I YA TOYAH's blistering new single 'White Walls' explores our modern mental meltdown, announcing new EP

Alternative music powerhouse I Ya Toyah has released 'White Walls', drawing attention to the personal side of the mental crisis endemic within modern society. The accompanying video was directed, filmed and edited by Chicago filmmaker Alex Zarek.  Through haunting imagery, this release highlights the struggles that often remain hidden behind carefully maintained appearances, inviting listeners to look beyond the surface and recognize the silent battles many people face every day.

With the release timed with World Mental Health Day, the initial proceeds were donated to Backline Care, which helps people in the music industry access the mental health care and support they need. Individuals can also support this vital organization by donating directly.

'White Walls' is her fourth and final single in a series leading up to her 'Error Prospect: Human' EP, which was developed in collaboration with Grammy-nominated producer Johnny K, (Disturbed, Staind, 3 Doors Down, Megadeath, Finger Eleven).  The first major release since her 2024 album 'DRAMA', co-produced with and mixed by STABBING WESTWARD’s WALTER FLAKUS, this new material expands I Ya Toyah's sonic vision without losing the dark atmosphere, emotional intensity, and independent spirit she is known for.

Where the preceding trilogy -- 'Feelings', 'Apology' and her own outstanding rendition of Nine Inch Nails' classic 'Closer' -- confronts emotional disconnection, the destructive nature of ego, and the obsession with external validation, 'White Walls' marks a pivotal shift in perspective, turning the examination inward. While the earlier songs question what we are becoming as individuals and as a society, 'White Walls' explores what happens to a person trying to survive within that reality, revealing the emotional consequences of a world increasingly disconnected from genuine human experience.

Chicago-based and Polish-born, I Ya Toyah is not just a musical act — she’s a movement. Blending industrial and dark electronic music with haunting melodies, powerful beats, and raw human emotion, she creates a world where beauty meets distortion and vulnerability becomes an act of defiance. With an intense, chameleonic voice and a dark melodic edge, her music confronts inner struggles, challenges expectations, and searches for human connection in a world that often demands perfection.

"'White Walls' came to life in a very personal place — on one of those days when the darkness became almost unbearable, when being inside my own mind felt louder than anything happening outside of it. I wrote because I needed somewhere for it to go. I’m incredibly grateful that I have art as an outlet. I can turn something painful into sound, words, images — give it a body outside of myself. But while writing 'White Walls', I kept thinking about how many people don’t have that outlet. How many learn to perform “fine” so convincingly that nobody thinks to look twice. How much can live behind a face that gives nothing away,," explains I Ya Toyah.

"That is where 'White Walls' lives: in the distance between what we show and what we survive. It is the noise behind the silence. The exhaustion of carrying an invisible weight. The strange loneliness of standing among people while feeling completely unreachable. And somewhere inside all of that, the need to be seen — not rescued, not fixed, just truly seen."

The most vulnerable chapter of the new EP, 'White Walls' exposes the loneliness of suffering in plain sight, the exhaustion of pretending to be okay, and the invisible distance between how we appear and what we endure. Juxtaposing the confrontation and defiance of the preceding tracks, I Ya Toyah offers a deeply personal examination of isolation, mental health, and the desperate need to be seen. Rather than offering a comforting resolution, listeners are left with an uncomfortable question -- what happens when someone can no longer maintain the illusion that everything is fine?

"Sometimes the person who looks perfectly fine is standing behind their own white walls. This song began as something I needed on a very dark day. I hope it can become a crack in the wall for someone else," says I Ya Toyah.

"Releasing this single around World Mental Health Day felt inseparable from its purpose. Mental health advocacy is deeply woven into my work and into what I want to do with the voice I’ve been given. I want to help make more space for the conversations we still hide from, for the feelings we bury to make other people comfortable, and for the people who are fighting battles that leave no visible wounds."

A singer, producer, multi-instrumentalist, and visual artist, I Ya Toyah is DIY to the core from writing and production to performance. Her creative vision extends beyond the music, transforming live performances into immersive experiences somewhere between a ritual, a confession, and a beautiful malfunction. Balancing electronic intensity with emotional vulnerability, she brings an unmistakable presence to the stage -- one that is fierce, unpredictable, and unapologetically human.

Since her debut 'Code Blue', she has built an international presence, touring across the US, Canada, and Europe and sharing stages with Orgy, Cold, Stabbing Westward, Front Line Assembly, Wednesday 13, Beasto Blanco, and Stitched Up Heart. In 2026, she joined Front Line Assembly as main support throughout Europe and will close 2026 with her first UK tour, supporting Little Miss Nasty, seductive global icons of dark performance art and rebellious burlesque.  

'White Walls' is out now and available everywhere, including Spotify, Apple Musicand Bandcamp, where her the I Ya Toyah catalogue can also be found. On November 20th, her 'Error Prospect: Human' EP will be released via Femme Fatale Records. Tickets for the UK tour can be ordered at https://www.iyatoyah.com/tour 

CREDITS
Written and composed by I Ya Toyah
Produced by I Ya Toyah and Johnny K
Mixed by Johnny K
Mastered by Howie Weinberg
Released by Femme Fatale Records
Cover Artwork by Angelica Dulany
Video directed, filmed and edited by Alex Zarek
Production assistance and additional direction by Angelica Dulany
Additional assistance by Allison Ciletti
Makeup by Janet Debris
© ℗ I Ya Toyah / Femme Fatale Records 2026
Publicity by Shameless Promotion PR

UK TOUR (with Little Miss Nasty)
DEC 9, 2026 - Newcastle Upon Tyne @ The Cluny
DEC 10, 2026 - Glasgow @ Ivory Blacks
DEC 11, 2026 - Birmingham @ Asylum
DEC 15, 2026 - Brighton @ Patterns
DEC 16, 2026 - Bristol @ The Fleece
DEC 17, 2026 - Manchester @ Rebellion
DEC 18, 2026 - Swansea @ The Bunkhouse Bar And Music Venue
DEC 19, 2026 - London @ Underworld


Keep up with I Ya Toyah 
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Jenna Paulette’s “You Ain’t No Cowboy” Encourages Mental Health Conversations Among Ag Workers on World Mental Health Day

JENNA PAULETTE’S “YOU AIN’T NO COWBOY” 
SHEDS LIGHT ON SOBERING REALITY OF ADDICTION 
& SUICIDE AMONG AGRICULTURE WORKERS
ON WORLD MENTAL HEALTH DAY


Watch the Powerful Music Video, in Partnership with the 
Texas Department of Agriculture.

Jenna Paulette has experienced firsthand the ebbs and flows of being a rancher alongside her family, working cattle on their ranch in Thackerville, Oklahoma. It’s where she learned the value of living off the land, along with the stressors that coincide with a livelihood that depends on factors outside of your control – weather, market prices, tariffs and more – and which often lead to increased rates of depression, addiction and suicide among ag workers. 
 
Challenging the traditional notion of how people view cowboys and the stigma that prevents many from speaking about their reality, Paulette debuts her official music video for “
You Ain’t No Cowboy” in partnership with the Texas Department of Agriculture today to coincide with World Mental Health Day. Watch HERE.
 
Directed by Quinton Cook, the video spans nearly five minutes with the intention of encouraging mental health conversations among ag workers and providing resources for them to seek help by directing people to the 
988 Suicide & Crisis Hotline. Opening with the sobering fact from the National Rural Health Association that the suicide rate among the agriculture community is 3.5 times higher than the national average, the video explores the spiral of a difficult season and a cowboy who relies on alcohol and drugs to cope.
 
For Paulette, it’s an important message that she hopes will help to change the perception of a cowboy. To her, a cowboy isn’t defined by the job, but is someone with the character to overcome any obstacle thrown their way. Expanding on the concept, she shares, “Whether you struggle with addiction, a cycle of harmful thoughts, suicide, depression, financial disaster, the list is long… Sometimes putting a stake in the ground is making a phone call to a helpline; sometimes it’s taking a hard look in the mirror at who you are and deciding that’s not who you want to be.
 
“The power to change and have a full life is there for the taking, you’re just a decision away from a redeemed life. This video is a call to action for those suffering and the end is a glimpse of hope into the life of a real man who is on the other side of adversity.”
 
As the story progresses, it ends on a hopeful note, inspired by the men in Paulette’s life who have weathered the storm, found help and came out stronger because of it – including her cowboy, Ross.
 
“The cowboys in my world, including Ross, the love of my life, have overcome one or many of those challenges… Ross is five years sober; he plays the cowboy in the video. I knew him after he quit using and drinking. He made a conscious decision to take his life back and with grace and the strength of God, good men and family around him he was able to do it,” she adds.
 
The moving song is one of 16 tracks off her debut album, 
The Girl I Was, which arrived in March, showcasing a level of honesty that left The Tennessean musing “gripping clarity, emotion and feeling are more readily apparent in her work than ever before,” and Billboard noting she arrives “confident” and “carefree.” Paulette made her Grand Ole Opry debut on Aug. 18 and is set to perform the National Anthem at the National Finals Rodeo on Dec. 13.
 
For more information and to keep up-to-date on the latest news, visit 
www.jennapaulette.com or follow @JennaPaulette across social media platforms.

About Jenna Paulette: 
A CMT Next Women of Country in 2022 and Apple Music’s Country Riser of the Month for March 2023, singer-songwriter Jenna Paulette — a cowgirl who came of age amid the gritty realities of ranch life — is part of Nashville’s growing wave of female artists who are rewriting the rules and charting their own paths. Paulette settled in Nashville in 2015, where she struck up a mentorship with Ashley Gorley – a veteran songwriter with 60+ No. 1 tunes under his belt – which ultimately led to her publishing deal with Sea Gayle Music in June 2021. Since collaborating with songwriters Will Bundy, Rhett Akins and Jessie Jo Dillion, as well as opening for Mason Ramsey, Parmalee, John Michael Montgomery, Clay Walker and most recently Aaron Watson, Paulette has landed brand partnerships with Justin Boots, Boot Barn, Ely Cattleman  and Ranch Water.
 
Her debut album The Girl I Was, is available now, showcasing Paulette’s finely calibrated blend of toughness and sensitivity in tracks like “Country In The Girl” and “Pretty Ugly.” Wearing her heart on her sleeve, 
The Tennessean noted of the project that “gripping clarity, emotion and feeling are more readily apparent in her work than ever before.” Paulette continued to spotlight her authentic western lifestyle, performing the national anthem at the Professional Bull Riding World Finals; as well as day working on ranches across Texas and performing in multiple festivals including CMA Fest. She recently made her Grand Ole Opry debut and will perform the national anthem at this year’s National Finals Rodeo on Dec. 13. For more information, visit www.jennapaulette.com.

Photo Credit: Wes Walker

Cage Fight Share New Video

CAGE FIGHT REVEAL STRUGGLES ON NEW SINGLE "EATING ME ALIVE" (FEAT. TREVOR STRNAD)

ON WORLD MENTAL HEALTH DAY

SELF TITLED ALBUM OUT NOW 

Hardcore/thrash/crossover band Cage Fight have released a new single "Eating Me Alive" featuring the late, great Trevor Strnad of The Black Dahlia Murder.

Opening up about struggles with mental health, the "Eating Me Alive" lyric video has been released on World Mental Health Day, the international day for global mental health education, awareness and advocacy against social stigma. 

Watch the video for "Eating Me Alive"

One of — if not the final — recording by Strnad, the video was originally planned for May 13, which was Cage Fight's album release day. But the drop was postponed due to Strnad's tragic unexpected passing just days before. Trevor's support for singer Rachel Aspe's work played a key role in the formation of Cage Fight, which is why his contribution to their debut album is so special. And the subject matter — struggles with anxiety and mental health — makes this poignant song even more significant.

Aspe comments, "Over COVID I was looking for a new project and releasing covers for something to do, but also to hopefully connect with other musicians. When I released my cover of "Statutory Ape", Trevor picked up on it and shared from The Black Dahlia Murder's pages, and it got a lot of attention. Trevor messaged me to say he loved it and hoped that I'd find a band off the back of the cover. Not long after James (Monteith, guitar) contacted me about Cage Fight and the rest is history.

"Had it not been for Trevor's support, Cage Fight may never have happened; it was a huge honor to have him guest on this song and it meant the world to us. He was one of the greatest supporters of the scene and new music and is truly missed. RIP Trevor."

On the song's content, bassist Jon Reid comments, "'Eating Me Alive' is about the day-to-day struggles and challenges with mental health that are so prominent to so many people and how the sorrow and loneliness can have a tangible effect. This is something personal to us and we wanted to let people know that they are not alone. We can all have these feelings and that most importantly there is help out there, and we can all find something special.

"We have chosen to release this on World Mental Health Day as a sign of solidarity."

With the new single, Cage Fight are urging fans to show support by purchasing the Trevor Strnad memorial shirt. All proceeds will help Trevor's family cover expenses incurred by his death and benefit the Common Ground Resource & Crisis Center.

Purchase and donate HERE

"Eating Me Alive" is taken from their debut album, 'Cage Fight', out now on the Candlelight label. 

Stream or purchase the album HERE

2022 has been an explosive year for Cage Fight with the release of their highly acclaimed self-titled debut album, tours with Sepultura, Raging Speedhorn, and Cro-Mags, shows with Svalbard, Napalm Death and more, as well as appearing at many festivals including Bloodstock, Burn It Down, including headlining Derby Alt Fest.

Now firm favourites on the live circuit, Cage Fight have announced their first ever UK headline tour in December 2022.

CAGE FIGHT ARE:

Rachel Aspe — Vocals

James Monteith — Guitar

Jon Reid — Bass

Nick Plews — Drums