35 years in, Manchester's THE SPEED OF SOUND presents 'Artificial Paradise', previewing 'Bounty' LP

November 5, 2024

Manchester indie rock / power pop outfit The Speed Of Sound present 'Artificial Paradise', a hugely upbeat danceable rail against Artificial Intelligence, along with the B-side 'Jaunt', which also happens to be the first single revealed from the album 'A Cornucupia: Bounty' - the third of their album trilogy 'A Cornucopia: Minerva, Victory, Bounty', released via Big Stir Records.

Formed in 1989 with a pre-history dating back to the day Andy Warhol died in 1987, the band is now made up of father and son John Armstrong (guitars and vocals) and Henry Armstrong (keyboards), Ann-Marie Crowley (vocals and guitar), Kevin Roache (bass guitar) and John Broadhurst (drums).

"Already the 'music industry’ appears to have no actual interest in music beyond creating prefabricated manufactured ‘product’. The logical next step from their existing ‘talent factories’ and hologram concerts perpetuating careers of dead stars is for major labels to move to entirely virtual stars; AI singing AI songs with AI instruments. AI regurgitates what is available for it to scrape, it cannot create something new. There will be no advancement, no evolution, no change. There is no life without change," says John Armstrong.

''Artificial Paradise' is uncompromisingly human and says a firmly grooved up “No” to Artificial Intelligence in music. The video uses A.I images which are all generated from the prompt “Artificial Paradise” and are all meaningless, formless and empty. Which is exactly what A.I does".

Full of ambition, energy and melodic brilliance, this three-album deluxe edition is available on vinyl and CD. Beginning with the 'Minerva' album, The Speed of Sound shared a rich bouquet of thought-provoking compositions, including the hauntingly spacious 'Trickledown', the stratospherically vast 'The Great Acceleration', the uplifting 'Mind Palace' and 'West Wind', where a recklessly fast rhythm merges with a Wagnerian horn section.

The 'Victory' album then brings 14 fresh and unexpectedly shape-shifting grooves, from the supremely danceable 'Underground', unabashed sensuality of 'Monsoon', gothic lounge jazz of 'Permafrost', the glam-rocking 'E to F', reckless garage punk punch of 'Go For It', post-nostalgia of 'The Same River' and triumphant shimmering elegance of 'Tranquility Falls' to the strangely linked pairing of 'Apocalypse Acropolis' and 'Apocalypse Metropolis'

The Speed of Sound's music has always been idiosyncratic and counter-intuitive, in search of something new. Creating music with lyrical bite, expanding their foundation of 1960s, punk and new wave influences, their dynamic and stylistic variation crossing borders and pushing boundaries at every opportunity.

Following 2021's critically acclaimed album 'Museum Of Tomorrow', the band returns triumphant, defiant and redemptive with this trilogy, marking their 35th anniversary. Most music is never even recorded, and most recorded music remains unheard. 'Victory' is a celebration of this unheard underground music and the counterculture itself - music made for the pleasure of making it.

'Artificial Paradise' is out now and available everywhere, including Apple Music, Spotify and Bandcamp, where the full trilogy 'A Cornucopia: Minerva, Victory, Bounty' can be obtained on CD or vinyl. The 'Bounty' album will be official released on November 22.

CREDITS
All songs written by John Armstrong
John Armstrong - guitars and vocals
Ann-Marie Crowley - vocals and guitars
Kevin Roache - bass guitar
John Broadhurst - drums
Henry Armstrong - keyboards
Bob Dinn - trumpet and flugelhorn
Chris Guest - harmonium, vibraphone, organ, shakers, tambourine
Alex Armstrong - typewriter on 'Yet Another Tuesday'
Recorded, Mixed and Mastered at Vibratone Sound Studio in Manchester by Chris Guest, Adam Crossley and The Speed of Sound
Main sleeve image: Purple Spaceman © Lina Landers 2022
Artist photographs by Shay Rowan
Publicity by Shameless Promotion PR

Scot music legend JOHN DOUGLAS (TRASHCAN SINATRAS) presents his 'Still or Sparkling?' EP

November 5, 2024

Celebrated songsmith John Douglas, co-founder and guitarist of beloved Scottish music icons Trashcan Sinatras presents his new 4-track 'Still Or Sparkling EP', out November 8 via Reveal Records, having returned home after wrapped up his debut headline North American tour (with select shows involving fellow Trashcans Frank Reader and Paul Livingston).

In the home stretch to his EP, Douglas introduces his rendition of 'Johnsburgh, Illinois', noting that he had dreamed of finding a love so strong as that which inspired this Tom Waits classic and finally did upon meeting his wife Eddi Reader (of Fairground Attraction fame and a solo artist in her own right),

He earlier shared the lead single 'Still Or Sparkling?', evoking the early days of any relationship…. the getting to know each other phase, flirtatious and light, in which he also name-checks the unlikely trio of Shirley Collins, Annie Briggs and Michelangelo. John Douglas says, "This is a new song of new love… the fresh, early days. Inspired by a late night date with my future wife, spent listening to folk records, eating figs and getting to know each other."

A slight move away from his acoustic debut album while maintaining a natural 'no overdubs' approach, this EP involves contributions by some stellar musicians, including Eddi Reader, Boo Hewerdine (The Bible), Kevin Mcguire and Alan Kelly - all also part of Reader's band.

In 2023, John Douglas released his eponymous debut album via Reveal Records, recorded with renowned producer Mark Freegard (New Model Army, Lush, The Breeders, Del Amitri, Marillion). Other highlights of the year include a UK headlining tour, UK Top-40 charting of Trashcan Sinatras' reissued album 'Cake' (33 years since debuting), and a Trashcan Sinatras documentary, produced by award-winning journalist Ken Sweeney, featuring Douglas performing beloved Trashcans' songs.

Douglas also recently shared his version of 'Weightlifting' for the 20th anniversary of the milestone Trashcan Sinatras album with that name, preceded by videos for 'Oranges & Apples', 'I Just Want To Go Home', 'Lost', 'I'm Not The Fella', 'Always'and 'Leave Me Alone'.

As of November 8, the 'Still or Sparkling?' EP is available from fine online platforms, including Bandcamp, where it is now available to order.

DELAIN Releases Brand-New Track “The Reaping” + Official Video!

November 5, 2024

DELAIN will finally release their new EP, 'Dance with the Devil', this Friday, November 8, 2024 via Napalm Records! Right in time, the melodic synth-metal masters around keyboardist, founder, and main songwriter Martijn Westerholt create a stir with a brand-new song, entitled “The Reaping”, cut from the new offering.

The gripping track acts as a whirlwind of emotions articulating feelings of foreboding and sorrow through catchy electronic synth melodies and modern heaviness. It delves into collective themes, expressing disillusionment with the current path of society toward imminent and inescapable consequences. “The Reaping” is now available on all streaming services worldwide and comes with an electrifying official music video, underlining this exceptional track with stunning high-quality visuals.

'Dance with the Devil' allows DELAIN’s listeners to dive through their highest quality discography while striding ahead into a future that promises to explore new, more synth-driven soundscapes than ever before.

Martijn Westerholt on “The Reaping”:

“’The Reaping’ is a very expressive song with a serious subject - where the world/society is heading and metaphorical storms on the horizon. Musically the song can be recognized as a typical DELAIN song filled with heavy guitars, but also with the very recognizable 80's synth elements DELAIN is known for”.

Watch the Official Music Video for “The Reaping” below.

As their second release with a revitalized lineup anchored by Martijn Westerholt, 'Dance with the Devil' features a thrilling collection of two brand new tracks, two newly-presented favorites, nine electrifying live performances, and two instrumental bonus tracks, showcasing the best of their catchy, melodic signature sound with extensive electronic synth elements and fresh modern nuances.

Secure your Copy of 'Dance with the Devil' NOW

'Dance with the Devil' debuts with two gripping new tracks, “Dance with the Devil” and “The Reaping”, followed by a brand-new version of "Sleepwalkers Dream", showcasing singer Diana Leah’s outstanding voice and her breathtaking full vocal capacities. 'Dance with the Devil' continues with nine live performances, featuring massively-streamed hits from both the present and the past. These include "Burning Bridges", "The Quest and the Curse", "Moth to a Flame", and the massive hit "April Rain", which has been streamed over 10 million times, along with "Queen of Shadow". In addition, the digipak edition features instrumental versions of “Dance with the Devil” and “The Reaping”, as well as an alternate ending version of “Underland”. DELAIN’s new EP impressively underlines the unit's high-class standing in the scene and continues their voyage of setting fans’ hearts ablaze!

Martijn Westerholt adds:

“We're thrilled to have brand new material ready to be released! In addition to the new songs, it was fantastic to have captured some magical live moments of our European tour earlier this year as live tracks for the EP. We’re definitely very excited for this release and are really looking forward to bringing the new music to the stage!”

North America Tour

Special Guest: XANDRIA

Support: Edge Of Paradise

07.03.25 US – Phoenix, AZ / The Nile

08.03.25 US – Los Angeles, CA / Whisky a Go Go

09.03.25 US – Sacramento, CA / Goldfield Trading Post

10.03.25 US – Portland, OR / The Bossanova Ballroom

11.03.25 US – Seattle, WA / El Corazon

13.03.25 US – Salt Lake City, UT / Metro Music Hall

14.03.25 US – Denver, CO / The Oriental Theater

15.03.25 US – Lawrence, KS / Bottleneck

16.03.25 US – Joliet, IL / The Forge

17.03.25 US – Detroit, MI / The Token Lounge

19.03.25 US – Columbus, OH / The King of Clubs

20.03.25 CA – Toronto, ON / Axis

21.03.25 CA – Montreal, QC / Fairmount Theatre

22.03.25 US – Cambridge, MA / Middle East

23.03.25 US – New York, NY / The Gramercy Theatre

24.03.25 US – Baltimore, MD / Soundstage

26.03.25 US – Atlanta, GA / Masquerade (Hell)

28.03.25 US – Dallas, TX / Granada Theater

29.03.25 US – Austin, TX / Come and Take It Live

DELAIN are:

Martijn Westerholt - keyboards

Diana Leah - vocals

Ronald Landa - guitars and backing vocals

Ludovico Cioffi – bass and backing vocals

Sander Zoer - drums

BURNING WITCHES Enchant with New Single “The Spell Of The Skull” + Official Video

November 5, 2024

BURNING WITCHES bring back the vibe of 80s heavy metal and update their powerful force with renewed sonic clarity on their upcoming maxi-single, 'The Spell Of The Skull', set for release via Napalm Records on December 10, 2024! With screaming guitars, the Swiss band is back for a heavy metal blast session in the snow.

This time, they curse their audience with two new songs from their latest conjuring of witchcraft. Witchqueen Romana Kalkuhl hypnotizes your mind with her melodic riffs, while diabolic priestess Laura Guldemond conquers your soul with crowd-pleasing shouts. Title track “The Spell Of The Skull” starts off with a short but mighty heavy guitar intro that perfectly sets up Laura’s powerful vocals, which especially shine in the chorus of the song, making it a true sing-a-long experience and creating an epic atmosphere pleasing every fan of heavy metal!

Only a few years after their foundation, these five witches had already performed at fully attended shows at the biggest and most important festivals of the entire metal universe, like Wacken, Summer Breeze, and Rock Harz Open Air in Germany. After five attention-grabbing albums, BURNING WITCHES prepares for another attack in 2025!

Guitarist Romana Kalkuhl on “The Spell Of The Skull”:

“We are busy bees and in between all the shows we managed to write the first new songs with Courtney on guitar. We are so excited to present you some fresh music and this keeps us all entertained till the next album. Working on this was such a blast, 'The Spell of the Skull' could be a new WITCHES anthem, what do you think? Lean back and enjoy & get enchanted by your favorite WITCHES!“

Watch the Official Music Video for “The Spell Of The Skull” below.

Featured on the New Two Track 12’’ Vinyl Edition

Pre-Order HERE

BURNING WITCHES are:

Laura Guldemond - Vocals

Romana Kalkuhl - Guitars

Courtney Cox - Guitars

Jay Grob - Bass

Lala Frischknecht - Drums

Kevin Jonas Sr. to Release Debut Christmas EP 'Ready Set Glow - A Holiday Collection' on Nov. 8

November 4, 2024

Kevin Jonas Sr., lovingly known as “Papa Jonas,” is set to release his debut Christmas EP, Ready Set Glow – A Holiday Collection on November 8. The collection presents a deeply personal, heartwarming, and festive compilation of seven tracks, largely co-written by Jonas, Nashville Songwriter Hall of Fame Member and 2017 BMI Icon Bob DiPiero, acclaimed artist-songwriter Amy Stroup, and multi-platinum producer David Kalmusky, who also produced the EP.

Adding to the project's holiday spirit, Kevin’s wife, Denise Jonas, lends her vocals to select tracks, bringing an intimate and family-centered feel to the EP. The Red Van Records release is available for pre-save/pre-add Here.

“Thirty-five years ago, I promised my wife Denise that I would record and release a Christmas record, and now it’s finally coming to life,” Kevin shared. “Ready Set Glow-A Holiday Collection is all about the magic and warmth of the holiday season, shared with family and friends.”

The collection opens with the standout title track, “Ready Set Glow,” a heartfelt duet between Kevin and Denise Jonas that perfectly captures the spirit of Christmas. The song includes guest vocals from members of Jonas Group Entertainment, Red Van Records and friends, embodying the inclusive, communal joy of the holidays.

“The EP also features a co-write with Nick Jonas on ‘Joy to the World (A Christmas Prayer)’, written when Nick was only 9 years old.”

The exquisitely arranged medley “Jesu Bambino/Oh Holy Night,” recorded with the Czech National Symphony Orchestra and arranged by David T. Clydesdale, adds a classic touch that will add to any holiday tradition.

With Ready Set Glow-A Holiday Collection, Kevin Jonas Sr. brings to life a festive celebration of love, laughter, and family—just in time for the holiday season.

WANG CHUNG ANNOUNCE EXTENSIVE CAREER RETROSPECTIVE, DOUBLE LP 'CLEAR LIGHT/DARK MATTER' AND EVERYBODY HAVE FUN TONIGHT REMIX OFFICIAL LYRIC VIDEO

October 31, 2024

Some of the '80s biggest and most enduring synth-pop hits were created by a single band, Wang Chung – including "Dance Hall Days," "Everybody Have Fun Tonight," "Let's Go!", "To Live and Die in L.A.," "Hypnotize Me," and “Fire In The Twilight” – and now all those tracks (and more!) will be included on the new compilation, 'Clear Light/Dark Matter.'

Scheduled to release on Friday, March 7th, 2025, 'Clear Light/Dark Matter' reveals the many layers of Wang Chung's music. This exclusive double vinyl set spans the band's more than four-decade and career, featuring a carefully curated selection of their greatest hits and hidden gems, including never-before-released demos and a new live recording.

The set also includes an edit of the recently released brand new remix of “Everybody Have Fun Tonight” by acclaimed remixer Eric Kupper, known for his work with artists such as Whitney Houston, Alicia Keys, Depeche Mode, Diana Ross, and Earth, Wind & Fire. Streaming everywhere now.

Priced at $89.95, the set is available now for pre-order as a "deluxe collector's edition," and includes instant access to the music and other exclusive digital content! https://singmarket.com/market/wangchung/cldm/deluxe

Included in this set is:
• Double 12" LP Vinyl Record: 180g colored vinyl (Clear White & Black Ice)
• 7" Vinyl Single: Everybody Have Fun Tonight (Eric Kupper Remix – Club & Dub versions)
• Exclusive Booklet: Featuring photos provided by Nick Feldman and Jack Hues, with written contributions from Jack Hues
• CD: 6-panel two-disc digipak of ‘Clear Light/Dark Matter’
• Turntable Mat
• 8" x 10" Semi-Gloss Photo: Exclusive image provided by Wang Chung
• 5” x 5” Sticker: Everybody Wang Chung Tonight

Additionally, digital assets include:
• 8 Exclusive Photos: Never-before-seen
• Thank You Video: Personal message from Wang Chung

The duo of Nick Feldman and Jack Hues came out of the post-punk/new wave scene in the UK, and went on to achieve global success selling millions of records. Throughout their 40+ year career, they have released 6 studio albums and 2 greatest hits collections. They have had 6 US Top 40 hits, including a massive #1 single. They composed and performed the complete score for the 1984 neo-noir action thriller film "To Live and Die in L.A.” and also the song 'Fire in the Twilight’ for the legendary film 'Breakfast Club’, amongst many others. Wang Chung’s hit song 'Dance Hall Days’ was featured almost in its entirety in the 2024 hit movie starring Anne Hathaway titled 'The Idea of You’. 'To Live and Die in LA' also got used as the theme tune for the John Mulaney Netflix show ‘Everybody’s in LA’. In the process of all of this (and somewhat unintentionally), Wang Chung became part of the contemporary culture of North America with their huge smash 'Everybody Have Fun Tonight', with its now famous line ''Everybody Wang Chung Tonight'' which saw the invention of a new US verb: ''to Wang Chung'’.

From Wang Chung:
"Our songs often have an accessible front end, but there's always a deeper layer beneath the surface—whether it's lyrically or musically. 'Clear Light, Dark Matter' reflects that balance between the light and the dark, the yin and yang, or as we like to say, the Wang and the Chung of what we do.” -Nick Feldman

Founded in 2019, Seattle-based SING Inc. is a music technology company specializing in deluxe collector’s editions and high-fidelity vinyl records. We focus on fostering the relationship between artists and fans by creating products of high quality and cultural importance. Each release is thoughtfully curated and uses our proprietary intellectual property technology to ensure authenticity. Every edition is designed to deliver a memorable experience in various physical and digital formats, allowing fans to truly "Own the Sound."

2024 has continued to be a successful year for Wang Chung with 'Dance Hall Days' being featured almost in its entirety in the 2024 smash hit movie starring Anne Hathaway, titled 'The Idea of You’. 'To Live and Die in LA' also got used as the theme tune for the John Mulaney Netflix show 'Everybody's in LA'.

FOR MORE INFORMATION, VISIT:
Website: www.wangchung.com
Facebook: f acebook.com/wangchungband
X: @WangChungMusic
Instagram: @WangChungOfficial

Acclaimed AOR Force THE NIGHT FLIGHT ORCHESTRA Reveal Nostalgic New Single, “Shooting Velvet”

October 30, 2024

THE NIGHT FLIGHT ORCHESTRA’s new album and Napalm Records debut 'Give Us The Moon' is set for release on January 31, 2025, and today the band offers a first taste of what’s to come with “Shooting Velvet”! The beautifully nostalgic new single arrives with an official music video. Founded in 2007, THE NIGHT FLIGHT ORCHESTRA already have six albums and three Swedish Grammis nominations as well as millions of streams and countless exciting live shows under their belts.

The multifaceted new offering continues THE NIGHT FLIGHT ORCHESTRA’s mission of protecting true AOR and will impress fans and critics alike with its spellbinding storylines, brilliant musicianship and unique sound. To celebrate the album release, THE NIGHT FLIGHT ORCHESTRA will head on a full European tour at the end of January. Make sure to pre-order your copy of 'Give Us The Moon' now and check out the exciting music video for “Shooting Velvet” below!

THE NIGHT FLIGHT ORCHESTRA comments:

“Here’s the first taste of the new TNFO universe that is 'Give Us The Moon'. Let yourself be mesmerized by the pulsating foundation and grandiose chorus of this glittery effort. This song is about keeping the highs, fighting the lows, and never skipping a beat. We shall be watching you from the moon as you lace your shiny shoes. Enjoy ‘Shooting Velvet’!”

Watch the Official Music Video for “Shooting Velvet”

Founded in 2007 by members of high-profile bands such as Soilwork, Arch Enemy, and Mean Streak, over the years THE NIGHT FLIGHT ORCHESTRA have been nominated three times for the Swedish Grammis, gathering millions of streams via their hits. The band has also won over live audiences internationally with their incredibly entertaining performances, including enormous festivals like Wacken Open Air and even opening for Kiss on their very last two shows in Sweden at legendary Dalhalla, as well as several successful European tours and a Latin American tour in summer 2024.

The 13-track album takes the listener on an exciting sonic journey, balancing between uplifting escapism and captivating stories inspired by real-life events. The album's themes span the likes of heroines and temptresses to liberation and romantic nostalgia, set to backdrops of abandoned cities and cosmic tides. The intro track “Final Call” sets the scene for Give Us The Moon before impressive opening track “Stratus”. The intro of “Like The Beating Of A Heart” captures the listener from its first notes, leading into an irresistibly catchy chorus. Massive “Melbourne, May I?” is a classic THE NIGHT FLIGHT ORCHESTRA anthem, featuring captivating solos that are equally prominent on following track “Miraculous”. THE NIGHT FLIGHT ORCHESTRA slows it down for the emotional “Paloma”, before again diving into different soundscapes on the exciting, uplifting “Cosmic Tide”. The title track “Give Us The Moon” builds into a singalong chorus, before the band continues their trademark of name-dropping streets and cities on “A Paris Point Of View”, that features fascinating instrumentation including particularly 80s-inspired keys and groovy bass. Sentimental “Runaways” feels like a part of a movie, only partially because of the attention-grabbing intro track before the first notes. THE NIGHT FLIGHT ORCHESTRA gets the tempo up once more for “Way To Spend The Night” before the epic closing track “Stewardess, Empress, Hot Mess (And The Captain Of Pain)” wraps up THE NIGHT FLIGHT ORCHESTRA’s most cinematic masterpiece so far.

'Give Us The Moon' is free from the limitations of one genre or style, although many of the soundscapes of the album draw inspiration from the 80s, making the album a varied, exciting adventure. The album was produced by THE NIGHT FLIGHT ORCHESTRA and Sebastian Forslund, who also mixed the album, and is mastered by Plec Johansson at award-winning The Panic Room Studios. The galactic artwork was once again created by the talented Giorgia Carteri. Boarding is completed - fasten your seatbelts and enjoy the flight!

THE NIGHT FLIGHT ORCHESTRA about their new album:

“We have never worked harder on an album before and what a journey it’s been. We feel that this album has it all and there’s no way we could have done any better. It’s an explosion of emotions and cinematic landscapes where you’ll be catapulted into space and then land smoothly while feeling right at home. It will be your haven and your grand escape all at once. We hope you will connect to this album with every fiber of your body and mind, just like we do. Please do enjoy 'Give Us The Moon'!”

Pre-Order Your Copy Of 'Give Us The Moon' NOW:

THE NIGHT FLIGHT ORCHESTRA are:

Björn Strid - Vocals

Sharlee D’Angelo - Bass

Jonas Källsbäck - Drums

Sebastian Forslund - Guitar, Percussions

John Lönnmyr - Keys

Rasmus Ehrnborn - Guitar

Anna Brygard - Backing Vocals

Åsa Lundman - Backing Vocals

Manchester post-punk / death-rock stalwarts Inca Babies unleash 'Ghost Mechanic 9' single

October 30, 2024

Manchester post-punk death-rock rockers Inca Babies present ‘Ghost Mechanic 9’,the title track and second single from their ninth studio album 'Ghost Mechanic Nine'. A driving blast of a guitar song, this song is a powerful indication of the flavour of the album as a whole, the sound owing more to the Incas' early music as Harry Stafford revisits the raw guitar sounds of their 80s output. Earlier, they released the lead track 'Spacewalk', a timeless Rockabilly groove inspired by Link Wray, Alan Vega and Brian Setzer (but set in a Sci-Fi space opera), together with the B-side 'Monster In The Deep'.

Today, Inca Babies is made up of Harry Stafford (guitar, keys, vocals), Rob Haynes(drums, percussion), Jim Adama (bass) and Kevin G. Davy (trumpet). This will be their first release in three years, following their 2021 album ‘Swamp Street Soul’. Continuing their explosive exploration of goth, punk and death-rock jazz-blues, this album explores the essence of the 80s death-rock vibe, with a tribute to the strong riffing and cool, dead-pan delivery of the dark wave scene at the time.

With its singular hypnotic bass rhythm, 'Ghost Mechanic 9' could have fit neatly on their 1986 album ‘Opium Den’ . But those days of analogue imprecision are behind us and, with Simon ‘Ding’ Archer (The Fall, PJ Harvey) at the controls, there is still a contemporary zing to the production and a snap to the overall sound. Recorded at 6Db Studios in Salford, Archer and Stafford recorded and mixed this album over two years, with with 'Ding' also contributing serious sonic and dub flourishes. Marco Butcher subsequently mastered this record at his Boombox studio in North Carolina.

This collection of darkly invigorating tunes,album visits a similar place to where Inca Babies started in the 80s with their psychobilly trash rock, reconnecting with their roots, where The Gun Club and The Cramps met, the intersection where Inca Babies found their most passionate and loyal following. This song is a calling card for the album, taking listeners back to a sound that is raw, spiky and reminiscent of their early days in the 80s.

“This is a surging highway groove that drives us on into the night with a rumbling bass line. Driving for the sake of it; driving to escape. Headlights in the dark: red and blue dash lights; wondering why anyone but you is driving this late. The ghost on the highway, the grease-ball mechanic who says you’ll keep going for miles and miles. And all the numbers are the same. It’s number 9, the ninth album for Inca Babies and he first of nine songs on the album," says Harry Stafford.

Originally comprised of Harry Stafford, Bill Marten, Mike Keeble and Pete Bogg, Inca Babies began in 1983 in the now-legendary deck-access flats of Hulme in Manchester. Intended as executive ‘cities in the sky’, they quickly became cockroach-infested slums inhabited by students, artists and druggies. They released their 1984 debut single 'Interior' on their Black Lagoon label with an unusual sound for Manchester, which was then associated with Joy Division, Buzzcocks, The Fall and The Smiths. With a nod to their influences, Writer CP Lee dubbed them "the Hulme Cramps" for their Gothabilly twang.

A vibrant part of Britain's early postpunk / goth /death rock scene, they amassed a steady following through touring and by releasing a further six singles and four albums over the next five years, all of which entered the UK Indie Charts. They also recorded four sessions for BBC's legendary John Peel show between 1984 and 1988 before calling it quits that year.

Since reforming in 2007, they've released three albums and toured extensively around Europe, Russia, North America, India and beyond. Renewed interest in the Incas was propelled by Cherry Red Records 'Best of’ compilation release ‘Inca Babies 1983-87: Plutonium’. After Bill Marten's death in 2008, the band decided to continue creating music, subsequently releasing their Death Blues Album Trilogy - 'Death Message Blues' (2010), 'Deep Dark Blue' (2012) and 'The Stereo Plan' (2014).

'Ghost Mechanic 9' is available everywhere as of October 30, including Spotify, Apple Music and Bandcamp. On November 29, the ‘Ghost Mechanic Nine’ album will be released on vinyl and digitally, and can be pre-ordered via Bandcamp and the Louder Than War shop.

CREDITS
Written by Harry Stafford & Rob Haynes
Harry Stafford – vocals, guitars & keyboards
Rob Haynes - drums & percussion
Jim Adama – bass guitar
Kevin G Davy - trumpet, horns
Simon 'Ding' Archer - sonic and dub flourishes
Released by Black Lagoon Records
Catalogue no. BLRLP0060
Recorded, mixed & produced by Simon ‘Ding’ Archer & Harry Stafford
Recorded at 6Db in Salford under Simon ‘Ding’ Archer
Mastered by Marco Butcher at Boombox Studio (North Carolina, USA)
Artwork created by Harry Stafford
Live photos by Simona Masoni
Publicity by Shameless Promotion PR

Crippled Black Phoenix Rewrite Grim Tale of "444"

October 30, 2024

Since emerging from the great smog of the United Kingdom, Crippled Black Phoenix have burned like a signal flare against the night, warning weary travelers of the troubles ahead. This year, Justin Greaves (ex Iron Monkey and Electric Wizard), long-time vocalist Belinda Kordic and their many collaborators are celebrating 20 years of end-time ballads with a new, two-part compilation.

Horrific Honorifics Number Two (2) continues the UK band's tradition of haunting homages with covers that range from Fugazi to NoMeansNo, Deep Purple, Built to Spill and Laura Branigan's Top 10 hit "Self Control". The Wolf Changes Its Fur But Not Its Nature reworks their early signature songs, including the darker, gloomier "Goodnight, Europe (Pt2)".

Today, CBP are releasing a revamped version of "444". Originally released on 2009 standout The Resurrectionists, this dirge quickly became a fan favorite and staple in the band's set list. While faithful to how the song is performed live, this recording includes new lyrics that once again reflect the perils of our times.

Listen to the new version of "444".

https://youtu.be/Y71jgGtfbq0

The Wolf Changes Its Fur But Not Its Nature and Horrific Honorifics Number Two (2) come out November 29 on Season of Mist.

Pre-order & Pre-save

https://orcd.co/cbpwolf

https://orcd.co/cbphonorifics

CRIPPLED BLACK PHOENIX’s reputation was built on the back of their studio albums and live shows. The pandemic prevented the band from supporting Ellengæst, but it did provide them additional time to bring in new members to their live configuration.

“We’ve done one show since 2019,” says Greaves. “We are going to do something in Europe this year. Hopefully, we can get back on track. We’re also going to do something in the States — that’s not just talk, we’re actually going to do it. It’s well overdue. The live band is fucking amazing. We have the five of us and now we have Jordi [Farré] on drums, Paco [Fleischfresser] on synth and a really good friend of mine, Matt Crawford on bass.

“We did the Leipzig show and even though the rehearsals were better than the show itself, that lineup, our live band, is so good. Because we haven’t been under pressure to put a live band together since 2019 and spent so long talking to people, we’ve got a better band from those results. Out of disaster, we’ve got quite a good, positive thing.”

The Wolf Changes Its Fur But Not Its Nature & Horrific Honorifics Number Two(2) are a double album celebrating the 20 year existence of CRIPPLED BLACK PHOENIX.

Original Credits:
All tracks on Horrific Honorifics Number Two(2) are covers of various artists.

Vengeance
Originally recorded by New Model Army, Written by: Sullivan/Morrow

Self Control
Originally recorded by Laura Branigan, Written by: Giancarlo Bigazzi, Raffaele Riefoli, Steve Piccolo

Blueprint
Originally recorded by Fugazi, Written by: Canty, Lilly, MacKaye, Picciotto

And That’s Sad
Originally recorded by NoMeansNo, Written by: NoMeansNo

Hammer Song
Originally recorded by Sensational Alex Harvey Band, Written by Alex Harvey

When A Blind Man Cries
Originally recorded by Deep Purple, Written by: Gillan, Glover, Blackmore, Lord, Paice

My Pal
Originally recorded by God, Written by: God, Joel Silbersher)

Goin’ Against Your Mind
Originally recorded by Built To Spill, Written by: Doug Martsch, Jim Roth, Brett Nelson, Scott Plouf

Lineup:

Vengeance
Ryan Patterson - Vocals
Justin Greaves - Drums, Guitars, Backing Vocals
Belinda Kordic - Backing Vocals
Wesley J. Wasly - Bass

Self Control
Belinda Kordic - Vocals
Justin Greaves - Drums, Guitars
Andy Taylor - Baritone Guitar
Helen Stanley - Synth
Wesley J. Wasley - Bass

Blueprint
Ryan Patterson - Vocals
Justin Greaves - Drums, Guitars
Helen Stanley - Piano
Wesley J. Wasley - Bass

And That's Sad
Justin Greaves - Drums, Guitars, Vocals
Wesley Wasley - Bass, Vocals

Hammer Song
Belinda Kordic - Vocals
Justin Greaves - Drums, Guitars
Andy Taylor - Guitar, Acoustic guitar
Helen Stanley - Synth, Hammond
Wesley J. Wasley - Bass

When A Blind Man Cries
Belinda Kordic - Vocals
Justin Greaves, Drums, Guitars
Andy Taylor - Guitars
Helen Stanley - Piano
Kostas Panagiotou - Hammond
Wesley J. Wasley - Bass

My Pal
Belinda Kordic - Vocals
Justin Greaves - Drums, Guitars, Backing Vocals
Wesley J. Wasley - Bass

Goin' Against Your Mind
Justin Storms - Vocals
Justin Greaves - Drums, Guitars
Andy Taylor - Guitar
Wesley J. Wasley - Bass

Recorded in 2023 at:
Chapel Studios, Lincolnshire
Engineered by Pieter Rietkerk

Additional Vocal Sessions at:
Kapsylen Studio, Stockholm
Engineered by Jörgen Jugglo Wall.
House Of Foto, Louisville, KY
Engineered by Ryan Patterson

Additional Production Credits:
Mixed by Pieter Rietkerk
Mastered by Magnus Lindberg
Produced by Justin Greaves

Cover Art:
Erebus Art (Thanasis Stratidakis)

Pre-save & Pre-order 'The Wolf Changes Its Fur But Not Its Nature': https://orcd.co/cbpwolf

Pre-save & Pre-order 'Horrific Honorifics Number Two(2)': https://orcd.co/cbphonorifics

Follow Crippled Black Phoenix:
Official Website: https://www.crippledblackphoenix.net/
Bandcamp: https://crippledblackphoenixsom.bandcamp.com
Facebook: https://www.facebook.com/CBP444/
Instagram: https://www.instagram.com/cbp_444/
Twitter (X): https://x.com/cbp_official/
Spotify: https://open.spotify.com/artist/6WEyPcf9ezhNLm1xOBjbwH
Apple Music: https://music.apple.com/artist/crippled-black-phoenix/251718934
Deezer: https://www.deezer.com/artist/391823
TIDAL: https://tidal.com/browse/artist/3607159

NYC chamber punk outfit ECCE SHNAK shares 'Jeremy, Utilitarian Sadboy', first single in 5 years

October 29, 2024

NYC-based art-rock outfit Ecce Shnak (pronounced Eh-kay sh-knock) presents the single 'Jeremy, Utilitarian Sadboy', dedicated to 19th Century English philosopher Jeremy Bentham, whose skull is kept on display at the University of London. Their fourth release to date and first new music since 2019, they return to once again shatter notions of genre, while addressing weighty themes and notable trivia alike.

This first taste of their 'Shadows Grow Fangs' EP, slated for release in early 2025 via NYC-based imprint Records Man, Records, is astonishing -- Ecce Shnak effortlessly combines math-metal, post-rock and choral anthems in just 150 seconds. Opening with a ferocious roar and a knotty, funk-metal riff, it’s interrupted by bursts of Queen-like harmonies and witchlike wails before punching through to bewitching keyboards and a bridge that would set off a cemetery mosh, only for a stern choral coda to arise like you’re now in a chapel coming around from an inadvertent knockout.

A 5-piece made up ofDavid Roush(vocals, electric guitar/bass),Isabella Komodromos(vocals),Chris Krasnow (electric guitar),Gannon Ferrell(electric guitar/bass),Henry Vaughn(drum kit), Ecce Shnak is one part pop music, another part classical music and a third part punk music, creating songs about love, sex, death, change, bravery, and food.

Since Roush formed the band in the mid-noughties, Ecce Shnak has been treading the high wire, leaping from craft to craft. Throughout their explorations, you’ll always find Roush tripping the light fantastic. Provocative and entertaining in equal, lavish measures, Ecce Shnak's performances are as vividly cartoonish as they are intellectually compelling, defying all earthly expectations.

"'Jeremy, Utilitarian Sadboy' is a prog-punk psychiography of the father of utilitarianism, Jeremy Bentham. Though he was a staunch advocate for basic social services for poor and working people, Bentham was also a tragically confused do-gooder who promoted solitary confinement for prisoners. His single weirdest move was neither good nor bad, but pretty morally neutral: he had his body taxidermied after he died so that his students could muse upon his body as a no-biggie, just a “stale instrument",” says David Roush.

"The comedic tragedy of Bentham’s life is a fascinating story that raises many complicated questions around happiness, suffering, justice, politics, and the role of mortality in human life. However, in the wake of his confused advocacy for solitary confinement, a more straightforward message emerges in light of the injustices of the modern era. Regardless of any of the good intentions of its architects, our system of incarceration and policing is pointlessly brutal. It needs to be challenged and transformed: for the incarcerated, for undocumented people, for those on death row, and for their loved ones."

An art-rock synthesis of pop music, heavy and classical music, 'Shadows Grow Fangs' EP is a raucous adventure through these styles that concludes with a folk song, a first for the band. Showcasing limitless invention, these five songs run the gamut from slow-burning meditations on love’s indispensability to mockery of the web from the perspective of a time-travelling poet, and much more.

Recorded and produced by Jeff Lucci at the Art Farm (NY), the EP was mixed by Nicholas Vernhes (Animal Collective, Deerhunter, The Fiery Furnaces, Dirty Projectors, Wild Nothing, The War on Drugs) and mastered by Grammy-winning engineer Greg Calbi (John Lennon, David Bowie, Bruce Springsteen, Talking Heads, Patti Smith, Tom Petty, Todd Rundgren).

Roush once lived opposite Philadelphia’s Eastern State Penitentiary, designed in line with English social reformer Jeremy Bentham’s 1791 circular prism plan. “He said a criminal can redeem himself by contemplation on the crime and restoration in solitude, a really cute, liberal idea that was modified horrifically to the point where we have the brutal practice of solitary confinement," elaborates David Roush, "A friend was working for their ‘Halloween Haunted Prison Experience’, so they were like ‘zombie’ prisoners, which was kind of funny, kind of absurd, but, in another way, horrible when you think about the reality. And I said, ‘Well, shit, I guess I have to write this song.’ So I went to the library, got a bunch of books and read.”

The song’s opening words? “Jeremy! What a show-off!"

Ecce Shnak might seem a frivolous moniker, but a great deal lies behind it. Ask frontman David Roush and, in his gentle, considered manner, he’ll point to the interjection ‘Ecce’ – Latin for “Behold!” – and the slang ‘shnokkered’, meaning ‘incoherently intoxicated’. Coincidentally, the German origin of ‘Roush’, ‘rausch’, also translates as ‘drunkenness’.

If there’s a fine line between wild-eyed, inspired genius and utter, irrepressible insanity, that’s where you’ll find these New Yorkers, teetering on a neon tightrope. They subvert notions of style, playfully but reverently embracing multiple forms from across the spectrum, frequently within a single tune, while addressing weighty themes and notable trivia with striking articulacy.

As of October 30, 'Jeremy, Utilitarian Sadboy' is available from fine music platforms, including Spotify, Apple Music, YouTube Music and Bandcamp.

CREDITS
Music written / composed by David Roush
Vocals by David Roush and Isabella Komodromos
Keyboard by David Roush
Electric guitar & bass by Jeff Lucci
Drums by Erik Scattareggia
Recorded and produced by Jeff Lucci at the Art Farm (NY)
Mixed by Nicholas Vernhes
Mastered by Greg Calbi
Video directed by Milton Walker and David Roush
Produced by Beth Narducci and David Roush
Artist photos by Tommy Krause
A&R: Beth Narducci for You + Me Entertainment
Publicity by Shauna McLarnon for Shameless Promotion PR

Keep up with Ecce Shnak
Facebook | Bandcamp | Instagram | Twitter | YouTube | Spotify | Apple Music | YouTube Music | Booking | Press contact

Keep up with Shameless Promotion PR
Website | Facebook | Twitter | Soundcloud | Instagram | Link edIn | Email

Argentinian-American indie pop duo Aerolinea debuts compelling video for 'What Moves You'

October 29, 2024

This is the first offering from their 'All We Need' album, an eight-track offering slated for release on November 28, which also sees an appearance by drummer Kellii Scott of Failure elsewhere.

What began in April 2023 with an Instagram message led to a year of long-distance file sharing and meet ups in Florida and Argentina. Thus was born Aerolinea, comprised of Victoria Real and Eric Weissinger. Both are songwriters, vocalists, guitarists and multi-instrumentalists. With Eric in Atlanta and Victoria in Buenos Aries.

What begins with Eastern-influenced vocals at the outset shifts to a more powerful exhibition of Real's vocals, followed by those of Weissinger and then joined in unison. This dreamy track oscillates track between minimalistic pensiveness and intense euphoria for a sonic journey that is worth the flight.

As many recent creative projects, this one came to form during the pandemic, during which time the two artists had both taken part in an online music festival. The spark that led to their collaboration - a quest, you could say, given that both had ongoing in-person musical projects in their respective home cities. After sending some rough song ideas back and forth, they came to the realization that they each nurtured something special in each other, bringing them to new sonic realms worthy of that exploration.

Eric Weissinger shares, "This is our first collection of songs and is a record of how we created music together during our first year, before meeting in person. If it feels mysterious at times, it's because our future was a mystery to us. It was inspired by our separate lives, but also by the potential we had to make music together. We recorded in our homes in Argentina and the U.S. and did final vocals together in Florida. We played all instruments, and the engineering and production was shared via emails, file sharing, phone calls, and texts."

With passionate tandem lyrics, intertwining guitars and rhythms that sometimes groove and sometimes surprise, Aerolinea crafts a sound designed for romantics and misfits, for late nights and strange places.

"This project really allows me to explore my creativity in a completely different context, with challenges and surprises since we two creating together: it’s an amazing experience because we can nourish our musical ideas and new things emerge. Aerolinea itself it feels like following a third force, a muse," says Victoria Real.

Victoria Real honed her musical skills under the tutelage of King Crimson frontman and guitar legend Robert Fripp, first as a Guitar Craft student and later performing with the League of Crafty Guitarists. In addition, she has had a blossoming career as a solo artist, releasing four albums under her name with a fifth album currently in production. For the past few years, she has received accolades at the Cordoba Entertainment Awards (Premios CIEyA), winning the award for “Artist Revelation Rock of the Year” in 2021 and nominated for both “Artist of the Year” and “Rock Artist of the Year” in 2023 and 2024.

Eric Weissinger is most renowned as half of Atlanta-based dream-gaze duo I Am a Rocketship, who have released five albums and an EP. He was also previously bassist for Anne Richmond Boston (DB Recs). As a bassist, guitarist and singer in various project, Eric Weissinger had opened for bands such as The Wedding Present, The Black Crowes, James, Cracker, and Portastatic.

'What Moves You' is is out now, available from fine digital platforms everywhere, including Bandcamp, where the full 'All We Need' album (out November 28) is now available for pre-order via My Long Wknd Records. Aerolinea will be touring Argentina in the new year, kicking off at Buenos Aires' Bar Carnal on January 11.

CREDITS
Music & Lyrics written by Victoria Real & Eric Weissinger
Vocals by Victoria Real & Eric Weissinger
Victoria Real - guitar, synths, bass, and samples
Eric Weissinger - guitar, synths, bass, and samples
Kellii Scott - drums on 'Dreamer'
Recorded & Produced by Victoria Real & Eric Weissinger
Mixed by Eric Weissinger
Cover artwork by Victoria Real & Eric Weissinger
Video directed by Nico Purdía
Video filmed by Mariano Laguzzi
Publicity by Shameless Promotion PR

KINGS OF MERCIA Celebrate Album Release with New Video for Title Track

October 29, 2024

KINGS OF MERCIA releases its sophomore album 'Battle Scars' via Metal Blade Records. To celebrate, they are sharing the title track along with a new video, available below.

Now and again, art offers up the perfect storm. When creative worlds collide with a furious cacophony of power, licks, and lyrics, magic happens. Such is the case with KINGS OF MERCIA, whose second album, 'Battle Scars,' is the continuation of a story as unlikely as it is glorious. The band is helmed by guitarist Jim Matheos (Fates Warning) and singer Steve Overland (FM) who are joined by drummer Simon Phillips (The Who, Toto) and bassist Joey Vera (Armored Saint, Fates Warning).

About 'Battle Scars' Steve Overland shared the following:

"That's about post-war distress syndrome. It's about a guy who comes back from fighting and can't really deal with real life. He realizes that he can never be what he was before he went away and did this. But he really, really wants to, but he's trying to get that across to everybody that loves him. But the problem isn’t him–it's what he's been through. I came up with the title ‘Battle Scars,’ and I think that suggested the subject matter.”

Watch the Music Video for "Battle Scars" Below.

KINGS OF MERCIA's 2022 approachable, world-class self-titled debut was termed “truly a hybrid: it’s heavy, but not metal. It’s got tones of melodic AOR hard rock but with an edge.” Now, 2024 brings the band's sophomore album written and recorded throughout 2023, 'Battle Scars' sees the core writing team of Matheos and Overland expanding on their obvious chemistry.

"I think it was a bit easier this time around because we’ve established a good working rhythm,"states Matheos, "I’ll send Steve at least a few songs every couple of months, and I try to keep them varied. This allows him to work on whichever ones he feels strongly about."

“What Jim sends me is the first draft of that song,” says Overland. “So once he's heard all the melodies and the harmonies I sing, he can chop it about and make it how he thinks it should be. He always sends me three or four different versions. He'll say, ‘What do you think? Which do you like?’ Then we work it out between us and come up with the one we're both happy with.”

“Steve and I started working together in 2021,” says Matheos. “I was aware of FM–they came up around the same time as Fates Warning – but I’d lost touch with them and wasn’t familiar with their more recent work. When Steve was recommended to me, I checked out some of the newer releases and felt Steve was exactly what I was looking for.”

“It's a different genre of music that I'm normally involved in,” says Overland, whose voice has been likened to other British greats Paul Rodgers and Glenn Hughes. “Obviously, I’d heard of Fates Warning – they're a very big cult band in their field. Jim and I touched base, and I told him to send me one backing track. If it sounds great, then it's a win-win. If it doesn't, we'll just call it a day, knock it on the head, not take it any further. That song became ‘Humankind’ from the first album. I wrote the melodies and the title and put it all together. Jim got it and he was blown away. So we made a couple more. I loved doing it. It was just such a different challenge for me.”

Those songs would become the self-titled debut album, which was released in 2022. Written during lockdown, bouncing tracks across the Atlantic, KINGS OF MERCIA found its mojo. Fans of Fates Warning, FM, and Armored Saint all rejoiced at the common ground on KINGS OF MERCIA, the sweet spot in the middle of the Venn diagram.

It’s a true collaboration that has led to KOM's 'Battle Scars.' However, despite the unfolding sound and clear chemistry between the four Kings, Overland has never met his bandmates in person. 'Battle Scars,' like its predecessor, is a slab of transatlantic magic.

Pre-Order 'Battle Scars' HERE

KINGS OF MERCIA are:

Jim Matheos - Guitars

Steve Overland - Vocals

Simon Phillips - Drums

Joey Vera – Bass

Iodine Recordings to Release Piebald's "We Are the Only Friends We Have"

October 29, 2024

If you were to look up the word "piebald" in the dictionary, you'd learn that it means "having irregular patches of two colors, typically black and white."

But if you were to ask any of their loyal fans, they's probably refer to "Piebald" as one of their favorite bands of all time — a hard-to-describe, genre-less, energetic four-piece known for their raw, matter-of-fact lyrics, infectious hooks, fun live shows, and their penchant for doing everything on their own terms.

And this year, Piebald turns 30!

Now on vinyl for the first time in over 20 years, Piebald's We Are The Only Friends We Have has earned its place as one of the most notable and iconic emo albums of the era. It has been completely remastered for vinyl by Jack Shirley (Joyce Manor, Quicksand) with completely reconstructed artwork created from negatives of the original photo shoot, and includes a retrospective essay written by the band. The album was originally produced by Paul Q. Kolderie (Radiohead, Pixies, Dinosaur Jr).

The re-issue will also have a limited deluxe edition double LP, which includes 12 bonus tracks (B-sides, demos, covers) in an expanded gatefold package. It will also be available digitally on all streaming platforms.

Get the re-release here via Iodine Recordings.

And watch the video for "American Hearts" while you're at it , below.

Piebald were founded in Andover, Massachusetts, in 1994 by Travis Shettel(vocals/guitar/keys) and Aaron Stuart (guitar/vocals). Through Andover High School friends and siblings, Jon Sullivan (drums) and Andrew Bonner (bass) were added to complete the original lineup. In a time before cell phones, Spotify, or even Napster, Piebald became an integral part of the same indie, post-hardcore music scene of the Merrimack Valley that birthed musical monsters Cave-In and Converge.

On February 19, 2002, Piebald released their critically acclaimed third album, We Are the Only Friends We Have. Now joined by Luke Garro on drums, the band embarked on the most thrilling stage of its career. National radio airplay of singles "American Hearts" and "Just a Simple Plan," and tours with the likes of Minus the Bear, Glassjaw, Hey Mercedes, RX Bandits, Saves the Day, and New Found Glory led to more mainstream success and helped birth a cult following.

Piebald became recognized as "one of the most dependably fun bands of the late '90s/early '00s emo touring circuit," and "kings of sing-alongs," led by Shettel, who "crafted lyrics that could weave between intensely autobiographical, sociopolitical, and sarcastic."

The band initially called it quits in 2008, but reformed in 2016 to celebrate the digital re-release of their catalog, and haven't looked back. Since their reformation, Piebald have toured with Dashboard Confessional, The Movielife, and Weakened Friends, reinstated their annual holiday shows, and graced the stages of festivals such as Boston Calling, Riot Fest, Furnace Fest, and Wrecking Ball.

Now, Piebald has teamed up with Iodine Recordings to remaster, repackage, and re-release their long out-of-print catalog, and there has even been talk of new music.

The impact of Piebald on the alternative music scene is undeniable, and their legacy continues to inspire a new generation of musicians and fans.

A toast to 30 years of Piebald!

The Plot In You Announce Stacked North American Headlining Tour Kicking Off February 14

October 29, 2024

2025 is shaping up to be a great year for The Plot In You fans! The quartet has today announced their stacked Spring 2025 North American headlining tour coming to a city near you with Holding Absence, Boundaries and Acres as support. VIP, advance tickets and Spotify pre-sales are on now, with promoter pre-sales beginning today at 2 pm ET. Knotfest.com pre-sales begin tomorrow, Wednesday, October 30 at 2 pm ET. Tickets go on sale to the general public this Friday, November 1 at 10 am local time. For more information, please click here.

The band will also be dropping their 'Vol. 3' EP next Friday, November 8 (via Fearless Records), from which have released "Been Here Before" and most recently, "Pretend". The EP's release coincides with the first date of the band's tour with Currents, Zero 9:36 and Wind Walkers. Pre-save 'Vol. 3' at the link here, and be sure to stay tuned for more The Plot In You news coming soon.

The Plot In You North America Spring 2025 Tour with Holding Absence, Boundaries + Acres:

Feb 14 - Royal Oak, MI @ Royal Oak Music Theater

Feb 15 - Chicago, IL @ Vic Theatre

Feb 16 - Minneapolis, MN @ Skyway Theater

Feb 18 - Denver, CO @ Ogden Theater

Feb 19 - Salt Lake City, UT @ The Depot

Feb 21 - Sacramento, CA @ Ace Of Spades

Feb 22 - Anaheim, CA @ House of Blues

Feb 23 - Los Angeles, CA @ Fonda Theater

Feb 25 - Tempe, AZ @ The Marquee

Feb 26 - Albuquerque, NM @ Sunshine Theater

Feb 28 - San Antonio, TX @ Vibes Event Center

March 1 - Dallas, TX - Studio @ The Factory

March 2 - Houston, TX @ White Oak Music Hall

March 4 - Nashville, TN @ Cannery Ballroom

March 5 - Atlanta, GA @ The Eastern

March 7 - Columbia, SC @ The Senate

March 8 - Richmond, VA @ The National

March 9 - Baltimore, MD @ Baltimore Soundstage

March 11 - Toronto, ON @ The Danforth Music Hall

March 12 - Montreal, QC @ Beanfield Theatre

March 14 - Worcester, MA @ Palladium

March 15 - Philadelphia, PA @ Union Transfer

March 16 - New York, NY @ Webster Hall

Upcoming Fall 2024 Dates with Currents, Zero 9:36 + Wind Walkers

Nov 8 - Davenport, IA @ Capital Theatre

Nov 9 - Green Bay, WI - Epic Event Center

Nov 10 - Indianapolis, IN @ Delux At Old National Centre

Nov 12 - Des Moines, IA - Val Air Ballroom

Nov 13 - Omaha, NE - The Admiral

Nov 15 - Little Rock, AR - The Hall

Nov 16 - New Orleans, LA - Joy Theatre

Nov 17 - Destin, FL - Club LA

Nov 19 - Knoxville, TN @ The Mill & Mine

Nov 20 - Jacksonville, NC - Hooligans

Nov 21 - Norfolk, VA - The Norva

Nov 23 - Buffalo, NY - Riverworks

Nov 24 - Cincinnati, OH - Bogarts

During 2023, The Plot In You kickstarted a new era with 'Vol. 1' with “Divide”, having generated 19 million Spotify streams and counting followed by “Left Behind”, exploding to the tune of 38.6 million Spotify streams with no signs of slowing down. Upon the arrival of “Forgotten”, Revolver praised it among the “6 Best New Songs Right Now”. The Plot In You's 'Vol. 2' EP is a powerful showcase of the band's evolution, blending raw emotion with polished musicality, and stands as a testament to the band's growth and artistic maturity, captivating listeners with its intense yet introspective narratives with tracks “Closure”, “Don’t Look Away”, and “All That I Can Give” further solidifying their place as one of the genre's most compelling acts.

The band's latest offering "Pretend" speaks to the callous nature of modern society, kicking off with a head-first dive of driving guitar riffs and powerful rhythm. Closely following the dynamic intro, hushed verses of nearly-whispered lyrics laced with ominous electronic tones lull listeners into a sense of precarious safety before a rousing crescendo lifts into the chorus. Crowned with frontman Landon Tewers’ signature vocal control and all-encompassing emotional expression, “Pretend” warns against the present-day tendency to choose false, blissful ignorance over contending with the horrors plaguing the world.

THE HALO EFFECT - unleash stunning video for title track of new album 'March Of The Unheard'

October 29, 2024

Swedish melodic death metal rising stars THE HALO EFFECT has just dropped the official music video for their powerful new single, 'March Of The Unheard', the title track from their highly anticipated sophomore album, set to be released on January 10th, 2025.

The visually stunning video matches the intensity of the song, blending dark, atmospheric imagery with explosive performance shots, delivering a cinematic experience that complements the band’s signature sound.

Fans have been eagerly awaiting new material from THE HALO EFFECT. The upcoming album March Of The Unheard promises to showcase the band's evolving artistry while staying true to the melodic death metal roots that their fans have come to love.

Guitarist Niclas Engelin comments on the song:”This song is based around the melody theme for the intro on all our ninety-six shows. I just got the idea of starting the whole album with this theme and building a full song around it. Mikael took the whole song to another level with his lyrics, which enlighten the need for our society to hear the voices of the unheard - the powerless."

He continues: "We are all suckers for melancholic melodies in an up tempo beat, and add some harmonies to that, and we get a beautiful Halo song. Working with the mighty Gothenburg Marching band "Göta Lejon" just blew our minds both in the studio and live.. damn they are powerfull!!”

Check out the video for 'March Of The Unheard' below:
Listen to 'March Of The Unheard': https://thehaloeffect.bfan.link/motusg
Pre-order the album: https://thehaloeffect.bfan.link/motulp

Shortly after the album´s release, the band will embark on their first ever headline tour across Europe. Industrial outfit and label mates PAIN will be special guest on this tour and to round up this great package, melo-death shooting stars from Finland, BLOODRED HOURGLASS, will join as support.

THE HALO EFFECT Online

Icelandic Prog Metal Newcomers Múr Sign to Century Media Records, Shares Music Video for New Single, “Frelsari”

October 27, 2024

With a sound that defies generic labels and a vision that stretches the limits of creativity, Múrare the latest descendants from Iceland’s volcanic underground. The emerging quintet are forging a new era of dark, atmospheric and boundary shattering metal. With progressive sensibilities that harken to the Devin Townsend Project and mid-era Opeth, a talent to cohesively juxtapose atmospheric textures with polished technicality a la Meshuggah and Gojira, and a focus on jazz study among the fresh-faced instrumentalists, Múr is already proving itself to be a reckoning force.

Today, Múr is pleased to announce that they have joined forces with Century Media Records for the release of their debut self-titled full-length! In celebration, the band is now sharing the mind-bending new single, "Frelsari," along with a video. The clip was animated by Múr's Kári Haraldsson (vocals, keytar, synthesizers) during his teenage years and can be found below.

The band comments: “’Frelsari’ is one of our more powerful, but also more conventionally structured songs, exploring themes of blind faith, giving up control, and the illusions of liberation. The music video is an animation our frontman made in his teens, which seems to harmonize well with the themes of this song, written years later.”

Múr’s trajectory really gained momentum a year after their formation when their talent was recognized in the spring of 2022 as they conquered the Icelandic Wacken Metal Battle, propelling them to an impressive fourth place in the international finale at Wacken Open Air in Germany.

The band recently created a buzz following the release of their folk horror infused video for “Heimsslit," which can be found HERE.

“'Heimsslit’ is an Icelandic word for the apocalypse, but the literal translation is 'world's tearing,’ inspiring a vision of the world coming apart at the seams,” says the band. “The lyrical themes have more to do with an acceptance of something vital falling apart within one's own mind rather than being about the physical world ending. The song is accompanied by our first music video, a massive cross-discipline collaboration between local artists."

The album is due digitally on November 22, 2024 while CD and vinyl will be available January 10, 2025. Pre-orders are now live HERE.

Describing their music as “a wall of sound and emotion,” Múr is quick to point out that their sound is up for interpretation. “I’m not sure whether it’s our place to fully define it,” cautions Haraldsson “as people seem to take vastly different things away from experiencing it, depending on who they are and what they like in music.” While their complex passages will undoubtedly elicit different perspectives as it borrows from many genres and elements, the emotional component to their music is more direct, with lyrics that center on the human experience. “Most of the lyrics revolve around facing yourself, breaking the shackles of inner turmoil and finding strength in letting go,” he adds.

As for what comprises their multifaceted sound, Haraldsson explains, “We draw inspiration from a lot of different sources, both when it comes to the songwriting and when designing the more overarching soundscapes and textures. Amongst other things we are inspired by film scores, forces of nature, and various different forms of electronic music.”

Making their debut with their self-titled full-length, which will be released via Century Media Records on November 22, 2024, the newcomers already have a buzz around them as they have been winning over crowds on the festival circuit since conquering Soulcrusher Festival in 2023. Through their unique blend of atmospheric textures, evocative songwriting, and raw emotional intensity, Múr has garnered critical acclaim both within their homeland and beyond, solidifying their position as one of the country's most promising and exciting musical exports.

Lineup:

Kári Haraldsson - Vocals, Keytar, Synthesizers

Hilmir Árnason - Guitar

Jón Ísak Ragnarsson - Guitar

Ívar Klausen - Bass

Árni Jökull Guðbjartsson - Drums

Links:

Formats: Ltd. CD Digipak

Ltd. deep blood red LP

Digital album

STEAMHAMMER ALERT: New Music from FIRE ACTION

October 27, 2024

Finnish Heavy Metal quartet FIRE ACTION releases a new single "No Drone Zone"from their upcoming album 'Until The Heat Dies' out November 29th via Steamhammer/SPV. The track is accompanied by a new music video, available to watch below.

Guitar player Juri Vuortama comments on the single:

"'No Drone Zone' is about a dystopian future that's already a reality in totalitarian regimes such as China: someone is always watching you. Unfortunately, harm's ways are not always far from here. There are such powers even in the Western world that want more and more control over people, their properties, and even their thoughts. No thanks to such surveillance."

Watch the Music Video for "No Drone Zone"

With three previous albums – ‘Rock Brigade’ (2016), ‘Fahrenhater’ (2018), and ‘9112’ (2020) – to their name, FIRE ACTION are anything but newcomers and have long been an established and integral part of Finland's metal scene. However, their international career is gaining momentum with 'Until The Heat Dies' and an exciting new contract with Steamhammer/SPV.

The quartet surrounding guitarist Juri Vuortama and vocalist Pete Ahonen has taken a musical quantum leap on the new album, producing eleven traditional heavy metal songs, each diverse in their own right. From the grooving opener "Storm Of Memories" to the anthemic finale "Midnight Avenue" the group’s continued evolution is on mighty metal display.

Vuortama aptly comments on the new songs: “It’s riffs, riffs, and riffs, with awesome melodies on top!”

The album will be available on November 29, 2024, on CD, LP, and for digital download.

Pre-Order 'Until The Heat Dies' HERE

'Until The Heat Dies' will be released on November 29th, 2024, worldwide via Steamhammer/SPV in the following formats:

=> CD digipak

=> LP gatefold red vinyl version

=> Download and Stream

FIRE ACTION are:

Pete Ahonen - Vocals

Juri Vuortama - Guitars

Jarkko Poussu - Bass

Samuli Häkkilä - Drums

Swedish Punk Rock Band DEVIL'S CIGARETTE Unleashes Authentic Rock 'n' Roll Energy with Debut Single "Gimme All You Got"

October 25, 2024

DEVIL'S CIGARETTE is setting the rock world ablaze with their incendiary energy and audacious style. This quintet of teenage renegades channels raw rebellion into a sound that captures the very essence of rock 'n' roll.

Today, Stockholm's most rebellious new rock band, DEVIL'S CIGARETTE releases their first single, "Gimme All You Got", now available on all digital platforms. The track is part of their upcoming debut album 'I Wanna Be On TV', recorded at the legendary Sunlight Studios and produced by Tomas Skogsberg, known for his iconic work with The Hellacopters and Backyard Babies.

DEVIL'S CIGARETTE brings raw energy and youthful rebellion back to rock 'n' roll, drawing influence from icons like The Stooges, The Beatles, and MC5. Their fast, gritty sound is a fresh take on classic rock, with an edge that appeals to fans young and old. The band has earned a reputation for intense live performances, capturing that same explosive energy in their debut album.

Stream "Gimme All You Got" HERE!

Pre-Order 'I Wanna Be On TV' HERE

ANKOR releases the final chapter of 'Shoganai - mini album vol. 1'

October 24, 2024

LA psychrock outfit Tombstones In Their Eyes reveals trippy video for 'I Like To Feel Good'

October 23, 2024

American psych-gaze outfit Tombstones In Their Eyes present the visuals for their new single 'I Like to Feel Good'. The video itself, oscillating between electrified stage performances and scenes from a chilled drive through LA, seemingly reflects the transformation inherent in this song's lyrics, expressing how one's inner strength and individuality can be a catalyst for positive change.

Espousing a heavier sound than the two earlier-released singles from this album - 'Sweet as Pie' and 'I'm Not Like That' - 'I Like To Feel Good foreshadows the band's 'Asylum Harbour' album, out on November 19 via Kitten Robot Records, which sees TITE mainman pull past the pain, numbness and chaos reflected on their previous album 'Sea of Sorrow'.

Based in Los Angeles, Tombstones In Their Eyes is made up of long-time members John Treanor (vocals & guitar), Stephen Striegel (drums), Courtney Davies (vocals) , Phil Cobb (guitar) and Paul Boutin (guitar), along with new band members Joel Wasko (bass) and Clea Cullen (vocals).

"'I Like to Feel Good' has probably my favorite verse of any song that I’ve written. It’s the second long verse and it was written in a stream of consciousness fashion. I don’t believe that I changed any of the words that came out in that first pass. And it really hit home. It summed up my existence, thinking that my sensitivity was a burden and a malady, only to find that it is a gift that I can use to make life better," says John Treanor.

"Beyond that verse, it also has a really cool wah part leading from the main verse to the last chorus. The part only lasts thirty seconds or less but it came out so good. And I love the overall vibe and sound of the song, it sounds super fuzzy and driving (in the verses especially)."

Recorded at Kitten Robot Studios in Los Angeles and co-produced by John Treanor, this album was produced and engineered by Paul Roessler (45 Grave, Twisted Roots, The Screamers, Nina Hagen), also known for his work with Josie Cotton, Hayley and the Crushers and Gitane Demone.

Tombstones In Their Eyes began a decade ago as a demo-swapping exercise between two childhood friends separated by geography (John Treanor in LA and James Cooper in NYC), but soon blossomed into a full-fledged band and a healthy stream of expansive music that is laced with fuzzed out psychedelic majesty.

For John, writing and performing has always been a way to deal with anxiety and depression, to speak about a subject without being the centre of the conversation, and to express oneself in a subliminal way rather than directly. This music looks out into the universe as much as it looks inward toward the soul.

Named after a maritime phrase for a safe place to wait out a storm, 'Asylum Harbour' is an album of resurfacing, reflecting a new phase of healing after re-emerging from the pandemic. Treanor shares, "The album has been ready for some time, so it’s a relief to get it out.... Now we get to go out and play the songs from the new record live."

'I Like to Feel Good' is out now, available everywhere online, including Spotify, Apple Music and Bandcamp. The full 'Asylum Harbour' album, available November 18 on snazzy red vinyl, CD and digitally, can be pre-ordered directly from Kitten Robot Records or via Bandcamp.

CREDITS
John Treanor - vocals & guitar
Paul Boutin - guitar & backing vocals
Phil Cobb - guitar
Stephen Striegel - drums & percussion
Nic Nifoussi - bass
Courtney Davies - harmony & backing vocals
Paul Roessler - keyboards, harmony & backing vocals
David Murphy - Pedal Steel guitar on 'I'm Not Like That'
Recorded at Kitten Robot Studios in Los Angeles, CA
Produced and Engineered by Paul Roessler
Co-produced by John Treanor
Mastered by Alex DeYoung at DeYoung Masters
Digital album UPC 198595938096
CD catalog #KR20241-CD (UPC 706091205507)
Vinyl album catalog #KR20241-LP (UPC 706091205514)

VIDEO CREDITS
John Treanor - Director
Joel Wasko - Producer
Jon Beanland - Director of Photography & Colorist (for Last Bookmobile Productions)
Jessica Baclesse - Editor (for Last Bookmobile Productions)
Amy Hu - Hair and Makeup
David Hannah - PA

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