Framing Hanley Release Video for New Single "I Mean It" — WATCH // Announce Forthcoming "Flowers" EP

A quartet with their hearts worn proudly on their sleeves, FRAMING HANLEY are a band for fans of melding genres masterfully. Since their arrival onto the scene in 2007, Framing Hanley have picked up a gold plaque from the RIAA, earned over a half-billion streams, accolades from Billboard, Loudwire, Kerrang!and more, further cementing that their emotion-fueled songwriting produced songs that people could really attach themselves to. With four studio albums in their impressive catalog, including the cover of Lil Wayne's "Lollipop" that went Gold, the band is a rarity, equally as comfortable on a bill with acts like Good Charlotte to Sick Puppies.

From Nashville, Framing Hanley are comprised of Kenneth Nixon (vocals, guitar), Nic Brooks (guitar), Jonathan Stoye (bass), and Matt Naff (drums), and their anthemic rock-infused R&B continues to garner thousands of new fans with every single drop. Their collective love for expanding their sonic palette led to writing sessions in 2024 in order to provide their diehard audience with a brand new studio EP, Flowers, coming to us all this spring. The date will be announced imminently, as will cover art and track listing.

Check out the video for first single "Mean It" below. Stream it here.

Snagging influence for their newest material from diverse outfits that span from the hard hitting nuances of Glassjaw to production elements akin to Childish Gambino, Framing Hanley took the time away to facilitate growth both personally and musically. Of their upcoming 2025 material, guitarist Brooks offered, "This EP is a roller coaster. We're melding together a handful of different styles, bringing in electronic elements, some R&B elements, and jazzy vibes. We're also trying to bring back the heavier energy. We’re interested in making something that feels real."

The first taste of their latest iteration, Framing Hanley released "Mean It," showcasing the band's instrumentation and ability to create chantable choruses for their crowds to sing along. Of the single, Nixon spills, "We felt that 'Mean It' was the perfect reintroduction, if you will, of Framing Hanley in 2025. We're stoked as hell for this year and have plans to release more music this year than we have in the last 15 years in total."

Dedicated to touring and connecting with their listeners, Framing Hanley create music that hits the mark on multiple levels: thematically, emotionally and sonically. Never ones to suppress inspiration, wherever and whenever it may strike, this is a four-piece that has grown alongside their fanbase, always ready and willing to dip their toes into something new.

Catching them on the road has just been made more tangible, as the band will be hitting the pavement soon, ready to unleash their dynamic tunes onto fans new and old alike on "The Flowers Tour," starting this April. For fans of bands that masterfully fuse genres together like Breaking Benjamin, Rain City Drive, and I Prevail, Framing Hanley are happy to shake up the scene.

FRAMING HANLEY ON TOUR:
WITH MAKEOUT + ROOKIE OF THE YEAR:
4/17 – Tampa, FL – Orpheum
4/18 – Panama City, FL – The Dive
4/19 – New Orleans, LA – Southport Music Hall
4/22 – Austin, TX – Come And Take It Live
4/23 – Houston, TX – Scout Bar
4/24 – Dallas, TX – Trees
4/26 – Oklahoma City, OK – 89th Street
4/29 – St. Louis, MO – Red Flag
5/1 – Denver, CO – HQ
5/2 – Lincoln, NE – 1867 Bar
5/4 – Madison, WI – Annex
5/10 – Columbus, OH – Sonic Temple*
Festival

Tickets for the tour went on sale Friday, February 21 at 10am CT.

46 years since emerging, Liverpool's The Room shares 'Nemesis' from post-punk folklore album 'The Telling'

Liverpool post-punk pioneers The Room are back with 'Nemesis', the potent second single from their latest album 'The Telling', presenting their trademark blend of progressive, alternative pop and sultry post-punk. As with the lead track 'The Teller', the accompanying video was produced by Mark Jordan. A magical sonic adventure for fans of 80s post-punk and folk-horror aesthetics alike.

Firm favourites of the late great John Peel, The Room formed in 1979 in the golden years of northern English post-punk. In 2023, they re-formed after a lengthy hiatus, releasing their critically acclaimed 'Restless Fate' album, their first release in 38 years. Their melodic blend of progressive, alternative pop and sultry post-punk is as fresh and relevant now as when they disbanded in 1985.

Formed by singer Dave Jackson and bassist Becky Stringer, they are joined by original drummer Clive Thomas, along with guitarist Darren Brown, keyboardist Ethan Kyme, and the haunting backing vocals of Helena Jacks. 

'Nemesis' is from the midpoint of 'The Telling' story. Rusalka, the shape shifter, trapped in her aquatic human form returns to wreak vengeance on the priest and those others who murdered her lover. The village is haunted by evil dreams and deaths by drowning until they sacrifice their priest to the river. The song features bassist Becky Stringer on clarinet for the first time and her son Ethan on piano.

Consisting of 11 songs, the album shares a continuous narrative through all the following songs over a blend of post-punk music, like a sort of aural folk-horror feature film. Set in a mythical 17th-century European forest, 'The Telling' follows a traveling storyteller, who mesmerizes an isolated village with macabre tales of wonder, mystery and the supernatural - of shapeshifters, wolves and ravens... of a love affair between Baba Yaga's adopted daughter and Grendel's long-lived brother, and some witch-finders who come under their hammer.

'The Telling' was inspired by frontman-songwriter Dave Jackson’s interest in folklore and myths, and a visit to a cuckoo clock museum in the Black Forest, where he learned about the traveling clock sellers and storytellers, who used to move between villages. Conveyed through his spirited yet acerbic vocals, the album was conceived as an aural movie for an as-yet unfinished screenplay, unfolding as individual self-contained songs like chapters in a complete narrative, there are no lyrical choruses or repeated themes. The album comes with a full lyric sheet, influenced by the layout of the Guttenberg Bible. 

Recorded and mixed at Ark Studios in Liverpool and released via 9x9 Records, this album was co-produced by Dave Jackson and Steve Powell (Michael Head & the Red Elastic Band, Autour De Lucie, Echo & The Bunnymen).

"Situated in a 17th Century European forest, a traveller arrives at a remote village offering to tell a story of "dark love and what came after" in return for a bed for the night. After some resistance from the butcher and the baker, he begins a tale about a young man from a similar village who falls for a strange woman in the forest, but discovers she can shape-shift into a raven or a wolf," says Dave Jackson.

​"Rusalka the shape-shifter, assumed dead after the Priest, the jilted bride's brothers and fellow villagers burnt her lake hut and hanged her lover, returns for vengeance on her tormenters, now fixed in her aquatic human shape. This song takes place at the end of side one of the vinyl album and begins a sequence where Rusalka and her future lover begin to Hammer the Witchfinders, who plague Northern Europe at this time."

The Room recorded four John Peel sessions, appeared on The Whistle Test and worked with Television's Tom Verlaine and John Porter (Roxy Music, TheSmiths, Billy Bragg) on their 'In Evil Hour' LP (1984). Recordings from Janice Long's BBC Radio One programme and Saturday Live were used for the 1985 release 'Jackpot Jack' EP

The Room toured the UK and the USA, and performed with The Fall, The Birthday Party, Bauhaus, Southern Death Cult, Violent Femmes, Tom Verlaine, John Foxx and The Red Guitars. Following the band's split, Becky and Dave went on to form Benny Profane, Dust and Dead Cowboys. Dave has also recorded under his own name and as The Room in the Wood (with Paul Cavanagh).

'Nemesis' is out digitally on February 19. 'The Telling' is out now, available on CD (jewel case with 12-page booklet) or on black vinyl (with a 4-page lyric Insert). It is also available on Spotify, Apple Music, Bandcamp and elsewhere.

CREDITS
All songs written by The Room
Dave Jackson - vocals
Becky Stringer - bass & clarinet
Darren Brown - guitars
Ethan Kyme - keyboards
Clive Thomas - drums
Helena Jacks - backing vocals
Cover design by Ian Clark
AI album images by Dave Jackson
Produced by Dave Jackson and Steve Powell
Recorded and mixed by Steve Powell at Ark Studios Liverpool
Mastered by Chris Daniels
Videos by Mark Jordan
Band photos by Richard Duffy-Howard
Publicity by Shameless Promotion PR

Keep up with The Room
Website | Bandcamp | Facebook | Twitter | Instagram | Spotify | Apple Music | Press contact

Keep up with 9x9 Records
Website | Facebook | Instagram | Twitter | Store

Keep up with Shameless Promotion PR
Website | Facebook Twitter |  Instagram | BlueSky | Threads  Soundcloud | LinkedIn | Ema il

Rotting Christ Release New Live Video

ROTTING CHRIST have stood the test of time. Over the past 35 years, Sakis Tolis, his brother Themis and their brothers-in-arms have risen from Greece's blackened catacombs to become one of metal's most formidably reliable forces.

Backed by a legacy that has both defined and defied black metal, last year, the Greek legends carved out a new set of dark, melodic scriptures with fresh rebellion on the unbreakable Pro Xristou

"...this is the most arena-worthy Rotting Christ have been in some time", No Clean Singing wrote about their latest album.  

Now, as they continue to tour the world, Rotting Christ are celebrating 35 years of evil existence with a new live album. This two-hour set was recorded at the Lycabettus Hill Theater in the band's hometown of Athens. Like a Greek pantheon, it spans the band's entire career, from early evil classics to the pillars of their Hellenic legacy, including "Δαιμόνων Βρώσης (Demonon Vrosis)", the horns-raising anthem from the bloody and triumphant Aealo

Watch Rotting Christ perform "Δαιμόνων Βρώσης (Demonon Vrosis)" Live in Lycabettus below.

35 Years of Evil Existence - Live in Lycabettus comes out April 4th on Season of Mist.
 

Pre-order & Pre-save 
https://orcd.co/rottingchristliveinlycabettus
 

The formidable bond between brothers Sakis and Themic Tolis is not only felt across their mighty discography but also live and in the flesh. Having played more than a hundred shows all across the world in 2024, Rotting Christ continue to keep the true metal spirit alive time and time again.    

Earlier this week, Rotting Christ finished touring Brazil, but the band aren't done hitting the road. This weekend, they're performing "Like Father, Like Son" and other instant classics from Pro Xristou for the very first time in Columbia and Mexico.

“Dear brothers and sisters”, Rotting Christ write to their Latin American legion. “We are proud to return to your land for a special setlist just for you to celebrate our 35 years as a band. Keep the true Metal Spirit alive!”.

Get tickets: https://www.rotting-christ.com/en/tour

Pro Xristou (‘Before Christ’ in Greek), serves as a fervent tribute to the last Pagan kings who resisted the onslaught of Christianity, guarding their ancient values and knowledge. In this thematic odyssey, intricately woven through tracks such as ‘The Apostate’ and ‘Ygdrassil’, Rotting Christ delves into the legacies of historical figures such as Flavius Claudius Julianus and Nordic mythological kings, embodying the might of Pagan wisdom in the face of Christian adversity. The album encapsulates the essence of Rotting Christ’s signature style – melodic, yet harsh at times – reinventing themselves yet again, while remaining rooted in their 35-year legacy.

Line-up:
Sakis Tolis - Guitar, Vocals
Themis Tolis - Drums
Kostas "Spades" Heliotis - Bass
Kostis Fouk - Guitar

Biography:
Sébastien J. Gamez

Follow Rotting Christ:
Official Website: https://www.rotting-christ.com/en
Facebook: https://www.facebook.com/rottingchristofficial/
Instagram: http://www.instagram.com/rottingchristofficial/
Twitter (X): https://twitter.com/athanatoieste
YouTube: https://www.youtube.com/user/RottingChristOfficia
Bandcamp: https://rottingchristofficial.bandcamp.com/
Apple Music: http://itunes.apple.com/artist/rotting-christ/id28441629
Spotify: https://open.spotify.com/artist/7FhkwcO8Jd7BRWdllBpXBJ

Progressive Super Metallers IMMINENT SONIC DESTRUCTION Announce New Album 'Floodgate' Out April 25th

Progressive super metallers IMMINENT SONIC DESTRUCTION are excited to announce their upcoming album 'Floodgate', releasing on April 25th. To celebrate the announcement, ISD has released the first single from the record titled "Memento Mori", accompanied by a lyric video available to view below.

About the single, guitarist/vocalist Tony Piccoli comments:

“As soon as we finished writing this song, we knew we had something special. This music paired with Pete’s lyrics, I think we have something powerful to offer the prog-metal community and beyond. Friends of mine have said it’s one of my best guitar solos to date, and I think they’re high. Anyway, thank you for checking it out!” 

Pete Hopersberger adds:

"My dad used to say, 'No one gets out alive,' and I hear it in my head whenever I think of him. My family is Catholic, and there’s a practice in our faith called Memento Mori (Latin for remember that you must die), which encourages us to contemplate the last 4 things: death, judgment, heaven, and hell. In doing so, we remind ourselves to live each day as if we’re going to meet God and to prepare our soul for that. It’s a tall task, and I know I fail regularly, but we only get better when we aim high."



Watch the Lyric Video for "Memento Mori" below:

IMMINENT SONIC DESTRUCTION (ISD), hailing from Metro Detroit, have carved out their niche in the metal world with their signature Progressive Super Metal sound. Since their debut album 'Recurring Themes' (2012), produced by Roy Z, the band has toured with the likes of Pain of Salvation, Kingcrow, Fates Warning, and Circus Maximus, steadily building their reputation.

After their critically acclaimed concept album 'Triumphia' and their emotional third release 'The Sun Will Always Set', ISD are set to return in 2025 with their fourth album, 'Floodgate', once again produced by Nick Hagen. 'Floodgate' promises a dynamic mix of concise, heavy, and epic tracks, rich with vocal harmonies and standout performances from every member. This album pushes the band’s progressive metal songwriting even further, marking another milestone in their evolution.

About the album, Piccoli states:

"'Floodgate' is the idea that after a significant event in life, artists and musicians alike tend to open up the floodgate of creativity and let it all out. This album is a celebration of that floodgate opening up. We’re super proud of this one, and we hope you’ll enjoy the different paths this album will take you.” 

Pre-Order 'Floodgate' HERE

IMMINENT SONIC DESTRUCTION are:

Pat DeLeon - Drums

Pete Hopersberger - Keyboards, Vocals

Bryan Paxton - Bass, Vocals

Tony Piccoli - Guitars, Vocals

Scott David Thompson - Guitars, Vocals

Memphis May Fire Share "The Other Side" Video

MEMPHIS MAY FIRE  Matty Mullins (vocals), Kellen McGregor (guitar), Cory Elder (bass), and Jake Garland (drums) will release SHAPESHIFTER on March 28 via longtime label Rise Records. Pre-order it here. The album is already receiving critical acclaim and recognition from SPIN, New Noise, Idobi, and more.

They have just shared the video for their latest barn burner "The Other Side."

Watch it below
 

"'The Other Side' is about resilience in the face of despair," shares Mullins. "It's for anyone who's ever felt trapped in their own pain, unsure if they'll ever break through. But there's always something beyond the darkness, another side to the pain, a breakthrough waiting to happen. This song is a reminder that even in our lowest moments, we're not alone, and the light is closer than we think."

MMF will embark on a headline tour for Spring 2025, with support from Caskets, Wind Walkers, and Elijah. The tour kicks off April 16 in Little Rock and runs through May 17 in Atlanta. It includes appearances at several key spring festivals, such as Sonic Temple and Welcome to Rockville. All dates are below. Get tickets here

MEMPHIS MAY FIRE ON TOUR:
WITH CASKETS, WIND WALKERS, + ELIJAH:

4/16 — Little Rock, AR — The Hall
4/17 — Dallas, TX — Southside Music Hall
4/18 — Houston, TX — Warehouse Live
4/19 — San Antoni, TX — Vibes
4/21 — Mesa, AZ — Nile Theater
4/22 — Los Angeles, CA — The Belasco
4/23 — San Diego, CA — Observatory SD
4/24 — Rosefield, CA — Goldfields
4/27 — Portland, OR — Hawthorne Theatre
4/29 — Billings, MT — Pub Station
4/30 — Salt Lake City, UT — The Complex
5/1 — Dener, CO — Summit
5/3 — Columbia, MO — The Blue Note
5/4 — Minneapolis, MN — Varsity Theater
5/5 — Joliet, IL — The Forge
5/6 — Grand Rapids, MI — Elevation
5/8 — Columbus, OH — Sonic Temple*
5/9 — Brooklyn, NY — Brooklyn Monarch
5/10 — Worcester, MA — Palladium
5/11 — Philadelphia, PA — Union Transfer
5/13 — Baltimore, MD — Soundstage
5/14 — Charlotte, NC — The Underground 
5/15 — Nashville, TN — Brooklyn Bowl
5/17 — Atlanta, GA — Center Stage
5/18 — Daytona, FL — Welcome to Rockville*
*Festival Date

Wrath of Logarius Enter the Void on New Single

Much like their Bloodborne namesake, Wrath of Logarius are impossible to predict. But no matter what skeletal form they assume, their upcoming debut album, Crown of Mortis, pronounces them as the unflinching kings of black metal's formless new realm.

Watch the mind-melding playthrough for new single "Of the Void" below.

Crown of Mortis comes out April 4 on Season of Mist.

Pre-order & Pre-save

https://orcd.co/wrathoflogariuscrownofmortis

Can't wait to hear Crown of Mortis? RSVP for Wrath of Logarius' upcoming Bandcamp Listening Party and hear their debut album two weeks before it comes out. 

Wrath of Logarius Crown of Mortis Bandcamp Listening Party
March 12 @ 7 pm Pacific Time

RSVP
https://wrathoflogarius.bandcamp.com/live/crown-of-mortis-listening-party

After emerging from the misty forests of Northern California four years ago, Wrath of Logarius spread through the world of underground metal like a bloodborne virus. "...a ferocious display of intent which signifies the band's potential to become a powerhouse", New Noise wrote about the band's burning introduction.

Many hunters would've reaped their rewards while resting their bones, but Crown of Mortis only builds on the band's growing lore. The album's first single summoned all the bloody runes from the band's formless spellbook. Now armed with newly minted Strega guitars, Wrath of Logarius cycle through the many moonlit phases of black metal on "Of the Void".

New bassist Xolotl opens the icy procession with dissonant bass chugs, as if marching toward death. Like a howling wind, Vastator whips across a darkened stretch of classic tremolo picking, only to climb like mist through a solo that drips with despair.     

"Open the gates and let revision in", Noctifier screams before being engulfed by the blistering flames from Lord Marco's blast beats. "Slowly dismantle every part of you". 

On "Of the Void", Wrath of Logarius usher black metal into a boundless new realm.   

For this playthrough, Wrath of Logarius used Strega Master Elite series Lamia 7s loaded with custom Arcana Glaive Pickups. 

On Crown of Mortis, Wrath of Logarius bend black metal to fit their formless rule.   

Line-up
Noctifer - Vocals
Urath - Lead Guitar
Vastador - Guitar
Lord Marco - Drums
 
Recording Studio
Rapture Recordings, Hayward, CA, USA
 
Production Credits
Produced, Engineered, Mixed & Mastered by Cody Fuentes at Rapture Recordings Studio

Cover Art
Sant V. Schreiber
 
Pre-save & Pre-order
https://orcd.co/wrathoflogariuscrownofmortis


Booking Contact:
martyr.urath@gmail.com
 
Follow Wrath of Logarius
Bandcamp: https://wrathoflogarius.bandcamp.com/
Instagram: https://www.instagram.com/wrath_of_logarius/
Apple Music: https://music.apple.com/artist/wrath-of-logarius/1712706210
Spotify: https://open.spotify.com/artist/0CHi92LvwVayTacWx3nsfa
 
Available Formats:
Digital Download
CD Digipack
12" Colored Vinyl Gatefold - Ichorous Red (Red and Black Marbled)

BILLY MORRISON RELEASES DELUXE EDITION ALBUM FEATURING "GODS OF ROCK N ROLL" AND FIVE BONUS TRACKS ​   

Billy Morrison will release a deluxe version of last year's THE MORRISON PROJECT album on Friday, February 21st through TLG|ZOID, distributed by Virgin Music Group. This Deluxe Edition contains six extra tracks, including the hit single with Ozzy Osbourne featuring Steve Stevens "Gods of Rock N Roll", "Phenomenon" (with Cypress Hill), the original demo of "Crack Cocaine", and remixes of "Dystopia" (by Billy Morrison himself), "We Are the Dead" (by Martin 'Youth' Glover), and "Crack Cocaine" (by Jeff Lane).

 

Billy brought some friends along on this musical journey. The album also features appearances from Billy Idol, Corey TaylorSteve Vai, Linda Perry, Persha Newman, Al JourgensenDarryl "DMC"  McDaniels, John 5 and Fred Coury.  The album was mixed by Barry Pointer and mastered by Davie Donnelly. The songs on the album were recorded in Los Angeles at various studios and were written by Billy Morrison in collaboration with his guests.

 

The album is being released through TLG|ZOID, distributed by Virgin Music Groupdigitally on all platforms 02/21/25, and also in a double-colored vinyl set, with both a blue and a white vinyl, on 3/7/25 in stores everywhere and at the link below.

 

The Morrison Project Deluxe Edition Digital:

https://open.spotify.com/prerelease/5y8eCU2i2CLlMpIdFVwNDf?si=zZoCBGjgReOiYG4Jgf-uhw

 

https://music.apple.com/album/1790387607

 

The Morrison Project Deluxe Edition Vinyl:

https://a.co/d/81EcYYr

 

The Official Music Video for "Gods of Rock N Roll" can be viewed:

https://youtu.be/78AqtDJkNVk?si=ymzpy60dnJTLaGMg

Morrison explains, “I have always wanted the opportunity to do an expanded, 'Deluxe' version of a record. It’s basically where you get to have some fun, remix some things, and include songs that mean something personal. Thanks to the guys at TLG ZOID, I have been given that opportunity! So to have YOUTH from KILLING JOKE actually mix an amazing dub version of We Are The Dead, to have JEFF LANE throw down an incredibly different remix of Crack Cocaine, and to have my track with Cypress Hill all on the extra disc is just a fantastic feeling! Plus I got the opportunity to remix Dystopia myself and did the whole half-time vibe that I was originally playing with, back when I wrote it."

 

Pre-order the limited deluxe edition and receive 3 gratis tracks of "Crack Cocaine."

Billy Morrison, the British guitarist, singer, and songwriter is primarily known as Billy Idol’s rhythm guitar player for the past 15 years alongside lead guitarist Steve Stevens. His recent collaboration with Ozzy Osbourne and Steve Stevens, “Crack Cocaine,” soared to #1 on the Mediabase Active Rock Chart, further solidifying his place as a powerhouse in the rock world. The Morrison Project is a testament to his collaborative spirit and fearless commitment to creating boundary-breaking music that unites artists and genres in bold, unexpected ways.

For More Information Please Visit:

Official Website

Facebook

Instagram

X

https://www.tlgent.com/

Manchester electro pop artist Richard Evans shares 'Aidoru' single, previewing new album

Manchester-based electro pop artist Richard Evans is back with his new single. 'Aidoru', released via Cold Star Media, is named for the Japanese word meaning "idol". The song's lyrics explore the status of a virtual pop idol designed only to please its audience as it sings of love with no understanding of what the word means.

A British-Irish electronic musician, writer and digital media artist, Evans' foray into the music scene includes time as the keyboardist in UK cult band James, with whom he also co-wrote and recorded material, and as guitarist and songwriter for St. Vitus Dancers.

'Aidoru' previews Evans' new 'Quantum' album, released in stereo, binaural and spatial audio mixes, created by award-winning Swiss sound designer Hervé Girardin. Recorded at Cold Star Studios, this nine-track collection itself is themed around artificial intelligence -  probing its impact upon us,  how algorithms are changing us and questioning what responsibility we bear for the things we create.

"This song is one of the first written for the new album and marks a change in my writing process, being originated on just piano and vocals rather than devised within studio software. I specifically wanted a bright, hi-energy track to match the commerciality of the virtual idol concept. The lyrics reflect a creation that is designed for just one purpose - to serve its listeners," says Richard Evans.

Last year, Evans released his 'Dream of the World' EP, composed and recorded in the aftermath of a life-threatening illness. In 2022, Evans was struck with Miller Fisher Syndrome, a rare auto-immune disorder that threatened to rob him of his ability to speak, sing, and play music. Yet, against all odds, he emerged victorious, relearning everything from scratch -  a testament to his unwavering determination and a celebration of his triumph over adversity.

Richard Evans' draws inspiration from real-world science, exploring biotechnology, machine intelligence and the environment. For this album, existing songs were refined and new material was written, combining the warmth of classic synths with pared-down lyrics that explore real-world subject matter.

His 2022 debut record 'Sentinel' is an electro-pop concept album that touches on micro-plastics, gene editing, stardust, technogenic disasters and human evolution, telling the story of humanity at a tipping point and a world trapped in a climate crisis. Both 'Sentinel' and 'Dream of the World' were met with critical acclaim and global airplay.

He has performed live shows at festivals around the UK and at the end of 2023, a year on from the illness, he delivered his first large-scale outdoor production with visuals projected onto the exterior of a  venue during a performance. In 2024, Evans also received the Cultural Accelerator commission from Media Immersive Technology Innovation Hub to prototype a new live production featuring hologram-style projections, spatial audio and lighting effects.

Evans also wrote, directed and produced the science fiction drama 'AEON'. An author of many short stories, he also published the novel 'KOSMONAUT ZERO' (via Dead Ink), researched at Star City Cosmonaut Training Centre. He also oversaw the 'Gagarin 50' exhibition for the 50th anniversary of the first human spaceflight by Yuri Gagarin.

As of February 18, 'Aidoru' is available everywhere online, including SpotifyApple Music and directly from the artist via Bandcamp. The full 'Quantum' album will be released on April 25 via Cold Star Media.

CREDITS
Music, lyrics, vocals and programming by Richard Evans
Recorded at Cold Star Studios
Mixed and produced by Hervé Girardin
Mastered by Digitalflesh Audio Mastering
Graphic design by Richard Evans
Released by Cold Star Media
Video filmed by Jason Lock & Jake Orton
Lighting: Tarrick Wilks
VJ: Joel Clements
With thanks to MITIH, Creative UK, AIX Live, BBC Audio R&D, Waterside Arts, FutureEverything and the University of Salford
Publicity by Shameless Promotion PR


Keep up with Richard Evans
Website | Bandcamp | Instagram | Threads | Soundcloud | YouTube | Spotify | Apple Music | Press contact

Keep up with Shameless Promotion PR
Website | Facebook | Twitter | Soundcloud | Instagram | LinkedIn | Email

GARAGE ROCK PIONEERS THE FIFTH ESTATE DROP "HOLD YOU CLOSER" SINGLE & VIDEO FROM UPCOMING ALBUM THEN AND NOW

A rock band out of a factory section of Stamford, CT by way of NYC. The Fifth Estate often played 5 or 6 hours a night, 6 nights a week, for months at a time. They rocked harder and heavier than most bands of the 60s. This did them no great service due to the AM Radio pop required of the day. So on a bet at a NYC party they jokingly did “Ding Dong The Witch is Dead”. It was a huge hit around the world. This and 3 other hits moved them on to huge concert around the country. Live they were ahead of things in the 60s and as Tomorrow Is My Turn could show you they already played what would become the thing in the 70s and again in the 90s and then and now again with bands like Oasis in the 2020s.

They stayed all these years doing what they do. Sometimes underground. Sometimes above ground. And now they will release a timeless album called THEN and NOW of all new tunes and a few covers. With the great guitar player and Grammy Winning producer Paul Nelson (Johnny Winter) on it, you can hear all that again. Starting with the first single “Hold You Closer”.

Watch video Below:

As Ken Evans states about the first single, “”Hold You Closer” is a rather beautifully heart felt tune about life and love when in the music business. May be understood by most musicians instantly and then soon by all. From Lover's Leap Bridge to the exhilarating real thing all in a day and night.” There are 15 songs in all with an amazing rendition of the classic “Great Balls of Fire”.

Pre-order you copy on CD or Vinyl: https://www.dekoentertainment.com/inthesquare/the-fifth-estate


For more information, visit
https://www.dekoentertainment.com
Deko Entertainment–Art Has Value

WEDNESDAY 13 Announces 10th Studio Album "Mid Death Crisis" + Drops Scandalous New Music Video

After returning in 2022 with his widely-acclaimed full-length album Horrifier (#8 US Top New Artist Albums), as well as several major tours supporting his solo work and celebrated Murderdolls reunion shows, world-renowned fearsome frontman WEDNESDAY 13 is back with another slew of harbingers of horror to slay the masses.

His new full-length album, Mid Death Crisis, is set to drop on April 25 via Napalm Records.

Watch the "When The Devil Commands" Music Video here.

The Duke of Spook himself dubs the album as a fun, campy, "leave-your-brain-at-the-door" rager and a true return to his hard-rocking roots! Produced by guitarist Alex Kane (Life, Sex & Death, Enuff Z'Nuff, Antiproduct) and mixed by Steve Evetts (The Dillinger Escape Plan, Prong, DevilDriver), the album oozes infectious '80s sleaze metal energy, further accented by a blitzing guest vocal from Faster Pussycat's Taime Downe.

WEDNESDAY 13 has unveiled the album's first single, the ultra-catchy "When The Devil Commands," and its equally raucous, blasphemous new music video. The track stuns with an unforgettable hook, charging arena rock-laden drum production and chugging guitars.

WEDNESDAY 13 comments, "Growing up in the '80s, I remember the satanic panic of heavy metal music and parents' concern over what their kids were listening to. My mother was constantly checking my cassettes and making sure I wasn't possessed by the devil. Most of the music that I listened to never had any of those themes, but they were just accused of it. So when writing the lyrics to this song, I wrote what I thought would terrify my mother if she had stumbled upon this music. I wanted the lyrics to be upfront and leave no question as to what they were about...The Devil. This song is done in a fun spirit, and we don't plan on burning any churches in the future."

Eerie introductory track "There's No Such Thing As Monsters" vibrates with electricity before industrial-tinged "Decease and Desist" kicks in full blast.WEDNESDAY 13's trademark crooning wastes no time entering the fold as he careens through the high-octane horror anthem, before tracks like "Rotting Away" and "Blood Storm" ensnare with metallic goth-punk energy that will have crowds moving wall to wall. Featuring Faster Pussycat's Taime Downe on guest vocals, standout heavy rocker "No Apologies" is a fast-romping exorcism of toxic demons, while the triumphant mini-murder ballad "Decapitation" riles up listeners with a catchy lead riff before making a hard left into a theatrical bridge straight out of a sinister '60s sock hop! Ragers like "In Misery," "Xanaxtasy" and "Sick and Violent" explore various genres of metal, injecting the album with elements of gripping heaviness for any listener, while downtempo stunners "I Hurt You" and "My Funeral" approach a more pensive territory. 

Although its title, Mid Death Crisis, may suggest otherwise, the Duke of Spook shows zero signs of stopping on this refreshingly powerful and multi-faceted entry into the WEDNESDAY 13 hall of horrific history!

Pre-Order Mid Death Crisis here.

The North American "There's No Such Thing As Monsters" tour kicks off Friday, March 14 in Las Vegas, NV. The tour celebrates 20 years of Transylvania 90210and will include a "best of" Murderdolls set! 

See below for all tour dates, including the following UK/EU "Summer Blood Storm" headline run.

WEDNESDAY 13 ON TOUR:
WITH STITCHED UP HEART, DEAD RABBITS, + I YA TOYAH:
3/14—Las Vegas, NV—Count's Vamp'd
3/15—Los Angeles, CA—The Whisky
3/16—Berkeley, CA—Cornerstone
3/18—Portland, OR—Bossanova Ballroom
3/19—Seattle, WA—El Corazon
3/21—Roseville, CA—Goldfield Trading Post
3/22—Pomona, CA—Glass House
3/23—San Diego, CA—Brick By Brick
3/25—Mesa, AZ—The Nile Theater
3/26—Albuquerque, NM—Launch Pad
3/28—San Antonio, TX—Paper Tiger
3/29—Dallas, TX—Trees
3/30—Houston, TX—Warehouse Live
4/01—Birmingham, AL—Saturn
4/02—Knoxville, TN—Open Chord
4/04—Atlanta, GA—The Loft—Centerstage
4/05—Raleigh, NC—Chapel Of Bones
4/06—Greenville, SC—Radio Room
4/08—Baltimore, MD—Zen West
4/09—Leesburg, VA—Tally Ho
4/10—Sayreville, NJ—Starland Ballroom
4/12—Hampton Beach, NH—Wallys
4/13—Montreal, QC—Foufounes Electrique
4/15—Toronto, ON—Lee's Palace
4/16—Buffalo, NY—Rec Room
4/18—New York, NY—The Gramercy
4/19—Stroudsburg, PA—Sherman Theater
4/20—Lititz, PA—Mickey's Black Box
4/22—Pittsburgh, PA—Crafthouse
4/23—Cleveland, OH—Mercury
4/25—Columbus, OH—The Kings Of Clubs
4/26—Flint, MI—Machine Shop
4/27—Cadillac, MI—Venue Event Center
4/29—Joliet, IL—The Forge
4/30—Madison, WI—The Annex
5/2—Denver, CO—Oriental Theater
5/3—Colorado Springs, CO—Black Sheep

WEDNESDAY 13 IS:
Wednesday 13 — Lead Vocals + Guitar
Jack Tankersley — Guitar
Troy Doebbler — Bass
Mike Dupke — Drums
Ashes — Lead Guitar

MACHINE HEAD ANNOUNCE MONUMENTAL 11TH ALBUM UNATØNED OUT APRIL 25TH + RELEASE MUSIC VIDEO FOR FIRST SINGLE 'UNBØUND'

For over three decades, the personification of determination, founder/vocalist/guitarist Robb Flynn, has led Bay Area icons MACHINE HEAD on an uncompromising path – one fueled by defiance, reinvention, and a relentless pursuit of evolution. UNATØNED, the band's eleventh album, will be unleashed to the world on April 25 via Nuclear Blast Records.

UNATØNED is a testament to momentum, an album honed to its sharpest edge, forged on creative discipline and the hunger to push forward. To mark the announcement, the band reveals the first single, 'UNBØUND'. Watch the energetic music video directed by Mike Sloat.

Pre-order & pre-save UNATØNED:
https://machinehead.bfan.link/unatoned

Stream 'UNBØUND'
https://machinehead.bfan.link/unbound

Watch: 'UNBØUND' Music Video

UNATØNED is now available for pre-order in the following formats:

  • CD Jewel

  • LP

    • Tan with Black and Red Swirl

    • Clear

    • Black and Grey Marbled

Written in motion – on the road, in hotel rooms, and across continents – it reflects the raw energy of their return to the global festival circuit after an 11-year hiatus. UNATØNED was recorded at Robb's Jam Room, Sharkbite Studios, and Drop Of Sun Recording between July 2023 and December 2024. The album was produced by Robb Flynn as well as Zack Ohren who was also responsible for the engineering. The mixing and mastering was handled by Colin Richardson and Chris Clancy at Audioworks UK and the mastering of the record was handled by Ted Jensen and his assistant Justin Shturtz. The only exception was the track 'LANDSCAPE ØF THØRNS' which was produced by Flynn and Joel Wanasek who was also in charge of mixing the single alongside Zack Ohren. MACHINE HEAD once again tapped Seth Siro Anton to create the album artwork.

Eleven albums deep, MACHINE HEAD remains as fierce, relevant, and unstoppable as ever

This Spring, MACHINE HEAD are heading on a massive North American tour alongside labelmates and Swedish melodic death metal icons IN FLAMES, Italian metal titans LACUNA COIL, and American metalcore outfit UNEARTH. The 24-date trek will kick off on April 5th with a “hometown” show for MACHINE HEAD at the legendary Fox Theater then heads South for a stop at Sick New World Festival before heading East and making its way across Canada.

Tickets for the tour are available for purchase:
https://www.machinehead1.com/pages/tour

Confirmed dates for MACHINE HEAD's North American Tour 2025 with IN FLAMES, LACUNA COIL, UNEARTH are:

04.05 U.S. Oakland, CA @ Fox Theater
04.07 U.S. Phoenix, AZ @ The Van Buren
04.09 U.S. San Diego, CA @ Observatory North Park
04.10 U.S. Los Angeles, CA @ The Wiltern
04.12 U.S. Las Vegas, NV @ Sick New World **
04.13 U.S. Salt Lake City, UT @ Union
04.15 U.S. Denver, CO @ The Fillmore Auditorium
04.17 U.S. San Antonio, TX @ The Aztec
04.18 U.S. Houston, TX @ House Of Blues
04.19 U.S. Dallas, TX @ House Of Blues
04.21 U.S. Raleigh, NC @ The Ritz
04.22 U.S. Silver Spring, MD @ The Fillmore
04.23 U.S. Brooklyn, NY @ Brooklyn Paramount
04.25 U.S. Reading, PA @ Santander Arena
04.26 U.S. Boston, MA @ House Of Blues
04.27 CAN Montreal, QC @ M'Telus
04.28 CAN Toronto, ON  @ History
04.30 U.S. Cincinnati, OH @ Andrew J. Brady Music Center
05.02 U.S. Detroit, MI @ The Fillmore
05.03 U.S. Chicago, IL @ Radius
05.04 U.S. Minneapolis, MN @ The Fillmore
05.05 CAN Winnipeg, MB @ Burton Cummings
05.07 CAN Calgary, AB @ Grey Eagle Event Center
05.08 CAN Edmonton, AB @ Midway Music Hall
05.10 CAN Kelowna, BC @ Prospera Place

**Festival date -MACHINE HEAD& LACUNA COIL only

Nightfall Return with Darkest, Catchiest and Most Epic Album Yet

Since 1991, Nightfall have stood alongside Rotting Christ and Septicflesh as the pioneering trinity of Greek metal. The blackened death metal band sound as vengeful as ever. But the Athenians' upcoming eleventh album is their darkest and most epic creation yet. Backed by monumental production, a powerful message and the biggest choruses in the band's 30-year history, with Children of Eve, Efthimis Karadimas and his fellow rebels are set to unite blackened souls everywhere.   
 

"I love how this album came out", Efthimis says. "We're excited to play these songs live. The sound is massive. The choruses are huge. And there's a message that comes through. It's an album about how we come through pain, how we live with pain and how we die in pain".
 

Watch the vengeful video for the album's anthemic lead single "I Hate" below.

The video for "I Hate" was directed and produced by Adam Barker


Children of Eve comes out May 2, 2025 on Season of Mist.

Pre-order & Pre-save

https://orcd.co/nightfallchildrenofeve

Like their brothers-in-arms, Nightfall sculpt towering gothic melodies from their blackened slab of death metal. After all, they're the first Greek band to perform at Wacken Open Air. Children of Eve is blessed with the mightiest set of hooks in their deep discography. Their new album was mixed and mastered by Jacob Hansen, who's worked with Volbeat, Amaranthe, The Black Dahlia Murder and many other big names from metal's pantheon. "I Hate" seethes with thunderous bass, riffs that crack like lightning and blast beats from ex-Septicflesh drummer Fotis Benardo that flow with all the fire and fury of the River Styx.

"I am a manic servant of deity of doom", Efthimis roars as a Greek choir echoes his righteous anger like the call of a siren.

Their new single will have the festival masses headbanging and raising horns, but it wouldn't bear the mark of Nightfall if it didn't possess a deeper message. While the band's disdain for the restrictions of the Eastern Orthodox Church has only grown, their latest act of rebellion was fueled by the ongoing rise of religious wars. "Anger was the root", Efthimis reveals about what inspired Children of Eve. In the video for "I Hate", a fallen warrior is resurrected, only to hunt down his guardian angel.

"Faith is a personal matter", Efthimis continues, "but it can become a dirty business".

It's a message that the frontman hopes will unite metal messiahs across the globe. While Nightfall was on hiatus during the 2010s, Efthimis was diagnosed with depression. He now wears a black mask to cover half of his face to symbolize what's it's like to live under the invisible veil of mental illness. "We can talk about this. We can sing about it", he says when asked about the band's new initiative Metal Music Against Depression (MMaD), which is supported by the European Alliance Against Depression in Germany. "We can build a community that's based on understanding".  

With Children of Eve, Nightfall return from the shadows to unite blackened souls everywhere with their darkest and most epic creation yet.  

With Children of Eve, Nightfall return from the shadows to unite blackened souls everywhere with their darkest and most epic creation yet. 

Line-up:
Efthimis Karadimas - Vocals
Kostas Kyriakopoulos - Guitars
Vasiliki Biza - Bass
Fotis Benardo - Drums

Recording Credits:
Recorded at Devasoundz Studios, Athens, Greece
Produced by Efthimis Karadimas with Fotis Benardo & Thimios Krikos
Engineered by Fotis Benardo & Thimios Krikos
Mixed & Mastered by Jacob Hansen at Hansen Studios, Ribe, Denmark

Production Credits:
Produced by Efthimis Karadimas & Engineered by Fotis Benardo
Mixed & Mastered in Hansen Studios, Denmark by Jacob Hansen

Cover Art:
Eliran Kantor

Art Concept: 
Efthimis Karadimas

Pre-order & Pre-save
https://orcd.co/nightfallchildrenofeve


Follow Nightfall:
Official Website: http://www.nightfall.gr/
Instagram: https://www.instagram.com/nightfallband/
YouTube: https://www.youtube.com/@NIGHTFALL_band
Facebook: https://www.facebook.com/nightfallband/
Spotify: https://open.spotify.com/artist/4W0Vom1cl6o3UCq8tTfRHV
Apple Music: https://music.apple.com/artist/nightfall/1369568685
Deezer: https://www.deezer.com/en/artist/76457
TIDAL: https://tidal.com/browse/artist/3521048
Bandcamp: https://nightfallofficial.bandcamp.com/
TikTok: https://www.tiktok.com/@nightfallband_gr

Underoath announces new album

Underoath, the iconic and genre-defining band, has once again shattered expectations with their forthcoming album, 'The Place After This One,' to be released March 28, 2025 via MNRK Heavy. Renowned for their ability to transform chaos into harmony and aggression into anthemic survival, the Florida-based group delivers a record that promises to redefine heavy music and expand their already massive audience. With two RIAA certified gold albums, three Grammy nominations, and a legacy of uncompromising authenticity, Underoath is back—and they’re louder, bolder, and more essential than ever, while continuing to push boundaries in ways that few bands dare.


'The Place After This One' marks a truly momentous occasion in the band's history. It is a stunning document and a remarkable collection of songs, signaling a renaissance period in the beloved act’s storied career. The album showcases where they’re from, and more importantly, where they're headed. It's a masterpiece, from musicians at the top of their game. Sonically, its references are varied and complex, and is a distillation of everything they’ve accomplished thus far: a crystalline vision blending hard rock, electronic experimentation, guttural screams and anthemic, call-to-arms choruses.


Following a string of new singles beginning last year—including “Generation No Surrender,” “Survivor’s Guilt,” and “Teeth”—the band returns today with a punishing new song from their upcoming album, “All The Love Is Gone,” alongside its accompanying music video.

Speaking on the song , vocalist Spencer Chamberlain calls it “...one of the most out-there songs we've ever written. We really wanted to create a track that was drum-and-bass-driven, kind of in the vein of The Prodigy, The Chemical Brothers, Noisia, etc. We also pulled elements from Justice and The Streets. There’s a darkness to those artists that’s so heavy and interesting to me, and we really wanted to embrace that on this song. To me, this is kind of our version of that—sharing a lot of those elements and vibes but still keeping the heaviness of Underoath at its core.”


He continues, “Lyrically, I wrote it from the place I used to go whenever something went wrong in my life, which I think we can all relate to. It's a place I now consciously avoid when things fall apart. But it’s that moment when everything in your life has fallen apart, you’re at the bar, and you just don’t care anymore. Maybe it’s the end of a relationship, the loss of a friend or family member, or you just got fired—whatever it may be, we've all had a night like this. It’s a scary feeling, and it’s a place I never want to go back to, but that’s the song in a nutshell. It’s pretty on the nose, so to speak, but I felt like I needed to write it down to remind myself to never go there again.”

In 2025, Underoath will be visiting Australia for the first time since 2019, performing They’re Only Chasing Safety in its entirety along with an encore set, as direct support for Alexisonfire . Soon after their jaunt in Australia, the band will return to North America for a run of shows supporting Rise Against and Papa Roach as part of their Rise of the Roach tour. The band will also be performing at Sonic Temple Art & Music Festival on May 10, 2025 in Columbus, OH and at Welcome to Rockville in Daytona Beach, FL on May 16, 2025 . Tickets available for purchase here.

Billy Morrison and Ozzy Osbourne release Epic New Single! ​   

On the heels of the tremendous success of The Morrison Project and #1 song "Crack Cocaine", rock guitarist Billy Morrison and Ozzy Osbourne release an epic new single "Gods of Rock N Roll" today, Valentine's Day,  through TLG|ZOID, distributed by Virgin Music Group. Fans got their first listen when Ozzy's Boneyard on Sirius XM premiered the song on January 17th, and now the song is already a Top 20 Billboard Mainstream Rock hit coming in at #18 this week!!

“Ozzy and I have breathed new life into what we always felt was a huge song. GODS OF ROCK N ROLL was written ten years ago in a South American hotel room, but with this re-recording we both feel we have finally made the song what it was always meant to be - a huge emotive ballad," says Morrison.
 

He adds, “A huge portion of the song was completely re-recorded, the 61 piece Budapest Scoring Orchestra recorded the orchestral score composed by Fred Coury, and then the John Burroughs High School choir were added. Barry Pointer had the unenviable task of mixing 132 tracks and he did an incredible job. The end result is what happens when Ozzy Osbourne makes some suggestions, and Billy Morrison listens!”

 

The orchestral score was composed and arranged by Fred Coury, and the song was mixed by Barry Pointer and mastered by David Donnelly. The recording features the renowned Budapest Scoring Orchestra. ”Gods of Rock N Roll" showcases the talents of Billy Morrison on guitar, Ozzy Osbourne on vocals, and Steve Stevens on lead guitar.

 

The video premiered worldwide on Kerrang! today!

Morrison states, "Having the opportunity to include everyone that was involved in the making of Gods of Rock ‘n’ Roll and shoot it all for the video at NRG Studios was a dream come true for me. It was an amazing vibe, Ivo the Director captured the intimacy, and the fun that we had, and I believe the video truly represents the spirit of the song that Ozzy and I wrote. It’s wide reaching, cinematic and shows just how amazing Ozzy is to work with. I’m honored to be putting this out into the world."

 

Ozzy told Kerrang!, “Billy and I wrote GODS OF ROCK N ROLL together in a hotel room while I was touring in South America about 10 years ago.  This re-recorded version of the song finally has all the bells and whistles.  I told Billy then that it needed an orchestra and a choir, but it took 10 FUCKING YEARS for him to listen to me."

 

STREAM "Gods of Rock N Roll"

https://ffm.to/billymorrison-ozzyosbourne-gods

 

To add to the excitement, Morrison is set to release a deluxe digital edition of The Morrison Project album on February 21st.  This special edition will be released through TLG|ZOID, distributed by Virgin Music Group. The deluxe edition features six previously unreleased bonus tracks, including "Gods of Rock N Roll."  There is also a “stripped down” mix of just the orchestra and Ozzy that will be available soon.

 

Morrison explains, “I have always wanted the opportunity to do an expanded, 'Deluxe' version of a record. It’s basically where you get to have some fun, remix some things, and include songs that mean something personal. Thanks to the guys at TLG ZOID, I have been given that opportunity! So to have YOUTH from KILLING JOKE actually mix an amazing dub version of We Are The Dead, to have JEFF LANE throw down an incredibly different remix of Crack Cocaine, and to have my track with Cypress Hill all on the extra disc is just a fantastic feeling! Plus I got the opportunity to remix Dystopia myself and did the whole half-time vibe that I was originally playing with, back when I wrote it."

 

Pre-order the limited deluxe edition and receive 3 gratis tracks of "Crack Cocaine."

Pre-order The Morrison Project Deluxe Edition Digital Album here:

https://ffm.to/themorrisonproject-deluxe  

Pre-Order the Vinyl Deluxe Edition here:

https://a.co/d/81EcYYr

 

Photo credit for all photos: Jane Stuart @JaneStuartPhotos

THE MORRISON PROJECT was produced by Billy Morrison, mixed by Barry Pointer, and mastered by Dave Donnelly. The songs on the album were recorded in Los Angeles at various studios and were written by Billy Morrison in collaboration with his guests.

The original album is available HERE

For More Information Please Visit:

Official Website

Facebook

Instagram

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https://www.tlgent.com/

HELLOWEEN CELEBRATES 40 YEARS WITH A DELUXE, CAREER SPANNING ANTHOLOGY, "MARCH OF TIME (THE BEST OF 40 YEARS)," OUT MARCH 28, 2025

Not many bands can lay claim to creating an entire genre, much less a movement that has continued to flourish for over four decades, but German heroes Helloween did exactly that. Combining the speed of thrash, the twin-guitar approach of NWOBHM, and the hymnal melodies of European folk music, Helloween paved their own path, creating a genre that would resonate for decades afterward: the mighty, dragon-slaying style known as power metal and every band that has raised a sword to honour and glory owes their life to this band, who are now celebrating 40 years of existence and still thriving.

To mark this momentous occasion, BMG is proud to present ‘March Of Time (The Best Of 40 Years)’, a storming, double-bass-led thrill ride through Helloween’s triumphant history. Featuring 42 handpicked tracks from the early days to their staggeringly successful reunion, this massive compilation is the perfect companion on your epic quest to storm the ‘Walls Of Jericho’ and capture the ‘Keeper Of The Seven Keys’. It might even drag you ‘Straight Out Of Hell’ when you’re done.

PREORDER HERE https://helloween.lnk.to/marchoftime40PR

Formed by Kai Hansen, Michael Weikath, Markus Grosskopf and Ingo Schwichtenberg, Helloween burst onto the scene in 1985 with their self-titled EP and quickly found fame as the leading lights of the German metal movement, setting new standards for melody and speed. Stepping down from the mic, guitarist Kai Hansen brought in 18-year-old Michael Kiske to front the band, and it wasn’t long before they’d created their first true classic. ‘Keeper Of The Seven Keys Part I’ was stuffed to the gills with immortal anthems such as ‘Future World’ and ‘I’m Alive’, but it was 1988’s second installment that made them famous on both sides of the Atlantic. Bolstered by ‘I Want Out’ and the high-flying ‘Eagle Fly Free’, ‘Keeper Of The Seven Keys Part II’ got them support slots with Iron Maiden, Ozzy and the Scorpions, but darker times loomed.

In 1989 Kai Hansen left the band to form Gamma Ray, and Helloween tried commercial rock for size with ‘Pink Bubbles Go Ape’. After 1993’s divisive ‘Chameleon’, they parted ways with drummer Ingo Schwichtenberg, who would sadly pass away two years later. Michael Kiske left the fold soon after. Helloween had come to a crossroads, and in 1994 they barreled though it recruiting Pink Cream 69 vocalist Andi Deris and making a staggering return to form with ‘Master Of The Rings’, the beginning of a new golden age. The albums that followed – 1996’s ‘The Time Of The Oath’, 1998’s ‘Better Than Raw’, and 2000’s brooding ‘The Dark Ride’ – inspired a whole new generation to form bands, resulting in the glorious second wave of European power metal.

The entry of guitarist Sascha Gerstner (2002) and drummer Dani Löble (2005) to replace the departing band members Roland Grapow and Uli Kusch marked the definitive end of the line-up carousel and formed the core unit that has lasted ever since.

In 2016, Kai Hansen and Michael Kiske returned to the band to create a seven- member lineup for the Pumpkins United titled world tour, a celebration of their immense history. The tour became nothing less than a triumph and catapulted the band into new spheres: 69 Shows in 32 countries on three continents, selling out arenas and headlining the biggest festivals such as at Wacken, Rock Fest Barcelona or co-headlining Rock in Rio, their performances attracted more than one million fans and underpinned the status of Helloween.

It was such an incredible success, that the band entered the studio to create their monumental self-titled 16th studio album, an album that reached several No. 1 and top 10 positions all over the world. With no doubt, it proved to be the most important reunion in metal since Bruce Dickinson and Adrian Smith rejoined Iron Maiden.

With over 10 million albums sold, Helloween are one of Europe’s most valuable exports, and they show no signs of slowing down. Featuring tracks from all 16 studio albums, ‘March Of Time’ is a magic book of epic tales waiting to unfold. All you have to do is follow the sign...

March Of Time (The Best Of 40 Years) contains 42 tracks curated by the band and remastered by Sascha “Busy” Bühren, mastering engineer of the band´s self-titled No 1 album Helloween from 2021 and will be available in the below formats :
• Deluxe limited edition, 5 red vinyl box set including art print and puzzle.
• Triple CD digisleeve with booklet.
• Digital download.

BBR MUSIC GROUP/BMG NASHVILLE WELCOMES SHOWSTOPPING SONGSTRESS ALEXANDRA KAY TO THE ROSTER

BBR Music Group/BMG Nashville adds Alexandra Kay to its roster welcoming the Prairie State reared performer, as she sets her contagiously catchy and confidently spunky uptempo sing-along “Cupid’s A Cowgirl” to release on Friday, February 21. This track aligns with the opening weekend of her headlining U.S. and Canada “Cupid’s A Cowgirl” Tour that starts February 23 in Jacksonville, Florida. Pre-save, pre-add, pre-order “Cupid’s A Cowgirl” HERE.

"Having known Alexandra for a number of years, I came away from every interaction impressed not only with her talent, passion and work ethic, but also her strategic mind and determination to build a career not for a moment, but for a lifetime; a career anchored in the strong bond she is building with audiences around the world. It felt much like when I was first getting to know Jelly Roll. So, it was ironic when, completely separate from me, he saw the same qualities and invited her to tour with him last year. We are so excited to welcome Alexandra to the BMG family and look forward to continuing to help her build that lifetime career," says Jon Loba, President, Frontline Recordings, Americas, BMG

Proudly capping off her biggest year yet, Alexandra wrapped a milestone 2024 with breakout releases and a packed tour schedule on the road performing and connecting with fans. Being taken under Jelly Roll’s wing, she impacted new audiences across the U.S. on his sold out Beautifully Broken Arena Tour. Plus, she landed her first inclusion on a motion picture soundtrack when she was featured on Twisters: The Album. Additionally, Alexandra has sold over 80,000 tickets as an independent headlining artist and is one of the top-selling artists on TikTok Shop for music. 

Currently in the studio readying her debut project via BBR Music Group/BMG Nashville, Alexandra is proud to start sharing new music with her fans on tour. Up next, she’ll head across the pond for her international All I’ve Ever Known U.K. & Europe Tour that has already sold out in Amsterdam, Glasgow, Birmingham, Belfast and Manchester. With limited tickets remaining, click HERE for more information.

With over 8.5 MILLION social media followers, Alexandra Kay, who starred on Netflix’s series Westside, holds the rare and extraordinary ability to genuinely connect with audiences by just being her authentic true self via heartfelt melodies, her “refreshing brand of storytelling…custom-made for the country music genre” (People), and her “angelic, yet soaring vocals” (American Songwriter). Cementing herself as a force to be reckoned with in the industry, the bright and tenacious rising star that Billboard acclaimed as “an adept, propitious singer-songwriter,” dropped her debut album - All I’ve Ever Known - in 2023. The project reached #1 on the iTunes All Genre and Country charts globally and earned her a spot in the Top 10 on Billboard’s Country Album, Emerging Artist and HeatSeeker charts, independently.

Throughout her career, she has toured and collaborated with Jelly Roll, Randy Travis, Tim McGraw, Jo Dee Messina, Gary LeVox, Tracy Lawrence, Clay Walker, and Scott Stapp of Creed. Since making her Grand Ole Opry debut in 2022, she has gained an emphatic fan base, toured all over the world, and just a few months ago supported Morgan Wallen at his sold-out Hyde Park show in London and Jelly Roll at his sold-out hometown show in Nashville. 

Upcoming 2025 Tour Dates: 

February 23 - Jacksonville, FL – Decca 

February 25 - St. Petersburg, FL - Jannus Live

February 26 - Fort Lauderdale, FL - Revolution

February 28 - Athens, GA - Georgia Theatre

March 1 - Chattanooga, TN - The Signal

March 2 - Birmingham, AL - Iron City

March 4 - Tulsa, OK - Cain's Ballroom

March 6 - Houston, TX - White Oak Music Hall

March 7 - Dallas, TX - House of Blues

March 8 - Austin, TX - Emo's

March 9 - Fort Worth, TX - Tannahill's Tavern & Music Hall

March 11 - Denver, CO - Ogden Theatre

March 12 - Salt Lake City, UT - Rockwell at The Complex

March 14 - Phoenix, AZ - The Van Buren

March 15 - Temecula, CA - Pechanga Theater at Pechanga Resort Casino

March 16 - Sacramento, CA - Ace of Spades

March 18 - Portland, OR - Crystal Ballroom

March 19 - Seattle, WA - Showbox SoDo

March 20 - Vancouver, BC - The Pearl

March 22 - Calgary, AB - Palace Theatre

March 23 - Edmonton, AB – Midway

March 25 - Saskatoon, SK - Coors Event Center

March 26 - Winnipeg, MB - Park Theatre

March 28 - Minneapolis, MN - The Fillmore

March 29 - Chicago, IL - House of Blues

March 30 - Grand Rapids, MI – Intersection

April 1 - Detroit, MI - The Fillmore

April 2 - Toronto, ON – Danforth [SOLD OUT]

April 4 - Norfolk, VA - The NorVa

April 5 - Myrtle Beach, SC - House of Blues

April 6 - Raleigh, NC - The Ritz

May 3 - Amsterdam, Netherlands – Bitterzoet  [SOLD OUT]

May 4 - Berlin, Germany - Frannz Club

May 5 - Hamburg, Germany - Bahnhof Pauli

May 7 - Aarhus, Denmark – Train

May 8 - Copenhagen, Denmark - Amager Bio

May 9 - Oslo, Norway – Parkteateret

May 10 - Stockholm, Sweden – Debaser

May 12 - Cologne, Germany - Club Bahnhof Ehrenfeld (CBE

May 13 - Munich, Germany - Backstage Halle

May 15 - Vienna, Austria – Szene

May 16 - Milan, Italy – Legend

May 17 - Zurich, Switzerland – Plaza

May 18 - Paris, France - Café de la Danse

May 20 - Dublin, Ireland – Academy [SOLD OUT]

May 21 - Belfast, UK - Limelight 1  [SOLD OUT]

May 23 - Birmingham, UK – XOYO [SOLD OUT]

May 24 - Brighton, UK – Chalk

May 25 - Bristol, UK – SWX

May 27 - Glasgow, UK - TV Studio, SWG3  [SOLD OUT]

May 28 - Manchester, UK - 02 Ritz  [SOLD OUT]

May 29 - London, UK - Shepherds Bush

June 15 – Manchester, TN – BONNAROO

June 20 - St. Louis, MO - St Louis Music Park

August 22 - Mason, Wisconsin - Concert In The Corn

KEEP UP WITH ALEXANDRA KAY

WEBSITE | INSTAGRAM | TIKTOK | YOUTUBE | X | FACEBOOK


About Alexandra Kay:

With over 8.5 MILLION social media followers, Alexandra Kay, who starred on Netflix’s series Westside, holds the rare and extraordinary ability to genuinely connect with audiences by just being her authentic true self via heartfelt melodies, her “refreshing brand of storytelling…custom-made for the country music genre” (People), and her “angelic, yet soaring vocals” (American Songwriter). Cementing herself as a force to be reckoned with in the industry, the bright and tenacious rising star that Billboard acclaimed as “an adept, propitious singer-songwriter,” dropped her debut album - All I’ve Ever Known - in 2023. The project reached #1 on the iTunes All Genre and Country charts globally and earned her a spot in the Top 10 on Billboard’s Country Album, Emerging Artist and HeatSeeker charts, independently.

Now, signed to BBR Music Group/BMG Nashville and named to Pandora’s “2025 Artist to Watch: Country” list, Alexandra wrapped a milestone 2024 complete with a headlining tour, an opening slot on Jelly Roll’s Beautifully Broken Arena Tour where she was taken under his wing and was featured on the acclaimed Twisters movie soundtrack. Ready to take 2025 to the next level, the captivating songstress is giving a glimpse into her sophomore album, releasing the confidently spunky and contagiously catchy up-tempo sing-along – “Cupid’s A Cowgirl”  – on Friday, February 21. Next, the budding star hits the road on her headlining U.S. and Canada “Cupid’s A Cowgirl” Tour, before heading across the pond for her headlining international All I’ve Ever Known U.K. & Europe Tour that has already sold out in Amsterdam, Glasgow, Birmingham, Belfast and Manchester. 

Austin artist Claude9 shares groovy synth-laced single 'Clouds So Low', teasing 'Clouds of Love' album

Austin-based electronic-synthpop artist Claude9 presents 'Clouds So Low', the soulful first single from his forthcoming 'Chords of Love' album, slated for release on March 28 via indie imprint New Human Music. This chill feel-good offering tastefully blends Enoesque ambient music and downtempo trip-hop.

Encapsulating the dreamy, rhythmic energy that defines much of the album, 'Clouds So Low' serves as a perfect introduction to this relaxing 9-track sonic journey. Claude9 also offers a newly-recorded mini-live set a sneak-peak of 'Chords of Love'.

"'Clouds So Low' is a funky, breakbeat-driven downtempo track that was inspired by the surreal low-hanging clouds I encountered during a drive to the studio for the song’s first session. Combining vocoder effects with soulful live vocals and melodic lines from my electric melodica, the track offers a playful and atmospheric vibe. With its lighthearted energy, it evokes a sense of wonder, reminiscent of The Orb’s iconic 'Little Fluffy Clouds'," says Claude9.

"This was the first track I began for this album, originally envisioned as a collaborative project with my friend Alec Ash. However, shortly after the first session, COVID hit, and the album evolved into a solo endeavor. The inspiration for this track came from my deep love of downtempo trip-hop acts like Massive Attack and The Orb."

Claude9 has been involved in the Austin music scene for several decades, both as a live performer and recording artist. As a keyboard player and singer, he has worked with Reggae acts Pressure, the Killer Bees, and Raggamassive, cutting his teeth to become a sought-after keyboard player. From there, he joined forces with hiphop-funk act Afrofreque, Supercreeps and Hail Marley.

Emerging in the late 90s as one of Austin's first electronic producers, Claude9 was involved in several well-received House music collaborations in the early 2000s. His background as a live musician brought authenticity to the dub and funk elements in his electronic compositions and, more recently, to his
collaboration with Noëlle Hampton (the Belle Sounds) and Ken Christensen (East Coast Boogiemen) in synth pop band XANIMAL.

"The lyrics for 'Clouds So Low' were sparked by a vivid moment on my drive to Lockhart, TX, for that initial session. The clouds that day hung incredibly low in the sky, and as I crossed a high overpass, it felt as though they were close enough to touch. I found myself imagining stepping out of the car and walking on them—a whimsical thought that became the core idea for the song," says Claude9.

"I already had the breakbeats I wanted to use, and once I arrived at the studio, the rest of the track came together surprisingly quickly. It turned out almost exactly as I had envisioned, which is a rare occurrence for any artist. The track brings together many of my favorite elements: crisp breakbeats, lush pads, a heavy bass synth, melodica melodies, and a blend of vocoder and “real” vocals."

As a producer at Claude9 Studios, Claude continues to produce and record internationally recognized music in the House and Downtempo genres, while still pushing limits and being an influential member of the ever changing Austin music community.

'Clouds So Low' is out everywhere digitally, including Apple Music, Spotify and Bandcamp. Now available for pre-order, the 'Chords of Love' album will be released - on vinyl and digitally - on March 28.

CREDITS
Claude9 - Keyboards, real and synthesized vocals, melodica, harmonica
Jorja Chalmers - saxophone on tracks 1 and 9
Recorded at Claude9 Studios (Austin, TX)
Initial session for track 4 at ESH INSTITUTE, Lockhart Tx.
Production assistance by Alec ESH
Mixed and mastered by Charles “Chicky” Reeves at Sublime
Studios London, UK
Album cover design by Fumihito Sugawara / Fumanstudios
Released by New Human Music
Distributed by Xelon Distribution
Publicity by Shameless Promotion PR


Keep up with Claude9
Website | Bandcamp | Facebook | Studio | Instagram | Soundcloud | Apple Music | Spotify | Press contact

Keep up with New Human Music
Website | Bandcamp | Facebook | Instagram | Soundcloud | YouTube

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This Gift is A Curse Welcome Total Annihilation on New Single

Since forming over a chance encounter in 2008,  This Gift Is A Curse have been relentless in their pursuit of extremes. On their upcoming fourth album, the unruly band of Swedes have sharpened their cutting-edge take on sludge-encrusted black metal. With Heir,  they claim metal's crown of thorns with a cold, hard fist.

Every song on Heir stands tall as an ode to the darkness within us all. But on the album's latest single, This Gift Is A Curse go where light dares not tread.

Listen to "Void Bringer" below:

Heir comes out March 7, 2025 on Season of Mist.

Pre-order & Pre-save

https://orcd.co/thisgiftisacurseheir

On their latest single, This Gift Is A Curse raise a monument to human suffering. "Void Bringer" is an epitaph to the shadows that consumes us, full of slow burning anguish and soul-crushing orchestration that burrows deep into your psyche. The atmosphere is thick with malice, while the riffs cut like a scalpel. Prepare for a descent into the abyss, where light is devoured and only the resonance of the damned remains.

This Gift Is A Curse defies the transient trends of music, instead choosing to carve its path with the bones of the fallen. Their forthcoming album, 'HEIR,' is a relentless pursuit of the extreme, a mosaic of human suffering and the dark beauty that lies within. As the album prepares to sear its mark upon the world, one thing is clear: There will be no heirs to the throne of darkness that This Gift Is A Curse occupies. The crown is theirs alone, forged in the fires of creation and destruction, a beacon for those who dare to walk the shadows.

Line-up
Jonas A. Holmberg - Vocals
Patrik Andersson - Guitars, Vocals
David Deravian - Guitars
Lars Gunnarsson - Bass
Christian Augustin - Drums

Recording Studio
The Overlook Studio, Gävle, Sweden

Production Credits
Produced, Engineered & Mixed by William Blackmon at The Overlook Studio.
Mastered by Magnus Lindberg at Redmount Studios, Stockholm, Sweden.
Guitars recorded at Laard studios and House of Inge Studio. Engineered by Daniel Noring and TGIAC.
Bass recorded at Cold Barn with the help of Daniel Noring.
Vocals recorded at Cold Barn by TGIAC.

Guest Musicians
Laura Morgan (of Livmødr) - Vocals on Kingdom (Track 1), Old Space (Track 9) & Ascension (Track 10).

Cover Art
Jonas A. Holmberg / House of No Light .317 (Instagram)

Pre-order & Pre-save
https://orcd.co/thisgiftisacurseheir

Follow This Gift Is A Curse
Bandcamp: http://thisgiftisacurse.bandcamp.com/
Facebook: http://www.facebook.com/thisgiftisacurse
Instagram: https://www.instagram.com/thisgiftisacurse/
Spotify: https://open.spotify.com/artist/7MoipbqoshfYNfckhzRtYC
Apple Music: https://music.apple.com/artist/this-gift-is-a-curse/405256386
Deezer: https://www.deezer.com/artist/1005843
TIDAL: https://tidal.com/browse/artist/3813169

Available Formats
Digital Download
CD Digipak
2x12" Vinyl Gatefold - Black

2x12" Coloured Vinyl Gatefold - Gold w/ Silver Splatters

2x12" Coloured Vinyl Gatefold - Red w/ Black Splatters

Your Spirit Dies announce debut album

South Carolina metal/hardcore outfit YOUR SPIRIT DIES will unleash their My Gnawing Pains Will Never Rest debut full-length on May 2nd via their new label home of MNRK Heavy. Today the band presents their first single, “In The Depths Of Grief,” and album preorders.


Small towns across America are home to countless untold stories, and Columbia, the state capital of South Carolina, is no exception. With a population just over 140K, this city may be small, but it’s big on spirit. YOUR SPIRIT DIES, hailing from this very place, channels that humble yet fierce energy, embodying an underdog work ethic and an unstoppable fire. After buzzing nationwide and earning acclaim from the likes of Brooklyn Vegan, No Echo, and more, the group shares their story on My Gnawing Pains Will Never Rest.


“The record encapsulates every single thing we’re about,” notes vocalist Brandon Byars. “We’re five people who were born in small towns in the South. We were never supposed to leave these places; we were ‘supposed’ to live and die here. For us, the simple fact we’re doing this is huge. We tried to craft an album that stands on its own, and we busted our asses to make it as different as we possibly could.”

Comments Scott Givens, MNRK’s SVP of Rock and Metal, on the band’s signing, “YOUR SPIRIT DIES is an amazing young band and they make a great addition to the MNRK Heavy family.”

The members of YOUR SPIRIT DIES each cut their teeth in other regional favorites, with Byars and guitarist Holden Hall in Remembrance, guitarist Tyler Dorman in Hopesick, and bassist Keagan McChesney in Soul Press, while Brannon Crumpton does double duty on drums in Moru. The band arrived in 2020 with the debut EP, The Process Of Grief. Two years later, they accelerated their ascent with a follow-up EP, Our Saints Drown In Ash. Earning critical acclaim, BrooklynVegan hailed the track “2000 Needles” “a raw, heavy metalcore song,” and No Echo raved, “The South Carolina-based quintet brings to mind the golden era of Trustkill Records.” Distorted Sound professed, “the band can receive no less than full marks for their command of the genre’s essentials.”

And the command continues as they bulldoze a path for My Gnawing Pains Will Never Rest, with tracks like “Serpentine” featuring Dan Weyandt of Zao. Piercing fretwork rains down over a double bass beatdown, alternating between guttural growls and haunting spoken word. Byars’ roar explodes with a warning, “You will die alone.”

Chicago's Evidence of a Struggle reveals 'Eddy Derecho', first offering from sophomore album

Chicago-based outfit Evidence of a Struggle presents their new single 'Eddy Derecho', the first offering from their sophomore album by the same name, which will be released on May 9 via The Glue Factory and The Orchard.

Centred around the musings of multi-instrumentalist W P C Simmons V a.k.a. Rev. Billy Simmons,  Evidence of a Struggle has grown since releasing their 2023 eponymous album to also involve Matt Walker (Smashing Pumpkins, Morrissey, of1000faces, Garbage, Filter) on drums, synths and bass, and John Airo, who provides visual art for the projects.

Evidence of a Struggle creates lush, cinematic, beautiful and sometimes chaotic compositions. In creating this album, Evidence of a Struggle spent most of 2024 weaving a dense tapestry of sonic, musical, lyrical and visual ”observations” of what’s happening in our world now, what’s happened in the past, and what may happen in the future.

”The music and videos we’ve created for this record have really helped us make sense - personally and as a collective - of what’s going on in our world, how it’s effecting and affecting everyone regardless of their race, religion, color, ability or socioeconomic standing," says Rev. Billy.

"Maybe our music can help us recognize a better way to approach the idiocy happening in this world.  The wars, inequity, inequality, pain, suffering, anger, maybe it can help everyone else really look at themselves a little closer and not become part of the problem"

The new album also sees contributions from several other notable artists, including bassist Alan Berliant (Chris Connelly, Mavis Staples, Saint Asonia) and Solomon Walker (Liz Phair, Bryan Adams, Morrissey, Eastern Shadows, Year of the Rabbit)with Grammy-nominated sound engineer Chris Gelin (Smashing Pumpkins, Trent Reznor, RZA, Tom Morello, Korn) engaged in mastering and post-production, including in-studio assistance at The Glue Factory studio.

'Eddy Deracho' is a lyrical departure from Evidence of a Struggle's debut instrumental album. Rooted honestly within the chaos of our world, it is a loud and thoughtful sonic exploration of our unique ability as a species to harm, destroy, thoughtlessly marginalize, and discard with reckless disregard for anyone or anything outside of our immediate orbit.

"This record brings 13 musical stories of sonic solidarity, woven out of an unfortunate reality and understanding that Evidence of a Struggle is humbly presenting to encourage each one of you again to wake up, look in the mirror, and find a way to fix what we’re still fucking up," says Rev. Billy.

Transforming into a musical chameleon at night, Rev. Billy's day to day entails running Rev. Billy's Chop Shop, a salon with a creative space that regularly showcases artists' work (declared by Chicago Reader as the city's best gallery).

Earlier in his journey, Rev. Billy collaborated with RCA artist and artists (like Urge Overkill) on Touch and Go, and other majors like BMG and Universal. In 2020, he returned to music in the midst of lockdown boredom, allowing him a continued creative outlet. Playing every instrument and recording his debut album at The Glue Factorystudio, he joined forces with renowned sound engineer Sanford Parker (Voivod, Russian Circles, Yob, Eyehategod, Wovenhand, Darkthrone) for additional production, recording and mastering.

As of February 12, 'Eddy Derecho' is available from fine digital platforms, including SpotifyApple Music and Bandcamp.  The full album will be released on vinyl and CD, as well as digitally, on May 9.

SINGLE CREDITS
All music written by William P C Simmons V (aka Rev. Billy)
William P C Simmons V - Vocals, Guitar, Synth
Matt Walker - Drums, Synth
Alan Berliant - Bass guitar
Recorded at The Glue Factory, Ming Music Studios, and Hypercube
Mixed & produced by Sanford Parker at Hypercube
Mastered by Chris Gelin at Opus Audio Labs.
Cover art and animations for Eddy Derecho by John Airo
Loveless Publishing ASCAP
ISRC code QM4TW2516369
Video and cover artwork by John Airo
Artist photos by Jeremy Glickstein
Publicity by Shameless Promotion PR

Keep up with Evidence of a Struggle
Bandcamp | Facebook | Instagram | Threads | BlueSky | Twitter | YouTube | Spotify | Apple Music | Press contact

Keep up with Shameless Promotion PR
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