Bodysnatcher Unleash "Violent Obsession" Track and Official Music Video via MNRK Heavy

South Florida deathcore mainstays Bodysnatcher have today released their latest rager, "Violent Obsession"(via MNRK Heavy). The furious track is taken from the band's upcoming new album 'Hell Is Here, Hell Is Home' for release on Friday, April 10.

Speaking about the inspiration behind the song, guitarist Kyle Carter commented:

'Violent Obsession' to me expresses hate for a person to the extreme. It’s about revenge and what you wish you could do to this person who’s abused you, or taken advantage of you. It’s about obsessively living in that headspace of hatred and wanting them to feel how they made you feel.

Stream "Violent Obsession" at the link here, watch the official music video below, and pre-order 'Hell Is Here, Hell Is Home' here.

Bodysnatcher fans across the pond will have their chance to see the band on their headlining UK/EU tour beginning tomorrow in Southampton, UK. Afterwards, North American fans can see them on the Chaos & Carnage 2026 tour with Thy Art Is Murder, Carnifex, 200 Stab Wounds, Ingested, Gates To Hell, and Bodybox. The band will also be performing at major festivals throughout the year, including Welcome To Rockville, Sonic Temple Art & Music Festival, and Louder Than Life, which recently announced this year's stacked lineup. Tickets are on sale now at the link here, so be sure to get yours before it's too late.

Chaos & Carnage 2026 Dates:

May 2 - Phoenix, AZ @ The Van Buren

May 3 - Albuquerque, NM @ The Historic El Rey Theater

May 5 - San Antonio, TX @ Vibes Event Center

May 6 - Houston, TX @ House of Blues Houston

May 8 - Nashville, TN @ Brooklyn Bowl

May 10 - Daytona Beach, FL @ Welcome To Rockville 2026*

May 12 - Charlotte, NC @ The Fillmore

May 13 - Baltimore, MD @ Nevermore Hall

May 14 - Columbus, OH @ Sonic Temple 2026*

May 15 - Reading, PA @ Reverb

May 16 - Worcester, MA @ Palladium

May 17 - Brooklyn, NY @ Brooklyn Monarch

May 19 - Chicago, IL @ Ramova Theater

May 20 - West Des Moines, IA @ Val Air Ballroom

May 22 - Denver, CO @ Ogden Theatre

May 23 - Salt Lake City, UT @ The Complex

May 24 - Boise, ID @ Treefort Music Hall

May 26 - Seattle, WA @ Showbox

May 27 - Portland, OR @ Roseland Theatre

May 29 - Berkeley, CA @ The UC Theatre

May 30 - Los Angeles, CA @ The Wiltern

May 31 - Las Vegas, NV @ House of Blues Las Vegas

*Festival Date

ABOUT BODYSNATCHER

Hell Is Here, Hell Is Home is the fourth full-length from Melbourne, FL deathcore outfit Bodysnatcher. It follows 2024’s brutal Will Putney-produced EP, Vile Conduct and serves up another powerful barrage of uncompromising deathcore across 10 incredible tracks that see the four-piece—Kyle Medina (vocals), Kyle Carter (guitar), Kyle Shope (bass) and Chris Whited (drums)—turn the catharsis up as loud and as visceral as it will go. 

Of course, that’s nothing new for the band. If you’ve heard Vile Conduct, or any of the three albums that preceded it—2017’s Death of Me, 2020’s The Heavy Void or 2022’s Bleed-Abide—you’ll know this is a band who have always pitted themselves against personal tragedy, who have fought on individual levels against the dark depths of a despair (often inspired by their own experiences of death). Hell Is Here, Hell Is Home is no less harrowing. 

“The band has always had roots lyrically in themes of betrayal, overcoming hardship, and moving on from things that happen in life and how to cope with them,” explains Medina. “Ever since the inception of Bodysnatcher, that was the theme. I do think, though, as the band has matured and we as people have grown, so have the ways to dig into the themes more. With more life experience, there are more things to draw from.” 

Yet while this is still a viciously personal record, Hell Is Here, Hell Is Home is also a dark reflection of the world at large, and its current dystopia. It doesn’t just dwell on what’s happening, though. It lashes out at the way things are with a terrible, violent rage. 

“I’d say a lot of today’s world plays into this album,” says Whited. “We really feel that listeners across the globe can find something to connect with in these songs. There’s a strong sense of retaliation this time around; it feels like choosing violence, fighting back against a world that feels morally lost right now.“ 

That manifests itself from the very beginning of this record, from the opener The Maker. A sheer assault of rage, noise, and skull-crushing riffs, it multiplies Bodysnatcher’s intensity to a degree that, even by their already intense standards, is off the charts. “'The Maker' is a raw, visceral song,” says Shope. “Bodysnatcher has always been known for unrelenting heaviness, but The Maker seems to be an even darker, more intense direction. Revenge and retaliation are themes we often use in our lyrics, however The Maker is a more direct approach. This song is as heavy as we could make it, and I know the energy is going to be electric when it is played live. 

That direct darkness continues throughout the entirety of the next nine songs, from the unforgiving vengeance of Writhe And Coil and Violent Obsession through to the blistering defiance of Blade Between The Teeth and Survive Or Die. The latter features vocals from Scott Vogel, the frontman of hardcore legends Terror, a band very close to Bodysnatcher’s blackened heart. It follows the previous impressive cameo on Vile Conduct by Hatebreed’s Jamey Jasta

Scott Vogel is such a pivotal and legendary voice in hardcore and heavy music,” says Medina. “Many of us in the band grew up listening to Terror, so having him appear on a song is huge for us in terms of morale and making the album feel even stronger. We had the idea when we were thinking of another voice come from the hardcore side of where the band draws from; we had Jasta on the previous EP, so we thought of another that is of equal stature, and were able to make it happen.” 

Vogel’s appearance shows just how much of a mark Bodysnatcher have made on the scene. But it’s not distracting them from their intent and purpose. In fact, that only seems to have been refined as time has passed. One of the most obvious examples of that here is May Your Memory Rot, an intensely personal song full of spite, venom and trauma about somebody who was very close to Whited. “That song was written the first night we got to the studio,” says the drummer. “It was Father’s Day, which has a lot of baggage for me. I was thinking about my nephew, who lost both parents when my sister overdosed and their gang member father was murdered, and is now being raised by my mom, and my nieces, who lost their dad when my brother passed. That spiral eventually led me to someone who is, without question, one of the worst people I’ve ever known. I was lying in bed angry, so I started writing. That song is pure rage—a very direct fuck you to Mike Whited.” Yet—like the rest of this record—it’s rage with a purpose, rage full of intention, rage with hope still attached to it. Because even though it was born out of incredibly difficult circumstances, both personal and universal, Bodysnatcher’s hope is that people listening to it can find some kind of solace in it alongside all the anger and the rage. 

“I won’t lie,” says Carter. “This was a hard album to put together. Every writing session was met with dead ends for months, but we were able to come out the other side with 15 demos and ended with 10 of the best songs we’ve ever made. The album is based around revenge and not bending over for people. I hope others can hear these songs and come to the same realizations we have while putting this together. Life is too short to let people walk on you or take advantage of you. Humans are monsters who betray, abuse, neglect, murder, and sometimes it feels like we’re too comfortable in the Hell that we’re in.”