Silent Planet Announce "SUPERBLOOM" Album + Share "Collider" Video

California metal band SILENT PLANET have announced their new album SUPERBLOOM. It arrives November 3 via Solid State Records. Pre-order it here.

The release date is significant for the band, as it arrives on the anniversary of their horrific van accident.

Today, the band has shared the music video for "Collider." Watch it below.

"Take all the darkness. All the vitriol, the greed and the vanity; lay it again as dust. Everything can be alchemized. This song is called 'Collider,'" says singer Garrett Russell. "It's about what comes out of our lives when the people we trust and hold closest are the ones who can hurt or betray us the worst. We don't have to run from the pain or be afraid. The dark gives us the energy to make something beautiful. The song is about alchemizing the darkness and transforming its negative properties."


When the band dropped "Antimatter," Revolver enthused, "Silent Planet's new single begins with throbbing electronic pulsations and robotic clean croons, making you think that you're in for a clubby pop song. Nope. The djent instrumentation comes crashing through, and eventually the whole song builds up to a screamed chant that blends poledance-worthy synths with rigid, toe-stubbing breakdowns. Fuck yes."

"A SUPERBLOOM is this strange moment where brilliant fauna spring forth unexpectedly and bring forth such an array of colors, it almost feels alien in origin," Garrett notes. "It only lasts for a couple of weeks before it’s gone. While we were recording, the SUPERBLOOM was happening. For me, the record is getting in touch with the other side and watching the strange and paranormal emerge from the mundane and profane, hence the title."

Silent Planet has consistently transfixed a diehard fanbase. The group dropped a string of acclaimed albums, including The Night God Slept [2014], Everything Was Sound [2016], When The End Began [2018], and Iridescent [2021]. Album standout "Trilogy" generated 5.3 million Spotify streams to sit alongside their genre-bending triumph "Panic Room" from the 2016 release, currently at 5 million. The guys notably took home "Best Underground Band" at the 2017 Alternative Press Music Awards and toured with the likes of Motionless In White, August Burns Red, Beartooth, and The Contortionist.

Over the course of two years, they recorded what would become SUPERBLOOMin Woodland Hills, CA alongside longtime producer and frequent collaborator Daniel Braunstein. A jarring turn of events split the process into two seasons. Trekking through a Wyoming snowstorm in November 2022, Silent Planet survived a vehicle accident. The van flipped over, leaving the group laying in the wreckage of a bitter Wyoming snowstorm as Garrett was hospitalized with a fractured back and head wound requiring stitches.

"The majority of us were awake when we felt the van start to slide," he says. "We had some time to come to grips with the fact we were about to go down and have a close brush with death. Afterwards, we talked about what to do with the band. We went back into the record with an increased willingness to take risks. It bolstered our confidence to try new things. When the accident happened, it did something to my head, and it fed into the album."

Along the way, they settled on a conceptual framework, expanding the scope of their vision like never before. "I grew up in Northern California," he continues. "There's a strip of the state known as Humboldt County, but it's called the 'Lost Cove.' It's a hotbed for strange and paranormal events like UFO and Big Foot sightings. There's so much we haven't uncovered. It's possible our reality as we know it is not complete. We started telling the tale of a 17-year-old who went missing. It's based on a true story with many details changed. Art dictates reality, and reality dictates art. Making this record was a very strange and mystical process. It's the most magical and inspired moment of our career so far."

Silent Planet will return to the road this September, supporting Dayseeker. All dates are below, including Silent Planet headline shows.

SILENT PLANET ON TOUR:
WITH DAYSEEKER + MOXY THE BAND:
8/31 — Springfield, MO — The Riff ^
9/1 — Lubbock, TX  —  Jakes
9/2 — Oklahoma City, OK — 89th St Collective ^
9/3 — Memphis, TN  —  Black Lodge
9/5 — Indianapolis, IN  —  Deluxe @ Old National Centre
9/6 — Flint, MI  —  Machine Shop
9/8 — New Haven, CT  —  Toads Place
9/9 — Asbury Park, NJ  —  Asbury Lanes
9/12 — Lakewood, OH  —  The Roxy  —  Mahall’s
9/13 — Davenport, IA  —  Capitol Theatre
9/14 - Omaha, NE at Waiting Room ^
9/15 — Colorado Springs, CO  —  Black Sheep
9/17 — Billings, MT  —  Pub Station
9/19 — Spokane, WA  —  Knitting Factory
9/20 — Tacoma, WA  —  ALMA
9/22 — Bend, OR  —  Volcanic Theatre Pub
9/23 — Reno, NV  —  Ranch House
9/24 — Los Angeles, CA  —  Fonda Theatre 
9/26 — Phoenix, AZ — Underground ^
9/27 — El Paso, TX — Lowbrow ^
9/28 — Austin, TX — Come and Take It Live ^
9/29 — Dallas, TX— Gilly’s ^
^Silent Planet Headline shows

SILENT PLANET ARE:
Garrett Russell — Vocals 
Nick Pocock — Bass
Mitchell Stark — Guitar
Alex Camarena — Drums

Polaris Share "Overflow" Video

POLARIS SHARE NEW VIDEO FOR NEW SINGLE "OVERFLOW"

NEW ALBUM FATALISM OUT SEPTEMBER 1 VIA SHARPTONE RECORDS

Ahead of the release of their impending new album Fatalism, due out on September 1 via Resist Records in Australia and SharpTone Records for the rest of the world, Sydney melodic metalcore outfit Polaris have today unveiled the video for the captivating new single "Overflow."

Watch the music video for below.

(WARNING: Viewers are advised that the following video contains images of Ryan Siew.)

Boasting translucent melodics, smuldering guitars, and emphatic vocals, "Overflow" is an immersive and layered outing that detonates heavier moments alongside more serene terrain, expanding the band's creative palette with alternative rock contours and deeply raw thematics.

"This is one of the much more personal and vulnerable tracks on the record lyrically, whereas the other two singles took a wider, more outward perspective," shares drummer and lyricist Daniel Furnari. "I feel like the meaning of the song is fairly self-explanatory, and I think a lot of people will naturally interpret it through the lens of their own experiences. But essentially, for me, it's about the struggle of fighting off a panic attack and the impact of that struggle on others."

As with Fatalism's previous singles, "Inhumane" and "Nightmare," "Overflow" emerged during the band's 2022 writing session in the Blue Mountains, with the alt rock leanings beating at the core of the latest track organically emerging from some of Polaris' own personal listening repertoire.

"'Overflow' was another track that came about from one of our writing retreats, so I guess that system was really paying off at this point," Furnari shares. "We were pretty deep into the process at this point, I think this was actually the final track to make it onto the record. Jake had been pumping out simple chord sequences in an effort to break away from the busier, riffier stuff we'd been writing, and Ryan came in with this super catchy sliding lead over the top, which became the basis for the chorus and the central motif of the song. Stylistically, where Inhumane explored a sort of nu-metal direction and Nightmare was a straight up metalcore track in the truest sense, I’d say 'Overflow' is much more of an alt-rock track."

Touching on the evolution of "Overflow," Furnari reveals, "I think my favorite part of this song is the direction the second verse takes, particularly when it picks up the energy for a moment. Rick wrote this verse development that really leaned into the sound of bands like Basement and Balance & Composure, which we both love, so it's always satisfying when we find a way to somehow incorporate that alongside the heavier stuff that we more regularly do. Finding a way to get a big heavy section into this song without it feeling out of place was also a challenge and I love that we managed to shape this combination of sliding powerchord accents, crazy programming and bass and drum moments into a type of breakdown we hadn't accomplished before."

Fear: humanity's great divider, but also its most potent unifier. It's this very notion that lies at the beating core of Polaris' third album Fatalism; a record shaped by the sense of despair and dystopia that engulfed the world over the past few years, and the overwhelming accompanying sensation that we were powerless to change course.

Polaris have already firmly established their place as a fixture in the Australian heavy landscape via their first two albums, the ARIA-nominated The Death Of Me and 2017's The Mortal Coil, which debuted in the Australian Top 10. They have been awarded a laundry list of accolades, album of the year mentions in end of year lists, sold-out countless headline tours of Australia, and have toured across the globe. Not to mention performing at Download Festival, Unify Gathering in Australia, headlining Knight & Day Festival, and most recently performing the 2022 Good Things Festival headlined by Bring Me The Horizon.

PRE-ORDER FATALISM HERE.

Of Mice & Men Announce Share "Castaway" Video

Gold-selling hard rockers Of Mice & Men — Aaron Pauley (bass + vocals ), Valentino Arteaga (drums), Alan Ashby (guitar), and Phil Manansala(guitar) — previously announced their new album Tether on October 6 via SharpTone. Pre-order it here.

Today, they have shared the "Castaway" video. Watch it below.

"'Castaway' is about longing for connection with the people in our lives who tend to distance themselves when dealing with hardships, and how our inability to help them often feels like we're frozen in time," the band says.

Taking all creative matters into their own hands, the Southern California quartet self-produced and engineered all of the songs on Tether, their astonishing eighth album. Pauley mixed and mastered the album while Arteaga designed and painted the album's artwork. As a legion of devoted listeners worldwide has come to expect, guitarists Phil Manansala and Alan Ashby, Aaron, and Tino poured their hearts and souls into every note, creating another sonic document of their lives. 
 
“With this one, we weren’t really focused on how it sounded as much as we focused on how it felt," Pauley explains. "And that's a weird thing to do when all you're working with is sound. But that was really the goal. And we walked away from making it, feeling like we've accomplished that."
 
OM&M take sobering looks at depression, anxiety, loneliness, and existential dread, powering through the darkness, and emphasizing the importance of creativity as a balm for mental health. A commanding tempest of sounds coalesces within Of Mice & Men, blending the uplifting eloquence of modern active rock with the atmospheric dissonance of experimental post-rock. The band first emerged as part of a vanguard of future aggressive rock hitmakers. Over the years, they've distinguished themselves with musicality, creative ambition, and resilient determination. 

Album eight is no less ambitious. Tether is anchored by a reflective meditation on what it means to draw together as friends, family men, artists, and bandmates. What does it mean to be there for the people who depend on us, knowing we can’t fully protect them from the hardships of life? 
 
Tether is the next step in OM&M's evolution, combining their core sound with experimental and ethereal sound designs. The creative process focused on the excitement of discovery rather than preconceived "goals." Pursuing the moments when the elusive "x factor" reveals itself in the songs. Those moments are palpable in songs like "Integration," "Warpaint," "Enraptured," and "Indigo."
  
The Of Mice & Men core since 2016 – Aaron, Alan, Tino, and Phil – maintain a powerful bond with their audience and each other, no matter the obstacles. Whether a powerful anthem or atmospheric confession, their songs translate in intimate clubs and massive festivals. "It's about creating moments for people," Pauley says. "Music is the soundtrack to people's lives."

OM&M will also hit the road with Bullet For My Valentine and Vended this fall. All dates are below.

OF MICE & MEN ON TOUR:
WITH OF BULLET FOR MY VALENTINE + VENDED:
9/8 — Alton, VA — Blue Ridge Rock Festival*
10/8 — Montreal, QC — Mtelus
10/10 — Worcester, MA — The Palladium 
10/12 — New York, NY — Terminal 5
10/13 — Silver Spring, MD — The Fillmore Silver Spring
10/15 — Philadelphia, PA — Franklin Music Hall
10/17 — Pittsburgh, PA — Stage AE
10/18 — Cleveland, OH — The Agora
10/19 — Cincinnati, OH — The Andrew J. Brady Music Center
10/21 — Kansas City, MO — Uptown Theater
10/22 — Chicago, IL — Riviera Theatre
10/24 — Minneapolis, MN — The Fillmore Minneapolis
10/26 — Denver, CO — Mission Ballrom
10/28 — Flagstaff, AZ — Pepsi Amphitheater
10/29 — San Diego, CA — SOMA Mainstage
10/31 — Los Angles, CA — The Wiltern
11/1 — Phoenix, AZ — The Van Buren
11/2 — Albuquerque, NM — Revel Entertainment Center
11/4 — San Antonio, TX — Boeing Center At Tech Port
11/5 — Dallas, TX — House of Blues Dallas
11/7 — Houston, TX — House of Blues Houston
11/8 — New Orleans, LA — The Fillmore New Orleans
11/10 — Orlando, FL — Hard Rock Live Orlando
*Festival Date

3TEETH Releases New Single “Higher Than Death” & Animated Lyric Video

There’s just a month to go until 3TEETH releases its first full-length album in four years, EndEx on September 22 via Century Media Records. Continuing with the series of monthly singles ahead of the release, the modern industrial act today shares the rollicking track, “Higher Than Death.” It’s paired with an animated lyric video that allows listeners to come even closer with the lyrical venom of band frontman and mastermind Alexis Mincolla. 

 

See the video for “Higher Than Death” below.

 

Says Mincolla of the track, “The only clear view is from atop the mountain of your dead selves.”

 

3TEETH’s new album EndEx will be released by Century Media Records on September 22, showcasing the modern industrial act at their most raucous yet, unveiling bold revelations of humanity’s technosocial disintegration behind a brutal soundtrack that sounds all the alarms. Revolver recently hailed EndEx one of the top 20 most anticipated albums of 2023, saying it “promises to be the band's weirdest, most expansive offering yet.”

 

EndEx is the band’s first album since 2019’s Metawar, which Consequence recently named as one of the Top 50 Industrial Albums of All Time, hailing 3TEETH as “one of the modern bands keeping industrial alive.”

 

EndEx features the handiwork of a solid extended team including the accomplished sound designer Mick Gordon (best known for his work on the gaming phenomenon DOOM) who produced several of the tracks along with producer Nick Rowe and mixer Sean Beavan (NIN), bringing in another dimension to the band’s unmistakable sound.

 

Early singles have included noisemaker “Paralyze” (featuring Ho99o9); the gripping sonic salvo, “Merchant of the Void,” that touches on the bleak landscape of modern society amid A.I. takeovers and economic collapse; “Slum Planet,” taking aim at the ills of a sick planet obsessed with over-consumption at all costs; Scorpion,” a track in which the band’s instrumental arsenal is tempered by alluring female vocal chants that provide an ambient feel; and the stripped-back single “Drift,” paired with a video showing the band at work in the studio.

 

Early tracks have been hailed as some the “best new songs” by Metal Hammer and Revolver. While Metal Hammer says the new 3TEETH material “traces lineage in both Al Jourgensen and Trent Reznor,” Revolver hails the new music as “utterly gigantic and over-the-top in the best way possible” and applauds the return of 3TEETH in 2023 at a time “when we needed their apocalyptic, incendiary industrial-metal most.”

 

Ahead of the release of EndEx in late September, 3TEETH will release two more singles. Other highlights on the album include a cover of Tears for Fears’ “Everybody Wants to Rule the World,” continuing 3TEETH’s penchant for aggressive reworks of pop songs, previously seen on Foster the People’s “Pumped Up Kicks,” Sweet’s “Ballroom Blitz” and Dead or Alive’s “You Spin Me Round (Like A Record).”

 

EndEx will be available in CD, Gatefold LP, and digital album formats. Special formats include: 

  • Red LP (available at all EU outlets)

  • Red Smoke LP (available at all US outlets)

  • Ultra-Clear / Red Splatter LP (available from 3TEETH)

  • Black-White Marbled LP (available from Revolver)

 

Pre-order EndEx here: https://3teeth.lnk.to/EndEx

ABOUT 3TEETH

3TEETH first manifested their cybersocial intentions as early as 2013: a musical entity born out of Mincolla’s Downtown L.A. weekly gatherings known as “Lil’ Death” With Xavier Swafford (keys, synth), Chase Brawner (guitars) and Andrew Means (bass, synth) joining Mincolla. 3TEETH released their first self-titled album the following year. Alliances with the likes of TOOL and Rammstein resulted in the collective’s first live performances and a rise to further notoriety with the release of 2017’s album shutdown.exe. which took 3TEETH to global stages. Working alongside producer and mixer Sean Beavan (NIN) at new label home, Century Media, 3TEETH upped their own sonic arms race with Metawar (2019) and entered a new echelon of cultural consciousness with a collection of tracks including the biting “President X” and their haunting take on Foster the People’s “Pumped Up Kicks.”

 

"The modern carriers of the industrial rock torch" — Revolver

 

"State-of-the-art sensory overload with take-no-prisoners level of aggression" — Rolling Stone

 

“3TEETH bring the aggression with aplomb” — Loudwire

 

“3TEETH are one of the modern bands keeping industrial alive”

— Consequence

 

3TEETH is:

Alexis Mincolla – vocals

Chase Brawner – guitars

Xavier Swafford – keyboards and synthesizer

Andrew Means – bass

Nick Rossi – drums

 

Find 3TEETH Online

Website: https://3teeth.org/

Facebook: https://www.facebook.com/3Teeth

Twitter: https://twitter.com/threeteeth

Instagram: https://www.instagram.com/3teeth/

YouTube: https://www.youtube.com/channel/UCdUZ81wDL5GF_v0XUOyJRSg

MAYHEM Unveils Official Live Version of "Chainsaw Gutsfuck"

True Norwegian black metal pioneer MAYHEM will be releasing a monumental live album, 'Daemonic Rites,' on September 15, 2023 via Century Media Records! The record is a comprehensive look at the legendary band's chaotic and intense performances from various cities around the world over the last two years. The album promises to be a thrilling sonic journey for fans and a testament to Mayhem's unparalleled live prowess.

Now, Mayhem is debuting the live version of "Chainsaw Gutsfuck" along with a visualizer, which can be found below.

“We wanted to document how great the band and set sounds like after almost 40 years of playing live," Necrobutcher previously explained. "As a treat to our fans, we decided to release this live recording.

“I knew from day one back in 1984 that this band was going to be outstanding—one of the best bands ever! I guess that’s a big reason why we still are here after 39 years—and counting.”

'Daemonic Rites' marks the culmination of the 'Daemon' era, which commenced in 2019 with the release of their critically acclaimed studio album, 'Daemon.' The journey continued with the savage EP 'Atavistic Black Disorder' in 2021, leaving audiences hungry for more. This latest live conglomeration serves as the ultimate chapter-closer for this landmark.

Fans can pre-order and pre-save 'Daemonic Rites' HERE.

For fans who are hungry for the real thing, fret not! Mayhem will be hitting the road later this year with Cannibal Corpse, Gorguts, and Blood Incantation. The extensive trek will kick off on September 22 in Nashville, TN and will draw the final curtain a month later on October 21 in Louisville, KY. Tickets can be found HERE. The full itinerary is as follows:

Mayhem Live North American Dates

(w/ Cannibal Corpse, Gorguts, Blood Incantation):

09/22: Nashville, TN @ Marathon Music Hall

09/23: Charlotte, NC @ The Fillmore

09/24: Knoxville, TN @ The Mill & Mine

09/26: Pittsburgh, PA @ Stage AE

09/27: Toronto, ON @ Rebel

09/28: Montreal, QC @ L’Olympia

09/29: Worcester, MA @ The Palladium

09/30: Brooklyn, NY @ Brooklyn Steel

10/02: Detroit, MI @ The Royal Oak

10/03: Gary, IN @ Hard Rock Live

10/04: Minneapolis, MN @ The Fillmore

10/06: Denver, CO @ Mission Ballroom

10/07: Salt Lake City, UT @ The Depot

10/09: Tacoma, WA @ Temple Theatre

10/10: Spokane, WA @ Knitting Factory

10/11: Boise, ID @ Knitting Factory

10/13: San Francisco, CA @ The Warfield

10/14: San Diego, CA @ SOMA

10/17: San Antonio, TX @ The Aztec Theatre

10/18: Dallas, TX @ The Factory

10/20: Atlanta, GA @ The Eastern

10/21: Louisville, KY @ Paristown Hall

BUY TICKETS HERE

'Daemonic Rites' will be available in the following formats:

- Ltd. CD Digipak

- Gatefold Black 2LP

- Ltd. Transp. Magenta 2LP (Limited to 1.000 units)

- Ltd. Gatefold Transp. Red 2LP (Limited to 500 units)

- Ltd. Gatefold Silver 2LP (Limited to 500 units)

- Ltd. Deluxe Box Set (incl. Gatefold Golden 2LP, CD, Poster, Setlist, Tour Laminate w. Lanyard

& Signed Guitar Pick Set - Limited to 1.000 units)

With a reputation built on their unyielding commitment to the darkness, Mayhem has

become a revered name in the world of extreme metal. As a band that defies expectations

and pushes the boundaries of the genre, their live performances are known for leaving

audiences breathless and in awe.

Mayhem is thrilled to share this live opus with their dedicated fans, who have stood by

them throughout their tumultuous and illustrious career. 'Daemonic Rites' is not only a

celebration of the past but also a declaration of the band's continued relevance and power

in the present-day metal landscape.

Lineup:

Necrobutcher – Bass

Hellhammer – Drums

Attila – Vocals

Teloch – Guitar

Ghul – Guitar

Follow Mayhem:

Official Website

YouTube

Facebook

Instagram

Twitter

THE VOYNICH CODE Announce New Album 'Insomnia'; Drop New Single "Slaves To The Machine"

Portuguese deathcore juggernaut, THE VOYNICH CODE has announced their new album ‘Insomnia’, today. The album is set for release on October 13th and will be the band's first release via their recently announced new label home, Unique Leader Records. The quartet has also unleashed brutal new single and music video “Slaves To The Machine”, giving fans the first taste of what's to come from the new release.

Pre-Save 'Insomnia' HERE.

Stream “Slaves To The Machine” HERE and watch the music video below.

Blending death metal, deathcore, and progressive metal, THE VOYNICH CODE brings technical guitar riffs, precise drums, atmospheric keyboards, and guttural vocals together into an unpredictable and enthralling sound. Since emerging in 2014 with debut single “Antithesis”, the band has built a dedicated fanbase and earned critical praise, including comparisons to genre leaders like Thy Art Is Murder.

Their crushing 2017 debut LP “Aqua Vitae” provided opportunity for extensive European tours, festival appearances, and a headlining tour of Japan and Asia. Now signed to Unique Leader Records, THE VOYNICH CODE is poised for their biggest milestone yet with “Insomnia”.

The 10-track album sees the band push their signature sound even further into dynamic new territory. Fans can preorder now at HERE for its October 13th release. Stay tuned for more from the fast-rising Portuguese metal innovators coming soon.

ABOUT THE VOYNICH CODE

Coming straight from the warm city of Lisbon, Portugal, THE VOYNICH CODE is a four-piece deathcore band that masterfully blends elements of Death Metal, Deathcore, and Progressive Metal to deliver an enthralling and unpredictable sound.THE VOYNICH CODE is characterized by its blend of technical proficiency and emotional depth with heavy guitar riffs, groovy drums and mysterious keyboards that are sure to captivate the fans of heavy music.

The band's debut 2014 single, "Antithesis," quickly garnered them a loyal following of fans and critical acclaim from the press. Their momentum continued to build with their first international performance at the prestigious UK Tech Fest in 2015.

The band's first full-length album, "Aqua Vitae," dropped in 2017, receiving high praise from notable publications such as Metal Hammer and Metal Sucks. The debut album provided the opportunity to tour Europe extensively, including supporting The Faceless on their album release tour, performing at major festivals like Resurrection Fest 2018 and UK Tech Fest 2018, and headlining a tour in Japan, Asia.

In 2021, the band unleashed their highly anticipated second EP, "Post Mortem," which showcased the truest and rawest representation of their sound yet. The record takes the listener on a journey through a more mature death metal style, pushing the boundaries with melodic guitar solos, fast drum patterns, and straight-to-your-face vocals.

The band signed to Unique Leader Records in the summer of 2023, marking one of the biggest moves in their career, and will be releasing their highly anticipated new album, 'Insomnia' on October 13th, 2023. With this new partnership, THE VOYNICH CODE is poised to reach even greater heights and solidify their position as one of the most exciting and innovative bands in the genre.

GO AHEAD AND DIE RELEASE MUSIC VIDEO FOR FIRST SINGLE 'TUMORS' + NEW ALBUM UNHEALTHY MECHANISMS OUT OCTOBER 20TH!

Arizona death-crusters GO AHEAD AND DIE will deliver their caustic sophomore album Unhealthy Mechanisms on October 20th via Nuclear Blast Records. A torrential whirlwind born from the livid minds of Igor Amadeus Cavalera (HEALING MAGIC) and Max Cavalera (SOULFLY, CAVALERA CONSPIRACY). This new installment to the band's dystopian catalog is a fresh dive into the madness of society and the pollution that ravages our minds.

The first taste of the album comes in the form of the single 'Tumors'. The headbang-inducing track is a call out to the backstabbers who are toxic and are the "tumors" of life that if left to spread can become cancer. Check out the animated video created by Romanian artist Costin Chioreanu. 

Max Cavalera comments, "The new G.A.A.D. is on its way! More brutal, feral, extreme, and intense than ever before! The album goes in a deep dive into the mental health subject and it’s produced by Igor A! It’s by far the most anarchist record I’ve ever been a part of in my entire career!"

Igor Amadeus Cavalera states, "I’m so excited to release this monster of a record! This album will take you through the darkened madness of declining mental health. It is definitely the heaviest record I’ve ever created, and I can’t wait to unleash it on the masses! G.A.A.D.!"

Stream the new single 'Tumors' here: https://goaheadanddie.bfan.link/tumors.ema

Watch the music video for 'Tumors', below.

Pre-order/pre-save Unhealthy Mechanisms here: https://goaheadanddie.bfan.link/gaaduhmech.ema

Unhealthy Mechanisms was produced by Igor Amadeus Cavalera while John Aquilino handled the recording in his Platinum Underground Studio steeped in the mystic ambiance of the Superstition Mountains’ foothills. The mixing and mastering were once again handled by Arthur Rizk (CAVALERA, SOULFLY, TURNSTILE ). For the artwork, the band enlisted Santiago Jaramillo of Triple Seis Design to create the unnerving design that fits with the album title. GO AHEAD AND DIE's newest record is a testament to declining mental health around the world, and a reminder that we are not alone in our pain. The mind is lost. The fuse is lit. Time to set everything ablaze.

Unhealthy Mechanisms will be available digitally and in the following formats:

  • CD Jewel

  • Red Cassette (Limited to 400)

  • Vinyl

    • Red W. Black Splatter

    • White W. Black Splatter

GO AHEAD AND DIEis:
Max Cavalera| Vocals, Guitar
Igor Amadeus Cavalera| Vocals, Guitar, Bass 
Johnny Valles| Drums

Photo Credit: Kevin Estrada

WORMHOLE Rage Against the Machine on New Single

WORMHOLE warp brutal riffs and screeching dissonance into a signature tech-slam combo. So it's no surprise that the Baltimore band are huge gamers. Their new album 'Almost Human' was inspired by stomping fools at Metroid and Doom as much as headbanging to Artificial Brain and Dysrhythmia.       

Today, Wormhole are premiering a heroic new single with Slam Worldwide. Watch the monstrous visualizer for "Spine Shatter High-Velocity Impact" below.  

'Almost Human' comes out 22 September. Pre-save the album HERE.  Pre-order it HERE.

"This song has our hero struggling as they make their last stand," says Wormhole. "They're desperately trying to rally, but despite their rage, they just keep falling apart. Is the impossible really going to happen? Is our hero, the one we love and cherish so much, really going to lose?"

"Spine Shatter High-Velocity Impact" might be the fastest and sludgiest song on 'Almost Human'. But it's definitely the most disgusting. Brothers Sanil and Sanjay Kumar scrape out stomach-churning riffs, while the rhythm section chews on the breakdown. Julian Kersey's death growl is so fierce and rotten, you can practically smell the stench wafting through your speakers.

When you invent your own genre, you can make the rules, and in space, no one can correct your math. If Wormhole’s excellent The Weakest Among Us was 50% tech death and 50% slamming brutal death metal, their Season of Mist debut is a veritable leveling up of the Baltimore-based act’s trademark “tech slam.” It’s the kind of record that can scramble your brain and give your neck a nice chiropractic workout; Almost Human feels like the future of extreme metal, dropped down from either outer space or delivered by Nintendo cartridge (more on that later).  

So, what the hell exactly is “tech slam?” Well, the gleefully amorphous and unholy term comes from an ethos that guitarists Sanil “Noni” Kumar and Sanjay Kumar discovered and perfected over (probably) thousands of hours of Metroid and Doom games, as well as, you know, actual musical mastery. Almost Human, out September 22, 2023, is more powerful, more agile, and more confounding for pie-chart-enthusiasts than anything else that came before it. The sequel is always bigger, darker, and in this case, covered in much more pixelated space horror viscera. My Wormholio calculator puts their sound at 91% tech and 89% slam, with an increase in awesome stats somewhere in the 420% range. There’s also a clear emphasis on amplifying their dissonant death influence, the kind of eerie melodies that feel like being stomped on by Samus.
 
There’s a clear balance to everything on Almost Human: the songs are more adventurous while also being instantly memorable. No two songs sound alike, and that diversity in songcraft (level design?) sees Wormhole pushing and pulling along their tech and slam dials to figure out what’s best for the song; spoiler, it’s always riffs. What also becomes evident after repeated listens is how carefully the Kumar brothers understand a sense of place, humor, and a consistent vibe. This is still the same band that’s known for throwing on Saturday morning cartoons, and Almost Human continues to hammer home that Wormhole the musical entity is deadly serious, but the guys that make tech slam are not stoic creatures. There’s a warmth and sense of joy when chatting with them that only gets brighter when you ask their favorite Metroid game (that’s a question for a live show). So, what is this vibe they are chasing? Sanjay shares:
 
“The tech slam imagery is based on Metroid lore, Doom lore, and we haven't written a song about it yet, but Alien as well. Those three things are brutal sci-fi universes, so we're trying to embody that sound. The slam riffs, you can connect the brutal killing of stuff with the brutal chunky riffs; that's been a match that's existed since the nineties. So that's the slam part, and then the tech part was harder to fit that vibe, so we kind of do it differently. I lean into very dissonance-vibe stuff, like Artificial Brain and Dysrhythmia. I think disso-death and heavy, they aren't usually paired together, even though they should be.” 

“And then as far as chasing the vibe,” Noni adds, “I kind of go about it two ways. With the Metroid soundtrack or universe, that vibe, there's some dark and gloomy atmosphere, but there's a lot of pretty imagery as well. We wanted to find a way to match that very pretty, kind of out-there sound cohesively in songs with a very aggressive and guttural approach.”
 
Like another famous sci-fi horror masterpiece of a different media, Wormhole’s shifting, amorphous style is perfectly suited to blend in and amaze just about any fan of heavy music. That’s The Thing: they can pull off whatever they want, but it’s always boiled down to that tech slam vibe. Do you like tech, melody, breakdowns, atmosphere, or dissonance? Tech slam can fill whatever void you seek.
 
If previous albums were early generation, lower-resolution visions of tech slam, Almost Human is the 4K reboot, where you can see every pixel of terror and awe. Wormhole are absolutely ready for their closeup. Prepare your worms and your holes, tech slam is here to stay. 

Line-up
Julian Kersey: vocals
Sanil Kumar: guitar
Sanjay Kumar: guitar
Bass: Basil Chiasson
Drums: Matt Tillett

Recording studio: Guitars and vocals were recorded at Wormhole HQ. Drums were recorded at AJ Viana Productions.

Producer & engineering: 'Almost Human' was produced and engineered by Wormhole and AJ Viana. Bass parts were produced and engineered by Alex Weber.

Mixing: AJ Viana at AJ Viana Productions

Mastering: Alan Douches

Artwork: Adam Burke at Nightjar Illustration

Photos: Eric DeCarlo

Biography: Nick Senior

Pre-order: https://redirect.season-of-mist.com/AlmostHuman
Pre-save: https://orcd.co/almosthumanpresave

Available formats
CD Digipack
Digital Download
Vinyl (Black)
Vinyl (Grey)
Vinyl (Orange)
Vinyl (Green)
 
Links
https://wormholemetal.bandcamp.com/
https://www.facebook.com/wormholemetal/
https://www.instagram.com/wormholetechslam/?hl=en
https://open.spotify.com/artist/2foAanYCza7knczRDB8DFt?si=hxz_IV21RzuSeLcibU2tkQ&nd=1

Within Temptation Announce New Album "Bleed Out" + Share Title Track — LISTEN

Bleed Out signifies a bold leap forward for the band. From contemporary, hard-hitting, and djenty riffs to soaring melodies displaying their symphonic roots, Within Temptation have created a sonic journey that fuses diverse musical styles and thought-provoking themes. This is an album that is as epic as it is unflinchingly outspoken, and now more than ever, this is a band who isn't afraid to make a stand on issues the members care about.

Since the start of the war in Ukraine, Within Temptation have shifted their focus from writing about personal emotions and societal subjects to tackling global injustices and reflecting the tumultuous state of the world in a way that other artists seem unable or unwilling to do.

Vocalist Sharon den Adel states, "The war in Ukraine has influenced us a lot. As artists we are inspired by the world, and we have this platform. We are storytellers, and I think as human beings, these are things we should be talking about."

Whilst songs such as "Wireless" and "We Go To War" examine the authoritarian aggression on display in Ukraine and other warzones, the title track itself addresses the plight of women fighting for their rights in Iran after the murder of Mahsa Amini. 

den Adel explains, "I lived in Yemen when I was a kid. My parents lived in several countries in the Middle East, and I've visited them a lot when they were there. It's a different world. Due to my time there, I feel connected to that part of the world. I've been so incredibly impressed by the bravery of the young women there who've been burning their scarves knowing they were going to be thrown in prison or worse — it's heartbreaking." 

The album also grapples with the complex issues around a woman's right to choose in recent single "Don't Pray For Me" and throughout, this impassioned and political focus is reflected in the intensity and heaviness of the music. Embracing a new era of musical exploration and lyrical depth, Within Temptation have pushed boundaries and showcased their artistic evolution, delivering a fist-in-the-air proclamation of both their moral convictions and their fearless approach to music. 

Imbued with a vast dynamic range that plumbs the full depth of symphonic heaviosity, Bleed Out is as exuberantly heavy as it is politically profound.

For further details and to pre-order the album here. 

Bleed Out will be released in multiple physical formats and across all streaming via Within Temptation's own label Force Music Recordings in a joint venture with Bertus Distribution for worldwide distribution and Amped Distribution for the U.S. and Canada. 

OBSCURA - announce live album "A Celebration I - Live in North America

Step into the realm of mind-bending melodies and technical prowess as OBSCURA presents their highly anticipated live album, A Celebration I - Live in North America, which will be released on October 27th via Nuclear Blast Records.

Witness the sheer brilliance of this German metal band as they take the stage by storm, leaving audiences spellbound with their awe-inspiring performance.

A Celebration I - Live in North America takes you on a mesmerizing journey through their iconic discography, featuring fan-favorites from albums like Cosmogenesis, Omnivium, Akroasis, Diluvium and the chart-breaking A Valediction. Experience the sheer energy and raw intensity of their stage presence, captured flawlessly in this one-of-a-kind live recording.

Not only does this live album showcase OBSCURA's unparalleled musical mastery, but it also offers a glimpse into their latest studio release, A Valediction. Immerse yourself in the sonic landscapes of their most recent opus, as they explore new depths and push the boundaries of metal.

Mixed & Mastered by award-winning producer and engineer Fredrik Nordström, in Gothenburg, Sweden, where mastermind Steffen Kummerer collaborated with him for one week on the live material.

The recordings were all made in the USA, Canada, and Mexico between 2022 and 2023 as part of the 'A Valediction World Tour'.

Today, we get a taste with a stunning live video for the track ´The Anticosmic Overload´from the album Cosmogenesis, filmed by Vincent Grundke, who has been accompanying the band as a videographer and photographer since 2021.

Watch the video below.

Listen to the song on all platforms: https://obscura.bfan.link/taco

Pre-order the album here: https://obscura.bfan.link/acilina

Steffen Kummerer comments: “A Celebration I - Live in North America covers a selection of concerts we performed in the United States of America, Canada, and Mexico between 2022 and 2023 as part of the 'A Valediction World Tour'. Within 20 years, we are looking towards the first live album of Obscura, spiked with songs of our last five releases. It was a pleasure working through every recorded show to pick the best song, the loudest possible audience and a stellar performance by a band that's on fire. As a first impression, we choose 'The Anticosmic Overload' performed in the United States of America, since this was the first song ever we performed in North America back in 2009."

DEKO ENTERTAINMENT TEAMS UP WITH MOTION ENT. WORLDWIDE TO RELEASE THEN AGAIN...BY LEGENDARY TRIUMPH GUITARIST/VOCALIST RIK EMMETT

Rik Emmett is best known as the guitarist/vocalist for the legendary Canadian hard rock band Triumph. Between its 16 albums and DVDs, it has received 18 gold and 9 platinum awards in Canada and the United States. They were nominated for multiple Juno Awards, including the Group of the Year Award in 1979, 1985, 1986, and 1987. It was inducted into the Canadian Music Industry Hall of Fame in 2007, into the Canadian Music Hall of Fame in 2008, and into Canada's Walk of Fame in 2019.

Emmett is now releasing worldwide Then Again... through Deko Entertainment (ADA/Warner Music Group) as part of a new deal with Music in Motion Ent. As he states about the release, “There seems little point in simply trying to repeat history, so we came at it from a different place: the place where Dave Dunlop and I dealt with these songs, on smaller nightclub & intimate listening room stages. Honoring the endurance of these songs, but giving them a fresh, stripped-down and 21st century D.I.Y. perspective.” Enjoy reimagined versions of classics like, “Lay It on the Line,” “Magic Power,” and “Fight the Good Fight.”

Listen to “Magic Power” here: ADA.lnk.to/MagicPower

The classic Triumph album Allied Forces sold over a million copies in the US, while attaining the highest chart positions any Triumph album would attain: #23 in the US and #13 in Canada. It included the songs "Fight the Good Fight" and "Magic Power." "Magic Power" reached #8 on the Billboard Mainstream Top Rock Tracks chart and #51 on the Hot 100, while "Fight the Good Fight" went to #18 on the Top Rock Tracks chart. This bodes well for the success of Emmett’s Then Again....

Then Again... will be available on CD and limited-edition vinyl. Preorder your copy now and get a very limited signed copy while supplies last: https://bit.ly/RikEmmett

For more information, visit
https://www.rikemmett.com/
www.dekoentertainment.com
Deko Entertainment–Art Has Value

Alkaloid Reach Critical Mass on New Single

No one has conquered the far reaches of the metalverse quite like Alkaloid. The Bavarian band have crafted songs about what lies beneath the Arctic crust, on top of an ongoing, multi-part saga about a galactic civilization that ascends to god-like levels of domination. 

Today, Alkaloid are releasing the latest chapter in the Dyson Saga. "Numen" is a cosmic seven-minute yarn of how a supermassive black hole came to burp up an unheard-of cosmic artifact that gives both the song - and their new album - its name.

Watch the heady lyric video below.  

'Numen is out on September 15. Pre-order the album HERE. Pre-save the album HERE.

"We proudly present the title track of our new album, and the first of three new chapters in the ongoing Dyson saga up the Kardashev Scale", says galactic leader Morian from Alkaloid's space station via interstellar transmission. "Through the mindbogglingly complex manipulation of mass, electromagnetism and the structure of spacetime itself over countless aeons, "Numen" transforms into an acceleration hub for sentinel worldlets sent toward other galaxies". 

"Numen" amasses sounds from across the spectrum of extreme metal: alien growls mixed with luminous cleans, drum fills that hurtle between mind-bending bass grooves, and riffs that crunch with the force of asteroids while also swirling like the milky way.

"Musically, I mangled materials inspired by Rainbow and Pink Floyd, as well as Meshuggah into a polyrhythmic context, while still staying true to the sound of our Dyson world," says Morian. "The subtle but continuous disturbance of the main 12/16 groove by a stubborn 7/16 layer is a hint at the massive forces at play in the story". 

Progressive extreme metallers Alkaloid prepare to unfurl their new many-tentacled full-length, 'Numen' via Season of Mist. Featuring members of Triptykon, Obscura, Dark Fortress, and Obsidious, the Germany-based quartet of Morean (vocals, guitars, concepts), Hannes Grossmann (drums), Christian Münzner (guitars), and Linus Klausenitzer (bass) construct upon, expand away from, and journey between previous full-lengths The Malkuth Grimoire (2015) and Liquid Anatomy (2018) on Numen. In every respect, Alkaloid recommence the purposeful warp of various metallic genres they dimensionally blur. Tracks like the video single for "Clusterfuck,” “The Cambrian Explosion,” and “Numen” posit heavy cosmological/Lovecraftian theoretic themes on top of musically-adept songs that are accessible yet undeniably intricate.
 
“We’ve all been around the block a few times by now as metal musicians,” says songsmith Morean. “The feeling that we’ve outgrown the narrow niche of pure extreme metal was a main motivator to start this band in the first place, ten years ago. The ‘prog’ tag is handy for us because, per definition, it already encompasses a wider range of possible styles and influences we can get away with than any one specific metal genre. This means we could ensure from the beginning that we’ll always be able to write whatever we want, no matter how crazy our ideas become. The heart of this band is always the songwriting, and we all like complex and virtuosic music in all its diverse manifestations. However, we do share a love for death metal as the smallest common denominator in the band, and we wanted to make sure no one thinks that just because we include melodies, clean guitars, and influences from other genres, we’d automatically sacrifice the brutality and relentless esthetic of extreme metal.”
 
'Numen' was written during the pandemic, but it was planned long before the scourge of disease wracked humanity. As a result, the songwriting sessions were predictably not "in the room" but over the Internet after the band members had isolated and worked on their constituent parts. Demos flew back and forth. Then, Tunker left amicably for personal reasons. Alkaloid could’ve folded, but the close-knit group soldiered on. They intensely relied on the professionalism and dependability of the collective to drive 'Numen' to completion. The complications of the two years it took to sonically inscribe the album into aeonic vastness didn’t fragment the end result. Instead, the process accelerated Alkaloid’s lambent, eldritch explorations. “Clusterfuck,” “The Cambrian Explosion,” “Numen,” and “A Fool’s Desire” expertly bridge the past to the future, where Alkaloid’s originative, daedal storytelling captures (and holds hostage) the imagination.

The title, 'Numen', got its start at the dawning of Alkaloid. It’s a word that Morean fell in love with immediately, and he knew it had a place in his creative endeavors. Whereas The Malkuth Grimoire talked about combining existing elements into new structures, and Liquid Anatomy dealt with the creation of new elements, 'Numen' tries to look at the universe from a kind of meta-perspective from an imaginary god, as if the space that everything happens in was given a voice and a role as observer and shaper of everything that happens. In it, sentient panspermic mycelia are swathed in Lovecraftian nastiness—like Shub-Niggurath and the Fungi from Yuggoth—while the new Dyson chapters interpret the aspiration to reach divinity rather literally, reshaping the entire galaxy by manipulating spacetime itself. Desperate to escape their doom, the Cephalopods from previous songs have returned, too. 'Numen' is dense but not impenetrable. In fact, from the first moments of opener, "Qliphosis," to the final contemplation of closer "Alpha Aur,” Alkaloid prove to be more charismatic than ever.
 
Line-up
Morean - guitars, vocals
Christian Münzner - guitars
Linus Klausenitzer - bass
Hannes Grossmann - drums

Recording Studio: Mordor Sounds, Nürnberg, Germany.

Producer: Hannes Grossmann & Alkaloid

Recording & mixing: Hannes Grossmann

Mastering: Alan Douches at West West Side Music studio in Hudson Valley, NY.

Guest musicians
Adam Wallis, Cydney McQuillan-Grace, John Schaffer, Lauren Gill, Sara Robalo, Shannon Bedford

Additional choir tracks on "The Cambrian Explosion" and "Shades of Shub-Niggurath"

Former Alkaloid guitarist Danny Tunker contributed to "The Cambrian Explosion"

Artwork & photos: Christian Martin Weiss

Biography: Chris Dick

Pre-order: https://shop.season-of-mist.com/list/alkaloid-numen

Pre-save: https://orcd.co/numenpresave 

Format
Digital download
CD Digipak w/mediabook
Black Vinyl (Gatefold)
Coloured Vinyl (Gatefold)

Links
https://alkaloid-band.com/
https://www.facebook.com/alkaloid.metal
https://www.instagram.com/alkaloid_metal/
https://twitter.com/AlkaloidBand
https://www.youtube.com/c/Alkaloidbandmetal
https://alkaloid-band.bandcamp.com
https://open.spotify.com/artist/4KMQDFaAsPEKcqKzdvkYKc

Wolves At the Gate Announce "Lost In Translation" Covers Album + Share "Pardon Me"

WOLVES AT THE GATE ANNOUNCE LOST IN TRANSLATION COVERS ALBUM OUT SEPTEMBER 22 VIA SOLID STATE RECORDS

BAND SHARES COVER OF "PARDON ME"

Earlier this summer, WOLVES AT THE GATE shared their awesome cover of Twenty One Pilots' "Heathens."

They followed it up with their take on "Attack" by Thirty Seconds to Mars and then their version of "Stupid Deep" by Jon Bellion. 

Now, they have announced Lost In Translation, a full covers album featuring these three songs and several more...

...Like their version of Incubus' smash hit "Pardon Me."

Listen to the song and watch the visualizer below

Lost In Translation arrives on September 22 via Solid State Records. Pre-order it here.

"An obvious theme through these covers is the unique nature of each one of these artists, and Incubus is no exception," says vocalist/guitarist Steve Cobucci about the latest cover drop. "We all have memories of when we first heard the band and how inspiring their creativity is. Personally, I remember buying their Live at Red Rocks DVD that I watched more times than I can count. I just remember thinking about how incredible Brandon's singing was for an hour-and-a-half long set. I also couldn't believe how Mike was creating such incredible and huge sounds as the only guitar player."

He continues, "It's difficult to explain what Incubus sounds like because they are so unique. It's always a bold move as an artist to create something so distinct and original, but an incredible payoff when you have talented musicians like the guys in Incubus. Mike Einziger's guitar playing is just as incredible as Brandon Boyd's singing. Their artistry on the song made it both challenging and exciting to run with. Tracking this song was fun because we all got to do things musically that we haven't explored much with our own music. The intricate vocals on the verse, the chop and stop drum beat, and powerful chorus were elements that we enjoyed recreating and interpreting."

ABOUT WATG:
Unrestricted by genre conventions and determined to raise the bar with each successive album, Wolves at the Gate deliver music and a message with a firm commitment to passion and authenticity. Tirelessly seeking out the light in seemingly overwhelming darkness, the Midwestern post-hardcore group balances soaring melodies with unrelenting metal and emotional heaviness. Eulogies arrives with confidence and forward motion born from reflection, introspection, and isolation.

The small-town Ohio-based five-piece band built the foundations for the album's 13 songs during the pandemic shutdown, shaping diverse tracks like "Shadows," "Peace That Starts The War," and "No Tomorrow" into stunning confessional epics. Wolves at the Gate's audience treasures each of the band's best-known songs for the emotional depth, passionate catharsis, and evocative power contained in them, as evidenced by the millions of streams for WATG anthems. These include "Counterfeit," "A Voice in the Violence," and "Drifter" (from 2019's Eclipse); "Asleep," "Flickering Flame," and "War in the Time of Peace" (from 2016's Types & Shadows); "Relief," and "The Bird and the Snake" (from 2014's VxV); "Dead Man," "The Harvest," and "Slaves" (from 2012's Captors), and "Heralds" (from 2011's We Are The Ones). 
 
WOLVES AT THE GATE ARE:
Steve Cobucci — Vocals/Guitar
Nick Detty — Vocals
Joey Alarcon — Guitar
Abishai Collingsworth — Drums
Ben Summers — Bass

LIMITED EDITION DELUXE CD AND LP BOX SETS OF DIO'S FINAL 4 STUDIO ALBUMS, TITLED 'THE STUDIO ALBUMS: 1996-2004,'

LIMITED EDITION DELUXE 5LP+7" & 4 CD BOX SETS FEATURING DIO'S FINAL 4 STUDIO ALBUMS: ANGRY MACHINES, MAGICA, KILLING THE DRAGON, AND MASTER OF THE MOON TO BE RELEASED ON SEPTEMBER 22ND

DIO DOCUMENTARY DREAMERS NEVER DIE TO BE RELEASED ON BLU-RAY AND DVD ON SEPTEMBER  29TH
 

BMG and Niji Entertainment Group Inc. have partnered to issue Limited Edition Deluxe CD & LP box sets of Ronnie James Dio’s final 4 studio albums on September 22nd. Titled The Studio Albums: 1996-2004, the set will include Angry Machines (1996), Magica (2000), Killing the Dragon (2002), and Master of the Moon (2004). The LP Set is housed in a sideloading box with newly created art on five 180g color LP’s (Angry Machines on Halloween Orange w/ Black Marble LP, Killing the Dragon on transparent yellow w/ black marble LP, Master of the Moon on electric blue w/ milky clear marble LP & Magica on transparent blood red & black smoke 2LP plus the rare single “Electra” on a cobalt blue 7”.)

Wendy Dio says, "I am very excited to be working with BMG, a label that still has a passion for rock music. They will be making the complete DIO catalogue available again with some interesting surprises."

Angry Machines
Originally released in 1996 and featuring the line-up of Ronnie James Dio (Vocals), Tracy G (Guitars), Jeff Pilson (Bass), Vinny Appice (Drums) and Scott Warren (Keyboards).

Magica
Originally released in 2000 and featuring the line-up of Ronnie James Dio (Vocals), Craig Goldy (Guitars), Jimmy Bain (Bass), and Simon Wright (Drums), the 2-LP set includes a bonus 7" of studio track "Electra."

Killing The Dragon 
Originally released in 2002 and featuring the line-up of Ronnie James Dio (Vocals), Doug Aldrich (Guitars), Jimmy Bain (Bass), and Simon Wright (Drums).

Master Of The Moon 
Originally released in 2004, Master of the Moon was the final studio album under the DIO band name and featured the line-up of Ronnie James Dio (Vocals), Craig Goldy (Guitar), Jeff Pilson (Bass), & Simon Wright (Drums).

To pre-order The Studio Albums 1996-2004, click this link: https://dio.bio.to/TSA9604PR

The definitive documentary on legendary metal icon Ronnie James Dio,  “DIO: Dreamers Never Die” will be released on September 29 and is available for preorder on DVD, Blu-ray+4K, and DVD+Blu-ray Deluxe Edition (including Dio: Dreamers Never Die merchandise exclusive to this package).

The film and other exclusive merchandise can be preordered at https://shop.bandwear.com/collections/dio-shop
 
Dio's story transcends the standard rock documentary. Beautifully highlighting both his powerful voice and his gentle heart, “DIO: Dreamers Never Die” delves deep into the singer’s incredible rise from ’50s doo-wop crooner to his early rock days in Ritchie Blackmore’s RAINBOW, replacing Ozzy Osbourne in BLACK SABBATH, and finally cementing his rock star status with DIO. The first documentary to be authorized by the artist’s estate, the film incorporates never-before-seen footage and personal photos from Dio’s archives as well as offering intimate scenes with his closest peers, family, and friends, including Wendy Dio, Tony Iommi, Geezer Butler, Bill Ward, Vinny Appice, Lita Ford, Rob Halford, Sebastian Bach, Eddie Trunk and Jack Black, as they bring viewers inside the life of one of rock and roll’s true heroes.

Portland-based indie pop artist BERKLEY presents 'Your Place' single, previewing 'Pueblo' album

"Equal parts catchy and groovy... recalls the carefully manufactured hits of pop kingpin Beck and songwriting savants Miike Snow. Shimmering synths envelop the listener like a warm bath, while a melodious electric guitar floats atop in the form of a rock-tinged bass line" ~ Dallas Observer

“Earnest and immediate pop-rock with shades of Americana and ’70s Laurel Canyon rock & roll" ~ Bandcamp Daily

"Superb. Here we have a super-catchy melody, a high feel-good factor, impeccable delivery and production. Fans of Ben Folds, Ethan Gold and Ben Kweller should take note" ~ Amplify Music Magazine


Portland indie pop artist Berkley presents his new single 'Your Place', previewing his debut full-length album 'Pueblo', slated for release on September 1 via Oregon-based label Big Secret Records. While recent singles explore his history and hometown of Pueblo, Colorado, here Berkley holds the mirror to himself, examining his past only to realize that it endures.

Berkley revisits the good, the bad and the ugly, Berkley concluding that ultimately, some things never change. He sums it up best in the chorus: “I’m uncomfortable with myself / you think you leave that behind but it stays on your face”.With verses that sketch one view of the past, Berkley revisits the good, the bad, and the ugly as he comes to terms with how some things never change.

Berkley explains, “Your Place started as an attempt to write as if I were 12 years old but possessed the vocabulary and perspective to capture all the big new feelings I had. That exercise led me to realize I haven’t stopped feeling as out of place and anxious as I did in middle school. The song came to be about the insecurities that stay with you and how they shape or guide your life despite your best efforts."

'Pueblo' album pre-order  https://bigsecretrecords.com/pre-order-pueblo-now
Bandcamp  https://alwaysberkley.bandcamp.com/album/pueblo
'Your Place'  https://alwaysberkley.bandcamp.com/track/your-place

Interrogating the small spaces shared between what-ifs of the past and the realities of the present is where Berkley’s songwriting shines. Earlier, he released 'Pueblo Nights', which explores themes of memory, youth, and growth in Berkley’s hometown of Pueblo, Colorado, and 'Fiesta Day', where he blows the dust off the events that shape us to reveal what follows, revisiting the end of a teenage friendship with clarity brought by time.

Berkley is the nom-de-plume of Andrew Jones, a recording engineer whose production and songwriting adventures include recording with former Cher bassist and ASCAP award winner Bob Parr, a power pop collaboration with members of The Offspring, and the “gorgeous” (AV Club) synthesizer project Sound for Bombs.

As Berkley, Jones weaves together a wide range of influences, diving in with renewed vigor for writing and performing. In terms of his origins, after touring in his own punk and metal bands in his teens and early 20s, Andrew Jones took a chance on the Los Angeles songwriting scene, ultimately finding himself as part of a team of writers tasked with developing early ideas for Michael Jackson’s comeback album.

Following Jackson’s death, Jones reevaluated his path in music and stopped writing and performing for three years while he taught university writing and literature. Jones’ muses returned in 2010 when he quit his teaching job to immerse himself in jazz guitar studies and rekindle his relationship with music and his primary instrument.

As of August 14, 'Your Place' is available via Bandcamp, where the full 'Pueblo' album (out September 1) can be pre-ordered on CD and vinyl, the first 100 of which come in a random color (brown, army green, gray, or purple). It also includes exclusive audio from vintage Pueblo KDZA broadcasts and field recordings captured in Pueblo locales significant to Berkley's life. A seamless listening experience track to track, side per side - this is how Pueblo is meant to be heard.

SINGLE CREDITS
Music and lyrics by Andrew Jones aka Berkley
Berkley - vocals, guitars, bass, keyboards, piano
Ramon Muzquiz - drums, percussion
Bob Cummins Jr. - piano
Recorded at Echo Lab in Denton, Texas
Engineered, mixed, and mastered by Andrew Jones
Photography and layout by Andrew Jones
Artist photos taken by Juli Williams

TOUR DATES
Sept. 1  PUEBLO, Colorado - Analogue Records
Sept. 2   MANITOU SPRINGS, Colorado - Lulu's Upstairs (with Volon Vauban)
Sept. 3   DENVER, Colorado - Skylark Lounge (with Volon Vauban & Nicki Walters)
Sept. 9   PORTLAND, Oregon - Music Millennium


Keep up with Berkley
Website | Label website | Bandcamp | Instagram | YouTube | Twitter | Spotify | Apple Music | Press contact

Keep up with Shameless Promotion PR
Website | Facebook | Twitter | Instagram | Soundcloud | Linkedin | Email

BRUJERIA | RELEASE MUSIC VIDEO FOR SECOND SINGLE 'BRUJA ENCABRONADA'

Mexican death grind band BRUJERIA put the world of cartels and ritualistic murder on wax with a brutal power equivalent to when Compton arrived in pop culture via NWA. On September 15th, the band will unleash their fifth full-length album Esto Es Brujeria onto the world via Nuclear Blast Records.

'Bruja Encabronada' is the second single to be released from the upcoming album. Watch the music video which includes live footage taken by Roel Verscheure (GRIMM Gent) and Emerik Siimessalmi.

Stream the new single 'Bruja Encabronada', here: https://brujeria.bfan.link/bruja-encabronada

Watch the music video for 'Bruja Encabronada', below.

Photo credit: Hannah Verbeuren

Esto Es Brujeria was recorded worldwide at the following studios: Dog Run Studio in Riverside, CA; Total Annihilation Studios in East Los Angeles, CA; Robanna’s in Birmingham, UK; and Audiocustom in Santiago, Chile. Production of the record was handled by the band while engineering was a joint effort between Eddie Casillas, Eddie Rivas, and Miguel Seco. The mixing and mastering of the album was completed by Seba Puente who was also a part of the engineering team. The album artwork was created by Gary Ronaldson. Esto Es Brujeria saw the return of their metal mascot Coco Loco who is emblazoned on the ferocious cover.

Esto Es Brujeria will be available digitally and in the following formats:

  • CD Jewelcase

  • Orange Cassette (Limited to 550)

  • 2LP

    • Orange with Red & Black Splatter (Limited to 3,000)

    • Orange and Red Split Vinyl (EU Limited to 500)

On November 2nd, BRUJERIA will kick off their 'Esto Es Tour 2023' in Yuma, Arizona. The 29-date trek will make stops in Dallas, Boston, and Seattle before ending in Pomona on December 10th. Joining them on the run are PIÑATA PROTEST and NO/MÁS.

BRUJERIA's Juan Brujo comments, "Al fin Esto Es... Brujeria!"

Tickets for the tour are now on sale at: https://www.brujeria.com/

Confirmed dates for BRUJERIA's 'Esto Es tour 2023' with PIÑATA PROTEST and NO/MÁS are:
11.02. U.S.     Yuma, AZ - Red Moon Ale House 
11.03. U.S.     Tucson, AZ - The Rock 
11.04. U.S.     Albuquerque, NM - Launchpad
11.06. U.S.     Dallas, TX - Granada Theater 
11.07. U.S.     Lubbock, TX - Jakes Sports Cafe 
11.08. U.S.     Oklahoma City, OK - 89th Street Collective 
11.09. U.S.     Austin, TX - Come And Take It Live 
11.10. U.S.     Houston, TX - Houston Vert Ramp 
11.11. U.S.     Brownsville, TX - Outdoors at The Kraken Lounge 
11.14. U.S.     Orlando, FL - Conduit 
11.15. U.S.     Atlanta, GA - The Loft at Center Stage 
11.16. U.S.     Asheville, NC - Asheville Music Hall 
11.17. U.S.     Virginia Beach, VA - Elevation 27
11.18. U.S.     Mechanicsburg, PA - Lovedrafts 
11.19. U.S.     Boston, MA - Brighton Music Hall 
11.21. U.S.     Brooklyn, NY - Saint Vitus 
11.22. U.S.     Pittsburgh, PA - Preserving Underground
11.24. U.S.     Cleveland Heights, OH - Grog Shop
11.25. U.S.     Chicago, IL - Reggie's 
11.28. U.S.     Denver, CO - Bluebird Theater 
11.29. U.S.     Salt Lake City, UT - Metro Music Hall 
12.01. U.S.     Seattle, WA - Substation 
12.02. U.S.     Portland, OR - Bossanova Ballroom 
12.05. U.S.     San Francisco, CA - Great American Music Hall 
12.06. U.S.     Roseville, CA - Goldfield Trading Post
12.07. U.S.     San Jose, CA - The Ritz 
12.08. U.S.     Los Angeles, CA - Teragram Ballroom
12.09. U.S.     Las Vegas, NV - The Usual Place 
12.10. U.S.     Pomona, CA - The Glass House Concert Hall

BRUJERIAis:
Juan Brujo | Vocals
Sangron | Vocals
Fantasma | Vocals
Pinche Peach | Vocals 
La Encabronada| Vocals
El Criminal| Guitars
El Embrujado| Guitars
Hongo| Bass
El Cynico| Bass
Hongo Jr.| Drums

NIGHT VERSES Announce Ambitious New Double Album ‘Every Sound Has A Color In The Valley Of Night'; Drop New Single "Karma Wheel"

Prog metal voyagers NIGHT VERSES have announced their phenomenal new double album ‘Every Sound Has a Color In The Valley Of Night’, with Part 1 due out September 15th, 2023 via Equal Vision Records, pre-orders are available now HERE. Coinciding with the announcement, the band has released new single and official music video “Karma Wheel” - stream HERE and watch below. 

Last month, the band released comeback single “Arrival” which marked their first new music in 5 years and heralded the end of their hiatus. Now, “Karma Wheel” offers fans a second glimpse into NIGHT VERSES' boundary-pushing new era.

‘Every Sound Has a Color In The Valley Of Night’ will be released in two parts. Part 1 coming September 15th and Part 2 due out in early 2024. Across both parts the album features a star-studded cast of guests including Tool bassist Justin Chancellor, Author & Punisher, Incubus frontman Brandon Boyd and Circa Survive's Anthony Green, 'Every Sound Has A Color In The Valley Of Night' sees NIGHT VERSES tear up the rulebook with a kaleidoscopic vision and truly living up to the accolade given to them by Noisey who referred to the band as “the Salvador Dali of Progressive metal”. 

Speaking on their long awaited new album, NIGHT VERSES collectively share: 

 

“This album is an assessment of human rituals and the power they hold. Not only on the individual, but also on the world around them. It reflects how the practices we devote our energy to have always determined the reality we occupy. For better or for worse. 

Ultimately we want the listeners to find their own connection to the album, but this entire record was composed with different physical environments in mind for each song. Aiming to align the physical, visual and sonic experience in a way that could fully immerse the listener while giving them the space to find their own connection to the music.”

Fearless as ever in their exploratory vision, NIGHT VERSES once again raise the bar for creativity and innovation in heavy music.

ABOUT NIGHT VERSES: 

Hailing from Fullerton, CA, NIGHT VERSES first galvanized listeners with their 2012  EP ‘Out Of The Sky’, merging prog, alt-metal, post-rock and ambient electronica into their own intoxicating strain of cinematic metal.

They continued to hone their bold songwriting and genre-bending musicianship on their debut full-length, 2014’s ‘Lift Your Existence’. After the mass critical acclaim that followed, they returned in 2016 with the full-length ‘Into The Vanishing Light’ produced by legendary producer Ross Robinson (Slipknot, At The Drive In). The album was the band’s first release after signing with Equal Vision Records, and marked their last album with a vocalist. 

The band released their first instrumental album 2018, with the critically acclaimed ‘From The Gallery Of Sleep’, which cemented them as fearless, genre-defying innovators. Dubbed “The Salvador Dali of prog-metal” by Noisey / Vice, the album was hailed as "boundary-breaking prog" (Revolver), "ambitious and creative" (Exclaim!) and "a layered prog masterpiece" (Distorted Sound).

Now after a 5-year wait that's felt like an eternity, NIGHT VERSES are back to reclaim their rightful place at the forefront of progressive heavy music. With over 15 million career streams and unanimously glowing critical praise for their first four releases, the stage is set for NIGHT VERSES to ascend to even greater heights.

Of Virtue Share New Video "Holy" — WATCH

NEW ALBUM OMEN OUT SEPTEMBER 29 VIA ARISING EMPIRE

Michigan's Of Virtue have released the video for new single "Holy," the latest track off their upcoming album Omen, out September 29 via Arising Empire. 

Watch the "Holy" video below.

Stream and download the song here.

Vocalist Tyler Ennis comments, "I wrote 'Holy' after a relationship which meant a lot to me ended. It was difficult, I wanted to apologize for who I was and 'Holy' is how I made my best attempt. All in all, 'Holy' is about holding yourself accountable and realizing that it's possible that you were the reason why something, in this case my relationship, didn't work out the way we had wanted it to."

Omen will be available in limited colored vinyl and CD, along with unique merch options at the Arising Empire online shop, Impericon, and band shop. Pre-order Omen here.

Of Virtue combinse an eclectic taste for the melodic, catchy, and ethereal with a foundation seeping with  brooding, thick guitars, thanks to guitarists Damon Tate and Mike Valadez, along with a penchant for multi-faceted vocal tonalities shared by vocalists Tyler Ennis and Damon Tate. All of this is brought together by the monstrous rhythm section featuring Ryan Trinh on drums. With this lineup at their disposal, Of Virtue have cemented themselves a diverse and engaging act, drawing influence from all types and styles of music to create something their own. With, Omen, on the way they have even further expanded on what makes them who they are, and by doing so they bring a warning — tread lightly and base today on yesterday or you may not get to tomorrow.
      
   OF VIRTUE ARE:     
Tyler Ennis | Vocals
Damon Tate | Guitar + Vocals
Michael Valadez | Guitar
Ryan Trinh | Drums

TesseracT Share "The Grey" Visualizer — LISTEN // Immersive Video Game

TESSERACT UNLEASH NEW SINGLE "THE GREY" WITH VISUALIZER ALONGSIDE IMMERSIVE VIDEO GAME "WAR OF BEING" — WATCH

NEW ALBUM WAR OF BEING OUT SEPTEMBER 15 VIA KSCOPE

Following their earth-shattering return with an announcement of a world tour, new single, and epic, 11-minute cinematic video for title track "War Of Being," TesseracT continue their journey into The Strangeland in the form of new single "The Grey." 

Watch the visualizer for the track here.

"The Grey" builds on signature grooves that undulate in TesseracT's sound, flanked by polyrhythmic rhythms tied together by the band's iconic melodies. It's yet another example of the multi-faceted appeal of their sound and proves that they can craft immediate and affecting tracks just as masterfully as their epic 11-minute opuses. 

Regarding the track, Amos Williams says, "'The Grey' explores the story and character within The Strangeland of the same name — a character who has suppressed their own voice to the point that they have blended into the shadows, their story lost amongst the white noise of the world. Through the song, we experience their journey as they wrestle with their frustration and sorrow at how they have ended up this way. 

"It's a powerful, energetic piece that pushes each member of TesseracT to a next level of musicianship and expression. And continues to shine a light upon the diversity that can be expected from War Of Being."

Alongside the release of the single is a fully functional, immersive video game titled "War Of Being." Launched on August 11, the user can enter the world of the album bridging the gap between listening and experience to create a living, breathing concept that brings you closer to the world of TesseracT than ever before.

In celebration of the early access game, the band have made a visualiser for the single which incorporates areas seen in the game alongside the track itself. The visualiser was made by Amos Williams.

In the game's 'Early Access’,'fans can expect to explore several surreal landscapes, meet characters from the concept of "War Of Being" and solve puzzles in order to unlock parts of TesseracT's second single "The Grey." The end of the game will unlock the full song where the play can listen from within the same breathtaking landscapes used in the "War Of Being" music video. 

Download + play here.

After finishing the album recording in August 2022, singer and frontman Daniel Tompkins immediately began his focus on developing "War Of Being" VR and desktop computer game based entirely on the album's original concept, created by Williams and himself. Tompkins is the lead designer and developer of the game alongside Adam Boyt (Programmer/Developer) and Kirsty Harvey (3D Designer).

Regarding the game, Tompkins says, "As a keen gamer and livestreamer, I have always understood the potential waiting for a musical project to bridge the gap between the gaming and music worlds and with such a visually stunning concept, I could see that this was the perfect opportunity to bring it to life in virtual reality and as a desktop game. This has been without a doubt the biggest project I have personally ever undertaken and is a huge achievement for our developers. It has pushed us to our absolute limits and I'm so proud to have accomplished the beginnings of a fully developed game on Steam."

The game will be available exclusively on Steam and playable in VR on Viva/Rift S and Oculus accompanied by a SteamDeck playable version.

War Of Being was recorded at Middle Farm Studios in the United Kingdom with Peter Miles (Architects/Sylosis/Dodie) co-producing with the band alongside Katherine Marsh of Choir Noir (Bring Me The Horizon/Architects/Marillion). Assisting with additional programming and production, the band was joined by Randy Slaugh (Periphery, Architects, Devin Townsend), with additional engineering by Forrester Savell (Karnivool). The artwork, which features characters "ex" and "el," was created in collaboration between AI and human as a means to extend the concept into its presentation. 

The album will be available in a variety of formats that include the following:

— Deluxe version — "The Strangeland" – a limited edition collector's 3 Disc, 68 page Hardback Book Edition containing the War Of Being audio CD/a DVD/a Blu-Ray  that features "The Journey of Being" 40-minute documentary on the making of War Of Being, "The Strangeland," an in-depth view of the characters of War Of Being, the 1- minute feature length video and album in 5.1 Surround — strictly limited to 1,500 copies worldwide.

— CD Digipack with 24-page booklet
— Digital (+ in Dolby Atmos)
— Gatefold 2LP 'The Scribe" – Black and Gold Corona (TesseracT EU Store exclusive limited to 1000)

— Gatefold 2LP "Fear" – Red and Black Marble (TesseracT US/AUS Store exclusive limited to 1000)

— Gatefold 2LP – Red Vinyl (Revolver.com exclusive limited to 500)

— Gatefold 2LP – Clear Vinyl (Amazon.co.uk + Euro indie stores exclusive limited to 1000)

— Gatefold 2LP – Yellow Vinyl (Kscope Store + EMP Germany Exclusive limited to 500)

— Gatefold 2LP – Black Vinyl

— Blu-Ray (5.1 Surround/"War Of Being" 11-minute feature length video / "The Strangeland" and "The Journey of Being")

Pre-save + pre-order here.

Alongside the brand new album, the band will be embarking on a worldwide tour that will begin in 2023 running through to 2024 performing shows in throughout the U.S., Europe, the UK, Asia and Australia, with support from Intervals, Unprocessed, Alluvial, and The Callous Daoboys.

Tickets are on sale HERE. 

TESSERACT US TOUR DATES:
10/5 — Charlotte, NC — The Underground
10/6 — Charleston, SC — Music Farm
10/7 — Norfolk, VA — Norva
10/8 — Baltimore, MD — Rams Head Live!
10/10 — Chicago, IL — House of Blues
10/11 — Pittsburgh, PA — Roxian Theatre
10/13 — New York, NY — Irving Plaza
10/14 — Boston, MA — Paradise
10/15 — Philadelphia, PA — TLA
10/17 — Montreal, QC — Corona Theatre
10/19 — Toronto, ON — Danforth Music Hall
10/20 — Grand Rapids, MI — Elevation
10/21 — St. Louis, MO — Red Flag
10/23 — Denver, CO — Summit Music Hall
10/24 — Salt Lake City, UT — The Depot
10/26 — Seattle, WA — The Showbox
10/27 — Vancouver, BC — Commodore
10/28 — Spokane, WA — Knitting Factory
10/29 — Portland, OR — Hawthorne Theatre
10/31 — San Francisco, CA — Regency Ballroom
11/1 — Los Angeles, CA — The Regent Theatre
11/3 — San Diego, CA — Observatory North Park
11/4 — Phoenix, AZ — Nile Theater
11/5 — Albuquerque, NM — Revel
11/7 — Dallas, TX — The Granada Theater
11/8 — Austin, TX — Emo's
11/9 — Houston, TX — Warehouse Live
11/11 — Tampa, FL — The Orpheum
11/12 — Atlanta, GA — Buckhead Theatre
11/13 — Nashville, TN — Brooklyn Bowl