Want" dives into emotional depths, blending raw metalcore with gentle vocal passages and massive choirs.

Despite the album's emotional intensity, Distortion was created amid excessive demands. Produced by Julian Breucker and Christoph Wieczorek, known for their work with Annisokay, Beyond the Black, and Smash Into Pieces, the recording process was grueling. Lessing recorded the album with a root infection and after wisdom tooth surgery, adding stress but enhancing the songs' authenticity. Guitarist Manuel Kohlert notes that the album reflects the band's experience as a heavy touring band, capturing the feelings of being on the road and contemplating their existence.

FUTURE PALACE ARE:
Maria — Vocals
Manuel — Guitar
Johannes — Drums

Hootie & the Blowfish Celebrate 22x Platinum Certification During "GMA" Appearance as 'Summer Camp with Trucks Tour' Heads to Fenway Park

This morning, June 20, iconic band Hootie & the Blowfish electrified audiences nationwide with a live performance of their timeless hit “Only Wanna Be With You” on ABC’s “Good Morning America.” The performance marked a highlight in their ongoing Summer Camp with Trucks Tour, set to make its next stop at Boston’s famed Fenway Park tomorrow, June 21, and running through the fall.
 
During the broadcast, the band received a special surprise: a commemorative plaque from the Recording Industry Association of America (RIAA) celebrating their debut album, Cracked Rear View, achieving 22x Platinum certification, further extending its Double Diamond-certified status. This monumental accomplishment solidifies Cracked Rear View as one of the top 10 best-selling albums in music history, a testament to the band’s enduring appeal and the album’s lasting impact on the music industry.
 
Hootie & the Blowfish, formed by members Darius Rucker, Mark Bryan, Dean Felber and Jim “Soni” Sonefeld during their time as students at the University of South Carolina, also treated fans to their hits “Hold My Hand” and “Let Her Cry” on “GMA3:What You Need To Know.” 
 
Fans can hear those classic hits and more on the ongoing Summer Camp with Trucks Tour, produced by Live Nation and featuring special guests Collective Soul and Edwin McCain. Visiting arenas, amphitheaters and select stadiums such as tomorrow’s stop at Fenway Park (with special guests Barenaked Ladies), the tour also includes a homecoming to Columbia, S.C.’s Colonial Life Arena for the Gamecock alumni as well as a headlining appearance at Rucker’s own Riverfront Revival Music Festival in their home state in October. Tickets to all shows are on sale now via Hootie.com.
 
In addition, a celebration of the band's decades-long career that brings their classic sound to fans across the country, they also recently released their rendition of “For What It's Worth.” The timeless anthem originally penned by Stephen Stills in 1966 was recorded by Hootie & the Blowfish in 2017 during their studio sessions for Imperfect Circle. Listen HERE.
 
For more information, visit Hootie.com and follow on Facebook @hootieandtheblowfish, Instagram @hootieoffcial and Twitter/X @hootietweets.

 Photo Credit: ABC/Paula Lobo

Remaining Summer Camp with Trucks Tour Dates
June 21  |  Boston, Mass.  |  Fenway Park
June 27  |  Bethel, N.Y.  |  Bethel Woods Center for the Arts
June 28  |  Hershey, Pa.  |  Hersheypark Stadium
June 29  |  Burgettstown, Pa.  |  The Pavilion at Star Lake
July 10  |  Denver, Colo.  |  Fiddler’s Green Amphitheatre 
July 11  |  Salt Lake City, Utah  |  USANA Amphitheatre
July 13  |  Phoenix, Ariz.  |  Footprint Center
July 16  |  Anaheim, Calif.  |  Honda Center
July 17  |  Mountain View, Calif.  |  Shoreline Amphitheatre
July 19  |  Portland, Ore.  |  RV Inn Styles Amphitheater
July 20  |  Seattle, Wash.  |  White River Amphitheatre
July 26  |  Birmingham, Ala.  |  Oak Mountain Amphitheatre
July 27  |  Nashville, Tenn.  |  Bridgestone Arena
Aug. 1  |  Hartford, Conn.  |  The XFINITY Theatre
Aug. 2  |  Holmdel, N.J.  |  PNC Bank Arts Center
Aug. 3  |  Columbia, Md.  |  Merriweather Post Pavilion
Aug. 8  |  Somerset, Wisc.  |  Somerset Amphitheater
Aug. 9  |  Chicago, Ill.  |  Credit Union 1 Amphitheatre
Aug. 10   |  East Troy, Wisc.  |  Alpine Valley Music Theatre
Aug. 15  |  Cleveland, Ohio  |  Blossom Music Center
Aug. 16  |  Philadelphia, Pa.  |  Freedom Mortgage Pavilion
Aug. 17  |  Bristow, Va.  |  Jiffy Lube Live
Aug. 23  |  Las Vegas, Nev.  |  Fountainebleau Las Vegas
Aug. 24  |  Las Vegas, Nev.  |  Fountainebleau Las Vegas
Aug. 29  |  Columbia, S.C.  |  Colonial Life Arena
Aug. 30  |  Columbia, S.C.  |  Colonial Life Arena
Sept. 5  |  Wantagh, N.Y.  |  Northwell Health at Jones Beach Theater
Sept. 6  |  Syracuse, N.Y.  |  Empower FCU Amphitheater at Lakeview
Sept. 7  |  Toronto, Ontario  |  Budweiser Stage
Sept. 12  |  Knoxville, Tenn.  |  Thompson-Boling Arena at Food City Center
Sept. 13  |  Raleigh, N.C.  |  Coastal Credit Union Music Park at Walnut Creek
Sept. 14  |  Virginia Beach, Va.  |  Veterans United Home Loans Amphitheater
Sept. 19   |  Charlotte, N.C.  |  PNC Music Pavilion
Sept. 20  |  Alpharetta, Ga.  |  Ameris Bank Amphitheatre
Sept. 21  |  Greenville, S.C.  |  Bon Secours Wellness Arena 
Sept. 26  |  Tampa, Fla.  |  MIDFLORIDA Credit Union Amphitheatre
Sept. 27  |  Jacksonville, Fla.  |  VyStar Veterans Memorial Arena
Sept. 28  |  West Palm Beach, Fla.  |  iTHINK Financial Amphitheatre
Oct. 12  |  North Charleston, S.C.  |  Riverfront Revival Music Festival

About Hootie & the Blowfish
With the rich, bluesy vocals of Darius Rucker and gleeful harmonies of guitarist Mark Bryan, bassist Dean Felber and drummer Jim “Soni” Sonefeld, Hootie & the Blowfish have sold over 26 million records worldwide to date after their infectious melodies hit the airwaves in 1994 with hits such as “Hold My Hand,” “Let Her Cry” and “Only Wanna Be With You.” The quartet met at the University of South Carolina where endless gigs at frat houses and local bars built a major local buzz. Their blend of pop, folk, blues, soul and rock made them hard to pigeonhole, but easily accessible to anyone who loved good music.

Atlantic Records, impressed by their regional draw, signed them and released Cracked Rear View in 1994. The album had been out for six months before the band played on the Late Show with David Letterman which sent sales skyrocketing, eventually landing at No. 1 on the Billboard chart the following spring. Cracked Rear View and the band went on to win two GRAMMY Awards, an MTV Video Music Award, a Billboard Music Award and multiple People's Choice Awards. Cracked Rear View also earned the band Billboard's Band of the Year Award in 1996 and the RIAA's Diamond Award for sales in excess of 10 million units. At 22x Platinum, Cracked Rear View remains among the top 10 best-selling albums in music history.

The band remained a top draw nationwide following their debut and released five more albums for Atlantic: Fairweather JohnsonMusical ChairsScattered, Smothered & CoveredHootie & the Blowfish and The Best of Hootie & the Blowfish, as well as Looking For Lucky on their own Sneaky Long Records and LIVE in Charleston, The Homegrown Concert Event DVD and CD. The band took a break from full-time touring in 2007, reuniting annually for a variety of philanthropic events while also pursuing solo projects. 2019 marked the band’s first full-time touring year in over a decade as they embarked on the sold-out Group Therapy Tour in support of Imperfect Circle, released in late 2019 under a new record deal with Universal Music Group’s Capitol Nashville, and 2024 sees them return to the road once again for the Summer Camp with Trucks Tour.

UK industrial post-punk mavericks HISTORY OF GUNS releases 'Half Light' album, darkness with an underbelly of hope

“Invisible hooks that will sink further in” ~  Auxiliary Magazine

 “By far, the most inventive UK band to have got their hands caught in the Industrial threshing machine” ~ Mick Mercer

"Hertfordshire's History of Guns is something of a musical chameleon. Like Killing Joke and Nine Inch Nails, they’ve taken on new forms whilst remaining easily identifiable in their journey from goth rock to post-punk and darkwave to EDM and wider electro-goth hybrid territory. The tension of opposites that characterises much of their work propels it forth to an electronic beat, the vocals uncoiling, snake-like, atop a steady electronic catchment" ~ Amplify Music Magazine

“Polished, dramatic, full of poise and binding sentiment, and one of awesome sound and feeling” ~ Liverpool Sound and Vision

The 1990s underground music scene was a fascinating era in the UK, giving rise to many notable bands, including industrial legends History Of Guns. Fast forward many years later - they are still crafting their unique meta-modernist Industrial sound, now releasing their eighth album, 'Half Light' via the Liquid Len Recording Company, previewed by the singles 'No Longer Earthbound' and 'When You Don't Matter'.

Formed in Cheshunt, Hertfordshire in 1996, History of Guns became frontrunners of the UK's Wasp Factory / FuturePunk scene of the early 2000s and their 2004 single 'Your Obedient Servant' was ultimately championed by The Quietus and Mick Mercer as one of the “thirty best goth singles of all time”. The band went on hiatus in 2012, returning with the album 'Forever Dying In Your Eyes' in 2022.  They then set about finishing an electronic project they’d begun in 2008.

On this album, founding members Del Alien (vocals) and Max Rael (keyboards, programming) are joined by guitarist Caden Clarkson (the newest member of History Of Guns) in exploring the human condition through various musical genres.

Produced by Max Rael, 'Half Light' was mixed by Max Rael and Caden Clarkson, and mastered by Pete Maher (U2, Pixies, Nick Cave, Depeche Mode, Nine Inch Nails).

Robert Anton Wilson once wrote, “The future is up for grabs. It belongs to any and all who will take the risk and accept the responsibility of consciously creating the future they want.” This was the starting point for 'Half Light - The Journey to Arcadia'. And whilst it isn’t a concept album, a rock opera or a conventional narrative story, elements of a story currently being written as a novel by Max Rael are contained in these ten songs, which explore inner and outer space.

As always, History Of Guns aims to create a strange alternative world where people can feel safe, particularly at night when the world feels bleak. And the world feels like that a lot of the time these days. This doesn’t mean the album is all joy. It has a lot of darkness in it, like life itself. History Of Guns embrace the dark as well as the light, bleakness and hope, as openly and unironically honestly as possible. Here you'll find songs about mental health, society, addiction, abandonment, different levels of reality and how hard it can feel to keep going sometimes. Yet through this darkness, there remains underneath, a core of hope.

This is an album in three acts. The first four tracks make up Act One (opening a door), then 'Flashes of Light Pt. 5' walks through that door. Act Two closes with the most joyous point in the album - 'Arcadia', followed by four tracks in the final act.

"When we came back from hiatus in 2022, we wanted a completely fresh start so we wrote the industrial rock / metal album 'Forever Dying in Your Eyes' from scratch. We had half of 'Half Light' at least sketched out as an electronic album back in 2008/2009," explains Max Rael.

"Fortunately, people seem much more comfortable with us being genre-fluid these days and it’s less cause for criticism. Back in the day, certain camps seemed to have a definite need for bands to fit neatly into particular genres and not stray too far outside of it, which meant some of our early stuff was maybe a bit misunderstood because people didn’t know where to put it. We’ve been genuinely amazed by the reaction to the first two singles and are in nervous anticipation for what people will make of the album”.

Del Alien - an original punk turned goth - is an anti-authority seeker of truth and the questions behind the questions. Max Rael is in love with the idea of using music to create a separate universe for creating stories and escaping into, was an autistic, music-obsessed child, absorbing a dozen genres before diving into trance after Britpop ruined the alternative scene.

Influenced by Killing Joke, PWEI, Bauhaus, Coil, Joy Division, Sisters of Mercy and Nine Inch Nails and Swans, History of Guns was a big part of the UK underground industrial scene of the 00s, playing Whitby Gothic Weekend, as well as Futurepunk and Back to the Futurepunk events.

The 'Half Light' album is out now, available from fine music platforms, such as SpotifyApple Music and Bandcamp.

ALBUM CREDITS
Produced by Max Rael
Mixed by Max Rael and Caden Clarkson
Recorded at Apollo Audio (Hertford), Soul Studios (Bishops Stortford)
Mastered by Pete Maher
Del Alien - vocals
Max Rael - keyboards, programming, guitars
Caden Clarkson - guitar
Andy Webster & Marnie from SPUCKTUTE  - vocals on 'Never Give it Up'
Amon Ásentir & Mark Eris from Xykogen - vocals on 'Arcadia'
Arcadia Choir (Emma Mills, Priyanka O’Neill, Sohm O’Neill and Ninotschka G.) - vocals on 'Arcadia'
Nykky Spectre - vocals on 'An Invitation'
Cover artwork by Amara O'Neill
Publicity by Shameless Promotion PR

THE TRAGICALLY HIP ANNOUNCE DELUXE BOXSET, UNRELEASED TRACKS AND MUSIC VIDEO

Today, The Tragically Hip announces a commemorative boxset of their Diamond-certified debut album, Up To Here, the latest installment of special deluxe packages, set to release on November 8. Up To Here was originally released on September 5, 1989, as The Tragically Hip’s first full-length studio album, an introduction that brought them breakthrough success, including two Canadian rock radio #1 singles, “Blow at High Dough” and “New Orleans is Sinking” as well earning the band a JUNO Award for “Most Promising Artist” in 1990. Fans can pre-order the boxset today here.

The expanded reissue of Up To Here is a must-have for collectors, presented as a four-LP set on 180g vinyl alongside a book documenting the history of the debut album era. The reissue includes a 2024 remastering of the original album and four previously unreleased songs that didn’t make it on the original Up To Here album - “She’s Got What It Takes,” “Get Back Again,” “Rain, Hearts And Fire” and “Wait So Long” – that are also shared as part of this expanded package, are remastered and mixed in Atmos. A recording of Live at Misty Moon, the special filmed for MuchMusic in 1990 from the Misty Moon Cabaret in Halifax, with an accompanying 1-hour concert film, is also included on Blu-ray. The package also contains demos from 1988 recorded before the Up To Here recording session. The package will be available as a three-disc CD format.

Today, as a sneak peak, The Tragically Hip officially releases “Get Back Again,” which fans consider the holy grail of unreleased tracks from the band. The track was recorded before signing to their first major record deal with MCA (now Universal Music Canada), produced by Chris Wardman in November 1988, before the Up To Here sessions, now recently remixed and mastered to today’s standards. The band performed “Get Back Again” as part of the Live At Misty Moon set, which has been the only recorded version of the track from the band until now, making this a meaningful release for the band and their fans. A brand-new official music video for “Get Back Again”- directed by Cleveland Henderson, son of Pete Henderson, who had previously directed many videos of the band, including the award-winning “Locked In The Trunk Of A Car” and “Courage (For Hugh MacLennan),” will premiere tonight at 7:00PM on The Tragically Hip’s YouTube.

Established in 1984, this year marks 40 Years of The Tragically Hip – a milestone for the beloved band. 2024 sees The Tragically Hip break open the archives, reminiscing with fans on four decades of music, friendship, and philanthropy. The band’s legacy will be honored with a yearlong celebration, which started with the designation of the Record Store Day Canada Ambassadors, the upcoming launch of a four-part Amazon Prime Documentary titled No Dress Rehearsal, and on October 1, the release of a deluxe, hand-crafted book titled This Is Our Life, the band’s story as told in their own words and features more than 300 pages of unseen rarities pulled from the band’s personal collections. The Up To Here boxset celebrates the early days of The Tragically Hip and is the latest installment of a series of reissues released over the last few years honoring the band’s extensive catalog – Road Apples 30th Anniversary Deluxe Boxset (2021), Fully Completely Vinyl Release (2022), Phantom Power 25th Anniversary Deluxe Boxset (2023).

40 YEARS OF THE TRAGICALLY HIP:
The Tragically Hip has been at the heart of the Canadian musical zeitgeist, evoking an unrivaled emotional connection between their music and their fans. A five-piece group of friends including Rob Baker (guitar), Gord Downie (vocals, guitar), Johnny Fay (drums), Paul Langlois (guitar) and Gord Sinclair (bass), who grew up in Kingston, Ontario, The Tragically Hip have achieved both mass popularity with more than 12 million albums in Canada and over 2 million sold in the U.S, as well as peer recognition through 17 Juno Awards – picking up the distinguished Humanitarian Award in 2021 at the 50th annual JUNO Awards, which recognizes Canadian artists or industry leaders whose humanitarian contributions have positively enhanced the social fabric of Canada and beyond. In 2022, they were inducted into Canada’s Walk Of Fame for Humanitarianism in pursuit of social and environmental justice. They received a star on the Walk Of Fame in 2002 for Arts & Entertainment. Most recently, the band and their manager, Jake Gold, received the War Child Canada Founder’s Award, celebrating over 20 years of support for the global humanitarian organization. The Tragically Hip’s tireless activism and philanthropic pursuits have raised millions of dollars for multiple social and environmental causes, such as Camp Trillium, the Canadian Cancer Society, the Sunnybrook Foundation, WAR Child, the Special Olympics, and the Unison Benevolent Fund. Their studio catalog includes their self-titled debut album The Tragically Hip (1987), Up To Here (1989), Road Apples (1991), Fully Completely (1992), Day For Night (1994), Trouble At The Henhouse (1996), Phantom Power (1998), Music @ Work (2000), In Violet Light (2002), In Between Evolution (2004), World Container (2006), We Are The Same (2009), Now For Plan A (2012), Man Machine Poem (2016) and Saskadelphia (2021). A National Celebration was the final show of The Tragically Hip’s Man Machine Poem Tour, recorded on August 20, 2016, at the K-Rock Centre in their hometown of Kingston, Ontario. It is their last performance as a five-piece band. Through their career, the band became a cultural touchstone in Canada, who, despite their accolades and numerous recognitions, will always be proudest of the humanitarian work they have done over the years through numerous charitable organizations and causes. The legacy of the band’s frontman, the late Gord Downie, continues with The Gord Downie and Chanie Wenjack Fund, which aims to build cultural understanding and create a path toward reconciliation between Indigenous and non-Indigenous peoples.


Follow The Tragically Hip:
Website | Facebook | Instagram | Twitter | Tik Tok

Discrepancies Release New Single "Takers"; Announce Tour Dates for this Summer!

Discrepancies released their new single "Takers," on June 14th. The single is already doing well on streaming platforms and radio. The band announced a handful of headlining dates this summer in support.

"This song is about stepping into your power, finding who you are outside of others' expectations and desires. As we grow and change as people we find ourselves being pulled in many directions. Some directions are guided by positivity and self-improvement and others are motivated by the selfish and greedy. It's our own responsibility to decipher which direction is right, which is wrong, and who's here to uplift rather than take down,"says the band's vocalist Antonio Metcalf.

Garrett Weakley, the band's bass player adds, "We're incredibly excited to do one of our first headlining tours to support our brand new single. We've been supporting tours for the last few years, and wanted to hit some markets we haven't been able to make happen for some time. This will be the longest set we've toured with, and we're playing many songs people have been requesting for years. We have some special treats in store, but I don't want to give away everything. Hopefully, we'll be seeing all of you there!"

"Takers" can be streamed/downloaded at:

https://linktr.ee/discrepanciesband

WATCH the Official Music Video for "Takers" below

Discrepancies Tour Dates:

6/23 - Lincoln, NE @ 1867 Bar
6/24 - Minneapolis, MN @ Turf Club
6/27 - Seattle, WA @ FunHouse
6/29 - Wallace, ID @ Silver Mountain Manor
7/1 - Salt Lake City, UT @ The Pearl on Main
7/3 - Kansas City, MO @ Westport Bowery
7/6 - St. Louis, MO @ Red Flag
7/13 - Johnsburg, IL @ Northern Illinois Metal Fest

Discrepancies is the Rap Rock band started by Antonio Metcalf (Vocals) and Garrett Weakley (Bass) in St. Louis, MO. Through discussions about the need for an authentic rap rock sound the two started the band along with Addison Bracher on guitar and vocals. Their first demo was Get Hype in January of 2014, which Antonio & Garrett dropped into thousands of food bags in the drive-thru window of their workplace. This guerilla tactic led to their first single gathering over 100,000 streams within the first 6 months, and allowed their early live shows to pack out the local small cap rooms.

In 2016, the band released The Awakening, which garnered label attention. The Awakening landed on Billboard charts peaking at #32 Alt New Artist and #108 Top New Artist. This record took the band on the road harder than the earlier DIY days, and had them openings for select shows of Mushroomhead, Sevendust, You Me at Six, P.O.D., Hed PE, Straight Line Stitch, Starset, & more. The second single from the record “Not Alone” had a strong Youtube release, and reached over 2 million views within the year. The album was re-released as a Deluxe Edition with 2 additional bonus tracks in 2018 via Invogue Records as well as a limited vinyl option. With the re-release the Discrepancies played the final Vans Warped Tour in 2018 & Rock USA in 2019 to promote the record.

Come 2020, the band dropped their second LP via Invogue Records titled The Rise. The Album’s first single “Control” went viral on social media, which attracted multiple reaction videos, influencer additions, and more leading the single to reaching over 4 million streams on Spotify alone. The song continues to resurface on social media and had a strong resurgence in 2023 on platforms like Youtube & TikTok. Discrepanciesjoined Nonpoint for their winter tour in January of 2022, and continued to tour throughout the year with artists such as Dropout Kings, A Killer’s Confession, Cultus Black, & more.

In 2023, Addison parted ways with the band and Discrepancies solidified their lineup with Brandon Bollinger replacing Addison. Discrepancies hit the road harder than ever in support of their new EP Product Of Entertainment. The band spent nearly 100 days on the road touring with Tech N9ne, Hollywood Undead, Wolves At The Gate, Catch Your Breath, Until I Wake, VRSTY, Outline In Color, ARCHERS, Versus Me, & many more. The first single “Hands Up” came out swinging with over 250k streams before the EP dropped and continues to be a huge staple live for the band. At the end of 2023, Discrepancies hit the studio to finish up more material, and start gearing up for 2024. Discrepancies calls themselves Real Rap Rock, and continues to evolve the sound they have coined as their own.

Discrepancies:
Antonio Metcalf (Vocals)
Garrett Weakley (Bass)
Brandon Bollinger (Guitar/vocals)
Marc Lyle (Drums)

For More Information Please Visit:

Official Website

Facebook

Instagram

Twitter

Spotify

YouTube

http://www.fmmusicmanagement.com/

DARK FUNERAL Shares New Reworked Single, "Shadows Over Transylvania (Re-Recording 2024)" ⛧

Swedish black metal stalwarts DARK FUNERAL are now celebrating three decades of blasphemywith a re-worked version of their debut album! 'Dark Funeral (30th Anniversary Edition)' is due on August 9 via Century Media Records and has been remixed by David Castillo and re-mastered once again by Thomas "Plec" Johansson. The band is now sharing the second offering from the record, "Shadows Over Transylvania (Re-Recording 2024)" along with a visualizer! The clip can be found below.

DARK FUNERAL has previously commented about the special edition, “In January 1994, Blackmoon (RIP) and I put our entire income and savings into a recording session and pressing 1,000 copies of our 4-track debut Mini-CD. A Mini-CD we released ourselves too. To now reach the significant milestone with an epic 30th anniversary is of course very honorable for me & the band. Three decades of Swedish Black Metal filled with precious memories. It is now time for us to reflect on what started it all, a 30-year epic journey, filled with experiences and an unbreakable bond. And in this honor, we have breathed new life into these legendary songs & given them an honest but modern update. Enjoy!“

In addition, DARK FUNERAL will be embarking on a U.S. tour later this year as direct support for GWAR! The trek will kick off on October 17 in Las Vegas, NV and will dominate the states until the final stop on November 20 in Nashville, TN. The full itinerary can be found below while tickets will go on sale tomorrow, June 21 @ 10:00 A.M. local time.

Find rare material from the band's ominous beginnings in 1994 — an ultimate rendition and must-have for devoted disciples of darkness! Pre-Order this exclusive collector's edition HERE

Dark Funeral Live U.S. Dates

The Stoned Age Tour w/ Gwar

10/17: Las Vegas, NV @ House of Blues

10/18: Tempe, AZ @ The Marquee

10/19: Anaheim, CA @ House of Blues

10/20: San Francisco, CA @ The Regency Ballroom

10/22: Seattle, WA @ Showbox SoDo

10/23: Garden City, ID @ Revolution Concert House

10/24: Portland, OR @ Roseland Theater

10/26: Salt Lake City, UT @ The Depot

10/27: Denver, CO @ Summit

10/29: Lincoln, NE @ Bourbon Theatre

10/30: Minneapolis, MN @ Skyway Theatre

10/31: Milwaukee, WI @ The Rave

11/01: Cleveland, OH @ Agora Theatre

11/02: Albany, NY @ Empire Live

11/03: Hampton Beach, NH @ Wally's

11/05: Boston, MA @ The Paradise Rock Club

11/06: Brooklyn, NY @ Brooklyn Steel

11/13: Orlando, FL @ The Beacham

11/15: Dallas, TX @ The Studio at the Factory

11/16: San Antonio, TX @ Vibes Event Center

11/17: Houston, TX @ Warehouse Live

11/19: Atlanta, GA @ The Masquerade (Heaven)

11/20: Nashville, TN @ Brooklyn Bowl Nashville

Dark Funeral line-up (1994):

Lord Ahriman – Guitars

Blackmoon – Guitars

Draugen – Drums

Themgoroth – Bass & Vocals

Dark Funeral line-up (2024):

Lord Ahriman – Guitars

Heljarmadr – Vocals

Chaq Mol – Guitars

Jalomaah – Drums

Adra-Melek – Bass

Music & Lyrics by Blackmoon & Lord Ahriman

1994 Recordings & Mixes by Dan Swanö, Mastered by Thomas "Plec" Johansson

2024 Recordings & Mixes by David Castillo, Mastered by Thomas "Plec" Johansson

Video Production by 12 Inch Media

Artwork: Blackmoon & Lord Ahriman

Album Formats:

CD Jewelcase

Limited hand-numbered Transparent Blue-Black Marbled 180g Vinyl

Limited hand-numbered Clear Smoke Marbled 180g Vinyl (US EDITION)

Strictly Limited hand-numbered transparent Blue-Black Marbled 180g Vinyl including signed Art Print - Only 300 copies worldwide (Century Media Exclusive)

Digital Album

Links:

Official Website

Instagram

TikTok

Facebook X

YouTube

Spotify

Apple Music

ACCVSED Sign With Arising Empire + Share New Video "Day of the Locust"

Heavy act ACCVSED have just released their brand new single "Day of the Locust" via Arising Empire, showcasing an evolution of their most aggressive and unrelenting side. The band ushers in a new era marked by a sense of darkness and brutality previously unheard.

Watch the "Day of the Locust" video below.

Since their formation in 2021, ACCVSED have adhered to one principle: presenting themselves to the world authentically, without playing a role or sugarcoating their expressions. They channel their deepest traumas and fears into their music, creating a distinct and energetic blend of bold guitar riffs, unique vocals, and raw emotion. This combination shapes their sound into an unstoppable force.

Hailing from Wiesbaden, ACCVSED quickly realized that being a local band was not their ambition. They moved swiftly and made a significant impact on the music scene with their debut EP, House of Doubt, released in December 2023. The breakthrough single "Currents" led the six-song EP, establishing a foundation for their constantly evolving musical style and garnering them worldwide attention. This success resulted in support shows and festival appearances throughout Germany.

"Day of the Locust" is available on DSPs at midnight here.

ACCVSED ARE:
Tino Mehlig — Vocals
Valentin Noack — Guitar
Pascal Klebe — Bass
Christopher Lerner — Drums

WORMWITCH Unveils Music Video for New Song, "Draconick Sorcerous Canadian Witchknights"

Blackened speed metal entity WORMWITCH will unleash their eponymous fourth studio album on July 26, 2024 via Profound Lore Records! The Canadian necromancers are now unleashing the pummeling second single from the offering, "Draconick Sorcerous Canadian Witchknights," along with a music video! The clip, which was created by George Allen & Eric Tremblay, can be found below.

Wormwitch comments, "Another favourite… this one is our grim ode to 'Travelin’ Band.' We shot the video with some good friends at Hipposonic Studios in Vancouver, formerly Vancouver Studios where Metallica, AC/DC and Mötley Crüe made classic records. Not that it matters because we filled the place with fog and darkness. Enjoy, friends.”

WORMWITCH sets out to combine a melodic blackened death assault with the ferocity and attitude of crust punk and classic rock and roll, jettisoning the burdens of ceremony and pomp that dominate the genre today. 

The album can be pre-ordered in various formats HERE.

Like black wings from an obsidian sky, WORMWITCH descended from the darkness in 2015, somewhere upon the rain-soaked woodlands of coastal British Columbia. Animated from the bones of several local punk and metal bands, the new entity set out to combine a melodic blackened death assault with the ferocity and attitude of crust punk and classic rock and roll, jettisoning the burdens of ceremony and pomp that dominate the genre today. 

WORMWITCH released their first demo, 'The Long Defeat' in 2015, and shortly after signed to Prosthetic Records, under whom they released 'Strike Mortal Soil' (2017), 'Heaven that Dwells Within' (2019), and 'Wolf Hex' (2021). During that time the band toured with the likes of The Black Dahlia Murder, Suffocation, Midnight, Necrot, Uada, Bewitcher, and many others, earning themselves a dedicated cult following and international critical praise. In 2022, WORMWITCH struck out to independently release a string of singles and embark upon several tours of North America. After a busy festival season, 2024 saw the release of a six-song split with Atlanta black-thrashers Sadistic Ritual.

Now, with blades meticulously honed and tempered under the light of a feral Canadian moon, WORMWITCH emerges once more to offer their fourth full length record. Simply self-titled, “Wormwitch” is a statement of a band coming into it’s own - a revelrous celebration of devilish speed, searing melody and diabolical intensity.

Wormwitch Lineup:

Robin Harris: Bass, Vocals

Colby Hink: Guitars

Israel Langlais: Drums

Recording & Mixing: Michael Kraushaar at Little Red Sounds at New Westminster, BC

Mastering: Brad Boatright at Audiosiege

Guest vocals: Erlend Hjelvik (HJELVIK) on "The Helm And The Bow"

Cover Artwork: Abomination Hammer

Photos: Lucien Cyr

Links:

Bandcamp

Instagram

Facebook

Apple Music

Spotify

YouTube

Official Website

Pre-orders

Tracheotomy Announce EP + Drop "Deliberate Dehumanization" Video — WATCH // Announce Headline Tour

Tracheotomy, a violent force in the new Florida deathcore scene, have announced their destructive new EP Fixated Propensity For Destruction, produced by Bodysnatcher's Chris Whited. Pre-order it here.

The have also shared the take-no-prisoners video for the "Deliberate Dehumanization."

Watch it below.
 
 "Deliberate Dehumanization" delivers a relentless onslaught of guttural vocals, thunderous blasts, and bone-crushing riffs. Bringing together the hardcore violence of Hatebreed, the tech death ferocity of Necrophagist, and the vocal terror of Ion Dissonance, Fixated Propensity For Destruction will be unleashed July 19 on 1126 Records.

 About the single, vocalist Simon Mariante says, "This is definitely our most pissed off track. We wanted to take heavy elements of the genre, without getting stuck in the 'OG Deathcore' box. The song is a coalescence of every member's taste, something we'd mosh to, with a modern spin."

Catch Tracheotomy on their headlining tour this summer with Surfaced, Girl Of Glass, and Thus Spoke Zarathustra.

TRACHEOTOMY ON TOUR:
7/19 — Hollywood, FL — American Legion Post 92
7/20 — Orlando, FL — Conduit
7/21 — Augusta, GA — Grantski Records      
7/22 —Greenville, SC — Radio Room            
7/23 — Raleigh, NC — Schoolkid Records     
7/24 — Richmond, VA — Canal Club
7/25 — Hartford, CT — Webster Underground         
7/26 — Lake Como, NJ — Salty's        
7/27 — Brooklyn, NY — Kingsland     
7/28 — Albany, NY — Empire Underground  
7/29 — Erie, PA — Basement Transmissions
7/30 — Pittsburgh, PA — Preserving
7/31 — Detroit, MI — The Sanctuary
8/1 — Columbus, OH — Ace of Cups
8/3 — Cincinnati, OH — Madison Live           
8/4 — Chicago, IL — Beat Kitchen      
8/5 — Nashville, TN — The End         
8/6 — Atlanta, GA — Masquerade

Manchester's THE SPEED OF SOUND channels The B-52s on new single 'Mind Palace', a lighthearted look at identity loss

"Buzzing fuzz guitar lines emerge from a delicate acoustic introduction to intersect with the crashing chords and the ‘bulbous pulsing’ rhythm section" ~ Record Collector Magazine

"it’s clear that the sonic kaleidoscope presented on The Speed of Sound’s new album is worth the wait - a musical compass in a direction we should all explore" ~ The Spill Magazine

“Unmistakeable sound a winning formula” ~ The Big Takeover

“A triumph of industry, imagination and talent, coolly novel and damned addictive” ~ Louder Than War

‘Unique and other worldly” ~ Vive Le Rock

“A form of Art-Pop that is wry, incisive, yet a deeply listenable examination of post industrial culture” ~ Rock At Night

"A riotous maelstrom of musical mayhem” ~ The Manc Review

Manchester indie rock / power pop outfit The Speed Of Sound present 'Mind Palace', a bright uplifting track delving into dementia and identity loss. This is the latest audio-visual offering from their new album 'A Cornucopia: Minerva'. The focus point of the three-volume set 'A Cornucopia: Minerva, Victory, Bounty'this is the band's second release via California-based cult label Big Stir Records.

Throughout their history, The Speed Of Sound have continuously produced music laced with optimism and lyrical bite, tapping the DIY ethos of punk and the restless lust for experimentation of psychedelia. Formed in 1989 with a pre-history dating back to the day Andy Warhol died in 1987, their music has always been idiosyncratic, counter-intuitive and perpetually looking for something new. Today The Speed of Sound is made up of father and son John Armstrong (guitars and vocals) and Henry Armstrong (keyboards), Ann-Marie Crowley (vocals and guitar), Kevin Roache (bass guitar) and John Broadhurst (drums).

Full of ambition, energy, and eccentric melodic brilliance, these future-retro-modernist garage-psych stalwarts have released this new three-album collection on vinyl and CD under the umbrella title 'A Cornucopia'. In essence, 'Minerva' is being released as a deluxe edition that includes two full-length bonus albums - 'Victory' and 'Bounty'. Earlier, they shared the hauntingly spacious 'Trickledown', the stratospherically vast 'The Great Acceleration' and 'West Wind', where a recklessly fast Bo Diddley rhythm merges with a Wagnerian horn section.

On 'Mind Palace', brisk pure pop power and harmony propel this homage to individual identity, memory and self-awareness - not the dull re-run memory of nostalgia, but the interactive memory that makes up a person's essence. Sparked by a visit to Sintra Palace in Portugal and recalling a Sherlock Holmes memory-file technique, 'Mind Palace' ponders the loss of self with fading memory as the 12-string chimes and canters.

Frontman John Armstrong explains, “The possibility of loss of individuality - loss of self - whether that be via dementia or an absorption into prevailing tastes is at the core of 'Mind Palace', its rapid onrush of pace reflects the spiral of water draining away. It celebrates the power of independence, not mere Deliberate Contrarianism but of self, and not deriving self worth from a relationship with mainstream culture.”

With 'A Cornucopia: Minerva' marking the band’s 35th anniversary, The Speed Of Sound returns triumphant, defiant and redemptive, following their 2021 critically acclaimed album 'Museum Of Tomorrow'. Named for the goddess associated with wisdom, the arts and strategic warfare, this album explores themes of resistance to mainstream cultural dominance, championing individual identity and artistic creativity whilst being a vigorous musical celebration of subcultural existence in the face of predominantly bland pop culture.

Each of the album's 14 kaleidoscopic tracks burst of radio-friendly technicolor, from the stripped back mediaeval folk-tinged starkness of 'The Harvest' to the acoustic guitar-driven groove of 'SS-100-X', from the spacious iridescence of 'Eight Fourteen Monday'to the lively ascendence of 'The Party Sniper' and the glowing radioactivity metaphor of 'Half Life'. While the bouncing vibe of 'Bodysnatchers' reminds us to stay awake and not slip into the drabness of normalcy, the crunching melodic punch of 'Clickbait' zings into the typewriter introduction of 'Yet Another Tuesday'. Then there is the punkifed rhythm and blues of 'So Faux' and the closing acoustic riot of 'Question Time'.

With their inbuilt eclectic and genre-defying style, The Speed Of Sound expand from their base-camp foundation of 1960s, punk and new wave influences, encompassing wide dynamic and stylistic variation, crossing borders and pushing boundaries at every opportunity while retaining continuity. Their music bursts with experimentation whilst retaining hooks and melodic sensibility, plus sharp barbed wit, lyrical depth and all-pervading sense of joy.

Irrespressible and uplifting, The Speed Of Sound have continuously produced music laced with optimism and lyrical bite, tapping the DIY ethos of punk and the restless lust for experimentation of psychedelia. Formed in 1989 with a pre-history dating back to the day Andy Warhol died in 1987, their music has always been idiosyncratic, counter-intuitive and perpetually looking for something new.

The 'Minerva' album is out now, available everywhere digitally, including Apple Music, Spotify and Bandcamp, and also on CD and vinyl. The 'Bounty' and 'Victory' albums will see digital editions over the next year,

CREDITS
All songs written by John Armstrong
John Armstrong - guitars and vocals
Ann-Marie Crowley - vocals and guitars
Kevin Roache - bass guitar
John Broadhurst - drums
Henry Armstrong - keyboards
Bob Dinn - trumpet and flugelhorn
Chris Guest - harmonium, vibraphone, organ, shakers, tambourine
Alex Armstrong - typewriter on 'Yet Another Tuesday'
Voices on 'Mind Palace' by Janet Stacey Dando, Henry Armstrong, Nick Frater, Jason Edge (courtesy of The Electric Stars), John Broadhurst, Mark Britton (courtesy of Amoeba Teen), Janet Armstrong, Louise Turner, Peter Watts & Ruth Rogers (courtesy of Spygenius) and Kevin Roache, plus Ivy Frater (heartbeat)
Recorded, Mixed and Mastered at Vibratone Sound Studio in Manchester by Chris Guest, Adam Crossley and The Speed Of Sound.
Main sleeve image: Purple Spaceman © Lina Landers 2022
Artist photographs by Shay Rowan
Publicity by Shameless Promotion PR


Keep up with The Speed of Sound
Website | Facebook | Instagram | Twitter | Mastadon | Soundcloud | YouTube | Apple Music | Spotify | Press contact

Keep up with Big Stir Records
Website | Bandcamp | Facebook | Twitter | Instagram | Mixcloud | YouTube

Keep up with Shameless Promotion PR
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Savage Lands Performing on Hellfest Main Stage

Loud buzzing is music to the ear of most metalheads. But Megadeth drummer Dirk Verbeuren and guitarist Sylvain Demercastel are so enraged by the sound of chainsaws destroying Costa Rica's ecosystem that they've started Savage Lands, a musician-run 501 (c) 3 non-profit. 

Savage Lands have protected 60,000 square feet of Costa Rican rainforest using royalties from their music. Next week, they're planting their ecological flag at Hellfest with a little help from some of their famous friends. 

Savage Lands Live at Hellfest (Main Stage 02)
Friday, June 28 @ 5:35 - 6:30 pm CEST

Featuring special guests:

-
Andreas Kisser (Sepultura)
- Shane Embury (Napalm Death)
- Vincent Dennis (Body Count)
- Daniel de Jongh (Textures)
- Silje Wergeland (The Gathering)
- Jesper Liveröd (Nasum)
- Alejandro Londono Montoya (Cultura tres)

- Chloe Trujilo

During their hour-long set at Hellfest, Savage Lands will perform classic metal covers along with other songs off their upcoming album, including new single "No Remedy", which features Heilung's Maria Franz.  

Watch the chilling video for "No Remedy" below

Stream: https://savagelands.fanlink.tv/NoRemedy

Whether they're planting trees or holed away in the studio, Savage Lands foster the spirit of collaboration. Recently, they made history by signing a joint manifesto that addresses the need for forest and wildlife preservation. This marks the first time that three active Costa Rican / US-based non-profits have officially banded together over a shared mission statement. 

"No Remedy" follows the same approach, though to different results than Savage Land's first two singles. Sylvain still comes speeding out the gate with another burning riff that will ignite the crowd at Hellfest, but this is the most melodic song they've ever written. When the band hit the chorus, the guitars don't crunch but crest into warm, washed-out power chords.  

"That's one of the beautiful things about Savage Lands", Sylvain says. "As a band, we're not limited to just one genre. We can adapt to boost the strengths of whomever is joining us".

Black Bomb A experts know Poun for his explosive screams, but on "No Remedy", he simmers down in service of guest vocalist Maria Franz. Heilung are also partnering with Savage Lands by donating $1 for every ticket sold on their 2024 US tour to support their reforestation efforts, but their faithful followers might be surprised to hear that her soothing clean singing fits right at home with a heavy metal band. 

"Supporting what Savage Lands is doing on the ground in Costa Rica was an easy decision" Maria says. After all, Heilung have a tradition of donating to tree planting initiatives. "But when Sylvain sent me 'No Remedy', there was a sense of melancholy to the song that really resonated with me".

Protecting the environment is the heartbeat of every Savage Lands song. "No Remedy" can be seen as a reflection on destroying the planet. The video was shot in an abandoned, run-down building that was once owned by Napoleon. But the song speaks to other human concerns. "I am locked in my head / And I lost the key", Poun bemoans, his quiet desperation only answered by Maria's haunting echo ("Never, never now").

"We are all helpless to stop the passing of time", Sylvain says. At the end of the video, the band members disappear from the screen, one by one, using an old-school film technique. "Each of us is left with only our memories".     

Still, "No Remedy" does find a silver lining. "What do we need to live together?" Poun and Maria sing, their voices climbing, almost circling each other, before locking into perfect harmony. They might look mad as hell while yelling at each other across the kitchen table, but the whole video crew was in stitches after the sixth take of Maria throwing water on poor Poun. "Whether we're talking about the environment or our friendships, it's vital that we appreciate what we have during our time on this earth", Sylvain says. 

Just listening to "No Remedy" helps support Savage Lands. 100% of the song's royalties fund the musician-run non-profit's preservation efforts in Costa Rica.

Donations can also be made at https://savagelands.org/donation/  

Stop by the Savage Lands booth at Hellfest to learn more about the green zones, nature sanctuaries and other preservation projects that they're building in Costa Rica. Make a donation and receive the chance to win a one-of-a-kind guitar.

Artists occasionally support causes through donations to organizations. With SAVAGE LANDS, Megadeth drummer Dirk Verbeuren teamed up with his guitar-wielding friend Sylvain Demercastel to create their own US 501(c)3 non-profit.

Savage Lands raises money for reforestation and the creation of sanctuaries free of human destruction in Costa Rica. Using their own royalties, donations and other fundraising efforts, the organization builds nature sanctuaries, establishes green zones and other land preservation projects. They partner with other non-profits, scientists and forest engineers, as well as Decibel Magazine and Season of Mist.   

Donate: https://savagelands.org/donation/

"If you want to make a difference, take action! Our greatest hope with Savage Lands is that it will inspire you to join us, and if you can, to start your own initiative to help preserve animals, forests, and our planet", says Dirk.

Learn more about Savage Lands
https://savagelands.org/

Stream
https://savagelands.fanlink.tv/NoRemedy

Recording lineup for "No Remedy"
Sylvain Demercastel - Guitar
Poun (Black Bomb A) - Vocals
Etienne Treton (Black Bomb A) - Bass
Florian Pons (Loco Muerte) - Drums
Maria Franz - Guest Vocals

Production for "No Remedy"
Adair Daufembach

Recording of "No Remedy"
Savage Lands at Daufembach Studio in Los Angeles, CA

Dark Remedy Releases New Single "Guilty as Charged" via Wake Up! Music Rocks!

Dark Remedy is thrilled to announce the release of their latest single, "Guilty As Charged" through Wake Up! Music Rocks. This driving, high-energy anthem, characterized by explosive instrumentation and gritty vocals, is set to be the perfect addition to modern rock and alternative metal playlists such as VOLUME, AllNewRock, KickassMetal, and Ultimate Rock Gaming.

Teaming up with Jonathan Norris of Kingdom Collapse for co-writing and production, Dark Remedy has crafted a song that resonates with the raw energy and emotion of the genre. The track also benefits from the expertise of legendary mastering engineer Ted Jensen, adding a fresh level of refinement to its powerful sound.

The music and Lyrics were written by Steven Miller, Jonathan Norris, and Cary Parsons.

Steven Miller emphasizes the song's message, stating, “Stay true to yourself no matter what.”

Cary Parsons adds, “'Guilty As Charged' for me is an anthem for everybody told that they shouldn’t be themselves… Be you and be proud!!”

In addition, the band are beyond thrilled to announce they have signed with Wake Up! Music Rocks! The band shares, "This deal has been a long time in the making, we can’t begin to tell you how pumped we are for this partnership. Great things coming real soon!"

"Guilty As Charged" is now available on all major streaming platforms.

Dark Remedy is a formidable force in the world of melodic hard rock, delivering powerful and impactful music that resonates with audiences. The band was conceived amidst the chaos of the burgeoning COVID-19 pandemic by the talented songwriting duo of Vocalist/Lead Guitarist Steven Miller and Rhythm Guitarist/Vocalist Cary Parsons (also known to wrestling fans as Mister Sinister). In their quest to find solace during these dark times, Dark Remedy emerged as the ultimate remedy.

Driven by an unwavering determination to share their music and vision on the grandest stages, Dark Remedy has spared no effort in their creative pursuits. Despite the challenges, they tirelessly worked together, utilizing remote collaboration and embarking on long journeys to record and produce their groundbreaking songs and captivating music videos.

October 2022 marked a significant milestone for Dark Remedy when they joined forces with the illustrious Grammy-nominated and multi-platinum drummer, Paul Crosby (formerly of Saliva). Paul not only contributed his remarkable drumming skills to the band but also took on the role of band manager under Paul Crosby Management. This collaboration has added an incredible depth to Dark Remedy’s already impressive sound. In addition, Mike Mexas, guitarist for the rock band Saturate, is the bass player for Dark Remedy. Mexas brings his wealth of styles which add to the band’s strong and memorable sound.

Dark Remedy is known for their mastery of the expansive arena sound, featuring roaring guitars, infectious hooks, tastefully mesmerizing synths, and thunderous drums. Their music goes beyond mere entertainment, evoking contemplation and addressing the highs and lows of everyday life.

The band has experienced resounding success in the mainstream with their chart-topping radio hit, “Blood Money,” which reached an impressive #15 on the Secondary Market Chart. Building on this triumph, their follow-up single, “Haunted,” quickly climbed the radio charts as well, further solidifying Dark Remedy’s prominence in the industry.

Dark Remedy shows no signs of slowing down. With an unwavering dedication to their craft, they continue to write and produce new music, ensuring a continuous stream of captivating content for their global fanbase to enjoy. Stay tuned for more exhilarating releases and prepare to be captivated by the unwavering talent of Dark Remedy.

Dark Remedy is:
Cary Parsons - Guitar/Backing Vocals
Steven Miller - Lead Guitar/Lead Vocals
Paul Crosby - Drums

For More Information Please Visit:

Official Website

Spotify

Facebook

Instagram

YouTube

TikTok

VOLA Announce New Album 'Friend Of A Phantom' Out November 1 via Mascot Records + Release New Official Music Video "Break My Lying Tongue"

VOLA have announced their new studio album ‘Friend of a Phantom’ which will be released via Mascot Records on November 1. In celebration of today's announcement, the quartet have revealed the official video for their new song, Break My Lying Tongue. The band will also play festivals over the summer and their headline Friend of a Phantom European tour begins also on November 1 (tickets available here). Pre-order 'Friend Of A Phantom' here, stream "Break My Lying Tongue" here, and watch the official music video below.

It has been three years since the release of VOLA's defining album, ‘Witness’. It was a sonic assault that captured their signature blend of thoughtful labyrinthine narratives with crushing riffs and experimental sophistication. Heavy/quiet and dark/light were combined with elements of tech-metal, progressive alt-rock, electronica, and stadium-sized choruses. Surpassing an incredible 27.5 million streams, the album was lauded with international acclaim from Metal Hammer, Prog Magazine, Distorted Sound and Kerrang Radio & TV in the UK, reaching #7 in the Rock & Metal Album Charts. SiriusXM picked them up for multiple tracks, also featuring on the SXM Liquid Metal Next Wave Concert Series. The album also reached the Top 20 in the Billboard Current Hard Rock Charts, Top 25 in the Billboard New Artist/Heatseekers Album Chart, and named one of Loudwire's albums of the year.

VOLA has since wrapped up two tours of the US with several venues upgraded due to overwhelming demand, as well as sold-out shows in New York, Chicago and the iconic Troubadour in Los Angeles, where the band struck up a friendship with In Flames' Anders Fridén - who features on the new album. Their first tour of Canada resulted in sold-out shows in Toronto and Montreal, and they rounded off the continent with triumphant South American shows in Mexico, Brazil, and a sold-out show in Chile.

The Danish-Swedish quartet - Asger Mygind (vocals/guitar), Martin Werner (keys), Nicolai Mogensen (bass), and Adam Janzi (drums) - are now, to set free their fourth studio album. Their strength has always been combining a multitude of ideas within a single song, packing it in with a grandiose power that can be as ferocious as it can be delicate.  

Talking about their evolution, Janzi says, "We have had the time to internalise ‘Witness’ and let its aftermath sink in, which has shaped how we approached ‘Friend Of A Phantom’. Our personal tastes have changed, the way we approach our instruments and songwriting has changed, our lives have changed, time has passed, and adventures have been had. Whatever piece of melancholy that ‘Witness'had, has just grown and become a central part of this new album. I feel that VOLA has grown and reached a new moment in its life, maturing."

With the announcement of the new album, they have revealed the video for "Break My Lying Tongue". The song showcases VOLA's signature blend of introspective lyrics and intricate soundscapes, offering a deep dive into themes of misalignment and emotional vulnerability. With its haunting melodies and thought-provoking lyrics, it stands out as a powerful and evocative piece.

Last year they released the first taster of new material when they dropped "Paper Wolf". Talking about the song, Mygind offers, "We never put boundaries on our songwriting but merely search for a direction that feels unexplored and exciting to us. With 'Paper Wolf,' we suddenly found ourselves in a territory where an old-school metal atmosphere crept into our blend of sounds. We liked what we heard and then ran with it at full speed.

"Cannibal" kicks off ‘Friend of a Phantom’. Featuring In FlamesAnders Fridén on vocals, it plants a marker in the ground for what you're about to experience as the album navigates around the hypnotically ethereal "We Will Not Disband" through to "Hollow Kid", with MogensenFrankenstein riff,” as he explains, “I wanted to blend the essence of Metallica's "Enter Sandman" with the low tuning and polyrhythms of Meshuggah. The song's intro riff was the result, and it inspired the rest of the track."

VOLA has been one of Europe's most exciting metal bands in recent years, catapulting them onto the international stage. They've become a formidable live draw that has seen them also tour with Devin Townsend - including playing the Royal Albert Hall London; they've opened for Evanescence and played festivals such as ArcTanGent (UK), Graspop (Belgium), Tuska (Finland), Roskilde (Denmark), Copenhell (Denmark), CL Prog (Chile) and more. 

Talking about the touring, Janzi opens up: "It is very tough with all the travelling, short nights, and intense work. But it is so rewarding! Playing music, meeting nice people from all over the world, and seeing these places. Culture is important!"

Known for their innovative approach to progressive metal, VOLA continues to captivate audiences with their blend of intense rhythmic complexity and poignant lyrical narratives. With this perpetual evolution, the pressure doesn't consume them. "There is always the pressure of continuing to climb the mountain," reflects Janzi. "Embracing change and whatever new chapters may wait around the corner is a way to make life more enjoyable."

VOLA Is:

Asger Mygind (vocals/guitar)

Martin Werner (keys)

Nicolai Mogensen (bass)

Adam Janzi (drums)

Polar Share New Video "Swimming With Sharks" — WATCH

POLAR have dropped the video for their latest single, "Swimming with Sharks."

Building on the success of the previously released "We Won't Sleep," which captivated audiences with its intense lyrics and pulsating rhythms, this new track dives even deeper into the themes of resistance and defiance.

Watch the video below.

The lyrical concept of "Swimming with Sharks" emerged from a profoundly challenging period for the band.

"The idea came to me early on after the band went through its lineup change," shares singer Adam Woodford. "It was a very low and weak moment for me and the band. Honestly, there was a shared view of hoping that the band wouldn’t survive, and continuation had left the band wide open to be torn apart. It was such a raw and deep feeling for me, and I wanted to convey this lyrically in a song. I used the imagery that the band was an injured person in the abyss of the ocean being pursued by sharks as they can smell my blood, waiting for their time to attack. The song has a feel of desperation and the determination to survive before you are swallowed whole."

In 2023, amidst significant lineup changes that led to the departure of several original members, founding vocalist Woodford took the reins. Determined to turn adversity into opportunity, Woodford revitalized Polar by bringing on new members Stefan Whiting (bass), Bruno Consani (guitar), Simon Richardson (guitar), and Max Flohr (drums). This fresh lineup has injected new energy and perspective into the band, further amplifying the defiant and transformative message of "Swimming with Sharks."

Since their formation in 2009, Polar have carved out a distinctive niche with their intense, chaotic sound and electrifying live performances. Over the past 15 years, they have established themselves as a powerful presence in the music scene. The rejuvenated lineup has not only taken center stage at the Resurrection Festival but has also completed tours across Europe and the UK. Together, they have produced Polar's forthcoming sixth studio album with Jack Murphy at Crystal Sound Studios, exploring the theme of change's destructive power. More info to come. With renewed positivity and unyielding determination, Polar show no signs of stopping.

"Swimming with Sharks" will be available here worldwide on all DSPs at midnight.

POLAR ARE:
Adam Woodford | Vocals
Bruno Consani | Guitar 
Simon Richardson | Guitar
Stefan Whiting | Bass
Max Flohr | Drums

ANCIIENTS Shred Through "Cloak of the Vast and Black"

JUNO Award winners return with heavy and heartfelt Beyond the Reach of the Sun

"Big, melodic and fun" - New Noise
"A blend of soothing acoustic rock melodies and crushing heavy metal" - Guitar World

"It's exciting stuff, really - often complicated without seeming excessive, skillful but soulful, approachable but not pedestrian" - Pitchfork

"Heady stuff...arch-synthesists, cleverly appropriating a number of familiar, inter-related genres to fuse into a seamless ethos" - Metal Injection

"Proggy, sludgy and downright rocking" - Angry Metal Guy

"When the riffs rumble out of the speakers, you're moving" - No Clean Singing

"Combining powerful drumming with Thin Lizzy inspired riffs, while sounding like the musical equivalent of Game of Thrones" - Echoes and Dust      

"Parts progressive finesse, classic rock grandstanding and grass-roots bludgeon" - PopMatters 

The rock 'n' roll landscape is still shaking from the news: after eight years of searching, Anciients have emerged from the Canadian wilderness. The heady and hearty Canucks recently announced Beyond the Reach of the Sun, their first album since winning the coveted JUNO Award for Metal/Hard Rock. 

Today, Kenny Cook, Mike Hannay and their new cast of shredders are releasing a smooth but still positively crushing guitar playthrough for their new album's second single. "Cloak of the Vast and Black" sheds light on the darkness that nearly overshadowed Beyond the Reach of the Sun by blazing a new trail with the same spirit that's made them a guiding light for progressive metal.  

Watch the guitar playthrough for "Cloak of the Vast and Black" below.

Beyond the Reach of the Sun comes out August 30, 2024 on Season of Mist. 

Pre-order & Stream

https://orcd.co/anciientsbeyondthereachofthesun

Ask any hard rock enthusiast about Anciients and their shock and awe might lead you to believe they were describing Big Foot. The band left a sizable imprint on the scene after just two albums, but then seemingly disappeared without a trace. So what led them to go into hibernation? 

"Basically, right after Voice of the Void was recorded my wife had our first kid", says Kenny Cook, who on top of vocal and guitar duties also handles the bulk of the band's songwriting. "She ended up having heart complications and almost died". Everyone is happy and healthy now, but caring for his wife and new baby put a lot of stress on the typically laid-back frontman's mountainous shoulders. "It was a bit of a road".

"Cloak of the Vast and Black" also comes out of the shadows. The first single from Beyond the Reach of the Sun began by leading us through a field of bright keys and folksy acoustic plucks, but this time around, the guitars are so dimmed with reverb that even the leads twist and turn as if trying to navigate maze-like cave tunnels.

"This song is about mental illness and living under the cloak of depression", Cook says. But despite the many bumps in the road over the last eight years, like the high beams of a monster truck, Anciients found a way to come barreling out of the darkness. Just as the playthrough video bursts into full-blown color, the band strike upon a riff that burns as fast as a stick of dynamite.

"Searching for a new way of life", Cook growls with renewed force, as if awoken by the sudden explosion of psychedelic power chords. 

The concept behind Beyond the Reach of the Sun does venture into heady territory. Society is enslaved by forces from another dimension who are so towering in their tyranny that they blot out the sun. Still, at its core, Anciient's third album is about perseverance. Cook's road is a little easier to envision. "Working on these songs helped clear the negativity that had clouded my thoughts", he says. But the albums' narrative arc winds up floating in the same enlightened headspace.

"Ancient knowledge buried deep in the sands of time", Cook sings, practically beaming as Dead Quiet axeman Brock MacInnes shreds a dizzying alternate guitar lead right beside him. "Awake on the other side".

Of course, headbanging helped, but Cook credits his bandmates for helping him see through Beyond the Reach of the Sun. Mike Hannay can still kick down the door to any metalhead's mind with a well-timed blast beat, but by the time "Cloak of the Vast and Black" finally tapers off, he's locked into such a massive flow state with new bassist Rory O'Brien, that Anciients sound like pre-historic giants who've returned to roam the earth.    

"The hiatus is over" Cook says. "We missed out on a huge block after the last record. But with a new album to go along with our new band members, we're ready to hit it hard".
     
The video for the guitar playthrough of "Cloak of the Vast and Black" was directed, filmed and edited by Claine Gorgoth Lamb (@claines_world).

Lineup
Kenny Cook (vocals, guitar)
Mike Hannay (drums) 
Brock MacInnes (rhythm guitar)
Rory O'Brien (bass)

Guest musicians
Justin Hagberg plays keyboard on "Forbidden Sanctuary", "Is It Your God", "Melt the Crown", "Candescence", "In the Absence of Wisdom".

Jess Gander plays synths on "Candescence" and "Cloak of the Vast and Black".

Recording studio
Rain City Recorders

Producer / sound engineer
Jesse Gander
Assisted by Szymon Wojciech

Mastering studio and engineer
Stu McKillop @ Rain City Mastering

Mixing studio and engineer
Jesse Gander Rain City Recorders

Cover artwork artist 
Adam Burke @ Nightjar Illustrations

Bio
Kevin Stewart-Panko

Pre-order & Stream: https://orcd.co/anciientsbeyondthereachofthesun


Follow Anciients
https://www.facebook.com/ANCIIENTSRIFFS
https://www.instagram.com/anciients/
https://twitter.com/ANCIIENTS
https://anciientriffs.bandcamp.com
https://www.youtube.com/user/ANCIIENTS
https://music.apple.com/us/artist/anciients/603538280
https://open.spotify.com/artist/3YQOcYukzO6U1MjFcavDUE?si=4QWahfZxQjOmAI7nYrav6g&nd=1&dlsi=0142e5e62ae54105

FEDERALE presents psych-rock gem 'Advice From a Stranger', previewing 20-year anniversary album 'Reverb & Seduction'. West Coast tour kicks off July 12

“Equal parts Ennio Morricone, Lee Hazelwood, and Nick Cave with a touch of Chris Isaak’s less romantic side… few if any artists are brave and/or creative enough to channel this ghostly, often ominous vibe into moving, sensual and stirring music” ~ American Songwriter

"Their most immersive and varied album to date, Collin Hegna and his merry band of music-makers take us on a fantastic journey... and on ‘Heaven Forgive Me’, Hegna channels the post-punk vibes of such bands as The Church, Pink Turns Blue and The Mission to our delight" ~ The Spill Magazine


Portland's iconic outfit Federale presents the single 'Advice From A Stranger', previewing their new 'Reverb & Seduction' album, set for release on July 12 via Jealous Butcher Records.  

Their sixth studio album, this record marks the band’s twentieth anniversary.  Their most immersive and varied album to date, with do-it-all frontman Collin Hegna at the height of his powers, this is a tour-de-force road trip from psych rock to country duets, never straying too far from the spaghetti western roots that inspired the band many blood-moons ago.  These musical homages involve a new lineup of well-known Portland rock-scene vets, including talents from The Dandy Warhols, The Shivas, Roselit Bone, Rogue Wave and Delines.

On 'Advice From a Stranger', Federale leans into their psych-rock roots. As a 20+ year member of The Brian Jonestown Massacre, Hegna has been party to a lot of feedback & fuzzed out guitars. And while the Pebbles and Nuggets oeuvre has crept into the works of Federale on occasion, it has always been as a background influence. But, for this song, the desire emerged to outwardly embrace the aesthetics of personal genre heroes: The Electric Prunes, The Pretty Things, and The Chocolate Watchband.

On this track, Hegna is joined by Jared Molyneux (The Shivas) on guitar, Pat Spurgeon (The Dandy Warhols, Rogue Wave) on drums, and Ryan Lynn (Mission Spotlight, The Needs and guitar tech for The Decemberists, Metric, and The Lumineers) on guitar.

Collin Hegna shares, “It's a mean world out there. If you don’t choose how you want to live your life, someone else is gonna do it for you. And you can bet they don’t have your best interests at heart. One has to be brave and do the hard things if one wants to accomplish anything worthwhile. And that can be hard when you're swimming against the tide. It's easy to get confused because there’s a lot out there trying to keep us all confused. To thine own fuzz pedal be true. Just a bit of advice from this stranger."  

Since forming, Federale has carved out a unique niche within the indie music landscape, blending their signature spaghetti-Western instrumental sound with increasing doses of moody vocal arrangements in the spirit of Lee Hazlewood and late-period Leonard Cohen. Through it all, Hegna – as both songwriter and lead singer – maintains a strictly retro vibe. Federale's records have always sounded period-correct for an alternate-universe 1971, where rock and roll never caught on.

The ten tracks that make up 'Reverb & Seduction' were recorded at Revolver Studiosin Portland and engineered by Collin Hegna, Matt Thomson and Andrew Joslyn, who boasts five 5 Grammy Award winning albums. Mixed by Jeff Stuart Saltzman (The Black Keys, The High Violets), Matt Thomson and Collin Hegna, this album was mastered by Adam Gonsalves at Telegraph Mastering.


Earlier, Federale shared two singles - the lead track 'Heaven Forgive Me', featuring The Black Angels' Alex Maas, and 'No Strangers', a tribute to Lee Hazlewood, which involved drummer Dave Mudie, who plays drums for Courtney Barnett of The Dandy Warhols, Andrew Joslyn (Nancy Wilson, Kei$ha, Macklemore, Mark Lanegan), and Hunter Lea (Grammy nominated Nancy Sinatra / Lee Hazlewood reissue producer).


Ron Laboray of Little Richard’s Almanac, who animated the video for the new single, along with Niki Elliott, explains, "This song 'Advice From A Stranger' supplied us with a broader narrative, and we were able to let our imaginations run. We came to the idea of using Hieronymus Bosch’s Garden of Earthly Delights as a backdrop while brainstorming possibilities on a hike, as the painting connects well with the themes of god and forgiveness found in the song, and it’s weird as hell. The song's tempo had also led us to consider monster movie possibilities and, after deciding on the painting, the garden gnome emerged as a sort of Godzilla figure, the perfect hero to do battle in Bosch’s garden. 'Advice from a Stranger' is our favorite animation to date - 15th century and it still slaps!"

As of June 19, 'Advice From a Stranger' will be released everywhere digitally, including Apple Music, Spotify, Tidal and Band camp. The full 'Reverb & Seduction' album, out July 12, will be released on CD, vinyl and as a digital download, and should also be available from fine record dealers.

Federale's 'Reverb & Seduction' tour, which takes them up and down the U.S. West coast and beyond, kicks off in Portland on July 12 with their album release show. A European tour is anticipated in late fall 2024.

SINGLE CREDITS
Written, arranged and produced by Collin Hegna
Mixed by Matt Thomson & Collin Hegna
Mastered by Adam Gonsalves at Telegraph Mastering
Recording Engineering - Collin Hegna & Matt Thomson
Recorded at Revolver Studios in Portland, OR
Pat Spurgeon - drums
Jared Molyneux - guitar
Ryan Lynn - guitar
Collin Hegna - all other Instruments, percussion & vocals
Released by Jealous Butcher Records
Management: Andy Ross @ Exit Strategy Productions
Publicity: Shauna McLarnon @ Shameless Promotion PR
Video created by Little Richard’s Almanac, animated by Ron Laboray and Niki Elliott
Tour poster designed by Tobias Berblinger 

TOUR DATES
JULY 12  Portland, OR - Mississippi Studios
JULY 13  Eugene, OR - Sam Bond's Garage
JULY 14  Seattle, WA - Madame Lou's
JULY 16  Boise, ID - Realms
JULY 17  Salt Lake City, UT - International Bar
JULY 18  Las Vegas, NV - The Usual Place
JULY 19  Pioneertown CA - The Red Dog Saloon
JULY 20  Jacumba Hot Springs, CA - Jacumba Hot Springs Hotel
JULY 21  Los Angeles, CA - Gold Diggers
AUG 24  San Francisco, CA - Kilowatt
OCT 4    Reno, NV - Offbeat Fest
OCT 31  Austin, TX - Levitation Festival


Keep up with Federale / Collin Hegna
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Michael Schenker Announces New Album "My Years With UFO" + Shares Single "Mother Mary" Featuring Slash + Erik Grönwall — LISTEN

MICHAEL SCHENKER TO RELEASE NEW ALBUM  MY YEARS WITH UFO CELEBRATING 50TH ANNIVERSARY ALONGSIDE TODAY'S ROCK ELITE

DROPS FIRST SINGLE "MOTHER MARY" FEATURING SLASH + ERIK GRÖNWALL

The world of rock guitar has always been illuminated by a few virtuosic stars who shine brighter than the rest, and among them, Michael Schenker stands out as a comet blazing across the night sky. 

His tenure with the British hard rock band UFO during the 1970s remains one of the most celebrated periods in the annals of rock, elevating UFO from underground sensations to rock legends. 

Now, in 2024, Michael Schenker is set to celebrate those glory days with his new album My Years with UFO alongside today's rock elite.

Produced by Michael Schenker and Michael Voss, the new album marks the 50th anniversary of Schenker's era with UFO, spanning from 1972 to 1978. The "German Wunderkind" was asked to join UFO at just 17 years old. Touring the globe as a teenager, Schenker became a driving force behind some of UFO's most loved tracks, such as "Doctor Doctor," "Rock Bottom," and "Only You Can Rock Me."

The first single off the new album, "Mother Mary," breathes new life into this classic, bringing together Michael Schenker's and Slash's unmatched guitar work with Erik Grönwall's soaring vocals.

Although Michael Schenker's era with UFO spanned only six years, his influence as a young songwriter and exceptional guitarist had already left a lasting mark on rock. During these meteoric years, the UFO albums Phenomenon, Force It, No Heavy Petting, Lights Out, Obsession, and the seminal live album Strangers in the Night were recorded, each contributing significantly to the genre. Strangers in the Night particularly stands out as one of the most influential live rock albums of all time and is still regarded as a cornerstone in any rock enthusiast's collection.

In this celebratory album, Michael Schenker presents 11 of UFO's greatest hits from this magical era with an impressive lineup of guest stars. Joining Schenker on this journey are Derek Sherinian on keys' Brian Tichy on drums' and Barry Sparks on bass. 

The stellar roster of guest artists includes Axl Rose, Slash, Kai Hansen, Roger Glover, Joey Tempest, Biff Byford, Jeff Scott Soto, John Norum, Dee Snider, Joel Hoekstra, Joe Lynn Turner, Carmine Appice, Adrian Vandenberg, Michael Voss, Stephen Pearcy, and Erik Grönwall.

This album is the introduction to an upcoming trilogy, as Michael Schenker has signed an exclusive three-album deal with earMUSIC, with additional albums to follow in 2025 and 2026.

Today's release of "Mother Mary" sets the stage for what promises to be one of the most exciting rock albums of 2024.

My Years with UFO will be released worldwide on September 20 via earMUSIC and is svailable for pre-order here.

Industrial Metal Heretics KING SATAN Sign with Noble Demon and Unveil Video for First Single from Upcoming Album!

Finland's industrial metal heretics KING SATAN have officially inked a worldwide record deal with Noble Demon, who will release the band's highly anticipated fourth album, The Devil’s Evangelion, in late 2024. To kick off the excitement surrounding the upcoming release, the band has unleashed a music video for the first single, "New Aeon Gospel". Watch the video below.

Listen to the single HERE

”’The Devil’s Evangelion’ will be a concept album concentrating on the duality and the paradoxical nature of reality. This concept stems from a trickster-like narrative that becomes convinced about being possessed by the Devil, leading to an experience of reality through the Devil’s eyes." KING SATAN comment and further reveal details about the first single: "New Aeon Gospel as an opening song depicts beginning of this experience, which in the fashion of paradoxes, might be madness to one and yet moment of catharsis to another. We took a lot influences from old religious anthems, hymns and psalms to compose the album and this song might be one of the strongest examples of this, filtered of course through the means of our brand of extreme metal."

KING SATAN presents a genre-fluid extreme metal spectacle that fuses electro-industrial, symphonic black metal, and death metal elements with the raw energy of rock'n'roll, emerging as a unique blend between shameless shock rock and chaotic avant-garde theater.

Founded in late 2015, this genre-fluid group is the brainchild of enigmatic artist Mr. King Aleister Satan (Henget, Saturnian Mist), which has evolved from its electro-aggrotech origins into a full-throttle industrial metal band over the years. The act’s vision of extreme metal brings forth an anarchistic blend of carnivalesque artistry, absurdist dark comedy, occult intrigue, and in-depth philosophical ponderings, served in an intoxicating blend of rocking dance beats, thought-provoking lyrics, mesmerizing melodies, and addictive hooks the band themselves have titled as 'death metal disco’. A fusion fit for both dance floors and mosh pits. With all these elements, the band defies conventions and embraces controversy the way which should not really make much sense on paper - and yet, it has consistently helped to create more and more buzz for the band wherever they go.

But KING SATAN is more than just a mere musical entity; Known for their infectious charisma and captivating performances, it’s a live experience that electrifies stages and captivates audiences. With a reputation solidified by three full-length albums and viral chart-climbing singles in Finland and Germany, they’ve graced renowned festivals like Tuska Festival, Nummirock Metal Festival and Dark Malta Festival. The group has also toured in Europe in several countries, headlining their own shows and supporting revered acts like Gothminister, Deathstars, Battle Beast, Hocico, Nachtmahr, and Turmion Kätilöt on the way.

Mr. King Aleister Satan about the band's future and signing to Noble Demon:
"We are absolutely thrilled to announce this devilish pact between King Satan and Noble Demon Records! We really know we are now in the right home at Noble Demon roster as we are not only encouraged to do what we do already, but to do that with their full support! Even it might get dirty! And of course, in the world of absurd, it always does. So, indeed, let’s get dirty! The Devil’s work is never done! Hail Noble Demon Records and Hail Satan! Chaos is the Law!”

So stay tuned for more infos and tunes to follow in the weeks ahead and make sure to follow the band online!

KING SATAN are:
King Aleister Satan - Vocals & Programming
Hekate Boss - Keyboards & vocals
EF-13 - Guitars
Jerry Rock’n’roll - Bass guitar
Pete Hellraiser - Drums & Programming

For more information please visit:

https://www.kingsatan.net

https://www.facebook.com/kingsatan616

https://www.instagram.com/kingsatanofficial

https://linktr.ee/nobledemon

Electronic-industrial pioneer MARK PISTEL (Consolidated, Meat Beat Manifesto) takes OCTAVIAN WINTERS for a wild spin of 'Velveteen'

"A dark and lush tapestry of near-classic post-punk, oscillating between shadow and shimmer. Reflecting the troubled times that we live in, sublime dark sonic delight" ~ The Spill Magazine

"Feels like it was recorded in a studio deep beneath the earth, drawing power from subterranean caves and bubbling magma... tectonic thunder... Such power, strong and true, a voice that scales the wall of sound beneath her with ease" ~ Joyzine

"A dark musical weave forged of post-punk and gothic strands. A sonic web of pulsing bass grooves and shaded ethereality, dark and delicious guitar slashes and haunting sound washes" ~ The Big Takeover

"Seriously compelling incitement, which Aursjoen’s tones and the electronically atmospheric mists around her only escalate"
~ Ringmaster Review


American electronic - EDM trailblazer Mark Pistel (Consolidated, Meat Beat Manifesto) recently joined San Francisco post-punk outfit Octavian Winters on their new release 'Nebula / Velveteen (Mark Pistel Remix)' (out now via Stratis Capta Records). Now they share the video for Pistel's remix of 'Velveteen', created by filmmaker David Kruschke,  

A producer, engineer, programmer, remixer and songwriter active since the 80s, Mark Pistel founded the band Consolidated and has been with Meat Beat Manifesto since 1997. From his Room 5 studio, he has worked with The Disposable Heroes of Hiphoprisy, Grace Jones, Therapy?, MC 900 Foot Jesus, Machines of Loving Grace, Hector Zazou, Mark Stewart, Lee Scratch Perry, Cabaret Voltaire's Stephen Mallinder and Fishbone's Angelo Moore.

Formed in 2022, Octavian Winters is guitarist Stephan Salit (Thrill of The Pull), drummer Randy Gzebb (Thrill of The PullLove Club), bassist Jay Denton and Ria (Amenti) Aursjoen on vocals and keyboards. Together, they weave their visceral and ethereal sound into a texture all its own – of stories once told but half-remembered, under a dusk of shadows and stars, in an abandoned city under the winter moon.

Pistel explains, "Randy Gzebb called me about remixing one of the tracks off 'The Line or the Curve' EP. I was excited to do so, as we'd recorded some of these vocals at my Room 5 Studio in San Francisco. I chose to do 'Velveteen' as I already loved the track with its fantastic vocal melody and Stephan's unstoppable guitar hook! I  took on the track with pulsing analog synths and a slamming dance floor beat for the clubs."

The A-side to this 2-track release, called 'Nebula', underscores the inevitable impermanence of all that is seen and unseen, known and unknown.

"Nebula began as an experiment... I kept envisioning a sort of “last day at the end of the world” — what would the sky look like? Would we know and understand what was happening? There is this broadly Gnostic idea of the universe as unfolding and unfolding through what are called Aeons, essentially levels of manifestation, until we get this world we live in here. I imagined this world reaching the fullness of its life, that whole cycle ending — and then everything reversing, refolding back to the start to make way for the next universe," says Ria Aursjoen

This is not the first time Octavian Winters has worked with Pistel. Their debut EP 'The Line or Curve' (released in late 2023) was mostly recorded at his Room 5 Recording before being mixed and mastered it at 13 Studio in Chicago, and co-produced by the band and William Faith (The Bellwether Syndicate, Faith & the Muse, Christian Death).

But Octavian Winters' members have a rich history of collaborating and touring with notable artists, including Nine Inch Nails, Killing Joke, Lords of the New Church, Savage Republic, Christian Death, The Frozen Autumn, Everything Goes Cold and Black Tape for a Blue Girl.

The 'Nebula / Velveteen (Mark Pistel Remix)' single is available everywhere, including Apple MusicSpotify and Bandcamp. The band's next headlining concert is on Friday, July 26 at San Francisco's DNA Lounge with support from Halou and Sword Tongue.

CREDITS 
Ria Aursjoen - Vocals / Keyboards
Stephan Salit - Guitars
Randy Gzebb - Drums
Jay Denton - Bass
'Velveteen' remix by Mark Pistel
'Nebula' written by Ria Aursjoen
'Velveteen' written by Octavian Winters
Recorded at OW studios San Francisco
Vocals recorded by Mark Pistel, Room 5 Recording, San Francisco
'Nebula' mixed & mastered by William Faith at 13 Studio, Chicago
'Nebula' produced by Octavian Winters and William Faith
Cover art Ria Aursjoen
Design by Eric Olson 
Publicity by Shameless Promotion PR
Video by David Kruschke


Keep up with Octavian Winters
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