DEAD REGISTER Share “Grave,” New Single from Fiber (10th Anniversary Deluxe Remaster)

DEAD REGISTER unveil “Grave,” a new single from Fiber (10th Anniversary Deluxe Remaster), arriving May 22, 2026 via AVR. The track expands into a long-form, post-rock leaning piece built on sustained tension, weight, and atmosphere. It hits with the force of the band’s live presence, stretching time and density into something immersive and physical.

“Grave” centers on the pressure to achieve and the quiet collapse of that idea in the face of death. The lyrics move through questions of purpose, memory, and disappearance. Walk through an old graveyard and the scale becomes clear. Rows of names, lives once held close, now distant. The track sits with that reality and lets it speak for itself.

Marking ten years since the band’s first full-length reshaped their trajectory, Fiber (10th Anniversary Deluxe Remaster) restores the original recordings with renewed depth and clarity while preserving the immediacy and emotional weight that carried the album far beyond its initial release.

Engineer and mastering specialist Dan Dixon revisited the material to bring forward new dimensionality within the performances. The remaster enhances sonic density and detail, allowing the interaction between rhythm, atmosphere, and voice to land with greater physical impact.

Fiber documents a band discovering its voice in real time. Sequenced as a continuous emotional arc, the album moves through isolation, intimacy, existential reflection, and controlled destruction before circling back to its origin point. The anniversary edition completes that arc with “Reverse (Live Bonus Track),” captured during the band’s original 2016 album release performance.

Since its release, DEAD REGISTER have continued to evolve through relentless touring and critically recognized work, yet Fiber remains central to the band’s identity. The anniversary edition presents the record with clarity and force for longtime listeners and new audiences alike.

DEAD REGISTER operates as an ongoing exploration of connection, collapse, desire, and survival. The band continues to refine its approach through relentless live performance, collaborative visual art, and a dedication to creating music that resonates as both personal confrontation and shared catharsis.

DEAD REGISTER is:
 

  • M. Chvasta – Vocals, Bass VI, Bass IV

  • Avril Che – Bass Synth, 88 Keys, Vocals, Visual Media

  • Greg Meisenberg – Drums (Current)

  • Chad Williams - Drums on Fiber


Connect with DEAD REGISTER:
 

SWANWRITER Releases Emotive And Progressive Single, "Betrayal"

Vancouver, BC progressive metal project SWANWRITER explores broken trust and longing in the new single, "betrayal". The track arrives ahead of the second full-length album, melodies of despair, set to release independently on June 26, 2026. 

On "betrayal", project founder Koda shares, "The narrator in the song suffers a betrayal after trusting the other person with their life. Still, they continue to wait in vain, hoping that the other person will return. This single is my experiment to make a long prog metal track from the album into a 4-minute song with a more conventional structure."

Compositionally, "betrayal" is structured around a haunting piano melody that carries across the track. Koda's lead vocal melody rises and falls alongside enhancing the somber mood. A sense of longing is magnified through the lead guitar line that gently joins the steady and established instrumental arrangement. An abrupt explosion into heavy distortion and intense rhythms unveils further depth of emotion and heightening within the narrative. 

The longest track on the album, the lyrics for "betrayal" derive from a horror game called “The Witch’s House”. Following the protagonist's journey, in which she has entrusted her life to her best friend, the game's narrative leads to a path of betrayal. 

SWANWRITER leans further into dynamic contrasts both across "betrayal" and melodies of despair more widely. The music throughout aptly conveys moments of intimacy while also blending seamlessly each track's narratives and themes into the sound. 

melodies of despair was produced and mixed by Koda, mastered by Roland Rodas, and features cover artwork by 無た｡ / muta.

SWANWRITER is a dark progressive metal project based in Vancouver, British Columbia, created and performed entirely by the anonymous multi-instrumentalist known as Koda. Formed in 2023, the project emerged from a desire to merge progressive metal songwriting with classical composition, atmospheric storytelling, and emotionally driven arrangements.

Connect with SWANWRITER:

Bandcamp: https://swanwriter.bandcamp.com/
Instagram: https://www.instagram.com/swanwritermusic/
Facebook: https://www.facebook.com/swanwritermusic/
X / Twitter: https://x.com/swanwritermusic
YouTube: https://www.youtube.com/@swanwriter
Spotify: https://open.spotify.com/artist/6unE9CWOXt5c4UIiaHD5RR
Apple Music: https://music.apple.com/us/artist/swanwriter/1686779640
TikTok: https://www.tiktok.com/@swanwritermusic

Southpaw FLHC Announce "The Standard" Out 7/31 Via Spinefarm + Share "Rolling Stone" Video

Fast-rising hardcore band SOUTHPAW FLHC — Alan King, guitar; Harrison Linder, drums; Marc Laroche, bass; and Daryn LaMontagne, vocals —  have built their reputation brick by brick, focusing on the messages of self-empowerment, pushing through struggle, perseverance, and building a legacy that speaks to all walks of life.

Today, they have announced their upcoming album The Standard, which arrives July 31 via Spinefarm. Pre-order it here.

The band has also thrown another haymaker in the form of the video for new single "Rolling Stone." Watch it below.

"'Rolling Stone' leans into the reality of living a fast life on the road in pursuit of chasing your purpose," the band states. "Losing loved ones and pieces of yourself along the way are part of the game. In the process of moving towards your purpose, the climb feels never ending, yet time continues on. But as a man, you must walk that line in order to create your own path and legacy. In honor of frontman Daryn Lamontagne's grandfather. Rest in power, Pops."

"All gas, no brakes. Driven by hunger, discipline, and a relentless passion for the love of the game. This is The Standard," the band declares.

Southpaw FLHC, who bridge the gap between the old and new generations of hardcore with elements of punk, metal and hip hop, crashed the scene with their self-titled EP, released in 2020. They haven’t taken a breath since, releasing seven singles with accompanying music videos. Clearly, their DIY ethic is strong, as the band also hit the road — and hard. They've shared stages with and toured alongside With Blood Comes Cleansing, Tracheotomy, Bodysnatcher, Surfaced, and Hoods, inciting furious moshpits in every city they played. In 2025, they embarked on a headline run with Cutthroats, Kind Eyes, Unvow, and Resistor. Their hometown roots run deep as marrow, as evidenced by the fact that they headline and packed the first-ever show at a brand new venue called HARDLOVE in Jacksonville. Southpaw FLHC ain't playing and they've established themselves as an up and comer in the hardcore scene. This is only the beginning. Their worldwide partnership with Spinefarm will allow them to ascend to the next level — because that is where they are ultimately headed.

SOUTHPAW FLHC have also announced a later summer headline tour that runs through August and September. All date are below.

SOUTHPAW FLHC ON TOUR:
8/18—Pensacola, FL—The Handlebar
8/19—Lafayette, LA—The Pit
8/20—Houston, TX—The End
8/21—Austin, TX—Come and Take It
8/22—Lubbock, TX—Jake’s Sports Cafe
8/23—Oklahoma City, OK—89th Street Live
8/25—St. Louis, MO—Red Flag
8/26—West Chicago, IL—WC Social Club
8/27—Detroit, MI—The Sanctuary (Crypt)
8/28—New Kensington, PA—Preserving Underground
8/29—Eaton, OH—Mitch×Fest
8/30—Cleveland, OH—The Foundry
9/1—Manchester, NH—Bungalow Bar & Grill
9/2—Brooklyn, NY—The Wood Shop
9/3—Manalapan, NJ—Locals
9/4—Albany, NY—Empire Underground
9/5—Reading, PA—Reverb
9/6—Salisbury, MD—Lurking Class Skate Shop
9/8—Lynchburg, VA—Super Rad Arcade
9/9—Chapel Hill, NC—Local 506
9/10—Spartanburg, SC—Ground Zero
9/11—Knoxville, TN—Karns Community Center
9/12—Nashville, TN—Drkmttr
9/13—Birmingham, AL—Nana Funks
9/15—Warner Robins, GA—The Reverb Room
9/16—Tampa, FL—Brass Mug
9/17—Orlando, FL—Boardwalk Bowl

STATE OF ILLUSION Confronts The Fear of Failure In Their New Video "Death Is Not The End"

In "Death Is Not The End", STATE OF ILLUSION consider a number of poignant themes including a literal meaning through a belief in an afterlife, that creativity prevails and the end of one chapter does not equate to the absence of meaning in ones life, and that the impact of art lives on. "Death Is Not The End" is an intense and intricate progressive metal offering, taken from the upcoming re-release of Pluto’s Ghost, arriving April 17.

On "Death Is Not The End", founder and songwriter Jacob Porter reveals the personal meaning of the track, and Pluto's Ghost: "For me, I felt almost totally alone while writing Pluto’s Ghost. I had a terrible case of writer’s block and felt abandoned by something I’d previously felt was a gift in my ability to write songs. It felt like I would never play live shows again as State of Illusion because for two years, I couldn’t find band members and I couldn’t continue State of Illusion as a studio project because I’d lost the ability to write songs."

"Death Is Not The End" concludes Pluto's Ghost, and draws together thematic and musical threads that have been carefully woven throughout the track list leading to this point. The emotional effect is heightened through ethereal moments, and greater extremes of contrast between the fierce heaviness and quieter sections. 

The accompanying music video to "Death Is Not The End" portrays a juxtaposition of reciprocal love and happiness found in everyday, often mundane moments, and an underlying darkness as shown through medication and glimpses of suffering in solitude. The narrative of video sees a couple celebrate the happy news of pregnancy while the father's health deteriorates leading to his passing. The song explores multiple interpretations through its lyrics and the video, allowing audiences to relate through their own lived experiences. 

STATE OF ILLUSION continues to evolve as a collaborative band, driven by the belief that heavy music can be emotional, introspective, and expansive without losing its intensity.

STATE OF ILLUSION is:

Jacob Porter – vocals
Shandon Fair – guitar
Cody Dabbs – guitar
Gunnar VanWingerden – bass
Bryce Chism – drums


Connect With STATE OF ILLUSION:

Official Website: www.stateofillusionmusic.com
Bandcamp: https://stateofillusion.bandcamp.com/
E-Shop: https://stateofillusionmusic.storenvy.com/
Facebook: https://www.facebook.com/StateofIllusion
Instagram: https://www.instagram.com/stateofillusionmusic/
Twitter/X: https://twitter.com/stateofIllusio1
YouTube: http://www.youtube.com/user/stateofillusion
Spotify: https://open.spotify.com/artist/1ItB6evAEFio44kFAbxYDT?si=d66224a4c2514179
Apple Music: https://music.apple.com/us/artist/state-of-illusion/284774718
TikTok: https://www.tiktok.com/@stateofillusionmusic

Her Head's On Fire Announce New Album "Am I Not Your Girl?" + Share "We're Not Running"

Her Head's on Fire announce their new record Am I Not Your Girl?, out via Iodine Recordings on July 17. Pre-order it here.

Alongside the album news, the band has shared first single "We're Not Running." Listen below.

"If you stand alone with a brick in your hand against an oncoming wave of tanks with no hope of success, you still throw the brick," vocalist Syd Jagger says. "If there is an overreaching theme to 'AINYG? It would be hope in the face of adversity. This song was the last one written for the album, a late night jam sent to me by the band. 10 minutes later, I had the melody and chorus, sometimes they write themselves. I wasn't trying to but you can hear me starting to blow out the vocal microphone during the 'I won't let go' part. All of the vocals for this album were done in one day so I waited til the end of the session to record this one because I knew I wanted a raspier spent sound."
 
Am I Not Your Girl? is the latest from a band that's excelled at weaving past and present to deliver rock music that hits a sweet spot of post-hardcore grit and genuine songcraft. Am I Not Your Girl? is an exercise in simplicity born from years of consistency, prioritizing true-blue songwriting that draws on a lifetime of influences, from Revolution Summer sincerity to the conciseness modeled by The Replacements: Big choruses, big moments, big emotions.

Despite its members having played in a murderer's row of beloved, important bands in the worlds of post-hardcore and emo (Garrison, Saves the Day, The Bomb, and more), the four-piece have locked in on what the band really is across two previous records, College Rock and Clove Cigarettes and Strange Desires. Her Head's on Fire isn't trying to coast off those acts but rather push their work forward.

Mixed by Jack Shirley (Deafheaven, Joyce Manor), the album excels at making the listener feel like they're in the room with the band as it happens, with production focused on capturing the music live rather than creating anything artificial. 

Nowhere is the band's philosophy better illustrated than in Am I Not Your Girl?'s cover art. Painted by Joy Johnson and inspired by the photography of Nan Goldin, it's a collage of illusory moments all occurring within the same space, one emotion bleeding into the next. In the same way that different feelings melt into one another, the record's emotive highs do the same, each beat of exuberance, pain, and sadness flowing into the one that follows. "Maybe this record's on in the background while people have a beautiful conversation, fall in love, or navigate a brutal moment," Jagger says. "I am honored to be any part of that soundtrack."

At the core of the band's mission is community: Playing shows and inviting the world in. Having shared stages with the likes of Quicksand, Hey Mercedes, and The Suicide Machines, there's a sense of connection that threads through both the music itself and their consistent activity as a touring act. "This thing attracted us because we were outliers, and we needed to feel less alone in the world," Jagger says. "We can't let the ugly trappings of the world creep in and take a hold of this thing. This community, this love is what it is all about."

HER HEAD'S ON FIRE ARE:
Jeff Dean — Guitars
Syd Jagger — Vocals
Rodrigo Palma — Bass, Keyboards
Michael Soucy — Drums and Percussion

Canadian Hard Rock Trio VON GROOVE Shares New Single "Undefeated" + Official Visualizer

Hard rockers VON GROOVE are proud to share their new single, "Undefeated," taken from their upcoming new album 'Born To Rock,' set for release on May 15, 2026 via Frontiers Music Srl. "Undefeated" marks the third track released from the new album and arrives alongside an official visualizer.

Drummer/vocalist Michael Shotton comments on the new track:

"'Undefeated' is the story of relentless persistence. Always rising to the challenge and never giving up. Defeat is not an option. Every day we step into that ring and face the enemy head-on and come out swinging. 'Undefeated' rocks as only VON GROOVE can. WARNING: don’t listen to this while driving on the highway!"

Watch the Official Visualizer for "Undefeated" Below.

VON GROOVE triumphantly returns with a jaw-dropping new album that reunites the classic original lineup: Mladen on guitars, Michael Shotton on drums and vocals, and Matthew Gerrard on bass. This isn’t just a comeback, it’s a resurrection!

 

Marking their first studio release since 2001, the album feels like it was born in the same fire as their legendary 1992 debut. The opening title-track, "Born To Rock," explodes with the same urgency and swagger as their iconic “Once Is Not Enough” — even quoting it with a subtle nod that will send chills down the spine of longtime fans.

 

True to their roots, VON GROOVE delivers a masterclass in melodic hard rock, with blazing guitars, soaring vocals, and airtight arrangements. The production is punchy and alive, but the soul of the record is pure 90s AOR glory.

 

Even more exciting? VON GROOVE will be returning to the stage in 2026, bringing their renewed fire and timeless sound back to live audiences for the first time in years.

Pre-Order 'Born To Rock' HERE

Founded in 1990, VON GROOVE quickly made their mark on the Melodic Hard Rock scene. Their 1992 self-titled debut, produced by Richie Zito and featuring Deen Castronovo (later of Journey) on session drums, remains a cornerstone of the genre. Over the years, they’ve delivered fan-favorite albums like 'Mission Man' ('Chameleon' in Europe), 'Test of Faith,' and'The Seventh Day.' Despite going on hiatus in 2001, the members stayed active, collaborating with rock legends and contributing to major projects across genres.

After 20+ years, VON GROOVE is making their epic comeback! 

VON GROOVE are:

Mladen — Guitars

Michael Shotton — Drums, Vocals

Matthew Gerrard — Bass

APOSTLE Release New Video For “Illusion of Loss”

APOSTLE has released a new video for their latest single, “Illusion of Loss,” a dynamic and emotionally charged composition that offers a glimpse into the band’s forthcoming full-length album, A Splinter in the Infinite Noumenon, arriving June 5, 2026 via Terminus Hate City.

“Illusion of Loss” begins with a sharp, brief breath before an angular and moody guitar and bass melody settles over a plodding, swinging half-time drum groove. Murice White's vocal cadence moves fluidly within the arrangement, locking into the rhythm as the song unfolds. A sudden, deliberate drop in intensity introduces an arpeggiated and introspective passage driven by a rolling snare, gradually building toward a release carried by a mid-tempo blast beat.

The track expands in scope as Murice’s tremolo-picked lead cuts through with urgency while his vocals rise in intensity. Michael’s bass provides a steady melodic anchor, shaping the mood beneath shifting textures. A discordant, arpeggiated lead slices through the mix while Evan’s drumming shifts into a driving double bass pattern that pushes the song forward before returning to a reprise of its opening movement. The closing moments feature a distorted spoken sample describing barely livable conditions in a city, extending the song’s thematic reach outward.

“Illusion of Loss” reflects on the fragility of life, the isolation that can accompany grief, and the internal changes that follow. The song draws from the experience of personal loss and the emotional weight that lingers in its wake. It considers how loss reshapes identity, how it brings forward buried parts of oneself, and how memory can guide purpose moving forward. The connection between individual grief and shared human experience remains central throughout.

The album title references Carl Jung’s description of humanity as a “splinter in the infinite deity,” framing the record as an exploration of spiritual duality, grief, and self-examination. Across six tracks and 27 minutes, the band move through themes of loss, mortality, internal conflict, and eventual healing. The record serves as both a meditation on the human condition and a deeply personal tribute shaped by grief and remembrance.

Produced, engineered, and mixed by Connor Ray at Sobek Sound and mastered by Erol Ulug at Bright Lights, A Splinter in the Infinite Noumenon presents APOSTLE in their most refined and expansive form.

Pre-order A Splinter in the Infinite Noumenon here: https://www.terminushatecity.com/product-page/preorder-apostle-a-splinter-in-the-infinite-noumenon-lp

APOSTLE is:

Murice White – vocals, guitar
Michael Thomas – bass, vocals
Evan Price – drums

Connect with APOSTLE:

Bandcamp: https://apostlesucks.bandcamp.com
Store: https://www.terminushatecity.com
Instagram: http://www.instagram.com/apostlesucks
Facebook: http://www.facebook.com/apostlesux
Spotify: https://open.spotify.com/artist/67cjLOrbhdb2gFmS9OJKfS
YouTube: https://youtube.com/@terminushatecity

idle threat Share "wither without" (Feat. Silent Planet's Garrett Russell)

Nashville quintet idle threat — Ernie Fabian [guitar, vocals], Zeke McKinney[bass, vocals], Justin Jones [drums], Nathan Moe [guitar], and Dylan Winstead [guitar] — will drop their new album you'll forget the sun, out May 8 via Tooth & Nail. Pre-order it here.

Today, the band has shared the visualizer for the "wither without," featuring a guest appearance from Silent Planet singer Garrett Russell.

Watch and listen below.

"'wither without' is about watching someone you love slowly decay before your eyes, and the continuous fight that it takes to stay by their side when everything in you wants to look away," the band explains. "It's about carrying on their memory when they've lost their own."

"wither without" follows "in tandem," the moody and angular track, featuring Haste the Day vocalist Stephen Keech, which was released earlier this year. Listen Below:

idle threat will also support Haste the Day at Eastside Bowl on May 3 in Nashville.

idle threat aim to dim the darkness and let the light in through the emotional and hopeful lyrics found in each song they meticulously craft. The Nashville rock band not only gives you the space to scream next to them; they also offer up hopeful hooks you can hum along to. The quintet writes the kinds of songs that recognize how tough life is, but still help you get through it with your body, mind, and spirit intact. 
 
As such, their second full-length album, you’ll forget the sun [Tooth & Nail], provides a reminder to keep going no matter what.

"There's a two-part meaning to you'll forget the sun," Fabian reveals. "On one hand, the days can be so dark that you forget the sun exists. On the other hand, when we step into the presence of God—whose glory is so radiant and bright—the sun will pale in comparison. We're pondering this dichotomy from a perspective informed by our faith and experiences. All of the hard things will eventually fade away, and we'll be left in the presence of light."
 
idle threat have uplifted listeners with a combination of cathartic energy and open-hearted honesty since 2016's Grown Tired EP. They deepened their connection with an ardent audience on blurred visions in 2021 highlighted by "no turning back," "driftwood" [feat. Cory Brandan of Norma Jean], and many others. They toured with everyone from Make Sure, Distend, Meadows, and Roy Sullivan to Norma Jean, Emery, Aaron Gillespie, and Watashi Wa, in addition to appearing at Furnace Fest twice. 
 
Throughout the spring of 2025, the musicians recorded you'll forget the sun in Nashville with Haste The Day frontman Stephen Keech behind the board as producer. In the studio, they made major creative leaps as a collective, honing their sound in the process.

CREMATORY Unveil Video Single “Blind” From Greatest Hits Album English Hymns & Deutsche Hymnen

German gothic metal pioneers CREMATORY have released a brand-new music video for their latest single “Blind,” offering a dark glimpse into their upcoming greatest hits album English Hymns & Deutsche Hymnen.

The album is set for release on May 15, 2026 via ROAR – A Division of Reigning Phoenix Music and celebrates 35 years of the band’s career. English Hymns & Deutsche Hymnen will be available as an expansive three-CD edition as well as limited double-vinyl formats. The 3-CD set includes English Hymns, Deutsche Hymnen, and Engulfed in Darkness Demo. The vinyl editions will be released as a Neon Green double vinyl (English Hymns) and a Turquoise double vinyl (Deutsche Hymnen). 

The album pre-sale is available here: https://crematory.rpm.link/greatesthitsPR

With “Blind”, the exclusive bonus track on the Deutsche Hymnen LP edition, CREMATORY present one of their darkest German-language tracks to date. Driven by themes of spiritual erosion and emotional desolation, the song unfolds a bleak, cinematic atmosphere, combining crushing heaviness with immersive depth. Lines such as “kein morgen naht, kein leben bleibt / nur kalte asche” reinforce the track’s cold, ritualistic aesthetic. 

Frontman Felix Stass states:
“‘Blind’ reflects a world where hope dissolves and only shadows remain.”

Formed in 1991 in Mannheim, Germany, CREMATORY have become one of the most enduring and influential acts in European gothic metal. Over more than three decades, the band evolved from their early death metal roots into a distinctive style combining heavy riffs, melodic keyboards, industrial textures, and contrasting vocal approaches.

Throughout their career, CREMATORY have explored themes of life, pain, introspection, and atmosphere, often blending deep growls with clean vocals to create a sound both powerful and haunting. Their growth in the 1990s brought them recognition across Europe through relentless touring and festival appearances.

The upcoming Greatest Hits album reflects the band’s bilingual legacy. English Hymns & Deutsche Hymnen gathers key tracks from across their catalogue in both languages and also includes the band’s earliest demo recordings, offering fans a comprehensive retrospective of CREMATORY’s long and influential journey. With 35 years of history, countless tours, and a legacy that helped shape European gothic, death and industrial metal, Greatest Hits stands as both a celebration of CREMATORY’s past and a powerful reminder that the band remains as vital as ever!

Formed in 1991 in Mannheim, Germany, CREMATORY have become one of the most enduring and influential acts in European gothic metal. Over more than three decades, the band evolved from their early death metal roots into a distinctive style combining heavy riffs, melodic keyboards, industrial textures, and contrasting vocal approaches.

Throughout their career, CREMATORY have explored themes of life, pain, introspection, and atmosphere, often blending deep growls with clean vocals to create a sound both powerful and haunting. Their growth in the 1990s brought them recognition across Europe through relentless touring and festival appearances.
The upcoming Greatest Hits album reflects the band’s bilingual legacy. English Hymns & Deutsche Hymnen gathers key tracks from across their catalogue in both languages and also includes the band’s earliest demo recordings, offering fans a comprehensive retrospective of CREMATORY’s long and influential journey.

In support of the release, the band will embark on an extensive European run throughout 2026.

CREMATORY is:
Felix Stass - Vocals
Rolf Munkes - Guitar
Oliver Revilo - Bass
Katrin Jüllich - Keyboards, Samples
Markus Jüllich - Drums, Programming
 
Visit CREMATORY online:
Website | https://www.crematory.de 
Facebook | https://www.facebook.com/crematory.de 
Instagram | https://www.instagram.com/crematory.de 
YouTube | https://www.youtube.com/@crematory-de 

VOÏVOD Announces New Live Album ‘Symphonique’ Featuring the Quebec Symphony Orchestra Set for Release on June 5th via Century Media Records

Today, after more than 40 eventful years of existence, Canada's progressive sci-fi metal innovators VOÏVOD return with ‘Symphonique,’ a special live release together with the Quebec Symphony Orchestra, set for release on June 5, 2026, worldwide via Century Media Records.

‘Symphonique,’ which functions like an epic piece of cinema, showcases VOÏVOD’s pioneering futuristic metal with the strains of a symphony orchestra, and features a carefully curated VOÏVOD best-of setlist composed of 12 songs across 73 minutes, recorded live on June 4th, 2025, at the Grand Théâtre in Québec City, Canada.

Offering a first taste of 'Symphonique,' the band shares the first single, "Forgotten In Space (Symphonique)," alongside an official visualizer curated by Cloud Motion Design, available to view below.

VOÏVOD’s drummer and founding member Michel “Away” Langevin comments on ‘Symphonique’:

“This live album with the Quebec Symphony Orchestra is a longtime dream turned reality. Thankfully, we will experience it again in 2027 with the Orchestre Symphonique du Saguenay-Lac-St-Jean, right in the region where VOÏVOD formed back in 1983. We wish to take this show across the globe with local orchestras one day, but in the meantime, I hope you will enjoy this epic release. It’s the closest we’ve ever come to sounding like a dystopian sci-fi movie soundtrack, another dream of ours!”

 

About the first single "Forgotten in Space (Symphonique),” bassist Dominic “Rocky” Laroche adds:

“Taken from the album ‘Killing Technology,’ 'Forgotten in Space' transports us to a Mad Max-esque science-fiction universe. Denis "Piggy" D'Amour was even inspired by it when composing parts of the original version. This incredible symphonic masterpiece, orchestrated by Hugo Begin, offers a powerful orchestral introduction that takes us on a musical journey where the fusion of metal and classical music invites us to imagine, for 6 minutes and 27 seconds, that humanity itself may have been forgotten in space…”

Symphonique' follows the release of VOÏVOD’s latest Juno Award-winning studio album,'Synchro Anarchy' (2022), which reached #7 on the official album sales charts in Germany, #64 in Switzerland, #67 in Austria, and #88 in the Netherlands upon release. It also arrives after the band’s special 40th anniversary release, 'Morgöth Tales' (2023).

Pre-Order 'Symphonique' HERE

VOÏVOD will next embark on comprehensive European touring runs in suitable timing for the upcoming live release starting in June.

Stay connected for more VOÏVOD news coming up soon, also about the next studio album release that the band is currently working on.

VOÏVOD are:

Denis “Snake” Bélanger – Vocals

Dominic “Rocky” Laroche – Bass

Daniel “Chewy” Mongrain – Guitar

Michel “Away” Langevin – Drums

BLACK SITES Release Personal New Single "Silent Wars"

Inspired by Robin Williams' quote, “Everyone you meet is fighting a battle you know nothing about,” BLACK SITES have released their new single "Silent Wars". The single lands ahead of the forthcoming full length, For Eternity. The album is set to release independently on July 17, 2026.

BLACK SITES founder Mark Sugar comments on "Silent Wars": "This track is one of my favorites. While there’s some blatant Jake E. Lee homages, a lot of the song was inspired by Americana artist Jason Isbell, of all people. The guitar bit at the very end was recorded as I wrote it — the take that’s on the record is the first time I ever played it."

Heavy driving rock 'n' roll rhythms kick off "Silent Wars" with high energy. Drawing from traditional rock and metal styles, the track delivers a powerful message through moody verse arrangements and a catchy chorus hook. 

For Eternity was produced by Mark Sugar & Chris Black, recorded at I Can’t Believe It’s Not Mace Street Studios, with mixing and mastering by Dan Swano. Drums on For Eternity were recorded by Vladimir Ružičić at Kebac Recording Studio.

About BLACK SITES:
Based out of Chicago, IL, USA, BLACK SITES was founded in 2016, initially as a studio project, by vocalist and guitarist Mark Sugar. Sugar was later joined by members John Picillo (bass), Ryan Bruchert (guitar) and Chris Avgerin (drums). BLACK SITES combines old school metal with guitar harmonies, melodic/clean vocals and progressive elements, primarily drawing inspiration from the likes of VOIVOD, BLACK SABBATH, and KING’S X.

BLACK SITES released their debut In Monochrome in 2017 (Mascot/Provogue Records), followed by Exile in 2019. 2021 saw the release of Untrue that was produced by Sanford Parker and awarded Record Of the Year by Dr. A.N. Grier at AngryMetalGuy.com. BLACK SITES ventured to The Promised Land? with their 2024 full-length that featured Tom Draper. (Ex-CARCASS/SPIRIT ADRIFT) on the track "Chasing Eternity".

Now, in 2026, Mark Sugar is joined by new members Jose Salazar (bass), Lee Smith (guitar) and Chris Black (drums). The forthcoming album For Eternity is set to release independently on July 17, 2026.

BLACK SITES Is:
Mark Sugar (vocals, guitar)
Jose Salazar (bass)
Lee Smith (guitar)
Chris Black (drums)

ANTIMOZDEBEAST Seeks To Embrace The Unknown In The New Single "Corridor Of Admiration"

"Corridor of Admiration" is the latest single to materialize from ANTIMOZDEBEAST, the extreme industrial and electronic black metal project of multi-instrumentalist and producer Gabriel Palacio. The track is taken from the forthcoming full length, The Vagrant Unkempt Grave, due for release on May 15, 2026. It is a continuation of the project’s ongoing examination of spiritual conflict, psychological unrest, and the erosion of collective belief systems.

An atmospheric enveloping of metallic synths and distorted harsh vocals throw open the doors to the "Corridor of Admiration". This intense greeting segues into a melodic guitar progression while spoken words echo and swirl around the instrumentation. The carefully constructed arrangement of spoken words and harsh vocals enhances the entrancing sonic quality of the song. Furthermore, ANTIMOZDEBEAST's highly textural layering of instruments and sounds produces a mesmerizing effect. 

In "Corridor of Admiration", Palacio engages with the notion of challenging humanity's collective and individual fear of the unknown. Lyrically, the track explores this concept and delves into the artist's own personal beliefs, and considers how this idea impacts the daily lives of our society and our own self.  

Listen Below:

Pre-Order the album on Bandcamp HERE: https://antimozdebeast.bandcamp.com/album/the-vagrant-unkempt-grave

Active since 2019, ANTIMOZDEBEAST has developed a distinct sound built on harsh electronic structures, ritualistic pacing, and confrontational vocal expression. The Vagrant Unkempt Grave expands this approach into a cohesive meditation on the vagrant soul, the decay of creation, and the search for truth within systems shaped by myth, power, and distortion. The album spans seven tracks across fifty five minutes, including "Solitude", "The Temple of Vindication", and "Torn Mentality", and presents a continuous descent through themes of isolation, belief, manipulation, and internal collapse.

All music on The Vagrant Unkempt Grave is written, performed, recorded, mixed, mastered, and visually conceptualized by Gabriel Palacio. The album reflects a fully autonomous creative process and continues the project’s focus on exposing fractures within religion, politics, and social structures while encouraging critical thought and personal awakening.

Joan As Police Woman releases intimate 'Flushed Chest' & 'The Ride', previewing new 'Real Life Evolution' album ft. Iggy Pop & Krystle Warren

Renowned NYC artist Joan As Police Woman presents two new singles 'Flushed Chest' and 'The Ride' - both are new versions of classic tracks, previewing her new album “Real Life Evolution”, which will be released on June 12 via UK independent Reveal Records -- on CD, Limited Edition exclusive red marble vinyl and digitally. 

Exactly 20 years since releasing her much-loved debut album "Real Life", Joan has re-recorded and imagined the album in full with guests including Iggy Pop and Krystle Warren. Twenty years in the making, this record was developed through countless nights on stage, these new arrangements brought to life by the musical brilliance of the players who helped define their sound. Other contributors include Will Graefe, Jeremy Gustin, Tony Scherr, Parker Kindred, Danny Blume, Oren Bloedow and Thomas Bartlett.

Joan Wasser, known professionally as Joan As Police Woman since 2004, is a critically acclaimed musician and producer, dubbed “the coolest woman in pop” (The Times) and “one of the 21st century’s best musicians” (The Economist). As a singer, songwriter and multi-instrumentalist, her music defies easy categorization, crafting her own sound that blends various genres. She has released ten albums of original material, two cover albums, and an anthology.

While 'Flushed Chest (Real Life Evolution version)' was recorded at Hayyam Studios in Istanbul by Ceylan Akcar and Sinan Sakizli, the video was recorded at The Owl Music Parlor in Brooklyn by Adam Sachs and filmed by Ehud Lazin. Accompanied by Will Graefe and Jeremy Gustin, this is the third video in the 'The Real Life Anniversary Sessions', following her powerful, stripped-down performances of 'Anyone' and 'The Ride'.

"I wrote 'Flushed Chest' shortly after I read “Time’s Arrow” by Martin Amis. It’s the story of a life, Jeff’s life, told in backwards chronological order. I wrote this one when I was in a period of intense listening to The Wailers; Bunny Wailer, Peter Tosh and Bob Marley, one of the greatest bands of all time. This song works well with the trio so we didn’t stray far from the original recording. Singing the 3-part harmonies with Will and Jeremy is a delight." says Joan Wasser. 

"'Real Life Evolution' is ten reimagined versions of every song from the original 'Real Life' album. Some transformations are subtle. Others are seismic. All of them were made with an entirely new cast of collaborators.”

Joan As Police Woman is a sought-after collaborator who has recorded and/ or performed with hundreds of artists, including Afrobeat legend Tony Allen, Lou Reed, Anohni & The Johnsons, Meshell Ndegeocello, Rufus Wainwright, John Cale, David Byrne, Dave Okumu, Chris Dowd, Lau, Scissor Sisters, Sparklehorse, Beck, Laurie Anderson, Lloyd Cole, Afel Bocoum, Dave Gahan, Tanya Donelly, David Sylvian, Steve Jansen and Damon Albarn (who duetted with Joan on her song 'Get My Bearings' and invited her to feature on the Gorillaz album 'Song Machine'). She also a member of Iggy Pop's touring band (on keys and vocals).

“Music has saved my life. I am a devotee. It’s not something I can even choose or not choose, it’s just what it is. The album Real Life holds the key to my whole life. At the time I felt compelled to get it all into one record because I couldn’t imagine a world where I’d make another," says Joan Wasser.

"Now, twenty years later (and twelve albums into my career), the dream continues to unfold. I still live to play music. The shared experience of a concert is a constant reminder of our common humanity. 'Real Life; was the spark that lit my calling as a solo artist and I’m truly excited to revisit all the songs that mean so much to me and lovers of 'Real Life'.”

'Flushed Chest' and 'The Ride' are now available digitally everywhere. The 'Real Life Evolution' album is out on June 12th on vinyl, CD and digitally. It can be pre-ordered via Bandcamp.

With the coming Real Life 20th Anniversary Tour, Joan brings exclusive trio shows, performing the 'Real Life' album in full, along with key singles from across her catalogue, fan favourites, deep cuts, reworked covers and a few surprises!   She next performs a small handful of shows in New York City at Joe's Pub.  All tickets can be ordered at www.joanaspolicewoman.com/tour or https://linktr.ee/japw.

CREDITS
Lyrics & Music written by Joan Wasser
Published by Fists of Fury (BMI / Domino Publishing)
Produced by Joan Wasser
Mixed by Patrick Dillett at Reservoir Studios
Mastered by Chris Gehringer at Sterling Sound
Joan Wasser - vocals, piano on 'The Ride' & 'Flushed Chest'
Will Graefe - guitar & vocals on 'The Ride';  guitars & vocals on 'Flushed Chest'
Jeremy Gustin - drums & vocals on 'The Ride'; vocals on 'Flushed Chest'
Parker Kindred - drums & vocals on 'Flushed Chest'
'The Ride' recorded by Adam Sachs live at The Owl Music Parlor, Brooklyn, NYC
Ehud Lazin - videographer for 'The Ride'
'Flushed Chest' recorded by Ceylan Akcar & Sinan Sakizli at Hayyam Studios, Istanbul
Assisted by Ilker Cicek and Tolga Kurt
Album cover photo by Judi Rosen
P & (C) 2026 Sweet Police LLC under exclusive licence to Reveal Records
Joan As Police Woman photos by Judi Rosen
Publicity by Shameless Promotion PR

NEW YORK LIVE DATES
JUNE 20  New York, NY, USA, 7pm  - Joe's Pub (SOLD OUT)
JUNE 20  New York, NY, USA, 9pm  - Joe's Pub (SOLD OUT)
JUNE 21  New York, NY, USA, 6pm  - Joe's Pub

Keep up with Joan As Police Woman
Website | LinkTree | Bandcamp | Facebook | Instagram | Twitter | YouTube | Spotify | Apple Music | BandsInTown | Joanthology Podcast (the first 15 years) | Press contact

Keep up with Reveal Records
Website | Bandcamp | Facebook  | Twitter | Instagram | Soundc loud | Press contact

Keep up with Shameless Promotion PR
Website | Facebook | Twitter |  Instagram | BlueSky | Threads  | Soundcloud | LinkedIn | Ema il

Crippled Black Phoenix Premiere New Album Sceaduhelm

More than 20 years removed from where they started, Crippled Black Phoenix are approaching a new threshold with their upcoming new album. Sceaduhelm is the UK macabre rockers’ most inward-looking and grave statement to date. It turns away from collective upheaval to face emotional erosion, fatigue and private collapse.

Sceaduhelm comes out tomorrow, Friday, April 17 on Season of Mist, but you can hear all 12 stark and striking songs today by listening to the full album stream below:

Pre-order

https://orcd.co/cbpsceaduhelm

Pre-save on Spotify

https://open.spotify.com/prerelease/6jvoEOyJQXUQmdI1WlVXrK

Where previous Crippled Black Phoenix records addressed historical violence and societal fracture, Sceaduhelm moves inward, listening to what accumulates in the aftermath: grief, complicity, damaged intimacy and the weight of endurance. The album unfolds as a unified psychological space rather than a traditional concept record, with slow builds, minimalist repetition, and unresolved tension carrying as much weight as melody. While stemming from founding member Justin Greaves (ex-Electric Wizard, ex-Iron Monkey), vocals are shared between Belinda Kordic (Killing Mood, Stabb), Ryan Patterson (Fotocrime, Coliseum, Mirrorless) and Justin Storms (Wailin Storms), each occupying a distinct but aligned emotional register across the album's twelve tracks.

Lyrically and thematically, Sceaduhelm is preoccupied with exhaustion as a condition rather than a moment, with time framed not as a healer but as an eroding force. Songs address burnout, grief, surveillance, institutional violence, and damaged intimacy, often blurring the line between the personal and the political. Musically, the album favours restraint over release, employing repetition, minimalism, and slow escalation to sustain tension without catharsis. Recorded across multiple locations and mixed with deliberate austerity, the record resists warmth, clarity serving discomfort rather than solace.

Within Crippled Black Phoenix’s wider catalogue, Sceaduhelm does not seek to resolve previous narratives or replicate past high points. Instead, it documents a moment of exposure and endurance, listening closely to what remains when spectacle fades and outrage exhausts itself. It stands as a severe, human record, concerned less with declaration than with persistence, and affirms once more the band’s refusal to stand still, soften its gaze, or offer easy answers.

Line-up:
Music - Greaves / Words — Patterson
Justin Greaves — Guitars, Drums, Samples
Ryan Patterson — Vocals
Belinda Kordic — Backing Vocals
Wes Wasley — Bass
Robin Tow — Percussion
Lucy Marshall — Synths

Apparently recorded at various times during 2023 to 2025 at:
Chapel Studios, Lincolnshire, UK
Engineered by Pieter Rietkerk

Additional sessions at:
Kapsylen Studio, Stockholm, Sweden
Engineered by Jörgen Jugglo Wall.
House Of Foto, Louisville, KY, USA
Engineered by Ryan Patterson
Mixed by Iver Sandøy at Solslottet Studio, Bergen, Norway.
Mastered by Magnus Lindberg, Stockholm, Sweden
Additional mixing by Pieter Rietkerk at Chapel Studios
Produced by Justin Greaves

Artwork by Erebus Art (Thanasis Stratidakis)


Thank to everyone who helped and supported this venture.

BIG thankye! to Kurt Ballou for his input and work on this album.

All CBP music published by Season Of Mist Publishing.

Lyrics for “No Epitaph, “The Precipice”, “Vampire Grave”, “Beautiful Destroyer”
Copyright 2026 Ryan Patterson (BMI)

Follow Crippled Black Phoenix:
Bandcamp: https://riseupandfight.bandcamp.com/
Facebook: https://www.facebook.com/CBP444/
Instagram: https://www.instagram.com/cbp_444/
Apple Music: https://music.apple.com/artist/crippled-black-phoenix/251718934
Spotify: https://open.spotify.com/artist/6WEyPcf9ezhNLm1xOBjbwH
Tidal: https://tidal.com/browse/artist/3607159
Deezer: https://www.deezer.com/artist/391823

Hard Rock Supergroup ICONIC Returns with Sophomore Album 'II' Set for Release on July 31, 2026 via Frontiers Music Srl

Frontiers Music Srl is pleased to announce the return of the hard rock supergroup Iconic, featuring Michael Sweet (guitars), Joel Hoekstra (guitars), Marco Mendoza (bass), Tommy Aldridge (drums), and Nathan James (vocals), for their sophomore album 'II,' scheduled for July 31, 2026.

To celebrate the announcement, the band shares the new single and accompanying lyric video, “Cry No More," available now.

Michael Sweet commented:

“It’s been a long time coming, and the time is finally here! It’s an absolute honor to be a part of such an incredible band, and 'Cry No More' is the perfect representation of who Iconic is. Music that takes you back to the best of times and reminds you that rock is still alive and well!”

“It’s a pleasure to work with these fantastic musicians in Iconic. ‘Cry No More’ should give classic rock fans something raw and real in terms of both playing and production. Crank it up!”, Joel Hoekstra added.

Nathan James also stated,

“I'm so pleased to have made another album with these incredible musicians. I hope everyone enjoys this first single, 'Cry No More', and the whole album."

“Well, the time is here, folks, finally ICONIC – 'II' is coming to you, with the first single 'Cry No More' coming soon!" Marco Mendoza exclaimed. “Like always, it’s a blast and quite an honor to be part of a project like this, with all these players! Take a listen and enjoy! Viva la ROCK!!!”

Watch the New Lyric Video for "Cry No More"

ICONIC returns with 'II,' a second album that doesn’t just continue the band’s journey - it defines it. Where their debut introduced the chemistry between five world-class musicians, 'II' sharpens that vision into a clearer, heavier, and more confident sonic identity, delivering a sound that is more powerful, more direct, and unmistakably rock.

At the heart of the album lies the electrifying guitar partnership of Joel Hoekstra and Michael Sweet, delivering a masterclass in soaring melodies, blazing solos, and muscular riffs that perfectly balance technical brilliance with pure hard-rock attitude. Beneath them, the rhythm section of Tommy Aldridge and Marco Mendoza drives the record with thunderous authority, creating a groove that is both massive and relentless.

The album kicks off with “Cry No More," a high-octane opener that immediately sets the tone - an energetic slice of hard rock packed with driving riffs, explosive drums, and a chorus built to stick.

On the other side of the emotional spectrum, “Tears Keep On Falling” showcases the band’s dynamic range, unfolding as an electrifying power ballad where melody, atmosphere, and intensity come together in dramatic fashion.

Towering above it all is Nathan James, whose performance on 'II' is nothing short of extraordinary - powerful, soulful, and commanding, elevating every track with unmistakable presence.

With bigger riffs, deeper grooves, and a stronger sense of identity, 'II' captures ICONIC at full force: a band no longer introducing itself but fully owning its sound.

Pre-Order 'II' HERE

Line Up:

Nathan James - Vocals

Michael Sweet - Guitars

Joel Hoekstra - Guitars

Marco Mendoza - Bass

Tommy Aldridge - Drums

Keyboards by Antonio Agate

Backing Vocals by Marco Pastorino

DEVILDRIVER Return With 11th Album "Strike and Kill" Out 7/10 + Lead Single "Dig Your Own Grave" Out Now — PRE-ORDER + WATCH

After numerous world tours, 10 full-length albums, and globally recognized acclaim, unstoppable groove metal legends DEVILDRIVER remain full speed ahead in their second decade of decimation. Today, the band announces their explosive eleventh full length, Strike and Kill, out July 10 via Napalm Records.With the all-star lineup of frontman and mastermind Dez Fafara, virtuoso guitar duo of Alex Lee and Gabe Mangold, eruptive drummer Davier Ortega Perez, and the return of founding bass legend Jon Miller, Strike and Kill sees DEVILDRIVER return to their carnivorous origin, reigniting the incendiary sound that founded their legacy, a must listen for all fans of the genre.

Dez Fafara on Strike and Kill:
"My headspace hasn't changed, I have not become complacent or soft in my view of the world or in my music. Metal is our outlet as listeners and writers, so on this record we focused on 'getting it all out' lyrically, and backing those lyrics with savage, relentless music that fuels the heavy California groove like no other. DEVILDRIVER has never sounded like any other band, we do our own thing in our own way, and I'm the most proud of that.

"I'm so proud of these musicians, this music, and the vibe around this record. DevilDriver sounds like no one else out there right now, we are here to Strike and Kill!"

Alongside today's announcement, they unleash the fierce album opener upon the masses. Debuting yesterday on SXM's Liquid Metal, "Dig Your Own Grave," is a vitriolic onslaught of machine gun riffs and uncompromising aggression, lyrically lambasting fools responsible for their own undesirable fates. Full of piss and vinegar, this is DEVILDRIVER at maximum ferocity, giving listeners just a taste of the unspeakable carnage waiting within Strike and Kill.

About the track, Fafara states:
"'Dig Your Own Grave' is about how one wrong decision, one wrong move can see your whole world turned upside down, effectively 'digging' your own grave… it's that simple.

"It can also refer to how your decisions can fuck someone else. This is why there's the line 'Six feet ain't deep enough for you,' because only a deep, deep hole is fitting for what you've done or tried to do to others. Be careful when you choose to make decisions at midnight."

Additionally, DEVILDRIVER will be touring across the western United States with Upon A Burning Body and Ov Sulfur. Kicking off August 14 in San Diego, CA, the Strike and Kill North American Tour 2026 will hit a slough of major cities including Dallas, TX, Chicago, IL, Salt Lake City, UT, and Reno, NV before its thunderous conclusion on September 5 in sunny Anaheim, CA. Artist presale is live NOW, see below for a complete list of dates and the artist presale code: [ARTIST PRE-SALE CODE: DYOG777]

DEVILDRIVER ON TOUR:
8/14 — San Diego, CA — Observatory North Park
8/15 — Las Vegas, NV — Brooklyn Bowl
8/16 — Phoenix, AZ — Marquee
8/18 — San Antonio, TX — Aztec Theater
8/19 — Austin, TX — Come and Take It Live
8/20 — Houston, TX — House of Blues
8/22 — Dallas, TX — House of Blues
8/23 — Oklahoma City, OK — Diamond Ballroom
8/25 — Chicago, IL — Bottom Lounge
8/26 — Milwaukee, WI — The Rave
8/29 — Colorado Springs, CO — Sunshine Studios
8/30 — Salt Lake City, UT — The Depot
9/1 — Boise, ID — Treefort Music Hall
9/2 — Reno, NV — Club Underground
9/3 — Sacramento, CA — Goldfield
9/4 — San Jose, CA — The Ritz
9/5 — Anaheim, CA — House of Blues

DEVILDRIVER ARE:
Dez Fafara — Vocals
Davier Ortega Perez — Drums
Jon Miller — Bass
Alex Lee — Guitar
Gabe Mangold — Guitar

FRONTIERS RECORDS Shares New Single “When The Heartache Has Gone” Featuring Mattias Olofsson + New Visualizer

Today, FRONTIERS RECORDS shares the new single “When The Heartache Has Gone,” a new rendition of the Revolution Saints track, featuring Mattias Olofsson (Grand). The track was originally released in 2019 by the supergroup featuring Deen Castronovo (Journey), Doug Aldrich (The Dead Daisies, Whitesnake, Dio), and Jack Blades (Night Ranger).

 

This new version is part of the upcoming ‘XXX Anniversary Compilation,’ a special project celebrating 30 years of passion, creativity, and unforgettable music. The record is set for release on May 22, 2026, and will be only available on CD, on the label’s webstore.

 

Mattias comments on the new track:

“I was truly honored when I was asked to help celebrate the 30th anniversary of FRONTIERS. I’ve always been a big fan of Deen Castronovo’s voice, so I was especially excited to take on a song by Revolution Saints. I hope you all enjoy it.”

Watch the Visualizer for “When The Heartache Has Gone” Below:

Starting from an idea of Serafino Perugino, the ‘XXX Anniversary Compilation’ brings together some of the greatest melodies and voices from the world of melodic rock. This special release celebrates the label’s rich legacy by revisiting iconic tracks from the FRONTIERScatalogue, reimagined with dynamic new performances from an extraordinary lineup of guest vocalists.

Each track has been recorded exclusively for this anniversary project and showcases the powerful reinterpretation of beloved FRONTIERS classics through the voices of today’s standout rock artists.

Aldo Lonobile, Head of A&R Europe at FRONTIERS LABEL GROUP and producer of the record, comments:

“Producing the 30th anniversary record for FRONTIERS RECORDS has been both an honor and a responsibility. This label has built a legacy on passion and vision, and, with this album, we wanted to celebrate that history in a meaningful way. Having a mix of established and new generation of FRONTIERS artists reinterpret the iconic tracks that shaped our identity is more than a tribute - it’s a bridge between eras.

“With a tracklist discussed together with the FRONTIERS President Serafino Perugino, this record is a celebration of where we come from, and a powerful statement of where we’re headed”, he continued.

Under the expert production of Lonobile – who also performs part of the guitars on the album - the performances are backed by a stellar lineup of musicians: Alessandro Mammola (guitar), Andrea Arcangeli (bass), Cristian Timpanaro (bass), the keyboards team – Alessio Lucatti& Antonio Agate, Alfonso Mocerino, and Fortunato Grillo on drums, delivering powerful new arrangements that bring renewed energy to these fan-favorite tracks.

‘XXX Anniversary Compilation’ isn’t just a compilation - it’s a tribute to 30 years of rock excellence, a heartfelt thank you to the artists, fans, and collaborators who have been part of the FRONTIERS RECORDS story.

Whether you’re a lifelong supporter or discovering these songs for the first time, this album delivers powerful performances, soaring melodies, and the unmistakable spirit of FRONTIERS.

Pre-Order ‘XXX Anniversary Compilation’ HERE

“When The Heartache Has Gone” Line Up:

Mattias Olofsson – vocals

Alessandro Mammola – guitar

Andrea Arcangeli – bass

Alessio Lucatti – keyboards

Alfonso Mocerino – drums

SPREAD EAGLE Unleashes New Single "Flat Earth Vultures" + Official Video

Today, hard rock veterans SPREAD EAGLE unleash their new single “Flat Earth Vultures,”taken from their upcoming album, ‘The Brutal Divine,’ out on June 12, 2026 via Frontiers Music Srl. The new track arrives alongside an official video, available below.

SPREAD EAGLE are currently on the road on “The Brutal Divine Tour 2026,” with dates across the US, UK, and Europe throughout the summer. For the full list of dates, please see below and HERE.

On “Flat Earth Vultures,” the band comments:

“If there ever was a guitar riff that defines what street metal is, we’d say it’s 'Flat Earth Vultures.' Combined with an interesting lyrical observation on how the rich are making clowns of the rest of us, the track is an instant SPREAD EAGLE classic.”

Watch the Official Video for "Flat Earth Vultures" Below:

‘The Brutal Divine' is SPREAD EAGLE’s long-awaited fourth studio album and a fierce new chapter in the band’s uncompromising legacy. Known for their raw energy, streetwise attitude, and explosive live performances, they once again prove why they remain a vital force in modern hard rock.

The band described the new record as “an emotionally and musically heavy body of songs showcasing a unique command of power, dynamics, and melody. We have harnessed the energy of years of non-stop touring and turned it into a metal/punk thrill ride of an album."

“Lyrically, 'The Brutal Divine' challenges us to question our views and ask if we're truly as free-thinking as we may believe. Once that question is posed, the album progresses towards uplifting messages of hope and community”, they continued.

Fronted by the unmistakable voice of Ray West, the band delivers a powerful collection of songs that balance grit and melody, aggression and soul. Guitarist Gianmaria “Jommy” Puledda injects the record with razor-sharp riffs and soaring harmonies, while Rob De Luca(bass, vocals) and Rik De Luca (drums) form a thunderous rhythmic backbone that drives every track with authority and groove.

Produced by Rob De Luca, 'The Brutal Divine' captures the band at their most focused and dynamic - blending their classic hard rock roots with a darker, heavier edge. The album channels the intensity and authenticity that first put SPREAD EAGLE on the map, while showcasing a band that continues to evolve without losing its identity.

With a full slate of live dates planned in support of the release, SPREAD EAGLE is ready to bring 'The Brutal Divine' to stages around the world - where their music truly comes alive. This is hard rock delivered with conviction, attitude, and fire.

Pre-Order 'The Brutal Divine' HERE

"THE BRUTAL DIVINE TOUR 2026”

US Dates:

Apr 12-16 - Monsters Of Rock Cruise - Dominican Republic

Apr 17 - Casselberry, FL @ The Green Parrot

Apr 18 - Ft Myers, FL @ Stet’s Bar

Apr 19 - Davie, FL @ Cagney’s House of Rock

May 3 - Halethorpe, MD @ Fish Head Cantina

Jun 6 - Charlotte, NC @ Amos Southend

Jun 12 - Clifton, NJ @ Dingbatz

Jun 13 - Newark, DE @ Halftime

Jun 19 - Norton, WV @ RimRocks Fest

 

EU Dates:

Aug 29 - Issenheim, France @ Rockfest

Sep 10 - Frankfurt, Germany @ Huhnerstall

Sep 11 - Lichtenfels, Germany @ Paunchy Cats

Sep 12 - Wroclaw, Poland @ Klub Muzyczny Liverpool

Sep 13 - Reichenbach, Germany @ Bergkeller

Sep 18 - Grebbestad, Sweden @ Rode Orm

Sep 23 - Southampton, England @ The Brook

Sep 24 - St Albans, England @ The Horn

Sep 25 - Isle of Wight, England @ Strings

Sep 26 - London, England @ New Cross Inn

Sep 27 - Derby, England @ The Victoria Inn

Sep 28 - Birmingham, England @ Subside

Sep 30 - Newcastle, England @ Trillians

Oct 1 - Edinburgh, Scotland @ Bannermans

Oct 2 - Buckley, Wales @ The Tivoli

Oct 3 - Harrogate, England @ The Den

Oct 4 - Stockport, England @ The Spinning Top

GET TICKETS HERE

SPREAD EAGLE are:

Ray West - Lead Vocals

Gianmaria “Jommy” Puledda - Guitars and Vocals

Rob De Luca - Bass and Vocals

Rik De Luca - Drums

NYC's Julia Greenberg shares 'Leaves' single, a masterclass in the art of letting go

NYC-based singer-songwriter Julia Greenberg presents her new single 'Leaves', an uplifting track that feels remarkably hopeful despite being written amidst the quiet wreckage of personal loss. Mastering the art of letting go, she offers a poignant reminder that some seasons simply cannot be held captive. This is a hauntingly graceful prelude to her 'Born Sentimental' EP, slated for June release via New Jersey's Magic Door Record Label.

Directed by Julia Greenberg and edited by Nico Greenberg with Yumiko Takagi as director or photography, the accompanying video captures a small-town schoolhouse that is "frozen in time", this setting serving as a poignant monument to the people and milestones we’ve moved on from. The lens treats these relics as a visual meditation on the bittersweet friction between honoring our most precious, fleeting memories and finding the courage to keep walking toward the hope of an unmapped horizon.

'Leaves' sets the tone for the EP. Written over several years in the aftermath of a personal tragedy, the song is reminder that, try as we might, we can’t hang on to those autumn leaves. Referencing the incomparable and oft interpreted Kurt Weill song, Julia chastises herself: “There’s nothing dumber, than the girl who sings September Song in summer”, as she ruminates over her guitar in the shade while everyone else is at the lake.

Recorded live at Chrometop Studios, this music vibrates with the raw, lived-in chemistry of a quartet that has spent half a decade honing these stories while touring the Northeast, capturing their emotional and creative connections and vulnerabilities. It’s a deeply personal and gorgeous collision of alt-country grit and the sophisticated wit of American Standards, capturing a vulnerability that feels both timeless and bracingly honest. Co-produced by Bob Perry (The Winter Hours) and Julia Greenberg, this EP was engineered by Bob Perry and mastered by Ray Ketchem (Guided by Voices, Elk City, Gramercy Arms, Luna, Crash Harmony) at Magic Door Recording Studio in Montclair, NJ.

"These songs are unapologetically written and sung by a woman who has been around a while and has seen and lost a thing or two—and knows the power of the proximity of funny and mournful. The songs, and the kind of raw way I’m putting them out into the world, is a reaction to all the screens, and filters and bullshit projections of ourselves that rule us," says Julia Greenberg.

A chanteuse, theater composer and filmmaker with roots in the downtown NYC music scene, Julia Greenberg has released two albums of original music - 'Past Your Eyes'and 'Greenland' - both produced by James Mastro (The Bongos, Mott the Hoople, Ian Hunter, Patti Smith, John Cale). Her her music has been featured on 'This American Life' (including the ever-popular Dr. Phil episode, in which Phil Collins evaluates a breakup song she co-wrote), and Ronnie Spector also recorded one of her songs.

Greenberg's award-winning documentary 'Dory Previn: On My Way to Where' can now be watched on PBS, having had its world premiere at the SXSW Film & TV Festival in 2024. Prior to directing the film, Julia became the foremost interpreter of Previn’s music, performing her work around the country at venues such as Joe’s Pub, Mass MoCA, the 92nd Street Y, the Houston Museum of Fine Arts, and on WFMU and WNYC radio. She is also the archivist for Previn's estate.

Apart from co-writing the hit off-Broadway rock opera 'People Are Wrong!' with Robin Goldwasser, she composed the music for the off-Broadway play 'Cavedweller' with "Hedwig and the Angry Inch" composer Stephen Trask. In her spare time, she is a health justice advocate and co-curates the music program at the Rock Valley Schoolhouse in the Catskills.

"After years of interpreting other people’s songs and making a film about my musical idol, Dory Previn, this release feels like some kind of catharsis. It’s just me and my unadorned voice and musical companions of the last decade, doing what we do live, captured so beautifully by engineer and co-producer Bob Perry," says Julia Greenberg.

As of April 21, 'Leaves' is available across digital platforms, including Apple Music, Spotify, Amazon and Bandcamp, where it is currently available for download. On June 11, the 'Born Sentimental' EP will be released via Magic Door Record Label.

CREDITS
Music & lyrics for all songs written by Julia Greenberg
Jeremy Chatzky - upright bass
Will Holshouser - accordion
Tricia Scotti - backing vocals
Julia Greenberg - acoustic guitar
Bob Perry - electric guitar
Paul Moschella - drums
Stephanie Seymour - percussion
Recorded at Chrometop Studios
Co-produced by Bob Perry and Julia Greenberg
Engineered by Bob Perry
Mastered by Ray Ketchem at Magic Door Recording
Cover artwork by Jamil Azam
Artist photos by Yumiko Takagi
Released by Magic Door Record Label
Publicity by Shameless Promotion PR


Keep up with Julia Greenberg
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SERPENT LORD Emerges with New Album, Debuts First Single via Bandcamp

Solo pagan black metal project SERPENT LORD will be releasing its debut album, 'The Once Forgotten Ways of Old,' on May 29, 2026 via Eisenwald Records. The project has debuted the haunting first single, "Aries Ram," can now be streamed below.

SERPENT LORD first slithered into existence in 2003, emerging as a solitary pagan black metal vessel forged by Jake Superchi (UADA, Ceremonial Castings). Though the project's first true album was recorded in 2005, the work was abruptly shelved and lay dormant for twenty years. Now, in the Year of the Snake, the ancient offering has been reborn and reimagined as 'The Once Forgotten Ways of Old,' preserving every note of its primordial conception.

The album was re-recorded in the cold heart of the Pacific Northwest between 2022 and 2025, engineered and mixed by Jake Superchi, and mastered by Arthur Rizk. The release features new artwork and the original logo created by Kris Verwimp, along with photography by Peter Beste.

Pre-orders are now live via the Obsidian Spells Shop (North America), Eisenwald (EU/UK), and Bandcamp (Worldwide).

The artwork was created by Kris Verwimp and can be found below

Originally formed over two decades ago, SERPENT LORD existed largely in the shadows, issuing only a handful of demos before entering an extended period of dormancy. Yet, the creative force behind the project never faded. Ideas, fragments, and compositions endured across the years, shelved for the right moment, only fully taking shape and being realized in the Year of the Snake, when the vision was finally forged into its definitive form.

Early demo material already hinted at what SERPENT LORD would become: a severe balance between melodic grandeur and unrestrained aggression, with transitions between atmosphere and brutality, produced to enhance rather than obscure its intensity.

Founded by Jake Superchi (known for its creative force in UADA and CEREMONIAL CASTINGS), SERPENT LORD channels the spirit of ’90s pagan black metal. The album stands as a triumphant and immersive work - melodic, fierce, and steeped in ritualistic energy. Expansive riffing, evocative passages, and a dynamic interplay between harsh and atmospheric elements, both timeless and fully awakened.

The album was recorded and mixed by Jake Superchi, and mastered by Arthur Rizk, achieving a sound that retains raw edge while delivering clarity and depth. The cover artwork, created by Kris Verwimp, along with photography by Peter Beste, further underscoring the album’s mythical and arcane atmosphere.

With 'The Once Forgotten Ways of Old,' SERPENT LORD emerges from decades of silence with a work that fulfills the promise of its early recordings; it's an album shaped by time, and driven by an uncompromising vision of black metal.

Lineup:

Jake Superchi - all instruments & vocals

Cover Art & Logo: Kris Verwimp

Mixing & Engineering: Jake Superchi

Mastering: Arthur Rizk

Pre-orders:

https://store.eisenton.de/ (EU/UK)

https://obsidianspells.bigcartel.com/ (North America)

https://serpentlordusa.bandcamp.com/album/the-once-forgotten-ways-of-old (Worldwide)