Southampton-based artist Mike Gale brings delightful indie folk-pop on 'Summer Be Gone' single

"‘Summer, Be Gone’ actually feels like a warm zephyr floating through an open window on a balmy summer’s day... like water bouncing off silk... a most wonderful and unique chorus which goes against the pop-norm by being a ghostly shimmer of reverb and wistfulness" ~ Joyzine

"Equal parts charming and entertaining. A presentation of Gale's unique mind and it's abilities as a wonderfully adept melody making machine" ~ Headstuff

"A beautifully articulated songbook throughout. Swimmingly brilliant in it's indie slacker charm" ~ Monolith Cocktail


British indie pop artist Mike Gale presents his new single 'Summer Be Gone', the first offering from his forthcoming album 'Thanks for Always Waving' (out September 8). Not your typical summer anthem, but a great offering of world / folk-inspired indie pop. The accompanying video was filmed in Suzhou, China by Matt Wallwork and features the artist Kimvi. 

Gale may not be a household name, but his music is universal, positively-vibed lo-fi bedroom pop. Generating catchy melodies and harmonies despite dubbing himself "a prolific, lo-fi recluse", this will be his 20th album in 20 years. Initially writing and performing under the Co-Pilgrim and Black Nielson monikers, this is the twelfth album released under his own name.

"The song 'Summer Be Gone' is loosely based around my dislike of the hot summer months and how I prefer being cocooned inside while it's dark and cold outside. I'm not really a fan of crowds, so I appreciate winter and the way there seems to be more space between folks in that season," says Mike Gale.

While he primarily considers himself to be a guitarist, Gale is actually an instrumentalist, playing all the instruments heard on this album. While he has sang for as long as he can remember, he formally began playing a the guitar and writing his own music around 20, citing The Lemonheads as a big influence initially.

Born in Southampton and raised there for some years, Mike Gale spent a good chunk of his childhood in North Devon and some of his formative years in Oxford, New York and Melbourne before returning home to settle on his beloed south coast of England.

With Gale taking melodic and percussive cues from influences such as Tall Dwarfs, Pavement and The Clean, 'Thanks for Always Waving' is ultimately one of his most pop-orientated albums to date, filled with mellow bongo beats and gentle washes of wavey organs.

"I'm naturally introverted and have never enjoyed being onstage in front of people, so performing live was always my least favourite part of making music. Now I'm solo I feel no pressure to perform live at all, maybe one day but for now I'm happy," explains Mike Gale.

"Recording by myself at home seemed to open a flood of songs and creativity. I think the lack of any expectations just helped me make music for the pure enjoyment of it."

As of July 11, 'Summer Be Gone' will be released across fine digital platforms, including Spotify, Apple Music and Bandcamp, where the full album is also available for pre-order.

CREDITS
Written and performed by Mike Gale
Produced, recorded and mixed by Mike Gale
Mastered by Todd Tobias (Guided By Voices, Circus Devils)
Single cover photo by Akira Deng
Video filmed by Matt Wallwork in Suzhou, China
Actress featuring Kimvi

Keep up with Mike Gale
Facebook | Bandcamp | Instagram | Twitter | Soundcloud | YouTube | Apple Music | Spotify | Press contact

Keep up with Shameless Promotion PR
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HOT MILK Release New Single "BLOODSTREAM" & Accompanying Music Video

HOT MILK have released the third single to precede their debut album, 'A CALL TO THE VOID' set for release 25th August 2023 on Music For Nations. Pre-order the album HERE.

On the surface, 'BLOODSTREAM' boasts all of the usual masterful pop-rock veneer, stadium-filling melodic ambition, and musicality full of the impish spark the band have long since honed. But here is also a despairing love song, one that’s lyrical soul searching delves to the depths in order to understand the feeling of connection so strong it can come as a detriment.

Lead singer Han Mee explains the song came to them, instead of being chased down through long hours in a studio and was written “in its entirety in the haunted early hours in Los Angeles. We started it in the early hours just as it was home time... immediately we knew that this song was something different for us yet had come from nowhere. One of them rare moments where the song jumped from the ether and wanted, nay needed to be written”.

That feeling of necessity, a song almost undeniable and inescapable, mirrors the feelings of unhealthy adoration, themes of chasing short-term thrills and how those situations can lead to self-loathing, and as Han puts it “unhealthy adoration comes in many forms, the short term thrill for the post-high collapse can create an abusive relationship. You think it's love, you think you're in control, you think you can say no if you needed to but you're not the one in the driving seat anymore.”

'BLOODSTREAM' premiered on Clara Amfo's Radio 1 show and you can stream it HERE or watch the video below:

For some, it might feel like a long time coming but Hot Milk always knew that when the time came to make their debut album, they had to be ready for it. It will be their loudest statement yet of who they are and what they stand for, an opportunity to show the world what they are made of.

Tracks on the debut album walk on a tightrope between the humorous and the serious, brimming with what might be called positive nihilism. They’re not so much finding the light in the dark as they are laughing because if they don’t, they’ll cry.

The first single ‘HORROR SHOW’, boisterously ushered in a new era of Hot Milk, one that is bolder, brasher, and more impactful than ever before. Premiering on Radio 1’s FUTURE ARTIST show Jack Saunders commented that “The odds are pitted against this band, it’s not often a traditional emo breaks through, but Hot Milk have fought the whole entire way to make their mark, find their way into your top tens, become a favourite for you, and Horror Show’s the best yet.”

The band have blossomed over the course of three self-produced EPs, this constant stream of releases has meant that Hot Milkwere never away from the spotlight – or the stages they call home. Their rise kept accelerating, taking them to stadium support slots with Foo Fighters, the main stages of some of the best festivals Globally, an appearance on Jimmy Kimmel in the US to tours with bands like Pale Waves and their own headline sold-out shows to over 50 million streams of the EPs alone. Crucially, however, they were giving themselves space to find themselves as artists.

The band recorded the album between Manchester, Los Angeles and Stockholm with the bands very own Jim Shaw at the Producing helm for the majority of the record, much like all previous releases. An element that has become so important to the band and allowing them to control just exactly what they want to be as artists.



A CALL TO THE VOID is the English translation of the French phrase l’appel du vide, referring to the brain’s trick of spotting opportunities to die. It’s the eerie jolt that is felt when you stand waiting for a train and the thought that you could jump, and end your life in a heartbeat, intrudes in your head. It’s that brief moment of being reminded of the fragility of existence. 

The more alt-pop inspired ‘BLOODSTREAM’, meanwhile, was made for creating moments on the big stages the band have always aspired to reach.  The most important thing for the band, however, is that these songs are written to scream from the speakers of the stage, and for their refrains to be screamed back at them by the adoring, tight-knit community they’ve built. “Live is where I’m happiest, live is where it’s home,” says Han. “We wrote songs with the intention of people going off, making you feel good, opening the pit up, letting go, crying, getting on your mate’s shoulders.  It’s church for us.” 

HOT MILK recently completed a tour of South America, a run of East Coast headline shows in the US ahead of their appearance at Adjacent Festival and have played various festivals this Summer including UK's legendary Download Festival. They will be appearing at Pride in Brighton and Reading + Leeds festivals in August, before hitting the road for their largest UK headline tour to date with Witch Fever and Modern Error in the fall. They then head to Australia to support The Foo Fighters on select stadium dates in December and were recently announced as support on the London and Birmingham dates of The Foo Fighters UK Stadium tour in June 2024.

RINGWORM Delivers Cataclysmic New Single "Thought Crimes"

Cleveland extreme metal legends RINGWORM have delivered another brutal taste of their highly-anticipated, 9th full-length album, “Seeing Through Fire,” that’s out August 18th from Nuclear Blast Records. Today, the band has released, “Thought Crimes,” a track of epic brutality and relentless aggression.

Commenting on the song, vocalist Human Furnace says:

“Thought Crimes.’ Speed. Aggression. Attack. All the things that come to mind, sonically, when I think of this song. It's a manic song. It makes you move. Lyrically, it's not a political song. It's about trying to have your own thoughts amongst an ocean of controlled marketing, algorithms, and forced tribalism. It's a natural emotional response to being sculpted, directed, and sometimes, ordered, to believe in one thing or the other.”

Stream “Thought Crimes”: https://ringworm.bfan.link/tcsg

Pre-Order “Seeing Through Fire”: https://ringworm.bfan.link/seeing-through-fire-lp

“Thought Crimes” follows the band’s absolutely devastating first single “No Solace, No Quarter, No Mercy.”            Watch the video below.

RINGWORM will take their sonic fury on tour this fall in support of “Seeing Through Fire,” joining  VENOM INC. for their “Better to Reign In Hell Tour Part 2“ with SATAN and 72 LEGIONS. Tickets are on-sale now!

RINGWORM Tour Dates:

09.27. US        New York, NY - Meadows

09.28. US        Clevand, OH - No Class

09.29. US        Milwaukee, WI - X-Ray Arcade

09.30. US        Chicago, IL - Cobra

10.01. US        Iowa City, IA - Wildwood

10.03. US        St. Louis, MO - Red Flag

10.04. US        Covington, KY - Madison Live

10.05. US        Spartanburg, SC - Groundzero

10.06. US        Atlanta, GA - The Masquerade

10.07. US        Tampa, FL - Brass Mug

10.10. US        Raleigh, NC - Pour House

10.11. US        Leesburg, VA - Tally Ho Theater

10.12. US        Wilmington, DE - The Queen

10.13. US        Clifton, NJ - Dingbatz

10.14. US        Portland, ME - Genos Rock Club

10.15. US        Boston, MA - Brighton Music Hall

About RINGWORM:

On the rarest of occasions, there comes along a band that latches on and annihilates your ears with such a unique combination of sounds, you find yourself dislodged from the monotony of every-day music, and rooted firmly in the terrain of admiration. Cleveland Ohio’s RINGWORM are no strangers to this concept, and have been fascinating metalheads with their unorthodox melodies for over 30 years. Now recently signed to Nuclear Blast Records, the guys are preparing to unleash their 9th studio album: “Seeing Through Fire.” 
 
“We wanted to go with a slightly different approach and look than the previous records, it’s a new era for us,” explains vocalist and founder James Bulloch, also known as the Human Furnace. “It’s a little bit of a return to our roots, you have those moments every so often where you wanna get back to your comfort zone, but at the same time you want to expand that comfort zone.”
 
A different level of sound quality was accomplished with “Seeing Through Fire” as technology allowed RINGWORM to banish any previous restrictions laid upon them during the production and recording processes. Working again with Noah Buchanan of Mercinary Studios in Cleveland, this was the first time everything, including vocals, was all recorded in that same space.
 
With “Seeing Through Fire” recorded and artwork prepped, the album was packaged and ready to go when Nuclear Blast Records became aware of RINGWORM’s motivation to unleash it in 2023. “We’re fortunate to be able to work with Nuclear Blast, especially at this stage. It opens up a lot of doors for us, and a lot more people can hear what we do. We’re looking forward to working with them; it’s nice having their team, their machine, built around us.”
 
Look out for RINGWORM’s newest offering: “Seeing Through Fire,” due to be released Summer 2023 via Nuclear Blast Records.
 
RINGWORM is James ‘Human Furnace’ Bulloch (vocals), Matt Sorg (guitar), Mike Lare (guitar), Ed Stephens (bass).

Follow RINGWORM:
https://www.facebook.com/Ringwormofficial/
https://www.instagram.com/rngwrm13
https://twitter.com/RingwormBand
https://www.youtube.com/@RingwormOfficial
https://linktr.ee/ringworm

CRYPTOPSY Announces New Album, "As Gomorrah Burns," Coming Sept 8th

Canadian kings of technical death metal CRYPTOPSY have announced their return with, “As Gomorrah Burns,” their first full-length album in over a decade due out September 8th from Nuclear Blast Records. The groundbreaking, extreme metal foursome emerge renewed and as vital as ever on their massively anticipated album, which continues their trailblazing path of sonic exploration and exceptionally complex songwriting, for one of their most tumultuous albums yet.

Commenting on the impending record, vocalist Matt McGachy says:

“I’m excited to finally unveil ‘As Gomorrah Burns.’ It’s an album that we have been crafting for the past five years. A meticulous endeavor that we are proud of. It’s the perfect medley of oldschool Cryptopsy with a few modern twists. We’ve leaned heavily into the grooves and let some of the riffs breathe just a little more than we have on the past few releases.  I’m really stoked about the new era of Cryptopsy”

Today, CRYPTOPSY has unchained the record’s first single, “In Abeyance,” and accompanying video for which was directed by Chris Kells (The Agonist, Beneath The Massacre).

McGachy adds about the new single:

‘In Abeyance’ is conceptually about feeling isolated while being submerged in a new environment. The hunt for a sense of belonging while mourning a previous life. Musically, it’s a slap in the face. It’s a banger that appears to be straightforward yet remains ultra complex.”

Pre-order “As Gomorrah Burns” and stream “In Abeyance”: https://cryptopsy.bfan.link/in-abeyance.ema

“IN ABEYANCE” MUSIC VIDEO:

CRYPTOPSY has also teased an upcoming fall headlining “Carnival Of Death” tour of North America in support of “As Gomorrah Burns.” Dates to be announced soon. Follow the band for additional information.

About CRYPTOPSY:

Death metal juggernaut Cryptopsy return to pummel our collective senses anew with their new album, “As Gomorrah Burns.” Their first for Nuclear Blast, the Montreal-based quartet—featuring founding member/drummer Flo Mounier, guitarist Christian Donaldson, vocalist Matt McGachy, and bassist Olivier “Oli” Pinard—advance their signature Northern power as they celebrate 30-plus years of extremity. The merciless blasts of “Lascivious Undivine” and “Flayed the Swine” offer Cryptopsy at their most intense and maniacal, while “In Abeyance” and “The Righteous Lost” groove savagely. “As Gomorrah Burns” underscores the animus of fan-favorite “None So Vile” (1996) and the meticulous technicality of “And Then You’ll Beg” (2000) with a strikingly sinister vibe.

Formed in 1992, Cryptopsy has released eight full-lengths—counting As Gomorrah Burns—to date. Out of the gate, the Quebecers set new standards in death metal with their no-compromise attack and next-level musicality. Debut album, “Blasphemy Made Flesh,” shell-shocked all that encountered it, as follow-ups “None So Vile,” “Whisper Supremacy” (1998), and “Once Was Not” (2005) positioned the Canadians as apex predators. Throughout their storied career, the group embarked on high-profile tours, such as the inaugural Death Across America tour in 1998, the Summer Slaughter Tour in 2008, and the Devastation on the Nation tour in 2017. To date, they’ve performed over 1,000 shows across 47 countries. The release of “As Gomorrah Burns” on Nuclear Blast re-positions Cryptopsy for yet another reign of death metal domination.

“As Gomorrah Burns” isn’t merely the follow-up to EPs “The Book of Suffering - Tome I” (2015) and “The Book of Suffering - Tome II” (2018). It’s another beast entirely. Crafted over two years during the pandemic, the initial sessions took place in a cabin in the forests of Quebec. McGachy calls the horror-like backdrop “surreal,” but, as with everything Cryptopsy, the songwriting process was expectedly arduous. Donaldson was the primary motivator behind “As Gomorrah Burns.” The guitarist and producer served as taskmaster and advocate, grinding out of his bandmates in McGachy, Mounier, and Pinard eight slabs of unadulterated barbarity. If Cryptopsy were formidable before As Gomorrah Burns, they’re absolutely monstrous now.

Conceptually, “As Gomorrah Burns” pits the Biblical story of Sodom and Gomorrah against the modern-day Internet. McGachy’s idea was to show how it’s both the birthplace of invention and a cesspool of exploitation. The stories are based on real-life incidences—online stalkers, cults, misinformation, isolation, and intimidation—but ornamented deviously to enhance their potency. Cryptopsy commissioned Italian artist Paolo Girardi (Power Trip, Temple of Void) to complement the old-world lyrical themes. If Renaissance masters Hieronymus Bosch and El Greco were thrust into McGachy’s modern mind, the stunning cover of “As Gomorrah Burns” would be the outcome. 

As with “The Unspoken King” (2008) and the self-titled (2012), Cryptopsy enlisted their bandmate Donaldson to helm the production, mixing, and mastering of As Gomorrah Burns. Dom Grimard, of Ion Dissonance fame, also came into the production fold. McGachy says the time in the studio took much longer than anticipated, but with Donaldson directing and everyone finally in the same room again post-pandemic, Cryptopsy were able to capture newfound vigor (and velocity) on As Gomorrah Burns. Tracks such as “Godless Deceiver,” “Ill Ender,” and “Praise the Filth” demonstrate Donaldson’s death metal mastery.
 
Aggressive to a fault yet thoughtful in its entirety, “As Gomorrah Burns”—with songs such as “In Abeyance,” “Flayed the Swine,” and “Lascivious Undivine”—pierces mundanity thoroughly and relentlessly. This is no-quarters death metal, the kind our bellicose world needed and only Cryptopsy could deliver.
 
“We are back,” says McGachy. “I want our fans to know we’re more than a legacy band. Yes, we have had massive cult favorite albums—like None So Vile—but we are creating modern and relevant extreme music 30 years later. We’re so proud of As Gomorrah Burns, and we can’t wait for you to hear it!”

Follow CRYPTOPSY:

Facebook / Instagram

Electronic Duo Deep AL Brindle Cover Empire of the Sun's "Walking on a Dream" — LISTEN☀️

Los Angeles-based electronic duo Deep AL Brindle have shared their cover of Empire of the Sun's "Walking on a Dream." Listen here.

"So many great songs came out of that era," the pair states. "Paying homage to this enduring classic just felt right!"

Earlier this year, the band dropped the five-song EP titled Late Night, Early Morning. Get it here.

ABOUT DEEP AL BRINDLE:
 For Deep AL Brindle, countless hours playing music as friends progressed to songs built by bandmates; Alastair Wilson and Diego Castellanos became Deep AL Brindle and released their first single, "Ctrl V," in late 2019. They released two more singles before signing to Tooth & Nail Records, where their debut EP released in Summer 2021. The EP, No Rush, No Curfew, is a soft and bright tribute to art itself. Deep AL Brindle expose the relationship between sound and color, hearing and feeling, and movement and memory with visuals that accompany each song. The cinematic experience emotes themes of nostalgia, joy, and community. Wilson's affinity for '90s rock and Castellanos' appreciation for '80s pop is evident in the project's vintage, electronic sound.

Friends first and bandmates second, Deep AL Brindle has no agenda other than to create what feels good in the moment. The ease and honesty of each track and visual promote their motive: to make the kind of art they want to experience.

Ashley McBryde Releases "Made For This" from Highly Anticipated THE DEVIL I KNOW Arriving 9/8

ASHLEY McBRYDE IS “MADE FOR THIS”
 
GRAMMY Award Winner Releases Opening Track from
Highly Anticipated The Devil I Know Arriving September 8
 
Lead Single “Light On In The Kitchen” Nears Top 25 and Climbing +
Lands on Rolling Stone’s All-Genre “Best Songs of 2023 So Far”

Cover art for Ashley McBryde’s The Devil I Know (Warner Music Nashville)

On the heels of the announcement of her highly anticipated album The Devil I Know set for September 8 via Warner Music Nashville, GRAMMY award winner Ashley McBryde releases album opener “Made For This.” Pre-order The Devil I Know HERE.
 
“Travis Meadows and I wrote ‘Made For This,’ and at the time, I was still touring in a van and he was using his truck, so we definitely had touring and the life of musicians top of mind,” shares McBryde. “But this song reaches beyond that. It’s not just touring musicians and bands and crews who are on the road 200+ days a year who are ‘calling home for a telephone goodnight kiss.’ It’s also members of our military, our truck drivers and those that work long or odd hours sacrificing time with their family. We’re lucky we’re made for this.”
 
Written by McBryde and Meadows, “Made For This” has been a live staple for McBryde and her band Deadhorse, chronicling the long nights spent pursuing a dream, and now finally released as a studio recording:
 
       ‘Cause most days you’re stuck in a truck
        One big break from blowing up
       But one of these days you’re gonna get a bus
       And let somebody else drive
       But right now it’s just Adderall, alcohol
       Your dressing room is a bathroom stall
       ‘Cause you turn it on when the big man calls
       ‘Cause he ain’t gonna call you twice
       And it’s calling home for a telephone goodnight kiss
       Ya gotta be made for this
 
Titled after today’s release, season two of McBryde’s “Made For This” web series will premiere Monday, July 10 at 11 a.m. CT. The series follows McBryde, her band and crew as they travel around the world. From backstage, to the tour bus, to off days, each episode gives a unique, insider perspective on the life of a touring musician.
 
Climbing the charts and approaching the top 25, “Light On In The Kitchen” continues to receive applause from critics, earning placement on Rolling Stone’s all-genre “Best Songs of 2023 So Far” while praising the lead single as a “gorgeous tribute to the women who helped shape her” with “luminous guitars and McBryde’s tender delivery,” calling it “a comfortable crash pad for anyone who might take solace in its messages of support.”
 
The Arkansas native followed with title track “The Devil I Know” featuring “a big Southern-rock chorus with a blast of distorted riffage,” observes Stereogum, and “Learned To Lie,” which landed on Rolling Stone’s “Best Country Songs of 2023 So Far” sharing, “When it comes to original sin, the devil lies in the details, especially when you’re a crack storyteller. Ashley McBryde tracks the lineage of an inveterate liar with clinical precision…her sneakily brilliant writing will floor you by song’s end.”
 
McBryde recently accepted the Billboard Country Power Players Groundbreaker Award, calling her “one of country’s great storytellers – without ever compromising” and noting, “after years of pounding the Nashville pavement, this year’s Groundbreaker has carved out a sweet spot between niche Americana and stadium-scale country-pop.”
 
As she returned to Nissan Stadium for CMA Fest’s 50th anniversary last month, McBryde will be featured in the CMA Fest television special airing on July 19 at 7 p.m. CT on ABC.
 
Performing tonight at Wenonah Park in Bay City, Michigan, McBryde will be on the road with headlining shows and festival stops throughout the summer along with dates on Jelly Roll’s Back Road Baptism Tour 2023 and a night with Dierks Bentley at Red Rocks Amphitheatre in Morrison, Colorado before returning to Middle Tennessee for Pilgrimage Festival in Franklin on September 24. For additional details and to purchase tickets, visit AshleyMcBryde.com.

Ashley McBryde Upcoming Tour Dates
 
July 7              Wenonah Park                                                             Bay City, Mich.
July 8              Hodag Country Festival 2023                                     Rhinelander, Wis.
July 13            Santa Maria Fairpark                                                  Santa Maria, Calif.
July 14            Green Valley Ranch Backyard Amphitheater             Henderson, Nev.
July 15            Stanislaus County Fairgrounds                                   Turlock, Calif.
July 16            California State Fair                                                   Sacramento, Calif.
July 22            Ionia Free Fair Fairgrounds                                        Ionia, Mich.   
July 23            Country Thunder Wisconsin 2023                              Twin Lakes, Wis.
July 28            Country Fan Fest 2023                                               Tooele, Utah
July 29             Headwaters Country Jam 2023                                  Cardwell, Mont.
July 30            Abayance Bay Marina                                                 Eureka, Mont.
Aug. 1             Mount Baker Theatre                                                  Bellingham, Wash.
Aug. 2             Britt Festival Pavilion                                                 Jacksonville, Ore.
Aug. 4             Oregon Jamboree Music Festival 2023                      Sweet Home, Ore.
Aug. 5             Memorial Field                                                           Sandpoint, Idaho
Aug. 6             Big Valley Jamboree 2023                                          Camrose, Alberta
Aug. 11           Jiffy Lube Live*                                                         Bristow, Va.
Aug. 12           Veterans United Home Loans Amphitheater*            Virginia Beach, Va.
Aug. 19           Hollywood Casino Amphitheatre*                             Maryland Heights, Mo.
Aug. 25           CHI Health Center Omaha*                                       Omaha, Neb.
Aug. 26           T-Mobile Center*                                                        Kansas City, Mo.
Sept. 1-3          Georgia Country Music Festival                                Marietta, Ga.
Sept. 5             Red Rocks Amphitheatre^                                          Morrison, Colo.
Sept. 19           Paycom Center*                                                         Oklahoma City, Okla.
Sept. 21           Germania Insurance Amphitheater*                           Austin, Texas
Sept. 24           Pilgrimage Festival 2023                                            Franklin, Tenn.
 
* Jelly Roll Backroad Baptism Tour 2023
^ Dierks Bentley Gravel & Gold Tour

About Ashley McBryde
GRAMMY, CMA and ACM award winner Ashley McBryde cut her teeth playing country songs in biker bars – and it shows. The Grand Ole Opry member’s 2018 major label debut Girl Going Nowhere (Warner Music Nashville) charmed The New York Times, NPR, Rolling Stone, Paste, The Washington Post and more, all en route to landing a GRAMMY nomination for Best Country Album. McBryde closed out 2019 with ACM New Female Artist, CMT Breakout Artist, a New Artist of the Year win at the 53rd Annual CMA Awards and two nominations for the 2020 GRAMMYs for Best Country Song and Best Country Solo Performance for “Girl Goin’ Nowhere.” Her follow-up Never Will was tagged by Rolling Stone as one of the most anticipated of the year alongside NPR, who also ranked her Top 10 RIAA Platinum-Certified single “One Night Standards” as one of the best songs of 2019. The album earned McBryde a 2021 GRAMMY nomination for Best Country Album, making Never Will the only album nominated for Country Album of the Year by the ACMs, CMAs and the Recording Academy in the same award season. Her GRAMMY-winning duet with Carly Pearce, “Never Wanted To Be That Girl,” went all the way to No. 1 and earned McBryde and Pearce the ACM and CMA award for Musical Event of the Year. McBryde was also honored with the 2022 CMA International Artist Achievement Award for the most significant creative growth, development and promotion of the country music industry outside of the United States. Her collaborative project Ashley McBryde Presents: Lindeville featuring Brothers Osborne, Brandy Clark, Pillbox Patti, Caylee Hammack, Aaron Raitiere and Benjy Davis earned McBryde her third consecutive GRAMMY nomination for Best Country Album, making her a six-time GRAMMY nominee. Upon its release, Ashley McBryde Presents: Lindeville garnered applause from The New York Times, NPR, Variety, Vulture, Esquire, Rolling Stone, Billboard andStereogum, among many more. With 11 songs all co-written by the Arkansas native, The Devil I Know is set for release on September 8, featuring chart-climbing lead single “Light On In The Kitchen,” along with the recently released title track, “Learned To Lie” and album opener “Made For This.” McBryde is currently on the road with headlining shows and festival stops throughout the summer along with dates on Jelly Roll’s Back Road Baptism Tour 2023 and a night with Dierks Bentley at Red Rocks Amphitheatre in Morrison, Colorado before returning to Middle Tennessee for Pilgrimage Festival in Franklin on September 24. For more information, visit Ashley McBryde.com or follow her on Facebook, Instagram, Twitter, TikTok and YouTube.

Voyager release dark new single "Ultraviolet"

Hot on the heels of making the grand finale of Eurovision and coming home to a sold-out Australian tour, Voyager are releasing one last advanced track off their highly anticipated new album, which comes out this Friday, July 14.

"Ultraviolet" is haunting and dissonant. Adding to its dark and modern vibe is fellow Aussie Sean Harmanis, who's the vocalist for the metalcore band Make Them Suffer.

The song reflects on the struggle of living in the modern world, grappling with depression, being addicted to screens and social media, while striving for self-expression and individualism.  

"Much like the elusive yet dangerous nature of ultraviolet light, these often unseen forces hold immense power in shaping the course of our existence," says Matt Pitcher, who directed the song's cinematic video.  Watch it BELOW. 

Here's what Voyager has to say about their new single: ""Ultraviolet" is certainly one of the darkest songs on the album. As the protagonist struggles to  cope with the pressure of the modern world and its insane demands, the song has a message that we hope will resonate with many people. We collaborated with director Matt Pitcher to tell this story in a cinematic way. Due to the dissonant nature of the track, we decided to enlist our good friend and Sean Harmanis, to perform a guest vocal spot to really portray the unsettling emotion we wanted to communicate in the track, and he totally slays". 

'Fearless in Love" is out this Friday, July 14 on Season of Mist. It's Voyager's long-awaited eighth studio album; Daniel "Danny" Estrin (vocals/keyboards), Simone Dow (guitars), Scott Kay (guitars), Alex Canion (bass) and Ashley Doodkorte (drums) have been making music together for more than a decade. But 'Fearless in Love' pairs sweeping vocals with emotive lyrics that are inspired by '80s and '90s film. All that grit and glamor is overlaid by heavy percussion and guitar riffs, creating a sonic journey that pushes the boundaries of what fans have come to expect from this band. 

Previous singles include the synthy "Dreamer", hit power ballad "Promise" and shredding, sizzling headbanger "Prince of Fire". 

Pre-save and pre-order 'Fearless of Love' HERE. 

As much as you can rely on the Earth’s elliptical orbit, you can depend on Voyager to consistently evolve. The band’s interplanetary balance of virtuosic pyrotechnics and sky scraping radio-ready hooks morphs at the speed of sound from one era to the next. In bursts of bright light, luminous keys, neon guitar wizardry, and stratosphere-shaking rhythms, they elevate hard rock to another realm. The group blast off on a signature hybrid of prog, rock, and metal possibly best described as the musical equivalent of Guardians of the Galaxy.

After piling up millions of streams, earning acclaim from the likes of The Guardian, and wowing the globe on the Eurovision Song Contest, the Perth, Australia quintet—Danny Estrin [vocals], Simone Dow [guitar], Scott Kay [guitar], Alex Canion [bass], and Ashley Doodkorte [drums]—take flight like never before on their forthcoming eighth full-length LP, Fearless In Love [Season of Mist].

“It’s progressive in the sense we’re always trying to reinvent and refresh ourselves as musicians,” notes Danny. “I want to develop musically from where we left off. We made sure Fearless In Love was melodic with some sugary hooks, but we also stayed true to our sound and delivered a few more guitar solos. It could appeal to fans of complex music as well as anybody who might want a straight-up banger. It’s a melting pot of the genres that define us distilled into the unique Voyager sound.”

This cohort of dynamic talents and personalities initially crash-landed stateside for a now-renowned performance at the 2011 ProgPower USA Festival in Atlanta, GA. Since then, they’ve unleashed a string of fan favourite albums—V [2014], Ghost Mile [2017], and Colours in the Sun [2019]—in addition to sharing stages with the likes Deftones, Leprous, Devin Townsend, Opeth, and Poppy to name a few. Australia notably handpicked Voyager as its entrant into the global Eurovision Song Contest 2023 with “Promise.” The Guardian hailed the buzzing single as “a pop number that bends the genre with trademark riffs, climactic guitars and keytar solos,” and it crashed the Top 3 of the Australian Independent Label Singles Chart. They even appeared on TODAY Australia to wave the metal flag by teaching daytime TV hosts black metal growls, as plugged by Metal Injection!

Throughout 2022, they crafted what would become Fearless In Love with engineer, mixer, and coproducer Matt Templeman. This time around, the musicians recorded live, unlocking a new energy altogether.

“Normally, we write and record our parts individually, but the whole band decided to go old school and do everything together this time,” he goes on. “This line-up has been together for twelve years, and we gel so well. It’s cool because we can play off each other like a live show with funky bass, groovy guitars, and creative drum patterns. It translates to the album.” On the single “Prince of Fire,” glimmering keys give way to a hard-hitting guitar riff as Danny’s slick vocals seesaw atop a punchy bass line.

“It’s actually one of the heaviest songs we’ve done, yet it’s got this super eighties mentality,” the front man reveals. “Lyrically, it’s about being perceived as the bad guy, even though you’re trying to do your best. You have good intentions, but sometimes you end up being the ‘Prince of Fire on night patrol’. Musically, it sways side-to-side, and then you’re crushed—which is a common theme for us.”

Then, there’s “The Lamenting.” Seventies-style sonics dissolve in a haze of riffs offset by swooning vocals and synths. Distortion drowns out the light in its final moments.

“You’re lamenting past loves and trying to let go and not wallow in those memories,” Danny elaborates. “There’s a bitter end that almost leaves you in the dark without pulling you out. It’s one of the most melancholic and sad songs on the album.”

Meanwhile, “Ultraviolet” layers a hypnotic refrain above chugging guitar as growls pierce the groove before a hummable solo.

“It’s about coping with the speed of modern society,” he states. “I like a fast-paced world, but it can be too much. You almost want to bury your head under your pillow and scream, ‘Slow down’. The expectations we have on each other as humans are just nuts. Sometimes, you need to become ultraviolet, duck under, and go, ‘No more for me, thanks’.”

The finale “Gren (Fearless In Love)” concludes the album with a climactic crescendo pushed even higher by resounding melodies and nimble instrumentation.

“When you’re in love, you have boundless energy and feelings for a person, which makes you almost invincible,” he elaborates. “There’s a huge vulnerability, because you’re not invincible at all. You’re totally susceptible to extreme hurt and letdown. There’s something beautiful about letting yourself go and fully experiencing being fearless though.”

In the end, a similar creative boundlessness drives Voyager.

“When you listen to Fearless In Love, I’d love for you to say, ‘I’ve never heard anything like this before’,” he leaves off. “Secondly, I hope you’re uplifted, intrigued, and emotional. We try take you on a journey through struggle, positivity, negativity, and a society that doesn’t always make sense. Maybe, listening to the record will make you feel better about dealing with this crazy modern world we’re living in.”

Line-up
Danny Estrin - Vocals, Keytar
Simone Dow - Guitars
Alex Canion - Bass
Scott Kay - Guitars
Ash Doodkorte - Drums

Cover artwork:Ashley Doodkorte

Follow Voyager:
http://www.facebook.com/voyageraustralia
https://www.instagram.com/voyagerau
https://www.tiktok.com/voyagerau
http://www.voyagerau.com
https://twitter.com/Voyagerau
https://voyager.bandcamp.com/

Pre-sale: https://redirect.season-of-mist.com/VoyagerFiL
Stream/Download:https://orcd.co/v-promise

NONPOINT Releases New Single "A Million Watts" on July 14th; On Tour with Mudvayne, Coal Chamber, Gwar and Butcher Babies This Summer!

Continuing with the success of their new independent label, 361 Degrees Records, Nonpoint will release their latest track “A Million Watts” on July 14th. The single was produced by Chris Collier, the mind behind Korn’s #1 album on Top Hard Rock Albums on Billboard. Chris has quickly become a force in the industry… Now he is shaking things up with Nonpoint in the studio like never before. "A Million Watts" is the 3rd single from the forthcoming Heartless EP due out on Nov 17, 2023. The EP will be available digitally and as a limited edition cassette along with a Nonpoint branded cassette player.

Pre-Save "A Million Watts" here:

https://nfan.link/nonpoint

EP Pre-Order and Physical Products:

https://nonpoint.com/collections/a-million-watts

Following the release of “A Million Watts,” Nonpoint will be heading out on tour with Mudvayne, Coal Chamber, Gwar and Butcher Babies This Summer!

Tour Dates:

Headline
Jul 15 - Cumberland MD - Rock The mountains
Jul 18 - Savannah, GA - Victory North

w/Mudvayne, Coal Chamber, GWAR and Butcher Babies
Jul 20 - West Palm Beach, FL - iTHINK Financial Amphitheater
Jul 21 - Tampa, FL - MIDFLORIDA Credit Union Amphitheater
Jul 23 - Charlotte, NC - PNC Music Pavilion
Jul 25 - Bristow, VA - Jiffy Lube Live
Jul 26 - Scranton, PA - The Pavilion at Montage Mountain
Jul 28 - Wantagh, NY - Northwell Health at Jones Beach Theater
Jul 29 - Camden, NJ - Freedom Mortgage Pavillion
Jul 30 - Mansfield, MA - Xfinity Center
Aug 1 - Syracuse, NY - St. Joseph's Health Amphitheater at Lakeview
Aug 2 - Burgettstown, PA - The Pavilion at Star Lake
Aug 4 - Cuyahoga Falls, OH - Blossom Music Center
Aug 5 - Tinley Park, IL - Hollywood Casino Amphitheatre
Aug 6 - Clarkston, MI - Pine Knob Music Theatre
Aug 8 - Noblesville, IN - Ruoff Home Mortgage Music Center
Aug 9 - Peoria, IL - Peoria Civic Center
Aug 10- Bonner Springs, KS - Azura Ampitheater
Aug 12 - Dallas, TX - Dos Equis Pavilion
Aug 13 - The Woodlands, TX - The Cynthia Woods Mitchell Pavilion
Aug 15 - Albuquerque, NM - Isleta Amphitheater
Aug 16 - Phoenix, AZ - Talking Stick Resort Amp
Aug 17 - Irvine, CA - FivePoint Amphitheatre
Aug 19 - Concord, CA - Concord Pavillion
Aug 20 - Reno, NV - Grand Theater at the Grand Sierra Resort
Aug-21 - Boise, ID - Knitting Factory (Supporting GWAR headline)
Aug 22 - Auburn, WA - White River Amphitheatre
Aug 23 - Ridgefield, WA - RV Inn Style Resorts Amphitheatre
Aug 25 - Salt Lake City, UT - USANA Amphitheatre
Aug 26 - Englewood, CO - Fiddler's Green Amphitheatre

Sept 6 - VA International Raceway - Blue Ridge Rockfest pre-party

Tickets on sale at nonpoint.com

In 2021, Nonpoint's song "Ruthless" reached #16 on Billboard’s Rock Chart, and were featured on the New Metal Tracks and Kickass Metal Playlist on Spotify with over 1.6 million combined subscribers, SiriusXM Octane’s Big Uns Countdown, LA Lloyd top 30, Loudwire Nights and "Ruthless" was the featured track for AEW’s nationally televised event BLOOD AND GUTS on TNT in May. "Ruthless" has reached over 3.5 million streams.

Nonpoint is:
Elias Soriano (Lead Vocals)
Robb Rivera (Drums)
Rasheed Thomas (Guitar /Backing Vocals)
Adam Woloszyn (Bass)
Jason Zeilstra (Lead Guitar)

For More Information Please visit:

Official Website

Facebook

Twitter

Instagram

Nonpoint Store

361 Degrees Records

361 Degrees Records Facebook

Horrendous Head Out on Tour of Southwest + CA

HORRENDOUS have given us two early glimpses of 'Ontological Mysterium'. The title track touches down with riffs that churn like an Apache helicopter. while second single "Cult of Shaad'oah" keeps climbing on the backs of duel leads, crashing cymbals and bloody battle cries. 

Now it's time for Philly's filthiest and finest progressive death metal band to saddle up their chariots and hit the road. This month, they're touring the Southwest before making their way over into California, where they'll lock horns with PENURY. 

The Southwestern Mysterium tour starts tonight in Houston, TX at Black Magic Social Club. On Saturday, July 8, the band are playing a free show in San Antonio at Faust Tavern.

Tour Dates
07/06: Houston, TX @ Black Magic [Tickets]
07/07: Austin, TX @ The Lost Well [Tickets]
07/08: San Antonio, TX @ Faust Tavern (free admission)
07/09: Dallas, TX @ Double Wide [Tickets]
07/11: El Paso, TX @ Rockhouse Bar & Grill [Tickets]
07/13: Tempe, AZ @ Metalheads Clubhouse [Tickets]
07/14: Los Angeles, CA @ Knucklehead* [Tickets]
07/15: San Diego, CA @ Tower Bar* [Tickets]
07/16: Long Beach, CA @ Supply and Demand* [Tickets]
07/17: Atascadero, CA @ Dark Nectar*
07/18: Sacramento, CA @ The Colony* [Tickets]
07/19: Santa Rosa, CA @ Arlene Francis Center* [Tickets]
07/20: Oakland, CA @ Thee Stork Club* [Tickets]

* with special guests PENURY.   

'Ontological Mysterium' will be released on August 18, 2023 by Season of Mist. Pre-save the album HERE.  Pre-order it HERE. 

“Surprises always come up during writing — spontaneous ideas pull you into new territory and enable the realization of novel possibilities that previously were inaccessible.”

Such are the words from Horrendous drummer Jamie Knox when discussing the creation of the band’s fifth full-length, the highly anticipated 'Ontological Mysterium'. Knox’s quote also encapsulates Horrendous’s approach to extreme metal. Since 2009, the band has capably tapped into the inaccessible by providing a fresh, unconventional take on death metal that harnesses technical brilliance with elaborate, mind-melding melodies, frothy, spewing vocals and labyrinthine song structures. This combination has made each Horrendous long play a clinic in the gratifyingly unorthodox. The trend continues on Ontological Mysterium.

The follow-up to 2018’s Idol was recorded, mixed and mastered at Subterranean Watchtower Studios in Virginia, which doubles as the homestead of guitarist/vocalist Damian Herring. While the band (completed by guitarist/vocalist Matt Knox and bassist Alex Kulick) finished much of the songwriting for Ontological Mysterium in 2019, its recording was delayed by the 2020 global pandemic and various life events. Horrendous eventually finished recording in early 2022 and mastered the album before the start of 2023.

The album upholds Horrendous’s position as one of the underground’s best outside-of-the-box extreme metal bands. Having long abandoned concern whether people would appreciate their “uniqueness,” Horrendous has embraced its role as a band willing to veer far from death metal conventions, intentionally stretching and breaking norms. To wit, the band primarily views its music as filtered through a death metal lens. This may be Horrendous’s defining trait: By not accepting parameters, nothing is off-limits.
 
Lineup: 
Damian Herring - Guitar, Vocals
Matt Knox - Guitar, Vocals
Alex Kulick - Bass
Jamie Knox - Drums

Producer / Sound Engineer / Mixing / Mastering: Damian Herring at Subterranean Watchtower Studio, Arlington, VA, USA

Style: Progressive death metal

Cover art: Brian Smith

Pre-save: :  https://orcd.co/ontologicalmysteriumpresave

Pre-sales: https://redirect.season-of-mist.com/HorrendousShop  

For more on HORRENDOUS,
https://www.facebook.com/HorrendousDeathMetal
https://www.instagram.com/horrendous_official/
https://horrendoussom.bandcamp.com/
https://music.apple.com/us/artist/horrendous/496063134
https://open.spotify.com/artist/1Na6P4MqOassrZtvT9Z12s

For more on Season of Mist, visit our official WEBSITE, FACEBOOK, INSTAGRAM, YOUTUBE, and TWITTER

WORMHOLE Supporting Analepsy on North American Tour

Wormhole are emerging from Baltimore's underground with a new album. 'Almost Human' takes the band's homemade tech slam to the next level. Riffs screech with more eerie, alien dissonance, while the rhythm section barrels and flips like Samus in her morph ball. They've also added new vocalist Julian Kersey, who grunts like a cyber demon on lead single "System Erase".      

This summer, Wormhole are treating North America to an early taste of 'Almost Human' while supporting Analepsy on a 20+ date tour.

'Almost Human' comes out September 22. Pre-save HERE and pre-order HERE. 

Tour dates
07/07: Philadelphia, PA @ Milkboy [TICKETS]
07/08: Baltimore, MD @ Metro [TICKETS]
07/09: Charlotte, NC @ Milestone [TICKETS]
07/10: Atlanta, GA @ Masquerade (Purgatory) [TICKETS]
07/11: Orlando, FL @ Conduit [TICKETS]
07/12: Tampa, FL @ Brass Mug [TICKETS]
07/13: Fort Walton, FL @ Downtown Music Hall [TICKETS]
07/14: Corpus Christi, TX @ Boozer's [TICKETS]
07/15: Austin, TX @ Come and Take It Live [TICKETS]
07/17: Tucson, AZ @ Edge Bar [TICKETS]
07/18: Los Angeles, CA @ 1720 [TICKETS]
07/20: San Diego, CA @ Brick By Brick [TICKETS]
07/21: Cupertino, CA @ X-Bar [TICKETS]
07/22: Sacramento, CA @ Old Ironsides [TICKETS]
07/23: Reno, NV @ The Cellar [TICKETS]
07/24: Salt Lake City, UT @ Metro Music Hall [TICKETS]
07/25: Denver, CO @ Trailside Saloon [TICKETS]
07/26: Lincoln, NE @ 1867 [TICKETS]
07/28: Chicago, IL @ Chicago Domination [TICKETS]
07/29: Detroit, MI @ Sanctuary [TICKETS]
07/30: Rochester, NY @ Montage Music Hall [TICKETS]
07/31: Toronto, ON @ Hard Luck [TICKETS]
08/01: Montreal, QC @ Piranha Bar [TICKETS]
08/02: Quebec City, QC @ L'anti [TICKETS]
08/03: Manchester, NH @ Jewel [TICKETS]
08/04: Boston, MA @ Ralph's Diner [TICKETS]
08/05: Brooklyn, NY @ The Meadows [TICKETS]

When you invent your own genre, you can make the rules, and in space, no one can correct your math. If Wormhole’s excellent The Weakest Among Us was 50% tech death and 50% slamming brutal death metal, their Season of Mist debut is a veritable leveling up of the Baltimore-based act’s trademark “tech slam.” It’s the kind of record that can scramble your brain and give your neck a nice chiropractic workout; Almost Human feels like the future of extreme metal, dropped down from either outer space or delivered by Nintendo cartridge (more on that later).  

So, what the hell exactly is “tech slam?” Well, the gleefully amorphous and unholy term comes from an ethos that guitarists Sanil “Noni” Kumar and Sanjay Kumar discovered and perfected over (probably) thousands of hours of Metroid and Doom games, as well as, you know, actual musical mastery. Almost Human, out September 22, 2023, is more powerful, more agile, and more confounding for pie-chart-enthusiasts than anything else that came before it. The sequel is always bigger, darker, and in this case, covered in much more pixelated space horror viscera. My Wormholio calculator puts their sound at 91% tech and 89% slam, with an increase in awesome stats somewhere in the 420% range. There’s also a clear emphasis on amplifying their dissonant death influence, the kind of eerie melodies that feel like being stomped on by Samus.
 
There’s a clear balance to everything on Almost Human: the songs are more adventurous while also being instantly memorable. No two songs sound alike, and that diversity in songcraft (level design?) sees Wormhole pushing and pulling along their tech and slam dials to figure out what’s best for the song; spoiler, it’s always riffs. What also becomes evident after repeated listens is how carefully the Kumar brothers understand a sense of place, humor, and a consistent vibe. This is still the same band that’s known for throwing on Saturday morning cartoons, and Almost Human continues to hammer home that Wormhole the musical entity is deadly serious, but the guys that make tech slam are not stoic creatures. There’s a warmth and sense of joy when chatting with them that only gets brighter when you ask their favorite Metroid game (that’s a question for a live show). So, what is this vibe they are chasing? Sanjay shares:
 
“The tech slam imagery is based on Metroid lore, Doom lore, and we haven't written a song about it yet, but Alien as well. Those three things are brutal sci-fi universes, so we're trying to embody that sound. The slam riffs, you can connect the brutal killing of stuff with the brutal chunky riffs; that's been a match that's existed since the nineties. So that's the slam part, and then the tech part was harder to fit that vibe, so we kind of do it differently. I lean into very dissonance-vibe stuff, like Artificial Brain and Dysrhythmia. I think disso-death and heavy, they aren't usually paired together, even though they should be.” 

 
“And then as far as chasing the vibe,” Noni adds, “I kind of go about it two ways. With the Metroid soundtrack or universe, that vibe, there's some dark and gloomy atmosphere, but there's a lot of pretty imagery as well. We wanted to find a way to match that very pretty, kind of out-there sound cohesively in songs with a very aggressive and guttural approach.”
 
Like another famous sci-fi horror masterpiece of a different media, Wormhole’s shifting, amorphous style is perfectly suited to blend in and amaze just about any fan of heavy music. That’s The Thing: they can pull off whatever they want, but it’s always boiled down to that tech slam vibe. Do you like tech, melody, breakdowns, atmosphere, or dissonance? Tech slam can fill whatever void you seek.
 
If previous albums were early generation, lower-resolution visions of tech slam, Almost Human is the 4K reboot, where you can see every pixel of terror and awe. Wormhole are absolutely ready for their closeup. Prepare your worms and your holes, tech slam is here to stay.  

Line-up 

Julian Kersey: vocals
Sanil Kumar: guitar
Sanjay Kumar: guitar
Bass: Basil Chiasson
Drums: Matt Tillett
 

Recording studio: Guitars and vocals were recorded at Wormhole HQ. Drums were recorded at AJ Viana Productions.

Producer & engineering: 'Almost Human' was produced and engineered by Wormhole and AJ Viana. Bass parts were produced and engineered by Alex Weber.

Mixing: AJ Viana at AJ Viana Productions

Mastering: Alan Douches

Artwork: Adam Burke at Nightjar Illustration

Photos: Eric DeCarlo

Biography: Nick Senior

Pre-order: https://shop.season-of-mist.com/list/wormhole-almost-human

Pre-save: https://orcd.co/almosthumanpresave

Format
CD Digipack
Digital Download
Vinyl (Black)
Vinyl (Orange)
Vinyl (Green)
Vinyl (Grey)
 
Links
https://wormholemetal.bandcamp.com/
https://www.facebook.com/wormholemetal/
https://www.instagram.com/wormholetechslam/?hl=en
https://open.spotify.com/artist/2foAanYCza7knczRDB8DFt?si=hxz_IV21RzuSeLcibU2tkQ&nd=1

For more on Season of Mist, visit our official WEBSITE, FACEBOOK, INSTAGRAM, YOUTUBE, and TWITTER

CARNATION's New Single is Truly Terrifying

CARNATION have been thinking an awful lot about death. That's not surprising. After all, they are a death metal band who just crushed the stage at Graspop. But their upcoming third album 'Cursed Mortality' casts these Belgians in a deeper and even darker light. 

Whereas the title track showed a new side of Carnation, reflecting on the slow passage of time with gloomy synths and clean vocals, their new single goes back to the band's hard and fast roots. Riffs thrash and squeal in between blistering drum fills, while Simon Duson roars about a death factory fueled by the fires of war.

"Maruta" comes from a dark moment in human history. The song gets its name from Manshu Detachment 731, a covert research and development unit under the Imperial Japanese Army that performed lethal experiments during World War II. They referred to their test subjects as Maruta, which means "logs". 

"Those who desire brutality, look no further", says Duson. "Maruta is here to crush your skull with trashy hooks, groovy beats and punishing death metal riffs!"  

"Maruta" is the second single off 'Cursed Mortality', which comes out on November 3rd via Season of Mist. Pre-save the album HERE. Pre-orders will start later this year. 

Line-up:

Simon Duson:             Vocals
Jonathan Verstrepen:  Lead Guitar
Bert Vervoort:             Rhythm Guitar
Yarne Heylen:             Bass Guitar
Vincent Verstrepen:     Drums

Recording studio: Project Zero Studio

Producer / Mixing engineer: Yarne Heylen

Mastering studio and engineer: Joel Wanasek

Links:
https://www.carnationband.com/         
https://www.facebook.com/CarnationBE/          
https://www.instagram.com/carnationbandofficial/
https://www.youtube.com/c/CarnationOfficialBE
https://open.spotify.com/artist/7s6SmrbyQvp26jN5EbnU9u

Pre-save (single): https://fanlink.to/Maruta

Pre-save (album): https://orcd.co/cursedmortalitypresave

Available Formats:
CD digipak
Digital
12” vinyl in various colours
Merchandise

To Kill Achilles Share "The Cave" Video — WATCH

Alternative rock band To Kill Achilles will drop their new album, Recovery, on August 11 via Arising Empire. Recovery will be available as CD and limited colored vinyl, together with special merch options at the band and Arising Empire Shop — visit now and pre-order here.

Today, the band has released their new track "The Cave."

Watch the video below

Consisting of 11 tracks, the sound of Recovery is delivered through sincere lyrics depicting real-life experience with the same ferocity we've come to expect. The music is a mixture of aggression, sadness, hope, and beauty, with soaring choruses and storytelling that promotes the journey towards positivity.

"This record is the antithesis of the last, for far too long we've told the story of mental degradation without hope," the band shares. "Becoming completely drained repeating the same lines of how it hurts to be here. Recovery deals with courage, control, acceptance, and ultimately, the end goal that anyone in this circumstance seeks… the other side. This record is the journey of getting better, taking control of your life and the experiences around you."

To Kill Achilles have extensively toured across the UK, the majority of Europe, and Russia with bands such as We Came As Romans, Counterparts, While She Sleeps, I Killed The Prom Queen, Betraying The Martyrs, and many more.

TO KILL ACHILLES ARE:
Mark Tindal — Vocals
Shaun Lawrence — Guitar
Matthew Tippett — Bass
Kieran Smith — Drums

CARNIFEX - ANNOUNCE NEW ALBUM, NECROMANTEUM + RELEASE MUSIC VIDEO FOR TITLE TRACK!

Nourished by nightmares and the throbbing pulse of pragmatic terror, CARNIFEX have returned with their ninth full-length studio album, Necromanteum, out October 6th via Nuclear Blast Records. After existing as a band for over 18 years, CARNIFEX continue to experiment with fresh song arrangements, and adding a unique sense of atmosphere to their inherently deathcore foundation.

Decades ago, wealthy intellectuals began installing psychomanteum in their homes; a secret room completely filled with mirrors, or a single mirror, and in complete darkness, in order to speak to the dead in other dimensions, and gain their knowledge. It was often used as a healing tool to help dissolve grief, or considered a form of prophecy. Necromanteumpresents the concept: what if you could use that kind of room to speak with death, itself? What secrets of the world could you uncover from a direct conversation with the grim reaper? Not a monster, but a fellow intellect.

Today, the band releases the title track ‘Necromanteum’ which broaches on these existential topics. Watch the music video directed by Jim Louvau and Tony Aguilera.

CARNIFEX's Scott Ian Lewis comments, "Necromanteum is a truly special album that all of us in the band already love. Spend some time in conversation with the other side of life, enter the Necromanteum…"

Stream the new single 'Necromanteum', here: https://carnifex.bfan.link/necromanteum-single

Watch the music video for 'Necromanteum' below.

The recording process took place over the course of several weeks with producer Jason Suecof in Florida, and saw the return of live drums since COVID-19 restrictions made doing so on Graveside Confessions impossible. Mastered by Mark Lewis in Nashville, TN, the album was also co-produced by vocalist Scott Ian Lewis and drummer Shawn Cameron. The cover artwork glows with an emerald and lavender fog; a ghostly energy erupting from the depths of a cemetery. Designed by renowned comic book artist E.M. Gist, this gateway represents the questions we ask about what lies on the other side of reality. 

Pre-order/pre-save Necromanteum here: https://carnifex.bfan.link/necromanteum

Necromanteum will be available digitally and in the following formats:

• CD Jewel

• vinyl

  • Neon Green w/ Purple Splatter

Humanity's Last Breath Unveils New Single + Visualizer For "Linger" From Upcoming New Album 'Ashen' Out August 4 via Unique Leader Records

Thall-bringing Swedish metallers Humanity's Last Breath has today unveiled their latest offering "Linger" plus the accompanying visualizer, off the band's upcoming new album 'Ashen' out on August 4 (via Unique Leader Records). The band has previously shared the lead music video "Labyrinthian" and visualizer for "Instill" which together have amassed over 463,000 views on YouTube and 724,000 streams and counting on Spotify alone. Watch the visualizer for "Linger" below, listen to the track here, and pre-order 'Ashen' at the link here.

For over a decade, Humanity's Last Breath has been delivering their foreboding message through their music as if warning of a looming apocalypse. With an endless urge to make music from a place that needs expression, they constantly push the boundaries of what's possible in modern metal. With the release of their fourth album, 'ASHEN', an invitation is extended to experience their sound. 

    Let the world sing in despair.

Humanity's Last Breath is:

Buster Odeholm (Guitar, Vocals)

Filip Danielsson (Vocals)

Klas Blomgren (Drums)

Tuomas Kurikka (Guitar, Live Vocals)

Tarja Shares Live Rendition of In Flames' "Alias" — WATCH + LISTEN

After first releasing a cover of Linkin Park's "Numb," Tarja has chosen In Flames' "Alias" as the second single taken from her brand-new live series release Rocking Heels: Live at Metal Church.

Watch the "Alias" video below.

Rocking Heels: Live at Metal Church is the document of a very special concert in the idyllic setting of Wacken Church. It will be released on August 11, 2023 via earMUSIC and is the first release of the live series Rocking Heels.

In front of just 300 hand-picked fans, this one-time-only event opened the Wacken Open Air Festival in 2016. Tarja presents unique arrangements of rock and heavy metal classics by her favorite artists including Metallica's "The Unforgiven," songs by Joe Satriani and Slipknot, as well as a Nightwish song and Tarja originals.

PRE-ORDER ROCKING HEELS: LIVE AT METAL CHURCH HERE.

With its captivating performances of well-known songs paired with Tarja's iconic voice, this live album is a treasure for fans, as well as a discovery for Tarja-newcomers and all those who missed the chance to attend this exclusive concert. Rocking Heels: Live at Metal Church will be released as a Ltd. 2LP Vinyl Edition, CD Digipak in LP-replica design and on Digital.

ABOUT TARJA:
The brightest star of the symphonic rock scene, Tarja Turunen is certainly the most internationally well-known Finnish voice in the world of music. Soprano, composer, and songwriter, she reached international fame co-founding and being for nine years the voice and image of the Finnish symphonic metal band Nightwish, collecting with them Gold and Platinum Record Awards in several countries.

The unique combination of metal music with Tarja's soprano lead vocals gave birth to a new genre, quickly achieving critical and commercial popularity and inspiring many other metal bands and performers. But singing only somebody else's creations was not her destiny, and her talent could fully bloom only outside that crate. Tarja had to walk alone.

Finally free to follow her own inspirations, heart, and dreams, Tarja started her own solo career successfully devoted to both classical and rock music.

Tarja was nominated for the Emma Award in Finland in 2006 and 2007 and for the Echo Award in Germany in 2007, and she is the first Finnish solo artist to achieve a Gold Record in Germany and even more, the only one to do it both in a band and as solo artist. In 2015 and 2016, she was also busy starring as coach in two seasons of The Voice of Finland, which is the most watched TV-program from Channel 4 in Finland and leading her team to victory for two years in a row, something that never happened before in the history of the Finnish show.

After over 15 years of a solo career, it was finally time to celebrate. The Best Of: Living the Dream combines the best and most beloved songs from Tarja’s prolific solo career in one outstanding package.

PHIL CAMPBELL AND THE BASTARD SONS - announce new album 'Kings Of The Asylum' + reveal video for first single 'Schizophrenia'

Rock and roll royalty PHIL CAMPBELL AND THE BASTARD SONS have announced details of their upcoming third album Kings Of The Asylum. The album will be released on 1st September through Nuclear Blast Records and will be the first studio release to feature singer Joel Peters.

To coincide with the announcement, the band have released a video for the album's first single 'Schizophrenia', and announced that they will be playing an intimate release show at The Patriot in Crumlin, South Wales on 7th September. Tickets go on sale at 9am on Friday 23rd June here.

Phil Campbell himself comments “We are thrilled to finally announce that we will be unleashing our brand new album Kings Of The Asylum on September 1st. This is the first new music with our new singer Joel Peters and it totally kicks ass!”

Watch the video for 'Schizophrenia' below.

Pre-order Kings Of The Asylum on various formats now at: https://bfan.link/PCATBS-S1.ema

Pre-order Kings Of The Asylum on various formats now at: https://bfan.link/PCATBS-S1.ema

PHIL CAMPBELL AND THE BASTARD SONS is

Phil Campbell | Guitars
Todd Campbell | Guitars
Tyla Campbell | Bass
Dane Campbell | Drums
Joel Peters | Vocals

TO THE GRAVE Announce 'Offcuts' EP; Deluxe Version of 'Director's Cuts' & Drop Brand New Single "Shock Tactics"

Australian deathcore juggernauts and avid animal rights campaigners, To The Grave have announced their new EP ‘Offcuts’ today. The EP will be available on Friday, September 15th as a digital only release and will feature 6 new songs along with To The Grave's cover of Enter Shikari's hit single "Anesthetist". Pre-save HERE

The 6 new tracks will also appear as part of 'Director's Cuts (Deluxe)', also announced today. A double, deluxe edition of the band's groundbreaking album ‘Director’s Cuts’, which came out earlier this year via Unique Leader Records. . 'Director's Cuts (Deluxe)' will also drop on Friday, September 15th, and will be will be available as a double disc, gatefold vinyl and on CD with pre-order bundles available now HERE.

To celebrate the announcement, the band have also unleashed their new single and accompanying music video, “Shock Tactics [1000v]”. In keeping with To The Grave's ethos, the video shines a stark and chilling light on the gross mistreatment of animals farmed for food. Whilst the video is censored, some viewers may find it's contents disturbing. Stream the track HEREand watch the music video below.

Speaking on the release of their new single and EP, To The Grave share

"Shock Tactics is the first single from our new EP Offcuts, a collection of songs scavenged off the cutting room floor of our Director's Cuts album. This release brings together the songs that we felt were out of place in the sequence of the album but that we still loved and we’re very pleased to be able to finally release them out into the world.

We’ll also be presenting the EP and the album together on vinyl and CD for the Director’s Cuts: Deluxe Edition, showcasing the full scope of the material we originally created for the album.

We make no apologies for the graphic nature of the lyrics and accompanying video for this song. This was not staged or recreated, this is real footage of standard meat industry practices - the use of toxic gas to suffocate animals before cutting their throats. We have used footage from an Australian slaughterhouse because this violence is occurring in our backyard, but it is happening in yours too."

To The Grave are one of the most uncompromising and outspoken bands in the deathcore scene today. Hailing from Sydney, Australia, they combine crushing riffs, blast beats and guttural vocals with a strong sense of social justice and animal rights activism. They released their debut album ‘Global Warning’ in 2019, which received praise from fans and critics alike for its ferocity and honesty. They followed it up with ‘Epilogue’ in 2021, a massive 19-track album that cemented their reputation as one of the most exciting and innovative bands in the genre. They then released ‘Director’s Cuts’ earlier this year, a groundbreaking album that pushed the boundaries of deathcore with cinematic, horror movie inspired music videos and diverse soundscapes. The album spawned singles "Red Dot Sight", "Axe Of Kindness", "Cut Off The Head" and "Found Footage" the music videos for which have racked up 420,000 views on YouTube between them with the album hitting 2.68 million streams and counting across streaming platforms.

The 'Director's Cuts (Deluxe)' release promises to be a collector's dream. With the additional "Offcuts EP" tracks, the release will be available in multiple formats, including a double disc, gatefold vinyl, and some killer pre-order merch items to choose from too. Click HERE to pre-order your copy now.

To The Grave have a stacked touring schedule for the rest of this year. Starting with a European run with Signs Of The Swarm and Humanity's Last Breath across August and September this year, with more to be announced soon. Head to To The Grave (tothegraveau.com) for further information.

ABOUT TO THE GRAVE

One of Australia’s most uncompromising bands, To The Grave return with their heaviest album to date, both sonically and thematically. Since the release of their 2019 debut album 'Global Warning', the caustic five piece have garnered international success, with 2021’s follow-up 'Epilogue', a re-issue of 'Global Warning' with bonus tracks, solidifying their position as “one of the country's heaviest exports.” (Revolver).

To The Grave have steadily built an audience in the underground, accumulating more than 11 million Spotify streams, racking up over 5.4 million YouTube views, all whilst decimating live audiences alongside Parkway Drive, Polaris, Cattle Decapitation, Thy Art Is Murder, Shadow of Intent, Angelmaker, Enterprise Earth, Vulvodynia and Alpha Wolf.

Now, following a sold-out national headline tour in 2022, global critical acclaim for the release of 'Director's Cuts', a new EP and plenty of touring for the remainder of 2023, the band are more focused than ever.

To The Grave lyrically expose a societal and environmental hell on earth whilst pushing the boundaries of accessible extremity, full of barbed hooks, thick with atmosphere and drenched in groove. Razor-sharp guitars played with an exploratory approach - blending everything from whammy pedal squeaks and chiming cleans to death metal chainsaw tones - are entwined with live drums to give a level of dynamism that musically sets this band apart from the extreme metal pack, yet they maintain the weight of the heaviest bands today. Vocalist Dane Evans commands a multifaceted performance, bursting with vocal energy from throat-ripping dissonant screeches to low end gutturals. 

To The Grave are

Dane Evans - Vocals

Jack Simoni - Guitars, Programming

Luke Ringin - Guitars, Vocals

Matt Clarke - Bass, Vocals

Simon O’Malley - Drums, Vocals

DORO announces new album, celebrating her 40th anniversary

On 27.10.2023, the 19-song masterpiece Conqueress - Forever Strong And Proud will be released worldwide via Nuclear Blast.

Conqueress - Forever Strong And Proud is a phenomenal album and the result of intensive, hard work that took the incomparable singer and songwriter back to the studios of Miami, New York, and Hamburg, among others. The album impressively confirms that DORO is at the height of her creative powers.

To kick off the album release, the metal icon has released 'Time For Justice', a fiery first single that immediately thrills with its powerful, wild vibe and is presented with a terrific "Mad Max"-style video.

Watch the video below.

Stream the song on all platforms:  https://doro.bfan.link/time-for-justice

Pre-save the album:  https://doro.bfan.link/conqueress

For the big 40th Throne anniversary, the Metal Queen also invites you to two mega concerts: on 2.8. to a big headlining show in Wacken, on 28.10. to the anniversary show in Düsseldorf and to many other worldwide festivals.

It couldn't be more fitting. In 1983, 19-year-old Dorothee Pesch from Düsseldorf set out to conquer the rock world. Today, 40 years, over 10 million studio albums sold and countless awards later, DORO has been the undisputed queen of metal for decades and, with over 3,500 concerts in more than 60 countries around the world, has earned herself an outstandingly powerful and enthusiastic fan base!

DORO Pesch stands for one of the greatest success stories in the rock scene.

Conqueress - Forever Strong and Proud comes in the following formats:

Jewel case

2CD Digibook with 36p booklet (including bonus tracks)

2LP in gatefold with 2 inserts | Splatter white/black

2LP in gatefold with 2 inserts | Marbled white/blue

2LP in gatefold with 2 inserts | Red transparent

2LP in gatefold with 2 inserts | Picture

Box Set 2LP in gatefold with 2 inserts (incl bonus tracks) + 2CD Digibook with 36p booklet (including bonus tracks) + Pendant + Numbered & Signed Certificate + Poster + Patch + Pick

Slipknot "Live at MSG" Vinyl Out August 18

SLIPKNOT LIVE AT MSG DOUBLE VINYL SET TO BE RELEASED AUGUST 18 WITH EXCLUSIVE PACKAGING + COLORWAYS 

Slipknot have always bent the world to its own collective will. One of countless examples occurred on February 5, 2009, when the band did what few could have predicted when they’d started: Slipknot headlined the World's Most Famous Arena — Madison Square Garden. The band's MSG set is now the stuff of legend, being on the heels of the band's first Number One album in the U.S. (All Hope Is Gone), and only months before they would headline the UK's Download Festival for the first time. The New York City show was eight months and nine countries into the All Hope Is Gone World Tour, and as such, their performance was ruthless and jaw-dropping, and a perfect document of the era for the band.  

On August 18, the concert will be made available for the first time ever on vinyl to celebrate the 15th anniversary of Slipknot's fourth album, 2008's chart-topping and influential All Hope Is Gone.

Pre-orders are available here.

The release will feature new art by the band's M. Shawn (clown) Crahan.

The limited edition, custom colored vinyl was hand-selected by the band.  

ABOUT SLIPKNOT:
There was never a band like SLIPKNOT, and there will never be another. Like a spore out of the Midwest, they've quietly bloomed into the most uncompromising, undeniable, and unique presence on the planet whose influence transcends genres and generations. Since sowing the seeds for revolution in Iowa during 1999, these musical outliers have captured a GRAMMY Award alongside 10 nominations, scored 12 Platinum/41 Gold album certifications around the world, and logged over 8.5 billion global streams and 3.5 billion video views to date - unprecedented for a rock act in this generation or any other. Rolling Stone cited the seminal platinum-selling 2001 album Iowa among "The 100 Greatest Metal Albums of All Time," while The Ringer attested, 
"They’'e the most important heavy band of their era." In addition to marking the group’s third consecutive #1 debut on the Billboard Top 200, their sixth full-length album, WE ARE NOT YOUR KIND, bowed at #1 in twelve countries worldwide in 2019. Selling out shows on multiple continents, they deliver an irreplicable multi-sensory experience on tour and through their own festival KNOTFEST. With their seventh album THE END, SO FAR, SLIPKNOT are back, and nothing will be the same again.

BLACKBRAID Launches Pre-Sales for 'Blackbraid II'

PRE-ORDER FROM E-SHOP

PRE-ORDER FROM BANDCAMP

SHOP // STREAM // FOLLOW BLACKBRAID HERE

Indigenous Black Metal project Blackbraid has now launched the pre-sales for its highly-anticipated sophomore full-length, 'Blackbraid II,' via Bandcamp or The Official Blackbraid Merch Store.! The album will be available on CD as a 6-panel digi-sleeve, cassette, and two vinyl variants - a marbled emerald green "Moss" edition and golden/earth marbled "Spirit" edition.

'Blackbraid II' is due on July 7, 2023. The first two singles, "Moss Covered Bones on the Altar of the Moon" and "The Spirit Returns," are now available on all streaming services!

'Blackbraid II' follows up the solo black metal project's critically-acclaimed debut, which was named among one of the best metal albums if 2022 by Rolling Stone (#14), Decibel Magazine (#4), Metal Hammer UK (#7), and more!

Blackbraid is a solo indigenous black metal project from from the depths of the Adirondack wilderness creating music as raw and powerful as the mountains from whence it came… 

Upon conquering North America on the recent Decibel Magazine Tour in which the band performed to many sold out audiences, Blackbraid has just returned from its European debut, performing to tens of thousands of fans at Hellfest Open Air and Copenhell! Next, Blackbraidwill headline the Kaupangr stage at this year's edition of the mighty Midgardsblot Festival in the Viking Gravemounds at Norway's iconic Borre Park from August 16-19.

Blackbraid Live Dates (EU):

08/16-18: Midgard (NO) @ Midgardsblot [TICKETS]

ICYMI: BLACKBRAID recently unveiled a pummeling live video for the song "Barefoot Ghost Dance on Blood Soaked Soil!" The clip was filmed during Blackbraid's sold out performance at Saint Vitus Bar in Brooklyn, NY in conjunction with "A Sortilege of Hell" festival, which took place on October 7th, 2022! The clip can be found at THIS LOCATION.

The song is taken from Blackbraid's debut full-length, Blackbraid I, which was released in the summer of 2022. The album can be ordered, downloaded, or streamed HERE.

Creator of Blackbraid: Sgah’gahsowáh

'Blackbraid II' Album Credits:

- Composed & performed by Sgah'gahsowáh

- Drums, recording, mixing & mastering by Neil Schneider

- Visual development & graphic design by Wolf Mountain Productions 

- Guitar solo in “Twilight Hymn of Ancient Blood" performed by Randy Moore

- “A Fine Day to Die" originally composed by Quorthon (Bathory)

Album Art: Adrian Baxter

Photographer: Wolf Mountain Productions

Follow // Listen:

Bandcamp

Spotify

Apple Music

YouTube

Instagram

Shop/Pre-order:

Official Merch Store (USA)

Blackbraid is an independent artist and is not contracted to or owned by any music label.