Hootie & the Blowfish Announce Daily Schedule for 'HootieFest: The Big Splash' Concert Event in Cancún, April 26-29

HOOTIEFEST: THE BIG SPLASH ANNOUNCES
OFFICIAL PERFORMANCE SCHEDULE

An All-Inclusive Concert Vacation Curated by Hootie & the Blowfish
April 26-29, 2023 | Riviera Cancún, Mexico


Performances by Barenaked Ladies, Goo Goo Dolls, Collective Soul & More
Additional Excursions Throughout the Yucatan Peninsula to Be Announced

As anticipation builds for their annual destination concert vacation, HootieFest: The Big Splash, Diamond-certified band Hootie & the Blowfish has announced the official performance schedule for April 26-29, 2023. Hosted on a picturesque stretch of white sand beach at Moon Palace Cancún, the four-day celebration of all things rock will feature three headlining performances on the beach by the GRAMMY Award-winning band, as well as daily pool parties, intimate oceanfront performances from Goo Goo DollsBarenaked LadiesCollective SoulGin BlossomsEverclearEdwin McCainLit and Cowboy Mouth as well as a special Hootie & the Blowfish sunset show.
 
Wednesday, April 26
6:15pm Lit
7:45pm Edwin McCain
9:45pm Hootie & the Blowfish
 
Thursday, April 27
1:00pm Voice of Harold (Pool Party)
6:30pm Occasional Milkshake
8:00pm Gin Blossoms
10:00pm Goo Goo Dolls
 
Friday, April 28
1:00pm Cowboy Mouth (Pool Party)
6:30pm Hootie & the Blowfish (Sunset Show)
8:00pm Everclear
10:00pm Barenaked Ladies
 
Saturday, April 29
1:00pm HootieFiesta (Pool Party)
6:15pm Cowboy Mouth
7:45pm Collective Soul
9:45pm Hootie & the Blowfish
 
HootieFest event packages include all-inclusive resort accommodations, concert access, roundtrip airport transportation, 24-hour room service and more. A limited number of rooms remain across Moon Palace’s resort properties: Sunrise, Golf Course and The Grand. To browse available package options and view more details, please visit www.hootiefest.com.
 
In addition to daytime entertainment, curated activities and nightly concerts, guests are encouraged to explore Mexico’s natural beauty and rich ancient culture during their HootieFest trip via various off-site adventures. Excursion opportunities include diving in underground cenotes, visiting the lost capital of Chichen Itza, discovering the hidden gems of nearby Isla Mujeres, sailing on luxury catamarans and more.
 
HootieFest: The Big Splash’s ongoing commitment to a comprehensive greening program continues in partnership with Moon Palace, which has been designated as a low carbon tourism provider. In addition to a single-use plastic-free concert area, all waste discarded throughout the resort will be sorted during the event and diverted from landfill. These efforts result in more responsible and sustainable event production while directly contributing to the fight against climate change.
 
HootieFest: The Big Splash will continue to closely monitor relevant recommendations and guidelines from the CDC, the WHO and local authorities in order to prioritize the health and safety of all guests, artists and staff. 
 
For more information about HootieFest 2023, including how to book all-inclusive packages and payment plan details, please visit: www.hootiefest.com.
 
About Hootie & the Blowfish
With the rich, bluesy vocals of Darius Rucker and gleeful harmonies of guitarist Mark Bryan, bassist Dean Felber and drummer Jim “Soni” Sonefeld, Hootie & the Blowfish have sold over 25 million records worldwide to date after their infectious melodies hit the airwaves in 1994 with hits such as “Hold My Hand,” “Let Her Cry” and “Only Wanna Be With You.” The quartet met at the University of South Carolina where endless gigs at frat houses and local bars built a major local buzz. Their blend of pop, folk, blues, soul and rock made them hard to pigeonhole, but easily accessible to anyone who loved good music.
 
Atlantic Records, impressed by their regional draw, signed them and released Cracked Rear View in 1994. The album had been out for six months before the band played on the “Late Show with David Letterman” which sent sales skyrocketing, eventually landing at No. 1 on the Billboard chart the following spring. Cracked Rear View and the band went on to win two GRAMMY Awards, an MTV Video Music Award, a Billboard Music Award and multiple People's Choice Awards. Cracked Rear View also earned the band Billboard's Band of the Year Award in 1996 and the RIAA's Diamond Award for sales in excess of 10 million units. At 21x Platinum, Cracked Rear View remains among the Top 10 best-selling studio albums in music business history.
 
The band remained a top draw nationwide following their debut and released five more albums for Atlantic: Fairweather JohnsonMusical ChairsScattered, Smothered & CoveredHootie & the Blowfish and The Best of Hootie & the Blowfish, as well as Looking For Lucky on their own Sneaky Long Records and LIVE in Charleston, The Homegrown Concert Event DVD and CD. The band took a break from full-time touring in 2007, reuniting annually for a variety of philanthropic events while also pursuing solo projects. 2019 marked the band's first full-time touring year in over a decade as they embarked on the sold-out Group Therapy Tour in support of Imperfect Circle, released in late 2019 under a new record deal with Universal Music Group’s Capitol Nashville.
 
About Palace Resorts
With ten oceanfront resorts overlooking sparkling turquoise waters, Palace Resorts sets the highest standards for five-star all-inclusive vacations in Mexico and Jamaica. Offering luxurious and spacious accommodations accentuated by signature in-room double whirlpool tubs, nightly entertainment, the Caribbean & Mexico’s most extravagant spas, a premier Jack Nicklaus signature golf course, Palace Resorts sets the stage for a truly exceptional experience for travelers. The unparalleled level of service and comfort found at each property makes Palace Resorts a leading provider of world-class resort vacations. For more information, visit www.palaceresorts.com

NYC's Gramercy Arms share Magic Door Session for 'Yesterday's Girl', previewing 'Deleted Scene' LP

"Gentle and perfectly arranged, it is both calming and genuine, straightforward and talented, giving space and voice everywhere that the song and its story requires. A hidden Americana-indiepop gem, Gramercy Arms show that music truly is a journey"~ The Spill Magazine

"A slice of mature, soulful pop, gentle and refined, a swirl of gorgeous boy-girl harmonies, laced with elegant guitar lines and the perfect balance between a slightly nostalgic then and a now calling out for such astute, chart-friendly pop. A future classic" ~ Big Takeover Magazine

"Melancholic yet radiant, emotively shadowed but joyfully rousing, Yesterday’s Girl swiftly and keenly had the body swinging and pleasure bubbling, its melodic jangle and rhythmic kneading just as magnetic" ~ Ringmaster Review


To kick off the brand new year, NYC indie rock outfit Gramercy Arms is releasing an acoustic performance of their Americana-tinged single 'Yesterday’s Girl', recorded live at the Magic Door Recording Studio in Montclair, NJ.

'Yesterday's Girl', a bittersweet remembrance of love lost and friendship regained, is the first single from their 'Deleted Scene' album, scheduled for release via the Magic Door Record Label in spring of 2023. The colorful video for the album version was directed by acclaimed visual artist Debora Francis.

Co-written by Gramercy Arms frontman Dave Derby and music legend Lloyd Coleand originally penned for Darlene Love’s solo album 'Introducing Darlene Love', the song was artfully reimagined by Derby and producer Ray Ketchem as a duet with Derby and Renée Lo Bue (Elk City, Flowers of America).

Gramercy Arms is a revolving New York-based collective of musicians and artists, masterminded by Dave Derby (The Dambuilders, Lloyd Cole). Inspired by the artistic heyday of ‘70s and ‘80s-era New York City, Gramercy Arms makes addictive indie pop - exquisite hook-laden melodies filled with lyrics that will have you floating back in time, remembering your favorite mistake.

Produced, recorded and mixed by Ray Ketchem (Guided By Voices, Luna, Elk City) at Magic Door Recording with additional recording by Lloyd Cole, this album was mastered by award-winning engineer Greg Calbi (John Lennon, David Bowie, Bruce Springsteen, Talking Heads, Patti Smith, Tom Petty, Bill Frisell, Todd Rundgren).

“As I recall, we wrote very quickly hoping to channel Springsteen channeling Spector, with copious help from Blanton’s of Kentucky,” says Lloyd Cole.  “I’d completely forgotten it until Dave presented this version and it feels like I won the lottery. It is wonderful. Very happy to have my name in the credits."

Renée Lo Bue discusses recording the song: “Being asked to sing 1/2 of the lead part on "Yesterday's Girl" was a wonderful surprise. I showed up at Magic Door Recording prepared to do backing vocals. It was Ray Ketchem who suggested a duet during the session. It's an honor to sing the female lead part on a Lloyd Cole/Dave Derby penned song originally written for Darlene Love …”

Lyrically driven and rich on vocal-harmony, interspersed with elements of 60s sunshine pop and folk-rock, 'Deleted Scene' is the group’s third full-length album, following 'The Seasons of Love' (2012) and 'Gramercy Arms'. This star-studded affair involves members of Guided by Voices, Phillip Glass Ensemble, The Dambuilders, Nada Surf, Luna, Elk City, Aeon Station, The Little River Band, Lloyd Cole and the Negatives, Elk City and Joan As Police Woman, among others.

'Yesterday's Girl' is out now, available across online platforms, including Apple Music and Spotify, as well as Bandcamp, where the album can be pre-ordered.

CREDITS
Produced, Recorded & Mixed by Ray Ketchem at Magic Door Recording
Additional Recording by Lloyd Cole
Mastered by Greg Calbi at Sterling Sound
'Yesterday’s Girl' written by Lloyd Cole and Dave Derby
Publishing Passive-Aggressive BMI / Warner-Chappell
Dave Derby - vocals, guitar, bass guitar,  
Renée Lo Bue - vocals
Kevin March - drums
Mike Errico - guitars
Lloyd Cole - guitars
Artist photos by Max Skaff

LIVE SHOWS
Jan. 11  NEW YORK - Sid Gold's Request Room
Jan. 21   BROOKLYN, NY - Pete's Candy Store (10pm)
Feb. 22   BOSTON - Midway Cafe (album release show)
Feb. TBD  NEW YORK CITY (album release show)


Keep up with Gramercy Arms
Website | Bandcamp | Facebook | Instagram | Twitter | YouTube | Soundcloud  | Apple Music | Spotify | Press contact

Keep up with Magic Door Label
Facebook | Twitter | Instagram | Soundcloud | YouTube | Press contact

Keep up with Shameless Promotion PR
Website | Facebook | Twitter | Soundcloud | Instagram | LinkedIn | Email

South Carolina's The Yets share dreamy Cocteau Twins-inspired single "Letter To A Boy' from debut EP

"An exquisite sonic document that manages to make life's various events, including disappointments and tragedy, sound heavenly, gently gliding through this series of compositions" ~ Amplify Music Magazine

"An almost perfect union between prime Cocteau Twins and prime mid-seventies (or any period) L.A. version of Fleetwood Mac, with Wilson’s vocals and Snook’s guitars at the forefront" ~ Rock At Night Magazine

"Steeped in the tropes of quintessential vintage alternative pop... With a broad pallet of tuneful wistfulness and textured, layered instrumentation, coupled with some smart and sensitive production, The Yets have landed with a seriously accomplished debut" ~ Aural Aggravation


What better way to announce the new year than with a letter? South Carolina-based alternative pop duo The Yets are doing just that with their new video for 'Letter To A Boy'.  This is the latest offering from their self-titled EP, a six-track debut offering indie pop sensation and sonic temptation with a fresh, but seemingly familiar, adult alternative vibe.

Haunting, dynamic and smooth, they transform the classic to contemporary, counting Roxy Music, David Bowie, Siouxsie and the Banshees, The Cult, Cocteau Twins, Pink Floyd and even Soundgarden among their musical influences.

The Yets is the creative union of Robin Wilson on vocals and guitarist-producer Craig Anderson Snook, who met when Robin returned to her home state after some years in Georgia. Earlier, the duo released two audio-visual offerings for the singles 'Remember' and 'Lesser Evil'.

“Somewhere at the intersection of sound and emotion lies the description of those things we all treasure the most, 'Letter To A Boy' is about that special feeling a mother has for her son. It’s unique and difficult to express. It's extremely hard to put so much feeling into so few words.  Lyrically, it’s the most challenging I’ve ever done.  It’s also the most rewarding,” says Robin Wilson.

Based in Myrtle Beach, South Carolina, their music combines elements of ethereal pop and popular rock classics with a sound embracing Fleetwood Mac and Cocteau Twins in equal measure. Breeding and bearing a distinct Americana lining, this EP is an emotively cast and atmospherically delightful proposition.

"In a very general sense, this album is about life:  the passage of time, relationships and the consequences of the choices we make along the way. I’ve always wanted to bare my musical soul, but never had the right vehicle. That musical soul has always wanted to speak to the world, but never had the right voice. The Yets is that vehicle and Robin is that voice,” says Craig Anderson Snook, who has performed semi-professionally since he was 13. His musical passion led him beyond cover bands into composition, arrangement, audio engineering, production and ultimately to running his own Royal Terns Records label and studio, where he recorded, mixed and produced the new EP.

After being immersed in the music scene while in high school, Robin found her way to the University of South Carolina in Columbia, where she fronted the goth-rock band Bachelors of Art (B.O.A.). Upon relocating to Atlanta, Georgia, she fronted the female alt-rock group Skirt, touring the USA extensively and supporting numerous high profile acts.

“My previous musical endeavors were always hard rock-based. I wasn’t involved with the actual songwriting, except for my vocal melodies and lyrics. With The Yets, I’ve broken that mold, helping to compose and produce a whole new sound. I’ve combined my artwork and media arts degree into the whole creative package. We recorded and produced our own CD in our own studio. We created our own videos and designed and built our own website," says Robin Wilson.

'The Yets' EP is out now, streamable via Spotify and available to order, digitally or on CD, directly from the band via Bandcamp.

CREDITS
All songs written and performed by The Yets
Robin Wilson - vocals, keyboards & lyrics
Craig Anderson Snook - guitars & everything else
Recorded, mixed and produced by Craig Anderson Snook
at Royal Terns Records
Mastered by Craig (Royal Terns Records) and Jay Matheson (The Jam Room)
© 2022 Craig Anderson Snook/Robin Wilson Snook (BMI)
Video by Robin Wilson

Keep up with The Yets
Website | Facebook | Bandcamp | Instagram | Twitter | Soundcloud | YouTube | Apple Music | Spotify | Amazon | Press contact

Keep up with Shameless Promotion PR
Website | Facebook | Twitter | Soundcloud | Instagram | LinkedIn | Email

HORRENDOUS Completes Work on New Album, Announces U.S. Live Dates

Progressive death metal entity HORRENDOUS has completed work on their fifth studio album, which will be released later this year by Season of Mist! More info will be revealed soon!

Additionally, the band will be performing a slew of shows in the United States, including appearances at Subterranean Dissonance Fest in Philadelphia, PA and Northwest Terror Fest in Seattle, WA! The full itinerary can be found below! Fans who attend these shows will get an exclusive first look at the new album as HORRENDOUS will be performing several new tracks!

 

HORRENDOUS will be following up 2018's 'Idol,' which was named one of the best albums of 2018 by Pop Matters (#4), Invisible Oranges (#5), Metal Injection (#9), Revolver Magazine (#24), Decibel Magazine (#28), and Pitchfork.

'Idol' also found itself scoring several placings across the U.S Billboard charts, peaking at #16 Current Hard Music Albums, #25 on the Heatseekers chart, #55 on the Record Label/Independent Current Albums chart, and more.

'Idol' can be ordered, streamed, and downloaded HERE.

HORRENDOUS Live U.S. Dates:
02/10: Brooklyn, NY @ Saint Vitus [TICKETS]
02/11: Philadelphia, PA @ Subterranean Dissonance Fest [TICKETS]
05/25-27: Seattle, WA @ Northwest Terror Fest [TICKETS]

Drawing inspiration from both personal and national crises, 'Idol's' music is a methodical and unapologetic take on dynamic, progressive death metal. The album sees HORRENDOUS at the highest echelon of  their musical creativity to date. Thematically, the ambitious new album is an exploration of defeat, of the gods we build in our minds to escape the responsibility of action and change as we relinquish our agency. The music in 'Idol' mimics this act of deity building, with sprawling compositions that are imposing in scope and mirror the great turmoil of our times. Tracks such as "Soothsayer," "Golgothan Tongues," and the monumental "Obolus" position the band in a league of their own, as one of the death metal's leading new entities.


HORRENDOUS formed in 2009. The band's three founding members (Damian Herring - guitar, vocals, Matt Knox - guitar, vocals, Jamie Knox - drums), driven by a desire to capture and rekindle the mystique of a bygone era in the history of metal, fused elements from progressive metal, old school death metal, and more, into a cohesive sonic landscape. These initial compositions resulted in the of release their debut full-length 'The Chills' in 2012. The album received critically acclaim upon release, and was cited as "a preposterously flawless debut album. The old school just got schooled." (Metal Injection).

Following the release of 'The Chills', HORRENDOUS began to expand upon their traditional death metal leanings, conjuring a bolder, more sophisticated musical approach from a wide-cast net of elements beyond the limitations of any genre. This lead to the back-to-back releases of 'Ecdysis' (2014) and (after relocating to Philadelphia,) 'Anareta' (2015). Both albums were incredibly well-received by both the heavy metal underground and critics alike. Each successive record marked a new step in the sonic evolution of the band and carried them further on their adventurous journey of musical awakenings.

Upon the release of 'Anareta', HORRENDOUS saw significant acclaim from mainstream music journalism, as the record was championed as "stunning" by Pitchfork, "A momentous and unconventionally poignant achievement... Anareta is death metal painted not with just reds and grays, but with the palette of human experience." (SPIN), and saw the band "fearlessly reaching skyward, peeling off guitar leads that climb like clock towers or church steeples: intricate constructions resulting in monuments that are breathtaking to behold from afar, and almost impossible to believe when examined up close." (Stereogum)  

'Anareta' went on to top many best-of lists in 2015, making appearances in Stereogum, Consequence of Sound, SPIN, Decibel Magazine, Apple Music, Yahoo Music, and countless other publications, blogs, and websites.


For more on HORRENDOUS, visit their official FACEBOOK, INSTAGRAM, and BANDCAMP  pages.


For more onSEASON OF MISTartists, visit our officialWEBSITE,FACEBOOK,INSTAGRAM,YOUTUBE, andTWITTER.

HEAVY PETTIN Dominate Leyendas del Rock 2022!

Scottish, Heavy Rock legends HEAVY PETTIN have released the live video from their electrifying performance at Leyendas del Rock! Signed with MUSIC GALLERY INTERNATIONAL, Heavy Pettin is managed by Shawn Barusch and Lee Langton

"Hey guys it’s Hamie coming attacha Live !!!! Hope u like our new Video … Taken from the Heavy Pettin European tour 22…. This show was in Spain August 5th at the famous.

Leyendas del Rock Festival. A Hot ‘ N ‘ Sweaty Rockin Night…….Hope you like it. !!! Can’t wait for u guys to hear the new single and Album this Summer. Till then Take It Lite" - Hamie

When they first burst out of Glasgow in 1981, they were vibrant, priapic, anthemic and focused. As they showed on a three-tarck demo, and on the subsequent debut single for independent label Neat (‘Roll The Dice’/’Love Xs Love’), they were much much more than mere Def Leppard slaves. In fact, the Pettin had an international sound that owed something to AC/DC, UFO, Thin Lizzy and Foreigner, but also had its own raging momentum. Not that the band found the road forward straightforward. But, thanks to a work ethic that took them around the country, plus a valuable session for Radio 1’s prestigious ‘Friday Rock Show’, the band eventually landed a crucial deal with the major Polydor Records. Moreover, their 1983 debut album (Lettin’ Loose) was co-produced by the creative Mack…together with Queen guitarist Brian May. Now, that’s pedigree.

Amazingly, that album has survived more than 25 years of high-speed, hi-tech developments intact. While other, more celebrated records have dated badly, Lettin’ Loose re-affirms the belief back then that the Pettin would plunge to big time stature. What went wrong at the time has little to do with band, or lack of ambition/talent. In America, where they should have broken big, long before Bon Jovi gave Love A Bad Name, they were held back by the label’s insistence on an anaemic re-mix (as well as a title change to ‘Heavy Pettin’, which caused more confusion than anything else). If the band’s essential, vital British brio had been left as conceived in the first place, who knows what might have been achieved.

Still, a slot on the bill for the 1983 Reading Festival, the day that Black Sabbath infamously headlined when fronted by Ian Gillan, did them no harm. And touring with both Kiss and Ozzy helped the quintet’s progress.

Two years later, the Pettin return to the studio, this time with producer Mark Dearnley (who’d worked with AC/DC and Krokus). The result? Rock Ain’t Dead, which surprised many with a slicker yet conversely tougher approach. The lads really had progressed, although ironically if things had gone to plan, this would have been produced by Lance Quinn, of Bon Jovi and Lita Fordfame. However, just hours before the band were due to fly to Philadelphia, to work with Quinn at his Warehouse Studios, the decision was taken by PolyGram (to whom both Heavy Pettin and Bon Jovi were signed in the US) that, instead, he should start work immediately on what was to be Jovi’s second record, 7800 Degrees Fahrenheit.

Perhaps then, it should have been obvious that record company politics were to scupper Pettin.. A third album, The Big Bang, was released by FM Revolver in 1989 – and still proved this lot were way ahead of so many others who were selling truckloads of ‘units’ and getting acclaim from the media But, as the 1980s faded into memory, so too did Heavy Pettin.

However, what has happened over the past two decades is that every so often, people will dust down those Pettin recordings, scratch their heads in confusion and wonder what went wrong. Well, recriminations never help; they only serve to fuel frustrations. But now the band are back ! – not for nostalgic reasons, not re- capture a long past youth. Not to right past wrongs. But to make music. So, here we are, not looking backwards to those years, when this lot were ready to take on the world and toured with Motley Crue and Ratt. No, this is about the 21st Century. Driven by a desire, passion, and a capacity simply to invoke the simple magic and rapport of what this band once stood for. Since stepping back out in 2017 the new line up fronted by frontman Stephen “Hamie” Hayman, the band have been going about the business of reclaiming their reputation as a “tour de force” live. 2018 saw them on tour in the UK with American legends Angel. 2019 a headline set at HRH hell followed by another headline appearance this time in Germany at the Headbangers festival, rounding off the year with another tour around the UK with Rockgoddess. 2020 promised to be the best yet, starting off with the amazing Monsters of Rock Cruise X followed by another headline festival appearance at the Brofest festival in Newcastle. Then of course Covid happened! In August 2022 after which felt like an eternity the band went out on a run of shows that would see them play in 5 deferent countries across Europe. Kicking off with a headline slot at the Legends of Rock Festival followed by a triumphant return to their hometown of Glasgow as “Special guests” to the legend that is Michael Schenker! The band have their eyes set firmly on 2023. This will be the 40th anniversary of the debut album Letting Loose. To mark the occasion a new remastered version of the Brian May produced original is slated for a March release followed by a run of shows. The plan is to record these shows for a 40th anniversary Live release later in the year. During the lock down period a new album was written, which is high on the agenda to round off 2023. With a new management deal and solid line up in place the future looks bright. Rock ain’t Dead!

Sanguisugabogg Share NSFW "Face Ripped Off" Video

NEW ALBUM HOMICIDAL ECSTASY ARRIVES FEBRUARY 3 VIA CENTURY MEDIA

BAND TO APPEAR ON CHAOS & CARNAGE 2023 TOUR WITH SUICIDE SILENCE + DYING FETUS

Ohio's notorious, boundary-pushing, and bloodsucking death metal outfit Sanguisugabogg — Cody Davidson, drums; Drew Arnold,guitars/bass; Devin Swank, vocals; and Ced Davis, guitars/bass — previously announced their new album Homicidal Ecstasy. The album arrives on February 3 via Century Media. Pre-order it here.

Today, the band has shared the NSFW video for "Face Ripped Off." Watch it here.

"This song is about a face being ripped off so we called it 'Face Ripped Off,'" the band says.

 
The band will also embark on a handful of regional dates in support of the album in winter 2023. Also appearing are Internal Bleeding, Year of the Knife, and Vomit Forth. Get tickets here.

Then, the 'Bogg will join the Chaos & Carnage 2023 tour with Suicide Silence, Dying Fetus, and more in April. All dates are below. Tickets are available here.

SANGUISUGABOGG ON TOUR:
2/23 — Grand Rapids, MI — Pyramid Scheme
2/24 — Indianapolis, IN — Black Circle
2/25 — Toledo, OH — Ottawa Tavern *
2/26 — Columbus, OH — Ace of Cups+
*With Mutilatred
 ^with Volcano and Tomb Sentinel

CHAOS & CARNAGE 2023 TOUR:
WITH DYING FETUS, SUICIDE SILENCE, BORN OF OSIRIS, ABORTED, CROWN MAGNETAR, + SLAY SQUAD:

4/7 — Fort Worth, TX — Ridglea Theater 
4/8 — San Antonio, TX — Vibes Event Center 
4/9 — Houston, TX — Warehouse Live 
4/11 — Atlanta, GA — The Masquerade 
4/13 — New York, NY — Palladium Times Square 
4/14 — Sayreville, NJ — Starland Ballroom
4/15 — Hartford, CT — Webster Theater 
4/16 — Reading, PA — Reverb 
4/18 — Pittsburgh, PA — Mountain View Amp. 
4/19 — Cleveland, OH — Agora Theatre 
4/20 — Covington, KY — Madison Theater 
4/21 — Pontiac, MI — The Crofoot 
4/22 — Joliet, IL — The Forge 
4/24 — Denver, CO — Ogden Theatre 
4/26 — Las Vegas, NV — House of Blues 
4/27 — Mesa, AZ — The Nile
4/28 — Los Angeles, CA — The Belasco
4/29 — Berkeley, CA — UC Theatre 
4/30 — Anaheim, CA — House of Blues
 Homicidal Ecstasy follows 2021's Tortured Whole. The band continues to slice up uncompromising, in-your-face, and not-for-the-weak death metal that siphons inspiration from early to mid- '90s and early '00s death metal and brutal death metal/grindcore presented in their own style with a unique twist that pleases every style of metal maniac.

ABOUT SANGUISUGABOGG + HOMICIDAL ECSTASY:
"Everything became more legit," states vocalist Devin Swank about the new album. They're no longer that band of meme-inspiring miscreants. "The musicianship, the production, the lyrics – which delve much more into horror and body horror – are more thought-out," Swank continues. "It's not just a bunch of dick and fart jokes."

But the 'Bogg haven't gone soft. 

"After lockdown, once the restrictions from COVID lifted, we were hungry not just tour but start writing again," Swank shares. "Ced [Davis] had moved from bass to guitar and Drew [Arnold] also started playing guitar." It was drummer Cody Davidson who once again helmed production duties for Homicidal Ecstasy. They handed off mixing duties to Converge guitarist and vaunted studio vet Kurt Ballou (High on Fire, Nails) at God City Studios in Salem, Massachusettss, who "made it sound like us on steroids," per Swank.

 After releasing Pornographic Seizures in 2019 on the cult Maggot Stomp label, the foursome quickly won fans for their blasts of sludgy, determined riffing, tongue-severed-from-cheek, gross-out humor and nods to hardcore and '90s East Coast death metal. The band received a pile of plaudits including Brooklyn Vegan putting them on a Most Anticipated Albums list next to genre titans like Carcass.

In the face of COVID-19 and a worldwide shutdown, the 'Bogg got down to business. Signing to Century Media, they recorded Tortured Whole and hit the road as the locked-down world started to get on its feet. Later that year, they teamed with the infamous Troma Films collective on for two video clips that featured battling penis monsters, boner implants and Troma's own Sgt. Kabukiman!

 Tours with Frozen Soul, Nile, Terror, The Acacia Strain, and a run of dates as main support to Cannibal Corpse leading into Decibel's Metal & Beer Fest in Philadelphia solidified Sanguisugabogg as a force in their own right.

But Homicidal Ecstasy isn't merely a musical maturation for the gore-obsessed boys of the 'Bogg. While Swank's lyric writing sessions are still "fueled on coffee with a horror movie playing in the background," this isn't exclusively the gross-out show of Sanguisugabogg past. "It goes deeper this time, into the psycho-sexual, body-horror, why what some people see as perverse or fetishistic, can also be perfectly normal," says Swank.

"It's kind of an homage to real life," says the frontman. "When shit hits the fan, no one's really safe."

Reconstituted, regurgitated, and reenergized, the 'Bogg walk among us.

Let the Homicidal Ecstasy begin!

Lambgoat Adds Executive Producer of Video + Watch Evergreen Terrace Performance Show!

Metal and hardcore media mainstay Lambgoat have announced the addition of William Saunders of Fourth.Media as Executive Producer of Video, continuing a direction of expansion and growth.

Saunders brings with him the talent, skills and passion for underground music that is on display in his award winning documentary Deadguy: Killing Musicand concert mini-doc Today Is The Day: Live In Japan. The partnership will provide an additional stream of high-quality content to compliment the site's news, reviews, podcast, and written features.  

Originally launched in 1999, Lambgoat has been a consistent leader in extreme music reporting. David "Lurk" Truax, who took over the company in July 2022, says of the collaboration:  "We are beyond excited to announce we have partnered with William Saunders and Fourth.Media to take the role of Executive Producer of Video. One of the main goals for us in acquiring Lambgoat was to continue documenting hardcore and metal and preserving the history as it unfolds. We have over two decades of news, reviews, interviews, and more currently on Lambgoat and we plan to add to that tenfold with this partnership."

Saunders, CEO of Fourth Media, adds, "At Fourth.Media, we stand for one thing: a god-damned entertaining good time. Our relentless pursuit of the best stories behind our favorite bands drives everything we do. We are thrilled to sell our souls in conjunction with Lambgoat to produce a variety of forthcoming video projects from documentaries to live performances. As a go-to news source for heavy music, we look forward to leveraging Lambgoat’s vast network of bands and artists alongside our production crew to provide the highest quality content the fans deserve and the comment section will revile."

The release of Evergreen Terrace's Burned Alive By Time 20-year anniversary full live show marks a turning of the page for the brand that will see more expanded and video content being published through Lambgoat. 

UNFELLED Announces New Album, Shares First Single

Pagan black metal project UNFELLED (ft. members of WOODS OF DESOLATION, DRUDKH) will be releasing its debut full-length, 'Pall of Endless Perdition,' on March 10, 2023 via Season of Mist Underground Activists! The artwork, tracklist, and additional info can be found below! In conjunction, the band is now sharing the vicious first single, "The Opposer," along with an official music video. The song and video can be found below.

UNFELLED comments on the release: "Perhaps the archetype of the album’s focus, 'The Opposer' musically and lyrically fuses fury and valour, whereby through death one may remain Unfelled."

Pre-orders for 'Pall of Endless Perdition' are now available HERE.
Pre-save the album on streaming services HERE.

Emerging Pagan black metal project Unfelled is rising from the underground to release its debut full-length, ‘Pall of Endless Perdition.’ Designed by the same mastermind behind Woods of Desolation, the project serves as a vicious and violent counterpart to its elegant and melodic predecessor, showcasing muti-instrumentalist D.’s impressive musical duality. 

Formed in 2016 as a project of D. (Woods of Desolation, Remete), Unfelled first emerged with the solo demo offering ‘Beneath Distant Skies’ at the end of 2017. Expanding the line-up in 2020, fellow veterans Mitch (Austere, Dearthe) and Vlad (Drudkh, Windswept) were enlisted on vocals and drums respectively, completing the vision for the band.  

Moving forward as a three-piece, the forthcoming full-length sees Unfelled pursuing heavier, more aggressive territory, yet never entirely eschewing the sense of melody and atmosphere established on the debut demo. “Musically weaving together fury and triumph, aggression and melody, the lyrics predominately center on bloodshed, war & death – the threefold cloak beneath which lies eternal darkness,” says Unfelled about the offering. 

Now, upon joining forces with Season of Mist, Unfelled is ready to unleash ‘Pall of Endless Perdition.’ Without question, this record is certain to leave its black mark upon the masses.

Recording Lineup:
D. – Guitars & Bass 
Mitch – Vocals 
Vlad - Drums 

Recording, Mixing, Mastering:
ViTeR Music

Producer:
Unfelled + ViTeR Music

Cover Art:
Yag Mort

Links:
www.facebook.com/unfelled
www.unfelled.bandcamp.com



Shop: https://redirect.season-of-mist.com/UnfelledPall
Pre-save: https://orcd.co/unfelledpall

Formats:
Digital
Digipak
Vinyl in various colours
Merch

DYING FETUS Announce The Chaos & Carnage 2023 Co-Headline Tour with Suicide Silence

Death Metal Overlords DYING FETUS announce the Chaos & Carnage US co-headline tour with Suicide Silence!

Tickets are on sale Friday, January 13 at 10 AM EST.

Additional support is provided by Born of Osiris, Aborted, Sanguisuabogg, Crown Magnetar & Slay Squad. A full list of dates can be found below.

DYING FETUS recently released the crushing new track “Compulsion For Cruelty”. The track, the band’s first new offering in five years, is hailed as “dizzying and monstrously heavy.” (Revolver Magazine)

Listen and save on all streaming services HERE

Watch the “Compulsion for Cruelty” music video below.

A full collection of DYING FETUS music videos and live performances is available via YouTube HERE.

 

Self-reliance and musical integrity are the two principles to which DYING FETUS have always lived by. Formed in 1991, during the height of the death metal explosion, DYING FETUS have matured into one of the premiere extreme death metal / grindcore acts to emerge from the massive global metal underground.

Combining an innovative mix of technical virtuosity and catchy song structures to create the ultimate blend of death metal, hardcore and grind, the band is recognized worldwide as a prime example of songwriting perfection across eight studio albums: 'Purification Through Violence' (1996), 'Killing On Adrenaline' (1998), 'Destroy The Opposition'(2001), 'Stop At Nothing' (2003), 'War Of Attrition' (2007), 'Descend Into Depravity'(2009), 'Reign Supreme' (2012)

Their latest album, 'Wrong One to Fuck With' (2017), was hailed as a “menacing motherfucker“ by Metal Injection.

Now over 25+ years into their distinguished career, DYING FETUS cement their legacy and uphold their position as the most dominant force in death metal today.

Sleep Token Share TWO (!!!) New Songs With "Chokehold" + "The Summoning"

With fans so ravenous in their worship, Sleep Token have gifted them with two new songs to appease their hunger.
 
As time turned to midnight on January 5, 2023, the emotionally driven "Chokehold" arrived first.

As 24 hours passed, "The Summoning" audaciously followed.

Both tracks boldly explore and develop elements that keep Sleep Token's music vastly removed from any kind of pack, howling at a moon distinctly their own.
 
Watch the visual for "Chokehold"  and "The Summoning" below

The band has a 5-date, headline UK run ahead of them this month, with several shows at storied venues like the O2 Academy already sold out.

What comes next, only time will tell, but what's certain is that it won't be bound by convention.
 
Anonymous, silent, masked, armed with a staggering vocal range, a deft touch on the keyboards, plus a live approach that is never less than fully engaged; Sleep Token is the unique, broad-based vision of one individual. 

Chaos & Carnage Tour 2023 Announce Dates And Line Up Including Co-Headliners Dying Fetus And Suicide Silence

Chaos & Carnage Tour 2023

Tour Dates And Line Up Announced

Including Rotating Co-Headliners

Dying Fetus And Suicide Silence

With Special Guests Born Of Osiris, Aborted,

Sanguisugabogg, Crown Magnetar + Slay Squad

General Tickets On Sale: Friday, January 13 at 10 AM Local Time

VIP Upgrades On Sale: Friday, January 20 at 10 AM Local Time

ChaosAndCarnage.com

Chaos & Carnage 2023 Tour Dates:

Friday, April 7 - Fort Worth, TX @ Ridglea Theatre

Saturday, April 8 - San Antonio, TX @ Vibes Event Center

Sunday, April 9 - Houston, TX @ Warehouse Live

Tuesday, April 11 - Atlanta, GA @ The Masquerade

Thursday, April 13 - New York, NY @ Palladium Times Square

Friday, April 14 - Sayerville, NJ @ Starland Ballroom

Saturday, April 15 - Hartford, CT @ The Webster Theater

Sunday, April 16 - Reading, PA @ Reverb

Tuesday, April 18 - Pittsburgh, PA @ Mountain View Amp

Wednesday, April 19 - Cleveland, OH @ Agora Theatre

Thursday, April 20 - Covington, KY @ Madison Theater

Friday, April 21 - Pontiac, MI @ The Crofoot

Saturday, April 22 - Joliet, IL @ The Forge

Monday, April 24 - Denver, CO @ Ogden Theatre

Wednesday, April 26 - Las Vegas, NV @ House of Blues

Thursday, April 27 - Mesa, AZ @ The Nile

Friday, April 28 - Los Angeles, CA @ The Belasco

Saturday, April 29 - Berkeley, CA @ UC Theatre

Sunday, April 30 - Anaheim, CA @ House of Blues

The CHAOS & CARNAGE TOUR has announced their dates and lineup for their triumphant fourth run in 2023. Co-headlined by Dying Fetus and Suicide Silence who will rotate closing the show each night, the tour also hasspecial guests Born of Osiris, Aborted, Sanguisugabogg, Crown Magnetar, and Slay Squad. Tickets for the CHAOS & CARNAGE TOUR 2023 go on general sale this Friday, January 13 at 10 AM local time with VIP package upgrades available for purchase next Friday, January 20 at 10 AM local time at ChaosAndCarnage.com.

Produced by industry veterans Jason Malhoyt of Imperial Artist Management and JJ Cassiere of renowned booking agency 33 and West, the CHAOS & CARNAGE TOUR is now in its fourth year and has quickly garnered a reputation for showcasing the very best big-name, acclaimed acts from the world of extreme metal, whilst also supporting incredible new guard artists by providing them with a platform to play in front of larger crowds. Previous years have featured the likes of Carnifex, Lorna Shore, Whitechapel, Revocation, AngelMaker, and more, with most shows selling out ahead of time.

Speaking on today's announcement, Jonathan Gallagher of Dying Fetus shared:

"Looking forward to playing our most brutal set yet on the Chaos & Carnage Tour 2023 this Spring! We hope to see you all out there in the pit as we co-headline the tour with our friends in Suicide Silence, along with all the other sick bands. See you soon!

Eddie Hermida of Suicide Silence commented:

"We are stoked to be returning to this year’s Chaos and Carnage Tour. We had so much fun last year we decided to come back again with our brothers in Dying Fetus! This year’s line up is pure devastation, so come party with us!

Find Chaos & Carnage Online HERE

Find Dying Fetus Online HERE

Find Suicide Silence Online HERE

Find Born Of Osiris Online HERE

Find Aborted Online HERE

Find Sanguisugabogg Online HERE

Find Crown Magnetar Online HERE

Find Slay Squad Online HERE

NITE Announces Headlining February U.S. Tour

Blackened heavy metal outfit NITE will be embarking on headlining tour of California this February with support from Persekutor! The trek kicks off in Oakland, CA on February 16 and will work its way downstate, concluding in San Diego, CA on February 19.

NITE is touring in support of their brand new sophomore full-length, 'Voices of the Kronian Moon,' which was released on March 25, 2022. During the album's first week, it charted Billboard's Current Hard Music Albums (#33) and Top New Artist Albums (#44). The album was also named among the best albums of 2022 by Invisible Oranges (#19).

'Voices of the Kronian Moon' is available to stream, order, and download HERE.

NITE U.S. Dates (w/ PERSEKUTOR):
02/16: Oakland @ Elbo Room Jack London
02/17: Long Beach @ Supply & Demand
02/18: Hollywood @ Knucklehead [TICKETS]
02/19: San Diego @ Brick by Brick [TICKETS]

The San Francisco Bay Area has a history steeped in forward-thinking, technically dazzling metal, and NITE carries that torch with pride. Founded in 2018, their blackened heavy metal brand barrels towards the peril of an unknown future, while keeping one eye on the days when blistering leads once ruled the land. Guitarists Van Labrakis (Satan’s Wrath, Mencea) and Scott Hoffman (Dawnbringer, High Spirits) let loose galloping riffs and harmonies that evoke the classic sounds of the N.W.O.B.H.M., with Labrakis’ grizzled voice driving their dark, melodic metal into the modern era.
 
With Avinash Mittur (Wild Hunt) replacing founding bassist Bryan Coons in early 2021, he and drummer Patrick Crawford (Serpents of Dawn, Older Sun) make up a rhythm section that’s fierce yet breathlessly precise: a freewheel pounding reminiscent of the early days of heavy metal, with a Rickenbacker-powered roar fueling the low end. NITE’s debut full-length Darkness Silence Mirror Flame, released in March 2020 by Creator-Destructor Records, earned widespread praise. It showcased their fist-raising classic heavy metal that nearly every fan of the genre once fell in love with, but with a twisted and shadowy edge that the titans of old could never imagine. NITE is the flame of the past illuminating the darkness of tomorrow.

Genre: Blackened heavy metal

Lineup:
Van Labrakis: Guitar / Vocals
Scott Hoffman: Guitar
Avinash Mittur: Bass
Patrick Crawford: Drums

Recording Studio: 210 Studios San Francisco and The Hoagie Container 

Producer: Van Labrakis and NITE

Mixing, mastering, sound engineer: Van Labrakis

Cover Art: DEIH

Links:
Website: http://nitemetal.com
Facebook: https://www.facebook.com/nitemetal
Twitter: https://twitter.com/nitemetal
Instagram: https://www.instagram.com/nitemetal
YouTube: https://www.youtube.com/channel/UCo7-UhuJNohvsMB2DP05LAQ
Bandcamp: https://nitemetal.bandcamp.com/
Spotify: https://open.spotify.com/artist/6MjCnAA9RF0vy3j6QYyLG0
Apple Music: https://music.apple.com/us/artist/nite/1499573755

Pre-sales:  https://redirect.season-of-mist.com/nite-votkm

Pre-save: https://orcd.co/nitekronianmoon

Formats: Digital, CD digipak, vinyl black and coloured

For more on NITE, visit the band's official WEBSITE, FACEBOOK, TWITTER, BANDCAMP, and INSTAGRAM.

For more on SEASON OF MIST artists, visit our official WEBSITEFACEBOOKINSTAGRAMYOUTUBE, and TWITTER.

Whiskey Myers Adds 15 New Dates to 2023 Tour; Tickets On Sale Friday, 1/13

WHISKEY MYERS ADD 15 NEW DATES TO 2023 TOUR
 
Tickets On Sale Starting Friday, January 13 at 10 a.m. Local at
WhiskeyMyers.com

The Whiskey Myers 2023 Tour continues to build excitement with today’s announcement of 15 additional headlining dates from the multi-platinum band. The Live Nation-produced tour now spans 23 cities, kicking off February 16 in Knoxville, Tenn. at Knoxville Civic Coliseum, with stops in Augusta, Ga., Toledo, Ohio, Nashville, Tenn., Kansas City, Mo. and more before a July 28 finale in Billings, Mont. at First Interstate Arena. Joining the genre-bending band across varying dates are Giovannie & The Hired Guns, Rival Sons and The Weathered Souls, with additional support to be announced.
 
Tickets for the newly added shows go on sale starting Friday, January 13 at 10 a.m. local time via whiskeymyers.com. Tickets for all other U.S. shows are on sale now.
 
The tour comes on the heels of the band’s 2022 Tornillo Tour, in support of their critically acclaimed album Tornillo, praised by American Songwriter for putting Whiskey Myers “in a league of their own with their signature hard-rocking sound on full display” and released in 2022 via the band’s own Wiggy Thump Records with distribution by Thirty Tigers. Fans will have a chance to see this signature sound live on the upcoming tour, with Nashville Lifestyles declaring, “Southern rock is alive and well on Whiskey Myers’ Tornillo – and it comes with a brassy border-town swagger… Equal parts train songs, tenacious energy, and Tabasco… their lawless musicality burns like the sun.”
 
For more information, visit WhiskeyMyers.com and follow on social media @WhiskeyMyers.
 
WHISKEY MYERS 2023 TOUR DATES:
+ With Rival Sons and The Weathered Souls
^  With Giovannie & The Hired Guns
Support for Added Dates TBA

Thursday, Feb. 16       Knoxville, Tenn.  |  Knoxville Civic Coliseum +
Friday, Feb. 17            Tallahassee, Fla.  |  Donald L. Tucker Civic Center +
Saturday, Feb. 18        Augusta, Ga.  |  James Brown Arena +
Sunday, Feb. 19          Savannah, Ga.  |  Enmarket Arena +
Wednesday, Feb. 22   Kalamazoo, Mich.  |  Wings Event Center +
Friday, Feb. 24            Toledo, Ohio  |  Huntington Center +
Saturday, Feb. 25        Johnstown, Pa.  |  1st SUMMIT ARENA at Cambria County War Memorial +
Sunday, Feb. 26          Saginaw, Mich.  |  Dow Event Center +
Thursday, March 16   Albuquerque, N.M.  |  Revel ^
Friday, March 17        Phoenix, Ariz.  |  Arizona Financial Theatre ^
Saturday, March 18    Laughlin, Nev.  |  Rio Vista Outdoor Amphitheater at Harrah’s ^
Friday, March 31        Midland, Texas  |  Midland County Horseshoe Amphitheater ^
Thursday, May 4       Alexandria, La.  |  Rapides Coliseum – ADDED DATE
Friday, May 5            Orange Beach, Ala.  |  The Wharf Amphitheater  – ADDED DATE
Saturday, May 6       Nashville, Tenn.  |  Ascend Amphitheater – ADDED DATE
Thursday, May 11     Evansville, Ind.  |  Ford Center – ADDED DATE
Friday, May 12          Columbia, Mo.  |  The Blue Note – ADDED DATE
Saturday, May 13     Kansas City, Mo.  |  Starlight Theatre – ADDED DATE
Thursday, June 1      Decatur, Ill.  |  Devon Lakeshore Amphitheater – ADDED DATE
Friday, June 2           Wheeling, W.V.  |  Wesbanco Arena – ADDED DATE
Wednesday, June 21 Woodinville, Wash.  |  Chateau Ste Michelle Winery – ADDED DATE
Thursday, June 22    Bend, Ore.  |  Hayden Homes Amphitheater – ADDED DATE
Tuesday, July 18       Casper, Wyo.  |  Ford Wyoming Center – ADDED DATE
Friday, July 21          Milwaukee, Wis.  |  BMO Harris Pavilion – ADDED DATE
Sunday, July 23         Duluth, Minn.  |  AMSOIL Arena – ADDED DATE
Tuesday, July 25       Grand Forks, N.D.  |  Alerus Center – ADDED DATE
Friday, July 28          Billings, Mont.  |  First Interstate Arena – ADDED DATE
 
About Whiskey Myers
Genre-bending band Whiskey Myers have played more than 2,500 live shows to ever-increasing crowd sizes since their emergence in 2007. In addition to headlining their own sold-out shows from coast to coast at iconic venues such as Red Rocks Amphitheater and Ryman Auditorium, plus performing at marquee festivals Bonnaroo, Stagecoach, Download and more, the six-piece was also personally selected to open The Rolling Stones’ Chicago stadium show in 2019. Their latest self-produced album, Tornillo, available everywhere now via the band’s own Wiggy Thump Records, features the No. 17 most-played Americana song of 2022, “John Wayne,” and follows their fifth studio album, Whiskey Myers, which debuted at No. 1 on both the Country and Americana/Folk sales charts, at No. 2 on the Rock chart and No. 6 on the all-genre Billboard 200 chart (No. 3 among new releases). In total, Whiskey Myers have sold more than 1.5 million albums and amassed over 2 billion streams while earning six RIAA Gold & Platinum certifications as an independent band. Known for their high-energy live show and unique sound, the band praised by Esquire as “the real damn deal” has also earned synch success with features (and an on-screen appearance) in Paramount’s hit show “Yellowstone” as well as Netflix series “What/If,” Angelina Jolie film “Those Who Wish Me Dead” and CBS series “SEAL Team.” USA Today describes their sound as “a riff-heavy blend of Southern rock and gritty country that has earned comparisons to the Allman Brothers Band and Led Zeppelin,” with Rolling Stonenoting “it’s the seminal combination of twang and crunchy rock & roll guitars that hits a perfect sweet spot.”
 
Facebook // Twitter // Instagram // YouTube // Website

BLACK STAR RIDERS NEW ALBUM WRONG SIDE OF PARADISE OUT JANUARY 20TH ON EARACHE RECORDS

NEW SINGLE RIDING OUT THE STORM OUT NOW
NEW ALBUM WRONG SIDE OF PARADISE OUT JANUARY 20TH 2023
ON EARACHE RECORDS
10th ANNIVERSARY UK TOUR IN FEBRUARY 2023

Following the announcement of new guitarist Sam Wood, Black Star Riders, the Anglo American rockers featuring Ricky Warwick (Lead Vocals/Guitar), Robert Crane (Bass Guitar) and drummer Zak St. John, are excited to release their new single Riding Out The Storm, which is accompanied by a video, directed and produced by famed video maker Tony Aguilera (Jerry Cantrell, Killer Be Killed, Orianthi) in Los Angeles.

“Riding Out The Storm” video is available here.

Ricky Warwick comments: “As we get older, sadly we start to lose the ones around us who we love, having lost both my parents and some dear friends in the last few years I’ve started to question and look at my feelings on my own mortality and morality. I’ve come to realise that death is a part of life and even in the darkest days (that we all get sometimes), I’ve come to understand that every aspect of life should be an intensified experience and never taken for granted.”

He continues: “The video was shot in downtown Los Angeles and directed by Tony Aguilera. I love the cinematography and different camera filters that Tony used during the shoot. I think it complements the essence of the song, which conveys reflections of mortality and consequences of choice. Life must end eventually, but love doesn’t.”

Riding Out The Storm is taken from the band’s forthcoming album Wrong Side Of Paradise, which features 11 tracks, and was recorded in the Autumn of 2021 at Studio 606 in Northridge California and Toochtoon Sound in Redmond Oregon with producer and longtime BSR associate, Jay Ruston.

Wrong Side Of Paradise is available for pre-order worldwide here: https://webstore.earache.com/black-star-riders. Formats include: limited coloured vinyl (including green, blue, red and black/white split), black vinyl, signed CD, cassette and digital download. A special edition of the album containing two bonus tracks can be found on CD (which comes with a 24-page song booklet) and USB stick formats. Various collector bundles are also available, including one with an exclusive 12”.

Follow BSR on:
Website: https://www.blackstarriders.com 
Facebook: https://www.facebook.com/BlackStarRidersOfficial
Instagram: https://www.instagram.com/blackstarriders/
Spotify: https://open.spotify.com/artist/1COfrboArH3tNjlhFsG5ys?si=ZxBgd0ckTiCjVe4hp7i6wg&nd=1  
YouTube: https://www.youtube.com/channel/UCWzvnsjhqlGfpXBtpXqp-ug

NIGHTFALL Covers The Cramps' "Mean Machine"

Greek metal masters NIGHTFALL are now premiering a new lyric video for the track 'Mean Machine' which was originally recorded by THE CRAMPS in 1994. The track was recorded by NIGHTFALL in December 1996 in Tico Tico studios, Finland and served as a bonus track to the "Lesbian Show" album. The clip can be seen and heard below.

Vocalist Efthimis Karadimas comments: "'Mean Machine' is the first ever song I listened by the Cramps. Its filthy sound and performance might well be described as a spit to the face of anything normal out there. Lyric-wise I'd say it is more about accepting the role of the bad guy, rather than trying to prove the opposite. The 90s were wild in terms of social approbation. I felt connected to that song for somehow it made me feel it was like we were the 'mean machines,' the outcasts, the bad guys, people did not want to have any connection with. The Cramps have ceased to exist, but thanks to Burton's 'Wednesday' Netflix series, they are beautifully haunting our dreams again. 'Mean Machine's' our tribute to them. We share it with you untouched, right from the depths of XX Century."

The band is supporting their 2021 release, 'At Night We Prey.' The album is about depression's martyrdom and how societies mistreating and stigmatizing those who suffer and can be streamed, downloaded, and purchased HERE.

It has been seven long years since the world was last blessed with new music from the melodic blackened death metal stalwarts of NIGHTFALL. While the band has been absent from the scene since the release of 2013’s Cassiopeia, their legacy has not been forgotten. Comprising the holy trinity of Greek metal – along with ROTTING CHRIST and SEPTICFLESH – NIGHTFALL was the first extreme act in the country to sign an international deal, introducing the world to the burgeoning Mediterranean scene in the early 90s. Now, the band is plotting a triumphant return with At Night We Prey, the darkest and latest chapter of NIGHTFALL’s already storied career. Unlike past efforts, the band abandons any gothic aesthetic, traversing more into a melodic assault that calls to the sounds of Gothenburg, displaying an obvious maturation from the band that showcases their most serious, evolved, and tightest effort to date.

During the first decade of NIGHTFALL’s lifespan, the band headlined stages across Europe. Thereafter, went on to dominate international festivals such as Brutal Assault, Sonisphere, and Wacken, the latter of which the band solidified their legacy as the first ever Greek band to earn an envied spot at the renowned festival. The band eventually made the decision to switch to a studio act before they went completely silent. When reflecting upon the sudden disappearance after a steady rise from the underground, vocalist and founding member Efthimis Karadimas explained that it was due to an all too familiar beast – depression. “It's because of depression that kicked in as early as mid-00s. I can write for hours and get into details about stuff gone wrong or mistreated situations, but the basis of all discouragement to move on has been depression and the effort required to get over it.” Despite the dark days, Karadimas did not abandon music entirely, moving on to form THE SLAYERKING, a gothic doom metal band that has released two agonizing full-length records between 2016-2019.

Alas, the abrupt departure of the band was not the final “goodbye” as NIGHTFALL has been reinvigorated with a new lineup and coveted deal with Season of Mist. Karadimas has reunited with original NIGHTFALL guitarist Mike Galiatsos, who helped define the band’s sound during the early years. With the addition of drummer and producer Fotis Benardo (ex-SEPTICFLESH) as well as guitarist Kostas Kyriakopoulos (THE SLAYERKING), the band is finally ready to release the tenth studio album At Night We Prey. In addition to the long-awaited new music, Season of Mist will also be re-issuing the band’s original albums that were produced by Holy Records back in the 90s. This is not the only news the band has to share as NIGHTFALL has also vowed to finally perform again. “We are gonna play these live, including stuff never played live before,” says Karadimas.

At Night We Prey is a very dark and personal effort, tackling the topic of Karadimas’s battle with depression. “A beast I have experienced its teeth deep into my soul, I decided to come out and share that experience with metalheads,” Karadimas laments. “This is the least I can offer now to the big fight against depression. If we do not stop this, it will eat us all alive. Share your pain, speak openly about it. This is the only way to kill the demons in your mind.”

Genre: Blackened Death Metal

https://www.instagram.com/nightfallband
https://www.facebook.com/nightfallbandofficial

Line-up
Efthimis Karadimas: Vocals
Mike Galiatsos: Guitar
Kostas Kyriakopoulos: Guitar
Fotis Benardo: Drum
Vasiliki Biza: Bass

Recording studios: Devasoundz studios and Soundflakes studios (Athens)
Producers: Efthimis Karadimas and Fotis Benardo 
Engineers: Fotis Benardo, Thimios Krikos, Aggelos Karatzas
Mixing studio and engineer: Orgone studios, London, by Jaime Gomez Arellano
Mastering: Maor Appelbaum Mastering, Los Angeles, by Maor Appelbaum

Guest musician: Female vocals by Eleni and Souzana Vougioukli

Cover art: Travis Smith

Shop: https://redirect.season-of-mist.com/NightfallAtNightWePrey

Available formats: 
CD Digipak
LP in various colours
Digital

Progressive metal outfit NE OBLIVISCARIS and tech death masters BEYOND CREATION have joined forces for a North American tour

NE OBLIVISCARISwill be supporting their long-awaited new full-length, 'Exul,' which is due on March 24, 2023!  BEYOND CREATION will be touring in support of 2018's JUNO-Nominated release, 'Algorhythm.'

NE OBLIVISCARIS + BEYOND CREATION (w/ PERSEFONE):
10/05: Baltimore, MD @ Soundstage [TICKETS]
10/06: Philadelphia, PA @ Underground Arts [TICKETS]
10/07: Richmond, VA @ The Broadberry [TICKETS]
10/08: Atlanta, GA @ The Masquerade [TICKETS]
10/10: Tampa, FL @ The Orpheum [TICKETS]
10/11: Orlando, FL @ The Haven [TICKETS]
10/13: Houston, TX @ Warehouse Live [TICKETS]
10/14: Dallas, TX @ The Echo Lounge [TICKETS]
10/15: San Antonio, TX @ Vibes Event Center [TICKETS]
10/17: Albuquerque, NM @ Sunshine Theater [TICKETS]
10/18: Phoenix, AZ @ The Nile Theater [TICKETS]
10/20: San Diego, CA @ House Of Blues [TICKETS]
10/21: Los Angeles, CA @ The Belasco Theater [TICKETS]
10/22: San Francisco, CA @ DNA Lounge [TICKETS]
10/24: Salt Lake City, UT @ Metro Music Hall [TICKETS]
10/25: Boise, ID @ Knitting Factory [TICKETS]
10/26: Reno, NV @ Virginia Street Brewhouse [TICKETS]
10/27: Portland, OR @ BossaNova Ballroom [TICKETS]
10/28: Seattle, WA @ El Corazon [TICKETS]
10/29: Vancouver, BC @ Rickshaw Theater [TICKETS]
10/31: Edmonton, AB @ The Starlite Room [TICKETS]
11/01: Calgary, AB @ The Palace Theatre [TICKETS]
11/03: Denver, CO @ Gothic Theatre [TICKETS]
11/04: Lincoln, NE @ Royal Grove [TICKETS]
11/05: Minneapolis, MN @ Fine Line [TICKETS]
11/07: Chicago, IL @ Bottom Lounge [TICKETS]
11/09: Toronto, ON @ Opera House [TICKETS]
11/10: Montreal, QC @ Club Soda [TICKETS] **BC HOMETOWN SHOW**
11/11: Boston, MA @ Brighton Music Hall [TICKETS]
11/13: New York, NY @ Gramercy Theater [TICKETS]

Death metal legends GORGUTS will perform for the first time in nearly six years at Decibel Magazine Metal & Beer Fest

Philly on April 14, 2023! To celebrate the end of this extended break, the band will perform a special set exclusively of material from 1998’s landmark 'Obscura' album and 1991’s old-school classic 'Considered Dead.' You don't want to miss this legendary performance!

GORGUTS:
04/14: Philadelphia, PA @ Decibel Metal & Beer Fest [TICKETS]

New York City black metal collective BLACK ANVIL will be embarking on yet another epic North American tour in the spring of 2023 in support of ENSLAVED and INSOMNIUM!

BLACK ANVIL is supporting their brand new record, 'Regenesis,' which was released in November 2022. The album was named among the best records of 2022 by Decibel Magazine, Invisible Oranges, Metal Sucks, A&P Reacts, and more!

BLACK ANVIL (w/ ENSLAVED + INSOMNIUM):
04/05: New York, NY @ Irving Plaza [TICKETS] **HOMETOWN SHOW**
04/06: Boston, MA @ Big Night Live [TICKETS]
04/07: Montreal, QC @ Corona Theatre [TICKETS]
04/08: Toronto, ON @ The Opera House [TICKETS]
04/10: Detroit, MI @ St. Andrews Hall [TICKETS]
04/11: Chicago, IL @ House of Blues  [TICKETS]
04/12: Minneapolis, MN @ Varsity Theater [TICKETS]
04/14: Denver, CO @ Gothic Theatre [TICKETS]
04/15: Salt Lake City, UT @ The Complex [TICKETS]
04/17: Seattle, WA @ The Crocodile [TICKETS]
04/18: Vancouver, BC @ Rickshaw Theatre [TICKETS]
04/19: Portland, OR @ Hawthorne Theatre [TICKETS]
04/21: Berkeley, CA @ The UC Theatre [TICKETS]
04/22: Los Angeles, CA  @ The Fonda Theatre [TICKETS]
04/23: Mesa, AZ @ The Nile Theater [TICKETS]
04/25: Austin, TX @ Come And Take It Live [TICKETS]
04/26: Dallas, TX @ The Echo Lounge & Music Hall [TICKETS]
04/28: Atlanta, GA @ Variety Playhouse [TICKETS]
04/29: Raleigh, NC @ Lincoln Theatre [TICKETS]
04/30: Baltimore, MD @ Baltimore Soundstage [TICKETS]

Greek metal titans ROTTING CHRIST will be laying waste to North American

With support from label-mates CARACH ANGREN and GAEREA as well as Eisenwald artist UADA! The "Under Our Black Cult" trek sees two black metal legends combine forces with a pair of modern black metal icons, merging two generations and four countries for what promises to be one of the most devastating and revered tours that 2023 has to offer!

ROTTING CHRIST, CARACH ANGREN, GAEREA (w/ UADA):
02/16: Houston, TX @ Warehouse Live (Studio) [TICKETS]
02/17: Austin, TX @ Come and Take It Live [TICKETS]
02/18: Dallas, TX @ Amplified Live [TICKETS]
02/19: El Paso, TX @ Rockhouse Bar & Grill [TICKETS]
02/20: Mesa, AZ @ Nile Theater [TICKETS]
02/21: San Diego, CA @ Brick by Brick [TICKETS]
02/22: Los Angeles, CA @ 1720 [TICKETS]
02/23: San Francisco, CA @ DNA Lounge [TICKETS]
02/24: Portland, OR @ Bossanova Ballroom [TICKETS]
02/25: Vancouver, BC @ Hollywood Theater [TICKETS]
02/27: Salt Lake City, UT @ Metro Music Hall [TICKETS]
02/28: Denver, CO @ Oriental Theater [TICKETS]
03/01: Kansas City, MO @ BLVD Nights [TICKETS]
03/02: Minneapolis, MN @ Skyway Theater [TICKETS]
03/03: Chicago, IL @ Reggies [TICKETS]
03/04: Detroit, MI @ The Sanctuary [TICKETS]
03/05: Toronto, ON @ Lees Palace [TICKETS]
03/07: Montreal, QC @ Studio TD [TICKETS]
03/08: Quebec City, QC @ Imperial Bell [TICKETS]
03/09: Boston, MA @ Middle-East Downstairs [TICKETS]
03/10: New York, NY @ Gramercy Theater [TICKETS]
03/11: Philadelphia, PA @ Warehouse on Watts [TICKETS]
03/12: Greensboro, NC @ Hangar 1819 [TICKETS]
03/13: Atlanta, GA @ The Masquerade (Hell) [TICKETS]
03/14: Orlando, FL @ The Haven [TICKETS]

Concrete Blonde classic goes darker on Beauty In Chaos tribute 'Bloodletting (The Vampire Song)'

LA-based alternative rock collective Beauty In Chaos pays tribute to Concrete Blonde with their own stunning rendition of 'Bloodletting'. This dark, spooky New Orleans-infused version is a slight sonic departure from their previous releases, as BIC curator Michael Ciravolo assumes lead vocal, highlighting his New Orleans drawl, front and center.  

Ciravolo has also enlisted saxophone extraordinaire Mars Williams of The Psychedelic Furs to add some amazing jazz inspired avant-garde vibes to this incredible song, as well as vocalists Whitney Tai, Kat Leon and Tish Ciravolo in a nod to the original song.  
 
“I always loved this song, as Johnette’s lyrics painted an eerily realistic picture of my hometown.  On a recent trip there, I found myself walking through some dark side streets in the French Quarter with my BIC producer Michael Rozon and the freaky sights and sounds had this song ringing in my head.  I heard a saxophone wailing from a distant club and that inspired this cover idea.  Fortunately for me, my friends Tim Palmer and Richard Fortus had just produced the latest Furs album and kindly made an introduction to Mars. I’ve always loved what he plays with one of my favorite bands and he thankfully agreed to be part of this,” says Michael Ciravolo.  

As with many BIC singles, a stunning video accompanies this release, each audio-visual offering very different from its predecessors.  For 'Bloodletting’, Vicente Cordero and Industrialism Films returned behind the camera.  

Ciravolo adds: “Well, this video is certainly VERY different from our most recent single ‘Afterlife'. We wanted a very tongue-in-cheek (or would that be fangs-in-neck?) mix of ‘Eyes Wide Shut‘‘ and ’‘Lost Boys” … focusing more on a loosely-based storyline than just a simple band performance with it all being in good campy fun!”

Beauty In Chaos recently released the documentary film 'Unveiled', providing behind-the-scenes insight into the band's recently released all-female-fronted album 'Behind The Veil'. As for all BIC releases, the physical version (CD/ vinyl) is accompanied by a 25-track digital bonus edition featuring remixes by Paul Wiley (Marilyn Manson), Sin Quirin (Ministry), Kitty Lectro, Bentley Jones, Julian Shah-Tayler, Roman Marisak, Kevin Kipnis and The Phoenix Supernova, as well as an extended album version of 'Orion'.

'Bloodletting (The Vampire Song)' is out now, available digitally from fine music outlets, including Apple MusicSpotify and Bandcamp. The ‘Behind The Veil’ LP can also be ordered directly from the artist at https://www.beautyinchaosmusic.com/music-store.

SONG CREDITS
Words and Music by Johnette Napolitano
Performed by Beauty In Chaos
Michael Ciravolo – lead and backing vocals, guitars, textures and bass
Michael Rozon -  bass, lap steel,  drum programming
Mars Williams – saxophone
Derek S. Abrams – live drums
Additional vocals by Whitney Tai, Kat Leon, Kerry Remsen, Dickie Dollars and Tish Ciravolo
Schecter Chain Gang – hand claps and drunken howls
Recorded, mixed and produced by Michael Rozon at SAINTinLA Studio
Additional recording by Mars Williams and Nick Perez
Mastered by Dale Becker and Fili Filizzola at Becker Mastering

VIDEO CREDITS
Filmed and Directed by Vicente Cordero (Industrialism Films)
Edited by Ryan Conlon
Steadicam Operator – Fabian Tehrani
Cinematographer – Alexander Falanagan
Additional lighting by Skum Love
Video concept by Michael Ciravolo
Vampire Hunter – Michael Ciravolo
Band – Tish Ciravolo (Bass), Seth Miller (guitar), Daniel Chavez Cook (drums)
Sax Man – Jake Handler
Club Hostess – Whitney Tai
Tarot Card Psychic – Kiki Remsen
Powder Queen – Tish Ciravolo
Vampire girls –Suzy Q Williams, Lisa Mason Lee, Kellie Krueger
Vampire: Anthony Montemarano


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