Jah Wobble & Tian Qiyi announce 'Mystic Liverpool' album, a psychedelic reimagining of The Beatles, out August 14th

Iconic bassist and producer Jah Wobble has teamed up with his sons' ethno-psychedelic duo Tian Qiyi on the fascinating new album 'Mystic Liverpool: The Beatles' Psychedelic Psongbook', a deeply personal reimagining of The Beatles’ psychedelic period. Framing these songs within a soundscape of Chinese, Mongolian and dub traditions, this album is out on August 14th via Cherry Red Records.

John Wardle, a.k.a. Jah Wobble is a founding member of Public Image Ltd (PiL) and formed Invaders of the Heart in 1982. In his nearly 50-year career, he has had chart success, a Mercury Music Prize nomination and a rich discography via his label 30 Hertz. He has collaborated with Can's Holger CzukayJaki LiebezeitU2's The Edge and producer François Kevorkian, in addition to Sinéad O’Connor, Massive Attack, Ginger Baker, Björk, Brian Eno, Pharoah Sanders and, most recently, Horace Andy on his 'Timeless Roots' album, Ken Boothe on his 'Old Fashioned Ways' album, and Jon Klein on the 'Automated Paradise' album.

Tian Qiyi is a duo made up of John T Wardle and Charlie Wardle, taking its name from their Chinese middle names, Tian Qi and Tian Yi. Based in Liverpool, the duo bridges British, Chinese, Mongolian and dub traditions, their fascinating ethno-psychedelic music bridging cultures to forge a sound that also weaves in post-punk and experimental production, their sound imbued with magnetic tension between ancient tradition and dub futurism, East and West, land and spirit.

The album draws largely on Jah Wobble’s signature dub bass, John T’s drums, Chinese percussion and yangqin, and Charlie’s erhu and vocals. Their clever rendition of “Strawberry Fields Forever” also sees Charlie playing morin khuur with the boys' mother Zi Lan Liao — a Royal Academy of Music–trained harpist and the most recognized gu-zheng performer worldwide — joining on gu-zheng.

Album pre-order  www.cherryred.co.uk/jah-wobble-tian-qiyi-mystic-liverpool-the-beatles-psychedelic-psongbook-cd-digipak-edition
Rough Trade CD pre-order  www.roughtrade.com/en-us/artist/jah-wobble-and-tian-qiyi-mystic-liverpool

Jointly produced by Jah Wobble, John T and Charlie, this album was recorded and mixed by John T at Pagoda Studios in Liverpool. But the Liverpool connection runs even deeper through their family. Zi Lan’s father, Mr K.H. Li (Liao Gui Xiong), arrived from Guangzhou in 1981 as Chinese Cultural Officer at the Pagoda and went on to establish the Pagoda Chinese Youth Orchestra — the ensemble Zi Lan (now also director of Pagoda Arts Centre) runs and that both her sons grew up playing in from the age of three. The record is dedicated to him; a lifelong Beatles fan, he owned everything they ever released on vinyl.

“The track that flipped it for me as a kid was ‘Strawberry Fields Forever,’” says Jah Wobble. “I didn’t have the language for what was going on in that song — I just knew it was more than music. The words you’d reach for are the ones people use about psychedelia: ego dissolution, a sense of unity, cosmic connection. I consider dub music to fit into the psychedelia genre, and John T grew up listening to dub, so Mystic Liverpool was always going to have that sensibility.”

The album moves through The Beatles’ psychedelic-era songbook with Chinese instrumentation and dub-inflected mixing, treating the material as the genuinely mystical music it always was rather than as nostalgic covers. As listeners will be pleased to discover, "Sgt. Pepper’s Lonely Hearts Club Band" and "Magical Mystery Tour" are particular touchstones.

On August 14th, the 'Mystic Liverpool' album will be released as a CD Digipack and digitally via Cherry Red Records. It is now available for pre-order.  Jah Wobble is touring the UK throughout 2026 with The Invaders Of The Heart - tickets are available at https://jahwobble.com/#live

Keep up with Tian Qiyi
Bandcamp | Instagram | Twitter | TikTok | YouTube | Apple Music | Spotify | Booking Press contact

Keep up with Jah Wobble
Website | Bandcamp  | Tour Info | Facebook | Twitter | Instagram | Soundc loud | Apple Music | Spotify | Jah Wobble & Jon Klein albumPress contact

Keep up with Cherry Red Records
Website | Facebook | Instagram | Twitter | BlueSky | YouTube | Press contact (Matt Ingram) 

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GORGONAUT Explore Chaos And Disorder In The New Offering "Infinite Regress", Announces EP Ayame

As GORGONAUT prepares to unveil the forthcoming EP Ayame on October 16, 2026, "Infinite Regress" provides a further insight into the textural sonic world building by the Chicago-based solo project.

"Infinite Regress" is the opening offering on the upcoming release and encapsulates the central direction of the EP. Composed with intentional chaos, the instrumental textures and arrangements disorientate with jarring sounds and sudden rhythmic shifts. It evokes a sense of uncertainty and intrigue as to what awaits next. 

Musically, the single embodies a loss of control and escalating tension. Aggressive passages alternate with pacified sections in a desperation to make sense of an irrational realm. Opening with chromatic guitar lines, a sense of strain and panic manifests through the music and it repeats in varying forms across the track. Ferocious heavy rhythms and harsh vocals are contrasted with softer moments.

GORGONAUT and the forthcoming EP arose from a desire to continue writing, creating and producing music alongside major life changes. Ayame delves into introspective themes, obsession, loss of control but also of taking future success into one's own hands. 

Ayame was produced, mixed and mastered by Ryan Bruchert at Biffco Studios. The EP cover artwork was created by artist Darius Puia @instagram.bakaarts.

About GORGONAUT:

Created by multi-instrumentalist Ryan Bruchert, known for work with BLACK SITES, HEWHOCORRUPTS, TRIALS, CENTAURUS, GORGONAUT serves as a focused creative platform unrestricted by stylistic boundaries. The project combines heavy guitar driven songwriting with electronic textures, atmospheric layering, and digital influences drawn from both metal and contemporary electronic music.

Drawing influence from artists such as DEVIN TOWNSEND, VOLA, VOYAGER, MOON TOOTH, DREAM THEATER, and THE BIRTHDAY MASSACRE, GORGONAUT continues to explore the intersection of metal, electronic composition, and immersive sound design while pursuing a distinctly personal creative direction.

New Release From PLUME

PLUME SHARE "ANGEL ENGINE" VIDEO.

SAFEROOMS & HEALING FREQUENCIES OUT SEPTEMBER 25


With "Angel Engine," rising alternative heavy act PLUME dive deep into paranoia, fractured memories and the desperate search for something to hold onto in the middle of emotional collapse. Blending dark emo and metalcore with hyperpop tension, trance-like build ups and massive modern production, the track creates a hypnotic atmosphere that feels both haunting and strangely euphoric.

Driven by eerie imagery and emotionally charged songwriting, "Angel Engine" explores themes of control, fear and the blurred line between salvation and destruction. Lyrics about watching eyes, shifting realities and fading identity paint the picture of a mind slowly unraveling, while the recurring plea for guidance from angelic figures like Uriel and Cassiel adds an almost spiritual weight to the song’s emotional core. Rather than offering clarity, PLUME embrace the chaos — transforming anxiety and vulnerability into something cinematic, immersive and impossible to look away from.

As the tension builds through shimmering electronics, crushing guitars and restless rhythms, the track erupts into a massive, unforgettable chorus carried by stunning vocal performances that linger long after the song ends. Equal parts intimate and explosive, "Angel Engine" perfectly captures PLUME's ability to merge emotional heaviness with forward-thinking alternative production.

At the same time, PLUME officially announce their upcoming album Saferooms & Healing Frequencies, set for release on September 25. 

With "Angel Engine" serving as a powerful glimpse into the record's emotional and sonic world, the band also launch the album's pre-order starting now.

With rapidly growing streaming numbers and increasing buzz throughout alternative and heavy music scenes, PLUME continue to establish themselves as one of the most exciting new acts pushing modern heavy music into bold new territory. "Angel Engine" is dark, hypnotic, and emotionally overwhelming — a modern anthem built to stay stuck in your head long after the final chorus fades.

Lost In Kyiv Share "Becoming" (Feat. Rebecca Need-Menear of i Häxa, Anavae)

French post-metal band Lost In Kyiv have unveiled their new single "Becoming," featuring haunting guest vocals from Rebecca Need-Menear (i HäxaAnavae). This is the third single released from their new album We're All Going To Be Fine, out June 19 via Pelagic Records.

Watch the video for "Becoming" Below.

Stream and pre-save here.

Tenderness and tension move together as the rising intricacies of electronica and acoustic instrumentation constantly build, support and evolve. Poetry, harmony, heavy peaks and atmospheric passages are sculpted with precision and patience, constantly redefining the energy of the piece whilst keeping the emotional centre, solicitude, a depth of empathetic feeling that permeates "Becoming."

The band comments on the single, "If the album explores the tension between hope and inner collapse, 'Becoming' is the moment the glass shatters and your eyes finally open. It is our most atmospheric and melodic song on the album, elevated by our first-ever collaboration with a female singer. Rebecca Need-Menear perfectly embodies this fragile state between dreaming and living."

Over the course of more than a decade, Lost In Kyiv have refined a sound that fuses cinematic ambition, electronic precision, and visceral live energy into something unmistakably their own. With their new album, We're All Going To Be Fine, they push that identity further than ever; sharpening their production, intensifying their dynamics, and embracing a darker, more immersive sonic architecture.
 
Lost In Kyiv comment, "We're All Going To Be Fine explores the tension between hope and inner collapse, and how modern life can disconnect us from ourselves and each other. The songs were inspired by personal experiences, societal pressure, and the idea that we often become our own worst enemy. We were also inspired by the work of Carl Gustav Jung (who is the voice at the end of the album), especially his ideas about exploring the human psyche, as well as themes from movies like Eternal Sunshine of the Spotless Mind or Melancholia."

Lost in Kyiv's music has always thrived on tension between the organic and the synthetic. On We're All Going To Be Fine, that integration reaches a new level of clarity and depth. The writing and production process was long and exacting, allowing the band to refine every transition and tonal detail. Songs unfold with architectural precision, motifs are introduced subtly before expanding into vast, multi-layered climaxes. Dynamics are handled with patience and control, silence and minimalism are deployed as strategically as explosive crescendos. This careful pacing gives the album a cinematic flow and larger narrative in which struggle and compassion coexist.

Guitars surge and recede in wide, panoramic arcs. At moments they shimmer and support, at others they thrash violently, accumulating layers of distortion and harmonic overtones. Acoustic instrumentation is interwoven with sequenced synth lines, pulsing arpeggiators, and carefully sculpted electronic textures that give the band's sound a sense of forward propulsion. 
 
Lost in Kyiv continue, "We always wanted to write music around strong themes, and for the first time, we decided to focus on something more internal than on previous albums. Our last four albums, except maybe Nuit Noire, were more about broader and more general themes. This time, we wanted to explore the fragility of mental health and the human psyche, the relation we have with ourself."

LOST IN KYIV ARE:
Jean-Christophe Condette — Bass, Synths
Dimitri Denat — Guitars
Maxime Ingrand — Guitars, Synths, Machines, Programming
Jérémie Legrand — Drums, Programming

NONPOINT Announce 'The Even More.. Outta Control Tour' New Single “IS IT” Available NOW on all DSP's

Nonpoint have announced a new tour in support of their hard-hitting new single “Is It,” that is now available on all major digital streaming platforms. The single was #1 most added last week and is currently in the Top 50 Media Base Charts. Known for their relentless energy, uncompromising sound, and undeniable live presence, the band continues to push forward with new music that captures the raw intensity fans have come to expect.

 

NONPOINT will be performing new material from their forthcoming album, giving fans an early taste of what’s next from the band while continuing to deliver the sound that has defined their career.

 

“Is It” serves as the first release from Nonpoint’s upcoming full-length album The Last Word, arriving in late summer 2026. Both the band and 361 Degrees Records are positioning this track as the opening statement of a new era, setting the tone for the album's themes and energy of the new record.

 

"In a world that sometimes wants to put a timestamp on creativity, The Last Word is our way of saying we’re just getting started. We’re pushing back against expectation and pushing forward into our own next chapter.”

 

Elias goes on to explain the concepts behind the song "Is It."

“‘Is It’ is that internal conflict where you question getting too involved? Did I push too hard? Did I ask too much? It’s that feeling of wondering if doing what you thought was right actually meant hurting the people around you.”

 

Elias explains the bold concept behind his design imagery on the cover. 

"This album cover tells a piece of our story. After years of making music, we feel more aligned than ever—musically, visually, and creatively. We’re writing some of the strongest material of our career, our live shows are as powerful as they’ve ever been, and the band feels focused and energized. The pencil on the cover represents what it’s like to be handed one last tool and expected to fit everything you have left to say into it. Not because the ideas are gone, but because longevity often comes with assumptions and limits. The Last Word isn’t about accepting an ending. It’s about challenging that narrative. If this is the pencil we’re being handed, we’re going to use it—and make sure the words written with it still matter."

 

WATCH "Is It" Lyric Video Below :

Tickets and VIP packages are available at

https://nonpoint.com/pages/tour-dates

Painful. Powerful. Unforgettable. Don’t miss your chance to be part of it!

 

Nonpoint US Tour Dates

Dorothy, Nonpoint, Vrsty

7/23 Menahga, MN

 

Nonpoint, Spineshank, Hed Pe

7/25 Davenport, IA Capitol Theater 

7/26 Minneapolis, MN  Cabooze 

 

Nonpoint Only 

7/28 Des Moines, IA Woolys 

 

Nonpoint, Soil, Spineshank, Hed Pe

7/29 Indianapolis, IN Vogue Theater

7/31 District 142 Wyandotte, Mi

 

Nonpoint, Powerman 5K, Soil and more 

8/1 Rock Lansing, Lansing, MI

 

Nonpoint, Soil, Spineshank, Hed Pe

8/2 The Winchester Lakewood, OH

8/4 Sherman Theater Stroudsburg, PA

8/6 Wallys Hampton Beach, NH

8/7 Empire Live Albany, NY

 

Nonpoint, Spineshank, Hed Pe

8/8 Waynesboro, VA The Foundry

8/9 Harrison, OH The Blue Note 

8/11 Lexington, KY Manchester Music Hall

8/12 Sauget, IL Pops

 

Nonpoint only 

8/14 Ringle, WI Q&Z Expo Center 

 

Nonpoint, Spineshank, Hed Pe

8/16 Kansas City, MO RecordBar 

8/15 Milwaukee, WI The Rave II

8/16 Kansas City, MO RecordBar 

 

Nonpoint Only 

8/18 Colorado Springs, CO Black Sheep

 

Nonpoint, Spineshank, Hed Pe

8/20 Boise ID Shrine Social Club

8/21 Spokane, WA Knitting Factory 

8/22 Seattle, WA EL Corazón 

8/23 Portland, OR Hawthorne Theater

8/15 Roseville, CA Goldfield Trading Post

 

Nonpoint, Spineshank 

8/26 San Jose, CA The Ritz

 

Nonpoint, Spineshank, Hed Pe

8/28 Pomona, CA Glasshouse 

8/29 Las Vegas 24 Oxford

8/30 Mesa, AZ The Nile 

9/1 Lubbock, TX Jake’s 

9/3 Austin, TX Come & Take It Live 

9/4 Dallas TX Trees

South Florida-based rock band Nonpoint, has been captivating audiences with their energetic sound and passionate performances for over two decades. Formed in 1997, the band has consistently pushed the boundaries of what modern rock can be, combining heavy metal, nu-metal, and hard rock into a unique and powerful musical force. Over the course of their 30-year career, Nonpoint has released several critically acclaimed albums and garnered a reputation as one of the most exciting live acts in the industry.

 

Throughout their career, Nonpoint has been celebrated for their signature sound and powerful lyrics, which often tackle social and political issues. Their hard-hitting sound and emotional live performances have earned them a dedicated fanbase, as well as recognition from the music industry. Nonpoint has received multiple award nominations and has been praised by publications such as Rolling Stone, Revolver, and Alternative Press.

 

Nonpoint is:
Elias Soriano (Lead Vocals)
Robb Rivera (Drums)
Rasheed Thomas (Guitar /Backing Vocals)
Adam Woloszyn (Bass)
Jason Zeilstra (Lead Guitar)

For More Information Please visit:

NONPOINT

Official Website

Facebook

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Instagram

YouTube

TikTok

361 Degrees Records

STORMHAMMER Reveal Music Video for Title Track of Upcoming Studio Album Wrath Of The Hammer

German power metal force STORMHAMMER have released the official music video for their brand-new single “Wrath Of The Hammer”, the title track of the band’s upcoming studio offering. 

The album will be released on July 17 via ROAR – A Division of Reigning Phoenix Music. Pre-orders have just started at: https://stormhammer.rpm.link/wrathalbumPR 

With “Wrath Of The Hammer”, STORMHAMMER deliver a powerful first glimpse of their forthcoming album and once again prove why they remain one of the most consistent and exciting acts in the European power metal scene. The title track combines massive riffs, epic melodies and the band’s unmistakable energy into a modern metal anthem rooted in classic heavy metal spirit.

Phil Meyer (guitar, backing vocals) comments:
“Tracks like Wrath of the Hammer perfectly represent the album’s direction — aggressive downstrokes, fast power chords and epic melodic moments coming together in a very classic yet modern Heavy Metal way.”

Drummer Ashley Guest confirms: “Wrath of the Hammer maintains the spirit of classic StormHammer while pushing the sound forward with a sharper and more aggressive edge.” 

Stream “Wrath Of The Hammer” below :

Following the acclaimed album Seven Seals, STORMHAMMER open a new chapter with Wrath Of The Hammer. The album combines traditional heavy metal roots with thrash-driven guitars, epic melodies and progressive elements while staying true to the band’s unmistakable identity.

“Wrath of the Hammer reflects all generations of Heavy Metal," Phil Meyer says."The old school, the melodic, the anthemic and the modern. That’s exactly who StormHammer are as a band today. We didn’t want the album to be purely melodic power metal. StormHammer has always had a more raw side, and we wanted to push that further by bringing in thrash elements, modern metal and even some ’90s punk roots without losing the band’s heavy metal identity.”

Vocalist M.Nox adds: “We went into this album with the idea that we didn’t want to play it safe. We mixed in elements of Thrash, Symphonic and Classic Metal while keeping it true to StormHammer’s Power Metal roots. With this album, you will hear StormHammer in a way you have not heard before.”

Recorded at Mastersound Studio with producer Alexander Krull, the album delivers a massive production, atmospheric arrangements and renewed creative energy throughout, showcasing a band that continues to evolve while remaining a vital force in modern power metal! 

Horst Tessmann (bass, backing vocals) reveals:
“Recording with Alex Krull was fantastic because we shared the same vision for how these songs should sound. He delivered a powerful and outstanding production. Wrath of the Hammer combines traditional Power Metal with Thrash Metal elements in a way that feels natural and energetic. The older I get, the faster and heavier I want the music to be.”

“This album feels honest and alive," guitarist Christos Efstathiou states. "We challenged ourselves creatively while staying true to what StormHammer is about. There’s power, emotion and adventure in these songs.”

About STORMHAMMER:
German power metal band STORMHAMMER have established themselves as a powerful force within the European metal scene for many years. Combining traditional heavy metal intensity with melodic power metal energy and epic songwriting, the band has created a distinctive sound that continues to resonate with fans worldwide.

Throughout their career, STORMHAMMER have continuously evolved their sound while remaining true to their roots. Their music blends aggressive guitar work, soaring melodies and powerful rhythms with atmospheric songwriting and modern production. With “Wrath Of The Hammer”, the band once again underlines their status as one of Germany’s most important and enduring power metal acts.


STORMHAMMER is:
M.Nox - Vocals
Phil Meyer - Guitar, Backing Vocals
Christos Efstathiou - Guitar
Ashley Guest - Drums
Horst Tessmann - Bass, Backing Vocals


Connect With STORMHAMMER:
Website: https://www.stormhammer.de/
Facebook: https://www.facebook.com/stormhammerband/
Instagram: https://www.instagram.com/stormhammer_official/
YouTube: https://www.youtube.com/channel/UCse2QaL9LqKOo2DMAEyUBCw
TikTok: tiktok.com/@stormhammer_band

Japanese Horror Inspired USBM Duo SAIDAN Unleashes New Single, "Ethereal Blood," Announces U.S. Tour

Japanese horror-inspired USBM outfit SAIDAN will be releasing its highly anticipated fourth LP, 'FANGDRILLER: Scars Beneath Memory's Wrist,' on June 19 via Avantgarde Music! The band is now unveiling the cinematic new single, "Ethereal Blood," along with a music video, which can be found below.

A prequel to 2023's 'Visual Kill,' 'FANGDRILLER' follows The Student (Junko) as she tries to heal her fractured heart. Haunted by wistful solitude, her isolation makes her the perfect victim for a mysterious cult known as Ethereal Blood.

SAIDAN vocalist and multi-instrumentalist Splatterpvnk comments, "'Ethereal Blood' is an essential part of the conceptual identity of 'Fangdriller.' Whereas many of the other songs on the album use metaphorical imagery to explain where I was emotionally at the time, 'Ethereal Blood' is a perverse initiation into something seemingly pure, yet shrouded in violent isolation."

While lyrically dealing with topics of depression, heartbreak, loss, and loneliness, the album is musically inspired by the lo-fi nature of classic Visual Kei and gothic black metal. Saidan strives to deliver an album that sounds nostalgic for an era of music that doesn’t exist. Blistering solos, deranged vocals, anthemic-riffage, and diabolical drumming are slammed together with doses of modern breakcore and wrapped in a black metal bow, garnering a feeling of familiarity while offering something that’s boldly unique.

Pre-orders can be found HERE.

Moreover, SAIDAN will be embarking on a U.S. tour in support of prolific atmospheric black metal band Trhä along with Barbelith. The trek will kick off on July 23 in Indianapolis, IN and will lay waste through the East Coast and parts of the midwest until the final stop on August 8 in Charlotte, NC. The full itinerary can be found below while tickets can be found HERE.

SAIDAN U.S. Tour Dates (Supporting Trhä w/ Barbelith):

07/23: Indianapolis, IN @ State Street Pub

07/24: Detroit, MI @ Sanctuary

07/25: Milwaukee, WI @Club Garabaldi

07/26: Minneapolis, MN @ Zhora Darling

07/27: Des Moines, IA @ Locals

07/28: Kansas City, MO @ Mini Bar

07/29: Tulsa, OK @ Whittier Bar

07/30: Denton, TX @ Dan's SilverLeaf

07/31: Austin, TX @ The Lost Well

08/01: San Antonio, TX @ Paper Tiger

08/02: Houston, TX @ Black Magic Social Club

08/03: New Orleans, LA @ Siberia

08/04: Pensacola, FL @ The Handlebar

08/05: Tampa, FL @ Deviant Libation

08/06: Miami, FL @ Churchill’s Pub

08/07: Jacksonville, FL @ The Albatross

08/08: Charlotte, NC @ The Milestone

In the neverending quest of supporting young and boundary-pushing bands from the underground around the world, Avantgarde Music is proud to announce their collaboration with Saidan, a Japanese horror-themed black metal band from Nashville, TN.

Spawning from tragedy in 2020, Saidan rapidly released a string of demos and splits that caused a stir in the underground Black Metal scene. With their anthem-like riffage, violent imagery, deranged vocal delivery, and heavy metal flair, Saidan has risen above their contemporaries and stood out in a bustling USBM scene. In five short years, Saidan has gone on to release three LPs: 'Jigoku: Spiraling Chasms of the Blackest Hell' (2021), 'Onryō II: Her Spirit Eternal' (2022), and 'Visual Kill: The Blossoming of Psychotic Depravity' (2024), all to critical success. The band's latest offering, 'FANGDRILLER: Scars Beneath Memory's Wrist,' will be arriving on June 19, 2026 exclusively through Avantgarde Music.

'Fangdriller' is the fourth studio album born from the minds of multi-instrumentalist Splatterpvnk and drummer Hundosai, a new chapter in the narrative concept that links together all Saidan releases. A prequel to 2023's 'Visual Kill,' 'FANGDRILLER' follows The Student (Junko) as she tries to heal her fractured heart. Haunted by wistful solitude, her isolation makes her the perfect victim for a mysterious cult known as Ethereal Blood. 

While lyrically dealing with topics of depression, heartbreak, loss, and loneliness, the album is musically inspired by the lo-fi nature of classic Visual Kei and gothic black metal. Saidan strives to deliver an album that sounds nostalgic for an era of music that doesn’t exist. Blistering solos, deranged vocals, anthemic-riffage, and diabolical drumming are slammed together with doses of modern breakcore and wrapped in a black metal bow, garnering a feeling of familiarity while offering something that’s boldly unique.

'Fangdriller' was mixed and mastered by Splatterpvnk and once again comes with a cover art by Japanese visual artist Seiyak17.

Lineup:

Splatterpvnk - Vocals, Guitars, Bass, Keyboards

Hundosai - Drums

Live Members:

Ravenna - Bass

Luthious - Guitar

All songs written and performed by Splatterpvnk & Hundosai

All songs mixed and mastered by Splatterpvnk
Recorded at The Booth / Glowing Moon Studios (Nashville, TN, USA)

Artwork by Seiyak17

For Fans Of: Spectral Wound, X Japan, Cradle Of Filth, Malice Mizer

Formats:
Gatefold Vinyl Color Variants: Red (Standard), Bloodshot (Limited Edition), Onyx (Limited Edition)

CD (Digipak)

Digital

Pre-order links:

https://avantgardemusic.bandcamp.com/(Physical copies)

https://www.sound-cave.com/ (Physical copies)

https://saidan.bandcamp.com (Digital Only)

Links:

BANDCAMP

INSTAGRAM

FACEBOOK

APPLE MUSIC

SPOTIFY

X

YOUTUBE

TIKTOK

gracie Shares New Single "Hot Air Balloon

Tooth & Nail Records recently welcomed gracie to the roster! She will release her new album Miss Misfortunately on June 26. Pre-order it here

She now shares the visualizer for new single "Hot Air Balloon." Watch the visualizer below.

The song boasts a gorgeous and strolling, '50s-style waltz, all wrapped in gracie's shimmering vocals. 

 "'Hot Air Ballon' is my big finale — it's the bow on the present," says gracie. "It's my 'finally happy' song, amidst a sea of depression. I made it out on the other side."

gracie pens songs out of deep necessity. Her music holds the kind of truth usually only reserved for late-night conversations between lifelong friends. No subject is off the table. Instead, songwriting turns the key to unlock her heart, letting unfiltered feelings and raw recollections spill out on tape. She projects these emotions against a backdrop of artful alternative pop spiked with rock grit and indie intentionality. Embracing her most formative inspirations and pulling no punches, gracie steps into who she always endeavored to be as an artist.

"I'm not making music because I want to be successful; I'm making music because I have to," she affirms. "I need to tell an authentic story. Sonically, it's a collection of everything that’s influenced me. I'm ready to express so many thoughts I hadn’t been given permission to express before. The record is about being human, laughing at yourself, telling scary stories, and holding nothing back. It's who I am as an artist."

As a kid, music surrounded gracie. At five-years-old, she regularly performed home concerts for her family. She graduated from listening to Camp Rock and High School Musical to Céline Dion, Barbra Streisand, Whitney Houston and the likes. Along the way, she honed her voice through vocal lessons and filled journals with original songs. Watching a Taylor Swift thanksgiving special marked a pivotal turning point though. Within 15 minutes afterwards, she had crafted a song "Be Mine"—impressing her parents so much they burned it to CDs and she sold it to family and friends. By middle school, she had found herself on regular writing trips to Los Angeles, gaining invaluable experience. Simultaneously, her palette diversified and she obsessed over favorite bands, including Paramore, My Chemical Romance, Sleeping with Sirens, Pierce the Veil, and State Champs. 

Not long after getting married, the music told her where to go next. She had always wanted to address the aftershocks of a past brutal breakup, but she never had the forum to properly do so until now.

"This breakup was monumental in my life, and I held onto these ideas for years," she admits. "I had gotten with a new team in 2025, and everybody backed my vision. I decided to go back to how I felt and close the chapter of the story."

Throughout 2025, gracie collaborated closely with producer Austin Davis at his Nashville studio. Bonding over a mutual passion for early 2000's rock bands, they built a solid musical foundation and began working on Gracie's forthcoming album together.

Ultimately, though, gracie's songs might just mirror how you feel.

"Music has gotten me out of so many dark places in my life," she states.  "No matter the situation you're in, I hope to give you whatever you need, whether it’s healing, growth, or self-reflection...Maybe you'll see a part of yourself in it and feel less alone."

WANG CHUNG ANNOUNCE 40TH ANNIVERSARY DELUXE EDITION OF TO LIVE AND DIE IN L.A. SOUNDTRACK

Wang Chung are excited to announce the 40th anniversary deluxe edition of their iconic To Live and Die in L.A. soundtrack, arriving July 31, 2026 via Interscope Records.

Originally created at the personal request of legendary director William Friedkin, the soundtrack has become one of the defining musical statements of 1980s cinema and a cult favorite among generations of film and music fans.

Pressed on Opaque Orange “L.A. Sunset” vinyl, the deluxe 2LP edition features newly remastered audio, rare bonus material, extended mixes, and two previously unreleased 1985 demos, “Joy” and “So Cold.” Fans can also look forward to an expanded digital edition of the soundtrack, expected to arrive soon and featuring additional tracks and a few surprises still to be revealed.

The expanded collection also includes “Dance Hall Days” and “Wait” — both featured in the film — with “Dance Hall Days” appearing on the soundtrack for the very first time, alongside the commercial debut of the instrumental “This One’s for You, White Boy.”

“After a number of years searching for the right partner for this project, we are very proud to announce the release of a deluxe, remastered double vinyl 40th anniversary edition of the soundtrack to To Live and Die in L.A. on Interscope Records,” said Jack Hues and Nick Feldman of Wang Chung. “We’re sure the long wait has been worth it and that fans will appreciate this beautifully packaged release.”

Best known worldwide for massive hits including “Everybody Have Fun Tonight,” “Dance Hall Days,” and “Let’s Go,” Wang Chung continue to tour globally and remain one of the most recognizable acts to emerge from the UK New Wave era.

This summer, Wang Chung will also hit the road across North America as part of Howard Jones’ “Things Can Only Get Better Tour” alongside Howard Jones, The English Beat, Modern English, and host Richard Blade.

TOUR DATES

July 19 – Napa, CA – Blue Note Summer Sessions at Meritage Resort

July 20 – Saratoga, CA – The Mountain Winery

July 21 – Paso Robles, CA – Paso Robles Event Center

July 23 – Los Angeles, CA – Greek Theatre

July 24 – San Diego, CA – Cal Coast Credit Union Open Air Theatre

July 26 – Las Vegas, NV – Resorts World Theatre

July 29 – West Valley City, UT – Maverik Center

July 30 – Greenwood Village, CO – Fiddler’s Green Amphitheatre

August 1 – Council Bluffs, IA – Harrah’s Stir Cove

August 4 – Austin, TX – ACL Live at Moody Theater

August 5 – Grand Prairie, TX – Texas Trust CU Theatre

August 7 – Indianapolis, IN – Everwise Amphitheater at White River State Park

August 8 – Rochester Hills, MI – Meadow Brook Amphitheatre

August 11 – Kettering, OH – Fraze Pavilion

August 12 – Lewiston, NY – Artpark Amphitheater

August 14 – Atlantic City, NJ – Borgata Resort Spa & Casino

August 15 – Washington, DC – The Anthem

August 19 – Boston, MA – Citizens House of Blues

August 20 – Wantagh, NY – Northwell Health at Jones Beach Theater

August 21 – Holmdel, NJ – PNC Bank Arts Center

August 23 – Toronto, ON – The Bowl at Sobeys Stadium

To Live and Die in L.A. – 40th Anniversary Deluxe Edition will be available July 31, 2026. Pre-orders begin May 20 at 9AM PDT.

SERPENT LORD Unveils New Single, "A Pagan's Spell"

Solo pagan black metal project SERPENT LORD will be releasing its debut album, 'The Once Forgotten Ways of Old,' on May 29, 2026 via Eisenwald Records. The project is now releasing another haunting new single from the offering, "A Pagan's Spell," which can be found below.

SERPENT LORD first slithered into existence in 2003, emerging as a solitary pagan black metal vessel forged by Jake Superchi (UADA, Ceremonial Castings). Though the project's first true album was recorded in 2005, the work was abruptly shelved and lay dormant for twenty years. Now, in the Year of the Snake, the ancient offering has been reborn and reimagined as 'The Once Forgotten Ways of Old,' preserving every note of its primordial conception.

The album was re-recorded in the cold heart of the Pacific Northwest between 2022 and 2025, engineered and mixed by Jake Superchi, and mastered by Arthur Rizk. The release features new artwork and the original logo created by Kris Verwimp, along with photography by Peter Beste.

Pre-orders are now live via the Obsidian Spells Shop (North America), Eisenwald (EU/UK), and Bandcamp (Worldwide).

Originally formed over two decades ago, SERPENT LORD existed largely in the shadows, issuing only a handful of demos before entering an extended period of dormancy. Yet, the creative force behind the project never faded. Ideas, fragments, and compositions endured across the years, shelved for the right moment, only fully taking shape and being realized in the Year of the Snake, when the vision was finally forged into its definitive form.

Early demo material already hinted at what SERPENT LORD would become: a severe balance between melodic grandeur and unrestrained aggression, with transitions between atmosphere and brutality, produced to enhance rather than obscure its intensity.

Founded by Jake Superchi (known for its creative force in UADA and CEREMONIAL CASTINGS), SERPENT LORD channels the spirit of ’90s pagan black metal. The album stands as a triumphant and immersive work - melodic, fierce, and steeped in ritualistic energy. Expansive riffing, evocative passages, and a dynamic interplay between harsh and atmospheric elements, both timeless and fully awakened.

The album was recorded and mixed by Jake Superchi, and mastered by Arthur Rizk, achieving a sound that retains raw edge while delivering clarity and depth. The cover artwork, created by Kris Verwimp, along with photography by Peter Beste, further underscoring the album’s mythical and arcane atmosphere.

With 'The Once Forgotten Ways of Old,' SERPENT LORD emerges from decades of silence with a work that fulfills the promise of its early recordings; it's an album shaped by time, and driven by an uncompromising vision of black metal.

Lineup:

Jake Superchi - all instruments & vocals

Cover Art & Logo: Kris Verwimp

Mixing & Engineering: Jake Superchi

Mastering: Arthur Rizk

Pre-orders:

https://store.eisenton.de/ (EU/UK)

https://obsidianspells.bigcartel.com/ (North America)

https://serpentlordusa.bandcamp.com/album/the-once-forgotten-ways-of-old (Worldwide)

Impure Wilhelmina Premiere 'Le Sanglot'

IMPURE WILHELMINA are premiering the full album stream for their new album Le Sanglot. The veteran post-hardcore band’s ninth album arrives as their most radical transformation yet. While they continue to lean heavier on alt. rock melodies, for the first time in their 30-year history, all song are sung in French.

Le Sanglot comes out tomorrow, Friday, May 22 on Season of Mist, but you can hear all 10 vibrant songs today by listening to the full album stream below.

Pre-order & pre-save

https://orcd.co/iwlesanglot

Conceived as the sonic equivalent of weeping, Le sanglot surveys a fractured world with surgical coldness, yet never forecloses on the possibility of grace. Impure Wilhelmina moves between crushing weight and melodic restraint, from the cathartic surge of opening track "Électricité noire" to the fragile radiance of closer "À jamais radieuse," with the French language sharpening both the imagery and the emotional register throughout. The album introduces  the band’s new guitarist Edouard Nicod, whose arrangements broaden the band’s textural scope. It  features a collaboration with French artist Mütterlein on "Train mort" the album’s most abrasive song.

Line-up:

Michael Schindl — Vocals, Guitar

Mario Togni — Drums

Sébastien Dutruel — Bass

Edouard Nicod — Guitar

Marion Leclercq (Mütterlein) — Guest Vocals on “Train mort”

Press kit: https://presskit.season-of-mist.com/Impure_Wilhelmina/
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Follow Impure Wilhelmina:
Facebook: https://www.facebook.com/impurewilhelmina/
Instagram: https://www.instagram.com/impurewilhelmina/
Bandcamp: https://impurewilhelmina.bandcamp.com/
Spotify: https://open.spotify.com/artist/29luUtCyre5DdAujrV8Pob
Apple Music: https://music.apple.com/artist/impure-wilhelmina/299336044

Available Formats:
CD Digipak
Digital Download
12” Vinyl Gatefold (Black)
12” Vinyl Gatefold (Transparent Violet)

XCOMM Drop "PIRATES" ft. GHOSTEMANE Ahead of Debut Album Release This Evening

Venice Beach hardcore punk unit XCOMM have released their new single and official music video “PIRATES” ft. GHOSTEMANE today, one final grenade before the arrival of their debut album, Time To Burn, which hits streaming platforms tonight at 9pm PT / 12am ET via Blowed Out Records. Fans can watch the official music video for "PIRATES” ft. GHOSTEMANE which stars XCOMM, Ghostemane and Fletcher Dragge of Pennywise Below and stream the track HERE. Time To Burn will be available on streaming platforms this evening at 9pm PT/12am ET HERE

Produced by Ross Robinson, the architect behind era-defining records from Korn, Slipknot, Glassjaw, At The Drive-In, The Cure and more, Time To Burn perfectly crystalizes the essence of XCOMM - young, loud, funny, furious and swinging for the fences. With a level of craft rarely so expertly honed this early in a band’s career, XCOMM have delivered a once-in-a-generation debut that bottles the raw charge of a new wave powered by defiance, authenticity and unbridled talent.

“PIRATES" ft. GHOSTEMANE brings XCOMM’s feral hardcore velocity into direct contact with GHOSTEMANE’s ominously powerful presence. The accompanying video, directed by Darren Craig, also features GHOSTEMANE and Fletcher Dragge of Pennywise, throwing the band’s chaos into a visual world of police chases and ruined suburban picnics. 

Frontman Michael Gatto shares:

“Im so excited for the world to finally hear this record! Every little bit of writing to preproduction to actually being in the studio recording with Ross was amazing. We’ve got a lot of shows and new music to come. This is just the beginning!

Shooting the Pirates music video was great, Darren Craig killed it and Ross chewed up a pickle and spit it all over my shoes for the video - homemade relish. The video captures the intensity that the song was written about. And having Ghostemane feature on the track was mind-blowing.”

Drummer, Revel Ian shares

“Working on this record with Ross Robinson was the most cathartic experience I’ve ever had. There were no limits to what we could be or do. Playing our instruments was like breathing; you didn’t have to think it was just there; it was like an extension of our being. This record is what I’ve always wanted to do my entire life.”

For a band still at the beginning of their story, XCOMM have already ascended with the kind of velocity most new acts spend years trying to manufacture. Their breakout run has included early singles Fake ID,” “Hot Pursuit / One And Nothing and Borrowed Happiness, with Fake ID alone surpassing 2.5 million views across platforms and helping fuel the band’s rapid climb to nearly 90,000 Instagram followers.

That momentum has carried from screens into real rooms. XCOMM have already supported Foo Fighters at the Kia Forum in Los Angeles, played The Punk Rock Museum’s 3rd Anniversary Parking Lot Show in Las Vegas, appeared at California Chaos Festival with Militarie Gun, and are set for major upcoming performances at Bumbershoot Festival, supporting Dethklok at the Hollywood Palladium in Los Angeles on May 22 and Observatory North Park in San Diego on May 28, plus appearances at Warped Tour in Washington, D.C. and Long Beach.

Their widening orbit is matched by a startling list of high-profile early supporters, including Mike Patton, Shavo Odadjian of System of a Down, Brann Dailor of Mastodon, Phil Anselmo, Leland Sklar, Dave Lombardo, Roy Mayorga, Jerry Cantrell, Jack Black, Dave Grohl, Keanu Reeves, Toby Morse, Kevin Lyman, Ghostemane, Skrillex, Duff McKagan, Fred Durst, Ben Shepherd, Elle King, Fletcher Dragge of Pennywise, Jakob Nowell, Tony Hawk, The Blood Brothers, Guy Picciotto, Ross Robinson and Sid Wilson.

Robinson first encountered the band in a small club, where their impact was immediate.

“I first saw them at a small club and caught myself laughing out loud as they blasted through their set. For me, that’s an instant “yes”. That youth needed to be captured - raw and fast. Luckily they’re way more cool and talented than I could’ve hoped! “The future is absolutely unlimited for these kids. I can see them inspiring their generation to play music with an unfiltered fire - 100% real instruments with authentic expression of feeling- embracing the imperfection of being a human. An Anti-AI movement.“

This sense of unfiltered youth runs through every corner of Time To Burn. Across eleven tracks, XCOMM turn frustration, boredom, impulse, anger and absurdity into short, sharp shocks of hardcore clarity, simultaneously honoring the hardcore punk lineage that came before them, whilst also adding fresh and invigorating elements pulled from inspirations like David Lynch movies. Songs like their breakout single, Fake ID channel the real-life irritation of being turned away from shows for being under 21 into a snotty anthem of refusal, while Hot Pursuit / One And Nothing stretches the band’s range from frantic confrontation into darker, more atmospheric pressure.

For Fletcher Dragge, the band’s appeal is direct, immediate and deeply rooted in what punk is supposed to feel like.

“I was immediately caught by the simple but hooky, straightforward, guitar, riff, and ripping drums holding it down! I was sold immediately. Good old school punk rock the way it’s supposed to be written and delivered! Not only are these guys delivering exactly what I love to hear. They’re fucking young as shit.!! Super stoked to see the next generation of punk rock coming to life, the future looks bright and I’m 100% in.

 These kids are earning everything they have achieved, 100 percent on their own. Trust me when I say these kids were born to be punkers.”

XCOMM are Michael Gatto on vocals/guitar, Revel Ian on drums, Adan Escoto on bass and Hunter Grogan on DJ/sampler. Together, they make punk rock that feels visceral before it feels fashionable. No borrowed attitude. Just the sharp, unruly sound of a young band kicking open the door while everyone else is still deciding whether they’re allowed in the room.

ABOUT XCOMM



XCOMM are a ferocious hardcore punk band from Venice Beach, California, fusing old-school intensity with modern chaos, humour and sharp self-awareness. Formed in 2023, the band features Michael Gatto on vocals/guitar, Revel Ian on drums, Adan Escoto on bass and Hunter Grogan on DJ/sampler.

Signed to Blowed Out Records, the label and incubator founded by Ross Robinson, Ghostemane and Bill Armstrong, XCOMM recorded their debut album Time To Burn with Robinson producing. Early singles Reasons,” “Fake ID,” “Hot Pursuit / One And Nothing,“Borrowed Happiness and “PIRATES” ft. GHOSTEMANE introduced a band capable of turning frustration, humour and pressure into precise, pummeling punk songs with teeth.

Since breaking through, XCOMM have supported Foo Fighters at the Kia Forum, been named in the NME 100 of 2026, earned heavy rotation on SiriusXM’s Liquid Metal and Faction Punk, surpassed 2.5 million views across platforms with “Fake ID,” and built a rapidly growing audience ahead of major upcoming appearances including Dethklok support dates, Warped Tour and Bumbershoot Festival.

The future is moving fast. XCOMM are moving faster.

XCOMM are:

Michael Gatto – Vocals/Guitar

Revel Ian – Drums

Adan Escoto – Bass

Hunter Grogan – DJ

FRONTIERS RECORDS Shares New Version of “Weight Of The World” Featuring Karmen Klinc + Official Video

Today, FRONTIERS RECORDS is pleased to share a new rendition of Harem Scarem’s hit “Weight Of The World,” reimagined by Karmen Klinc (Venus 5), along with an official video.

The song is part of the upcoming ‘XXX Anniversary Compilation,’ a special project celebrating 30 years of passion, creativity, and unforgettable music. The record is set for release on May 22, 2026, and will be available only on CD on the label’s webstore.

Karmen Klinc comments:

“I love songs that combine emotions and power. 'Weight Of The World' is definitely one of them. I’m really grateful to FRONTIERS RECORDS for inviting me to be part of this special anniversary release and for giving me the chance to put my own spin on such a great track.”

Watch the Official Video for “Weight Of The World” Bellow:

Starting from an idea of Serafino Perugino, the ‘XXX Anniversary Compilation’ brings together some of the greatest melodies and voices from the world of melodic rock. This special release celebrates the label’s rich legacy by revisiting iconic tracks from the FRONTIERScatalogue, reimagined with dynamic new performances from an extraordinary lineup of guest vocalists.

Each track has been recorded exclusively for this anniversary project and showcases the powerful reinterpretation of beloved FRONTIERS classics through the voices of today’s standout rock artists.

Aldo Lonobile, Head of A&R Europe at FRONTIERS LABEL GROUP and producer of the record, comments:

“Producing the 30th anniversary record for FRONTIERS RECORDS has been both an honor and a responsibility. This label has built a legacy on passion and vision, and, with this album, we wanted to celebrate that history in a meaningful way. Having a mix of established and new generation of FRONTIERS artists reinterpret the iconic tracks that shaped our identity is more than a tribute - it’s a bridge between eras.

“With a tracklist discussed together with the FRONTIERS President Serafino Perugino, this record is a celebration of where we come from, and a powerful statement of where we’re headed”, he continued.

Under the expert production of Lonobile – who also performs part of the guitars on the album - the performances are backed by a stellar lineup of musicians: Alessandro Mammola (guitar), Andrea Arcangeli (bass), Cristian Timpanaro (bass), the keyboards team – Alessio Lucatti& Antonio Agate, Alfonso Mocerino, and Fortunato Grillo on drums, delivering powerful new arrangements that bring renewed energy to these fan-favorite tracks.

‘XXX Anniversary Compilation’ isn’t just a compilation - it’s a tribute to 30 years of rock excellence, a heartfelt thank you to the artists, fans, and collaborators who have been part of the FRONTIERS RECORDS story.

Whether you’re a lifelong supporter or discovering these songs for the first time, this album delivers powerful performances, soaring melodies, and the unmistakable spirit of FRONTIERS.

Pre-Order ‘XXX Anniversary Compilation’ HERE

“Weight Of The World” Line Up:

Karmen Klinc – vocals

Alessandro Mammola – guitar

Andrea Arcangeli – bass

Alessio Lucatti – keyboards

Alfonso Mocerino – drums

DUNCAN EVANS AND THE WEEPING STARLIGHT Unveil "Suffer"

DUNCAN EVANS AND THE WEEPING STARLIGHT confront suffering and the strive for peace in their latest single offering, "Suffer". The track provides a further glimpse into the raw and emotive forthcoming album, The World is a War Zone, is scheduled to arrive on September 18, 2026 via Widowbird Records.

Approaching the cyclical nature between fear and suffering, the new single exposes how a peaceful future is impeded by memories of the past. In the lyrics, In fear of a future that exists in the past / Where no-one is sacred and nothing will lastDuncan Evans reveals how the past must be learnt from and not become a barrier to reducing suffering. 

Musically, "Suffer" carries the most progressive arrangement on the upcoming album's track list. The first section is composed in 7/4 time and sees melodic leads entwine themselves around grounding percussion alongside Evans' lead vocals. A sudden explosion of chaos shatters through the musical layers. In the aftermath of the devastation, "Suffer" returns to the opening progressive style before venturing into heavier realms. This traversal of plains of varying light and shade conveys the anxiety of uncertainty and discomfort of the unknown. 

The World is a War Zone marks the first full-length release under the name DUNCAN EVANS AND THE WEEPING STARLIGHT. Formed in 2022 to reflect the emergence of a committed three-piece lineup, the band channels intense post-punk dynamics through the dark and primal undercurrents of folk music. Across nine tracks and 45 minutes, the album explores faith, psychological upheaval, suffering and renewal, navigating the internal battlefields that shape modern existence while holding fast to the possibility of redemption.

DUNCAN EVANS AND THE WEEPING STARLIGHT is:
 

  • Duncan Evans – vocals, guitars, synths, software instruments

  • Ol Jessop – bass guitar

  • Kev Reid – drums


Connect with DUNCAN EVANS AND THE WEEPING STARLIGHT:

Official Website: https://www.duncanevans-music.co.uk/
Bandcamp: https://duncan-evans.bandcamp.com/
E-Shop: https://www.duncanevans-music.co.uk/shop/
Facebook: https://www.facebook.com/duncanevansmusic
Instagram: https://www.instagram.com/duncanevansmusic
Twitter/X: https://www.x.com/devansmusic

Scottish Alt Rockers THE XCERTS Share New Single "rinse repeat" + Visualizer

Today, THE XCERTS share "rinse repeat," the latest single from their forthcoming sixth album‘i think i want to go home now.,’ out on July 10th via FLG.

 

The track is, by the band's own admission, something of a first: a song that deliberately references their own back catalogue. Drawing a direct line to "crisis in the slow lane" from their 2009 debut ‘In The Cold Wind We Smile,’ "rinse repeat" revisits familiar emotional territory, cancer, heartbreak, helplessness, but refracted through the experience of adulthood and the weight that comes with it.

Speaking about the track, vocalist and guitarist Murray Macleod says:

"This might be the first time we've self-referenced our own material. There are a lot of parallels between our first record and this record, with the heartbreak of a relationship deteriorating and the loss of a parent. We wanted this song to be reminiscent of 'crisis in the slow lane' but from the perspective of adulthood. Sadly cancer was all too prominent in our lives during the writing and recording of this record, and this song is very much about my father's diagnosis at the tail end of 2022 and the helplessness of it all. I also tend to merge different scenes in verses and tie them together with choruses, so verse 2 is also about hopelessness, but in regards to my then partner's struggles."

Watch the Visualizer for "rinse repeat" Below:

It is another unflinching entry in an album that has consistently refused to look away. Where "pretty ugly" arrived as a fuzzed-out blast of anger and "in your eyes" built toward something sweeping and quietly devastating, "rinse repeat" sits somewhere between the two: purposeful, direct, and rooted in the same collaborative instinct that has defined the making of ‘i think i want to go home now.’ throughout.

 

The album was written by all three members together in a room, something the band had not done since their early records, and that process is audible throughout. Recorded by Larry Hibbitt at Beehive Studios, its ten songs document two years of genuine turbulence, including the passing of bassist Jordan Smith's mother and Macleod's father's cancer diagnosis, processed in real time and in company.

 

'i think i want to go home now.' arrives July 10th via FLG.

Pre-Order 'i think i want to go home now' HERE

THE XCERTS Live:



June 9th - Stirling - Albert Hall (with Twin Atlantic)

June 10th - Edinburgh - La Belle Angele (with Twin Atlantic)

June 11th - Aberdeen - Beach Ballroom (with Twin Atlantic)

July 11th - 2000 Trees Festival (full album playthrough set)

August 1st - Arbroath Music and Food Festival

THE XCERTS are:

Murray Macleod - vocals and guitar

Jordan Smith - bass

Tom Heron - drums

The Hu Announce New Album "HUN" Out 7/24 + Band Shares "Lost Soul"

Turning the page on what promises to be a bold creative chapter, Hunnu Rock pioneers THE HU — Galaa (morin khuur, throat singing); Jaya (tumur khuur, tsuur, throat singing); Enkush (morin khuur, throat singing); and Temka(tovshuur, throat singing) — proudly announce their forthcoming third full-length album, HUN, out July 24 via BETTER NOISE MUSIC. Pre-order/Pre-save HUN here.

Alongside the album news, the band has unleashed a hypnotic new single entitled "Lost Soul" (Feat. Jonny Hawkins of NOTHING MORE). It marks the first collaboration between the Gold-certified global phenomenon and NOTHING MORE.

Listen to "Lost Soul" (Feat. Jonny Hawkins of NOTHING MORE) here. Watch the video below.

 Across the song, the percussive groove-laden soundscape resembles the extremes of Mongolia's fickle and unforgiving climate. A head-nodding riff tosses and turns beneath propulsive verses, giving way to a melodic refrain from Hawkins who croons the infectious chorus, "Born to be a lost soul." These English-sung affirmations lock into a seamless volley with traditional Mongolian chanting, uniting styles and cultures in one burst of boundary-breaking energy.

Resounding beyond all borders, the song trumpets a message of resiliency, fortitude, and strength that translates positively into any language and anywhere in the world.

Regarding the song, Galaa comments "We have been unpacking our surprises one by one. Hunnu Rock transcends through culture and in that respect, we have made 'Lost Soul' with Jonny Hawkins. To be not lost on your life journey, not losing your values, and go through life and having a courage to face the life obstacles are messages we are sending our fans through this song 'Lost Soul' and in our next album, HUN. "

Hawkins adds, "I am so excited to team up with a band as committed to their craft as The Hu. It's unlike anything I've done before."

HUN finds The Hu, who were first tipped by NPR back in 2019, at the peak of their powers thus far. They expand the scope of their signature Hunnu Rock with 11 tracks steeped in the lore and legend of Mongolia, yet uplifted with universal ambition. It's as epic, enthralling, and enigmatic and it opens the gateway into their world.

"We took our time to do this right, and we're so glad that we're almost ready to release what we have worked on these past few years," the band says. "Now, we are also focusing on the performances and working out a brand-new setlist. We want to play bigger venues so we can do extensive production, and bring in some amazing elements of our culture, and play these ideas to our fans. And, as well as our third album, we have some amazing ideas for another album already!"

The Hu have teamed up with Cello Metal standouts Apocalyptica for a run of shows this May and June. The tour kicked off on May 12 in Silver Spring, MD and will take them across the country before wrapping in Anaheim, CA on June 7. Joining The Hu and Apocalyptica is platinum-selling Finnish rock band The Rasmus.

Tickets and additional information on VIP packages available HERE.

And in other The Hu news, the band recently appeared on the song "Pray to the Sun," featuring Declan de Barra, from the Netflix Japanese manga series One Piece. It's another instance of the band and its music connecting with passionate fandoms, as their song "Sugaan Essena" was also prominently featured in the Star Wars Jedi: Fallen Order video game.

2026 TOUR DATES:
THE HU + APOCALYPTICA:
WITH THE RASMUS:

5/20 — Maplewood, MN — Myth Live
5/22 — Memphis, TN — Minglewood Hall
5/23 — Irving, TX — The Pavilion at Toyota Music Factory
5/24 — San Antonio, TX — Aztec Theatre
5/26 — Houston, TX — Warehouse Live
5/27 — Oklahoma City, OK — Diamond Ballroom
5/29 — Phoenix, AZ — The Van Buren
5/30 — Las Vegas, NV — The Theater at Virgin Hotels
5/31 — Valley Center, CA — Harrah's Resort SoCal – The Events Center
6/4 — Reno, NV — Grand Theater
6/6 — Los Angeles, CA — The Wiltern
6/7 — Anaheim, CA — House Of Blues

WITH IRON MAIDEN:
7/11 — Knebworth Park — EddFest

WITH ROB ZOMBIE, MARILYN MANSON, + ORGY:
8/20 — West Palm Beach, FL — iTHINK Financial Amphitheatre
8/21 — Tampa, FL — MIDFLORIDA Credit Union Amphitheatre
8/23 — Alpharetta, GA — Ameris Bank Amphitheatre
8/24 — Charlotte, NC — Truliant Amphitheater
8/26 — Holmdel, NJ — PNC Bank Arts Center
8/27 — Mansfield, MA — Xfinity Center
8/29 — Burgettstown, PA — The Pavilion at Star Lake
8/30 — Darien Center, NY — Darien Lake Amphitheater
9/1 — Toronto, ON — RBC Amphitheatre
9/2 — Cuyahoga Falls, OH — Blossom Music Center
9/4 — Clarkston, MI — Pine Knob Music Theatre
9/5 — Tinley Park, IL — Credit Union 1 Amphitheatre
9/6 — Noblesville, IN — Ruoff Music Center
9/9 — Maryland Heights, MO — Hollywood Casino Amphitheatre
9/10 — Kansas City, MO — MORTON Amphitheater
9/12 — Greenwood Village, CO — Fiddler's Green Amphitheatre
9/14 — West Valley City, UT — Utah First Credit Union Amphitheatre
9/16 — Airway Heights, WA — BECU Live at Northern Quest
9/17 — Auburn, WA — White River Amphitheatre
9/18 — Ridgefield, WA — Cascades Amphitheater
9/20 — Concord, CA — Toyota Pavilion at Concord

THE HU ONLINE:
Facebook | XInstagram Website Spotify TikTok YouTube

NYC songstress Julia Greenberg shares 'Sometimes The Sea', previewing 'Born Sentimental' EP

NYC indie-folk artist Julia Greenberg presents 'Sometimes The Sea', a reflective piece born from a moment of sudden clarity and a desire for external perspective. The second offering from her 'Born Sentimental' EP, forthcoming via New Jersey's Magic Door Record Label, it is about overcoming personal blues, viewed through the comforting lens of friendship and musical camaraderie.

Offering a temporary cure for that slipping away feeling, 'Sometimes the Sea' is framed as a conversation between two close friends about the compounding burdens of growing older. “The twilight of their mothers, those sweet bitter days at the ending of their summers—it’s all just heartbreak, it’s only a matter of degree.” The baroque accordion melodies flowing across this literary folk rock number hint at some measure of transcendence in the face of finitude.

"I knew two things as I set out to write this song. One, that it would be called 'Sometimes the Sea' because I was at the beach, and I had that moment when you get a glimpse of the ocean on a clear day, and it just shocks the darkness out of you," says Julia Greenberg.

"Two, I knew that it would be a conversation between me and my best friend Maud, and that she would be the narrator. I was perhaps feeling a bit weary of my own voice, and since she’s a brilliant writer, I figured she could tell the story of my blues and endlessly tiresome introspection with some humor and perspective. When I listen to the song, sometimes it feels like she wrote it."

Co-produced by Bob Perry (Winter Hours) and Julia Greenberg, this EP was recorded live at Chrometop Studios, engineered by Bob Perry. and mastered by Ray Ketchem(Guided by Voices, Elk City, Gramercy Arms, Luna, Crash Harmony) at Magic Door Recording Studio in Montclair, NJ.

Greenberg adds, "Jeremy Chatzky (bass), Will Holshouser (accordion) and I were in a band together in the late ‘80s and early ‘90s, and we’ve played on and off together in various projects for decades. The recording of this song, which we did live in the studio, really captures our comfort with feeling our way through a song together. On that freaking accordion solo before the third verse, it’s as if Will summoned a symphony through those bellows!"

April saw the release of 'Leaves', which feels hopeful despite being written amidst the quiet wreckage of personal loss. Mastering the art of letting go, she offers a poignant reminder that some seasons simply cannot be held captive. The video -- directed by Julia Greenberg and edited by Nico Greenberg with Yumiko Takagi as director or photography -- captures a small-town schoolhouse that is "frozen in time", this setting serving as a poignant monument to the people and milestones we’ve moved on from.

The music pulses with the hard-earned intimacy of four musicians shaped by years on the road together, their songs carrying the marks of constant movement, shared trust, and a collective creative spirit forged across countless Northeastern miles. It blends the dust and edge of alternative country with the sharp lyricism and melodic elegance of classic American songwriting, creating something strikingly human — tender, weathered, and unguardedly sincere.

A chanteuse, theater composer and filmmaker with roots in NYC's vibrant music scene, Greenberg has released two albums of original music - 'Past Your Eyes' and 'Greenland' - both produced by James Mastro (The Bongos, Mott the Hoople, Ian Hunter, Patti Smith, John Cale). Her her music has been featured on 'This American Life' (including the ever-popular Dr. Phil episode, in which Phil Collins evaluates a breakup song she co-wrote), and Ronnie Spector also recorded one of her songs.

Greenberg's award-winning documentary 'Dory Previn: On My Way to Where' can now be watched on PBS, having had its world premiere at the SXSW Film & TV Festival in 2024. Prior to directing the film, Julia became the foremost interpreter of Previn’s music, performing her work around the country at venues such as Joe’s Pub, Mass MoCA, the 92nd Street Y, the Houston Museum of Fine Arts, and on WFMU and WNYC radio. She is also the archivist for Previn's estate.

Apart from co-writing the hit off-Broadway rock opera 'People Are Wrong!' with Robin Goldwasser, she composed the music for the off-Broadway play 'Cavedweller' with "Hedwig and the Angry Inch" composer Stephen Trask. In her spare time, she is a health justice advocate and co-curates the music program at the Rock Valley Schoolhouse in the Catskills.

Co-produced by Bob Perry (Winter Hours) and Julia Greenberg, this EP was recorded live at Chrometop Studios, engineered by Bob Perry. and mastered by Ray Ketchem(Guided by Voices, Elk City, Gramercy Arms, Luna, Crash Harmony) at Magic Door Recording Studio in Montclair, NJ.

Greenberg adds, "Jeremy Chatzky (bass), Will Holshouser (accordion) and I were in a band together in the late ‘80s and early ‘90s, and we’ve played on and off together in various projects for decades. The recording of this song, which we did live in the studio, really captures our comfort with feeling our way through a song together. On that freaking accordion solo before the third verse, it’s as if Will summoned a symphony through those bellows!"

April saw the release of 'Leaves', which feels hopeful despite being written amidst the quiet wreckage of personal loss. Mastering the art of letting go, she offers a poignant reminder that some seasons simply cannot be held captive. The video -- directed by Julia Greenberg and edited by Nico Greenberg with Yumiko Takagi as director or photography -- captures a small-town schoolhouse that is "frozen in time", this setting serving as a poignant monument to the people and milestones we’ve moved on from.

The music pulses with the hard-earned intimacy of four musicians shaped by years on the road together, their songs carrying the marks of constant movement, shared trust, and a collective creative spirit forged across countless Northeastern miles. It blends the dust and edge of alternative country with the sharp lyricism and melodic elegance of classic American songwriting, creating something strikingly human — tender, weathered, and unguardedly sincere.

A chanteuse, theater composer and filmmaker with roots in NYC's vibrant music scene, Greenberg has released two albums of original music - 'Past Your Eyes' and 'Greenland' - both produced by James Mastro (The Bongos, Mott the Hoople, Ian Hunter, Patti Smith, John Cale). Her her music has been featured on 'This American Life' (including the ever-popular Dr. Phil episode, in which Phil Collins evaluates a breakup song she co-wrote), and Ronnie Spector also recorded one of her songs.

Greenberg's award-winning documentary 'Dory Previn: On My Way to Where' can now be watched on PBS, having had its world premiere at the SXSW Film & TV Festival in 2024. Prior to directing the film, Julia became the foremost interpreter of Previn’s music, performing her work around the country at venues such as Joe’s Pub, Mass MoCA, the 92nd Street Y, the Houston Museum of Fine Arts, and on WFMU and WNYC radio. She is also the archivist for Previn's estate.

Apart from co-writing the hit off-Broadway rock opera 'People Are Wrong!' with Robin Goldwasser, she composed the music for the off-Broadway play 'Cavedweller' with "Hedwig and the Angry Inch" composer Stephen Trask. In her spare time, she is a health justice advocate and co-curates the music program at the Rock Valley Schoolhouse in the Catskills.

'Sometimes The Sea' is out now, available from digital platforms, including Apple Music, Spotify, Amazon and Bandcamp. Released via Magic Door Record Label on June 11, the 'Born Sentimental' EP is now available for pre-order.

CREDITS
Music & lyrics for all songs written by Julia Greenberg
Jeremy Chatzky - upright bass
Will Holshouser - accordion
Tricia Scotti - backing vocals
Julia Greenberg - acoustic guitar
Bob Perry - electric guitar
Paul Moschella - drums
Stephanie Seymour - percussion
Recorded at Chrometop Studios
Co-produced by Bob Perry and Julia Greenberg
Engineered by Bob Perry
Mastered by Ray Ketchem at Magic Door Recording
Cover artwork by Jamil Azam
Artist photos by Yumiko Takagi
Released by Magic Door Record Label
Publicity by Shameless Promotion PR


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Legendary Hard Rockers TESLA Share Cover of Queen's "Spread Your Wings" + Official Video

Today, the acclaimed American hard rock band TESLA is proud to share a new cover of Queen's 1977 classic, "Spread Your Wings," taken from their upcoming album, 'Homage,' set for release on July 17, 2026, via Frontiers Music Srl. Marking a full-circle moment in their storied career, the album finds the band returning to their roots with a collection of covers honoring some of rock’s most timeless hits.

 

Bassist, keyboardist, pianist, and backing vocalist Brian Wheat shares:

 "'Spread Your Wings' for me was the song I always wanted to record by Queen. I always felt it was the one song they had in their catalog that should’ve been a massive hit, but wasn’t because it was overshadowed by 'We Are the Champions' and 'We Will Rock You' on the'News of the World' album. It was also a song written by John Deacon, who was the band's secret weapon and whom not many people talk about, the quiet one, shall we say."

Watch the Official Video for “Spread Your Wings” below:

It is remarkable to reflect on the more than 40 years since TESLA began as a cover band performing in California nightclubs before going on to write and record original material and sell millions of albums.

 

Much like their musical heroes — The Beatles and The Rolling Stones—artists who honed their craft by performing songs from those who came before them, TESLA followed a similar path in their early years and continues to embrace the tradition of paying tribute through cover songs today.

 

‘Homage,’ the band’s upcoming album, not only honors legendary artists but also provides an opportunity to showcase lead singer Jeff Keith's vocal diversity. The album stands as a thank-you expressed through music, an offering to the iconic voices and songs that shaped the band’s influences and, ultimately, their own songwriting. 

 

'Homage' is not about imitation, but acknowledgment, tracing the line from influence to identity, from listening to becoming. The project also arrives more than 20 years after the ‘Real to Reel’ series, a release that helped inspire the creation of a new original TESLA song, “Never Alone.”

 

The selected songs on 'Homage' were chosen for a variety of reasons, primarily representing some of the greatest vocalists of all time, including Elvis PresleyFreddie MercurySam CookeDavid RuffinEtta James, and James Brown. Additional selections reflect songs the band grew up hearing on the radio and on their turntables.

 

On the upcoming album, TESLA shares:

 "Our new album 'Homage' is a thank-you note written in sound. An offering to the great singers and songs that shaped the music we grew up listening to, and the songs we would eventually write. We hope you all enjoy this as much as we did making it. Thank you for all the years - Keep it Real and Keep On Rockin'!"

Pre-Order ‘Homage’ HERE

TESLA is excited to be hitting the road this summer on The Return of the Carnival of Sins Tour with Motley Crue and Extreme. The tour begins on July 17th in Burgettstown, PA, and winds its way through the United States before concluding in Ridgefield, WA on September 26th.

TESLA Live:

 

The Return of the Carnival of Sins Tour

w/ Motley Crue and Extreme

 

Jul 17 - Burgettstown, PA @ The Pavilion at Star Lake

Jul 18 - Buffalo, NY @ Darien Lake Amphitheater

Jul 20 - Clarkson, MI @ Pine Knob Music Theatre

Jul 22 - Toronto, ON @ RBC Amphitheatre

Jul 24 - Gilford, NH @ BankNH Pavilion

Jul 25 - Bangor, ME @ Maine Savings Amphitheater

Jul 27 - Camden, NJ @ Freedom Mortgage Pavilion

Jul 29 - Saratoga Springs, NY @ Saratoga Performing Arts Center

Jul 31 - Holmdel, NJ @ PNC Bank Arts Center

Aug 1 - Mansfield, MA @ Xfinity Center

Aug 3 - Bristow, VA @ Jiffy Lube Live

Aug 12 - Alpharetta, GA @ Ameris Bank Amphitheatre

Aug 14 - West Palm Beach, FL @ iTHINK Financial Amphitheatre

Aug 15 - Tampa, FL @ MIDFLORIDA Credit Union Amphitheatre

Aug 17 - Charlotte, NC @ PNC Music Pavilion

Aug 19 - St. Louis, MO @ Hollywood Casino Amphitheater

Aug 21 - Shakopee, MN @ Mystic Lake Amphitheater

Aug 22 - Tinley Park, IL @ Credit Union 1 Amphitheatre

Aug 24 - Cuyahoga Falls, OH @ Blossom Music Center

Aug 25 - Cincinnati, OH @ Riverbend Music Center

Aug 27 - Grand Rapids, MI @ Acrisure Amphitheater

Aug 28 - Noblesville, IN @ Ruoff Music Center

Sep 8 - Kansas City, MO @ Morton Amphitheater

Sep 10 - Dallas, TX @ Dos Equis Pavilion

Sep 11 - Houston, TX @ The Cynthia Woods Mitchell Pavilion

Sep 13 - Albuquerque, NM @ Isleta Amphitheater

Sep 16 - Phoenix, AZ @ Talking Stick Resort Amphitheatre

Sep 18 - Chula Vista, CA @ North Island Credit Union Amphitheatre

Sep 19 - Long Beach, CA @ Long Beach Amphitheater

Sep 21 - Salt Lake City, UT @ Utah First Credit Union Amphitheatre

Sep 23 - Wheatland, CA @ Toyota Amphitheatre

Sep 24 - Mountain View, CA @ Shoreline Amphitheater

Sep 26 - Ridgefield, WA @ Cascades Amphitheater

TESLA are:

Jeff Keith – Vocals

Frank Hannon – Guitar, Keyboards, Piano, Organ, Backing Vocals

Dave Rude – Guitar, Backing Vocals, Bass

Brian Wheat – Bass, Keyboards, Piano, Backing Vocals

Steve Brown – Drums and Percussion

SPREAD EAGLE Shares New Single "Ant Farm" + Official Video

Hard rock veterans SPREAD EAGLE are pleased to share a new single today, “Ant Farm”, along with an official video, taken from their highly anticipated new album 'The Brutal Divine,' out on June 12, 2026, via Frontiers Music Srl.

SPREAD EAGLE is currently on the road on “The Brutal Divine Tour 2026”, with dates across the US, and in the UK and Europe throughout the summer. For the full list of dates, please see below and HERE.

The band stated,

“'Ant Farm' describes the slow, dark descent into isolation. It can be mental or physical, via drugs, depression, pandemics, leaving the grid… Anything that causes us to dig deeper and away from facing our demon. And nothing screams out louder than blistering guitars!”

Watch the Official Video for "Ant Farm" below:

'The Brutal Divine' is SPREAD EAGLE’s long-awaited fourth studio album and a fierce new chapter in the band’s uncompromising legacy. Known for their raw energy, streetwise attitude, and explosive live performances, they once again prove why they remain a vital force in modern hard rock.

The band described the new record as “an emotionally and musically heavy body of songs showcasing a unique command of power, dynamics, and melody. We have harnessed the energy of years of non-stop touring and turned it into a metal/punk thrill ride of an album."

“Lyrically, 'The Brutal Divine' challenges us to question our views and ask if we're truly as free-thinking as we may believe. Once that question is posed, the album progresses towards uplifting messages of hope and community”, they continued.

Fronted by the unmistakable voice of Ray West, the band delivers a powerful collection of songs that balance grit and melody, aggression and soul. Guitarist Gianmaria “Jommy” Puledda injects the record with razor-sharp riffs and soaring harmonies, while Rob De Luca(bass, vocals) and Rik De Luca (drums) form a thunderous rhythmic backbone that drives every track with authority and groove.

Produced by Rob De Luca, 'The Brutal Divine' captures the band at their most focused and dynamic - blending their classic hard rock roots with a darker, heavier edge. The album channels the intensity and authenticity that first put SPREAD EAGLE on the map, while showcasing a band that continues to evolve without losing its identity.

With a full slate of live dates planned in support of the release, SPREAD EAGLE is ready to bring 'The Brutal Divine' to stages around the world - where their music truly comes alive. This is hard rock delivered with conviction, attitude, and fire.

Pre-Order 'The Brutal Divine' HERE

"THE BRUTAL DIVINE TOUR 2026”

US Dates:

Jun 6 - Charlotte, NC @ Amos Southend

Jun 12 - Clifton, NJ @ Dingbatz

Jun 13 - Newark, DE @ Halftime

Jun 19 - Norton, WV @ RimRocks Fest

 

EU Dates:

Aug 29 - Issenheim, France @ Rockfest

Sep 10 - Frankfurt, Germany @ Huhnerstall

Sep 11 - Lichtenfels, Germany @ Paunchy Cats

Sep 12 - Wroclaw, Poland @ Klub Muzyczny Liverpool

Sep 13 - Reichenbach, Germany @ Bergkeller

Sep 18 - Grebbestad, Sweden @ Rode Orm

Sep 23 - Southampton, England @ The Brook

Sep 24 - St Albans, England @ The Horn

Sep 25 - Isle of Wight, England @ Strings

Sep 26 - London, England @ New Cross Inn

Sep 27 - Derby, England @ The Victoria Inn

Sep 28 - Birmingham, England @ Subside

Sep 30 - Newcastle, England @ Trillians

Oct 1 - Edinburgh, Scotland @ Bannermans

Oct 2 - Buckley, Wales @ The Tivoli

Oct 3 - Harrogate, England @ The Den

Oct 4 - Stockport, England @ The Spinning Top

GET TICKETS HERE

SPREAD EAGLE are:

Ray West - Lead Vocals

Gianmaria “Jommy” Puledda - Guitars and Vocals

Rob De Luca - Bass and Vocals

Rik De Luca - Drums

Saint Agnes Release "Get Them Out" Video Including Nine Inch NailsHomage

London's Saint Agnes herald the arrival of their Your God Fearing Days Are About To Begin album, releasing May 29 via Spinefarm, with fiery new single "Get Them Out."

Frontperson Kitty A. Austen, explains, "I wrote 'Get Them Out' for a friend who would listen to the bullying and the antagonistic voice in his head and believe it. I wanted him to see himself the way I do, as a beautiful person, and to treat himself better. This is my favorite riff on the record: It's a constant, revving build-up of tension, like an agitated, mental state that allows for no comfort or resolution. This was the first song that Jim Pinder (Sleep Token, Bring Me The Horizon) mixed from the record, and it set the blueprint:
crushing, spitty industrial balanced with expansive, melancholic beauty."

Watch the video below.

The visualizer is a direct homage to Nine Inch Nails' video for "March of the Pigs."

"We had an hour to spare at the end of filming for another song so we decided to do a one-take, live rendition of 'Get Them Out' as an homage to our favourite music video of all time. No edits, one shot, make-up artist cameo, and all. I'm sure people will hate us for it," says Kitty.

Prior to returning to the 2000 Trees festival in early July, Saint Agnes will be making two appearances with Alt Blk Era in May, before guesting with Black Veil Brides on a run of shows in June, hitting both the UK and Europe.

The full list of UK dates is as follows.

SAINT AGNES LIVE:
5/21 — London — Academy Islington (With Alt Blk Era)
5/30 — Nottingham — Rescue Rooms (With Alt Blk Era)
6/14 – Brighton — Concorde 2 (With BVB)
6/16 – Liverpool — Arts Club Theatre (With BVB)
6/17 – London — The Dome (With BVB)

Photo Credit: Jesse Rose