Renowned NYC artist-producer Charlie Nieland presents 'Stores From the Borderlines' album & video for 'Shame', a powerful ode to queer resilience

October 23, 2025

Renowned NYC songwriter-producer Charlie Nieland presents 'Stories From The Borderlines', a dazzling and deeply personal album that explores themes of connection and severance. These cinematic soundscapes are shaped by a reverence for pioneering '80s and '90s synth and guitar-driven music. More than music, these meticulously crafted songs—a geography of intention—are an act of imaginative resistance, passionately mining for light and truth in a darkening world.

Nieland's backstory is extensive, having written, performed and produced music for decades. He has written for and produced such artists as Debbie Harry, Rufus Wainwright, Blondie and Scissor Sisters, as well as scoring the feature film 'The Safety of Objects' (with Glenn Close), Showtime's pilot episode of 'The L Word' and the VH-1documentary 'NY77: The Coolest Year in Hell'.

"This set of songs is a kaleidoscope of styles. They are luminous secret rooms that reflect one human’s heart in a world at the precipice. Staying creative is resistance. As authoritarians attack culture, they make the mistake that imagination can be controlled when it actually emerges from the bottom up. Culture is not imaginary. It’s is rooted in imagination but it’s more real than what can be measured," says Charlie Nieland.

"These songs tell stories of growing up, of how we got severed, and how we connect. I burrowed into each idea over several years that were filled with love, uncertainty and family drama. The time allowed me to create and explore sound worlds with a cinematic eye; finding contrasts in texture and time. To create an experience that shifts with each listen. These songs are a geography of intention and intuition, mining for light in a dark world. Let’s find the switch."

Nieland also presents 'Shame' with a firecracker video, directed and edited by multi-faceted NYC-based artist Hypnodoll, and filmed by Alice Teeple. Fueled by the obsessive lust and repulsion that has been weaponized against the queer community, this song explores how fascination runs like blood from all sides, our own self-loathing driving us into the unknown.

Stories From The Borderlines' is inspired by my deep love of David Bowie, Kate Bush, Peter Gabriel, Cocteau Twins, Thomas Dolby, Love & Rockets and The Cure. I played and sang most everything here; guitars, bass, keyboards, percussion. Besides spiritchild’s contribution, drummer Billy Loose and guitarist Dan McAssey, my musical friends of 20 years, were both pivotal in shaping these songs. It’s a joy to be collaborating with them," says Charlie Nieland.

"Keyboardist Joe McGinty (of The Psychedelic Furs, Ryan Adams, Nada Surf and many more) also contributes. I’ve gotten to know him singing in his popular NYC tribute series, The Loser’s Lounge and Joe brings the song 'Today' vividly to life with his stunning synth work."

Previewed the epic lead track 'Win' featuring Staten Island activist / rapper spiritchild and by 'The Ocean Understands' EP, released earlier this year, 'Stories From The Borderlines' presents a visceral blend of post punk, glam, dream pop and progressive rock. With sweeping melodies and restless rhythms, these unique soundscapes promise an immersive journey, showcasing Nieland's continued evolution as an artist and producer.

Nieland has established himself as an artist rich on nuanced songwriting and sonic exploration, releasing 'Ice Age' (2014), followed by 'Hopeful Monsters' (2016) and ‘Divisions' album (2021). After 20 years with Her Vanished Grace, he is half of the literature-inspired duo Lusterlit with Susan Hwang, and both produces and co-hosts the podcast 'An Embarrassment of Prog'.

Charlie Nieland was awarded a Gold record (UK) for his production work on Blondie's 'Greatest Hits Sight & Sound' and achieved a Top 10 Billboard Dance Chart Position with Debbie Harry's single 'Two Times Blue', which he co-wrote and produced.

As of October 24, 'Stories From The Borderlines' is available everywhere, including Apple Music, Spotify and Bandcamp. On November 5, Nieland will hold his Record Release Show at Berlin Under A, with Life in a Blender and Jessie Kilguss, who is releasing her album 'They Have A Howard Johnson’s There'.

CREDITS
All songs written by Charlie Nieland, except 'Win' (by Charlie Nieland & spiritchild   )
Charlie Nieland - vocals, 6 and 12 string electric and acoustic and e-bow guitars, lap steel guitar, fretted and fretless electric basses, upright piano, Fender Rhodes electric piano, Korg MS20 analog synth, virtual Mellotrons and string machines, autoharp, glockenspiel, percussion
Billy Loose - drums 
Dan McAssey - guitar on 'Brutalist Monuments' & 'You Fell Down'
spiritchild - Vocals on 'Win'
 Joe McGinty - keyboards on 'Today'
Recorded at home and at Saturation Point Studios in Brooklyn, NY
Produced, recorded, mixed & mastered by Charlie Nieland
© 2025 Athame Music, xspiritmentaleyez Music (Win)
Album cover art by Hypnodoll™  
Videos for 'Redshift' and 'Drown' by Hypnodoll™
Video for 'Shame' by Hypnodoll™ and Alice Teeple
Artist photos by Alice Teeple and Bob Krasner
Publicity by Shameless Promotion PR

LAINEY WILSON’S NEW EP PEACE, LOVE, & COWBOYS (HOLIDAY EDITION) OUT NOW

October 21, 2025

Lainey Wilson’s Peace, Love, & Cowboys (Holiday Edition) is out now, a 3-song EP featuring a new holiday version of Wilson’s “Peace, Love, & Cowboys,” “Let It Snow! Let It Snow! Let It Snow!” with Bing Crosby and a rendition of George Strait’s “Christmas Cookies.” Stream/purchase HERE.

In addition to the release, a physical version of the EP (12-inch vinyl, 7-inch vinyl and CD) will be available on November 21, consisting of “Peace, Love, & Cowboys (Holiday Edition)” and “Let It Snow! Let It Snow! Let It Snow!,” as well as instrumental versions of both tracks. Pre-order HERE. Wilson will also perform the holiday songs live at the Grand Ole Opry on December 10 as part of their special Christmas show. Tickets are on-sale now at www.opry.com.

The release is just the latest in a series of milestones for Wilson, who will host the upcoming 59th Annual CMA Awards next month, where she is also tied as the most-nominated artist with six nominations: Entertainer of the Year, Female Vocalist of the Year, Album of the Year (Whirlwind), Single of the Year (“4x4xU”), Song of the Year (“4x4xU”) and Music Video of the Year (“Somewhere Over Laredo”). Additionally, Wilson is confirmed to headline Stagecoach Festival this spring, is highlighted on the 2025 TIME100 Next list and recently performed sold-out shows at New York’s Madison Square Garden and Nashville’s Bridgestone Arena as part of her extensive Whirlwind World Tour.

Wilson will continue to tour through this fall, including upcoming stops in St. Paul, Knoxville, Charlotte and Tampa, before embarking on an extensive headline run across Australia and New Zealand next year. See below for complete tour itinerary, full details can be found at www.laineywilson.com/tour.

Furthermore, Wilson released the deluxe version of her award-winning album, Whirlwind, this summer via BBR Music Group/BMG Nashville (stream/purchase HERE). In addition to Whirlwind’s original 14 songs, the new extended edition features five additional tracks: “Bell Bottoms Up,” “King Ranch, King George, King James,” “Yesterday, All Day, Every Day,” “Peace, Love, and Cowboys” and “Somewhere Over Laredo,” which is currently Top 10 at country radio and continuing to climb.

Released to overwhelming attention from fans and critics alike, “Somewhere Over Laredo” was the most added song at country radio at impact and earned widespread praise from outlets such as CBS Mornings, Rolling Stone and Billboard, who called it “one of her most commanding, dynamic vocal performances to date, crescendo-ing from a soft-focus, tender vocal, before gradually reaching into her upper register for powerful moments that heighten the song’s emotional acuity.”

LAINEY WILSON CONFIRMED TOUR DATES

October 21—Nashville, TN—Grand Ole Opry

October 24—Knoxville, TN—Thompson-Boling Arena at Food City Center#

October 25—Charlotte, NC—Spectrum Center#

November 1—The Woodlands, TX—Cynthia Woods Mitchell Pavilion

November 7—Tampa, FL—Amalie Arena#

November 8—Orlando, FL—Kia Center#
December 7—Las Vegas, NV—Lainey Wilson: Wildflowers & Wild Horses
February 6—Auckland, New Zealand—Spark Arena~
February 8—Christchurch, New Zealand—Wolfbrook Arena~
February 11—Brisbane, Australia—Brisbane Entertainment Centre~
February 12—Brisbane, Australia—Brisbane Entertainment Centre~
February 14—Newcastle, Australia—Howlin’ Country~
February 16—Sydney, Australia—Qudos Bank Arena~
February 19—Melbourne, Australia—Rod Laver Arena~
February 20—Melbourne, Australia—Rod Laver Arena~
February 22—Adelaide, Australia—Adelaide Entertainment Centre Arena~
February 26—Perth, Australia—RAC Center~
April 25—Indio, CA—Stagecoach Festival 2026
August 6—Detroit Lakes, MN—WE Fest
August 9—Canton, OH—Concert for Legends
August 12—Sturgis, SD—The Sturgis Buffalo Chip

*with special guests Muscadine Bloodline and Maddox Batson

#with special guests ERNEST and Drake Milligan
~with special guests Flatland Cavalry and Kaitlin Butts

NYC-London duo THE KING CANUTES pay tribute to PREFAB SPROUT on 'Cars and Girls

October 21, 2025

Brooklyn-London indie duo The King Canutes present 'Cars and Girls', the second taste of their debut album 'Eastern Seaboard, Perfect Summer', forthcoming via the Montclair, New Jersey-based Magic Door Record Label. Prefab Sprout aficionados will surely appreciate the cover homage to the band’s Steve McQueen masterpiece.

The King Canutes is Keir Woods (vocals, electric and acoustic guitars), who brings a sonorous true folk voice of Northern England, while Richard Alwyn Fisher (vocals, backing vocals, electric and acoustic guitars) is the scrappy Replacements-style Midwesterner. The pair met in Brooklyn in the early 2000s in NYC’s cosmopolitan pop / indie rock scene and released their debut EP 'Last Callers and Losers' in 2008.

The duo used to perform this song for ‘The Love Hangover’ [an annual post-Valentine’s Day show]. This version blossoms into a smooth swaggering rock ride out. Woods' vocals evoke the wistfulness of the original version while Fisher's sinewy guitar lines break down the layers, then build back as a drum machine transitions to live drums by Kevin March of Guided by Voices.

The King Canutes

Cars and Girls

'Eastern Seaboard, Perfect Summer' album out Nov. 21 via Magic Door Record Label

21 October 2025

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Brooklyn-London duo The King Canutes pay tribute to Prefab Sprout on 'Cars and Girls'

FOR FANS OF: Belle & Sebastian, Lloyd Cole, The Go-Betweens, Elliott Smith, The Chills, Orange Juice, The New Pornographers, American Music Club
INFLUENCES: Lloyd Cole, Richard Thompson, Lou Reed, David Bowie, Leonard Cohen
FOCUS TRACKS: Seymour Stein, Mixture as Before, Cars and Girls, Man From Hawaii, Perfect Summer, Red Hook Sunset
FCC clean (no profanity)

FOR SHARING
'Cars and Girls' single https://distrokid.com/ hyperfollow/thekingcanutes/ cars-and-girls
Bandcamp https://thekingcanutes.bandcamp.com/track/cars-and-girls
Spotify https://open.spotify.com/artist/5lex8QRtmMDs9njOCwTdMd
'Seymour Stein (for Earle Holmes)' https://youtu.be/y9tz2SAFKFg
Get the single https://distrokid.com/ hyperfollow/thekingcanutes/ seymour-stein-for-earle-holmes
Spotify https://open.spotify.com/track/3g8lOj27RRigNafFfZw2aT
Bandcamp https://thekingcanutes.bandcamp.com/track/seymour-stein-for-earle-holmes
Album pre-order https://thekingcanutes.bandcamp.com/album/eastern-seaboard-perfect-summer
Apple Music https://music.apple.com/us/artist/the-king-canutes/295362605

FOR REVIEW & AIRPLAY
Album preview https://on.soundcloud.com/ bxHMO7lIMeNQyU0iLn
Online press kit https://haulix.promo/94zj
Download via Google Drive https://tinyurl.com/TheKingCanutes-PressKit

Brooklyn-London indie duo The King Canutes present 'Cars and Girls', the second taste of their debut album 'Eastern Seaboard, Perfect Summer', forthcoming via the Montclair, New Jersey-based Magic Door Record Label. Prefab Sprout aficionados will surely appreciate the cover homage to the band’s Steve McQueen masterpiece.

The King Canutes is Keir Woods (vocals, electric and acoustic guitars), who brings a sonorous true folk voice of Northern England, while Richard Alwyn Fisher (vocals, backing vocals, electric and acoustic guitars) is the scrappy Replacements-style Midwesterner. The pair met in Brooklyn in the early 2000s in NYC’s cosmopolitan pop / indie rock scene and released their debut EP 'Last Callers and Losers' in 2008.

The duo used to perform this song for ‘The Love Hangover’ [an annual post-Valentine’s Day show]. This version blossoms into a smooth swaggering rock ride out. Woods' vocals evoke the wistfulness of the original version while Fisher's sinewy guitar lines break down the layers, then build back as a drum machine transitions to live drums by Kevin March of Guided by Voices.

“When we first began playing “Cars and Girls” live it was stripped back to the bare essence, in contrast to the Prefab Sprout very eighties classic. But over the years, and with the gifts of the studio, our version has become as layered and baroque as the original!,” says Keir Woods.

Richard Alwyn Fisher adds, “Prefab Sprout offered such a unique voice, and it was fun and satisfying to create a version that was both an homage and also a new and personal take on the song.”

The King Canutes make intelligent, skewed pop with echoes of early 80s-90s Australian and Scottish pop, British folk and Midwestern indie rock, all melted in the current cosmopolitan cauldrons of New York and London. Combining the dynamic tension of dual singer-songwriters, their music sites somewhere between The Go-Betweens and the long-distance, long-haul commitment of The Postal Service,

The duo recently released 'Seymour Stein (for Earle Holmes)', named for Earle Holmes, the club owner and friend who gave Keir his Paris bookings after moving from NYC. This song captures the elation of freedom and the frustration of starting the artistic journey again. This song is elevated by stellar horns by Mac Gollehon (David Bowie, Al Jarreau, Duran Duran, Mick Jagger), bassist Dave Derby (Dambuilders, Gramercy Arms, Lloyd Cole), and Jessie Kilguss on backing vocals.

Produced, recorded, mixed and mastered by renowned producer Ray Ketchem (Guided by Voices, Luna, Elk City, Gramercy Arms) at Magic Door Recording Studio, this ambitious album involves world-class artists such as Kendall Meade (Sparklehorse, Mascott), Mike Dillon (Rickie Lee Jones), John Leon (Roky Erickson), David Nagler (Nova Social, Joan Baez, Aaron Neville), Doug McEachern (Suran Song in Stag), Renée LoBue (Elk City) and Verena Wiesendanger (Semi Gloss).

As of October 21, 'Cars and Girls' is out everywhere, including Spotify, Apple Music and Bandcamp. The 'Eastern Seaboard, Perfect Summer' album, out on November 21st, is now available for pre-order.

ALBUM CREDITS
Written by Keir Woods and Richard Alwyn Fisher, except
'Cars and Girls' written by Paddy McAloon
Produced, recorded, mixed & mastered by Ray Ketchem at Magic Door in Montclair, NJ
Keir Woods / vocals, electric and acoustic guitars
Richard Alwyn Fisher / vocals, backing vocals, electric and acoustic guitars
Dave Derby / bass, backing vocals

Kevin March / drums
Ray Ketchem / percussion, keyboard

Mac Gollehon / horns

Jessie Kilguss / backing vocals
Single artwork by Peregrine Honig
Album artwork by Ray Ketchem
Released by Magic Door Record Label
Artist photos by Lisa Whiteman
Publicity by Shameless Promotion PR

TRIBAL GAZE RELEASE NEW ALBUM, 'INVEIGHING BRILLIANCE

October 20, 2025

Texas death metal hellions TRIBAL GAZE have released their eagerly awaited sophomore album, Inveighing Brilliance, today with Nuclear Blast Records.

Since their introduction just four years ago, the five-piece has quickly slayed listeners and audiences around the world with their signature, modern twist on brutal old-school death that has propelled the band to pack leaders in their scene. Armed with an unbridled onslaught of riffs, the band cuts through the crowd with an intense, unrelenting new album of disorder, featuring furious stand out tracks like “To The Spoils of Faith” and “Beyond Recognition.”

Commenting on the record’s release, guitarist Quintin Stauts says:

“This album represents a different era for us. The world really seems like a different place than when the last record came out. This one focuses less on creative fictional story telling and more on truly feeling violent. We felt it was appropriate to take a more radical approach to riff and lyric writing.”

Along with the record’s release, TRIBAL GAZE has debuted a new visualizer for another one of their blistering heavy tracks “The Irreversible Sequence.” Watch it below.

Adding about the track, Stauts says:

“I probably listen to this song the most because its short and it just has parts that make me rewind it even though it’s our song and we’ve heard it a million times. The heavy parts in this song are the perfect representatives of the guitar tone our producer Taylor Young helped us achieve.”

TRIBAL GAZE will tour North America in mid-November in support of Inveighing Brilliance this fall with CATTLE DECAPITATION, ABORTED and FROZEN SOUL. Tickets are available HERE.

Stream/Purchase Inveighing Brilliance: https://tribalgaze.bfan.link/inveighing-brilliance

11.16 Mesa, AZ @ The Nile Theater
11.18 Oklahoma City, OK @ Diamond Ballroom
11.19 Dallas, TX @ Granada Theater
11.20 San Antonio, TX @ Vibes Event Center
11.21 Houston, TX @ Bad Astronaut Brewing Co
11.22 Baton Rouge, LA @ Chelsea's Live
11.24 Atlanta, GA @ The Masquerade
11.25 Tampa, FL @ The Orpheum
11.26 Ft. Lauderdale, FL @ Revolution Live
11.28 Charlotte, NC @ The Underground
11.29 Richmond, VA @ The Canal Club
11.30 Baltimore, MD @ Baltimore Soundstage
12.02 Brooklyn, NY @ Warsaw
12.03 Worcester, MA @ The Palladium
12.05 Montreal, QC @ Club Soda
12.06 Toronto, ON @ Concert Hall
12.07 Detroit, MI @ Saint Andrew's Hall
12.09 Chicago, IL @ House of Blues
12.10 Minneapolis, MN @ First Avenue
12.12 Denver, CO @ Summit
12.13 Salt Lake City, UT @ Urban Lounge
12.15 Portland, OR @ Roseland Theater
12.16 Seattle, WA @ The Showbox
12.18 Sacramento, CA @ Ace of Spades
12.19 San Diego, CA @ Observatory North Park
12.20 Los Angeles, CA @ The Belasco

About TRIBAL GAZE:

Arising from the scorched earth of Texas, Tribal Gaze return with “Inveighing Brilliance”, a death metal monolith shaped by ancient violence and unforgiving truth. Recently signed to Nuclear Blast Records, the band conjures visions of primal wrath and nihilistic clarity—a sound rooted in the rawness of old-school death metal but sharpened with modern intent. From their name, inspired by unseen forces watching from deep forests, to the crushing weight of their riffs, Tribal Gaze channels something ancient, unknown, and violently present.

“Inveighing Brilliance” is a meditation on the illusion of beauty in nature and existence, and how it pertains to both Mother Nature, and our wretched, human society. Even in moments of light, brutality lurks—eggs are stolen from nests, flesh is torn for survival. This album dissects this duality, revealing the suffering embedded in every living moment. With digital artwork by Dom Pabon (Final Resting Place) that evokes sci-fi decay and meditations of ancient ruin, the album looks and sounds like a lost realm where reality fractures under the pressure of its own contradictions.

Tracks like “Beyond Recognition” and “To the Spoils of Faith” expand on these apocalyptic themes. The former imagines an outside force annihilating humanity in judgment of its arrogance, built on some of the band’s most punishing riffs to date—swinging between chaos, groove, and sheer obliteration. The latter churns with mechanized fury and contempt for blind belief, echoing Meshuggah-like timing with lyrics that drag faith to its own ironic hell. Across the record, Tribal Gaze capture the violence of thought and sound in equal measure—uncompromising and vividly self-aware.

Their ascent to Nuclear Blast was anything but formulaic. After leveling stages on tour with Frozen Soul, the band caught the attention of legendary A&R Monte Conner, who waited outside a venue in New York just to share his admiration. That moment solidified a new chapter for Tribal Gaze—a label that values creative freedom and pushes bands to expand without dilution. With “Inveighing Brilliance”, they’ve done just that: stripped away illusion, stared into the abyss, and made it echo.

Follow TRIBAL GAZE:

Facebook | Instagram | Bandcamp | Spotify | Apple Music

Oakland's Sword Tongue unveils 'Murder White Noise', showcasing 'Bonfire In The Tempest' EP

October 16, 2025

Oakland alt-rock trio Sword Tongue presents 'Murder White Noise', a wry commentary on the state of the world and our attempts to soothe ourselves to get through it. The latest offering from their explosive 'Bonfire In The Tempest' EP - their fourth to date.

In an increasingly stressful world, this song explores how people try to externalize their anxieties by consuming content that allows them to feel better about their own lives. We attempt to cope with the pressure of maintaining equilibrium by coming together to grieve, worry, and comfort each other, often finding that the only way to feel good about our lives is to reflect on others' misfortunes.

Creating dark music for dark times, Sword Tongue is vocalist Jennifer Wilde and guitarist Gaetano Maleki, a husband and wife who launched this project in the pandemic year of 2020, now joined by renowned drummer-producer Dan Milligan.

“I started consuming true crime content as a way to turn off the thoughts that kept me awake at night and distracted me during the day. One day I told a friend I was a listening to a livestreamed trial where a lady put her husband on a burn pile. She said “WHOAH, what is that, murder white noise?” As I told people about the song, I found many others watch crime stories as a release from their stressful lives. It is important to bring that into the conversation about how we are coping today,” says Jennifer Wilde.

"Finding comfort in tragedy is new for me; during the pandemic and especially in the last year I find myself needing to look for reassurance that whatever I am facing is not as bad as it could be. 'Murder White Noise' was written as a way to come to grips that someone else's pain is that content, and what that says about where we are as a society right now. Gaetano wrote the perfect guitar line that hooks you in to get to the truth of the song."

On 'Murder White Noise', soothing vocals contrast with the song's macabre lyrical content, while steadily thrumming instrumentation lulls you into a false sense of security. For a moment, the listener feels heard and encouraged, then questions their own motivations, left to wonder whether they are now the tragic victim in this story.

"From a songwriting perspective, this pulled a lot of anxiety out of me," says Gaetano Maleki. "While writing the guitar and bass lines, I wanted to bring out tension to mirror the vocals, but with some kind of seductive undertones. I feel the instruments really complement the lyrics, like a hard boiled soundtrack."

Showcased by 'We Are The Resistance' and 'Diamonds To Rust', this EP was galvanized during our current age of cultural upheaval. Bursting with raw emotion and tempered by sophisticated production, this collection blends alt-rock, post-punk and dream pop, giving voice to anguish, anger, transformation and triumph. Vocal lines that oscillate between a croon and a roar, seduction and rage, while shimmering guitar tones and bass lines mesmerize and intricate drum lines drive the message.

This EP was produced by Dan Milligan, brainchild of The Joy Thieves, who has co-created, produced and remixed such artists as Chris Connelly, PIG and Consolidated, and members of such bands as Ministry, Stabbing Westward, The Rollins Band, Killing Joke, David Bowie, Marilyn Manson, Depeche Mode and Nine Inch Nails, among others.

The 'Bonfire In The Tempest' EP is out now as a first-print red variant cassette, including a special album poem inside, and als

See Hellish Sanguisugabogg Billboard + "Hideous Aftermath" Out Now

October 15, 2025

Boundary-pushing brutalists (and recent Decibel cover stars) Sanguisugabogg — Cody Davidson, drums; Drew Arnold, bass/guitars; Devin Swank, vocals; and Ced Davis, bass/guitars —have unleashed their new album Hideous Aftermath via Century Media. Get it here.

In the band's home base of Columbus, OH, a "hellish" billboard promoting the album has been unveiled, and it's located right across the street from the capitol building. It parodies the infamous "Hell is Real" billboards that were erected across the state in 2004 as a measure to promote Christianity to motorists.

"To have our logo plastered on a billboard just across our state capitpl building should be considered vandalism in some way," the band theorizes. "This is so cool. Thank you to Century Media for giving OUR city the sickest merch it could ever receive."

Known for being THAT band with the unpronounceable name and unreadable logos, the 'Bogg have made a record as gore-obsessed and violence-inclined as any of their prior works, including Tortured Whole (2021) and Homicidal Ecstasy(2023), but with a career-defining command over their ugly art. Says Swank, "It's the one where we rolled our sleeves up and brought our A-Game."

Hideous Aftermath is the work of a band who has already cut a bloody swath into the underground and beyond. Sanguisugabogg have emerged from the sweat and grime of countless U.S. and international tours with the likes of Cannibal Corpse, Lorna Shore, and Kublai Kahn as well as festival slots and their own headline runs. They've ensnared scores of new converts to their brand of the brutally absurd.

Now in 2025, the 'Bogg's third full length leaves any "caveman death metal" tags in the dust. This is the sound of Sanguisugabogg flexing every muscle they have.

Enlisting producer Kurt Ballou (Nails, High on Fire) the 'Bogg decamped to God City Studios in Salem, Massachusetts in the Spring of 2025. "We got off the road after A LOT of touring and wanted to drill down and be as purely creative as possible without distraction," says Swank of the band's decision to work with the Converge guitarist in Witch City. "Kurt mixed Homicidal Ecstasy, so he already understood what we were going for."

While Sanguisugabogg have long been self-produced with Davidson handling production duties, this time, they put their sonic trust fully in Ballou's hands.

With Hideous Aftermath, Sanguisugabogg have proven themselves more than just an eccentric death crew on an acid-addled hateroll. They're both champions of the underground and a musical force unto themselves. "Eight or nine years ago, it seemed like what we were doing was pretty niche," Swank admits. "Where we've come, some of the rooms and festivals we've played is kind of remarkable." Big swings including recent appearances on more "mainstream" rock festivals including Columbus' Sonic Temple and Welcome to Rockville in Daytona, Florida, were never on the 'Bogg boys' charter underground agenda.

"I think we were a band that was set up to do nothing or a lot of something," Swank concludes. "Why 'normies' ever ended up liking it was weird. Who knows? Maybe we made pain and suffering fun."

Sanguisugabogg will be touring this November on a headline run, with Despised Icon, Defeated Sanity, and Corpsepile as support. All dates are below.

The 'Bogg's Fall 2025 headline tour dates are below. Get tickets here.

SANGUISUGABOGG LIVE:
WITH DESPISED ICON, DEFEATED SANITY, + CORPSEPILE:
11/4 — Detroit, MI — St. Andrew's Hall
11/5 — Chicago, IL — Metro
11/6 — Indianapolis, IN- Deluxe @ Old National Centre
11/7 — Lawrence, KS — The Granada
11/8 — Denver, CO — Summit Music Hall
11/9 — Albuquerque, NM — El Rey
11/11 — Phoenix, AZ — The Nile Theater
11/12 — Santa Ana, CA — The Observatory
11/13 — Berkeley, CA — UC Theatre
11/14 — Los Angeles, CA- The Regent
11/15 — Las Vegas, NV — Fremont Country Club
11/17 — Dallas, TX — Echo Lounge & Music Hall
11/18 — Austin, TX — Mohawk
11/19 — Houston, TX — White Oak Downstairs
11/21 — Tampa, FL — The Orpheum
11/22 — Atlanta, GA — The Masquerade
11/23 — Charlotte, NC — The Underground
11/25 — Pittsburgh, PA — Roxian Theatre
11/26 — Baltimore, MD- Baltimore Soundstage
11/28 — New York, NY — Irving Plaza
11/29 — Philadelphia, PA — Union Transfer
11/30 — Columbus, OH — The King of Clubs

Virginity Release "You Can't Have My Blood: Bad Jazz Companion" via Smartpunk Records

October 15, 2025

Smartpunk Records' Florida power pop outfit, Virginity, has released a full-length companion to their 2024 LP "Bad Jazz," titled "You Can't Have My Blood." The tracklist is the ultimate fan service to enhance the original tracklist. It compiles songs from their two EPs released this year, as well as a handful of additional tracks, including an unreleased original and a few covers.

You can pre-order the vinyl now, out physically on October 24, just in time for Fest in Gainesville. This is an extremely limited vinyl release with no plans of repressing once sold out.

Listen below.

Pre-order "You Can't Have My Blood: Bad Jazz Companion" here

he band has received critical acclaim from the rock scene's top tastemakers, including New Noise Magazine, Brooklyn Vegan, Audiotree, and more. As fan favorites at Smartpunk's SXSW showcase and Florida's beloved FEST, Virginity have cultivated a core fanbase who are foaming at the mouth for these new tracks.

Speaking about the new deluxe release, Virginity says, "Our newest release, You Can’t Have My Blood, is truly for the Virginity heads. When we released two EPs earlier this year, we knew we wanted to get them on vinyl in some form and that doing so was an important factor for our heaviest listeners, but we weren’t sure what it should look like. In taking a look at all the material, which mostly came about during the late stages of the Bad Jazz sessions, we decided that this should be a sort of Bad Jazz spiritual companion. We had songs that never got past the demo form that we wanted to see the light of day, as well as some live performances, covers and other odds-and-ends that have been available in random places, but never in one place or on vinyl. As much as it’s a compilation of disparate songs, we believe it also stands up on its own as a piece in the tradition of artists like Guided By Voices. We think it’s a truly worthy collection of tunes for anybody, but something extra special for those that have been fans of our band for a while."

UPCOMING SHOWS:
10/22 - Pre-Pre-Fest Orlando @ Will's Pub
10/23 - Pre-Fest Gainesville @ Boca Fiesta
10/25 - The Fest @ The Atlantic
10/26 - The Fest (Fountains of Wayne cover set) @ How Bazar

ABOUT SMARTPUNK RECORDS:
Smartpunk has been a recognizable name in the scene for a long time (Remember that sponsored Warped Tour stage?!). After exchanging several hands and countless ideas of what it could and should be, they decided to start a record label in 2016 with the main idea of focusing solely on reissuing records that have been out of print or never on vinyl. After all, they're a label of vinyl dorks themselves! After releasing Set Your Goals' Mutiny and Gameface's Good, they started to venture into signing newer bands. They actively balance in between many worlds — putting out amazing music from friends and bands that rock, reissuing older titles, and partnering with other incredible labels in our scene and doing exclusive color variants of their releases.

Since forming the record label, Smartpunk Records has reissued timeless albums such as Less Than Jake's Hello Rockview and Anthem, Patrick Stump's Soul Punk and Samiam's Clumsy. In the year 2025 alone they've put out new releases by the likes of Somerset Thrower, Keep Flying, Debt Neglector, Gully Boys, Sainthood Reps and so many more.

NYC songstress Jessie Kilguss unveils brilliantly inspired ‘St. Teresa in Ecstasy’

October 12, 2025

NYC singer-songwriter Jessie Kilguss presents her single 'St. Teresa of Ecstasy', showcased in a brilliantly inspired video by Alex Dar, a sonic exploration of being moved by something magical and the sheer, vital power of all great art. Inspired by Bernini's dramatic Roman sculpture, this is a lyrical journey rooted in a feeling of being whisked away by something that feels celestial and profoundly greater than us all.

This is the second taste of her sixth album 'They Have A Howard Johnson's There',which was engineered, produced, mixed and mastered by Charlie Nieland (Debbie Harry, Rufus Wainwright, Blondie, Scissor Sisters) at Saturation Point Studios in Brooklyn. This song features drummer-percussionist Rob Heath (Madison Square Gardeners, Julia Nunes), guitarist-keyboardist Kirk Schoenherr (Tegan and Sara, Elle King, Chet Faker) and guitarist Andrea Longato (Duncan Shiek, Jeremy Jordan, Alphonso Ribeiro), with Charlie Nieland on bass, violin bow guitar and keys.

"The story of this song is really in the lyrics. I was visiting a friend in Rome and two different friends highly recommended I go see the sculpture The Ecstasy of St Teresa by Gian Lorenzo Bernini in the Cornaro Chapel of Santa Maria della Vittoria," explains Jessie Kilguss.

"I had a transcendent experience looking at this piece of art which I think I express better through song rather than just speaking or writing about it. Art (of all disciplines) has the ability to transport us to other places or states of being. The song is about experiencing the magic of this specific sculpture and maybe in a greater sense, the magic of being transported by something that feels bigger and more important than the everyday – something that feels otherworldly and divine."

Kilguss recently released the near-title track 'Howard Johnson's' with an era-inspired nostalgic video by Deborah Magocsi, for which she is accompanied by John Kengla (David Byrne, Ben Kweller, Serena Ryder) on guitar, bass and keys, Rob Heath on drums and percussion, and Dave Derby (The Dambuilders, Gramercy Arms, Lloyd Cole) and Charlie Nieland on backing vocals. Rembert Block (Rembert and the Basic Goodness. also features elsewhere on this album.

This offering follows her single 'Too Far From Texas' (a collab with Jim Andralis), 'You're the One' and 'Wuthering Heights'. Kilguss' 2022 album 'What Do Whales Dream About at Night?' LP features drummer Brian Griffin (Patti Smith, Brandi Carlisle, Lana Del Rey), bassist Whynot Jansveld (The Wallflowers, Butch Walker, Sara Bareilles), composer-producer Naren Rauch, and Nathan Schram (Bjork, David Crosby, David Byrne), with whom Kilguss ran the non-profit organization Musicambia.

A former actress, whose acting highlights include 'The Crucible' (with Daniel Day Lewis and Winona Ryder) and the stage production 'As You Like It' (directed by Royal Shakespeare Company founder Sir Peter Hall), Kilguss made songwriting her focus after working with musical heroes Marianne Faithfull and Mary Margaret O'Hara in the Tom Waits / William Burroughs musical 'The Black Rider'.

Kilguss also sings with the Loser’s Lounge, Gramercy Arms, Jim Andralis and the Syntonics and Benjamin Cartel. She's also performed at the Sundance Film Festival and with Freddie Stevenson, touring as support for The Waterboys' European tour. In June 2025, Kilguss was an artist in residence at Fish Factory Creative Center in Stodvarfjordur, Iceland where she wrote 9 new songs.

As of October 8, 'St. Teresa In Ecstasy' is available everywhere, including Apple Music, Spotify and Bandcamp with the full album to follow on November 14th. On November 5, Kilguss' Record Release Show is at Berlin Under A, with Life in a Blender and Charlie Nieland, who marks the release of his 'Stories From The Borderlines' album.

ALBUM CREDITS
All songs written by Jessie Kilguss, except 'Jesus Was a Crossmaker' (written by Judee Sill)
Produced, engineered, mixed & mastered by Charlie Nieland at Saturation Point Studios, Brooklyn
Jessie Kilguss - vocals, arrangement
John Kengla – guitar, bass, keys on Howard Johnson’s, Fool’s Fight, Lost Causes, Jesus Was a Cross Maker
Kirk Schoenherr – guitar and keys on Chasing Down a Ghost and St Teresa in Ecstasy
Andrea Longato – guitar on St Teresa in Ecstasy
Rob Heath – Drums and percussion
Rembert Block – Backing vocals on Fool’s Fight, Chasing Down a Ghost and Lost Causes
Dave Derby - Backing vocals on Howard Johnson’s
Charlie Nieland – bass, violin bow guitar and keys on St Teresa in Ecstasy, Fool's Fight and Lost Causes, backing vocals on Howard Johnson’s
Single cover photo by Shervin Lainez
Video by Deborah Magocsi
Graphic design by Scott MX Turner
Publicity by Shameless Promotion PR

Keep up with Jessie Kilguss
Website | Facebook | Bandcamp | Twitter | Instagram | Soundcloud | YouTube | Spotify | Apple Music | Press contact

Keep up with Shameless Promotion PR
Website | Facebook | Twitter |Instagram | BlueSky | Threads | Soundcloud | LinkedIn | Ema il

DoFlame and DEAR-GOD Drop Collab "Neighborhood Watch" EP Today

October 12, 2025

DoFlame and DEAR-GOD have dropped the four-track, collaborative Neighborhood Watch EP. Listen to it below.

DEAR-GOD is the brainchild of Robert Ortiz who plays in DoFlame's band and is also a long-time production collaborator. So the synergy between these two artists is real!

DoFlame will spend some of the fall on tour with Pinkshift. All dates are below.

ABOUT DOFLAME:
For a solo artist, Mateo Naranjo, the mastermind behind DoFlame, is uniquely devoted to unlocking the potential of music scenes. The 21-year-old punk from Toronto is fueled by a desire to bring people into a world and in turn bring them together, to find the real sense of community that can be attained by immersing yourself in an underground culture. DoFlame's most recent album, BENT, bottles that feeling of discovery and camaraderie. Like a hardcore version of a coming-of-age movie, it captures all of the joy, confusion, and determination of being young and unsure of what's next just as effectively as it blends the unbridled aggression of heavy music with the swagger of hip-hop.

DOFLAME ON TOUR:
WITH PINKSHIFT:
10/10 — Asbury Park, NJ — Asbury Lanes
10/11 — Richmond, VA — Richmond Music Hall
10/12 — Carrboro, NC — Cat’s Cradle Backroom
10/14 — Atlanta, GA — The Masquerade
10/15 — Orlando, FL — Conduit
10/17 — Houston, TX — White Oak Music Hall
10/18 — Austin, TX — The Ballroom
10/19 — Dallas, TX — Club Dada
10/21 — Phoenix, AZ — Rebel Lounge
10/22 — San Diego, CA — The Voodoo Room
10/23 — Santa Ana, CA — Constellation Room
10/24 — Los Angeles, CA — The Echo
10/25 — San Francisco, CA — Bottom of the Hill

Pinkshift Drop New Song"Authority Problem" Ahead of U.S. Headline Tour Kickoff

October 12, 2025

Over the summer, Maryland trio PINKSHIFT — vocalist Ashrita Kumar(they/them), guitarist Paul Vallejo (he/him), and drummer Myron Houngbedji (he/him) — released their head-turning new album EARTHKEEPER via Hopeless Records. Get it here.

The band has shared the brand new song "Authority Problem."

"Fuck ICE, fuck the left and the right, fuck the false decorum of rules and laws and executive orders just created to make people feel small and helpless. Only I know who I am, and if you disrespect me then I don’t care, you’ll feel my wrath," the band says about releasing the song in the here and now.

Pinkshift will hit the road this week on a headline U.S. run. All dates are below.

PINKSHIFT ON TOUR:
10/10 — Asbury Park, NJ — Asbury Lanes
10/11 — Richmond, VA — Richmond Music Hall
10/12 — Carrboro, NC — Cat's Cradle Backroom
10/14 — Atlanta, GA — The Masquerade
10/15 — Orlando, FL — Conduit
10/17 — Houston, TX — White Oak Music Hall
10/18 — Austin, TX — The Ballroom
10/19 — Dallas, TX — Club Dada
10/21 — Phoenix, AZ — Rebel Lounge
10/22 — San Diego, CA — The Voodoo Room
10/23 — Santa Ana, CA — Constellation Room
10/24 — Los Angeles, CA — The Echo
10/25 — San Francisco, CA — Bottom of the Hill
10/27 — Portland, OR — Polaris Hall
10/28 — Seattle, WA — Neumos
10/30 — Salt Lake City, UT — Kilby Court
11/01 — Denver, CO — Marquis Theater
11/02 — Lawrence, KS — Bottleneck
11/04 — Minneapolis, MN — 7th Street Entry
11/05 — Chicago, IL — Bottom Lounge
11/07 — Detroit, MI — The Sanctuary
11/08 — Cleveland, OH — Mahall's
11/09 — Pittsburgh, PA — Thunderbird Music Hall & Café
11/11 — Toronto, ON — Hard Luck Bar
11/13 — Boston, MA — Brighton Music Hall
11/14 — Hamden, CT — Space Ballroom
11/15 — Philadelphia, PA — First Unitarian Church
11/16 — Washington, DC — Atlantis

ESHTADUR Announces Mexico Dates for “Bellum Regiis” Tour and Symphonic Live Album Release

October 12, 2025

Colombian blackened melodic death metal force ESHTADUR returns to Mexico this October as direct support for Polish death metal titans HATE on the incendiary “Bellum Regiis” Tour.

Kicking off on October 11 in Mexico City, this brutal cross-country trek will see ESHTADUR delivering their signature fusion of crushing riffs, symphonic grandeur, and tribal intensity to audiences across seven cities. The opening night in CDMX will be a monumental event, also featuring none other than BEHEMOTH. As one of the most internationally acclaimed extreme metal acts to emerge from Latin America, ESHTADUR is poised to conjure chaos and catharsis in every city they touch.

The tour comes ahead of ESHTADUR’s upcoming live album, Symphonic Crows – Live at the Santiago Londoño’s Theater, arriving December 4, 2025 via Void Nation. Recorded in their hometown with a full symphonic orchestra, the album is a triumphant testament to the band’s cinematic sound and uncompromising energy.

Featuring seven tracks including Lowborn Bastard, Umbra, The Red Door, and She The Void, the album captures the magic of their genre-defying performance in Pereira, Colombia. Produced by Jorg August, mixed and mastered by Diego Rodriguez, and recorded at the Santiago Londoño’s Theater, this release is a milestone in the band’s legacy, melding orchestral majesty with the relentless pulse of death metal.

About ESHTADUR:

ESHTADUR was founded in the fall of 2005 by Jorg August, releasing the Timo Be Timo demo with a sound in the vein of COVENANT, DIMMU BORGIR, and OLD MAN’S CHILD. Since then, they have released a pair of EPs and four powerful full-length albums. ESHTADUR, meaning "the rebellion of angels," can be most closely likened to bands such as SEPTIC FLESH, BEHEMOTH, FLESHGOD APOCALYPSE, CARACH ANGREN, and the like. Like their scene counterparts, the band embodies a deathly melodic atmosphere that reaches into realms of darkness and despair through the decay of humanity. It seeks to rebel, in its darkened way, embracing the abject reality.

ESHTADUR is:

Jorg August – Vocals and Guitars
Camilo Barbosa – Lead Guitars
Andres Gonzalez – Bass
Juan Lopez – Drums

Connect with ESHTADUR:

Official Website: https://www.eshtadur.com
Bandcamp: https://bandcamp.com/eshtadurmusic
Facebook: https://web.facebook.com/EshtadurOfficial
Instagram: https://www.instagram.com/eshtadur/
Twitter/X: https://x.com/eshtadur
YouTube: https://youtube.com/playlist?list=PLUCNspfTmYc11cx-DlpFCfFSIbZ-nJ98i&si=nkVZ97ee4akIbeB0
Spotify: https://open.spotify.com/intl-es/artist/0IdWx63RAlOm5W5iOKPesn?si=uDyPtTm9TOO0E_IiGkBM7A
Apple Music: https://music.apple.com/ve/artist/eshtadur/1116355501
TikTok: https://www.tiktok.com/@eshtadur

Out Now From ALL HELL - Sunsetter

October 11, 2025

ALL HELL returns from the shadows with their fifth full-length album, Sunsetter, arriving on Terminus Hate City. From their origins in Asheville, North Carolina in 2013, the band has carved a singular path through the underground, blending elements of first wave black metal, deathrock, punk, and film score atmospheres into something entirely their own. Sunsetter is the culmination of years of evolution and hardship, a concept record that stretches from ancient myth to modern apocalypse, driven by fire, blood, and vision.

The band (Jacob Curwen on guitar and vocals, Erik Ballantyne on bass, and Elanti on drums) began work on Sunsetter after the release of 2019’s The Witch’s Grail. Progress was slow and plagued by constant disruption. The pandemic struck, personal tragedies followed, and devastating floods hit their home region. In the midst of all this, the band found themselves burned out and disillusioned with metal entirely. But after stepping back and rediscovering their creative hunger, they emerged with a record that is not only their most metal release to date, but also their most fully realized.

Sunsetter tells a sprawling, violent tale of exile, rebirth, and cosmic vengeance. The story begins in ancient times with the curse of Cain, the first murderer, cast into the land of Nod where he joins with Lilith, the exiled first wife of Adam. From their union comes a cursed bloodline. The album’s opening track, “Exiled into Nod,” skips any slow buildup and immediately drops the listener into the chaos of this mythic prayer. It is followed by “Dominus Sanguis, Domina Nox,” a dark hymn to the Lord of Blood and the Lady of Night, and then “The Violent Brood,” a classic ALL HELL track that portrays the frenzy of being hunted by Cain's spawn.

“The Bleeding” flips the perspective and explores the mind of a predator, with a guest solo from Nate Garnette of SKELETONWITCH adding another layer of menace. The title track, “Sunsetter,” takes a more triumphant tone, capturing the defiance and pride of the children of Cain as they reject the sun and claim dominion over the night. Its straightforward power made it the obvious choice for the album’s name.

Side two of the album begins with “The Flood and the Death,” a cinematic, spoken-word interlude that sets the stage for a shift in time. The next chapter takes place centuries later, where the bloodline of Cain has survived the flood and reemerges in the present. “Behold the Night” brings this rebirth to life with driving energy and shifting dynamics. “Path of Cain” offers a darkly anthemic reflection on lineage, sin, and survival.

The final act of the album accelerates toward doom. “Sacrifice to Shadow” portrays a cult's plea for the return of their ancient masters, while “The Ancients Rise” delivers on that prophecy with grinding riffs and ominous brass that call back to the album’s ancient beginnings. The closing track, “The Outer Night,” brings it all to an end. It begins with militaristic urgency, climbs to apocalyptic grandeur, and fades into the cold silence of a world overrun. Cain and Lilith return, and the sun sets for the last time.

The album was recorded, mixed, and engineered by Chris Adams at Hidden Audio, with mastering by Jacob Curwen. The visual aesthetic, including the album art, was also created by Curwen, preserving the band’s independent and uncompromising approach.

The sun fades. The night takes hold. The world belongs to ALL HELL.

About ALL HELL:

ALL HELL is a blackened metal trio from Asheville, North Carolina, known for their relentless fusion of first wave black metal, deathrock, punk, and horror-driven storytelling. Since forming in 2013, the band has carved out a distinct identity rooted in occult themes, razor-sharp riffs, and a fierce DIY ethos. Their sound is aggressive, stripped-down, and deeply atmospheric — a raw, unfiltered descent into myth, violence, and the supernatural.

With five full-length albums and an EP to their name, including 2025’s apocalyptic concept record Sunsetter, ALL HELL has evolved from a local cult favorite into a powerful underground force. Their live presence has taken them across the U.S., sharing stages with acts like RINGWORM, BLACK TUSK, PROFANATICA, and TURN COLD, and performing at festivals such as Decibel Metal and Beer Fest, Dark Lord Day, and RPM Fest.

The current lineup, Jacob Curwen (guitar and vocals), Erik Ballantyne (bass), and Elanti (drums), continues to push the band’s sound forward while staying true to its core. With each release, ALL HELL digs deeper into a unique mythos that spans history, horror, and apocalypse, embracing the dark, the ugly, and the eternal night.

ALL HELL is:

Jacob Curwen – Guitar and Vocals
Erik Ballantyne – Bass
Elanti – Drums

Connect with ALL HELL:

Bandcamp: https://allhell.bandcamp.com
Facebook: https://facebook.com/allhellband
Instagram: https://instagram.com/allhellband
Spotify: https://open.spotify.com/artist/5FVXnF7zGfuo8WF5qq4XHK
Apple Music: https://music.apple.com/be/artist/all-hell/925520478

PLATINUM RECORDING ARTIST ATLUS RELEASES SECONDHAND SMOKE EP

October 10, 2025

Platinum recording artist Atlus releases his BBR Music Group/BMG Nashville debut EP, Secondhand Smoke, today. The six-song collection marks the next chapter for the viral hitmaker whose career has grown from underground phenom to a billion-plus on-demand streams, four independent studio albums, a Platinum single, national touring, and millions of fans across social platforms.

“The songs on Secondhand Smoke are more than just individual tracks; they are chapters from my life,” says Atlus. ”Each one tells a story that I’ve lived through and it’s my hope that they push somebody out there to keep fighting, dreaming, and that there is something in one of those chapters that helps them keep showing up.”

Pulling back the curtain on his past to forge a new path forward, Secondhand Smoke sees Atlus writing on each track, confronting deeply personal themes, from a turbulent home life and his mother’s resilience, to his sister’s battle with addiction and his own journey with mental health. Listen to Secondhand Smoke Below.

His mother remains his biggest supporter, and much of the Secondhand Smoke EP pays tribute to her and hardworking women like her. The title track recalls how she never let circumstances define her, working long hours to make trailer and car payments, with cigarettes providing her one small comfort.

“I didn’t care about secondhand smoke because I saw what she was going through. It was like therapy, and the glue that kept her held together.” Even listeners who have not had the same experience can relate to a parent leaning on something to make it through.

“Baby Momma” continues that homage. The song flips its title into a triple entendre, a nod to the rap wordplay that shaped his style alongside country, pop, and rock. It even features a voice note from his mom singing a melody his grandfather wrote about him. “It’s a song my grandpa used to sing to me. My new music is really a tribute to them.”

Family has always been his priority. His success has allowed him to retire his mom, but before music took off, the now 33-year-old juggled two truck-driving jobs, UPS shifts, and Uber rides to cover studio time. He wrote his first two albums behind the wheel, practicing vocals and uploading a new track or video to YouTube each week.

His debut radio single, “Devil Ain’t Done,” impacts country radio this Monday, October 13. An instant fan favorite, infectious grooves and melodies highlight the former truck driver's lyrics in “Devil Ain’t Done” as it reflects themes of self-doubt & perseverance. Grappling with relatable struggles that so many empathize with, this track expands on the singer-songwriter’s mission to make music that is both universal and uniquely him. Listen HERE / Watch Video HERE

Atlus marked the release of Secondhand Smoke with a special Nashville preview performance at Cannery Hall last night to a capacity crowd.

About Atlus:

Raised in a single-parent home marked by poverty and addiction, Atlus had to grow up fast, building resilience and a lifelong commitment to authenticity in his music. Phonetically named after the mythological Titan who held up the heavens, he began writing while working long hours as a commercial truck driver, crafting lyrics and melodies behind the wheel to help support his family and fund studio time.

That pavement-pounding grind became both his classroom and his engine, fueling the rise of a loyal underground following. Breakthrough moments soon followed, including performing alongside Jelly Roll at a packed Red Rocks Amphitheatre in his home state and landing a Top 5 album on Spotify’s Global Album Chart. With over a billion on-demand streams, millions of followers across socials, and a Platinum single to his name, Atlus continues to turn personal stories into universal anthems. Now signed to BBR Music Group/BMG Nashville, his most revealing project yet, Secondhand Smoke, is out now (October 10).

KEEP UP WITH ATLUS

WEBSITE | INSTAGRAM | TIKTOK | YOUTUBE | FACEBOOK

JOHN 5 Releases New Album ”Ghost” Today Alongside Latest Single “Moon Glow”; Co-Headlining Tour With Richie Kotzen Begins October 16

October 10, 2025

Today, guitar virtuoso John 5 releases his latest solo album Ghost, produced and mixed by Barry Pointer and featuring guest spots from Tommy Lee, Stephen Perkins, Bryan Beller and Kenny Aronoff, among others. Today’s record release also comes with a brand-new single “Moon Glow,” featuring Matt Bissonette on bass and Marco Minnemannon drums and a visualizer Below.

“Moon Glow” follows previous anchor tracks, including “Hollywood Story” (about the first time John 5 picked up a guitar and the path that led him to the incredible career he has today) as well as "Fiend" and "Deviant".

Says John 5 of Ghost: “If my life could be put to music, it would be this album.”

John 5 appeared on the latest episode of Billy Corgan’s “The Magnificent Others” series in which he talks about the new album, his personal KISS museum and much more. Watch the episode HERE.

Fans can stream Ghost HERE and order limited-edition vinyl variants of the album, including exclusive bundles with Ghost T-shirts HERE. Vinyl variants include green splatter, red fire splatter and opaque red options.

On October 16, John 5 and fellow guitar great Richie Kotzen will head out on an

extensive co-headlining tour for the first time ever. Find the full itinerary below and more information at John-5.com.

RICHIE KOTZEN & JOHN 5 FALL 2025 TOUR

October 16 El Cajon, CA @ Magnolia

October 17 Riverside, CA @ Fox Performing Arts

October 18 Roseville, CA @ Goldfield Trading Post

October 19 San Jose, CA @ The Ritz

October 21 Phoenix, AZ @ Celebrity Theatre

October 22 Albuquerque, NM @ KiMo Theatre

October 24 Dallas, TX @ Granada Theater

October 25 Leander, TX @ The Haute Spot

October 27 New Orleans, LA @ House of Blues

October 28 Memphis, TN @ Minglewood Hall

October 29 Nashville, TN @ Fogg Street Lawn Club

October 30 Atlanta, GA @ Variety Playhouse

October 31 Orlando, FL @ House of Blues

November 1 Fort Lauderdale, FL @ Culture Room

November 2 Clearwater, FL @ Capitol Theatre

November 4 Richmond, VA @ The National

November 5 Leesburg, VA @ Tally Ho Theater

November 6 Patchogue, NY @ Patchogue Theatre

November 7 New York, NY @ Iridium

November 8 New York, NY @ Iridium

November 11 Glenside, PA @ Keswick Theatre

November 12 Derry, NH @ Tupelo Music Hall

November 13 Foxborough, MA @ Six String Grill & Stage

November 14 Stroudsburg, PA @ Sherman Theater

November 15 Lorain, OH @ Lorain Palace Theatre

November 16 Columbus, OH @ The King Of Clubs

November 17 Warrendale, PA @ Jergels

November 19 Wyandotte, MI @ District 142

November 20 Flint, MI @ The Machine Shop

November 21 Fort Wayne, IN @ Piere’s

November 22 St. Charles, IL @ Arcada Theatre

November 23 Belvidere, IL @ Apollo Theatre

November 25 Denver, CO @ Oriental Theater

November 29 Pioneertown, CA @ Pappy & Harriet's*

*John 5 only

ABOUT JOHN 5:

For over 30 years, JOHN 5 has been one of the most in-demand guitar players on the planet. As well as being a songwriter/guitarist for hire, JOHN 5 has shared the stage as axe-man for Rob Zombie, Marilyn Manson and Rob Halford. He has also worked with an impressive array of names, from all walks of music, including KD Lang, Rod Stewart, David Lee Roth, Alice Cooper, Scorpions, Lynyrd Skynyrd, Meatloaf, Dolly Parton and Ricky Martin. In October 2022, it was announced that JOHN 5 would be joining Mötley Crüe as their guitarist following the announcement that Mick Mars would be retiring. JOHN 5 continues to tour with Mötley Crüe including an upcoming residency in Las Vegas in 2025. To call JOHN 5 a shredder does not do him justice.

Follow JOHN 5 online:

Official Website: https://john-5.com

Facebook: https://facebook.com/john5official

Instagram: https://instagram.com/john5official

Twitter: https://twitter.com/john5guitarist

YouTube: https://www.youtube.com/c/john5officialYT/

TikTok: https://www.tiktok.com/@john5official

Official Webstore: https://john5store.com

TESTAMENT | PARA BELLUM OUT NOW + RELEASE ANIMATED VIDEO FOR THE SINGLE, 'HIGH NOON'

October 10, 2025

Bay Area thrash metal icons TESTAMENT return with their fourteenth studio album, Para Bellum, which is out today via Nuclear Blast Records. The album stands as both a battle cry and an observation of humanity's uneasy alliance with its own creations. As technology accelerates and disconnection grows, Para Bellum sees TESTAMENT reflecting the modern chaos through music that’s urgent, sharp, and unflinchingly human.

Testament's newest single, 'High Noon,' is a Wild West adventure set to music, evoking images of duels and gunslingers. The song offers a nod to the band's acclaimed The Gathering period, yet successfully incorporating fresh, contemporary elements, demonstrating the band's forward momentum. Watch the animated video for 'High Noon' created by Freakshot Films, below.

Chuck Billycomments, "We are so fired up about the release ofPara Bellum. There were a lot of hours spent putting this together. These new songs put me out of my comfort zone as a vocalist but the final result I am very proud of what I accomplished. See you in the pit.🤘🏼."

Order Para Bellum on the format of your choice here:
https://testament.bfan.link/para-bellum

Para Bellum was recorded with Juan Urteaga, mixed by Jens Bogren at Fascination Street Studios, and was mastered by Tony Lindgren at Fascination Street Studios. The album is extremely polished and operating at full throttle. The band once again enlisted Eliran Kantor tocreate the album artwork. In an era flooded by AI-generated imagery. the hand painted creation encapsulates the album’s essence: a serene angel made of missiles, an explosion turned halo, surrounded by shovel-bearing cultists with books strapped to their faces.

From first note to last breath, Para Bellum is an album by warriors—crafted in chaos, and built to outlast the wars to come!

TESTAMENT live dates:

European Tour
10.10.2025 UK Manchester @ Manchester Academy
10.11.2025 UK London @ O2 Forum Kentish Town
10.12.2025 BE Antwerp @ Trix
10.13.2025 DE Stuttgart @ LKA Longhorn
10.14.2025 DE Hamburg @ Große Freiheit 36
10.16.2025 CH Pratteln @ Z7 Konzertfabrik
10.17.2025 DE Wiesbaden @ Schlachthof
10.18.2025 IT Milan @ Live Club
10.19.2025 DE Saarbruecken @ Garage
10.21.2025 SI Ljubljana @ Media Center
10.22.2025 AT Vienna @ Arena
10.23.2025 PL Wroclaw @ A2
10.24.2025 DE Munich @ TonHalle
10.25.2025 DE Oberhausen @ Turbinenhalle
10.26.2025 NL Utrecht @ Tivoli Vredenburg - Ronda

TESTAMENT is:
Chuck Billy | Vocals
Eric Peterson | Guitar
Alex Skolnick | Guitar
Steve DiGiorgio | Bass
Chris Dovas | Drums

Scottish mavericks FINI TRIBE present "The Sheer Action of Fini Tribe: 1982-1987" anthology

October 9, 2025

Scotland's iconic 1980s music mavericks Fini Tribe are releasing "The Sheer Action of Fini Tribe: 1982-1987" via Shipwrecked Industries. Previewed by the razor-edged singles “I Want More” and "We're Interested", this colossal anthology includes their legendary John Peel session from 1985, the original 12” singles (including "Detestimony") and the WaxTrax! singles, along with unreleased live tracks - all lovingly remastered and produced by the band's members.

Fini Tribe was born into the cash-poor but culturally-wealthy environs of post-punk Edinburgh in the very early 80s – 1980 to be precise. A tiny three-piece with no drummer would soon swell into a muscular six-piece with inherited or cheaply-purchased instruments. Band members Chris Connelly, Simon McGlynn, Andy McGregor, Davie Miller, Philip Pinsky, and John Vick haunted the cold, damp warrens of the Niddry Street and Blair Street rehearsal rooms, just off the high street in Old Town Edinburgh.

"The Sheer Action of Fini Tribe" is the first retrospective that is curated and designed by the band's members. It includes a wealth of archival photographs, an essay by original member Andy McGregor, who also designed the sleeve, and essays by longtime friend Shirley Manson (Garbage, Goodbye Mr. MacKenzie) and author Alastair McKay, an early champion of the band. This release also includes the first legendary John Peel Session, produced by Dale Griffin and originally broadcast in May 1985.

"This compilation was a long time in the making, a labour of love for the band, showcasing our most productive years as a six-piece. The compilation of tracks – from professional BBC recordings to live performance and rehearsal room demos – gives as broad a spectrum of the breadth of the band's creativity during those five important years from 1982 to 1987," says Chris Connelly.

Rehearsing and writing tirelessly between high school and part-time jobs, Fini Tribe played whenever they got the chance. CND benefits, support band for local mentors Visitors and Explode Your Heart, and endless rehearsals turning them into a well-oiled, if frantic, machine. Eventually gigging in London, Glasgow and Aberdeen, their sound grew as their sound became more unique. Influenced by Throbbing Gristle, Wire, Can, Captain Beefheart, and numerous angular funk bands championed by John Peel, they also drew from modern film, writing, and the art that was abundant in the festival city.

A debut self-released EP on their FINIFLEX label led to the John Peel Session. The band quickly morphed into a formidable experimental dance unit, cemented by the arrival of sampling. Their 1986 “Let The Tribe Grow” EP, with the anthemic, church-bell driven “Detestimony”, would become a lasting and iconic statement of intent. Fini Tribe heralded a new sound and new hypervisual approach, more akin to performance art than rock ‘n roll, with a one-off performance at Edinburgh’s prestigious Assembly Rooms: sculpture, film, ritual, new music, and suspended bin bags full of lurid poster paint sprayed a shocked audience. The gauntlet was thrown, covered in paint, and slapped like a wet fish.

In 1987, the band signed to WaxTrax! Records with a high-octane, percussion-driven cover of Can's “I Want More”, introducing the band to the temptations of the American dance floor. One more single for WaxTrax!, a reworking of “Detestimony”, and a few more events – including a night at Glasgow's Third Eye Centre that ended in flames - that was the end for this incarnation of the Fini Tribe. The band would lose a few members, including Chris, who joined The Revolting Cocks and moved to Chicago.

The tracks found on "The Sheer Action of Fini Tribe: 1982-1987" were recorded in Edinburgh at Wilf's Planet, Pier House, Niddry Street Rehearsal Rooms, Pleasance Theatre, and Calton Studios, and in London at Southern Studios and at BBC Studios, Maida Vale.

As of October 10,"The Sheer Action of Fini Tribe" is out digitally everywhere, including Spotify, Apple Music and Bandcamp and as a three-CD digipak with 24-page booklet. October 24 brings the release of the vinyl LP in a gatefold sleeve with insert.

On October 10, Chris Connelly joins Fini Tribe for the album release celebration at the West Port Oracle in Edinburgh - an "in conversation" with Nicola Meighan (this non-ticketed event begins at 7.30pm).

CREDITS
All tracks composed and performed by Chris Connelly, Andy McGregor, David Miller, Simon McGlynn, Philip Pinsky & John Vick, except "I Want More” (written by Karoli/Czukay/Schmidt/Leibezeit/Gilmour)
Published by Copyright Control / P.R.S. Concord Music / B.M.I. Momentum / Universal
Design & art direction: Andy McGregor, remixing 1980’s Fini art
Cover artwork: high school printed t-shirt by Simon McGlynn
Produced by Fini Tribe, John McVay, Dale Griffin, John Vick
Mixed by Fini Tribe, Paul Barker, John Vick
Engineered by Peter Haigh, Chic Medley, John Vick, Trigger, Mike Engles, Wilf Smarties, Rock Hardware
Recorded at Wilf’s Planet, Edinburgh
Pier House, Edinburgh
Demo & rehearsal recordings made at Niddry Street Rehearsal Rooms, Edinburgh with overdubs at various band members’ flats around Edinburgh
Live recordings made at Pleasance Theatre, Edinburgh, 15 December 1983
Live recordings made at Calton Studios, Edinburgh, 27 May 1987
Location recordings made at Monimail, Fife, Scotland
Southern Studios, London
BBC Studios, Maida Vale, London, 12 May 1985
Mastered by James Scott, Populist Recording & Mastering
Shipwrecked Industries CD catalogue no. SHIP004CD
Shipwrecked Industries LP catalogue No. SHIP004LP
Distribution via Virtual Label
'We're Interested' video by Kimberly Blessing
Footage of 1986 Edinburgh courtesy of Jean-François at Popcards Factory
Publicity by Shameless Promotion PR

Keep up with Fini Tribe
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Keep up with Shameless Promotion PR
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The Wait Is Over – DETHFX Debut Album Antiutopia Has Arrived!

October 7, 2025

After nearly three years in the making, Orlando-based metal juggernaut DETHFX proudly unleashes their debut album, Antiutopia. Out now on all major platforms, the record delivers seven tracks of unrelenting groove, razor-sharp riffs, and pure sonic devastation.

Most of the album was tracked at The 1885 in Cincinnati, OH—a historic church-turned-studio helmed by Jasen Wilson, who also mixed and produced the record. The result is an album that blends crushing heaviness with a larger-than-life atmosphere, capturing the raw intensity of DETHFX’s live sound.

“We poured everything into this record. It’s heavy, it’s chaotic, and it’s 100% us,” says the band. “This is the beginning of our world. Welcome to Antiutopia.”

With seven punishing tracks, Antiutopia takes listeners through a sonic apocalypse. Relentless grooves collide with thrash aggression and modern heaviness, all wrapped in a crystal-clear production that refuses to compromise.

The band extends massive gratitude to those that supported us, such as Max Norman, Bill Hudson, Mike Lepond, Johnnie G at Sound Exchange, and especially Jasen Wilson, whose vision and dedication helped bring Antiutopia to life.

Antiutopia is available worldwide on all streaming platforms.
Listen, follow, and shop merch at: https://www.dethfx.com/

Formed in Orlando, Florida in 2021, DETHFX quickly earned a reputation as “Death’s Favorite Band,” delivering a sound that hits like a dump truck driving 100 miles an hour off a cliff.

The lineup—Brett Kaffenberger (bass), Rob Tetro (drums), Rod Mariani (lead guitar), and Raul Salas (guitar/vocals)—draws influence from metal titans Slayer, Pantera, Black Sabbath, and Iron Maiden, while injecting a fresh, aggressive energy that redefines modern metal.

Live, DETHFX is an onslaught—dynamic changes, tight harmonies, and infectious grooves executed with surgical precision and raw intensity. Every show is an event: aggressive, technical, and unforgettable.

In 2025, DETHFX dropped their debut single “Recycled Souls”, setting the stage for Antiutopia and daring listeners to survive the ride.

For More Information Please Visit:

Shoegaze-dreamrock artist Dotsun Moon releases 'Moments In The Sun' EP with video

October 6, 2025

Upstate New York-based artist Dotsun Moon presents their latest 'Moments In The Sun' EP, a blissful and grounding collection for troubled times - four tracks inspired by self-reflection and nostalgia for the music that motivated this artist to write music in the first place.

Based in Buffalo, Dotsun Moon is the creative wellspring of Richard Flierl, whose musical visions flow through his music even now, several incarnations on since the band released their debut album 4 A.M. in 2011. The trajectory remains steadfast on a path of dreamy offerings over the years, with this multi-instrumentalist also gradually assuming vocal duties.

Dotsun Moon also shares the video for 'Army of Me'. Navigating and overcoming adversity. this song starts with a piano riff hinting at Erik Satie before bursting into Will Sergeant-esque guitar bends.

"During difficult times, it takes all one’s effort to push outward and connect with someone or else succumb to the isolation that so much of society has compounded with technology. Use that same tech to make personal connections. If a person just hopes without acting, they are “staring in the sun.” They are expecting the tech to take care of them," says Richard Flierl.

Offering shoegaze and dreampop for here and now, this EP pays homage to the numerous pioneers of the early days of post-punk and dream pop. Engineered and mastered by Doug White at Watchmen Studios in Lockport, NY, this EP was mixed by Richard Flierl and Doug White.

Richard Flierl adds, "This is not for the casual listener and I mean that in the best of ways. Listen to these songs at least 2-3 times and let them sink in. These songs take a slower pace to help the lyrics resonate. Weather and love, for another or oneself, are the common themes between these songs,"

The title track 'Moments In The Sun', through the intertwining of synth and guitar, offers a soothing balm for a weary mind with its sense of melancholic hope, echoing the sentiment of friends navigating an overwhelming world in search of human connection. 'Winter Streets' captures the spirit of a harsh Buffalo winter, evolving from quiet sounds to a burst of energy that embodies resilience against "cabin fever". 'Piano Trailer 5' is an homage to Harold Budd and his album with Brian Eno.

Earlier this year, Dotsun Moon released his third album 'Tiger', which differs markedly from previous works having moved away from female vocals. Evoking both euphoria and a poignant sense of grounding, Dotsun Moon brings you this compelling and unique exploration through this album and videos for the lush singles 'Save Us', 'Never Had a Heart', 'Bring Love' and 'Give Up The Tears'.

Over the years, Dotsun Moon has performed with such notable artists as Mary Ognibene (The Lovely Intangibles) and Buffalo Music Hall of Famer Maria Sebastian, having also played shows with Joywave, Vanishing Kids and The Lost Patrol, not to mention Pride Festival.

The 'Moments In The Sun' EP is out now, available from fine music platforms, including Spotify, Apple Music and Bandcamp, where the 'Tiger' album can also be found.

CREDITS
Music & lyrics written by Richard Flierl (ASCAP)
Vocals, guitar, bass, drums, programming & synths by Richard Flierl
Mixed by Richard Flierl and Doug White at Watchmen Studios in Lockport, NY
Engineered and mastered by Doug White at Watchmen Studios
Cover artwork by Doc Wintersmith
Artist photos by Meredith Snow
Publicity by Shameless Promotion PR

Kirk Windstein Unleashes "ETHEREAL WAVES" Solo Album + Shares Lyric Video for "Lord of Retribution"

October 5, 2025

KIRK WINDSTEIN of Down, Crowbar, Kingdom Of Sorrow fame has just unleashed his latest solo effort Ethereal Waves through Perseverance Media Group, the label of Hatebreed frontman Jamey Jasta.

He shares the lyric video for the sludge-tastic "Lord of Retribution." Watch and listen below.

The album is an epic, 10-song journey into the mind of one of our most prolific riff masters today.

The Crowbar/Down axeman's signature voice, riffs, and songwriting soar on Ethereal Waves.

Fresh off a sold-out Crowbar tour, Windstein is having a TikTok moment, reaching thousands of new fans on the platform.

Three vinyl variants are available, including signed copies. One bundle includes his new Cherry Chocolate Chipotle "Sauce Of Doom."

Get it here.

Chase Atlantic (Over 8B Streams!) Release "LOST IN HEAVEN (HIGH AS HELL)" Deluxe Edition W/ 4 New Tracks

October 5, 2025

Globally acclaimed and genre-bending trio Chase Atlantic — comprised of Mitchel Cave, Clinton Cave, and Christian Anthony — have built their reputation by crafting a seamless fusion of pop, rock, and R&B. They push creative boundaries yet never stray from their core sound and that's precisely why they have connected so deeply with their legion of Gen Alpha (and beyond) fans and have accumulated over 8 billion streams and 1.2 billion YouTube views along the way. The Australian-born, Los Angeles-based trio is immediately identifiable, yet incredibly difficult to put a title or genre on either their sound or the audience that adores them. They fit in just as well playing massive pop festivals as they do touring with rock bands.

Armed with an array of hits across a multitude of genres, Chase Atlantic have picked up one of the widest-ranging fan bases in all of music.

They proudly release LOST IN HEAVEN (HIGH AS HELL), the deluxe version of their fourth album, via Fearless Records. Listen Below

It boasts four additional tracks — including the recently released "FACEDOWN" and "REMIND ME" — and represents a dynamic evolution of LOST IN HEAVEN. It's a creative bridge that accurately depicts the future of Chase Atlantic's music and their desire for perfection. Rather than simply attaching a few additional "throw away" tracks, they invested time and intention into seamlessly crafting each song. Paying close attention to not only their intricate production, they also expand on their alluring and extremely unique vision. With this addition they aim to re-imagine their framework, embrace bold choices, and take creative risks that most artists wouldn't dare to even try.

The deluxe edition includes "WARCRY," which blurs the line between confession and rebellion. Reminiscent of earlier work like "Numb to the Feeling" and "Devilish," Chase Atlantic once again push the boundaries of modern music with their intoxicating blend of alternative R&B, and dark pop atmospherics. It also features "VICTORY LAP." Propelled by their signature fusion of brooding R&B, and hypnotic pop production, the track captures the high-speed rush of ambition colliding with hard-won success. Lyrically defiant yet emotionally charged, the track feels less like a celebration and more like a declaration — a reminder that glory is fleeting, but the chase never stops. Adventuring into unexplored territory sonically, Chase Atlantic masterfully combine three individual songs into one theatrical release to give the listeners a glimpse into future experimentation.

The band just launched the latest phase of The Portal; C4D HANDHELD DEVICE. Unlock the experience here.