Gorguts Announce North American Tour

After more than a decade since their last classic entry, Gorguts are finally returning to the studio. As they prepare to record the full-length follow-up to the critically acclaimed Colored Sands, the Canadian pioneers of technical dissonance are sharpening their axes by celebrating two of death metal's biggest landmarks. This fall, the band are touring North America with Death to All in commemoration of the 35th anniversary of Spiritual Healing and the 30th anniversary of Symbolic.       

"It is with great honor that we'll be sharing the stage with these death metal monuments", Gorguts' vocalist and guitarist Luc Lemay says. "Death had such an important influence on me as an artist. It's the band that made me want to become a death metal musician. Chuck was my idol, my inspiration. See you on stage. Be prepared for an evening of classic death metal!".

North Dakota death dealers Phobophilic will join Gorguts and Death to All on this month-long celebration.

Gorguts 2025 North American Tour Dates
with Death to All and Phobophilic

November 4 – San Diego, CA @ The Observatory North Park [TICKETS]
November 6 – Salt Lake City, UT @ Metro Music Hall [TICKETS]
November 7 – Englewood, CO @ Gothic Theatre [TICKETS]
November 8 – Lawrence, KS @ The Granada [TICKETS]
November 9 – Joliet, IL @ The Forge [TICKETS]
November 10 – Detroit, MI @ El Club [TICKETS]
November 11 – Toronto, ON @ Danforth Music Hall [TICKETS]
November 12 – Montreal, QC @ MTELUS [TICKETS]
November 13 – Worcester, MA @ The Palladium [TICKETS]
November 14 – New York, NY @ Irving Plaza [TICKETS]
November 15 – Reading, PA @ Reverb [TICKETS]
November 16 – Baltimore, MD @ Baltimore Soundstage [TICKETS]
November 18 – Tampa, FL @ The Orpheum [TICKETS]
November 19 – Baton Rouge, LA @ Chelsea's Live [TICKETS]
November 20 – Houston, TX @ White Oak Music Hall [TICKETS]
November 21 – Dallas, TX @ The Echo Lounge & Music Hall [TICKETS]
November 22 – San Antonio, TX @ Vibes Event Center [TICKETS]
November 24 – Albuquerque, NM @ Sister [TICKETS]
November 25 – Mesa, AZ @ The Nile Theater [TICKETS]
November 26 – Las Vegas, NV @ House of Blues [TICKETS]
November 28 – Los Angeles, CA @ The Belasco [TICKETS]
November 29 – Santa Ana, CA @ The Observatory [TICKETS]
November 30 – San Francisco, CA @ The Regency Ballroom [TICKETS]

Death to All is the touring tribute to the late Chuck Schuldiner and his pioneering band Death. The band includes drummer Gene Hoglan and guitarist Bobby Keolble, who both played on Death's album Symbolic. It also includes bassist Steve DiGiorgio, who played on Human and with Hoglan on Individual Thought Patterns. Max Phelps (Exist, ex-Cynic) rounds out the line-up on vocals and guitar.

"30 years of Symbolic and 35 years of Spiritual Healing", says Hoglan. "Two vastly different yet important eras of Death. Both albums are going to be a blast to represent".            

Gorgut's latest LP Colored Sands and most-recent EP Pleiades' Dust are both now available through Season of Mist.

Order 
https://redirect.season-of-mist.com/Gorgutseshop

When it comes to GORGUTS, you have to expect the unexpected. In an age of a postulated clash of cultures, mastermind Luc Lemay delivered Pleiades' Dust, a piece of music that is conceptually and lyrically based on the “House of Wisdom”, a medieval library based in Baghdad and at the heart of the Golden Age of Islam with its many scientific breakthroughs in various fields of learning. As Luc comments: “It is a story about curiosity, beautiful minds and sadly, about how man destroys great discoveries and achievements.” Musically there is more narrative feeling as each section is introduced in such a way that every riff has the space to evolve like a character in a story.

Lineup:
Luc Lemay - Rhythm guitar, vocals
Kevin Hufnagel - Lead guitar
Colin Marston -  Bass
Patrice Hamelin - Drums

Follow Gorguts:
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https://www.facebook.com/GorgutsOfficial/
http://gorguts.bandcamp.com/
https://open.spotify.com/artist/0Q4ioaeWOOlKFVPNdFvp9q
https://itunes.apple.com/us/artist/gorguts/109309091
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https://www.amazon.com/Gorguts/e/B000APF4QK
https://tidal.com/browse/artist/37446

SEPTICFLESH | ANNOUNCE A SECOND PERFORMANCE OF THEIR LIVE AT THE ACROPOLIS II PROMETHEUS UNCHAINED!

Symphonic death metallers SEPTICFLESH are proud to announce they have confirmed a second performance at Odeon of Herodes Atticus at the Acropolis of Athens after selling out the first show in less than 48 hours. The band is beyond grateful to have 2 back to back performances of their Live At The Acropolis ceremony.

On September 26, SEPTICFLESH will kick off 2 night event. Joining the band on stage will be the  Athens State Orchestra including the Adult and Children’s Choir under the baton of Koen Schoots. These ceremonies will be extra special as the venue will be closing for maintenance and restoration that is scheduled to be closed for at least 3 years.

SEPTICFLESH comments, "We are proud to announce that, due to popular demand,  a second show in cooperation with the Athens State Orchestra is confirmed. We would like to thank the management of this historic monument, who just granted authorization for a second performance. We are truly humbled. Get your tickets now before it sells out! This is your last chance to witness this historic event!"

Tickets for the September 26th show go on sale on Tuesday, August 12th, 2025 at 17:00 (Greece time / EEST) | 14:00 UTC. Purchase your tickets at:
https://www.ticketservices.gr/event/classic-rock-9-koa-septicflesh/

Formed as “Septic Flesh” in Greece in the early '90s, SEPTICFLESH has carved an indelible mark on the metal scene. With a rich history spanning decades, the band has continuously evolved their sound, incorporating symphonic elements to create a truly unique sonic experience. From their debut EP Temple of The Lost Race to their latest masterpiece SEPTICFLESH has captivated audiences with their dynamic compositions and haunting melodies. With each album, they push the boundaries of symphonic metal, weaving together intricate orchestrations with crushing riffs and powerful vocals. Don't miss your chance to witness their monumental live performances, where the thunderous sound of SEPTICFLESH will engulf you in a whirlwind of emotion and intensity.

EPTICFLESH is:
Seth Siro Anton | Vocals, Bass
Christos Antoniou | Guitar, Orchestra
Sotiris Anunnaki V | Clean Vocals, Guitar, 12 String Guitar
Psychon | Guitar
Kerim 'Krimh' Lechner | Drums

GRAILKNIGHTS Unleash Unifying Title Track Of New Album Forever. New Album to Arrive on October 17, 2025 via PERCEPTION!

“Eternal guardians FOREVER!” Following their adrenaline-fuelled "Grail Gym" single, superheroic metal powerhouse GRAILKNIGHTS have unleashed the title track of their empowering new opus Forever, their first full-length release through PERCEPTION - A Division of Reigning Phoenix Music. More guitar-driven than the quintet’s previous anthem, the mission of Forever can’t be missed: The bond between the GRAILKNIGHTS and their brave followers has never been stronger and will remain until the end of the galaxy and beyond!

“’"Forever’" is more to us than just the title song of our new album - it’s our anthem to what has grown between us and the Battlechoir - our loyal supporters," they comment. "Even now, it thunders with full force from the speakers, but we firmly believe: When we play it live and the Battlechoir joins in loudly, the song will unleash a whole new energy. These moments - when everything comes together and the hall is shaking - are the essence of what we love and why we do all of this."

Stream "Forever" now at: https://grailknights.rpm.link/foreversinglePR

Listen Below.

The band's new album Forever will be released on Friday, October 17, 2025, featuring twelve new hymns that build the seventh chapter of GRAILKNIGHTS’ glorious history (incl. "Necronomicon," "Grail Gym," "Forever" & a bold "Super Trouper" cover version). Secure your copy (excl. ticket & merch bundles etc.) & pre-save Forever now at: https://grailknights.rpm.link/foreverPR

Crafted at Sascha Paeth’s Pathway Studios, their sidekick Sebastian Khayat delivered maximally heroic cover artwork for GRAILKNIGHTS’ new record, which fans can finally hold their hands on at the beginning of the quintet’s forthcoming “Battle Of Metal” co-headline tour with ALL FOR METAL.

About GRAILKNIGHTS

 

If it’s on their 2004 debut album Across The Galaxy, its follow-ups Return To Castle Grailskull and Alliance or their tales of the past 15 years (Calling The Choir, Knightfall & Muscle Bound For Glory), GRAILKNIGHTS’ goal has remained the same - the Holy Grail must be returned to Grailham City! Their mission also led their flight path to stages around the globe, which they boldly dominated as headlining act and shared with acts such as SABATON, FEUERSCHWANZ, BROTHERS OF METAL and TWILIGHT FORCE among others, always supported by their brave fan base aka the Battlechoir.

 

During the years, some of these equally brave musicians have also lent their additional vocal support to the Hanover, Germany based squad: Tracks like "Turbo Boost [feat. FEUERSCHWANZ]" but especially "Pumping Iron Power," which was graced by SABATON’s Joakim Brodén, crafted additional intergalactic bondings between the band and metalheads worldwide, and saw GRAILKNIGHTS’ success numbers go through the roof with"Pumping Iron Power" recently hitting 15 million Spotify streams only.

 

Highly experienced in both studio and live battles, the superheroic metal group have faced and overcome several evil powers over time, and now they are set to oppose Dr. Skull in full length once again with their 7th adventure, followed by yet another journey across Europe. Joining forces with label family members ALL FOR METAL in autumn 2025, the “Battle Of Metal” can actually only end in another victory against all evil.

GRAILKNIGHTS are:

Sir Optimus Prime | vocals

Sovereign Storm | guitars, vocals

Count Cranium | guitars, vocals

Duncan MacLoud | bass, vocals

Lord Drumcules | drums

 

More on GRAILKNIGHTS:

grailknights.de | Facebook | Instagram | TikTok | YouTube | Spotify | Apple Music

MORS PRINCIPIUM EST Launch Official Music Video For Crushing New Single "Summoning The Dark"

With Darkness Invisible looming on the horizon (September 26, 2025 via PERCEPTION - A Division of Reigning Phoenix Music), Finnish melodic death metal masters MORS PRINCIPIUM EST have unleashed the third single from their highly-anticipated new record. Along with the new track comes MPE’s first band performance music video since 2016’s "Reclaim The Sun," making their fans’ level of excitement going sky high.
 
The storyline follows a faceless, cape-wearing character on its way through a sinister landscape. Starting in the middle of the forest and concluding at the conjuring of an almighty monstrosity from the raging sea, the main protagonist’s path is scarred by multiple shuddering happenings: unknown people hung up and crucified, beings crawling on burning grounds, infested rotting carcasses, helpless humans caught in blood-soaked waters and a fallen angel mark the horrifying mission. Join the ritual of "Summoning The Dark"!
 
Jori Haukio (guitars/programming) states: “We're returning with a haunting new visual for our new single 'Summoning The Dark.' Directed by JP Kaukonen and shot deep within the mystic and ancient woodlands of Finland, the video blends modern high-end production with a subtle fantasy-horror narrative. A dark, immersive journey to a summoning beyond the point of no return.”
 
Watch the music video below.
Stream "Summoning The Dark": https://mpe.rpm.link/stdPR
 
Pre-order/pre-save Darkness Invisible: https://mpe.rpm.link/darknessinvisiblePR

Darkness Invisible was recorded at Ansa Studio in Finland and mixed by Jens Bogren and mastered by Tony Lindgren at Fascination Street Studios in Sweden. The album record blends razor-sharp riffing, sweeping orchestration, and Ville Viljanen’s unmistakable vocals with a more cinematic and emotionally dynamic sound.

About MORS PRINCIPIUM EST
 
Over the course of seven original studio albums, MORS PRICIPIUM EST refined their modern approach to melodic death metal again and again. Members came and gone, but their music remained untouched: razor-sharp riffing, sweeping orchestration, melancholic harmonies, and relentless rhythmic precision - topped by Ville Viljanen’s unmistakable vocals.
 
MORS PRINCIPIUM EST were founded in Pori in 1999 and are one of the longest serving Finnish melodic death metal bands. With frontman Viljanen being the most stable members, the present quintet survived several line-up changes before original members and guitarists Jori Haukio and Jarkko Kokko returned to MPE and already took part in recording their latest offering Liberate The Unborn Inhumanity [2022]. Also contributing to these refreshing re-recordings from their early years were former bassist Teemu Heinola and drummer Marko Tommila. A statement to honour the group’s history and to celebrate the freshly motivated line-up, which is now set to blast out their ninth album titled “Darkness Invisible” on September 26, 2025 through new label home PERCEPTION.
 
MORS PRINCIPIUM EST are:
Ville Viljanen | vocals
Jori Haukio | guitars, programming
Jarkko Kokko | guitars
Teemu Heinola | bass
Marko Tommila | drums
 
More on MPE:
morsprincipiumest.com | Facebook | Instagram | YouTube | Spotify | Apple Music

FACE YOURSELF Announce New EP; Drop Single & MV "Fractures"

Transcontinental deathcore force Face Yourself have unleashed their most unforgiving single yet with "Fractures," out now via Sumerian Records. The track arrives as the lead single from their upcoming EP Fury, set for release September 26th with pre-orders available now HERE, and showcases the band's evolution into darker, more psychologically brutal territory. Watch the official music video for "Fractures" Below and stream the track HERE.

Built on Joey Sturgis' crushing production, "Fractures" weaponizes Face Yourself's signature deathcore assault to dissect the violence of beauty standards and self-hatred. The track represents their most emotionally raw work to date, following the success of their Martyr EP, which has garnered over 1.5 million streams since its April release.

Speaking on the new single and upcoming EP, vocalist Yasmine Liverneaux shares:

"We are excited to release our new single "Fractures" produced by Joey Sturgis. The lyrics explore a darker theme, as it speaks a lot about self hatred, exploring the pressure of beauty standards and the "mutilations" those pressures can lead someone to. It's like changing your appearance so much to fit a mold to the point that you don't even recognize yourself which can be very violent.

"Alongside this new single, we're happy to announce the future release of our new record "Fury". After 2 years of being a band, we have reached a sound that we think looks like us, this is our best work yet and we are happy to be working once again with Joey Sturgis. He became such a great element to our team, and is always pushing us to improve ourselves."

Fury marks Face Yourself's second EP with Sumerian Records and their continued collaboration with producer Joey Sturgis(Asking Alexandria, The Devil Wears Prada). The five-track collection builds on the foundation established with Martyr, pushing their sound into more uncompromising territory while maintaining the emotional depth that has connected with fans worldwide. Pre-orders for the Fury EP are available now HERE.

The announcement comes as the band just wrapped their successful 20-date Summer of Rampage tour alongside Crystal Lake, VCTMS, and Not Enough Space, cementing their reputation as a devastating force, both on record and on the stage.

ABOUT FACE YOURSELF

A transcontinental deathcore phenomenon, Face Yourself has redefined what it means to blend modern heaviness with old-school roots. Featuring members from New York, New Jersey, Colorado, and France, their unique sound is as diverse as their origins. Vocalist Yasmine Liverneaux brings her French influence and socially conscious themes into the mix, setting the band apart with an intensity and depth that's rarely seen in the genre.

With their Myspace-era throwback riffs, drop-tuned breakdowns, and sheer relentlessness, Face Yourself have become a staple of the modern deathcore era. Their ability to connect with fans worldwide and their tireless drive have made them a force to be reckoned with—and they've only just begun.

AGENBITE MISERY Unleashes First Single “Bellwether and Swine”

Experimental metal trio AGENBITE MISERY has released the first single from their forthcoming debut album Remorse of Conscience. Titled "Bellwether and Swine," this is the first look into the band's genre-defying literary adaptation of James Joyce’s Ulysses.

At just under six minutes, "Bellwether and Swine" delivers a searing fusion of black metal, sludge, and militaristic riffage, pairing relentless sonic aggression with sharp thematic intent. The track adapts the infamous “Cyclops” chapter of Ulysses, reimagining its critique of xenophobia and jingoism through a modern metal lens. With pounding rhythms, towering riffs, and a vocal delivery soaked in irony and venom, AGENBITE MISERY turns the language of triumphalist metal against itself, mocking the very nationalist violence it so often celebrates. The official visualizer for the track can be seen below.

Lyrically, "Bellwether and Swine" blends lines from Joyce’s exaggerated narrator with direct biblical and mythic allusions, mimicking the “gigantism” style of the original text. Spoken word sections conjure Old Testament visions as Bloom’s escape from a violent barroom argument becomes a parable of survival. Meanwhile, sludgy choruses chant the narrator’s dismissals with mock-reverence: “Begob, he got as far as the door. Begob, always some bloody clown or other.”

"Bellwether and Swine" was self-recorded and produced by the band, with mixing by Eric Sauter and mastering by Brad Boatright. It is the first of five singles to be released ahead of Remorse of Conscience, which arrives February 6, 2026. 

AGENBITE MISERY formed with a mission to translate great literary works into modern sonic languages. Their upcoming debut draws directly from Joyce’s Ulysses, with each track adapting a specific chapter using genre-spanning metal composition and lyrics lifted from the original text. The result is a sprawling, ambitious, and unapologetically cerebral journey through some of the most emotionally dense terrain ever attempted in heavy music.

About AGENBITE MISERY:

AGENBITE MISERY is a New Hampshire-based trio that fuses literary ambition with the visceral force of experimental metal. Formed in 2022 by guitarist Sam Graff, bassist Cam Netland, and drummer Adam Richards, the band emerged from a shared academic background in literature and a mutual devotion to the most extreme and boundary-pushing corners of heavy music.

At its core, AGENBITE MISERY is a project rooted in transformation. Their work doesn’t merely incorporate influences, it dismantles them, reshapes them, and recontextualizes them within a vision that is as cerebral as it is punishing. Their sound weaves together elements of black metal, sludge, death metal, post-punk, ambient, and noise rock, unified not by style but by intent: to confront, to immerse, and to challenge.

Individually, the members bring a history of musical experimentation: Sam Graff and Adam Richards were longtime collaborators in the avant-garde project UNDER GREEN SUNS and the Boston metalcore outfit VICARIUM, while Cam Netland previously fronted the Connecticut stoner/black metal band COAGULATE. Together, they’ve forged something entirely distinct, a collective voice that draws from their diverse histories but refuses to be defined by any one genre or scene.

AGENBITE MISERY exists at the edge of metal and the margins of modern art, translating abstract ideas into concrete sound with unrelenting force. Whether performing live or recording in isolation, their ethos remains constant: dig deeper, aim higher, and never repeat what has already been done.

AGENBITE MISERY is:

Sam Graff – Guitars / Vocals / Synth
Cam Netland – Bass / Vocals
Adam Richards – Drums / Vocals

Connect with AGENBITE MISERY:
 

CRYSTAL LAKE Unleashes “Crossing Nails” + Announces New Album for January 2026

Japanese metalcore force CRYSTAL LAKE has returned with their newest single “Crossing Nails," which marks the band's first release this year and the second single since signing globally to Century Media Records last year in May.

Currently tearing through Europe on a string of festival appearances and exclusive headliner shows, “Crossing Nails” delivers a blistering nu-metal anthem. The single comes not just with a striking visualizer, but also along with the band’s album announcement for January 2026. The yet-unnamed record will be CRYSTAL LAKE’s first album release since 'Helix,' released back in 2019. Fans and new audiences alike can expect more announcements regarding the album to follow in the upcoming months, alongside new music by the quintet.

Stream "Crossing Nails" HERE

Vocalist John shares about “Crossing Nails”:

"I have a very love//hate relationship with God and the church. Growing up in a super religious household + going to 2 Catholic schools – I saw first-hand how they use God as a weapon of control. I needed people to be there for me. To save me from myself. To love me, and they were never there. They made me fear & hate something I should have loved. Fear is not love. Hate is not power. Control is not faith. Believe in YOURSELF. Love YOURSELF. Control YOURSELF. Faith is not a weapon - it's peace. Crossing Nails”

Guitarist YD adds:

"With this track, we’ve kept the heaviness that’s always been core to our sound, but brought the straight, speedy riff work to the forefront and wrapped the whole song in a more catchy structure. We also experimented with rhythmic and groove elements that haven’t really appeared in CRYSTAL LAKE’s music before, allowing us to explore a new kind of expression. By blending parts of my personal musical background into the song in a playful way, I think we managed to mix that classic hardcore and metal vibe in a fresh and exciting form.

"'Crossing Nails' is a new kind of hybrid song that combines explosive live energy with a strong sense of unity everyone can enjoy. Hope you feel that when you hear it!"

Watch the Visualizer for "Crossing Nails"

CRYSTAL LAKE has been touring extensively throughout the year, with their latest stops happening in Europe as part of their summer headline shows for this year. The band will continue their European run in August with a total of 6 headliner shows in Germany, Denmark, and the Netherlands. The band will be joined by Angelmaker. 

 

CRYSTAL LAKE has won over fans worldwide with an unequalled live show and an infectious brand of metalcore that weaves together tight riffs, gleaming production, and screaming melodies along with guttural and impassioned vocals that both roar and soar. Releasing records internationally since 2014 on labels including Sharptone and Artery, CRYSTAL LAKEhas become a fixture on the worldwide stage – and it feels like they are now only getting started. The band released their striking single “BlüdGod” (feat. Taylor Barber) in May 2024 to commence the global signing to label Century Media Records, an important step for the band as shared by founder, songwriter, and guitarist Yudai “YD” Miyamoto: “We grew up on many Century Media bands. We love its history and are happy to be part of that and make new history.”

CRYSTAL LAKE is currently working on its Century Media full-length debut, due for release in early 2026. The record will mark the album debut of vocalist John Robert Centorrino, formerly of New Jersey deathcore band Last Ten Seconds of Life. Centorrino made his debut with CRYSTAL LAKE in 2023, his first appearance with the band being Knotfest Japan in March 2023, followed by an extensive US tour supporting August Burns Red the same year. Now, the Japanese force is poised to take their next step with their new album expected for January 2026.

CRYSTAL LAKE are:

John Robert Centorrino – Lead Vocals

YD – Guitar

TJ – Guitar

Gaku - Drums

Mitsuru - Bass

Wucan Share Video for "Pipe Dreams"

After diving headlong into the three-year creative process, heavy rockers Wucan will release their new album Axioms on August 29 via Long Branch Records. The new longplayer showcases the band's characteristic artistic ingenuity while continuing the transformation first hinted at on the its previous album Heretic Tongues and pushing those ideas even further.

Today sees the release of "Pipe Dreams," the fourth single from Axioms. 

"'Pipe Dreams' started as a jam session in the rehearsal room — based on a drum groove that [drummer] Phil just threw on the table, instantly pulling all of us in," says singer Francis Tobolsky. "It was the second song we wrote for the album, and it feels like a snapshot of where we were at that time. A driving beat, heavy guitars, and floating vocal harmonies explore the tension between disillusionment and hope. To me, this song also carries a warning: shared dreams require the support of the whole community." 

Watch the "Pipe Dreams" music video below. 

Stream the single and pre-order the new album here. 

As is well known, true art is characterized above all by its constant renewal — a combination of the tried and tested with the innovative. Like nearly all influential acts in music history who have followed this golden rule, Wucan demonstrate their capacity for artistic evolution with their new album Axioms. On Axioms, the four-piece, led by frontwoman Francis Tobolsky, blends the distinctive elements of their previous studio records — Sow The Wind (2015), Reap The Storm (2017), and Heretic Tongues (2022) — with fresh ideas, resulting in a broader stylistic range and a more clearly defined conceptual approach.

In other words: While the band continues to reference hard rock, krautrock, East German rock, and metal, the eight new tracks are also infused with touches of progressive rock, isolated electronic elements, and a playful jazz attitude.

Or as Tobolsky aptly puts it, "The foundation of our music is international '70s hard rock enriched by contemporary influences — this time with even more bombast, brutality, and complexity."

Axioms Album Cover by Callum Rooney

*Fan Edition Bundle / LBR exclusive
(including splattered vinyl, 7" single and LP insert, music cassette in green-glitter, CD Digipak, tote-bag and signed photo card) — Order here
*Collector's LP Edition / LBR exclusive - Limited to 400 copies
(including splattered vinyl, 7" single and LP insert) — Order here
*Collector's LP Edition / JPC exclusive - Limited to 200 copies
(including translucent verde coloured vinyl, 7" single and LP insert.)
*Collector's LP Edition
(including viola coloured vinyl, 7" single and LP insert)
*Standard LP Edition 
(including black vinyl and LP insert)
*MC Edition / LBR exclusive - Limited to 200 copies
(including green-glitter coloured music cassette) — Order here
*CD Edition
(In a Digipak)
*Digital Edition
(Stream & Download)
 

PRE-ORDER "AXIOMS" HERE

More info about Wucan's European shows is here.

WUCAN ARE:
Francis Tobolsky — Vocals, Guitar, Flute, Theremin
Tim George — Guitar, Keyboards
Philip Knöfel — Drums
Alexander Karlisch — Bass

'Koe Wetzel & Friends: Stronger Together' Raises Over $774k (and Counting) for Kerr County Flood Relief

Fans, artists and community members came together in force last night, Aug. 4, for Koe Wetzel & Friends: Stronger Together, a powerful night of music and giving held at Toyota Music Factory. The benefit concert spearheaded by the Texas native raised $774,870-and-counting in support of the Kerr County Flood Relief Fund via his own foundation, Koe’s Kids, with a raffle for a Can-Am Defender Max Lone Star Cab provided by Progressive Powersports in Granbury, Texas still open HERE through Labor Day weekend and fans still able to donate HERE.
 
The event featured unforgettable performances from Koe Wetzel and a stellar lineup of friends, including Kolby Cooper, Casey Donahew, Ray Wylie and Lucas Hubbard, Pecos Hurley of Pecos & The Rooftops, Mike Ryan, Shane Smith of Shane Smith & The Saints and Dylan Wheeler. 
 
“To see how packed the fans had the Pavilion on a Monday night – that love and support for this cause meant everything,” reflects Wetzel. “I can’t say thank you enough to my buddies who came out and donated their time, too. Seeing them all get up there and play with the band I’m blessed to stand on stage with every night is something I won’t forget for a long time!”
 
From the opening chords of Wetzel’s cult-classic “February 28, 2016” getting the night started with a bang, to Wheeler’s cover of Deana Carter’s “Strawberry Wine,” Ray Wylie Hubbard sharing the stage with his son, Lucas, Hurley delivering a rousing take on Toby Keith’s “Courtesy of the Red White & Blue” and more, the night was a nonstop party enroute to raising significant funds for the cause. As the Dallas Observer noted, “The acts came and went, the crowd was electric, the building was rocking and the atmosphere was a country music dream. Then Wetzel came back out, and it was like the show started all over again. Wetzel played the hits, like ‘High Road’ and ‘Sweet Dreams,’ but most importantly, hammered down the theme of the night. Texans help Texans.”
 
“If this isn’t a testament to what we are, who we are as a state, I don’t know what god damn Texas means,” the multi-Platinum singer-songwriter proclaimed from the stage. “I’m so f*ckin’ proud to be a Texan.”
 
For fans who missed the show or want to relive the energy, the full livestream is available to re-watch Below.
 
Stronger Together was made possible through support from generous partners including Todd Graves and Raising Cane’s, PBR, Texas Rangers, Dallas Mavericks, Dallas Stars, Rock & Roll Denim, Hall Wines, Hurtado BBQ, Hooray Grills, Outlaw Beer, Double Eagle, New Country 96.3 (KSCS-FM), and 99.5 The Wolf (KPLX-FM).

About Koe Wetzel
Koe Wetzel never met a genre wall he couldn’t tear down. The Texan singer-songwriter has earned a rabid audience for his songs that mix country, rock, hip-hop, and even Nineties grunge. With his defining fifth studio album, 9 Lives, released in 2024 via Columbia Records, Wetzel earned recognition on several major year-end best-of lists, including Rolling Stone, Billboard, the Tennessean and more, with the Los Angeles Times naming lead single “High Road” (feat. Jessie Murph) as the No. 8 best song of 2024 across all genres. The single not only marked Wetzel’s debut at Country radio, it also held the No. 1 spot for five weeks and became his fastest song to reach the RIAA Platinum milestone to date. Previously, his 2016 album Noise Complaint endeared him to fans with its no-holds-barred lyrics about drunken nights, broken hearts and stints in jail, and included the Gold-certified hits “Love” (feat. Parker McCollum), “Something to Talk About” plus the infamous “February 28, 2016.” Wetzel’s 2020 major label debut, Sellout, only furthered his legend with the Platinum-certified “Drunk Driving” and “Good Die Young” plus the Gold-certified “Kuntry & Wistern.” The 2022 follow-up, Hell Paso, hit No. 3 on Billboard’s Country Albums and spawned hits on both the country and rock charts, including the Gold-certified “Creeps” and “Cabo.” To date, Wetzel has amassed 3.7 billion total streams and has created a genuine experience with his live concerts, which he describes as “total chaos.” Wetzel performed for well over 200,000 fans across the U.S. in Europe in 2024, with over 96% of all headline tickets sold, in addition to playing prominent festival sets and opening for Morgan Wallen on the superstar’s One Night at a Time Stadium Tour, while 2025 sees him again embark on a year of heavy touring both as a headliner and alongside Wallen and HARDY.

SECOND WIND: ALEXANDRA KAY’S FEARLESS NEW ERA POWERS SOPHOMORE ALBUM COMING OCTOBER 24

Billboard-charting rising superstar Alexandra Kay’s hotly awaited sophomore album, Second Wind, will release on October 24. Featuring previously released, bold, fan-favorite standouts “Feminine Energy,” “The Last” and “Cupid’s A Cowgirl,” the heart-stirring collection has already ignited a fury of demand amongst her 8.6M social following. Weaving heartbreak, hope and healing into one journey, Second Wind embodies what Pandora’s “2025 Artist to Watch: Country” calls her “lover-girl era.” 

PRE-ORDER/PRE-SAVE/PRE-ADD HERE

Coming up - on September 13, the compelling entertainer will take the Canadian Country Music Awards (CCMA) stage with Dallas Smith to perform their hit single “How Do You Miss Me” that’s currently top 10 at Canadian country radio. Following the CCMAs, she immediately heads out on her third headlining tour of the year. Hitting cities like Nashville, New Orleans, Anaheim, Las Vegas and more, Second Wind: The Tour spans 30-nationwide dates and kicks off on September 26 in Atlanta. Public on-sale starts this Friday, August 8 at 10 am local time. Get tickets HERE.

“I’m so ready to share these songs with the people who have been with me every step of the way,” shares the rising starlet. “Over the past two years, I’ve done a lot of growing — and over the last year, I’ve had the chance to write about the version of myself that’s emerged from that growth. This album reflects a new side of me, and I can’t wait for my fans to experience it live — especially the happier songs that I’m hoping they’ll be screaming right back at me from the crowd.” 

With her independent debut album, All I’ve Ever Known, hitting #1 on iTunes (All Genre & Country) and Top 10 on multiple Billboard charts (Country Album, Emerging Artist and HeatSeeker), the heart-first songstress - now signed to BBR Music Group/BMG Nashville - is serving up the same tear-streaked ballads, raw, poetic storytelling and diary-deep honesty that her fans crave on her upcoming project. 

Born from the wreckage of a divorce, her debut was survival in real time, and although heartbreak still lingers, it no longer leads. Breathing new life into her story, Second Wind is a revival, hitting like a spark in the dark - magnetic and glowing with possibility. Produced by Andrew DeRoberts, with Alexandra co-writing all but two tracks, this album finds her heart not only healed but shining brighter than ever. 

“One of my favorite things about my fans is that somehow, even before the music is officially released, they already know every word,” she continues. “That kind of connection is rare, and this tour is going to be such a special way to close out what’s already been an unforgettable year.”

Currently out with Brad Paisley, following a worldwide headlining tour with over 80k tickets sold, the multi-threat powerhouse is firing on all cylinders with the fierce anthem “Straight For The Heart," available Friday (8/8). Striking like a lightning bolt of emotion, the charged-up song demands that even if this love isn’t going to last, one should take the shot and not miss. With soaring vocals and an epic, thunderous chorus, the showstopping track sets the tone for what promises to be a soul-baring and career-defining project.

Most recently, Alexandra added entrepreneur to her growing list of accolades with the launch of her first coffee shop, The Coffee Girl, in her hometown of Waterloo, Illinois. Already known by that nickname thanks to her viral “Coffee Covers” series on social media, she turned her casual morning routine into a must-watch moment, earning millions of views and national attention. Her cover of Dolly Parton’s “Jolene” alone soared past 60M views and caught the eye of country legends like Randy Travis and Tim McGraw, who later invited her out on tour. What began as a front-porch-worthy phenomenon, her cozy kitchen corner quickly evolved into a springboard for her career. Now, with her first business venture, she’s turned  that viral magic into something even more lasting.

Second Wind: The Tour Dates:

Sept. 26 - Atlanta, GA - Variety Playhouse

Sept. 27 - Louisville, KY - Old Forester’s Paristown Hall

Sept. 28 - Nashville, TN - Brooklyn Bowl

Sept. 30 - Cleveland, OH - Agora Theatre

Oct. 1 - Pittsburgh, PA - Stage AE

Oct. 3  - Allentown, PA - Archer Music Hall

Oct. 4 - Boston, MA - Big Night Live

Oct. 5 - Portland, ME - State Theatre

Oct. 7 - New Haven, CT - Toad’s Place

Oct. 8 - Buffalo, NY - Town Ballroom

Oct. 10 - Baltimore, MD - Nevermore Hall

Oct. 11 - Greensboro, NC - Piedmont Hall

Oct. 12 - Knoxville, TN - The Mill & Mine

Oct. 25 - Mobile, AL - Soul Kitchen Music Hall

Oct. 26 - Huntsville, AL - Mars Music Hall

Oct. 28 - New Orleans, LA - House of Blues

Oct. 29 - Little Rock, AR - The Hall

Oct. 30 - Columbia, MO - Rose Park

Nov. 1 - Oklahoma City, OK - Diamond Ballroom

Nov. 2 - San Antonio, TX - Vibes Event Center

Nov. 4 - Tucson, AZ - Encore

Nov. 5 - Anaheim, CA - House of Blues

Nov. 6 - Las Vegas, NV - Brooklyn Bowl

Nov. 8 - Reno, NV - Grand Theatre at The Grand Sierra Resort

Nov. 9 - Boise, ID - Shrine Social Club

Nov. 11 - Colorado Springs, CO - Phil Long Music Hall

Nov. 13 - Wichita, KS - Cotillion Ballroom

Nov. 14 - Lincoln, NE - Bourbon Theatre

Nov. 15 - Clive, IA - Horizon Events Center

Nov. 16 - Milwaukee, WI - The Rave

KEEP UP WITH ALEXANDRA KAY

WEBSITE | INSTAGRAM | TIKTOK | YOUTUBE | X | FACEBOOK

American Television Announce "You Are Not Alone" EP + Release Title Track via Smartpunk Records

American Television is delivering a punchy dose of melodic punk rock to the Smartpunk Records roster with the announcement of their upcoming EP "You Are Not Alone" coming out on September 19. The skate-punk inspired anthems are driven by resilience and resistence that emphasize the transformative power of music.

Pre-order the album here.

Watch the "You Are Not Alone" music video below.

Speaking about the new single, American Television shares, "You Are Not Alone joins a long tradition of songs like Rancid - Radio, Frank Turner - I Still Believe, and Bouncing Souls - Private Radio that talk about the power of music and its ability to connect you with others or take you back to a specific moment in your life."

AMERICAN TELEVISION ON TOUR

Sept 24 - Poetry Lounge - Pittsburgh, PA
Sept 25 - No Class - Cleveland, OH
Sept 26 - Corktown Tavern - Detroit, MI
Sept 27 - Burlington Bar - Chicago, IL
Oct 18 - Jammin Java - Vienna, VA
Oct 24-26 - FEST - Gainesville, FL

ABOUT AMERICAN TELEVISION
American Television is a melodic punk rock band hailing from the Washington D.C. area. They merge a classic skate-punk sound with infectious melody to deliver anthems of resistance and resilience.

The band follows up their previous Smartpunk Records release SCARS with a high-powered, six-song EP featuring songs written to create a sense of community in these dark times, to empower those who feel unseen, and to serve as a reminder for us to work to live, not live to work.

With their new release, American Television wants you to know, You Are Not Alone.

Fermentor - New Album Agreement

FERMENTOR’s latest sonic experiment, Agreement, drops August 15th, 2025. This 17-track instrumental album concludes a trilogy of improvised releases, following Mind Meldand Release Me. Agreement pushes their boundary-defying blend of blistering death metal and sprawling, freeform post-rock to new extremes, delivering cinematic brutality and storytelling without words through instinct-driven chemistry.

The album opens with "Wintry Earth," a bleak, droning descent marked by jagged time signatures, eerie guitar textures, and a brutal death metal finale that sets a tense, violent tone. "Whisper Flesh" follows, a raw improvisation where dissonant loops and jagged grooves shift between blast-heavy death metal and crushing, groove-laden choruses, spiraling into ritualistic heaviness.

"Dead Farm" and "Ceratops" offer contrasting explorations of heaviness. "Dead Farm" channels the primal force of SEPULTURA, seismic pulse of GOJIRA, and progressive sludge of MASTODON with groove-driven intensity. Meanwhile, "Ceratops" unfolds slowly from meditative calm into a cathartic, tectonic climax, showcasing the band’s dynamic range from muscular aggression to patient build.

"More Than Eight" dives into FERMENTOR’s signature improvised chaos, layering guitar loops instinctively over shifting rhythms. "Ghost Girl" ventures further into experimental territory, blurring meditative post-rock and thunderous groove metal with spiraling solos and ethereal textures.

"Roach God" captures raw vulnerability through imperfect, high-wire improvisation where mistakes become defining characteristics - an authentic snapshot of risk and discovery. "Rotted" is a relentless, riff-driven brutal death metal descent, free of loops and culminating in a monstrous breakdown forged in pure instinct.

"Deactivated" builds angular chaos with dissonant grooves, shifting time signatures, and a searing solo, exploding into a triumphant finale. The title track "Agreement" is a study in tension and release, layering palm-muted guitars over hypnotic loops, culminating in a crushing halftime outro, a seismic exhale of raw improvisation and controlled chaos.

"There With That" blends cinematic instincts and epic metal grandeur, balancing atmosphere and intensity with emotional clarity. "Human Caterpillar" immortalizes a glitching guitar pedal feedback during an improvisation, turning technical failure into a chaotic, avant-garde Easter egg and a tongue-in-cheek highlight released on April Fools’ Day.

"Transgression" blasts with thrash-rooted energy, tight cymbal chokes and groove-drenched riffs channeling the band’s early chemistry and old-school aggression. "Hides Behind Hands" offers a rare breath of melancholic reflection, trading brutality for beauty through shimmering loops and restrained percussion, inviting pause and introspection.

"Protohuman" is a kaleidoscopic hybrid of swirling loops, jagged rhythms, and pulverizing eruptions that merge FERMENTOR’s death-thrash roots with fearless experimentation. "Skybeam" unleashes a deafening blast of explosive energy, a chaotic tempest signaling the album’s climax.

Finally, "All Ashes" winds down with reflective melodies and subtle textures, a sonic exhale that gathers Agreement’s sprawling journey into a poignant, meditative farewell.

Agreement stands as a bold testament to FERMENTOR’s fearless embrace of improvisation, raw emotion, and genre-defying exploration. Through blistering death metal, expansive post-rock, and moments of beautiful imperfection, the album captures a journey of friendship, risk, and creative discovery. It invites listeners into a world where chaos and control coexist, forging a powerful, unspoken narrative that lingers long after the final note fades. This is more than an album. It is an immersive experience that challenges expectations and redefines the boundaries of instrumental music.

FERMENTOR is:

  • Dylan Marks - Drummer

  • Adam "Wally" Wollach - Guitarist


ABOUT FERMENTOR:
FERMENTOR is a San Diego-based two-piece instrumental metal band formed in 2008 by drummer Dylan Marks (ATHEIST, BEEKEEPER) and guitarist Adam “Wally” Wollach (BEEKEEPER, TRASHAXIS). Stripping away the comforts of a traditional band infrastructure, FERMENTOR relies solely on communicating through only two elements; drums and guitar. The two instruments acting more like contrapuntal voices, rather than just rhythm and melody.

Their musical chemistry was discovered in the summer of 2008 when the two cousins took advantage of an opening at Wollach’s recording studio. Having never collaborated before and with only four weeks to write and record, they created their first EP entitled Matanzaa.

After a brief period of living on opposite coasts, the duo regrouped and began to push their writing to a new level. With a newfound control of their unique synchronicity, they released two EPs; 2011’s self-titled album Fermentor and its follow up, Rate of Cognitionin 2015.

They quickly garnered a reputation for their explosive and unrelenting high-energy performances atypical of a duo, earning them the opportunities to share the stage with other experimental powerhouses such as BEHOLD!...THE ARCTOPUS, ATOMIC APE, and CAPTURE BY ROBOTS.

In 2020, they released their first full-length album Continuance. A highly creative and progressive album. Continuance plays with the listener’s ear by subverting expectations of tonality and song structure. This critically hailed record is bursting with intricate timings, propulsive arrangements, and unconventional riffing. It also marked the release of FERMENTOR’s first music videos, most notably the incredible video for "Seventh Circle", premiered by Decibel, which saw the duo in a high-energy pursuit of a mysterious orb.

2023 saw the band continuing to push their abilities as well as the conventions of instrumental metal with the release of their next full-length album, Mind Meld. Engineered at Singing Serpent Studios by Ben Moore (TERA MELOS, RETOX) and recorded, mixed, and mastered again by Wollach, Mind Meld showcases the growth and maturity of the duo as well as boasting the highest quality recordings of FERMENTOR’s catalog so far. Additionally, the band employed a unique approach by self-recording everything live, without click tracks or additional layers. Mind Meldreceived major critical acclaim, beloved by existing FERMENTOR fans as well as reaching many new fans through emphasis on more music videos and footage from the studio.

In 2024, FERMENTOR embarked on the FermenTOUR, traveling along the West Coast introducing new audiences to their unique brand of instrumental music.

In January 2025, FERMENTOR continued to challenge themselves and their fans with their latest album, Release Me. 17 tracks of brand new songs completely improvised in the studio, Release Me spans numerous genres, employs live looping and layering in single takes, resulting in the most diverse and innovative music of FERMENTOR’s career. To share the record with the world, FERMENTOR released a song from the album every week for 17 weeks until the date of the album release with accompanying music videos and footage from the studio, massively increasing their reach and acclaim.

Of course, FERMENTOR does not stop there! Relentless in their output, FERMENTOR is announcing yet ANOTHER 17-track, all-improvised album, entitled Agreement. The first track dropped just two weeks after Release Me.

Agreement continues FERMENTOR’s pursuit of unique and highly creative instrumental music, further cementing their use of looping and defiance of genre. Again the group will be releasing a song per week from the record along with music videos and documentation of the recording process.

FERMENTOR will hit the road again in 2025, as they remain ever dedicated to spreading their music and artistic vision to the world!

BATTLE BEAST - anounce new album 'Steelbound' for October 17

Finnish heavy metal powerhouse BATTLE BEAST continues their unstoppable rise with the release of their brand-new single and music video 'Here We Are', out today on all platforms. With this new single, the band officially announces their highly anticipated seventh studio album Steelbound, set to be released on October 17, 2025 via Nuclear Blast. 

'Here We Are' marks the third single taken from Steelbound, and it’s a bold, unapologetic anthem of resilience and unity. Armed with thunderous riffs, powerful vocals, and infectious hooks, the song captures the spirit of overcoming adversity and standing strong together.

Songwriter Joona Björkroth comments:"'Here We Are' captures that moment after the storm has passed — you've faced challenges, been tested, and somehow come through the other side a little stronger, a bit wiser, and perhaps a bit more grounded. Things might not have gone perfectly, but you’ve endured.
The song is a tribute to perseverance and resilience — to standing tall just the way you are, nothing more, nothing less.”

Noora Louhimo adds: "We’ve all been down in the depths - each of us and all of us together. Still we’ve always gotten back up, even if bruised and bloodied. And here we are still, stronger than ever. 
No matter how tough the journey, we’re always stronger when we face it together” 
 

The track is paired with a stunning music video that brings its message to life in true BATTLE BEAST fashion: dramatic, powerful, and visually striking.

Check out the video below.
Listen to the song on all platforms: https://battlebeast.bfan.link/hereweare
Pre-order the album: https://battlebeast.bfan.link/steelbound-album

With Steelbound, BATTLE BEAST embarks on an exciting new chapter, blending classic heavy metal with '80s-tinged hard rock, cinematic synths, and flashes of pop energy. From the defiant title track 'Steelbound' to the emotional punch of 'Last Goodbye,' the album delivers 38 minutes of pure escapism, grit, and joy. It’s a battle cry for the misfits, a celebration for the strong-hearted, and a reminder to throw your worries aside and sing, dance, or headbang — however you choose to rise.

To celebrate the album’s release, BATTLE BEAST will hit the road for a major European tour, kicking off October 17 at Hamburg’s Inselpark Arena — their biggest German headline show to date. The tour will run through mid-December, featuring DOMINUM as special guests and Swedish power metal force MAJESTICA as openers.

HERE WE ARE — together, resilient, and unbroken.

BATTLE BEAST is:
Noora Louhimo | vocals
Eero Sipilä | bass
Joona Björkroth | guitars
Juuso Soinio | guitars
Janne Björkroth | keyboards
Pyry Vikki | drums

Electromancy - Visions of Utopia

ELECTROMANCY is thrilled to announce their new album, Visions of Utopia, arriving September 10th, 2025. Blending the frostbitten chaos of black metal, the crushing weight of doom, and the visceral ferocity of death metal, this seven-track journey dives into the emotional landscape of composer and multi-instrumentalist Steph Tranovich’s experience with chronic illness and disability. From searing despair and cathartic rage to fragile hope, Visions of Utopia is both a sonic onslaught and a testament to perseverance—turning pain into power and offering light to those navigating their own darkness.

Steph shares, “Visions of Utopia doesn’t lose sight of my struggles, but it sees a future that’s bright and hopeful and right over the horizon. These past few years I’ve seen a lot of progress in my health—and also some intense relapse. But I’ve grown again and have been finding ways to really thrive given my disability. This album takes you through that journey: hope, relapse, recovery, and a renewed appreciation for life.”

The album opens with “Intro,” a stark spoken-word track that lays the foundation for ELECTROMANCY’s story. Against a backdrop of haunting ambience and mechanical drone, it unflinchingly recounts the band's origin, their use of robotic instruments as assistive tech, and Steph’s personal evolution through illness. It sets the emotional tone for the record’s fusion of blackened intensity, doomy heft, and experimental death metal edge—grounding listeners in the human experience behind the cybernetic sound.

“Utopic Visions,” the second track, is a defiant incantation for a better world. It acknowledges the crushing weight of personal and collective suffering, but refuses to stop there—choosing instead to conjure something brighter. Downtuned guitars bring weight; piercing highs give shape; glitching synths and swirling textures enhance the hypnotic pull, while Shaun Gallagher’s commanding vocals slice through with clarity and conviction. It’s a dream of Utopia cast in distortion and dissonance, built for those ready to imagine—and fight for—something more.

Track three, “Brief Moments of Total Collapse,” captures the brutal volatility of chronic illness: one moment you’re rising, the next you’re falling harder than before. Its short runtime mirrors the rapid descent into relapse, while sharp dynamic shifts and death metal ferocity channel the whiplash of losing control. It’s a violent flash of vulnerability—a sonic snapshot of how quickly the ground can disappear beneath you.

At the emotional core of the album lies “Nonlinear Healing,” a sweeping ten-minute epic that embraces the messy, spiral-shaped nature of recovery. Weaving between grief and hope, open harmonies and bitter dissonance, it acknowledges that healing isn’t linear—it’s a process full of backslides, slow climbs, and moments of quiet resilience. Blackened textures, mournful doom, and layered melodies mirror this ebb and flow, settling not in triumph, but in steady perseverance. Sometimes, as Steph says, “the only thing we can do is keep moving forward.”

“Repair,” track five, offers a tonal shift—a flash of sunlight after the storm. This short, lively track bursts with playful energy, featuring call-and-response vocals that lift the refrain “up and up.” It’s a reminder that rebuilding can be joyful, even fun; that healing includes laughter, motion, and moments of celebration.

Next comes “Thriving Cyborg,” a groove-laden ode to adaptation and gratitude. Drawing from Steph’s lived experience of thriving with assistive technology, the track celebrates the communities, tools, and creativity that make life possible and fulfilling. Its funk-infused rhythm, bursts of synth, and hands-on manipulation of robotic instruments reflect the seamless blend of organic and inorganic at the heart of ELECTROMANCY’s identity. A brief moment of heaviness nods to continued struggle, but it’s the triumphant, polyrhythmic crescendo that defines this nine-minute track’s spirit—resilient, euphoric, and alive.

Closing the album is “Static Ecstatic,” a meditation on finding joy in the overlooked moments of daily life. Fusing blackened atmosphere, doomy depth, and experimental textures, the song explores the quiet fulfillment that emerges not from grand victories, but from stillness, presence, and the strange wonder of simply existing. It’s a gentle but powerful resolution—a final breath that grounds the listener after a journey of storms. In true ELECTROMANCY form, the record ends not with spectacle, but with hard-won peace.

About ELECTROMANCY:

Forged at the intersection of grief, resilience, and radical creativity, ELECTROMANCY is a boundary-defying black/doom/death metal duo from the Bay Area blending blistering sonic chaos with DIY robotics and raw human emotion. Formed in June 2019 by composer and multi-instrumentalist Steph Tranovich (they/them), alongside co-vocalist Shaun Gallagher (he/him), ELECTROMANCY uses custom-built robotic instruments as a form of assistive technology—enabling Steph to continue making music despite their chronic illness. Their discography, spanning from the brutal Technopagan to the emotionally complex Visions of Utopia, chronicles Steph’s journey through disability and healing, channeling pain, perseverance, and moments of cathartic joy. With influences like THOU, MESHUGGAH, and LITURGY, the band fuses intricate polyrhythms with avant-garde metal, while exploring themes of queer identity, grief, and radical strength. Their live shows are visceral, theatrical experiences—robot guitars and LED-lit mannequins sharing the stage with two unapologetically human voices. ELECTROMANCY isn’t just for metal fans—it’s for anyone searching for something different, something real, and something powerful.

ELECTROMANCY is:

  • Steph Tranovich (they/them) - composition, robotics, vocals

  • Shaun Gallagher (he/him) - vocals

BLACKBRAID Streams New Album 'Blackbraid III' Ahead of Friday's Release

Indigenous solo black metal project BLACKBRAID is anointing fans with an advanced stream of his new opus, 'Blackbraid III.' The album is now streaming in its entirety ahead of its release this Friday, August 8! Listen below.

Vinyl and cassette formats of 'Blackbraid III,' as well as new merch designs, can now be pre-ordered via Blackbraid.US & Blackbraid.EU while the album can be pre-saved across all streaming services HERE.

ICYMI: Blackbraid recently unveiled the latest single, "The Dying Breath of a Sacred Stag," along with a music video via Black Metal Promotions! The clip was created by Wolf Mountain Productions(The Anti-label) and can be found at THIS LOCATION.

BLACKBRAID will also be embarking on a North American headliner later this year with support from Lamp of Murmuur and Dödsrit, with Gudsforladt replacing LoM as support for two Canadian dates. The trek will kick off on September 19 in San Diego, CA and will make its way around the U.S. + Canada until the final stop on October 11 in Los Angeles, CA. The full itinerary can be found below while tickets are available HERE.

In addition, BLACKBRAID is the cover story for Decibel Magazine's September 2025 issue! Fans can order a copy at THIS LOCATION.

Blackbraid is a solo indigenous black metal project from from the depths of the Adirondack wilderness creating music as raw and powerful as the mountains from whence it came… 

The captivating album artwork for 'Blackbraid III,' was created in collaboration with Adam Burke, who handled the painting, and mainstay Blackbraid album artist Adrian Baxter, who did the illustration. The artwork can be found below.

TICKETS

BLACKBRAID North American Tour w/ Lamp of Murmuur + Dödsrit,:

09/18: San Diego, CA @ Brick By Brick

09/19: Phoenix, AZ @ Last Exit Live

09/20: Albuquerque, NM @ Launchpad

09/22: Dallas, TX @ Trees

09/24: Atlanta, GA @ Masquerade (Purgatory)

09/25: Greensboro, NC @ Hangar 1819

09/26: Baltimore, MD @ Metro Gallery [SOLD OUT]

09/27: Brooklyn, NY @ The Meadows [LOW TICKET WARNING]

09/28: Albany, NY @ Empire Live

09/30: Boston, MA @ Middle East (Downstairs) [LOW TICKET WARNING]

10/01: Montreal, QC @ Café Campus *

10/02: Toronto, ON @ Velvet Underground * [LOW TICKET WARNING]

10/03: Lakewood, OH @ Mercury Music Lounge

10/04: Chicago, IL @ Reggies [SOLD OUT]

10/05: St. Paul, MN @ The Turf Club [LOW TICKET WARNING]

10/07: Denver, CO @ HQ

10/08: Salt Lake City, UT @ Urban Lounge

10/10: Oakland, CA @ Thee Stork Club [LOW TICKET WARNING]

10/11: Los Angeles, CA @ 1720

*w/ Gudsforladt, no LoM

BLACKBRAID Upcoming Festivals:

08/23: Eisfeld (DE) @ Wolfszeit Festival

12/19: Leipzig (DE) @ Black Hole Fest Germania III - Frost Edition

04/05/26: Munich (DE) @ Dark Easter Metal Meeting

Creator of Blackbraid: Sgah’gahsowáh

'Blackbraid III' Album Credits:

Composed & performed by Sgah'gahsowáh

Drums, recording, mixing & mastering by Neil Schneider 

Guitar solo in “God of Black Blood" performed by Randy Moore

“Fleshbound" originally composed by Lord Belial

Painting by Adam Burke

Illustration by Adrian Baxter

Visual development & graphic design by Wolf Mountain Productions 

Follow // Listen:

Bandcamp

Spotify

Apple Music

YouTube

Instagram

Shop/Pre-order:

Official Merch Store (USA)

Official Merch Store (EU) 

Blackbraid is an independent artist and is not contracted to or owned by any music label. 

BELPHEGOR Unleash Ferocious New Single “Sanctus Diaboli Confidimus," Band Signs with Reigning Phoenix Music

The unrelenting force of diabolical Black Death Metal, BELPHEGOR, returns with a blazing new single: “Sanctus Diaboli Confidimus.” Forged in chaos and crowned in blasphemy, the track marks a savage invocation of what is yet to come.

This release marks BELPHEGOR’s first under their freshly inked deal with Reigning Phoenix Music (RPM), setting the stage for a powerful alliance between one of extreme metal’s most revered entities and one of the scene’s most ambitious new labels.

Helmuth, the band’s co-founder and guiding force, shares: “It’s great to be working with Gerardo Martinez once again. He believed in Belphegor early on and was the one who brought us to North America in 2006. I look forward to a powerful new chapter with RPM.”

Gerardo Martinez, co-founder of RPM, echoes the sentiment: “Helmuth, Belphegor and I go back to 2006 and I'm extremely thrilled to be able to continue working with one of the best proponents of Black Death Metal art. Welcome to RPM! Here's to many more years of great music!”

On “Sanctus Diaboli Confidimus,” Helmuth describes: “A symbiosis of diabolical Black Death Metal. A glorification of the Devil. A hypnotic anthem of passion, fire and iron discipline. It stands for the absolute freedom to walk your own path, to reign within your own realm.”

About BELPHEGOR:

Since their formation in 1993 in Austria, BELPHEGOR have stood as one of the most brutal and transgressive forces in black death metal. Founded by vocalist and guitarist Helmuth Lehner, the band has spent over three decades refining a sound forged in fire and sacrilege, merging the violent precision of death metal with the ritualistic darkness of black metal.

Their musick is an invocation of infernal power, a soundwall of relentless blasphemy.

From the raw intensity of early releases like The Last Supper (1995), Blutsabbath(1997), and Necrodaemon Terrorsathan (2000), to the increasingly sophisticated compositions found on albums such as Lucifer Incestus, Bondage Goat Zombie, Pestapokalypse VI, and Totenritual, BELPHEGOR have continually pushed the boundaries of extreme musick. Each release marks a further descent into forbidden territory.

The band’s thematic focus with ritual magick, religious inversion, and arcane symbolism is matched by their technical mastery, multilingual lyrics, and sonic experimentation.

With their twelfth studio album The Devils (2022), BELPHEGOR delivered one of their most punishing and ambitious records to date.

Recorded at Fascination Street Studios with producer Jens Bogren, the album features nine meticulously crafted compositions that shift seamlessly between feral aggression and solemn majesty.

Tracks such as Glorifizierung des Teufels and Virtus Asinaria - Prayer incorporate choral passages and ritualistic structure, while Damnation - Höllensturz unfolds with a dynamic complexity that further amplifies the band’s compositional vision.

Lyrically, the album weaves together German, Latin, and English to cast incantations of death, desecration, and rebellion against sacred order. Accompanied by visionary artwork from Seth Siro Anton, The Devils stands as a high point in Belphegor’s canon and underscores their continued relevance in the global extreme metal landscape.

Following the success of The Devils, BELPHEGOR were honored with the 2023 Amadeus Austrian Music Award in the Hard and Heavy category, a rare moment of formal recognition in Austria for a band that has long walked a path far removed from mainstream acceptance. This accolade acknowledges their artistic legacy and highlights the contrast between their recognition and the transgressive nature of their craft.

Renowned for their intense live rituals, BELPHEGOR have toured relentlessly across Europe, the Americas, Asia, Australia, and beyond. They have appeared at Wacken Open Air, Knotfest, Bloodstock, Hellfest, Tons Of Rock, Sweden Rock, and numerous other prestigious metal festivals. Their stage presence is more than a performance, it is a ceremony of magick and infernal theatre, where sound, smoke, blood, and fire converge in a communion with darkness.

Now, as the band approaches its thirteenth studio album, a deeper and more arcane force begins to stir. The number thirteen bears ancient meaning: endings, thresholds, and the passage into the unknown. Rooted in primordial doctrine, the thirteenth seal is said to bind the final veil between worlds, the last barrier between order and chaos.

With this upcoming release, BELPHEGOR prepares to break that seal, not to follow, but to lead. To summon what lies beyond even their own previous creations: something more primal, more ritualistic, more devastating.

Early glimpses of new material point to a continuation of the dark artistic path begun with The Devils, now delving even deeper. The upcoming album takes shape as a focused ritual: precise, uncompromising, and rooted in the band’s unmistakable vision, the glorification of the Devil.

Prepare. The next chapter is imminent. 

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British Melodic Rock Legends FM Release Anthemic Rock Single “Don’t Call It Love” + Music Video

Today, British melodic rock legends FM are pleased to release their new single “Don’t Call It Love,” the second single taken from their highly anticipated 15th studio album 'Brotherhood,' due out on September 5th via Frontiers Music Srl.

"Don't Call It Love" is a compelling rock anthem tailor-made for rock radio and arrives alongside an official music video, available below.

FM’s founding member and bassist Merv Goldsworthy comments on the new track:

“’Don't Call It Love’ is an up-tempo old-school AOR track with a very 80s feel. It was one of the last songs written and recorded for the 'Brotherhood' album. It’s a definite candidate for the live set and rock radio.”

Check Out the Music Video for "Don't Call It Love"

It’s no surprise that FM’s upcoming album 'Brotherhood' continues to showcase their signature blend of hook-laden AOR and blues-tinged hard rock that solidifies their status as masters of the genre.

'Brotherhood' showcases a band at the top of their game with highlights including an infectious anthem "Living on the Run," anthemic rocker “Don’t Call It Love,” the punchy and powerful "Coming For You," and the emotionally charged "Time Waits For No One," all tracks that echo the spirit and melodic strength of FM’s early classics, while being unmistakably fresh and vibrant.

Opening track, "Do You Mean It," brings a bluesy, soulful vibe that echoes the Doobie Brothers’ classic “Takin’ It To The Streets” sound, setting the tone for the album. 'Brotherhood' also features one of FM’s most powerful ballads to date, "Just Walk Away" – a beautifully emotional song that highlights the band's mastery of melodic rock. Wrapping up the album is "The Enemy Within," a track that introduces exciting new sonic ideas while retaining the powerful and melodic qualities FM fans love.

Supporting vocals from a female guest choir add warmth and dynamic depth to "Do You Mean It" and "Just Walk Away," perfectly complementing Steve Overland’s consistently exceptional lead vocals.

Overland comments on the new album:

“I am proud of the new album. It is one of our strongest song albums to date. It is another milestone, as it’s FM’s 15th album. It’s very well-paced and has great variation in song styles throughout. The album’s big ballad, 'Just Walk Away,' is one of our best. I hope our fans feel the same way as we do about 'Brotherhood.'"

Pre-Order 'Brotherhood' HERE

Formed in the 80's by the Overland brothers, FM are one of the UK's seminal and respected rock bands. The new album was recorded by FM’s long-standing and beloved line-up including founding members Steve Overland, Merv Goldsworthy, and Pete Jupp, alongside keyboard player Jem Davis and guitarist Jim Kirkpatrick.

 

To promote 'Brotherhood,' FM will embark on a major UK headline tour in September 2025 with 14 confirmed shows, followed by European dates in early 2026. Visit FM’s official websitefor tickets.

FM are:

Steve Overland – Vocals, guitar

Merv Goldsworthy – Bass

Pete Jupp – Drums

Jem Davis – Keyboards

Jim Kirkpatrick – Guitars

Creeper to Release "Sanguivore II: Mistress of Death" on 10/31 + Band Shares "Blood Magick (It's A Ritual)" Video

The Sanguivore album took Creeper's already larger-than-life ambition to new heights, leading to the most intense critical acclaim of their career and culminating in their first arena headline show at London's OVO Wembley Arena. Historically, the end of one Creeper era sees the band slam the coffin shut as they once again reinvent themselves. But this time, Creeper defy expectations by expanding the previous record's creative universe, returning with Sanguivore II: Mistress of Death on October 31 through Spinefarm.

Creeper further preview the album with the new single "Blood Magick (It's A Ritual)." Built on a classic serrated '80s metal riff, it could well be their most theatrical moment yet. Its killer calling card is its vocal interplay: William Von Ghould's commanding, Germanic intonation enshrouded by the bewitching allure of Hannah Greenwood's backing vocals.

Sanguivore II: Mistress of Death is a thematic sequel rather than a direct continuation of the original story. Like a classic horror anthology it spins a new tale from the same bloodline as the original, this time using its bloodied vampiric heart as the common thread to introduce a brand new narrative. The tale takes us back to the moral hysteria that was the Satanic Panic and its impact upon the world of '80s hard rock and heavy metal. It was a time in which the late Prince of Darkness, Ozzy Osbourne, and Judas Priest were dogged by court cases. Iron Maiden played deep into America's heartland, while W.A.S.P. and Mötley Crüe inflamed conservative minds with outrageous theatricality and decadence.

William Von Ghould introduces the story, saying,"Beneath the flashing neon of a distant dream, a rock and roll nightmare is coming true. A vampire band rampages across 1980s America, leaving only corpses behind. But on the horizon, a shadow stirs. Part-slasher, part-Satanic Panic nightmare, a new force rises through the mist, ready to hunt the hunter. The Mistress Of Death is a vampire huntress on a path to end this vampire bloodline for good. But can she stake their hearts before the final curtain falls?"

Creeper play the role of the fictional band on a record which is razor sharp with demonic power and devilish black humor. It's a sequel in which the band summon the spirits of rock history, darting between harmonic and dueling guitars from co-founder Ian Miles and new recruit Lawrie Pattison that recall the majesty of Priest and Maiden. They soar through towering hooks that channel the biggest hits of the stadium rock era with their maximalist sound encompassing darkwave synths, art-rock sax, and multi-layered vocal harmonies.

After the frenetic punk thrills of "Headstones" and the video which first introduced Creeper as the fictional band on stage in full theatrical chaos, the new "Blood Magick (It's A Ritual)" visual shifts the focus to the hedonism and evil happening behind the scenes while they're on tour. Directed by Harry Steel, it blends original footage with curated stock to capture the grimy surrealism of Rob Zombie's House of 1000 Corpses and the fever dream energy of Oliver Stone's Natural Born Killers.

The result, says William, is "a blood-soaked, sexed up, psychedelic vampire rock fantasy and easily one of the wildest videos we've ever made."

As with the original, Sanguivore II: Mistress of Death was produced by Tom Dalgety (Ghost, Rammstein, Royal Blood).

Sanguivore II: Mistress of Death is available to pre-order HERE.

Physical formats are led by three vinyl products: A Creeper purple vinyl, a mistress purple marble vinyl available through select indie stores, and a blood red marble vinyl in gatefold packaging, which is exclusive to the band's official store.

The Creeper store also offers an exclusive two-tape rave case packaging both Sanguivore and Sanguivore II: Mistress of Death, while a mintpak CD is available through all retailers.


Creeper are set to hit the main stage at Bloodstock on August 9, before they tour the UK as special guest to Ice Nine Kills in December.

Pinkshift Share "Reflection" + "Don't Fight" Double Single"

Maryland trio PINKSHIFT will drop their new album EARTHKEEPER on August 29 via Hopeless Records. Pre-order it here. 

Today, the band has shared the double single "Reflection" + "Don't Fight." Listen here.

Watch the "Don't Fight" video below.

The songs showcase the dual nature of the album and, ultimately, the band.

"'Don't Fight' and 'Reflection' are opposite ends of Earthkeeper," singer Ashrita Kumar says. "They kind of balance each other out. 'Don't Fight' is grief ignited by anger, and' Reflection' is softness in power."

Kumar continues, "'Don't Fight' came from an idea [guitarist] Paul [Vallejo] brought to the band, and that's him singing the choruses. They inspired me in a time of grieving, and I felt drawn to something less melodic. My verses are more like shouted poems, feeling a sense of discord and anguish. 'Reflection' is, on the other hand, written from a place of feeling softness and lightness. That reflection is the presence of the Earthkeeper, my friends beyond the veil, and my ancestors. I feel the grief of their loss, but maybe our relationship is more magical now in ways that I can't understand all the time. Their time on Earth, in my life, shaped who I am today. That version of me can choose how I'd like to see the world."

A true balance, indeed.

Pinkshift will soon embark on a headline tour and in-store activities around album release on the East Coast and in their native Baltimore. All upcoming appearances and dates are below.

IN-STORE APPEARANCES:
8/27 — Rough Trade — New York, NY (6pm)
8/28 — Repo Records — Philadelphia, PA (7pm)
8/30 — Sound Garden— Baltimore, MD (4pm)

PINKSHIFT ON TOUR:
9/27 — Brooklyn, NY — Under the K Bridge Park
10/4 — Baltimore, MD — The Amphitheatre at the Inner Harbor
10/10 — Asbury Park, NJ — Asbury Lanes
10/11 — Richmond, VA — Richmond Music Hall
10/12 — Carrboro, NC — Cat's Cradle Backroom
10/14 — Atlanta, GA — The Masquerade
10/15 — Orlando, FL — Conduit
10/17 — Houston, TX — White Oak Music Hall
10/18 — Austin, TX — The Ballroom
10/19 — Dallas, TX — Club Dada
10/21 — Phoenix, AZ — Rebel Lounge
10/22 — San Diego, CA — The Voodoo Room
10/23 — Santa Ana, CA — Constellation Room
10/24 — Los Angeles, CA — The Echo
10/25 — San Francisco, CA — Bottom of the Hill
10/27 — Portland, OR — Polaris Hall
10/28 — Seattle, WA — Neumos
10/30 — Salt Lake City, UT — Kilby Court
11/01 — Denver, CO — Marquis Theater
11/02 — Lawrence, KS — Bottleneck
11/04 — Minneapolis, MN — 7th Street Entry
11/05 — Chicago, IL — Bottom Lounge
11/07 — Detroit, MI — The Sanctuary
11/08 — Cleveland, OH — Mahall's
11/09 — Pittsburgh, PA — Thunderbird Music Hall & Café
11/11 — Toronto, ON — Hard Luck Bar
11/13 — Boston, MA — Brighton Music Hall
11/14 — Hamden, CT — Space Ballroom
11/15 — Philadelphia, PA — First Unitarian Church
11/16 — Washington, DC — Atlantis

AGENBITE MISERY - Remorse of Conscience

AGENBITE MISERY is a New Hampshire-based trio whose debut album Remorse of Conscience is one of the most ambitious concept records to emerge from the modern extreme metal underground. Formed in late 2022 by guitarist Sam Graff, bassist Cam Netland, and drummer Adam Richards, the band began with a deceptively simple idea: to adapt James Joyce’s Ulysses into an experimental metal album. What emerged from that idea is a 55-minute odyssey of layered sonic aggression and literary depth, an album that blends blackened sludge, dissonant death metal, post-punk, ambient drone, and more into a singular, genre-defying statement of purpose.

The name AGENBITE MISERY is itself a reflection of the band’s literary roots, pulled from a line in Ulysses that references the 14th-century English devotional text Agenbite of Inwit. The phrase, literally “again-bite of inner wit,” or modernized as “remorse of conscience," became the perfect thematic and philosophical framework for an album steeped in grief, alienation, and the search for meaning in modern life. The band’s name was chosen because it reflects the deep, biting sorrow that pervades the novel and their music. Though the original pronunciation might have been “ah-jehn-bite,” the band opts for a harder, contemporary “ae-ghen-bite” as a nod to their mission of dragging ancient texts into the present.

Remorse of Conscience was written over the course of 2023 and recorded in 2024, entirely self-produced by the band, with mixing by Eric Sauter and mastering by Brad Boatright. The recording sessions were a direct extension of the trio’s collaborative ethos: a commitment to honesty, maximalism, and transformation. Each of the album’s eight songs adapts a chapter from Ulysses, using lyrics pulled directly from Joyce’s prose and reshaping them into brutal, beautiful sonic forms. The band sees each track not merely as a song but as a new translation, an attempt to convert stream-of-consciousness literature into aural energy.

About AGENBITE MISERY:

AGENBITE MISERY is a New Hampshire-based trio that fuses literary ambition with the visceral force of experimental metal. Formed in 2022 by guitarist Sam Graff, bassist Cam Netland, and drummer Adam Richards, the band emerged from a shared academic background in literature and a mutual devotion to the most extreme and boundary-pushing corners of heavy music.

At its core, AGENBITE MISERY is a project rooted in transformation. Their work doesn’t merely incorporate influences, it dismantles them, reshapes them, and recontextualizes them within a vision that is as cerebral as it is punishing. Their sound weaves together elements of black metal, sludge, death metal, post-punk, ambient, and noise rock, unified not by style but by intent: to confront, to immerse, and to challenge.

Individually, the members bring a history of musical experimentation: Sam Graff and Adam Richards were longtime collaborators in the avant-garde project UNDER GREEN SUNS and the Boston metalcore outfit VICARIUM, while Cam Netland previously fronted the Connecticut stoner/black metal band COAGULATE. Together, they’ve forged something entirely distinct, a collective voice that draws from their diverse histories but refuses to be defined by any one genre or scene.

AGENBITE MISERY exists at the edge of metal and the margins of modern art, translating abstract ideas into concrete sound with unrelenting force. Whether performing live or recording in isolation, their ethos remains constant: dig deeper, aim higher, and never repeat what has already been done.

AGENBITE MISERY is:

Sam Graff – Guitars / Vocals / Synth
Cam Netland – Bass / Vocals
Adam Richards – Drums / Vocals

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