BEHEMOTH - Unleash New Single & Video 'In League With Satan' + New Release "I, Scvlptor" Out Now!

September 4, 2026

Polish extreme metal legends, BEHEMOTH, unleash 'In League with Satan', the second single from their new studio release, I, Scvlptor, which is out today via Nuclear Blast Records (digitally) and Massacre Records (physically). The music video for 'In League with Satan' was produced by the acclaimed Polish production collective Grupa 13. The song and the video feature very special guest, Shagrath of Dimmu Borgir.

Nergal commented on the new single:

“When we were looking for a name for our tour with Dimmu Borgir, I thought it would be great to use a timeless slogan and basically quote the gods of satanic rock’n’roll — Venom and “In League with Satan” perfectly fit my vision. I honestly don’t remember what came first — the idea for the tour name or the idea of recording the song itself. What matters is that we recorded it on seven-string guitars with Shagrath from Dimmu as a guest vocalist. The song gained a massive weight and a completely new dimension. We’re planning to play it live and I think our version turned into something truly powerful.”

Stream I, Scvlptor in full:
https://behemoth.bfan.link/i-scvlptor

Purchase the physical edition of I, Scvlptor:

Massacre Records:
www.iscvlptor.com

Behemoth Webstore:
https://behemoth-store.com/en-ea/collections/i-scvlptor
(all vinyl variants, cassettes and bundles sold out)

Watch the music video for 'In League With Satan' Below:

'I, Scvlptor', which is out today, is an exclusive release featuring eight previously unreleased songs - seven new studio recordings and one live track. It is an autonomous body of work that bridges the band's foundational past with their present creative fire. The release features brand-new studio material embodying the full force of Behemoth's live energy and intensity. Two tracks - 'Rise of the Blackstorm of Evil' (from The Return of the Northern Moon, 1992) and 'In Thy Pandemaeternum' (from Pandemonic Incantations, 1998) - are newly re-recorded versions of early Behemoth material, reshaped with modern sonics while preserving their original spirit; a tribute to the bands who had a huge influence on Behemoth - 'In League With Satan' (originally by Venom, feat. Shagrath of Dimmu Borgir) and 'The Return of Darkness and Evil' (originally by Bathory, feat. Sakis Tolis of Rotting Christ). Available on CD, LP, MC and Limited-Edition Box Set through Massacre Records worldwide and digitally via Nuclear Blast Records.

Nergal commented:
“We’re fucking excited about the release of I, Scvlptor. Even though it’s not a regular studio album and is, in fact, more of a compilation, the mere fact that it contains songs nobody has ever heard before makes it a significant release for us. What’s more, some of these tracks are likely a little different from what we offered on our last album, The Shit Ov God. That’s why we see I,Scvlptor as an important record — a connecting piece, a bridge between where we are now and whatever may come next in the distant future.”

In October 2026, two of the most influential forces in extreme metal join together for a monumental tour: Behemoth and Dimmu Borgir will embark on the “In League with Satan” co-headline tour (with special guests, Dark Funeral), storming across Europe and the UK. Details below:

IN LEAGUE WITH SATAN TOUR 2026
BEHEMOTH + DIMMU BORGIR

09 Oct – Zurich, Switzerland – Halle 622
10 Oct – Zwickau, Germany – Sparkassen-Arena Zwickau
11 Oct – Esch-sur-Alzette, Luxembourg – Rockhal
13 Oct – Milan, Italy – Alcatraz
14 Oct – Munich, Germany – Zenith
16 Oct – Paris, France – Zenith
17 Oct – London, UK – O2 Brixton Academy
18 Oct – Den Bosch, Netherlands – Mainstage
20 Oct – Cologne, Germany – Palladium
22 Oct – Hamburg, Germany – Inselpark Arena
23 Oct – Berlin, Germany – Columbiahalle
24 Oct – Brno, Czech Republic – Hala Vodova
25 Oct – Katowice, Poland - Spodek
27 Oct – Helsinki, Finland – Ice Hall
29 Oct – Stockholm, Sweden – B-K
30 Oct – Copenhagen, Denmark – K.B. Hallen

TICKETS: https://www.behemoth.pl/

AIRBOURNE’S New Self-Titled Album Out Today: A “Big, Bombastic” Blast Of Pure Aussie Thunder

September 4, 2026

AIRBOURNE’s NEW self-titled studio album, out today, September 4th, is a true rock ‘n’ roll tale of no compromise, no sleep and still no ballads (or bullshit); a story fuelled by the riveted will of four musicians, brothers Joel & Ryan O’Keeffe, ably supported by Justin Street & Brett Tyrrell, to create a body of work that proudly offers a full 21 gun salute to hard rock’s glorious traditions, its heritage and its heartbeat, whilst keeping sights firmly trained on the road ahead.

To celebrate the album's release, the band has dropped their new video for the song 'Kid in a Candy Store.'

Watch the Video For 'Kid in a Candy Store' Below:

AIRBOURNE’s sixth studio album is the one that plants the flag deepest for everything the Aussie outfit stands for, their unwavering commitment to The Great Rock ‘n’ Roll Cause, leaving everything (apart from Lemmy’s Bar, of course) on the stage on a nightly basis.

“When I look up to the sky, rub the blood and sweat from my eyes

Hell, no, I ain't dead yet, as long as I can breathe, I can get…” ‘Gutsy’

PRODUCED BY Brian Howes (who helmed 2013’s ‘Black Dog Barking’); engineered by Mike Fraser (who worked on 2010’s ‘No Guts. No Glory’ & 2016’s ‘Breakin’ Outta Hell’); mixed by Zakk Cervini (BMTH, Architects, Evanescence); and mastered by the legendary Ted Jensen, ‘Airbourne’ The Album is the statement, line in the sand recording that only one band could have made.

For staunch sons of Warrnambool, Joel & Ryan, here was the moment: to create not just the finest body of work in the Airbourne canon, but to raise the bar as high as possible in the name of the hard rock community; to seek out new turf, to protect the ground hard won by heroes past, some sadly fallen, and to both strengthen and celebrate the special, sacred bond with rock fans everywhere…

“Our aim from the start was to create something iconic, gargantuan,” states vocalist / guitarist Joel, “real blockbuster shit. It’s a rocket we’ve been building and building; we’ve filled it with fuel, now we’re ready to let it go.”

“We said, this is it, let’s make the oracle,” continues drummer Ryan, “and if we’re going to do it, no corner can be cut. All of the things we love most about rock‘n’roll are on this record. I firmly believe it’s our very best work…”

In order to embrace the mighty task, AIRBOURNE felt it wise to stay close to home, with Music Farm Studio in the “jungle” outside Byron Bay, South Eastern Australia, the chosen locale; not only does Music Farm host the original Neve console from Albert Studios in Sydney, the desk on which AC/DC, Rose Tattoo and The Angels recorded their classic early albums, but it’s also home to late AC/DC guitarist / founding member Malcolm Young’s eight-track Neve, and naturally both were put to full an’ fruitful use on the

AIRBOURNE sessions.

By choosing vintage gear (and recording to tape), these sessions were never going to be gremlin free, but as things turned out, technical issues were just a part of the story, with near cyclonic storms, deadly snakes and even deadlier super sized spiders (the fabled Big Boy!) adding to the list of perils. They say what doesn’t kill (or bite) you makes you stronger, and for musicians and studio team alike the overriding vision never blurred; nights around the fire pit were spent talking about the big, bold, bombastic albums they’d skipped their homework to listen to; those layered, beautifully crafted records, the recognised classics, that had made them rock fans in the first place…

Next stop, Hothouse Studios in Melbourne; here, all recording was completed alongside engineer / studio owner, Craig Harnath. Rounding things off at Hothouse was an easy choice to make; not only was it where the band had recorded their first EP, but the console, also a Neve, is from Alberts Studio 2, allowing the connection to prime rock history to be maintained.

The challenge was there. The game on.

‘Here She Comes’, one of the two Lange / Adams co-writes, the other being ‘Who Put The Rhythm In You?’, followed in late July, which brings us on a mighty wall of Eddie Van Halen inspired feedback to album focus track, ‘Bogotá’, complete with lashings of EVH ‘Frankenstein’ action, the first time Joel had wielded the instrument!

It’s surely impossible to be a guitarist and not realise the significance of EVH, who (along with Lemmy, Doc Neeson, John Bonham, Bon Scott, Little Richard, Malcolm Young & Ozzy) gets a hand on heart namecheck on album closer, ‘Send Me To Rock‘N’Roll Heaven’, the song that most clearly defines the album’s key themes of lifestyle and legacy; of artists being kept alive in the hearts and minds of fans; of the rock ‘n’ roll torch being passed from one generation to the next, the flame still burning…

‘When you play this riff, you give me back my hands

When you drop the needle, I'm back in the band…’ ‘Alive After Death (Last Plane Out)’

‘AIRBOURNE’. Made with passion. Made in Australia. The Great Barrier Riff.

Now officially out of its cage.

AIRBOURNE Shows with Guns N’ Roses, November / December 2026.

11/29: Adelaide, AU

12/2 Townsville, AU

12/5 Brisbane, AU

12/8 Newcastle, AU

12/11 Melbourne, AU

12/14 Sydney, AU

12/17 Auckland, NZ

California's Soft Science releases fifth album 'Sand', their most immersive record to date

September 4, 2026

Northern California quintet Soft Science returns with 'Sand', their fifth album, released via Shelflife Records in North America and Spinout Nuggets in the UK.. Building on the band’s signature mix of dream pop, post-punk, shoegaze, and darkwave, this record is both intimate and expansive - rooted in melody, atmosphere, and emotional depth.

Across these 10 songs, the band pairs shimmering textures with renewed urgency, delivering a dynamic and immersive record that is unmistakably Soft Science. 'Sand' explores the fragile, cyclical nature of love, tracing how relationships can shift beneath our feet while still offering moments of clarity, devotion, hope, and renewal.

The singles 'Spinning', 'Understand' and 'Fade' pair propulsive energy with ethereal vocals and luminous guitars, finding beauty in moments that inevitably slip away. ‘Spinning’ captures the frustration of being caught in a loop of recurring conversations and patterns. ‘Understand’ delivers a buoyant, Lush-infused burst of hope rooted in the healing passage of time. ‘Fade’ shifts into a more intimate yet expansive space, pairing a classic four-on-the-floor pulse with dreamy vocals and reflective lyrics about memory, change, and connection. Together, they showcase the creative blend of layered harmonies, cascading guitars, electronic textures, and hook-filled melodies that define the sound of 'Sand'.

Lyrically, throughout 'Sand' runs a strong sense of being stuck in cycles: spinning, circling, repeating old patterns, trying to be heard, trying to understand what went wrong. But it’s not all bleak. The album strikes chords of tenderness and resilience, as evidenced by phrases like “there is hope for us,” “we find a way,” “let in the light” and “steady as we sway” - lyrics that create a push-pull dynamic between weariness and a stubborn belief that connection and perseverance can still produce a better tomorrow.

Soft Science features Katie Haley (lead vocals, percussion), brothers Matt Levine (lead guitar) and Ross Levine (guitar, backing vocals), partners Tony Cale (drums) and Becky Cale (bass, backing vocals), along with frequent collaborator Hans Munz (electronics). Built around ethereal vocals, twin 12-string guitars, bass, drums and synthesizers, the band creates lush, transportive songs that balance melody, harmony, and rhythm. Praised by critics, Soft Science pairs gauzy textures with restless momentum, blending dream pop, shoegaze, and indie rock into a sound that is hypnotic, melodic, and emotionally direct.

Soft Science's latest album 'Lines' (2023) was preceded by 'Maps' (2018), 'Detour' (2013), and 'Highs and Lows' (2011), along with a split 7”with The Luxembourg Signal (2015) and The House of Love cover ‘I Don’t Know Why I Love You’ and a rendition of Northern Picture Library's ‘Paris’ (2018).

Critically acclaimed, Soft Science has done live sessions at KEXP, WFMU and Part-Time Punks, and performed at New York Popfest, Paris Popfest, The Big Takeover’s 35th Anniversary show, Schellraiser Festival, Tremolo Fest, Dreamgaze PDX, and other festivals across the USA. Soft Science was also highlighted on Sound Opinions’ “Shoegaze Genre Dissection” as one of the hosts’ recent genre favorites (August 21, 2026, Show 1082).

With 'Sand', Soft Science pushes further into the noisier edges of dream pop while preserving the hooks, texture and emotive resonance at the center of their work. Examining how love, memory and identity are shaped by change, they ask what it means to stay connected in an uncertain world. 'Sand' stands as the band's most focused, poignant collection to date. As Dagger Zine wrote, “Pop hooks bump up against heaving waves of sonic swirl and it all shimmers and shines in all the right places,” a fitting description of a group that continues to expand its sound without losing its melodic core.

'Sand' is out September 4 on CD and vinyl, with digital availability through major streaming and download platforms, including Spotify, Apple Music and Bandcamp

ALBUM CREDITS
Lyrics written by Katie Haley & Ross Levine
All songs written by Katie Haley, Ross Levine, Matt Levine, Becky Cale & Tony Cale
except 'Thread', 'Without' and 'Sway' are written by
Katie Haley, Ross Levine, Matt Levine, Becky Cale, Tony Cale & Hanz Munz
Katie Haley - vocals, percussion
Ross Levine - backing vocals, synths, additional guitars
Matt Levine - guitar
Becky Cale - bass guitar, backing vocals
Tony Cale - drums
Hans Munz - additional electronics
Recorded at Shattered Records and The Pool House
Engineered by Jack O'Donnell
Additional Engineering by Ross Levine
Mixed by Kev Bolus at OneEleven
Mastered by Antony Ryan at RedRedPaw
Produced by Soft Science
Artwork by John Conley
c @ p Shelflife Records / Spinout Nuggets 2026
Vinyl UPC code 759159696649 / CD UPC code 759159696656
Publicity by Shauna McLarnon for Shameless Promotion PR

Keep up with Soft Science
Website | Bandcamp | Facebook | Instagram | Twitter | Soundcloud | YouTube | Spotify | Apple Music | Press contact

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Liverpool stalwarts The Room explore the dark side of Modern Life on new ‘Doom Pop!’ album

September 3, 2026

Liverpool post-punk pioneers The Room present their third album 'Doom Pop!', released via 9x9 Records, as well as the video for the album focus track ‘The Room’. Inspired by the strange days in we are living through, ‘Doom Pop!’ explores the rise of authoritarianism, disinformation, war and paranoia. But it equally draws inspiration from science fiction, horror, and cinematic liminal spaces.

Recorded and mixed at Ark Studios in Liverpool, this album was co-produced by Dave Jackson and Steve Powell (Michael Head & the Red Elastic Band, Autour De Lucie, Echo & The Bunnymen).

"We aimed at shorter, sharper, more pop-oriented songs than on our previous album 'The Telling', which was a continuous story told in eleven songs without repetition or distinct choruses. The ‘pop’ element mainly harks back to the roots of our music, updating our original spiky, post-punk independent sound with Ethan Kyme’s keyboard stylings. Lyrically, it is a response to the current climate of emerging fascism and paranoia that increasingly colonizes all media," says Dave Jackson.

"While the songs ‘Drones’, ‘Drill, Baby, Drill’, ‘Continent of Lies’ and ‘Doom Patrol’concern the paranoia and destruction emanating from worldwide warmongers and oligarchs, other songs are influenced by a love of science fiction, horror and liminal spaces. ‘The Room’ is about the film 'Stalker' and a man who guides ‘tourists’ through a Zone corrupted by alien technology. ‘Temptation Harbour’ references three films by the late director Bela Tarr.

Earlier, the band shared the lead track 'Drill, Baby, Drill!' and 'Things Have Learnt to Walk that Ought to Crawl', an adrenaline-fueled blast of melodic post-punk driven by jangling guitars, relentless momentum, and distinctive drumming. In re-envisioning their 1982 cult classic, The Room revisits their roots, exploring themes that remain topical today, proving the enduring power of this music,

'Doom Pop!' is The Room's third album with 9x9 Records, preceded by 'Restless Fate' (2023) and 'The Telling'(2024). This a collection of eleven hook-driven post-punk songs confronts the anxieties of modern life, balancing political urgency with imagination and nostalgia.

"'Things Have Learnt to Walk that Ought to Crawl' is a the only older song re-envisioned for this album, and one of only three 1980s songs by The Room to survive in our live set. We decided to re-record and release it as it fits neatly into our new repertoire with its exhilarating jangly forward thrust, and also highlights Clive Thomas’ unique drumming," says Dave Jackson.

‘No One Comes Here From The Town’ is a response to Shirley Jackson’s 'The Haunting Of Hill House', and ‘Trespassing’ attempts to sum up Dave Jackson’s unproduced science fiction screenplay 'Trespassing' in a 3-minute pop song, tangentially influenced by Dave Bowie’s ‘Drive In Saturday’.

In a lighter, nostalgic vein, ‘Magic Games’ tells the story of a child in his grandmother’s parlour in the early 1960s, while ‘Stories’ is about an inspirational oral storyteller who once said, “Stories told thrice become our possessions”.

Favourites of John Peel, The Room was formed by singer Dave Jackson and bassist Becky Stringer in 1979, during the golden years of northern English post-punk. Reforming in 2022 after disbanding in 1985, they are now joined by guitarist Darren Brown, keyboardist Ethan Kyme, and original drummer Clive Thomas. They have since performed at Shiiine On festival and Preston Pop Fest, and have toured or played with The Red Guitars, Blue Orchids, Trupa Trupa, and Estonia with Shelton San.

The Room recorded four John Peel sessions, appeared on The Whistle Test and worked with Television's Tom Verlaine and John Porter (Roxy Music, TheSmiths, Billy Bragg) on their 'In Evil Hour' LP (1984), aside from releasing three other albums ('Bitter Reaction' in 1980, 'Indoor Fireworks' in 1982 and 'Clear!' in 1983. Recordings from Janice Long's BBC Radio One programme and Saturday Live were used for the 1985 release 'Jackpot Jack' EP.

The Room toured the UK and the USA, and performed with The Fall, The Birthday Party, Bauhaus, Southern Death Cult, Violent Femmes, Tom Verlaine, John Foxx and The Red Guitars. Following the band's split, Becky and Dave went on to form Benny Profane, Dust and Dead Cowboys. Dave has also recorded under his own name and as The Room in the Wood (with Paul Cavanagh).

As of September 4th, the 'Doom Pop!' album is out on CD and limited edition mixed eco-vinyl with both physical formats available in North America via Darla Records. It is also available digitally, including on Spotify, Apple Music and Bandcamp.

CREDITS
Lyrics by Dave Jackson
Music written by The Room
Dave Jackson – vocals
Becky Stringer – bass
Darren Brown – guitar
Ethan Kyme – keyboards (and Theremin on Track 1)
Clive Thomas – drums on all songs (except 8 & 10) and backing vocals on Track 3
Tom McCabe – drums on Tracks 8 & 10
Helena Jacks – backing vocals on Track 7
Recorded & Mixed by Steve Powell at Ark Recording Studios, Liverpool
Produced by Dave Jackson and Steve Powell

Mastered by Pete Maher

New Jersey's QUIZ SHOW present 'XONO' on Love, Letdown & Loud Guitars -- New EP for the boys of From Shudder To Think, out Sept. 28

September 1, 2026

New Jersey-based indie rock trio Quiz Show presents their new single 'XONO', which explores the painful gap between idealized romantic aspirations and the harsh truth that a promising bond is ultimately doomed to fail. This is the first taste of their forthcoming 3-song 'XONO' EP, released via New Jersey's Magic Door Record Label.

An original tune on the high hopes of friendship and love, and the difficulties that lie therein, the 'XONO' EP was produced, recorded, mixed and mastered by award-winning producer Ray Ketchem (Guided By Voices, Luna, Elk City, Gramercy Arms, The Dambuilders) at Magic Door Recording Studio in Montclair, NJ.

'XONO' starts with a surprise encounter and overture, the chorus moving through the process of acknowledgement and let-down. The bridge resolves that this relationship is not going to work before the song concludes with a final “I’m not it” to drive home the point. The story arc progresses from noisy start and rising progression via the chorus, allowing the author’s thoughts to break through, ending with a high-energy music and vocal piece and a resonant final lingering echo.

"I really love 'XONO' for being a tight, quick, and complex song. There is some great simplicity and pleasant dissonance in the music. That it tells a story about difficult relationships is something I am proud to have found a way to spell out," says Chris Matthews.

"As for the 'XONO' EP, it captures the life of Quiz Show over the last year. For me, singing is coming more naturally these days. I still can’t believe this whole thing is happening!"

Quiz Show is made up of Chris Matthews, a founding member of of legendary DC hardcore band Shudder To Think, and bassist Jesse Krakow, together with drummer Joe Billy III, who replaced the original drummer Kevin March (Guided By Voices, The Dambuilders, Shudder To Think).

You could say Quiz Show is a continuation of unfinished business. After a quarter-century break, Chris Matthews picked-up his guitar and again began to write songs, triggered by a chance meeting with his former Shudder To Think bandmate Kevin March. Now both living in Montclair, Kevin and Chris ended up forming Quiz Show with Frank Gibbons on bass.

Quiz Show makes music that is still squarely within the punk and alternative rock spectrum with elements of Hüsker Dü, Pixies, Ramones, Joy Division, Fugazi, Sonic Youth, and Girls Against Boys. Blending the musicality of alternative pop with the energy and noise of punk rock, vocal hooks overlay heavy drums and bass and layered guitars, creating a rich field of sounds.

'XONO' follows Quiz Show's 'Flotsam' EP, released in 2024 and engineered by Ketchem and Brian Robbins (Blondie, Bring Me The Horizon, Papa Roach), which explores the shattered, lost stories of people’s lives, and their 2023 eponymous debut album, an electrifying collection full of protest, friendship and frustration, both released to wide acclaim.

As of September 1, 'XONO' is available everywhere digitally, including Apple Music, Spotify and Bandcamp. The full 'XONO' EP will be released on September 28. Quiz Show will be performing on October 2 at Crossroads in Garwood, NJ, along with The Van Pelt.

EP CREDITS
Chris Matthews - guitars and vocals
Jesse Krakow - bass, organ, and backing vocals
Joe Billy III - drums, backing vocals, acoustic guitar
Produced by Ray Ketchem
Recorded, Mixed and Mastered by Ray Ketchem
at Magic Door Recording, Montclair NJ
Recording at Magic Door Recording, Montclair NJ
Songs by Chris Matthews and Quiz Show
© 2024 Shake at the Thought (BMI)
Cover photo by Mike Roller
Design by Ray Ketchem
Publicity by Shameless Promotion PR

STELLAR CIRCUITS UNVEIL EXPANDED PHANTOM :: PHOENIX (DIRECTOR’S CUT)

September 1, 2026

North Carolina progressive alt-metal innovators STELLAR CIRCUITS have released Phantom :: Phoenix (Director’s Cut), the definitive edition of their acclaimed third studio album, available now digitally via Nuclear Blast Records. The release pairs the original record with four additional tracks unveiled over the past several months: ‘Spotlight,’ ‘Wounded Healer,’ ‘Stargazer’ and ‘In The Smoke.’

Cinematic, visceral and emotionally charged, Phantom :: Phoenix (Director’s Cut) further explores the album’s themes of transformation and rebirth, moving between light and darkness, destruction and renewal. The new material builds upon the progressive intricacy, crushing heaviness and atmospheric depth that have become hallmarks of STELLAR CIRCUITS’ evolving sound.

Following 2023’s Sight To Sound and the original release of Phantom :: Phoenix in 2025, the Director’s Cut represents another step forward for STELLAR CIRCUITS, bringing the album’s journey full circle while continuing to push the band into new creative territory.

Stream Phantom :: Phoenix (Director’s Cut) Below:

Following the release, STELLAR CIRCUITS will bring their ever-evolving sound overseas for an extensive European and UK tour with EVERGREY and IGNEA this fall. Beginning November 11th in Lund, Sweden, the month-long run will take the band throughout Scandinavia, mainland Europe, the UK and Ireland before wrapping December 12th in Maastricht, Netherlands.

Tickets are available now at:
https://stellarcircuits.com/shows

STELLAR CIRCUITS 2026 EUROPEAN TOUR DATES:

11.11.26 Sweden Lund @ Mejeriet

12.11.26 Sweden Stockholm @ Kollektivet Livet

13.11.26 Sweden Linköping @ Paletset

14.11.26 Sweden Gothenburg @ Filmstudion 2

15.11.26 Norway Oslo @ Salt

17.11.26 Germany Hamburg @ Logo

18.11.26 Germany Berlin @ Hole44

19.11.26 Germany Munich @ Feierwerk

20.11.26 Austria Vienna @ Weberknecht

21.11.26 Italy Milan @ Slaughter Club

22.11.26 Switzerland Aarau @ KiFF

23.11.26 Belgium Antwerp @ Zappa

25.11.26 UK Southampton @ The Brook

26.11.26 UK Birmingham @ Asylum

27.11.26 UK London @ The Underworld

28.11.26 UK Leeds @ The Key Club

29.11.26 Ireland Dublin @ Opium

30.11.26 UK Belfast @ Limelight 2

01.12.26 UK Glasgow @ G2

02.12.26 UK Newcastle @ Anarchy Brew

03.12.26 UK Manchester @ Rebellion

04.12.26 UK Bristol @ Strange Brew

05.12.26 UK Nottingham @ Saltbox

07.12.26 France Paris @ Petit Bain

08.12.26 Germany Trier @ Mergener Hof

09.12.26 Germany Karlsruhe @ Substage

10.12.26 Germany Dortmund @ Junkyard

11.12.26 The Netherlands Rotterdam @ Baroeg

12.12.26 The Netherlands Maastricht @ Muziekgieterij

About STELLAR CIRCUITS:

Stellar Circuits has rapidly become one of the most compelling voices in modern progressive metal. Following their acclaimed 2023 Nuclear Blast debut, Sight To Sound, the band has continued to push boundaries with a sound that balances crushing heaviness, immersive textures, and deeply personal songwriting. Known for their dynamic live performances, Stellar Circuits have toured extensively alongside acts such as Chevelle and Arch Echo, earning a reputation as one of the genre’s most captivating rising acts.

Follow STELLAR CIRCUITS:

ONE WORLD (R)EVOLUTION Release New Album Reflections Of Resilience, Alongside Tracks "Complacency" & "Today Is The Day"

August 31, 2026

Reflections Of Resilience is the ferocious and empowering new full-length offering from ONE WORLD (R)EVOLUTION. The project, devised by songwriter and vocalist Astrum Lux Lucis, explores resilience, self-examination and personal transformation in the new album. Released via AstraLux Records, Reflections Of Resilience is accompanied by focus tracks "Complacency" & "Today Is The Day".

On "Complacency" Astrum shares, "We can become so consumed by what isn't happening, what we haven't accomplished or what we wish were different that we stop participating in the life that's already here."

"Today Is The Day" is about action. "I've spent enormous amounts of time living inside my own head—analyzing, questioning, second-guessing and wondering whether I should still be doing this at all", Astrum shares. "You can become so consumed with figuring out why you're not where you think you should be that you fail to notice something much more frightening:

Your actual life is happening while you're thinking about it.

Both songs recognize the same danger from slightly different perspectives. 'Today Is The Day' focuses on postponement—the endless belief that life will begin at some future moment.

'Complacency' looks at what happens when that postponement becomes a lifestyle."

Musically, ONE WORLD (R)EVOLUTION fuses alternative metal and modern hard rock with elements of metalcore delivered through heavy, contemporary production. Across Reflections Of Resilience, Astrum's melodic vocals meet moments of visceral aggression as ONE WORLD (R)EVOLUTION present a truly honest and vulnerable sonic offering.

Reflections Of Resilience was created through a collaboration between Astrum Lux Lucis and producer/songwriter Dusten "Dusty" Boles. Reflections Of Resilience was mixed by Dusten Boles and Frank Smith, with mastering also by Dusten Boles. Additionally, Dusten Boles provides guitars, bass, drums-programming, sound design to Reflections Of Resilience. The cover album artwork is created by Angelo Sanfilippo.

ONE WORLD (R)EVOLUTION isn't built around rebellion simply for the sake of rebellion. Its larger philosophy is that meaningful change in the world begins with transformation within the individual.

ONE WORLD (R)EVOLUTION Online:

Official Website: https://oneworldrevolution.us
Bandcamp: https://oneworldrevolution.bandcamp.com/
E-Shop: https://fans.oneworldrevolution.us/#section-NucDpVEORJ
Facebook: https://www.facebook.com/OneWorldRevolution
Instagram: https://www.instagram.com/oneworldrevolution_
Twitter/X: https://x.com/owrofficial
YouTube: https://www.youtube.com/@OneWorldRevolution
Twitch: https://www.twitch.tv/oneworldrevolution
Spotify: https://open.spotify.com/artist/1TQP9EWsbL7XxksqHdy1Ry?si=jjNc9uHyRo-OCAgLtVhU0g
Apple Music: https://music.apple.com/us/artist/one-world-r-evolution/376582415
TikTok: https://www.tiktok.com/@oneworldrevolution

LOWSUNDAY explore a world of isolation on 'Someone To Talk To' Latest 'Low Sunday Ghost Machine - Black EP' out now

August 26, 2026

US darkwave-shoegaze pioneers Lowsunday present their new single 'Someone to Talk To', exploring the tension between the need for connection and the painful realization that the person we trust may not be who they seem. showcasing their 'Low Sunday Ghost Machine - Black EP'. Wrapped in a shadowy, dreamlike atmosphere, the song turns heartbreak and disillusionment into something strangely serene, creating an intimate portrait of vulnerability, misplaced trust, and difficulty in letting go.

The lyrics follow someone reaching for companionship while becoming caught in a relationship marked by deception, betrayal, and emotional dependence. Its central idea is that loneliness can cloud our judgment, causing us to mistake attention for genuine care and overlook warning signs until the truth becomes impossible to ignore. The repeated declarations of love against accusations of cruelty capture the song’s emotional contradiction: attachment can survive even after trust has been destroyed.

Formed in 1994, Lowsunday (initially as Low Sunday Ghost Machine) emerged as a "retro-futurist" pioneer, blending darkwave and shoegaze long before the genres saw their modern revival. The 'Black EP', recently released via Projekt Records (their label before disbanding decades ago) is their second collection of all-new material released since 1999, previewed by the adrenaline-infused 'You’re So Wired' and darkly fascinating lead track 'This Is Not Heaven'.

"This song goes into darker more abstract places, combining feelings of loneliness that lead to the interaction with a person who walks through life handing out broken hearts as almost a form of exchange. The figurines with the eyeball heads almost suggests being naive - that we sometimes think with our eyes and not our heads - that we can love at face value and totally miss the underlying reality that some people actually don’t want to be loved. That many things aren’t as they appear - as the song suggests “when you said you had my back, it was your first attack” , say Shane Sahene.

"It also suggests that loneliness can lead one to making poor decisions. The irony is, that this song makes us very happy to play. It’s so dark in concept that it emotionally feels like being in a calm ocean at night or walking into a cave.

With a cult reputation for mercurial sounds and blistering guitar work, their legacy was cemented with extended re-releases of their 1996 debut album 'Low Sunday Ghost Machine' and the 1999 masterpiece 'Elesgiem', also through Projekt Records (for these albums' 30th and 25th anniversaries respectively). While their music set the stage for subsequent generations of artists, Lowsunday resurfaced in 2025 after a nearly 25-year hiatus, now a duo made up of original member Shane Sahene (vocals, guitar, synth, bass, drums) and Bobby Spell (bass, guitar, drums).

At the end of 2025, Lowsunday released their ‘Low Sunday Ghost Machine - White EP', which ranked second among Post-Punk.com's Best EPs of 2025, and included the singles 'Love Language', 'Soft Capture' and 'Nevver'. Both a reflection and a resurgence, Lowsunday's two new EPs usher in a welcome return, marked by superb production and a renewed creative clarity, bridging three decades of distinct sonic legacy with balanced doses of escapism, dreamlike sounds, drones and feedback.

Lowsunday’s music combines shimmering, pristine textures with infectious choruses, creating a timeless yet distinctly modern atmosphere. Their sound moves through dark, expansive landscapes, shifting seamlessly between steady rhythms, turbulent feedback, and fragile, dream-pop-inspired moments of haunting yearning.

With a sound defined by atmosphere, precision, and heartfelt shadow and depths, Lowsunday is now asserting their presence with new strength. While the 'White EP'explores light and texture, the 'Black EP' is the darker counterpart and definitive statement. Shadow and intensity, layered guitars, tight rhythms, and austere synths, this new EP' distills the duo's vision into a sharper, more potent form — a bold declaration of their enduring artistic power.

"Jer Herring did a great job tying the music to the visuals. He’s a great creative partner and has a way of drawing on the essence of a song and bonding it with great imagery," says Shane Sahene.

Bobby Spell adds, "This video perfectly captures the delicate coldness, detachment and loneliness of this song. A theme frequently visited by us involves a feeling of isolation which seems to be increasingly common in modern life. The visuals in the video demonstrate this feeling in a variety of scenarios where separation, miscommunication or distance is implied throughout. Our creative partner Jer Herring has once again created a perfect visual counterpart for a Lowsunday song and we’re very proud of it.

The 'Low Sunday Ghost Machine - Black EP' is available on digital platforms, including Spotify, Apple Music and Bandcamp, where the vinyl edition (limited to 200 copies) can also be obtained, along with the limited edition 7" of 'Static / Besides'. Lowsunday also recently released 'She Follows Rain' as part of Cherry Red Records' new 4CD box set 'We Are The Beautiful', among 67 shoegaze tracks released from 1991 to 2011. It's available now via Projekt Records' Bandcamp.

Eddie Skuller releases 'Blind Love' EP: A reverant homage to the songwriting of Tom Waits

August 26, 2026

New Jersey singer-songwriter Eddie Skuller is set to release his ‘Blind Love’ EP, a four-track personal tribute to Waits’ songwriting that revisits a storyteller with a rare ability to capture human character, emotion and melody, as well as his ability to find beauty and humanity in unexpected places.

With a unique vocal style, Skuller brings a raw, analog intimacy to these compositions, exploring the space between homage and reinvention. Performed with reverence, restraint and emotional intelligence, he allows the songs' emotional complexity to emerge, his delivery favoring intimacy over imitation.

Based in Jersey City, Eddie Skuller went to the opposite edge of the state to record this EP - namely, the upstate New York studio The Chicken Shack with producer-proprietor Nick Kinsey, known for his work with Kevin Morby, Waxahatchee and Scott McMickey. Fun fact: Waits himself is said to have made his Mule Variations album in another converted chicken shack on the opposite coast.

Bringing forth sheer raw joy and honed instincts, Skuller is joined on this EP by Ryder Cooley of Dust Bowl Faeries on accordion, Kinsey on drums and keyboards, Jack Skuller on guitars, and Jeremy Chatzky (Springsteen, Steve Earle, Ronnie Spector)on bass.

Centered around narrative and feeling, Skuller's performance reveals layers of tenderness, nostalgia, and quiet hope. Captured without edits or vocal overdubs, the recording preserves the spontaneity of the recording and the imperfections of analog production, the vocals captured live with the band.

"These four songs share a dark melancholy of lost love and desire, but all resolve with a sense of hope for a positive future outcome. That’s what draws me in to these songs and what connects them. In my live show it’s the spirit of hope that people take with them," says Eddie Skuller.

“What makes this experience unique for me is that it was recorded live in studio to tape. I wanted Nick Kinsey to produce because I was familiar with his aesthetic sensibilities and the warmth that analog recording can provide. The songs became meditative dirges and the lyrics read as pure poetry."

Nick Kinsey notes, “Producing a cover of any Tom Waits song is a daunting proposition, but I think we did a great job paying homage to one of America’s musical heroes, while giving it our own authentic touch. Eddie’s vocal performance and approach give an emotional immediacy that’s inarguable.”

Skuller earlier shared fine renditions of ‘Downtown Train’ and ‘You Can Never Hold Back Spring’, two of Tom Waits’ most quietly affecting songs, revealing a gentler side of Waits’ catalog, where grit gives way to tenderness and reflection. Blending collage, illustration, photography, typography and animation, the music video is a collaboration with French collective SPX ETC (artists Sandrine Pagnoux and Sophie Etchart), sparked through Sandrine’s Tom Waits editorial for 46pgs magazine.

In addition to his solo work, Skuller is a perennial guest vocalist with The Losers Lounge, the acclaimed tribute series curated by The Psychedelic Furs’ Joe McGintyand regularly held at Joe’s Pub and City Winery in NYC. His live performances have drawn praise for their authenticity, emotional clarity, and musical integrity.

As of August 26th, the 'Blind Love' EP is available everywhere digitally, including Spotify, Apple Music and Bandcamp, where the first two singles can also be found.

CREDITS
Produced & Mixed by Nick Kinsey at the Chicken Shack Studio, New York
Mastered by Christopher Colbert at National Freedom Studio, Oregon
Eddie Skuller - vocals
Jeremy Chatzky - bass
Jack Skuller - guitar
Nick Kinsey - drums, percussion, keyboards
Ryder Cooley - accordion
EP cover photo and design by Eddie Skuller
‘You Can Never Hold Back Spring’ video produced for SPX ETC
by Sophie Etchart & Sandrine Pagnoux
Single cover photo & design by SPX ETC
Original artist photos by Eddie Skuller
Publicity by Shameless Promotion PR

Eastblood feat. members of JASTA, DEE SNIDER, GENERATION KILL Release New Album 'Burn What's Left'

August 23, 2026

EASTBLOOD has officially arrived with the release of their debut album, Burn What's Left, available now on all major streaming platforms.

Featuring members of JASTA, Dee Snider, Generation Kill, and more, Eastblood is a four-piece metal force built on speed, volume, and zero compromise. Fusing the ferocity of thrash metal with the raw aggression of punk and hardcore, the band delivers ripping riffs, brutal breakdowns, punishing drums, and nonstop shredding across Burn What's Left.

“'Burn What's Left' is a record about anger, exhaustion, betrayal, and the emotional wreckage left behind by narcissism, manipulation, internet culture, and manufactured victimhood,” says Eastblood. “Beneath the aggression is something deeply human: self-doubt, grief, isolation, and the realization that sometimes the only way to move forward is to stop carrying what other people have done to you. We used that message with lyrics and the fastest, grittiest music we could—and this is just the beginning.”

Rather than simply channeling aggression for aggression's sake, Burn What's Left turns frustration, resentment, and emotional fallout into a full-force sonic attack. The album confronts the darker side of modern culture while exploring the personal damage left in its wake and the catharsis that comes from finally letting it go.

Recorded with a relentless intensity from start to finish, Burn What's Left was mixed and mastered by Nick Bellmore, whose production expertise helps give the album its crushing weight and uncompromising edge.

"Eastblood is pure alchemy — speed and intensity colliding with melody and catharsis, without a single compromise. We can’t wait to unleash what we’ve built on the world," says Charlie Bellmore.

No gimmicks. No polish. No compromise. Just pure sonic violence.

Burn What's Left is out now on all major streaming platforms.

STREAM Burn What's Left

https://linktr.ee/eastbloodmusic

Physical Copies of the Album are Available HERE

Eastblood:

Charlie Bellmore - Guitar and Vocals
Nick Petrino - Guitar
Christopher Taylor Beaudette - Bass and Vocals
Rob Youells - Drums

For More Information Please Visit:

MOB RULES Celebrate Release of 'Stories From The Verdant Vale'

August 23, 2026

German melodic power metal stalwarts MOB RULES celebrate the release of their new compilation album, Stories From The Verdant Vale, via ROAR - A Division Of Reigning Phoenix Music. Available now on vinyl and across digital platforms, the release invites fans back into the narrative world of the band’s acclaimed 2025 album, Rise Of The Ruler, while revealing another side of its story.

The material for Stories From The Verdant Vale was written during the final stages of the Rise Of The Ruler sessions and now emerges as a special standalone release. More direct and compact than its predecessor, the record remains unmistakably MOB RULES, combining melodic power metal, atmospheric depth and the compelling storytelling that has long defined the band.

“During the final stages of completing the album, we discussed possible bonus material for the earbook edition with the label," vocalist Klaus Dirks recently revealed. "We were reluctant to use demo versions or similar material. This motivated us to write a few new songs. We were well aware of what we were getting ourselves into, but we also wanted to challenge ourselves a little.”

Originally conceived in part as exclusive material, the songs are now receiving a full vinyl and digital release following high demand from fans. While Stories From The Verdant Vale expands the concept of Rise Of The Ruler from a different perspective, each track has a character of its own, making it both a natural extension of the album and a powerful release in its own right.

Stories From The Verdant Vale was mixed by Markus Teske, with artwork by Stan W. Decker.
Order Stories From The Verdant Vale at this location:
https://mobrules.rpm.link/storiesPR

About MOB RULES

Formed in Northern Germany in the early 1990s, MOB RULES have established themselves as a constant force in melodic power metal. Known for their concept-driven albums, strong melodies and atmospheric depth, the band has built a loyal international following over the decades.

With ten studio albums to date, including the critically acclaimed Rise Of The Ruler, MOB RULES have continuously refined their sound while staying true to their roots. Their blend of classic heavy metal influences and modern production has secured them a lasting place within the genre.

MOB RULES is:
Klaus Dirks - Vocals
Sven Lüdke - Guitar
Florian Dyszbalis - Guitar
Markus Brinkmann - Bass
Jan Christian Halfbrodt - Keys
Sebastian Schmidt - Drums

Connect with MOB RULES:
Facebook | https://www.facebook.com/mobrulesband
Instagram | https://www.instagram.com/mobrulesband

The Barbarians of California Release Sophomore Album "Megatons" + Share "Earthquake" Video

August 23, 2026

The Barbarians Of California, featuring Aaron Bruno of AWOLNATION and Eric Stenman of Tinfed and a noted producer, remain equal opportunity iconoclasts with each new song and video they drop. They issue their slump-avoidant sophomore album MEGATONS . Get it here.

They also share the video for "EARTHQUAKE."

Watch the Barbarians get their "gym bro" on below.

"I feel like we are due for another massive earthquake," says Bruno, with his tongue planted firmly in cheek. "So, I wrote a song about it.. .assuming that California will break off into the ocean and Arizona would then be the new coastline."

Regarding the accompanying video, he says, "I wanted to put the band in a setting you'd never expect to find us in."

Gettin' those gains!

With MEGATONS, The Barbarians of California are unleashing fresh chaos straight from the sun-soaked, teeth-gnashing heart of the Golden State. Blending raw hardcore energy, riffs by the pound, and that signature mix of ferocity and tongue-in-cheek humor, these new songs hit like a caffeine-fueled fever dream. Through and through, the band delivers unapologetic anthems that feel both brutally fun yet dangerously addictive.

"Everyone has heard of the sophomore slump," states Stenman. "Making a second album can be a fraught process full of overthinking and self-doubt. Perhaps, the benefit of us starting this band, at this later point in our lives, relieves some of that pressure. This felt so easy, and is a seamless continuation of whatever we started with the first batch of song — just bigger and better."

The Barbarians aren't slowing down — they're just getting louder, meaner, and more ridiculously entertaining.

TBOC have also confirmed their first set of headline tour dates, alongside shows with Guns N' Roses and festival apperances.

All upcoming and confirmed live shows are below.

THE BARBARIANS OF CALIFORNIA LIVE:
9/6 — Pryor, OK — Rocklahoma Festival^
9/8 — Nashville, TN — Exit In
9/9 — St. Louis, MO — Blueberry Hill Duck Room [LOW TIX]
9/11 — Omaha, NE — Waiting Room
9/12 — Ridgedale, MO — Thunder Ridge Nature Arena*
9/14 — Minneapolis, MN — 7th St. Entry [LOW TIX]
9/15 — Milwaukee, WI — Cactus Club [LOW TIX]
9/17 — Chicago, IL — Cobra Lounge [SOLD OUT]
9/18 — Cleveland, OH — The Foundry [LOW TIX]
9/19 — Louisville, KY — Louder Than Life Festival^
10/23 — Los Angeles, CA — Lodge Room
1/24 — Naples, FL — ShipRocked^
*With Guns N’ Roses
^Festivals

ABOUT THE BARBARIANS OF CALIFORNIA:
The West Coast's contribution to hardcore punk is undeniable. That tradition of aggression, passion, and scrappy melodicism continues with The Barbarians of California, an engaging new manifestation of iconoclastic spirit and true bombast. Born from the shared passion of Aaron Bruno (AWOLNATION) and his longtime engineer Eric Stenman — who cut his teeth in the same Sacramento community that eventually launched diverse and disparate acts like Deftones, Far, Will Haven, Team Sleep, Hella, Dance Gavin Dance, Death Grips, and Trash Talk — the spirit of the underground and the personal catharsis delivered through metallic hardcore never left either of them. So, when Aaron learned that Eric crafted a batch of throwback bangers combining impassioned angst with modern sensibilities, he wanted in immediately. The Barbarians of California was born.

In 2024, the band released their debut album, And Now I'm Just Gnashing My Teeth, and celebrated with a high-energy show at the iconic Troubadour in Los Angeles, cementing their place in the hardcore scene’s next chapter. Since then, they've continued to build momentum with headline shows across LA, a summer 2025 arena tour with Deftones and other festival appearances that brought their explosive live presence to a wider audience. The Barbarians Of California are gearing up in 2026 for the release of their sophomore album MEGATONS.

BEAUTIFUL SKELETONS Release New Album 'Pulse/ Line/ Scar', Unveil Video for "Myrkur"

August 23, 2026

Rising alternative metal band Beautiful Skeletons have released their album, Pulse/Line/Scar , via WURMgroup. Produced by legendary heavy music producer Ulrich Wild (Pantera, Static-X, Breaking Benjamin, White Zombie), the album captures a band unafraid to tear everything apart in pursuit of something honest, powerful, and enduring. Coinciding with the album's release, Beautiful Skeletons have also premiered the official music video for "Myrkur," giving fans a powerful visual to one of the album's standout tracks.

More than a collection of songs, Pulse/Line/Scar serves as a deeply personal yet universally relatable body of work, exploring resilience, identity, loss, and the invisible threads that connect every human experience.

The band shares, "Pulse Line Scar is a universal anthology of lived stories, brought together by the thin red pulse line that connects us all, the same line that brings us life and the same line that leaves a permanent impression."

Pulse/Line/Scar showcases a band that has found strength in vulnerability and purpose through perseverance. Every track reflects the tension between chaos and clarity, pain and healing, creating an album that is as emotionally immersive as it is sonically crushing.

With Pulse/Line/Scar, Beautiful Skeletons are poised to establish themselves as one of alternative metal's most compelling emerging acts, delivering an album that doesn't simply ask to be heard, it demands to be felt.

Please get in touch if you would like to interview the band or review the record.

Stream/Buy Pulse/Line/Scar

https://linktr.ee/beautifulskeletonsband

WATCH the Official Music Video for "Myrkur" Below:

The band was formed in 2017 after guitarist Einar posted a Craigslist ad searching for a vocalist. What began as an instinctive collaboration gradually evolved through lineup changes, setbacks, and creative discovery. Over time, the project transformed from an idea into something none of the members were willing to walk away from—a defining commitment that became, in their words, a "do or die decision you can only make once."

That commitment intensified in 2022 when the band received management support and hit the road alongside Yngwie Malmsteen. The experience offered an unfiltered look at the realities of the music industry and solidified their determination to push Beautiful Skeletons beyond potential and into purpose.

Trying to categorize Beautiful Skeletons has never been easy—and they prefer it that way.

Drawing inspiration from Deftones, Alice In Chains, Sevendust, Korn, and Nine Inch Nails, the group seamlessly blends crushing riffs, haunting atmosphere, soaring melodies, and modern heaviness into a sound that refuses to stay confined to one genre.

That fearless approach reached its fullest expression during the recording of Pulse/Line/Scar. Recorded in Los Angeles and produced by Ulrich Wild at WURMgroup, every song was challenged, dismantled, and rebuilt until it carried the emotional and sonic weight the band envisioned. The process forced Beautiful Skeletons to confront not only their songwriting but also their identity as musicians, resulting in their most focused and powerful work to date.

Beautiful Skeletons:

Tina Firefly - Vocals

Jason Johnson - Bass

Huwy Williams- Drums

Einar Einarsson- Guitars

For More Information Please Visit:

Ian Munsick’s 4th Studio Album, THE MOUNTAIN GOAT, is Available Now

August 21, 2026

As one of modern country’s few Rocky Mountain artists – and the only one to merge its timeless traditions with an electrifying roots-pop edge – Wyoming native Ian Munsick has taken his music to the wild places few singer-songwriters go. Yet with his fourth album, The Mountain Goat, he climbs farther out on his creative ledge than ever, all to prove Western culture is not a costume.

Listen to The Mountain Goat, available now, HERE.

Marking his first independent album and the start of a new partnership between his own WEST TO THE REST RECORDS / Triple Tigers Records, Munsick remains as sure footed as his project’s fearless namesake, thriving in the isolation of a Western-flavored country pop frontier. But over a series of dizzying vocal peaks, new themes of incomparable beauty and harrowing hardship find the sonic homesteader in close harmony with nature.

“As usual, I just want to make sure the part of the country I come from is accurately portrayed in country music,” he explains. “There’s a lot of country in the Rockies and out West that needs representation, and I truly believe that’s a world where I will never run out of creative ammunition.”

Brought up in the shadow of the Big Horns on a family ranch outside of Sheridan, Wyoming, it’s a world Munsick knows by heart. Singing in the family string band before emerging as a solo artist in 2017, he earned the tongue-in-cheek “Mountain G.O.A.T.” title through hardscrabble success, wielding a tenor vocal as crisp as a mile-high morning.

Racking up over one billion career streams between previous albums Coyote Cry, White Buffalo, and Eagle Feather, Munsick has produced one RIAA-Platinum duet “Long Live Cowgirls” (with Cody Johnson) – which also hit No. 1 on SiriusXM’s The Highway Hot 30 Countdown – plus two Gold-certified hits: “Long Haul” and “Horses Are Faster.” Spotify, CMT, and the Grand Ole Opry were among the taste-making institutions to recognize Munsick’s vision, and concertgoers across the globe found a Western authenticity that can’t be faked – at least, not where Munsick’s from. It allowed him to make history in 2025, becoming the first Wyoming-born artist to headline Cheyenne Frontier Days, the iconic rodeo known around the world as the “Daddy of ‘Em All.”

With The Mountain Goat, his quest to capture the Western mystique and bring it to fans continues. Fusing genuine tradition with cutting-edge sonics, 15 tracks (including two interludes and one reprise) feature an “earthy” new organic undercurrent, with the multi-instrumental master more connected to his acoustic roots – and more protective of his territory. After buying a small ranch near the Wyoming/Montana border, he and wife Caroline welcomed the birth of his second child in 2025 – a daughter named Roan – filling his heart with more songs than ever.

“It’s just about 180 acres of prairie grass by the Big Horn Mountains – a peaceful spot where we can escape the craziness of Nashville,” Munsick explains. “My music is very inspired by the outdoors and the people that work the land, so it’s a great spot to reconnect and remember what my family and I have is real. What the Earth has for us is real. Tapping into those emotions is key.”

Co-writing every new song, Munsick explores the profound perspectives brought into focus by the West’s mythical vistas – and the awe-inspiring experience of fatherhood, falling in love, and finding one’s place in the world. That includes the plucky heartbreak anthem, “Love Is Blind” – a high-flying fiddle-pop jam currently scaling the treacherous slopes of country radio.

Co-produced by Munsick with Mike Robinson and Jeremy Spillman, The Mountain Goat continues to blaze new trails across the country landscape. An avalanche of untamed vocal power and raw, grizzled energy still form the bedrock of his sound, but Munsick’s string-band roots shine alongside a serene sonic charm, both wild and a bit whimsical. To get the effect, he and his team laid the foundation of each track personally.

Munsick played acoustic and electric guitar, mandolin, bass, banjo, harmonica – even bouzouki and piano – then a seasoned group of Nashville’s session hands helped finish the songs off. Among them, Ross Holmes’ fiddle was essential to multiple tracks. Justin Schipper added a cinematic pedal steel, and drummer Aaron Sterling gave it all a sense of forward momentum.

That much is clear from the album opening title track. A fiddle sawing banjo stomp with Munsick’s edgy vocal buzz in its full glory, “The Mountain Goat” is both a classic play on words spotlighting his Rocky Mountain credentials, and a tribute to those who resist the flat lands of conformity.

Elsewhere, tracks like the primal, pulse-pounding “Geronimo” take a flying leap off the ledge of love, and the easy trot of “My Montana” gives Big-Sky romance a mood-boosting beat (plus a soaring, free-spirited sound). “I’m a true tenor so there’s no use trying to fit in with the country norm,” Munsick says with a laugh. “Just got to work with the tools God gave me.”

Meanwhile, the overwhelming emotion of becoming a girl-dad surprised Munsick, even as an experienced parent. Tracks like stormy soul ballad “Blue Roan” begin with a tender, Spanish-style guitar, before swelling into a ferocious warning to any future smooth-talking outlaws. It’s joined by the controlled explosive outburst of “World War III.” “I’m a friendly guy, but if you hurt her, I’m going to hunt you down. Those are new emotions for me,” he explains.

Mother nature takes its rightful place in the center of Munsick’s worldview – even when it’s not obvious. With rusty country-rock hooks and a steel-braided drawl, “Cutthroat World” turns an icy trout stream into a restorative getaway. Through the serene prairie pop of “Palomino Eyes,” Munsick’s free-rein falsetto helps frame the stunning beauty he sees in his wife – and the beautiful world she makes possible. On “Winter in Wyoming,” he bids a sub-zero goodbye to a bitter heart.

Munsick takes on the role of a protector on the quiet, soul-and-steel guitar ballad, “Made Me a Man,” then the antidote to heartbreak on the intoxicating, atmospheric rocker, “Medicine Man.” A hand-crafted selection of interludes reference his favorite movie (Legends of the Fall) and an old-timey favorite from his family band (“The Girl I Left Behind”). But it’s not nostalgia Munsick feels for the Western way of life. That, he’s quick to point out, is very much alive.

With the rough-and-ready roadhouse anthem “Earn Your Spurs,” the rancher-turned-Rocky Mountain ambassador sizes up the cosmopolitan cowboys he sees every day. A dusky swirl of baritone guitar and cinematic synth back the message “Anyone can buy the boots, but you gotta earn your spurs.” As The Mountain Goat, it’s both a truth he was born into, and wisdom he’s privileged to share with the world.

“I don’t want to come off as a jerk, but being a cowboy is a lot more than just wearing the hat,” he says. “The main thing is just being able to be real and be who I am. What I want is for people to understand that Western life is not a thing of the past. It’s still here and hopefully it will continue to thrive in the mainstream of country music. And if you know, you know.”

Black Metal Kings DARK FUNERAL Release New Live Album 'A Beast To Praise' — Out Now via Century Media

August 21, 2026

Today, the Swedish kings of black metal, DARK FUNERAL, unleash their long awaited new live album, ‘A Beast To Praise,’ out now via Century Media. To celebrate the live release’s street date, the band shares a new live video for “Nail Them To The Cross (Live in Stockholm),” available below.

Recorded at Fållan in Stockholm in 2022, 'A Beast To Praise' captures DARK FUNERAL's devastating live performance in support of their acclaimed album 'We Are The Apocalypse.'Spanning 13 tracks and nearly 70 minutes, the release showcases the band's relentless stage presence while celebrating an album that entered the charts across Europe upon it's 2022 release, including #6 in Germany, #13 in Finland, #28 in Switzerland, #29 in Austria, and #31 in Sweden.

Watch the Live Video for "Nail Them To The Cross"

DARK FUNERAL’s Lord Ahriman comments on ‘A Beast To Praise’:

“‘A Beast To Praise’ (Live at Fållan, Stockholm) captures a very important moment in the history of DARK FUNERAL — not only the live release ritual for ‘We Are The Apocalypse,’but also our return to the stage after years of silence during the pandemic. That night at Fållanwas intense in every possible way. The energy in the room, the fire, the audience, and the atmosphere all came together into something far beyond an ordinary concert. This release is the immortal document of that night. With the release of this live album and the upcoming European touring cycle in the fall of 2026, we now close the chapter surrounding ‘We Are The Apocalypse.’ At the same time, we are already deeply focused on the next era of DARK FUNERAL and hard at work creating new material for what will become our next studio album, planned for release in 2027. And as one chapter closes, a new one is already taking shape — bigger, darker, and more epic than ever before...”

Order 'A Beast To Praise' HERE

DARK FUNERAL will next embark on the massive “In League With Satan” tour across Europe together with Behemoth and Dimmu Borgir in October. All upcoming tour dates currently announced can be found below.

DARK FUNERAL Live:

August 6-9 - Schlotheim, Germany @ Party.San Open Air

August 28-30 - Câmpulung, Romania @ Posada Rock

August 28-30 - Požega, Serbia @ Hellhammer Festival

"In League With Satan" – European Tour

w/ Behemoth & Dimmu Borgir

October 9 - Zurich, Switzerland @ Halle 622

October 10 - Zwickau, Germany @ Sparkassen-Arena Zwickau

October 11 - Esch sur Alzette, Luxembourg @ Rockhal

October 13 - Milan, Italy @ Alcatraz

October 14 - Munich, Germany @ Zenith

October 16 - Paris, France @ Zenith

October 18 - Den Bosch, The Netherlands @ Mainstage

October 20 - Cologne, Germany @ Palladium

October 22 - Hamburg, Germany @ Inselpark Arena

October 23 - Berlin, Germany @ Columbiahalle

October 24 - Brno, Czech Republic @ Hala Vodova

October 27 - Helsinki, Finland @ Ice Hall

October 29 - Stockholm, Sweden @ Hovet

October 30 - Copenhagen, Denmark @ K.B. Hallen

DARK FUNERAL Live 2027

August 21 - Dinkelsbühl, Germany @ Summer Breeze Open Air

August 22 - Carhaix, France @ Motocultor Festival

More info and tickets can be found HERE

Stay alert for more news on DARK FUNERAL and many more shows to be announced soon…

DARK FUNERAL are:

Lord Ahriman – Guitars

Chaq Mol – Guitars

Heljarmadr – Vocals

Adra-Melek – Bass

Jalomaah – Drums

XTC's Colin Moulding presents 'Want It Bad (The Pep Talks and Playing Fields of Old England)'. Watch the video & get the CD via Burning Shed

August 15, 2026

XTC founding member and acclaimed songwriter Colin Moulding is back with 'Want It Bad (The Pep Talks and Playing Fields of Old England)', a three-track CD single that offers another tantalising glimpse into the creative process of one of the UK’s finest songwriters, plus an accompanying video.

Released via Burning Shed and presented in a four-panel digisleeve, the CD features the title track, along with ‘Something About The Boy (James Bond Demo for Female Voice)’ and an exploratory demo of the title track. Moulding continues to explore a distinctly English pop sensibility, showcasing his English pop vision with XTC's trademark qualities of melody, rhythm, variety, and idiosyncratic subject matter, mixed in with nostalgia and a degree of pensiveness.

This is Moulding's second solo release, following 'The Hardest Battle', released several years ago. the video for which focused on George IV and filmed at St Mary’s Uffington and Salisbury Cathedral in cooperation with the Royal Shakespeare Company on wardrobe.

While 'Want It Bad' began as a song of sport and camaraderie, it soon took on a broader meaning. Moulding shares, "Although this song started life as a sporting pep talk, it was clear that it could easy be thought of as a mantra for ones own life ambitions whatever they may be. If you want something in this life you have to really want it. And if you really want it, you’ll get it -- that was my mantra."

The artwork, created by Andrew Swainson, and Androideo video, created by Thomas Walsh, are derived from ‘Les Coureurs’ by Robert Delaunay, whose depiction of runners perfectly captured the spirit Moulding wanted to convey.

"I was scouting around for a cover that would signify human endeavour. I had written 'Want It Bad', which basically amounted to a pep talk by a sporting coach to his team. Football perhaps... something made me think of the runners on the beach in the film “Chariots of Fire", explains Colin Moulding.

"After many permutations, Andrew, my artwork designer, said "What about Delaunay and his runners?" and when he showed me, there was no doubt. So it was derived from “Les Coureurs” by Robert Delaunay, a French painter from the early part of the twentieth century. Check him out!"

This new release also opens a window onto two very different stages of Moulding’s songwriting process ‘Something About The Boy (James Bond Demo for Female Voice)’ reveals a long-held ambition inspired by the James Bond films of Moulding’s childhood.

"I was a big James Bond fan. My father had taken me to see the first three - 'Dr No', 'From Russia with Love', and 'Goldfinger'…..In the 1960’s. I had secretly nursed an ambition that one day John Barry and I would work on a theme together (hey ya got to have dreams kid!). So here then was my idea to put to John Barry. Only trouble was I had to sing it myself to demonstrate the female lead. The key could have been a problem, but it had not occurred to me. I’m still a dreamer even today," shares Colin Moulding.

The third track, ‘Want It Bad (Demo)’, is an even more immediate snapshot of the writing process, with Colin noting, “Quite simply, my working demo knocked out in about an hour with a hand-held 57 microphone, different lyrics, and no bass. This is something for the musos, I guess.”

Founded in 1972, XTC only had their first UK charting single in 1979. Moulding wrote the first three charting singles ('Life Begins at the Hop', 'Making Plans for Nigel' and 'Generals and Majors') and continued with frontman Andy Partridge through the group's dissolution in 2006. In 1984, Moulding also co-founded The Dukes of Stratosphear, anticipating and celebrated by retro-minded movements such as the Paisley Underground.

Decades later, Moulding reunited with original XTC drummer Terry Chambers under the TC&I moniker, releasing two CDs (the 'Great Aspirations' EP and the album 'Naked Flames: Live at Swindon Arts Centre') and playing a series of live shows through a Swindon residency.

A driving force in establishing XTC as one of Britain's most inventive and influential bands, Moulding once again invites listeners behind the curtain -- not simply presenting the finished song, but revealing some of the ideas, experiments and musical possibilities that shaped it along the way.

As of September 18, ‘Want It Bad’ is available on CD exclusively via Burning Shed, where 'The Hardest Battle' can also be obtained, as well as music and merch from TC&I and Colin's other projects.

Ryan Perdz Releases Debut Album 'Can't Cry' And New Music Video For "Blood On My Love" via Big Machine Rock

August 15, 2026

New York singer-songwriter and multi-instrumentalist Ryan Perdz has released his debut album 'Can't Cry' via Big Machine Rock. In celebration, Perdz has dropped his latest music video for the track "Blood On My Love" off the full-length. Leading up to today, Perdz shared "Sour", "Heavy Eyes" and most recently, a fresh reimagination of "Time to Pretend". Speaking about the inspiration behind "Blood On My Love", he commented:

"'Blood On My Love' is a song about the consequences of loving the wrong person. You wish it never happened, but all you can do is move on, even if you’re covered in regret.”

Fans will soon have their chance to see Perdz hit the road on the '20 Years Unplugged' tour across the US with labelmate multi-GRAMMY® award-nominated, multi-platinum rock band Daughtry. The run kicks off on Monday, October 12 in Troy, New York, and wraps in Dallas, Texas, on Saturday, November 14 (ticket info here). 'Can't Cry' is available now on all streaming platforms at the link here, and watch the official music video for "Blood On My Love" below.

20 Years Unplugged Tour Dates:

October 12 | Troy, NY | Troy Savings Bank Music Hall

October 13 | Beverly, MA | The Cabot

October 15 | Uncasville, CT | Mohegan Sun Arena

October 16 | Waterloo, NY | The Vine Showroom at del Lago Resort & Casino

October 17 | Atlantic City, NJ | Ovation Hall at Ocean Casino Resort

October 20 | Huntington, NY | The Paramount

October 21 | Englewood, NJ | Bergen Performing Arts Center

October 23 | Danville, VA | The Pantheon at Caesars Virginia

October 24 | Florence, KY | Turfway Park Event Center

October 26 | Greensburg, PA | The Palace Theatre

October 27 | Wheeling, WV | Capitol Theatre

October 29 | Nashville, IN | Brown County Music Center

October 31 | Omaha, NE | The Astro Theater

November 1 | Des Moines, IA | Hoyt Sherman Place

November 3 | Kansas City, MO | Uptown Theater

November 4 | Oklahoma City, OK | The Criterion

November 7 | Las Vegas, NV | Pearl Concert Theater at Palms Casino Resort

November 8 | Napa, CA | Uptown Theatre Napa

November 10 | Anaheim, CA | Grove of Anaheim

November 11 | Tucson, AZ | Fox Tucson Theatre

November 13 | San Antonio, TX | The Aztec Theatre

November 14 | Dallas, TX | Majestic Theatre

ABOUT RYAN PERDZ

Ryan Perdz is a 25-year-old singer, songwriter, and multi-instrumentalist from Buffalo, NY. Raised on his grandparents’ family farm, he began teaching himself guitar at age ten and expanded into bass, violin, and mandolin, developing a hands-on approach to songwriting and arrangement.

Influenced by artists such as Nirvana, Chris Cornell, Red Hot Chili Peppers, and Led Zeppelin, Perdz channels the emotional weight of 90s rock through a modern lens, balancing grit with melody. His music often explores isolation, self-doubt, and perseverance, delivered with a clarity that feels lived-in rather than ornamental.

After independently releasing multiple singles and his First Sight EP an racking up tens of millions of views across social media, Perdz cultivated a loyal audience through consistent self-directed output. In 2025, he signed with Big Machine Rock and began recording his debut full-length album. His growing catalogue of original music has generated millions of streams, and his audience continues to expand across digital platforms.

As he prepares to unveil his debut album, Ryan Perdz stands positioned at the forefront of a new generation of rock artists shaped by both digital culture and classic influences.

MARILYN MANSON RELEASES ONE ASSASSINATION UNDER GOD – CHAPTER 2

August 14, 2026

Rock/metal icon MARILYN MANSON has released his highly anticipated new album, One Assassination Under God – Chapter 2, available now worldwide via Nuclear Blast Records. To mark the occasion, MANSON has also unveiled the official music video directed by Anthony Silva (@poisonpix) for the album's opening track, ‘Unalive,’ expanding on his signature dark, cinematic vision.

Co-written and co-produced alongside longtime collaborator Tyler Bates, One Assassination Under God – Chapter 2 finds MANSON pushing even deeper into the stark, cinematic landscape introduced on its predecessor. Balancing crushing industrial intensity with haunting melody and moments of unsettling beauty, the nine-song collection, including ‘Unalive’ and recent singles ‘Exit Wound’ and ‘Front Toward Enemy,’ stands among his most focused and immersive works to date.

Following today's release, MARILYN MANSON returns to the road next week for a major North American tour, bringing One Assassination Under God – Chapter 2 to audiences across the U.S. alongside Rob Zombie before continuing with additional headline performances this fall.

Stream/Purchase One Assassination Under God - Chapter 2: https://mm.bfan.link/oaug-ch-2

‘UNALIVE’ MUSIC VIDEO:

MARILYN MANSON & ROB ZOMBIE Co-Headline Tour Dates w / THE HU & ORGY

Aug 20 - West Palm Beach, FL @ iTHINK Financial Amphitheatre ^+
Aug 21 - Tampa, FL @ MIDFLORIDA Credit Union Amphitheatre ^+
Aug 23 - Alpharetta, GA @ Ameris Bank Amphitheatre ^+
Aug 24 - Charlotte, NC @ Truliant Amphitheater ^+
Aug 26 - Holmdel, NJ @ PNC Bank Arts Center ^+
Aug 27 - Mansfield, MA @ Xfinity Center ^+
Aug 29 - Burgettstown, PA @ The Pavilion at Star Lake ^+
Aug 30 - Darien Center, NY @ Darien Lake Amphitheater ^+
Sep 1 - Toronto, ON @ RBC Amphitheatre ^+
Sep 2 - Cuyahoga Falls, OH @ Blossom Music Center ^+
Sep 4 - Clarkston, MI @ Pine Knob Music Theatre ^+
Sep 5 - Tinley Park, IL @ Credit Union 1 Amphitheatre ^+
Sep 6 - Noblesville, IN @ Ruoff Music Center ^+
Sep 9 - St. Louis, MO @ Hollywood Casino Amphitheater ^+
Sep 10 - Kansas City, MO @ Morton Amphitheater ^+
Sep 12 - Greenwood Village, CO @ Fiddler's Green Amphitheatre *^+
Sep 14 - West Valley City, UT @ Utah First Credit Union Amphitheatre ^+
Sep 16 - Airway Heights, WA @ BECU Live at Northern Quest +
Sep 17 - Auburn, WA @ White River Amphitheatre ^+
Sep 18 - Ridgefield, WA @ Cascades Amphitheater ^+
Sep 20 - Concord, CA @ Toyota Pavilion at Concord ^+

* Not a Live Nation show
^ With The Hu

+ With Orgy

MARILYN MANSON Headline & Festival Dates

Oct 15 - New Orleans, LA - The Fillmore

Oct 17 - San Antonio, TX - The Aztec Theatre

Oct 18 - San Antonio, TX - The Aztec Theatre

Oct 21 - Austin, TX - Emo’s

Oct 22 - Austin, TX - Emo’s

Oct 24 - Fort Worth, TX - Sick New World Texas

Oct 31 - Los Angeles, CA - The Wiltern (SOLD OUT)

Nov 1 - Los Angeles, CA - The Wiltern (SOLD OUT)

Stream MARILYN MANSON:

Apple Music | Spotify

Follow MARILYN MANSON:

Swedish Metal Maestros WORMWOOD Release New EP ‘Å’ — Out Now via Black Lodge Records / Sound Pollution

August 8, 2026

WORMWOOD, one of Sweden’s most distinctive and internationally acclaimed metal bands, proudly release their new EP ‘Å,’ out now via Black Lodge Records / Sound Pollution. The EP contains two long tracks in classic WORMWOOD fashion, while also introducing new elements that have found their way into the sound as WORMWOOD continue to evolve as a band.

‘Å’ is a concept EP built around an idea that has been growing for some time, but never quite belonged on any previous, or upcoming, full-length album. It is a contemporary portrayal told through two filthy stories, inspired by the more marginalized circles of Stockholm. In other words, this is as raw, real and authentic as we can portray reality through music.

Order 'Å' HERE

With four full-length albums, one EP, a live release, and now the forthcoming ‘Å,’ WORMWOOD have built a catalog that continually evolves while deepening the band’s artistic identity. Their work has received widespread recognition: two nominations for “Rock/Metal of the Year” at P3 Guld, strong placements on the official Swedish charts, and recurring international praise from metal media around the world. WORMWOOD have also appeared on several global “Album of the Year” lists – a testament to their growing influence.

WORMWOOD’s reputation, however, is not confined to the studio. The band has toured extensively across Europe, performed at major festivals, and completed their own headline tours. Their audience continues to grow steadily, particularly in Germany, France, the Netherlands, the United Kingdom, and the United States, where their cinematic music videos and strong digital presence further enhance their visual and musical identity.

WORMWOOD stands as one of the most forward-thinking and compelling bands in Swedish metal. With ‘Å,’ they take another step in their artistic evolution – one that promises to captivate both loyal fans and new listeners around the world.

Watch the Official Music Video for "YRA / EXTAS" Below:

Since their formation in Stockholm in 2014, WORMWOOD have developed a sound that is as unmistakable as it is atmospheric. With their characteristic fusion of extreme metal, Scandinavian melancholy, folk influences, and cinematic storytelling, the band has created a sonic landscape that both moves and mesmerizes. Their music effortlessly shifts between grand, epic scope and brutally grounded intensity – a balance few bands truly master.

WORMWOOD are:

Nine – Vocals

Tobias Rydsheim – Guitar, Keys, Vocals

Jerry Engström – Guitar

Oskar Tornborg – Bass, Vocals

Simon Samuelsson – Drums

I C Red Unleash "Thermal" EP — LISTEN // Band Shares "Killing Me" Video

August 8, 2026

I C RED officially launched in 2026, but the force behind it has been building toward this moment for years. They grew up in the music industry, learning it from the inside, taking hits, sharpening their sound, and earning their instincts the hard way. What started as a tightknit team with a shared history evolved into something heavier, darker, and more intentional. An industrial-leaning rock project built on aggressive energy, cinematic production, and hooks that stick.

Their first breach into the system was "Industry Superstar" hit March 6. It was the opening transmission that marked the start of the rollout and the world of I C RED coming online. The band's bold, high impact, and visually cohesive look blends modern heaviness with electronic textures and a concept driven aesthetic that is as striking as the music itself. In a world where everyone is overstimulated, distracted, and numb, I C RED is here to break the trance and make people feel emotion again

Today, the band shares it debut EP, Thermal. Listen here.

The band also shared the video for "KILLING ME." Watch it Below:

"At a time when everyone is distracted, overstimulated and increasingly numb, the transmissions on THERMAL were designed to cut through the noise.... to wake you up and make you feel your emotions again. If this record makes you feel something, then the transmissions did the job," says the band.

"We've always been drawn to industrial music, but we also love the huge hooks and impact of modern active rock and metal. THERMAL came from wanting to force those two worlds together and create something that feels both mechanical and human."