WORM SHEPHERD Drop Stand Alone Single; "The Frozen Lake Pt II (The Ruined)"

Symphonic deathcore titans, Worm Shepherd, have released stand alone single, "The Frozen Lake Pt II (The Ruined)" today. Accompanying the 8 minute masterpiece is an epic music video which can be watched below. Stream the track on your platform of choice HERE.

Speaking on the new release, vocalist Devin Duarte shares

“The Frozen Lake Pt. II (The Ruined) is about forgiveness of self. We live in a world where perfection is expected of everyone at all times. No one is perfect whether they want to admit it or not and we all would be doing ourselves better to stop running from and ignoring all of these imperfections and mistakes. Once people learn to accept the reality of their humanity, we can start to focus on working through those mistakes, learning new lessons, and being better people overall. That’s what it’s about. Stop putting on a show. Stop being ashamed of yourself. Before there is no more you to speak of.

Be true to yourselves, and understanding of those around you. That is how learning, and improving is done.”

DEFIANT Releases New Single "Ignite the Sky" + Official Music Video via Curtain Call Records

"Ignite the Sky" can be bought/streamed at:

https://linktr.ee/defiantpa

Defiant released their latest single "Ignite the Sky" to all major platforms via Curtain Call Records along with the official music video. The single was produced, mixed and mastered at Atrium Audio in Lititz, Pa. The band is set to release their third EP in 2023.

“Fat Man, Little Boy, Nukes, The Atomic Bomb. On July 16,1945 humanity had to ask themselves whether their scientific curiosity had gone beyond that of man, and transcend into an apocalyptic cataclysm of hellfire. Defiant's newest single brings forward a harrowing perspective of man's most powerful weapon, and it's involuntary desire to lay waste to all it's nuclear hands touched. The aggressive vocals and hard pounding groove of "Ignite The Sky" brings the essential punk onslaught Defiant is more than happy to give to your precious ears. For a hundred minds and a thousand hours gave God's power to human hands.," says the band.

Boldly resisting authority…like the definition of its name, Curtain Call Records recording artist Defiant has set out to ignore any rules or standards in hard rock music. The 4-piece band from Harrisburg, Pennsylvania infuses elements of punk, alternative, classic rock and heavy metal to form its own unique brand of music.

Formed in 2018, Defiant has built a reputation with their high octane live shows playing on bills throughout Pennsylvania and the Mid-Atlantic region with the likes of From Ashes to New, The Texas Hippie Coalition, Kix, L.A. Guns, Buckcherry, Puddle of Mudd, Tantric and Otep among others.

The band is comprised of Albert Halterman (vocals and guitar), Joe Defiant (guitar), Paul Barlowski (bass) and Paul Cochran (drums).

The band is available for interviews!

Defiant Music Videos:

"Viva La Revolution" (featuring Ace Von Johnson and Richard Reilly)
https://youtu.be/UBGPSdN3xl8
'Free For A Price"
https://www.youtube.com/watch?v=cPuurtz1Fd8
"Wendy"
https://www.youtube.com/watch?v=5sby-rDDtGE
"Dust The Democracy"
https://www.youtube.com/watch?v=9DakLZa1oPs
"He’s Watching"
https://www.youtube.com/watch?v=qpyY1WJ_E2Q

For More Information Please Visit:

Official Website

Facebook

Instagram

Twitter

YouTube

Official Merch Store

Curtain Call Records

Blues-Rock Superstar Joe Bonamassa Releases Stunningly Sweeping Live Rendition Of “Time Clocks”

Bonamassa’s Groundbreaking Live Performance From The Iconic Red Rocks Amphitheatre Is Available Worldwide 4/14 Via J&R Adventures
 

Stream “Time Clocks” live here

On the heels of his sold out music festival cruise Keeping The Blues Alive at Sea VIII, the three-time GRAMMY-nominated guitarist and 25x Billboard chart-topper Joe Bonamassa has just released an unforgettable live rendition of “Time Clocks,” the beautifully poignant title track of his most recent studio album. Featured on ‘Tales of Time,’ his sprawling and expansive live concert film and album shot at the breathtaking Red Rocks Amphitheatre in Colorado, the epic 7+ performance finds the blues-rock superstar at his most expressive and ambitious, casting a spell of pure timelessness over the enraptured crowd. As the heart on sleeve narrative plays out in front of a stunning visual backdrop that served to highlight the beauty of the music, the rousing chorus rises to the heavens as Bonamassa sings, “and the rain soaking through my coat, about to capsize my boat I push it along away from the docks, I was never a good puncher of time clocks.” Watch the live performance Below.
 
Out 4/14 via Bonamassa’s J&R Adventures in CD/DVD, CD/BR, vinyl, and digital formats, ‘Tales Of Time’ captures a stratospheric performance by the blues-rock titan, as his virtuoso guitar style and unique technique and flair elevate the evening to an almost heavenly high. This incredible undertaking was produced by long-time collaborator and producer Kevin Shirley (Led Zeppelin, Iron Maiden, Journey). “This live show represents our most progressive and largest production to date, focusing on my most ambitious studio album to date,” commented Bonamassa. “My band was a force of nature on this show, and it truly was a special night.” For more information and to pre-order, visit https://shop.jbonamassa.com/collections/tot

Bonamassa has just announced a handful of additional performances for 2023. Starting with the Capitol Theatre in Yakima, WA on Friday, May 26th, Bonamassa will wind his way across the west, culminating in a performance at the iconic Red Rock Amphitheatre in Morrison, CO on August 6th. Capping the summer with a previously announced two-night run with Styx and Don Felder in the northeast, Bonamassa will round out the year with performances at the Hertz Arena in Ft. Myers, FL on Friday, December 1st and Hard Rock Live in Hollywood, FL on Saturday, December 2nd. Tickets are available now at https://jbonamassa.com/tour-dates/.
 
Cited by Guitar World as “arguably the world’s biggest blues guitarist,” Bonamassa is known for taking risks and venturing into uncharted territory throughout his wide-ranging career. His most recent full-length ‘Time Clocks’ marked his most raw, rocking studio album yet, with American Songwriter sharing, “Bonamassa pushes into fresh territory while staying within a blues-based framework,” and “there is more than enough proof in this sprawling set that Bonamassa doesn’t intend to rest on his laurels or take his star status in the blues-rock genre for granted.”
 
For more information on ‘Tales Of Time’ and to purchase tickets to Bonamassa’s upcoming tour, please visit https://jbonamassa.com
 
Joe Bonamassa – 2023 U.S. Tour Dates
May 26 - Capitol Theatre - Yakima, WA
May 27 - Backroads Blues Festival - Hayden Homes Amphitheatre - Bend, OR*
May 28 - Backroads Blues Festival - Chateau Ste Michelle Winery - Woodinville, WA*
August 2 - Vina Robles Amphitheatre - Paso Robles, CA
August 4 - The Cosmopolitan of Las Vegas - Las Vegas, NV
August 5 - Eccles Theater - Salt Lake City, UT
August 6 - Red Rocks Amphitheatre - Morrison, CO
August 12 - Northwell Health at Jones Beach Theater - Wantagh, NY**
August 13 - Bethel Woods Center for the Arts - Bethel, NY**
December 1 - Hertz Arena - Ft. Myers, FL
December 2 - Hard Rock Live - Hollywood, FL

*Featuring Kenny Wayne Shepherd and Joe Bonamassa
**Keeping the Blues Alive presents: Joe Bonamassa & Friends: Styx and Don Felder, formerly of the Eagles

About Joe Bonamassa
Blues-rock superstar Joe Bonamassa is one of the most celebrated performing musicians today. A three-time GRAMMY-nominee, Bonamassa earned his 25th No. 1 on the Billboard Blues Album Chart, with his latest studio album ‘Time Clocks.
  
Bonamassa earned his third GRAMMY nomination with 2020’s ‘Royal Tea,’ recorded at the legendary Abbey Road Studios. The album brought Bonamassa full circle: reconnecting the guitar-slinging kid who stumbled across the best of British-blues in his dad’s vinyl collection to the player he is today. That same year, Bonamassa delivered a groundbreaking live performance from the legendary Ryman Auditorium in Nashville, where he played ‘Royal Tea’ in its entirety to over tens of thousands of people across the globe via livestream, recording the full set for the live concert film and album ‘Now Serving: Royal Tea Live From The Ryman,’ released in 2021.
 
Bonamassa also runs Keeping the Blues Alive Foundation, a non-profit that promotes music education and blues music by funding scholarships and providing music education resources to schools in need. To date, the foundation has provided schools and teachers with over $1 Million and has positively impacted 90,000 students in all 50 states.
 
Created by Bonamassa and Roy Weisman, Keeping The Blues Alive Records (KTBA Records) has released albums for many artists, including musical icon Dion’s ‘Blues With Friends,’ Chicago Queen of Guitar Joanna Connor’s ‘4801 South Indiana Avenue’ and British Blues-Rock star Joanne Shaw Taylor’s ‘Blues From The Hear Live,’ all of which debuted at No. 1 on the Billboard Blues Charts, while Blues-legend Larry McCray’s ‘Blues Without You’ debuted at No. 2. Bonamassa plans to produce and release more artists on KTBA Records this year.
 
Journeyman LLC, the newest endeavor between Bonamassa and his long-time manager Roy Weisman, is a vertically integrated music management, concert promotion, and marketing company that builds awareness for great live artists worldwide. After years of perfecting strategies, while building Joe Bonamassa’s career, the company will utilize the same savvy tactics which allowed them to overcome industry barriers that typically held back artists from achieving success. Bonamassa has been keen on using his experience to pay it forward to help other artists navigate the murky industry waters. Consequently, Journeyman sets itself apart in this way as being the true market maker for its artists.

ONErpm Signs Vocalist and Songwriter Jesslee

Front Row (L-R): Steve Virginia (Black Label Nash Entertainment Group), Jesslee, Tim Wipperman (ONErpm); Back Row (L-R): Alex McGinnis (ONErpm), Ryan L Cunningham (ONErpm), Ricky L Vinson (Black Label Nash Entertainment Group), Lisa Vinson (Black Label Nash Entertainment Group)
Photo Credit: Brooke Christopher

ONErpm Nashville is proud to announce the signing of vocalist and songwriter Jesslee. Her debut single, “Unmeet You,” is now available on all platforms and the official YouTube video for the single premiered yesterday. Watch Below.

Tim Wipperman, managing director for ONErpm Nashville, says “Jesslee is a phenomenal singer. Her powerful vocals are unparalleled, coupled with the fact that she is one of the best new writers in town.”

“As an Italian American artist,” Jesslee says, “I am so excited to be working with a company that embraces my uniqueness and is dedicated to working with artists to develop something wonderful together.” 

Jesslee—who appeared for 45 consecutive weeks on Apple Music’s Country Hot Tracks—first burst onto the music scene in 2018 by turning two chairs and ultimately joining coach Blake Shelton’s team on season 14 of NBC’s The Voice. That performance led to several more national television appearances and, ultimately, songwriting opportunities. Jesslee soon moved to Nashville and continued developing her craft with an elite group of artists and writers. “Unmeet You” was written with her manager, Steve Virginia, and fellow Voice alums, The Swon Brothers.

“She is a one-of-a-kind artist,” affirms Virginia, CEO of Black Label Nash Entertainment. “Jesslee crafts every song with a genuine passion that naturally pulls the listener in,” noting that “She has a way of staying true to the story while doing what is best musically for the song.”

“The responses and comments from her fans are filled with touching stories about how she makes a difference in so many lives,” remarks Ryan Cunningham, A&R director of Country Music for ONErpm, adding, “This is exactly what music is supposed to do.”

2023 is looking like a breakout year for Jesslee, with a brand-new record deal and several national and international dates on the books. She has already shared the stage with high-profile country artists such as Thomas Rhett, Dierks Bentley, Cole Swindell, Cam, Kane Brown, LOCASH, RaeLynn, Uncle Kracker, Wynonna Judd, Joe Nichols, Thompson Square, Parmalee, Cassadee Pope and Craig Campbell.

About ONErpm:
ONErpm is a next-generation music company and leader in new revenue opportunities, operating one of the world’s largest music distribution platforms and YouTube Multi-Channel Networks. Offering a full suite of services that includes marketing support, supply chain tools, business intelligence, publishing, accounting and global payment solutions, ONErpm provides the infrastructure needed to help creators and content owners succeed. As a trusted partner, ONErpm emphasizes transparency in everything it does, from executing a marketing campaign to making payments. ONErpm currently operates in 30 territories across the globe with a staff of over 470, making it one of the fastest-growing independent music companies in the world. 

ROB MUNK presents 'Run!' - a high-energy treat from his debut 'Phased Out' LP, out now via Magic Door Record Label

"A crunchy blast of indie rock bliss that’s redolent with laconic charm and unexpected longing. Bringing to mind everyone from Built To Spill to Australia’s late great Soap Star Joe...  as dynamic and hook-laden as it gets" ~ Stereo Embers Magazine

"Sassy power-pop... the same blend of jaunt and joyfulness and slightly downbeat and world-weariness running through their music as, say, The Lemonheads or The Dandy Warhols. Not to mention no small amount of early R.E.M. wonky majesty" ~ Big Takeover Magazine

"Enjoyable, danceable, moshable – timeless in the same way as Pixies and Throwing Muses will never seem old. But Munk’s music itself is perhaps closer to Sebadoh, Sparklehorse, The Shins, Fastball, Weezer or Presidents of the USA" ~ Amplify Music Magazine

"Munk’s an idealistic singer/songwriter with great guitar and vocal chops, not to mention stellar songwriting skills" ~ Popular Culture Beat

New Jersey-based indie rocker Rob Munk presents the video for 'Run',
a fun upbeat offering for the ears and spirit. The accompanying video was written and directed by Iam Williams with animation and editing by lincktendo.

the latest single from his debut album 'Phased Out', released both digitally and on vinyl via Montclair-based Magic Door Record Label. a grassroots imprint founded by Guided by Voices' Kevin March, producer Ray Ketchem and artist-vocalist Renée LoBue.

"Run! Is about sprinting through life with reckless abandon, so it only makes sense that the video feell like an 80’s style 8-bit video game, both nostalgic and fun. Run! is the perfect springtime anthem for those ready to get outside, smash some bottles on the street and really blossom,” says Rob Munk.

Munk comes back with a strong return after 20+ years since Munk left the music scene at the turn of the century. Now available on limited edition 12" fully recycled colored vinyl, supporters will also receive the digital download upon purchase. This collection, which Munk calls "a little poppy, a little sloppy and entirely honest", features better and more personal songs than ever before.

This album was produced, recorded, mastered and partially mixed at Magic Door Recording by Ray Ketchem, whose production credits include Guided By Voices, Gramercy Arms, Luna and Elk City. Mixed in Oakland by Chuck Johnson at Cirrus Oxide, Munk recorded this album during the pandemic with actor-writer-artist Daniel London (Old Joy, Minority Report, Manhattan) and Tinsel drummer Joe Ventura.

"Phased Out is now officially out in the world, ready to begin its slow trudge towards obsolescence or meteoric rise to greatness, depending on the listener. The journey truly has been the reward, and it’s been so creatively rewarding. As it turns out, it takes a village to make a solo record, and I have immeasurable gratitude towards the village people that helped make this real," says Rob Munk.

Earlier, Munk released the singles 'Youth', 'Amazon', 'Slumber' 'Heavy Shoes (to kill the blues)' and 'Ghosts of San Francisco'. With elements of 1990’s and 2000's indie rock and traces of 1970’s AM pop, this is music that respects people's emotional intelligence.

Munk's foray into show business began as an actor in commercials (including Jello pudding with Bill Cosby) and movies (cast as young Woody Allen in 'Stardust Memories'). At 14, he jumped ship on acting to form a band and his life changed. His band Thudpucker was a staple on the 1990s Boston rock (opening for Pavement, Hole, Afghan Whigs and Juliana Hatfield) and later formed Tinsel in Chapel Hill, NC (supporting the likes of Polvo, Guided By Voices, Pipe and Come), plus cover bands with Superchunk and Firehose members. These bands eventually imploded of natural rock and roll causes.

Munk eventually returned to acting, including scenes with Tina Fey, Tony Hale, John Goodman and Paul Giammatti. After moving to LA for a pilot season but getting no traction there, Rob launched the now-defunct blog 'LoserActor', creatively chronicling his daily humiliation. Noticed by the famed ad agency Wieden + Kennedy, Rob returned to NYC as a copywriter and creative director, writing huge campaigns for ESPN, Delta Airlines and AT&T.

The 'Phased Out' LP is available now on vinyl via Bandcamp and everywhere digitally, including Apple Music, Spotify and other fine outlets.

'RUN' SINGLE CREDITS
Written by Rob Munk
Released by Magic Door Record Label
Rob Munk - vocals, guitar
Daniel London - lead guitar
Scott Anthony - bass
Joe Ventura - drums
Recorded, mixed & mastered by Ray Ketchem at Magic Door Recording
Album cover artwork by Ron Liberti
Video written and directed by Iam Williams
Animation and editing by lincktendo


Keep up with Rob Munk
Website | Bandcamp | TikTok  | Instagram | Twitter | YouTube | Apple Music | Spotify| Press contact

Keep up with Magic Door Label
Facebook | Twitter | Instagram | Soundcloud | YouTube | Press contact

Keep up with Shameless Promotion PR
Website | Facebook | Twitter | Soundcloud | Instagram | LinkedIn | Email

A CLOUD OF RAVENS brooding 'Parable' video previews 'Lost Hymns' LP (out April 28).

“Their sound, though inspired by bands of their youth, is not rooted stubbornly in the past - their music feels of this time, with their messages transversing the cosmos” ~ Post-Punk.com

"Sonic luxuriance... racing at full velocity with tight-fisted riffs, cutting exactitude and danceability... a healthy reminder of the original and timeless allure of the post-punk sound and scene" ~ The Spill Magazine

“A Cloud of Ravens impress not only for the dark poetry, which forms and develops in the band’s lyrics and expands in their alluring titles, but the duo also rivet through their gritty and immediate sonic scheme, which feels pitch dark and hard as nails”Destroy // Exist

"A perfect blend of an homage to the past and the modern construction of the future. A heroic journey through a desolate land" ~ Sounds and Shadows

“They play cold wave, they play post-punk, they are Gothic and they set to music some of the most striking lyrics you can find” ~ White Light // White Heat

NYC-based postpunk duo A Cloud of Ravens has released 'Parable',  the final taster of their much anticipated 'Lost Hymns' LP with a new video that is as foreboding as the lyrics. Recorded from spring to autumn 2021 and mastered by ACTORS' Jason Corbett at his Jacknife Sound studio, this collection of 11 tracks will be released via Nexilis Records / Schubert Music Europe on April 28.

'Parable' is a foreboding tale that comes following 'Requiem For The Sun', which casts a hopeful eye towards the light in a rich frenetic jaunt through the multiple facets of darkness we are all so eager to leave. Earlier, the duo previewed 'Nature of Artifice' and 'The Blackest Mantra'.

Formed in 2018 by Matthew McIntosh (guitar and vocals) and Beth Narducci (bass guitar), the Brooklyn-based duo emerged on the burgeoning dark music scene with a series of self-released offerings that garnered attention that led to their 2021 album 'Another Kind of Midnight', a mournful yet triumphant collection exploring the heart of a world amidst a devastating pandemic and torn by moral tribalism.

"In some ways, 'Parable' channels Einstein’s definition of insanity, which is doing the same thing over and over and expecting a different result," says Matthew McIntosh.

"Though dense in metaphor, 'Parable' is asking - how dire do things need to get in this world for us to realize, as a society and culturally, that maybe something needs to shift as far as how we honor each other, the futility of war, and how we treat the environment? We’ve got one planet, and we’re on it together whether we like it or not. Doesn’t the path of least resistance ultimately make the most sense?"

Effectively merging classic and contemporary post-punk and darkwave sensibilities, their somewhat poetic use of prose and metaphor expressed the trials and joys of the world in which we now find ourselves. A Cloud of Ravens' subsequent remix-based EP featured contributions by legendary producer John Fryer and such prominent artists as Clan of Xymox, ACTORS, Chris Vrenna and Ritual Howls.

Growing up in a family of avid music lovers and her mother being a professional opera single, McIntosh arrived at this genre of music after ample explorations in the punk, death rock and hardcore scenes, finally forging the duo's trademark sound with Narducci, whose background is more connected with alternative rock and industrial music, as well as professionally supporting fellow musicians in the A&R field.

'Parable' is out now, available across digital outlets, including Apple Music, Spotify, Amazon and Bandcamp. In support of the 'Lost Hymns' album, A Cloud of Ravens will launch a European tour with Then Comes Silence in April-May, followed by North American dates with Clan of Xymox and Curse Mackey in May-June.

CREDITS
Lyrics and music by Matthew McIntosh
Matthew McIntosh - guitar, vocals, synths, drum programming
Beth Narducci - bass guitar
Recorded by Matthew McIntosh
Produced and mixed by Matthew McIntosh and Beth Narducci
Mastered by Jason Corbett at Jacknife Sound

TOUR DATES 
Apr 15  Baltimore, MD – The Crown (for Dark Spring Baltimore)
Apr 22  Stockholm, Sweden – Klubb DÖD *
Apr 29  Madrid, Spain – DarkMad *
Apr 30  Madrid, Spain – DarkMad *
May 05  Hannover, Germany – Subkultur *
May 06  Liège, Belgium – Le Garage Creative Music *
May 07  Liège, Belgium – Le Garage Creative Music *
May 09  Hamburg, Germany – Headcrash *
May 10  Hamburg, Germany – Bastard Club *
May 11  Berlin, Germany – Wild at Heart *
May 12  Antwerpen, Belgium – Fetish Café *
May 13  Köln, Germany – Artheater *
May 31  San Antonio, TX – Paper Tiger **
June 01  Houston, TX – Numbers Night Club **
June 02  Austin, TX – Elysium Austin **
June 03  Dallas, TX – Granada Theater **
June 05  Albuquerque, NM – Launchpad **
June 06  Denver, CO – Oriental Theater **
June 07  Salt Lake City, UT – Metro Music Hall **
June 09  Seattle, WA – El Corazon **
June 10  Vancouver, BC – Rickshaw Theatre **
June 11  Portland, OR – Star Theater **
June 13  San Francisco, CA – August Hall **
June 14  Costa Mesa, CA – The Wayfarer **
June 15  San Diego, CA – Brick By Brick **
June 16  Los Angeles, CA – Regent Theater DTLA **
July 21  Meschede, Germany - Live Am See *
* tour dates with Then Comes Silence
** tour dates with Clan of Xymox & Curse Mackey



Keep up with A Cloud of Ravens
Facebook | Bandcamp | Instagram | Twitter | YouTube | Apple Music | Spotify | Amazon | SongKick | Press contact

Keep up with Shameless Promotion PR
Website | Facebook | Twitter | Soundcloud | Instagram | LinkedIn | Email

CLOAK Premieres Crushing New Single, "Seven Thunders"

Blackened heavy metal masters CLOAK are now unveiling the crushing new single, "Seven Thunders," which is taken from their upcoming third full-length, 'Black Flame Eternal!' The song can be found along with a lyric video, which was created by CLOAK frontman Scott Taysom.

Cloak comments:
"The Lord thundered from Heaven; the voice of the Most High resounded amid the hail and burning coals.”

"A song based more in religious mythology and tradition, 'Seven Thunders' is a tale of the end times."


CLOAK is following up 2019's 'The Burning Dawn,' which was named one of the Best Albums of the year by Metal Insider (#6), A&P Reacts (#8), Treble Zine (#11), and others.

'Black Flame Eternal' is due on May 26, 2023 and can be pre-saved across all streaming services HERE and pre-ordered HERE.

CLOAK will be performing a hometown album release performance, which will take place place at The Earl in Atlanta, GA on June 10!

Prior to that, the band will be performing at the Carolina Chainsaw Massacre Fest II in Greensboro, NC on May 6 followed by an appearance at the inaugural Hell in the Harbor festival, which takes place the weekend of the album's release in Baltimore, MD. All dates and tickets can be found below!

CLOAK Live U.S. Dates:
05/06: Greensboro, NC @ Carolina Chainsaw Massacre Fest II [TICKETS]
05/27-28: Baltimore, MD @ Hell in the Harbor Fest [TICKETS]
06/10: Atlanta, GA @ The Earl [TICKETS] **HOMETOWN SHOW**

“The individual has always had to struggle to keep from being overwhelmed by the tribe. If you try it, you will be lonely often, and sometimes frightened. But no price is too high to pay for the privilege of owning yourself.” - Rudyard Kipling

In an era that is designed to beat down and weaken the individual, Black Flame Eternal is an album that represents strength, empowerment, and total opposition. With mounting pressure to engage in modern societal tribalism, Cloak invokes a spiritual rebellion that exists beyond good and evil with album number three. 

“All of our albums are created with a spiritual focus, dealing with how we see life, death, and everything in between. I think the earlier records dealt more with the mysteries that surrounded delving deeper into the world of dark spirituality, whereas the new material has taken what we’ve learned and used it to move forward with force,” says Cloak frontman Scott Taysom of the record’s underlying philosophy. “Black Flame Eternal is a statement of spiritual empowerment in every sense. For the first time we want people to grasp on to this sentiment, instead of keeping it completely personal within our world of Cloak. The themes and the sheer power can be felt much more within the songs that this album contains."

“Our goal is complete spiritual liberation, which is where true power and freedom exists,” he adds. “We’ve reached a point in history where people are forced to pick a side or to join a team, so to speak. Cloak stands in complete opposition to this. We aim to be a giant middle finger in the face of the empty modern world.”

While Cloak might rage against societal conventions, the Atlanta quartet embraces the rebellious and time-tested traditions of heavy metal. Whether it be the conjuring the chaotic spirit of Swedish black metal purveyors Watain and Dissection, summoning the deep, dark and sensual groove of Danzig, or evoking the raw speed and raucous energy of Motörhead, the influence of metal’s founding fathers is deep within Cloak’s DNA. Cloak’s charm, however, does not merely lie within its romanticism of the past, but rather is the way each of these genres has shaped Cloak’s own personal identity. And with Black Flame Eternal, the record sees Cloak continue to strengthen its own unique established sound.

Cloak recognizes the importance of a band’s third record, with Taysom explaining, “These influences will always be important to us, as they are some of the best and most important bands of our time. On the other hand, what is so special about getting to the third record of our career is that inspiration starts to move inwards. We had enough experience and material at this point to really know what we do best and how we can utilize these skills in the best way possible. If you look at some of the most iconic bands, their third albums were massive steps towards greatness. So to us, we feel our third record will be a very important one in our time as a band.”

The Atlantan’s evolution is evident in the fury displayed on Black Flame Eternal,which flawlessly compliments the grandiose melodic atmosphere. “This was a conscious effort. Early on before the album even started, I knew it was going to be a much more aggressive and powerful album. I wanted to take a step away from certain sounds and add a bit of brutality back in. The overall vibe matches who we are much more, so it was only fitting to move towards this sound. It almost feels like we are going back to our roots as people in certain ways,” explains Taysom.

Black Flame Eternal follows up sophomore effort The Burning Dawn, which was released in November 2019, with hell unleashing its fury on the globe just a few short months later. As plans to tour the new album around the world came to a screeching halt, the band did not stagger or falter, and instead used this gift of time to write. When reflecting upon the lost years and its impact, Taysom seemingly embraces the situation with little regrets, “Considering Cloak is a sacred space for us, these exterior things did not have as much of an impact as one might think. But it was impossible to ignore some of what was going on throughout these tumultuous years. It’s bound to affect people’s personal lives and the way the mind works during these interesting times. One thing that it did greatly affect was the fact that we could not promote The Burning Dawn properly after the one U.S. tour we did with 1349. We feel this hurt the record, but there was nothing we could do. We were one of the earliest out of the gate after venues started to open back up, and we’ve been continuing to tour in promotion of that album all the way up until now.”

Cloak utilized every minute of this time to focus on fully realizing its vision for Black Flame Eternal. “The initial stage of the writing process started in January of 2020, and lasted all the way until May 2021. It was the longest spanning album process for us so far, with many long days, nights, and weeks trying to piece the songs together the best we could.” While the record did not come together swiftly or easily, the care and attention put into its creation is evident in its powerful composition.

Making up for lost time, these road warriors have already embarked on several high profile North American tours since the autumn of 2021, commanding audiences in every major city with their chaos magick. Each performance merges the spirit of black metal with the backbone of rock ‘n’ roll as the band consistently delivers a blistering set from start to finish. Taysom describes Cloak’s live approach as “a mixture of ethereal atmosphere and total abrasive chaos. The mixture of these two opposing energies is where Cloak lies; the meeting of high and low. To us, this is where the most interesting moments happen, both emotionally and physically.”

With no borders or boundaries, Cloak is ready to embark on this new chapter as the leader of its own pack. The band bows to no one, forging its own path as one of the governing metal forces of this decade as ‘Black Flame Eternal’ promises to scorch the earth and leave its hallowed mark.

Lineup:
Scott Taysom - vocals/guitar
Max Brigham – guitar
Billy C. Robinson – bass
Sean Bruneau - drums

Links:
http://www.facebook.com/cloakofficial
https://www.instagram.com/cloak_atlanta/
https://cloakatlanta.bandcamp.com/

Recording Studio: The Green House 

Mixing: Cameron Webb

Mastering: Audiosiege

Cover Art: Jordan Barlow

Pre-save: https://orcd.co/cloakbfe

Pre-order (Worldwide): https://cloakatlanta.bandcamp.com/
Pre-order (U.S.): https://shopusa.season-of-mist.com/band/cloak

To Kill Achilles Share "Rats" Video

TO KILL ACHILLES SHARE VIDEO FOR NEW SINGLE "RATS" 

Alternative rock band To Kill Achilles have shared the video for the new single "Rats," out now via Arising Empire.

Watch the video below. Stream the track here.
 
"Rats" is an antithesis of previous material, and for far too long, the band told the story of mental degradation without hope. Becoming completely drained repeating the same lines of how it hurts to be here, this new material deals with courage, control, acceptance, and ultimately the end goal that anyone in this circumstance seeks — the other side. This is the journey of getting better, taking control of your life, and the experiences around you.

The band previously released Something To Remember Me By back in 2020. Listen here

To Kill Achilles have extensively toured across the UK, the majority of Europe and Russia with bands such as We Came As Romans, Counterparts, While She SLeeps, I Killed The Prom Queen, Betraying The Martyrs, and many more.

TO KILL ACHILLES ARE:
Tindal — Vocals
Larry — Guitar
Tippett — Bass
Baz — Drums

Singer/Songwriter Julia Poorman Releases New Single "Upsteam" to all major platforms!

Singer/songwriter Julia Poorman released her latest single "Upsteam" to all major platforms. The single was co-written and produced by Julia Poormanand Danny Roselle at Lakehouse Recording Studio in Asbury Park, NJ and Rosedome Studio in Summit, NJ.

"Upstream is all about carving your own path in a world that begs you to conform. It highlights the magic we each possess as unique and powerful human beings that know how to speak our truths no matter the consequences,"says Julia.

Writing songs has always been second nature to Julia. As a young girl living in New York's Finger Lakes Region, her little poems could be found stuffed in her night stand expectantly waiting for melodies to bring them to life. As soon as she'd pick up the paper, the music would come flowing out and a song would be born.

Throughout her youth, music served as a reliable and cathartic outlet for Julia. To her, it's an entire dimension filled with comradery, boundless expression, and healing.

As a young adult, Julia took a brief step back from her musical endeavors to help build a business and life with her fiance. Navigating the world as an entrepreneur brought many rewarding opportunities for growth and unforgettable experiences, but she was left feeling a void in her creative nature.

In 2021, Julia unexpectedly lost her father. One of the last text messages he sent her was a photo of him listening to her original self-titled EP from 2012. She knew she needed to get back to her roots to begin to heal. Music became a necessary therapy again, and the melodies and lyrics just didn't stop.

Julia now feels the importance of creating music that puts people in their own flow state, a vibrational catalyst for self-exploration and healing. Her passion reclaimed, she feels as though this is just the beginning.

Julia released her single "Already Got It" in 2022.

WATCH Julia Poorman - Already Got It - Official Video:

https://youtu.be/GLUL76fSOEs

Lead & Backing Vocals- Julia Poorman
Guitars, Bass, Piano- Danny Roselle
Drums- Chris O'Hara

SHOWS:

3/24 @ Mood Gallery in Neptune City, NJ

5/18 @ The Asbury Hotel Sound Booth in Asbury Park, NJ

For More Information Please Visit:

Official Website

Instagram

Spotify

TikTok

Prog Rock Trio BLACK ORCHID EMPIRE Shares Video for New Song, "The Raven"

Progressive rock trio BLACK ORCHID EMPIRE is now sharing a brand new single, "The Raven," along with a music video! The song is taken from the band's forthcoming full-length, 'Tempus Veritas,' due on April 14, 2023! The video was created by Alina Gordienco and can be seen below.

Speaking about the single, vocalist/guitarist Paul Visser says: "'The Raven' is a song inspired by our love of Viking folklore and mythology.  After the Danish Vikings began raiding England in the 9th century, many sought long-term settlement - they were farmers who saw an abundance of rich, fertile land in the hands of the Saxons. 'The Raven' is written from the point of view of such a settler who, after many years in a foreign land, is struggling with the feeling of losing touch with the old gods of his former home.  The insane video created by our friend and visual collaborator Alina Gordienco is a brilliant modern-day take on the idea of losing your identity and fighting your inner demons."

Pre-orders are now available HERE. The album can be pre-saved on various digital platforms HERE.

BLACK ORCHID EMPIRE create huge, memorable rock music that combines heavy-hitting savagery with intense melodic beauty. Their technical, fearlessly complex grooves and gigantic sing-along choruses have already earned them a widespread fanbase.
 
A ferociously tight live band, BLACK ORCHID EMPIRE have toured Europe and the UK extensively, supporting Skunk Anansie, HED p.e, INME and Black Map as well as festival slots at Download, Standon Calling and Planet Rockstock. Black Orchid Empire have sealed the bands reputation as a force to be reckoned with.
 
Having released their debut album ‘Archetype’ (2016) to universal acclaim, BLACK ORCHID EMPIRE signed with German label Long Branch Records to release the follow up albums ‘Yugen’ (2018) and ‘Semaphore’ (2020). Both albums received stellar reviews and over 3,000,000+ combined streams.
 
“Tempus Veritas” is a collection of stories that seeks to find compelling imaginary narratives hidden away in what we all think of as history.  Behind every milestone or major event in humanity’s long, complex past lies a treasure trove of possibilities for invention - how did Pope Urban VIII feel when confronted by his friend Galileo about the true nature of the sun?  What really happened during an almost triumphant but ultimately doomed Everest attempt? What was it like to be a Norse settler amongst the Saxons; did the omens of the ancient gods begin to disappear?
 
In approaching “Tempus Veritas”, BLACK ORCHID EMPIRE sought collectively to push themselves both musically and thematically. Their pursuit of heaviness, melody, emotional power and rhythmic complexity has pushed them to create something they‘re immensely proud of. “Semaphore” was an album of Sci-Fi, this is an album of Hi-Fi. Tempus Veritas.                 

 

Recording studio:
The Recording Studio London
 
Producer / sound engineer:
Produced by Black Orchid Empire
Paul Visser (engineer)
Dobromir Vasilev (assistant engineer)
 
Mixing studio and engineer:
The Recording Studio London
Paul Visser (mix engineer)
 
Mastering studio and engineer:
Systematic Productions
Ermin Hamidovic (mastering engineer)
 
Line-up:
Paul Visser: Vocals | Guitar
Dave Ferguson: Bass | Vocals
Billy Freedom: Drums

Cover artwork: Black Orchid Empire & Ines Hernandez
 

Links:
www.blackorchidempire.com
www.fb.com/blackorchidempire
www.instagram.com/blackorchidempire
www.tiktok.com/@blackorchidempire
www.youtube.com/blackorchidempire
https://spoti.fi/3HqEfEh
https://blackorchidempiresom.bandcamp.com

Pre-sales: https://redirect.season-of-mist.com/BOETV

Formats:
Digital
Digipak
Vinyl in various colours

Of Virtue Share "Cannibals" Video — WATCH

Michigan metalcore band Of Virtue serve their new single "Cannibals" via Arising Empire.

Watch the video below.

Produced by Carson Slovak and Grant McFarland (August Burns Red, Polaris, Hollow Front), with additional production by Chris Shifflett, mixed and mastered by Dan Braunstein (known for his work for Spiritbox, Dayseeker, and Volumes), this new material hits the listener straight in the face.

"'Cannibals' is set during one of the most dangerous of my road to recovery from alcohol because I was finally taking accountability," says vocalist Tyler Ennis. "Before then, I had never noticed how much my choices affected the people around me. Upon reflection, I hated myself for what I had done to them. I was lying, stealing. I was erratic and unpredictable. Overall, I felt that I deserved every bad thing that happened to me. The hardest part was that I felt more worthless in my sober state than while intoxicated and it got to the point where I believed my actions were beyond forgiveness. Because of that dark time in my life, 'Cannibals' serves to remind myself that we cannot change the past but only learn from our mistakes and that we shouldn't let them shape my our of the world in a self-loathing state."

OF VIRTUE LIVE:
7/15 — Grand Rapids, MI — UpHeaval Fest

Of Virtue were formed in 2008 and catapulted onto the Michigan metalcore scene in 2009 with their debut EP To Breathe Again. Combining elements of melodic hardcore and metalcore into a mosh-friendly and energetic amalgam, the band became a staple within its local scene. Of Virtue issued their debut full-length Heartsounds in 2011, followed by an extensive regional touring cycle. The album found the band expanding on the sound that defined its earlier effort, with lyrics speaking of positivity and determination. It was sonically vicious, yet passionate and inspiring. In 2015, the band dropped Salvation, a sprawling and ambitious example of meticulous and melodic metalcore. Third full-length What Defines You arrived in 2019. That album marked incorporation of alternative styles into a backbone of bold, robust metalcore. Even in the setting of a global pandemic, Of Virtue continued to blossom worldwide, accruing new listeners and fans, effectively expanding their reach even in a time where live performances were all but impossible.
      
   OF VIRTUE ARE:     
Tyler Ennis | Vocals
Damon Tate | Guitar + Vocals
Michael Valadez | Guitar
Ryan Trinh | Drums

Gozu Announce New Album "Remedy" + Share "Tom Cruise Control" Video — WATCH

Boston's GOZU — Marc Gaffney (vocals and guitar); Joseph Grotto(bass); Doug Sherman (lead guitar); and Seth Botos (drums) — return riffing and screaming with their fifth full-length Remedy.

It arrives via Black Light Media/Metal Blade on May 19. Pre-order it here.

Today, the band has shared the video for "Tom Cruise Control." Watch it below.
 
"'Tom Cruise Control' will take you riding into the danger zone," the band shares. "It will take you right into the danger zone! Turn 'n Burn."

The record was engineered, mixed, and mastered by Dean Baltulonis (Death Ray Vision, The Hope Conspiracy) at Wild Arctic studios in Portsmouth, New Hampshire. The album will be available via Digital/Streaming, CD, and vinyl. The U.S. vinyl variant will be Blue/White Melt, while the European vinyl variant will be Red/Black Melt. 

About the album Gozu says, "A wise man said, 'To rock is human, to roll is divine. Gozu's Remedy should be cranked at full volume, all the time,"

Gozu will also hit the road this May. 

 "On May 19, Gozu hit the road with some serious BGVs. Get ready to stop, drop, and open up shop! See you all at a club near you. Woooo."

All dates are below.
GOZU ON TOUR:
5/19 — Brooklyn, NY — Saint Vitus
5/20 — Philadelphia, PA — Kung Fu Necktie
5/21 —  Pittsburgh, PA — Green Beacon Gallery
5/23 — Indianapolis, IN — Black Circle *
5/24 — Columbus, OH — Ace of Cups *
5/25 — Newport, KY — Southgate House/Revival Room *
5/26 — Chicago, IL — Reggies / Music Joint *
5/27 — Lincoln, NE — Cosmic Eye Brewery
5/28 — Denver, CO —The Crypt
5/30 — Houston, TX — Black Magic Social Club
5/31 — Austin, TX — The Lost Well
6/1 — Arlington, TX — Division
6/2 — New Orleans, LA — Gasa Gasa
6/3 — Nashville, TN — Springwater *
6/4 — Atlanta, GA — Boggs Social & Supply *
6/5 — West Columbia, SC — New Brookland Tavern *
6/7 — Raleigh, NC — The Pour House *
*With Ancient Days

ABOUT GOZU:
This is Gozu's world, we're just living in it. Given that it has been five years since the Boston quartet dropped the monstrous Equilibrium, returning with Remedy is one hell of a way to make sure that everyone — whether previously familiar with them or otherwise — realizes that they are perhaps the most badass of American rock bands, for they have taken everything to the next level.

"There is a certain maturity mixed with a childlike enthusiasm to play music, and we all are better players now than on Equilibrium," says vocalist/guitarist Marc Gaffney. "We have all really tried to look at what we enjoy but more what we do not enjoy. Playing music is a gift and when it becomes A Nightmare on Elm St Part 37.3, you are done." The result is nine tracks of their signature combination of fuzzy, '70s-inspired riffs, rich, catchy, grunge-esque vocal melodies and a touch of old school trippy psychedelia written and played with the utmost passion and enthusiasm, eclipsing everything else in their catalogue. "The band wanted a very heavy groove-oriented album with singalong choruses. We also wanted sonically to hit you in the chest, like a three-combination, left-right-left, like Micky Ward. Harmonies and melodies were something we really looked at and wanted to shine, and thick guitar tones, driving bass and drums were under the microscope."

One element that gave the band a kick in the pants going into Remedy was drummer Seth Botos joining Gaffney, guitarist Doug Sherman and bassist Joe Grotto. "Seth brings such an impeccable work ethic and freshness to the band that it was infectious. He is the breath of delicious fresh air the three old men needed. He reminds us of a young Kevin Bacon/Wayne Rooney." Auditioning drummers ate up some of the time elapsed between records but like for so many bands the biggest obstacle was COVID, which slowed down the whole process.

Recording with honorary fifth member of Gozu, producer/engineer Dean Baltulonis (Death Ray Vision, The Hope Conspiracy) at Wild Arctic studios in Portsmouth, New Hampshire, sessions were unlike any that the band had previously experienced. Botos laid his drums down in just a day-and-a-half, taking all suggestions his bandmates had and putting his signature spin on them, echoing the fact that they were all invested in the process more than ever before. 

The band obviously hopes to tour the record after so long off the road, and they would love the opportunity to share the stage with bands they admire. When asked what other unfulfilled goals they have at this juncture, Gaffney answers without hesitation: "To always improve, write better, play better, enjoy everything that we are offered and take advantage of it. I feel we are always setting goals for ourselves so we are not stagnant or believe we can’t do more. The goal should always be to have fun, kill it and let the music set people free. The minute we stop setting goals and challenges for ourselves is the minute we have failed."

Dark Progressive Metal Outfit, VULTURE INDUSTRIES, Release New Single, "New Lords of Light”, + Music Video!

Norway’s VULTURE INDUSTRIES have unveiled the first offering from the band’s upcoming new album! The dark progressive metal quintet is proud to announce that their new LP, ‘Ghosts from the past’, will see a June 16th release, and the first single, “New Lords of Light”, is out today!

The new record, which will be released on Dark Essence and distributed via RedEye, is the band’s first full-length release since 2017’s Stranger Times’.

Speaking about the record’s first single, the band shares:

“Starting life with the working title ‘For Roky’, I felt this one had a haunting feel, reminiscent of Roky Erickson. This was back during the pandemic summer of 2021, and I remember listening to early versions of the track in my car, driving up and down the west coast with my kids in the back. Processing the song in this way probably had a defining influence on the final product, so in the end it turned out upbeat and energetic, yet bound in somber atmosphere that harkens back to the 80s.”



Watch the Music Video for “New Lords of Light”

Stream "New Lords of Light" HERE

Bergen, Norway’s VULTURE INDUSTRIES are back with their fifth studio full-length.

Commenting on the themes and external influences that inspired the creative process for ‘Ghosts from the past’, the band states:

(this album) was written and recorded in a period of big changes, both in our personal lives and in the world around us, this album is somehow a mirror of this. It reflects fear of a world spinning out of control, and sense of powerlessness in the face of world order falling apart. Crumbling only to be replaced by old ideas fronted by autocratic warlords with no sight in mind but their own power and legacy.”

Detailing the journey of recording the LP, the group adds, “With a writing and production period that started in 2018 and ended last year, the process was our longest haul to date, and for a long time we felt lost and struggling to find a sense of direction. Now, having finished the mix and mastering some months ago, it is a great relief to have some distance from the process and I would say ('Ghosts from the past') is our strongest album to date. We hope you enjoy what is essentially a piece of our soul.”

‘Ghosts from the past’ draws a line from childhood spells of dark mystery and a sympathy for the outcast, to a present where monsters hide under your bed. Waiting, not to prey upon the sleeper, but to hide from the monstrosity of the day. Pulling on a wide range of influences; from dust-riddled Spaghetti Westerns accompanied by Ennio Morricone, past the monochrome melancholia of apocalyptic post-punk, through deep valleys and steep hills shrouded in progressive darkness and a Nordic noir looking to solve the murder of the truth.

Landing on something once described by a fan as “this is how Nick Cave would sound if he made metal,” VULTURE INDUSTRIES has long since established itself as something singular, yet, once familiar, strangely recognizable.

Pre-Order 'Ghosts from the past' HERE

VULTURE INDUSTRIES are:

Bjørnar Nilsen – Vocals, Keys

Øyvind Madsen – Guitar

Eivind Huse – Guitar, Vocals

Kyrre Teigen – Bass, Vocals

Tor Helge Gjengedal – Drums

Symphonic Metal Icons SIRENIA to Release New Album, '1977', on May 26, 2023

Pre-Order Starts NOW!

 

Performance Video for

"Twist in my Sobriety" (Tanita Tikaram Cover)



The symphonic metal icons effortlessly merge 80s rock and synthwave elements on their immense 11th studio album!

 

Exploring a new style like never before – symphonic metal icons SIRENIA revolutionize their melodic darkness on the brand new studio album, '1977', set to be released on May 26, 2023 via Napalm Records. Transporting the listener to a retro auditory arcade harking back to when groovy synthwave melodies dominated the world of music, the international band merges late 70’s and 80’s pop rock stylings with synthwave elements and their remarkable, hard-hitting symphonic melodies - shaking the listener to the core.

Showing off their multifaceted nature at its best, the first single cut from '1977' comes as an absolute time machine in form of the record's bonus track, “Twist in my Sobriety”.The cover of the million-times-over streamed track by German born British singer Tanita Tikaram matches the surprisingly deep voice that presents vocalist Emmanuelle Zoldanin a very new range, while the eerie mid-tempo appears in a brand new light of modern synth beats and characteristic synth-oboe. Transporting their fans right into smokey, neon lit nightclubs, the eclectic mix of '1977' opens up exciting new facets of symphonic, electronic and groove elements in SIRENIA’s music.

Bandleader, multi-instrumentalist, composer and songwriter Morten Veland states:

“'Twist in my Sobriety' is the first single from our upcoming album entitled '1977'. This is the bonus track of our 11th album, and it is a cover version of Tanita Tikaram's original from 1988. I have loved this song since it was released, and it has a very melancholic vibe to it, so it felt like an interesting project to make a SIRENIA version of it. I hope that you will enjoy it while we wait for the upcoming album release”

Join SIRENIA & watch the performance video for “Twist in my Sobriety"

Captured within the magic of 80’s sonics, the four-piece opens up their enchanting new offering with the mesmerizing opener “Deadlight”. The world of soulful violin and fragile piano lines builds up an energetic atmosphere, underlined by the wistful tunes of the multi-talented mezzo soprano voice of French singer Emmanuelle Zoldan. The track is followed by the fast-paced “Wintry Heart”, which gives a bittersweet taste of early 90’s vibes and roaring guitars, while “Nomadic” represents SIRENIA’s characteristic dark and heavy side as shredding guitar riffs alternate with playful interludes while relentless drums and symphonic electronic elements go hand in hand with one another.

“A Thousand Scars” marks a totally new fusion for SIRENIA, as heavy symphonic tunes dressed as remarkable rock riffs and poppy rhythms dance together with the feathery light vocals of Emmanuelle. With the eerie and epic tunes of “Fading to the Deepest Black”, the song is reminiscent of their last album, 'Riddles, Ruins & Revelations' (2021). Kicking off with vertiginous blast beats and a mesmerizing performance by Emmanuelle Zoldan, a warm vocal interlude by Morten Veland supports the song's stunning atmosphere before it leads into an impressive guitar solo. Following their operatic symphonic highs, the heavy side of SIRENIA is not forgotten and appears especially towards the end of their 11th record.

Pre-Order '1977' HERE!

Once again, Norwegian mastermind, bandleader, multi-instrumentalist, composer and songwriter Morten Veland produced the 11th record, while HK at Vamacara Studio, France, took care of the mixing. It’s proof that, after more than twenty years of existence, SIRENIA still ranks at the very top of the genre.

SIRENIA are:

Morten Veland – Vocals, guitars, bass, synth, programming

Nils Courbaron – Solo Guitar

Emmanuelle Zoldan – Vocals

Michael Brush – Drums

"Immediate contender for "the best album you will hear this year""

-Outburn Magazine | 10/10

"The bar has now been set for genre-hopping punk rock introspection"

-Punktastic

"If they are this good on their first album just how far can they go? Who knows but it’s going to be a wild ride!"

-3 Songs & Out | 5/5

CODEFENDANTS

Debut Album

THIS IS CRIME WAVE

Out Now Via Fat Wreck Imprint Bottles To The Ground

Listen HERE

Music Video Pentalogy Available To Watch As Full Short Film For The First Time

The wait is over as Codefendants (Sam King, Ceschi Ramos and Fat Mike) emancipate their debut album 'This Is Crime Wave' today. The highly anticipated album is released via Fat Wreck Chords imprint, Bottles To The Ground and is available to listen to on streaming platforms HERE with physical copies being available to purchase HERE.

Speaking on the album's release, Ceschi Ramos shares

“ ‘This Is Crime Wave’ has a nostalgia about it that feels familiar to people our age but, in actuality, there is nothing quite like it.

It’s the album I needed at 16 that nobody ever created for me. We’ve made a record that feels classic & important for the times but could have been felt 20 years ago and will continue to be relevant 20 years from now. 

It’s exciting to finally share this with the public & hope people feel the amount of experiences, friendship & caring that went into its creation.”

With producer, accomplice and label boss, Fat Mike emphatically stating

“In forty years this is the most excited I’ve ever been about an album.” 

Codefendants released five singles prior to today's release - "Suicide By Pigs", "Abscessed" feat. Get Dead & Onry, "Bad Business" feat. N8NOFACE, "Def Cons" and "Fast Ones" featuring the first new verse from legendary rapper, The DOC in 19 years.

These tracks were each accompanied by a music video that when played in order, combine to create a short film written by Fat Mike that lays bare the hard hitting realities of police corruption and brutality in the USA today. The This Is Crime Wave Series features cameo appearances from Rick Thorne (Professional BMX Biker), Stacey Dee of Bad Cop Bad Cop, Jen Razavi of The Bombpops, Bettie Bondage (Pro Dominatrix), Zeta (also the backing band for Codefendants on their North American tour), 2MEX, MYKA9 and Awol One.

Codefendants will hit the road for their first ever US headline tour in April. The 'This Is Crime Wave Tour' will kick-off in San Francisco on April 14th and hit 10 further cities before culminating in Atlanta, GA on April 27th and will feature special guests, Zeta as support. Codefendants will also play several shows with NOFX on their Final Tour and will appear at Lost Festival in St Petersburg, FL on April 29th. The band also announced a handful of shows in the UK today. Tickets are on sale now from codefendantslegalfund.com Full routing below.

CODEFENDANTS

LIVE DATES 2023

March 25 - Las Vegas, NV - The Dive Bar (Stripped-Back Set)

April 14 - San Francisco, CA - Bottom Of The Hill

April 16 - Los Angeles, CA - Knitting Factory

April 17 - Anaheim, CA - Chain Reaction

April 18 - Mesa, AZ - The Underground

April 19 - Flagstaff, AZ -Yucca North

April 20 - El Paso, TX - Rockhouse Bar & Grill

April 22 - Austin, TX - Carson Creek Ranch (NOFX Final Tour)

April 23 - Houston, TX - The Secret Group

April 24 - Dallas, TX - Sundown at Granada

April 25 - Baton Rouge, LA - Chelsea's Live

April 26 - Murfreesboro, TN - Hop Springs

April 27 - Atlanta, GA - The Masquerade

April 29 - St. Petersburg, FL - Lost In St Pete Festival

May 13 - San Diego, CA - Waterfront Park (NOFX Final Tour)

May 19 - Barcelona, ES - Poble Espanyol (NOFX Final Tour)

May 23 - London, UK - Old Blue Last

May 24 - Southampton, UK - Joiners

May 25 - Bristol, UK - Exchange

May 26 - Leeds, UK Temple Newsman (NOFX Final Tour)

May 31 - Eindhoven, NL - Dynamo

June 1 - Köln, DE - Luxor

June 3 - Rimini, Italy - Bay Arena - (Slam Dunk Festival Italy)

June 24 - Columbus, OH - Legend Valley (NOFX Final Tour)

July 23 - Tacoma, WA - LeMay - America's Car Museum (NOFX Final Tour)

September 16 - San Francisco, CA - Cow Palace (NOFX Final Tour)

September 30 - St. Petersburg, FL - Vinoy Park (NOFX Final Tour)

On the subject of the US tour dates, Sam King adds

"With everything going on in the world right now, I just hope we don’t go to jail"

ABOUT CODEFENDANTS

Sam King from Get Dead’s graffiti crew were giving tattoos and making flash art to raise money to help rapper Ceschi Ramos when he was incarcerated. Months later, they met at the Gilman Street Project in Berkeley, California. They bonded, talking about their love of hip-hop and punk rock over a bottle of Jameson. They didn’t know it yet, but they had just started Codefendants.

They began recording songs two years later in Los Angeles with Fat Mike from NOFX as producer. Soon after Fatty joined the band, they decided to make an album that sounded like nothing else - a completely genre-fluid album - a cross between hip hop, new-wave, flamenco, and the Beatles. And thus a whole new genre - Crime Wave - was born. That album entitled This Is Crime Wave will be released via Fat Wreck imprint, Bottles To The Ground.

Follow Codefendants Online 

codefendantslegalfund.com

AFTERMATH Releases New Full Length Album 'No Time To Waste' + Official Music Video for Single "We Can Do This Together"

Stream/Purchase No Time To Waste

https://ffm.to/aftermath-nttw

AFTERMATH released their highly anticipated new album, No Time to Waste via Zoid Entertainment/TLG/INgrooves on March 17, 2023. This marks the third album in a trilogy, and is a departure from the previous dark, concept album installment in the trilogy.

"We are really proud of this album. It completes a trilogy of albums that began with our debut. Written in the darkest period in modern history, we actually wrote this one as an album of hope. We streamlined it from our previous dark concept record. The ten songs on this album are heavy and energized. It’s a metal record with a message and that message is we can do this together but we have no time to waste." - Kyriakos "Charlie" Tsiolis.

To celebrate the release of No Time To Waste, the band released the official music video for single "We Can Do This Together" from acclaimed director Alex Zarek.

WATCH the video here:

Chicago based Aftermath, fronted by Kyriakos "Charlie" Tsiolis, formed in October 1985 when Charlie and his schoolmate Steve Sacco (Guitar) got together. This early incarnation with Adam (Bass) and Ray Schmidt (Drums) released their first demo in 1986 featuring “Sentenced to Death”, “Revenge”, “Shotgun” and “The Aftermath”.

In 1987, they unleashed their second demo entitled Killing the Future featuring the tracks “When Will You Die”, “Going No Place”, “Chaos”, “Meltdown” and “War for Freedom”. The band pursued a mind-blowing speed and technical brand of thrash that soon set them apart from the pack and in the process made them a pioneering crossover thrash band.

The tracks "War for Freedom" & "When Will You Die" were both featured on the British Metal Forces magazine_compilation LP Demolition: Scream Your Brains Out in 1988. Their appearance on the Metal Forces compilation further expanded the band's international appeal.

By 1988, the band's musical direction was changing, and Adam's raw and simple bass lines would soon be replaced with complex and technical bass parts handled at first by John Lovette. Ironically, John never played bass on any Aftermath recording and was not even a bass player. He wanted to join the band so badly, however, that he came to the audition with a friend's bass he had just started to play. The speed and complex playing he displayed were like nothing the members had ever seen before on bass. He landed the gig that day. When the band decided it was time to add a second guitarist, Lovette told his bandmates of his desire to switch to guitar and for the first time he came clean he was a guitar player pretending to be a bass player all along. His bass playing was surpassed by his guitar skills and the band found its second guitar player, but unfortunately the search for a bass player was forced to resume. Luckily, the search (for the time being, anyway) ended with Danny Vega. His warm and precise playing was the perfect complement to the guitar playing of Lovette and Sacco and worked amazingly well with Schmidt's powerful drumming. With Lovette handling most of the song writing duties, Aftermath was about to make an unbelievable musical change.

By 1989, that change brought on by Lovette's writing and the band's musical tastes and stylings had slowed and matured as evidenced by the release of the underground classic demo Words That Echo Fear. Danny Vega was replaced on bass by Chris Waldron. The band went onto to become a trailblazing progressive/technical thrash band in the years that followed.

In 1990, based on the huge international success of the Words that Echo Feardemo, the metal label RoadRacer Records (a subsidiary of Roadrunner Records)approached the band for a demo deal, which resulted in a live four track demo featuring the songs “Eyes of Tomorrow”, “Afraid Of Time”, “The Act Of Unspoken Wisdom” and “Reflecting Pictures". Negotiations eventually broke down and Aftermath signed to New York's Big Chief Records. The label's collapse halfway through the recording sessions led to a long delay in finishing the record. While the band struggled to pay the studio bill, the album the band started to record in 1990 would not see the light of day for four years. The experience left the band reeling and forced them to issue the album under their own imprint with the help of their manager through Zoid Recordings in 1994. Four long years had passed since the initial recordings for the record Eyes of Tomorrow and the scene had dramatically changed.

The album was subsequently re-released on Thermometer Sound Surface / Zoidand released yet again four years (1998) later on Black Lotus Records in a re-mastered version.

Quite famously, Aftermath, in a notable court case Tsiolis v. Interscope. Records. Inc., 946 F.Supp. 1344, 1349 (N.D.III. 1996) sued high-profile millionaire rapper DR. DRE over the ownership of the Aftermath name. The Rapper tried to buy the name for $50,000, which the band rejected. The band sued him. As part of the settlement, Interscope Records signed the band. To the label's surprise, the band delivered a record under the moniker Mother God Moviestar. Its eponymous Electro-Metal debut was released in March 1998. The case has been studied in law schools around the US related to the issue of trademark dilution.

Aftermath has continued to receive critical acclaim as one of the major influences in the genre. The band was featured on pages 9 and 10 of Gary Sharpe-Young's A - Z of Thrash Metal, available on Cherry Red Books. Aftermath is also given an entire feature section in Alexandros Anesiadis’ 2019 book Crossover the Edge: Where Hardcore, Punk, and Metal Collide.

Twenty-five years after its formation, Aftermath's music made its return in 2011 with the release of the Box Set 25 YEARS OF CHAOS on Area Death Productions and the vinyl When Will You Die on F.O.A.D. The reemergence of one of the most original thrash bands ever continued in 2014 with their decision to reunite for several concerts in 2015.

Coming off their first show in 20 years at Ragnarokkr Metal Apocalypse in their hometown of Chicago, the band ripped the stage apart at Headbanger’s Open Air in Hamburg, Germany that summer. In the Fall of 2015, the reunion continued with the reissue of Eyes of Tomorrow. With an expanded booklet and remastered by Paul Logus (Pantera, Steel Panther), Shadow Kingdom Records released the band's debut along with bonus material. Following this release was the Killing the Futurereissue on Divebomb Records. Once again Paul Logus remastered the tracks from their original source and created a wall of sound in the process. Killing the Future, along with the expanded booklet and bonus tracks from the band's 1986 first demo completed the celebration of the band's 30th anniversary.

In 2017, the band started writing the material for their new album. There is Something Wrong is an 11-song opus recorded by Chuck Macak. mastered by Ted Jensen and released through Ingrooves by Zoid Entertainment and The Label Group. A concept record in the truest sense of the word, the album features a mix of old-school crossover thrash and technical/progressive metal and is a commentary on what is wrong with the world today. A calling out of the masses to wake up and know the real enemy. The music is urgent, and the lyrics challenge the listener to seek the truth. Aftermath went back to its early days and revived its crossover thrash stylings on several songs, but those are only samples of what the listeners have in store for them once they put on their headphones and listen to There is Something Wrong in its entirety.

In 2020, Aftermath released a re-imagined version of the John Lennon classic, "Give Peace a Chance". The song was remixed and remastered for the new album and included on the record because of the message.

“John Lennon’s urgent call for peace in Give Peace a Chance is more important today than ever, and our call for peace with this cover is the perfect message to follow up our previous album. We released a dark concept album with a bleak message and felt it was important to follow that up with something positive. The visuals in the video are as important as the lyrics in a way. We live in a visual world today and this video needed to get out the message of HOPE. Having a young girl be the focus of the video was our way of getting that across. Seeing only positive acts when she puts on Lennon’s famous glasses was the perfect visual metaphor. Lennon’s message is transmitted not only through his lyrics but also through the perspective created by his unique lenses” says the band.

The video was directed by critically acclaimed video director Steven Nathan in New York City.

AFTERMATH is:
Kyriakos "Charlie" Tsiolis - Vocals
Steve Sacco - Guitar
Ray Schmidt - Drums
George Lagis - Bass

For More Information Please Visit:

Official Website

Facebook

Twitter

Instagram

Spotify

None So Vile Release Debut Single "714" + Official Music Video via Daeth Records/TLG/INgrooves

Stream/Download "714"

https://ffm.to/nonesovile-714

WATCH Official Music Video for "714"

Rock band None So Vile released their debut single "714" to all major platforms via Daeth Records/TLG/INgrooves along with the official music video.

“This song is about losing a friend, finding yourself, and moving forward.," says the band.

None So Vile was founded in 2021 and consists of Alexander Sepulveda (vocals), Josh Ruiz (drums), Alex Garcia (guitar) and Rodrigo Meza (guitar). A product of both NorCal and SoCal artists, they merge sounds and styles from both places to create a unique brand of rock music. With influences ranging from Tech Death to J-Pop and a look to match, the band is all about painting its own picture with a diverse palette. Their debut single 714 and its accompanying music video release on March 17th.

For More Information Please Visit:

Instagram

Ian Munsick Shares "Little Man" from Upcoming Album "White Buffalo"

IAN MUNSICK SHARES SONG FOR HIS SON:
“LITTLE MAN” OUT NOW.

18-Song Album White Buffalo Due April 7

On his upcoming album White Buffalo, due April 7, fast-rising country artist Ian Munsick details the people and places, from the Rocky Mountains to Music City, that have influenced his story. His new track “Little Man” is an ode to his son – to the simple virtue and wholesome integrity of a child – and, ultimately, a reflection on the kind of man Munsick has grown up to be. Listen to the track, penned alongside Adam James and Ben Simonetti, below.
 
“The best songs are the ones inspired by life-changing events,” Munsick shares. “First love, true love, heartbreak, death, birth… as a songwriter, these monumental experiences continue to bring out the best music in me. Becoming a father is no exception. My life changed forever when Crawford came into this world. Suddenly, nothing was more important. Snow cones, Tonka trucks and sleepless nights began to take over my life, and I wouldn’t have it any other way. I’m a better man because of my little man.”

“Little Man” is one of 18 tracks on Munsick’s robust sophomore album White Buffalo (pre-order HERE). The forthcoming project, which comes three years after his critically acclaimed debut Coyote Cry, is an ode to his homeland and serves as a raw, untamed depiction of the American West. White Buffalo has already yielded standout duet “Long Live Cowgirls” with two-time CMA Award winner Cody Johnson. “Long Live Cowgirls” has topped SiriusXM The Highway’s Hot 30 Countdown and has accumulated upwards of 85 million global streams. Other fan-favorite pre-release tracks include “Dig” (listen HERE) and “River Run” (listen HERE).
 
After a brief vocal rest, Munsick continues to travel the nation on his headlining Long Live Cowgirls Tour. The run features Ashland Craft, with Ned LeDoux, The Munsick Boys, Ryan Charles and 49 Winchester announced as special guests on select dates. He will also hit Stagecoach Festival on April 28 before heading to Nashville, TN for his sold-out, headlining debut at the world-famous Ryman Auditorium on May 16.

Long Live Cowgirls 2023 Tour + More:
April 14 // Clive, IA // Horizon Events Center #
April 15 // Ralston, NE // Liberty First Credit Union Arena #
April 25 // Tucson, AZ // Rialto Theatre $+
April 26 // Tempe, AZ // Marquee Theatre $
April 28 // Indio, CA // Stagecoach Festival ^
May 4 // Billings, MT // First Interstate Arena at MetraPark #@
May 6 // Denver, CO // Mission Ballroom #
May 16 // Nashville, TN // Ryman Auditorium #
Aug. 13 // Atlanta, GA // Buckhead Theatre *rescheduled from March 16
 
# With Ned LeDoux
$ With Ryan Charles
@ With The Munsick Boys
+ With 49 Winchester
^ Festival date
  
About Ian Munsick:
A native son of Wyoming, Ian Munsick is painting a stampeding, spirited portrait of the American West with his sophomore album White Buffalo, due April 7. The 18-track album spans unfiltered tales of romance and ranch life, hard-working anthems with honky tonk hooks and mountain-time odes to family and forever-young fun. It builds upon the spacious, roots-pop beauty he introduced on his major label debut, Coyote Cry. Over the past three years, Munsick has accumulated nearly 400 MILLION global streams and a host of accolades. The 29-year-old has been named an “Artist to Watch” by Spotify, CMT, Fender, MusicRow and more. A seasoned entertainer, having grown up tending cattle by day and playing music in a family band each night, Munsick toured recently alongside country music superstars Morgan Wallen and Cody Johnson. Beyond his noteworthy professional accomplishments, he has also become both a husband and a father. Now the Warner Music Nashville recording artist and multi-instrumentalist is representing his home, and its special cast of people, like never before. The first release from White Buffalo, standout duet “Long Live Cowgirls” (with Cody Johnson), hit No. 1 on SiriusXM’s The Highway Hot 30 Countdown and was named one of Amazon Music’s Best Country Songs of 2022. Fans of Ian Munsick will always find an open heart, natural awe and plainspoken honesty as he rides on… bringing the West to the rest.

HEAVENS EDGE Share New Single, "What Could've Been" + Video!

Jump in your time machine, because we’re going back to the good old days, but 2023 style! The latest HEAVENS EDGE single, “What Could’ve Been”, is out today!

Taken from their upcoming album, 'Get It Right', which will be available on CD/LP/Digital on May 12th. Pre-order HERE

This will be the first official release for HEAVENS EDGE since 1998, when the demos and other rarities collection, considered the band’s second album, 'Some Other Place, Some Other Time' was put out. Original members Reggie Wu (guitars, keyboards), Mark Evans(vocals), David Rath (drums), and Steven Parry (guitars) are joined by newest member, bassist Jaron Gulino (Tantric, Mach 22), who joined the band after the tragic passing of original bassist George G.G. Guidotti.

It has been more than 20 years since their last release, so you won’t want to miss this…

Check out the Video for "What Could've Been"

Formed in Philadelphia, PA in 1987 with original band members Reggie Wu (guitars, keyboards), Mark Evans (vocals), David Rath (drums), Steven Parry (guitars) and George G.G. Guidotti (bass), Heavens Edge immediately began performing on the local club circuit and surrounding areas. Gigging at well-known venues in the rock and metal scene in Philly such as The Empire Rock Club, The Galaxy, and The Trocadero, with nearby prestigious venues Hammerjacks (Baltimore, MD) and the 9:30 Club (Washington, D.C.) becoming regular stops for the group, the band began smashing attendance records and rapidly gaining the attention of local press and radio. The European press started to take note as well, with Metal Forces Magazine publishing features on the band’s building notoriety and Japan's world famous Burrn! Magazine giving them significant coverage as well. 

While the 80’s metal scene was in full swing, the greater Philadelphia, PA/New Jersey region had already produced mega-acts such as Bon Jovi, Cinderella, Skid Row, and Britny Fox and labels were on the hunt for exactly what Heavens Edge was delivering. In a flurry of label activity from all the major players in the rock world, Heavens Edgesecured a recording agreement with Columbia Records. Unfortunately, soon after the band was signed, a crazed gunman entered a club the band was playing in and randomly opened fire, striking bass player George G.G. Guidotti. G.G. was hospitalized and required months of rehabilitation to get back into playing shape. All of this delayed the commencement of the album recording for months and slowed the band's momentum.

With G.G. on the mend, Heavens Edge entered the studio in the fall of 1989 and recorded their self-titled debut album with producer Neil Kernon (Dokken, Queensrÿche, Judas Priest). Well received tracks like “Skin To Skin", “Find Another Way”, and “Play Dirty”were all included and in keeping with their reputation for exciting live shows, a live recording of the song “Is That All You Want” was added to the album. [This track was originally recorded during a live radio broadcast on the powerhouse local Philly FM rock station WMMR.] With album artwork and a music video for the first single “Skin To Skin”ready to go, Columbia Records released the album in the spring of 1990. The reviews were immediately favorable and the band hit the road with dates in Los Angeles, Boston, Baltimore, and many others. Heavens Edge was added to the Ronnie James Dio/Yngwie Malmsteen tour, culminating with a seminal performance at The Spectrum in Philadelphia.

The next few years for Heavens Edge saw significant changes. The band was yet another victim of the well-documented shift in popular music tastes of the early '90s and made a label move from Columbia to Capitol Records, as well a guitarist change from Steve Parryto Jimmy Marchiano, all of which led to uncertainty within the group. Live audiences still supported the band, but the industry at large seemed ready to move on from the entire culture that preceded the new era of baby-boomer-influenced dark rock music.

After some time seeking their place in a shrinking market, the band called it quits in 1993. Each of the band members pursued various music ventures. Reggie, George and Davidteamed up with vocalist Shawn Carmen and formed the band American Pie. Jimmy Marchiano joined Dean Davidson’s (Britny Fox) new band Black Eyed Suzan. Stevenlinked up with Tangier vocalist Bill Mattson to form Mattson/Parry. Mark played several solo acoustic shows in European markets and midwestern US cities. None of these ventures achieved the same level of success as Heavens Edge

Though not formally together, the band inked a deal in 1998 with European label MTM and US label Perris Records and released demos and other rarities considered the band’s second album 'Some Other Place, Some Other Time'. This album includes previously unreleased self-titled album B-sides “Rock Steady Rock” and “Just Another Fire”along with songs “Jacky” and “Some Other Place", which were recorded as demos for Capital Records.The next twenty years of activity for the band was not much more than the occasional benefit performance or appearance by an individual band member at various events.

This was all until 2013’s official reunion show with the original line up at Firefest in Nottingham, UK. The event proved so successful that the guys continued the live show momentum with performances on The Monsters Of Rock Cruise, the Melodic Rock Festival in Chicago, and main-stage sets at M3 in the Baltimore, MD area.

They soon returned to their home market with sold-out headline shows at the legendary TLA, Trocadero, and World Café Live.Then tragedy struck again with the diagnosis of lung cancer for G.G. in 2019. He sadly passed away in August of that same year. The band assumed they would never play as Heavens Edge again.It wasn’t until bassist Jaron Gulino (Tantric, Mach 22) and Mark Evans became acquainted that the idea of continuing as Heavens Edge became a reality. Jaron rehearsed with the group and immediately locked in with the band. A live performance with the band on The Monsters Of Rock Cruise soon followed and Heavens Edge now officially had a new member in Gulino.  

Now that the band was intact and the audiences were turning up, it was again time for the band to draw the attention of record companies. In 2022, Heavens Edge signed a new global recording deal with Frontiers Music Srl and will release their first studio album in twenty-five years in 2023, 'Get It Right'.

Pre-order/save 'Get It Right' on CD/Limited Edition LP/Digital HERE

HEAVENS EDGE are:

Mark Evans - Lead Vocals

Reggie Wu - Guitars, Backing Vocals

David Rath - Drums, Percussion

Steve Parry - Guitars, Backing Vocals

Jaron Gulino – Bass

Produced by: Heavens Edge

Additional Vocal Production: Jacob Bunton

THY ART IS MURDER RELEASES THE SECOND SINGLE FROM THE AGGRESSION SESSIONS "UNTIL THERE IS NO LONGER"

Nuclear Blast is proud to announce the 6-song mini album The Aggression Sessions featuring THY ART IS MURDER, FIT FOR AN AUTOPSY, and MALEVOLENCE which will be available digitally on April 7th and on CD + Vinyl on July 21st, 2023 via Nuclear Blast.

Today, THY ART IS MURDER releases the second single from the EP entitled, "Until There Is No Longer". Check out the visualizer below.

Listen/stream “Until There Is No Longer” here: https://taim.bfan.link/until-there-is-no-longer

Pre-order and Pre-save The Aggression Sessions, here: https://bfan.link/the-aggression-sessions

The Aggression Sessions is the follow-up to 2016's The Depression Sessions and follows the same 6-song mini album where each band offers an original single and a cover song. For this session, THY ART IS MURDER is covering Cannibal Corpse and FIT FOR AN AUTOPSY is covering At The Gates whereas MALEVOLENCE is handling a song by American singer Anastacia.

Pre-order and Pre-save The Aggression Sessions, here:  https://bfan.link/the-aggression-sessions

THY ART IS MURDER and FIT FOR AN AUTOPSY make the following joint statement:

"Before we had even completed work on 'The Depressions Sessions' we knew a lifelong friendship had been forged between THY ART IS MURDER and FIT FOR AN AUTOPSY, and that we would have to do another variation of the project. 'The Aggression Sessions' concept was born almost immediately following the completion of the first iteration but has taken many years to finally find the time to record and release it amidst the chaotic touring and music release schedules of both bands. We wanted to take things back to some of our favorite inspirations for writing and performing heavy and aggressive music this time, encapsulating the tone of the EP title. We hope everyone enjoys!

Joining us for round 2, please welcome
MALEVOLENCE into the series. Much love to The Acacia Strain, and thank you to them for being a part of this lineage. Check out their new forthcoming record as well!

Working with friends and peers and avoiding the pitfalls of competitiveness has always been the most rewarding part of being in a band, so as always thank you for the support and opportunity to have this platform. See you all on the road soon!"


MALEVOLENCE's Wilkie Robinson adds, "New Jersey to Australia to Sheffield! it was an absolute pleasure to be involved in this big international metal link-up and a great opportunity for us to have fun creatively outside of the usual expectations. Shout out toEliran Kantor for killing the artwork and Nuclear Blast for making it all happen."

Below is the tracklisting for The Aggression Sessions:
1. 
Hellions - FIT FOR AN AUTOPSY
2. 
Until There Is No Longer - THY ART IS MURDER
3. 
Waste Of Myself - MALEVOLENCE
4. 
Under A Serpent Sun (At The Gates Cover) - FIT FOR AN AUTOPSY
5. 
Hammer Smashed Face (Cannibal Corpse Cover) - THY ART IS MURDER
6.
Left Outside Alone (Anastacia Cover) - MALEVOLENCE

The Aggression Sessions
will be available in the following formats:

  • CD jewel case

  • Vinyl

    • Grey Brown Swirl w/ Black Splatter

      • NUCLEAR BLAST USA/EU + Retail

    • Clear w/ Silver Red Brown Splatter

      • FIT FOR AN AUTOPSY exclusive, limited to 1,000 copies

    • Red w/ Silver Brown Splatter

      • THY ART IS MURDER exclusive, limited to 1,000 copies

    • Silver w/ Red Brown Splatter

      • MALEVOLENCE exclusive, limited to 1,000 copies

ABOUT THY ART IS MURDER

THY ART IS MURDER, one of Australia's top-heavy exports, is currently on their 10-year anniversary of the seminal album, Hate. The next stop on their "Decade Of Hate" world tour is Europe where they will share the stage with labelmates FIT FOR AN AUTOPSY.

ABOUT FIT FOR AN AUTOPSY
New Jersey six-piece FIT FOR AN AUTOPSY released their sixth album Oh What The Future Holds in January of 2022.

Watch the music video for "Far From Heaven" here: https://youtu.be/OEicHBvqd2Y

Confirmed dates for FIT FOR AN AUTOPSY with THE ACACIA STRAIN, PRIMITIVE MAN, and FULL OF HELL are:
3/24 Dallas TX – Amplified Live
3/25 Austin TX – Come and Take It Live *SOLD OUT*
3/26 Houston TX – Warehouse Live
3/28 Tampa FL – The Orpheum
3/29 Atlanta GA – Heaven at The Masquerade
3/30 Greensboro NC – Arizona Pete's *SOLD OUT*
3/31 Baltimore MD – Baltimore Soundstage *SOLD OUT*
4/1 Worcester MA – The Palladium


"Decade Of Hate" European tour 
W/  THY ART IS MURDER

4/06/2023 Germany Karlsruhe @ Substage
4/07/2023 Austria Vienna @ Impericon Festival – SOLD OUT
4/08/2023 Germany Leipzig @ Impericon Festival
4/09/2023 Belgium Sint-Niklaas @ De Casino
4/10/2023 UK London @ The Dome – SOLD OUT
4/11/2023 UK London @ The Dome – SOLD OUT
4/13/2023 France Nancy @ L’Autre Canal
4/14/2023 Switzerland Zurich @ Impericon Festival
4/15/2023 Germany Oberhausen @ Impericon Festival
4/16/2023 Germany München @ Impericon Festival – SOLD OUT

FIT FOR AN AUTOPSY ARE:
Joseph Badolato | Vocals
Patrick Sheridan | Guitar
Timothy Howley | Guitar
Will Putney | Guitar
Peter Blue Spinazola | Bass
Josean Orta Martinez | Drums 

ABOUT MALEVOLENCE
With their critically acclaimed new studio album Malicious Intent, MALEVOLENCE has staked out their place as one of contemporary metal's heavyweight acts. The rising UK stars are now out to conquer the world, and have already blown away audiences at the likes of Download Festival, Bloodstock Festival, Knotfest Germany, and the Bring Me The Horizon Malta Weekender, not forgetting to mention a huge UK arena tour with ARCHITECTS and SLEEP TOKEN, and mainland EU dates with LAMB OF GOD.

Order the new album Malicious Intenthttps://bfan.link/Malevolence-malicious-intent.ema

Watch "Karma" feat. Will Ramos (Live At Bloodstock 2022): https://youtu.be/7532FvBmtUw

MALEVOLENCE live:
4/28/2023 Gothic Theatre - Englewood, CO 
5/04/2023 Mayo Clinic Health System Event Center - Mankato, MN   
5/10/2023 The Paramount - Huntington, NY 
5/12/2023 Hampton Beach Casino Ballroom - Hampton Beach, NH
5/13/2023 College Street Music Hall - New Haven, CT 
5/14/2023 State Theatre - Portland, ME
5/16/2023 The National - Richmond, VA  
5/23/2023 Stage AE - Pittsburgh, PA 
5/31/2023 Horizon Events Center - Clive, IA 
6/02/2023 The Rust Belt - East Moline, IL 
6/03/2023 Uptown Theater - Kansas City, MO
6/06/2023 Emo's Austin - Austin, TX
6/07/2023 The Factory In Deep Ellum - Dallas, TX
6/09/2023 Marquee Theatre - Tempe, AZ
6/12/2023 The Warfield - San Francisco, CA
6/15/2023 Paramount Theatre - Seattle, WA 

MALEVOLENCE is:
Alex Taylor | Vocals
Konan Hall | Guitar / Vocals
Josh Baines | Guitar
Wilkie Robinson | Bass
Charlie Thorpe | Drums