GREEN LUNG - reveal new track/video 'Necropolitan Line'

June 23, 2026

Albion's masters of folklore, riffs and legends return with another slab of tomb-shaking, crypt-kicking occult rock. Green Lung have revealed their latest track, 'Necropolitan Line', a Motorhead-meets-Deep Purple subterranean rampage across London's infamous Necropolis Railway.

'Necropolitan Line' is taken from Green Lung's forthcoming new record, Necropolitan, due out on Friday September 11th 2026. A monumental portrait of the power of nature over the dreams and dominion of humankind, Necropolitan is also a grand celebration of the occult lore and heavy music scene of the band’s birthplace, the city of London.

Green Lung stated:
"Is there a more fitting subject for a Green Lung song than the Necropolis Railway, a real-life train line that carried corpses and mourners across London in the late 19th Century? Mix in some inspiration from 1972's London Underground-set shocker Death Line, a madcap neoclassical organ/guitar duel that evokes Richie Blackmore and Jon Lord at their finger blistering best, and a record Lung BPM of 180, and you have the second single from our fourth album. We can't wait to play this one live for the first time at the Acid Bath show in Manchester on Thursday. Mind the doors!"

The video, directed by Tracy Mathewson and featuring animation from Joseph Brett, is a tribute to the early 70s German TV show Beat Club, which featured Lung antecedents such as Sabbath, Purple and Lucifer's Friend. Featuring an introduction from longtime roadie Metal Joe, we enter the band's own warped version of the show, titled Crypt Club. Will future episodes follow? Only time will tell...

Pre-order Necropolitan here: https://greenlung.bfan.link/necropolitan
Stream ‘Necropolitan Line’ here: https://greenlung.bfan.link/necropolitan-line
Watch the video for ‘Necropolitan Line’ Below:

On the week that Necropolitan is released, Green Lung will be visiting some selected record stores to sign vinyl and CDs, plus fans will have the chance for a photo op with their very own Goatwizard. Head to greenlung.co.uk for more details! And keep your eyes peeled for more events as we get closer to release…

Friday 11-Sep London, UK Rough Trade East (1pm BST)
Saturday 12-Sep Manchester, UK HMV Manchester (5pm BST)
Sunday 13-Sep Birmingham, UK HMV Vault (2pm BST)
Monday 14-Sep Bristol, UK Rough Trade Bristol (1pm BST)

Later this year, Green Lung will be embarking on their European Dance to the Grave Tour MMXXVI. Special guests will be High On Fire with support from Gnome. The tour poster was designed by the band's frequent collaborator, Richard Wells.

GREEN LUNG
DANCE TO THE GRAVE TOUR MMXXVI
w/ High On Fire & Gnome

03-Dec BE Antwerp @ Trix
04-Dec DE Frankfurt am Main @ Batschkapp
05-Dec DE Munich @ Backstage
07-Dec AT Vienna @ Arena
08-Dec DE Leipzig @ Anker
10-Dec DE Hamburg @ Große Freiheit 36
11-Dec DE Berlin @ Astra Kulturhaus
12-Dec DE Cologne @ Carlswerk Victoria
13-Dec NL Tilburg @ O13
14-Dec FR Paris @ Bataclan
16-Dec UK London @ The Roundhouse
17-Dec UK Bristol @ Bristol Electric
18-Dec UK Manchester @ Manchester Academy
19-Dec IE Dublin @ The Academy
20-Dec UK Glasgow @ SWG3 Galvanizers

For more information and tickets head to: https://www.greenlung.co.uk/

You can also catch Green Lung this weekend on June 25th at Manchester Academy, with Acid Bath and Conan.

25 June - UK Manchester, Manchester Academy *supporting Acid Bath

A cult band in every sense of the word, Green Lung emerged from London’s heavy rock scene with self-released debut EP Free the Witch (2018).

Drawing on a host of peculiarly British musical influences, from doomy hard rock to pastoral prog and psych to the Hammer Horror theatrics of the NWOBHM, the band have swiftly risen to the forefront of the UK metal scene.

Lyrically celebrating the folklore, myths and legends of Britain, they conjure the wild and witchy spirit of their forebears for a new generation.

Green Lung have released three critically acclaimed albums, Woodland Rites (2019), Black Harvest (2021) and This Heathen Land (2023). They have toured internationally with Clutch, Opeth and Unto Others, and performed on festival stages from Roadburn to Download. Their latest album This Heathen Land landed at #1 on the UK’s Official Rock and Metal Album Chart.

"This is heavy metal how it should be done" The Guardian

AMBERIAN DAWN Share "Moon" Video — WATCH + LISTEN

June 23, 2026

FIRST ALBUM WITH NEW SINGER NICOLE WILLERTON, TEMPTATION'S GATES, RELEASES JUNE 26 VIA NAPALM RECORDS — PRE-ORDER

Finnish symphonic metal band AMBERIAN DAWN push into their new era with an invocation to the "Moon." The fourth single off of their upcoming album, Temptation's Gates, shows yet another facet of their fresh sound, turning up the speed to blast beat intensity. Still, "Moon," which features prominent keyboard and guitar solos, remains magical up until its unexpected end. The final screams show the change the band is making with their new singer, Nicole Willerton—AMBERIAN DAWN are more determined than ever. The accompanying album, Temptation's Gates, will be out this coming Friday, June 26 —make sure to get your copy of their first step into the new era! Additionally, the band will play a record release show in Helsinki on June 28 at the official afterparty of Tuska Festival.

Tuomas Seppälä about "Moon":
"I composed this song just a few weeks after we had recruited our new vocalist. From the very beginning, it carried an exceptionally dark and haunting atmosphere, and I wanted to preserve that exact feeling throughout the entire process. For the first time in my career, I decided to introduce growling vocals into the arrangement. It felt completely natural in this song, and I knew Nicole could deliver it with the right intensity and emotion. It had been a long time since I last recorded a guitar solo myself, and stepping back into that role made the experience even more personal. This track captures a darker and more haunting side of our new era."

Nicole Willerton about "Moon":
"The song "Moon" is about finding hope, tranquility, and inner peace in a world filled with destruction, greed, and suffering. The moon serves as a guiding light and a symbol of beauty, reminding us that even when life feels overwhelming or full of misery, it's important to cherish the simple beauties of life, such as nature and the freedom of the spirit."

Watch the Official Music Video for "Moon" Below!

Rising from the home of symphonic metal are AMBERIAN DAWN: The Finnish five-piece is set to open Temptation's Gates, their new album, out on June 26 via Napalm Records. The band's first release with new singer Nicole Willerton takes them onto a more modern, occasionally even surprisingly rough path. With it, AMBERIAN DAWN, led by founder, guitarist, and main composer Tuomas Seppälä, slowly emancipate themselves from being "just" the band who—gloriously!—covered Swedish pop legends ABBA with their previous album, Take a Chance — A Metal Tribute to ABBA (2022).

Infusing their epic keyboard sounds with guitar-driven melodic metal, AMBERIAN DAWN reach into a world unknown and prove their versatility while their catchy anthems remain strong and charming as ever. Temptation's Gates has the band determined for a future sparkling temptingly bright — and they're ready to step through that gate.

Tuomas Seppälä about Temptation's Gates:
"When I started working with our new singer, I felt the same kind of excitement I had years ago when I began creating our debut album back in 2007 and 2008. At that time, AMBERIAN DAWN were still newcomers to the band world, even though we were already experienced musicians. With Temptation's Gates, I felt that same spark of creating something new for the first time in a long while. I hadn't composed many songs yet when I began collaborating with our new vocalist. Most of the material came together surprisingly fast once I realized how easy and natural it was to work with her. I was deeply inspired by Nicole's enthusiasm, dedication, and efficiency. I truly feel that the band has been reborn with her joining us. Musically, our style has evolved once again, perhaps moving slightly back toward a heavier, more metal-driven direction. At the same time, elements of our classic sound and identity are naturally still present. In many ways, creating this album felt like going back to my roots. For the first time in a long while, I also took on a bigger role as a guitarist. I focused more on crafting guitar riffs, played roughly half of the guitar leads on the album, and even performed one full guitar solo myself."

Nicole Willerton about Temptation's Gates:
"Temptation's Gates is the first album I've sung on and recorded with AMBERIAN DAWN, and it has been a beautiful experience. While writing the lyrics, each song was inspired by feelings, memories, and moments that were especially prominent during the creation of the album. Writing the lyrics felt like diving into the subconscious, bringing these emotions to the surface. It was wonderful to explore the creative process of arranging the backing vocals. I especially love how AMBERIAN DAWN's music makes strong use of backing vocals, helping to create a fuller, richer sound around the lead vocals. It's definitely a fiery album that combines a broad spectrum of emotional depths, ranging from love and melancholy to darker elements such as fear and inner struggles. A recurring message throughout the album is to embrace one’s true desires and to accept and acknowledge one’s honest feelings."

Get Your Copy Of Temptation's Gates NOW!

AMBERIAN DAWN ARE:
Tuomas Seppälä — Keyboards, Guitar
Nicole Willerton — Vocals
Emil Pohjalainen — Guitar
Joonas Pykälä-aho — Drums
Jukka Hoffren — Bass

California dreampop outfit Soft Science return with 'Spinning', heralding novel 'Sand' album

June 23, 2026

Sacramento-based outfit Soft Science presents 'Spinning', a propulsive and emotionally charged track and the first offering from their fifth album 'Sand', scheduled for release on September 4th via Shelflife Records in North America and Spinout Nuggets in the UK. The accompanying video was created by directed and edited by Matthew Maxwell.

Building on the band’s signature blend of dream pop, shoegaze and indie rock, ‘Spinning’ captures the dizzying frustration of being caught in an emotional loop—repeating the same conversations, hoping to be heard, and wondering if anything is finally getting through. Pairing shimmery atmosphere with a sense of restless momentum, the band manage to turn relationship fatigue into something hypnotic, melodic, and deeply relatable.

Comprised of longtime collaborators Katie Haley (lead vocals, percussion), Matt Levine(lead guitar), Ross Levine (guitar, backing vocals), Tony Cale (drums), Becky Cale (bass, backing vocals), and Hans Munz (atmospheric electronics), Soft Science crafts immersive dream pop defined by layered guitars, ethereal vocals, synth textures, and post-punk-influenced propulsion.

"Spinning is one of my favorite songs on 'Sand' - It has such strong energy. It’s the kind of song that is catchy and you can’t help moving to it, but it also has a lot of tension, which fits so well with the lyrics. Matt’s guitar work really adds to the mood and tension felt in the song," says Katie Haley.

"We had the melody and the idea of “Round and Round” and then Ross came up with the chorus lyrics “You got me spinning round, am I getting through now.” I loved it and felt inspired immediately to come up with the verses. Generally, I find ruminating on things, talking about the same issue over and over with no resolution, and prolonged indecision really irritating and I was dealing with a couple situations with these themes at that time. Once Ross set the chorus the rest of the words poured out."

With ethereal vocals, twin 12-string guitars, bass, drums, and synthesizers, the band layers luminous melodies, celestial harmonies, and propulsive rhythms into lush, transportive songs. As showcased via KEXP sessions and noted by critics, Soft Science pairs a bright melodic sensibility with a melancholy undertow, creating music that is both immediate and deeply atmospheric.

"I've always loved using straightforward driving guitars with a looping hook on the bass to create a constant sense of propulsion. On 'Spinning', I was looking for that energy. Katie's soft, flowing melody, aginst that really brought it together. The last thing we recorded was the chorus harmony she came up with - it really kicked it up a level. The missing link it needed, lifting the whole track," says Ross Levine.

Highlighting the track’s experimental approach, Matt Levine shares, "Spinning is really special. We were talking about doing backwards guitar leads, which, in a way, seemed easy, but how do you make it feel intentional? So I started high and descended with the general idea that I wanted the lead to do the opposite. To my amazement, the result of the first take was amazing. The next challenge was how to play a backwards lead forward live, something I've never had to work through before."

Across the ten tracks on 'Sand', Soft Science expand their sound while retaining the melodic clarity and emotional resonance that define their work. The album explores impermanence—how love, memory, and identity shift under pressure—and what it means to keep choosing connection in a world with no guarantees. Across ten tracks, the band balances shimmering atmosphere with urgency and movement, shaping one of their most immersive and emotionally direct releases to date.

Soft Science's latest album was 'Lines' (2023), preceded by 'Maps' (2018), 'Detour' (2013), and 'Highs and Lows' (2011), along with singles including a split 7” with The Luxembourg Signal (2015), and The House of Lovecover ‘I Don’t Know Why I Love You’and their rendition of Northern Picture Library's ‘Paris’ (both 2018).

Having earned critical acclaim over the years, Soft Science has done live sessions at KEXP, WFMU, and Part-Time Punks in Los Angeles, and has performed at New York Popfest, Paris Popfest, The Big Takeover’s 35th Anniversary show, Schellraiser Festival, Tremolo Fest and Dreamgaze PDX, apart from select US and European shows.

As of June 23, 'Spinning' available digitally everywhere, including Spotify, Apple Music and Bandcamp. The 'Sand' album will be released via Shelflife Records (US) and Spinout Nuggets (UK) - on both CD and vinyl - on September 4th.

ALBUM CREDITS
Lyrics written by Katie Haley & Ross Levine
All songs written by Katie Haley, Ross Levine, Matt Levine, Becky Cale & Tony Cale
except 'Thread', 'Without' and 'Sway' are written by
Katie Haley, Ross Levine, Matt Levine, Becky Cale, Tony Cale & Hanz Munz
Katie Haley - vocals, percussion
Ross Levine - backing vocals, synths, additional guitars
Matt Levine - guitar
Becky Cale - bass guitar, backing vocals
Tony Cale - drums
Hans Munz - additional electronics
Recorded at Shattered Records and The Pool House
Engineered by Jack O'Donnell
Additional Engineering by Ross Levine
Mixed by Kev Bolus at OneEleven
Mastered by Antony Ryan at Red Red Paw
Produced by Soft Science
Artwork by John Conley
c @ p Shelflife Records / Spinout Nuggets 2026
UPC code for the vinyl LP - 759159696649
UPC code for the CD - 759159696656

Keep up with Soft Science
Website | Bandcamp | Facebook | Instagram | Twitter | YouTube | Spotify | Apple Music | Press contact

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IAN MUNSICK PREVIEWS THE MOUNTAIN GOAT WITH EXCLUSIVE INDUSTRY LISTENING EVENT

June 22, 2026

Wyoming native Ian Munsick previewed his fourth studio album, The Mountain Goat, on Wednesday (June 17) at The Estelle in Nashville, Tennessee to an intimate audience of industry professionals. The Mountain Goat is Munsick’s first project via WEST TO THE REST RECORDS / Triple Tigers Records and arrives August 21. Pre-save HERE.

Munsick co-produced the album alongside Jeremy Spillman and Mike Robinson, and also played an extensive role in the instrumentation heard on the record. In total, Munsick is credited with playing nine different instruments: acoustic guitar, electric guitar, bass guitar, mandolin, banjo, harmonica, piano, bouzouki and kazoo, as well as lending background vocals and programming.

Additionally, five D2C fan packs are available to pre-order on his online store, including an exclusive autographed zoetrope vinyl. Pre-order HERE.

About Ian Munsick:
As one of modern country’s few Rocky Mountain artists – and the only one to merge its timeless traditions with an electrifying roots-pop edge – Wyoming native Ian Munsick lives in the wild places few singer-songwriters go. Yet with his fourth album, The Mountain Goat, he climbs farther out on his creative ledge than ever. Marking his first independent album on WEST TO THE REST RECORDS / Triple Tigers Records, Munsick remains as sure footed as his project’s fearless namesake, thriving in the isolation of a Western-flavored modern country frontier. Racking up over one billion career streams with previous albums Coyote Cry, White Buffalo, and Eagle Feather, Munsick has produced one RIAA-Platinum duet “Long Live Cowgirls” (with Cody Johnson) – No. 1 on SiriusXM’s The Highway Hot 30 Countdown – plus two Gold-certified hits: “Long Haul” and “Horses Are Faster.” Spotify, CMT, and the Grand Ole Opry were among those to recognize Munsick’s vision, and concertgoers across the globe have found a Western authenticity that can’t be faked. Munsick made history in 2025, becoming the first Wyoming-born artist to headline Cheyenne Frontier Days – the iconic rodeo known as the “Daddy of ‘Em All” – and with The Mountain Goat, his quest to bring Western mystique to modern fans continues. Fusing genuine tradition with cutting-edge sonics, 15 tracks feature an “earthy” new organic undercurrent, with the multi-instrumental master more connected to his acoustic roots – and more protective of his territory.

Brantley Gilbert Releases Title Track and “GOOD OL’ BOYS” from SINS OF THE FATHER, Arriving 7/24

June 22, 2026

Multi-Platinum trailblazer Brantley Gilbert delivers two new songs from his eighth studio album SINS OF THE FATHER, set for release July 24 via BBR Music Group/BMG Nashville: title track “SINS OF THE FATHER” and “GOOD OL’ BOYS,” available now.

“SINS OF THE FATHER” was born from Gilbert’s honest concern about how his actions would impact the next generation. It emerged as the “most country song on the album,” imparts Gilbert, with his unvarnished vocal joined by a twangy, drop-tuned acoustic guitar:

Meanwhile, explosive “GOOD OL’ BOYS” is tailor made for Gilbert’s six-piece juggernaut of a touring band, which has shared tours with Five Finger Death Punch and Nickelback. “That song goes harder than probably anything I’ve ever written,” he admits.

No stranger to pushing country’s evolutionary curve, SINS OF THE FATHER goes beyond sonic innovation, to confront the ugly truth. Fusing heartfelt country values with explosive energy and barbed-wire R&B swagger, he describes the project as a deeply personal playlist, once again ready to meet fans where they are.

“As long as there’s a box in country music, I know where I belong,” the Georgia-born hitmaker says. “And that’s right on the outside of it. All of my albums are a chapter of my life and this one’s no different. I don’t have skeletons in the closet – my shit’s out in the open. So if there’s any piece of my story that could help somebody, I’m cheating them if I keep it to myself.”

The moments here are often heavy – both emotionally and in guitar-driven sonic power, exemplified by today’s releases. Co-produced with rock-schooled collaborator Brock Berryhill (Twenty One Pilots, Kane Brown), SINS OF THE FATHER marks some of the hardest-hitting work of Gilbert’s career, yet the diesel-fueled two-lane trap he helped pioneer is never far away. Bottomless distortion and pounding drums join melodic, gravel-road grooves, while the bare bones of country soul turn painful realities into three-chords-and-the-truth.

Currently climbing the charts at Country radio, Gilbert recently premiered the official music video for lead single “GOOD DAMN” and released the deeply personal “F****D ME UP,” with MusicRow praising, “his gripping, broken vocal on this ballad grabs ahold and doesn’t let go…it’s a powerful thing.”

Along with today’s release, Gilbert also launches his latest merch collection featuring youth sizes, marking his first-ever merch drop to include children’s sizing. The collection includes four t-shirt and two hoodie designs. To view and purchase the collection, visit BrantleyGilbert.com.

In addition to readying his new album, Gilbert’s already had an exceptionally busy year, helping set a Guinness World Record for the oldest person to crowd surf, as Pauline Kana (known online as “Gangster Granny”), completed the feat during his set in Bellville, Texas on May 2. Earlier this year, Gilbert served as the Grand Marshal for Round 13 of the Monster Energy SMX World Championships at Nissan Stadium in Nashville.

He also launched Real American Beer Zero after becoming an investor and equity partner of Real American Beer (RAB). RAB Zero is the company’s first non-alcoholic beer with $1 per case sold of RAB Zero going to the USO in addition to ongoing donations tied directly to sales, supporting active-duty service members and their families.

The Real American Tour continues this Saturday, with headlining and festival dates through the fall on sale now. For tour dates and additional information, visit BrantleyGilbert.com.

THE ETERNAL Release Video For New Single "Existing To Expire"

June 20, 2026

Australian/Finnish dark progressive gothic metal collective THE ETERNAL have unveiled a brand-new video for their latest single, "Existing To Expire." The song is the second track to be released from the band's highly anticipated eighth full-length studio album, Obscured Horizons, which will be released worldwide on September 18 via Reigning Phoenix Music.

Following the acclaimed first single, "Lament For The Hollow," "Existing To Expire" offers another powerful glimpse into what is shaping up to be THE ETERNAL's most immersive and definitive work to date. Expanding on the emotional weight, cinematic scope and haunting atmosphere that have become hallmarks of the band's sound, the new single further reveals the depth and ambition of Obscured Horizons.

The album is available for pre-order starting today: https://theeternal.rpm.link/horizonsPR

About the new single, Mark Kelson reveals:
"Existing to Expire explores that moment where you confront the weight of your own disillusionment—when truth and illusion blur to the point that you feel stripped of clarity and left in the dirt. For me, it’s about reclaiming agency after that collapse. There’s a strong sense of breaking free from passivity, which speaks to an internal turning point, a refusal to simply exist in a state of decay. In that sense, ‘existing to expire’ isn’t just about mortality, it’s about recognising a cycle of stagnation and choosing to rise from it, even when identity itself feels like it’s dissolving.”

Stream "Existing To Expire": https://theeternal.rpm.link/existingPR

Watch the new video Below:

Following the widespread acclaim of their 2024 full-length Skinwalker and the evocative companion EP Celestial, THE ETERNAL return with Obscured Horizons, an album that stands as both culmination and evolution.

Where Skinwalker was hailed for its emotional weight, cinematic scope and seamless fusion of melancholic atmosphere with crushing heaviness, and Celestial further expanded the band's sonic palette with its introspective depth and dynamic intensity, Obscured Horizons pushes even further into uncharted territory. The album refines THE ETERNAL's signature blend of doom-laden textures, progressive sophistication and haunting melodic resonance, while embracing a broader, more expansive sound that feels both intimate and monumental.

At its core, Obscured Horizons is an exploration of disillusionment, fractured identity and the struggle to reclaim clarity in a world saturated with distortion. The album moves through states of emotional collapse, liminal transition and existential unrest, confronting deception, both external and internal, before emerging into renewal and self-awareness. Rather than surrendering to decay, Obscured Horizons charts a defiant ascent, refusing numbness, rejecting illusion and ultimately reclaiming light from the shadows that threaten to eclipse it.

With Mark Kelson (vocals/guitars) and Richie Poate (guitars) in Melbourne, alongside Niclas Etelävuori (bass; ex-Amorphis/Flat Earth) and Jan Rechberger (drums; Amorphis) in Helsinki, THE ETERNAL remain a truly international collaboration, unified across continents yet bound by a singular artistic vision.

Their sound continues to resonate with listeners drawn to the emotional gravity of dark metal while carving a path distinctly their own. As they enter a new creative chapter with their gaze fixed firmly on the unseen, Obscured Horizons represents a bold statement from a band continuing to evolve while remaining true to its artistic identity.

THE ETERNAL Australian Live Dates, with AMORPHIS:
September 23, 2026 The Croxton Bandroom, Thornbury, VIC
September 24, 2026 The Triffid, Newstead, QLD
September 25, 2026 Liberty Hall, Moore Park, NSW
September 26, 2026 The Basement, Belconnen, ACT

THE ETERNAL is:
Mark Kelson / Guitar & Vocals
Richie Poate / Guitar
Niclas Etelävuori / Bass
Jan Rechberger / Drums & Percussion

More on THE ETERNAL:
Facebook | https://www.facebook.com/TheEternal
Instagram | https://www.instagram.com/theeternalofficial/
X | https://www.twitter.com/theeternalband
TikTok | https://www.tiktok.com/@theeternalofficial
YouTube | https://www.youtube.com/channel/UC4vJAnrZbwUesT_FlY03mdw

BEHEMOTH UNLEASH NEW SINGLE & VIDEO 'I, SCVLPTOR'

June 20, 2026

Polish extreme metal legends, BEHEMOTH, unleash 'I, Scvlptor', the first single from their new studio release, I, Scvlptor. The music video was produced by the acclaimed Polish production collective Grupa 13, while the cover artwork and design were created by long-time Behemoth collaborator Bartek Rogalewicz /LODGE.BLACK.

Listen to 'I, Scvlptor' digitally via Nuclear Blast:
https://behemoth.bfan.link/i-scvlptor

Pre-order the physical release of I, Scvlptor:

Massacre Records:
www.iscvlptor.com

Behemoth Webstore:
https://behemoth-store.com/en-ea/collections/i-scvlptor

Watch the music video for 'I, Scvlptor' Below:

Nergal commented on the new single:

“'I, Scvlptor' is a new Behemoth song rooted in the tradition of monumental tracks like 'O Father O Satan O Sun!', 'Lucifer' or 'Nieboga Czarny Xiądz', while at the same time opening a new chapter. It carries that epic weight but also takes an unexpected turn that makes it feel fresh and different from the previous pieces. Lyrically, it is a metaphor for the endless process of shaping oneself - an uneven struggle with matter and personal limitations. The paradox is that from the moment we are born we are already destined to die, so perhaps it is not about victory itself, but about the constant act of sculpting who we are”.

'I, Scvlptor', which will be out 04 September 2026, is an exclusive release featuring eight previously unreleased songs - seven new studio recordings and one live track. It is an autonomous body of work that bridges the band's foundational past with their present creative fire. The release features brand-new studio material embodying the full force of Behemoth's live energy and intensity. Two tracks - 'Rise of the Blackstorm of Evil' (from The Return of the Northern Moon, 1992) and 'In Thy Pandemaeternum' (from Pandemonic Incantations, 1998) - are newly re-recorded versions of early Behemoth material, reshaped with modern sonics while preserving their original spirit; a tribute to the bands who had a huge influence on Behemoth - 'In League With Satan' (originally by Venom, feat. Shagrath of Dimmu Borgir) and 'The Return of Darkness and Evil' (originally by Bathory, feat. Sakis Tolis of Rotting Christ). Available on CD, LP, MC and Limited-Edition Box Set through Massacre Records worldwide and digitally via Nuclear Blast Records.

Nergal commented:

“We’re fucking excited about the release of I, Scvlptor. Even though it’s not a regular studio album and is, in fact, more of a compilation, the mere fact that it contains songs nobody has ever heard before makes it a significant release for us. What’s more, some of these tracks are likely a little different from what we offered on our last album, The Shit Ov God. That’s why we see I,Scvlptor as an important record — a connecting piece, a bridge between where we are now and whatever may come next in the distant future.”

In October 2026, two of the most influential forces in extreme metal join together for a monumental tour: Behemoth and Dimmu Borgir will embark on the “In League with Satan” co-headline tour (with special guests, Dark Funeral), storming across Europe and the UK. Details below:

IN LEAGUE WITH SATAN TOUR 2026
BEHEMOTH + DIMMU BORGIR

09 Oct – Zurich, Switzerland – Halle 622
10 Oct – Zwickau, Germany – Sparkassen-Arena Zwickau
11 Oct – Esch-sur-Alzette, Luxembourg – Rockhal
13 Oct – Milan, Italy – Alcatraz
14 Oct – Munich, Germany – Zenith
16 Oct – Paris, France – Zenith
18 Oct – Den Bosch, Netherlands – Mainstage
20 Oct – Cologne, Germany – Palladium
22 Oct – Hamburg, Germany – Inselpark Arena
23 Oct – Berlin, Germany – Columbiahalle
24 Oct – Brno, Czech Republic – Hala Vodova
25 Oct – Katowice, Poland - Spodek [JUST ANNOUNCED]
27 Oct – Helsinki, Finland – Ice Hall
29 Oct – Stockholm, Sweden – B-K
30 Oct – Copenhagen, Denmark – K.B. Hallen

TICKETS: https://www.behemoth.pl/

Drown In Sulphur Sign with Noble Demon and Release their New Single + Video "New Moon Rising On Florence"

June 20, 2026

Italian blackened deathcore heavyweights Drown In Sulphur sign with Noble Demon and release their brand new single and music video "New Moon Rising On Florence"! The song is taken from their upcoming EP Strix, out on September 11th and is available to pre-save here: https://music.nobledemon.com/strix

As the latest addition to the German Metal Specialist Record Label, DROWN IN SULPHUR proudly present new music with a fresh band line-up.

Serving as a definitive look into the band’s revamped sonic direction, "New Moon Rising On Florence" unveils a track that is raw, visceral, and uncompromisingly heavy. The single serves as a focal point for the wider narrative of Strix, blending the nostalgic fury of MySpace-era deathcore with grim black metal influences, marking a deliberate shift toward a less symphonic, more hardcore sound.

Stream the single here: https://music.nobledemon.com/florence

Watch the video for "New Moon Rising On Florence" Below:

"With 'New Moon Rising On Florence,' we wanted to capture a sound that is entirely authentic and recognizable to the Drown In Sulphur name," the band shares. "Following our recent lineup changes, we entered a period of deep reflection. We knew we needed a change—a return to something rawer and more grounded in our origins, yet adapted for the modern era. We stripped back the symphonic layers to let the pure, unfiltered aggression take over. The result is a track that feels incredibly organic and devastating."

They continue: "Thematically, this song and the wider EP dive deep into esoteric, biblical, and dystopian contexts, heavily intertwining Masonic references. It all revolves around the mythological figure of the 'Strix'—the ancient nocturnal bird of ill omen. Florence becomes the backdrop for this dark ritual, signaling a new, rebellious vision of the world where ancient horrors resurface in modern times."

With Strix, Drown In Sulphur delivers a desperate and focused body of work born out of a renewed hunger for reinvention. The upcoming EP leaves behind traditional symphonic tropes to deliver a sound driven by raw energy and complex, occult storytelling—blurring the lines between theological dread and sonic violence.

As the first Deathcore band on Noble Demon, the label is expanding its style further into more extreme realms and CEO Patrick Walch comments about the brand new signing:

“I’ve been following this band for quite a while since personally I adore Deathcore and DROWN IN SULPHUR’s sound is outstanding. Intense and unique, right in your face and the right match for everyone who digs Death Metal, Metalcore, Modern Metal and anything in between. Check out their impressive catalog and watch out for our legendary and practical pre-save links since new music is already around the corner.”

The band shares the excitement and adds:
"We're delighted to announce our partnership with Noble Demon Records, a new growing and professional label. We can't wait to embark on a new journey and a new adventure with their help and support. There will be lots of news and, above all, new music on the way. Stay tuned".

Formed in Milan, Italy in 2014, Drown In Sulphur quickly shook the underground metal scene, securing millions of streams and views with their explosive early singles "An Epilogue to the Arrogant" and "Blackwind." Through a relentless creative fire and an evolving lineup, the project dropped a string of powerful full-lengths, including Sulphur Cvlt (2021), Dark Secrets Of The Soul (2024), and the rebellious Vengeance (2025).

Now, reinforced by their current definitive lineup, the band enters their most authentic era yet.

Drown In Sulphur is:

Manuel Riboldi – Vocals

Erik Bellan – Rhythm Guitar

Ciprian Grigore – Lead & Rhythm Guitar

Domenico Francesco Tamilia – Drums & Backing Vocals

Strix will be available on Sept. 11 on all major streaming platforms. You can pre-save and pre-order the EP at this location: https://music.nobledemon.com/strix

SAVE US to Release "Death To Something" on 10/16; Band Shares Video for Title Track

June 20, 2026

Transcontinental trio SAVE US — Miguel Owls [vocals], Chris Biddiscombe[guitar], and Benji Havercroft [drums] — will release their new album Death To Something on October 16 via Solid State Records. Pre-order the album, produced by Landon Tewers, here.

The band shares the video for the title track. Watch it Below.

"'Death To Something' was the last song we wrote with Landon, and it ended up giving the record its name. Lyrically, it was inspired by my newborn son," says Owls. "The message is simple but powerful: Sometimes there has to be a death to your old life in order to build a better one for the people you love. On this track, I dive into the struggles and hardships of my past, and how I had to finally cut the ties that kept weighing me down. It's raw, personal, and honestly one of the most meaningful songs I've ever written."

The origin story of SAVE us and how the globally-based band came together is quite simple. Back in 2023, Owls was regularly posting covers on social media and quietly cultivating a following online. Hailing from the Central Valley of California, he never expected to find his future bandmates in his DMs. Bristol, UK-based Biddiscombe stumbled upon one of the vocalist's Architects covers and sent a message on TikTok. Clicking right away, they commenced creating music (despite over 5,000 miles between them). Due to a factory day job from 1pm-9:30pm, Owls typically woke up at 5am in order to write with Chris and Benji before work. Prior to meeting in-person, the trio had remotely recorded a few tracks. Eventually, the singer crossed the pond to shoot the visual for "Distance" from their LUCID EP. Reacting with listeners, the track clocked north of 2.6 million Spotify streams. The group maintained their momentum with 2024's EXIST EP. A year later, they inked a deal with Solid State and decamped to Michigan where they recorded with sought-after producer and The Plot In You mastermind Landon Tewers.

Ultimately, the band's name reflects their shared experience.

"Chris and Benji were both ready to stop doing music," Owls reveals. "I was in the same boat. We were all on the edge of letting our dreams go. Out of nowhere, we found each other, went all the way in together, and the band genuinely saved us. We're always dabbling in emotion, so our goal is to reach you on a human level."

Mission accomplished on Death To Something, which in all actuality, brought the band members back to life.

Catch SAVE US on tour with Saosin this fall. All dates are below.

SAVE US ON TOUR:
WITH SAOSIN:
10/23 — Anaheim, CA — House of Blues Anaheim
10/24 — Tempe, AZ — Marquee Theatre
10/25 — Albuquerque, NM — Sunshine Theater
10/27 — San Antonio, TX — Vibes Event Center
10/28 — Dallas, TX — House of Blues Dallas
10/29 — Houston, TX — House of Blues Houston
10/30 — New Orleans, LA — House of Blues New Orleans
10/31 — Pensacola, FL — Vinyl Music Hall
11/1 — Orlando, FL — House of Blues Restaurant & Bar
11/3 — Nashville, TN — Brooklyn Bowl Nashville
11/4 — Raleigh, NC — The Ritz
11/6 — Sayreville, NJ — Starland Ballroom
11/7 — New York, NY — Webster Hall
11/8 — Worcester, MA — Palladium
11/10 — Philadelphia, PA — Brooklyn Bowl Philadelphia
11/11 — Baltimore, MD — Nevermore Hall
11/13 — Buffalo, NY — Town Ballroom
11/14 — Detroit, MI — The Majestic Theatre
11/15 — Chicago, IL — House of Blues Chicago
11/17 — Milwaukee, WI — The Rave / Eagles Club
11/18 — Minneapolis, MN — The Fillmore Minneapolis
11/20 — Denver, CO — Summit Music Hall
11/21 — Salt Lake City, UT — The Complex
11/22 — Boise, ID — Knitting Factory
11/24 — Seattle, WA — Showbox SoDo
11/25 — Portland, OR — Roseland Theater
11/27 — Los Angeles, CA — The Novo
11/28 — San Diego, CA — SOMA

Iconic Hard Rockers NIGHT RANGER Unveil Newly Remastered Single "(You Can Still) Rock in America (2026)" + Visualizer

June 18, 2026

Today, hard rock legends NIGHT RANGER are proud to unveil their newly remastered version of their 1983 single, "(You Can Still) Rock in America (2026)," taken from their upcoming‘Best Of’ album, set for release on August 28th via Frontiers Music Srl. The new single arrives alongside an official video, available below.

'Best Of' features newly remixed & remastered versions of classic hits spanning NIGHT RANGER’s illustrious career, alongside some standout tracks from the band’s more recent releases. The album will be released on both CD and Vinyl. The double LP is available in 3 different colors: black, gold, & orange splatter.

"The new 'Best Of' is a celebration of not only our classic hits but also what we’ve created over the last 20 years. And we’re just gonna keep cranking it cause we’re having too much fun to stop! So enjoy the ride and see ya on the road!” – Jack Blades

Watch the Visualizer for "(You Can Still) Rock in America (2026)" Below:

Few bands have defined the sound of American melodic rock quite like NIGHT RANGER. From the soaring anthem of “Sister Christian” to the thunderous riffs of “Don’t Tell Me You Love Me," and fan favorites like “You Can Still) Rock in America” this album’s ‘Best Of’ collection captures the very essence of their decades-long career — now refreshed for 2026.

Featuring the classic hits alongside standout tracks from their more recent albums, this compilation spans the full spectrum of NIGHT RANGER’s signature sound: anthemic choruses, blazing guitar solos, and unforgettable melodies. Highlights include the power-pop perfection of “(You Can Still) Rock in America,” the heartfelt balladry of “When You Close Your Eyes,” and the cinematic sweep of “Four in the Morning.”

But the ‘Best Of’ is not just a look back. It also celebrates the band’s creative output over the last 20 years, spotlighting tracks like “Time of Our Lives,” “High Road,” “No Time to Lose,” “Somehow Someway,” and “Truth,” proving that NIGHT RANGER’s energy, songwriting, and musicianship have only grown stronger with time. These songs show that the band continues to innovate while staying true to the melodic rock roots that made them legendary.

The band — Jack Blades (bass and vocals), Kelly Keagy (drums and vocals), Brad Gillis(guitars), Eric Levy (keyboards), and Keri Kelli (guitars) — delivers every track with the energy and precision that have kept NIGHT RANGER at the forefront of rock for more than four decades.

This ‘Best Of” album also features two bonus tracks that make this collection of songs truly special: a fresh take on “Wasted Time” recorded live off the floor at Sweetwater Studios, also accompanied by an exclusive music video, and a festive live performance of “Feliz Navidad” that showcases the band’s playful side.

Perfectly timed ahead of their summer 2026 tour, this ‘Best Of’ album serves as both a definitive introduction for new fans and a must-have collection for longtime followers. Whether revisiting the classics or discovering the new 2026 remasters, NIGHT RANGER’s ‘Best Of’ is a celebration of enduring melodies, electrifying performances, and the unforgettable spirit of one of rock’s most iconic bands.

Pre-Order ‘Best Of’ HERE

NIGHT RANGER Live:

6/19/2026 – Reno, NV @ Silver Legacy Grande Exposition Hall

6/20/2026 – Wheatland, CA @ Hard Rock Live Sacramento

7/2/2026 – Dickinson, ND @ Legacy Square

7/11/2026 – Fort Morgan, CO @ Bobstock Music Festival

7/12/2026 – La Vista, NE @ The Astro Amphitheater

7/14/2026 – Mentor, OH @ Mentor Civic Amphitheater

7/17/2026 Fond Du Lac County Fair

7/18/2026 – St. Louis, MO @ Hollywood Casino

7/24/2026 – Mahnomen, MN @ Shooting Star Casino

7/25/2026 – Bay City, MI @ Veterans Memorial Park

7/26/2026 – Detroit, MI @ Sound Board inside Motorcity Casino Hotel

8/8/2026 – Lincoln City, IN @ Lincoln State Park Amphitheatre

8/14/2026 – Louisville, KY @ The Louisville Palace

8/15/2026 – Gibson City, IL @ Gibson City Summer Bash

9/4/2026 – Du Quoin, IL @ Du Quoin State Fair

9/6/2026 – Essex Junction, VT @ Champlain Valley Expo

11/13/2026 – Las Vegas, NV @ Kiss Kruise Landlocked in Vegas 2026

11/14/2026 Las Vegas, NV @ Kiss Kruise Landlocked in Vegas 2026

11/15/2026 – Las Vegas, NV @ Kiss Kruise Landlocked in Vegas 2026

2/27/2027 – New Orleans, LA @ The 80s Cruise

2/28/2027 – New Orleans, LA @ The 80s Cruise

3/1/2027 – New Orleans, LA @ The 80s Cruise

3/2/2027 – New Orleans, LA @ The 80s Cruise

NIGHT RANGER are:

Jack Blades: lead vocals, bass guitar

Brad Gillis: lead guitars

Kelly Keagy: lead vocals, drums

Keri Kelly: lead guitars

Eric Levy: keyboards

Onelinedrawing Announce New Album "RAINBOWMACHINE" Out 9/18 via Iodine + Share "This Is A Warning"

June 18, 2026

Long before RAINBOWMACHINE was an album, it was a collection of recurring visitors.

A chorus that wouldn't leave. A melody that kept finding its way back. Songs that seemed perfectly content to wait until the right room appeared around them.

Eventually, the room did.

onelinedrawing is thrilled to announce RAINBOWMACHINE, which arrives September 18 via Iodine Recordings. Built from songs written across different eras of Jonah Matranga's life, the record gathers together ideas that lingered for years, melodies that refused to disappear, and collaborations that only made sense once they were already happening. Pre-order the album here.

Today, onelinedrawing shares the video for the first single "This Is A Warning."

For Matranga, known for his work in Far, New End Original, Gratitude, Camorra, and the ever-evolving world of onelinedrawing, many of these songs have been around for a long time. Not unfinished. Not forgotten. Just somewhere else — waiting.

For example, the chorus melody at the center of the title track had been living in his head for nearly 30 years before finally finding a home. It didn't change much over that time. It simply stayed there until it finally had somewhere to go.

Whereas "This Is A Warning" arrived years ago and felt complete almost immediately, except for one thing: Matranga knew he wasn't going to record it until the band he heard in his head became real.

That band came together slowly but surely.

Rainbowmachine brings together Matranga, bassist Marcos Nava, drummer Paul DeBenedictis, vocalist Nico Magone, and additional contributions from Denver Dalley, Rod Castro, and Jason Kupfer. Some had never met when the process began. Some recorded parts hundreds of miles apart. Again and again, ideas seemed to arrive exactly where they belonged.

"Many of the songs on this album waited for a long time," says Matranga. "I didn't quite know what to do with some of them. I just knew I kept thinking about them. I'd come to accept that the way I heard them in my head wasn't going to be possible without letting other people in."

Across 10 songs, Rainbowmachine moves between anxious haze, towering guitars, bubbling synths, and moments of startling intimacy. The album balances vulnerability, melody, texture, and collaboration without ever losing the human voice at its center.

Produced, recorded, and mixed by Jay Maas (Title Fight, Drug Church, Piebald) and mastered by Dave McNair (Bob Dylan, David Bowie, Patti Smith), RAINBOWMACHINE marks the first rock record from Jonah Matranga in more than 20 years and one of the most collaborative releases of his career.

U.S. touring and festival appearances in support of the album are planned for 2026 and will be announced soon.

Motionless In White Share Video for "R.I.P." (Feat. Skylar Grey)

June 17, 2026

Platinum-selling, Scranton, PA powerhouse MOTIONLESS IN WHITE will release their new album DECADES July 17 via Roadrunner Records. Pre-order it here.

Today, the band shares thew new song "R.I.P." (Feat. Skylar Grey).

Watch the video Below.

The video was directed by Jensen Noen, who also lensed the "Werewolf" and "Sign Of Life" videos.

The track evokes the power of a lover's lament inscribed on a headstone. Piano twinkles through the haze of funereal synths, where the dual male-femal vocals entwine on an epic chorus boosted by soaring harmonies. It's everything you want, love, and expect from Motioneless In White.

"Skylar's voice brought it to another level that I never could have achieved on my own," says singer Chris Motionless. "I really love the lyrics for this song. Even though I wrote it through a romantic lens, I love that it can be applied to any moment in your life when you've had a falling out with someone you deeply care about, whether that's a best friend, family member, or romantic partner."

He continues, "The song really hones in on the deafening silence that follows after you've said hurtful things to one another that you wish you could take back. It's meant to capture the tension that exists in that quiet space of separation. You want to apologize and make things right, but you don't know how. You want to tell them you love them more than anything and can't live without them, but there's a lot of pain on both sides that has to be confronted first. All the while, you're left with the crippling uncertainty of whether the relationship can ever recover and move forward, or if it's destined to be laid to rest and gone forever."

Motionless In White have also announced the second leg of The Sweat and Blood Tour. Dayseeker will serve as direct support. The Devil Wears Prada and Dark Divine will also appear. This leg fittingly kicks off the night before Halloween in Worcester and runs through November 20 in Pittsburgh.

All tickets are available here.

MOTIONLESS IN WHITE ON TOUR:
WITH LORNA SHORE, FIT FOR A KING, + STATIC DRESS:
SUMMER 2026:
7/14 — Bridgeport, CT — Hartford HealthCare Amphitheater
7/16 — Gilford, NH — BankNH Pavilion
7/18 — Bristow, VA — Jiffy Lube Live
7/19 — Mansfield, OH — Inkcarceration*
7/21 — Charlotte, NC — Truliant Amphitheater
7/22 — Alpharetta, GA — Ameris Bank Amphitheater
7/24 — Irving, TX — The Pavilion at Toyota Music Factory
7/25 — Houston, TX — The Cynthia Woods Mitchell Pavilion
7/26 — Austin, TX — Germania Insurance Amphitheater
7/28 — Albuquerque, NM — First Financial Credit Union Amphitheater
7/29 — Phoenix, AZ — Talking Stick Resort Amphitheatre
7/31 — Los Angeles, CA — The Kia Forum
8/1 — Wheatland, CA — Toyota Amphitheatre
8/4 — Portland, OR — Theater of the Clouds
8/5 — Auburn, WA — White River Amphitheatre
8/7 — Sandy, UT — Beddy’s Plaza at America First Field
8/9 — Morrison, CO — Red Rocks Amphitheatre
8/11 — Oklahoma City, OK — Zoo Amphitheatre
8/12 — Rogers, AR — Walmart AMP
8/14 — Indianapolis, IN — Everwise Amphitheater at White River State Park
8/15 — Sterling Heights, MI — Michigan Lottery Amphitheatre
*Festival

WITH DAYSEEKER, THE DEVIL WEARS PRADA, + DARK DIVINE:
FALL 2026:
10/30 — Worcester, MA — DCU Center
10/31 — Philadelphia, PA — Xfinity Mobile Arena
11/3 — Raleigh, NC — Lenovo Center
11/4 — Savannah, GA — VyStar Pavilion
11/5 — Orlando, FL — Kia Center
11/7 — Nashville, TN — The Truth
11/8 — Peoria, IL — Peoria Civic Center Arena
11/10 — Minneapolis, MN — Target Center
11/11 — Omaha, NE — CHI Health Center
11/13 — Milwaukee, WI — Fiserv Forum
11/15 — Albany, NY — MVP Arena
11/18 — Portland, ME — Cross Insurance Arena
11/19 — Newark, NJ — Prudential Center
11/20 — Pittsburgh, PA — PPG Paints Arena

Decades features several high-profile and eclectic guest appearances. In addition to Taylor, Sklyar Grey, and Dark Divine's Anthony Martinez also feature on the album. The band recorded Decades in Upstate New York and Los Angeles with co-producers Drew Fulk and Justin "JD" deBlieck and ultimately incorporated their past, present, and future sounds into one cohesive sound. This is Motionless at their very best.

"We were never afraid to take risks," observes Chris. "This band has not only lasted two decades, but we've also outlasted all of the obstacles we've faced. We're still grinding. No matter how far we expand the universe that is Motionless In White, we're going to preserve the heart, soul, and roots of where we came from. We are never going to abandon heartfelt, emotional, and heavy songs. We are never going to abandon what mattered to us the most when we started. We're finding new ways to emphasize those stories with exciting sounds and looks, but the vision is the same. It's always been this grand, dramatic, and theatrical entity. I'm proud we haven't gotten comfortable."

He finishes, "Decades is definitely heavier than some of our past albums. Our current world bred more aggressive energy, anger, and resistance."

WEDNESDAY 13 Unveils Video fo New Single "Look What The Bats Dragged In" (Un-Alive from Pol'and'Rock 2025)

June 17, 2026

Today, dread rock superstar WEDNESDAY 13 gives us the first taste of his forthcoming triumphant live album, Un-Alive from Pol'and'Rock 2025 out September 25 via Napalm Records. Kicking things off with a particularly raucous live rendition of the Transylvania 90210 classic, "Look What The Bats Dragged In," they sound as incendiary as ever. The roaring crowds are inescapable, as Weds and co. barrel through this high octane ripper with devilish delight.

WEDNESDAY comments "Look What The Bats Dragged In":
"Oh my God, look at what the bats dragged in. There's no better way to start a WEDNESDAY 13 show than with this graveyard banger. The Poison parody title is still admired to this day. 'Look What The Bats Dragged In' was the first track from the first WEDNESDAY 13 album, it's fast, furious, and never fails to get the audience in a frenzy. This track sets the pace for the whole live album."

Check Out The Official Music Video for "Look What The Bats Dragged In" Below:

Pre-Order Your Copy of Un-Alive from Pol'and'Rock 2025 HERE.

WEDNESDAY 13 will be touring extensively this summer and fall, first hitting the UK for both the Bloodstock and Firevolt festivals, amongst some local dates. Afterwards, the band returns to North America for the Shocktober Blood tour, joined by Dead on Sunday and Above Snakes, before traveling back across the pond to Europe for the Cursed Blessings co-headliner with The Birthday Massacre. See below for a complete list of dates.

WEDNESDAY 13 ON TOUR:

7/11 — Glendale, AZ — Mad Monster Party 2026

CRUEL SUMMER UK 2026:
8/6 — Southend-on-Sea, UK — Chinnery's
8/7 — Derby, UK — Bloodstock Festival
8/8 — Stockport, UK — Firevolt Festival
8/9 — Newport, UK — Corn Exchange

SHOCKTOBER BLOOR TOUR:
w/ Dead On A Sunday*
* = Dead On A Sunday Not Appearing

9/23 — San Jose, CA — The Ritz*
9/25 — Seattle, WA — El Corazon
9/26 — Portland, OR — Dante’s
9/27 — Boise, ID — Shrine Social Club
9/28 — Salt Lake City, UT — Urban Lounge
9/30 — Las Vegas, NV — Backstage Bar
10/1 — Anaheim, CA — Parish @ House of Blues
10/2 — Pomona, CA — Glass House
10/3 — Fresno, CA — Sanctuary
10/4 — Los Angeles, CA — Teragram Ballroom*
10/5 — Mesa, AZ — Rosetta Room*
10/6 — Albuquerque, NM — Sunshine Theater
10/8 — Lincoln, NE — Bourbon Theater
10/9 — McHenry, IL — The Vixen*
10/10 — Flint, MI — Machine Shop*
10/11 — Lakewood, OH — Mercury Music Lounge*
10/13 — Hamden, CT — Space Ballroom
10/14 — Lowell, MA — Taffeta Music Hall
10/15 — Harrisburg, PA — Capitol City Music Hall
10/16 — Syracuse, NY — The Song & Dance
10/17 — Bensalem, PA — Broken Goblet
10/18 — Clifton, NJ — Dingbatz
10/20 — Leesburg, VA — Tally Ho
10/22 — Raleigh, NC — Chapel of Bones
10/23 — Richmond, VA — Canal Club
10/24 — Columbus, OH — The Kings of Clubs
10/26 — Nashville, TN — Basement East
10/27 — Sauget, IL — Pop’s Nightclub
10/28 — Lawrence, KS — The Bottleneck
10/30 — Colorado Springs, CO — Black Sheep
10/31 — Denver, CO — Marquis Theater*

CURSED BLESSINGS EUROPEAN TOUR:
Co-headliner with The Birthday Massacre
Direct Support from Killus
* = WEDNESDAY 13 Only

11/23 — Prague, CZ — Futurum Prague
11/24 — Leipzig, DE — Conne Island *
11/25 — Cologne, DE — Volta
11/26 — Liège, BE — Reflektor
11/28 — Paris, FR — Chavaux
11/29 — Rotterdam, NL — Baroeg
11/30 — Bochum, DE — Matrix *

12/1 — Hamburg, DE — Knust *
12/2 — Berlin, DE — Lido *
12/4 — Dresden, DE — Beatpol
12/5 — Budapest, HU — Dürer Kert
12/7 — Zurich, CH — Dynamo Saal
12/8 — Munich, DE — Backstage
12/9 — Mannheim, DE — MS Connexion Complex

Hardcore Punk Criminal Enterprise U.S. BASTARDS (Ex-GWAR) Unleash Cover of Judas Priest's "Heading Out to the Highway" + Visualizer

June 17, 2026

Today, U.S. BASTARDS, spearheaded by Brent Purgason (ex-GWAR), proudly unleash their latest single, a cover of Judas Priest's classic "Heading Out to the Highway," taken from their upcoming new album, 'Negligent Discharge,' due out this Friday, June 19th. The new track arrives alongside a visualizer, available below.

On the new track, Brent shares:

"We are a punk rock band at our core and we wanted to rock one of our favorite songs, by none other than Judas Priest, to show we could do more than simple fast tunes. The song meaning holds true for anyone feeling stuck and dealing with the frustrations of road life while also embracing the adventure and journey that comes with it. Plus, if Rob Halford can listen to it and text me a thumbs up emoji I can die a happy man."

Check Out the Visualizer for "Heading Out to the Highway" Below:

In a world full of pleasantries and kiss-assing, U.S. BASTARDS are neither. A four-piece hardcore punk criminal enterprise from Virginia, the band has re-formed after a chance meeting in county lockup. Brent and Robby knew the four members didn’t land in the same cell for no reason. It was fate calling them back to life on the road; back to sleepless trips, dungeon whips, gas station speed, and canned meat. Doug agreed fate was calling them back to teach the masses what a truly bad time could be. … and Brendan just happened to be in the room.

“I’ve been doing so much hard time lately, it's time to be hard on the road.” – Brent

“...[two middle fingers]...” – Doug

Ran-when-parked, the outlaws took straight to the van to get the message out. After a ten-year hiatus, they have agreed to utilize their newfound freedom from the state to write harder, catchier, faster, harder-er, hell-raising songs glorifying their exploits and shine a light on the gatekeeping tendencies in the music scene that has never accepted them.

When the rest of the world goes quiet, the BASTARDS get loud and angry, blazing across the country with a wall of cranked Marshall stacks. This is the way punk rock should be: loud, unapologetic, pandering to no one, and having no qualms with being the bad guy.

Stream / Listen to "Heading Out to the Highway" HERE

U.S. BASTARDS new album ‘Negligent Discharge’ is set for release June 19th featuring bonus track covers of Judas Priest and Motorhead songs. 13 tracks of hard and fast music that kicks the door off its hinges. Best to listen with a shotgun in one and a 40oz duct taped to the other, these are anthems for the outcasts among the outcasts. Skip work! Give your neighbors kid a cig! This is full throttle, no brakes, speed-rocking crime metal. Full stacks and gun racks packed, these delinquents are coming to your town. Clutch your pearls! U.S. BASTARDS are back.

Pre-Order 'Negligent Discharge' HERE

U.S. BASTARDS Live:

8/14 - Richmond, VA @ Richmond Music Hall w/ X-Cops & Belushi Speed Ball

U.S. BASTARDS are:

Brent Purgason - Guitar & Vocals

Doug Fines - Guitar

Brendan Artz - Bass

Robby Scarce - Drums

STORMHAMMER Release Music Video For New Single "Scars Of The Abyss"

June 17, 2026

German power metal force STORMHAMMER have released a music video for their brand-new single "Scars Of The Abyss". Combining crushing riffs, soaring melodies and a gripping atmosphere, the track delivers a powerful metal statement that perfectly showcases STORMHAMMER’s unmistakable sound.

Commenting on the song, bassist and backing vocalist Horst Tessmann states:

"Scars Of The Abyss is one of the songs that best reflects the blend of old-school power metal and modern heaviness that defines this album."

Stream the single here: https://stormhammer.rpm.link/scarsPR

With "Scars Of The Abyss", STORMHAMMER unleash another impressive preview of their forthcoming studio album Wrath Of The Hammer, set for release on July 17 via ROAR – A Division of Reigning Phoenix Music. Blending anthemic choruses, dynamic musicianship and emotionally charged songwriting, the band once again demonstrates their ability to merge classic power metal traditions with contemporary heaviness and depth.

Watch the official music video Below:

Following the acclaimed album Seven Seals, STORMHAMMER open a new chapter with Wrath Of The Hammer. The album combines traditional heavy metal roots with thrash-driven guitars, epic melodies and progressive elements while staying true to the band’s unmistakable identity.

“This album feels honest and alive," guitarist Christos Efstathiou states. "We challenged ourselves creatively while staying true to what STORMHAMMER is about. There’s power, emotion and adventure in these songs.”

“Wrath of the Hammer reflects all generations of Heavy Metal," Phil Meyer (guitar, backing vocals) says. "The old school, the melodic, the anthemic and the modern. That’s exactly who STORMHAMMER are as a band today. We didn’t want the album to be purely melodic power metal. STORMHAMMER has always had a more raw side, and we wanted to push that further by bringing in thrash elements, modern metal and even some ’90s punk roots without losing the band’s heavy metal identity.”

Vocalist M.Nox adds: “We went into this album with the idea that we didn’t want to play it safe. We mixed in elements of Thrash, Symphonic and Classic Metal while keeping it true to STORMHAMMER’s Power Metal roots. With this album, you will hear STORMHAMMER in a way you have not heard before.”

Recorded at Mastersound Studio with producer Alexander Krull, the album delivers a massive production, atmospheric arrangements and renewed creative energy throughout, showcasing a band that continues to evolve while remaining a vital force in modern power metal!

Pre-order Wrath Of The Hammer at:

https://stormhammer.rpm.link/wrathalbumPR

STORMHAMMER is:
M.Nox - Vocals
Phil Meyer - Guitar, Backing Vocals
Christos Efstathiou - Guitar
Ashley Guest - Drums
Horst Tessmann - Bass, Backing Vocals

Connect With STORMHAMMER:
Website: https://www.stormhammer.de/
Facebook: https://www.facebook.com/stormhammerband/
Instagram: https://www.instagram.com/stormhammer_official/
YouTube: https://www.youtube.com/channel/UCse2QaL9LqKOo2DMAEyUBCw
TikTok: tiktok.com/@stormhammer_band

ONLY ECHOES Announce New Single “So Tightly Bound” from Forthcoming Album Born Adrift

June 17, 2026

ONLY ECHOES return with “So Tightly Bound,” the latest single from their forthcoming full-length album Born Adrift, due out August 14, 2026 on Braeburn Records.

A cinematic and emotionally charged instrumental piece, “So Tightly Bound” moves with the urgency of a high-stakes escape sequence. Built around an anxious opening act, a climactic surge, and a triumphant final stretch, the track captures a sense of danger without surrendering to despair. There is a sinister undertone woven through its atmosphere, but the song never loses sight of hope.

For ONLY ECHOES, “So Tightly Bound” has held a unique place in the band’s writing process. As an instrumental band, song titles often remain fluid, shifting as compositions evolve through rehearsal, performance, and rewriting. This track, however, has carried the same name from the day it was written.

“This song is the only one that has never gone through a name change,” the band says. “As an instrumental band, we have a lot of freedom to change song titles at any time, and we often do after songs have gone through significant changes through playing and rewriting. This one, however, was called “So Tightly Bound” from the day that it was written. It’s just the right name.”

The band continues: “It does have a bit of a sinister undertone, but it never loses hope. If this was a movie, this song would be the part where our hero is captured and battles his way out to make a daring escape. After the anxious first act and the climactic escape, this song ends very triumphantly and keeps its eyes on the horizon.”

With “So Tightly Bound,” ONLY ECHOES offer a striking preview of Born Adrift, a record shaped by movement, tension, release, and the search for something beyond the present moment.

Born Adrift was produced, engineered, and mixed by guitarist Austin Minney at All Aces Studio, with mastering handled by Brad Smalling at Evergroove. The album artwork features an original 1876 engraving by Gustave Doré, reimagined with color and illustration work by Celeste Hayes (@chayesart). Born Adrift arrives August 14, 2026 via Braeburn Records.

With Born Adrift, ONLY ECHOES continue their mission to push instrumental post-metal forward, carrying the torch for a genre with few modern American bands operating at this intersection of atmosphere, melody, and crushing heaviness.

ONLY ECHOES is:

Austin Minney — Guitar
Dustin Yourishin — Guitar
Ben Rosenberg — Bass
Zach Sirotkin — Drums

Connect with ONLY ECHOES:

Official Website: https://www.onlyechoesmusic.com
Bandcamp: https://onlyechoes.bandcamp.com/album/sunsickness
Facebook: https://www.facebook.com/onlyechoesdenver
Instagram: https://www.instagram.com/only_echoes_denver/?hl=en
YouTube: https://www.youtube.com/@onlyechoesdenver
Spotify: https://open.spotify.com/artist/3dRWQve9w41F9eUAwlHP4A?si=vjHVbz3VTWy1CapE7sq3og
Apple Music: https://music.apple.com/us/artist/only-echoes/1437048557

Kai Hansen to Release "Born With A Hammer" on 9/18 + Shares "Feeding the Beast" Video

June 17, 2026

Kai Hansen is one of the defining figures in heavy metal.

As co-founder of Helloween and founder of Gamma Ray, he shaped power metal into a global force and created a sound that continues to drive the genre today.

Now, Hansen returns with Born With A Hammer, his first solo album since Kai Hansen & Friends' XXX – Three Decades In Metal, is set for release on September 18 on earMUSIC.

Raw, energetic, rebellious and unmistakably personal, Born With A Hammer brings together every side of Hansen's musical identity. Across 10 songs, the album moves between powerful heavy metal, punk attitude, hard rock drive, melodic hooks, and pure guitar-driven energy, carried by the songwriting instincts, guitar work, and unmistakable voice that have made Kai Hansen one of metal's most distinctive artists. Written without compromise and fueled by pure passion for heavy music, Born With A Hammer captures Hansen at full creative force: Direct, alive and unmistakably metal.

The album was produced by Eike Freese and recorded with a band that brings both firepower and history to the project. Alongside Freese on guitar, the lineup features Alexander Dietz (Heaven Shall Burn) on guitar and Dan Wilding (Carcass) on drums, who already stood alongside Hansen on XXX – Three Decades In Metal, plus Tim Hansen (Induction) on guitar.

Released today alongside the album announcement, "Feeding The Beast" is the first single and opening track from Born With A Hammer, accompanied by an official music video. Driven by razor-sharp riffs, anthemic melodies, and relentless energy, the song delivers a direct and powerful first taste of the album.

Following the global success of Helloween’s recent reunion era and world tours, Born With A Hammer opens a new chapter for Kai Hansen as a solo artist, bringing that energy into a record that stands firmly on its own.

Stream "Feeding The Beast" HERE

Pre-order Born With A Hammer HERE

ABOUT KAI HANSEN:
Kai Hansen is one of modern heavy metal’s most influential creative forces. As co-founder of Helloween and founder of Gamma Ray, he shaped the sound and spirit of power metal and continues to influence artists and fans worldwide. His work with Helloween has brought him back to the biggest stages around the globe, while Born With A Hammer reveals another side of his creative drive — personal, direct and fully charged.

SEA SLEEPER Unleashes New Single “Lunar Degenerates” from Forthcoming Album Burden of Antlers

June 16, 2026

Heavy, atmospheric, and built for maximum neck damage, SEA SLEEPER return with their new single, “Lunar Degenerates,” the latest preview of their forthcoming sophomore album, Burden of Antlers, set for release on September 18, 2026.

“Lunar Degenerates” captures the band at their most visceral and dynamic, fusing classic crunchy, bang-your-head riffage with the expansive progressive weight that has become a defining part of SEA SLEEPER’s sound. The track also leans into the band’s long-running Mastodon influence, particularly the Crack the Skye-esque textures that have surfaced across both of their albums.

About SEA SLEEPER:

With a passion for death and post metal, SEA SLEEPER infuse their heavy sound with an array of genre influences to produce something more dynamically extreme. The band formed in 2019 comprised of Jesse Cooley (guitar/lead vocals), Shane Cooley (drums/vocals), and Nick Kessler (bass/vocals), with Tony Spradlin (lead guitar/vocals) subsequently completing the line-up in 2022.

The debut EP Nihilism was released independently in 2019, followed by their acclaimed debut album Nostophobia. Released in 2021 via Metal Assault Records, Nostophobia garnered notable recognition achieving #10 album of the year for Noob Heavy and #7 spot for album of the year at GBHBL in 2021, as well as seeing the band become a Top Selling Bandcamp artist in the same year.

SEA SLEEPER Is:

Jesse Cooley (Guitar/Lead Vocals)
Shane Cooley (Drums/Vocals)
Nick Kessler (Bass/Vocals)
Tony Spradlin (Lead Guitar/Vocals)

Connect With SEA SLEEPER:

Official Website: https://seasleeper.bandcamp.com
Bandcamp: https://seasleeper.bandcamp.com
Facebook: https://www.facebook.com/seasleeper/
Instagram: https://www.instagram.com/sea_sleeper
Twitter/X: https://x.com/seasleeper
YouTube: https://youtube.com/@seasleeper7557?si=I54GO1VC1ZA5x3Wy
Spotify: https://open.spotify.com/artist/1MVRa7wGpGY4EqqqEjVpMZ?si=KKq0Xb5_Qf6P_WwMte5EiA
Apple Music: https://music.apple.com/us/artist/sea-sleeper/1384085890
Discord: https://discord.com/channels/947585206213296169/947594689123598396/1481135243078406271

Miscreance Announce Second Album Reminiscence

June 16, 2026

Fashioned in high-top sneakers and sleeveless band tees, Northern Italy’s Miscreance proudly reflect the old-school spirit. Upon debuting with Season of Mist in 2022, the band were likened by the press to Death, Sadus, Voivod and other undying greats from the alternate timeline that is the history of extreme metal. But their upcoming second LP isn’t just another blast from the past.

Today, Miscreance are announcing their new album, Reminiscence, with a chilling music video for its lead single “Scalp Ceremony”. The band continue to pound and shred at a blood-thirsty pace, but as they cut through its unfamiliar passages, the song ventures into dark and strange new territory for the genre.

“Through a collective hallucination, a voyage through time led us to discover a moment in human history that was lost”, Miscreance says about the far-out path they took to Reminiscence. “This album is a testimony of what we have seen, heard, perceived and imagined, told through our own perspective on old-school, thrashy, technical death metal”.

Watch the video for “Scalp Ceremony” Below:

Reminiscence comes out August 28, 2026 on Season of Mist

Pre-order & Pre-save

https://orcd.co/miscreancereminiscence

Even extreme and obscene artists like Miscreance are well-versed in the classics. With its creepy, cultish, handcam video, underground tape collectors will feel at home watching “Scalp Ceremony”. “We still play old-school tech-thrash”, assures guitarist Andrea Granauro. But while faithful to both Atheist and Dark Angel, Reminiscence isn’t an attempt to recall metal’s glory days. With each sharp and fast turn that the band take during their new single, the genre’s signposts warp until they’re unrecognizable.

“No one ever even sees it comes”, growls drummer Andrea Feltrin with murderous delight. For their final sacrifice on “Scalp Ceremony”, Miscreance bang the long-haired heads of their captive audience with a flurry of bongos.

“We are all very happy with how our first album turned out but we wanted to go bigger by tying Reminiscence to a specific concept”, guitarist Tommaso Cappelletti says.

Bassist Jean-Claude Rossignol explains further. “What we’ve created is a ‘lost album’, sent from an unknown civilization that’s both futuristic and extremely primitive. Through psychic powers and capabilities that transcend earthly comprehension, these primordial extraterrestrials have achieved total neural unity. Yet innate wickedness still lures inside of them, harboring the need for preys, scalps and lust”.

The video for “Scalp Ceremony” was created by Tulpa Studio in Ferrara, Italy.

While recorded in Italy, Miscreance discovered the concept for Reminiscence by sifting through the sands of time. Along with splintering riffs and trippy tempo shifts, the band uncovered a hidden world where jungle-dwelling hunters and digeridoo coexist with strange tongues, telepathic surgeries and a burning celestial corpse. As imagined by Iranian artist Mona Shiraz, the album’s cover art is a modern interpretation of the kind of painting that was all the rage during the Stone Age. “What we’ve created is a ‘lost album’”, Rossignol says. “It comes from an unknown civilization that’s both futuristic and extremely primitive. Through psychic powers and capabilities that transcend earthly comprehension, these primordial extraterrestrials have achieved total neural unity. Yet innate wickedness still lures inside of them, harboring the need for preys, scalps and lust”. Climbing “The Moaning Hill” is not for the faint of heart, but the intricate twists along its perverse path lead to truly sacred pleasures.

“You’ve never known the face of death / But now it becomes yours”, Feltrin growls amidst the many peaks hidden within “Oracle’s Rift”. As the band tear through a torturous passage with ruthless precision, the last thing you see – or hear – is death metal’s future mutating right before our eyes.

With Reminiscence, Miscreance unlock a mind-altering experience of old-school technical death metal.

Lineup
Andrea Feltrin - Drums and Vocals
Jean-Claude Rossignol - Bass
Tommaso Cappelletti - Guitars
Andrea Granauro - Guitars

Guest musicians
Leo Di Angilla - Percussion, Digeridoo, Flute, Berimbau

Recording and Production Credits
Recording Studio - Bridge Produzioni Audio in Susegana, Italy
Mixing and Mastering Studio - Majestic Studio in Silea, Italy
Producer - Marino De Angeli
Mixing, Mastering and Sound Engineer - Marino De Angeli

Cover art
Mona Shiraz

Follow Miscreance
Apple Music: https://music.apple.com/us/artist/miscreance/1502815524
Spotify: https://open.spotify.com/artist/2v4mzDLx1JSnxzq8CsYDzD
Bandcamp: https://miscreance.bandcamp.com/music
YouTube: https://www.youtube.com/channel/UC09Rq5Qo2p914wCf7PVFjqQ
Facebook: https://www.facebook.com/Miscreance/
Instagram: https://www.instagram.com/miscreance_official/

Jah Wobble & Tian Qiyi unleash psychedelic Beatles reimagining with 'Tomorrow Never Knows', first glimpse of 'Mystic Liverpool' album

June 16, 2026

East London bassist and producer Jah Wobble and Liverpool-based ethno-psychedelic duo Tian Qiyi present their new single 'Tomorrow Never Knows', the first offering from the forthcoming album 'Mystic Liverpool: The Beatles' Psychedelic Psongbook', out August 14th via Cherry Red Records and Wobble's label 30 Hertz. A deeply personal reimagining of The Beatles’ psychedelic period, these songs are framed within a soundscape of Chinese, Mongolian and dub traditions.

'Tomorrow Never Knows' - the closing track on The Beatles' 1966 album 'Revolver' - may have been penned by John Lennon and Paul McCartney (with title lifted from a phrase coined by Ringo Starr), but Jah Wobble (aka John Wardle) and his sons John T Wardle and Charlie Wardle (aka Tian Qiyi) have made this song uniquely their own.

Jah Wobble is a founding member of Public Image Ltd (PiL) and formed Invaders of the Heart in 1982. In his 50-year career, he has achieved chart success, a Mercury Music Prize nomination and a rich discography. He has collaborated with Can's Holger Czukay, Jaki Liebezeit, U2's The Edge and producer François Kevorkian, in addition to Sinéad O’Connor, Massive Attack, Ginger Baker, Björk, Brian Eno, Pharoah Sanders and, most recently, Horace Andy on his 'Timeless Roots' album, Ken Boothe on his 'Old Fashioned Ways' album, and Jon Klein on the 'Automated Paradise' album.

Tian Qiyi takes their name from John T Wardle and Charlie Wardle's Chinese middle names, Tian Qi and Tian Yi. Meshing British, Chinese, Mongolian and dub traditions, their music bridges cultures to forge a sound that also weaves in post-punk and experimental production, their sound imbued with magnetic tension between ancient tradition and dub futurism, East and West, land and spirit.

The album draws largely on Jah Wobble’s signature dub bass, John T’s drums, Chinese percussion and yangqin, and Charlie’s erhu and vocals. Their clever rendition of “Strawberry Fields Forever” also sees Charlie playing morin khuur with the boys' mother Zi Lan Liao — a Royal Academy of Music–trained harpist and the most recognized gu-zheng performer worldwide — joining on gu-zheng.

Jointly produced by Jah Wobble, John T and Charlie, this album was recorded and mixed by John T at Pagoda Studios in Liverpool, where Tian Qiyi is now based.

But the Liverpool connection runs even deeper through their family. Zi Lan’s father, Mr K.H. Li (Liao Gui Xiong), arrived from Guangzhou in 1981 as Chinese Cultural Officer at the Pagoda and went on to establish the Pagoda Chinese Youth Orchestra — the ensemble Zi Lan (now also director of Pagoda Arts Centre) runs and that both her sons grew up playing in from the age of three. The record is dedicated to him; a lifelong Beatles fan, he owned everything they ever released on vinyl.

“The track that flipped it for me as a kid was ‘Strawberry Fields Forever,’” says Jah Wobble. “I didn’t have the language for what was going on in that song — I just knew it was more than music. The words you’d reach for are the ones people use about psychedelia: ego dissolution, a sense of unity, cosmic connection. I consider dub music to fit into the psychedelia genre, and John T grew up listening to dub, so Mystic Liverpool was always going to have that sensibility.”

The album moves through The Beatles’ psychedelic-era songbook with Chinese instrumentation and dub-inflected mixing, treating the material as the genuinely mystical music it always was rather than as nostalgic covers. As listeners will be pleased to discover, "Sgt. Pepper’s Lonely Hearts Club Band" and "Magical Mystery Tour" are particular touchstones.

'Tomorrow Never Knows' will be available from digital music platforms, including Apple Music and Spotify. On August 14th, the 'Mystic Liverpool' album - now available for pre-order - will be released digitally and as a CD Digipack.

Tian Qiyi (with guest Jah Wobble) performs in Todmorden on June 18th at The Golden Lion in Fielden Square. Jah Wobble is touring the UK throughout 2026 with The Invaders Of The Heart, with tickets available at https://jahwobble.com/#live