A Killer's Confession Release New Album, Victim 2

A Killer’s Confession, the alternative metal band fronted and created by Waylon Reavis, releases its fifth studio album, Victim 2.  A new video for the opening track “Hopeless Gray” is also available now.

Additionally, A Killer’s Confession announces a U.S. tour with labelmates Dogma this November.  The tour kicks off on November 11th in Pittsburgh, PA and wraps on November 23rd in Westland, MI. Full dates are below.

On Victim 2, Waylon delves deeper into the concept of the light and dark sides of mankind, and continues the story of a serial killer who wants to bring horrific criminals to justice. But, as he's learning, there are consequences for his misguided deeds, even if he thinks they are the right thing to do.

Waylon says, “Welcome to Victim 2. This is my proudest moment as an artist. It’s very hard to be a fan of your own music, but it is very easy to become a fan of the people you work with to create the music. So much hard work and determination between myself, Dusty Boles and Evan McKeever was put into finishing the second part of the Victimtrilogy. I could honestly say I could not have done it without them. I feel this album pulls at every emotion and takes the listener on a true journey while leaving a void for Victim 3 to finish the story.”

Victim 2 kicks off in bristling fashion with “Hopeless Gray” and “In Case Of Emergency,” but as the story progresses, the collection of songs explores different musical territory. Victim 2 shows how A Killer’s Confession likes to blend genres, notably on the track “Hollow.” While the song may have an aggro guitar sound, there’s a pop hook in the chorus, while EDM and trap sounds lurk just below the surface. Throughout Victim 2, the dark inner voices plaguing the murderous vigilante emerge in pitch-shifted fashion to distinguish them from his “normal” self. The unexpected cover of Nirvana’s “Heart Shaped Box” halfway through the album signals a turning point for the killer as he starts re-evaluating his humanity. The closing track wraps things up in an epic, melodic fashion.

Connect with A Killer’s Confession:

Facebook
Instagram
YouTube
TikTok
Shop

KITTIE Release SPIT XXV EP; Drop Brand New Music Video For "Do You Think I'm A Whore? XXV"

Canadian heavy music pioneers Kittie release their Spit XXV EP today, marking 25 years since their landmark debut transformed them from four Canadian teenagers into international heavyweights. The collection arrives via Sumerian Records, featuring re-imagined and re-recorded versions of four of the original album's stand out tracks, all produced once again by Garth Richardson, who helmed the original breakthrough sessions in 1999 at EMAC Studios. Stream the full EP HERE.

The EP's release is highlighted by a confrontational new music video for "Do You Think I'm A Whore? XXV," showcasing Kittie's unflinching approach to re-examining their most provocative material with two and a half decades of artistic growth. Watch the music video below.

Speaking on today's release, Kittie vocalist and guitarist, Morgan Lander shares

"We’re beyond excited to revisit and reimagine songs that that started it all for us with Spit XXV. Re-recording these songs has been an emotional and empowering journey. It’s a chance to honour our roots while bringing a new level of energy and experience to the music. Spit XXV isn’t just a celebration of where we came from, but a thank-you to the fans who have stood by us for the past 25 years.

""Do You Think I’m A Whore?" has always been the dark horse of our debut album and it is was such a pleasure to give it the updated treatment and celebrate how awesome of a song it really is. Pair that with the unbelievable music video visuals from William Felch at Wombat Fire and it’s clear the track is finally getting its flowers."

"Do You Think I'm A Whore? XXV" demonstrates how Kittie's musical evolution has only intensified the song's emotional impact. Originally one of the most visceral moments on their gold-certified debut, the re-recorded version channels decades of artistic growth while maintaining the raw vulnerability that made the original so powerful.

The Spit XXV EP represents more than nostalgic reflection—it's proof of the original album's enduring relevance. Rolling Stone ranked the title track #82 on their "100 Greatest Heavy Metal Songs of All Time" in 2023, while artists like Serena Cherry of Svalbard continue crediting the album as formative to their musical development.

SPIT XXV arrives during Kittie's most successful era in over a decade. Their 2024 comeback album Fire shattered expectations, reaching #13 on UK Rock & Metal Albums charts and earning a 2025 Juno Award nomination for Metal/Hard Music Album of the Year. With 920,000 monthly Spotify listeners spanning multiple generations and triumphant festival performances at Sick New World, Welcome to Rockville, and Sonic Temple, Kittie has proven their relevance extends far beyond nostalgia into contemporary dominance. The band's ability to command stages and attract new audiences through social media demonstrates that their revolutionary spirit burns as fiercely as ever.

Kittie will bring the Spit XXV celebration to major festival stages this fall, performing at Louder Than Life this weekend and Aftershock Festival next month. Fans attending Louder Than Life this weekend can also catch Morgan and Mercedes Lander DJ at Blood Rave - an official LTL after-party - this evening. More Information can be found HERE.

The Spit XXV EP is proof of Spit's lasting relevance and Kittie's evolution as artists. Twenty-five years after four teenagers from Ontario redefined who belonged in heavy music's most aggressive spaces, Kittie continue creating pathways for others while cementing their legacy as genuine pioneers.

ABOUT KITTIE

When you discovered Canadian heavy music pioneers Kittie has a direct influence on how you see them. For those on board from the beginning with Spit in 2000, Kittie was part of nu-metal's explosive rise. Through later albums including Oracle (2001), In The Black (2009), and I've Failed You (2011), the band evolved into something far more sinister, viewed as a serious metal outfit. After a prolonged hiatus broken only by a 2017 hometown show and 2018's documentary Kittie: Origins/Evolutions, the band returned in 2022 following festival offers including Sick New World.

12.6 million career streams later, vocalist/guitarist Morgan Lander, drummer/backing vocalist Mercedes Lander, guitarist Tara McLeod, and bassist Ivy Vujic maintain that Kittie never broke up because it remains ingrained in their identity. Their 2024 album Fire, produced by Nick Raskulinecz (Foo Fighters, Rush, Alice In Chains), marked their triumphant return with renewed fury and unfathomable sonic brutality. As Kittie now pay homage to their past whilst also bringing it firmly into the present day, with the new Spit XXV EP, the new era of Kittie continues to blaze forth, illuminating the way as they take their rightful place as torchbearers for heavy music.

Kittie are

Morgan Lander (vox/guitar)

Mercedes Lander (drums/backing vox)

Tara McLeod (guitar)

Ivy Vujic (bass)

PARADISE LOST RELEASES MONOLITHIC NEW ALBUM 'ASCENSION'

Icons of melancholic doom and gothic metal, PARADISE LOST have released their long awaited 17th album, Ascension, today with Nuclear Blast Records.

PARADISE LOST’s first album in 5 years, following 2020’s acclaimed Obsidian, was produced by the band’s revered guitarist Gregor Mackintosh and mixed/mastered by Lawrence Mackroryand is adorned with artwork by renowned British artist George Frederic Watts’ classic painting The Court of Death (1870-1902). Their latest, critically lauded masterpiece is evidence of a band still at the height of their prime 35+ years into a groundbreaking career. Soaked in misery and grief, Ascension soars with song’s like ‘Tyrants Serenade,’ ‘Serpent on the Cross’ and ‘Silence Like The Grave,’ that take listeners on an unforgettable journey through morose despair forged in soundscape of massive riffs and searing solos.

Commenting on the record’s release, vocalist Nick Holmes states:

"It took us nearly 40 years to get here but we're still tuning our instruments to the key of despair! Please enjoy!"  

Today, PARADISE LOST has revealed a lyric video for their next highlighted track, ‘Lay A Wreath Upon The World.’

Adding about the song, Holmes says:

"Lay a wreath upon the world serves as a harbinger of the impending tempest, where humanity will eventually obliterate all that it has created."

Purchase/Stream Ascension: https://paradiselost.bfan.link/ascension

‘LAY A WREATH UPON THE WORLD’ LYRIC VIDEO BELOW;

PARADISE LOST will embark on the first leg of the “Ascension of Europe” tour this fall. Tickets are available at https://paradiselost.co.uk/tour-dates/.

The band has also recently announced a handful of intimate signing sessions and a record release show in Leeds, UK. Tickets are available now at https://tix.to/Ascension.

About PARADISE LOST:

More than three decades into their career, and with over two million albums sold, PARADISE LOST remain the undisputed kings of metal’s dark side. Formed in Halifax in 1988, the band quickly became noted as the pioneers of gothic metal through their early groundbreaking albums like 1991’s aptly-titled Gothic, a mixture of heaviness intertwined with shadowy melody and atmosphere.  

Never a group to remain creatively static, across their career they’ve explored a myriad of avenues of dark music, from sludgy doom-death roots, to conquering the metal mainstream with the enormous, lush sounds of 1995’s Draconian Times, to more experimental, electronic leanings, leaving an influence on a trail of artists as varied as CRADLE OF FILTH, HIM, GATECREEPER and CHELSEA WOLFE.  

Now, in 2025, the Yorkshire quintet return with their staggering 17th album, Ascension, a record that sees their crown continue to gleam as it underlines just how they attained their position. Produced by guitarist Gregor Mackintosh at Black Planet studios in East Yorkshire, with drums and vocals captured at NBS and Wasteland studios in Sweden, its 10 tracks traverse the multitude of sounds in the band’s arsenal, from full-bore heavy metal to sky-high melody, all the while keeping a minor-key melancholy that remains irresistible.

Follow PARADISE LOST:

Website | Facebook | Instagram | X | Youtube | Spotify | Apple Music | Bandcamp

STARSET Release "SILOS" + Band Shares Video for "AD ASTRA"

Visionary, sci-fi-inspired rock collective STARSET have proudly released their latest full-length transmission SILOS  via Fearless Records.

Get it here.

The band has also shared the video for "AD ASTRA."

Watch it below.

The album includes two brand new tracks, six interludes, and several recently released songs. As is customary with STARSET, fans are invited to immerse themselves in the band's layered world via the songs, interludes, and the storylines.

Visualizers have been released for additional tracks, as well. 

The physical album is available for pre-order here, along with new merch drops. For more information, go here.

Lauded by Forbes as having "one of the most firmly established brands of any modern rock band," Columbus, Ohio's STARSET are creating a true multimedia empire with music at its core. Their hits include RIAA Platinum-selling hit "My Demons" (2012) and RIAA Gold-selling single "It Has Begun" (2014), with others soon to follow. With a staggering 5 billion streams and a rapidly growing rabid global fanbase, STARSET are one of rock's upper echelon acts.

Savage Lands Release Live Hellfest Video

SAVAGE LANDS are releasing the full video of their star-studded performance at last year’s Hellfest. The metal non-profit, which was founded by Megadeth drummer Dirk Verbeuren and musician-turned-activist Sylvain Demercastel, performed songs off their debut album Army of the Trees on the festival’s main stage alongside Vincent Price (Body Count), Billy Graziadei (Biohazard), Shane Embury (Napalm Death), Andreas Kisser (Sepultura) and other leading voices from across the world of metal.

Watch Savage Lands’ star-studded performance at Hellfest Below.

Army of the Trees is out now on Season of Mist.

Order & Stream

https://orcd.co/savagelandsarmyofthetrees

Just listening to Army of the Trees helps support Savage Lands. 100% of the song’s royalties fund the musician-run non-profit’s ongoing preservation efforts.

Last year’s Hellfest 2024 marked a turning point for Savage Lands. The festival announced that they are donating €1 million to support the organization’s reforestation and biodiversity initiatives in Costa Rica and Europe. Their performance concluded with a stirring rendition of “Roots Bloody Roots,” which amplified the project’s rallying call for ecological action.

Beyond the stage, Savage Lands continue to grow. In France, they recently launched the Alliance of the Trees with three local associations: Association Francis Hallé, Etats Sauvages and Semeurs de Forêts. Together, these organizations will coordinate reforestation and preservation efforts on a national scale.

Savage Lands is also preparing a landmark initiative for this Saturday, September 20. In collaboration with Heilung, Hellfest Productions, the Jane Goodall Institute France, and Association Protection des Animaux Sauvages (ASPAS), Savage Lands will bring 10 metal fans to witness the inauguration of the first Jane Goodall wildlife reserve in Brittany, France.

Learn more about Savage Lands
https://savagelands.org/  

Donate 
https://savagelands.org/donation/

Savage Lands' debut album introduces several new species of metalhead to their ecosystem. Eurovision’s darlings Lord Of The Lost spill their blood and glitter over the spiky riffs that puncture “Out of Breath”. Holding court over lead single “Ruling Queen” with her serpentine cleans and lioness roar is none other than Arch Enemy’s Alissa White-Gluz. “Now is the time to take a stand”, the band roar in a fierce rallying cry during the album’s climactic title track, backed by Julien Truchan from Benighted and other pillars from the French metal community.

“Our goals are attainable,” Sylvain and Dirk say. “By converting the land that we purchase into nature sanctuaries, Savage Lands will help set a precedent for environmental activism. But we must work together and quickly. Ecosystems are still under attack. If we don’t, then there won’t be any wildlife left to save”.

Raise your horns and join the Army of the Trees in support of the metal  non-profit.
 

Learn more about Savage Lands: https://savagelands.org/

Donate: https://savagelands.org/donation/

Core Lineup:
Poun - Vocals
Sylvain Demercastel - Guitars
Etienne Treton - Bass
Florian Pons - Drums

Special Member:
Dirk Verbeuren (Drums on "Black Rock Heart", "The Last Howl" and "Out of Breath)

Collaborators:
Stephane Buriez
Ardag Basmadjian
HK Nico + James at Vamacara

Guest Features:
Kai Uwe Faust - Vocals (Black Rock Heart)
Chloe Trujillo - Vocals (Black Rock Heart, Out of Breath)
Alissa White-Gluz - Vocals (Ruling Queen)
Kenneth Andrews - Guitar (Ruling Queen)
Andreas Kisser - Guitar (The Last Howl)
John Tardy - Vocals (The Last Howl)
Maria Franz - Vocals (No Remedy)
Lord Of The Lost - Vocals, Guitars (Out of Breath)

*Army of Trees features Steeven Corsini (Loco Muerte), Auré Jäger (Akiavel), David & Viber (Sidilarsen), Niko Jones (Tagada Jones), Julien Truchan (Benighted), Stéphane Buriez (Loudblast, Sinsaenum), Nils Courbaron (Bloodorn, Sirenia, DDC) and Aurelien Ouzoulias (The Beat Factory, Mörglbl).

Production:
Recorded, mixed and mastered by Adair Daufembach at Daufembach Studio in Los Angeles.

Cover Artist:
Brewster Agency  


Pre-order & Pre-save: https://orcd.co/savagelandsarmyofthetrees

Follow Savage Lands:
Official Website: https://savagelands.org/
Bandcamp: https://savagelands.bandcamp.com/album/army-of-the-trees
Apple Music: https://music.apple.com/artist/savage-lands/1712738479
Spotify: https://open.spotify.com/artist/5fft5SyNYhNar3PdYtKQSF
Facebook: https://m.facebook.com/p/Savage-Lands-100081754354224/
Instagram: https://www.instagram.com/savagelands_project/
YouTube: https://www.youtube.com/@savagelands9644

Available Formats:
Digital Download
CD Digisleeve
12" BioVinyl (Gatefold)

DIE SPITZ SOMETHING TO CONSUME OUT NOW

'Something To Consume’ lives up to its name, as the four 22-year-olds purge every ounce of anger and sorrow onto the eleven songs that complete their debut. Whether the outcome be metal, shoegaze, punk, or an undefinable hybrid of the aforementioned, one thing remains certain: Die Spitz are not to be fucked with. - CLASH

 

"Ludicrously urgent and deeply fierce, Die Spitz are vital and explosive" - FLOOD
 
"Future superstars" - Kerrang
 
“A fierce, fearless debut.” - DIY
 
"Four front-grrrls declaring war on your comfort zones" - The London Standard

I See Stars Release New Album 'THE WHEEL' & Drop New Music Video "carry on for you" via Sumerian Records

Electronic hardcore pioneers I See Stars have released their new album 'THE WHEEL' via Sumerian Records. The full-length is the band's latest body of music since their smash-hit 2016 album, 'Treehouse'. In celebration of the news, the quartet has released the official music video for the poignant track "carry on for you". Speaking about the album, the band shared:

"The last time we spent this much time on a record was our debut album, '3D'. 'The Wheel' is a time capsule capturing the past seven years of our lives. It’s a culmination of everything we’ve experienced individually, together, and as human beings navigating the chaos of the world. We truly poured everything into it & we are so excited to finally share it with our fans."

I See Stars fans across Australia and Asia will soon have their chance to see the band on the road, followed up by a performance at Vans Warped Tour Orlando in November. 'THE WHEEL' is available now on all streaming platforms at the link here. Watch "carry on for you" below, and be sure to stay tuned for more I See Stars news coming soon.

ABOUT I SEE STARS

Somehow, it’s been nearly a decade since the last I See Stars album. There have, however, been a few hints and glimpses of it over the past couple of years. In 2023, the electronicore pioneers released four songs: “Anomaly”, “Drift”, “are we 3ven” and “D4MAGE DONE”, while in 2024 they put out “SPLIT”. While all five songs do appear on this record, they only revealed a fraction of what the band—these days comprised of Brent Allen (guitar), Andrew Oliver (keyboards/programming), Devin Oliver (clean and unclean vocals) and Jeff Valentine (bass)—had in store. Because THE WHEEL, the band’s sixth full-length, is an album in the truest sense of the word, one designed to be listened to in full from beginning to end, and which truly immerses you in its world when you do. It’s the product of a lot of patience, a lot of care, a lot of time, some of which was by design, some of which was out of the band’s control. 

After releasing Treehouse in 2016 and then touring on it, I See Stars did actually start working on a new album, but when Covid hit, they scrapped pretty much all of it to instead sharpen their focus. There was, after all, nothing but time, so the band decided to spend it making a record that lived up to their own expectations and which fully matched their artistic vision.

“It gave us the opportunity to take a step back and really dive into what we wanted to actually dig in and write,” says Jeff. “Not that what was done before was bad, but this gave the four of us an opportunity to sit in a room with each other and just write.”

As such, THE WHEEL is a fully-formed living memory of both of those eras, and one that places the listener right there with the band. “It's really kind of a special piece,” continues Devin, “and you feel that in the journey when you're listening to the album front to back. You feel us swimming in the mystery of what life was doing and where it was taking us.”

Produced by David Bendeth, and mostly mixed by Zakk Cervini—though Tom Norris also worked on a couple of tracks—THE WHEEL took on a life of its own when the band started making it. The album begins with “Spin It”, which is simply the sound of a wheel being spun. It’s not just for aesthetic purposes, though. In the studio each day, the band would spin a web-based digital wheel to determine which song they would work on, but it was also a way to add some levity to the creative process. 

“We would throw all the songs onto this website wheel,” remembers Andrew, “as well as some dumb, totally not creative thing in there that would like sidetrack us—but purposefully. It was this comedic approach that we were taking every day, where whatever the wheel told us to do, we’d do. It had these zany sound effects, but also created this weird vibe where we were like ‘We've just got to trust fate here.’ We're all obsessed with fate and letting things happen as they might, so the sound effect was an obvious thing for us to include—and then it took shape into a much larger concept.”

“What I really loved about the wheel concept,” adds Devin, “was it wasn't our choice. It was our choice to leave it to chance, yes, but we trusted the universe to point us in the right direction by spinning the wheel. It started off as a joke, but turned into this thing that became really important for us.”

Beyond the idea of fate and purpose, there are some other complex and deeply personal themes on this record. The yearning, tragedy-laced “carry on for you”—undoubtedly one of the saddest, most beautiful songs on the record—was written after Devin and Andrew lost their uncle to pancreatic cancer, while a number of the other songs detail Devin’s struggle with a condition called intracranial hypertension that’s caused as a result of too much fluid in the brain.

“It made me very familiar with the hospital,” says Devin. “I was hospitalized for months on end and that lasted for about two years of my life. So a lot of this record is about that. I don't deal with the chronic pain that I had from that anymore, and some would say the condition is in remission, but it's really hard for me to listen to some of these songs—truly—because there were a lot of moments writing this record where I didn't want to be alive. That's really hard for me to admit, because I'm not that person who talks about this stuff openly. I talk about it through our music—my traumas come out through my artistic expression. So listening to the record really gets emotional for me, because I'm not in the same place I once was. I'm super grateful to not be in all that pain.”

It all combines to make a record that’s as cerebral as it is visceral, as vulnerable as it is powerful, and as pure as anything I See Stars have made in their almost two-decade long career. After a long time in stasis, it’s clear to hear just how rejuvenated and refreshed they are, even as final track “Curtain Call” speeds off into the distance. That song is, as Devin calls it, “a wheel of emotion”, and ends with a question (well, two) repeated over and over again: ‘Will you ever love? Will you ever love me?’ “'Curtain Call' is tapping on every fucking thing we talked about on the whole record in one song,” says Devin. “It's almost like the wheel spinning in song form—it keeps turning round and is just racing through time and emotions. And the question we ask at the end of the song has a lot to do with the band. Will I ever be enough as an artist? Will the fans ever see us for everything we've put into this, which essentially at this point is our entire lives?”

Even just one listen to this record and it’s pretty clear that the answer to both those questions is a resounding yes.

LORNA SHORE’s New Album “I Feel The Everblack Festering Within Me” Out Today

Lorna Shore’s first new album in three years, I Feel The Everblack Festering Within Me, is out today via Century Media Records, alongside a highly emotional new music video for “Glenwood.” It visually captures the song’s overarching narrative: Vocalist/lyricist Will Ramos’ personal journey to reconnect with his estranged father. See the gripping music video, directed by Dylan Hryciuk, Below.

 

Ramos says of the new track, “This song has been a very long-time coming for me. In my teens, my father and I never had a great relationship. We’ve had countless fallouts and it got to the point where we hadn’t spoken to each other in many, many years. I’d written songs in my teens and early 20s about him and my frustration but nothing really helped fill the hole I felt inside. There were just too many mixed emotions. As time went on, I came to realize that, despite my anger, all I ever really wanted was to go back to the home I grew up in. For that reason, I decided to knock on his door and try one more time to get in touch with him.”

 

He adds, “‘Glenwood Ave’ was the name of the street I grew up on. I remember my father always telling me, ‘I’m the tree, you’re the branch.’ The day I saw my father (for the first time in who knows how long), I quickly realized something. He wasn't the same person I remembered. He’d aged, had wrinkles, and a full-head of white hair. The tree that I remembered growing up next to was gone. The house inside was the same as I remembered but… older… dustier; and it felt… strange. As time seems to fly by for me, it also does for my father. And in all my parting, I never stopped to think about how much time actually went by. I spent my youth being so prideful and stubborn. I never even considered that as I was aging, so was he. I’ve had countless chances to fix things but wasn’t brave enough to actually do it. And now, I will never be able to get that time back. I wanted to capture that feeling when I wrote this song. My only hope is that when people hear ‘Glenwood,’ they can think about their own lives and the people they’ve pushed away and ask themselves: ‘Is it really worth being upset for this long?’ I believe all we really want is to go back to that special place – a place where nostalgia triumphs over trauma; a place that we can call home.”

 

“Glenwood” follows the release of “Oblivion,” “Unbreakable” and “Prison Of Flesh” from I Feel The Everblack Festering Within Me. As Lorna Shore’s fifth album and the first in three years since 2022’s explosive Pain Remains, it continues the band’s reputation as one of the most impressive extreme metal acts to emerge in recent memory.

 

The quintet, also including lead guitarist Adam De Micco, drummer Austin Archey, rhythm guitarist Andrew O'Connor and bassist Michael Yager, have hit the viral Spotify charts, racked up hundreds of millions of streams, embarked on highly successful tours and in the process, galvanized a significant fanbase that hangs onto the band’s quest for stylistic inversion. But by virtue of physical onslaught and wanting to divine truth from their music, Lorna Shore have kept themselves fired up by torching the metal rulebook at every turn, practically demanding that other genres step up their game.

I Feel The Everblack Festering Within Me is now available in multiple formats including digital, CD and limited-edition vinyl variants. Fans can stream the album HERE and find their preferred physical and digital retailer HERE. Fans can also shop a merch collection, available HERE.

Lorna Shore will bring tracks from I Feel The Everblack Festering Within Me and other hits on the road beginning September 17, joined by The Black Dahlia Murder, Shadow Of Intent and PeelingFlesh in a tour produced by Live Nation. Tickets are on sale now.

 

LORNA SHORE FALL 2025 TOUR
With The Black Dahlia Murder, Shadow Of Intent and PeelingFlesh

 

September 17 Pittsburgh, PA @ Stage AE

September 18 Louisville, KY @ Louder Than Life Festival*

September 20 Worcester, MA @ New England Metal & Hardcore Festival*

September 21 National Harbor, MD @ The Theater at MGM National Harbor

September 23 Greensboro, NC @ Special Events Center

September 24 Nashville, TN @ The Pinnacle

September 26 Cleveland, OH @ Jacobs Pavilion

September 27 Detroit, MI @ Masonic Temple Theatre

September 28 Chesterfield, MO @ The Factory

September 30 Atlanta, GA @ Coca-Cola Roxy

October 1 Tampa, FL @ Yuengling Center

October 3 Houston, TX @ 713 Music Hall

October 4 Irving, TX @ Toyota Music Factory

October 5 Cedar Park, TX @ H-E-B Center Cedar Park

October 6 Oklahoma City, OK @ The Criterion

October 9 Phoenix, AZ @ The Van Buren

October 10 Las Vegas, NV @ Pearl Concert Theater

October 12 Riverside, CA @ Riverside Municipal Auditorium

October 13 San Diego, CA @ SOMA

October 14 Los Angeles, CA @ Hollywood Palladium

October 15 San Francisco, CA @ The Masonic

October 17 Seattle, WA @ Paramount Theatre

October 18 Vancouver, BC @ Doug Mitchell Thunderbird Sports Centre

October 20 Salt Lake City, UT @ The Union Event Center

October 21 Denver, CO @ Fillmore Auditorium

October 23 Chicago, IL @ The Salt Shed

October 24 Maplewood, MN @ Myth Live

October 25 Milwaukee, WI @ Eagles Ballroom

October 27 Toronto, ON @ Great Canadian Casino Resort

October 28 Laval, QC @ Place Bell

October 30 New York, NY @ The Theater at Madison Square Garden

*Festival dates

 

Find more info and tickets at www.lornashoreband.com

(Credit: Zac Schiffer)

RAVEN BLACK Unveils Their Most Haunting Creation Yet: New Album - BLACK SONATA DROPS TODAY FRIDAY, SEPTEMBER 12

Prepare yourselves as the carnival doors creak open once again, and the music of the shadows will echo forever.

The twisted carnival is back—and this time,

the shadows sing.

The theatrical dark-metal visionaries RAVEN BLACK have released their brand-new full-length album,

BLACK SONATA, arriving today, Friday September 12, 2025. Known for blending heavy riffs with a gothic fairytale aesthetic, RAVEN BLACK is set to deliver their most cinematic and bone-chilling opus yet—an album that dives deeper into the macabre, weaving a symphony of beauty, horror, and unrelenting power.

About BLACK SONATA

“What the Rejects expect to be familiar yet unexpectedly find themselves thrown Into our madness where it is dark, fun, strange, weird, creepy and disturbing. The 13th Hour. 

Sing, scream, dance or pit or all of this! Exactly what we wanted for you. Music should move you into another world. This world is ours in the 13th Hour. Our Black Sonata. “

--- Raven Black ---

CIRCUS HELL

from RAVEN BLACK’S 

New Album “BLACK SONATA”

The "Circus Hell" Music Video featuring some of our amazing fans the Rejects Afterlifers!!

People judge. People troll. People hate. For no reason. So we extend an invitation to all haters, and open the gates to our Circus Hell. Step into the chaos where rules rot and you become the spectacle, strapped to the merry-go-round of our tormenting madness!

STREAM ON SPOTIFY

Meet RAVEN BLACK, a theatrical metal act originally from Los Angeles. Their unique brand of metal, influenced by gothic, classical, and heavy metal music, serves as the soundtrack to vocalist Raven's duality as she shares her story of being a hybrid of both dark and light.

Drawing from a myriad of musical inspirations, RAVEN BLACK expertly blends elements from their favorite art forms, including movies, ethnic backgrounds, and personal life experiences. Each song is crafted to take fans on an adventure, offering new perspectives and understandings. Their sound ranges from melodic to dark, fun to raging and psychotic—yet every track tells a story.

At the heart of their narrative lies a comic book character: a girl whose innocence was taken at a young age. Overcoming her demons and cursed by her predators, she discovers she is half human, half doll. The doll within her is dark, and as she embraces her inner darkness, she travels with her demons who protect her from those seeking to steal her inner power.

She is the key.

Garmarna Winners of The John Lennon Songwriting Contest

For the past three decades, Garmarna have won equal praise from metal heads and folk lovers. On their seventh and most recent album, the Swedes continued to weave traditional medieval tales with rock, pop, dance and other modern-day inventions, alongside executive producer Christopher Juul from Season of Mist labelmates Heilung. In 2021, Förbundet was nominated for Folk Album of the Year by the Grammis. Now, four years later, its opening song is taking home a different award. 

Today, Garmarna are proud to announce that "Ramunder" was selected by The John Lennon Songwriting Contest as the Session I Grand Prize Winner in the World category. The prize package for this award includes a Taylor acoustic-electric guitar and more than $4,000 in recording equipment.

"It's a great honor to receive this award", says Garmarna, who were selected as a finalist by the same contest in 2021 for their song "Dagen Flyr". "John Lennon and The Beatles pushed the envelope on what you can do in just about every field of the music business. Throughout our 35 year career, we've always aimed to do the same by mixing traditional Swedish ballads with contemporary influences. We always try to stay curious and bend the rules, with feet firmly planted in the ballad tradition".
          
Watch the video for "Ramunder" below:

Förbundet is out now on Season of Mist

Order

https://redirect.season-of-mist.com/garmarna-forbundet

Stream

https://linktr.ee/garmarna_official

While they've always pulled from the darker chapters of Swedish folklore, "Ramunder" claims the crown as Garmarna's most chilling tale. Reimagined by razor-sharp acoustics, distorted grooves and a stomping drum beat, the opening of Förbundet sets a rather bloody scene with the tale of a warrior that destroys his enemies purely for the sake of his own enjoyment.

However, "Ramunder" isn't all doom and gloom. Anders Norudde saws his moraharpa with devilish delight. The Swedish multi-instrumentalist, composer, carpenter and violin-maker is a member of Hedningarna, the fellow groundbreaking Swedish folk band who were an early inspiration for Garmarna.       

Next year, Garmarna will face the Session II Grand Prize Winner in a public vote to determine the overall winner for the World category. 

When asked about how fans have responded to their different influences and diverse output over the years, Stefan cannot definitively say because their followers are seemingly fluid in their tastes as well. “Sometimes we’ve thought the audience will hate the new stuff, all jungle beats or house or pop or whatever,” he says. “The audience is a mix of metal heads, folk enthusiasts, hipsters, and just casual music lovers of all ages. Along the way, they have seemed to like what we do! We know that a lot of people wished the return album 6 would have been a bit more traditional, but then a lot of people also praised it for being 'so much GARMARNA' in the sense that it took an unexpected turn somewhere new.”

Their loyal acolytes should be pleased with 'Förbundet', and they will likely draw in new converts as well. You're next.


Lineup
Emma Härdelin: Vocals, violin
Stefan Brisland-Ferner: Violin, Viola, Hurdy gurdy, Keyboards, Nordic bowed lyre, Kantele, Moraharpa, Mouth harp, Electronics, Electric guitar, Mandolin, Backing vocals
Gotte Ringqvist: Acoustic guitar, Hardanger fiddle, backing vocals
Rickard Westman: Electric guitar, Electric bass
Jens Höglin: Drums, Percussion, Electronics

Guest musicians
Maria Franz: Vocals on ”Två Systrar”
Anders Norudde: Moraharpa on ”Ramunder”
Ulf Gruvberg: Vocals on ”Lussi Lilla”
 
Producer
Stefan Brisland-Ferner

Executive producer
Christopher Juul

Mixing
Christopher Juul

Mastering
Christopher Juul

Recording studios
DNA Studios in Stockholm with Stefan Brisland-Ferner
Studio NEVO Sundsvall with Stefan Brisland-Ferner and Henrik Heinrich
Studio Cobra Stockholm with Christian Gabel

Cover art
Axel Torvenius

Bio
Bryan Reesman

Order
https://redirect.season-of-mist.com/garmarna-forbundet

Stream
https://linktr.ee/garmarna_official

Available formats:
Digital Download
CD Digipack
12" Vinyl Gatefold - Black
12" Coloured Vinyl Gatefold ​- Silver
12" Coloured Vinyl Gatefold - Gold
12" Coloured Vinyl Gatefold - Red


Follow Garmarna
https://linktr.ee/garmarna_official
https://garmarnasom.bandcamp.com/album/f-rbundet
https://www.facebook.com/Garmarnaoffical
https://www.instagram.com/garmarna_official/
https://open.spotify.com/artist/7ED7dE68y0YZGpyXcuiRsI?si=x80dzp_RQd-uQdbF5AN5cg

TEETH | RELEASE VISUALIZER VIDEO FOR THEIR NEW SINGLE 'BLUE AND COLD'

Coming off a string of SOLD OUT shows with the CANCER BATS and a North American direct support run with NORMA JEAN, Canadian hardcore/metal powerhouse TEETH delivered their latest offering in the form of a 2 song EP. l Am the Way to Oblivion is raw and features unrelenting aggression while serving blended chaotic riffs, crushing breakdowns, and visceral intensity. 

Today, the band release the chaotic video visualizer for the track 'Blue And Cold' off l Am the Way to Oblivion. Watch the video below:

TEETH comments, “'Blue and Cold' was inspired by the loss of a close friend and bandmate who passed away in my arms. It’s a song born from grief, the fight to hold on, and the lasting impact of that night."

Stream l Am the Way to Oblivion:
https://teeth.bfan.link/i-am-the-way-to-oblivion

Later this week, TEETH will kick-off back to back Fall treks. On the 12th, they will join HE IS LEGEND on their 20th anniversary of Suck Out the Poison. The 11-date trek will include EYES SET TO KILL, and DOWNSWING as well as see the band perform at the New England Metal and Hardcore Festival. A few days later, they will head out with FOXLAKE on their 'The New World Heat Tour 2025' with KAONASHI.


Festival dates
09.20 Worcester, MA @ New England Metal and Hardcore Festival

HE IS LEGEND Suck Out the Poison Tour
w/ EYES SET TO KILL, and DOWNSWING.

09.12  Brooklyn, NY @ Meadows
09.13  Lowell, MA @ Tafetta
09.14  Hamden, CT @ Space Ballroom
09.16  Philadelphia, PA @ Johnny Brenda's
09.17  Albany, NY @ Empire Underground
09.18  Buffalo, NY @ Rec Room
09.19  Pittsburgh, PA @ Preserving Underground
09.23  Joliet, IL @ The Forge
09.24  Covington, KY @ Madison Theater
09.25  Asheville, NC @ Eulogy
09.26  Raleigh, NC @ Chapel of Bones

FOXLAKE on their 'The New World Heat Tour 2025' 
with KAONASHI.

09.30 Toledo, OH @ Frankies
10.01 Columbus, OH @ Summit
10.02 Knoxville, TN @ Karn's Community Center
10.03 Nashville , TN @ '58
10.04 Panama City, FL @ T's
10.05 New Orleans, LA @ Southport Music Hall
10.07 Memphis, TN @ Growler's
10.08 Oklahoma City, OK @ New Spot

TEETH is:
Blake Prince | Vocals
Chris LeMasters | Guitar
Bryan Beerbaum | Guitar
Marc Quagliarini | Bass
Seb Lalonde-Ricardi | Drums

More information:
Facebook | Instagram | YouTube | X | Spotify | Tik Tok

Ponte Del Diavolo Release Roadburn Live Video

Last year, Ponte Del Diavolo made their mark by bridging the gap between two nefarious corners of the underground on their fiery debut album. Fire Blades from the Tomb welds doom and black metal into a towering, twisted new wave of dark art that's as cruel and mesmerizing as their native Italy's infamous Devil's Bridge.

As they prepare to unfurl their next deadly creation, today, Ponte Del Diavolo are releasing a new video from their mesmerizing performance at Roadburn. Weaving enchantments of synth, theremin and clarinet into their ritual dance with death, "Covenant" burns with newfound intensity when stoked by the fiery response from this year's festival crowd. 

Watch Ponte Del Diavolo perform "Covenant" live at Roadburn 2025 Below’


Fire Blades from the Tomb is out now on Season of Mist.

Order: https://redirect.season-of-mist.com/PonteFireBlades

Stream: https://orcd.co/firebladesfromthetombpresave

PONTE DEL DIAVOLO bridges the gap between two separate worlds.

The Italian band proposes a Doom / Black metal sound with old-school roots, adding a modern and outside the box background. The female voice - with strong dark wave influences - is the lyric corpus of this strongly esoteric project. The solid presence of two bassists creates the massive foundation for the rhythmic guitar, everything marked by a raw and dynamic drumming.

Mystery of Mystery / Secret Live Session marked the quintet’s debut EP. It was recorded live and without editing at Dracma Studio with the producer L’Ossario in their home base of Turin in March 2020. "I" was released on the web by Iopan Records. It was soon followed by their second single, "The Wickedest Woman In the World".

At the end of 2021, Ponte Del Diavolo recorded their second EP, Sancta Menstruis at Deepest Sea Studio in Turin with Danilo Battocchio. The first single,  "The Unborn", arrived in February 2022.

The band's third EP, Ave Scintilla!, was also recorded in Turin. This time around, they reconvened at Dracma Studio with L'Ossario.

Now that they've signed with Season of Mist, Ponte Del Diavolo are ready to release their debut album. Fire Blades From the Tomb  forgesclassic, cultish doom metal with modern bents of post-punk. Lead single and opening track “Demone” is whipped along by a boiled black bass line and dark-wave induced vocals.

Prepare to cross over into the Italian dark arts.

Line-up
Elena Camusso (as Erba Del Diavolo) - Vocals
Alessio Caruso (as Krhura) - Bass
Andrea l'Abbate (as Kratom) - Bass
Stefano Franchina (as Segale Cornuta) - Drums
Rocco Scuzzarella (as Nerium) - Guitars

Guest Musicians
Andrea l'Abbate - Synth on 'Covenant'.
Lucynine - Theremin on 'Covenant'.
Vittorio Sabelli - Clarinet on 'Covenant', 'Red as the sex of She who lives in death' & 'Nocturnal veil'.
Davide Straccione - Vocals on 'The weeping song'.

Recording Studio
Deepest Sea Studio

Producer & Sound Engineer
Danilo Battocchio

Mixing & Mastering Studio / Engineer
Lunatech Sounds / Dimitris Douvras

Cover Art
Laura Nardelli

Stream: https://orcd.co/firebladesfromthetombpresave​​​​

Order: https://redirect.season-of-mist.com/PonteFireBlades

Links:
Apple Music: https://music.apple.com/us/artist/ponte-del-diavolo/1639072320
Bandcamp: https://pontedeldiavolo666.bandcamp.com/
Facebook: https://www.facebook.com/PontedelDiavolo/
Instagram: https://www.instagram.com/pontedeldiavoloband/
Spotify: https://open.spotify.com/artist/4mAfr0B2wgIFbVBUAv9btD
Youtube: https://www.youtube.com/@pontedeldiavolo3847

UK-based electronic artist Max Rael (History of Guns) presents 'Almost' from debut album

British electronic artist Max Rael presents 'Almost', a powerful and introspective track that explores the gut-wrenching feeling of being on the brink of success, only to have it slip through your fingers. It’s a raw look at the best-laid plans—whether in love, career, or life in general—and the crushing disappointment that comes with defeat. 

This is the latest taste of Rael's debut solo album 'The Enemy Is Us', released via London imprint Liquid Len Media. Capturing the moment when hope gives way to anger and self-blame, a feeling many of us know all too well, this is a track for anyone who has ever dared to dream, only to be left to pick up the pieces.

Showcases his singular talents, unique twists on sound design, and unique lyrical perspectives, Rael's powerful thought-provoking spoken-word lyrics confront a world in freefall—its corruption, alienation, and misery. Conflating a painfully personal portrait of an interior world, this is an achingly universal depiction of society and the world outside. Unearthing a resilient core of hope and gallows humour that burns brightly through the darkness, this is a complex and compelling take on the human condition.

"I wrote 'Almost' about the anger that comes from failure, especially when you've put everything on the line. I wanted to explore the idea that when things don’t work out, that anger can so easily turn inward. It’s a commentary on that self-defeating spiral where you start to question your own right to hope in the first place. This song, along with the music video, is about finding a way to release that frustration in a safe way, a way that doesn’t turn into self-punishment," says Max Rael. 

"The music video visually represents this theme of suppressed anger and release. Inspired by Stu Francis, host of early 1980's UK children's television program 'Crackerjack' and his classic catchphrase "Ooh I could crush a grape," the video features the repeated motif of fruit being squashed. This act serves as a metaphor for finding a healthy, acceptable way to vent your frustrations rather than internalizing them. It’s a commentary on the small acts of release we can use to prevent our anger from becoming a destructive force."  

Based in Hertfordshire, Max Rael is a key creative force in the UK underground, beginning with 1990s-2000s electro-goth trailblazers History Of Guns, frontrunners of the Wasp Factory / FuturePunk scene, and later, Decommissioned Forests. Musician, writer, actor, engineer and producer, Max Rael has collaborated with Fish (Marillion), Last July, Kommand + Kontrol, Freudstein and Bienheldenschafgegenstand. 

A dark bouquet of minimalist synth, darkwave and spoken-word electronic pop, Rael's album introduces his compelling ‘futuretroist’ sound: an alternative sonic universe built on a unique sound design that feels at once familiar and alien. Rael recently released the video for  'Pressing Against The Glass', a danceable elegy for those who don't "belong", channelling the deep-seated ache of being an outsider.

Rael's earlier shadow-streaked 'Slightly Less Than Human' is a nervy electronic track with a great hooky synth melody and spoken word vocals. Partly inspired by Japanese author Osamu Dazai. Lyrically, Max Rael relays his feeling of being somehow different from the rest of the human race, while the non-album B-side 'When the Only Winning Move Is Not to Play' relates to the 1983 film "War Games" and the book 'The Games People Play' by Eric Berne.

Max Rael's debut single 'Brighter Future', released in April, explores avoidant strategies of coping with life in a seemingly increasingly chaotic and unsafe world and an anticipated dystopian future. The B-side 'The People We Love Have Won (Persistence Is All)' is darker, named after Coil's 2000 London performance at The Royal Festival Hall (which he also tattooed on the inside of Rael's left wrist).

Spoken word, electronic music and loud drums feature strongly on the 12-track album, produced and mixed by Max Rael with additional mixing by Caden Clarkson and mastered by Pete Maher (U2, Nick Cave, Depeche Mode, Pixies. Nine Inch Nails).Fusing a range of electronic music styles with other genres, Max Rael is a master journeyman of existential exploration into humanity, self, society, reality, psychology, philosophy and the future.

'The Enemy Is Us' is out now, available from fine digital platforms, including Apple Music, Spotify, Amazon, and Bandcamp.

CREDITS
Written by Max Rael
Max Rael - vocals, keyboards, guitar & programming
Caden Clarkson - guitars on 'My First Death' and 'Almost'
Produced by Max Rael
Additional production, mixing & string arrangement by Caden Clarkson
Mastered by Pete Maher
Released by Liquid Len Recording Company
'Almost' video shot by Priyanka Trivedi in Kew, UK & Abades Leper Colony, Tenerife
'Brighter Future' video by Abigail Clarkson
'Slightly Less Than Human' video by Max Rael
Publicity by Shameless Promotion PR
Single cover artwork for 'Almost' by Priyanka Trivedi
Album cover artwork & photographs by Filiz Photography 
Copyright @filizphotographyuk 2025 - must not be altered or sold without photographer's permission
UPC / EAN no. 199199781569


Keep up with Max Rael

Website | Bandcamp | Facebook | Instagram | YouTube | TikTok | Twitter | BlueSky | Apple Music | Spotify | Amazon | History of Guns website |  Press contact


Keep up with Shameless Promotion PR
Website | Facebook | Twitter |  Instagram | BlueSky | Threads  | Soundcloud | LinkedIn | Ema il

TALLAH Unleash Brand New Album 'Primeval: Obsession // Detachment'; Drop New Music Video For "depleted"

Genre-defiant nu-core disruptors Tallah release their most ambitious work to date—Primeval: Obsession // Detachment, a fully live-tracked, sci-fi concept album that pulls listeners into a world of collapsing morality, split identities, and sonic chaos. Out now via Earache Records, the album’s release is accompanied by a brand new music video for focus track“depleted,” one of the album’s strangest and most textural songs. Stream the album HERE and watch the music video for 'depleted' below.

Shot among rusted rebar and yellow-jacket swarms, the “depleted” video captures the dystopian atmosphere of the record’s second act - wild, decaying, and haunted. Sharing more on the experience, vocalist Justin Bonitz shares

“Despite all the dust, yellow jackets, and rusty rebar, this was one of the coolest locations we have ever shot at. There was so much to explore, and it really captured the vibe/aesthetic we saw in our heads when listening to the song. Derek Rathbun (director) made everything so easy and streamlined, so the shoot felt a lot shorter than it actually was. ‘Depleted’ is one of the weirdest songs on the album, and we were hoping the video would match the same energy. Have fun listening!”

Primeval: Obsession // Detachment was recorded live in Michigan with producer Josh Schroeder using no clicks, no edits, and no safety nets. Like its four predecessors “What we know”, “A primeval detachment”, “augmented" and "as fate undoes" also ties directly into the album’s layered sci-fi narrative. The concept follows two characters, Ana and Sheelah, on a morally destructive journey across an alien world. Fans can dive deeper into the lore through The Primeval Game, a playable story-world that’s updated monthly with new clues, song teasers, and narrative expansions. Explore the game, built in collaboration with Enzo Interactive at primevalgame.com

Primeval: Obsession // Detachment stands as Tallah's most ambitious and uncompromising work to date. Weaving sci-fi storytelling together with deliberately imperfect performances, Tallah prove that human instinct still has power in an increasingly artificial landscape.

Following today’s release, Tallah will play a select run of album release shows this month before hitting the road this fall in support of King 810, kicking off November 3 in Lawrence, KS. The tour was sparked after the band’s longtime producer Josh Schroeder played King 810 frontman David Gunn an early preview of Primeval.

“David Gunn hit us up after Josh Schroeder showed him our new album,” says bassist Max Portnoy. “Both bands share a love for raw, live recordings, so he was super into what we were doing and invited us to join the tour. We were stoked since we’ve been into King for as long as we’ve been a band.”

Tickets for all shows are available HERE. Full routing below.

TALLAH – ALBUM RELEASE SHOWS

September 5 – Philadelphia, PA @ Warehouse on Watts

September 6 – Mechanicsburg, PA @ Lovedraft’s Brewing Co

September 7 – Brooklyn, NY @ The Meadows

TALLAH – US TOUR W/ KING 810

November 3 – Lawrence, KS @ The Bottleneck

November 4 – Oklahoma City, OK @ 89th Street Collective

November 6 – Mesa, AZ @ The Rosetta Room

November 7 – Anaheim, CA @ Chain Reaction

November 8 – Berkeley, CA @ Cornerstone

November 9 – Bend, OR @ Volcanic Theatre

November 10 – Portland, OR @ Dante’s

November 11 – Seattle, WA @ El Corazon

November 13 – Rapid City, SD @ Aby’s

November 14 – Sioux Falls, SD @ Icon Event Hall

November 15 – Saint Paul, MN @ Turf Club

November 16 – Chicago, IL @ Bottom Lounge

November 18 – Hartford, CT @ The Webster

November 19 – Clifton, NJ @ Dingbatz

November 20 – Harrisburg, PA @ Capital City Music Hall

November 21 – Richmond, VA @ Canal Club

November 22 – Greensboro, NC @ Hangar 1819

November 24 – Nashville, TN @ The End

November 25 – Lexington, KY @ Manchester Music Hall

ABOUT TALLAH

Emerging from Pennsylvania in 2018, Tallah fuse the percussive force of second-generation drummer-turned-bassist Max Portnoy with the unpredictable dexterity of vocalist and viral phenom Justin Bonitz and the phenomenal guitarist duo of Derrick Schneider and Alex Snowden to form a sound that’s part brutalist nu-metal, part theatrical meltdown, and entirely their own. What began as a raw homage to the early-2000s metal they were raised on—Slipknot, Korn, Linkin Park—has since evolved into something far stranger and far more singular.

After making waves with their 2020 debut 'Matriphagy', a twisted concept album soaked in trauma and noise, the band were hailed by Knotfest as delivering “one of the best metal releases of the year” and by Metal Hammer as “leading the charge on the new wave of nu-metal.” The follow-up, 'The Generation Of Danger' (2022), saw them push their hybrid sound further into chaos—earning millions of streams, high-profile festival slots, and nominations at both the Heavy Music Awards and AIM Independent Music Awards.

But it’s on album three, 'Primeval: Obsession // Detachment' (out now via Earache Records), that Tallah truly shatter what’s left of the mould. Decamping to Michigan to record the entire project live with longtime producer Josh Schroeder, the band abandoned edits, clicks, backing tracks, and rules. What remains is pure instinct—feral, volatile, and unrelentingly human.

Conceptually, the record unfolds across a sci-fi narrative that follows Ana, a nurse, and Sheelah, an assassin—two strangers manipulated by a shadowy force and driven to the edges of their morality. The mirrored structure, warped sonic callbacks, easter eggs and ambiguous lyrical layering reflect a story full of tests, dualities, and spiraling identity shifts.

To date, Tallah have clocked up 29.7 million Spotify streams and 6 million YouTube views.

TALLAH ARE

Vocals: Justin Bonitz

Guitar: Alex Snowden

Guitar: Derrick Schneider

Bass: Max Portnoy

Drums: Joel McDonald

DJ: DJ Navi

ELEINE Releases New 5-Track EP 'We Stand United'

Swedish metal band ELEINE simply can’t return to the stages unnoticed: embarking on a massive European tour as special guests to label mates PRIMAL FEAR today, they simultaneously celebrate the release of their We Stand United EP through Reigning Phoenix Music (RPM). A strong title underlining the unparalleled bond ELEINE have built with their worldwide fan legions over the years, which becomes even thicker! An unreleased song as well as live and orchestral versions of selected ELEINE classics are now available for streaming and on limited CD and vinyl editions. Get your (signed) copy & listen to We Stand United here: https://eleine.rpm.link/westandunitedPR

Vocalist Madeleine & guitarist/vocalist Rikard comment: “We wanted to give you something in between album cycles. A feel of what’s to come, where we stand right now and a closer look at our past. This is We Stand United - an EP dedicated towards our strong and loyal fans across the world including live tracks and something brand new! On this EP, w present you with live tracks on CD and vinyl for the first time ever! We enjoy the studio, but it will always be when performing LIVE that we truly thrive as a band. This is where we connect with the crowd, where we create beautiful and empowering memories together and where we get to live out the songs on stage. We Stand United is a 5-track EP carrying new heavy riffs, thundering live performances and a rawness we feel many will appreciate.”
 
Introduced by "Towards The Fields", the release’s main focus lays on its brand new title track, which highlights the group’s magic touch for vibrant songwriting while still giving space to their soaringly uplifting and symphonic trademark moments. To give the We Stand United music video the attention it deserves, ELEINE are pleased to announce that they’ll witness its unveiling together with their main driving force - their fans - on Monday, September 8 @ 6PM CEST. Subscribe here & join the watch party: https://eleine.rpm.link/youtubePR

ELEINE are:
Madeleine Liljestam | vocals
Rikard Ekberg | guitars, vocals
Victor Jonasson | guitars
 
More on ELEINE:
eleine.com | Patreon | Facebook | Instagram | TikTok | X
YouTube | Spotify | Apple Music | RPM

OUT NOW - Dreams Of Gray - A Beginning

Emerging from the shadows of grief, reflection, and the raw beauty of metal, DREAMS OF GRAY returns with their new EP, A Beginning, set for release on September 5th, 2025. Based in Chicago, IL, this one-man project helmed by Luis Rivera first turned heads with the 2023 debut The World After—an independent release that earned praise from the global metal press. Critics from highlighted the debut's sharp songwriting, emotional weight, and its fusion of melodic death, doom, and thrash metal. Now, A Beginning builds upon that foundation and pushes the project’s boundaries even further.

Though DREAMS OF GRAY began as a solo endeavor, Rivera has always surrounded himself with top-tier collaborators to bring his compositions to life. On A Beginning, he is joined by Maria Kosma on bass, Nicole Trinchero on drums for the title track, and Scott Elliot, who handled drum programming on "Beyond the Sky" and "Across the Endless Sea" while also contributing engineering, mixing, and mastering to both. Meanwhile, Josh Middleton took on engineering and mixing duties for "A Beginning", as well as mastering the track. The result is an EP that feels cohesive but unpredictable, aggressive yet melodic, and deeply personal without ever losing sight of metal’s cathartic power.

The EP opens with "A Beginning", a track that embodies the thematic and sonic range of the release. It flows from haunting melodies into crushing intensity, shifting gears between clean vocals and growls, mid-tempo movements and furious headbanging riffs. Its lyrical content wrestles with existential grief—how the living cope with loss, and what unresolved questions remain after someone we love is gone. Rivera's performance here is dynamic, moving between softness and fury, crafting a song that challenges convention but never forgets to move the listener.

"Beyond the Sky" follows as the EP’s most direct track—a high-energy explosion rooted in death metal and thrash. It’s an anthem for the live stage, but beneath its furious pace is a meditation on the soul’s journey through eternity. The song blends brutal riffs with melody in a way that fans of IN FLAMES, AMORPHIS, or DARK TRANQUILITY will appreciate. Here, Rivera asks the big questions: What lies beyond this life? What does peace look like for a restless soul?

Closing the EP is "Across the Endless Sea", perhaps the most dynamic composition in the DREAMS OF GRAY discography so far. While it offers some of the EP’s fastest passages, it never sacrifices melody. In fact, the chorus showcases new approaches to Rivera’s clean vocals—experimental, memorable, and emotionally resonant. There’s even a trace of black metal’s influence in the guitar textures, cleverly reworked to serve the EP’s broader melodic vision. Lyrically, the song explores the interconnectedness of life—how we are all part of a web that links the living with the departed, and how each of us carries others forward across our own seas.

What sets DREAMS OF GRAY apart is not just the fusion of genres—from melodic death and doom to thrash and heavy metal—but Rivera’s refusal to create throwaway music. Every riff, every lyric, and every vocal line is deliberate. There is elegance within the aggression, clarity within the chaos. His music invites you to headbang, yes—but also to reflect, to feel, to connect. Lyrics are intelligible by design, encouraging listeners to engage deeply rather than just react sonically. A Beginning isn’t just a collection of songs. It’s a statement of intent: that melody, melancholy, and metal can coexist with integrity.

This EP arrives after a journey as unpredictable as the music itself. Outside of metal, Luis Rivera is a Family Medicine Physician—an artist with a scientific mind, balancing a high-pressure career with a relentless drive to create. Formerly an electrician and a member of ABOLISHER (a band with acclaim in Metal Maniacs and Brave Words and Bloody Knuckles back in 2002), Rivera took a long pause from music to pursue medicine. Now, with that chapter stabilized, he returns fully committed to his artistic vision.

For those who long for a new voice in melodic extreme metal—one that remembers the spirit of PARADISE LOST, the introspection of OPETH, and the energy of SLAYER—DREAMS OF GRAY offers something vital, something that sounds familiar yet undeniably new. With A Beginning, this project redefines what it means to start again.

About DREAMS OF GRAY:

DREAMS OF GRAY is the melodic extreme metal project of Chicago-based musician and physician Luis Rivera. Blending elements of melodic death, doom, thrash, and traditional heavy metal, the music is as emotionally resonant as it is sonically intense. Founded in 2022, DREAMS OF GRAY quickly made an impact with the independently released debut EP The World After in 2023, earning critical acclaim across the international metal press.

Known for its compelling fusion of melody and heaviness, DREAMS OF GRAY stands out for intelligent songwriting, deeply human lyricism, and an uncompromising creative vision. Rivera’s music confronts themes of loss, grief, resilience, and existential reflection—delivered through dynamic vocals and powerful, layered instrumentation.

Now joined by a cast of talented collaborators, DREAMS OF GRAY continues to evolve with the upcoming EP A Beginning (2025), a bold and immersive follow-up that further refines the project’s genre-defying sound. Whether you’re drawn to the introspection of OPETH, the melodic fire of IN FLAMES, or the weight of PARADISE LOST, DREAMS OF GRAY offers something uniquely honest and unforgettable in today’s extreme metal landscape.

Connect With DREAMS OF GRAY:

Bandcamp: https://dreamsofgray.bandcamp.com/
Facebook: https://www.facebook.com/p/Dreams-of-Gray-100090219272895/
Instagram: https://www.instagram.com/dreamsofgray/
YouTube: https://www.youtube.com/@Dreamsofgray
Spotify: https://open.spotify.com/artist/10SZBmhCP8bJHMX5lyCshB
Apple Music: https://music.apple.com/us/artist/dreams-of-gray/1662301376

Swollen Teeth Release New Album 'Ask Nothing' and Unleash Official Music Video For "Nothing"

Masked metal insurgents Swollen Teeth have released their new album 'Ask Nothing' (via Blowed Out Records), produced by legendary producer Ross Robinson (Korn, Glassjaw, At The Drive In) and Slipknot's Sid Wilson. In celebration of the release, the quartet has shared their official music video for "Nothing". When asked about the album, the band commented:

"This album is dedicated to the family we lost while making it. Now it’s your turn to Ask Nothing."

'Ask Nothing' is available now on all streaming platforms at the link here.

Watch the official "Nothing" music video below.

The band will be hitting the road across North America beginning next month on the Divided We Fall Tour alongside Biohazard, Onyx and Bayway. Be sure to get your tickets at the link here and stay tuned for more Swollen Teeth news coming soon.

Divided We Fall Tour with Biohazard, Onyx and Bayway:

10/3 Pittsburgh, PA @ Preserving

10/4 Indianapolis, IN @ Hi Fi Annex

10/7 Dallas, TX @ Ferris Wheeler’s

10/8 San Antonio, TX @ Paper Tiger

10/10 Albuquerque, NM @ Sunshine Theater

10/11 Phoenix, AZ @ Van Buren

10/12 Los Angeles, CA @ The Bellwether

10/13 Berkeley, CA @ UC Theatre

10/15 Salt Lake City, UT @ The Complex

10/16 Denver, CO @ Gothic

10/18 Lawrence, KS @ Liberty Hall

10/19 Minneapolis, MN @ First Avenue

10/21 Chicago, IL @ Concord Music Hall

10/22 Madison, WI @ Majestic Theater

10/23 Pontiac, MI @ Crofoot

10/25 Montreal, QC @ Beanfield Theatre

10/26 Toronto, ON @ Mod Club

10/28 Brooklyn, NY @ Warsaw

10/29 Worcester, MA @ Palladium

10/31 Allentown, PA @ Archer Music Hall

11/1 Sayreville, NJ @ Starland Ballroom

11/2 New Haven, CT @ Toad's

ABOUT SWOLLEN TEETH

The sound, the look, the atmosphere, the lore. Swollen Teeth are as much a ritual as a performance, summoning primal ferocity in clouds of intrigue with a thundering rumble. Each musical outburst arrives shrouded in mystery, enveloped by a sense of dread, with passion and purpose. Heavy percussion, riffs, punk gang chants, dive bombs, turntables, breakdowns, shrieks, guttural screams, and powerfully unashamed anthemic melodies coalesce in Swollen Teeth. The collective absorbs the raw intensity of the most potent subculture and spits it back with a determined uniqueness. They’ve spent countless hours in the lab, lobbing out occasional missives online like Molotov cocktails. Each of the scattered, chopped-up, and explosive clips unleashed to the world, culled from a handful of shadowy live appearances, built anticipation for the group’s inevitable ascension. They travel in our dimension but are not of it. This is otherworldly chaos without apology.



Swollen Teeth burst onto the scene in 2021 with their self-titled EP, a visceral blend of brutality and raw emotion that garnered praise from heavy music outlets and fans alike. Singles "EMPTY", "LETHAL" "CAR CRASH" and "SWOLLENTEETH" showcased their unpredictable, frenetic energy, which Revolver Magazine described as "brutal as hell." with Metal Hammer enthusing that "there’s an air of grotesque nu metal nastiness that feels like a re-vamped take on the misanthropic nihilism of Iowa’s finest." and Kerrang! musing "What's really heavy, masked, mysterious, sounds like it was made by complete lunatics, and involves Slipknot DJ Sid Wilson and producer Ross Robinson?."

/W\

ABOUT BLOWED OUT RECORDS

Ross Robinson (Korn, The Cure, Slipknot, Glassjaw, At The Drive In and countless others), artist Ghostemane and Bill Armstrong (SideOneDummy) have joined forces to create a new record label called Blowed Out Records. As veterans of the music industry, they bring a wealth of experience and knowledge to the table and have set out to discover and promote new talent together. The label's first release, "Swollen Teeth," is a hardcore album produced by Sid Wilson of Slipknot and mixed by Mike Balboa with Ross Robinson. It's a collaboration between established and new artists that promises to be a heavy hitting release. Blowed Out Records is dedicated to providing a platform for underground and lesser known bands to showcase their music and gain a wider audience.

Swollen Teeth is managed by Evan Kandilakis for Seek Management.

Swollen Teeth Are

Megaa - Vocals / Sampler / Turntable

Sun - Vocals / Bass

Skutch - Drums

HOG - Guitar



NAILED TO OBSCURITY - Release Video For 'Glass Bleeding' + New Album "Generation Of The Void" Is Out Now!

NAILED TO OBSCURITY have released a video for 'Glass Beeding', the latest single from their fifth studio album, Generation Of The Void, which is out now via Nuclear Blast Records! In celebration of the album's release day, an atmospheric music video is being released alongside the single. Scroll down to check it out.

Dynamic album opening track 'Glass Bleeding' offers a preview of the stylistic variety that Nailed To Obscurity have perfected with Generation Of The Void, shifting with ease between hard-hitting death metal passages, ethereal clean parts and anthemic sing-alongs.

With Generation Of The Void, NAILED TO OBSCURITY have crafted their most mature and expansive album to date. The album reflects the turmoil of the post-pandemic era, the shadows of war in Europe, and the relentless changes affecting all of humanity. Beyond its political and social commentary, the album also dives deep into personal struggles, confronting themes of dark emotions, depression, and fear. Every note, every lyric carries the weight of uncertainty and disillusionment, while no one knows what one will find within the void or beyond.

NAILED TO OBSCURITY commented:
“We are beyond excited that our new album Generation Of The Void is finally out today. It feels amazing to share not only the singles you’ve already heard, but also all the other songs that complete the journey. We can’t wait for you to dive into the full record and discover everything we’ve been working on.

Alongside the album, we’re thrilled to unveil the brand-new video for 'Glass Bleeding'. We chose this track to open the record because it perfectly introduces what’s to come - moving from mellow, moody atmospheres into crushingly heavy riffs and blast beats. It sets the tone for the entire album and paves the way for everything that follows.”

PURCHASE / STREAM GENERATION OF THE VOID:
https://nto.bfan.link/generation-of-the-void

WATCH THE VIDEO FOR 'GLASS BLEEDING' BELOW.

NAILED TO OBSCURITY will embark on their first extensive European headline tour in autumn 2025, with guests YOTH IRIA (GR) and OAK, ASH & THORN (US). This tour will be a celebration of the band's 20th anniversary, which is due this year.

TICKETS AVAILABLE AT: nailedtoobscurity.com

ABOUT NAILED TO OBSCURITY:

Formed in 2005 by guitarists Jan-Ole Lamberti and Volker Dieken, NAILED TO OBSCURITYstarted their journey as teenagers with an uncompromising vision. They released their independent debut Abyss in 2007, proving their resilience in an industry where many bands fade before they rise. With lineup evolutions in the early days and sonic transformations, the Germans honed their melancholic yet crushing sound, which reached new heights with Opaque (2013) and King Delusion (2017), released via Apostasy Records. These albums marked the first steps from a local underground act to a serious, globally touring band, following the arrival of vocalist Raimund Ennenga in 2012.

By 2018, NAILED TO OBSCURITY had earned a place among the greats, signing with Nuclear Blast and unveiling Black Frost in January 2019, an album that solidified their identity and positioned them on some of the biggest stages in Europe and North America. With bassist Lutz Neemann joining in May 2024, replacing long-time member Carsten Schorn, the current lineup was completed.

In 2022, NAILED TO OBSCURITY released the singles 'Liquid Mourning' and 'Clouded Frame', both of which are featured on Generation Of The Void. These tracks provided a glimpse into the band's evolving sound and set the stage for what was to come.

Now, after years of meticulous crafting and relentless touring, Generation Of The Void emerges as the next chapter—a visceral and evocative testament to the times.

NAILED TO OBSCURITY ONLINE:
https://linktr.ee/nailedtoobscurity