Out Today From Reverya!

REVERYA is a mystical trio hailing from Tampa, Florida, whose sound drifts between the ethereal and thunderous. After the haunting debut EP Melinoe, they unveil their first full-length opus, Affliction In Bloom, set for CD release today October 24th, 2025.

This album is no ordinary collection of songs—it's a conceptual garden where each track blossoms as a distinct flower, embodying the trials and tenderness of human suffering. With titles drawn from nature’s poetry, each bloom holds symbolic weight, weaving an emotional tapestry meant to be experienced in full—start to finish, petal to petal.

The journey begins in stillness with "Allium", a soft, meditative prelude that eases listeners into the dreamy tendrils of "Wisteria".

"Allium" opens like a whispered incantation—two minutes of delicate acoustic reverie, drifting gently until faint, ethereal vocals rise like mist. The allium flower, symbolizing light and fortune, offers a soft blessing for the journey ahead. Rooted in garlic, it wards off darkness, setting the tone for the album's unfolding.

"Wisteria", one of REVERYA's earliest creations, bloomed even before the band fully formed. Born from political frustration, it reflects the dangerous allure of unchecked power. Like the Wisteria vine—beautiful yet poisonous—the song serves as a haunting reminder of the consequences of ignoring power’s dark side.

The album ignites with "Pyrophyte", a fiery counterpart to "Wisteria". With relentless screams, it mirrors escalating fury in the face of a corrupt, power-hungry world. Addressing global struggles, the song touches on war, division, and the uncertain future for younger generations. As chaos builds, a powerful, defiant singalong bursts forth, reminding us that we endure even through the fire. The title "Pyrophyte", referring to a plant that thrives in fire, symbolically connects to humanity’s resilience.

"Forget Me Not" follows, a tender exploration of the emotional weight in deciding whether to bring a child into this world of uncertainty reflected in predecessors, "Wisteria" and "Pyrophyte". Its soft piano and strings give way to raw vocals, capturing perhaps the most vulnerable moment on the record. The lyrics explore the anguish and desperation of parents watching their children suffer through internal and/or external struggles in such an evil and confusing world. Tender words cradled softly in warm blankets of orchestra and piano, cushioned with guitar chugs, and carried by luscious drums grooves.  The chorus poignantly illustrates the anguish of making such a choice, intertwined in a desperate apology leaving the listener to ponder over the only solo featured on the album. The nursery door is closed but never forgotten with a callback to the chorus played softly on a child's toy music box.

"Dahlia", the final flower to bloom, was crafted swiftly and naturally by the trio. Partially inspired by the Black Dahlia murder, the song reflects betrayal and emotional disintegration. A fitting partner to "Forget Me Not", the track captures the dark beauty of the flower—both musically and visually—marking a shift in tone with thall influences. "Dahlia" and "Forget Me Not" serve as emotional companions, validating pain within.

The final act unfolds like the setting sun—"Lily" acts as a delicate interlude, bridging "Dahlia" and "Asphodel". Using a reimagined piano part from "Asphodel", it drifts into an ethereal, somber atmosphere. Its simplicity is carried by lyrical motifs, referencing the journey so far while foreshadowing the final chapters. The white lily, traditional for funerals, symbolizes the album’s reflection on grief and loss.

"Lily" acts as a delicate interlude, bridging "Dahlia" and "Asphodel". Using a reimagined piano part from "Asphodel", it drifts into an ethereal, somber atmosphere. Its simplicity is carried by lyrical motifs, referencing the journey so far while foreshadowing the final chapters. The white lily, traditional in funerals, symbolizes the album’s reflection on grief.

"Asphodel" began with an instrumental foundation crafted by Travis and Kaleb, then later tailored to honor a loved one who suffered a stroke due to a brain tumor, leaving them paralyzed with no memory or chance of returning to their previous self, only to breathe unconsciously completely dependent on life support. The gut-wrenching decision to set them free with a prayer for a peaceful afterlife inspired the lyrics and atmospheric soundscapes. We journey through the stages of grief in this song with a soft verse, a pre-chorus and breakdown filled with angry desperation, bursting into the song's powerful and sentimental chorus, leading into a healing and hopeful singalong outro. In Greek Mythology, souls who have passed must wipe their memory by drinking from the River of Lethe, before they are peacefully transitioned to the Asphodel Fields where they experience a peaceful, eternal afterlife.

"Magnolia" is a heartfelt tribute to a grandmother who passed away during the pandemic. The song began with the lyrics alone as just a poem or letter for her, acting as an answer to a recording of her urging her grandchildren to spend time learning her language, Arabic, as well as confessing the happiness she felt being with her grandchildren despite the far distance. The scent of the Magnolia flower is that of her perfume which evokes early childhood moments spent together. Through fear, aggression, hope, harmony, heartbreak, grief, and more, this soft, sentimental track is a perfect send off to bring this journey to a close.

Affliction In Bloom is not just an album but a timeless voyage—an invitation to feel deeply, to hurt and heal, and to find meaning in both bloom and decay. It is deeply personal yet universal, an elegy, a wish, and a love letter wrapped in petals and pain.

REVERYA is:

  • Nadine  (Vocals/Keys)

  • Travis (Guitars)

  • Kaleb (Drums)

Album Credits:

  • Producer: Logan Clough, Justin Gregorio

  • Recording Studio: Creative Cult Recordings, Vanta Co Recordings

  • Engineer: Logan Clough

  • Mastering: Logan Clough

  • Mixing: Logan Clough

Album Cover Artist: Nadine

About REVERYA:

REVERYA is a Tampa-based progressive metal trio conjuring cinematic heaviness with adeeply introspective core. Formed in 2022, the band consists of Nadine(vocals/keys), Travis (guitars), and Kaleb (drums)—a powerhouse lineup blendingatmospheric textures, groove-heavy riffs, and emotionally charged vocals todeliver a genre-bending experience.

Drawing sonic inspiration from SPIRITBOX, JINJER, PERIPHERY, INVENT ANIMATE, and EVANESCENCE, REVERYA has carved a distinct space for themselves through a fusion of modern metal with ethereal soundscapes and haunting melodies. Their lyrics dive into surreal dream states, the complexities of emotion, and the connection between nature and the human psyche.

Their debut EP, Melinoe (2023), introduced the band’s affinity for myth and meaning, while their 2024 full-length album, Affliction In Bloom, pushed their artistry to new heights. Accompanied by visually striking music videos for "Wisteria" and "Dahlia," the band has continued to build are putation for immersive storytelling across both audio and visual mediums.

Frontwoman Nadine has also made waves outside the band, featuring on tracks like "A Living Burden" by HOLLOWBROOK and "Disconnect" by SPIRITUAL CHAOS, further showcasing her vocal versatility and reach within the heavy music scene.

Embarking on their first tour in July 2025, REVERYA is poised to bring their deeply emotive, crushingly beautiful sound to stages across the country—and soon, the world.

BLACKSHAPE Release New EP 'Prismer I' + "Feels Like Flying" Official Visualizer via Papercut Recordings

Atmospheric post-metal outfit BLACKSHAPE have released their new EP 'Prismer I' along with the official visualizer for "Feels Like Flying" via Papercut Recordings. The EP is the band's latest body of work since their 2021 self-titled full length, 'BLACKSHAPE'. Speaking about today's release, the band commented:

"Making 'Prismer I' was the most demanding creative endeavor of our lives. It tested friendships, stretched deadlines, introduced a new member, and pushed us to our absolute limits. We set out to make something bigger, heavier, and more beautiful than our first record, and we feel we’ve accomplished that. Musically, it captures the full spectrum of our elation and struggle throughout its creation.

Endless thanks to our producer and friend, Adam Cichocki (CHEE-HOT-SKEE), who worked tirelessly alongside us to bring this record to life. We couldn’t be more proud of what we created and can’t wait to release the first installment of Prismer into the world."

'Prismer I' is available now on all streaming platforms at the link here. Watch the "Feels Like Flying" visualizer below, and be sure to stay tuned for more BLACKSHAPE news coming soon.

ABOUT BLACKSHAPE

Haunting, intricate, and emotionally brutal, BLACKSHAPE create music that lives in the shadowed space between chaos and clarity. Their compositions stretch across post-metal, math rock, and ambient minimalism—twisting tension and release into something visceral and cinematic. For fans of sonic unease, dramatic builds, and songwriting that lives outside the lines.

Making Prismer IBLACKSHAPE’s new record, pushed the band to their breaking point. The process became their prison, a crucible of relentless personal and creative pressure. But the music was a prism—refracting that pressure into something beautiful, harrowing, and cathartic, and ultimately reshaping their perspective in the very act of making it. The title reflects this duality, capturing both the burden of confined thinking and the liberation in breaking it apart. Like a prism splitting light, every experience expands perspective into countless paths, showing that escaping the prison of one view means embracing the full spectrum: beautiful, ugly, terrifying, and freeing. This is Prismer.

BLACKSHAPE is:

Bryan Lee

Joseph Woit

Josh Dunn

Scott Shepard

CONJURER - Release Third Album "Unself"

British metal heavyweights CONJURER today release their incredible third album, Unself, via Nuclear Blast Records. In celebration of the day, the quartet have also revealed the video for focus track 'All Apart'. 

Watch the video for 'All Apart' below;

Order Unself here: 
https://conjurer.bfan.link/unself

CONJURER's co-vocalist and guitarist Dani Nightingale states: "I approached this song with the idea in mind of the first bricks that make up the metaphorical wall someone might put (or find) between them and their surroundings, the world they inhabit, both physical and metaphysical. For many people in a similar or comparable position to mine, those initial instances of disassociation and alienation begin at school, when one is first integrated into a social and educational environment with their peers and those who watch over them.

"I can’t describe what it’s like to be vilified for behaviours and traits that are just normal and natural to you, but because no-one understands you – not even yourself – you’re forced to adhere to things you don’t understand and become something you’re not."

CONJURER will be touring Unself across the UK and Europe in November. UK dates will be supported by Pijn and Death Goals.
Ticket link: linktr.ee/conjureruk 
Full dates can be found at https://www.conjureruk.com/live

This record is the sound of four individuals living with more purpose and as a consequence creating with more purpose. Unself sees them reaching out to offer community, catharsis and connection. CONJURER remain true to their original mission - they’re still having fun, playing interesting heavy music - but now that music is imbued with the power that comes from opening themselves up to others, at first within the band, and now beyond.

Conjurer are:
Brady Deeprose | guitars, vocals
Dani Nightingale | guitars, vocals
Conor Marshall | bass
Noah See | drums

Conjurer online:
https://www.facebook.com/conjureruk
https://x.com/ConjurerUK
https://www.instagram.com/conjureruk
https://www.conjureruk.com

ARSENIC KITCHEN Conjures the Dead with Their New EP HANDBOOK FOR THE RECENTLY DECEASED

Prepare to cross over into the beautifully macabre. Arizona's dark alternative rock force ARSENIC KITCHEN returns with their most ambitious and haunting work to date — the new EP, Handbook for the Recently Deceased, out NOW

The narrative of “Devil’s Advocate” presents the story of a reaper figure who develops sympathy for the individuals he observes. This narrative strategy introduces the EP’s conceptual framework, which explores themes of morality from an unconventional perspective. The single is accompanied by a music video that highlights the band's focus on visual storytelling. The video depicts the reaper encountering individuals at their moment of passing and presenting each with a copy of the “Handbook for the Recently Deceased,” a direct homage to director

Tim Burton’s 1988 film, Beetlejuice

ARSENIC KITCHEN will be featured this weekend, Saturday

October 25 at the Desert Grey Festival in Mesa, Arizona. This event will double as a celebration of their release and they will be performing main stage. The EP will feature a short film that will be released alongside it. 

Tickets can be purchased HERE

ARSENIC KITCHEN is a fusion of early 2000s Alternative and modern Post Hardcore that evokes feelings of nostalgia and heartbreak, anger and excitement, weaved into a theatrical stadium level performance no matter the setting.

From the deserts of Phoenix, Arizona the band stand out as uniquely high energy and meaningful musicians onstage & off. Through the musicality and lyrics of every song, ARSENIC KITCHEN is able to reach and connect with the deepest feelings and emotions of listeners. 

Texas-based electronic artist PARIS MUSIC CORP. releases sophomore 'Ecotone' album

Texas-based electronic and ambient composer Paris Music Corp. a.k.a. John Andrew Paris presents  his latest electronic odyssey 'Ecotone', a futuristic trip, along with a video for the track 'Rituals'. A deeply personal and geographically-inspired exploration, this record is rooted in the artist's return to his childhood home in South Texas, just miles from the border and a stone's throw to the coast. 

Originally from Austin, John Andrew Paris has spent decades creating music and collaborating with artists, including Arthur Brown (The Crazy World of Arthur Brown, perhaps best known for his hit single 'Fire'), as well as DJ Rev Kathy Russell, DJ Lucas Ray, Catastrophe Ballet, Le Reve, Life's Eyes, Beast of Eden, OBOYO and Don Wigwam.

"After relocating Paris Music Corp. to Brownsville, TX, it became apparent that wildlife and nature in general were at the forefront with living on the border of Mexico next to the sea. The 'Ecotone' album made sense to me because you have a transitional zone, where two different ecological communities or ecosystems meet and intermingle, often resulting in high biodiversity,” says John Andrew Paris.

"I feel a lot closer to nature. The wildlife even comes into my yard - armadillos, snakes, ducks and birds of every kind, including parrots. Also tree frogs that are only known to exist in this subtropical climate. I am close to a birding center and a fish hatchery as well, so all of this has inspired me. I am 2.8 miles from the Mexican border and close to the Gulf of Mexico. Some of my song titles reflect where I am. I actually lived in this area as a child and have come back to my roots."

Known for his cinematic and ethereal music, on this album, Paris Music Corp.'s music also shows its dark underbelly and futuristic imagination. Often with elements of 80’s darkwave and ambient soundscapes, his trademark sound includes heavily processed guitar and bass instruments locked into layered loops and further manipulated using software. Also employing live hand percussion, these dense soundscapes take the listener on a sonic journey to otherworldly places.

"This album was inspired by my new surroundings and the hyper close relationship to nature and the Mexican border. Ecotone is described as a transitional area between 2 distinct ecological communities - like my area which is the Rio Grande River and the Gulf of Mexico. What you also have is 2 cultures in Mexican and the American and how those have produced a culture of their own," says John Paris.

Earlier, Paris Music Corp. shared the lead track 'No Soy A.I.'featuring the searing Spanish vocals of fellow Texan musician, writer and actor RayPerez. In a world increasingly dominated by the cold, calculated logic of artificial intelligence, this dark slab of swirling electro casts a sonic challenge to the algorithmic chill of our times and the only track on this album with vocals. This song also addresses the coldness of some of AI’s tendencies, such as people already having AI girlfriends and boyfriends. 

In 2022, Paris Music Corp. released his self-titled album, after taking hiatus for half a decade following the release of his debut album 'Rewind' in 2017.  Fast forward to autumn 2025 - now Paris is ready to release the next collection of his electronic adventures, having  written, recorded, mixed and mastered this full album at Tarantula Studios throughout 2024 and 2025. 

Influenced by the likes of Mick Karn, Pink Floyd, Gary Numan, Tim Hecker, Casino Versus Japan and Miles Davis, John Andrew Paris has also scored 2 independent films - the documentary 'Andy Paris: Bubble Gum King', also released as an album, and the short horror film 'Spectral Wind'. He has also created a clever electronic rework of 'Lord of the Dance' for the Austin Christmas Collection Album.  

As of October 24, the 'Ecotone' album is available from digital platforms, including Apple Music, Spotify and Bandcamp.

CREDITS
All music written, recorded, mixed & mastered by John Paris
at Tarantula Studios in 2024-2025
Performed by John Andrew Paris, except vocals on 'No Soy A.I.' by RayPerez
Album cover / photo by John Paris
Video created by Gabriel Ramirez
John Paris photos by Jennifer Paris
RayPerez photos by Gabriel Ramirez
Publicity by Shameless Promotion PR

Keep up with Paris Music Corp.   
Website | Facebook | Bandcamp | Soundcloud | Instagram | Twitter | YouTube | Apple Music | Spotify | LinkTree | Press contact

Keep up with Shameless Promotion PR
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Renowned NYC artist-producer Charlie Nieland presents 'Stores From the Borderlines' album & video for 'Shame', a powerful ode to queer resilience

Renowned NYC songwriter-producer Charlie Nieland presents 'Stories From The Borderlines', a dazzling and deeply personal album that explores themes of connection and severance. These cinematic soundscapes are shaped by a reverence for pioneering '80s and '90s synth and guitar-driven music. More than music, these meticulously crafted songs—a geography of intention—are an act of imaginative resistance, passionately mining for light and truth in a darkening world. 

Nieland's backstory is extensive, having written, performed and produced music for decades. He has written for and produced such artists as Debbie Harry, Rufus Wainwright, Blondie and Scissor Sisters, as well as scoring the feature film 'The Safety of Objects' (with Glenn Close), Showtime's pilot episode of 'The L Word' and the VH-1documentary 'NY77: The Coolest Year in Hell'.

"This set of songs is a kaleidoscope of styles. They are luminous secret rooms that reflect one human’s heart in a world at the precipice. Staying creative is resistance. As authoritarians attack culture, they make the mistake that imagination can be controlled when it actually emerges from the bottom up. Culture is not imaginary. It’s is rooted in imagination but it’s more real than what can be measured," says Charlie Nieland.

"These songs tell stories of growing up, of how we got severed, and how we connect. I burrowed into each idea over several years that were filled with love, uncertainty and family drama. The time allowed me to create and explore sound worlds with a cinematic eye; finding contrasts in texture and time. To create an experience that shifts with each listen. These songs are a geography of intention and intuition, mining for light in a dark world. Let’s find the switch."

Nieland also presents 'Shame' with a firecracker video, directed and edited by multi-faceted NYC-based artist Hypnodoll, and filmed by Alice Teeple. Fueled by the obsessive lust and repulsion that has been weaponized against the queer community, this song explores how fascination runs like blood from all sides, our own self-loathing driving us into the unknown.  

Stories From The Borderlines' is inspired by my deep love of David Bowie, Kate Bush, Peter Gabriel, Cocteau Twins, Thomas Dolby, Love & Rockets and The Cure. I played and sang most everything here; guitars, bass, keyboards, percussion.  Besides spiritchild’s contribution, drummer Billy Loose and guitarist Dan McAssey, my musical friends of 20 years, were both pivotal in shaping these songs. It’s a joy to be collaborating with them," says Charlie Nieland.

"Keyboardist Joe McGinty (of The Psychedelic Furs, Ryan Adams, Nada Surf and many more) also contributes. I’ve gotten to know him singing in his popular NYC tribute series, The Loser’s Lounge and Joe brings the song 'Today' vividly to life with his stunning synth work."

Previewed the epic lead track 'Win' featuring Staten Island activist / rapper spiritchild and by 'The Ocean Understands' EP, released earlier this year, 'Stories From The Borderlines' presents a visceral blend of post punk, glam, dream pop and progressive rock. With sweeping melodies and restless rhythms, these unique soundscapes promise an immersive journey, showcasing Nieland's continued evolution as an artist and producer. 

Nieland has established himself as an artist rich on nuanced songwriting and sonic exploration, releasing 'Ice Age' (2014), followed by 'Hopeful Monsters' (2016) and ‘Divisions' album (2021). After 20 years with Her Vanished Grace, he is half of the literature-inspired duo Lusterlit with Susan Hwang, and both produces and co-hosts the podcast 'An Embarrassment of Prog'.

Charlie Nieland was awarded a Gold record (UK) for his production work on Blondie's 'Greatest Hits Sight & Sound' and achieved a Top 10 Billboard Dance Chart Position with Debbie Harry's single 'Two Times Blue', which he co-wrote and produced.

As of October 24, 'Stories From The Borderlines' is available everywhere, including Apple MusicSpotify and Bandcamp.  On November 5, Nieland will hold his Record Release Show at Berlin Under A, with Life in a Blender and Jessie Kilguss, who is releasing her album 'They Have A Howard Johnson’s There'

CREDITS 
All songs written by Charlie Nieland, except 'Win' (by Charlie Nieland & spiritchild


)
Charlie Nieland - vocals, 6 and 12 string electric and acoustic and e-bow guitars, lap steel guitar, fretted and fretless electric basses, upright piano, Fender Rhodes electric piano, Korg MS20 analog synth, virtual Mellotrons and string machines, autoharp, glockenspiel, percussion
Billy Loose - drums

Dan McAssey - guitar on 'Brutalist Monuments' & 'You Fell Down'
spiritchild - Vocals on 'Win'

Joe McGinty - keyboards on 'Today'
Recorded at home and at Saturation Point Studios in Brooklyn, NY
Produced, recorded, mixed & mastered by Charlie Nieland
© 2025 Athame Music, xspiritmentaleyez Music (Win)
Album cover art by Hypnodoll™ 

Videos for 'Redshift' and 'Drown' by Hypnodoll™
Video for 'Shame' by Hypnodoll™ and Alice Teeple
Artist photos by Alice Teeple and Bob Krasner
Publicity by Shameless Promotion PR

Keep up with Charlie Nieland
Website | Bandcamp | Facebook | Instagram | Twitter | YouTube | Soundcloud | Apple Music | Spotify | Press contact

Keep up with Shameless Promotion PR
Website | Facebook Twitter |  Instagram | BlueSky | Threads  | Soundcloud | LinkedIn | Email

LAINEY WILSON’S NEW EP PEACE, LOVE, & COWBOYS (HOLIDAY EDITION) OUT NOW

Lainey Wilson’s Peace, Love, & Cowboys (Holiday Edition) is out now, a 3-song EP featuring a new holiday version of Wilson’s “Peace, Love, & Cowboys,” “Let It Snow! Let It Snow! Let It Snow!” with Bing Crosby and a rendition of George Strait’s “Christmas Cookies.” Stream/purchase HERE.

In addition to the release, a physical version of the EP (12-inch vinyl, 7-inch vinyl and CD) will be available on November 21, consisting of “Peace, Love, & Cowboys (Holiday Edition)” and “Let It Snow! Let It Snow! Let It Snow!,” as well as instrumental versions of both tracks. Pre-order HERE. Wilson will also perform the holiday songs live at the Grand Ole Opry on December 10 as part of their special Christmas show. Tickets are on-sale now at www.opry.com.

The release is just the latest in a series of milestones for Wilson, who will host the upcoming 59th Annual CMA Awards next month, where she is also tied as the most-nominated artist with six nominations: Entertainer of the Year, Female Vocalist of the Year, Album of the Year (Whirlwind), Single of the Year (“4x4xU”), Song of the Year (“4x4xU”) and Music Video of the Year (“Somewhere Over Laredo”). Additionally, Wilson is confirmed to headline Stagecoach Festival this spring, is highlighted on the 2025 TIME100 Next list and recently performed sold-out shows at New York’s Madison Square Garden and Nashville’s Bridgestone Arena as part of her extensive Whirlwind World Tour.

Wilson will continue to tour through this fall, including upcoming stops in St. Paul, Knoxville, Charlotte and Tampa, before embarking on an extensive headline run across Australia and New Zealand next year. See below for complete tour itinerary, full details can be found at www.laineywilson.com/tour.

Furthermore, Wilson released the deluxe version of her award-winning album, Whirlwind, this summer via BBR Music Group/BMG Nashville (stream/purchase HERE). In addition to Whirlwind’s original 14 songs, the new extended edition features five additional tracks: “Bell Bottoms Up,” “King Ranch, King George, King James,” “Yesterday, All Day, Every Day,” “Peace, Love, and Cowboys” and Somewhere Over Laredo,” which is currently Top 10 at country radio and continuing to climb.

Released to overwhelming attention from fans and critics alike, “Somewhere Over Laredo” was the most added song at country radio at impact and earned widespread praise from outlets such as CBS Mornings, Rolling Stone and Billboard, who called it “one of her most commanding, dynamic vocal performances to date, crescendo-ing from a soft-focus, tender vocal, before gradually reaching into her upper register for powerful moments that heighten the song’s emotional acuity.”

LAINEY WILSON CONFIRMED TOUR DATES

October 21—Nashville, TN—Grand Ole Opry

October 24—Knoxville, TN—Thompson-Boling Arena at Food City Center#

October 25—Charlotte, NC—Spectrum Center#

November 1—The Woodlands, TX—Cynthia Woods Mitchell Pavilion

November 7—Tampa, FL—Amalie Arena#

November 8—Orlando, FL—Kia Center#
December 7—Las Vegas, NV—Lainey Wilson: Wildflowers & Wild Horses
February 6—Auckland, New Zealand—Spark Arena~
February 8—Christchurch, New Zealand—Wolfbrook Arena~
February 11—Brisbane, Australia—Brisbane Entertainment Centre~
February 12—Brisbane, Australia—Brisbane Entertainment Centre~
February 14—Newcastle, Australia—Howlin’ Country~
February 16—Sydney, Australia—Qudos Bank Arena~
February 19—Melbourne, Australia—Rod Laver Arena~
February 20—Melbourne, Australia—Rod Laver Arena~
February 22—Adelaide, Australia—Adelaide Entertainment Centre Arena~
February 26—Perth, Australia—RAC Center~
April 25—Indio, CA—Stagecoach Festival 2026
August 6—Detroit Lakes, MN—WE Fest
August 9—Canton, OH—Concert for Legends
August 12—Sturgis, SD—The Sturgis Buffalo Chip

*with special guests Muscadine Bloodline and Maddox Batson

#with special guests ERNEST and Drake Milligan
~with special guests Flatland Cavalry and Kaitlin Butts

KEEP UP WITH LAINEY WILSON
WEBSITE | INSTAGRAM | TIKTOK | YOUTUBE | X | FACEBOOK

NYC-London duo THE KING CANUTES pay tribute to PREFAB SPROUT on 'Cars and Girls

Brooklyn-London indie duo The King Canutes present 'Cars and Girls', the second taste of their debut album 'Eastern Seaboard, Perfect Summer', forthcoming via the Montclair, New Jersey-based Magic Door Record Label. Prefab Sprout aficionados will surely appreciate the cover homage to the band’s Steve McQueen masterpiece.

The King Canutes is Keir Woods (vocals, electric and acoustic guitars), who brings a sonorous true folk voice of Northern England, while Richard Alwyn Fisher (vocals, backing vocals, electric and acoustic guitars) is the scrappy Replacements-style Midwesterner. The pair met in Brooklyn in the early 2000s in NYC’s cosmopolitan pop / indie rock scene and released their debut EP 'Last Callers and Losers' in 2008.

The duo used to perform this song for ‘The Love Hangover’ [an annual post-Valentine’s Day show]. This version blossoms into a smooth swaggering rock ride out. Woods' vocals evoke the wistfulness of the original version while Fisher's sinewy guitar lines break down the layers, then build back as a drum machine transitions to live drums by Kevin March of Guided by Voices.

The King Canutes

Cars and Girls

'Eastern Seaboard, Perfect Summer' album out Nov. 21 via Magic Door Record Label

21 October 2025

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Brooklyn-London duo The King Canutes pay tribute to Prefab Sprout on 'Cars and Girls'

FOR FANS OF: Belle & Sebastian, Lloyd Cole, The Go-Betweens, Elliott Smith, The Chills, Orange Juice, The New Pornographers, American Music Club
INFLUENCES: Lloyd Cole, Richard Thompson, Lou Reed, David Bowie, Leonard Cohen
FOCUS TRACKS: Seymour Stein, Mixture as Before, Cars and Girls, Man From Hawaii, Perfect Summer, Red Hook Sunset
FCC clean (no profanity)

FOR SHARING
'Cars and Girls' single  https://distrokid.com/ hyperfollow/thekingcanutes/ cars-and-girls
Bandcamp  https://thekingcanutes.bandcamp.com/track/cars-and-girls
Spotify  https://open.spotify.com/artist/5lex8QRtmMDs9njOCwTdMd
'Seymour Stein (for Earle Holmes)'  https://youtu.be/y9tz2SAFKFg
Get the single  https://distrokid.com/ hyperfollow/thekingcanutes/ seymour-stein-for-earle-holmes
Spotify  https://open.spotify.com/track/3g8lOj27RRigNafFfZw2aT
Bandcamp  https://thekingcanutes.bandcamp.com/track/seymour-stein-for-earle-holmes 
Album pre-order  https://thekingcanutes.bandcamp.com/album/eastern-seaboard-perfect-summer
Apple Music  https://music.apple.com/us/artist/the-king-canutes/295362605

FOR REVIEW & AIRPLAY
Album preview 
https://on.soundcloud.com/ bxHMO7lIMeNQyU0iLn
Online press kit  https://haulix.promo/94zj 
Download via Google Drive  https://tinyurl.com/TheKingCanutes-PressKit


Brooklyn-London indie duo The King Canutes present 'Cars and Girls', the second taste of their debut album 'Eastern Seaboard, Perfect Summer', forthcoming via the Montclair, New Jersey-based Magic Door Record Label. Prefab Sprout aficionados will surely appreciate the cover homage to the band’s Steve McQueen masterpiece.

The King Canutes is Keir Woods (vocals, electric and acoustic guitars), who brings a sonorous true folk voice of Northern England, while Richard Alwyn Fisher (vocals, backing vocals, electric and acoustic guitars) is the scrappy Replacements-style Midwesterner. The pair met in Brooklyn in the early 2000s in NYC’s cosmopolitan pop / indie rock scene and released their debut EP 'Last Callers and Losers' in 2008.

The duo used to perform this song for ‘The Love Hangover’ [an annual post-Valentine’s Day show]. This version blossoms into a smooth swaggering rock ride out. Woods' vocals evoke the wistfulness of the original version while Fisher's sinewy guitar lines break down the layers, then build back as a drum machine transitions to live drums by Kevin March of Guided by Voices.

“When we first began playing “Cars and Girls” live it was stripped back to the bare essence, in contrast to the Prefab Sprout very eighties classic. But over the years, and with the gifts of the studio, our version has become as layered and baroque as the original!,” says Keir Woods.

Richard Alwyn Fisher adds, “Prefab Sprout offered such a unique voice, and it was fun and satisfying to create a version that was both an homage and also a new and personal take on the song.”

The King Canutes make intelligent, skewed pop with echoes of early 80s-90s Australian and Scottish pop, British folk and Midwestern indie rock, all melted in the current cosmopolitan cauldrons of New York and London. Combining the dynamic tension of dual singer-songwriters, their music sites somewhere between The Go-Betweens and the long-distance, long-haul commitment of The Postal Service,

The duo recently released 'Seymour Stein (for Earle Holmes)', named for Earle Holmes, the club owner and friend who gave Keir his Paris bookings after moving from NYC. This song captures the elation of freedom and the frustration of starting the artistic journey again. This song is elevated by stellar horns by Mac Gollehon (David Bowie, Al Jarreau, Duran Duran, Mick Jagger), bassist Dave Derby (Dambuilders, Gramercy Arms, Lloyd Cole), and Jessie Kilguss on backing vocals. 

Produced, recorded, mixed and mastered by renowned producer Ray Ketchem (Guided by Voices, Luna, Elk City, Gramercy Arms) at Magic Door Recording Studio, this ambitious album involves world-class artists such as Kendall Meade (Sparklehorse, Mascott), Mike Dillon (Rickie Lee Jones), John Leon (Roky Erickson), David Nagler (Nova Social, Joan Baez, Aaron Neville), Doug McEachern (Suran Song in Stag), Renée LoBue (Elk City) and Verena Wiesendanger (Semi Gloss).

As of October 21, 'Cars and Girls' is out everywhere, including SpotifyApple Music and Bandcamp. The 'Eastern Seaboard, Perfect Summer' album, out on November 21st, is now available for pre-order.

ALBUM CREDITS
Written by Keir Woods and Richard Alwyn Fisher, except
'Cars and Girls' written by Paddy McAloon
Produced, recorded, mixed & mastered by Ray Ketchem at Magic Door in Montclair, NJ
Keir Woods / vocals, electric and acoustic guitars
Richard Alwyn Fisher / vocals, backing vocals, electric and acoustic guitars
Dave Derby / bass, backing vocals

Kevin March / drums
Ray Ketchem / percussion, keyboard

Mac Gollehon / horns

Jessie Kilguss / backing vocals
Single artwork by Peregrine Honig
Album artwork by Ray Ketchem
Released by Magic Door Record Label
Artist photos by Lisa Whiteman
Publicity by Shameless Promotion PR

Keep up with The King Canutes
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Keep up with Magic Door Record Label
BandcampFacebook | Instagram | Soundcloud | YouTube | Magic Door Studio | Press contact

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TRIBAL GAZE RELEASE NEW ALBUM, 'INVEIGHING BRILLIANCE

Texas death metal hellions TRIBAL GAZE have released their eagerly awaited sophomore album, Inveighing Brilliance, today with Nuclear Blast Records.

Since their introduction just four years ago, the five-piece has quickly slayed listeners and audiences around the world with their signature, modern twist on brutal old-school death that has propelled the band to pack leaders in their scene. Armed with an unbridled onslaught of riffs, the band cuts through the crowd with an intense, unrelenting new album of disorder, featuring furious stand out tracks like “To The Spoils of Faith” and “Beyond Recognition.”

Commenting on the record’s release, guitarist Quintin Stauts says:

This album represents a different era for us. The world really seems like a different place than when the last record came out. This one focuses less on creative fictional story telling and more on truly feeling violent. We felt it was appropriate to take a more radical approach to riff and lyric writing.

Along with the record’s release, TRIBAL GAZE has debuted a new visualizer for another one of their blistering heavy tracks “The Irreversible Sequence.” Watch it below.

Adding about the track, Stauts says:

I probably listen to this song the most because its short and it just has parts that make me rewind it even though it’s our song and we’ve heard it a million times. The heavy parts in this song are the perfect representatives of the guitar tone our producer Taylor Young helped us achieve.

TRIBAL GAZE will tour North America in mid-November in support of Inveighing Brilliance this fall with CATTLE DECAPITATION, ABORTED and FROZEN SOUL. Tickets are available HERE.

Stream/Purchase Inveighing Brilliance: https://tribalgaze.bfan.link/inveighing-brilliance

11.16 Mesa, AZ @ The Nile Theater
11.18 Oklahoma City, OK @ Diamond Ballroom
11.19 Dallas, TX @ Granada Theater
11.20 San Antonio, TX @ Vibes Event Center
11.21 Houston, TX @ Bad Astronaut Brewing Co
11.22 Baton Rouge, LA @ Chelsea's Live
11.24 Atlanta, GA @ The Masquerade
11.25 Tampa, FL @ The Orpheum
11.26 Ft. Lauderdale, FL @ Revolution Live
11.28 Charlotte, NC @ The Underground
11.29 Richmond, VA @ The Canal Club
11.30 Baltimore, MD @ Baltimore Soundstage
12.02 Brooklyn, NY @ Warsaw
12.03 Worcester, MA @ The Palladium
12.05 Montreal, QC @ Club Soda
12.06 Toronto, ON @ Concert Hall
12.07 Detroit, MI @ Saint Andrew's Hall
12.09 Chicago, IL @ House of Blues
12.10 Minneapolis, MN @ First Avenue
12.12 Denver, CO @ Summit
12.13 Salt Lake City, UT @ Urban Lounge
12.15 Portland, OR @ Roseland Theater
12.16 Seattle, WA @ The Showbox
12.18 Sacramento, CA @ Ace of Spades
12.19 San Diego, CA @ Observatory North Park
12.20 Los Angeles, CA @ The Belasco

About TRIBAL GAZE:

Arising from the scorched earth of Texas, Tribal Gaze return with “Inveighing Brilliance”, a death metal monolith shaped by ancient violence and unforgiving truth. Recently signed to Nuclear Blast Records, the band conjures visions of primal wrath and nihilistic clarity—a sound rooted in the rawness of old-school death metal but sharpened with modern intent. From their name, inspired by unseen forces watching from deep forests, to the crushing weight of their riffs, Tribal Gaze channels something ancient, unknown, and violently present.

“Inveighing Brilliance” is a meditation on the illusion of beauty in nature and existence, and how it pertains to both Mother Nature, and our wretched, human society. Even in moments of light, brutality lurks—eggs are stolen from nests, flesh is torn for survival. This album dissects this duality, revealing the suffering embedded in every living moment. With digital artwork by Dom Pabon (Final Resting Place) that evokes sci-fi decay and meditations of ancient ruin, the album looks and sounds like a lost realm where reality fractures under the pressure of its own contradictions.

Tracks like “Beyond Recognition” and “To the Spoils of Faith” expand on these apocalyptic themes. The former imagines an outside force annihilating humanity in judgment of its arrogance, built on some of the band’s most punishing riffs to date—swinging between chaos, groove, and sheer obliteration. The latter churns with mechanized fury and contempt for blind belief, echoing Meshuggah-like timing with lyrics that drag faith to its own ironic hell. Across the record, Tribal Gaze capture the violence of thought and sound in equal measure—uncompromising and vividly self-aware.

Their ascent to Nuclear Blast was anything but formulaic. After leveling stages on tour with Frozen Soul, the band caught the attention of legendary A&R Monte Conner, who waited outside a venue in New York just to share his admiration. That moment solidified a new chapter for Tribal Gaze—a label that values creative freedom and pushes bands to expand without dilution. With “Inveighing Brilliance”, they’ve done just that: stripped away illusion, stared into the abyss, and made it echo.

Follow TRIBAL GAZE:

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Oakland's Sword Tongue unveils 'Murder White Noise', showcasing 'Bonfire In The Tempest' EP

Oakland alt-rock trio Sword Tongue presents 'Murder White Noise', a wry commentary on the state of the world and our attempts to soothe ourselves to get through it. The latest offering from their explosive 'Bonfire In The Tempest' EP - their fourth to date.

In an increasingly stressful world, this song explores how people try to externalize their anxieties by consuming content that allows them to feel better about their own lives. We attempt to cope with the pressure of maintaining equilibrium by coming together to grieve, worry, and comfort each other, often finding that the only way to feel good about our lives is to reflect on others' misfortunes.

Creating dark music for dark times, Sword Tongue is vocalist Jennifer Wilde and guitarist Gaetano Maleki, a husband and wife who launched this project in the pandemic year of 2020, now joined by renowned drummer-producer Dan Milligan.

“I started consuming true crime content as a way to turn off the thoughts that kept me awake at night and distracted me during the day. One day I told a friend I was a listening to a livestreamed trial where a lady put her husband on a burn pile. She said “WHOAH, what is that, murder white noise?” As I told people about the song, I found many others watch crime stories as a release from their stressful lives. It is important to bring that into the conversation about how we are coping today,” says Jennifer Wilde.

"Finding comfort in tragedy is new for me; during the pandemic and especially in the last year I find myself needing to look for reassurance that whatever I am facing is not as bad as it could be. 'Murder White Noise' was written as a way to come to grips that someone else's pain is that content, and what that says about where we are as a society right now. Gaetano wrote the perfect guitar line that hooks you in to get to the truth of the song."

On 'Murder White Noise', soothing vocals contrast with the song's macabre lyrical content, while steadily thrumming instrumentation lulls you into a false sense of security.  For a moment, the listener feels heard and encouraged, then questions their own motivations, left to wonder whether they are now the tragic victim in this story.
 
"From a songwriting perspective, this pulled a lot of anxiety out of me," says Gaetano Maleki. "While writing the guitar and bass lines, I wanted to bring out tension to mirror the vocals, but with some kind of seductive undertones. I feel the instruments really complement the lyrics, like a hard boiled soundtrack."

Showcased by 'We Are The Resistance' and 'Diamonds To Rust', this EP was galvanized during our current age of cultural upheaval. Bursting with raw emotion and tempered by sophisticated production, this collection blends alt-rock, post-punk and dream pop, giving voice to anguish, anger, transformation and triumph. Vocal lines that oscillate between a croon and a roar, seduction and rage, while shimmering guitar tones and bass lines mesmerize and intricate drum lines drive the message.

This EP was produced by Dan Milligan, brainchild of The Joy Thieves, who has co-created, produced and remixed such artists as Chris Connelly, PIG and Consolidated, and members of such bands as Ministry, Stabbing Westward, The Rollins Band, Killing Joke, David Bowie, Marilyn Manson, Depeche Mode and Nine Inch Nails, among others.

The 'Bonfire In The Tempest' EP is out now as a first-print red variant cassette, including a special album poem inside, and als

CREDITS
Lyrics by Jennifer Ryan Wilde
Music written & arranged by Sword Tongue (Wilde / Milligan / Maleki)
Jennifer Ryan Wilde - vocals
Dan Milligan - drums & percussion
Gaetano Maleki - guitar & bass
Produced by Dan Milligan
Publicity by Shameless Promotion PR

Keep up with Sword Tongue
Website | Bandcamp | Facebook | Instagram | BlueSky | YouTube | Spotify | Apple Music| Press contact

Keep up with Shameless Promotion PR
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See Hellish Sanguisugabogg Billboard + "Hideous Aftermath" Out Now

Boundary-pushing brutalists (and recent Decibel cover stars) Sanguisugabogg — Cody Davidson, drums; Drew Arnold, bass/guitars; Devin Swank, vocals; and Ced Davis, bass/guitars —have unleashed their new album Hideous Aftermath via Century Media. Get it here

In the band's home base of Columbus, OH, a "hellish" billboard promoting the album has been unveiled, and it's located right across the street from the capitol building. It parodies the infamous "Hell is Real" billboards that were erected across the state in 2004 as a measure to promote Christianity to motorists.

"To have our logo plastered on a billboard just across our state capitpl building should be considered vandalism in some way," the band theorizes. "This is so cool. Thank you to Century Media for giving OUR city the sickest merch it could ever receive."

Known for being THAT band with the unpronounceable name and unreadable logos, the 'Bogg have made a record as gore-obsessed and violence-inclined as any of their prior works, including Tortured Whole (2021) and Homicidal Ecstasy(2023), but with a career-defining command over their ugly art. Says Swank, "It's the one where we rolled our sleeves up and brought our A-Game."

Hideous Aftermath is the work of a band who has already cut a bloody swath into the underground and beyond. Sanguisugabogg have emerged from the sweat and grime of countless U.S. and international tours with the likes of Cannibal Corpse, Lorna Shore, and Kublai Kahn as well as festival slots and their own headline runs. They've ensnared scores of new converts to their brand of the brutally absurd.

Now in 2025, the 'Bogg's third full length leaves any "caveman death metal" tags in the dust. This is the sound of Sanguisugabogg flexing every muscle they have.

Enlisting producer Kurt Ballou (Nails, High on Fire) the 'Bogg decamped to God City Studios in Salem, Massachusetts in the Spring of 2025. "We got off the road after A LOT of touring and wanted to drill down and be as purely creative as possible without distraction," says Swank of the band's decision to work with the Converge guitarist in Witch City. "Kurt mixed Homicidal Ecstasy, so he already understood what we were going for."   

While Sanguisugabogg have long been self-produced with Davidson handling production duties, this time, they put their sonic trust fully in Ballou's hands.

With Hideous Aftermath, Sanguisugabogg have proven themselves more than just an eccentric death crew on an acid-addled hateroll. They're both champions of the underground and a musical force unto themselves. "Eight or nine years ago, it seemed like what we were doing was pretty niche," Swank admits. "Where we've come, some of the rooms and festivals we've played is kind of remarkable." Big swings including recent appearances on more "mainstream" rock festivals including Columbus' Sonic Temple and Welcome to Rockville in Daytona, Florida, were never on the 'Bogg boys' charter underground agenda.

"I think we were a band that was set up to do nothing or a lot of something," Swank concludes. "Why 'normies' ever ended up liking it was weird. Who knows? Maybe we made pain and suffering fun."

Sanguisugabogg will be touring this November on a headline run, with Despised Icon, Defeated Sanity, and Corpsepile as support. All dates are below.

The 'Bogg's Fall 2025 headline tour dates are below. Get tickets here.

SANGUISUGABOGG LIVE:
WITH DESPISED ICON, DEFEATED SANITY, + CORPSEPILE:
11/4 — Detroit, MI — St. Andrew's Hall
11/5 — Chicago, IL — Metro
11/6 — Indianapolis, IN- Deluxe @ Old National Centre
11/7 — Lawrence, KS — The Granada
11/8 — Denver, CO — Summit Music Hall
11/9 — Albuquerque, NM — El Rey
11/11 — Phoenix, AZ — The Nile Theater
11/12 — Santa Ana, CA — The Observatory
11/13 — Berkeley, CA — UC Theatre
11/14 — Los Angeles, CA- The Regent
11/15 — Las Vegas, NV — Fremont Country Club
11/17 — Dallas, TX — Echo Lounge & Music Hall
11/18 — Austin, TX — Mohawk
11/19 — Houston, TX — White Oak Downstairs
11/21 — Tampa, FL — The Orpheum
11/22 — Atlanta, GA — The Masquerade
11/23 — Charlotte, NC — The Underground
11/25 — Pittsburgh, PA — Roxian Theatre
11/26 — Baltimore, MD- Baltimore Soundstage
11/28 — New York, NY — Irving Plaza
11/29 — Philadelphia, PA — Union Transfer
11/30 — Columbus, OH — The King of Clubs

Virginity Release "You Can't Have My Blood: Bad Jazz Companion" via Smartpunk Records

Smartpunk Records' Florida power pop outfit, Virginity, has released a full-length companion to their 2024 LP "Bad Jazz," titled "You Can't Have My Blood." The tracklist is the ultimate fan service to enhance the original tracklist. It compiles songs from their two EPs released this year, as well as a handful of additional tracks, including an unreleased original and a few covers.

You can pre-order the vinyl now, out physically on October 24, just in time for Fest in Gainesville. This is an extremely limited vinyl release with no plans of repressing once sold out.

Listen below.

Pre-order "You Can't Have My Blood: Bad Jazz Companion" here

he band has received critical acclaim from the rock scene's top tastemakers, including New Noise Magazine, Brooklyn Vegan, Audiotree, and more. As fan favorites at Smartpunk's SXSW showcase and Florida's beloved FEST, Virginity have cultivated a core fanbase who are foaming at the mouth for these new tracks. 

Speaking about the new deluxe release, Virginity says, "Our newest release, You Can’t Have My Blood, is truly for the Virginity heads. When we released two EPs earlier this year, we knew we wanted to get them on vinyl in some form and that doing so was an important factor for our heaviest listeners, but we weren’t sure what it should look like. In taking a look at all the material, which mostly came about during the late stages of the Bad Jazz sessions, we decided that this should be a sort of Bad Jazz spiritual companion. We had songs that never got past the demo form that we wanted to see the light of day, as well as some live performances, covers and other odds-and-ends that have been available in random places, but never in one place or on vinyl. As much as it’s a compilation of disparate songs, we believe it also stands up on its own as a piece in the tradition of artists like Guided By Voices. We think it’s a truly worthy collection of tunes for anybody, but something extra special for those that have been fans of our band for a while."

UPCOMING SHOWS:
10/22 - Pre-Pre-Fest Orlando @ Will's Pub
10/23 - Pre-Fest Gainesville @ Boca Fiesta 
10/25 - The Fest @ The Atlantic
10/26 - The Fest (Fountains of Wayne cover set) @ How Bazar 

ABOUT SMARTPUNK RECORDS:
Smartpunk has been a recognizable name in the scene for a long time (Remember that sponsored Warped Tour stage?!). After exchanging several hands and countless ideas of what it could and should be, they decided to start a record label in 2016 with the main idea of focusing solely on reissuing records that have been out of print or never on vinyl. After all, they're a label of vinyl dorks themselves! After releasing Set Your Goals' Mutiny and Gameface's Good, they started to venture into signing newer bands. They actively balance in between many worlds — putting out amazing music from friends and bands that rock, reissuing older titles, and partnering with other incredible labels in our scene and doing exclusive color variants of their releases.
 

Since forming the record label, Smartpunk Records has reissued timeless albums such as Less Than Jake's Hello Rockview and Anthem, Patrick Stump's Soul Punk and Samiam's Clumsy. In the year 2025 alone they've put out new releases by the likes of Somerset Thrower, Keep Flying, Debt Neglector, Gully Boys, Sainthood Reps and so many more. 

NYC songstress Jessie Kilguss unveils brilliantly inspired ‘St. Teresa in Ecstasy’

NYC singer-songwriter Jessie Kilguss presents her single 'St. Teresa of Ecstasy', showcased in a brilliantly inspired video by Alex Dar, a sonic exploration of being moved by something magical and the sheer, vital power of all great art. Inspired by Bernini's dramatic Roman sculpture, this is a lyrical journey rooted in a feeling of being whisked away by something that feels celestial and profoundly greater than us all.

This is the second taste of her sixth album 'They Have A Howard Johnson's There',which was engineered, produced, mixed and mastered by Charlie Nieland (Debbie Harry, Rufus Wainwright, Blondie, Scissor Sisters) at Saturation Point Studios in Brooklyn. This song features drummer-percussionist Rob Heath (Madison Square Gardeners, Julia Nunes), guitarist-keyboardist Kirk Schoenherr (Tegan and Sara, Elle King, Chet Faker) and guitarist Andrea Longato (Duncan Shiek, Jeremy Jordan, Alphonso Ribeiro), with Charlie Nieland on bass, violin bow guitar and keys.

"The story of this song is really in the lyrics. I was visiting a friend in Rome and two different friends highly recommended I go see the sculpture The Ecstasy of St Teresa by Gian Lorenzo Bernini in the Cornaro Chapel of Santa Maria della Vittoria," explains Jessie Kilguss.

"I had a transcendent experience looking at this piece of art which I think I express better through song rather than just speaking or writing about it. Art (of all disciplines) has the ability to transport us to other places or states of being. The song is about experiencing the magic of this specific sculpture and maybe in a greater sense, the magic of being transported by something that feels bigger and more important than the everyday – something that feels otherworldly and divine."

Kilguss recently released the near-title track 'Howard Johnson's' with an era-inspired nostalgic video by Deborah Magocsi, for which she is accompanied by John Kengla (David Byrne, Ben Kweller, Serena Ryder) on guitar, bass and keys, Rob Heath on drums and percussion, and Dave Derby (The Dambuilders, Gramercy Arms, Lloyd Cole) and Charlie Nieland on backing vocals. Rembert Block (Rembert and the Basic Goodness. also features elsewhere on this album.

This offering follows her single 'Too Far From Texas' (a collab with Jim Andralis), 'You're the One' and 'Wuthering Heights'. Kilguss' 2022 album 'What Do Whales Dream About at Night?' LP features drummer Brian Griffin (Patti Smith, Brandi Carlisle, Lana Del Rey), bassist Whynot Jansveld (The Wallflowers, Butch Walker, Sara Bareilles), composer-producer Naren Rauch, and Nathan Schram (Bjork, David Crosby, David Byrne), with whom Kilguss ran the non-profit organization Musicambia.

A former actress, whose acting highlights include 'The Crucible' (with Daniel Day Lewis and Winona Ryder) and the stage production 'As You Like It' (directed by Royal Shakespeare Company founder Sir Peter Hall), Kilguss made songwriting her focus after working with musical heroes Marianne Faithfull and Mary Margaret O'Hara in the Tom Waits / William Burroughs musical 'The Black Rider'.
 
Kilguss also sings with the Loser’s LoungeGramercy ArmsJim Andralis and the Syntonics and Benjamin Cartel. She's also performed at the Sundance Film Festival and with Freddie Stevenson, touring as support for The Waterboys' European tour. In June 2025, Kilguss was an artist in residence at Fish Factory Creative Center in Stodvarfjordur, Iceland where she wrote 9 new songs.

As of October 8, 'St. Teresa In Ecstasy' is available everywhere, including Apple MusicSpotify and Bandcamp with the full album to follow on November 14th. On November 5, Kilguss' Record Release Show is at Berlin Under A, with Life in a Blender and Charlie Nieland, who marks the release of his 'Stories From The Borderlines' album. 

ALBUM CREDITS
All songs written by Jessie Kilguss, except 'Jesus Was a Crossmaker' (written by Judee Sill)
Produced, engineered, mixed & mastered by Charlie Nieland at Saturation Point Studios, Brooklyn
Jessie Kilguss - vocals, arrangement
John Kengla – guitar, bass, keys on Howard Johnson’s, Fool’s Fight, Lost Causes, Jesus Was a Cross Maker
Kirk Schoenherr – guitar and keys on Chasing Down a Ghost and St Teresa in Ecstasy
Andrea Longato – guitar on St Teresa in Ecstasy
Rob Heath – Drums and percussion
Rembert Block – Backing vocals on Fool’s Fight, Chasing Down a Ghost and Lost Causes
Dave Derby - Backing vocals on Howard Johnson’s
Charlie Nieland – bass, violin bow guitar and keys on St Teresa in Ecstasy, Fool's Fight and Lost Causes, backing vocals on Howard Johnson’s
Single cover photo by Shervin Lainez
Video by Deborah Magocsi
Graphic design by Scott MX Turner
Publicity by Shameless Promotion PR


Keep up with Jessie Kilguss
Website | Facebook | Bandcamp | Twitter | Instagram | Soundcloud | YouTube | Spotify | Apple Music | Press contact

Keep up with Shameless Promotion PR
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DoFlame and DEAR-GOD Drop Collab "Neighborhood Watch" EP Today

DoFlame and DEAR-GOD have dropped the four-track, collaborative Neighborhood Watch EP.  Listen to it below.
 
DEAR-GOD is the brainchild of Robert Ortiz who plays in DoFlame's band and is also a long-time production collaborator. So the synergy between these two artists is real!

DoFlame will spend some of the fall on tour with Pinkshift. All dates are below.

ABOUT DOFLAME:
For a solo artist, Mateo Naranjo, the mastermind behind DoFlame, is uniquely devoted to unlocking the potential of music scenes. The 21-year-old punk from Toronto is fueled by a desire to bring people into a world and in turn bring them together, to find the real sense of community that can be attained by immersing yourself in an underground culture. DoFlame's most recent album, BENT, bottles that feeling of discovery and camaraderie. Like a hardcore version of a coming-of-age movie, it captures all of the joy, confusion, and determination of being young and unsure of what's next just as effectively as it blends the unbridled aggression of heavy music with the swagger of hip-hop.

DOFLAME ON TOUR:
WITH PINKSHIFT:

10/10 — Asbury Park, NJ — Asbury Lanes
10/11 — Richmond, VA — Richmond Music Hall
10/12 — Carrboro, NC — Cat’s Cradle Backroom
10/14 — Atlanta, GA — The Masquerade
10/15 — Orlando, FL — Conduit
10/17 — Houston, TX — White Oak Music Hall
10/18 — Austin, TX — The Ballroom
10/19 — Dallas, TX — Club Dada
10/21 — Phoenix, AZ — Rebel Lounge
10/22 — San Diego, CA — The Voodoo Room
10/23 — Santa Ana, CA — Constellation Room
10/24 — Los Angeles, CA — The Echo
10/25 — San Francisco, CA — Bottom of the Hill

Pinkshift Drop New Song"Authority Problem" Ahead of U.S. Headline Tour Kickoff

Over the summer, Maryland trio PINKSHIFT — vocalist Ashrita Kumar(they/them), guitarist Paul Vallejo (he/him), and drummer Myron Houngbedji (he/him) — released their head-turning new album EARTHKEEPER via Hopeless Records. Get it here

The band has shared the brand new song "Authority Problem."

"Fuck ICE, fuck the left and the right, fuck the false decorum of rules and laws and executive orders just created to make people feel small and helpless. Only I know who I am, and if you disrespect me then I don’t care, you’ll feel my wrath," the band says about releasing the song in the here and now.

Pinkshift will hit the road this week on a headline U.S. run. All dates are below.

PINKSHIFT ON TOUR:
10/10 — Asbury Park, NJ — Asbury Lanes
10/11 — Richmond, VA — Richmond Music Hall
10/12 — Carrboro, NC — Cat's Cradle Backroom
10/14 — Atlanta, GA — The Masquerade
10/15 — Orlando, FL — Conduit
10/17 — Houston, TX — White Oak Music Hall
10/18 — Austin, TX — The Ballroom
10/19 — Dallas, TX — Club Dada
10/21 — Phoenix, AZ — Rebel Lounge
10/22 — San Diego, CA — The Voodoo Room
10/23 — Santa Ana, CA — Constellation Room
10/24 — Los Angeles, CA — The Echo
10/25 — San Francisco, CA — Bottom of the Hill
10/27 — Portland, OR — Polaris Hall
10/28 — Seattle, WA — Neumos
10/30 — Salt Lake City, UT — Kilby Court
11/01 — Denver, CO — Marquis Theater
11/02 — Lawrence, KS — Bottleneck
11/04 — Minneapolis, MN — 7th Street Entry
11/05 — Chicago, IL — Bottom Lounge
11/07 — Detroit, MI — The Sanctuary
11/08 — Cleveland, OH — Mahall's
11/09 — Pittsburgh, PA — Thunderbird Music Hall & Café
11/11 — Toronto, ON — Hard Luck Bar
11/13 — Boston, MA — Brighton Music Hall
11/14 — Hamden, CT — Space Ballroom
11/15 — Philadelphia, PA — First Unitarian Church
11/16 — Washington, DC — Atlantis

ESHTADUR Announces Mexico Dates for “Bellum Regiis” Tour and Symphonic Live Album Release

Colombian blackened melodic death metal force ESHTADUR returns to Mexico this October as direct support for Polish death metal titans HATE on the incendiary “Bellum Regiis” Tour.

Kicking off on October 11 in Mexico City, this brutal cross-country trek will see ESHTADUR delivering their signature fusion of crushing riffs, symphonic grandeur, and tribal intensity to audiences across seven cities. The opening night in CDMX will be a monumental event, also featuring none other than BEHEMOTH. As one of the most internationally acclaimed extreme metal acts to emerge from Latin America, ESHTADUR is poised to conjure chaos and catharsis in every city they touch.

The tour comes ahead of ESHTADUR’s upcoming live album, Symphonic Crows – Live at the Santiago Londoño’s Theater, arriving December 4, 2025 via Void Nation. Recorded in their hometown with a full symphonic orchestra, the album is a triumphant testament to the band’s cinematic sound and uncompromising energy.

Featuring seven tracks including Lowborn Bastard, Umbra, The Red Door, and She The Void, the album captures the magic of their genre-defying performance in Pereira, Colombia. Produced by Jorg August, mixed and mastered by Diego Rodriguez, and recorded at the Santiago Londoño’s Theater, this release is a milestone in the band’s legacy, melding orchestral majesty with the relentless pulse of death metal.

About ESHTADUR: 

ESHTADUR was founded in the fall of 2005 by Jorg August, releasing the Timo Be Timo demo with a sound in the vein of COVENANT, DIMMU BORGIR, and OLD MAN’S CHILD. Since then, they have released a pair of EPs and four powerful full-length albums. ESHTADUR, meaning "the rebellion of angels," can be most closely likened to bands such as SEPTIC FLESH, BEHEMOTH, FLESHGOD APOCALYPSE, CARACH ANGREN, and the like. Like their scene counterparts, the band embodies a deathly melodic atmosphere that reaches into realms of darkness and despair through the decay of humanity. It seeks to rebel, in its darkened way, embracing the abject reality.

ESHTADUR is: 

  • Jorg August – Vocals and Guitars

  • Camilo Barbosa – Lead Guitars

  • Andres Gonzalez – Bass

  • Juan Lopez – Drums

Connect with ESHTADUR:

Out Now From ALL HELL - Sunsetter

ALL HELL returns from the shadows with their fifth full-length album, Sunsetter, arriving on Terminus Hate City. From their origins in Asheville, North Carolina in 2013, the band has carved a singular path through the underground, blending elements of first wave black metal, deathrock, punk, and film score atmospheres into something entirely their own. Sunsetter is the culmination of years of evolution and hardship, a concept record that stretches from ancient myth to modern apocalypse, driven by fire, blood, and vision.

The band (Jacob Curwen on guitar and vocals, Erik Ballantyne on bass, and Elanti on drums) began work on Sunsetter after the release of 2019’s The Witch’s Grail. Progress was slow and plagued by constant disruption. The pandemic struck, personal tragedies followed, and devastating floods hit their home region. In the midst of all this, the band found themselves burned out and disillusioned with metal entirely. But after stepping back and rediscovering their creative hunger, they emerged with a record that is not only their most metal release to date, but also their most fully realized.

Sunsetter tells a sprawling, violent tale of exile, rebirth, and cosmic vengeance. The story begins in ancient times with the curse of Cain, the first murderer, cast into the land of Nod where he joins with Lilith, the exiled first wife of Adam. From their union comes a cursed bloodline. The album’s opening track, “Exiled into Nod,” skips any slow buildup and immediately drops the listener into the chaos of this mythic prayer. It is followed by “Dominus Sanguis, Domina Nox,” a dark hymn to the Lord of Blood and the Lady of Night, and then “The Violent Brood,” a classic ALL HELL track that portrays the frenzy of being hunted by Cain's spawn.

“The Bleeding” flips the perspective and explores the mind of a predator, with a guest solo from Nate Garnette of SKELETONWITCH adding another layer of menace. The title track, “Sunsetter,” takes a more triumphant tone, capturing the defiance and pride of the children of Cain as they reject the sun and claim dominion over the night. Its straightforward power made it the obvious choice for the album’s name.

Side two of the album begins with “The Flood and the Death,” a cinematic, spoken-word interlude that sets the stage for a shift in time. The next chapter takes place centuries later, where the bloodline of Cain has survived the flood and reemerges in the present. “Behold the Night” brings this rebirth to life with driving energy and shifting dynamics. “Path of Cain” offers a darkly anthemic reflection on lineage, sin, and survival.

The final act of the album accelerates toward doom. “Sacrifice to Shadow” portrays a cult's plea for the return of their ancient masters, while “The Ancients Rise” delivers on that prophecy with grinding riffs and ominous brass that call back to the album’s ancient beginnings. The closing track, “The Outer Night,” brings it all to an end. It begins with militaristic urgency, climbs to apocalyptic grandeur, and fades into the cold silence of a world overrun. Cain and Lilith return, and the sun sets for the last time.

The album was recorded, mixed, and engineered by Chris Adams at Hidden Audio, with mastering by Jacob Curwen. The visual aesthetic, including the album art, was also created by Curwen, preserving the band’s independent and uncompromising approach.

The sun fades. The night takes hold. The world belongs to ALL HELL.

About ALL HELL:

ALL HELL is a blackened metal trio from Asheville, North Carolina, known for their relentless fusion of first wave black metal, deathrock, punk, and horror-driven storytelling. Since forming in 2013, the band has carved out a distinct identity rooted in occult themes, razor-sharp riffs, and a fierce DIY ethos. Their sound is aggressive, stripped-down, and deeply atmospheric — a raw, unfiltered descent into myth, violence, and the supernatural.

With five full-length albums and an EP to their name, including 2025’s apocalyptic concept record Sunsetter, ALL HELL has evolved from a local cult favorite into a powerful underground force. Their live presence has taken them across the U.S., sharing stages with acts like RINGWORM, BLACK TUSK, PROFANATICA, and TURN COLD, and performing at festivals such as Decibel Metal and Beer Fest, Dark Lord Day, and RPM Fest.

The current lineup, Jacob Curwen (guitar and vocals), Erik Ballantyne (bass), and Elanti (drums), continues to push the band’s sound forward while staying true to its core. With each release, ALL HELL digs deeper into a unique mythos that spans history, horror, and apocalypse, embracing the dark, the ugly, and the eternal night.

ALL HELL is:

  • Jacob Curwen – Guitar and Vocals

  • Erik Ballantyne – Bass

  • Elanti – Drums


Connect with ALL HELL:


Bandcamp: https://allhell.bandcamp.com
Facebook: https://facebook.com/allhellband
Instagram: https://instagram.com/allhellband
Spotify: https://open.spotify.com/artist/5FVXnF7zGfuo8WF5qq4XHK
Apple Music: https://music.apple.com/be/artist/all-hell/925520478

PLATINUM RECORDING ARTIST ATLUS RELEASES SECONDHAND SMOKE EP

Platinum recording artist Atlus releases his BBR Music Group/BMG Nashville debut EP, Secondhand Smoke, today. The six-song collection marks the next chapter for the viral hitmaker whose career has grown from underground phenom to a billion-plus on-demand streams, four independent studio albums, a Platinum single, national touring, and millions of fans across social platforms.

 

“The songs on Secondhand Smoke are more than just individual tracks; they are chapters from my life,” says Atlus. ”Each one tells a story that I’ve lived through and it’s my hope that they push somebody out there to keep fighting, dreaming, and that there is something in one of those chapters that helps them keep showing up.”

 

Pulling back the curtain on his past to forge a new path forward, Secondhand Smoke sees Atlus writing on each track, confronting deeply personal themes, from a turbulent home life and his mother’s resilience, to his sister’s battle with addiction and his own journey with mental health. Listen to Secondhand Smoke Below.

His mother remains his biggest supporter, and much of the Secondhand Smoke EP pays tribute to her and hardworking women like her. The title track recalls how she never let circumstances define her, working long hours to make trailer and car payments, with cigarettes providing her one small comfort.

 

“I didn’t care about secondhand smoke because I saw what she was going through. It was like therapy, and the glue that kept her held together.” Even listeners who have not had the same experience can relate to a parent leaning on something to make it through.

 

“Baby Momma” continues that homage. The song flips its title into a triple entendre, a nod to the rap wordplay that shaped his style alongside country, pop, and rock. It even features a voice note from his mom singing a melody his grandfather wrote about him. “It’s a song my grandpa used to sing to me. My new music is really a tribute to them.”

 

Family has always been his priority. His success has allowed him to retire his mom, but before music took off, the now 33-year-old juggled two truck-driving jobs, UPS shifts, and Uber rides to cover studio time. He wrote his first two albums behind the wheel, practicing vocals and uploading a new track or video to YouTube each week.

 

His debut radio single, “Devil Ain’t Done,” impacts country radio this Monday, October 13.  An instant fan favorite, infectious grooves and melodies highlight the former truck driver's lyrics in “Devil Ain’t Done” as it reflects themes of self-doubt & perseverance. Grappling with relatable struggles that so many empathize with, this track expands on the singer-songwriter’s mission to make music that is both universal and uniquely him. Listen HERE / Watch Video HERE

 

Atlus marked the release of Secondhand Smoke with a special Nashville preview performance at Cannery Hall last night to a capacity crowd.

About Atlus:

Raised in a single-parent home marked by poverty and addiction, Atlus had to grow up fast, building resilience and a lifelong commitment to authenticity in his music. Phonetically named after the mythological Titan who held up the heavens, he began writing while working long hours as a commercial truck driver, crafting lyrics and melodies behind the wheel to help support his family and fund studio time.

 

That pavement-pounding grind became both his classroom and his engine, fueling the rise of a loyal underground following. Breakthrough moments soon followed, including performing alongside Jelly Roll at a packed Red Rocks Amphitheatre in his home state and landing a Top 5 album on Spotify’s Global Album Chart. With over a billion on-demand streams, millions of followers across socials, and a Platinum single to his name, Atlus continues to turn personal stories into universal anthems. Now signed to BBR Music Group/BMG Nashville, his most revealing project yet, Secondhand Smoke, is out now (October 10).

KEEP UP WITH ATLUS

WEBSITE | INSTAGRAM | TIKTOK | YOUTUBE | FACEBOOK

JOHN 5 Releases New Album ”Ghost” Today Alongside Latest Single “Moon Glow”; Co-Headlining Tour With Richie Kotzen Begins October 16

Today, guitar virtuoso John 5 releases his latest solo album Ghost, produced and mixed by Barry Pointer and featuring guest spots from Tommy Lee, Stephen Perkins, Bryan Beller and Kenny Aronoff, among others. Today’s record release also comes with a brand-new single  “Moon Glow,” featuring Matt Bissonette on bass and Marco Minnemannon drums and a visualizer Below.

 

“Moon Glow” follows previous anchor tracks, including “Hollywood Story” (about the first time John 5 picked up a guitar and the path that led him to the incredible career he has today) as well as "Fiend" and "Deviant".

 

Says John 5 of Ghost: “If my life could be put to music, it would be this album.”

 

John 5 appeared on the latest episode of Billy Corgan’s “The Magnificent Others” series in which he talks about the new album, his personal KISS museum and much more. Watch the episode HERE.

 

Fans can stream Ghost HERE and order limited-edition vinyl variants of the album, including exclusive bundles with Ghost T-shirts HERE. Vinyl variants include green splatter, red fire splatter and opaque red options.

On October 16, John 5 and fellow guitar great Richie Kotzen will head out on an

extensive co-headlining tour for the first time ever. Find the full itinerary below and more information at John-5.com.

RICHIE KOTZEN & JOHN 5 FALL 2025 TOUR

October 16 El Cajon, CA @ Magnolia

October 17 Riverside, CA @ Fox Performing Arts

October 18 Roseville, CA @ Goldfield Trading Post

October 19 San Jose, CA @ The Ritz

October 21 Phoenix, AZ @ Celebrity Theatre

October 22 Albuquerque, NM @ KiMo Theatre

October 24 Dallas, TX @ Granada Theater

October 25 Leander, TX @ The Haute Spot

October 27 New Orleans, LA @ House of Blues

October 28 Memphis, TN @ Minglewood Hall

October 29 Nashville, TN @ Fogg Street Lawn Club

October 30 Atlanta, GA @ Variety Playhouse

October 31 Orlando, FL @ House of Blues

November 1 Fort Lauderdale, FL @ Culture Room

November 2 Clearwater, FL @ Capitol Theatre

November 4 Richmond, VA @ The National

November 5 Leesburg, VA @ Tally Ho Theater

November 6 Patchogue, NY @ Patchogue Theatre

November 7 New York, NY @ Iridium

November 8 New York, NY @ Iridium

November 11 Glenside, PA @ Keswick Theatre

November 12 Derry, NH @ Tupelo Music Hall

November 13 Foxborough, MA @ Six String Grill & Stage

November 14 Stroudsburg, PA @ Sherman Theater

November 15 Lorain, OH @ Lorain Palace Theatre

November 16 Columbus, OH @ The King Of Clubs

November 17 Warrendale, PA @ Jergels

November 19 Wyandotte, MI @ District 142

November 20 Flint, MI @ The Machine Shop

November 21 Fort Wayne, IN @ Piere’s

November 22 St. Charles, IL @ Arcada Theatre

November 23 Belvidere, IL @ Apollo Theatre

November 25 Denver, CO @ Oriental Theater

November 29 Pioneertown, CA @ Pappy & Harriet's*

*John 5 only

ABOUT JOHN 5:

For over 30 years, JOHN 5 has been one of the most in-demand guitar players on the planet. As well as being a songwriter/guitarist for hire, JOHN 5 has shared the stage as axe-man for Rob Zombie, Marilyn Manson and Rob Halford. He has also worked with an impressive array of names, from all walks of music, including KD Lang, Rod Stewart, David Lee Roth, Alice Cooper, Scorpions, Lynyrd Skynyrd, Meatloaf, Dolly Parton and Ricky Martin. In October 2022, it was announced that JOHN 5 would be joining Mötley Crüe as their guitarist following the announcement that Mick Mars would be retiring. JOHN 5 continues to tour with Mötley Crüe including an upcoming residency in Las Vegas in 2025. To call JOHN 5 a shredder does not do him justice.

 

Follow JOHN 5 online:

Official Website: https://john-5.com

Facebook: https://facebook.com/john5official

Instagram: https://instagram.com/john5official

Twitter: https://twitter.com/john5guitarist

YouTube: https://www.youtube.com/c/john5officialYT/

TikTok: https://www.tiktok.com/@john5official

Official Webstore: https://john5store.com

TESTAMENT | PARA BELLUM OUT NOW + RELEASE ANIMATED VIDEO FOR THE SINGLE, 'HIGH NOON'

Bay Area thrash metal icons TESTAMENT return with their fourteenth studio album, Para Bellum, which is out today via Nuclear Blast Records. The album stands as both a battle cry and an observation of humanity's uneasy alliance with its own creations. As technology accelerates and disconnection grows, Para Bellum sees TESTAMENT reflecting the modern chaos through music that’s urgent, sharp, and unflinchingly human. 

Testament's newest single, 'High Noon,' is a Wild West adventure set to music, evoking images of duels and gunslingers. The song offers a nod to the band's acclaimed The Gathering period, yet successfully incorporating fresh, contemporary elements, demonstrating the band's forward momentum. Watch the animated video for 'High Noon' created by Freakshot Films, below.

Chuck Billycomments, "We are so fired up about the release ofPara Bellum. There were a lot of hours spent putting this together. These new songs put me out of my comfort zone as a vocalist but the final result I am very proud of what I accomplished. See you in the pit.🤘🏼."

Order Para Bellum on the format of your choice here:
https://testament.bfan.link/para-bellum

Para Bellum was recorded with Juan Urteaga, mixed by Jens Bogren at Fascination Street Studios, and was mastered by Tony Lindgren at Fascination Street Studios. The album is extremely polished and operating at full throttle. The band once again enlisted Eliran Kantor tocreate the album artwork. In an era flooded by AI-generated imagery. the hand painted creation encapsulates the album’s essence: a serene angel made of missiles, an explosion turned halo, surrounded by shovel-bearing cultists with books strapped to their faces.

From first note to last breath, Para Bellum is an album by warriors—crafted in chaos, and built to outlast the wars to come! 

TESTAMENT live dates:

European Tour
10.10.2025 UK Manchester @ Manchester Academy
10.11.2025 UK London @ O2 Forum Kentish Town
10.12.2025 BE Antwerp @ Trix
10.13.2025 DE Stuttgart @ LKA Longhorn
10.14.2025 DE Hamburg @ Große Freiheit 36
10.16.2025 CH Pratteln @ Z7 Konzertfabrik
10.17.2025 DE Wiesbaden @ Schlachthof
10.18.2025 IT Milan @ Live Club
10.19.2025 DE Saarbruecken @ Garage
10.21.2025 SI Ljubljana @ Media Center
10.22.2025 AT Vienna @ Arena
10.23.2025 PL Wroclaw @ A2
10.24.2025 DE Munich @ TonHalle
10.25.2025 DE Oberhausen @ Turbinenhalle
10.26.2025 NL Utrecht @ Tivoli Vredenburg - Ronda

TESTAMENT is:
Chuck Billy | Vocals
Eric Peterson | Guitar
Alex Skolnick | Guitar
Steve DiGiorgio | Bass
Chris Dovas | Drums