AGENBITE MISERY Release “A Charitable View of Temporary Insanity”

Experimental metal trio AGENBITE MISERY have released “A Charitable View of Temporary Insanity,” the latest track from their forthcoming debut album Remorse of Consciousness, due out February 6, 2026.

Serving as the emotional centerpiece of the record’s first half, the song is a sprawling meditation on death, memory, and inner turmoil. It adapts the “Hades” episode from James Joyce’s Ulysses, in which protagonist Leopold Bloom journeys through Dublin to attend a funeral while reflecting on personal loss. With lyrics drawn directly from Bloom’s internal monologue, the band translates Joyce’s psychological density into a massive, genre-warping composition.

The track unfolds with a gentle, ambient intro that evokes the quiet tension of a city morning. Subtle field recordings and bass harmonics set the scene before a crushing sludge riff drops in, anchoring the song’s emotional gravity. From there, the composition drifts between suffocating heaviness and moments of haunted clarity. Elements of funeral doom, acoustic interludes, blackened chaos, and harsh noise are woven together with meticulous intent.

One of the track’s most jarring moments comes when the instrumentation falls away completely, leaving only sparse percussion and a raw, grief-stricken vocal. The lyrics, drawn from Bloom’s thoughts about his deceased infant son, strike with an emotional immediacy that few metal bands attempt, let alone deliver with this level of conviction.

“A Charitable View of Temporary Insanity” is a clear statement of purpose from a band committed to exploring the limits of what heavy music can express. While dense and ambitious, the song remains grounded in thoughtful, evocative songwriting that rewards close listening.

Remorse of Consciousness adapts each chapter of Ulysses into a standalone piece, forming a concept album that bridges literary complexity with sonic extremity. With this single, AGENBITE MISERY continues to carve out a space entirely their own, where literature and extreme metal converge with startling clarity.

About AGENBITE MISERY:
AGENBITE MISERY is a New Hampshire-based trio that fuses literary ambition with the visceral force of experimental metal. Formed in 2022 by guitarist Sam Graff, bassist Cam Netland, and drummer Adam Richards, the band emerged from a shared academic background in literature and a mutual devotion to the most extreme and boundary-pushing corners of heavy music.

At its core, AGENBITE MISERY is a project rooted in transformation. Their work doesn’t merely incorporate influences, it dismantles them, reshapes them, and recontextualizes them within a vision that is as cerebral as it is punishing. Their sound weaves together elements of black metal, sludge, death metal, post-punk, ambient, and noise rock, unified not by style but by intent: to confront, to immerse, and to challenge.

Individually, the members bring a history of musical experimentation: Sam Graff and Adam Richards were longtime collaborators in the avant-garde project UNDER GREEN SUNS and the Boston metalcore outfit VICARIUM, while Cam Netland previously fronted the Connecticut stoner/black metal band COAGULATE. Together, they’ve forged something entirely distinct, a collective voice that draws from their diverse histories but refuses to be defined by any one genre or scene.

AGENBITE MISERY exists at the edge of metal and the margins of modern art, translating abstract ideas into concrete sound with unrelenting force. Whether performing live or recording in isolation, their ethos remains constant: dig deeper, aim higher, and never repeat what has already been done.

AGENBITE MISERY is:
Sam Graff – Guitars / Vocals / Synth
Cam Netland – Bass / Vocals
Adam Richards – Drums / Vocals

Connect with AGENBITE MISERY:
Bandcamp: https://agenbitemisery.bandcamp.com
Facebook: https://www.facebook.com/profile.php?id=61574211514876#
Instagram: https://www.instagram.com/agenbitemisery/?hl=en
YouTube: https://www.youtube.com/channel/UCwjOZilhkqTRkZHpJJwlbhw
Spotify: https://open.spotify.com/artist/6dYQgCtNvpvNWwfQ06LQQZ
Apple Music: https://music.apple.com/us/artist/agenbite-misery/1716987132
TikTok: https://www.tiktok.com/@agenbite.misery
Ampwall: https://agenbitemisery.ampwall.com/

UK electronic outfit Scissorgun shares 'Gone Rogue', teasing new album 'Scream If You Wanna Go Faster'

UK electronic outfit Scissorgun announce their album 'Scream If You Wanna Go Faster', out November 21 via Dimple Discs. Mixing urban electronica with fuzz and wah guitar, these trailblazers present a solid collection of songs, dances and abstract soundscapes. A must-have for Factory Records collectors, the vinyl includes seven tracks, while the digital and CD versions include three bonus tracks. Ahead of its release, they present the tracks 'Gone Rogue' and 'Bad As Bingo'.

Formed in Manchester in August 2016, Scissorgun is an electronic trio comprised of Dave Clarkson (synths, rhythms, tapes, percussion), Alan Hempsall (vocals, treated guitar, samples, loops) and Adrian Ball (light show and projections). Carriers of Factory Records' legacy.

“We always operate on instinct and improvisation is the key starting point. Some ideas become structured songs, but others remain as first recorded, with the music finding us and not vice versa. The title is a soft attempt at social comment, intended to be inferred rather than overt,” says Dave Clarkson.

Their musical scope is varied - pastoral dreams one minute and, the next, crashing swathes of noise chased down with a dub twist.

"The idea for 'Gone Rogue' started with a busy electro bass line and, as soon as we found a good quote from a conspiracy theorist on social media, the whole thing seemed to turn into a polemic against turning your back on humanity in revulsion. We dwell on the impact of the fight for our attention on the individual and the damage done. All the while, the driving beat is pushing us on with heavy cowbells and pulsing bass. We’ll all feel better if we dance," says Dave Clarkson.

Alan Hempsall adds, "As for 'Bad as Bingo', we were both overjoyed when this came out of the mincing machine. We’d been looking for something with a go-go beat to it, so this was perfect. The words flowed automatically as the best ones always do. Broad brush observations of a situation gone bad coupled with a mawkish sentimentality for what’s lost. The glitching and grinding bass line and barking dogs take on a life of their own. Suddenly it all makes sense and the initial spark revolts into structure and form."

Alan and Dave first met in 2007 when Dave’s band, Triclops, were supporting Biting Tongues at Islington Mill in Salford. Alan was in the audience and was so taken with Triclops’s performance that he wandered over to show appreciation and a friendship was struck up, bonding over a mutual weakness for early industrial, rock and modern jazz. After nine years of gig-hopping and hanging out, the timing was suddenly right for them to organise some jam sessions to see what came out.

It so happens that both of their bands were on hiatus at the time. While Dave Clarkson was in Triclops from 2000 to 2015, he was in White Cube prior to that. He since boasts an extensive catalogue of solo works.

As for Alan Hempsall, he was the vocalist for Crispy Ambulance, who was on Factory Records from 1980 to 1982, before spending five years in the mid ‘80’s playing percussion in a Brazilian Samba band. Hempsall also famously appeared on stage with Joy Division in April 1980, standing in for Ian Curtis at a show in Bury that descended into a riot.

"As with any album, we operate on instinct. Improvisation is the key starting point. At this moment, anything can and generally does come out. The bizarre accidents and serendipity that occur during this process are the parts we keep. Those moments that feel like you’re merely the vessel that the music is transmitted through," says Alan Hempsell.

Dave Clarkson adds, "Some ideas gradually emerge into structured songs whilst others have the fortitude to remain in their original form to some extent or another. Yet no conscious decision is made. We are not in control. It is the music that finds the musicians. As the body of work is growing and developing, it seems to take on its own identity, something else we appear to have little influence on. So, there is an element of Praxis at work here, we’ll do it because we want to and think up the reasons why later."

Prior to this album, Scissorgun released three albums - ‘Assault Two’ (2017), ‘All You Love Is Need’ (2020) and ‘Psychological Colouring Book’ (2021). They frequently perform live and have opened for such artists as Wolfgang Flur, Wrangler and Eric Random.

Ahead of its official release on November 21, ‘Scream If You Wanna Go Faster’ is available via Bandcamp - both digitally and as a signed white label vinyl release (with colour paper photocopy of a brilliant sleeve). It can be ordered on CD and cyan-coloured vinyl from select record shops. Scissorgun's album release show takes place on November 19 at the Amersham Arms in London.

CREDITS
All music written performed and recorded by Scissorgun
Dave Clarkson – synths, keyboards, loops, electronic drums & field recordings
Alan Hempsall – vocals, words, treated guitars, effects & found sounds
Engineering & production by Dave Clarkson
Mastering by Peter Beckmann at Technology Works, East Lothian
Scissorgun device by Kevin Craig
Sleeve design by Bruce
Photography by Wayne Goodman
Recorded over the course of 2024 at Cavendish House Studio, Manchester, UK
With thanks to Adrian Ball at Hollowsphere, AV
Released by Dimple Discs
Publicity by Shameless Promotion PR


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Dark Metal Band THE VICE Unleash First Single/Video From Upcoming EP "The Red Tape Sessions"! ​  

Stockholm-based dark metal four-piece THE VICE has announced the release of their brand new 3-track EP "The Red Tape Sessions", set to drop on December 5 via Noble Demon. With the track "Cardinal Tropes", the band offers a first glimpse of what’s to come. The single is accompanied by a striking music video, available to watch below:

THE VICE about the song: "Sometimes things don't have to be too complicated, pretentious. 'Cardinal Tropes' began with only a couple of lines spat out on top of a simple, cool rhythm. Those first few seconds made it very clear as to what kind of a song it was going to be, so writing and arranging the rest was nothing but smooth sailing. And the end result is a dazzling display of The Vice firing on all cylinders, a purple freaking haze of mean rock 'n' roll, dark metal, self-indulgence and a juvenile tenacity to always take the road less traveled." 

From the very beginning, THE VICE has followed their own crooked path, driven by a desire to carve out a place of their own within the scene.

 

And that grimy, wildhearted, metal/rock/pop fusion, with one foot firmly planted in the windswept, frozen North and the other cemented to the concrete of the streets, sure sounds like nothing else.

 

Dark, blackened metal, ferocious rock 'n' roll, posh punk and harsh, hardcore attitude; mixed with a huge dose of the cultural colossi of the 90's such as Guns & Roses, Pantera, Prince, Grunge, Oasis, Neometal, Fight Club, The Matrix and Terminator 2 to name a few. All of that - and everything in between - comes close to describing the very essence of THE VICE.

Three full-length albums and numerous EPs into their career, the band stands as a confident, adrenaline-pumping unit - a bunch of loose cannons at the starting blocks, ready to commence the next chapter in THE VICE saga.

 

The first leg of this new era is marked by "Cardinal Tropes", the opening track from "The Red Tape Sessions" mini-EP, closing out 2025 with a colorful bang. The track is a straightforward, mean-sounding statement piece - a perfect representation of THE VICE in 2025.

 

"The Red Tape Sessions" - a striking collection that builds upon the foundations of March’s "A Great Unrest" (Noble Demon), elevating both the production and songwriting while drenching it all in a strange, electrifying neon glow - arrives December 5 and is available for pre-order HERE.

The Vice are:
Rickard - Vocals & Guitars 
Charlie - Bass 
Petter - Drums
Joel Öhman - Guitar

For more info visit:
https://www.facebook.com/TheViceOfficial/  
https://www.instagram.com/theviceofficial/  
https://theviceonline.bandcamp.com/  
https://linktr.ee/nobledemon    

Kreator Pay Homage to Dario Argento's Horror Classic "Suspiria" in "Tränenpalast" (Feat. Britta Görtz) Video

Metal titans KREATOR have released a new single from their sixteenth full-length, Krushers Of The World, which will be out on January 16 via Nuclear Blast Records.

Arriving just in time for Halloween, the song "Tränenpalast" is a comprehensive homage to horror maestro Dario Argento's 1977 cult film Suspiria, which is hailed by fans as one of the most defining genre entries of its era. While the lead melody references the film's original score by Italian prog band GOBLIN, lending it a melodic death metal touch, the lyrics mention "the three mothers," an ancient witch coven from the Suspiria universe. In addition, the music video created by acclaimed masters of the macabre, Grupa 13, features KREATOR performing in the film's haunted ballet school setting complemented by disturbing images of said witches in various stages of transformation.

You can watch the video below — if you dare!

"Tränenpalast" features vocal coach Britta Görtz of extreme metal band HIRAES.

Mille Petrozza comments,"'Tränenpalast' è il nostro tributo alla grande tradizione del cinema italiano. Ci siamo ispirati al classico Suspiria di Dario Argento e al suo epico remake firmato da Luca Guadagnino. Musicalmente, ci inchiniamo ai grandi Goblin, in diretto dialogo con il maestro Claudio Simonetti. Speriamo che la canzone vi piaccia tanto quanto piace a noi.  Solo amore per i grandi! Salve alle orde!"

+++

"'Tränenpalast' is our tribute to the great tradition of Italian cinema. We drew inspiration from Dario Argento's classic Suspiria and Luca Guadagnino's epic masterpiece remake. Musically, we bow to the great Goblin, in direct conversation with maestro Claudio Simonetti. We hope you enjoy the song as much as we do. Only love to the greats! Hail to the Hordes!"

Pre-order/presave Krushers of the World here.

AVAILABLE IN THE FOLLOWING FORMATS:
Limited 3LP + 2CD Digipak Deluxe Box Set (Black/White/Red Splatter LP + transp. Red 2LP) w/ demon figurine & pin by Cave Toys, LP-sized 24-page photo booklet, beer coaster, patch, poster and alternate box artwork (CD2 and LP2+3 contain bonus live album "Krushing Classics 1985-1990")

Limited 3LP + 2CD Digipak Ltd. Box Set (Gold/Red ink spot LP + transp. Orange 2LP)
w/ LP-sized 24-page photo booklet, beer coaster& poster (CD2 and LP2+3 contain bonus live album "Krushing Classics 1985-1990")

Black LP
Red LP
Transparent Red / Black Marbled LP
Orange / Black / White Splatter LP
Dark Red / White Corona LP
Red Gold LP
Gold / Black Marbled LP

Limited Edition 2CD Digipak 
(CD2  contains bonus live album "Krushing Classics 1985-1990")

Jewelcase CD

Digital Album

FESTIVALS:
5/21 — Baltimore, MD — Maryland Deathfest 2026

Volumes Announce New Album "Mirror Touch" Out 12/12 + Share "S.O.A.P." Visualizer

15 years into their career, Volumes have weathered ups, downs, time, trends, and everything else life could throw at them only to come out stronger on the other side. Against all odds, a devout audience has ridden shotgun and grown with them every step of the way, waiting for this moment.

The Los Angeles quartet — Michael Barr [vocals], Raad Soudani [bass], Myke Terry [vocals], and Nick Ursich [drums] — are thrilled to announce their fifth album, titled Mirror Touch. It will be released digitally on December 12 via longtime label Fearless Records. The physical album will arrive on February 27 of next year. Pre-order it here

Volumes have dropped the visualizer for the new single "S.O.A.P." Watch it

Volumes have never sounded as confident and assured as they do on this riff-roaring new single. Crunchy, industrial-tinged production, screamed vs. melodic vocal interplay, and a thunderous breakdown signal the beginning of the new era of Volumes. If Meshuggah or Fear Factory entered into a cage match with the Terminator: Judgment Day's T-1000 liquid antagonist, it would sound a lot like "S.O.A.P."

"'S.O.A.P.' is about pure and impure indulgence," the band explains. "Good versus evil. Playing with fire or magic — the lines are blurred here. We self-nurture habits that are deemed immoral, although who is the person making that decisions for us?"

Through a decade-and-a-half, Volumes' quiet impact has been felt, with over 167 million streams in the U.S. alone, widespread acclaim, and sold-out shows. They've carved out their own corner of heavy music with an inimitable hybrid of head-crushing polyrhythmic prog-spiked metal, hardcore spirit, and unbridled attitude. They have assuredly leveled up over the course of albums such as Via [2011], No Sleep [2014], Different Animals [2017], and Happier? [2021]. KERRANG! hailed the latter as "an album that gives a nod to the band's past while still bringing in new ideas." Meanwhile, the group shared stages on tour with everyone from Ice Nine Kills and Born of Osiris to Dance Gavin Dance and Counterparts. The Los Angeles group continues to fortify a full-on sensory assault with thick riffing, chilling soundscapes, and the venomous bite of its incomparable two-headed vocal hydra.

First single “Obsession” off upcoming album by WICKED will be unleashed today on all digital streaming services, accompanied by a live visualizer!

"October 31st, marks the end of the harvest! The boys in WICKED are bringing an offering when the veil is at its thinnest! Now you can't put it down. It ignites your nerves, setting fire to your veins, and all you know is you want more. Are you in love or is this something else? Fixation, fascination and lust. Rock N Roll like you've never heard it before! There's a new full length album from WICKED on the horizon and you just may become obsessed after the first single drops this Halloween. Be aware; Obsession by WICKED will be unleashed today on all digital streaming services, accompanied by a live visualizer! You've been warned! Your latest Obsession will be WICKED!"

"We've been really busy in the studio over the last year digging deep into a song writing chapter that has continued to evolve from our previous albums. With each album we feel a growth and evolution that seems to follow us through our lives. As we leave the "Sunburn" album in the rear view and all its reflection of our extreme lifestyle and ups and downs as we started this band, we now look forward to a song writing chapter of where we are going! We can't wait for you to hear our upcoming album release, but for now we hope you find yourself obsessed over our first single and all of its fresh, exciting nuances!" - Danny

"When we first sat down to write Obsession, we were fueled by so many exciting experiences in our lives touring and meeting some of the most interesting characters in Rock N Roll. It was clear our lives had been consumed and fixated on being rockstars and we wouldn't have it any other way. There's something romantic, dark and sexual about that kind of devotion in an ethereal way. Which isn't surprising that this track is dripping with that kind of lyricism and influence." - Scotty V

"It was so liberating to dive head first into this track and allow it to call on so many different influences. Melodic rock with a metal edge, just take a listen to that break down in the bridge! It's already a fan favorite part for those who've caught sneak peaks at our recent shows!" - Gunnar

"Becoming obsessed with something can be such an experience, sometimes for the best and sometimes for the worst. Once it starts, it's almost impossible to take hold of and reel in. We wanted to put all of that into this song and really take the listener to where we've found ourselves. Like a runaway train ablaze, this song will bring the heavy, melodic power you've been looking for when you just need to Rock The F*#K Out!" - Chad Michael

"Obsession" opens the floodgates of upcoming releases and music videos for WICKED's latest upcoming album due early 2026! Let the song rip as you Rock this Halloween and let yourself become obsessed with the magic of straight ahead High Energy Rock N Roll in 2025! The band will be celebrating the release of the new single “Obsession” with a special release show on November 7th at Record Archive in Rochester NY. First 50 people will get a limited signed Obsession poster! 

Music Video: https://youtu.be/Yq9_cyMxRp0

Presave: http://lnk.to/wickedobsession

www.wickedrocknrollofficial.com

All Sinners Release New Single "World That's Burning" via Rat Pak Records ​   

Massachusetts-based hard rock/metal band All Sinners proudly announce the release of their powerful new single, “World That’s Burning,” available now via Rat Pak Records. The track marks the second single from their highly anticipated upcoming album, We Own the Night, slated for worldwide release on November 14, 2025.

 

“The powerful and greedy have us divided for their benefit.  But we have the power to take it back!  Strike the match, fan the flames in a world that’s burning down!" comments Mike Golarz.

 

Stream "World That's Burning"

https://lnk.to/3NI7YuSs

Listen to the teaser for the new single:

The new album marks a bold step forward for the band, combining their signature heavy riffs with more complex arrangements and raw, emotional depth. This powerful new collection of tracks showcases the band’s growth both musically and thematically, building on the foundation laid by their debut EP while introducing new sonic territory that will leave fans and newcomers alike in awe.

 

We Own the Night delivers an aggressive yet melodic exploration of human struggle, resilience, and redemption, delivered with All Sinners' trademark intensity. The album reflects the band's evolution, blending classic metal influences with elements of modern hard rock, creating a sound that is both timeless and fresh.

 

“We’ve put everything we have into this album,” says guitarist & singer Mike Golarz. "'We Own the Night' isn’t just a collection of songs; it’s a journey we’re taking with our fans. It’s about facing the dark moments and finding strength in the aftermath.” 

 

Pre-Order HERE: https://ratpakrecords.com/collections/all-sinners

In addition to the album release, All Sinners will be bringing their high-energy live show to stages across the U.S., with a string of upcoming show dates. Fans can expect an unforgettable mix of new material from We Own the Night alongside favorites from their catalog.

 

Upcoming Show Dates:

November 5, 2025 Dokken with All Sinners at Whisky A Go Go – Hollywood, CA

November 14, 2025 Dangerous Toys All Sinners / Wreckless Child at Rochester Opera House – Rochester, NH

November 15, 2025 Dangerous Toys All Sinners / Pink (Acoustic) at The Met – Pawtucket, RI

November 29, 2025 All Sinners at Purchase Street Records – New Bedford, MA

December 18, 2025 That Metal Show – Annual Holiday Bash Hosted by: Eddie Trunk – Don Jamieson – Jim Florentine 

FEATURING: Lashing Wire / All Sinners / After Forever at Dingbatz – Clifton, NJ

December 20, 2025 Warrant with All Sinners at Tupelo Music Hall – Derry, NH

February 26, 2026 George Lynch with All Sinners at Racket NYC – New York, NY

February 27, 2026 George Lynch with All Sinners at Empire Live – Albany, NY

February 28, 2026 George Lynch with All Sinners at Fete Music Hall – Providence, RI

March 1, 2026 George Lynch with All Sinners at Tupelo Music Hall - Derry NH 

 

All Sinners:

Mike Golarz - Vox/Guitar 

Nick Testone - Lead Guitar

Bruce Morrison - Bass

Roger Chouinard - Drums

 

For More Information Please Visit:

Official Website

Facebook

Instagram

Spotify

NIGHT TERROR'S FIRST SINGLE AND VIDEO “REMEDY IS IN THE POISON” IS OUT ON OCTOBER 31ST THROUGH DEKO ENTERTAINMENT

Meet NIGHT TERROR…the supergroup rising from the newly energized ashes of Seven Witches, and the brainchild of acclaimed guitarist, Jack Frost. Frost, who besides being the face of Seven Witches, is best known for playing & touring with national acts such as Aldo Nova, Savatage, Joey Belladonna, Lizzy Borden and many others, put together this monster all-star band of who’s who in metal today. The line-up consists of vocal legend Jason McMaster of Dangerous Toys & Watchtower, drum icon Karl Wilcox of Diamond Head, TANK & Brothers In Arms, bassist extraordinaire, Dennis Hayes of Iced Earth & Seven Witches, and also esteemed special guest on keys, Eric Ragno of Londen.

Night Terror’s debut album Return Of The Witches will bring you back to the era of the famed Seven Witches, Passage To The Other Side record, with its screaming Halford-like vocals & riffs of pure, unapologetic metal at its finest. That combined with killer thunderous drums and sick bass runs, will take you on a journey to those past days of the early 80’s, and the rise of the New Wave of British Heavy Metal. Frost’s mission in putting together this newest project with some of the industry’s most quintessential players, was not to reinvent the wheel…but rather to resurrect it. As he states, “Night Terror is very special to me. Up from the ashes of Seven Witches. I wanted to do more in that power metal vein. And having the opportunity to work with Jason was a magical moment. He’s one of the greatest voices of that classic NWOBHM. And my boys Dennis and Karl just brought it. This EP is true classic Metal. Horns Up!"

Watch “Remedy Is In The Poison” Video Below.

McMaster continues, "This collection of tunes was an honor to put together with these guys. Jack's guitar playing is taking my brain, and my guts to places in my subconscious.  These places are where I float around and create melodies and topics for lyrics. I feel we are keeping a style of breathing. If you like Dio, Sabbath, UFO, and NWOBHM, this could be satisfaction." The first single and video “Remedy Is In The Poison” is out on Halloween with the full album dropping in early December. There are a limited number of autographed bundles signed by the entire band, so don’t miss out on owning a piece of this soon to be classic NWOBHM release.

Order here: https://www.dekoentertainment.com/inthesquare/night-terror

For more information, visit

www.dekoentertainment.com/

Deko Entertainment–Art Has Value

Singer/Songwriter Kaitlin Butts Signs to Republic Records; New 'Yeehaw Sessions' EP Coming Nov. 14

Gaining traction as one of country music’s fastest-rising artists, acclaimed Nashville-based singer, songwriter, and performer Kaitlin Butts will unveil her new Yeehaw Sessions EP on November 14, 2025. It notably marks the celebrated rising star's debut under her recently minted deal with Republic Records. Pre-order/Pre-save Yeehaw Sessions EP HERE.
 
"From releasing my album over a year ago as an independent artist, to having a viral song, to now signing a record deal with such a prestigious label like Republic Records, the journey has felt nothing short of surreal,” shares Butts. "I’m so inspired by the Republic team and how their vision aligns with the dreams that I’ve always had for myself.”
 
Kicking off this next chapter in earnest, she just shared a powerfully moving cover of the Jimmy Eat World classic “The Middle” giving fans the first taste of the forthcoming  EP. Listen to “The Middle” Below.
 
The woman declared “unafraid to test boundaries,” by Rolling Stone, spikes this pop-punk staple with serious Oklahoma soul. Stripping back the arrangement back to bare acoustic guitar, slide, fiddle, and dobro, her vocals especially shine as she delivers the instantly recognizable hook with a whole lot of heart. Ultimately, this version of “The Middle” illuminates Butts’ impressive range and uncanny ability to make even the most recognizable track her own with respect and reverence.

"It has been such an incredible year! And in the midst of these great things — viral songs, huge tour opportunities — all that positive attention can bring with it some negative moments too. I was feeling particularly down about myself after some of those negative comments online and starting to wonder if maybe they were right. Then one night at karaoke with friends — because that’s what I, as a professional singer, do to make myself feel better,” Butts shares with tongue firmly planted in cheek, “this girl started singing 'The Middle,' a song that I was very familiar with but reading the lyrics on the screen, it was the first time I was able to take in what the song meant and I started to tear up. I needed to hear those words in that exact moment. It was a reminder to me that I’ve worked my entire life for this dream, and I’ll be damned if I let some keyboard warrior rain on my parade. I hope my version meets someone the way that song met me in that moment."
 
On the music video, she shares: "In Jimmy Eat World’s original music video, a girl shows up to a party, strips her coat at the door and walks into a party where everyone is in their underwear. In this video, I wanted to pay tribute to that and throw my band in the back of a truck like we were on our way to that party,” Butts says. "I called up Chris Beyrooty to direct and we headed to Taylor Sheridan’s Bosque Ranch in Weatherford, TX. With the band dressed in their skivvies, we hit record and captured something hilariously beautiful." 
 
In the spirit of her first covers EP, 2022’s Sad Yeehaw Sessions, the Yeehaw Sessions sees Butts re-record, reimagine, and reinvigorate a handful of personal favorite tunes accompanied by her live band. 
 
“A couple years ago I put out an EP called Sad Yeehaw Sessions, a collection of sad covers that I have always loved and wish I had written myself.” Butts shares. “It fit perfectly with my album at the time, What Else Can She Do, which I had written during a difficult time in my life. After releasing Roadrunner!, which features much happier songs, I wanted folks to know that there were brighter days ahead. In keeping with that theme, we've created the antithesis of Sad Yeehaw Sessions, something upbeat, rowdy and fun….all cover songs that I’ve been performing live the last couple years."  
 
After road-testing these renditions much to the delight of audiences everywhere, she has outfitted the EP with covers of “Red Wine Supernova” by Chappell Roan“Sin Wagon” by The Chicks,” “Tulsa Time” by Don Williams, as well as “The Middle.” Plus, it boasts a new recording of her viral hit “You Ain’t Gotta Die (To Be Dead to Me),” infusing it with a rush of energy.

She will celebrate the arrival of Yeehaw Sessions on November 14 with a very special headline show at the largest honky-tonk in the world—Billy Bob's in Fort Worth, TX. Tickets are available HERE.
 
Throughout 2025, she has captivated crowds everywhere on tour with Sierra FerrellLainey WilsonMolly TuttleWyatt FloresThe Lone Bellow and Flatland Cavalry. Renowned for her stage presence, she’s also played with the likes of Ella Langley and Brothers Osborne in addition to electrifying festivals, including LollapaloozaTwo Step Inn,C2C, and Breakaway Festival. Not to mention, Opry NextStage touted her among its “Class of 2025, and CMT named her as part of its CMT Next Women of Country Class of 2025.
 
For the latest news and tour dates visit kaitlinbutts.com, and follow along on InstagramFacebook and @kaitlinbutts and on TikTok @kaitlinbuttsmusic.

GASKET Share "Purest Existence" Video

Baltimore quartet GASKET will drop heir self-titled debut album on November 21 Blue Grape Music. Pre-order it here.

Today, the band has shared the new track "Purest Existence." It's a two-minute blast of grimy, gnarly riffage. Watch and listen below

"'Purest Existence' is about rejecting the world around you and finding a place in-between to exist," shares vocalist Flynn Joseph Zimmer.

GASKET have been doling out a perfectly executed and lethal mix of crusty punk, gnarly, old school hardcore, and grimy metal since their formation in 2022. They quickly hit the road, touring up and down the East Coast and honing their metallic chops. Their filthy sound and DIY ethic caught the attention of Blue Grape Music, which swiftly signed the band. They released two EPS — Dull the Needle (2023) and Babylon (2024) — before hunkering down to craft their self-titled, debut full-length.

GASKET ARE:
Flynn Joseph Zimmer — Vocals
Maxwell Bagster-Collins — Bass
Calvin Mumma — Guitar
 Austin Jenkins — Drums

Rotten Sound Countdown to 'Mass Extinction'

Take cover, metalheads. After outrunning the apocalypse on their last long-player, Rotten Sound are back with another destructive burst of politically-charged grindcore. On their upcoming 11th EP, the underground veterans' worldview is more dire than ever. But Mass Extinction lays waste to all that's plaguing our society. The album's lead single, "Brave New World", pushes for unity over division behind a barrage of blast beats and relentless groove.  

"This is one of the most aggressive songs on our new EP", says Rotten Sound. "'Brave New World' is about how misinformation, polarization, conspiracy theories and censorship has lead people into a state of distrust. Our strong sense of community has been replaced by skepticism and fear. The fight for coherent and reliable information is now a constant struggle".

Watch the hellish video for "Brave New World" Below.

Mass Extinction comes out December 12 on Season of Mist.

Pre-order

https://orcd.co/rottensoundmassextinction


Pre-save on Spotify
https://open.spotify.com/prerelease/4GjDqqrZi7TTEjCmvvXq5f?si=maLSpuYJTP-Vqs4RmsTaUA

Few extreme metal bands have enjoyed the shelf life of Rotten Sound. The Finnish exports longevity is practically unheard of for grindcore. The band's core lineup of guitarist Mika Aalto, vocalist Keijo Niinimaa and drummer Sami Latva have been banging heads since 2004. Their high-speed blend of classic D-beat punk and Swedish death metal has only sharpened with each successive stab in the studio. "Brave New World" shatters your speakers like the perfectly-timed throw of a Molotov cocktail.   

All eight songs on Mass Extinction were spliced from the same radioactive Petri dish that birthed Apocalypse. But Rotting Sound's whopping 11th EP is no half-life mutation. In just under 10 minutes, the band chew through a festering host of societal ills. Ushered in by an opening address from none other than Jim Jones, "Brave New World" warns against following party lines sown by divisive leaders. "Trust no one", Niinimaa screams over rapid-fire blasts and bludgeoning riffs that send the opposition ducking for cover.     

The video for "Brave New World" was created by Shaumbra ArtVisuals.

Rotten Sound are ushering in Mass Extinction with a tour of South America alongside their Season of Mist labelmates DVRK and Brazil's very own Crypta.

Next year, the band will return to the grind with a fresh set of European headline dates in support of their new EP. Following this blistering ride with Repulsive Feast and Teething, Rotten Sound will return to the U.S. for a special set at Maryland Death Fest celbrating their classic albums Murderworks and Exit.      

Rotten Sound South America Tour 2025
November 13 - Campinas, Brazil @ TAG* [TICKETS]
November 14 - Santos, Brazil @ Cadillac Music* [TICKETS]
November 15 - Rio De Janeiro, Brazil @ Garage Grindhouse* [TICKETS]
November 16 - São Paulo, Brazil @ Burning House* [TICKETS]
November 19 - Montevideo, Uruguay @ Live Era** [TICKETS]
November 20 - Córdoba, Argentina @ Sala Formosa** [TICKETS]
November 21 - Buenos Aires, Argentina @ Uniclub** [TICKETS]
November 22 - Santiago, Chile @ RBX Clube** [TICKETS]
*with Baixo Calao
*with Crypta & DVRK

Rotten Sound North American Dates 2026
May 23 - Baltimore, Maryland @ Maryland Death Fest

more dates coming soon...

Rotten Sound know how to get their message across. In just under 10 minutes, Mass Extinction chews through toxic consumerism, labor exploitation and other plagues on society. Lead single “Brave New World” pushes for unity over divisive politicking behind a barrage of blast beats. But while our leaders certainly need to clean up their act, there’s nothing stale about this band’s filthy brand of grindcore. Even the slightly optimistic “Idealist” gives way to a downright hostile groove upon Niinimaa’s screaming command.   

“Wake up!” With so much atomic force, it’s impossible not to heed Rotten Sound’s warning on Mass Extinction.


Recording lineup
Keijo Niinimaa - Vocals
Mika Aalto - Guitars
Sami Latva - Drums
Matti Raappana - Bass, Backing vocals

All music written by Mika Aalto

All lyrics written by Keijo Niinimaa

Producer
Rotten Sound

Recording & Sound Engineer
Janne Saksa

Recording Studio
Sound Supreme for drums and vocals, Nordic Audio Labs for guitar and bass

Mixing
Jesse Gander at Rain City Studios

Mastering
Brad Boatright at Audio Siege

Cover art
Error Design

Photos
Mika Aalto

Pre-order & Pre-save
https://orcd.co/rottensoundmassextinction

Available formats

Digital Download
CD Digipack
12" Vinyl (Black with B-side etching)
12" Colored Vinyl (Dark Green with B-side etching)
12" Colored Vinyl (Half Copper, Half Black with B-site etching)

Follow Rotten Sound
​​​​​https://music.apple.com/artist/rotten-sound/71466405
http://rottensound.bandcamp.com/
https://www.facebook.com/RottenSoundOfficial
https://www.instagram.com/rottensoundgrind/
https://open.spotify.com/artist/4aglyvdJ7ApTfDC6aQ2LFf

Rogue Announce Papercut Recordings Signing + Drop New Track "Dominion" and Official Music Video

Hailing from New Orleans, Louisiana, progressive metalcore outfit Rogue have released their new track and music video "Dominion", via their new label home, Papercut Recordings. The dark, industrial-laced single speaks to the strong influence that various types of addiction can have over one's life. When asked about the song and signing, the band shared:

"‘Dominion’ is a song about the grip that different forms of addiction and temptations in life can have over us. While drugs are the most usual form of addiction, we kept the lyrics more open to interpretation so that it can apply to most vices whether that be sex, money, power, food, etc. We adamantly stand united with all of those who suffer from these afflictions, and want them to know they are not alone. We have been there ourselves in different forms, and we urge anyone struggling to reach out and take advantage of different resources whether that is calling the Substance Abuse and Mental Health Services National Helpline at 1-800-662-HELP, dialing ‘988’ for the Suicide and Crisis Lifeline, or texting TALK to 741741 to receive resources for what you may be going through.

We are so excited to finally put ‘Dominion’ out into the world. We know our fans have been waiting patiently, and we’re happy to have found a home with Papercut Recordings to finally help some new music see the light of day. ‘Dominion’ is the perfect hybrid song that takes all of our favorite parts of the old Rogue sound, and infuses the past 5 years of new influences that have inspired us. Thanks for being here with us in this new chapter, and we look forward to sharing more next year that delves further into these new sounds."

Stream "Dominion" at the link here, and watch the official music video below.

“dominion” - supreme authority; absolute ownership; possession of ability to wield force or influence

Four years removed from their last record ‘Phantom', Rogue returns with new single "Dominion" with a new message in tow. While loyal listeners of the band have grown to expect the scrutinization of political structures and metaphysical realities from vocalist Jansen Nunezatop pummeling riffs from guitarist Jeffrey Fisher, the progressive metalcore act have shifted into unchartered territory with "Dominion" to reflect on something different: themselves.

Following the introspective and somber tone on ‘Phantom’, the trilogy the band had crafted across their first three records was now complete. But all the time spent looking inward during a global pandemic took its toll, and the band decided to take a break until they felt a new message needed to be shared. Enter ‘Club Gore’ in January 2025, which introduced fans to the first change in direction with talks of hopelessness, apathy, and the human condition that can only be described as yearning to feel something among all the chaos of the world. Now with "Dominion", fans can get a deeper understanding of this darker path with the tackling of temptation and addiction.

Never ones to abandon the sound referred to as “face-shattering” and “hard-hitting” by The Noise, darker industrial elements and ambient soundscapes are further explored this time around, with more influence from film scores on display than ever before. These new sounds and inspirations stemmed from a disdain towards stoicism and complacency- both in the band’s musical and personal lives. With humble beginnings in rural Louisiana cities and eight years having passed since the debut single "Meta", Rogue acknowledges and embraces their roots, but refuses to remain trapped in motion, never doing the same thing twice. "Dominion" is evidence of this, and this display of vulnerability will only be further explored in the next chapter to come.

Rogue Is:

Jeffrey Fisher - Guitar

Jansen Nunez - Vocals

Thomas Scheltema - Drums

Gentry Lynn - Bass

TYKETTO Sign with Silver Lining Music

Hard rocking quintet TYKETTO to release their 6th studio album Closer To The Sun with new label in March 2026. Hard Rock craftsmen TYKETTO - Danny Vaughn (vox), Harry Scott Elliott (guitar), Ged Rylands (keys), Chris Childs (bass) and Johnny Dee (drums) – are proud to announce that their 6th studio album, Closer To The Sun, will be released by British rock specialist label Silver Lining Music, who are home to the likes of Europe, Uriah Heep, Saxon, Michael Monroe, Soenand Diamond Head to name a few.

With vocalist and founding member Danny Vaughn at the helm, TYKETTO continue to create and craft the type of powerful, anthemic songs which saw the band burst through the hard rock landscape in 1987 and release their debut album, Don’t Come Easy, through Geffen Records in 1989. Since that landmark debut, TYKETTO have released a further four studio albums and toured internationally to a loyal and dedicated fan base.

“I was pleasantly shocked when Danny and the band put pen to paper,” says Silver Lining owner Thomas Jensen. “We’re talking about a really wonderful band in terms of sheer songwriting quality and live delivery, and if I’m honest, one which probably didn’t get the credit it deserves. We’re all glad to be part of a team determined to shift that needle!”

“Many years of hard work ground to a complete halt when Covid first hit us all,” says TYKETTO founding member

Danny Vaughn, “and it was really touch and go as to whether or not TYKETTO would continue. Since our return in 2023, the band has been on a steady upward trajectory, with more fans coming out to see and support us than ever before. This fantastic upward rise has now culminated in our signing a brand-new record deal with Silver Lining Music, who have already shown, not only love and support for us, but also a real understanding for our personal relationship with our fans. The end result of all of this is an album that

TYKETTO fans are going to absolutely fall in love with.

For TYKETTO, these are the best of times!”

2026 promises to see TYKETTO - and Closer To The Sun - be a major part of the hard rock landscape.

Follow TYKETTO on:

WEBSITE

FACEBOOK

INSTAGRAM

YOUTUBE

EQUILIBRIUM - Reveal Sylvan Video For 'Borrowed Waters' Featuring Witchy-Pop Artist RONIIT

Pagan-metal wayfarers Equilibrium have revealed their new single, 'Borrowed Waters', featuring enchanting, witchy-pop artist Roniit. The track is the third single released from their new studio album, Equinox, due out on November 28th.

Equilibrium have unveiled an earthly, sylvan video for 'Borrowed Waters' also featuring Roniit, who bares her soul, in step with ancient tides.

René Berthiaume commented:
"This is the first original song of Equilibrium that has not been mostly written by me. I am very picky when it comes to the music, but when Jessy showed me the first demo, I immediately resonated with it. It is a very beautiful and fullfilling process to let other people dive into your project and be part of it. Also the collaboration with Roniit felt very natural. For me authenticity in art is super important and you can hear this also in her voice and see this in her video performance that she created for the song."

Jessica Rösch commented:
"'Borrowed Waters' is a song about surrender.
About learning to move and flow with life and with the natural world we’ve all forgotten about a little bit.
It speaks of cycles, of old memory and of a language older than us. Of what it means to belong to something much larger than yourself, larger than life itself.

The song was born out of a time when everything felt a kinda uncertain.
It’s also the first song I’ve ever written that isn’t for my own music project and the first one I don’t sing myself on, which made the process feel incredibly intimate in a completely new way. Hearing someone else carry my words and melodies was so so deeply moving.
Roniit captured the spirit and soul of 'Borrowed Waters' in the most profound way and I feel endlessly grateful for her.

It’s an incredible honour to have this song on the album.
Working with René on music feels like we speak a language only we understand, even without words.
Our writing styles are very different, yet somehow they fit together perfectly."


Roniit commented:
"I grew up listening to pagan and symphonic metal, and it’s a huge influence on my witchy dark-pop sound. Collaborating with Equilibrium felt like a full circle moment, returning to my metal roots while bringing my own magic into it. Above all, the message of Borrowed Waters really spoke to me. As someone who lives in the forest and practices magic, I see how we are part of nature, not separate from it. The modern world has pulled us further and further away, but this song is a reminder that we still belong to the earth, and that message feels important to share."

Pre-order Equinox here: 
https://equilibrium.bfan.link/equinox

You can watch the video for 'Borrowed Waters' Below.

Stream 'Borrowed Waters' here: 
https://equilibrium.bfan.link/borrowed-waters

Equinox will be available in the following formats:

  • CD Jewelcase

  • Vinyl - clear with brown marbled colour

About EQUILIBRIUM:

The world is spinning faster these days. Chaos, division and destruction hang heavy in the air. But music has long been humanity’s most vital defense against the turbulent tides of time. A band whose very name is a plea for balance and unity, Equilibrium have been making life-affirming music for nearly 25 years, and as they return after a lengthy hiatus, the German legends are more committed than ever to spreading some positivity and hope to the masses.

As they prepare to release their seventh and greatest album to date, the mighty Equinox, creative mainstays René Berthiaume and Jessica Rösch stand proudly at the forefront of modern metal, ushering in an inspirational new era. With a brand new singer, Fabian Getto, leading the charge, Equinox is this band’s most distinctive and powerful statement to date.

Equinox showcases a band in full control of their sonic and spiritual world, with songs that bring their cherished trademarks and authentic instrumentation together with new technology, electronic elements and giant, stirring melodies that rip from the speakers like proclamations from ancient gods. From the joyous rush of recent singles 'Gnosis' and the melo-death inspired 'Bloodwood', to the effortless, cross-pollinated mastery of 'Earth Tongue', 'Legends' and the show-stopping 'Nexus', Equilibrium have never sounded more potent or passionate.

Equinox was recorded and produced by Equilibrium themselves, with some significant help from an assortment of guest musicians – including ex-Eluveitie violinist Shir-Ran Yinon and members of Dutch Viking metal band Heidevolk - and particularly from studio guru and multi-instrumentalist Danny McCook, who oversaw the album’s mixing process.

Inspired by their experiences with other creatives, Equilibrium have also made the decision to embrace authenticity in every aspect of their art. Equinox is adorned with artwork created by Jessica Rösch with her own hands and without any input from A.I. or any other technology. The end result is stunning and speaks volumes about this band’s desire to keep things real.

In turbulent times, real art keeps us all grounded in the things that really matter. Equinox is a statement of intent from a band reborn. Equilibrium have made great music in the past, but never with this much fire and focus. Brimming with smart ideas, anthemic melodies and crushing, state-of-the-art modern metal with an organic, folk-fuelled twist, it kicks open this new chapter in the band’s story with an exhilarating, heartfelt flourish.

Follow EQUILIBRIUM:

Website | Facebook | Instagram | TikTok | Youtube | Spotify | Apple Music

Beast Eagle - Sorceress

Mesmerizing groove riffs and fiercely enchanting vocals await in this magical new offering, Sorceress. Highly compelling with guitar-driven arrangements ensnaring melodies and lyrical hooks, Sorceress will arrive on November 21st, 2025, via Golden Robot Records. 

"Sharp Tongue" introduces Sorceress with a gritty edge. The EP's narrative begins here, "telling the story of a witch who’s more afraid of herself than anyone else is. As her powers grow stronger, so does the fear she’s losing control." Balancing light and shade across the high octane instrumentation, the protagonist's fate could fall in either direction. 

The alluring "The Dead Follow" continues the story of a witch awakening - finding herself and her power. "The track channels that disorientation into raw, driving energy, blending mysticism with rebellion." BEAST EAGLE explain. "It’s a gritty anthem for anyone who’s ever grown into something stronger and stranger than the world was ready for."

Increasing the voltage, the electrifying "Send Me Down" sees a consortium of riffs entwine and wind alongside alluring vocal harmonies. The thunderous nature reflects our witch's sinister turn: "banished to a dark realm, the witch doesn't hide or run—she rises. [...] This is her kingdom now. It’s loud, it’s wicked, and it’s hers. Bow down or burn."  

An eerie anticipation emerges through the dark and discordant "Witch Hunt". The vengeance of a tormented village brings to fruition in a blaze of smoke and fire: "this isn’t just a song—it’s a reckoning set to a riot of sound. No one escapes the flames."

A crushing betrayal concludes BEAST EAGLE's mystical tale. Abrasive riffs and intense rhythms reveal the epic twist of fate in the witch's journey as the village she once protected turn against her. It is not the end however, "fire doesn’t silence her—it awakens something deeper. As the flames rise, so does her final, eternal curse."

About BEAST EAGLE
Soaring out of Omaha, Nebraska, heavy quartet BEAST EAGLE evoke a powerful take on hard rock driven by rock 'n' roll sensibilities. Influenced by the likes of KYUSS, HE IS LEGEND, and MASTODON, the band's huge sound is spearheaded by a fury of riffs and unyielding vocals. Since forming in 2019, BEAST EAGLE unleashed their first full length Loud at Flat Black Studios in 2021 with the self-titled EP following in 2023. Most recently, BEAST EAGLE were bestowed the title of Omaha Entertainment Award Association Best Hard Rock Band 2025. The forthcoming guitar-led, blues influenced offering, Sorceress is set to be unveiled on November 21st, 2025, via Golden Robot Records. 

Line Up:
Kate Lewis (Vocals)
Austin L’Ecuyer (Guitarist)
August Sievering (Drums)
Toby Wandel (Bassist)

EP Credits: 

Producer: Rick Carson
Recording Studio: Make Believe Studio
Engineer: Ryan Harvey
Mastering: Rick Carson
Mixing: Rick Carson
Album Cover Artist: Austin L’Ecuyer

1349 Unleashes New Performance Video for "Striding the Chasm" from Forthcoming Live Album

True Norwegian black metal horde 1349 is now unleashing a new performance video for the song "Striding the Chasm," which is taken from the band's upcoming live album, 'Winter Mass,' via Black Metal Promotion. The blistering clip can be found below.

'Winter Mass' will be released on November 28, 2025 via Season of Mist. The concert was captured on November 20, 2021 in the band's hometown of Oslo (NO) at the venue Parkteatret.

1349 frontman Ravn comments, "'Striding The Chasm' is an emblematic track. It maintains the 1349 signature ferocity, but also adds a complexity in its approach and stands out as the most thrash-infused pinnacle in our catalog. It is the track that challenges the listener to confront their own dark and primal nature. Performing this track live was a revelation to me as the imminent connection between the song and audience became an instant hit and I feel the track's potential is enhanced even more now within a live setting, within our Live Ritual...within our 'Winter Mass.'"   

Bassist Seidemann adds, "'Striding the Chasm' from 'Winter Mass' showcases 1349 in supersonic splendor. The live version is a flawlessly executed, hyperaggressive up-tempo rendition, demonstrating the black metal mastery of 1349."

The offering will be released on vinyl and CD; pre-orders are now live HERE.

1349 has also recently been announced among the first wave of bands to take the stage at next year's edition of Beyond the Gates Festival. The epic four-day metal event will take place once again in the heart of Bergen (NO) from July 29 - August 1, 2026. Tickets are available HERE.

The cover artwork and layouts for 'Winter Mass' were created by Kim Diaz Holm. The Norwegian artist has captured more than 2,000 concerts, often while standing to the side of the stage. Holm has worked with larger-than-life artists like Abbath but developed a special connection with 1349 after drawing them at both Inferno Festival and Hulen in 2012. Over the past 13 years, he has continued to document the band's incendiary live shows and even designed their merch. What he's created for Winter Mass draws fans even closer to fire. Sketched while he was headbanging in the pit, these drawings leap off the page with the same raw, dark spirit as their muse.

Now, fresh from the ashes of their eighth album, The Wolf & The King, 1349 are releasing a new live album. Though recorded shortly after pandemic lockdown was lifted, 'Winter Mass' explodes out the gates with the band’s signature aural hellfire. This hour-plus set, recorded at Oslo's Parkteatret, enraptured their home crowd with apocalyptic spells from across their discography’s massive cauldron of chaos. Early classics like “Sculptor of Flesh” thrash with unchained madness. Recent favorite "Striding the Chasm" whips by at a blistering pace that could only be captured by cover artist Kim Diaz Holm, who drew the album’s artwork while headbanging in the pit.   

"I will always be here / In all ways in all times", snarls Ravn on hellacious cut "I Am Abomination". After three decades and counting, what was once a proclamation is now a testament to 1349's enduring firepower. 

Experience aural hellfire live in the flesh back where it all began with 'Winter Mass.'

Live Line-up

Archaon - Guitars

Destructhor - Guitars

Frost - Drums

Ravn - Vocals

Seidemann - Bass

Recording:

Parkteatret, Oslo on November 20, 2021

Production Credits

Producer & Sound Engineer - Hugo Alvarstein

Mixing Studio - Alvarstein Mix & Mastering Studio Oslo Norway

Mixing Engineer - Hugo Alvarstein

Mastering Studio - Alvarstein Mix & Mastering Studio Oslo Norway

Mastering Engineer - Huge Alvarstein

Cover + Layout Artist:

Kim Holm

Pre-Order // Pre-Save: https://orcd.co/1349wintermass

Links:

Official Website

Facebook

Instagram

X

Apple Music

Spotify

Manchester's INCA BABIES presents 'Two Rails To Nowhere', previewing 'Reincarnation' album

Manchester's iconic post-punk outfit Inca Babies presents 'Two Rails To Nowhere', the latest re-envisioned offering from their 'Reincarnation' album, out November 28th via Black Lagoon Records. The Spotify version of this release includes both the 2025 version and the original from 1988.

The original version of this track - found on their fourth album 'Evil Hour' from 1988 - was never given the epic grandeur that it deserved. Previously a 3-minute folk rock tune that told a small story of country woe, this expanded version is now allowed to breath into the country prison song it always wanted to be, telling a far more heroic tale.

Led by Harry Stafford, Inca Babies were a vibrant part of Britain's early postpunk / death-rock scene, amassing a steady following through five intensive years of touring, six singles and four albums, all of which entered the UK Indie Charts. After four sessions for BBC's John Peel show in 1984-1988, the band called it quits, but then reformed in 2007.

The Incas are now a 4-piece, with Stafford (guitar, keys, vocals) joined by guitarist Jim Adama, bassist Dave Carmichael (Rat) and long-term member Rob Haynes (The Membranes, Goldblade) on drums and percussion.

With bottle neck Slide from blues guitarist Vincent O'Brien and the measured rhythm backing of Rob Haynes, the song has at last been allowed it’s epic status. Through its video, the song has been given a contemporary tilt, bringing the action into the 21st century with Manchester trams and a city centre setting providing the backdrop for the mournful pleading of Harry’s vocal delivery.

"The song was a take on Western blues, in the guise of Woody Guthrie and Burl Ives, maybe having the same sorrowful tale of ‘Worried man Blues’ from the 50s. Now it has been re-recorded and slowed down to a more contemplative pace. and with floating guitars and harmonic vocal blues the story becomes all the more of the prison song it was intended to be," says Harry Stafford.

This follows 'Candy Mountain', a reworking from their 1985 album ‘This Train’, with its hypnotic bass line, contemporary groove and electronic sequencing. The road-tripping video, filmed by Jonny Stafford, escapes the urban grind to the country, where the air is sweeter and the landscape infinite.

'Reincarnation' is a collection of select Inca Babies tracks, re-recorded, re-invented and reincarnated for 2025. Recorded and mixed over two years at  6Db Studios in Salford by renowned producer Simon ‘Ding’ Archer (The Fall, PJ Harvey) and Harry Stafford, with Ding also contributing serious sonic and dub flourishes, this album was mastered by Marco Butcher at Boombox Studio in North Carolina.

"Looking through our back catalogue, it occurred to me that there were tracks that should again be made available in some manner and others that would benefit from reinvention. Last year's 'Ghost Mechanic Nine' album was an opportunity to create new music for our fans, who would like this music in the form of digital downloads and, for the truly hardcore, as a 12” Vinyl Album," says Harry Stafford.

"But it was also a realisation that we could invigorate old tunes. We already had a ‘best of’ compilation in ‘Plutonium', released in 2006, so we embarked upon a new quest, to inject new life into our favourite back catalogue. This whole project was to be an Innovative re-imagining of old tunes: re-invented for contemporary consideration. All of them Re-awakened and 'Re-inca-rnated'."

Inca Babies' journey - from their formation in 1983 in Manchester's now-legendary deck-access flats of Hulme to where they are today - was highlighted in last year's documentary 'The Making of Ghost Mechanic Nine'. Since reforming, they have released four albums and toured Europe, Russia, North America, India and beyond. They continue to explore goth, punk and death-rock jazz-blues, while paying tribute to the strong riffing and cool, dead-pan delivery of the dark wave scene at the time.

As of October 28, 'Two Rails To Nowhere' is out everywhere, including SpotifyApple Music and Bandcamp. On November 28, the full 'Reincarnation' album will be released on both CD and digitally.

CREDITS
Harry Stafford - guitars, bass, keyboards & vocals
Rob Haynes - drums & percussion
Vincent O'Brien - slide guitar
Written by Harry Stafford
Harry Stafford – vocals, guitars & keyboards
Rob Haynes - drums & percussion
All songs re-recorded by Harry Stafford and Rob Haynes. + Slide Guitar Vincent O Brien+
Recorded & produced at 6Db in Salford by Simon ‘Ding’ Archer
Mastered by Marco Butcher at Boombox Studio, North Carolina
Artwork designed by Harry Stafford
from images by James Chadderton Art Ltd. (Manchester Apocalyptic visions)
Album released by Black Lagoon Records - catalogue no. BLRLP0061
Video filmed by Jonny Stafford. Directed & edited by Harry Stafford 
Publicity by Shameless Promotion PR

                                           
Keep up with Inca Babies
Facebook | Bandcamp | Twitter | Instagram | Soundcoud | YouTube | Spotify | Apple Music | Booking contact | Press contact

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ATAVISTIA Unveil "The Atavistic Forest (Reforged)," Announce Album

Symphonic melodeath storytellers ATAVISTIA are set to return with The Winter Way (Reforged), a magnificent re-recording of their 2020 album, on December 12 via Blood Blast Distribution. Lead single “The Atavistic Forest (Reforged)” roars straight into the first verse, no intro needed. Charging riffs and ferocious vocals briefly give way to gorgeously atmospheric soundscapes, then ramp up the intensity as the sonic labyrinth whirls onward. Intended to be a powerful introduction to ATAVISTIA's new songwriting, performance, and production capabilities, "The Atavistic Forest (Reforged)" has been reworked more than any other song on the album. The band also revised the song's lyrics for clarity and thematic consistency, demonstrating an exacting attention to detail that showcases the care they put into each release. 

Sippola comments, "For the first time in my life, I’m happy with this album. It took quite the toll on my mental health releasing it when we did but there’s no reason to dwell anymore. It is the way it should’ve been!"

ATAVISTIA lineup:

Mattias Sippola - Guitar, Vocals, Composition, Production
Max Sepulveda - Drums, Engineering
Elia Baghbaniyan - Guitar
Spencer Budworth - Bass, Vocals
 

About ATAVISTIA:

Formed in 2017 in Vancouver, Canada, ATAVISTIA takes their fans on a spellbinding journey though vast sonic landscapes of snow covered forests, desolate tundras, and permafrost-laden landscapes. Fans of WINTERSUN, ENSIFERUM, DIMMU BORGIR, and XANTHOCHROID will be enthralled by the elements of melodic death metal, black metal, and Scandinavian folk that is intricately woven together throughout their diverse soundscape.

Taking inspiration from the majestic natural landscapes of their homeland, earthly seasons, and ancient Norse culture, ATAVISTIA’s grandiose sound matches these lyrical themes in an impressive symphony of destruction. Their debut EP, One With The Sun (2017) introduced their unique blend of beauty and ferocity, which they followed up with a stormy full-length in 2020 through The Winter Way. The next two releases, the full-length Cosmic Warfare (2023) and the EP Inane Duncam (2024), saw the band spreading their wings and exploring a wider variety of influences. Through it all, ATAVISTIA balances graceful melodies with a brutal rhythmic cacophony, swirling elegance and fury together like a ferocious northern blizzard.

On stage, ATAVISTIA is a force of nature, like waves crashing against a rocky shore. Their music washes over audiences worldwide, leaving them gasping for more long after the last note has faded. They have toured Europe twice alongside notable acts such as SKÁLMÖLD, METSATÖLL, and SEVEN SPIRES, and have opened locally for MOONSPELL, ELEINE, and OCEANS OF SLUMBER. ATAVISTIA has firmly established its presence in a niche among a wide swath of metal genres.

Are you ready to lose yourself in the juxtaposition of lush and arid, the dichotomy of hope and despair, and welcome the inevitable and beautiful end?

PALE HORSE RITUAL Challenge Dogma with New Single “Holy Lies”

Canadian heavy psych doomers PALE HORSE RITUAL return with “Holy Lies”, the latest single from their forthcoming album Diabolic Formation, arriving November 28 through Black Throne Productions. Bold and unflinching, the song pulls no punches as it confronts centuries of religious power structures and the human cost left in their wake.

“Holy Lies” lays bare the contradictions between immense spiritual wealth and real-world suffering. Its lyrics push against the hierarchy and fear tactics often used to enforce obedience, shining a harsh light on the ways control is cloaked in sanctity. At the heart of the track is a call for equity and liberation. It is an insistence that no one is born to kneel.

Driven by low-end groove and a wall of saturated tone, the band finds a razor-sharp balance between weight and momentum. The guitars churn through layers of fuzz, while the rhythm section carves a deliberate, relentless path forward. There's a hypnotic pull to the song’s structure, anchored by a hook that lingers long after the final note.

With Diabolic Formation on the horizon, the band continues to sharpen their vision, crafting a record that explores the darker corners of belief, power, and the struggle to reclaim autonomy in a world built to obscure it. Pre-orders are available HERE

About PALE HORSE RITUAL
Steeped in mysticism, PALE HORSE RITUAL create an spellcasting blend of doom, occult rock and vintage metal. Based out of Hamilton, Ontario, Canada, the band formed in 2024 and their sound is driven by gritty vocals, sludgy riffs, and pounding rhythms that channel the spirit of 1970s heavy music with a modern, gothic edge. Following their alluring 2024 EP titled Enchantress, the quartet are preparing to unveil the full-length, Diabolic Formation on November 28, via Black Throne Productions. 

Line Up: 
Paco (Bass/Vocals)
James Matheson (Lead Guitar)
Will Adams (Rhythm Guitar/Backing Vocals)
Jonah Santa-Barbara (Drums)

Album Credits:
Producer: Will Adams
Recording Studio: Green Mountain Ranch
Engineer: Will Adams at Tell Me About It… Records
Mastering: Zack Hollow at Z Hollow Studios
Mixing: Will Adams

Guest Musicians:
Dom Valela- Keys, Vocals
Doom Valhalla- Italian Preacher

YELLOW SNOW ANNOUNCE NEW SINGLE, "WHAT'S THIS?" AND ACCOMPANYING MUSIC VIDEO

The next single and video from Yellow Snow's rocking and fun holiday album, 'Volume 1,' is ready to go – "What's This?" A classic tune penned by Danny Elfman that originally appeared in the classic Tim Burton film, 'The Nightmare Before Christmas,' the Yellow Snow lads make it all their own with their rendition, which can be enjoyed via this link: https://found.ee/whatsthis

Youtube video can be found below;
 
Concerning the song, Yellow Snow's creator, composer, multi-instrumentalist, producer, and vocalist Mike DiBiase, had this to say. “I never knew if it was a Christmas or Halloween song. Instead of doing a traditional orchestral arrangement, I thought, ‘Let’s do big Queen-Type vocals in place of that orchestral instrumentation and then let’s make it really rock with heavy guitars.’"
 
"So, I went downstairs and worked out the arrangement. Then, I drank a bottle of wine, and I sang it the best I could. The vein in my temple was about to pop out of my head by the time I was done, but it fits our brand. It’s definitely a rockin’ song now.”
 
For years, Rhode Island-born DiBiase — a lifelong musician and EMMY ® Award - nominated audio post production talent by trade — had “gifted” family and friends hard rock Christmas songs. He decided to bring them to the stage at a Rhode Island club in 2007 for the live debut of Yellow Snow, packing the house and donating a portion of the proceeds to various charities. 
 
He annually headlined shows throughout the ensuing years stirring up a level of cult fandom among the initiated. The music also quietly took on a life of its own as DiBiase’s original song “Giddy Yup, Santa Claus” landed a high-profile sync on The CW’s Riverdale. 
 
Armed with the framework constructed by DiBiase and his bandmates (Matt Baird, Al Diaz, Franklin La Barbara, Denise Gouvin, Jason Berndt, and Chris Piccirillo), he decamped to Nashville in order to finish recording what would become Yellow Snow’s full-length debut LP, 'Volume 1,' during 2023. 
 
And soon, the single and video for his rendition of "What's This?" is certain to stir up some serious holiday vibes for rock fans.