BEYOND THE BLACK - RELEASE NEW PIANO VERSION OF 'WIDE AWAKE'

After the release of their very successful self-titled album Beyond The Black, which was released in January 2023 the band now shares the brand new piano version of the song 'Wide Awake'. The piano version of 'Wide Awake' is the perfect song to start the pre-Christmas time and gets you in the right mood. Their highly-anticipated Dancing In The Dark tour starts in April 2024.

Jennifer Haben comments: 
"The piano version of 'Wide Awake' is something very special, because the song's creation process began with piano and vocals. I love that this pure, almost naked version, as it originally was, can now be heard by everyone. The song couldn't feel more personal to me."

Stream 'Wide Awake' here: 
https://beyondtheblack.bfan.link/wide-awake
Order the album Beyond the Black here: 
https://beyondtheblack.bfan.link/beyond-the-black

About BEYOND THE BLACK:
German Symphonic Metal ascending stars BEYOND THE BLACK can already look back across a stratospherically successful career, despite their youthful years. Upon release, their 2015 debut album hit like a bomb in their home country. Songs Of Love And Death besieged the German Top 15 for weeks, which led to the band being awarded the Metal Hammer Award for “Best Debut” in 2015. Its successor Lost In Forever (2016) entered the German charts at #4 and paved the way for a huge tour throughout Germany and across countries like the UK, Russia, and Japan. Since the band’s live debut in 2014, they have played some of the world’s biggest Metal festivals like Wacken Open Air (several times) and have toured as support to heavyweights such as AEROSMITH, KORN, SCORPIONS, SAXON and WITHIN TEMPTATION. During the campaign for their third record Heart Of the Hurricane (2018), BEYOND THE BLACK landed their first-ever European headline tour, which took them across 10 countries, with most dates selling out.

Before they’d even finished the Heart Of the Hurricane touring cycle, BEYOND THE BLACK had already gone back to the studio to write and record album number four. The result was Horizons, released in June 2020, which entered the German album charts at #3 (CH #6, AT #16, BE #53) marking the band’s most successful album release to date.

Now, two years later, BEYOND THE BLACK are back to launch a new chapter. Following the release of recently highly acclaimed tracks 'Reincarnation', 'Is There Anybody Out There', 'Winter Is Coming' and 'Dancing In The Dark', the band released their new, fifth studio album – the self-titled Beyond the Black on January 13th, 2023!

Photo Credit: Heilemania

Ghost Atlas (Feat. Jesse Cash of ERRA) Share Double Single "Seeker (Stretch The Night)" + "In The House Of Leaves"

NEW ALBUM DUST OF THE HUMAN SHAPE ARRIVES JANUARY 26 VIA UNFD

Ghost Atlas, the melodic alt-rock side project from Jesse Cash of ERRA, have released the double A-Side: "Seeker (Stretch The Night)" and "In The House Of Leaves."

"'Seeker (Stretch the Night)' is arranged in a way that is less conventional structurally, and more of foundation to tell a story," Cash shares. "It started with the opening chord progression having been originally written on guitar in DADGAD open tuning. I was playing around with the idea of transferring the chords to piano and liked the idea of having the song just be those chords for the entire duration. I felt that the chord progression was interesting enough and having it continue altering slightly for several bars left a lot of room for vocal variation to prevent the flow from becoming stagnant. I liked that my only means of keeping a sense of dynamic throughout was to rely upon the production layering and fluctuating intensity in the vocals. The song is constantly weaving in and out of tension and release until the end when it finally opens up into a full band performance."

Watch the video for "Seeker (Stretch The Night)"

Ghost Atlas is an intensely personal project. Every conceptual part of the music, lyrics, and visuals is an intentional outpouring of Jesse’s mind. The twelve tracks across Dust Of The Human Shape illustrate the internal world of Jesse's fervor and ideology, while allowing the listener to find their own connective interpretation. The album is a culmination of art and tense human emotions, fuelled by a spectrum of life experiences.

It arrives January 26 via UNFD. Pre-order it
here.

PHOTO CREDIT: Bryan Kirk

KORPIKLAANI - Announce New Album "Rankarumpu" + Extensive 2024 Touring Schedule Including North America, The UK And Mainland Europe

Finnish folk metal superstars KORPIKLAANI have announced the name and release date of their upcoming new studio album, Rankarumpu, which is due to be released on April 5th, 2024. In addition, KORPIKLAANI have revealed their massive touring plans for 2024, starting with an extensive UK tour with Alestorm and Heidevolk in February and March, two album release shows in Mexico on April 5th and 6th, followed by a North Amercan tour with Visions Of Atlantis & Illumishade (feat. members of Eluveitie) in April and May, a good number of big European Summer festivals and a European tour towards the end of the year. Scroll down for all confirmed dates.

KORPIKLAANI's twelfth studio album, Rankarumpu, is once again full of tasty folk metal and its different flavors, but it also offers new spices. Perhaps the ancient gods of joyful music have decided to bless their own sons with some new miraculous extracts?
 
"Whenever I start writing something new, the material always finds its own path without any forcing - that stuff just comes from somewhere deep inside me, completely naturally", states Jonne Järvelä.
 
"Anyway, when I started to come up with the material for Rankarumpu, I set myself a goal. A couple of previous records, especially Kulkija (2018), were a bit slower as a whole, so this time I wanted to benefit from a bit faster tempos - a bit like the old Korpiklaani."
 
This is exactly what Rankarumpu is all about. Of course, KORPIKLAANI sometimes slows down and gets seriously emotional, but for the most part Rankarumpu - as a whole, probably the band's catchiest album to date - rushes forward at a faster pace.

One of the most wonderful features of Rankarumpu is related to the folk instruments. Although KORPIKLAANI has done one or maybe even a couple of unforgettable things in the realm of folk metal, this time new permanent member Olli Vänskä's violin and Sami Perttula's accordion may surprise even die-hard fans.
 
Rankarumpu, like the two previous records, was executed with recording / mixing engineer and producer Janne Saksa. It seems that the collaboration between the band and Saksa has reached a whole new level with Rankarumpu.

RANKARUMPU NORTH AMERICAN TOUR 2024
w/ Visions Of Atlantis & Illumishade

08.04.    US    Reading  -   Reverb
09.04.    US    New York City  -  Gramercy Theatre
10.04.    US    Boston  -  Brighton Music Hall
11.04.    CA    Montreal  -  La Tulipe
12.04.    CA    Ottawa  -  Brass Monkey
13.04.    CA    Toronto  -  Phoenix Concert Theatre 
14.04.    US    Pontiac  -  The Crofoot
15.04.    US    Milwaukee   - Turner Hall
17.04.    US    Minneapolis  -  Skyway Theatre
18.04.    CA    Winnipeg  -  Park Theatre
19.04.    CA    Regina  -  The Exchange
20.04.    CA    Edmonton  -  Starlite Room
21.04.    CA    Calgary  -  Dickens 
23.04.    CA    Vancouver  -  Rickshaw Theatre
24.04.    US    Seattle  -  El Corazon
25.04.    US    Portland  -  BossaNova Ballroom
26.04.    US    San Francisco  -  DNA Lounge
27.04.    US    Los Angeles  -  1720
28.04.    US    San Diego  -  Brick By Brick
29.04.    US    Phoenix   - The Nile
01.05.    US    Denver  -  Gothic Theatre
02.05.    US    Lincoln  -  The Bourbon Theater
03.05.    US    Joliet  -  The Forge
04.05.    US    Pittsburgh  -  Mr Smalls Theatre
05.05.    US    Baltimore  -  Baltimore Soundstage

TICKETS: 
https://linktr.ee/rankarumpu_america_2024

KORPIKLAANI ONLINE:
https://linktr.ee/korpiklaani

VLTIMAS Announce New Album

VLTIMAS have been legends since the dawn of metal. Rune Eriksen took hold of axe-wielding duties for the second coming of Mayhem. Flo Mounier has been drumming for Cryptopsy since their earliest exhumations of the Canadian underground. And who could forget David Vincent, the larger-than-life vocalist for Morbid Angel.        

Having already made history, some metalheads may have stroked their beard and wondered if there could possibly be any new realms for this band to conquer. After all, their debut was voted Album of the Year by
Zero Tolerance Magazine and BangerTV.  But on their new album, VLTIMAS ascend to truly epic heights.

EPIC comes out March 15, 2024. 

Watch the video for lead single "Miserere" below.

Pre-order: https://redirect.season-of-mist.com/VLTIMASEPIC

Pre-save: https://orcd.co/vltimasepic

VLTIMAS have been making grand declarations of war for more than 30 years, but "Miserere" isn't just another offering at the altar of madness. "I spread my misery, biblically evolved", Vincent sings in a  baritone that's so monstrous it could summon an army of the dead. The drums speed ahead mercilessly, mowing down all onlookers under a barrage of surgical blast beats, as riffs hail from all directions with enough firepower to shatter bulletproof glass. 


"The world throws us all trials and tribulations constantly," says VLTIMAS. "We use this angst as a weapon in our art to score the apocalypse".

Extreme metal powerhouse VLTIMAS (pronounced 'uhl-tuh-mas') assault metaldom once more with their highly-anticipated sophomore album, EPIC, through Season of Mist. Featuring Norwegian guitarist Rune "Blasphemer" Eriksen (ex-Mayhem, Aura Noir), American vocalist David Vincent (ex-Morbid Angel), and Canadian drummer Flo Mounier (Cryptopsy), the multinational quintet, rounded out by Dutch bassist Ype TVS (ex-Dodecahedron) and Portuguese guitarist João Duarte (Corpus Christii), continue to venture down their path. Moored by strength and integrity, VLTIMAS fortified their signature with wicked invention, as applauded by Decibel Magazine, BangerTV, Louder, and many others, on their debut, Something Wicked Marches In (2019). Singles "Miserere," "Scorcher," and "Invictus" showcase a band of musicians at the top of their game, united in their pursuit of oneness.

"We wrote every bit of EPIC together at my ranch in Dime Box, Texas," offers Vincent. "The writing sessions were as organic as they could be. There were times when, at the end of the night, Rune would take his guitar and play something ridiculous. Flo would play something even more ridiculous on top of it. I'd say to the guys, 'I need to capture this.' So, the magic [of VLTIMAS] is being in the same room together, discussing, playing, and recording music and everything else we're doing together. We have unbelievable camaraderie."
 

While the members of VLTIMAS are not atavists, their preferred creative methods are time-tested and battle-hardened. Technology has its place, but the group thrive when they're together, not separated by the world. Eriksen, renowned as a riff innovator, is more effective when he's got a highly capable sideman like Vincent or Mounier, whose drumming in Cryptopsy and his celebrated instructional Extreme Metal Drumming 101 DVD has proven to be a no-limits player, by his side. Whether it's the moody, angular attack of "Miserere," the wicked groove of "Mephisto Manifesto," or the dark fury of "Nature's Fangs," the chemistry and enterprise of VLTIMAS is undeniable.

"The main goal [of VLTIMAS] is to be real," Eriksen reveals. "To channel the very moment, to let true inspiration out. I don't believe I ever set myself a goal on what an album should or needs to sound like before I or we write it because that means I have to compromise during the process. For EPIC, we focused on more direct songs, trimming the fat, as opposed to Something Wicked Marches In, which had a progressive and 'playful' flair."

VLTIMAS was a profane concept—a constellation of riffs against a modest frame—when formed by Eriksen in 2015. After departing Mayhem in 2008 and putting his gothic doom outfit Ava Inferi to rest in 2013, the Norwegian's fingers still itched with infernal fury. VLTIMAS was his vent, and when Mounier and Vincent joined, he finally had the cadre of professionals to make it a reality. Together, they devised complementary schemes and themes rooted in rightness. In a world gone mad, VLTIMAS had a vision. On Something Wicked Marches In, they commanded attention with metaphors about the apocalypse, the ancient goddess Lilith, and truth. Lyrically, EPIC spears into the very nucleus of strength through Vincent's brio of double entendre and clever wordsmithing. The songs are designed to be heard, read, and interpreted—there are no shortcuts.

"Everything we're doing and messaging is about strength and honor," says Vincent. "These are the fundamentals that I incorporate into my life, which I believe in. I want to share with others, hoping they'll incorporate strength and honor into their lives. I wouldn't say I like spelling lyrics out. I use a lot of double meanings on purpose because I want to inspire the listener to think. I'm not a short attention span guy, and I don't appreciate it. EPIC is holistic and meant to be experienced that way."


EPIC was recorded by producer Jaime Gomez Arellano (Paradise Lost, Grave Miasma) with engineer Jonathan Mazzeo (First Fragment, Sickening) at Arda Recorders in Porto, Portugal. VLTIMAS tracked the album throughout May 2023. Arellano also handled the mix and master. Like everything the band does, the main goal was to be honest. The maxim of no sample replacement or re-amping—EPIC was captured on outboard gear—was adhered to and enjoyed by the team. The result is a sonic expression that sounds like nothing else. From the crushing title track to the epic musicality of closer "Spoils of War," EPIC is an absolute beast.


"Stress, long walks, too much alcohol, yet very focused once in the recording mode," Eriksen says of the sessions. "We booked a month, but somehow, that flew by instantly. We worked up until the very end. I even added a few solos at my local Soundscape Studio in Almada, Portugal. Art unfolds, and once you think you are done, there's always another idea popping up."


VLTIMAS brought Italian artist Daniele Valeriani (Mayhem, Unanimated) to visualize EPIC. The aesthetic, as illuminated by music and message, was iconic boldness. The three-eagle head crest with three different crowns, accompanied by transfigured symbols of the Passion and the "impossible triangle," projects effortlessly. In EPIC, the group will dominate. There's no escape from "Miserere," "Mephisto Manifesto," "Scorcher," and "Invictus." Together, they thrust, by resolve and inventiveness, VLTIMAS into the uppermost echelons of extreme metal.


"[EPIC is] old meets contemporary, a symbiosis of all the great things we love about extreme metal," offers Eriksen. "All combined into one album."


"I want to be as emotional and honest [with VLTIMAS]," Vincent adds. "I want to tell stories; I want to have the themes that appeal to me; I want to have some messaging that someone can take away, in this case, strength. EPIC is strength."


Lineup

David Vincent - Vocals
Rune Blasphemer Eriksen - Guitars
Flo Mounier - Drums
Ype TVS - Bass
João Duarte - Guitars

Recording studio
ARDA Recorders

Producer
Jamie Gomez Arellano

Sound engineer
Jonathan Mazzeo

Mixing and mastering engineer
Jaime Gomez Arellano

Mixing and mastering studio 
Arda Recorders, Orgone Studio

Cover art
Daniele Valeriani

Additional artwork and layout
Adrien Bousson

Biography
Chris Dick

Pre-save: https://orcd.co/vltimasepic

Pre-order: https://redirect.season-of-mist.com/VLTIMASEPIC


Links:
Apple Music:
https://music.apple.com/us/artist/vltimas/1445457453
Bandcamp:
https://vltimas.bandcamp.com/
Facebook:
https://www.facebook.com/vltimas/
Instagram:
https://www.instagram.com/vltimas/
Spotify:
https://open.spotify.com/artist/0kz64zyv2xtkdhboztpdwa
Twitter:
https://www.twitter.com/vltimas?lang=en

Available Formats:
Digital Download
CD Digipak
12" Vinyl Gatefold - Black
12" Coloured Vinyl Gatefold - Skull Gold
12" Coloured Vinyl Gatefold - Dracula
12" Picture Vinyl

PEYTON PARRISH Releases New Single "Fallen Angel" on Spotify ; Album 'Soul' Due Out January 6, 2024!

Pre-Order SOUL

Apple Music

Explore music from Peyton Parrish on Spotify

Singer Peyton Parrish captivated audiences once again with his release, "Fallen Angel," that debuted on December 15, 2024, across all major music platforms. This latest single is a remarkable preview from his eagerly awaited album, SOUL, which has skyrocketed to the #3 position for pre-orders globally across all genres. The full album is slated for release on January 6th, featuring the chart-topping sensation "Poetry Glass" as its lead single. Peyton is set to embark on an overseas tour beginning February 2nd in London.

WATCH “Fallen Angel” below.

Renowned for his unique blend of throaty Viking-inspired metal and post-grunge rock, Peyton Parrish has not only made a mark through original compositions but also gained widespread recognition for his inventive cover renditions. His viral rendition of the Assassin's Creed Valhalla video game song, "My Mother Told Me," which was included in the TV show Vikings.

In 2021 he hit viral Viking fame with "Battle Cries", "Valhalla Calling", "Ragnarok", "Hail to Victory", "War", "We are Vikings", "Skol", "Fall Into Me", "Drengr of Ragnarok' and "For Honor". In August of 2021 he received his first Billboard #1with his cover of Mulan’s "I'll Make a Man Out of You”.

In March of 2022 he received his second Billboard #1 with his cover of Hercules “Go the Distance.”

He has continued to explore a mix of heavy metal, and Viking traditions on his 2022's album Rise of Vikingr dropping number #1 on the iTunes charts with viral hits “Dane”, "Dragur", and “My Mother Told Me” metal version.

In 2023 his rock inspired Disney cover album The Most Magical Album on Earthgave Peyton Parrish his first Billboard #1 album. Later that same year his Viking album Skalds of Metal gave us such viral hits as “Master of War” and “God of War”.

For More Information Please Visit:

Official Website

Instagram

YouTube

Facebook

TikTok

Annie Bosko Announces 5-Track EP for 1/5 + Tickets On Sale for 1/10 at Troubadour in LA

Annie Bosko’s country music journey has seen her travel the world, evolving and exploring with the respect of fans and heroes alike. But after years of hard knocks and creative shapeshifting, Bosko is now coming home. Home to the record deal of her dreams. Home to simple country songs told from the heart, equal parts healing and hope. She’s come home to a sound and approach anchored deep in the organic twang of the ‘90s golden era, and with her five-track EP Annie Bosko set for release January 5, she’s inviting you inside.
 
“When I'm listening to country right now, there’s a need for more music that sounds country,” she says. “I’ve gone through the chasing trends phase. I’ve gone through trying to be cool, where it’s so easy to forget being a young girl hearing Shania Twain or George Strait for the first time. But now I’m making music for that girl. It feels like real country music – the kind that inspired me to come to Nashville. That’s where my heart’s at now.”
 
Signed to Stone Country Records and working with producers Derek George and Mickey Jack Cones, a new batch of music pairs unapologetic twang, clever wordplay and deep compassion with her long standing downhome-diva vocal. Bosko found a way to stop overthinking, and just do what feels right.
 
“The thing that excites me about this new music is I feel rejuvenated,” she beams. “It’s the way I felt about country music that urged me to drive to Nashville at 19 years old, and with that time comes wisdom and a better understanding of who you are. I’m done being afraid to show my country roots. And I’m doing it with a modern twist.”
 
Featuring tracks like her first single for Stone Country Records with the sultry “Neon Baby,” the third most-added song at country radio at its debut, and the tongue-in-cheek “He Gone,” written by Lainey Wilson, Terri Jo Box and Trent Tomlinson, the collection also offers moments of reflection with “Sometimes I Forget” and “Dandelions,”  a powerful-yet-tender ballad dedicated to the families of the tragic shooting at Nashville’s Covenant School in March.
 
After performing the National Anthem at the National Finals Rodeo in Las Vegas this week, the California native will join the
Tournament of Roses Parade in Pasadena for a special performance on New Year’s Day on The Cowboy Channel’s float “Cowgirl’s Rule,” followed by her EP release show at Los Angeles’ famed Troubadour. Tickets are available HERE.

Photo Credit: Ford Fairchild

About Annie Bosko
With a voice that beams like a ray of California sunshine, Stone Country Records/Brown Sellers Brown singer-songwriter Annie Bosko pairs a sound anchored deep in the organic twang of ‘90s country with simple songs told from the heart, preaching equal parts healing and honky-tonk hope. A student of legendary crooners like Patsy Cline with added inspiration from Shania Twain, George Strait, Dwight Yoakam, The Beatles and more, the Golden State native broke out in 2014 with the SiriusXM/CMT hit “Crooked Halo,” bucking the bro-country trend for a traditionally flavored anthem that has now amassed more than 3 million streams. She went on to write songs recorded by Willie Nelson and Jessica Simpson, tour alongside Tim McGraw, Dierks Bentley and Blake Shelton, sell out the famed Troubadour and perform on the Grand Ole Opry and at Ryman Auditorium – the fabled Mother Church of Country Music – while also becoming an in-demand studio vocalist and earning the title Artist to Watch from Rolling Stone Country. After a series of standout collaborations with country icons Vince Gill, Dwight Yoakam and Raul Malo, she is now embracing her true nature for a creative rejuvenation. Working with producers Derek George and Mickey Jack Cones, a new batch of music pairs unapologetic twang, clever wordplay, and deep compassion with her long standing downhome-diva vocal, capturing the full range of a timeless American art in its purest form. In 2023, Bosko released the powerful-yet-tender ballad “Dandelions” in memory of the victims of Nashville’s Covenant School shooting – a track written alongside Danny Myrick which has now become a beacon of community remembrance and faith. Lost in grief and capturing the reverberating shock of that day’s unfathomable loss, the track has been embraced by the Covenant School families themselves, with all proceeds from being donated for their benefit through ACM Lifting Lives. Looking ahead, Bosko will release her five-song EP Annie Bosko on January 5, 2024, featuring sharp-yet-simple, pure-country songs written or co-written with hit makers like Jeffrey Steele, Bridgette Tatum and more, all aimed at uplifting, inspiring or just singing along with women and country-music lovers everywhere.

Enterprise Earth Release New Single + Music Video "Casket of Rust" via MNRK Heavy

"It's hard to make a five-minute deathcore song interesting from start to finish, and Enterprise Earth nailed it on "The Reaper's Servant"... It's big. It's bold. It bangs." - Revolver

"Offering an initial glimpse of the devastation packaged onto the project, Enterprise Earth have shared an eviscerating first single in "King of Ruination" featuring Ben Duerr from Shadow of Intent. Coupled with a unnerving visual directed by Nick Chance, the future for Enterprise Earth couldn't look brighter." - Knotfest.com

"The djent is strong in the Washington deathcore stalwarts' latest, which is all ultra-low-tuned chug, pitch-shifter squeals and syncopated stop-start riffs that will flip your stomach - not to mention a solo so technical and unsettling it would make Fredrik Thordendal jealous." - Guitar World

"... "King of Ruination", a sprawling, technical, foreboding piece of dark magic. Bile-drenched one moment, beautifully crafted the next, it's an incredible place to kick off such a thoughtful and thrilling chapter." - idobi Radio

Photo Credit - Nick Chance

Enterprise Earth has released their latest offering "Casket of Rust" today, taken from their eagerly anticipated upcoming album 'Death: An Anthology' out on February 2 (via MNRK Heavy). When asked about the inspiration behind the track, vocalist Travis Worland commented:

“Lyrically, it touches on the death of yourself in a relationship. You’re killing off anything you had in order to appease another person and destroying pieces of yourself. You built this casket for so long that it has time to decay and rust before you bury yourself in it.”

Prior to today, the band unleashed "King of Ruination" with special guest Ben Duerr from Shadow of Intent and most recently, "The Reaper's Servant" featuring Darius Tehrani of Spite. Stream "Casket of Rust" here and watch the official music video below. Pre-save 'Death: An Anthology' here and check out the vinyl formats of the album down below in "Black Ice" and "Inferno" (exclusive to the band and available here). "Ghostly" and "Copper Nugget" formats are available through the MNRK Heavy Shop at the link here.

More than anything else, we share death in common. This universal eventuality unites us. In an evolutionary sense, it effectively ensures our equality. No matter who you are, you will die. Enterprise Earth explore death from a different perspective altogether. Rather than turn away from it, the U.S. quartet—Gabe Mangold [guitar, backing vocals, production], Brandon Zackey [drums], Travis Worland [vocals], and Dakota Johnson [bass]—face it head-on with their fifth full-length offering, DEATH: AN ANTHOLOGY [MNRK HEAVY]. Against an apocalyptic soundtrack of battering ram double bass drums, gut-punching guitars, and disarmingly dynamic vocals, the group present their most immersive and inimitable vision yet.

“The album is tied together by the overarching concept of death,” Travis states. “It’s easy to think of death as a separation of consciousness from the body, but we’re delving into the death of self, individuality, and relationships—whether romantic or platonic. Dying takes many forms. I grew up extremely religious, so death has always been on my mind. In any religion, the afterlife is the umbrella for all of your beliefs. I tend to think of death from a more philosophical standpoint these days.”

The band have always incited mosh pits and thought in equal measure. Since emerging during 2014, Enterprise Earth have logged two back-to-back debuts in the Top 10 of the Billboard Heatseekers Albums Chart, while Loudwire cited Luciferous among the “50 Best Metal Albums of 2019.” Hysteria Mag heralded 2022’s The Chosen as “a veritable masterclass in experimentation and reinvention that shows a highly skilled band transcending its roots and making steps to become leaders of a field still being created,” while Metal Injection summed it up as “a strong statement.” Plus having toured with the likes of Thy Art Is Murder, Dying Fetus, Chelsea Grin, Fit For An Autopsy, Fallujah, Within Destruction, and more.

With Gabe once again in the producer’s chair, the musicians holed up in a Lake Tahoe cabin for nine days where they penned the bulk of DEATH: AN ANTHOLOGY. It marked the first time this lineup wrote together (and in-person) as well as with Travis on vocal duties.

“We fed off one another’s energy,” recalls Gabe. “These songs felt cohesive because of that. We all had a hand in the composition.”

In the end, death may be inevitable, but you can rely on Enterprise Earth for a release in the meantime.

“We wanted to make an album that feels like who we are as a collective,” the band agreed. “On the one hand, we hope you have fun listening to it. On the other, just know, ‘Death is real and it comes for us all’. One day, we won’t be here anymore. While we’re alive, we want to enjoy it.”

Enterprise Earth Is:

Gabe Mangold [guitar, backing vocals, production]

Travis Worland [vocals] 

Brandon Zackey [drums]

Dakota Johnson [bass]

NECROWRETCH Erupt With The Fires of Hell on New Single

Necrowretch were forged from the blackened and most deathly pits of hell. These putrid French sorcerers recently announced their fifth and fieriest offering with "Numidian Knowledge", a double-edged blade of riffs and shrieks hot enough to peel flesh.

Today, Necrowretch are opening another fiery pit to hell with "Ksar Al-Kufar". The second single off Swords of Dajjal opens with a gloomy intro before dive-bombing straight into destructive blast beats. Catchy tremolo picking gets plucked out of the sky by the talons of an ancient dark omen. 

As there stood a tree
That grew from the bottom of Hell
Ksar Al-Kufar   

Watch the smoldering video for
"Ksar Al-Kufar", which was filmed on location in Ethiopia and Morocco by Mounit Chraibi below.

Pre-order:
https://redirect.season-of-mist.com/NecrowretchSwords

Pre-save:
https://orcd.co/necrowretchswordsofdajjal

There's black metal. There's death metal. And then, there's NECROWRETCH.

The French band combine the best of both worlds into music made straight from the depths of hell. After setting a merciless pace with Satanic Slavery and The Ones From Hell, Necrowretch are back and ready to slice open a devilish new chapter of blistering blasts and piercing riffs with Swords of Dajjal.  

Photo by Léonor Ananké

Now entering their fifteenth year as a band, France’s Necrowretch are about to open the most ambitious chapter of their career with Swords Of Dajjal, their three-years-in-the-making fifth album.

Initially the sole work of multi-instrument and vision leader Vlad, the band was originally for better and for worse lumped in the ‘old school death metal revival’ of the early 10’s. Yet while their debut Putrid Death Sorcery did bear indeed all the usual suspects of said genre, it nevertheless already had that extra, raw-as-fuck and just plain vicious element that really set them apart from the rest of the pack. Conforming to the norm was never in question and instead of selling out or trying to slow things down, as true misfits as they are, the went the exact opposite direction, first with 2015’s With Serpents Scourge, only to be vigorously confirmed by its furious follow-up, and first for Season Of Mist, 2017’s Satanic Slavery. To the point where once the touring cycle was over for the latter, Vlad himself felt he had explored this direction as far as he could have and that changes were on the horizon.

“On Satanic Slavery we on purpose took things as far as we could as our goal was to deliver the most bestial album possible. But once we achieved that goal, I knew we had to take a slightly different if still as uncompromised direction.” Incidentally, that’s when Wenceslas Carrieu from Cadaveric FUMES entered the picture, first as a momentary live session on bass. But when second stringer Kev Desecrator vowed to amicably part way with the band to focus on DESTRÖYER 666, he switched to six-strings and proved to be the valuable songwriting partner Vlad had been looking for since the departure of the band original bass player Amphycion in 2015. “Heimmediately came up with lots of ideas and thanks to him, we now have a whole new dynamic: a bit like Sepultura had back in the days in between Max Cavalera and Andreas Kisser, with me focusing now on my vocals and playing rhythm guitars while Wenceslas takes care of all the solos, the starting riffs and the off-the-map bits.

With their fourth album, and first with Wencelas, The Ones From Hell was only one month old, Necrowretch was about to tour Europe with both Kampfar and Taake for three weeks. A tour bus was booked, the set was well-rehearsed, everything was ready and then... disaster struck. “Six days before we were due to play our first show, the whole thing was cancelled. Then COVID hit us and the world was basically shut down. We were numb for a couple of days but soon realized that the best way to bounce back was to move forward so we instantly started working on new songs.” The result is Swords Of Dajjal by far, their biggest, boldest and most ambitiousproduction ever.

“We spent no less than three years working on the songs, demoeing them and finetuning the details and rehearsing them as a three-piece and six weeks in the studio with Francis Caste (Hangman's Chair, REGARDE LES HOMMES TOMBER, Svart Crown etc.). Prior to that, we used to be a pure product of the underground, with albums done in just a couple of days whom were never 100% satisfied with in the end as we had to rush everything. We’re still very underground, mind you. But this time around, we knew we had to give it all, no matter what. So we started by changing our gear, our sound and our tuning. And once we entered the studio, we forinstance spent a whole day just testing different amps just to get the right sound and crunch we were looking for. I even took some singing lessons to gain more depth and power. In a way, it almost feels like a whole new band.”

The whole record was written on purpose mostly on acoustic twelve-string guitars (“the idea was that if it sounds good and catchy that way, it’d be even better with distortion”) and as a three-piece, “something we hadn’t done in a long time” with their new drummer Nicolas Ferrero, not exactly a newcomer as he’s been playing on and off live with them since 2018. The result is, according to Vlad, “our most black metal record, with splashes of death metal here and there. Whereas on the previous album all tempos were pushed to the extreme, there’s far more variety here to be found. Italso gave us free reins to reach a more mystical, Biblical if you will vibe” fed by his experience living in Turkey in the late 10’s. “We choose to focus on the Dajjal character, basically the antichrist in the Muslim religion. The Coran says that he’ll appear as a false prophet only to bring doom to this world, with an army of demons coming from the east.” Represented on the cover of the album with his double edged sword and bathed in the same kind of reddish and orangey mesmerizing lights one can experience when the sun sets on wind-beaten deserts, all eight songs on the album are prophecies, past and future, where Dajjal plays the leading role.

Now completed on bass by R. Cadaver (former Cadaveric Fumes vocalist) who officially joined once the recording was done after playing as a live session member for the last two years, and armed with their biggest, most complex and intense album of their career, Necrowretch are about to yield their sword of destruction and exterminate everything in sight.

Lineup
Vlad - Vocals, Guitars
W. Cadaver - Lead Guitars
R. Cadaver (Live) - Bass
N. Destroyer - Drums

Recording Studio       
Studio Sainte Marthe, Paris

Sound, Mixing & Mastering Engineer
Francis Caste

Cover Art
Stefan Thanneur / Manifeste

Photography
Léonor Ananké

Biography
​​​​​Olivier Zoltar Badin

Pre-save: https://orcd.co/necrowretchswordsofdajjal

Pre-order: https://redirect.season-of-mist.com/NecrowretchSwords

Links:
Official Website:
https://necrowretch.net/
Facebook:
https://www.facebook.com/Necrowretch
Instagram:
https://www.instagram.com/necrowretch
Spotify:
https://open.spotify.com/intl-fr/artist/0cIx910hgtpgvicBJv3ybq
Bandcamp:
https://necrowretch.bandcamp.com/

Booking Contact:
Roman:
roman@district-19.com

Available Formats:
CD Digipak
CD Digipak + Exclusive Woven Patch w/ Red Merrow Border
Digital Download
12" Vinyl Gatefold - Black
12" Coloured Vinyl Gatefold - Transparent Yellow
12" Coloured Vinyl Gatefold - Crystal Clear, Yellow & Black Marbled

Floya Announce Debut Album "Yume" + Share "Drift" Video

FLOYA ANNOUNCE DEBUT ALBUM YUME OUT MARCH 8 VIA ARISING EMPIRE

BAND SHARES VIDEO FOR "DRIFT"

FLOYA like to infuse hope into each track they release. Their latest single, "Drift," is no exception. The duo elevates listeners with powerful, airy synths, Marv's guitar riffs, and Phil's angelic voice.

Watch the video
below.

"Drift" is filled with genre-bending moments and conveys a clear message: Do what you love; there's not enough time for anything else.

"I don't think I've ever written a song this honest before," says singer Phil. "I've grappled with ambivalent emotions toward my career, to be completely transparent. There were moments when I doubted whether I could continue doing what I love. I turned my back on music for a while and, as a result, lost a significant part of my identity. 'Drift' is about precisely that: Dealing with ambivalence, overcoming doubts, and enabling you to continue doing what you love."

Floya will release their debut album, Yume scheduled to drop on March 8. Pre-orders will launch this coming Friday!

Th album was recorded and produced by Chris Kempe (Embark Audio), and mastered by Robin Schmidt.

Yume will be available as CD, limited colored vinyl variants, together with unique merch options at the 
Arising Empire Online Shop.

Caught between the stomping beats and airy synths of the EDM world and the overall feel of a modern rock band, FLOYA are a truly special duo. 

Hailing from Germany, Marv Wilder and Phil Bayer found common ground by talking about their childhood influences, namely Peter Gabriel, U2, and Sting. With the vision in mind to fuse a fresh pop rock sound with the aesthetics of EDM and world music, the pair set out to showcase what's rarely found on todays music market. 

After the successful launch of "The Hymn," the song was featured in an official AFL game between Port Adelaide and the Western Bulldogs on Australian Television, marking quite the achievement for an act that’s been public for only a few months. 

FLOYA also received praise in the form of airplay by Kerrang! Radio (UK) and Radio Contact (BE).

PHOTO CREDIT: Aurélien Mariat

Broadcast: Dark Space -II (Teaser)

> Amidst the echoes, a haunting scream reverberates through the vast expanse.
> Picked up by the keen sonar of an orbiting satellite.
> Triumvirate reach out to the inhabitants of Earth.
     > Wroth
     > Yhs
     > Zharaal

That's right, earthlings: Darkspace are gearing up for their long-awaited return. It's been almost a decade since their last transmission. But next year, they'll emerge from the void with Dark Space -II.

This new recording loosely deviates from the course set by Darkspace on their previous four albums. New member Yhs leads Wroth and Zharaal to experiment with different sonic textures. But while the mysterious trio still venture into uncharted aural territories, Dark Space -II never leaves their familiar realm of psychedelic, atmospheric, spatial black metal.

Dark Space -II comes out February 16, 2024. But you can hear a snippet of the supermassive black hole that is "Dark -2.-2" today over on our YouTube channel. 

Listen to the teaser below.

Pre-order: 
https://redirect.season-of-mist.com/DarkSpace-II
Pre-save: https://orcd.co/dark-2-2

Fractal electronic samples slice through layers of extraterrestrial drones, manifesting an immersive experience that defies the boundaries of the conventional black metal genre. Vocal transmissions, like whispers from the outer reaches, seamlessly intertwine in the chilling mix, adding a haunting dimension to this celestial configuration.

DARKSPACE beckons you. Come explore the vast unknown.

Season of Mist reissued all of Darkspace's catalogue on CD and vinyl this year. Listen from Dark Space -I to Dark Space III I and hear how their hypnotic and otherworldly sound has influenced the modern black metal of today.  

Shop:
https://redirect.season-of-mist.com/darkspace

[BROADCAST: END]

DARKSPACE was founded by Wroth, Zorgh and Zhaaral in 1999 in Berne (Switzerland).

In two decades, four albums and an EP were released: Dark Space -I to Dark Space III I. The band rarely appeared live.

In 2019 Zorgh quit while the band was awarded the Music Prize of the Canton of Berne for the creation of their soundscapes and their atmospheric performances.

In 2022 Yhs joined Wroth and Zhaaral to complete the three again.

Line-up
Wroth - Guitars, Vocals
Yhs - Guitars, Vocals
Zhaaral - Bass, Vocals

Pre-order: https://redirect.season-of-mist.com/DarkSpace-II
Pre-save:
https://orcd.co/dark-2-2

Links:
Official Website:
https://www.darkcyberspace.com/
Apple Music:
https://music.apple.com/us/artist/darkspace/329478213
Bandcamp:
https://darkspace.bandcamp.com/
Facebook:
https://www.facebook.com/dark.space87/?fref=ts
Spotify:
https://open.spotify.com/artist/4sww0FgGlUX3NCrrJleszz

Available Formats:
Digital Download
CD Digisleeve
12" Vinyl Gatefold - Black

Atoll Announce New Album 'Inhuman Implants' Out February 23 via Unique Leader Records

Extreme metal quintet Atoll has today announced their new upcoming album 'Inhuman Implants' set for release on February 23 (via Unique Leader Records). In celebration of the announcement, the band have unleashed their punishingly heavy lead single and the accompanying music video for "Berdella of Blood" taken from the forthcoming full-length. Speaking about the track, Atoll vocalist Wade Taylor commented:

"This visceral track is an auditory whirlwind, encapsulating the sheer brutality and raw intensity akin to the infamy of the Kansas City butcher, Robert Berdella. With ravaging blasts, face-smashing slams, and lacerating screams that echo the gruesome acts, "Berdella of Blood" is about the Kansas City Butcher Robert Berdella and his escapades of violence as he meticulously documented the torture of his victims for extended periods of time."

Fans also have the chance to get their hands on the band's 'Human Extract & Inhuman Implants: The Double Penetration' double vinyl offering in tandem with the upcoming album release. Pre-order 'Inhuman Implants' and vinyl here.

Watch HERE | Listen HERE

Emerging from the scorched desert wasteland in 2014, the Phoenix, Arizona-based death metal quintet, Atoll, has been aggressively serving up their unique style for nearly the last decade. Brilliantly blending groove-based slamming brutal death with more traditional death metal elements, grind, and at times even a sprinkle of ‘core, funk, and thrash. Their composition favors a "riff piling" approach rather than the more common and simplistic verse-chorus-verse arrangement, giving the music something of a progressive element with very few repeated riffs, and less predictable movements. Atoll has remained a staple in the metal fest scene, and you may have caught them live playing with the likes of Skinless, Gorgasm, Ingested, and Aborted. Their love of the tour bus life and an importance placed on always having the highest quality, high-energy performances have gained them a reputation for being a consistent, unrelenting live force.

April 2014 birthed this bulbous abomination that has grown into the mighty Atoll when they conspired to create percussive, not frills, chugging brutality. The band immediately shot up in the local AZ scene and very quickly began to expand their live performances throughout the southwest United States, building up momentum for their 2016 debut album, and straight up slammer, The Gathering Swarm. Produced by the late Griffin “The Father” Kolinski (Knights Of The Abyss) and Jamie King (Between The Buried And Me) the album was quickly picked up and released by Amputated Vein subsidiary, Ghastly Music. 

The initial success of their debut album caught the eye of Gorehouse Productions who went on to release the 2017 sophomore album, Fallout Frenzy. The vocals on this album show significant expanse in dynamic range, incorporating highs, mids, and some of the most nasty gutterals you’ll ever hear. Lyrically Fallout Frenzy expanded further on the origins of the band name, embracing themes of the atom bomb tests of Bikini Atoll in the 1950’s, and the subsequent radioactive fallout and mutations that occurred after the bombings. 

The critically acclaimed album, Zoopocalypse is released in 2019 through Gorehouse Productions. This album is in-your-face aggression from front to back. A departure from the more rudimentary slams of their earlier works, Zoo implements more technicality, more tremolo and scaling, mathier leads, and a generally more advanced death metal sound that would represent the direction of the band moving forward. The mix/master was completed by Miguel Tereso of Demigod Recordings (Analepsy, Organectomy), and features a guest vocal spot from Matti Way (Disgorge, Abominable Putridity, Pathology)

During the global limbo of lockdown Atoll was able to strike a deal with the legendary Unique Leader Records, and in 2022 put out the Prepuce EP. The mini-release serves as a taster of things to come as Atoll has completed the production of two upcoming full-length albums, scheduled to drop through Unique Leader in 2023 and 2024. This two-part release will be the most technically ambitious to date. Keep your eyes peeled on the tour front, and ears open because, like an atomic tsunami, Atoll is primed to decimate the masses.

VIPASSI Release New Single w/ Full-Band Playthrough

VIPASSI laid the groundwork for their  mind-bending instrumental passages back in 2017, when they debuted Śūnyatā. The Australian  quartet built on that solidly progressive foundation last month with the release of "Phainesthai", the first single and keystone of their new album Lightless. 

Today, the band are handing us another key. "Labyrinthine Hex" weaves a maze of intricate melodies and rhythmic complexities into a symphony of emotions.

The accompanying studio playthrough reveals not only the technical virtuosity of each member but also their telepathic chemistry. Watching the way they play off each other, it's no wonder that Vipassi can spin epic stories without uttering a word. 

Lightless comes out 26 January, 2024.

Pre-order:
https://shop.season-of-mist.com/list/vipassi-lightless

Watch the video for "Labyrinthine Hex" below.

In Buddhist tradition, VIPASSI is the twenty-second of the twenty-eight Buddhas. Etymologically, the name has its roots in clear vision – a being of extreme contemplation. The band of the same name is a world-spnning instrumental extreme metal band from the lands of Australia, France and the UK.

With members of acts such as Ne Obliviscaris, Black Lava, Hadal Maw & Virvum, their work on the 2017 debut album ‘Sunyata’, which has a loose signification of Emptiness or Void, set the grounds for a technically impressive and fully instrumental exploration of sonic textures in what can best be described as – a divine experience reaching the depths of the human soul.

Originally made as a project between Daniel Presland (Drums) and Ben Boyle (Guitars) as far back as 2007 to explore new concepts and sounds not currently engaged by their projects at the time, the band has since then grown and expanded to an international connection of like-minded musicians and virtuosos with Arran McSporran (Fretless Bass) and Benjamin Baret (Guitars).


Further exploring their labyrinthine textures and layers of sounds, the band VIPASSI is back with their sophomore album ‘Lightless’. The album shifts from the realm of the void towards a clash of light and dark – and sees the band expanding into even more technical and experimental realms, pushing the limits of their own ideas and abilities to heights unimagined when the band began all those years ago.

Lineup
Daniel Presland - Drums
Ben Boyle - Guitars & Synths
Arran McSporran - Fretless Bass
Benjamin Baret - Guitar Solos

Recording
Bushido Studios, Melbourne, Australia with additional recording in Gandia, Spain & Bordeaux, France.

Production
Sound Engineer - Troy Mccosker
Mixing & Mastering Engineer - Mark Lewis

Cover Art
Xenoyr -
https://www.xenoyr.com/

Bio
Sébastien Gamez

Pre-order:
https://shop.season-of-mist.com/list/vipassi-lightless

Available formats:
CD Digipak
Digital Download
12" Vinyl Gatefold - Black
12" Coloured Vinyl Gatefold - Black & White Splatters

Links
Apple Music:
https://music.apple.com/us/artist/vipassi/1082297817
Bandcamp:
https://vipassi.bandcamp.com/
Facebook:
https://www.facebook.com/vipassiband
Instagram:
https://www.instagram.com/vipassiband/
Spotify:
https://open.spotify.com/artist/7GWniL0LcVnR9Ptiaa5J1

Photo by Joe Ritson

Blackbird Presents & Legacy Recordings to Release 'Long Story Short: Willie Nelson 90 Live at the Hollywood Bowl' this Friday

BLACKBIRD PRESENTS AND LEGACY RECORDINGS
RELEASING LONG STORY SHORT: WILLIE NELSON 90
LIVE AT THE HOLLYWOOD BOWL

DELUXE 2CD + BLU-RAY, DIGITAL & 2xLP
CONFIGURATIONS ON FRIDAY, DEC. 15

Long Story Short: Willie Nelson 90 Live At The Hollywood Bowl

Digital Track Listing Announced

Willie Nelson 90 Digital Edition Showcases 13 Exclusive Bonus Tracks

CBS Presents "Willie Nelson's 90th Birthday Celebration," A Concert Special
Honoring the Music Icon's Legendary Career, Sunday, Dec. 17

Legacy Recordings, a division of Sony Music Entertainment, will release Long Story Short: Willie Nelson 90 Live At The Hollywood Bowl, produced by Blackbird Presents, in deluxe 2CD+Blu-ray, Digital and 2xLP configurations on Friday, Dec. 15.
 
The digital edition of Long Story Short: Willie Nelson 90 Live At The Hollywood Bowl features 52 performances including 13 digital-only bonus tracks exclusive to this release. So far, four preview tracks have been released including Dave Matthews (who inducted Willie into the Rock & Roll Hall of Fame last month) doing "Funny How Time Slips Away," The Avett Brothers (who joined Willie earlier this fall for his yearly Outlaw Festival tour) performing "Pick Up The Tempo," Willie's son Lukas Nelson delivering a gorgeous version of "Angel Flying Too Close To The Ground" and a just-released, all-star chorus of dozens of guests joining Willie for a rendition of "On The Road Again" coupled with "Happy Birthday."
 
The deluxe 2CD+Blu-ray edition of Long Story Short: Willie Nelson 90 Live At The Hollywood Bowl includes three-hours of video performances from the concert along with three video bonus performances, 39 audio tracks and a multi-page booklet. A 2xLP vinyl edition featuring select highlights from the event will also be available Friday, Dec. 15. Both configurations can be pre-ordered and singles can be previewed 
HERE.
 
2023 has proved a banner year for Willie, who recorded two new studio albums for Legacy: I Don't Know a Thing About Love (Willie's musical tribute to legendary American songwriter Harlan Howard, released in March) and Bluegrass (Willie performing 12 of his favorite self-penned classics with a bluegrass ensemble). Released Sept. 15, Willie's Bluegrass entered the Billboard Bluegrass Albums chart (Sept. 30) at No. 1, marking his first appearance on the chart in its 21-year history. Willie's roots-inspired album has been nominated for the Grammy Award in the Best Bluegrass Album category.
 
In February, Willie took home two Grammys at the 65th Annual Grammy Awards including Best Country Album for A Beautiful Time. Over the course of his career, Willie Nelson has earned, among innumerable prestigious honors, 12 Grammy Awards including their Lifetime Achievement Award.
 
On Nov. 3, Willie Nelson was inducted into the Rock & Roll Hall of Fame. "This year's incredible group of Inductees reflects the diverse artists and sounds that define rock & roll," said John Sykes, Chairman of the Rock & Roll Hall of Fame Foundation, who noted that the Induction Ceremony coincided "with two milestones in music culture; the 90th birthday of Willie Nelson and the 50th Anniversary of the birth of Hip Hop." A broadcast edit of the 38th Annual Rock & Roll Hall of Fame Induction Ceremony will air on ABC from 8-11pm ET on Jan. 1, 2024.
 
Long Story Short: Willie Nelson 90 Live At The Hollywood Bowl is the definitive music release of the star-studded concerts celebrating Willie's 90th Birthday. The concerts were recorded live on April 29 & 30 at the legendary Hollywood Bowl and feature once-in-a-lifetime performances by Willie Nelson, Allison Russell, Beck, Billy Strings, Bobby Weir, Booker T. Jones, Buddy Cannon, Charley Crockett, Charlie Sexton, Chris Stapleton, Daniel Lanois, Dave Matthews, Dwight Yoakam, Edie Brickell, Emmylou Harris, Gary Clark Jr., George Strait, Jack Johnson, Jamey Johnson, Keith Richards, Kris Kristofferson, Leon Bridges, Lily Meola, Lukas Nelson, Lyle Lovett, Margo Price, Micah Nelson (Particle Kid), Miranda Lambert, Nathaniel Rateliff, Neil Young, Norah Jones, Orville Peck, Rodney Crowell, Rosanne Cash, Sheryl Crow, Snoop Dogg, Stephen Stills, The Avett Brothers, The Lumineers, Tom Jones, Tyler Childers, Warren Haynes, Waylon Payne and Ziggy Marley. 
 
CBS presents "Willie Nelson's 90th Birthday Celebration," a concert special honoring the legendary career of music icon Willie Nelson, Sunday, Dec. 17 (8:30-10:30 PM, ET/PT) on the CBS Television Network, and streaming on Paramount+ (live and on demand for Paramount+ with SHOWTIME subscribers, or on demand for Paramount+).
 
The star-studded special, recorded live earlier this year across two nights before a sold-out crowd at the legendary Hollywood Bowl, celebrates Nelson's milestone 90th birthday and the 12-time GRAMMY® Award-winner's contributions to popular culture and music.

DIE APOKALYPTISCHEN REITER - RELEASE NEW SONG 'ADLER FLIEGEN'

Today DIE APOKALYPTISCHEN REITER unveil a powerful encouragement with the new song 'Adler Fliegen' and use their extraordinary energy to defy beliefs. They also release the EP Die Mutter des Teufels which are songs from the album Hallo Freunde. Die Mutter des Teufels will be available from 26th December as a limited tour edition (333 vinyl, 666 CD) at the five concerts of the SCHREI!NACHTEN-XMAS-Tour. From the 19th of January the songs will be available on all streaming platforms.

The songs of Die Mutter des Teufels continue to consist of Hallo Freunde, which will not be missing at any future "Reitermaniacs" party, 'Two Children of Mother Night', revealing a love that began as stardust and culminates in a grandiose duet with Sabine Scherer (ex-DEADLOCK) and the title song 'Die Mutter des Teufels', a fairy tale that has been told, danced and lived since the beginning of time. The XMAS - SCHREI!NACHTEN tour starts in December 2023, together with EQUILIBRIUM and DOMINUM. All tour dates are listed below.

Stream 'Adler Fliegen' here: 
https://reitermania.bfan.link/adler-fliegen
Watch the video for 'Adler Fliegen' below.
Stream the EP Die Mutter des Teufels here: 
https://reitermania.bfan.link/die-mutter-des-teufels

SPREAD EAGLE'S RAY WEST LAUNCHES NEW BAND, SUPAFLY, WITH NEW SINGLE AND FORTHCOMING FULL-LENGTH DEBUT

As one of the more dynamic vocalists of the early ‘90s, NYC native Ray West’s defiant screams and guttural wails defined a generation of headbangers. The leader of Spread Eagle, West aided in the creation of such metal anthems such as “Switchblade Serenade” and “Devil’s Road.” And now, with his collaborator/bassist/producer, Miguel Gonzalez, by his side, West has created his most personal music and songwriting yet. Brimming with heavy urban power grooves, SupaFly represents an evolution for West. SupaFly’s the Vibe is due out on March 8 via Deko Entertainment (ADA/Warner Music Group) and features revisited and remastered versions of tracks previously recorded, as well as new compositions.

"SupaFly's music is on the heavier side," explains West. "It’s got an urban groove, emotionally charged lyrics that come from a place of strength--and much vulnerability. And since I’m an open book, that’s cool with me. While Spread Eagle is a quintessential NYC, high-energy, hard rock n' roll band…SupaFly is old school with new school sensibilities. The singer is confident that longtime Spread Eagle fans will also appreciate SupaFly. In a recent success, SupaFly released a cover of the KC and the Sunshine Band classic “I’m Your Boogie Man” for Halloween, immediately connecting with fans (with the song's video getting over 30K views upon release).

SupaFly hits again just before the holidays with the extremely personal track “Hypothermia.” West explains the story behind the song, “A talented musician with dreams of stardom gets a record contract only to become disillusioned with the life he’s chosen. He turns to drugs to mask his emotional downfall. And the person who loves him unconditionally is helpless to save him.” “'Hypothermia' is like driving down a foggy coastal mountain highway – it’s lonely road,” adds Gonzalez.

Listen below.

The Vibe contains ten tracks – featuring both aforementioned singles along with the standout track “Drowning Man,” which will hit on January 26.

Looking forward, West plans to remain busy and introduce his new band to the masses, "Keep writing SupaFly music, spread the vibe worldwide, and play live shows. Because if you’re not playing shows, then what’s the point?"



FOR MORE INFORMATION, VISIT

Deko Socials:
https://www.dekoentertainment.com/
https://www.facebook.com/DekoEntertainment
https://www.instagram.com/dekoentertainment

SupaFly Socials:
https://www.instagram.com/supafly2023_thevibe/
https://www.facebook.com/profile.php?id=61551555194641
https://www.facebook.com/search/top?q=supaflythevibe
https://www.dekoentertainment.com/supafly

SupaFlyAssets:
Link to “Hypothermia”
http://ADA.lnk.to/Hypothermia

Link to “Boogie Man” 
https://open.spotify.com/artist/4V6wu4m0yAeDR8sm2gz2xL

“Boogie Man” Video
https://www.youtube.com/watch?v=2ibhWuDEtig

Deko Entertainment-Art Has Value

KILL THE THRILL release second single "Capitan"

KILL THE THRILL are blessed with a uniquely elusive vision. The French duo have been dreaming up an abrasive-but-hypnotic blend of industrial rock, post-punk and dark wave. Heck, the title track off their upcoming fifth album, Autophagie, arrived with a surreal fever dream of a video that could give David Lynch nightmares. 


Today, Kill the Thrill are releasing yet another cinematic video for their new single.

Watch the video for "Capitan" below.

At nearly 10 minutes, "Capitan" is an epic, albeit patient voyage. The video's opening shot appears slowly out of the darkness, like the camera is wiping sleep from its eye. Strings buzz like flies as the riff crests into an industrial-sized groove behind Nicolas Dick's weathered croon. 

The seas have slipped over the cities
The sky laughs above us
Embarked on the ship of fools

A sea of disjointed images floods the screen: sunken statues, blooming flora, hummingbirds suspended in mid-flight. Somehow, these surreal visions come together, gravitating around the song's steadily roving drumbeat, as if assembled by their own dream logic. Before the final curtain, a synth-streaked climax roars with all the terror and wonder of life itself.

Here's what Dick and bassist Marylin Tognolli have to say about their new single:

"'Capitan' is an inhabited vessel, engulfed by reality, on its way to its own shipwreck. It is not a shipwreck conceived as divine punishment, but as an almost beneficent fate for what finds no place in the company of men. The cycle swallows everything and spits it out, the simulacra, the organic and the inert. The clip was edited as a narrative, with each image forming part of the allegory. An allegory of earthly and temporary paradises".


Autophagiecomes out January 26, 2024 on Season of Mist.

Pre-order:
https://shop.season-of-mist.com/list/kill-the-thrill-autophagie
Pre-save:
https://orcd.co/kttautophagiepresave

KILL THE THRILL was formed in 1989 and is composed of Nicolas Dick on vocals, guitar and lap-steel, Marylin Tognolli on bass for its founding members. Stemming from the French noisy wave of the early 90's, their music is often described as dark, abrasive and hypnotic, full of epic moments, with a dense and rich sound mixing elements of industrial rock, post-punk, dark new wave and experimental metal.

Forging an atmosphere as dreamy as chaotic, with multiple layers and atmospheres, sometimes ambient, sometimes more hostile. Kill the Thrill interlaces orchestrated soundscapes, enriched with innumerable layers and arrangements, playing amongst the rifts to create a unique and personal work, so far from everything and so close to everyone.
The group released its first album in 1993 entitled DIG, followed by an EP: PIT (on the labels Noise Product CH and Semetary), and at that time had three musicians, already working with samples and playing with blocks of sound.

In 1996, the trio became a duo with a second album entitled LOW (Noise Product CH), recorded, mixed and produced by Nicolas Dick. The artist ErikM intervened on the interludes with sound tracks which frame each title of the group. The album is hailed by the press as a perfect balance between melody and distortion.

Over the years, tracks have appeared on a large number of compilations: La Famille (Noise Product Belgium), Serial Killer Vol 1 (Roadrunner), Brutale Generation (Semetary / WMD), Ah Quelle Belle journée (Amanita records), A Wild State Of Noise And Disorder (Pandemonium), 5 Years Of Fury (Noise Product CH), Tribute To Godflesh (Nihilistic H. Rec.), Fear Drop 14 : "Coal Fire" The Cure masterpiece Pornography, Dark 80's (Atropine Records) etc.

Frederic De Benedetti joined the band on guitar and it's again as a trio that the album 203 BARRIERS was released by Season Of Mist in 2001, the album again entirely recorded and produced by Nicolas Dick. With this new opus Kill the Thrill’s music has evolved towards a daring, disturbing and more extreme sound. With international promotion and distribution, signing with the label Season Of Mist allowed an opportunity of further development for the band.

Kill the Thrill
 has shared stages all over Europe with other artists such as Godflesh, Killing Joke, Zeni Geva, Isis, Young Gods, Treponem Pal, Einstürzende Neubauten, La Muerte, Neurosis, Jesu, Jim Rose Circus, Grötus, Dillinger, Escape Plan, Dälek, etc.

The album TELLURIQUE released in 2005 (Season Of Mist, recorded and produced by Nicolas) combines a cold and clinical industrial/metal sound with a new wave sensibility, bathed in a heavily melancholic atmosphere, but leaning more in the direction of noisy, distorted shoegazing mists than the fires of metal. The album is described by the press as an organic journey in which you must immerse yourself to feel its harshness and beauty.

This exacerbated trio asserts itself as a true entity in symbiosis, with an unfiltered and no holds barred take on music and sound.
Anger has no origin, and when the events from which it arises, physical bodies and soundwaves, can no longer contain patience and intelligibility, the sounds become the violence.

But with Kill the Thrill, violence is always suggested more than frontally expressed, it remains hemmed in and contained.

In 2015 the band reissued its first under the title 1989 (Atypeek Records), a digital-only album intended as a nod to KILL THE THRILL’s origins.
During a few years of silence put to good use on the personal and musical projects of the members of the group, Kill the Thrill took the time to polish a new version which should be released at the beginning of 2024.

The band has released a limited number of albums in its career so far, but is resistant to all erosion, the secret of its longevity residing in the timelessness of the music.

An atypical band whose music is enough to itself ; a discrete band for imposing music ; a group which reveals next to nothing but pursues its sonic quest, outside of common standards. A living ambiguity: cold and hot, the calm and the storm.

"A long flow of orgasmic lava, a wave of shimmering noises that carries away everything in its path. One immerses oneself entirely in its bewitching atmospheres. We leave for a long descent on a carpet of guitars, their richness is inside, under this heap of notes and noises, under this black and disturbing mass. It's up to you to understand what you can during a journey that is sublime".

To Kill the Shiver reaches for the ineffable.


Line-up
Nicolas Dick - Lead vocals, guitar, lap steel, sample
Marylin Tognolli - Bass Guitar
François Rossi - Drums

Recording Studio            
Le Puits Sonore

Sound, Mixing & Mastering Engineer
Nicolas Dick

Press-kit: https://presskit.season-of-mist.com/Kill_The_Thrill/
Login: presskit  
Password: Presskitofmist

Pre-save: https://orcd.co/kttautophagiepresave

Pre-order: https://shop.season-of-mist.com/list/kill-the-thrill-autophagie

Available Formats:
Digital Download
CD Digipak
2x12" Vinyl Gatefold - Black
2x12" Coloured Vinyl Gatefold - Clear Transparent
2x12" Coloured Vinyl Gatefold - Green
2x12" Coloured Vinyl Gatefold - Clear Transparent w/ Black & White Splatter

Links:
Apple Music:
https://music.apple.com/us/artist/kill-the-thrill/73438869
Bandcamp:
https://killthethrill.bandcamp.com/
Facebook:
https://www.facebook.com/killthethrill/
Instagram:  
https://www.instagram.com/killthethrill_band/
Twitter:
https://twitter.com/KillThe_Thrill
YouTube:
https://www.youtube.com/@KillTheThrill-band

Photo by Pierre Gondard

FOSCOR Return with "Solitud"

It's been four long years since we've heard from Foscor. The Catalonians released their last album in the fall of 2019. Despite rave reviews, including a 5-star review from Metal Hammer, touring was cut short before the band could even step foot on the open road after COVID-19 shuttered the world into lockdown.

But Foscor have never stopped growing. While their name still means "darkness", the band have shifted out from the shroud of second wave black metal that ushered in their first two albums. Today, they're returning with "Solitud", an unreleased song that drifts deeper into clean vocals and heavy melancholic riffs.       
   
Listen to "Solitud" below

"Solitud" was originally recorded during the sessions for Els Sepulcres Blancs, but the song encapsulates the prevailing loneliness of the pandemic. The chorus crushes you softly with its distorted melody and bottomless bass drones. 

"The song itself offers a vital closure", says Foscor. Still, "Solitud" ends on a hopeful note. Gliding above an acrobatic guitar solo, the vocals - sung in the band's native tongue - are clean and light as a feather.

"This song is a proper way to close that album cycle before definitely facing and closing the trilogy initiated in 2017 with Les Irreals Visions. It reminds us the spark to enlighten the future...the one that we have never walked alone. A brand new chant from the past, looking toward a final chapter, surrounded by tragic darkness.   

Order Foscor albums and merch: 
https://shopusa.season-of-mist.com/band/foscor      

The Catalans return with the second chapter of the trilogy initiated with “Les Irreals Visions” in 2017, yet strongly connected to the fin de siècle cultural movement of Modernisme - a parallel development to Art Nouveau and Jugendstil among others. Visual things must acquire a new secret appearance, and with ‘Els Sepulcres Blancs’ FOSCOR treats poetically how facing a change of a sick world and society through the land of dreams.

The title translates as “The White Tombs”, a metaphor for that world of dreams and expectations where humans chained to reality may die and born free to imagine a better one.

Foscor hail from Catalonia, and take inspiration from the morbid, decadent, and sick reflections on a rapidly changing society, as the artistic landscape at the end of the nineteenth century shaped.

The name Foscor translates as "darkness" in their native Catalan tongue, which the band from Barcelona uses for their lyrics as a distinctive element and strong connection with their cultural reality.

The Catalans’ first two albums, 'Entrance to the Shadows' Village' (2004), 'The Smile of the Sad Ones' (2007) wrapped a shroud of classic second wave black metal around a melancholic yet vital core. 'Groans to the Guilty' (2009) witnessed Foscor setting out towards more progressive and avant-garde course, but it was next full-length 'Those Horrors Wither' (2014) which marked a clear departure from the black metal. Darkness found an equally strong expression through the use of very personal clean vocals, tempo reduction and atmosphere.

In 2017, Foscor took another step in their constantly changing and shifting evolution. The brand new release 'Les Irreals Visions' (2017) was easily drawing its eager audience in, only to lure the unwary listener into a dark labyrinth of unexpected complexity filled with beauty and sorrow. In 2018, Foscor explored these lines between reality, poetry and the beyond even further with a special digital release transforming their own music into a so intimate experience; 'Les Irreals Versions' (2018).

Now, 2019 promises to be as tragic as their music claims with the so sensitive release of 'Els Sepulcres Blancs', its characteristic melancholic sonic aura and catchy riffing intensity. Their most personal and delicate sound achievement to date.

Style: Dark Atmospheric Metal

Line-up
Fiar: lyrics, vocals
Falke: guitars, effects
Albert M.: guitars, bass, piano
Jordi F.: drums
Esteban P.: keys

Shop:
https://redirect.season-of-mist.com/Foscor

Follow
https://foscor.bandcamp.com/music
https://www.facebook.com/foscor.official
https://www.instagram.com/foscor_official/
https://twitter.com/foscor_official
https://www.youtube.com/FOSCORbcn

Thunder To Release Two New Live Albums "Live At Leeds" + "Live At Islington"

THUNDER TO LAUNCH TWO PREVIOUSLY UNRELEASED  LIVE ALBUMS ON JANUARY 26 VIA EARMUSIC

Among the most popular and enduring British hard rock bands of the past 25 years, Thunder are to launch two previously unreleased live albums on January 26 via earMUSIC.

The first of the pair, Live At Islington Academy, captures the South London based band during the touring cycle of their eighth studio album Robert Johnson's Tombstone. The quintet had already completed a lengthy circuit of the UK in promotion of the record when they were contacted by Planet Rock Radio (UK) about the possibility of performing a set before a live audience at the station’s first annual Christmas Bash. As fun lovers of the most devoted kind, how could Thunder possibly say no?

A mere 800 lucky fans got the opportunity to see Thunder perform at the Planet Rock Christmas Party on December 19, 2006. Hosted by Rob Birnie and Mark Jeeves, the event was a massive success as the band offered up a storming, surprise performance dominated by golden classics such as "River Of Pain," "Low Life In High Places," "You Can't Keep A Good Man Down," "Love Walked In," "Backstreet Symphony," and "I Love You More Than Rock 'N' Roll," followed by a hot, sweaty encore of the hit single "Dirty Love."

"From what I recall, no one in the audience seemed to have a clue that we would attend the party, let alone play, so they were all pretty shocked when we stepped on to the stage," says frontman Danny Bowes. "It was boiling hot inside the venue, and also freezing outside, and we worked them pretty hard. They looked pretty hot and sweaty when it was done. I reckon a fair few of the crowd must have caught colds on the way home."

The second live album, Live At Leeds, was a more official affair, recorded nine years later on March 3, 2015, as part of a three-date arena tour in support of Wonder Days, one of the finest studio records of Thunder's career. In the pages of Classic Rock magazine, the late, great journalist Malcolm Dome declared Wonder Days" a massive reminder that class is both timeless and incandescent."

The resulting tour was shorter than the group's traditional treks as it marked the first steps of public rehabilitation for Ben Matthews, the rhythm guitarist and keyboardist who was in recovery from throat cancer. Unsurprisingly, these shows were emotionally charged for both band and audience.

"My overriding memory of that night at the First Direct Arena in Leeds was mainly the look on Benny's face when the audience reacted to him being back," grins guitarist Luke Morley, who describes a first spell of his band stepping up to headline arenas in their homeland at last as "very satisfying."

A 16-song set delivered a hatful of hits and no less than six numbers from Wonder Days, namely its title cut, "Black Water," "Resurrection Day," "Broken," "The Thing I Want," and "When The Music Played."

Both concerts, Live At Islington Academy and Live At Leeds, stood as further evidence of Thunder's prowess as live entertainers. And now at last you can re-live the experience.

On January 26, both concerts will become available on CD, vinyl, as well as digital download and streaming.

Pre-order Live At Leeds
here.

Pre-order Live At Islington
here.

NECROPHOBIC Announces New Album, Shares New Single "Stormcrow"

Swedish blackened death metal masters NECROPHOBIC will be releasing their tenth studio album, 'In the Twilight Grey,' on March 15, 2023 via Century Media Records! To celebrate, the band is now sharing the devastating first single, "Stormcrow," along with a music video! The clip was directed by Claudio Marino for Artax Film and can be found below.

The band comments: "'Stormcrow' was one of the first songs written for the new album. The idea was to take the very classic Necrophobic elements and blend them with a slow paced bridge with a strong heavy metal feel. The lyrical theme is about a wounded beast rising from the depths who lays his trust in a winged so called ‘truth sayer.' Maybe we should be careful about letting the stormcrows carry our words to the world…"

'In the Twilight Grey' is now available for pre-orders HERE and can be found in the following formats:

Ltd. Deluxe Gatefold combat green 2LP & LP-Booklet & Poster incl. 2 bonus tracks (1.000x)

Gatefold black LP

Gatefold dark green LP (300x)

Ltd. CD Mediabook (comes with a special, extended booklet and 2 bonus tracks)

Standard CD Jewelcase

Digital album

With over thirty years of active, nefarious service under their spikes and bulletbelts, NECROPHOBIC are undisputed legends of the death and black metal scene. Formed in 1989 by drummer Joakim Sterner, the Stockholm blackhearts propagated a singular and fearless vision from the very start.

Eschewing the self-conscious amateurism and primitive sonics that many of their peers held dear, NECROPHOBIC established a bold and vivid identity of their own, conjuring a densely melodic, but endlessly wicked take on macabre extreme metal that countless lesser bands have since emulated.

You can take a deep dive into their history via the rereleases of their entire back catalogue that Century Media Records made available in 2022 HERE.

Yet again “In the Twilight Grey” was produced, mixed and mastered by Fredrik Folkare (of death metal icons Unleashed) at Chrome Studios, Stockholm and engineered in close collaboration by Folkare and the band themselves. For the artwork they teamed up with Jens Rydén, another likeminded institution from the Swedish scene.

Line-Up:

Johan Bergebäck - Rhythm guitar

Joakim Sterner - Drums

Sebastian Ramstedt - Lead guitar

Anders Strokirk - Vocals

Tobias Cristiansson - Bass

Cover Artist: Jens Rydén

Links:

OFFICIAL WEBSITE

INSTAGRAM

FACEBOOK

TWITTER

YOUTUBE

SHOP

Photo by Jens Rydén