LAS VEGAS METALLISTS MADZILLA ISSUE FULL-LENGTH, A DEADLY THREAT, ANNOUNCE SHOWS WITH MAX CAVALERA'S GO AHEAD AND DIE

Officially launching in 2018, Las Vegas based Madzilla LV deliver a hefty mix of melodic, classic thrash-metal, reminiscent of the likes of Megadeth, Metallica and Iron Maiden. And on March 1st, 2024, the band – which is comprised of David Cabezas (Lead Vocals/Guitar), Ian Garcia (Guitar), Daniel Gortaire (Bass/Background Vocals), and Luis Zevallos (Drums) – will issue their full-length album, A Deadly Threat, via Into Records.
 
A Deadly Threat portrays the extremes to which greed can take a power-hungry mind, and its irreparable consequences. Outlining the inevitable clash between insatiable desire and imminent regret, the album presents a short story that describes the journey, which destruction for the sake of power and glory will inescapably lead to. Intertwined with heavy, fast and aggressive riffs, melodic passages, and immersive harmonies, A Deadly Threat encompasses a large canvas of feelings and emotions. 
 
Pre-order here: https://lnk.to/LV1T0C

- Madzilla 'A Deadly Threat will take you on a roller coaster ride! The full album tells a story that will spark every emotion, every feeling, from desire to agony!!
Enjoy and head bang with us!!'

Madzilla will be opening for Go Ahead and Die on their Unhealthy Mechanisms tour in the USA around the time of the release. A complete listing of dates are included below. With a hunger for live music and seeking to transcend their music through all ages, Madzilla has so far presented their ideology to crowds at over 50 live shows, including supporting Soulfly on tour along the USA West Coast in February 2020, performing at the 2021 Warlando Metal Fest (sharing the stage with metal legends Judas Priest, Sabaton, and Soulfly), supporting Saxon on their Seize the Day tour in South America in 2023, and have shared stages in their hometown with great bands like Allegaeon, Texas Hippie Coalition, Crypta, Adema, and more.
 
Get ready, Madzilla is coming!!

UPCOMING TOUR DATES WITH GO AHEAD AND DIE:

• Friday 3/1/24 - Denver, CO - HQ
• Saturday 3/2/24 - Greeley, CO - Moxi Theater
• Tuesday 3/5/24 - Grand Junction, CO - Mesa Theater
• Wednesday 3/6/24 - Salt Lake City, UT - Metro Music Hall
• Thursday 3/7/24 - Boise, ID - Neurolux
• Friday 3/8/24 - Seattle, WA - Substation
• Saturday 3/9/24 - Portland, OR - Hawthorne Theatre
• Sunday 3/10/24 - Eugene, OR - WOW Hall

Sylvaine Releases Title Track Off New EP

On her new EP, Sylvaine traces back to her roots in Norwegian folk music. Eg Er Framand was recorded at the Kampen Church in Oslo, where she performed while studying music in high school.

When Sylvaine first heard the title track, it hit her like no other song had before. Since then, she's shared this song with rapturous audiences everywhere. Today, she's releasing a new recording of "Eg Er Framand" that finds her searching for a higher, lonely power.  

Watch the shadowy and serene visualizer for "Eg Er Framand" below.

Eg Er Framand is out March 22 on Season of Mist.

Pre-order: https://redirect.season-of-mist.com/SylvaineEgErFramand
Pre-save: https://orcd.co/egerframand

Kathrine Shepard has grown into a guiding light for post-metal. As Sylvaine, her white-hot tremolo picking can ignite the coldest and blackest of hearts. She plays every instrument on Eg Er Framand, but the title track has no enchanting synths or eerie organ hums. Instead, the EP's emotional centerpiece is solely powered by her otherworldly voice.

Kjaere Herre (Dear being of light)
om eitt eg ber deg (With this I beg of you)
Fylg og lei meg (Take my hand)
fylg og le meg alltid du (Show me the way always you)

Sylvaine holds each note with soft restraint, as if cupped into the palm of her hand, like an offering. Close your eyes and envision her reaching through the trees, into the shadows, as her feet slowly lift off the ground. 

"In the spring of 2023, when I had the idea to base this EP around Norwegian Folk music, I knew this song would be its center piece", Kathrine says. "This song has taken a place deep within my soul. My first meeting with 'Eg Er Framand' truly shook me to my core. Immediately, I knew that I wanted to share this incredibly beautiful piece. I have performed 'Eg Er Framand' on stages all around the world. Very often, I've been met with the exact same intense, emotional response from the audience. I have no idea who wrote this song, but it speaks to the exact same feelings I've spent the last 10 years trying to capture with Sylvaine".  

The visualizer for "Eg Er Framand" was created by William Lacalmontie

Praise for Sylvaine

"Sylvaine's knack for sound placement is impeccable...[her] guitar melodies and voice shine with a brilliant light" - Angry Metal Guy

"Sylvaine is an incredibly mature and ridiculously talented new artist...her music is utterly beautiful, playing on old paradigms but exploiting them in ways that will carry you off to a land that you once thought make-believe" - Metal Injection

"Lush and evocative...bridging dark folk, shoegaze and atmospheric black metal, Sylvaine's widescreen approach to music has always been distinct" - New Noise

"Heavy yet delicate, huge yet intimate" - Ghost Cult

"Everything feels deliberate; every melody, every word, every note feels carefully and lovingly arranged just so" - Nine Circles

The lead single off Eg Er Framand comes from similarly mysterious origins.

The lyrics to "Dagsens Augo Sloknar Ut" were written in 1891 by Elias Blix, a professor-turned-politician, who also wrote hymns. Staying true to the original's delicate, reverent melody, Sylvaine sings in a breathy, elongated whisper that's both haunting and soothing. 

Watch as Kathrine dances across a magnificent tapestry of poetic landscapes in the song's official video, which was directed and produced by William Lacalmontie.

Sylvaine is embarking on her first-ever solo tour this summer. She'll be performing songs from Eg Er Framand on stages across Europe with her new Season of Mist labelmate Eivør. 

"I'm so very excited to be heading out on my first-ever solo tour supporting none other than the wonderfully talented Eivør!", Kathrine says. "I'm honored to be sharing the stage with her and her musicians, and can't wait to showcase my music in a different format. It will be an intimate, emotionally heavy ride. October can't come soon enough!" 

Get tickets at eivor.com

In preparation for their tour together, Eivør and Sylvaine put together a playlist of their favorite songs. Get in the mood with some of the choice cuts off Nova and the soundtracks to The Last Kingdom and God of War Ragnarök. 


Stream:https://open.spotify.com/playlist/7k4ImSEttiL9O6gOQ1tmrn

Photo by Helena Aguilar Mayans

Kathrine Shepard, the visionary artist behind the evocative musical project SYLVAINE, weaves an intricate tapestry of emotions through the language of music. A transcendental bridge between worlds, a mesmerizing duality that encapsulates the beautiful and the harsh, light and darkness, serenity and chaos, and the delicate balance between the external world and the inner sanctum of the soul. It is a symphony that harmonizes the human experience with its spiritual origins – a resonance of something beyond the tangible.

Sylvaine’s compositions are a visceral journey through the vast spectrum of emotions that the complexities of the human experience have to offer. They encapsulate the inherent struggle of being an entity in this world, yet not entirely of it. Kathrine’s music serves as a conduit for her innermost feelings, a cathartic expression of the eternal longing that resides within the very core of her melodies.

Akin to a fairytale spun from the threads of Norwegian folklore, a narrative that resonates with the spirits of ancient woods and the whispers of long forgotten creatures. With every ethereal note and haunting melody, she conjures images of untamed forests, of misty clearings inhabited by mystical beings. In this artistry, there is an undeniable sense of transcendence, where listeners are transported beyond the confines of the ordinary into a dreamscape where reality and fantasy converge. A profound sense of wonder and allure creates a unique musical alchemy – with a touch of enchantment that lingers long after the music has ceased.

With four albums and one split-EP released to date, Sylvaine’s ethereal soundscapes have been taken to stages across Europe, North America and South America, leaving audiences mesmerized by the transcendent power of the band’s live performances. Two of these albums have been nominated for the Norwegian Grammy Awards Spellemannprisen in the category of metal. The ability to transport listeners to otherworldly realm through her music is a manifestation of the artistry & profound impact the band can bring.

As Sylvaine prepares to unveil her upcoming EP, Eg Er Framand, she embarks on a deeply introspective and serene journey through the rich tapestry of Norwegian heritage and tradition. Folk tales of old are brought to life in this new chapter of her musical odyssey, offering a glimpse into the depths of her creative spirit and an exploration of the roots that anchor her artistry. A reflection of myths is embraced through exquisite sonic realms.

Line-up
Sylvaine - Vocals, Church Organ, Guitars, Synthesizers & Percussion

Recording Studio
Kampen Kirke

Sound Engineer
Sylvaine

Mixing Engineer
Magnus Lindberg (Magnus Lindberg Productions/VRTKL Audio/Redmount Studio)

Mastering Engineer
Karl Daniel Lidén

Biography:Sébastien Gamez

Cover art & Photography:Helena Aguilar Mayans

Layout & Graphic Design: Dehn Sora

Pre-save:
https://orcd.co/egerframand

Pre-order:
https://shop.season-of-mist.com/list/sylvaine-eg-er-framand 

Links:
Official Website: https://www.sylvainemusic.com/
Apple Music: https://music.apple.com/us/artist/sylvaine/455094955
Bandcamp: https://sylvainemusic.bandcamp.com/music
Facebook: https://www.facebook.com/sylvainemusic
Instagram: https://www.instagram.com/sylvainemusic/
Spotify: https://open.spotify.com/artist/5C9ocrDvsfSz8qcxG70QEe
Twitter (X): https://twitter.com/SylvaineMusic
Youtube: https://www.youtube.com/channel/UCYoMxOgKpnqGrj-impj1wDQ
Last.FM: https://www.last.fm/music/Sylvaine

Booking Contact:
Alexander Obert - alexander@doomstarbookings.com

Available Formats:
Digital Download
CD Digipak
12" Vinyl Gatefold - Black
12" Coloured Vinyl Gatefold - Coke Bottle Green

Lowlives Announce New Album "Freaking Out" + Share New Video "Loser"

West coast based raucous rockers LOWLIVES have shared their new single and music video for "Loser." A celebration of love between outcasts, the single comes alongside the announcement of their debut album, Freaking Out, due May 31 via their new label home Spinefarm.

"'Loser' is a love song about a self-proclaimed ‘loser’ who has fallen in love with someone they also see as a misfit outcast like themselves," explains vocalist and guitarist Lee Downer. "Both as awkward and weird as each other just wishing they could be losers together. Musically, it's definitely the most pop song on the record and is an ode to '90s alternative radio."

Watch the music video to "Loser below.

Stream "Loser" here.

Pre-save Freaking Out here.

ABOUT LOWLIVES:
LOWLIVES aren't so much about carefully stoking the embers as pouring on gasoline with merry impetuosity. With vocalist Lee Downer and drummer Luke Johnson joined by guitarist Jaxon Moore and bassist Steve Lucarelli, the nascent band was founded on a shared love of '90s alternative and grunge, and a shared desire to make music once more for little more than the love of doing so. 

"During my time away from music, someone bought a pair of child's ear defenders for my wife and I as a present when we announced we were pregnant," Johnson recalls. "I'd put them away in the cupboard, thinking we'd never need them, that I wouldn’t be playing any shows again. But they became this thing that nagged at me, the feeling that my daughter would never know the original me, for whom music was everything. Over time, those feelings came flooding back, as did the hunger, and the innocence. A massive part of me had been missing, and I wanted to get back to doing something pure and for the sheer love of it. That's what Lowlives is. Whatever happens, happens. Let's just Thelma And Louise this off a cliff."

Debut album Freaking Out, set for release in May 31 via Spinefarm, arrives imbued with that same such spirit. The intervening years have, after all, been above all about nurturing exactly that, first through jam sessions at Luke’s home studio and latterly fledgling adventures on the road. A 2018 tour of the UK, hastily arranged following the cancelation of a high-profile support billing the band were mere hours from embarking upon, was formative in bonding the quartet on and off the stage. Performing to an audience of two before bedding down in a trashed squat will do that to even the most seasoned, tour-hardened souls. "It really did cement who we are and what we're about," Johnson says, laughing at the fond memories of the 13-date fly-by-the-seat-of-your-pants trek.

Recorded at Chapel Studios with producer Adrian Bushby, the 10 tracks that arrive under Freaking Out's banner are the scintillating end product of their self-funded two-week stay, where the four musicians would work all day with joyous abandon on fleshing out the sketches of songs with which they arrived, before retiring at night to unwind over cans of cider and the football.

"The experience of being forced into that situation of living and working together brought us even closer together, I feel," nods Downer. "We were able to work collectively in a way we hadn't previously, due to the geography of where we all live in the States."

Downer points to his passion for Nirvana and Alice In Chains shining through on tracks such as "Vertigo" and "Swan Dive," Johnson likewise to his obsession with The Smashing Pumpkins on "You Don’t Care." Fans of early-day Foo Fighters, Bush and Stone Temple Pilots will feel at home between Freaking Out’s sheets; admirers of Billie Joe Armstrong ("Freaking Out"), Matt Skiba ("Damien"), and Rivers Cuomo ("Loser"), likewise. Freaking Out is an unashamed celebration of its influences, and the simple beauty of the coalescence of guitar, bass, drums and vocals. "We're making music that excites us because it's what we want to hear," Johnson says, simply.

But make no mistake: there is depth here, too, deeply ingrained in lyrics that mine fears, anxieties, vulnerabilities, and the existential questions that keep us staring at the ceiling in the early hours. Freaking Out is, above all, the distillation of what LOWLIVES is truly about. It's rock music to make you fall in love with rock music all over again. "I thought by now I'd have the answers / Or the power to save my soul," Downer sings on the impassioned "Closer Than You Know." LOWLIVES might not hold that key, but it's the spark that he and Johnson have been missing in their lives, and looking for all along. Let it in, and you might find it's the same for you, too.

LOWLIVES ARE:
Lee Downer — Vocals/Guitar
Jaxon Moore — Guitar
Steve Lucarelli — Bass
Luke Johnson — Drums

PHOTO CREDIT: Wil Foster

unpeople Announce Self-Titled EP Share "waste" Video

Alt-rock quartet unpeople have announced the details of their debut, self titled EP, that's set for release on the April 19 via SharpTone Records. In line with the announcement, the band have also released a video for their second single "waste."

Watch the new video for "waste" below.

"'waste' is essentially a 'government bad' song in THE most apathetic way possible. Feeling completely helpless while watching public services being decimated with zero signs of remorse or self awareness from those in positions of power. There is an element of Brexit-inspired, self-inflicted wounds. People lapping up what was essentially propaganda then complaining when they get what they voted for. I know it's not my place to say… I'm no expert… but you can't deny the irreparable damage that has been and will continue to be caused. We're going to waste it all away."

Pre-save the EP on streaming services now here.

UNPEOPLE ARE:
Jake Crawford — Guitar, Lead Vocals
Luke Caley — Guitar, Vocals
Meg Mash — Bass, Vocals
Richard Rayner — Drums, Vocals

Iodine to Reissue Onelinedrawing "Sketchbook 1999-2001"

IODINE RECORDINGS TO RELEASE ONELINEDRAWING SKETCHBOOK 1999-2001 ON MAY 10

DIGITAL VERSION AVAILALE TODAY

"Onelinedrawing, is a diarist at heart, both in his music and in his daily life, and, man, does he ever rip his heart out and show it to you in his songs. A loose, free-roaming approach to confessional songwriting that pushes his music well beyond the normal sad singer/songwriter clichés" – PITCHFORK

Jonah Matranga has been making music for over 30 years.

A prolific artist, he has become an enduring institution in the scene with a devoted fan base, rich lineage, and varied music career. Jonah has often straddled the line between the underground and mainstream. He's worked with indie labels like Jade Tree and majors such as Atlantic, having fronted the bands FAR, NEW END ORIGINAL, and GRATITUDE.

His music has influenced bands from Deftones to Blink-182, and he was there for emo and post-hardcore giants in their earliest beginnings — taking bands such as Thursday and Dashboard Confessional on tour. Simply put, the scene cannot be separated from Jonah's art.

Jonah has always written from the heart and performed in an intimate way that few others have accomplished. From basements to massive festivals, he brings the same energy to them all: raw honesty and an ability to make every show unique and personal. This is most apparent in Jonah's solo and collaborative project ONELINEDRAWING. Jonah's solo performance has always been about connecting with fans in an intimate setting, where they often perform with only a guitar and R2D2 sidekick.

Sketchbook is the latest release from ONELINEDRAWING, featuring a collection of songs from Jonah's early solo years, 1999-2001, completely remastered for vinyl. The album features originals and renditions of the likes of 7 Seconds and Jawbox, as well as the Sense Field split honoring the late Jon Bunch(Sense Field/Further Seems Forever). The LP also includes liner notes and zine by Norman Brannon (Texas is the Reason/New End Original).

It will be released on vinyl by Iodine Recordings on May 10. Pre-order it here.

It is available digitally today.

Sketchbook exists as both a time capsule and thank you letter to fans and music itself — a combination of the period in which Jonah first embarked on his solo journey and a celebration of the vitality that music and community not only affords him but all of us.

"The stuff on Sketchbook has aged so beautifully," Jonah says. "It's sad, it's silly, it's searching. A lot of it was made in the moment, with whoever was around, without much worrying about it. Looking back, it turns out the most lasting, universal songs and recordings tend to be the most personal ones."

He even called out a fan favorite, saying, "'Better Than This' pretty much saved me when I was in my most human-hating era," Jonah recalls. "I had to reckon with the simple truth that the more time I spent being mad at people, the more time I spent being mad at myself. That 'I'm better than nothing' outro still runs through my head when I get to feeling judgmental of myself, or anyone else."

Tarja's "What Lies Beneath" Gets Remastered And Reissued + Share Video For "Dark Star"

ALBUM AVAILABLE FOR PRE-ORDER NOW

What Lies Beneath is the second rock studio album by Finnish solo artist Tarja.

Originally released in 2010, the best-seller is a true fan favorite and one of her most successful releases to date. Considered a classic and must-have for both fans and critics, it includes timeless Tarja hits like "Until My Last Breath," "I Feel Immortal," and "Falling Awake."

This year, the album will be re-issued for the first time as 2-CD Special Edition and, for the first time, as Heavyweight 2LP Vinyl (Gatefold, 180g, black).

Both formats feature a beautifully restored artwork and all tracks were remastered at Sterling Sound for superb sound quality for the ultimate 2024 What Lies Beneath experience. 

The 2CD Special Edition includes the 14 original album tracks and a special bonus CD including alternative versions, single edits, and remixes — for the first time all combined on this Bonus CD. It also includes "The Good Die Young" performed by the Scorpions and Tarja, originally included as bonus track on 2010s Limited Dreamers Box Set.

Very few copies of the 2010 Limited Dreamers Box Set are still available via Tarja's official web shop here.

Today, Tarja also releases the special single edit of "Dark Star."

The digital single bundle also includes Tarja's lead vocals version of "Dark Star" and the song "Underneath," featuring Jyrki Linnankivi (The 69 Eyes).

WATCH THE VIDEO FOR "DARK STAR" Below

TAKE OFFENSE Announce New Album 'T.O.tality'

Chula Vista’s Take Offense forge ahead towards new frontiers on T.O.tality.

After nearly two decades of grinding and the accompanying blood/sweat, Take Offense have mastered their craft, reaching the pinnacle of their crossover style. T.O.tality, their fourth overall album and label debut for MNRK Heavy, is marked with a sense of modernity– incorporating the hard-driving ethos of thrash, the finesse of speed metal, the sneering tenacity of hardcore all while nodding to their home of Southern California.

Take Offense look toward the tone and attitude of their California counterparts– bands like EXCEL and Suicidal Tendencies who also leaned heavily into skate aesthetics but worshipped Sunset Strip-and-adjacent guitar dieties like Warren Di Martini and Eddie Van Halen. T.O.tality is a love letter to that scene and those times, delivered in the form of an armada of fourteen nitro-equipped tracks that explode through barricades of genre convention and emptying the clip with fresh ideas. It’s a tribute to local heroes with familiar approaches that are wholly and undoubtedly Take Offense.

Today they’ve shared T.O.tality’s opening track and lead single “Greetings From Below” which “touches on certain Mexica beliefs of our underworlds,” reveals vocalist Anthony Herrera. “It’s believed these are places we go to when we die, but also when we go to sleep, in our dreams and nightmares. Our underworlds also correlate to our waking state as well and we usually experience them in the form of troubles or obstacles we face in our everyday life.”

LISTEN TO / WATCH 'GREETINGS FROM BELOW'

Much like previous recordings, tracking for T.O.tality took place with Nick Jett (Terror) and the band serving as producers. But conflicting schedules between Herrera, guitarist Greg Cerwonka, bassist Randy Noyes, drummer Mitch Reitman and rhythm guitarist Ricky Garcia caused the recording of the much anticipated follow-up to Cause & Effect to be drawn out– writing commenced in Summer 2021 and tracking was completed in June 2023, with Matt Hyde (Slayer, No Doubt, Deftones) handling the mixing and Nick Townsend on mastering duty. “We’re incredibly proud of the record, and feel like it really represents who we are and where we’re from. But it was really a strenuous one to make and at points it felt like we might not get it done,” admits Greg. There were scheduling issues and complications around the pandemic, and on top of that Greg played in the live lineup of Turnstile for a while, so that added another layer. Regardless of all that, T.O.tality is here, and a big step forward.

And while only a cursory listen is needed to know that T.O.tality is a massive evolutionary step forward for the band, a detailed listen reveals the attention given with respect to lyricism and storytelling by frontman Anthony Herrera. Familiar lyrical themes from previous releases still ring true, but Herrera also called upon his own upbringing to add in themes surrounding existentialism, politics, soldiering forward and leaving regret behind. “I feel like I didn't hold back on things I wanted to say. It’s even in the title of the record– totality,” admits Herrera. “Certain tracks on the record have references to Mexica, which are beliefs that go back to early Mexico– something that I grew up with. When I was younger, I don’t think it was as easy for me to express certain things into words. I think things come easier now and I feel like I put it all out there. So I'm very proud to be at this point– I feel like we are stronger than ever, and with the new record we are the best version of who we are.” 

Take Offense - T.O.tality CD

PRE-ORDER

SPOKEN Drop New Single, "Sleeper" Feat. Ryan Clark From Demon Hunter

Los Angeles, CA – Spoken have released their brand new single, "Sleeper" featuring Ryan Clark of Demon Hunter today, The new track is the third to be released from Spoken's upcoming album, 'Reflection' which is set to be released on March 15th via XOVR Records - the new label venture co-founded by Brian 'Head' Welch (Korn and Love and Death). Spoken were announced last year as the new label's inaugural signing featuring Welch’s Love and Death guitarist and bandmate, JR Bareis. Stream "Sleeper" feat Ryan Clark of Demon Hunter HERE and watch the visualizer below.

Speaking on their latest track, Spoken share "In 2006, we were fortunate to do a 6 week tour with Demon Hunter. We’ve stayed in touch over the years, and we’re so excited to have Ryan Clark on this song."

'Reflection' marks a significant milestone for Spoken, coming seven years after their last album. With an intriguing blend of melody, aggression, thought-provoking lyrics, dynamic guitar riffs, and meticulously crafted drums, the album is poised to be a favourite among fans and a catalyst for garnering a new wave of followers. 'Reflection' is not just an album; it's an exploration of the journey of life, a testament to resilience and the power of moving forward with hope. A limited number of special pre-order bundles are available now HERE, featuring new merch, autographed collectibles and more.

Spoken are

Matt Baird

J.R. Bareis

Dylan Levernoch 

Jared Wisner

Imminence Announce New Album "The Black" + Share "Continuum" Video

Hailing from the south coast of Sweden, the trailblazing alternative metalcore ensemble Imminence have boldly carved their niche in the heavy music realm in recent years. Defying all expectations, the quintet has meticulously crafted a sonic tapestry that transcends the boundaries of the genre. Their brave fusion of classical string arrangements interwoven with the raw power of ferocious Scandinavian metal creates a captivating auditory experience. In both sound and visuals, Imminence emerge as a beacon of innovation and excitement, establishing themselves not just as a band, but as pioneers charting new territories in the ever-evolving musical landscape.

Fronted by vocalist and violinist Eddie Berg, guitarists Harald Barrett and Alex Arnoldsson, drummer Peter Hanström and bassist Christian Höijer, Imminence are set to unleash their musical prowess with their upcoming album The Black.

Brace yourselves and take a deep breath as Imminence prepare us for a great plunge into the depths of The Black, an audacious promise of an unparalleled musical odyssey that defies convention and invites you to embark on the rise of a new genre classic.

The album arrives on April 12. Pre-order it here.

Check out the video for "Continuum" below. Revolver described the song as "stunning" and "crushing," accurately so.

IMMINENCE ON TOUR:
4/23 — Dallas, TX — The Studio At The Factory
4/24 — Austin, TX — Empire Garage
4/26 — Albuquerque, NM — Sister Bar
4/27 — Phoenix, AZ — The Nile
4/28 — Anaheim, CA — House of Blues
4/29 — Sacramento, CA — Aces of Spades
4/30 — Portland, OR — Revolution Hall
5/1 — Seattle, WA — The Neptune
5/3 — Salt Lake City, UT — The Grand At The Complex
5/4 — Denver, CO — Marquis Theater
5/6 — Madison, WI — Majestic Theatre
5/7 — St. Louis, MO — Hawthorn
5/8 — Nashville, TN — Eastside Bowl
5/10 — Daytona Beach, FL — Welcome To Rockville*
5/12 — Atlanta, GA — Terminal West
5/13 — Charlotte, NC — Neighborhood Theatre
5/14 — Richmond, VA — Broadberry
5/15 — Baltimore, MD — Baltimore Soundstage
5/16 — Philadelphia, PA — Theatre of Living Arts
5/17 — Harrisburg, PA — HMAC
5/18 — Columbus, OH — Sonic Temple*
*Festival Appearance

Imminence opened a fresh chapter last year with five singles releasing since June 2023. The new tracks have quickly achieved millions of streams, worldwide attention and a rapid growth in social media following. These latest compositions stand as a testament to Imminence's evolution, marking some of their most innovative and progressive work to date. Venturing into a darker and more orchestral realm, the band continues to redefine the boundaries of the modern alternative scene. Imminence's exploration is more than just music; it's a daring descent into uncharted territories, solidifying their position as pioneers in the landscape of unique and highly innovative musical expressions.

"This is the closest we've ever been to a self-titled release, as this record speaks volumes about what Imminence is as a band," says Berg. "Drawing influences across our discography mixed with our Scandinavian roots, you can hear elements from our entire history, yet fueled by an insatiable hunger. The album is probably the most conceptual we've ever created, and I've never been more proud of a body of work before. Continuing on the path as previous releases, the lyrical concepts revolve around mental health and depression. But there's no holding back this time. It's angrier, more desperate, and unhinged, soaking in fear and darkness. We've also allowed ourselves to let the album soar out into unexpected spaces, creating a musical journey with stark contrasts between light and darkness. It's an 'eat-your-heart-out', unapologetic testament to what Imminence has become. This is The Black."

 Imminence continue to navigate a vast musical landscape, showcasing a wide variety throughout their journey as a band. Their preceding album, Heaven In Hiding, not only marked a milestone in their discography but also catapulted Imminence's distinct sound and visual narrative into the limelight. This triumph was partly orchestrated by the collaboration of video producer Pavel Trebukhin from TRE Films. Together with the band, Trebukhin realized the visionary music videos that propelled Imminence into a league of their own within the genre. They are a standout amidst the multitude of acts.

In this exciting chapter, Imminence reunites with the accomplished Swedish music producer Henrik Udd, known for his mastery in bringing out the true essence of artists. Udd's collaboration has once again provided the band with the tools to delve deeper into their musical core, accentuating the individual strengths of each member.

"I believe we allowed ourselves to take things to the real extremes this time," says Barrett. "Looking back at our catalogue, I guess this has always been in our nature, whatever direction we decided to take. If we wanted to go electronic, it was 100%. If we wanted to go acoustic, it was 100%. We would even bring a string quartet and do an acoustic tour in concert churches. There's really nothing in between; it's always full dedication with no looking back, and that became so obvious while digging even deeper behind what the last album taught us. From the moment we had the lyric line 'This is the black,' it was just clear what this album was about. It's a void that devours you, a wounded animal fighting for it’s life, a descent into darkness. This is The Black."

Taking a stride into the next phase of the band's journey, Imminence have severed ties with the traditional framework of having a record label backing and opted for the path of independent music release. This decision marks a significant shift in the band's approach, allowing them greater creative freedom and control over their musical endeavors.

"We've always embraced the DIY ethos – it's at the core of who we are," Barrett elaborates. "The success we've attained is a product of our own vision and hard work. While our incredible team has played a crucial role, we remain deeply immersed in every aspect of our band. The decision to go independent wasn't made lightly; we had many internal debates about whether we were up for the challenge. Looking back at the singles released in this cycle and the milestones achieved in such a short time, there's no doubt that going independent was among the wisest choices we've ever made."

He continues, "Our journey is a testament to what can be achieved when you believe in your own abilities. I sincerely hope that this album serves as an inspiration to fellow emerging artists, urging them to pursue their dreams and embrace artistic creativity and independence. It's a rewarding journey, and we encourage anyone who might consider this path to take that leap of faith."

Imminence recently embarked on their very first tour of North America and the response was nothing short of extraordinary. In a mere 48 hours, the entire tour was sold out and venues upgraded — not once but twice. This swift and overwhelming success solidified Imminence's status as one of the most sought-after acts in the international music scene. During 2024, Imminence will make their return to the USA with a full tour over the entire country, including performances at anchor festivals Sonic Temple and Welcome to Rockville.

Closing the chapter on Heaven In Hiding, the band unveiled an exclusive Deluxe Edition release. The band continued their ascent with attention-grabbing Live In Studio recordings, triggering viral sensations across social media platforms. Witnessing an impressive growth of over 100,000 followers and millions of streams in just a few months in 2023, Imminence's impact remains unstoppable.

Boasting four full-length studio albums, +220 million streams, a combined online following of 580,000, and nearing the 900,000 monthly Spotify listeners mark, Imminence are set to continue their monumental touring history in 2024. Having sold out headline shows across Europe and supported metal legends In Flames in late 2022, the band is gearing up for a return to the United States. Their festival presence is also set to shine, with confirmed appearances at Download, Greenfield, Jera On Air, Full Force, Rockstadt Extreme, and more, promising an electrifying year ahead.

From Sweden with love.

Myrath Share Video for New Single "Candles Cry"

NEW ALBUM KARMA OUT MARCH 8

Myrath reveal their new single "Candles Cry," the final peek into their upcoming new studio album Karma, which will be released on March 8.

The song, a very special and personal one for the band, comes with a cinematic music video directed by Raf Reyntjens which was shot in May, 2023 in Belgrade (Serbia).

Listen to "Candles Cry" here.  Watch the music video below.

Producer + keyboardist Kevin Codfert says,"This song is very special to me as it's the first vocal duet I'm singing with Zaher. At first, it wasn't supposed to go like this. I presented my interpretation of the chorus to Zaher, and he said, 'I love your voice. So, go ahead, I'd rather have you sing it!!' From a deeper perspective, this song is about the loss of free will, of soldiers who no longer know which cause they should support."

The song deals with inner conflict and how these can easily manifest in a negative way — if you choose to not resolve it. In an ever-changing society, which is doomed to be under constant pressure, the band makes a strong statement and encourages people to tackle them through music.

The band members of Myrath are strong believer in "music being medicine for the soul" and want to encourage people to use music as an escape from their daily lives.

"Myrath from Tunisia might just be the most underrated band ever. Their new album really excites me — they have something fresh and back it up with a great stage show. They played a tiny stage at Wacken where nobody brings more than guitars and amps, and brought a two-truck production. It was amazing!," says Pär Sundström of Sabaton

"There are too many great songs on this album to pick favorites" — 9/10, Powerplay (UK)

"This band will explode internationally in 2024" — Fireworks (UK)

As the sands of time continued to shape their journey, Myrath's relentless dedication led to the creation of their forthcoming album Karma, slated for release on March 8 via earMUSIC as limited transparent red LP, black LP, and Digipak. The forthcoming opus promises to be a testament to their evolution, delivering a sonic tapestry woven from passion and innovation.

With Karma, Myrath solidify their sound — a powerful and captivating blend of Eastern melodies and Western heavy metal. From the epic opening track "To The Stars" to the hauntingly beautiful "Child Of Prophecy," this album will take you on a theatrical journey through a world of myth and legend. 

Pre-order Karma here.

Ian Munsick Announces ‘White Buffalo: Introduce You To God’ Deluxe Album, Available April 5

With his 2023 album White Buffalo, Ian Munsick painted a sprawling ode to the west and its people. The son of ranchers, he is now sharing the majesty of his home with the next generation. Today he announced four new tracks White Buffalo: Introduce You To God, a deluxe version of the celebrated collection (pre-order HERE). The first of the album’s four new tracks, “Heartbreak King,” is available now (listen HERE). 
 
“18 songs just wasn’t enough,” remarks Munsick of his sophomore project. “This Deluxe album features songs I wrote four years ago and songs I wrote four months ago. They’ve lived in my imagination long enough, now I can’t wait for them to be yours. Family, faith, heartbreak, legends of the west… you’ll get 'em all in this project. Thank you for always pushing me to write and release more music.”

Munsick’s release of White Buffalo last year earned accolades from Billboard, American Songwriter, People, MusicRow and more. Grammy.com remarked, “Munsick's ability to turn his Western upbringing into relatable sentiments is the epitome of what makes him special… his passion for his homeland — from the culture to the people — rings through in both the lyrics and the musicality.”
 
Munsick burst out of the gate in 2024, starting with the release of White Buffalo: Voices of the West. The feature-length documentary is now available on Apple iTunes, Apple, Google Play, Kanopy (Libraries), Microsoft, Vudu, YouTube Rentals and Amazon TVOD. The Tennessean praised Voices of the West, which features conversations with members of the Blackfoot and Crow tribes as well as the Blackfeet Nation, as “essential to maintain and humanize the tie to Western culture.”  
 
Last week, amid his headlining Boots, Buckles & Bolos Tour, Munsick stopped by The Bobby Bones Show for an in-studio interview and performance (watch HERE). He also released his exclusive Apple Music Sessions, featuring western-influenced covers of Justin Bieber, Hall & Oates and Travis Tritt (listen HERE). 

Munsick is back on the road this weekend, with a show tonight in Kansas City, MO. His headlining run will continue through the spring, including a sold-out date at the legendary Red Rocks Amphitheatre on June 5. This summer he will join CMA Entertainer of the Year Lainey Wilson for her Country’s Cool Again Tour. 

ABOUT IAN MUNSICK:
A native son of Wyoming, Ian Munsick is painting a stampeding, spirited portrait of the American West with his sophomore album White Buffalo, out now. The 18-track album spans unfiltered tales of romance and ranch life, hard-working anthems with honkytonk hooks and mountain-time odes to family and forever-young fun. It builds upon the spacious roots-pop beauty he introduced on his major label debut, Coyote Cry. Over the past three years, the 30-year-old has accumulated nearly 700 MILLION global streams and a host of accolades. He has been named an “Artist to Watch” by Spotify, CMT, Fender, MusicRow and more. A seasoned entertainer, having grown up tending cattle by day and playing music in a family band each night, Munsick toured recently alongside country music superstars Morgan Wallen and Cody Johnson. He will serve as direct support for select dates of Lainey Wilson’s Country’s Cool Again tour in 2024. Beyond his noteworthy professional accomplishments, he has also become both a husband and a father. Now the Warner Music Nashville recording artist and multi-instrumentalist is representing his home, and its special cast of people, like never before. The first release from White Buffalo, standout duet “Long Live Cowgirls” (with Cody Johnson), hit No. 1 on SiriusXM’s The Highway Hot 30 Countdown, was named one of Amazon Music’s Best Country Songs of 2022 and recently received RIAA Gold-certification alongside “Long Haul” off his debut album Coyote Cry; while Munsick’s solo version of “Long Live Cowgirls” impacted country radio on Oct. 23. Fans of Ian Munsick will always find an open heart, natural awe and plainspoken honesty as he rides on… bringing the West to the rest. 

Kenny Chesney's Complicated Tangle Grat Teases BORN Pre-Sale

Kenny Chesney has spent the last four years listening, writing and consuming songs from good friends, young writers, Songwriter Hall of Famers and old favorites. Raised on Music Row’s dynamic creative community as a young kid coming out of East Tennessee, the spirit of songs being born has fueled the most iconic rise of a country star in the 21st century – and that hunger for the best of distilling life into lyrics, hooks, bridges and melodies still drives the eight-time Entertainer of the Year.

As his Sun Goes Down 2024 Tour featuring 23 stadium shows with a handful amphitheaters draws closer, the wildly euphoric performer is also on the brink of releasing BORN. Fifteen songs that in many ways survey all the things that have defined the soundtrack of coming of age in the middle of America over the last two decades, the March 22 album surveys the things Chesney’s music embodies. To that end, the songwriter/superstar mines the complicated tangle of knowing it’s time to move on and not being able to quite let go with the introspectively pensive “Thinkin' Bout” for his latest grat track to coincide with BORN pre-orders going live.
 
“The hardest part of letting go,” says Chesney, “is actually letting go. All that chemistry, all that intimacy, all that doesn’t need to be said is such a big thing... Whatever’s wrong, obviously it’s not gonna change. But it gets late, you get thinking – and next thing you know, you’re tumbling back into something that just can’t be. I love this song, because it gets into that space where you’re thinking about knowing you shouldn’t do this, shouldn’t think about that person, and that’s when maybe the letting go can really start to happen no matter how good it feels or how much you make each other laugh.”
 
Leaning into the more wistful part of Chesney’s baritone, it’s a lived-in vocal that is equal parts conflicted and seeking. An honest reflection on the “grey area” of letting go of something that once burned so hot, it manifests all the diverging realities at play. For the man who made yearning such a potent emotion with “Anything But Mine,” “On the Coast of Somewhere Beautiful” and “Better As A Memory,” “Thinkin’ Bout” is another entry in Chesney’s songs of broken, but brave hearts.
 
The man the Wall Street Journal called “The King of the Road” brings the feel good and excitement of his stadium shows to his upcoming album. As he explains, “Those songs say so much about who we are, how we try to live and see the world. If I were going to put three songs that match up with everything that’s going to be on this album, these three tracks would be the ones. The road band was smoking, No Shoes Nation was all in – and those songs say so much.”
 
As “Take Her Home,” the lead track that celebrates taking a risk and finding your life lands in the Top 20, there’s plenty more good music to come. With “Just To Say We Did” also already available, “Thinkin’ Bout” adds a more dimensional look at the 15-track package that delivers everything No Shoes Nation has come to expect from the only country artist who’s been in Billboard’s Top 10 Touring Acts of the Last 25 Years for the last 15 years.
 
“I love this song,” offers the superstar who can go as deep into songs as he goes hard onstage. “There’s a space where you know what to do, but you just can’t quite... and you know. To capture that in a song when you can barely explain how it feels in real life? That’s an incredible thing, so for anyone struggling with moving on, ‘Thinkin’ Bout’ is for you.”
 
Top tier fan club members and anyone who has already purchased tickets to the Sun Goes Down 2024 Tour received an email with a link to purchase the special BORN Tour Edition with three extra live tracks, as will people buying tickets going forward. For everyone else in No Shoes Nation, your pre-order of the straight-up BORN begins now. It’s been four years, but the next chapter of an ongoing conversation about life, love, fun and the lack thereof arrives March 22.

BORN track list was revealed exclusively by Spotify Hot Country HERE earlier today. Spotify’s BORN album countdown page allows fans to pre-save the album, preview the track list, watch exclusive video content and more. Fans who pre-save BORN on the countdown page receive a push notification when the album is released, and Spotify will automatically add BORN to their library on release day.

Dark Folk Artist Kati Rán Shares New Single ft. GAAHL, "Stone Pillars"

Dutch artist and Nordic folk pioneer Kati Rán is now unveiling her moving new single, "Stone Pillars," which features guest vocals from black metal icon GAAHL (Gorgoroth, Gaahls WYRD, Wardruna, Trelldom, etc.)! The track is taken from Kati Rán's upcoming full-length, 'SÁLA,' which is due on May 24, 2024 via Svart Records. The song can be found below.

Kati Rán comments, "'Stone Pillars' embraces our most vulnerable side, questions our mind, and attempts to resurrect or reposition ourselves through spinning with the Fates. It dips right into the heart of things."

 

Svart Records is delighted to expand its international artist roster with the signing of established dark Nordic folk artist Kati Rán and to release her second full-length album 'SÁLA.' Special vinyl editions in gold, transparent smoke, and black as well as digipack CDs are available for pre-order HERE.

'SÁLA' features an impressive lineup of diverse musicians who lent their talents to the record, including Gaahl, Napalm Death's Mitch Harris, members of Heilung, Sígur Rós, and many others!

Kati Rán is known for her collaborative audio work for Netflix’s tv series 'VIKINGS: VALHALLA,' films and work for videogames, her stage appearances with Wardruna, Myrkur and Gaahls Wyrd to name a few, and her previous releases of the successful album; and Nordic dark folk tracks “Blodbylgje” and Icelandic track “Unnr | Mindbeach”; that run millions of streams and gathered a tightly knit Nordic Folk music loving audience around her.

If the most profound treasures are often the most deeply buried, the journey to uncover them is vital process of discovery. Five years after the 15-minute single “Blodbylgje” signaled the birth of a new, more primordial, and immersive vision after the dissolution of her band L.E.A.F., Nordic dark folk artist Kati Rán has expanded on its oceanic theme for her long-awaited full-length album, 'SÁLA.' Embarking on a far-reaching musical and personal travelogue, it’s a reawakening of both the feminine narratives submerged and fragmented within Norse mythology, and the enduring, healing powers held within.

Named after the Old Norse word for ‘soul’ and ‘sea’, 'SÁLA' is an act of "soul retrieval," the shamanic art of trauma recovery, be it illness, death, heartbreak or loss, and the reintegration of a splintered self. Across its 13, wide-ranging, elegantly unfolding tracks, the album is an embodiment of different feminine voices and perspectives – from the Norse nine daughters of the sea, or ‘billow maidens’, through various historical and fictional figures to the late-night voices we hear in our most liminal states – all with tales to tell, riddles to solve, challenges to be accepted and guidance to offer. It’s a multiplicity that, like the ocean itself, belongs to a vast, restless dynamic: a matrix of mysteries, unfathomable depths and ever-shifting currents, accumulating into an elemental, regenerative source of power.

Recorded in a barn in Húsafell, Iceland – home to glacier ice caves and a rare lava stone marimba rediscovered for the track “Stone Pillars” – as well as Finland, Norway and at home in Kati’s native Netherlands, 'SÁLA' is as much chronicle of Kati’s own perspective-shifting recording process as it as a pilgrimage through different viewpoints and internal states. That itinerate urge is also reflected in the use of different languages, ranging across Norwegian, Old Norse, Icelandic, and, for the first time, English, her combination of ancient texts, historical reimagining’s and unguarded personal reflection backed up by deep research into the most resonant recesses of Nordic lore.

Spun throughout every thread of 'SÁLA' is a sense of communion - with the power of stories to offer moral guidance and the thrill of the unknown; with the element of water, recreated across the album both in field recordings and the agelessly organic nature of the music itself; with the archetypes whose qualities we are called upon to embody at our most critical moments; and with the internal hidden realms forever whispering at us from the far edges of our consciousness.

Appropriately, it’s a collaborative venture too. As well as working closely together with Finnish producer Jaani Peuhu, there are contributions from across the musical spectrum, including extreme metal vocalist extraordinaire Gaahl, the Icelandic female choir Umbra Ensemble, renowned Norwegian jazz musician Karl Seglem, Björk and Brian Eno contrabassist Borgar Magnason, members of pagan folk acts Völuspá, Gealdýr, Heilung and Theodor Bastard and even Napalm Death’s Mitch Harris on vocals.

For all the many sources 'SÁLA' draws from, the result is a singular, intimately transformative rite of passage, and a retuning of the heart to the reverent continuity of the sacred. It will take you from the opening title track’s chest-pounding rhythmic pulse emerging from a traditional Norwegian bukkehorn (recorded by Karl Seglem), a galloping horse-rider and Kati’s glacial, velveteen chant, through “Kólga’s” recounting of female persecution through the ages borne on the most gossamer-light yet unbreakable of timbres and “Stone Pillar’s” gently percolating, deep wells of abandonment and incantations to recovery. 'SÁLA' closes with the track “Sátta” - Old Norse for ‘peace’ and ‘reconciliation’ – ending the album as it began with the bukkehorn, as it weaves rich drones and experience-stamped poems and prayers, Kati’s vocals the most sensitively tuned of emotional barometers. An album made in dedication, and in thrall to, its own sense of destiny, 'SÁLA'” is, as all quests must ultimately be, a homecoming.

Lineup:

Kati Rán

Special Guests:

Gaahl (Gaahl, Wyrd, Wardruna)

Mitch Harris (Napalm Death)

Jaani Peuhu (Swallow the Sun, IANAI, Lord of the Lost, Hallatar)

Karl Seglem (Norwegian jazz and folk legend)

Borgar Magnason (Björk, Sígur Rós, Brian Eno)

Gealdýr

Emilie Lorentzen (Heilung)

Nicholas Schipper (Heilung)

Yana Veva (Theodor Basterd)

Umbra (Icelandic female choir)

Sól Geirsdóttir, Varg Saastad (Völuspá band)

Marianne Heikkinen, Salla Marja (Saruru,´bunny girl metal´)

Páll Guðmunsson (Hilmar Örn Hilmarsson, Steindór Anderssen, Sígur Rós)

Production: Jaani Peuhu, Kati Rán, Christopher Juul

Mastering: Jaime Gomez Arrelano

Cover Art: Photographer Arne Beck, Illustrator Halfdan Skrifa, Graphic design Jari

Laurén, Charlotte Boer, Deluxe Box Edition with cover painting by Marzena Ablewska-Lech

Bio: Jonathan Selzer

LOVERBOY TO LAUNCH PREVIOUSLY UNRELEASED LIVE SHOW IN FULLY RESTORED AND REMIXED SOUND & VISION ON JUNE 7, 2024

The story of Loverboy is akin to a Hollywood movie. Overcoming rejection to eventually become one of Canada's most successful rock bands of all time and selling millions of albums in the process, is a feel-good story for the ages. 

 

On June 7th, 2024, one of their most incredible live performances will be released for the very first time, in high definition. “Live In ‘82” has been lovingly restored by Paul Dean from his personal archive of 16mm film, the joyous energy of a band who helped define the golden era of 80's music captured like lightning in a bottle. With their great music, colorful clothing, outrageous hairstyles (and headbands!), and terrific soundtracks for movies like ‘Ferris Bueller's Day Off’, and ‘Top Gun’, Loverboy has stood the test of time.

 

“Live In ‘82” will become available on limited CD+Blu-ray, limited LP+DVD and digital streaming and download. Today’s announcement coincides with the launch of the first live track: ‘Turn Me Loose’ is available as digital single and live video.

For more than 40 years, Loverboy has been “Working For The Weekend” (and on the weekend), delighting audiences around the world since forming in 1979, when vocalist Mike Reno was introduced to guitar hot shot Paul Dean – both veterans of several bands on the Canadian scene – at Calgary’s Refinery Night Club. Along with Reno and Dean, Loverboy still includes original members Doug Johnson on keyboards and Matt Frenette on drums, with Ken “Spider” Sinnaeve replacing the late Scott Smith on bass.

 

With their trademark red leather pants, bandannas, big rock sound and high-energy live shows, the band has sold more than 10 million albums, earning several multi-platinum awards. Their string of hits includes, in addition to the anthem ‘Working For The Weekend’, such arena rock staples as ‘The Kid Is Hot Tonight’, ‘Take Me To The Top’, ‘Turn Me Loose’, ‘Jump’ and many more. Loverboy are not only masters of their craft as songwriters, but also renowned for being a formidable touring act, spending years on the road sharing stages with everyone from Def Leppard to Journey.

In 2009, the group was inducted into the Canadian Music Hall of Fame, and more recently the Canadian Walk of Fame, in the fall of 2023. 

And there is no stopping the band this year, as they embark on a Live Nation promoted North American tour supporting Sammy Hagar, starting in July.

Dates here:  https://www.loverboyband.com/shows

Pre-order the live album: https://loverboy-band.lnk.to/livein82

The Rocky Valentines Announce New Album "Erase" + Share "Sing the Song"

The Rocky Valentines will release their debut album Erase via Tooth & Nail Records on March 29. Pre-order it here. 
 
The album was mixed by Bob Hoag (The Ataris, Fine China) and mastered by Jason Livermore (Descendents, All, NOFX), and features artwork by Jake Quintanar.

The band is "all in the family," as singer Charles Martin is the son of Jason Martin of longtime T&N band Starflyer 59. In fact, they released a split, four-song EP on the label last year. 

Today, The Rocky Valentines have share the new single "Sing the Song." Listen here. 

"This song was about turning 20, and not knowing where my life was heading from there on,"  Martin says. "It was the last song I wrote before the recording of the record, and was pretty last minute. I had always wanted to have a loud distorted song like this, and oddly enough it became my favorite on the record."

 Martin sings that he feels like "a one-man band." 

He's not specifically singing about the lack of bandmates on "Scream and Shout," but the album credits aren't exactly littered with other names either. With an assist on bass throughout from Steve Dail (Project 86, Crash Rickshaw), and a recording credit for his father, Jason Martin (Starflyer 59), the younger Martin does the bulk of the work himself across the LP's eight tracks.
 
Building on 2022's four-song, self-titled EP, Erase exhibits a host of influences — most of which stopped being relevant before the 20-year-old Charles was born — bundled up in arrangements that never feel cluttered.
 
Erase is a record that harkens back to some of rock's best moments, though its most important influence might be Charles himself. Mixing Grant Hart's earworm melodies with heavier-than-hell guitar riffs in the style of Tony Iommi, Martin combines it all with a measured restraint, allowing his vocals to shine without a lot of studio trickery.
 
Lyrically, Erase evokes a young man in the throes of his salad days but is self-aware enough to be bookended by tracks about growing older — album-opener "Sing the Song" — before closing with the title track’s funeral setting.

All of it melds together to reveal a young artist mastering his craft while maturing into adulthood.

Extortionist Announce New Album 'Devoid of Love & Light' Out May 17 (via Unique Leader Records)

It's a great day for Extortionist fans! The band has today announced their new album 'Devoid of Love & Light' set for release on Friday, May 17, and dropped the official music video for the album's titular title track (via Unique Leader Records). Before today, Extortionist released their 'Devoid' EP (the precursor to the forthcoming full-length) which included tracks "Out of Touch", "A Grim Disconnect" and most recently released, "Drained of Life". Speaking on today's news, the band commented:

"We are proud to announce that we will be releasing our 3rd full-length record 'Devoid of Love & Light' via Unique Leader Records on 5/17/24.

Featuring tracks from our EP, ‘Devoid,’ this album coalesces themes of betrayal, mistrust, tragedy, dissociation, & identity crisis all into one cohesive expression."

Furthermore, Extortionist will also be hitting the stage across North America alongside Born of Osiris, Attila, Traitors, and Not Enough Space on The Angels & Villains Tour 2024 starting in April (ticket info here). Pre-save 'Devoid of Love & Light'here, watch the "Devoid of Love & Light" music video below, and keep 'em peeled for more Extortionistnews coming very soon.

The Angels & Villains Tour USA 2024:

4/12 - Louisville, KY @ Mercury Ballroom

4/13 - Fort Wayne, IN @ Piere’s Entertainment Center

4/14 - Columbus, OH @ King of Clubs

4/15 - Buffalo, NY @ Iron Works

4/16 - New Kensington, PA @ Preserving Underground

4/18 - Worcester, MA @ The Palladium (Upstairs)

4/19 - Brooklyn, NY @ The Brooklyn Monarch

4/20 - Reading, PA @ Reverb

4/21 - Sayreville, NJ @ Starland Ballroom

4/23 - Richmond, VA @ The Broadberry

4/24 - Charlotte, NC @ The Underground

4/25 - Nashville, TN @ Brooklyn Bowl

4/26 - Atlanta, GA @ Variety Playhouse

4/27 - Tampa, FL @ The Ritz

4/29 - Baton Rouge, LA @ Varsity Theater

5/01 - Corpus Christi, TX @ House of Rock

5/03 - Oklahoma City, OK @ 89th St. Collective

5/04 - Austin, TX @ Come and Take It Live

5/05 - San Antonio, TX @ Paper Tiger

5/07 - Albuquerque, NM @ El Rey Theater

5/08 - Mesa, AZ @ Nile Theater

5/09 - San Diego, CA @ House of Blues

5/10 - Pomona, CA @ The Glass House

5/11 - Los Angeles, CA @ 1720

5/12 - San Francisco, CA @ Regency Ballroom

5/14 - Portland, OR @ Bossanova Ballroom

5/15 - Seattle, WA @ The Showbox

5/17 - Salt Lake City, UT @ The Depot

5/18 - Englewood, CO @ Gothic Theatre

5/20 - St. Lous, MO @ Red Flag

5/21 - Lincoln, NE @ Bourbon Theatre

5/22 - Minneapolis, MN @ Varsity Theater

5/23 - Davenport, IA @ Capitol Theater

5/24 - Milwaukee, WI @ The Rave II

5/25 - Chicago, IL @ Bottom Lounge

5/26 - Pontiac, MI @ Crofoot Ballroom

Band names go a long way in helping paint a figurative picture in the listener's mind of what to expect before one ever hits “play.” When it comes to Extortionist, you think crime—you think gritty, raw, merciless and unsavory and maybe, just maybe, a little sprinkling of suaveness. When it comes to the Pacific Northwest’s resident moshslingers, those premonitions from their name are exactly what you get. As a band who have proven themselves exemplary at styles of heavy music ranging from downtempo deathcore to grunge-tinted metal, Extortionist are more than just a jack-of-all-trades; they’re masters. Utilizing bold, roaring guitars overtop crushing, steamrolling percussion and vocals that run the gamut from guttural to grating, pitched singing and topped off with—you guessed it—a now-infamous dodgeball-smack snare, Extortionist have proven that not only are they incredible at what they do, they’re a band that the heavy scene just can’t go without.

Emerging from the relatively understated pastures and prairies of Coeur d’Alene in early 2013, to say Extortionist have been on a journey since their inception would be an understatement. With "The Black Sheep" instantly earning them notoriety with its combination of feral grooves and eviscerating breakdowns, Extortionist proved themselves early on as prodigal masters of all things punishingly heavy. As the band grew and gained more experience on the road in light of the success of their debut EP, their style and dynamic grew as well. After nearly four years of touring and writing, Extortionist would unleash 'The Decline' in 2017, a band that saw their breed of brutalizing deathcore hybridized with riff-heavy metalcore and more introspective lyrics that tackled suicidal ideation and substance abuse. 'The Decline' was met with immense critical praise and continued to open up larger opportunities for the Northwestern act, ultimately earning them multiple co-headlining tours from coast to coast, and a spot on Stay Sick Records, alongside other up-and-coming heavyweights like SPITE and Bodysnatcher. Barely a year and a half after their signing, the band announced their sophomore full-length release, 'Sever the Cord', which saw them experimenting with the inclusion of grunge and alternative influences, adding even more depth and grit to their dynamic. Their sophomore album earned them not only critical acclaim, but nationwide tours alongside The Browning, Betraying the Martyrs, Lorna Shore and First Blood. 'Sever the Cord' was followed shortly thereafter by an eponymous EP which saw them diving deeper into a more exploratory realm of metalcore, colliding ferocious riffs into moments of warm, nostalgic melody. While their self-titled release was widely heralded as the band’s strongest work to date, was declared their Swan Song, as in the weeks that followed towards the back-end of Summer 2019, Extortionist announced their dissolution.

That isn’t the end of Extortionist’s story, however. As 2019 gave way into 2020 and the chaotic months that followed, the heavy music community felt the band’s absence all too strongly. In the early months of 2021, Extortionist announced their return with a series of shows in Spokane, Washington alongside AVOID and Seconds Ago as well as a new single, “Once More in Torment”. Once more highlighting the seamless blend of raunchy aggression and groove-heavy catchiness that only Extortionist can provide, the band’s comeback track is a strong reminder of just how missed they were throughout their nearly two-year absence. Frontman and founding member Benjamin Hoagland states “This is the best place we’ve ever been in as a band...Extortionist lives, and we’re here to stay.” Indeed, with a full-length record in the works and a ferocious return to live performance already underway, it would seem that Exortionist’s relative break was only a brief moment with which to collect themselves before reasserting their dominance over the contemporary metalcore scene. - Connor Welsh

JUDAS PRIEST SHARE NEW SONG “THE SERPENT AND THE KING” FROM NEW ALBUM INVINCIBLE SHIELD OUT MARCH 8

Today Judas Priest share new song “The Serpent and the King,” the latest offering from their upcoming new studio album Invincible Shield. The song sees Judas Priest at their heavy metal best, with what is without doubt the most fist pumping track on the album. The single launches today on Apple Music’s The Zane Lowe Show alongside an exclusive interview with Rob Halford and Zane Lowe.  The band have been teasing snippets of the song on socials for over a month, whipping fans into a frenzy for its release.  Stream the song HERE.

Invincible Shield will be released on March 8, 2024, via Epic Records. Pre-order it HERE. The album’s previous singles “Panic Attack, “Trial By Fire” and “Crown Of Horns” have been streamed over 15 million times since their release.

Judas Priest will embark on a world tour this year, the European leg kicks off in Glasgow on March 11th before taking on North America in April and May. See below for full North American tour routing and head to judaspriestinvincibleshield.com for tickets.

Over the past 50 years Judas Priest have sold over 50 million albums worldwide and headlined the world’s biggest stages.  With their evolving music and live performances also came a powerful unique identity, a look which has both defined the group and influenced future generations of metal bands the world over.  With each year the Judas Priest legend continues to grow; 2022 saw them inducted into the Rock & Roll Hall of Fame and complete a sold-out rescheduled world tour in support of their 50th Anniversary.  As we roll into 2024 Judas Priest continue to retain their crown as one of the biggest and best British bands in the world.

JUDAS PRIEST: INVINCIBLE SHIELD TOUR DATES:
Thu Apr 18 – Wallingford, CT – Toyota Oakdale Theatre
Fri Apr 19 – Newark, NJ – Prudential Center
Sun Apr 21 – Reading, PA – Santander Arena
Wed Apr 24 – Bangor, ME – Cross Insurance Center
Thu Apr 25 – Boston, MA – MGM Music Hall at Fenway
Sat Apr 27 - Youngstown, OH - Covelli Center*
Sun Apr 28 – Indianapolis, IN – Everwise Amphitheater at White River
Wed May 01 – Rosemont, IL – Rosemont Theatre
Thu May 02 – Minneapolis, MN – The Armory
Sat May 4 - Kalamazoo, MI - Wings Event Center*
Sun May 05 – Maryland Heights, MO – St Louis Music Park
Tue May 07 - Huntsville, AL - VBC Propst Arena*
Thu May 09 - Daytona, FL - Welcome to Rockville^
Sat May 11 – Alpharetta, GA – Ameris Bank Amphitheatre
Sun May 12 - Mobile, AL - Mobile Civic Center Arena*
Tue May 14 – Charlotte, NC – PNC Music Pavilion
Thu, May 16 - Columbus OH - Historic Crew Stadium ^
Fri May 17 - Evansville, IN - Ford Center*
Sun May 19 – Washington, DC –The Theater at MGM National Harbor
Tue May 21 – Albany, NY – MVP Arena
Wed May 22 – Syracuse, NY – Empower Federal Credit Union Amphitheater at Lakeview
*Not a Live Nation Date
^Festival Performance

Instagram | TikTok | Facebook | Twitter | YouTube

UK artist James Clarke Five presents 'Ghost', previewing new album 'Zoom and The Gadflies'

"With fantastic diversity, wrapped in a tight layer of suave musical mastery, James Clarke Five's brand of music melds the best of rock and Brit pop, imbued with spirits past and present" ~ Amplify Music Mag 

"The sound of the 60’s if 80’s sophisti-pop had been invented, all smooth rounded notes, beautiful production and huge globules of earnest maturity" ~ Jangle Pop Hub  

"A pleasure to listen to... a sort of Ben Folds does Sunshine Pop" ~ I Don't Hear a Single 

"Best slices of gentle indie pop I’ve heard... with teeth wrapped in velvet, just as the lounge style was for The Specials" ~ Pop in the Real World 

"Some kinda locked-in-his-bedroom genius... very listenable pop" ~ Dagger Zine

UK indie rock artist James Clarke Five presents the new single 'Ghost', previewing the album 'Zoom and The Gadflies', slated for release on March 15 via Favourite Recordings. With bittersweet reflections on childhood and the passing of time, this melodious, atmospheric, harpsichord-driven sound is reminiscent of film music by the likes of John Barry, Burt Bacharach, and Pet Sounds-era Beach Boys.

Much like Cocteau Twins was not actually a duo, James Clarke Five is the solo project of James Hughes. He is perhaps best known as keyboardist and vocalist for Liverpool 80's new wave band The Cherry Boys, contemporaries of Echo & The Bunnymen and The Teardrop Explodes, whose members also played with The LA’s, Cast, The Icicle Works and Lightning Seeds. With a slight resemblance to The Fall's Mark E. Smith, Hughes now lives in London.

With sometimes story-driven or politically-edged lyrics, James Clarke Five mixes classic baroque pop with strong melodies and distinctive chord changes, but with a more raw, guitar driven sound with overtones of glam rock and psychedelia. The new album also includes some clear nods to XTCk, Adam and the Ants and Joe Meek.

James explains, "This is a more 'reflective' song inspired by film soundtracks from the likes of John Barry, and also 'vintage' TV themes for which I have a great affection.  For me the song adds an extra dimension to what is an otherwise 'upbeat' album".

'Ghost' follows the singles 'Gadfly Groove', celebrating the personal transformation of a quiet, tentative introvert to an outgoing, gadfly-like persona, and '(Who's Been On The) Big Rock Candy', which tells the story of a couple who pursue increasingly daring deeds from roller coaster rides and cliff edges to runaway trains, all to a pounding, feedback-driven backdrop.

Album order  https://jamesclarkefive.bandcamp.com/album/zoom-and-the-gadflies
Album pre-save  https://found.ee/ZATG-1
'Ghost' single  https://found.ee/PUhIv7
Bandcamp  https://jamesclarkefive.bandcamp.com/track/ghost

At the age of 12, James picked up a guitar, which he has scarcely put down since. Following The Cherry Boys, Hughes was a founder member of Exhibit B, who released the cult classic album 'Playing Dead' and several singles.  

Upon moving to London in the early 2000s, Hughes launched James Clarke Five with the barnstorming single 'Get Out Of Bed' and later found success with his song 'Sexbombe Uber Alles', the main theme of the film 'Last Shop Standing'. Their most recent albums 'Underneath The Lemon Tree' (2021) and 'ParlourSounds' (2018), released by iconic Canadian label The Beautiful Music, garnered rave reviews. His music has also appeared in the film 'Soundtrack to Sixteen' and has amassed over 1.25 million Spotify streams to date.

Recorded in his home studio in London, James produced and mastered this album. He performed all instruments and vocals with the exception of Mack The Sax, who plays saxophone on 'Gadfly Groove' and Karen Bates, who provides backing vocals on 'It's Been So Long'.

As of February 23, 'Ghost' is available from fine digital platforms, including Spotify, Apple and Bandcamp.  The full 'Zoom and The Gadflies' album will be released on March 15 and is already available for pre-order.

CREDITS
All songs written by James Clarke (AKA James Hughes), except 'It's Been So Long' by Donaldson / Adamson
Karen Bates - backing vocals on track 8
Mac The Sax - saxophone on track 3
All other instruments and vocals by James Clarke
Produced by James Clarke
Cover artwork by James Clarke


Keep up with James Clarke Five
Bandcamp | Facebook | Twitter | Instagram | YouTube | Spotify | Apple Music | Press contact

Keep up with Shameless Promotion PR
Website | Facebook | Twitter | Instagram | Soundcloud | LinkedIn | Email

THE ARSON CHOIR RELEASE MUSIC VIDEO FOR NEW SINGLE, 'RAVENOUS'

Southern Californian mathcore quintet THE ARSON CHOIR has unleashed the official music video for 'Ravenous' via War Against Records.  Inspired by the 1999 Guy Pierce film of the same name, Phil Penegar wanted to capture the frantic and crazy energy that is embodied in both the film and the single as well as the themes seen in the Japanese anime Attack On Titan which he was binging at the time. Listeners are taken for a rollercoaster ride with pummeling chords and upbeat drums that are sure to feed the cannibalistic urges.

Founder and guitarist Marc Motley comments on the music, "'Ravenous' is the first release post-pandemic and following a massive line-up change. The departure of the band's longtime drummer brought on new obstacles which can be felt by the anxious yet chaotic chords and structure featured on the single. This song forced me to rely on my own writing ability to devise a melody that encompassed what I was feeling at this moment and influenced the direction of the band."

 Speaking on the lyrical content, Phil Penegar adds, "The song has more of a punk flair and Arson Choir wants to bring some spice to the Mathcore game. These violent delights have violent ends."

Watch the music video for "Ravenous' directed by Mel Torres of Third Rule Creative, below.  

Stream 'Ravenous' on all platforms now at: lnk.to/ravenous

'Ravenous' was recorded by Michael Eichstedts at Summit Studios while mixing and mastering was handled by Jeff Dunne (MAKE THEM SUFFER, ICE NINE KILLS, and KNOCKED LOOSE). The cover artwork was created by Rai Ciego.

THE ARSON CHOIR is a 4. piece experimental hardcore band from Southern California that blends nostalgic and modern riffs to create their raw and organic sound. An intense live show filled with dissonant chords and creative melodies showcases a new style of fast and loud.

Catch THE ARSON CHOIR live on the following dates:
02/25/2024 Oakland, CA - 9 Lives
03/16/2024 Oceanside, CA - The Pourhouse
03/24/2024 Phoenix, AZ - Yucca Tap Room
09/13-15/2024 Portland, OR - Bridge City Fest

The Gentlemen of THE ARSON CHOIR are:
Phillip Penegar | Vocals
Marc Motley | Rhythm Guitar
Eric Carrizales | Lead Guitar
Eric Whitt | Bass Guitar & Backing Vocals

More information:
Website: www.thearsonchoir.com
Facebook:  www.facebook.com/TheArsonChoir 
Instagram: www.instagram.com/thearsonchoir 
Bandcamp: www.thearsonchoir.bandcamp.com 
Spotify: open.spotify.com/artist/2ir53QtigznLj1maMuVeNH

Order Invisible Monsters in the format your choice here:  https://www.waragainstrecords.com/store

Photo By: Kitty Catalino