Kevin Jonas Sr., lovingly known as “Papa Jonas,” is set to release his debut Christmas EP, Ready Set Glow – A Holiday Collection on November 8. The collection presents a deeply personal, heartwarming, and festive compilation of seven tracks, largely co-written by Jonas, Nashville Songwriter Hall of Fame Member and 2017 BMI Icon Bob DiPiero, acclaimed artist-songwriter Amy Stroup, and multi-platinum producer David Kalmusky, who also produced the EP.
Adding to the project's holiday spirit, Kevin’s wife, Denise Jonas, lends her vocals to select tracks, bringing an intimate and family-centered feel to the EP. The Red Van Records release is available for pre-save/pre-add Here.
“Thirty-five years ago, I promised my wife Denise that I would record and release a Christmas record, and now it’s finally coming to life,” Kevin shared. “Ready Set Glow-A Holiday Collection is all about the magic and warmth of the holiday season, shared with family and friends.”
The collection opens with the standout title track, “Ready Set Glow,” a heartfelt duet between Kevin and Denise Jonas that perfectly captures the spirit of Christmas. The song includes guest vocals from members of Jonas Group Entertainment, Red Van Records and friends, embodying the inclusive, communal joy of the holidays.
“The EP also features a co-write with Nick Jonas on ‘Joy to the World (A Christmas Prayer)’, written when Nick was only 9 years old.”
The exquisitely arranged medley “Jesu Bambino/Oh Holy Night,” recorded with the Czech National Symphony Orchestra and arranged by David T. Clydesdale, adds a classic touch that will add to any holiday tradition.
With Ready Set Glow-A Holiday Collection, Kevin Jonas Sr. brings to life a festive celebration of love, laughter, and family—just in time for the holiday season.
WANG CHUNG ANNOUNCE EXTENSIVE CAREER RETROSPECTIVE, DOUBLE LP 'CLEAR LIGHT/DARK MATTER' AND EVERYBODY HAVE FUN TONIGHT REMIX OFFICIAL LYRIC VIDEO
Some of the '80s biggest and most enduring synth-pop hits were created by a single band, Wang Chung – including "Dance Hall Days," "Everybody Have Fun Tonight," "Let's Go!", "To Live and Die in L.A.," "Hypnotize Me," and “Fire In The Twilight” – and now all those tracks (and more!) will be included on the new compilation, 'Clear Light/Dark Matter.'
Scheduled to release on Friday, March 7th, 2025, 'Clear Light/Dark Matter' reveals the many layers of Wang Chung's music. This exclusive double vinyl set spans the band's more than four-decade and career, featuring a carefully curated selection of their greatest hits and hidden gems, including never-before-released demos and a new live recording.
The set also includes an edit of the recently released brand new remix of “Everybody Have Fun Tonight” by acclaimed remixer Eric Kupper, known for his work with artists such as Whitney Houston, Alicia Keys, Depeche Mode, Diana Ross, and Earth, Wind & Fire. Streaming everywhere now.
Priced at $89.95, the set is available now for pre-order as a "deluxe collector's edition," and includes instant access to the music and other exclusive digital content! https://singmarket.com/market/wangchung/cldm/deluxe
Included in this set is:
• Double 12" LP Vinyl Record: 180g colored vinyl (Clear White & Black Ice)
• 7" Vinyl Single: Everybody Have Fun Tonight (Eric Kupper Remix – Club & Dub versions)
• Exclusive Booklet: Featuring photos provided by Nick Feldman and Jack Hues, with written contributions from Jack Hues
• CD: 6-panel two-disc digipak of ‘Clear Light/Dark Matter’
• Turntable Mat
• 8" x 10" Semi-Gloss Photo: Exclusive image provided by Wang Chung
• 5” x 5” Sticker: Everybody Wang Chung Tonight
Additionally, digital assets include:
• 8 Exclusive Photos: Never-before-seen
• Thank You Video: Personal message from Wang Chung
The duo of Nick Feldman and Jack Hues came out of the post-punk/new wave scene in the UK, and went on to achieve global success selling millions of records. Throughout their 40+ year career, they have released 6 studio albums and 2 greatest hits collections. They have had 6 US Top 40 hits, including a massive #1 single. They composed and performed the complete score for the 1984 neo-noir action thriller film "To Live and Die in L.A.” and also the song 'Fire in the Twilight’ for the legendary film 'Breakfast Club’, amongst many others. Wang Chung’s hit song 'Dance Hall Days’ was featured almost in its entirety in the 2024 hit movie starring Anne Hathaway titled 'The Idea of You’. 'To Live and Die in LA' also got used as the theme tune for the John Mulaney Netflix show ‘Everybody’s in LA’. In the process of all of this (and somewhat unintentionally), Wang Chung became part of the contemporary culture of North America with their huge smash 'Everybody Have Fun Tonight', with its now famous line ''Everybody Wang Chung Tonight'' which saw the invention of a new US verb: ''to Wang Chung'’.
From Wang Chung:
"Our songs often have an accessible front end, but there's always a deeper layer beneath the surface—whether it's lyrically or musically. 'Clear Light, Dark Matter' reflects that balance between the light and the dark, the yin and yang, or as we like to say, the Wang and the Chung of what we do.” -Nick Feldman
Founded in 2019, Seattle-based SING Inc. is a music technology company specializing in deluxe collector’s editions and high-fidelity vinyl records. We focus on fostering the relationship between artists and fans by creating products of high quality and cultural importance. Each release is thoughtfully curated and uses our proprietary intellectual property technology to ensure authenticity. Every edition is designed to deliver a memorable experience in various physical and digital formats, allowing fans to truly "Own the Sound."
2024 has continued to be a successful year for Wang Chung with 'Dance Hall Days' being featured almost in its entirety in the 2024 smash hit movie starring Anne Hathaway, titled 'The Idea of You’. 'To Live and Die in LA' also got used as the theme tune for the John Mulaney Netflix show 'Everybody's in LA'.
FOR MORE INFORMATION, VISIT:
Website: www.wangchung.com
Facebook: facebook.com/wangchungband
X: @WangChungMusic
Instagram: @WangChungOfficial
Acclaimed AOR Force THE NIGHT FLIGHT ORCHESTRA Reveal Nostalgic New Single, “Shooting Velvet”
THE NIGHT FLIGHT ORCHESTRA’s new album and Napalm Records debut 'Give Us The Moon' is set for release on January 31, 2025, and today the band offers a first taste of what’s to come with “Shooting Velvet”! The beautifully nostalgic new single arrives with an official music video. Founded in 2007, THE NIGHT FLIGHT ORCHESTRA already have six albums and three Swedish Grammis nominations as well as millions of streams and countless exciting live shows under their belts.
The multifaceted new offering continues THE NIGHT FLIGHT ORCHESTRA’s mission of protecting true AOR and will impress fans and critics alike with its spellbinding storylines, brilliant musicianship and unique sound. To celebrate the album release, THE NIGHT FLIGHT ORCHESTRA will head on a full European tour at the end of January. Make sure to pre-order your copy of 'Give Us The Moon' now and check out the exciting music video for “Shooting Velvet” below!
THE NIGHT FLIGHT ORCHESTRA comments:
“Here’s the first taste of the new TNFO universe that is 'Give Us The Moon'. Let yourself be mesmerized by the pulsating foundation and grandiose chorus of this glittery effort. This song is about keeping the highs, fighting the lows, and never skipping a beat. We shall be watching you from the moon as you lace your shiny shoes. Enjoy ‘Shooting Velvet’!”
Watch the Official Music Video for “Shooting Velvet”
Founded in 2007 by members of high-profile bands such as Soilwork, Arch Enemy, and Mean Streak, over the years THE NIGHT FLIGHT ORCHESTRA have been nominated three times for the Swedish Grammis, gathering millions of streams via their hits. The band has also won over live audiences internationally with their incredibly entertaining performances, including enormous festivals like Wacken Open Air and even opening for Kiss on their very last two shows in Sweden at legendary Dalhalla, as well as several successful European tours and a Latin American tour in summer 2024.
The 13-track album takes the listener on an exciting sonic journey, balancing between uplifting escapism and captivating stories inspired by real-life events. The album's themes span the likes of heroines and temptresses to liberation and romantic nostalgia, set to backdrops of abandoned cities and cosmic tides. The intro track “Final Call” sets the scene for Give Us The Moon before impressive opening track “Stratus”. The intro of “Like The Beating Of A Heart” captures the listener from its first notes, leading into an irresistibly catchy chorus. Massive “Melbourne, May I?” is a classic THE NIGHT FLIGHT ORCHESTRA anthem, featuring captivating solos that are equally prominent on following track “Miraculous”. THE NIGHT FLIGHT ORCHESTRA slows it down for the emotional “Paloma”, before again diving into different soundscapes on the exciting, uplifting “Cosmic Tide”. The title track “Give Us The Moon” builds into a singalong chorus, before the band continues their trademark of name-dropping streets and cities on “A Paris Point Of View”, that features fascinating instrumentation including particularly 80s-inspired keys and groovy bass. Sentimental “Runaways” feels like a part of a movie, only partially because of the attention-grabbing intro track before the first notes. THE NIGHT FLIGHT ORCHESTRA gets the tempo up once more for “Way To Spend The Night” before the epic closing track “Stewardess, Empress, Hot Mess (And The Captain Of Pain)” wraps up THE NIGHT FLIGHT ORCHESTRA’s most cinematic masterpiece so far.
'Give Us The Moon' is free from the limitations of one genre or style, although many of the soundscapes of the album draw inspiration from the 80s, making the album a varied, exciting adventure. The album was produced by THE NIGHT FLIGHT ORCHESTRA and Sebastian Forslund, who also mixed the album, and is mastered by Plec Johansson at award-winning The Panic Room Studios. The galactic artwork was once again created by the talented Giorgia Carteri. Boarding is completed - fasten your seatbelts and enjoy the flight!
THE NIGHT FLIGHT ORCHESTRA about their new album:
“We have never worked harder on an album before and what a journey it’s been. We feel that this album has it all and there’s no way we could have done any better. It’s an explosion of emotions and cinematic landscapes where you’ll be catapulted into space and then land smoothly while feeling right at home. It will be your haven and your grand escape all at once. We hope you will connect to this album with every fiber of your body and mind, just like we do. Please do enjoy 'Give Us The Moon'!”
THE NIGHT FLIGHT ORCHESTRA are:
Björn Strid - Vocals
Sharlee D’Angelo - Bass
Jonas Källsbäck - Drums
Sebastian Forslund - Guitar, Percussions
John Lönnmyr - Keys
Rasmus Ehrnborn - Guitar
Anna Brygard - Backing Vocals
Åsa Lundman - Backing Vocals
Manchester post-punk / death-rock stalwarts Inca Babies unleash 'Ghost Mechanic 9' single
Manchester post-punk death-rock rockers Inca Babies present ‘Ghost Mechanic 9’,the title track and second single from their ninth studio album 'Ghost Mechanic Nine'. A driving blast of a guitar song, this song is a powerful indication of the flavour of the album as a whole, the sound owing more to the Incas' early music as Harry Stafford revisits the raw guitar sounds of their 80s output. Earlier, they released the lead track 'Spacewalk', a timeless Rockabilly groove inspired by Link Wray, Alan Vega and Brian Setzer (but set in a Sci-Fi space opera), together with the B-side 'Monster In The Deep'.
Today, Inca Babies is made up of Harry Stafford (guitar, keys, vocals), Rob Haynes(drums, percussion), Jim Adama (bass) and Kevin G. Davy (trumpet). This will be their first release in three years, following their 2021 album ‘Swamp Street Soul’. Continuing their explosive exploration of goth, punk and death-rock jazz-blues, this album explores the essence of the 80s death-rock vibe, with a tribute to the strong riffing and cool, dead-pan delivery of the dark wave scene at the time.
With its singular hypnotic bass rhythm, 'Ghost Mechanic 9' could have fit neatly on their 1986 album ‘Opium Den’ . But those days of analogue imprecision are behind us and, with Simon ‘Ding’ Archer (The Fall, PJ Harvey) at the controls, there is still a contemporary zing to the production and a snap to the overall sound. Recorded at 6Db Studios in Salford, Archer and Stafford recorded and mixed this album over two years, with with 'Ding' also contributing serious sonic and dub flourishes. Marco Butcher subsequently mastered this record at his Boombox studio in North Carolina.
This collection of darkly invigorating tunes,album visits a similar place to where Inca Babies started in the 80s with their psychobilly trash rock, reconnecting with their roots, where The Gun Club and The Cramps met, the intersection where Inca Babies found their most passionate and loyal following. This song is a calling card for the album, taking listeners back to a sound that is raw, spiky and reminiscent of their early days in the 80s.
“This is a surging highway groove that drives us on into the night with a rumbling bass line. Driving for the sake of it; driving to escape. Headlights in the dark: red and blue dash lights; wondering why anyone but you is driving this late. The ghost on the highway, the grease-ball mechanic who says you’ll keep going for miles and miles. And all the numbers are the same. It’s number 9, the ninth album for Inca Babies and he first of nine songs on the album," says Harry Stafford.
Originally comprised of Harry Stafford, Bill Marten, Mike Keeble and Pete Bogg, Inca Babies began in 1983 in the now-legendary deck-access flats of Hulme in Manchester. Intended as executive ‘cities in the sky’, they quickly became cockroach-infested slums inhabited by students, artists and druggies. They released their 1984 debut single 'Interior' on their Black Lagoon label with an unusual sound for Manchester, which was then associated with Joy Division, Buzzcocks, The Fall and The Smiths. With a nod to their influences, Writer CP Lee dubbed them "the Hulme Cramps" for their Gothabilly twang.
A vibrant part of Britain's early postpunk / goth /death rock scene, they amassed a steady following through touring and by releasing a further six singles and four albums over the next five years, all of which entered the UK Indie Charts. They also recorded four sessions for BBC's legendary John Peel show between 1984 and 1988 before calling it quits that year.
Since reforming in 2007, they've released three albums and toured extensively around Europe, Russia, North America, India and beyond. Renewed interest in the Incas was propelled by Cherry Red Records 'Best of’ compilation release ‘Inca Babies 1983-87: Plutonium’. After Bill Marten's death in 2008, the band decided to continue creating music, subsequently releasing their Death Blues Album Trilogy - 'Death Message Blues' (2010), 'Deep Dark Blue' (2012) and 'The Stereo Plan' (2014).
'Ghost Mechanic 9' is available everywhere as of October 30, including Spotify, Apple Music and Bandcamp. On November 29, the ‘Ghost Mechanic Nine’ album will be released on vinyl and digitally, and can be pre-ordered via Bandcamp and the Louder Than War shop.
CREDITS
Written by Harry Stafford & Rob Haynes
Harry Stafford – vocals, guitars & keyboards
Rob Haynes - drums & percussion
Jim Adama – bass guitar
Kevin G Davy - trumpet, horns
Simon 'Ding' Archer - sonic and dub flourishes
Released by Black Lagoon Records
Catalogue no. BLRLP0060
Recorded, mixed & produced by Simon ‘Ding’ Archer & Harry Stafford
Recorded at 6Db in Salford under Simon ‘Ding’ Archer
Mastered by Marco Butcher at Boombox Studio (North Carolina, USA)
Artwork created by Harry Stafford
Live photos by Simona Masoni
Publicity by Shameless Promotion PR
Keep up with Inca Babies
Facebook | Bandcamp | Twitter | Instagram | Soundcoud | YouTube | Spotify | Apple Music | Booking contact | Press contact
Keep up with Shameless Promotion PR
Website | Facebook | Twitter | Soundcloud | Instagram | LinkedIn | Email
Crippled Black Phoenix Rewrite Grim Tale of "444"
Since emerging from the great smog of the United Kingdom, Crippled Black Phoenix have burned like a signal flare against the night, warning weary travelers of the troubles ahead. This year, Justin Greaves (ex Iron Monkey and Electric Wizard), long-time vocalist Belinda Kordic and their many collaborators are celebrating 20 years of end-time ballads with a new, two-part compilation.
Horrific Honorifics Number Two (2) continues the UK band's tradition of haunting homages with covers that range from Fugazi to NoMeansNo, Deep Purple, Built to Spill and Laura Branigan's Top 10 hit "Self Control". The Wolf Changes Its Fur But Not Its Nature reworks their early signature songs, including the darker, gloomier "Goodnight, Europe (Pt2)".
Today, CBP are releasing a revamped version of "444". Originally released on 2009 standout The Resurrectionists, this dirge quickly became a fan favorite and staple in the band's set list. While faithful to how the song is performed live, this recording includes new lyrics that once again reflect the perils of our times.
Listen to the new version of "444".
https://youtu.be/Y71jgGtfbq0
The Wolf Changes Its Fur But Not Its Nature and Horrific Honorifics Number Two (2) come out November 29 on Season of Mist.
Pre-order & Pre-save
https://orcd.co/cbpwolf
https://orcd.co/cbphonorifics
CRIPPLED BLACK PHOENIX’s reputation was built on the back of their studio albums and live shows. The pandemic prevented the band from supporting Ellengæst, but it did provide them additional time to bring in new members to their live configuration.
“We’ve done one show since 2019,” says Greaves. “We are going to do something in Europe this year. Hopefully, we can get back on track. We’re also going to do something in the States — that’s not just talk, we’re actually going to do it. It’s well overdue. The live band is fucking amazing. We have the five of us and now we have Jordi [Farré] on drums, Paco [Fleischfresser] on synth and a really good friend of mine, Matt Crawford on bass.
“We did the Leipzig show and even though the rehearsals were better than the show itself, that lineup, our live band, is so good. Because we haven’t been under pressure to put a live band together since 2019 and spent so long talking to people, we’ve got a better band from those results. Out of disaster, we’ve got quite a good, positive thing.”
The Wolf Changes Its Fur But Not Its Nature & Horrific Honorifics Number Two(2) are a double album celebrating the 20 year existence of CRIPPLED BLACK PHOENIX.
Original Credits:
All tracks on Horrific Honorifics Number Two(2) are covers of various artists.
Vengeance
Originally recorded by New Model Army, Written by: Sullivan/Morrow
Self Control
Originally recorded by Laura Branigan, Written by: Giancarlo Bigazzi, Raffaele Riefoli, Steve Piccolo
Blueprint
Originally recorded by Fugazi, Written by: Canty, Lilly, MacKaye, Picciotto
And That’s Sad
Originally recorded by NoMeansNo, Written by: NoMeansNo
Hammer Song
Originally recorded by Sensational Alex Harvey Band, Written by Alex Harvey
When A Blind Man Cries
Originally recorded by Deep Purple, Written by: Gillan, Glover, Blackmore, Lord, Paice
My Pal
Originally recorded by God, Written by: God, Joel Silbersher)
Goin’ Against Your Mind
Originally recorded by Built To Spill, Written by: Doug Martsch, Jim Roth, Brett Nelson, Scott Plouf
Lineup:
Vengeance
Ryan Patterson - Vocals
Justin Greaves - Drums, Guitars, Backing Vocals
Belinda Kordic - Backing Vocals
Wesley J. Wasly - Bass
Self Control
Belinda Kordic - Vocals
Justin Greaves - Drums, Guitars
Andy Taylor - Baritone Guitar
Helen Stanley - Synth
Wesley J. Wasley - Bass
Blueprint
Ryan Patterson - Vocals
Justin Greaves - Drums, Guitars
Helen Stanley - Piano
Wesley J. Wasley - Bass
And That's Sad
Justin Greaves - Drums, Guitars, Vocals
Wesley Wasley - Bass, Vocals
Hammer Song
Belinda Kordic - Vocals
Justin Greaves - Drums, Guitars
Andy Taylor - Guitar, Acoustic guitar
Helen Stanley - Synth, Hammond
Wesley J. Wasley - Bass
When A Blind Man Cries
Belinda Kordic - Vocals
Justin Greaves, Drums, Guitars
Andy Taylor - Guitars
Helen Stanley - Piano
Kostas Panagiotou - Hammond
Wesley J. Wasley - Bass
My Pal
Belinda Kordic - Vocals
Justin Greaves - Drums, Guitars, Backing Vocals
Wesley J. Wasley - Bass
Goin' Against Your Mind
Justin Storms - Vocals
Justin Greaves - Drums, Guitars
Andy Taylor - Guitar
Wesley J. Wasley - Bass
Recorded in 2023 at:
Chapel Studios, Lincolnshire
Engineered by Pieter Rietkerk
Additional Vocal Sessions at:
Kapsylen Studio, Stockholm
Engineered by Jörgen Jugglo Wall.
House Of Foto, Louisville, KY
Engineered by Ryan Patterson
Additional Production Credits:
Mixed by Pieter Rietkerk
Mastered by Magnus Lindberg
Produced by Justin Greaves
Cover Art:
Erebus Art (Thanasis Stratidakis)
Pre-save & Pre-order 'The Wolf Changes Its Fur But Not Its Nature': https://orcd.co/cbpwolf
Pre-save & Pre-order 'Horrific Honorifics Number Two(2)': https://orcd.co/cbphonorifics
Follow Crippled Black Phoenix:
Official Website: https://www.crippledblackphoenix.net/
Bandcamp: https://crippledblackphoenixsom.bandcamp.com
Facebook: https://www.facebook.com/CBP444/
Instagram: https://www.instagram.com/cbp_444/
Twitter (X): https://x.com/cbp_official/
Spotify: https://open.spotify.com/artist/6WEyPcf9ezhNLm1xOBjbwH
Apple Music: https://music.apple.com/artist/crippled-black-phoenix/251718934
Deezer: https://www.deezer.com/artist/391823
TIDAL: https://tidal.com/browse/artist/3607159
NYC chamber punk outfit ECCE SHNAK shares 'Jeremy, Utilitarian Sadboy', first single in 5 years
NYC-based art-rock outfit Ecce Shnak (pronounced Eh-kay sh-knock) presents the single 'Jeremy, Utilitarian Sadboy', dedicated to 19th Century English philosopher Jeremy Bentham, whose skull is kept on display at the University of London. Their fourth release to date and first new music since 2019, they return to once again shatter notions of genre, while addressing weighty themes and notable trivia alike.
This first taste of their 'Shadows Grow Fangs' EP, slated for release in early 2025 via NYC-based imprint Records Man, Records, is astonishing -- Ecce Shnak effortlessly combines math-metal, post-rock and choral anthems in just 150 seconds. Opening with a ferocious roar and a knotty, funk-metal riff, it’s interrupted by bursts of Queen-like harmonies and witchlike wails before punching through to bewitching keyboards and a bridge that would set off a cemetery mosh, only for a stern choral coda to arise like you’re now in a chapel coming around from an inadvertent knockout.
A 5-piece made up ofDavid Roush(vocals, electric guitar/bass),Isabella Komodromos(vocals),Chris Krasnow (electric guitar),Gannon Ferrell(electric guitar/bass),Henry Vaughn(drum kit), Ecce Shnak is one part pop music, another part classical music and a third part punk music, creating songs about love, sex, death, change, bravery, and food.
Since Roush formed the band in the mid-noughties, Ecce Shnak has been treading the high wire, leaping from craft to craft. Throughout their explorations, you’ll always find Roush tripping the light fantastic. Provocative and entertaining in equal, lavish measures, Ecce Shnak's performances are as vividly cartoonish as they are intellectually compelling, defying all earthly expectations.
"'Jeremy, Utilitarian Sadboy' is a prog-punk psychiography of the father of utilitarianism, Jeremy Bentham. Though he was a staunch advocate for basic social services for poor and working people, Bentham was also a tragically confused do-gooder who promoted solitary confinement for prisoners. His single weirdest move was neither good nor bad, but pretty morally neutral: he had his body taxidermied after he died so that his students could muse upon his body as a no-biggie, just a “stale instrument",” says David Roush.
"The comedic tragedy of Bentham’s life is a fascinating story that raises many complicated questions around happiness, suffering, justice, politics, and the role of mortality in human life. However, in the wake of his confused advocacy for solitary confinement, a more straightforward message emerges in light of the injustices of the modern era. Regardless of any of the good intentions of its architects, our system of incarceration and policing is pointlessly brutal. It needs to be challenged and transformed: for the incarcerated, for undocumented people, for those on death row, and for their loved ones."
An art-rock synthesis of pop music, heavy and classical music, 'Shadows Grow Fangs' EP is a raucous adventure through these styles that concludes with a folk song, a first for the band. Showcasing limitless invention, these five songs run the gamut from slow-burning meditations on love’s indispensability to mockery of the web from the perspective of a time-travelling poet, and much more.
Recorded and produced by Jeff Lucci at the Art Farm (NY), the EP was mixed by Nicholas Vernhes (Animal Collective, Deerhunter, The Fiery Furnaces, Dirty Projectors, Wild Nothing, The War on Drugs) and mastered by Grammy-winning engineer Greg Calbi (John Lennon, David Bowie, Bruce Springsteen, Talking Heads, Patti Smith, Tom Petty, Todd Rundgren).
Roush once lived opposite Philadelphia’s Eastern State Penitentiary, designed in line with English social reformer Jeremy Bentham’s 1791 circular prism plan. “He said a criminal can redeem himself by contemplation on the crime and restoration in solitude, a really cute, liberal idea that was modified horrifically to the point where we have the brutal practice of solitary confinement," elaborates David Roush, "A friend was working for their ‘Halloween Haunted Prison Experience’, so they were like ‘zombie’ prisoners, which was kind of funny, kind of absurd, but, in another way, horrible when you think about the reality. And I said, ‘Well, shit, I guess I have to write this song.’ So I went to the library, got a bunch of books and read.”
The song’s opening words? “Jeremy! What a show-off!"
Ecce Shnak might seem a frivolous moniker, but a great deal lies behind it. Ask frontman David Roush and, in his gentle, considered manner, he’ll point to the interjection ‘Ecce’ – Latin for “Behold!” – and the slang ‘shnokkered’, meaning ‘incoherently intoxicated’. Coincidentally, the German origin of ‘Roush’, ‘rausch’, also translates as ‘drunkenness’.
If there’s a fine line between wild-eyed, inspired genius and utter, irrepressible insanity, that’s where you’ll find these New Yorkers, teetering on a neon tightrope. They subvert notions of style, playfully but reverently embracing multiple forms from across the spectrum, frequently within a single tune, while addressing weighty themes and notable trivia with striking articulacy.
As of October 30, 'Jeremy, Utilitarian Sadboy' is available from fine music platforms, including Spotify, Apple Music, YouTube Music and Bandcamp.
CREDITS
Music written / composed by David Roush
Vocals by David Roush and Isabella Komodromos
Keyboard by David Roush
Electric guitar & bass by Jeff Lucci
Drums by Erik Scattareggia
Recorded and produced by Jeff Lucci at the Art Farm (NY)
Mixed by Nicholas Vernhes
Mastered by Greg Calbi
Video directed by Milton Walker and David Roush
Produced by Beth Narducci and David Roush
Artist photos by Tommy Krause
A&R: Beth Narducci for You + Me Entertainment
Publicity by Shauna McLarnon for Shameless Promotion PR
Keep up with Ecce Shnak
Facebook | Bandcamp | Instagram | Twitter | YouTube | Spotify | Apple Music | YouTube Music | Booking | Press contact
Keep up with Shameless Promotion PR
Website | Facebook | Twitter | Soundcloud | Instagram | Link edIn | Email
Argentinian-American indie pop duo Aerolinea debuts compelling video for 'What Moves You'
This is the first offering from their 'All We Need' album, an eight-track offering slated for release on November 28, which also sees an appearance by drummer Kellii Scott of Failure elsewhere.
What began in April 2023 with an Instagram message led to a year of long-distance file sharing and meet ups in Florida and Argentina. Thus was born Aerolinea, comprised of Victoria Real and Eric Weissinger. Both are songwriters, vocalists, guitarists and multi-instrumentalists. With Eric in Atlanta and Victoria in Buenos Aries.
What begins with Eastern-influenced vocals at the outset shifts to a more powerful exhibition of Real's vocals, followed by those of Weissinger and then joined in unison. This dreamy track oscillates track between minimalistic pensiveness and intense euphoria for a sonic journey that is worth the flight.
As many recent creative projects, this one came to form during the pandemic, during which time the two artists had both taken part in an online music festival. The spark that led to their collaboration - a quest, you could say, given that both had ongoing in-person musical projects in their respective home cities. After sending some rough song ideas back and forth, they came to the realization that they each nurtured something special in each other, bringing them to new sonic realms worthy of that exploration.
Eric Weissinger shares, "This is our first collection of songs and is a record of how we created music together during our first year, before meeting in person. If it feels mysterious at times, it's because our future was a mystery to us. It was inspired by our separate lives, but also by the potential we had to make music together. We recorded in our homes in Argentina and the U.S. and did final vocals together in Florida. We played all instruments, and the engineering and production was shared via emails, file sharing, phone calls, and texts."
With passionate tandem lyrics, intertwining guitars and rhythms that sometimes groove and sometimes surprise, Aerolinea crafts a sound designed for romantics and misfits, for late nights and strange places.
"This project really allows me to explore my creativity in a completely different context, with challenges and surprises since we two creating together: it’s an amazing experience because we can nourish our musical ideas and new things emerge. Aerolinea itself it feels like following a third force, a muse," says Victoria Real.
Victoria Real honed her musical skills under the tutelage of King Crimson frontman and guitar legend Robert Fripp, first as a Guitar Craft student and later performing with the League of Crafty Guitarists. In addition, she has had a blossoming career as a solo artist, releasing four albums under her name with a fifth album currently in production. For the past few years, she has received accolades at the Cordoba Entertainment Awards (Premios CIEyA), winning the award for “Artist Revelation Rock of the Year” in 2021 and nominated for both “Artist of the Year” and “Rock Artist of the Year” in 2023 and 2024.
Eric Weissinger is most renowned as half of Atlanta-based dream-gaze duo I Am a Rocketship, who have released five albums and an EP. He was also previously bassist for Anne Richmond Boston (DB Recs). As a bassist, guitarist and singer in various project, Eric Weissinger had opened for bands such as The Wedding Present, The Black Crowes, James, Cracker, and Portastatic.
'What Moves You' is is out now, available from fine digital platforms everywhere, including Bandcamp, where the full 'All We Need' album (out November 28) is now available for pre-order via My Long Wknd Records. Aerolinea will be touring Argentina in the new year, kicking off at Buenos Aires' Bar Carnal on January 11.
CREDITS
Music & Lyrics written by Victoria Real & Eric Weissinger
Vocals by Victoria Real & Eric Weissinger
Victoria Real - guitar, synths, bass, and samples
Eric Weissinger - guitar, synths, bass, and samples
Kellii Scott - drums on 'Dreamer'
Recorded & Produced by Victoria Real & Eric Weissinger
Mixed by Eric Weissinger
Cover artwork by Victoria Real & Eric Weissinger
Video directed by Nico Purdía
Video filmed by Mariano Laguzzi
Publicity by Shameless Promotion PR
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KINGS OF MERCIA Celebrate Album Release with New Video for Title Track
KINGS OF MERCIA releases its sophomore album 'Battle Scars' via Metal Blade Records. To celebrate, they are sharing the title track along with a new video, available below.
Now and again, art offers up the perfect storm. When creative worlds collide with a furious cacophony of power, licks, and lyrics, magic happens. Such is the case with KINGS OF MERCIA, whose second album, 'Battle Scars,' is the continuation of a story as unlikely as it is glorious. The band is helmed by guitarist Jim Matheos (Fates Warning) and singer Steve Overland (FM) who are joined by drummer Simon Phillips (The Who, Toto) and bassist Joey Vera (Armored Saint, Fates Warning).
About 'Battle Scars' Steve Overland shared the following:
"That's about post-war distress syndrome. It's about a guy who comes back from fighting and can't really deal with real life. He realizes that he can never be what he was before he went away and did this. But he really, really wants to, but he's trying to get that across to everybody that loves him. But the problem isn’t him–it's what he's been through. I came up with the title ‘Battle Scars,’ and I think that suggested the subject matter.”
Watch the Music Video for "Battle Scars" Below.
KINGS OF MERCIA's 2022 approachable, world-class self-titled debut was termed “truly a hybrid: it’s heavy, but not metal. It’s got tones of melodic AOR hard rock but with an edge.” Now, 2024 brings the band's sophomore album written and recorded throughout 2023, 'Battle Scars' sees the core writing team of Matheos and Overland expanding on their obvious chemistry.
"I think it was a bit easier this time around because we’ve established a good working rhythm,"states Matheos, "I’ll send Steve at least a few songs every couple of months, and I try to keep them varied. This allows him to work on whichever ones he feels strongly about."
“What Jim sends me is the first draft of that song,” says Overland. “So once he's heard all the melodies and the harmonies I sing, he can chop it about and make it how he thinks it should be. He always sends me three or four different versions. He'll say, ‘What do you think? Which do you like?’ Then we work it out between us and come up with the one we're both happy with.”
“Steve and I started working together in 2021,” says Matheos. “I was aware of FM–they came up around the same time as Fates Warning – but I’d lost touch with them and wasn’t familiar with their more recent work. When Steve was recommended to me, I checked out some of the newer releases and felt Steve was exactly what I was looking for.”
“It's a different genre of music that I'm normally involved in,” says Overland, whose voice has been likened to other British greats Paul Rodgers and Glenn Hughes. “Obviously, I’d heard of Fates Warning – they're a very big cult band in their field. Jim and I touched base, and I told him to send me one backing track. If it sounds great, then it's a win-win. If it doesn't, we'll just call it a day, knock it on the head, not take it any further. That song became ‘Humankind’ from the first album. I wrote the melodies and the title and put it all together. Jim got it and he was blown away. So we made a couple more. I loved doing it. It was just such a different challenge for me.”
Those songs would become the self-titled debut album, which was released in 2022. Written during lockdown, bouncing tracks across the Atlantic, KINGS OF MERCIA found its mojo. Fans of Fates Warning, FM, and Armored Saint all rejoiced at the common ground on KINGS OF MERCIA, the sweet spot in the middle of the Venn diagram.
It’s a true collaboration that has led to KOM's 'Battle Scars.' However, despite the unfolding sound and clear chemistry between the four Kings, Overland has never met his bandmates in person. 'Battle Scars,' like its predecessor, is a slab of transatlantic magic.
KINGS OF MERCIA are:
Jim Matheos - Guitars
Steve Overland - Vocals
Simon Phillips - Drums
Joey Vera – Bass
Iodine Recordings to Release Piebald's "We Are the Only Friends We Have"
If you were to look up the word "piebald" in the dictionary, you'd learn that it means "having irregular patches of two colors, typically black and white."
But if you were to ask any of their loyal fans, they's probably refer to "Piebald" as one of their favorite bands of all time — a hard-to-describe, genre-less, energetic four-piece known for their raw, matter-of-fact lyrics, infectious hooks, fun live shows, and their penchant for doing everything on their own terms.
And this year, Piebald turns 30!
Now on vinyl for the first time in over 20 years, Piebald's We Are The Only Friends We Have has earned its place as one of the most notable and iconic emo albums of the era. It has been completely remastered for vinyl by Jack Shirley (Joyce Manor, Quicksand) with completely reconstructed artwork created from negatives of the original photo shoot, and includes a retrospective essay written by the band. The album was originally produced by Paul Q. Kolderie (Radiohead, Pixies, Dinosaur Jr).
The re-issue will also have a limited deluxe edition double LP, which includes 12 bonus tracks (B-sides, demos, covers) in an expanded gatefold package. It will also be available digitally on all streaming platforms.
Get the re-release here via Iodine Recordings.
And watch the video for "American Hearts" while you're at it , below.
Piebald were founded in Andover, Massachusetts, in 1994 by Travis Shettel(vocals/guitar/keys) and Aaron Stuart (guitar/vocals). Through Andover High School friends and siblings, Jon Sullivan (drums) and Andrew Bonner (bass) were added to complete the original lineup. In a time before cell phones, Spotify, or even Napster, Piebald became an integral part of the same indie, post-hardcore music scene of the Merrimack Valley that birthed musical monsters Cave-In and Converge.
On February 19, 2002, Piebald released their critically acclaimed third album, We Are the Only Friends We Have. Now joined by Luke Garro on drums, the band embarked on the most thrilling stage of its career. National radio airplay of singles "American Hearts" and "Just a Simple Plan," and tours with the likes of Minus the Bear, Glassjaw, Hey Mercedes, RX Bandits, Saves the Day, and New Found Glory led to more mainstream success and helped birth a cult following.
Piebald became recognized as "one of the most dependably fun bands of the late '90s/early '00s emo touring circuit," and "kings of sing-alongs," led by Shettel, who "crafted lyrics that could weave between intensely autobiographical, sociopolitical, and sarcastic."
The band initially called it quits in 2008, but reformed in 2016 to celebrate the digital re-release of their catalog, and haven't looked back. Since their reformation, Piebald have toured with Dashboard Confessional, The Movielife, and Weakened Friends, reinstated their annual holiday shows, and graced the stages of festivals such as Boston Calling, Riot Fest, Furnace Fest, and Wrecking Ball.
Now, Piebald has teamed up with Iodine Recordings to remaster, repackage, and re-release their long out-of-print catalog, and there has even been talk of new music.
The impact of Piebald on the alternative music scene is undeniable, and their legacy continues to inspire a new generation of musicians and fans.
A toast to 30 years of Piebald!
The Plot In You Announce Stacked North American Headlining Tour Kicking Off February 14
2025 is shaping up to be a great year for The Plot In You fans! The quartet has today announced their stacked Spring 2025 North American headlining tour coming to a city near you with Holding Absence, Boundaries and Acres as support. VIP, advance tickets and Spotify pre-sales are on now, with promoter pre-sales beginning today at 2 pm ET. Knotfest.com pre-sales begin tomorrow, Wednesday, October 30 at 2 pm ET. Tickets go on sale to the general public this Friday, November 1 at 10 am local time. For more information, please click here.
The band will also be dropping their 'Vol. 3' EP next Friday, November 8 (via Fearless Records), from which have released "Been Here Before" and most recently, "Pretend". The EP's release coincides with the first date of the band's tour with Currents, Zero 9:36 and Wind Walkers. Pre-save 'Vol. 3' at the link here, and be sure to stay tuned for more The Plot In You news coming soon.
The Plot In You North America Spring 2025 Tour with Holding Absence, Boundaries + Acres:
Feb 14 - Royal Oak, MI @ Royal Oak Music Theater
Feb 15 - Chicago, IL @ Vic Theatre
Feb 16 - Minneapolis, MN @ Skyway Theater
Feb 18 - Denver, CO @ Ogden Theater
Feb 19 - Salt Lake City, UT @ The Depot
Feb 21 - Sacramento, CA @ Ace Of Spades
Feb 22 - Anaheim, CA @ House of Blues
Feb 23 - Los Angeles, CA @ Fonda Theater
Feb 25 - Tempe, AZ @ The Marquee
Feb 26 - Albuquerque, NM @ Sunshine Theater
Feb 28 - San Antonio, TX @ Vibes Event Center
March 1 - Dallas, TX - Studio @ The Factory
March 2 - Houston, TX @ White Oak Music Hall
March 4 - Nashville, TN @ Cannery Ballroom
March 5 - Atlanta, GA @ The Eastern
March 7 - Columbia, SC @ The Senate
March 8 - Richmond, VA @ The National
March 9 - Baltimore, MD @ Baltimore Soundstage
March 11 - Toronto, ON @ The Danforth Music Hall
March 12 - Montreal, QC @ Beanfield Theatre
March 14 - Worcester, MA @ Palladium
March 15 - Philadelphia, PA @ Union Transfer
March 16 - New York, NY @ Webster Hall
Upcoming Fall 2024 Dates with Currents, Zero 9:36 + Wind Walkers
Nov 8 - Davenport, IA @ Capital Theatre
Nov 9 - Green Bay, WI - Epic Event Center
Nov 10 - Indianapolis, IN @ Delux At Old National Centre
Nov 12 - Des Moines, IA - Val Air Ballroom
Nov 13 - Omaha, NE - The Admiral
Nov 15 - Little Rock, AR - The Hall
Nov 16 - New Orleans, LA - Joy Theatre
Nov 17 - Destin, FL - Club LA
Nov 19 - Knoxville, TN @ The Mill & Mine
Nov 20 - Jacksonville, NC - Hooligans
Nov 21 - Norfolk, VA - The Norva
Nov 23 - Buffalo, NY - Riverworks
Nov 24 - Cincinnati, OH - Bogarts
During 2023, The Plot In You kickstarted a new era with 'Vol. 1' with “Divide”, having generated 19 million Spotify streams and counting followed by “Left Behind”, exploding to the tune of 38.6 million Spotify streams with no signs of slowing down. Upon the arrival of “Forgotten”, Revolver praised it among the “6 Best New Songs Right Now”. The Plot In You's 'Vol. 2' EP is a powerful showcase of the band's evolution, blending raw emotion with polished musicality, and stands as a testament to the band's growth and artistic maturity, captivating listeners with its intense yet introspective narratives with tracks “Closure”, “Don’t Look Away”, and “All That I Can Give” further solidifying their place as one of the genre's most compelling acts.
The band's latest offering "Pretend" speaks to the callous nature of modern society, kicking off with a head-first dive of driving guitar riffs and powerful rhythm. Closely following the dynamic intro, hushed verses of nearly-whispered lyrics laced with ominous electronic tones lull listeners into a sense of precarious safety before a rousing crescendo lifts into the chorus. Crowned with frontman Landon Tewers’ signature vocal control and all-encompassing emotional expression, “Pretend” warns against the present-day tendency to choose false, blissful ignorance over contending with the horrors plaguing the world.
THE HALO EFFECT - unleash stunning video for title track of new album 'March Of The Unheard'
Swedish melodic death metal rising stars THE HALO EFFECT has just dropped the official music video for their powerful new single, 'March Of The Unheard', the title track from their highly anticipated sophomore album, set to be released on January 10th, 2025.
The visually stunning video matches the intensity of the song, blending dark, atmospheric imagery with explosive performance shots, delivering a cinematic experience that complements the band’s signature sound.
Fans have been eagerly awaiting new material from THE HALO EFFECT. The upcoming album March Of The Unheard promises to showcase the band's evolving artistry while staying true to the melodic death metal roots that their fans have come to love.
Guitarist Niclas Engelin comments on the song:”This song is based around the melody theme for the intro on all our ninety-six shows. I just got the idea of starting the whole album with this theme and building a full song around it. Mikael took the whole song to another level with his lyrics, which enlighten the need for our society to hear the voices of the unheard - the powerless."
He continues: "We are all suckers for melancholic melodies in an up tempo beat, and add some harmonies to that, and we get a beautiful Halo song. Working with the mighty Gothenburg Marching band "Göta Lejon" just blew our minds both in the studio and live.. damn they are powerfull!!”
Check out the video for 'March Of The Unheard' below:
Listen to 'March Of The Unheard': https://thehaloeffect.bfan.link/motusg
Pre-order the album: https://thehaloeffect.bfan.link/motulp
Shortly after the album´s release, the band will embark on their first ever headline tour across Europe. Industrial outfit and label mates PAIN will be special guest on this tour and to round up this great package, melo-death shooting stars from Finland, BLOODRED HOURGLASS, will join as support.
THE HALO EFFECT is:
Niclas Engelin | guitar
Jesper Strömblad | guitar
Mikael Stanne | vocals
Peter Iwers | bass
Daniel Svensson | drums
THE HALO EFFECT Online
Icelandic Prog Metal Newcomers Múr Sign to Century Media Records, Shares Music Video for New Single, “Frelsari”
With a sound that defies generic labels and a vision that stretches the limits of creativity, Múrare the latest descendants from Iceland’s volcanic underground. The emerging quintet are forging a new era of dark, atmospheric and boundary shattering metal. With progressive sensibilities that harken to the Devin Townsend Project and mid-era Opeth, a talent to cohesively juxtapose atmospheric textures with polished technicality a la Meshuggah and Gojira, and a focus on jazz study among the fresh-faced instrumentalists, Múr is already proving itself to be a reckoning force.
Today, Múr is pleased to announce that they have joined forces with Century Media Records for the release of their debut self-titled full-length! In celebration, the band is now sharing the mind-bending new single, "Frelsari," along with a video. The clip was animated by Múr's Kári Haraldsson (vocals, keytar, synthesizers) during his teenage years and can be found below.
The band comments: “’Frelsari’ is one of our more powerful, but also more conventionally structured songs, exploring themes of blind faith, giving up control, and the illusions of liberation. The music video is an animation our frontman made in his teens, which seems to harmonize well with the themes of this song, written years later.”
Múr’s trajectory really gained momentum a year after their formation when their talent was recognized in the spring of 2022 as they conquered the Icelandic Wacken Metal Battle, propelling them to an impressive fourth place in the international finale at Wacken Open Air in Germany.
The band recently created a buzz following the release of their folk horror infused video for “Heimsslit," which can be found HERE.
“'Heimsslit’ is an Icelandic word for the apocalypse, but the literal translation is 'world's tearing,’ inspiring a vision of the world coming apart at the seams,” says the band. “The lyrical themes have more to do with an acceptance of something vital falling apart within one's own mind rather than being about the physical world ending. The song is accompanied by our first music video, a massive cross-discipline collaboration between local artists."
The album is due digitally on November 22, 2024 while CD and vinyl will be available January 10, 2025. Pre-orders are now live HERE.
Describing their music as “a wall of sound and emotion,” Múr is quick to point out that their sound is up for interpretation. “I’m not sure whether it’s our place to fully define it,” cautions Haraldsson “as people seem to take vastly different things away from experiencing it, depending on who they are and what they like in music.” While their complex passages will undoubtedly elicit different perspectives as it borrows from many genres and elements, the emotional component to their music is more direct, with lyrics that center on the human experience. “Most of the lyrics revolve around facing yourself, breaking the shackles of inner turmoil and finding strength in letting go,” he adds.
As for what comprises their multifaceted sound, Haraldsson explains, “We draw inspiration from a lot of different sources, both when it comes to the songwriting and when designing the more overarching soundscapes and textures. Amongst other things we are inspired by film scores, forces of nature, and various different forms of electronic music.”
Making their debut with their self-titled full-length, which will be released via Century Media Records on November 22, 2024, the newcomers already have a buzz around them as they have been winning over crowds on the festival circuit since conquering Soulcrusher Festival in 2023. Through their unique blend of atmospheric textures, evocative songwriting, and raw emotional intensity, Múr has garnered critical acclaim both within their homeland and beyond, solidifying their position as one of the country's most promising and exciting musical exports.
Lineup:
Kári Haraldsson - Vocals, Keytar, Synthesizers
Hilmir Árnason - Guitar
Jón Ísak Ragnarsson - Guitar
Ívar Klausen - Bass
Árni Jökull Guðbjartsson - Drums
Links:
Formats: Ltd. CD Digipak
Ltd. deep blood red LP
Digital album
STEAMHAMMER ALERT: New Music from FIRE ACTION
Finnish Heavy Metal quartet FIRE ACTION releases a new single "No Drone Zone"from their upcoming album 'Until The Heat Dies' out November 29th via Steamhammer/SPV. The track is accompanied by a new music video, available to watch below.
Guitar player Juri Vuortama comments on the single:
"'No Drone Zone' is about a dystopian future that's already a reality in totalitarian regimes such as China: someone is always watching you. Unfortunately, harm's ways are not always far from here. There are such powers even in the Western world that want more and more control over people, their properties, and even their thoughts. No thanks to such surveillance."
Watch the Music Video for "No Drone Zone"
With three previous albums – ‘Rock Brigade’ (2016), ‘Fahrenhater’ (2018), and ‘9112’ (2020) – to their name, FIRE ACTION are anything but newcomers and have long been an established and integral part of Finland's metal scene. However, their international career is gaining momentum with 'Until The Heat Dies' and an exciting new contract with Steamhammer/SPV.
The quartet surrounding guitarist Juri Vuortama and vocalist Pete Ahonen has taken a musical quantum leap on the new album, producing eleven traditional heavy metal songs, each diverse in their own right. From the grooving opener "Storm Of Memories" to the anthemic finale "Midnight Avenue" the group’s continued evolution is on mighty metal display.
Vuortama aptly comments on the new songs: “It’s riffs, riffs, and riffs, with awesome melodies on top!”
The album will be available on November 29, 2024, on CD, LP, and for digital download.
'Until The Heat Dies' will be released on November 29th, 2024, worldwide via Steamhammer/SPV in the following formats:
=> CD digipak
=> LP gatefold red vinyl version
=> Download and Stream
FIRE ACTION are:
Pete Ahonen - Vocals
Juri Vuortama - Guitars
Jarkko Poussu - Bass
Samuli Häkkilä - Drums
Swedish Punk Rock Band DEVIL'S CIGARETTE Unleashes Authentic Rock 'n' Roll Energy with Debut Single "Gimme All You Got"
DEVIL'S CIGARETTE is setting the rock world ablaze with their incendiary energy and audacious style. This quintet of teenage renegades channels raw rebellion into a sound that captures the very essence of rock 'n' roll.
Today, Stockholm's most rebellious new rock band, DEVIL'S CIGARETTE releases their first single, "Gimme All You Got", now available on all digital platforms. The track is part of their upcoming debut album 'I Wanna Be On TV', recorded at the legendary Sunlight Studios and produced by Tomas Skogsberg, known for his iconic work with The Hellacopters and Backyard Babies.
DEVIL'S CIGARETTE brings raw energy and youthful rebellion back to rock 'n' roll, drawing influence from icons like The Stooges, The Beatles, and MC5. Their fast, gritty sound is a fresh take on classic rock, with an edge that appeals to fans young and old. The band has earned a reputation for intense live performances, capturing that same explosive energy in their debut album.
Stream "Gimme All You Got" HERE!
ANKOR releases the final chapter of 'Shoganai - mini album vol. 1'
LA psychrock outfit Tombstones In Their Eyes reveals trippy video for 'I Like To Feel Good'
American psych-gaze outfit Tombstones In Their Eyes present the visuals for their new single 'I Like to Feel Good'. The video itself, oscillating between electrified stage performances and scenes from a chilled drive through LA, seemingly reflects the transformation inherent in this song's lyrics, expressing how one's inner strength and individuality can be a catalyst for positive change.
Espousing a heavier sound than the two earlier-released singles from this album - 'Sweet as Pie' and 'I'm Not Like That' - 'I Like To Feel Good foreshadows the band's 'Asylum Harbour' album, out on November 19 via Kitten Robot Records, which sees TITE mainman pull past the pain, numbness and chaos reflected on their previous album 'Sea of Sorrow'.
Based in Los Angeles, Tombstones In Their Eyes is made up of long-time members John Treanor (vocals & guitar), Stephen Striegel (drums), Courtney Davies (vocals) , Phil Cobb (guitar) and Paul Boutin (guitar), along with new band members Joel Wasko (bass) and Clea Cullen (vocals).
"'I Like to Feel Good' has probably my favorite verse of any song that I’ve written. It’s the second long verse and it was written in a stream of consciousness fashion. I don’t believe that I changed any of the words that came out in that first pass. And it really hit home. It summed up my existence, thinking that my sensitivity was a burden and a malady, only to find that it is a gift that I can use to make life better," says John Treanor.
"Beyond that verse, it also has a really cool wah part leading from the main verse to the last chorus. The part only lasts thirty seconds or less but it came out so good. And I love the overall vibe and sound of the song, it sounds super fuzzy and driving (in the verses especially)."
Recorded at Kitten Robot Studios in Los Angeles and co-produced by John Treanor, this album was produced and engineered by Paul Roessler (45 Grave, Twisted Roots, The Screamers, Nina Hagen), also known for his work with Josie Cotton, Hayley and the Crushers and Gitane Demone.
Tombstones In Their Eyes began a decade ago as a demo-swapping exercise between two childhood friends separated by geography (John Treanor in LA and James Cooper in NYC), but soon blossomed into a full-fledged band and a healthy stream of expansive music that is laced with fuzzed out psychedelic majesty.
For John, writing and performing has always been a way to deal with anxiety and depression, to speak about a subject without being the centre of the conversation, and to express oneself in a subliminal way rather than directly. This music looks out into the universe as much as it looks inward toward the soul.
Named after a maritime phrase for a safe place to wait out a storm, 'Asylum Harbour' is an album of resurfacing, reflecting a new phase of healing after re-emerging from the pandemic. Treanor shares, "The album has been ready for some time, so it’s a relief to get it out.... Now we get to go out and play the songs from the new record live."
'I Like to Feel Good' is out now, available everywhere online, including Spotify, Apple Music and Bandcamp. The full 'Asylum Harbour' album, available November 18 on snazzy red vinyl, CD and digitally, can be pre-ordered directly from Kitten Robot Records or via Bandcamp.
CREDITS
John Treanor - vocals & guitar
Paul Boutin - guitar & backing vocals
Phil Cobb - guitar
Stephen Striegel - drums & percussion
Nic Nifoussi - bass
Courtney Davies - harmony & backing vocals
Paul Roessler - keyboards, harmony & backing vocals
David Murphy - Pedal Steel guitar on 'I'm Not Like That'
Recorded at Kitten Robot Studios in Los Angeles, CA
Produced and Engineered by Paul Roessler
Co-produced by John Treanor
Mastered by Alex DeYoung at DeYoung Masters
Digital album UPC 198595938096
CD catalog #KR20241-CD (UPC 706091205507)
Vinyl album catalog #KR20241-LP (UPC 706091205514)
VIDEO CREDITS
John Treanor - Director
Joel Wasko - Producer
Jon Beanland - Director of Photography & Colorist (for Last Bookmobile Productions)
Jessica Baclesse - Editor (for Last Bookmobile Productions)
Amy Hu - Hair and Makeup
David Hannah - PA
Keep up with Tombstones In Their Eyes
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Keep up with Kitten Robot Records
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Skillet Support Hurricane Relief Efforts + Share New Single "Ash In The Wind"
22x platinum, GRAMMY-nominated rockers SKILLET are offering an exclusive limited run of "All that Matters" and "Ash in the Wind" tees with 100% of all funds going toward Hurricane Relief efforts across Florida, Georgia, North Carolina, South Carolina, and Tennessee. The band will make donations to Samaritan's Purse and its work across the five-state region.
"We are heartbroken to see the devastation caused by Hurricane Helene and Hurricane Milton," the band said in a statement. "We have played shows in some of the cities that were hit and they are special places for us. We are partnering with organizations who have boots on the ground, helping get those who are impacted the long-term resources they need."
This past Friday, the band released their latest focus track, "Ash In The Wind," from the upcoming album, REVOLUTION, out November 1. The song received a very warm welcome, debuting at No. 1 on the iTunes All-Songs chart.
Listen to + watch the stunning visualizer video bellow.
Next week, SKILLET will embark on their first-ever tour of the Middle East. The band will be playing in Turkey, Kazakhstan, United Arab Emirates, and more. All dates are viewable at Skillet.com.
The album's first single, "Unpopular," premiered on SIRIUS XM's OCTANE channel, is climbing the Active Rock radio chart and has received over 5M streams, and 1.5M views of its music video. The last focus track, "All That Matters," resonated loudly with military families and saw them support VET TIX where donating a concert ticket for every preorder of REVOLUTION placed between 9/25 and 10/1.
REVOLUTION, for which the band has a limited number of signed CDs available in the band's pre-order store, is expected to only extend Skillet's formidable legacy. As of 2024, the band have received two GRAMMY® Award nominations, picked up a Billboard Music Award, and landed three albums in the Top 5 of the Billboard 200. Selling over 22 million units worldwide with over 24 billion global streams to date, SKILLET have notched multi-platinum, platinum, or gold RIAA certifications for a total of 12 singles and four full-length albums. Their latest RIAA Gold certifications just hit this summer with the tracks "Legendary" and "Stars." Not to mention, they have regularly attracted 10 million monthly listeners on Spotify alone, boasting “one of the most-streamed rock songs of all-time” with the 5x-platinum "Monster."
ABOUT SKILLET:
After nearly three decades, eleven albums, and thousands of shows worldwide, Skillet play louder, fight harder, and sound more rebellious than ever. As of 2024, the band have received two-time GRAMMY® Award nominations, picked up a Billboard Music Award, and landed three albums in the Top 5 of the Billboard 200. Selling over 22 million units worldwide, they have notched multiplatinum, platinum, or gold RIAA certifications for a total of 12 singles and four full-length albums. Not to mention, they have regularly attracted 10 million monthly listeners on Spotify, boasting “one of the most-streamed rock songs of all-time” with the 5x-platinum “Monster.” Their presence has impressively surged throughout popular culture with syncs by WWE, Marvel, ESPN, and NFL in addition to coverage from USA Today, The New York Times, and more. As a live force of nature, they have touched down on four continents and in 26 countries, packing arenas everywhere from the Middle East to Russia. Not to mention, Skillet expanded their world with the graphic novel series EDEN. The first installment stood out as Z2 Comics’ best-selling book of all-time. Now, the global hard rock quartet — John Cooper [lead vocals, bass], Korey Cooper [guitar, keys], Jen Ledger [drums, vocals], and Seth Morrison [lead guitar] — deliver an insurgent, infectious, and inimitable body of work with their twelfth full-length offering and first-ever independent album, REVOLUTION, led by the single "Unpopular" and focus tracks "All That Matters" and "Ash In The Wind."
CATHY RANKIN TEAMS UP WITH DAVID ELLEFSON AND KEN MARY ON NEW SINGLE, "NOW YOU'VE GONE" BEING RELEASED OCTOBER 29TH THROUGH DEKO ENTERTAINMENT
Cathy Rankin will release her debut single "Now You've Gone," featuring renowned musicians David Ellefson (formerly of Megadeth) and Ken Mary (formerly of Alice Cooper). The emotional track, inspired by deeply personal experiences, reflects on themes of love, grief, and ultimately hope, and will be accompanied by an official music video.
Fans can pre-order the single here: https://push.fm/ps/nug
Rankin wrote the song as a tribute to legendary drummer Neil Peart, and her nephew, Christian. "Both had a permanent impact on my life," she shares. "Neil’s music and lyrics were a huge influence for me, and my nephew was a light in this world for the 18 years he was here. The song is my way of expressing the void I felt when they were gone, and connecting with others who have experienced similar feelings of loss."
The project came naturally as Rankin, Ellefson, Mary, and guitarist John Bronson, were all connected through their music roots in Arizona, and their involvement with the Metal Hall of Fame. They discovered their shared passion for RUSH which led to the development of the song. Rankin explains, "Ken co-wrote and produced the track while John and I have played and performed together for years. David jumped on board, and everything just clicked. The entire process was a fun and smooth experience and we formed lasting friendships."
Both Mary and Ellefson are proud of the project. "Working with Cathy is amazing," said Mary. "She's a total pro, and when I heard her idea for this song, I wanted to get involved right away. She's an incredible talent, and I feel the song is the most moving tribute I've heard to date."
Ellefson added, "She did a fantastic job honoring Neil with this moving tribute. May this song continue to live to honor our prog hero from fans such as us."
Music enthusiasts will not want to miss the official video. Rankin shares her excitement, stating, "RUSH fans, especially, will catch the subtle metaphors and nods to the Professor, but rock fans in general will appreciate the exceptional musicianship and production."
Though "Now You've Gone" is Rankin's first original single, she’s been active in the music scene for years, co-hosting the Metal Hall of Fame with Eddie Trunk, the Annual Bubba Bash with YYNOT (honoring Neil) and singing on countless stages with her successful cover bands. This release is the perfect introduction to Rankin as an original artist, and fans can expect more to come. To celebrate the release of “Now You’ve Gone” Rankin is signing a limited amount of “Exit Stage Left” inspired flats and making available the brand-new Cathy Rankin official t-shirt.
Pre-order here: https://bit.ly/CathyRankin
FOR MORE INFORMATION:
Website: cathyrankin.com
Instagram: https://www.instagram.com/rushfanatic
Facebook: https://www.facebook.com/cathyrankinentertainment
Tik Tok: https://tiktok.com/@cathyrankinentertainment
Deko Entertainment
www.dekoentertainment.com
The Great Old Ones Return with More Lovecraftian Lore
Cast from deep within the mist of Bordeaux, France, The Great Old Ones weave the chilling tales of H.P. Lovecraft into otherworldly black metal. With four albums under their cloaks, the band are masters of the unknown, the unseen and the unconquerable.
"Unlike so many of their contemporaries in the current black metal scene, they morph the stale post-black aesthetic into something monumental and individualistic, a sound that re-imagines post-black metal through an uncommonly aggressive lens", Angry Metal Guy wrote about their last collection of cosmic tales.
Now, five years after Cosmicism, The Great Old Ones are back with a new dark and mountainous album that blurs the line between fantastical wonder and horrifying dread. Kadath opens with its lead single and opening song "Me, The Dreamer", a two-part epic that tosses and turns like an accursed bout of insomnia.
Kadath comes out January 24th, 2025 on Season of Mist.
Pre-save & Pre-order
https://orcd.co/tgookadath
Watch the harrowing visualizer for lead single "Me, The Dreamer below:
"Me, The Dreamer" follows Lovecraft's strapping young hero and fictional stand-in Randolph Carter. Always one to keep his head in the clouds, Carter embarks on a mind quest through the treacherous Dreamlands. But, as the divine gods of old would have it, his night time journey is barred by unspeakable perils that push him closer to brink of sanity.
A name is whispered which chills the spine and quickens the pulse – THE GREAT OLD ONES. Like phantoms emerging from the fog, they have haunted the world of Lovecraftian Black Metal with their sonorous, foreboding melodies and eldritch tales. Descending once more into the abyss of H.P. Lovecraft's enigmatic universe, they have unearthed their latest opus, Kadath - an album that promises to be a journey of both magnificent dreams and unspeakable horrors.
THE GREAT OLD ONES emerged in 2009 from the old parts of the ancient Aquitanian harbour city of Bordeaux, France, a city famed for its secrets and deep red wine. After releasing their first album, Al Azif, the reactions of critics and fans were unanimously positive.
The band followed up with their second full-length, Tekeli-li, which garnered even higher praise. As a result, THE GREAT OLD ONESplayed a show at the acclaimed Roadburn festival, opened for BEHEMOTH in their homeland, played at Hellfest, and supported label mates SHINING and DER WEG EINER FREIHEIT.
The third full length, EOD – A Tale of Dark Legacy, (2017) marked another big step in the band’s fast rising career. The five-piece took the road with the legendary GAAHLS WYRD and embarked on a successful European co-headline tour with AUÐN from Iceland. THE GREAT OLD ONES also appeared on the billing of respected festivals, such as Brutal Assault and Eindhoven Metal Meeting, in front of a gigantic crowd of cultists.
THE GREAT OLD ONES have been crafting sonic landscapes that echo with the cries of ancient, cosmic deities and the whispers of forgotten realms. Their discography masterfully showcasing the sheer power of atmosphere and narrative, and has guided listeners through the darkest corners of Lovecraft's mythos, earning them a devoted following among both metal aficionados and acolytes of the macabre. With their unique blend of harrowing intensity and sombre beauty, they have captured the essence of the otherworldly, marrying it with the raw, blackened heart of metal.
Kadath marks a bold departure from the oceanic depths of the Cthulhu mythos, venturing instead into the Dreamlands. It is here that we follow the protagonist, Randolph Carter, as he seeks the fabled city that haunts his visions. The album resonates with his longing and determination, embodying the treacherous path he treads amidst the capricious gods and monstrous entities that dwell within this twilight realm. Through seven tracks, THE GREAT OLD ONES tortuously narrate Carter’s odyssey, transcending the boundaries of music to evoke a world where fantasy intertwines with terror.
Recorded under the vigilant eye of Francis Caste at Studio Sainte-Marthe, Paris, Kadath's production is nothing short of sorcerous. Each note and whispers are imbued with the power to transport the listener, offering an escape into an epic, immersive universe. Benjamin Guerry’s haunting vocals and guitars, alongside the mesmerizing contributions of Aurélien Edouard and Alexandre Rouleau on guitars, the deep resonance of Gregory Vouillat's bass, and the relentless assault of Julian Deana's drums, forge an album of unmatched emotional depth and technical prowess.
Thus, behold the latest chapter in their eldritch saga, Kadath - their unyielding quest to explore the outer margins of reality and imagination. An invitation to journey beyond the familiar, into a world of cosmic dread and awe-inspiring beauty, where the ancient gods still roam and dreams bleed into reality.
Line-up:
Benjamin Guerry - Guitars, Vocals
Aurélien Edouard - Guitars
Hugo Bernart - Guitars
Gregory Vouillat - Bass
Julian Deana - Drums
Recording Studio:
Recorded at Studio Sainte-Marthe, Paris, France
Production Credits:
Produced, Mixed & Mastered by Francis Caste at Studio Sainte-Marthe, Paris, France
Biography:
The Great Old Ones, with additions by Sébastien Gamez
Cover Art:
Jakub Rebelka
Photographer:
Daphnea Doto & Solweig Wood
Pre-order & Pre-save: https://orcd.co/tgookadath
Follow The Great Old Ones:
Website: https://www.thegreatoldonesband.com/
Bandcamp: https://thegreatoldones.bandcamp.com/
Facebook: http://www.facebook.com/thegreatoldones
Instagram: https://www.instagram.com/thegreatoldonesofficial/
YouTube: http://www.youtube.com/user/thegreatoldonesband
Spotify: https://open.spotify.com/artist/1U6VZQrgQ4CNXbS6FpP0QC
Deezer: https://www.deezer.com/en/artist/4377965
Apple Music: https://music.apple.com/artist/the-great-old-ones/596465875
TIDAL: https://tidal.com/browse/artist/5475055
TESTAMENT | PRACTICE WHAT YOU PREACH AVAILABLE IN PHYSICAL FORMATS + RELEASE LYRIC VIDEO FOR 'TIME IS COMING'
In the Summer of 2023, iconic Bay Area thrash metal pioneers TESTAMENT announced they entered a new partnership with Nuclear Blast which secured the first 6 albums of their catalog in the United States. Starting in late 2023 the band saw the re-release of the first two albums. Now the time has come for the reissue of the 3rd album in the genre defining catalog, the band’s seminal 1989 album Practice What You Preach. The original master of the album will now be available as a CD, an orange bone swirl LP, a limited edition orange cassette (700 worldwide), and a limited edition long box (CD, sticker, and button, limited to 500).
Amidst the current climate of politics around the world, TESTAMENT offers fans a fitting anthem via a lyric video for the track 'Time Is Coming'.
Watch the lyric video for 'Time Is Coming' below:
Pre-order the reissue of Practice What You Preach on the format of your choice here:
https://testament.bfan.link/practice-what-you-preach
TESTAMENT is currently on the final dates of 'Klash of the Titans' North American tour with labelmates and co-headliners KREATOR. Next month, the band will head overseas as special guests for a monstrous union between German thrash titans, KREATOR, and US metal monsters, Anthrax. This unmissable line-up will kick off their 18-date trek in Manchester on November 21st and will conclude in Den Bosch on December 15th.
Tickets are on sale and are expected to sell quickly for this highly anticipated tour, between three of the genre’s most legendary bands. Purchase the tickets at www.testamentlegions.com
TESTAMENT + KREATOR's 'Klash Of The Titans North American 2024'
w/ special guests POSSESSED
23-Oct-2024 U.S. - Albuquerque, NM - Albuquerque Convention Center
24-Oct-2024 U.S. - Phoenix, AZ - The Van Buren
26-Oct-2024 U.S. - Los Angeles, CA - Palladium
27-Oct-2024 U.S. - San Francisco, CA - The Warfield
