Crippled Black Phoenix Premiere New Album Sceaduhelm

More than 20 years removed from where they started, Crippled Black Phoenix are approaching a new threshold with their upcoming new album. Sceaduhelm is the UK macabre rockers’ most inward-looking and grave statement to date. It turns away from collective upheaval to face emotional erosion, fatigue and private collapse.

Sceaduhelm comes out tomorrow, Friday, April 17 on Season of Mist, but you can hear all 12 stark and striking songs today by listening to the full album stream below:

Pre-order

https://orcd.co/cbpsceaduhelm

Pre-save on Spotify

https://open.spotify.com/prerelease/6jvoEOyJQXUQmdI1WlVXrK

Where previous Crippled Black Phoenix records addressed historical violence and societal fracture, Sceaduhelm moves inward, listening to what accumulates in the aftermath: grief, complicity, damaged intimacy and the weight of endurance. The album unfolds as a unified psychological space rather than a traditional concept record, with slow builds, minimalist repetition, and unresolved tension carrying as much weight as melody. While stemming from founding member Justin Greaves (ex-Electric Wizard, ex-Iron Monkey), vocals are shared between Belinda Kordic (Killing Mood, Stabb), Ryan Patterson (Fotocrime, Coliseum, Mirrorless) and Justin Storms (Wailin Storms), each occupying a distinct but aligned emotional register across the album's twelve tracks.

Lyrically and thematically, Sceaduhelm is preoccupied with exhaustion as a condition rather than a moment, with time framed not as a healer but as an eroding force. Songs address burnout, grief, surveillance, institutional violence, and damaged intimacy, often blurring the line between the personal and the political. Musically, the album favours restraint over release, employing repetition, minimalism, and slow escalation to sustain tension without catharsis. Recorded across multiple locations and mixed with deliberate austerity, the record resists warmth, clarity serving discomfort rather than solace.

Within Crippled Black Phoenix’s wider catalogue, Sceaduhelm does not seek to resolve previous narratives or replicate past high points. Instead, it documents a moment of exposure and endurance, listening closely to what remains when spectacle fades and outrage exhausts itself. It stands as a severe, human record, concerned less with declaration than with persistence, and affirms once more the band’s refusal to stand still, soften its gaze, or offer easy answers.

Line-up:
Music - Greaves / Words — Patterson
Justin Greaves — Guitars, Drums, Samples
Ryan Patterson — Vocals
Belinda Kordic — Backing Vocals
Wes Wasley — Bass
Robin Tow — Percussion
Lucy Marshall — Synths

Apparently recorded at various times during 2023 to 2025 at:
Chapel Studios, Lincolnshire, UK
Engineered by Pieter Rietkerk

Additional sessions at:
Kapsylen Studio, Stockholm, Sweden
Engineered by Jörgen Jugglo Wall.
House Of Foto, Louisville, KY, USA
Engineered by Ryan Patterson
Mixed by Iver Sandøy at Solslottet Studio, Bergen, Norway.
Mastered by Magnus Lindberg, Stockholm, Sweden
Additional mixing by Pieter Rietkerk at Chapel Studios
Produced by Justin Greaves

Artwork by Erebus Art (Thanasis Stratidakis)


Thank to everyone who helped and supported this venture.

BIG thankye! to Kurt Ballou for his input and work on this album.

All CBP music published by Season Of Mist Publishing.

Lyrics for “No Epitaph, “The Precipice”, “Vampire Grave”, “Beautiful Destroyer”
Copyright 2026 Ryan Patterson (BMI)

Follow Crippled Black Phoenix:
Bandcamp: https://riseupandfight.bandcamp.com/
Facebook: https://www.facebook.com/CBP444/
Instagram: https://www.instagram.com/cbp_444/
Apple Music: https://music.apple.com/artist/crippled-black-phoenix/251718934
Spotify: https://open.spotify.com/artist/6WEyPcf9ezhNLm1xOBjbwH
Tidal: https://tidal.com/browse/artist/3607159
Deezer: https://www.deezer.com/artist/391823

Crippled Black Phoenix Release Gothic New Single “Vampire Grave”

CRIPPLED BLACK PHOENIX are releasing “Vampire Grave”, the third and final advanced single from the UK macabre rock band’s upcoming album Sceaduhelm. The song is one of the album's most immediately compelling, built around a central image of chosen decay and the kind of intimacy that survives only by abandoning the living world entirely. It features Louisville, Kentucky’s Ryan Patterson of the band’s Fotocrime, Coliseum and Mirrorless.  

Listen to “Vampire Grave” below:

Sceaduhelm comes out April 17th via Season of Mist.

Pre-order & pre-save

https://orcd.co/cbpsceaduhelm

Pre-save on Spotify

https://open.spotify.com/prerelease/6jvoEOyJQXUQmdI1WlVXrK

Written by Justin Greaves with lyrics by Ryan Patterson, "Vampire Grave" frames disillusionment not as crisis but as conclusion. Patterson's lyric follows a narrator who has quietly stopped arguing with the terms of existence and arrived, without drama, at an alternative: immortality in death alongside another person, in a grave of their own choosing. The vampire conceit is not deployed for atmosphere alone. It carries a genuine emotional logic, the sense that if there are no winners in life, then permanent withdrawal becomes the only rational act of devotion. The phrase "bloodsick and depraved" sets the register early, and the song does not soften from there.

Patterson, who has collaborated with Justin Greaves and Crippled Black Phoenix across several projects, speaks to the immediacy of the song's central image: "‘Vampire Grave’ was the first song we did together for this album; Justin sent me the music with that working title and I immediately imagined two immortal lovers, blood junkies on an eternal death trip. It's a barn-burner of a song driven by Justin's drums and guitar, and perfectly completed by Belinda's creepy and beautiful backing vocals. It's one of my favorite vocal performances and I'm excited for people to hear it."

Belinda Kordic joins Patterson on backing vocals, her presence lending the song a layered intimacy that runs deeper than mere arrangement. The song also features percussion from Robin Tow and synths from Lucy Marshall, building a density that distinguishes it from some of the album's starker, more skeletal compositions. The result is a song that remains entirely within Sceaduhelm's emotional territory while offering a stronger immediate grip than much of the surrounding material.

As with previous releases, Justin Greaves remains the sole composer of the music, each composition emerging from his own emotional and creative impulse. The lyrical dimension is separate and equally personal. The words and themes are written by the vocalists themselves, each lyricist expressing their own feelings, experiences, and perspectives rather than interpreting someone else’s narrative. Belinda Kordic, Ryan Patterson, and Justin Storms each author their own texts, bringing distinct emotional viewpoints into the material.

Lyrically and thematically, Sceaduhelm is preoccupied with exhaustion as a condition rather than a moment, with time framed not as a healer but as an eroding force. Songs address burnout, grief, surveillance, institutional violence, and damaged intimacy, often blurring the line between the personal and the political. Musically, the album favours restraint over release, employing repetition, minimalism, and slow escalation to sustain tension without catharsis. Recorded across multiple locations and mixed with deliberate austerity, the record resists warmth, clarity serving discomfort rather than solace.

Within Crippled Black Phoenix’s wider catalogue, Sceaduhelm does not seek to resolve previous narratives or replicate past high points. Instead, it documents a moment of exposure and endurance, listening closely to what remains when spectacle fades and outrage exhausts itself. It stands as a severe, human record, concerned less with declaration than with persistence, and affirms once more the band’s refusal to stand still, soften its gaze, or offer easy answers.

Biography:

Sébastien Gamez

Pre-save & Pre-order: https://orcd.co/cbpsceaduhelm

Publicists:

EU/World:

Sébastien Gamez

sebastien.gamez@season-of-mist.com

US/South America:

Will Yarbrough

will.yarbrough@season-of-mist.com

Follow Crippled Black Phoenix:
Bandcamp: https://riseupandfight.bandcamp.com/
Facebook: https://www.facebook.com/CBP444/
Instagram: https://www.instagram.com/cbp_444/
Apple Music: https://music.apple.com/artist/crippled-black-phoenix/251718934
Spotify: https://open.spotify.com/artist/6WEyPcf9ezhNLm1xOBjbwH
Tidal: https://tidal.com/browse/artist/3607159
Deezer: https://www.deezer.com/artist/391823

Crippled Black Phoenix Release New Single “Colder and Colder”

CRIPPLED BLACK PHOENIX return with “Colder and Colder”, the second advanced single off their upcoming album Sceaduhelm. The new single stands as one of the album’s starkest meditations on emotional finality, articulating the quiet shock of love slipping irretrievably away. The band are premiering the song today via Decibel Magazine.

Listen to Colder and Colder  Below:

Sceaduhelm comes out April 17th via Season of Mist.

Pre-order & pre-save: https://orcd.co/cbpsceaduhelm

Pre-save on Spotify: https://open.spotify.com/prerelease/6jvoEOyJQXUQmdI1WlVXrK

Composed by Justin Greaves, with lyrics & vocals by Justin Storms of Wailin Storms, “Colder and Colder” unfolds with restrained intensity.

“I received this song from Greaves along with the title and immediately was drawn to the melancholic sound”, Justin Storms reflects. “I remember when I first put on my headphones and listened to ‘Colder and Colder’. I started to hum a few melodies while listening to the song.

Those early fragments quickly solidified into the song’s core lyrical motif. “It didn’t take long to write down some of the phrases that became the song’s verses,” Storms continues, “‘colder and colder, see your hand on my shoulder, colder and colder, see your eyes looking over’. I wanted to create a rhythmic sort of pattern with the song title and the vocal elements.

Justin Greaves positions “Colder and Colder” as a bridge within Sceaduhelm. “Musically, ‘Colder And Colder’ is one of my favorites on Sceaduhelm. It’s the link between classic CBP style and the more austere dark pop aspect of how I write.

The song’s title, which was selected from an existing list of ideas, crystallizes the mood. “Working with Storms on this song was a total victory”, Greaves says. “He’s an awesome vocalist and his lyrics really give it a chilling tragic story.”

Recorded between 2023 and 2025 across Chapel Studios in Lincolnshire, Kapsylen Studio in Stockholm, and House Of Foto in Louisville, Sceaduhelm was produced by Justin Greaves, mixed by Iver Sandøy at Solslottet Studio in Bergen, and mastered by Magnus Lindberg in Stockholm.

Within Crippled Black Phoenix’s wider catalogue, Sceaduhelm does not seek to resolve previous narratives or replicate past high points. Instead, it documents a moment of exposure and endurance, listening closely to what remains when spectacle fades and outrage exhausts itself. It stands as a severe, human record, concerned less with declaration than with persistence, and affirms once more the band’s refusal to stand still, soften its gaze, or offer easy answers.

Biography:

Sébastien Gamez

Pre-save & Pre-order: https://orcd.co/cbpsceaduhelm

Publicists:

EU/World:

Sébastien Gamez

sebastien.gamez@season-of-mist.com

US/South America:

Will Yarbrough

will.yarbrough@season-of-mist.com

Follow Crippled Black Phoenix:
Bandcamp: https://riseupandfight.bandcamp.com/
Facebook: https://www.facebook.com/CBP444/
Instagram: https://www.instagram.com/cbp_444/
Apple Music: https://music.apple.com/artist/crippled-black-phoenix/251718934
Spotify: https://open.spotify.com/artist/6WEyPcf9ezhNLm1xOBjbwH
Tidal: https://tidal.com/browse/artist/3607159
Deezer: https://www.deezer.com/artist/391823

Crippled Black Phoenix Announce Stark New Album 'Sceaduhelm'

CRIPPLED BLACK PHOENIX are announcing their new album Sceaduhelm with a new video for its lead single “Ravenettes”. One of the first songs written for Sceaduhelm, “Ravenettes” establishes the album’s emotional framework. Built on repetition, restraint and controlled momentum, the song captures a state of psychological vigilance, where suppressed memories resurface without warning and avoidance proves brief.

Watch the music video for “Ravenettes” below:

Sceaduhelm comes out April 17th on Season of Mist.

Pre-order

https://orcd.co/cbpsceaduhelm

Pre-save on Spotify

https://open.spotify.com/prerelease/6jvoEOyJQXUQmdI1WlVXrK

“Ravenettes” frames trauma as cyclical rather than resolved, returning again and again as a glitch in the timeline. The song’s stripped-back construction and insistent rhythmic pulse mirror the sense of inevitability by favoring tension over release. Vocalist Belinda Kordic remains measured and urgent, carrying the song’s unease without exaggeration. Within the wider context of Sceaduhelm, “Ravenettes” introduces the album’s inward focus on endurance, emotional erosion, and the quiet violence of repetition, setting the foundation for what follows…

The official music video for “Ravenettes” was produced in collaboration with 9LITER FILMY, an audiovisual production collective, who are recognized for cinematic restraint and emphasis on mood-driven storytelling. Known for work that favors atmosphere, repetition and visual tension over linear narrative, 9LITER FILMY’s approach mirrors the song’s exploration of memory as disruption rather than closure.

Lyrically and thematically, Sceaduhelm is preoccupied with exhaustion as a condition rather than a moment, with time framed not as a healer but as an eroding force. Songs address burnout, grief, surveillance, institutional violence, and damaged intimacy, often blurring the line between the personal and the political. Musically, the album favours restraint over release, employing repetition, minimalism, and slow escalation to sustain tension without catharsis. Recorded across multiple locations and mixed with deliberate austerity, the record resists warmth, clarity serving discomfort rather than solace.

Within Crippled Black Phoenix’s wider catalogue, Sceaduhelm does not seek to resolve previous narratives or replicate past high points. Instead, it documents a moment of exposure and endurance, listening closely to what remains when spectacle fades and outrage exhausts itself. It stands as a severe, human record, concerned less with declaration than with persistence, and affirms once more the band’s refusal to stand still, soften its gaze, or offer easy answers.

Biography:

Sébastien Gamez

Pre-save & Pre-order: https://orcd.co/cbpsceaduhelm

Available Formats:
CD Digipak
Digital Download
2CD Slipcase
2x12" Vinyl Gatefold - Black
2x12" Coloured Vinyl Gatefold - Violet
​2x12" Coloured Vinyl Gatefold - Red & Black Marbled
2x12" Coloured Vinyl Gatefold - Silver & Green Marbled
​2x12" Coloured Vinyl Gatefold - Half Black, Half Transparent w/ White Splatters


Publicists:

EU/World:

Sébastien Gamez

sebastien.gamez@season-of-mist.com

North/South America:

Will Yarbrough

will.yarbrough@season-of-mist.com

Follow Crippled Black Phoenix:
Bandcamp: https://riseupandfight.bandcamp.com/
Facebook: https://www.facebook.com/CBP444/
Instagram: https://www.instagram.com/cbp_444/
Apple Music: https://music.apple.com/artist/crippled-black-phoenix/251718934
Spotify: https://open.spotify.com/artist/6WEyPcf9ezhNLm1xOBjbwH
Tidal: https://tidal.com/browse/artist/3607159
Deezer: https://www.deezer.com/artist/391823