Defiled Beat Bitter Lesson on New Single "Horror Beyond Horror"

The death metal samurai are unsheathing their new album with a Japanese tour and special shows in Thailand with Batushka and Malevolent Creation

"For fans of the classic era of death metal" - Blabbermouth
"Nobody sounds like these guys; they make art out of riffs, snares and death" -
New Noise

"The one-two punch of tight musicianship and an inclination to pummel into submission without the need for flashy antics makes for a dazzling experience" - Ghost Cult

"Straight to the point and relentless"
- Distorted Sound

"Encapsulates both the oldschool familiarity and the modern aesthetics of death metal" - Metal Trenches

Defiled have long since mastered the vile art of old-school death metal. Ever since they first erupted with wrath out of the Tokyo underground at the tail-end of the '90s, Yusuke Sumita and his band of bloodthirsty samurai have left nothing but inevitable ruin in their wake. They've toured with fellow legends like Mayhem, Incantation, Morbid Angel and Cannibal Corpse, leading crowds from as far away as Milwaukee Metal Festival to lose their sanity.

After their last album, it's understandable if metalheads believed that Defiled had reached the highest level. But now, just one year later, the Japanese legends have topped themselves once again with their upcoming eighth album. Horror Beyond Horror is the kind of good ol' fashioned ass-kicking that only a true master can deliver. As demonstrated by its flying and furious title track, the band's reign of total dominance is endless thanks to their bottomless arsenal of finishing moves. 

Watch the video for "Horror Beyond Horror" Below.

Horror Beyond Horror comes out September 20 on Season of Mist.

Pre-order & Stream

https://orcd.co/defiledhorrorbeyondhorror

After 30 years of slicing and dicing, Defiled know where to stick the blade. The band's new title tracks shreds through the psychological horrors of mind control with riffs that are honed from their sharp influence of '80s thrash and hardcore. "The time has come", frontman Shinichiro Hamada spits at his captors with utter disgust. "Death strikes you with derision".

With three albums now under their belts in the past four years, Defiled certainly don't have the patience to suffer any fools. Halfway through its brutal punishment, "Horror Beyond Horror" is whipped along by a squealing whammy bar and blast beats that are more piercing and precise than a firing squad.

But the band aren't afraid to crack open people's skulls, either. "What sets Defiled's old-school approach apart from the plethora of modern imitators is a refined sense of songcraft", says Lambgoat. It still cuts to the raw truth, but "Horror Beyond Horror" is also thick with stomach-churning tempo twists. Just as they seem to settle into a skull-crushing groove, the band fly off the rails with more fret-ripping madness. And yet - amidst the song's deranged lunacy, Defiled never fail to lure you back into the pit. 

"Waiting for the slaughter"  Hamada growls in hungry anticipation of the raw, chopping breakdown.  

"We are very excited to play songs off Horror Beyond Horror for fans in our home country", says guitarist Yusuke Sumita. "If you're in the area, be sure to join us. See you on the road".

The video for "Horror Beyond Horror" was filmed in March 2024. It was filmed and edited by Seaside 99 Works. Special thanks to Hirohisa Saco at Studio Tranbanero.

Photo by Shigenori Ishikawa

Line-up
Shinichiro Hamada - Vocals, Guitar
Yusuke Sumita - Guitar
Takachika Nakajima - Bass
Keisuke Hamada - Drums

Recording Studio
Studio Zot, Tokyo, Japan

Production Credits
Sound Engineers - Shinichiro Hamada & Keisuke Hamada
Produced by Yusuke Sumita
Mixed & Mastered by Kenji Kikuchi at Studio Nest, Chiba, Japan

Biography
Defiled, with edits by Sébastien Gamez

Cover Art
Wes Benscoter

Photographer
Shigenori Ishikawa

Booking Contact:
Yusuke Sumita - info@defiled.info

Stream & Order: https://orcd.co/defiledhorrorbeyondhorror

Available formats
Digital Download
CD Digipack
12" Vinyl Colored (Crystal Clear & Transparent Green)

Follow Defiled
Website : http://www.defiled.info/
Facebook : https://www.facebook.com/defiled
Instagram : https://www.instagram.com/defiledjapan
Bandcamp : https://defiledjapan.bandcamp.com
Soundcloud : https://soundcloud.com/defiled
Youtube: https://www.youtube.com/@defiled
Spotify: https://open.spotify.com/artist/6KDc0SB4ero6zAgrafjVrt
Apple Music: https://music.apple.com/us/artist/defiled/72867298
Amazon: https://www.amazon.com/music/player/artists/B001GJ407S/defiled

Movements Announce Deluxe Edition of "RUCKUS!"

Southern California post-hardcore band MOVEMENTS  Patrick Miranda, vocals; Ira George, guitar; Spencer York, drums; and Austin Cressey, bass — are proud to announce the deluxe edition of their 2023-released album RUCKUS!

But this is no ordinary deluxe edition. It's packed with extras that fans will be eager to get their hands on.

Movements look to enhance RUCKUS! by remixing the entire album with six different remixers/producers for RUCKUS! (The Remixes).

On November 1, the digital-only RUCKUS! (The Remixes) will drop, with 11 remixes of the 10 original album tracks.

The single "Lead Pipe" will have two remixes. 

On December 13, the vinyl version of RUCKUS! (Deluxe Edition) will feature the full original album, along with the new song "Afraid to Die" and the 11 remixes. It will include "Lead Pipe (Live at Studio 4)" on Flexi.

Pre-order it here.

Today, the band has shared "Lead Pipe (Fantasy Camp Remix)" and "Killing Time (Fantasy Camp Remix)." Listen below.

Both feature ethereal and dreamy versions of the original singles to put you deep in your feels.

Movements will be back on the road in the U.S. this September. They have several key festivals on deck, including When We Were Young. All upcoming dates are below!

MOVEMENTS ON TOUR:
WITH TURNOVER + QUEEN OF JEANS:
9/4 — Baltimore, MD — Rams Head Live
9/6 — Cleveland, OH — Agora Theatre
9/7 — Cincinnati, OH —Ohio Is For Lovers*
9/9 — Albany, NY — Empire Live
9/10 — Bethlehem, PA — MusicFest Café
9/11 — New Haven, CT — College Street Music Hall            
9/13 — Montreal, QC — Beanfield Theatre
9/14 — Ottawa, ON — Bronson Centre
9/15 — London, ON — London Music Hall
9/17 — Fort Wayne, IN — Piere's
9/19 — Grand Rapids, MI — Intersection
9/20 — Madison, WI — The Sylvee
9/21 — Minneapolis, MN — Myth Live
9/23 — Winnipeg, MB — Park Theatre
9/25 — Edmonton, AB — Union Hall
9/26 — Calgary, AB — The Palace Theatre
9/28 — Vancouver, BC — Pearl
9/29 — Spokane, WA — Knitting Factory
10/12 — Austin, TX — Austin City Limits Festival*
10/19 — Las Vegas, NV — When We Were Young Festival*
10/20 — Las Vegas, NV — When We Were Young Festival*
*FESTIVAL APPEARANCES

ABOUT MOVEMENTS:
It's been a whirlwind few years for Movements as evidenced by the fact that band's 2020 album No Good Left to Give debuted at #3 on the Alternative chart and their streams have doubled since then with 300 million total streams in the U.S. alone. However, despite their success, the Southern Californian act have constantly reinvented themselves since forming in 2015 and the band's third full-length RUCKUS! sees the post-hardcore quartet taking their sound to expansive and sometimes unexpected places. Produced by longtime collaborator Will Yip (Circa Survive, Code Orange), the album fuses post-hardcore and punk influences with a healthy dose of pop songcraft to create an album that defies scene conventions in favor of something wholly unique. In order to accomplish this, the band made three extended trips to Yip's Studio 4 in Conshohocken, Pennsylvania, to write and record the collection of songs that would end up as RUCKUS! "I truly don't believe that it could have been a more streamlined process and I don't think we've ever written music that's as good as what we put together for this record," Miranda explains. RUCKUS! sees the band integrating decidedly different influences such as Gorillaz and Strokes into their sound to challenge people's preconceptions.

Chase Rice Unveils Haunting Murder Ballad “Haw River” off Independent Album 'Go Down Singin’' Due Sept. 20

Celebrated by Billboard for “having storytelling details tumble from his lips, his portraits created quickly and efficiently,” Diamond-certified songwriter Chase Rice unveils his latest gripping narrative via today’s release of “Haw River,” offering fans a further glimpse into his highly anticipated independent album, Go Down Singin’, arriving Sept. 20. Pre-order/pre-save the album HERE and listen to “Haw River” Below
 
Inspired by a chance encounter during a writing retreat in Wilmington, N.C. with Blake Pendergrass – who also served as Rice’s writing partner on the recently released autobiographical title track – the haunting and evocative song showcases his ability to weave gripping narratives with a raw emotional core.
 
As Rice recalls of the chilling murder ballad’s origin, “We met a girl who said, ‘I’m Kayla from Haw River,’ and my ears just went up. Blake said, ‘We should make that a murder ballad…’ and we were off. Between the series 1923 about those priests beating up and raping Native American girls and our imaginations, it got pretty dark.”
 
With vivid lyrics and a stirring melody, “Haw River” tells the story of a preacher who exploits his power, only to face retribution at the hands of one of his victims, highlighting Rice’s continued evolution as a storyteller and his deep connection to the themes that resonate with him. The song joins a collection of songs that explore themes of growth, loss and redemption on Go Down Singin’, marking a significant moment in his musical journey as he bets on himself with the independent release. 
 
Go Down Singin’ is about where I am right now,” Rice shares of the Oscar Charles-produced project. “It’s about taking everything I’ve been through, all the mistakes and the lessons learned, and turning them into something meaningful. This album is the most honest I’ve ever been, and I can’t wait for people to hear it.”
 
For more information, visit ChaseRice.com and follow on FacebookTwitter/X and TikTok @ChaseRiceMusic and on Instagram @ChaseRice.

About Chase Rice
With more than 2.6 million albums sold and over 2.8 billion total streams, plus a legion of passionate fans at his high-energy concerts across the globe, Chase Rice has established himself as a powerful force in Nashville and beyond. With new releases “Fireside” and “Go Down Singin’” previewing his forthcoming independent album Go Down Singin’ (Sept. 20) as the follow-up to critically acclaimed album I Hate Cowboys & All Dogs Go To Hell, Rice’s sound continues to evolve to reflect the realities of his life; from emotional reckoning to an admiration of the American West. The recent album, including standout tracks “Oklahoma” and “Bench Seat,” serves as a follow up to his three-part project, The Album, which featured his latest Platinum-certified No. 1 hit, “Drinkin’ Beer. Talkin’ God. Amen.” and the Platinum-certified Top 10 hit “Lonely If You Are.”
 
This is the same gravelly-voiced Chase Rice fans first fell in love with years ago – but better, freer; unbeholden and uninhibited. The new music builds upon the success of his sophomore album, Lambs & Lions, which featured the 3x Platinum, two-week chart topper “Eyes On You” – Rice’s first No. 1 as an artist and the most-streamed song of his career. Lambs & Lions followed Platinum-certified Ignite the Night, which debuted at No. 1 on Billboard’s Top Country Albums and No. 3 on the all-genre chart, producing a pair of Top 5 hits; Platinum-certified “Gonna Wanna Tonight” and Double Platinum “Ready Set Roll.” In addition to guesting on sold-out stadium shows with Kenny Chesney and Garth Brooks, Rice consistently sells out venues on his own headlining tours, including the recent Get Western Tour in support of his new music, and he is currently serving as direct support on Dierks Bentley’s Gravel & Gold Tour.

Photo Credit: Evan DeStefano

NE OBLIVISCARIS Remaster 'Citadel' for 10th Anniversary

"Citadel is a blind plunge well worth taking...Ne Obliviscaris have crafted all their wild conceits into sprawling epics that flow with grace and fortitude" - Metal Hammer

"It will stand the test of time...Sit back, and drink the spirit of good metal with no regrets" - Metal Injection

"Nigh-on masterful" - Angry Metal Guy (4.5/5)

"Never before have we seen such range from a violinist in this context, all performed with maximum control and in such a way that the instrument rarely feels out of place or in any way a gimmick" - Heavy Blog is Heavy (4.5/5)

Ever since their inception, NE OBLIVISCARIS have surged forth as titans of progressive metal. Their complex soundscapes push the boundaries of the genre, weaving together fierce riffs and ethereal, harmonic violins with a dual-vocal onslaught that's as soaringly clean as it is crushingly harsh.

Ten years later, their second album still stands as a monumental achievement in the band's discography. To celebrate their groundbreaking milestone, Ne Obliviscaris are releasing what's now the definitive edition of Citadel. This new version was remastered by Mark Lewis, who mixed and mastered the band's latest album, Exul. Together, they've meticulously resurrected the original's power, ensuring every note, every growl and every whisper of the violin rings clearer and more haunting than before.

The Remastered 10-Year Anniversary Edition of Citadel is now available on all digital platforms.

Stream: https://neobliviscaris.fanlink.tv/Citadel

Starting today, fans can also pre-order this remastered version on CD and vinyl, including a limited-edition crystal clear, purple-and-white marbled color variant. The physical versions will be available on October 11, 2024.

Pre-order: https://redirect.season-of-mist.com/NeOCitadelRemaster 

Originally released in 2014, Citadel was an undisputed tour de force that carved a mark into the hearts of metal aficionados across the world. The album is split into three epic movements; each one covers an evocative landscape, spanning from ferocious storms on "Painters of the Tempest" to scorching mid-section "Pyrrhic" and the relentless awe of "Devour Me, Colossus". Together, they're a pillar of majestic fury and exquisite despair that captures Ne Obliviscaris' brilliance in its most concentrated form.

Ne Obliviscaris will perform Citadel and Exul in full this fall while touring Europe and the United Kingdom. Their old friend Dan Presland - who drums for Vipassi and Black Lava - will join them on this special anniversary tour.  

The band will also be making new memories later this year when they perform a career-spanning set for their fans in Latin America. Presland will also join them for this tour, bringing both a thunder and precision that only he can command. 

Ne Obliviscaris Latin American Tour
Career-spanning set featuring drummer Dan Presland

November 10: Santiago, CL @ CL Rock [TICKETS]
November 12: Sao Paulo, BR [TICKETS]
November 13: Bogota, CO [TICKETS]
November 15: San Jose, CR
November 16: Mexico City, MX @ MXMF Fest [TICKETS]

Lineup:
Xenoyr - Harsh Vocals
James Dorton - Harsh Vocals (Live)
Tim Charles - Violin & Clean Vocals
Benjamin Baret - Lead Guitar
Matt Klavins - Guitar
Martino Garattoni - Bass
Dan Presland - Drums (Live)

Biography:
David E. Gehlke

Follow Ne Obliviscaris
www.facebook.com/NeObliviscarisBand
www.instagram.com/neobliviscarisofficial
www.twitter.com/neobliviscaris3
www.youtube.com/NeObliviscaris
www.neobliviscarissom.bandcamp.com
www.patreon.com/neobliviscaris
https://www.neobliviscaris.com.au/

Order 
https://redirect.season-of-mist.com/NeOCitadelRemaster 

Stream
https://neobliviscaris.fanlink.tv/Citadel

Available Formats for Exul
Digital
CD Digipak
CD Digibox
12" Vinyl Gatefold in various colours
Cassette

Funeral Drown in Melody on "Yestertear"

Today, FUNERAL returns with "Yestertear", the haunting second single from the Norwegian doom metal mainstay's upcoming ninth album Gospel of Bones. The band weaves a somber yet resilient tale through their melancholic soundscapes. "Yestertear" is a cathartic vessel, sailing through the darkest waters of human grief, only to emerge on the shores of mournful beauty.

Watch the visualizer for "Yestertear" below.

Gospel of Bones is out October 18th on Season of Mist.


Pre-order & pre-save here: https://orcd.co/funeralgospelofbones

Produced by the legendary Børge Finstad and adorned with the ethereal harmonies of Ingvild "Sareeta" Johannesen, Gospel of Bones is an opus of mourning carved in nightmarish tones and relentless dirges. Each track meticulously showcases Funeral's mastery in articulating the grim yet inspiring journey through pain and loss.     


"Yestertear" drowns in intricate melodies and the profound anguish woven with care by the hands of the Anders Eek (Drums, Guitars, Vocals) Erlend E. Nybo (Guitars), Rune Gandrud (Bass), Sareeta (Violin, Backing Vocals), Stian Kråbøl (Guitars) & Eirik P. Krokfjord (Vocals). Eek’s dismal symphonies echo across every note, leading through the desolate beauty of remembered sorrow and past hauntings. We are not merely listeners but fellow mourners, each phrase a whisper in the grand requiem of existence.

The lyrical content of the album is an autobiography of life’s mishaps of drummer/composer  A. Eek, and deals with real darkness, misery, pain and loss.  A Gospel of Bones.


Line-up
Anders Eek - Drums
Eirik Krokfjord - Vocals
Ingvild Johannesen - Violin
Rune Gandrud - Bass
Stian Kråbøl - Guitars
Morten Søbyskogen - Guitars

Recording Studio
Toproom Studio & Studio 42

Production Credits
Produced by Børge Finstad
Sound Engineered by Anders Langberg
Mixed & Mastered at Toproom Studio by Børge Finstad

Guest Musicians
Øyvind Rauset
Espen Ingjerd
Vilde Kråbøl
Anders Langberg

Cover Art
Tristan Diaz Bastie

Photography
Guilherme Henriques

Stream & Order:https://orcd.co/funeralgospelofbones

Follow Funeral:
Facebook:https://www.facebook.com/funeralnorway/
Instagram:https://instagram.com/funeralnorway
YouTube:https://www.youtube.com/@DirgeofMourning
Bandcamp:https://funeraldoom.bandcamp.com/
Spotify:https://open.spotify.com/artist/0q3guqlmd8oVaz5v2Fqy3q
Apple Music:https://music.apple.com/artist/funeral/208973684
Deezer:https://www.deezer.com/artist/194130
TIDAL:https://tidal.com/browse/artist/23777

Available Formats:
Digital Download
CD Digipak
2x12" Vinyl Gatefold - Black
2x12" Coloured Vinyl Gatefold - Natural Transparent
2x12" Coloured Vinyl Gatefold - Gold
2x12" Coloured Vinyl Gatefold - White w/ Gold Splatters

Skillet Announce New Album "Revolution" + Share Video For New Single "Unpopular"

SKILLET TO BRING REVOLUTION NOVEMBER 1

DIGITAL + VINYL PRE-ORDER IS LIVE
HERE

BILLBOARD AND SIRIUS XM'S OCTANE PREMIERE FIRST SINGLE / VIDEO "UNPOPULAR"


Song at DSPs Now, Impacts Active Rock Radio August 20

With more than 22 million albums sold and 24 billion global streams to-date, the GRAMMY-nominated band receives yet two more RIAA Gold Certifications for "Stars" and "Legendary"

SKILLET APP debuts today with early access to tickets, exclusive content, message boards, and more!

Tour with Seether kicks off next month

"'Unpopular' is lighthearted, but there’s a clear message,” says lead singer John Cooper. “So many people don't have a place to belong. You used to know your neighbors. Our communities are online now, which contributes to the loneliness. You have powerful people telling you what reality is, what you should eat, what you should drive, and how you should live. They deem us 'unpopular.' In reality, we agree more than we disagree as a society. The majority of people just want to be free and they don't really care whether or not you agree with them about everything."

REVOLUTION is expected to only extend Skillet's formidable legacy. As of 2024, the band have received two GRAMMY® Award nominations, picked up a Billboard Music Award, and landed three albums in the Top 5 of the Billboard 200. Selling over 22 million units worldwide with over 24 billion global streams to date, SKILLET have notched multi-platinum, platinum, or gold RIAA certifications for a total of 12 singles and four full-length albums. Their latest RIAA Gold certifications just hit this summer with the tracks "Legendary" and "Stars." Not to mention, they have regularly attracted 10 million monthly listeners on Spotify alone, boasting "one of the most-streamed rock songs of all-time" with the 5x-platinum "Monster."

After an incredible 20 years on Atlantic Records, SKILLET have built this new vision entirely by hand, intentionally opting to go independent at the end of their last contract and developing a solid indie team. Bolstered and galvanized by the support of a fervent global base, they took advantage of this newfound freedom, writing and recording the album at their own pace on the road and at home as well as in studios across Milwaukee, Canada, and Nashville. The group also tapped the talents of longtime collaborators and producers Brian Howes and Seth Mosely, as well as band member Korey Cooper with YOUTHYEAR/Carlo Colasacco bringing these 10 tracks to life naturally.

"We made records on the same label for 20 years, and it was a great experience," says Cooper. "Since this was the first independent record, it put some pep in my step, so to speak. We did exactly what we wanted to do. If I was on the road and felt inspired to write, I just did. In the past, we'd make a bunch of ideas and whittle everything down for the album. This time, we only wrote and recorded 10 tracks, but it was all we needed. Musically, there are a lot of flavors on the record. It's got the arena songs, but it also has some tunes that are more nostalgic and throwback Skillet."

He continues, "Thematically, there's so much nihilism in our culture. Depression and teen suicide are at epidemic levels. We're revolting against a culture that creates nihilism, nothingness, and materialism. The album is poignant, but it's also very confident and inclusive as well. It's a record saying, 'We have to be willing to stand up for what we believe in — even if it might be unpopular in some circles, but hey, maybe we could have a revolution of love, you know, a revolution of understanding, of tolerance towards people that we don't agree with and come back to some human dignity and respecting peoples rights and where they're coming from. And so, it's kind of speaking to the division and the polarization that is happening, which I think is a really good message and what the whole ‘revolution’ thing is all about. We allude to it on the record cover where there's a Skillet flag, and in the corner it lists I Corinthians, 13:13, a verse that says, 'Hold onto these things: faith, hope, love. But the greatest is love.'"

Ready to play new music for their fans, SKILLET recently announced that they will hit the road this fall with another one of the best-selling rock bands of the 21st century, SEETHER, followed by their first-ever tour of the Middle East in November, where the band will be playing in Turkey, Kazakhstan, United Arab Emirates, and more. From there, SKILLET will support Black Stone Cherry on a handful of dates across the UK. Tickets for all shows are now available at Skillet.com

SKILLET ON TOUR:
WITH SEETHER:

9/17 — Asheville, NC — ExploreAsheville.com Arena
9/19 — Baltimore, MD — Pier Six Pavilion
9/20 — Boston, MA — Roadrunner
9/21 — Bethlehem, PA — Wind Creek Event Center
9/23 — Pittsburgh, PA — Stage AE Outdoors
9/24 — Chicago, IL — Radius
9/27 — Huntington, WV — Marshall Health Network Arena
10/2 — Kansas City, MO — The Midland Theatre
10/3 — St. Louis, MO — Saint Louis Music Park
10/5 — Houston, TX — White Oak Music Hall Lawn
10/6 — Dallas, TX — Texas Trust CU Theatre at Grand Prairie
10/8 — Lubbock, TX — Lonestar Events Center
10/9 — Albuquerque, NM — Revel ABQ
10/11 — Mesa, AZ — Mesa Amphitheatre
10/15 — Denver, CO — The Mission Ballroom
10/18 — Omaha, NE — The Astro Amphitheater
10/19 — Des Moines, IA — Vibrant Music Hall
10/20 — Minneapolis, MN — The Armory
 

ABOUT SKILLET: 
After nearly three decades, eleven albums, and thousands of shows worldwide, Skillet play louder, fight harder, and sound more rebellious than ever. As of 2024, the band have received two-time GRAMMY® Award nominations, picked up a Billboard Music Award, and landed three albums in the Top 5 of the Billboard 200. Selling over 22 million units worldwide, they have notched multiplatinum, platinum, or gold RIAA certifications for a total of 12 singles and four full-length albums. Not to mention, they have regularly attracted 10 million monthly listeners on Spotify, boasting “one of the most-streamed rock songs of all-time” with the 5x-platinum “Monster.” Their presence has impressively surged throughout popular culture with syncs by WWE, Marvel, ESPN, and NFL in addition to coverage from USA Today, The New York Times, and more. As a live force of nature, they have touched down on four continents and in 26 countries, packing arenas everywhere from the Middle East to Russia. Not to mention, Skillet expanded their world with the graphic novel series EDEN. The first installment stood out as Z2 Comics’ best-selling book of all-time. Now, the global hard rock quartet—John Cooper [lead vocals, bass], Korey Cooper [guitar, keys], Jen Ledger [drums, vocals], and Seth Morrison [lead guitar]—deliver an insurgent, infectious, and inimitable body of work with their twelfth full-length offering and first-ever independent album, REVOLUTION, led by the single "Unpopular."

ROLO TOMASSI TO RELEASE NEW LIVE ALBUM "LIVE AT THE ELECTRIC BALLROOM" OUT SEPTEMBER 27, 2024

UK Progressive metal band Rolo Tomassi announce a new live album, Live at The Electric Ballroom, to be released on September 27, 2024, via MNRK Heavy.  The 15-track project was recorded from a headlining show on February 15, 2023, at London’s Electric Ballroom. The set showcases Rolo Tomassi at their most dynamic and mesmerizing.

   

The first single, Aftermath, is out today. Originally released on 2018’s Time Will Die and Love Will Bury It, this live version intensifies the melodic and sweeping soundscape.  

Vocalist/keyboardist James Spence says, “Since its release, this song has been an audience favourite along with a rare opportunity for a sing-along. It remains an outlier in our material, but in the context of a full set, it always feels like an elevated moment. Our band has always been about stark contrasts, and this is a perfect example of that.” 

Rolo Tomassi have spent 17 years leading the pack rather than following, and on their recent album, Where Myth Becomes Memory, they've led with more poise and determination than ever before. The album served as the final part in an unintended trilogy that began with 2015’s Grievances and continued with 2018’s Time Will Die And Love Will Bury It.

Rolo Tomassi - Where Myth Becomes Memory Silver Cassette

SHIPPING NOW

SEE ALL ROLO TOMASSI MUSIC & MERCH

Texas Hippie Coalition Release "Gunsmoke," Title Track From New Album

Texas rockers TEXAS HIPPIE COALITION are set to release their new album, Gunsmoke, via MNRK Heavy on October 4, 2024.  This time, Big Dad Ritch and his crew wholeheartedly embrace their country and Southern rock stylings as well as a lifelong passion for westerns. This comes through loud and clear on the first single and title track, "Gunsmoke." Rustic acoustic guitar crawls through a stomping beat punctuated by waves of groaning distortion. It climaxes on a chantable chorus, “I sell weed and liquor to the city slickers. I can get you there quicker, and like a gun…I smoke.

With drinks poured, fists raised, and smiles wide, TEXAS HIPPIE COALITION (THC) always know how to have a good time. A collective of tried-and-true rabble-rousers and dyed-in-the-wool storytellers, the Texas quintet—Big Dad Ritch [vocals], Cord Pool [guitar], Nevada Romo [guitar], Rado Romo [bass], and Joey Mandigo [drums]—spike ass-whopping hard rock with a kick of country swagger and a whole lot of Texas grit and gusto.
 
Gathering tens of millions of streams, logging thousands of miles on the road, and energizing countless fans, they deliver ten anthems tailormade to simmer and scorch on Gunsmoke [MNRK Heavy]. “In terms of the lyrics, the vibe, and where THC come from, we definitely went home on this album,” says Ritch. “It represents the wild west Texas-Oklahoma area. You’ve got a little red dirt country spilling over into the storytelling and metal. It’s a return to the dirt where we came from.”

Tour Dates:
August 17 - Post Falls, ID - Cruiser's
September 13 - Keokuk, IA - L-Treyns Bar
September 14 - Harshaw, WI - Bonnie & Clyde Gangster Park
September 15 - Joliet, IL - The Forge
September 20 - Cincinnati, OH - Riverfront Live
September 21- Wilmington, OH - Farm to Bottle Festival
October 10 - Mechanicsburg, PA - Lovedraft's Brewing Company
October 11 - Frenchtown, NJ - Atie's Bar & Grill
October 12 - Laconia, NJ - The Big House
October 13 - Rochester, NY - Montage Music Hall
October 17 - Pittsburgh, PA - Crafthouse Stage & Grill
October 18 - Marietta, OH - Adelphia Music Hall
October 19 - Flint, MI - The Machine Shop
October 20 - Lakewood, OH - The Winchester

Connect with Texas Hippie Coalition:

Website
Facebook
Instagram
TikTok

DEFEATED SANITY Announce New Album

"One of the most extreme things I've ever heard" - Decibel
"When Defeated Sanity release a new album, it's always cause for attention" -Metal Injection

"Defeated Sanity have captured the throne of brutal death metal..." - Angry Metal Guy

"A jazz ensemble hiding in plain sight as a brutal tech-death band" - No Clean Singing

"While the rest of us smooth-brained mortals are content with playing checkers or Connect Four, these guys are playing six simultaneous games of 3D chess with their swollen, pulsating minds" -
Metal Sucks

"Should be up for some sort of award for being one of this offshoot's most steadily morphing bands" -
Last Rites

"Defeated Sanity's brutality comes almost entirely from their demandingly intricate songwriting" -
Toilet Over Hell

"Defeated Sanity has crafted a sound that is wholly their own" -
Heaviest of Art

Defeated Sanity have pushed the boundaries of extreme metal for 30 odd years. The band execute jazz-infused chaos with mind-bending precision, while also slamming together so many memorable breakdowns that they cracked the Billboard charts. Their upcoming seventh album still hits from every odd angle, but on Chronicles of Lunacy, these technical maniacs return to sheer brutality.  

“The last few DS albums leaned heavily on the proggier side of our sound”, says the band's drummer and founding member Lille Gruber. “We still like to experiment, but on our new album, we wanted to get back to the raw slamming that our fans love about Psalms of the Moribund or Chapters of Repugnance”. 

Watch the foul video for lead single “The Odour of Sanctity”  Below.

Chronicles of Lunacy comes out November 22 on Season of Mist. 

Pre-order & Pre-save 

https://orcd.co/defeatedsanitythecroniclesoflunacy

Just like the rivers of hell, "The Odour of Sanctity" comes pouring out the speakers in a never-ending stream of filth. Guttural vocals spew through a churning mix of chunky riffs, hiccuping drum fills and a cavernous low-end. "We wanted to keep some of the fidelity that's associated with modern death metal", the band says, "but Chronicleshas more of the raw production style that stood out on Psalms and Chapters". 

To dig back into the brutal mindset that long-time fans have come to crave, in January 2024, Defeated Sanity returned to Thousand Cave Studios. The underground New York City hotspot was also the excavation site for The Sanguinary Impetus, which dumped a fresh layer of dirt on the more "polished" production of Passages Into Deformity. Except this time around, the band encouraged producer Colin Marston to really get his hands dirty.

"The Odour of Sanctity" stinks to high heaven. New guitarist Vaughn Stoffey shreds with such gross speed that even the old school heads will be spinning around like The Exorcist. Of course, the ungodly pace is still set by the whip of Lille Gruber. He opens the song as if puncturing a wound, hammering out blast beats that are as merciless as the nails of the cross.  

"Lille's drumming is just ridiculous", says Jacob Schmidt, whose belching bass lines give "Odour" a oddball bounce. "He's the face of the DS franchise. So even though Chronicles is more slamming and straightforward, the weird, hyper-technical experiments still found a way into the mix".

Plenty of knuckle-dragging awaits within its stomach-turning twists, but Chronicles of Lunacy isn't Defeated Sanity for dummies. Heck, the album's concept is wrapped up in the many malicious ways that delusional thinking can rot the human psyche. "Each song deals with a different strain of mental corruption", says Josh Welshman. "Odour" stinks of religious fanaticism. After a brutal showing on Sanguinary, Welshman returns with a vengeance. "A miracle defiled / Fraudulently wrought", he summons with a demonic growl as the band open up the pit with a brutal breakdown. 

"In true DS fashion, 'Odour' showcases the full range of our sound", the band says. "It's freaky but also unrelentingly brutal, which represents the crossroad that we ended up at on Chronicles of Lunacy. Even though the album can get pretty fucking weird, there's still a emphasis on straight-up slamming"

The video for "The Odour of Sanctity" was created by Obscenery Films. 

None of their albums are ever going to follow a straight line, but on Chronicles of Lunacy, Defeated Sanity return to sheer brutality.  


Lineup
Josh Welshman - Vocals
Vaughn Stoffey - Guitars
Jacob Schmidt - Bass
Lille Gruber - Drums

Guest musicians
Danny Nelson and Paolo Paguntalan provide backup vocals on "Amputationsdrang" and "Accelerating the Rot"

Recording Studio
Thousand Caves Studio in January 2024.

Production
Recorded, mixed and mastered by Colin Marston.
Produced by Colin Marston and Defeated Sanity.

Cover Art
Artwork by Jon Zig
Title lettering by Liz Schmidt
Layout by Alex Eckman-Lawn

Pre-order & Stream
https://orcd.co/defeatedsanitythecroniclesoflunacy


Follow Defeated Sanity
https://defeatedsanity.bandcamp.com
https://www.facebook.com/DefeatedSanity
https://www.instagram.com/defeated_sanity_official 

Jenna Paulette Releases “Run The Damn Ball” off Upcoming Album ‘Horseback’

Leo33 recording artist Jenna Paulette releases her fall-time anthem, “Run The Damn Ball,” today in anticipation of her sophomore album, Horseback, available Sept. 6. Listen Below.
 
“I am of the firm belief that the word of God, family, livestock, small towns, slow cooking and team sports are some of the things that teach you the most about life and yourself,” Paulette shares. “They create good character and accountability. This song is about doing the simple things every day… not worrying about making it fancy or getting credit. Keep your head down, do what’s necessary, and let it all add up to a big win in life. Go tell someone to pass the aux cable and the green beans—crank this song and run the damn ball.”
 
Written by Rodney Clawson, Casey Beathard and Hunter Phelps, “Run The Damn Ball” harkens back to the values of grit and hard work that Paulette carries with her throughout her north Texas ranching lifestyle.

“Run The Damn Ball” is the latest preview of Paulette’s upcoming sophomore album Horsebackarriving Sept. 6 via Leo33. A culmination of all aspects of her life that have shaped her, including heartbreak and newfound love, Horseback further expands on her debut album The Girl I Was.
 
In an interview with Cowboys & Indians in June, Paulette shared, “​​This record is a cumulation of perspectives I have from the moments and people that made me: rural, cowboy, America, my biggest heartaches leading to my healing, the men and women I’m so proud to come from and represent.”
 
Paulette is currently on the road with Aaron Watson as part of The Armadillo Dance Hall Tour and will support select dates of the CMT Next Women of Country Tour with Kimberly Perry this month. For more information on new music and upcoming shows, visit jennapaulette.com or follow @JennaPaulette on all social platforms.

new Permafrost single ‘Ultimo August’, out on 16th August on our own Fear of Music label

A FROZEN HEART IN SUMMERTIME: PERMAFROST UNVEIL BROODING POST-PUNK SUMMER ANTHEM

‘Ultimo August’ Out 16th August 

LP ‘The Light Coming Through’ Out 11th October


“If you are a fan of the sinister menace of Interpol, the jagged guitar lines of Gang Of Four or the grandiose gloom of The Cure, here is a band which is a mix of all three but has its own unique post-punk aesthetic – Permafrost.”

XS NOIZE


“Brooding and upbeat, here we have a classically post-punk vibe with compositions still centred on starkly compelling melodies.”

AMPLIFY MUSIC 


“With a powerful melody and plenty of reverb and appealing synth, there is still a charming quality here amidst this ominous hymn – impressive.”

SPILL MAGAZINE 


Nordic-British quartet Permafrost continue to deliver the authentic post-punk sound of the early '80s with the release of ‘Ultimo August’ on 16th August. The single follows the band's acclaimed comeback track, ‘Wrong Heart’,  and serves as a final preview of their forthcoming album, The Light Coming Through, hailed for release 11th October.


Permafrost shatter expectations with ‘Ultimo August’ by delivering a brooding summer anthem that heralds their forthcoming album. Lead singer Kåre Steinsbu’s haunting baritone howls weave a tale of heartbreak and introspection as the track delves into the personal reckoning required to mend a fractured relationship. Driven by pulsating basslines and intricate guitar work, the track juxtaposes the icy darkness of winter against the yearning warmth of summer, evoking comparisons to Interpol, Editors, and New Order


“Ultimo August is a song about a broken relationship and the realisation that it’s necessary to look inward first to work out where it went wrong“ says Permafrost of the single. “It’s a story of a person who is torn between the turbulence of passion and the mundanity of a peaceful life” 


Conceived in the chilling depths of Molde, Norway, Permafrost have been igniting the post-punk flame since their formation in 1982. Founded by schoolmates Frode Heggdal Larsen and Kåre Steinsbu, the band has evolved over the decades, incorporating the talents of fellow Norwegian Robert Heggdal and UK-based Daryl Bamonte - a seasoned collaborator with Depeche Mode and The Cure. As authentic purveyors of the genre, Permafrost transport listeners back to the shadowy, goth-filled clubs of the early ‘80s. Whilst countless contemporary artists attempt to replicate the raw energy of this era, Permafrost truly lived it. 


Defying the odds of distance, with members dispersed across Trondheim, Oslo and Margate, Permafrost have forged an unbreakable creative bond. Unexpectedly, the pandemic became a catalyst for Permafrost’s creativity, as weekly virtual sessions laid the groundwork for their forthcoming album and refined their long-distance collaborative process. The songwriting process typically begins with guitarist Frode presenting a demo, which bassist Robert (Bob Frost) then develops in Logic Pro, programming drums and other elements. Singer Kåre creates a melody to match and lyrics are selected from a collective vault they have accumulated over the years.  The song is refined through a collaborative process, passing back and forth between all four members until everyone is satisfied.


Utilising this refined process, Permafrost’s forthcoming album, The Light Coming Through, offers a sonic refuge from the chaos of modern life. With their signature blend of synth-infused post-punk and politically charged lyrics, the band delivers a collection of songs that are both introspective and empowering. Self described as “Optimistic Melancholy,” their sound offers solace and inspiration, illuminating a path through life’s darkest corners. 


Permafrost’s discography is a testament to their endurance over the years within the music scene. From their humble beginnings with the limited edition 1983 cassette ‘Godtment’, the band has evolved into a formidable force. Their 2019 vinyl EP, ‘Permafrost’ marked a turning point, subsequently gaining wider exposure through a digital release in 2021. Permafrost truly ignited in 2021, with their trio of singles dominating the charts, including an eight-week combined reign for ‘Femme Fatale’ and ‘Closed Eyes’ atop the Indie Disko Top40. These tracks also made waves on the Deutsche Alternative and Native25 charts, earning a coveted spot on Apple Music’s influential "New in Rock" playlist. The unstoppable momentum continued with ‘Restore Us’ which secured the #1 position on both the Indie Disko Top40 and Native25 charts.


‘Ultimo August’ drops on all major streaming platforms on 16th August, a final taste of Permafrost's forthcoming album, The Light Coming Through, due for release on October 11th.



FOLLOW PERMAFROST

INSTAGRAM | FACEBOOK | SPOTIFY | SOUNDCLOUD  

Kublai Khan TX Announce New Album 'Exhibition Of Prowess' Out September 20 via Rise Records + Drop New Track "Supreme Ruler"

Texan titans Kublai Khan TX are back with a vengeance in announcing their much-anticipated forthcoming album 'Exhibition Of Prowess', out September 20 (via Rise Records). With an established reputation for delivering intense, earth-shattering bangers full of punishing breakdowns, vicious vocals and skull-splitting riffs, 'Exhibition Of Prowess' is a testament to the band's relentless drive and promises to be their most compelling work yet. In celebration of the news, Kublai Khan TX has dropped their latest rager "Supreme Ruler" and the official music video. When asked about the track, the quartet commented:

"'Supreme Ruler' is a metalcore torpedo aimed straight at the world. This song captures the true simplicity and pissed-off essence of Kublai Khan TX in its rawest form. Straight to the point, no bullshit, and built to last.

The band has previously released crowd-favorite "Theory Of Mind" and most recently, "Low Tech" which both can be found on the upcoming full-length. Together, the tracks have amassed a staggering 11.2 million streams on Spotify alone and over 2 million viewson YouTube with no signs of stopping. Pre-order 'Exhibition Of Prowess' here, stream "Supreme Ruler" here, and watch the music video below.

North American fans will have their chance to see the band's incendiary live show on the road beginning in September with Lorna Shore, Whitechapel and Sanguisugabogg. Tickets will sell out, so grab yours at the link here before it's too late.

Kublai Khan TX Tour Dates with Lorna Shore, Whitechapel + Sanguisugabogg

Sep 19 - Montreal, QC - MTELUS

Sep 20 - Toronto, ON - HISTORY

Sep 21 - Moon Township, PA - UPMC Events Center

Sep 22 - Greensboro, NC - Greensboro Special Events Center

Sep 24 - Orlando, FL - Hard Rock Live Orlando

Sep 25 - Atlanta, GA - Tabernacle

Sep 27 - Louder Than Life Fest - Louisville, KY**

Sep 28 - St. Louis, MO - The Pageant

Sep 29 - Oklahoma City, OK - Diamond Ballroom

Sep 30 - The Midland Theatre - Kansas City, MO*

Oct 2 - New Orleans, LA - The Fillmore New Orleans

Oct 3 - Houston, TX - House Of Blues

Oct 4 - San Antonio, TX - Boeing Center at Tech Port

Oct 5 - Dallas, TX - Southside Ballroom

Oct 7 - Phoenix, AZ - The Van Buren

Oct 8 - Las Vegas, NV - Brooklyn Bowl

Oct 10 - Anaheim, CA - House Of Blues

Oct 11 - Los Angeles, CA - The Wiltern

Oct 12 - Aftershock Fest - Sacramento, CA**

Oct 14 - Portland, OR - Crystal Ballroom

Oct 15 - Vancouver, BC - Commodore Ballroom

Oct 17 - Salt Lake City, UT - The Complex

Oct 18 - Denver, CO - Fillmore Auditorium

Oct 19 - Omaha, NE - Steelhouse Omaha

Oct 20 - Minneapolis, MN - The Fillmore Minneapolis

Oct 22 - Chicago, IL - Radius

Oct 23 - Detroit, MI - The Fillmore Detroit

Oct 24 - Cleveland, OH - The Agora*

Oct 25 - Silver Spring, MD - The Fillmore Silver Spring

Oct 27 - New York, NY - Hammerstein Ballroom

Oct 28 - Boston, MA - MGM Music Hall

Oct 29 - Philadelphia, PA - The Fillmore Philadelphia

Oct 30 - Wallingford, CT - Toyota Oakdale Theatre

*Not A Live Nation date

**No Kublai Khan & Sanguisugabogg

Apocalypse Fest

Nov 1 - Wilkes/Barre, PA - Mohegan Sun Arena at Casey Plaza

Bill Leeb (Front Line Assembly, Delerium) releases 'Demons', a sinister foreshadowing of debut 'Model Kollapse' album

"A frenzy-filled dose of sonic adrenaline that is infectious and, paradoxically, suitable for the dancefloor... Is dystopian bliss a thing? They could be on to something big here" ~ The Spill Magazine

"You are getting Leeb’s classic vocals and lyrics, and some FLA style programming... some of the specific textures and bits of production feel different than anything in recent memory from the venerable artist" ~ I Die: You Die

"Instantly recognizable... still sounds like something unmistakably new... sinister synthetic soundscape" ~ Rock and Roll Fables


Hard-edged electronic music maverick Bill Leeb presents 'Demons', a song rooted in the inherent darkness and malevolence we see around us, where humans constantly deal with adversity while seeking purpose, joy and creativity. Reflecting on the omnipresence of technology and the internal battles we wage, this is ultimately a defiant anthem of perseverance.

This is the second taste of Leeb's debut solo album 'Model Kollapse', out on September 13 via iconic alternative music label Metropolis Records.

Based in Vancouver, Bill Leeb is the mastermind behind highly influential electro-industrial scene mainstays Front Line Assembly and ambient-pop duo Delerium, having gotten his start with Skinny Puppy. He is also a key member of other occasional recording projects, including Noise Unit, Intermix and Cyberaktif. Almost four decades on, his new album was recorded and produced in Vancouver, Toronto and Los Angeles with assistance from Vancouver/Toronto-based production duo Dream Bullet and long-term FLA/Delerium cohort Rhys Fulber, plus regular mixing engineer Greg Reely.


"The song is inspired by how much darkness and evil exist in the world. How we have to carefully navigate ourselves through all of this on a day-to-day basis and still try and find a reason to get up, be happy to be alive, and try to be creative. Technologies are here to stay. Demons exist everywhere in our minds, in our hearts, and every aspect, so we have to fight," says Bill Leeb.

 

An instant industrial-EDM classic, 'Demons' plunges listeners into a menacing, synthetic underworld. With a career spanning back to the early 1980s, Leeb's signature blend of creeping electronic darkness and high-octane energy once again delivers an adrenaline-fueled sonic assault.


Not long ago, Leeb shared the first single - ‘Terror Forms’ featuring Shannon Hemmett of Vancouver post-punk quartet ACTORS (and also LEATHERS), exploring the intricacies of artificial intelligence and the very survival of humanity itself. Quite fitting with the overall theme for this album, which explores the dystopian, nihilistic world we have created in so many different ways, ultimately asking the question "When will the human voice be lost to AI and technology....or will that be what saves us in the end?"


Based in Vancouver, Bill Leeb is the mastermind behind highly influential electro-industrial scene mainstays Front Line Assemblyand ambient-pop duo Delerium, having gotten his start withSkinny Puppy(under the pseudonym Wilhelm Schroeder). He is also a key member of other occasional recording projects, includingNoise Unit, Intermix andCyberaktif.

Four decades on, his new album was recorded and produced in Vancouver, Toronto and Los Angeles with assistance from Vancouver/Toronto-based production duoDream Bulletand long-term FLA/Delerium cohort Rhys Fulber, plus regular mixing engineer Greg Reely. This album also involves contributions by LA-based artist Mimi Page, a long-term Delerium collaborator, andJason Corbett of ACTORSand Jacknife Sound Studio.

‘Model Kollapse’ marks Leeb's first solo venture since the mid-80s days of Front Line Assembly, when he used to make recordings in his bedroom and released them on limited edition cassette format. This record reflects the dystopian, nihilistic world we have created in so many different ways, ultimately asking the question "When will the human voice be lost to AI and technology....or will that be what saves us in the end?"  

Caustic yet melodic, danceable and very much song-oriented rather than soundscape-driven, 'Model Kollapse' carries traces of hard-edged electronic dance music pioneers such as Front 242, DAF, KMFDM and Skinny Puppy.

The term "Model Collapse" refers to a phenomenon in artificial intelligence where trained models, especially those relying on synthetic data or AI-generated data, eventually degrade over time. Leeb posits the notion that “as we forge forward on an unprecedented technological scale, it makes me wonder how much longer we can remain in control of various aspects of our lives. Automation has already taken over many industries. With technology running much of the world, will the entire planet eventually be vulnerable to a Model Kollapse? Chaos would surely ensue.”

Leeb formed Delerium in 1987, exploring dark ethereal ambient trance and pop. Since debuting with the 'Semantic Spaces' album, Delerium has enjoyed two Juno awards and many collaborations, involving Leigh Nash (Sixpence None the Richer), Lisa Gerrard (Dead Can Dance), Kirsty Hawkshaw (Opus III), Emily Haines (Metric), Jacqui Hunt (Single Gun Theory), Matthew Sweet and Kristy Thirsk (Rose Chronicles). Their worldwide hit 'Silence' with Sarah McLachlan reached #1 in numerous countries, its remixes also hailed among the greatest trance songs of all time (the Tiësto remix was voted the 12th-greatest dance track of all time by Mixmag readers).

‘Demons’ is out now everywhere digitally. On September 13, the full ‘Model Kollapse’ album will be released on vinyl and CD, as well as digitally.

CREDITS
Recorded and produced in Vancouver, Toronto, Los Angeles and the Okanagan, British Columbia
Written and produced by Bill Leeb and Dream Bullet
Additional production by Rhys Fulber
Recorded, mixed and mastered by Greg Reely
'Demons' performed by Bill Lee
'Terror Forms' performed by Bill Leeb and Shannon Hemmett
Videos created by Tim Hill
Album artwork by Allen Jaeger
Released by Metropolis Records
Publicity by Shauna McLarnon for Shameless Promotion PR
Artist photos by Bobby Talamine

Keep up with Bill Leeb
Instagram | Facebook | Front Line Assembly Facebook | Delerium Facebook | FB Group| Spotify | Apple Music | Press contact

Keep up with Metropolis Records
Website | Bandcamp | Facebook | Twitter | Instagram | YouTube

Keep up with Shameless Promotion PR
Website | Facebook | Twitter | Soundcloud | Instagram | LinkedIn | Email

Iconic singer songwriter Gilbert O'Sullivan releases Songbook this September

One of the most revered singer-songwriters of his generation records pared down versions of 12 songs from his outstanding catalogue

Includes the first ever re-recording of his 1971 classic single ‘Alone Again (Naturally)’ and a new song written specifically for the album,
‘A Kiss Is A Kiss’

Watch the video for ‘Alone Again (Naturally)’ Below:

Pre-order:
https://gilbertosullivan.lnk.to/SongbookPR


Following the acclaim and success of his last two studio albums – 2018’s Gilbert O’Sullivan and 2022’s Driven (“a songwriting masterclass” – ★★★★Uncut magazine) – on September 27 BMG release Songbook, a newly recorded, stripped-down journey through 12 songs from Gilbert O’Sullivan’s illustrious career.

The idea for Songbook arose after O’Sullivan’s 2022 Barbican show (where The Charlatans’ Tim Burgess duetted with him on ‘Nothing Rhymed’). BMG came up with the idea and suggested O’Sullivan record it in such a way to capture the instrumentation and interplay between him and guitarist Bill Shanley.

After carefully selecting the 12 songs that would be re-recorded, Gilbert insisted the songs should be recorded at a venue with no audience and not in a studio. Thereafter, recording took place over two days in late 2023 at Lafayette, King’s Cross with O’Sullivan on piano, long-time guitarist Bill Shanley and Andy Wright (Simply Red, Jeff Beck, Simple Minds, and Imelda May) and Gavin Goldberg on production duties.

The resulting album is a stripped back journey through the extraordinary songwriting of this master craftsman, one of the most gifted and consistently brilliant songwriters of his generation.

Iconic early O’Sullivan songs ‘Nothing Rhymed’, ‘Alone Again (Naturally)’, ‘We Will’ and ‘Happiness Is You and Me’, are joined by songs from Gilbert’s most recent albums, including 2018’s ‘Dansette Dreams and 45s’ and ‘I’ll Never Love Again’, and 2022’s ‘Blue Anchor Bay’, songs that are equal in their brilliance to his early work.

Songbook’s intimacy exemplifies Gilbert O’Sullivan’s unique blend of melodic craftsmanship, witty wordplay, topical acuity and surrealist humour, which has given him an enduring and endearing career.

O’Sullivan’s songwriting knack has outlived and transcended fashion, global million-sellers and critical acclaim, in a career that has spanned 55 years and Top 10 singles and no. 1’s around the world, including the classic ‘Alone Again (Naturally)’ which topped the US charts for six weeks and earned him three Grammy nominations.

British recognition soon followed with the songs ‘Clair’ and ‘Get Down’ reaching the summit of the UK singles charts and his LP “Back to Front” topping the album charts.

In the same year, at the 18th. Ivor Novello awards, Gilbert was named ‘Song Writer of the Year’ - to date he has won three Ivor Novello awards and in recent times, performed alongside other artists at BBC Proms in the Park; made four appearances at Glastonbury including the main stage and toured extensively throughout the UK, Ireland, Europe, Japan and America.

Gilbert’s Ethan Johns-produced self titled 2018 album was acclaimed upon it’s release by the likes of MOJO magazine and secured his highest chart position for four decades. His 2022 album ‘Driven became his most critically well received album to date, awarded four stars in MOJO’, Uncut and Record Collector, with Shindig! magazine proclaiming it his best ever album.

His legacy and influence has been acknowledged by his diverse range of artists, including Paul Weller, Nina Simone, Neil Diamond, Pet Shops Boys and Elton John, James Murphy (LCD Soundsystem), Paul Heaton, Ron Sexsmith, Mick Hucknall, Boy George, The Lemon Twigs, Cmat, Michael Bublé and Diana Krall.

This year Gilbert received ‘Freedom of Waterford City’ in Ireland, the place of his birth.

NOTES
Gilbert O’Sullivan’s career has spanned 55 years. His first single proper Nothing Rhymed was released in 1970 and almost overnight it achieved Top 10 status In the UK charts. His debut album Himself was littered with the most perfect examples of his art and craftsmanship. Top 10 singles abounded, including the classic, Alone Again (Naturally). His second album, 1972’s Back To Front, firmly cemented Gilbert amongst the world’s best. This critically acclaimed album topped both the UK and US charts for an astonishing six weeks, earning him not one but three Grammy nominations.

British recognition soon followed with the songs Clair and Get Down reaching the summit of the UK singles charts and his LP Back To Front topping the album charts. In the same year at the 18th Ivor Novello Awards Gilbert was named ‘Song Writer of the Year’. To date he has won three Ivor Novello awards, and in recent times performed alongside artists including Ray Davies. He has also headlined Glastonbury (where he was once joined on stage by Squeeze’s Glenn Tilbrook), BBC Proms In The Park, toured extensively throughout the UK, Ireland, Europe, Japan and Australia.

Gilbert’s Ethan Johns-produced, self-titled 2018 album was acclaimed upon its release by the likes of MOJO magazine, and secured his highest chart position in four decades.

His 2022 album, Driven, became his most critically well received album to date. Awarded four stars in MOJO, Uncut and Record Collector, with Shindig! magazine proclaiming it “his best ever album.”

His legacy and influence has been acknowledged by a diverse range of artists, including: Paul Weller, Nina Simone, Neil Diamond, James Murphy (LCD Soundsystem), Ron Sexsmith, Har Mar Superstar, Mick Hucknall, Gary Barlow, Boy George, Rumer, The Lemon Twigs, Empire Of The Sun, CMAT, Michael Bublé and Diana Krall.

Last year Gilbert received ‘Freedom of Waterford City’ in Ireland, the place of his birth.



FOR MORE INFORMATION VISIT: 
http://www.gilbertosullivan.co.uk

Dose of Adolescence Announce New Album + Drop "Get Back Up" — LISTEN // Band Signed to XOVR, Label Founded by Korn's Brian "Head" Welch

Southern California stalwarts Dose of Adolescence have returned! They just dropped the new song "Get Back Up," which appears on the forthcoming albumZircon Ave., out via XOVR RECORDS on November 15.

It's the first new music from the band in over a decade.

Watch the lyric video and listen to the song below

Dose of Adolescence are known for their blend of catchy pop stylings, hip-hop cadences, and grungey, punk rock distortion and "Get Back Up" will not disappoint fans of the band's signature sound. It's a high energy rager about taking the haymakers life throws at you and not giving up! It's powered by thunderous beats and a robust singalong. You'll be adding this track to your favorite gym playlist in no time.

 "I'm so incredibly thankful to be releasing new music," says the band's lead guitarist Timmy Brown. "We did not think we'd ever play a show again, let alone put out a new album. This song epitomizes that idea of thinking you have been knocked down and something is over — and then you get back up again!"

Indeed, "Get Back Up" is your new mantra.

Dose of Adolescence emerged onto the Inland Empire punk scene in 1999, initially a pastime that swiftly transformed into a lifelong dream for the Brown brothers: Jimmy Brown (Lead Vocalist) and Timmy Brown (Lead Guitarist). Over the past 24 years, Dose of Adolescence have left an indelible mark on the pop/punk landscape, gracing numerous stages and sharing the limelight with iconic artists like Brian "Head" Welch of Korn, Lit, P.O.D., A Day To Remember, Anberlin, Switchfoot, Dirty Headz, and Sick Puppies.

Their journey includes notable accolades and performances, such as nominations for the Rebel Music Award and the gnarliest Rock/Hard Rock song at the 11th Annual Independent Music Awards. They triumphed in MTV2's Rallying The Underground, headlined the Wahoos Scion Tour, and unleashed chaos at the 2010 Vans Warped Tour.

XOVR(pronounced "Crossover") is the label owned and operated by Brian "Head" Welch of KORN fame.

LA music maverick Love Ghost and industrial-altrock titan SKOLD sign to Metropolis Records for debut album

Iconic US-based label Metropolis Records is pleased to announce the signing of Love Ghost x SKOLD for their debut eponymous album, scheduled for release on November 22. The first single ‘Nightshade and Cocaine’ will be available to the world on August 28, .

2023 brought the debut single from Love Ghost's collaboration with industrial / alt-rock legend Tim Skold (SKOLD, Shotgun Messiah, KMFDM, Marilyn Manson, Motionless in White) - 'Payback', which is an edgy, soul biting song about revenge and redemption. This creative partnership meshes the raw energy of grunge with the driving rhythms of industrial rock, embellished with pop and gothic sensibilities.

"Metropolis Records is proud to announce the debut collaborative album from Love Ghost and Tim Skold.  Metropolis has had a long-standing relationship with Tim Skold, and it has always been a pleasure to work with this very talented person.  When Tim brought this project to us, there was no doubt in our mind that we wanted to take it on. This is our first time working with Love Ghost. In welcoming him to the Metropolis family, he has been nothing but an absolute joy to work with," says Nina Heckman of Metropolis Records.  

"The Love Ghost x SKOLD collaboration mixes both of their distinct sounds to make a new and unique album, which we are excited to bring to the public."

'Nightshade and Cocaine' pre-save  https://ingrv.es/night-shade-and-coca-rd2-f
Single pre-order  https://loveghostxskold. bandcamp.com/album/nightshade- and-cocaine

Apart from releasing solo music as SKOLD and as half of the duo Not My God (with Nero Bellum), Swedish musician and record producer Tim Skold is perhaps best known for his work with KMFDM, Shotgun Messiah, Marilyn Manson, and Motionless in White.  In addition to being a full-fledged band member of Marilyn Manson for several world tours, Skold produced their #1 Billboard US charting album 'The Golden Age of Grotesque', cover versions of 'Tainted Love', 'Personal Jesus' and the controversial album 'Eat Me, Drink Me'. He later co-produced two Motionless in White albums. As SKOLD, he has released several albums and toured extensively with Front Line Assembly and Motionless in White, among others.

Love Ghost is an enigmatic Los Angeles-based indie rock band, known for their distinctive blend of grunge, alternative rock and post-punk, informed by the Seattle tradition as much as Soundcloud-era fearlessness. Founded by vocalist-guitarist Finnegan Bell, the band quickly garnered attention for their mature lyrics, a multitude of collaborations and raw, energetic sound. They have toured extensively all over the world and have earned plaudits from such publications as Rolling Stone, Alternative Press, American Songwriter and New Noise.

"I met Tim Skold and his wife Erin on Halloween night at the Viper Room in Los Angeles. I was a massive fan of Skold, and I was surprised to see him there. I asked him if I could take a picture with him and was very excited when he said yes. To my surprise, Erin and him reached out about the possibility of us making music together. I was ecstatic about the opportunity. We have an electric synergy together, and Skold’s wisdom and creativity really pushed me to my fullest artistic potential. Creating the album with Skold, was a unique and magical experience," says Finnegan Bell.

Tim Skold adds, "I still remember meeting Finn the first time because of his almost electric energy but it was my wife Erin’s idea that he and I should make music together. I have worked with many different artists by now but this one is still a unique and refreshing experience. We came together with a special chemistry and I really feel that it is well represented in the music. The first single 'Nightshade and Cocaine' shows off an almost schizophrenic diversity that is a thread for the entire album."

As of August 28, the 'Nightshade and Cocaine' single will be available everywhere digitally, including Bandcamp, where it can already be pre-ordered. The full 'Love Ghost and SKOLD' album will be released on November 22.

ALBUM CREDITS
All songs written and performed by Finnegan Seeker Bell & Tim Skold,
Except for ‘Payback’ - Written by Finnegan Seeker Bell, Tim Skold & Daniel Matias Alcala
Produced by Tim Skold
Additional Production by Daniel Matias Alcala - tracks 03, 05, 11
Additional Production by Corin Batchler - all other tracks
Recorded at Seeker Studios (Glendale, CA) & The Una-Bomber Shack (Studio City, CA)
Mastered by Tim Skold
Intro features the voice of Jeff Daniel Phillips
Cover artwork by Tim Skold
Released by Metropolis Records
Artist photos by Jim Louvau 
Publicity by Shameless Promotion PR


Keep up with Love Ghost
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Keep up with SKOLD
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Keep up with Metropolis Records
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SÓLSTAFIR Premieres Music Video for Emotional New Song, “Hún andar," Announces Pre-Orders for New Album, “Hin helga kvöl”

Icelandic post-rockers SÓLSTAFIR are pleased to now reveal that their new full-length, 'Hin Helga Kvöl,' will be released on November 8 via Century Media Records, making it their debut to the label! Meaning "The Holy Torment," the new album will take fans on another deeply sentimental journey. In celebration, the band is now unveiling the emotional second single from the offering, "Hún andar," along with a stunning music video. The clip was produced by Nico for Pulse Films and can be found below.

Guitarist/vocalist Aðalbjörn Tryggvason comments: “'Hún andar,' meaning ‘She breathes,’ is an obituary to a living person whom I love very much, but the mind is gone due to mental illness and drug abuse.”

Pre-orders for the album will go live at midnight local time on Friday, August 8 HERE.

Legendary Icelanders SÓLSTAFIR recently announced signing to Century Media Records. They are no strangers to the music world with their 20+ years of performing across the Globe as they consistently amaze audiences with their hearts on their sleeves from the first note. With a full catalog of truly exceptional timeless hits to perform, as well as some much-anticipated new music, the atmospheric Icelandic rock n’ roll sound that is uniquely SÓLSTAFIR always delivers to those who bear witness to their epic sets that take you on a journey through the ice and snow, fire and lava and breathtaking soundscapes of their homeland.

Lineup:

Adalbjorn Tryggvason – Vocals, Guitar

Saethor "Gringo" Saethorsson - Guitars

Svavar Traustason - Bass

Hallgrimur "Grimsi" Hallgrimsson - Drums

Recording: Abbey Road Studios, London

Production, Recording: Aðalbjörn Tryggvason, Jóhann Rúnar Þorgeirsson

Co-Production, Mixing: Fredrik Reinedahl

Mastering: Sigurdór Guðmundsson

Links:

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Chase Rice Unveils Independent Album 'Go Down Singin'' Set for Sept. 20 Release

Building upon the ironic turn of 2023’s I Hate Cowboys & All Dogs Go To Hell, celebrated by Billboard as “one of 2023’s most unexpected artistic pivots” and one of the best albums of the year across all genres, Diamond-certified songwriter Chase Rice doubles down on the raw introspection of that project with forthcoming independent release Go Down Singin’ arriving September 20. Pre-order/pre-save HERE.
 
Mirroring the cover art of that critically acclaimed I Hate Cowboys album, which features an image of his late father holding two Coors Banquets during the late ‘80s in Wyoming, Rice recreated that photo himself for Go Down Singin’ as he continues to honor the man who not only served as his childhood hero, but who also still shapes his music and the person he is today.
 
Marveling at being a work-in-progress, he considers the 11-song cycle an arrival on the brink of “being the man my father always believed I could be.” Now, after what seems like so many chances, the Florida-born, North Carolina-raised dreamer is making good on what his father told him so many years ago, “Boy, anyone can play guitar, but no one is gonna really listen to you until you start singing.”
 
And writing. Though he co-wrote “Cruise,” arguably one of country’s biggest songs this century, Rice realized he’d only been skimming the surface. A kid when he started, he faced challenges, loss, soul-searching and gained a new appreciation for the art instead of the craft. With Go Down Singin’ Rice emerges as a spirit settling into a more philosophical place, still wildly committed to living wide open in pursuit of his dream and being the best man possible.
 
In a voice sturdy as a retaining wall, Rice confesses, “I’m 38 now, and that’s part of it. I’ve journaled since I was 15 years old, but there’s something about being able to tell other people. I’m a deep person, but I don’t know to show it in real life, so I’m trying to do it in my music. 
 
“For me, Go Down Singin’ is everything about where I am and what I want,” he continues. “I’m starting to see myself as who I want to be, not who I thought I should be. That’s a good start. And I think a lot of men struggle with this stuff, too.”
 
Getting honest, digging down, Rice shifted his approach. Collaborating for a second time with producer Oscar Charles (Boy Named Banjo, Madeline Edwards, Elvie Shane), the pair worked to create a sound that was as honest, as real instrument-grounded as the songs that were emerging. Written largely on guitars and piano, Go Down Singin’ shows a man reckoning with growing up.
 
“For one record, I thought I was Ed Sheeran. For one, I thought I was Florida Georgia Line,” he offers. “I was 22. I got into the party scene, I got lost. I didn’t know. I was very influenced by Eric Church, and wanted to be like him, though mostly, I was just so confused. You fall into things, being in the studio, and you look back…”
 
Now when Rice looks back, it’s for the sake of the songs. As a writing process, Go Down Singin’ also marks a creative – if seemingly unlikely – collaboration with three-time GRAMMY winner Lori McKenna, who is also featured on the album. Known for vulnerable but clear-eyed emotion, the Americana force came to see Rice play in Boston and recognized the wounding and the promise inside him.
 
“I just had Chase Rice over here, who I had not known. His last record has a song called ‘Bench Seat.’ I think it’s like a masterclass in songwriting, and he wrote it by himself,” McKenna shared with Billboard of their first songwriting session together. “I think he’s got this long, beautiful road ahead of him.”
 
“I wanted to bring her a song I had started that was the story of moving to Nashville, getting anything you wanted and losing it all,” Rice recalls of “Oh Tennessee,” one of their four cowrites on the album. “I knew she would understand, and from there, well, we had so much to say.”
 
Across their collaborations and the entire record, the man who’s had three No. 1s, his own sold-out tours and key stadium support slots with Garth Brooks and Kenny Chesney takes stock of where he is, where he’s going and what really matters. 
 
“I’m a fuck up, and I know it,” he admits. “But I’m trying. I mean, my favorite story in the Bible is David, who sends his best friend off to war, so he can be with his friend’s wife… I was a lost kid who lost his Dad. I’m not alone. I know lots of people struggle, too. The last record dealt with that loss, and this one is about taking all that and becoming who you’re meant to be.”
 
For more information, visit ChaseRice.com and follow on FacebookTwitter/X and TikTok @ChaseRiceMusic and on Instagram @ChaseRice.

Photo Credit: Evan DeStefano

About Chase Rice
With more than 2.6 million albums sold and over 2.8 billion total streams, plus a legion of passionate fans at his high-energy concerts across the globe, Chase Rice has established himself as a powerful force in Nashville and beyond. With new releases “Fireside” and “Go Down Singin’” previewing his forthcoming independent album Go Down Singin’ (Sept. 20) as the follow-up to critically acclaimed album I Hate Cowboys & All Dogs Go To Hell, Rice’s sound continues to evolve to reflect the realities of his life; from emotional reckoning to an admiration of the American West. The recent album, including standout tracks “Oklahoma” and “Bench Seat,” serves as a follow up to his three-part project, The Album, which featured his latest Platinum-certified No. 1 hit, “Drinkin’ Beer. Talkin’ God. Amen.” and the Platinum-certified Top 10 hit “Lonely If You Are.”
 
This is the same gravelly-voiced Chase Rice fans first fell in love with years ago – but better, freer; unbeholden and uninhibited. The new music builds upon the success of his sophomore album, Lambs & Lions, which featured the 3x Platinum, two-week chart topper “Eyes On You” – Rice’s first No. 1 as an artist and the most-streamed song of his career. Lambs & Lions followed Platinum-certified Ignite the Night, which debuted at No. 1 on Billboard’s Top Country Albums and No. 3 on the all-genre chart, producing a pair of Top 5 hits; Platinum-certified “Gonna Wanna Tonight” and Double Platinum “Ready Set Roll.” In addition to guesting on sold-out stadium shows with Kenny Chesney and Garth Brooks, Rice consistently sells out venues on his own headlining tours, including the recent Get Western Tour in support of his new music, and he is currently serving as direct support on Dierks Bentley’s Gravel & Gold Tour.

The Plot In You Announce US Fall Headliner With Currents, Zero 9:36 + Wind Walkers

The Plot In You has announced their Fall US tour kicking off Friday, November 8 with CurrentsZero 9:36 and Wind Walkers as support. Spotify and Knotfest.com pre-sales begin tomorrow, Wednesday, August 7 at 12 pm ET at the link here, ending Thursday, August 8 at 10 pm local time. Tickets go on sale to the general public on Friday, August 9 at 10 am local time. VIP packages will also be available for purchase, and include one (1) general admission ticket per package, as well as sound check viewing, a photo opportunity with the band, a limited edition signed poster, an exclusive VIP laminate with lanyard, tote bag and early entry and access to merch. Please click here for general admission tickets; VIP package information is available here.

Leading up to the US run, the quartet will be embarking on their nearly sold-out UK/EU headliner with Invent Animate and Acres. The US tour kickoff also coincides with the release of the band's new EP 'Vol. 3', available now for pre-saves and vinyl pre-orders (more info here). The Plot In You recently released their latest single "Been Here Before" and the accompanying video which can be found on the upcoming EP. Pre-order 'Vol. 3' here, stream "Been Here Before" at the link here, and watch the music video below.

The Plot In You Fall US Tour Dates:

Nov 8 - Davenport, IA @ Capital Theatre

Nov 9 - Green Bay, WI - Epic Event Center

Nov 10 - Indianapolis, IN @ Delux At Old National Centre

Nov 12 - Des Moines, IA - Val Air Ballroom

Nov 13 - Omaha, NE - The Admiral

Nov 15 - Little Rock, AR - The Hall

Nov 16 - New Orleans, LA - Joy Theatre

Nov 17 - Destin, FL - Club LA

Nov 19 - Knoxville, TN @ The Mill & Mine

Nov 20 - Jacksonville, NC - Hooligans

Nov 21 - Norfolk, VA - The Norva

Nov 23 - Buffalo, NY - Riverworks

Nov 24 - Cincinnati, OH - Bogarts

During 2023, The Plot In You kickstarted a new era with 'Vol. 1' with Divide, having generated 16 million Spotify streams and counting followed by Left Behind, exploding to the tune of 31 million Spotify streams with no signs of slowing down. Upon the arrival of ForgottenRevolver praised it among the “6 Best New Songs Right Now”The Plot In You's 'Vol. 2' EP is a powerful showcase of the band's evolution, blending raw emotion with polished musicality, and stands as a testament to the band's growth and artistic maturity, captivating listeners with its intense yet introspective narratives with tracks ClosureDon’t Look Away, and All That I Can Give further solidifying their place as one of the genre's most compelling acts.

The band is set to captivate fans once again with their latest offering, Been Here Before. Delving into the emotional turbulence of relationships, the band weaves a narrative of enduring the highs and lows with their signature intensity and profound storytelling. This impactful track is bound to resonate deeply with listeners, highlighting the band’s unparalleled talent for exploring complex emotions through powerful music.

Keith Buckley's New Band MANY EYES Announces New Album + Pre-Orders, Shares New Single, '"Harbinger"

Emerging metallic hardcore outfit MANY EYES (fronted by ex-Every Time I Die vocalist Keith Buckley) will be releasing their debut album, 'The Light Age,' on September 6 via Perseverance Media Group! In celebration, the newcomers are now unleashing the latest single, "Harbinger," along with a lyric video! The clip can be found below.

Buckley comments, "'Harbinger' feels like the end of the world is suddenly happening, so that's what the lyrics are about."

In addition, MANY EYES has previously revealed a run of headlining performances in conjunction with their upcoming tour in support of Sum 41 as well as three very special album release shows for the band's highly anticipated debut full-length, for which info will soon be revealed! The updated itinerary can be found below!

Pre-orders for 'The Light Age' are now live HERE.

Many Eyes began in the winter of 2022 when Keith Buckley (Ex-Every Time I Die, The Damned Things) connected with brothers Nick (Producer/ Owner of Dexter's Lab Recording) and Charlie Bellmore (Corpsegrinder/ Toxic Holocaust) through their mutual friend, Jamey Jasta, frontman for metal legends Hatebreed. The Light Age was written and recorded over a few weeks in both Buffalo, NY, and Milford, CT, where the members reside.Taking cues from the Grunge Rock and Hardcore of the 1990s that was so influential to them growing up, the members of Many Eyes skillfully blend chaos with melody.

Many Eyes’ live performances, including their tour with post-hardcore icons THURSDAY, have demonstrated their ability to deliver high-energy shows with precision and emotion. With Craig Vittorio now on guitar and Sean Vallie on bass, alongside Nick Bellmore’s powerful drumming and Keith Buckley’s commanding vocals, the band remains focused on pushing forward and exploring new creative horizons.

As they embark on the next phase of their journey, Many Eyes remains committed to their core ethos—creating music that resonates deeply with listeners, blending raw power with melodic depth, and continually evolving as artists. The future looks bright as they continue to chart their path forward.

Recording Lineup:

Vocals/ Lyrics/ Songwriter - Keith Buckley

Producer/ Songwriter/ Guitar/ Drums/ Bass - Nick Bellmore

Guitar/ Songwriter/ Bass/ Keys - Charlie Bellmore

Live Lineup:

Vocals - Keith Buckley

Drums - Nick Bellmore

Bass - Sean Vallie

Guitar - Craig Vittori

Recorded and mixed by Nick Bellmore at Dexters Lab Recording in Milford, CT

Assistant Engineer William Hayes

Mastered by Randy Merrill at Sterling Sound

Additional vocals recorded by Anthony Potenza

All songs written by Keith Buckley, Nick Bellmore and Charlie Bellmore.

Art Direction & Design by Nick Steinhardt & Ryan Sanders for 23in

Produced by Nick Bellmore

Executive Producer Jamey Jasta

Pre-orders: https://dthw.sh/thelightage

Links:

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The cover artwork for 'The Light Age' was directed and designed by Nick Steinhardt & Ryan Sanders for 23in