Texas' 9-VOLT VELVET sign to Shore Dive Records for debut album & announce parallel ‘Riptide / Hey, Candy’ 7” vinyl single

Dallas-based indie dreamgaze outfit 9-Volt Velvet has signed to Shore Dive Records for the release of their debut album 'Nude Beaches' on CD, previewed by the single 'Riptide'. Out May 10, this 13-track collection blends washed-out fuzzy and feedback-laden guitars, driving bass, pounding drum beats and ghosty vocals.

Taking their bring of 'rockgazedreamgloom' even further, they will also be putting out a limited edition of twenty 7" lathe-cut vinyl via Cryptic Carousel, slated for the same release date, with 'Riptide' as the Side-A track and 'Hey Candy' on Side B.

Nestled in the fine territory between post-punk and shoegaze with a surf vibe, 9-Volt Velvet is made up of Mark Cross (lead vocals, guitar, bass, keyboards, percussion), Donnie Robertson (drums, percussion, keyboards) and Kevin Robinson (guitar, bass, keyboards, vocals).

Hailing from Muscle Shoals, AL and Dallas respectively, Mark and Donnie met through an ad in a local newspaper, hit it off instantly and formed a band, eventually being joined by Kevin soon after they began performing. Involving past members of of Viva Voce and The Northern Lights, they bring together several decades of experience playing shows with the likes of Starflyer 59, Spoon, The Dandy Warhols, Jimmy Eat World, Sunny Day Real Estate, Kill Hannah, Luxury, Lugsole, The Features, Bleach,  Fold Zandura, 764-HERO and Morella’s Forest.

'Nude Beaches' is the culmination of 9-Volt Velvet's musical journey, showcasing their evolution as artists and the unique sounds they have curated together. Inspired by their natural chemistry and a like-minded approach to music-making, in June 2023, they embarked on an intense 3-week studio session in Dallas, crafting an album that explores the themes of freedom and self-expression.

From the introspective lyrics to the intricate musical arrangements, every aspect of 'Nude Beaches' reflects the band's commitment to pushing boundaries and taking risks. This is a sonic journey that invites listeners to embrace their own individuality and revel in the joy of truly being themselves.

Influenced by such artists as The Cure, Sonic Youth, Swervedriver, The Jesus & Mary Chain, DIIV and The Velvet Underground, 9-Volt Velvet emerged as a recording artist in January 22 with their debut 'Cathedrals' EP, followed by the 'Mirrors' EP in July of that year.

As of May 10, 'Nude Beaches' will be available on CD via Shore Dive Records. Digitally, it is already available from fine music platforms, including Apple Music and Spotify. It can also be obtained directly from the trio via Bandcamp, where the 7" lathes are also available for pre-order.

CREDITS
Written and performed by 9-Volt Velvet
Mark Cross - lead vocals, guitar, bass, keyboards, percussion
Donnie Robertson - drums, percussion, keyboards
Kevin Robinson - guitar, bass, keyboards, vocals
Recorded at Starlight Studios (Dallas) by Donnie Robertson & Jeff Ross
Produced, mixed & mastered by Donnie Robertson
CD released via Shore Dive Records
Publicity by Shameless Promotion PR

Keep up with 9-Volt Velvet
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Keep up with Shore Dive Records 
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CROWNSHIFT – Release New Single And Video 'My Prison'

A few weeks ago, high-profile modern metal band CROWNSHIFT announced the release date and details of their eagerly awaited self-titled debut album, which is due out on May 10th, 2024 via Nuclear Blast Records.

Today, the band that's currently one of Finland's hottest new music exports, are proud to unleash a new single called 'My Prison', which showcases a more atmospheric side of CROWNSHIFT richly adorned with divine guitar leads and - yet again - an absolute earworm of a chorus! 

A studio session music video was recorded and is being released alongside the single. Check it out below.

Catch CROWNSHIFT live this year at several big Summer festivals across Europe, including. Nummirock, Rock Fest Barcelona, Graspop, Rockstadt Extreme Fest, and Motocultor, or at their album release show in Helsinki on May 15th. Scroll down for all confirmed dates!
 

PRE-ORDER/PRE-SAVE CROWNSHIFT'S DEBUT ALBUM:
https://crownshift.bfan.link/cslp

LISTEN TO 'MY PRISON':
https://crownshift.bfan.link/mpsg

WATCH THE OFFICIAL MUSIC VIDEO FOR 'MY PRISON' below.

Born as the long-time idea of four friends, CROWNSHIFT are a new high-standing crossover metal act from Finland. The members, who come from the ranks of Finland’s finest metal exports, are thrilled to start a new journey together and spread their authentic sonic print across the globe.

Seamlessly covering a diversity of styles, the quartet has a unique signature to their modern sound. Hypnotizing melodies paired with ripping riffs, from moody mid-tempo songs to fierce prog-death-metal opuses, CROWNSHIFT were born to be a master of all trades.

Their forthcoming self-titled debut album consists of eight contemporary melodic death metal anthems with a progressive edge and captivating choruses for the ages. CROWNSHIFT's members are or have been involved in some of Finland's most renowned and universally beloved metal bands, including NIGHTWISH, CHILDREN OF BODOM, WINTERSUN, and MYGRAIN, and it shows. On their first album, CROWNSHIFT have managed to combine their collective experiences and crafted a modern metal masterpiece that sounds distinctively Finnish and offers stellar songwriting and excellent production. 

Keep your eyes peeled for teasers and further announcements and make sure to follow CROWNSHIFT on their socials to stay up-to-date.

CROWNSHIFT IS:
Tommy Tuovinen: Vocals 
Daniel Freyberg: Guitar, Backing Vocals 
Jukka Koskinen: Bass 
Heikki Saari: Drums 

Sweden's THEN COMES SILENCE present seventh album 'Trickery' as they launch North American tour with Vision Video

"Then Comes Silence are everything a band should be - good tunes, good playing and singing, and good looking. Their songs are ear-worms, once heard difficult to forget, as catchy as gonorrhea but far better for your health" ~ Wayne Hussey

”I can see them being huge” ~ Dani Filth (Cradle of Filth)
 
"Capturing the alluring intersection of 1980s Post-Punk, New Wave and College Rock in one fell swoop, this music feels organic and fresh, with ample drive, clever songwriting and a killer melody, along with crisp production" ~ The Spill Magazine 

"Truly love it" ~ She Past Away
 
"Hellacopters of Gothic Rock" ~ Jyrki 69 (The 69 Eyes)

"The only band that have been voted in as album of the month three times!" ( 'Blood' in 2017 / 'Machine' in 2020 / 'Hunger' in 2022) ~ Sonic Seducer Magazine


Swedish post-punk outfit Then Comes Silence bring their potent sound on the road as they launch their North American tour on April 20, joined by Vision Video, Aurelio Voltaire and Tears For The Dying.

Serving up infectious post-punk to listeners in 21 cities across the US and Canada, their repertoire brings offerings from their seventh album ‘Trickery’, released on April 5 via Metropolis Records following the singles 'Like a Hammer' and ‘Ride or Die’.

Formed in Stockholm in 2012, Then Comes Silence is made up of frontman Alex Svenson, drummer Jonas Fransson and guitarist Hugo Zombie (Los Carniceros del Norte) with Svenson originally inspired by frequent touring with A Place To Bury Strangers and an attraction to horror and the occult.

Recorded by Jörgen Wall (Jay-Jay Johanson, The Hellacopters) over three days at Stockholm's Kapsylen Studio and mixed by Tom van Heesch (Rammstein, Apocalyptica, Backyard Babies), this album was mastered by Svante Forsbäck / Chartmakers (Rammstein, Amaranthe, Ville Valo, The Rasmus, Apocalyptica).

This album celebrates friendship, unity and the feeling of belonging to a group, a tribe. Being a part of what most people would call the goth and post-punk  community is, according to the band, a great privilege.

Of course, there are dark sides to everything, but after being on the road and meeting people from the music scene for so many years, the band have experienced a caring and welcoming community. Old and young. Some with a similar background and some just for the love of the music and the culture that comes with the lifestyle.  

"No one is free from apprehension and fear. Everyone feels some kind of alienation in certain degrees. You might often think you need to camouflage yourself to be part of a context. Make a change to fit in the group. The need for friendship is strong so you adapt. Maybe not always the way you hoped. But then...  there are moments when we unite and harmonize with other people and feel an incredible community together. That feeling is priceless and a blessing. Friendship is love. It is important and worth fighting for," says Alex Svenson.

Following up their 2022 album 'Hunger', released via Nexilis Records / Schubert Music (Europe) and Metropolis Records (North America), these sessions capture the heart and essence of alternative rock. With electronic elements essential to the new recordings, 'Trickery' is also a salute to punk music, to which Then Comes Silence traces their roots.

After debuting with their eponymous album in 2012, Then Comes Silence put out two more albums before releasing 'Blood' via Nuclear Blast in 2016. Their subsequent 'Machine' album was jointly released via Oblivion/SPV and Metropolis Records in 2020.

Then Comes Silence has toured and played live with The Fields of the Nephilim, The Chameleons, A Place To Bury Strangers, The Bellwether Syndicate and Vision Video, as well as performing at Wave Gotik Treffen, M'era Luna, Amphi Festival, Castle Party and W-Festival.

As of April 5, the 'Trickery' album will be available on vinyl and CD. It will also be released digitally everywhere, including Apple Music, Spotify and Bandcamp. As for their upcoming North American live dates, tour tickets can be ordered now.

CREDITS
Music & Lyrics by Alex Svenson 
Published by HaHa Musikförlag
Alex Svenson - vocals, bass, synthesizer
Jonas Fransson - drums
Hugo Zombie - guitar
'Like a Hammer' video directed by Johnny Nattsjö & D.K. Griftegaard
'Ride or Die' video directed by Gözde Duzer & Then Comes Silence
From 'Trickery' album, released via Metropolis Records
Publicity by Shameless Promotion PR

TOUR DATES
April 20 – Parsippany, NJ @ Dark Force Fest
April 21 – Pittsburgh, PA @ Cattivo  *
April 23 – Rochester, NY @ Photo City Music Hall  *
April 24 – Brattleboro, VT @ Stone Church *
April 25 – Boston, MA @ Sonia  *
April 26 – Lewiston, ME @ L/A Arts  *
April 27 – Montreal, QC @ Bar Le Ritz PDB  **
April 28 – Toronto , ON @ Velvet Underground  **
April 30 – Cleveland, OH @ Beachland Ballroom  *
May I – Grand Rapids, MI @ Pyramid Scheme  *
May 2 – Chicago IL @ Subterranean  **
May 3 – St. Louis. MO @ The Crack Fox  **
May 4 – Dubuque, LA @ Fox Den Motel  *
May 5- Milwaukee, WI @ The Vivarium  *
May 6 – Minneapolis, MN @ Green Room  *
May 7 – Kansas City, MO @ Recordbar  *
May 8 – Louisville, KY @ Art Sanctuary  *
May 9 – Detroit, MI @ Smalls  ***
May 10 – Baltimore, MD @ Metro Gallery  ***
May 11 – Hamden, CT @ Space Ballroom  ***
May 12 – TBA  ***

*   with Vision Video
**  with Vision Video + Aurelio Voltaire
*** with Vision Video + Aurelio Voltaire + Tears For The Dying


Keep up with Then Comes Silence
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Severe Torture Spring to Life on Deadly New Single

Severe Torture are the Dutch masters of brutal death metal. The 20-year veterans are preparing to release a torrent of morbidity on Torn from the Jaws of Death, their anxiously anticipated sixth album. Today, they're releasing its title track, a raw and unflinching disembowelment that tears through the mundane fabric of life. 


Watch the head-spinning video for "Torn From the Jaws of Death" below.

Torn From The Jaws of Deathcomes out June 7 on Season of Mist.

Pre-order:https://redirect.season-of-mist.com/SevereTortureTorn
Pre-save: https://orcd.co/tornfromthejawsofdeathpresave


On "Torn from the Jaws of Death", Severe Torture stay committed to unapologetic brutality. Crawling out of the unholy pit that is Torture Compound Studios, the band's new single is a voracious beast, armed to the teeth with throaty growls and bloody, punishing riffs. But while a cold-embrace for the faint of heart, it's also full of vitality. The lyrics, steeped in the long shadow of suffering under a fractured psyche, speak to an eerie sense of desolation, threading the fine line between life and death.  

 

The video for "Torn from the Jaws of Death" was produced by Maurice Swinkles (@swinkelsmaurice):

For over 25 years, SEVERE TORTURE has embodied the ethos of Brutal. Death. Metal. A genre-defining titan, they’ve held a commanding presence in the metal universe since 1997, blending intense performances with a relentless commitment to their visceral, raw sound.

Born from the bowels of the Dutch underground, the band emerged onto the world stage with their debut album Feasting On Blood, hailed as an epic watershed in the nascent wave of brutal death metal in 2001. Their hard-hitting, merciless sound has since rippled across North and South America, Europe, and Mexico; their trail marked by five ground-breaking releases over the past quarter-century.

Remaining relevant in the ever-evolving realm of metal is no small feat, a task Severe Torture met by continuously levelling up. In pursuit of rejuvenation and to capture the aggression and energy befitting of a new era, they amicably parted ways with original drummer Seth in 2018, bringing Damiën Kerpentier into the fold. The move signified a new chapter for the seasoned ensemble, marking a seismic shift that breathed fresh air into their creative process, leading to some of their darkest, most profound work yet.

This invigorated spirit came to life in 2022 with the release of the EP Fisting The Sockets – the band's first release in an astounding 12 years. The record served as a triumphant herald for their resurgence, re-signing with Season of Mist and rekindling the flame of their brutal origins amidst a pandemic-stricken world.

Now, in 2024, Severe Torture is set to escalate to new heights of sonic savagery with their sixth full-length album, Torn from the Jaws of Death. Recorded at the infamous Torture Compound Studios, the album stands as a testament to the raw energy, blood, sweat, and relentless brutality that the band represents.

From the aggressive whirlwind of riffs in The Death of Everything, to the haunting black metal nuances of the title track Torn from the Jaws of Death, the album is a death metal cogitation on murder, torture, and the madness of organized religions. Crafted with an unwavering commitment to the genre, Torn from the Jaws of Death is a grim reflection of the world, drenched in the band’s signature brutal death metal sound.

As the anticipation mounts for the release of Torn from the Jaws of Death, you can be sure Severe Torture remains alive and thriving in the heart of brutal death metal, pushing boundaries, and refusing to bow to conventions. A quarter-century in, these stalwarts of the scene are just getting started. Stay tuned to witness their relentless progression as they continue their incessant march through the annals of metal history.

Lineup
Dennis Scheurs – Vocals
Patrick Boleij – Bass
Damiën Kerpentier – Drums
Marvin Vriesde – Guitars Right & Leads
Thijs van Laarhoven – Guitars Left

Recording Studio
Torture Compound Studios

Production Credits
Damiën Kerpentier - Engineer
Mendel bij de Leij - Mixing & Mastering Engineer

Photography
Thijs van Laarhoven

Cover Art
Pär Olofsson

EXODUS - Announce Live Album 'British Disaster: The Battle of '89 (Live At The Astoria)!

Thrashmetal masters, EXODUS return with more than exciting news!
 
The band announces today their live album British Disaster: The Battle of '89 (Live At The Astoria). 35 years after the recording the band decides to share this outstanding live performance with their fans. Recorded live at The Astoria in London back in March of 1989, EXODUS show once again why they are one of the biggest thrash metal bands of all time. Headbanging riffs, fast solos, and an amazing atmosphere are what can be expected from this live album which sees the light of the world on May 31st, 2024.

To commemorate their live album announcement, the band have released a brilliant visualizer video for their new live single 'Fabulous Disaster (Live At The Astoria)'. The title track of their 1989 released album gives already a taste of how energy-loaded this live album is!

Gary Holt comments on the live album:
"Sometimes something truly awesome drops right in your lap. In the case of Exodus, it was full multitrack tape reels from our headlining show in London while on tour for Fabulous Disaster! So we thought, “Let’s listen and see what we have” and BAM! We were on FIRE! Pure over-the-top thrash, one hundred percent live, and as dangerous as ever! We are fucking stoked to be able to release this for our fans. Total mayhem!"

Pre-order or pre-save British Disaster: The Battle of '89 (Live At The Astoria) here: https://exodus.bfan.link/british-disaster-the-battle-of-89


Watch the new visualizer video for 'Fabulous Disaster (Live At The Astoria)' below.

Stream 'Fabulous Disaster (Live At The Astoria)' on all platforms now at: https://exodus.bfan.link/fabulous-disaster-live

Recorded on the 8th of March in 1989 at The Astoria in London, fans witnessed a night that went down in history and became legendary among EXODUS and thrash metal fans worldwide. The band had just released their third studio album Fabulous Disaster and started five month run to promote the album which brought the Americans also to Europe for a month of live shows. During this European run EXODUS decided to record the show in London, but never released it. This recording remained unheard of in the EXODUS vaults. Until now! 
Be prepared for a much more aggressive and rawer sound than on the studio albums. British Disaster: The Battle of '89 (Live At The Astoria) is the ultimate live album presenting the sheer energy of what made EXODUS famous and notorious for during the 80s and what made them a legendary thrash metal band. A best of setlist compiled from the band's first three classic albums. The live album, mixed and mastered by Zeuss and the artwork done by Mark DeVito, will be available as CD, 2LP vinyl and digital.

EXODUS is:
Steve ‚Zetro‘ Souza - Vocals
Gary Holt – Guitars
Rick Hunolt – Guitars
Rob McKillop – Bass
Tom Hunting – Drums

Wage War Announce New Album "STIGMA" + Share "NAIL5" Video

CO-HEADLINING NORTH AMERICAN TOUR WITH NOTHING MORE + SPECIAL GUESTS VEIL OF MAYA + SLEEP THEORY KICKS OFF APRIL 16

WAGE WAR — Briton Bond [lead vocals], Cody Quistad [rhythm guitar, clean vocals], Seth Blake [lead guitar], Chris Gaylord [bass], and Stephen Kluesener [drums] — have entered their world domination era. Today, the Florida band has announced its fifth album STIGMA. It arrives digitally on June 21 via Fearless Records, while the physical version will land in stores on September 6. Pre-order it here.

Last month, the band shared the new video for the new single "MAGNETIC." Watch it here. 

They are following with the video for "NAIL5." Watch it below. 

 The song comes in hot with subtle synths, cool and unexpected vocal tricks, chunky, industrial-inspired riffs, and undeniable ferocity. "NAIL5" is erected on a groove that will have you nodding your head. Wage War continue to experiment with their sound, and fans and new listeners will be happy to ride sidecar as the band takes thrilling and unpredictable sonic twists and turns.

"'NAIL5' is a tribute to our fifth album and continuing to push the envelope in every way, and in this instance, the heavy side," the band says. "We took the elements that we loved from our past discography and turned it all the way up. The message: You're either in or you're in the way."

Wage War will kick off their Spring 2024 co-headline tour with Nothing More on Tuesday, April 16 in Charlotte, NC. The trek runs through Friday, May 17 in Indianapolis, IN. All dates are below. Get tickets here.

WAGE WAR + NOTHING MORE ON TOUR:
WITH VEIL OF MAYA + SLEEP THEORY:
4/16 — Charlotte, NC  — The Fillmore
4/17 — Birmingham, AL  — Avondale Brewing Company
4/18 — New Orleans, LA  — The Fillmore
4/20 — Austin, TX  — Stubb's Waller Creek Amphitheater*
4/22 — Grand Junction, CO  — Amphitheater at Las Colonias Park (Outdoor)
4/24 — Riverside, CA  — Riverside Municipal Auditorium
4/28 — Albuquerque, NM — Revel Entertainment Center
4/30 — Kansas City, MO — The Midland Theatre
5/1 — Des Moines, IA  — Val Air Ballroom
5/3 — Green Bay, WI  — EPIC Event Center
5/4 — East Moline, IL  — The Rust Belt
5/5 — Omaha, NE  — The Astro
5/7 — Madison, WI  — The Sylvee
5/8 — Grand Rapids, MI  — GLC Live at 20 Monroe*
5/10 — Bethlehem, PA  — Wind Creek Event Center*
5/14 — Norfolk, VA  — The NorVA
5/15 — Greensboro, NC  — Piedmont Hall
5/17 — Indianapolis, IN  — Egyptian Room at Old National Centre
*NO SLEEP THEORY

ABOUT WAGE WAR:
Traveling a constant forward trajectory at lightspeed, Wage War not only push their own sound forward, but they also propel heavy music into new territory. The Florida quintethave always tempered a pummeling metallic onslaught with unshakable melodies. A near-decade grind naturally brought Wage War to this point. They have unleashed a string of fan favorite albums, including Blueprints [2015], Deadweight [2017], Pressure [2019], and Manic [2021]. Beyond looks from SPIN, Modern Drummer, American Songwriter, Revolver, Guitar World, and more, KERRANG! hailed the latter as "their greatest album yet," and DORK raved, "It's an embracing of being metalheads, popheads and just fans of good songs. On more than one occasion, there's an earworm poking its head up through the dirt." They also put up numbers, tallying hundreds of millions of streams boosted by the likes of "Stitch," "Low," "Manic," and "Circle The Drain." On their fifth full-length offering STIGMA [Fearless Records], Wage War outfit their signature style with industrial grit and electronic sheen, leveling up into the future in the process with singles such as "MAGNETIC" and "NAIL5."

THE PULL OF AUTUMN shares 'I Was Just Dreaming' with easy breezy video, previewing fifth album

"A gem... A genuine and welcome earworm" ~ Big Takeover Magazine

"Beautiful... Pure and simple. Lyrically emotional and thought-provoking. It has perfect instrumentation and musicality" ~ Spill Magazine

"Better to travel well than to arrive... this band is not about merely travelling, this is exploration down the unbeaten paths of the glorious unknown" ~ The Swindonian


Boston-Rhode Island centred collective The Pull of Autumn presents their new single 'I Was Just Dreaming's, along with a reverie-filled video. The first taste of their fifth album 'Memory Tree', this song features Boston-based Bruce MacLeod on vocals. 

Described as "a melancholy remembrance of moments in time and life", the album will be released via Boston-based RBM Records on CD and digitally, following up their 2022 album 'Beautiful Broken World' LP, which involved such music luminaries as The Pop Group's Mark Stewart, Living Colour's Doug Wimbish and producer Adrian Sherwood.

A ‘super group’ of sorts, The Pull of Autumn revolves around Rhode Island artist Daniel Darrow of 80s post-punk group Johanna’s House of Glamour and core members Bruce MacLeod, Matthew Darrow and Luke Skyscraper James (I.R.S. recording artist Fashion). Each release involves a revolving door of notable and emerging artists, both from the local music scene and further abroad. The band's debut 2018 eponymous album was followed by 'Afterglow' in 2019, 'Small Colors' in 2020 and 'Beautiful Broken World' in 2022.

"'I Was Just Dreaming' perfectly captures the moment of a dying crush, where you’re still all in enough to have your hopes, but are planning an exit - maybe one with a bit of a flourish. This song is brilliant. I just did the best I could with it, stripped what I had down to a couple of tracks, and sent it to Dan. He knows just what to do - here I like his choppy piano bits and the somewhere out there synth swells, perfect.  The song ends with a couple of the demo tracks spliced back in … a sort of accident, but definite nod to the title of the song," says Bruce MacLeod.

Daniel Darrow adds: "This is a cover of legendary Scotland band The Orchids. Bruce and I are both fans of Sarah Records and our cover of this song is our tribute to a great time in music. We’ve added a modern twist here that retains the core beauty of the song."  

The new 'Memory Tree' album features contributions by such artists as Philip Parfitt (The Perfect Disaster), Ricky Humphrey (This Twisted Wreckage), San Francisco-based artists Leigh Gregory and Julius Manning, Berkeley singer-songwriter Sophia Campbell, and two local music legends - Rhode Island Rock’n Roll Hall of Fame inductee Paul Everett and producer, songwriter and artist Kraig Jordan. 

"For our new 'Memory Tree' album, the usual genre-bending music has been replaced by a well-defined continuous take on electro acoustic ambient music and jazz. I call this “night music”. It’s been created with a singular vision lyrically and musically, speaking to the past memories and touching upon what the future may hold. The album features many veteran Rhode Island artists, whose music has moved me for many years, as well as artists from around the world, including Britain and France," says Daniel Darrow.

'I Was Just Dreaming' is available exclusively via Bandcamp, where the 'Memory Tree' album can be pre-ordered. On May 31, this record also goes live on digital music platforms, such as Apple Music and Spotify.

Bandcamp  https://thepullofautumn.bandcamp.com/track/i-was-just-dreaming
Spotify  https://open.spotify.com/artist/3ZHn08pIrnDqlDUSqHikHV
Album order  https://thepullofautumn.bandcamp.com/album/memory-tree
'Beautiful Broken World' album (2022)  https://thepullofautumn.bandcamp.com/album/beautiful-broken-world

CREDITS
Produced & Mixed by Daniel Darrow                          
Mastered by Bruce Macleod                            
Cover painting by Paul Everett
01. Memory Tree - Daniel Darrow (synths), Matthew Darrow (drums)    

02. Walter Benjamin - Leigh Gregory (guitars, vocals), Daniel Darrow (synths), Aaron Carr (cello)                              
03. Freedom is a Thief - Sophia Campbell (vocals, bass), Daniel Darrow (synths), Kevin Carnes (drums), Dan Laks (guitar)    
04. Lovely Fellow - Luke Skyscraper James (vocals), Daniel Darrow (synths)
05. Dolphins - Paul Everett vocals, Daniel Darrow (synths), Kevin Zahm (bass), Bob Kendall (guitar)                                  
06. Awakening - Leigh Gregory (guitar), Daniel Darrow (synths)                      
07. I Was Just Dreaming - Bruce MacLeod (guitar, bass, vocals), Daniel Darrow (synths)
08. Lines Written - Philip Parfitt (guitar, spoken word), Daniel Darrow (piano)
09. A Shrine to Past Memories - Matthew Darrow (synths)
10. Lost Time - Julius Manning (guitars, vocals), Daniel Darrow (synths)    
11. Flow Motion - Ricky Humphrey (bass, drums), Daniel Darrow (synths, trumpet, electronics)                                
12. Opening / Closing - Kraig Jordan (guitar, bass, vocals), Daniel Darrow (synths)

         
       
Keep Up With The Pull of Autumn / RBM Records
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Mark Daly Releases New Single “PIECES" feat. Emily Armstong of Dead Sara

Mark Daly is proud to unveil "Pieces," a captivating duet elevated by the vocals of Emily Armstrong, frontwoman of the band Dead Sara. The track features soul-stirring melodies and poignant lyrics, and is the latest glimpse into his forthcoming album Devil's Arms, slated for release this spring by One Opportunity Records. In addition to the song being released on all streaming platforms, the official music video was also released.

Mark Daly comments on the single, "‘Pieces’ explores the journey of two lost souls who find each other when they thought all hope was lost. The track features my friend Emily Armstrong from Dead Sara. I love how her raspy vocals blend with my smoky ones. I pulled in some Led Zeppelin and grunge influences. The song feels big and alive. I wanted to convey the sadness of longing for someone and then the hope you feel when you find that person you’ve been searching for."

Emily Armstrong adds, “When I heard Mark wanted me to appear on his new record I was flattered, and when the time came to get into the studio to record, things just flowed so naturally. The whole process just worked out so well.”

STREAM "PIECES"

https://hypeddit.com/markdaly/pieces

WATCH Mark Daly "Pieces" feat. Emily Armstrong from Dead Sara (Official Music Video) below.

Devil’s Arms CD’s are now available for pre-order in the merch shop online:https://markdalyofficial.com/shop/

"Pieces" follows lead single "I Wanna Be More" and is the second track to be released from Devil's Arms. Additional singles will be released in the coming months in anticipation of the full length release.

Mark Daly launched a three-week U.S. tour in January as direct support for Mr. Big. The Irish rocker supported the band throughout the Midwest and Northeast, while also headlining his own shows, including a marquee performance at the United States Military Academy at West Point, NY.

Hailing from Cork, Ireland, Daly is no newcomer to American soil, having completed numerous domestic tours with heavyweights including Candlebox, Queensrÿche, and Queensrÿche’s former frontman, Geoff Tate.

“I absolutely love everything about being on the road – meeting so many incredible people each night, getting lost in the music on stage. It’s pure magic,” says Daly.

Mark was first discovered while performing in his band The Voodoos in Spain. During one of their shows, music manager Brian Message (Radiohead, Nick Cave)was in the crowd and requested that Mark play some original songs. Brian decided to bring the band to London to record their first EP. It was in this defining moment that Mark decided to become a full-time musician and never looked back.

One early highlight in Mark’s career was performing at the MTV EMA Awards with The Voodoos after beating out 10,000+ bands from Europe for the slot. From there, Mark and the band began to tour throughout Europe and the USA. Mark’s first venture as a solo artist hit N0. 1 on the Scottish New Music Charts. Inspired by his son, Noah, the track “Your World” was written for an autism awareness charity.

Vomit The Soul Announces New Album; Drops Brand New Single & Music Video

Italian death metal vanguards, Vomit The Soul have today announced their latest auditory onslaught in the shape of new album, 'Massive Incineration', which will be released worldwide on June 7th via Unique Leader Records. Marking this pivotal chapter in their relentless journey, the news of the album erupts with the release of lead single and video "Annihilate The Infernal Army" which can be streamed now HERE with the visualizer being available to watch below.

'Massive Incineration' is a behemoth of ten tracks that fuses brutal death metal with technical prowess and dark thematic storytelling. The album is a further step in Vomit The Soul's sonic evolution - mature, refined, and seething with anger.

The band states, “‘Massive Incineration’ brings 10 punishing tracks of brutal death metal, maintaining the VTS style and groove that represents us. We took care to sew darkness and violence into every single detail, creating the most mature, technically refined and angry work we made so far. The album has got a new explosive mix and master, deliberately chosen to be similar to the characteristics of the sound we wanted.

 

“As a final bonus track, we have included a new entirely rearranged version of one of our classics, ‘Third’, that was featured on our first album. A gift for those who have been following us for years. The album concept was structured and linked closely to the atmosphere of the record. The sound naturally emerged during the writing of the songs, our apostles of evil (seen on our album covers since the time of ‘Apostles of Inexpression’) find themselves in the repugnant and blasphemous abyss of hell. Their purpose- to dominate the entire ‘Otherworld’, after having enticed the wandering souls in Cold.”

'Massive Incineration' is testament to Vomit The Soul's relentless innovation and fierce dedication to their craft. With a sound steeped in darkness and violence, this album is set to be their most angry and ambitious work to date. A meticulously crafted descent into the macabre, soundtracked by exceptional technicality and unbridled brutality.

As the single "Annihilate The Infernal Army" rips through the veil between worlds with its accompanying video, fans old and new will be lured into the abyss of Vomit The Soul's making.

ABOUT VOMIT THE SOUL

Formed in 2000 by death metal aficionados Max, Ycio, and Denny, Vomit The Soul quickly moved from rehearsal tapes to live gigs and EP recordings, despite lineup changes. Their relentless drive led them to independently release their EP 'Human Insanity' in 2003 and gain traction with intense live performances across Italy. The pursuit of excellence took them offstage to refine their craft, resulting in their well-received debut album 'Portraits Of Inhuman Abominations' in 2005 under Comatose Music, which catapulted them into the international festival circuit, rubbing shoulders with global death metal giants.

Regrouping in 2021 with original members Max and Ycio, joined by new faces Stefano Rossi Ciucci and Davide Billia, the band's evolution continued with the album 'Cold', their first with world renowned independent label, Unique Leader Records, which reasserted their dominance in the genre. The current lineup, including Andrea Pillitu and a role shift for Ciucci, entered MK2 Recording Studio in 2024 to create 'Massive Incineration'. Mixed by Billia and mastered at Hertz Studios, this upcoming album promises to maintain the band’s signature slam brutality with a fresh sound, set for global release on June 7th by Unique Leader Records.

BAT | RELEASE MUSIC VIDEO FOR INFECTIOUS SECOND SINGLE, 'STREETBANGER'

Richmond, Virginia metal-punk trio BAT has been delivering their own blood-spattered horror since ascending from the underground a decade ago on a dark, leather-winged trajectory. The brainchild of MUNICIPAL WASTE guitarists Ryan Waste & Nick Poulos, BAT leans heavily on the dirtier side of speed metal. On May 17th, the band welcomes the release of their second full-length album Under The Crooked Claw via Nuclear Blast Records.

Today, the band offers the infectious second track entitled 'Streetbanger'. The music video was directed by Ryan Waste and the cinematography was completed by Jeff Howlett.

BAT's Ryan Waste states, "'Streetbanger' was a title and lyrical concept I’ve had since the BAT demo days, so it’s been marinating for some time. It’s one of the tunes we reworked and played live for a while so it’s already been a staple in the setlist. For the video, we walked the streets of our hometown, Richmond, VA and shot the performance in our actual rehearsal space. I was able to direct the video clip on my own terms with the help of our close friend Jeff Howlett. Jeff is an amazing photographer who shot the band photos for our upcoming album Under the Crooked Claw as well as a documentary filmmaker known forA Band Called Death (2012). 'Streetbanger' embodies our raw, no-frills attitude in BAT and what you see is what you get.”

Watch the music video for the new single 'Streetbanger' below.

Pre-order and pre-save Under The Crooked Claw now at: https://bat.bfan.link/utcclp

This Summer, BAT will be heading across the US on a series of 5 headlining dates followed by the first half of the 'Lifeless Birth Tour 2024' with headliners NECROT. BAT will perform throughout May before joining the NECROT tour on June 5th in Berkeley until departing the package on June 27th in Boston. The second half of the tour will continue until July 13 and will include PHOBOPHILIC as well as STREET TOMBS, who will be on the complete tour. 

Confirmed dates for BAT are as follows:

Headlining dates 
05/03 Charlotte, NC - Snug Harbor
05/30 St. Louis, MO - The Sinkhole
05/31 Omaha, NE - Reverb Lounge
06/02 Denver, CO - The Crypt
06/03 Salt Lake City, UT - Aces High Saloon

'Lifeless Birth Tour 2024'
supporting NECROT as well as STREET TOMBS
06/05 Berkeley, CA - The Cornerstone 
06/06 Santa Ana, CA - Constellation Room 
06/07 Los Angeles, CA - First St. Billiards
06/08 San Diego, CA - Brick By Brick 
06/09 Phoenix, AZ - Nile Underground 
06/10 Albuquerque, NM - The Launchpad
06/12 Austin, TX - Parish 
06/13 Dallas, TX - Three Links 
06/14 Houston, TX - The Secret Group
06/15 San Antonio, TX - Vibes Underground
06/16 New Orleans, LA - Santos
06/18 Tampa, FL - Orpheum
06/19 Orlando, FL - Will's Pub 
06/20 Atlanta, GA - Boggs Social 
06/21 Columbia, SC - New Brookland Tavern
06/22 Raleigh, NC - Chapel of Bones
06/23 Pittsburgh, PA - Cattivo 
06/24 Baltimore, MD - Metro Gallery 
06/25 Bensalem, PA - Broken Goblet 
06/26 Brooklyn, NY - The Meadows
06/27 Boston, MA - Sonia 

Photo by Jeff Howlett 

The power trio, completed by drummer Chris Marshall, decamped to Philadelphia in June 2021 where Arthur Rizk recorded the basic tracks for Under The Crooked Claw. Yavé Rust tracked lead guitars and vocals later when the band was back in Richmond, ultimately to be mixed by Rizk and mastered by Joel Grind. The artwork for the album was inked by Brandon Holt and colored by Margaret Rolicki.

Jam-packed with tight, concise songs loaded with punchy choruses and lightning-laced leads, each of the 13 tracks offers a new horror short story mixing the perfect blend of heavy metal, punk, and rock ‘n’ roll or as Waste coins it "primitive heavy speed". 

Watch the band's first single entitled, 'Rite For Exorcism' directed by Norman Cabrera, produced by Maya Kay, and cinematography by Rob Lucas at Wolfpack Studios here: https://youtu.be/r9XsmFB8W08

Stream the new single 'Rite For Exorcism' on all platforms now at:  
https://bat.bfan.link/rfesg

Pre-order/pre-save Under The Crooked Claw:  
https://bat.bfan.link/utcclp

More information:
https://bewareofthebat.bandcamp.com/
https://www.facebook.com/bewareofthebat/
https://www.instagram.com/bewareofbat/
https://www.youtube.com/@BATBAND

BAT is:
Ryan Waste | Bass & Vocals
Nick Poulos | Guitar
Chris Marshall | Drums

High On Fire drops video for title track of new LP 'Cometh The Storm'

Iconic U.S. rock band, High on Fire, will release its new LP, 'Cometh the Storm,' on April 19 via MNRK Heavy. The GRAMMY Award-winning group, celebrating its 25th anniversary, recorded 'Cometh the Storm' at GodCity Studio in Salem, Massachusetts with producer Kurt Ballou. The 11-song effort -- the band's ninth studio album -- marks the release of the first new High on Fire music since 2018's 'Electric Messiah' and the first to feature drummer  Coady Willis (Big Business, Murder City Devils), alongside bassist Jeff Matz, and guitarist/vocalist Matt Pike. 'Cometh the Storm' boasts runic art and design by longtime High on Fire collaborator Arik Moonhawk Roper.

Now, High on Fire drops a music video for the new album's title track, directed by Phil Mucci for Diabolik Films.

"Cometh the Storm" was built from a riff I started playing on bass at practice," explains bassist/guitarist Jeff Matz . "I was noodling around with this melancholic harmonic minor line, just hammering the notes with my left hand, when Matt yelled out “Are we recording this!?” The chorus riff was something Coady and I came up with when we were jamming in LA. Matt then came in and worked up some rough lyrics and came up with the vocal line. For the chorus, I used this fretless bass I’d acquired. The weight of the low frequencies this thing produced was insane—how it blended with the guitars and drums, it was like being hit with a sledgehammer. We knew right away that this was going to be an epically heavy track."

“This was the first time I got to work with the guys on set and we had a blast,” offers Mucci. High on Fire lyrics can always be interpreted in a number of ways, so I started by trying to define “The Storm”. A huge list of visual ideas got whittled down to the two essential characters at work, The Man and Gaia, representing duel ends of the spectrum — with a very destructive cross-over. I always try to keep things light and encourage everyone to come with ideas — like Coady’s burning cymbal idea! No better way to end your High on Fire shoot than with exploding cymbals!”

High on Fire will kick off U.S. headlining tour dates in support of 'Cometh the Storm on May 4 in Orlando, FL. The jaunt will feature support from Venezuelan post rock outfit, Zeta, and Massachusetts crossover crew High Command. 

 

High on Fire 'Cometh the Storm' spring U.S. tour
(w/ Zeta, High Command)

May 4 Orlando, FL Conduit
May 5 Columbia, SC The Senate
May 7 Greensboro, NC Hanger 1819
May 8 Richmond, VA The Broadberry
May 10 Baltimore, MD Baltimore Soundstage
May 11 New Haven, CT Toad's Place
May 12 Jersey City, NJ White Eagle Hall
May 13 Cambridge, MA The Middle East
May 15 Albany, NY Empire Live
May 16 Cleveland Heights, OH Grog Shop
May 17 Detroit, MI The Magic Stick
May 18 Chicago, IL 3 Floyd's Brewing (Dark Lord Day feat. High on Fire, Abbath, Fugitive, 1349, Spiritworld)

TOUR AND TICKET INFO HERE

Tim Montana Announces New Album "Savage" + Shares Title Track

Rock singer/guitarist/songwriter TIM MONTANA is thrilled to announce Savage, his debut rock album, out July 12. Pre-order it here.

On Savage, Montana gets in touch with his undeniable rock 'n' roll roots. Armed with grit, guitars, and a hunger for glory, Montana has been endorsed by Dave Grohl and ZZ Top's Billy Gibbons, booked by David Letterman, and had his anthems used by the MLB and NHL. His moody, crackling, '90s-influenced riffs and whiskey-soaked vocals reel fans in while his storytelling keeps them. Savage is a custom and combustible cocktail, served in a dirty, cracked glass that proves why Montana earned iHeartRadio's "On The Verge" accolade.

Today, Montana has also shared the title track. Listen below.

"'Savage' is a window into my world and what I was inspired by over the course of writing and recording this album," Montana shares. "If there is a keystone or a decoder ring to the themes of these songs, 'Savage' is it. It's best enjoyed extremely loud."


With the new single, Montana comes out of the gates swinging. The blustery song is erected on a hellacious riff, push 'n' pull percussive tension, husky, smoky vocals, and the repeated battle cry that "Everything can go to hell...Everything is savage." Montana is no longer knocking on rock music's door. He's kicked it open and has waltzed right in.

Tim Montana is touring heavily with Staind and Seether this spring and with Bush, Jerry Cantrell, and Candlebox this summer.

TIM MONTANA ON TOUR:
4/12 — McCaysville, GA — TOONEYS Music Venue
4/13 — Savannah, GA — District Live At Plant Riverside District
4/18 — St. Augustine, FL — 107.3 Planet Radio Presents Planet Band Camp
4/19 — Tampa, FL — 98ROCKFEST*
4/20 — Orlando, FL — WJRR’S EARTHDAY BIRTHDAY 2024*
4/22 — Brandon, MS — Brandon Amphitheater
4/23 — Franklin, TN — FirstBank Amphitheater
4/25 — Newark, NJ — WDHA's Rock The Rock Fest*
4/26 — Baltimore, MD — 98 Rock Spring Thing*
4/27 — Worcester, MA — The Big Gig III*
4/30 — Portland, ME — Cross Insurance Arena
5/1 — Reading, PA — Santander Arena
5/3 — Milwaukee, WI — HOG FEST*
5/4 — Saint Paul, MN — 93X Twin City Takeover*
5/5 — Lincoln, NE — Pinnacle Bank Arena
5/7 — Waukee, IA — Vibrant Music Hall
5/9 — Grand Rapids, MI — Van Andel Arena
5/11 — Daytona Beach, FL — Welcome To Rockville 2024*
5/12 — Greenville, SC — Bon Secours Wellness Arena
5/14 — Orange Beach, AL — The Wharf Amphitheater
5/15 — Pelham, AL — Oak Mountain Amphitheatre
5/16 — Columbus, OH — Sonic Temple Festival 2024*
5/18 — Bushkill, PA — Lost Highway Motorcycle Show & Concert 2024*
6/8 — Sidney, MT — 2024 Hot Rods & Harleys Summer Kick Off*
6/29 — Rexford, MT — Abayance Bay Marina
7/6 — Milwaukee, WI — Summerfest 2024*
7/26 — Bend, OR — Hayden Homes Amphitheater
7/27 — Airway Heights, WA — BECU Live Outdoor Venue
7/31 — West Valley City, UT — Utah First Credit Union Amphitheatre
8/1 — Greenwood Village, CO — Fiddler's Green Amphitheatre
8/3 — La Crosse, WI — Copeland Park
8/4 — Indianapolis, IN — Everwise Amphitheater At White River State Park
8/6 — Cedar Rapids, IA — McGrath Amphitheatre
8/7 — Chicago, IL — Huntington Bank Pavilion At Northerly Island
8/8 — Three Forks, MT — Rockin The Rivers 2024*
8/9 — Nashville, TN — Nashville Municipal Auditorium
8/10 — Maryland Heights, MO — Saint Louis Music Park
8/13 — Cleveland, OH — Jacobs Pavilion At Nautica
8/14 — Cincinnati, OH — Riverbend Music Center
8/30 - 9/1 — Pryor, OK — Rocklahoma 2024*
9/28 — Louisville, KY — Louder Than Life 2024*
10/10 — Sacramento, CA — Aftershock*

ABOUT TIM MONTANA:
Tim Montana forges a new frontier for hard rock. Following a tumultuous and downright unbelievable childhood in a trailer off-the-grid, the singer, guitarist, and entrepreneur left his home state of Montana in the rearview at barely eighteen-years-old. Driven by a restless work ethic, he quietly carved out a niche without comparison. Along the way, he performed on The Late Show with David Letterman at the behest of the host (practically unheard of for a totally independent artist), collaborated with everyone from Billy Gibbons to Kid Rock (cracking the charts for the first time), made a fan out of Charlie Sheen (who directed the "Mostly Stoned" video), and even attracted his idol Dave Grohl to his corner. Forged by a long grind, he fulfilled his destiny in 2023. Tim shook the rock world with "Devil You Know." Christened "flawless" and "One of the 30 Best Rock + Metal Songs of 2023" by Loudwire, the breakout single surged onto Billboard’s Mainstream Rock Airplay and Rock & Alternative Airplay charts. In its wake, iHeartRadio touted him as an "On The Verge Artist." Soon, he found himself booked for tours with Staind, Seether, Saint Asonia, Bush, and Jerry Cantrell of Alice In Chains (another hero of Tim's). Simultaneously, he and Gibbons purchased historic bar and hotel Wise River Club in Wise River, MT. Coming back home to Montana inspired him to go even wilder on his 2024 full-length album, Savage. The hooks hit harder, the distortion was cranked up louder, and the spirit became freer.  Tim is telling a story that will resonate far beyond his home state, and you can hear it loud and clear on the first single and title track "Savage" and more to come. 

intervals Drops New Track + Official Visualizer "nootropic" From Upcoming Album 'memory palace' Out May 17

Innovative instrumental metal powerhouse intervals have dropped their new track "nootropic" and the official visualizer today. Fans attending recent intervals shows got a special sneak peek of the song, which can be found on the band's upcoming new album 'memory palace' set for release on Friday, May 17. When asked about the inspiration behind today's release, intervals mastermind Aaron Marshall shared:

“'nootropic' is the first tune that came out of the brain/hands when I started writing for the new record, and I’m super stoked to roll this one out! We’ve been playing it on tour over the past month and it’s been getting a really strong pop live, so I can’t wait for everyone to hear the recorded version. With this being the third single out from 'memory palace', this should give everyone an idea of the range of sounds happening on the record!”

Prior to today, intervals released "mnemonic" and most recently, "neurogenesis" featuring the acclaimed genre-blending electronic duo KOAN Sound, as well as guitar playthroughs for both (linked here and here, respectively). Pre-save 'memory palace' at the link here, stream "nootropic" here, and watch the visualizer below.

North American fans see intervals' incredible live performance on the remaining days of their co-headlining run alongside Hail The Sun with Body Thief and Makari as support. The band will then be hitting the road with Mammoth WVH beginning Saturday, May 4. For ticket information please click here, and be sure to keep 'em peeled for more intervals news coming soon.

intervals Tour Dates with Hail The Sun, Body Thief + Makari:

April 11 - Cleveland, OH @ The Roxy

April 12 - Detroit, MI @ St. Andrews

April 13 - Chicago, IL @ House Of Blues

Upcoming Tour Dates With Mammoth WVH:

May 4 - Bethlehem, PA @ Wind Creek Event Center

May 5 - Portland, ME @ Aura

May 7 - Wilmington, DE @ The Queen

May 8 - Norfolk, VA @ The Norva

May 10 - Cherokee, NC @ Harrah's Cherokee Resort Event Center

May 12 - Ft. Lauderdale, FL @ Revolution Live

May 14 - Chattanooga, TN @ The Signal

May 16 - Nashville, TN @ Brooklyn Bowl

May 17 - Louisville, KY @ Mercury Ballroom

intervals exist as the unbound and unapologetic creative expression of Aaron Marshall. The progressive guitar rock faithful revere Marshall for his virtuoso chops and melodic prowess in equal measure. His distinctive character and musical personality shine throughout the heady, catchy, and transcendent instrumental compositions found across the ever-growing catalog of intervals albums. 

The music is a window into the Toronto, Ontario, guitarist’s mind, body, and soul. Songs like “Libra”, “5-HTP”, “Belvedere”, “I’m Awake”, and “mnemonic” rank among the most popular in the genre. Metal Injection describes intervals as “catchy-as-hell shred.” Sonic Perspectives declared the band’s fourth album, 2020’s 'Circadian', “strikes the perfect balance between shred, songwriting, and melody.”

A trio of gifted touring and recording musicians surround Marshall as they collectively share intervals’ songs with the world: drummer Nathan Bulla, bassist Jacob Mansky, and guitarist Travis LeVrier. They consistently stun audiences, including on celebrated treks with Spiritbox, TesseracT, Animals As Leaders, Polyphia, Periphery, Protest The Hero, and Between The Buried And Me. 

The earliest intervals offerings, including two EPs and 2014’s full-length debut, A Voice Within (the sole album with lead vocals), were decidedly heavy and aggressive. Heralded by MetalSucks as “fantastic” and “lacking virtually nothing,” 2015’s The Shape of Colour ventured in a new direction. intervals' fourth album was appropriately titled The Way Forward. “Employing many of the same techniques as technical progressive metal but in a major-key, upbeat framework has been intervals’ calling card,” wrote Metal Hammer. “[The Way Forward] is a purer distillation of [Marshall’s] aim.”  

Circadian marked intervals’ first collaboration with Sam Guiana (Silverstein, Neck Deep, Holding Absence). memory palace brilliantly celebrates the best of intervals’ past, present, and future. The album is diverse, uplifting, and crushingly heavy. Also produced by Guaiana, memory palace includes collaborations with KOAN Sound (“neurogenesis”), J3PO (“galaxy brain”), and OBLVYN (“lacuna”). 

Fiercely independent and precision-focused but never lacking in uplifting vibe and fun, intervals continues to grow from Marshall’s strong roots in authenticity, instinct, and trusting one’s gut. - Ryan Downey

PAIN Share New Single "Push The Pusher"

NEW ALBUM I AM OUT MAY 17 VIA NUCLEAR BLAST

Today, PAIN release their new single "Push The Pusher." Stream the song here.

Demonstrating their ability to blend electro grooves with fist-pumping rock, this track is presented with a stunning clip made by a dedicated video team, Midjourney and AI tools. All images in the video are generated by AI and animated by two artists: Dmitry Alekseev and Sergey Kozlov, who created this special video in 2.5 months. The creators worked with a unique method, and developed this masterpiece for "Push The Pusher."

PAIN are back and prove to be more innovative, entertaining, and daring than ever before.

The new album I Am, will be released on May 17 via Nuclear Blast Records. Pre-order it here.

Peter Tägtgren comments, "'Push The Pusher' was the first song I started working on after 'PIMH.' I was hungry for distortion and stomp, to create an industrial feeling again. Lyrics-wise, it's really about me, as I've heard more then half of my life..to grow up."

The video premiere is set for April 12 at 1 pm ET. Click below to watch it.

ABOUT PAIN:
 It's 2021 and a pandemic is strangling the world — and no one seems to be having fun.

Seemingly tireless music freak Peter Tägtgren couldn't care less as he hits the jackpot with — pardon the harsh language — a fucking catchy... well, party anthem. We are of course talking about the song "Party in My Head" by Tägtgren's synth-infused metal project PAIN.

"I don't really know what it is about 'Party in My Head' that made - still makes - people go crazy for it... But what I do know for sure is that the song has already been enjoyed millions and millions of times. The numbers are pretty crazy! Of course, PAIN is no stranger to writing danceable and catchy, albeit metallic shit... it's always been in the DNA of this project. But let's face it: If the world really needs 'party anthems' from a cynical geezer like me, something's seriously wrong," Peter laughs.

Our beloved planet may be screwed, but there still doesn't seem to be much wrong in PAIN's world as 2024 ticks fast on the calendar. There simply can't be, because PAIN's eagerly awaited new studio album I Am is soon here — yes, after eight years of devoted waiting.

"The previous record Coming Home came out in 2016 and of course there was a tour after that. In 2019, I released an album called F & M with Rammstein singer Till Lindemann, a project I left in 2020. In 2021, it was time for my death metal band Hypocrisy to get active with a new album Worship and of course we toured again. If that wasn't enough, let's add that there was a studio album with Joe Lynn Turner in 2022... In other words: the last eight years have passed in the blink of an eye," Peter sighs.

"After all this, it was the perfect time for PAIN to go full force again. I felt excited to say the least. Needless to say, the success of 'Party in My Head' gave the album process an explosive start!"

Let's get one thing straight: the powerful-sounding I Am is truly a versatile — if not the most versatile — musical missile in PAIN's rich discography. The new songs go everywhere with heavy industrial riffs, haunting melancholic vibes, and groove-filled rhythms, without forgetting surprises, of course.

"There's no boundaries with PAIN. I just get an interesting idea for a song and along the way it can turn into anything. Sometimes, I also like to deliberately surprise people by following an exciting musical path where unexpected things happen," Peter describes.

"If I had one big goal this time, it was to add more intensity and edge to the songs. 'Coming Home' turned out great, but looking back now, I was maybe a little too deep into my 'David Bowie worship' with the orchestral stuff and the acoustic guitars. This time around, I definitely wanted more tempo, aggressiveness, and an industrial atmosphere. Going back towards the old times of PAIN? Maybe a bit..."

He continues, "'I Am' is also more of a family affair than ever before. My son Sebastian, also a PAIN drummer,  wrote the music of 'Revolution' and 'Don't Wake the Dead.' These absorbing songs add width to an already versatile album. All in all, completing I Am required a lot of composing, writing, thinking, experimenting, doing, and re-doing. It was a long and sometimes challenging process, but never painful!"

Speaking of surprises... What song will give fans the biggest wow effect this time?

"It must be 'Go With the Flow.' I dare to insist that when it starts rolling, even the deep connoisseurs of PAIN music are wondering what the heck is going on here. I would say it's my 'Depeche Mode in the 80s' song," Peter laughs. "Lyrically, 'Go With the Flow' represents a slightly brighter moment in the darkness. I always tend to think that everything is going to hell, but with this song I tell myself, 'Come on dude, let things be for once and go with the flow.'"

There may be these rare rays of light from the beacon, but darkness still prevails.

"The album's title track starts with the line 'There's no hope in the valley of death.' And if I look at the lyrics, I could dig up a lot other examples of similar sinister moods. But hey, a sarcastic guy like me and such gloomy times we live in... Are you expecting some sunny faces here? Well, sunny or not, PAIN is going to be busy for the foreseeable future. There will be a lot of touring to support the record — summer festivals, extensive tours here and there, and more," Peter says.

He finishes, "And what about the future anyway? Ask me again in eight years and there have been a few studio albums from different bands, a lot of gigs and something else. Yes, I am what I Am..."

Black Tusk Premiere New Single

Black Tusk are debuting their new single "Breath of Life" with Decibel Magazine. The video was produced by Alexandra Petrovich. "Breath of Life" comes ahead of the band's new album, The Way Forward, which is out April 26 on Season of Mist. 

"'Breath of Life' was a fun one to work on", says Chris "Scary" Adams. In addition to playing guitar and contributing vocals, Scary also produced and mixed The Way Forward at his studio Hidden Audio. "There were a few iterations as we were riffing alone, but once we all got together it really took shape. That's my favorite part about writing collaboratively. It really does come to life when everyone contributes".   

"'Breath of Life' is a bludgeoning track that showcases the new versatility of having a second guitarist", says bassist and vocalist Derek Lynch, who makes his debut as a member of Black Tusk on The Way Forward. "We decided to bookend the chaos with some experimental synth parts that I feel set the tone for what's to come".    

Watch the video for "Breath of Life" below.

Pre-order: https://shop.season-of-mist.com/list/black-tusk-the-way-forward

Pre-save: https://orcd.co/thewayforwardpresave

Don’t miss the chance to see the band’s new four-piece lineup on April 26, when they ring in album number seven at their free hometown record release show!  Joining the party are special guests Bronco and fellow Savannahians The Maxines.

"A raucous style of punky, hard rocking sludge, with minimum fuss and ample bursts of energy and ballsy aggression" - Angry Metal Guy

"Chaotic and raw, but also extremely catchy and memorable" - Metal Injection

"A no frills band that goes full throttle. Black Tusk are here to stay" - Heavy Music HQ

"An engine-wrecking riff-fest from the Savannah badlands" - Metal Hammer

"Black Tusk are pretty much the only Georgia metal act who still sound like they hail from the home state of Sandra Dee and Uga" - Invisible Oranges

"Alive, raw, furious, loud...they almost make your face vibrate" - Heavy Blog is Heavy

"Black Tusk's combination of sludge, rock, hardcore and death metal remains fluid, fertile and most importantly, full of life" - Pitchfork

Black Tusk will then hit the road for more shows with their fans down south.

The Way Forward Record Release Show
April 26 - Savannah, Georgia @ Congress St. Social Club [Free Show]

Black Tusk 2024 May Tour Dates 
May 23 - Atlanta, GA @ Boggs Social & Supply [TICKETS]

May 24 - Orlando, FL @ Will’s Pub [TICKETS]

May 25 - Stuart, FL @ East Ocean Pub [TICKETS]

May 26 - Jacksonville, FL @ Rain Dogs [TICKETS]

“The big theme of this record is putting your life back together.” That’s Black Tusk guitarist/vocalist Andrew Fidler talking about the band’s new album, The Way Forward. “When everything seems like it’s against you, put your head down and push through. Take those bad things that are happening and use them to help create.” 

The Way Forward might be the Savannah swamp metal crew’s seventh album, but it marks many firsts for Black Tusk. It’s their first with their new lineup, which sees guitarist Chris “Scary” Adams and bassist Derek Lynch joining Fidler and drummer James May. Which also makes it Black Tusk’s first record with a two-guitar lineup. “We were able to add leads and harmonies and all kinds of stuff on the new record that we haven’t done in the past,” Fidler says. “As far as our records go, this one has the most guitar work.”  

You can hear it in the squealing solo of “Dance on Your Grave,” the killer harmonies on ripper “Harness (The Alchemist),” and the glorious dual guitar interplay of the powerful title track.  

“‘The Way Forward’ is my favorite song on the record,” Fidler says. “It’s based on a personal experience that everyone can probably relate to. I got divorced in 2020, and I kinda felt like my entire world was collapsing when that happened. But I pulled myself out of it. I realized that this one thing ending in my life isn’t the end of everything. I’m gonna find a way forward. I’m gonna figure out how to live my life and create and be happy and make new relationships. Which is what I’ve done.”  

In true Black Tusk fashion, the new lineup has expanded their triple-vocal approach to quadruple. “Everyone is doing vocals,” Fidler says. “That’s always been a thing in Black Tusk. Derek said he’d never done heavy vocals before, so I was like, ‘Well, here’s the mic. Here’s some words. Yell at it and see if you like it.’ I was blown away the first time he did it. It sounded good as fuck.”   

That’s Lynch on lead single “Brushfire,” a song for which he wrote the main riffs and lyrical concept. “That was my first real contribution to the band,” the bassist says. “Thematically, I wanted the aggressiveness of the lyrics to keep with the idea of pushing forward even when the world is trying to drag you down. The mood of the lyrics needed to match the pulverizing tempo of the song.”  

The lyrics for second single “Dance on Your Grave” were written by May, who moved from Savannah to Athens, GA, in the time since Black Tusk’s last album. “It’s about his struggles through Covid and what this lifestyle can do to people,” Fidler says. “It’s about getting past the party lifestyle and continuing to do things that are creative.”  

Meanwhile, “Breath of Life” distills Black Tusk’s lyrical philosophy into a righteous five-minute pummeling. “Scary came up with the main riff of this song, and it’s one of my favorite riffs on the record,” Fidler says. “I wrote the lyrics, and it’s just about darkness crushing everything. The world is a fucked-up place that we have to navigate through. That’s what a lot of Black Tusk songs are about.”  

Black Tusk recorded The Way Forward at Adams’ own Hidden Audio studio just outside of Savannah. Adams engineered the album and the whole band produced. “I actually helped him build the studio in the detached garage next to his house,” Fidler explains. “Me and my carpentry company went out there to do it, and Scary helped.”  

“We had about 90% of the riffs and song structures going into the studio, while still experimenting with ideas and inspirations,” Adams explains. “Sometimes we completely reworked parts, which made all the difference. For example, early versions of ‘Breath of Life’ and ‘The Way Forward’ are quite different than the record, and I love where they ended up. Though we did use a few effects and synths here and there for texture and space, to me this record still feels raw and powerful. It captures the feeling of being at a Black Tusk show.”  

The cover art for The Way Forward was done by Brian Mercer, who also created the sleeve for Black Tusk’s 2018 album, T.C.B.T.“T.C.B.T. had a dark cover because it was a dark time for the band,” Fidler says, referring to the period immediately after the passing of their longtime friend and bassist Jonathan Athon. “This time, it’s full blown, full-color Black Tusk. Brian Mercer and James collaborated on the concept, and Brian really knocked it out of the park.”  

“The title is kind of a double play,” Fidler says. “It’s the first record with the new lineup, and this is the direction we’re taking the band in. We’ve been doing Black Tusk for 19 years now, and we still love it. That’s why we called it The Way Forward.”  

Line-up:

Andrew Fidler: guitar, vocals
James May: drums, vocals
Derek Lynch: bass, vocals
Chris "Scary" Adams: guitar, vocals

Recording Studio
Hidden Audio

Producer/sound engineer
Chris "Scary" Adams

Mixing studio and engineer
Chris "Scary" Adams

Mastering studio and engineer
Brad Boatright at Audiosiege

Cover artwork
Brian Mercer

Pre-order: https://shop.season-of-mist.com/list/black-tusk-the-way-forward
Pre-save: https://orcd.co/thewayforwardpresave
 

Follow Black Tusk:
https://blacktusk.bandcamp.com/
https://www.instagram.com/tcbt/
https://www.facebook.com/BlackTusk
https://open.spotify.com/artist/7iontmL8hXqoJcSA5oTZqa
https://twitter.com/BlackTusk
https://music.apple.com/us/artist/black-tusk/292231967

American alternative crooner Fred Abong (Throwing Muses, Belly) presents 'Heaven', previewing new 'Blindness' LP

“Purity and honesty in his approach that gets more and more intense with each track... like you’re riding a wave of energy” ~ Higher Plain Music

“Beautifully raw, uncluttered and quite cinematic... Melodically infectious and lyrically mysterious" ~ Newport Naked

“Abong’s vocal delivery is a testament to his storytelling prowess. His voice carries the weight of experience, each phrase brimming with authenticity and emotion... connecting on a profound level with the emotions that make us human”  ~ Skylight Webzine

“So unique that there is no possible way this music could be mistaken as being performed by anyone else" ~ Amplify Music Magazine

“An almost painful intimacy to his words despite the oblique phrasing and imagery he conjures” ~ Isolation Records


New Orleans-based alternative folk-rock artist Fred Abong presents 'Heaven', the first taste of his new 'Blindness' album, to be released on May 9 via Moochin' About Records. While most famously associated with the bass guitar, Abong wrote this material for this album on the piano, effectively opening up a new compositional and emotional space for him.

His eighth long-player to date, Abong is no stranger to the US alternative music realm, having got his musical start in the 1980’s on the Rhode Island hardcore punk scene. In the early 1990s, he played bass for Throwing Muses and then Belly. Putting music on hold for academic pursuits, he then earned a PhD in Humanities and taught at various universities for eight years before returning to music. Now back as a solo artist, Abong also plays bass in the Kristin Hersh Electric Trio.

“Heaven is probably the most straightforward song on 'Blindness'. It's kind of an anthemic rock ballad, delivered in my own understated version of theatricality and drama. There's maybe even a touch of Broadway in there, much to my embarrassment … but there you have it. Lyrically, it's pretty downbeat, but what else is new? I am, always have been, and always will be a seeker after something truer and more ideal than what I find in the social and cultural sphere," says Fred Abong.

"Heaven is just one of many musical snapshots of an ongoing struggle to find or create an earthly paradise for myself and my loved ones and the disappointment and growing exhaustion of coming up empty again (and again). To be clear, Heaven is not an ode to the afterlife … it's more prophetic and atemporal, about finding eternity here and now rather than in an imagined future.”

This first single introduces one of the album's primary themes - salvation. In some sense, it's the album's only theme. Where and how is heaven found? Through some kind of spiritual awakening or realization of the ephemerality and impermanence of material life? In mystical union with the beloved? By living in the moment? By freeing oneself from the strictures of 'straight life' and going off the grid? By being blind to present reality and living in the glory days of the past? Or maybe there's only ever momentary salvation, such as experienced when being kissed? What about suicide? All of these questions and more are explored here… but hopefully temporarily resolved when set to music, which “hath charms to soothe the savage beast' in all of us.

A Filipino-American singer-songwriter, Abong's music has a raw and unpolished production aesthetic with an overall direct, though deceptively imaginative and oblique, presentation. Abong has also been a practicing Vedic astrologer for the past 20 plus years.

Between the bookends of the new 'Blindness' album and 'Homeless', the first set of songs as a solo artist, originally self-released in 2018, Abong has released several critically acclaimed records, including his self-recorded 2023 'Fear Pageant' and earlier albums 'Yellowthroat', 'Pulsing' and 'Our Mother of Perpetual Help'.

As of April 9, 'Heaven' is available everywhere digitally, including Apple Music, Spotify and Bandcamp. On May 9, the full 'Blindness' album will be released on CD, along with his 'Homeless' album, both of which can be pre-ordered via the label's Bandcamp.

CREDITS
Music and lyrics by Fred Abong
Recorded, mixed, and mastered by Fred Abong
All instruments performed by Fred Abong
Videos by Fred Abong
Publicity by Shameless Promotion PR
Album released by Moochin' About Records

'Blindness' album pre-order
https://moochinaboutltd.bandcamp.com/album/blindness
Spotify  https://open.spotify.com/artist/1qHuRR8HuuAkPb1VTPSExd
LinkTree  https://linktr.ee/fredabong

Keep up with Fred Abong
Website | LinkTree | Bandcamp | Instagram | Twitter | Facebook | YouTube | Apple Music | Spotify | Fred Abong Astrology | Press contact

Keep up with Moochin' About Records
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Dark Folk Artist Kati Rán Shares Music Video for Emotional New Song, "KÓLGA | 16"

Dutch artist and Nordic folk pioneer Kati Rán is now unveiling her emotional new single, "KÓLGA | 16," along with an epic music video, which was created by Costin Chioreanu. The track is taken from Kati Rán's upcoming full-length, 'SÁLA,' which is due on May 24, 2024 via Svart Records. The clip can be found below.

Kati Rán comments, "'KÓLGA | 16' is one of the coldest waves of the nine billowmaidens of Rán, one that can take your breathe away in a overpowering chokehold of ice water. What we deem the most 'destructive of powerful forces of nature' are aswell a necessary and powerful catalyst for change, or gain newfound clarity.

"The song as well touches upon many female figures that in one way or the other made significant sacrifices in their lives,  have been sacrificed, betrayed, persecuted or deliberately put in another light in history, in mythology and various folktales across time and culture."

 

Svart Records is delighted to expand its international artist roster with the signing of established dark Nordic folk artist Kati Rán and to release her second full-length album 'SÁLA.' Special vinyl editions in gold, transparent smoke, and black as well as digipack CDs are available for pre-order HERE.

'SÁLA' features an impressive lineup of diverse musicians who lent their talents to the record, including Gaahl, Napalm Death's Mitch Harris, members of Heilung, Sígur Rós, and many others!

Kati Rán is known for her collaborative audio work for Netflix’s tv series 'VIKINGS: VALHALLA,' films and work for videogames, her stage appearances with Wardruna, Myrkur and Gaahls Wyrd to name a few, and her previous releases of the successful album; and Nordic dark folk tracks “Blodbylgje” and Icelandic track “Unnr | Mindbeach”; that run millions of streams and gathered a tightly knit Nordic Folk music loving audience around her.

If the most profound treasures are often the most deeply buried, the journey to uncover them is vital process of discovery. Five years after the 15-minute single “Blodbylgje” signaled the birth of a new, more primordial, and immersive vision after the dissolution of her band L.E.A.F., Nordic dark folk artist Kati Rán has expanded on its oceanic theme for her long-awaited full-length album, 'SÁLA.' Embarking on a far-reaching musical and personal travelogue, it’s a reawakening of both the feminine narratives submerged and fragmented within Norse mythology, and the enduring, healing powers held within.

Named after the Old Norse word for ‘soul’ and ‘sea’, 'SÁLA' is an act of "soul retrieval," the shamanic art of trauma recovery, be it illness, death, heartbreak or loss, and the reintegration of a splintered self. Across its 13, wide-ranging, elegantly unfolding tracks, the album is an embodiment of different feminine voices and perspectives – from the Norse nine daughters of the sea, or ‘billow maidens’, through various historical and fictional figures to the late-night voices we hear in our most liminal states – all with tales to tell, riddles to solve, challenges to be accepted and guidance to offer. It’s a multiplicity that, like the ocean itself, belongs to a vast, restless dynamic: a matrix of mysteries, unfathomable depths and ever-shifting currents, accumulating into an elemental, regenerative source of power.

Recorded in a barn in Húsafell, Iceland – home to glacier ice caves and a rare lava stone marimba rediscovered for the track “Stone Pillars” – as well as Finland, Norway and at home in Kati’s native Netherlands, 'SÁLA' is as much chronicle of Kati’s own perspective-shifting recording process as it as a pilgrimage through different viewpoints and internal states. That itinerate urge is also reflected in the use of different languages, ranging across Norwegian, Old Norse, Icelandic, and, for the first time, English, her combination of ancient texts, historical reimagining’s and unguarded personal reflection backed up by deep research into the most resonant recesses of Nordic lore.

Spun throughout every thread of 'SÁLA' is a sense of communion - with the power of stories to offer moral guidance and the thrill of the unknown; with the element of water, recreated across the album both in field recordings and the agelessly organic nature of the music itself; with the archetypes whose qualities we are called upon to embody at our most critical moments; and with the internal hidden realms forever whispering at us from the far edges of our consciousness.

Appropriately, it’s a collaborative venture too. As well as working closely together with Finnish producer Jaani Peuhu, there are contributions from across the musical spectrum, including extreme metal vocalist extraordinaire Gaahl, the Icelandic female choir Umbra Ensemble, renowned Norwegian jazz musician Karl Seglem, Björk and Brian Eno contrabassist Borgar Magnason, members of pagan folk acts Völuspá, Gealdýr, Heilung and Theodor Bastard and even Napalm Death’s Mitch Harris on vocals.

For all the many sources 'SÁLA' draws from, the result is a singular, intimately transformative rite of passage, and a retuning of the heart to the reverent continuity of the sacred. It will take you from the opening title track’s chest-pounding rhythmic pulse emerging from a traditional Norwegian bukkehorn (recorded by Karl Seglem), a galloping horse-rider and Kati’s glacial, velveteen chant, through “Kólga’s” recounting of female persecution through the ages borne on the most gossamer-light yet unbreakable of timbres and “Stone Pillar’s” gently percolating, deep wells of abandonment and incantations to recovery. 'SÁLA' closes with the track “Sátta” - Old Norse for ‘peace’ and ‘reconciliation’ – ending the album as it began with the bukkehorn, as it weaves rich drones and experience-stamped poems and prayers, Kati’s vocals the most sensitively tuned of emotional barometers. An album made in dedication, and in thrall to, its own sense of destiny, 'SÁLA'” is, as all quests must ultimately be, a homecoming.

Lineup:

Kati Rán

Special Guests:

Gaahl (Gaahl, Wyrd, Wardruna)

Mitch Harris (Napalm Death)

Jaani Peuhu (Swallow the Sun, IANAI, Lord of the Lost, Hallatar)

Karl Seglem (Norwegian jazz and folk legend)

Borgar Magnason (Björk, Sígur Rós, Brian Eno)

Gealdýr

Emilie Lorentzen (Heilung)

Nicholas Schipper (Heilung)

Yana Veva (Theodor Basterd)

Umbra (Icelandic female choir)

Sól Geirsdóttir, Varg Saastad (Völuspá band)

Marianne Heikkinen, Salla Marja (Saruru)

Páll Guðmunsson (Hilmar Örn Hilmarsson, Steindór Anderssen, Sígur Rós) Florian Ravn (Skáld)

Production: Jaani Peuhu, Kati Rán, Christopher Juul

Mastering: Jaime Gomez Arrelano

Cover Art: Photographer Arne Beck, Illustrator Halfdan Skrifa, Graphic design Jari

Laurén, Charlotte Boer, Deluxe Box Edition with cover painting by Marzena Ablewska-Lech

Bio: Jonathan Selzer

Links:

Official Website

Bandcamp

E-Shop

Facebook

Instagram

TikTok

Twitter/X

YouTube

Pre-Save // Stream

Swedish postpunk trio THEN COMES SILENCE serves up seventh album 'Trickery' & announces North American tour dates

"Then Comes Silence are everything a band should be - good tunes, good playing and singing, and good looking. Their songs are ear-worms, once heard difficult to forget, as catchy as gonorrhea but far better for your health" ~ Wayne Hussey

”I can see them being huge” ~ Dani Filth (Cradle of Filth)
 
"Capturing the alluring intersection of 1980s Post-Punk, New Wave and College Rock in one fell swoop, this music feels organic and fresh, with ample drive, clever songwriting and a killer melody, along with crisp production" ~ The Spill Magazine 

"Truly love it" ~ She Past Away
 
"Hellacopters of Gothic Rock" ~ Jyrki 69 (The 69 Eyes)

"The only band that have been voted in as album of the month three times!" ( 'Blood' in 2017 / 'Machine' in 2020 / 'Hunger' in 2022) ~ Sonic Seducer Magazine


Sweden's Then Comes Silence presents a new serving of their infectious post-punk with their seventh album ‘Trickery’. Released via Metropolis Records, the album was previewed by the singles 'Like a Hammer' and ‘Ride or Die’.

The trio will also be bringing their potent sound on the road for a North American tour, which will see them play out in 21 cities across the US and Canada. They will be joined by Vision Video, Aurelio Voltaire and Tears For The Dying.

Formed in Stockholm in 2012, Then Comes Silence is made up of frontman Alex Svenson, drummer Jonas Fransson and guitarist Hugo Zombie (Los Carniceros del Norte) with Svenson originally inspired by frequent touring with A Place To Bury Strangers and an attraction to horror and the occult.

Recorded by Jörgen Wall (Jay-Jay Johanson, The Hellacopters) over three days at Stockholm's Kapsylen Studio and mixed by Tom van Heesch (Rammstein, Apocalyptica, Backyard Babies), this album was mastered by Svante Forsbäck / Chartmakers (Rammstein, Amaranthe, Ville Valo, The Rasmus, Apocalyptica).

TOUR DATES
April 20 – Parsippany, NJ @ Dark Force Fest
April 21 – Pittsburgh, PA @ Cattivo  *
April 23 – Rochester, NY @ Photo City Music Hall  *
April 24 – Brattleboro, VT @ Stone Church *
April 25 – Boston, MA @ Sonia  *
April 26 – Lewiston, ME @ L/A Arts  *
April 27 – Montreal, QC @ Bar Le Ritz PDB  **
April 28 – Toronto , ON @ Velvet Underground  **
April 30 – Cleveland, OH @ Beachland Ballroom  *
May I – Grand Rapids, MI @ Pyramid Scheme  *
May 2 – Chicago IL @ Subterranean  **
May 3 – St. Louis. MO @ The Crack Fox  **
May 4 – Dubuque, LA @ Fox Den Motel  *
May 5- Milwaukee, WI @ The Vivarium  *
May 6 – Minneapolis, MN @ Green Room  *
May 7 – Kansas City, MO @ Recordbar  *
May 8 – Louisville, KY @ Art Sanctuary  *
May 9 – Detroit, MI @ Smalls  ***
May 10 – Baltimore, MD @ Metro Gallery  ***
May 11 – Hamden, CT @ Space Ballroom  ***
May 12 – TBA  ***

*   with Vision Video
**  with Vision Video + Aurelio Voltaire
*** with Vision Video + Aurelio Voltaire + Tears For The Dying

This album celebrates friendship, unity and the feeling of belonging to a group, a tribe. Being a part of what most people would call the goth and post-punk community is, according to the band, a great privilege.

Of course, there are dark sides to everything, but after being on the road and meeting people from the music scene for so many years, the band have experienced a caring and welcoming community. Old and young. Some with a similar background and some just for the love of the music and the culture that comes with the lifestyle.  

"No one is free from apprehension and fear. Everyone feels some kind of alienation in certain degrees. You might often think you need to camouflage yourself to be part of a context. Make a change to fit in the group. The need for friendship is strong so you adapt. Maybe not always the way you hoped. But then...  there are moments when we unite and harmonize with other people and feel an incredible community together. That feeling is priceless and a blessing. Friendship is love. It is important and worth fighting for," says Alex Svenson.

Following up their 2022 album 'Hunger', released via Nexilis Records / Schubert Music (Europe) and Metropolis Records (North America), these sessions capture the heart and essence of alternative rock. With electronic elements essential to the new recordings, 'Trickery' is also a salute to punk music, to which Then Comes Silence traces their roots.

After debuting with their eponymous album in 2012, Then Comes Silence put out two more albums before releasing 'Blood' via Nuclear Blast in 2016. Their subsequent 'Machine' album was jointly released via Oblivion/SPV and Metropolis Records in 2020.

Then Comes Silence has toured and played live with The Fields of the Nephilim, The Chameleons, A Place To Bury Strangers, The Bellwether Syndicate and Vision Video, as well as performing at Wave Gotik Treffen, M'era Luna, Amphi Festival, Castle Party and W-Festival.

As of April 5, the 'Trickery' album will be available on vinyl and CD. It will also be released digitally everywhere, including Apple Music, Spotify and Bandcamp. As for their upcoming North American live dates, tour tickets can be ordered now.

CREDITS
Music & Lyrics by Alex Svenson 
Published by HaHa Musikförlag
Alex Svenson - vocals, bass, synthesizer
Jonas Fransson - drums
Hugo Zombie - guitar
'Like a Hammer' video directed by Johnny Nattsjö & D.K. Griftegaard
'Ride or Die' video directed by Gözde Duzer & Then Comes Silence
From 'Trickery' album, released via Metropolis Records
Publicity by Shameless Promotion PR

'Trickery' album pre-order https://ingrv.es/trickery-fqf-x 
Bandcamp  https://thencomessilence.bandcamp.com/album/trickery
Spotify  https://open.spotify.com/artist/7hM4i3NzOOZZ0IBAGY2hJy
Apple Music  https://music.apple.com/us/album/trickery/1729498261

Keep up with Then Comes Silence
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Keep up with Metropolis Records
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JEFF KOLLMAN GETS READY TO DROP NEW ALBUM AND FIRST SINGLE FEATURING CHAD SMITH

FIRST SINGLE “TONGS & THONGS” FEATURING CHAD SMITH (RED HOT CHILI PEPPERS) IS OUT APRIL 12


Jeff Kollman is best known for his heavy, melodic electric guitar playing, fusing elements of Jazz harmony and creating his own brand of Rock with his long running prog fusion trio, Cosmosquad, and as a member of Chad Smith’s Bombastic Meatbats. You can also catch him live with famed producer Alan Parsons (Pink Floyd, Beatles) with The Alan Parsons Live Project and in the studio or on stage with the likes of Japanese legend Eikichi Yazawa, Asia F.J.P., Steel Pulse, Chris Isaak, Jason Mraz, Lou Gramm (Foreigner), and producing rock legends Phil Mogg (UFO), Glenn Hughes (Deep Purple), and Joe Lynn Turner (Rainbow).

Now Jeff is set to release his latest album 2023 A.D. on May 17th which features a guest appearance by Red Hot Chili Peppers and fellow Bombastic Meatbats drummer Chad Smith on the first single “Tongs & Thongs”. As Kollman explains, “Well I wrote this song originally for our group Bombastic Meatbats. I decided to record it and feature the band including Chad Smith on drums for this recording. Chad has some great solo highlights on this tune. I told Chad to fill the holes.” Smith continues, “Tongs & Thongs is a ripper. I am honored to be part of the amazing Jeff “the bee” Kollman’s record. Crank it!”

Pre-save “Tongs & Thongs” here: https/push.fm/ps/tongs

The album also features Shane Gaalaas (MSG, Yngwie Malmsteen) Jimmy Johnson (Allan Holdsworth, James Taylor), Guy Allison (Doobie Brothers), Kevin Chown (Steelheart, Sebastian Bach) and Ed Roth (Robbie Krieger). Bassist Ric Fierabracci (Chick Corea) makes a special appearance on the bonus Vinyl track 1979.  Kollman continues, “I think that this album is some of my finest work in the sense that the songs flow together and there’s a contrast and depth in the compositions. It’s certainly my best sounding solo release. Having songs without vocals forces the writer to come up with music that doesn’t need lyrics to invoke depth of human emotion. I love that challenge as a writer. Many guitar instrumental records fall short on composition. There’s so much focus on lead guitar shredding and showing off. I like to paint a picture with many shades and colors to provide a feast for the sonic senses.”

The album boasts 12 tracks in all with 3 bonus tracks on the vinyl edition which is due out on June 21st.  It includes stand out songs like “Tribal Scream”, “Layers”, and “Battle Of The Bulge” which Kollman says about the latter, “This song has one of my favorite guitar solos. I worked this song up with Shane and Guy Erez (bassist for Alan Parsons). Good old rock riff song.”

2023 A.D. will be available on CD and limited-edition vinyl. Get your copy now and get a limited-edition bundle while supplies last: https://bit.ly/JEFF-KOLLMAN

Bundle Includes:
One (1) Jeff Kollman "2023 A.D." CD or LP
One (1) Jeff Kollman "2023 A.D." T-Shirt

For more information, visit
https://jeffkollman.com/
www.dekoentertainment.com

Deko Entertainment–Art Has Value

Dayseeker Share Video for Acoustic Version of "Neon Grave"

Southern California's DAYSEEKER — Rory Rodriguez [vocals], Gino Sgambelluri [guitar], Ramone Valerio [bass], and Zac Mayfield [drums] — recently announced their forthcoming acoustic album Replica, which arrives digitally on April 19 and physically on June 14 via Spinefarm. Pre-order it here.

The stripped down, intimate renditions of familiar fan favorites highlight the band's songcraft and allow the listener to experience Dayseeker in an entirely new way. The collection also includes appearances from Holding Absence's Lucas Woodland and indie artist Amber DeLaRosa.

The band just dropped the video for their stripped down and emotionally immediate version of fan fave "Neon Grave." Watch it below.

"'Neon Grave' is about my father's battle and passing from cancer," states Rodriguez. "Getting to reimagine this one in a slower setting has a completely different emotion to it now."

Replica is the somewhat unexpected (yet welcomed) result of a specific gig in 2022, when the band's gear overheated at Blue Ridge Rock Festival. Thinking on his feet, Rodriguez grabbed an acoustic guitar from the van, plugged in, and performed "Without Me." Soon, he had pulled together a five-song set on the fly as thousands of fans flocked to the stage.
 
"I felt like we let people down, but I had so many friends say, 'Everyone will remember the day your equipment stopped working and you still played the set as a really special moment’,'" he recalls. "It felt natural for our songs. We usually will do extra tracks for a Deluxe version or re-release, but we decided to commit to an entire acoustic album this time."

Dayseeker will also embark on a headline tour this spring. The tour kicks off April 19 in Tampa and runs through May 25 in San Diego. All dates are below, including spring festival appearances, such as Rockfest, Earthday Birthday, and more. Polaris, Rain City Drive, Avoid, and Ayron Jones are set to appear at select dates. Get tickets here. 

DAYSEEKER ON TOUR:
WITH POLARIS, RAIN CITY DRIVE, AVOID, + AYRON JONES:
4/19 — Tampa, FL — Amalie Arena (98 ROCKFEST) %
4/20 — Orlando, FL — Central Florida Fairgrounds (Earthday Birthday) %
4/22 — Columbia, SC — The Senate &@
4/23 — Norfolk, VA — The NorVa &@
4/25 — Newark, NJ — Prudential Center (WDHA’s Rock The Rock Fest) %
4/26 — Baltimore, MD — CFG Bank Arena (98 Rock Spring Thing) %
4/27 — Las Vegas, NV — Sick New World %
4/29 — Buffalo, NY — Buffalo Riverworks *+@
4/30 — Ft. Wayne, IN — Piere’s Entertainment Center *+@
5/1 — Grand Rapids, MI — The Intersection *+@
5/3 — Milwaukee, WI — Fiserv Forum (Hog Fest) %
5/4 — Saint Paul, MN — Xcel Energy Center (93X Twin City Takeover) %
5/5 — Des Moines, IA — Val Air Ballroom *+@
5/7 — Sauget, IL — Pop’s *+@
5/8 — Chattanooga, TN — The Signal *+@
5/10 — New Orleans, LA — House of Blues @
5/11 — Birmingham, AL — Iron City *+@
5/12 — Little Rock, AR — Little Rock Music Hall *+@
5/14 — Kansas City, MO — Uptown Theater *+@
5/15 — Oklahoma City, OK — Town Theatre *+@
5/16 — Omaha, NE — The Admiral *@
5/18 — Louisville, KY — Mercury Ballroom +@
5/19 — Bloomington, IL — Castle Theater *+@
5/22 — Albuquerque, NM — Sunshine Theater *+@
5/23 — Tucson, AZ — Rialto Theatre *+@
5/24 — Las Vegas, NV — Brooklyn Bowl *+@
5/25 — San Diego, CA — Soma *+@
%Dayseeker only
*Polaris
+Rain City Drive
&Ayron Jones
@Avoid 

ABOUT DAYSEEKER:
Dayseeker are a quiet killer. The band has steadily built a buzz over the past several years — and they have reached a tipping point. Dayseeker have become a scene standout with 2019's Sleeptalk, which was hailed by Alternative Press as  "a warm and welcome release to higher ground" and as "much needed fresh air into the post-hardcore scene.

The album has gone on to accumulate over 125 million streams, and it positioned the band as a formidable force — and one that is primed to take its next big leap. In 2021, the band dropped a deluxe version of Sleeptalk, featuring four reimagined versions of album tracks, which offered fans a fresh and unique take on songs they already love. It also demonstrated the depth and breadth of the band's creative vision, scope, and possibilities. However, Dark Sun catapulted the band beyond the scene's stratosphere. The album is out now via Spinefarm and is at 80 millions streams.

ABOUT SPINEFARM:
Spinefarm represents some of the biggest and most important rock acts in the world. Founded in Finland in 1990, the label established itself as an independent powerhouse for successful European metal acts from Nightwish to Children Of Bodom. Acquired by UMG in 2002, Spinefarm Music Group is now home to a host of artists that reach millions of fans across the globe and showcases the very best in rock, punk and metal. From massive metal names such as Bullet For My Valentine (with over 3 billion streams to their name) to alt-rock legends Killing Joke and genre-benders Sleep Token, Spinefarm's artists are — and always have been —true leaders in their chosen field. The roster also includes renowned names like Atreyu, Airbourne, Saint Asonia, and While She Sleeps, as well as fast-rising young artists like Dayseeker, Dead Poet Society, Kid Kapichi, BRKN LOVE, and Creeper. Spinefarm, now flanked by associated SMG labels Candlelight (Emperor, Ihsahn, Urne) and Snakefarm (Marty Stuart, Austin Meade, The White Buffalo), has grown from its independent origins into a true global rock powerhouse.