SILVER SANDS MARINA Debuts with a Beyond-Packed Pinnacle Pop-Up Show

Kenny Chesney hit Nashville’s The Pinnacle with new music blazing. To celebrate the release of Silver Sands Marina, the eclectic 11-song record that embraces the nuances that define life, the East Tennessee songwriter/superstar threw an impossibly small pop-up show at Nashville Yards' venue to showcase the project, but also create an opportunity for No Shoes Nation to come together through the music. Beyond the few thousand who were able to get tickets to the gone-in-seconds performance, Chesney broadcast the concert live on his No Shoes Radio, Ch. 59 on SiriusXM.

Opening with the jubilant “Summertime,” Chesney ran straight into the surging “Here and Now” and “Beer In Mexico” before downshifting a little for the three-week No. 1 “Save It For A Rainy Day.” That momentum set up a three-song Silver Sands Marina mini-set that included the sweeping “Burn My Boat,” the euphoric heartbreak song “Goldfish” and the low slung, small town gossip swagger “Talkin’ Dirt.”

“Having listened to some of these tracks for two, three years,” Chesney says, “it was time for them to live out in the open. Playing those three songs back-to-back reminds me that it’s when the song meets the band and the people who love this music, we create a whole new relationship with the songs. There’s how we feel it, how people listening experience it – and what happens when we’re together.”

For an audience filled with college kids, people in t-shirts from various tours, Dolly Parton doubles celebrating 9/2-5, athletes, a section of industry VIPs, local fans, people who came in from Florida, South Carolina and Vermont, it was being part of a moment of arrival for an album the Associated Press proclaimed is “full-throated stadium country, with big hooks and bigger heart,” while Billboard raved is, “placing a premium on top-shelf songwriting that balances lyrical wit and emotional resonance.”

The 22-song set delivered a powerful take on “Silver Sands Marina,” a sing-along “Carry On” and the fullness of time “Remember Me That Way,” as well as “Ain’t Back Yet,” last played in 2015, the smoky, “Somewhere With You” or the life-recapping “I Go Back,” it was a night that focused on how you choose to view the moments. 

On the plaza outside, HEY NOW Records replicated the massive Silver Sands Marina. Not only the pink building that graces the album cover, but a giant postcard, a massive plexiglass fishbowl with two larger than life goldfish, pier carnival games and photo booths, food trucks, a limited edition vinyl store and places to visit with old friends, people you just met and take pictures to remember the moment.

“One of the things I’ve learned from talking to people about this record, the songs they’ve leaned into is how hungry we all are to be together, that human connection – and the desire to turn down all the things that divide us. I put ‘Get Along’ and ‘Everything’s Gonna Be Alright’ into the set, too, because it hit me, that’s what people are seeking – and all the interviews I’ve done feel like the songs on Silver Sands Marina fill that void.”

Joining Chesney as a surprise walk-on was fellow East Tennessee dreamer/songwriter/guitarist Greylan James, who will open next year’s Original Vibe Room Tour. They shared the stage for “Born,” the bluegrass-harmonied life-defining celebration that the Academy of Country Music Song of the Year winner co-wrote, which became the title track of Chesney’s 2024 album.

“Country music runs on dreams,” Chesney said after the show. “And life runs on music. Over the years, it’s about how do you put the positivity, the philosophy, the hard stuff and the sheer joy into the world without preaching. Wherever people are, whatever people need – whether it’s a good time, a postcard to remember or somebody laughing about the gossip – I hope that’s what we’re putting out there. It’s what drew me to town, and it’s what keeps me seeking songs and taking this pirate ship out on the road.”

Kenny Chesney at his pop-up show at The Pinnacle in Nashville Yards on Friday, Sept. 25, 2026, celebrating the release of Silver Sands Marina. | Photo Credit: Allister Ann

Eric Church Launches 2026 with GRAMMY-Nominated 'Evangeline vs. The Machine' Tour, IMAX Film & Live Album

With his latest critically acclaimed project, Evangeline vs. The Machine, up for the Best Contemporary Country Album nod at next weekend’s GRAMMY Awards, 11-time nominee Eric Church is already entering 2026 at full throttle. Last night, Jan. 22, the Chief launched the new year with an intimate underplay at Washington, D.C.’s The Anthem, kicking off leg 2 of his Free the Machine Tour and setting the stage for a spring run from the man celebrated by Pollstar for “his high-energy, Springsteen-esque marathon performances.”
 
The Free the Machine Tour returns following a landmark 2025 run that reaffirmed Church’s reputation for pushing the boundaries of the live concert experience. The 2026 dates carry that same spirit forward, pairing large-scale ambition with moments of raw immediacy.
 
That energy is captured on today’s release of “Give Me Back My Hometown (Live At The Pinnacle, Nashville, TN / May 24, 2025).” The reimagined version of Church’s 2x Platinum, chart-topping hit appears on the forthcoming Evangeline vs. The Machine Comes Alive (Original Motion Picture Soundtrack) arriving Feb. 13 via MCA. The 19-track live album serves as a companion to the IMAX® exclusive theatrical release of Evangeline vs. The Machine Comes Alive on Feb. 11 and 14.
 
Church hosted a special screening event for members of his passionate Church Choir in Nashville earlier this week, previewing the limited theatrical release that showcases Church performing his GRAMMY-nominated eighth studio album front-to-back before transitioning into select catalog hits, all reimagined with a six-piece band, four-piece horns, four-piece strings, eight-piece choir and vocalist Joanna Cotten. Filmed across two nights at The Pinnacle in Nashville, Tenn., the performance comes to life through a unique perspective that can only be achieved in IMAX. A full list of locations for the February showings is available via IMAX.com/EricChurch, with tickets on sale now.
 
With a new live release out today, the Free the Machine Tour back on the road and both an IMAX film and live album on deck, Church’s 2026 is already defined by momentum that continues to challenge expectations and reaffirm his place at the forefront of modern country music.
 
For more information on all to come, visit EricChurch.com and follow on Facebook and Twitter/X @ericchurch and on Instagram @ericchurchmusic.

2026 Free the Machine Tour Remaining Markets, Venues and Special Guests:
Jan. 23  ||  Washington, D.C.  ||  The Anthem  ||  Caylee Hammack
Feb. 5  ||  Omaha, Neb.  ||  CHI Health Center  ||  Ella Langley
Feb. 6  ||  Sioux Falls, S.D.  ||  Denny Sanford PREMIER Center  ||  Ella Langley
Feb. 7  ||  St. Paul, Minn.  ||  Grand Casino Arena  ||  Ella Langley
Feb. 12  ||  Toronto, Ont.  ||  Scotiabank Arena  ||  Ella Langley
Feb. 13  ||  Buffalo, N.Y.  ||  KeyBank Center  ||  Ella Langley
Feb. 14  ||  Albany, N.Y.  ||  MVP Arena  ||  Ella Langley
Feb. 19  ||  North Little Rock, Ark.  ||  Simmons Bank Arena  ||  49 Winchester
Feb. 20  ||  Kansas City, Mo.  ||  T-Mobile Center  ||  49 Winchester
Feb. 21  ||  St. Louis, Mo.  ||  Enterprise Center  ||  49 Winchester
Feb. 26  ||  Tulsa, Okla.  ||  BOK Center  ||  Stephen Wilson Jr.
Feb. 27  ||  Fort Worth, Texas  ||  Dickies Arena  ||  Stephen Wilson Jr.
Feb. 28  ||  Austin, Texas  ||  Moody Center  ||  Stephen Wilson Jr.
Mar. 5  ||  Knoxville, Tenn.  ||  Thompson-Boling Arena at Food City Center  ||  49 Winchester
Mar. 6  ||  Greensboro, N.C.  ||  First Horizon Coliseum  ||  49 Winchester
Mar. 7  ||  North Charleston, S.C.  ||  North Charleston Coliseum  ||  49 Winchester
Mar. 19  ||  Birmingham, Ala.  ||  Legacy Arena at the BJCC  ||  49 Winchester
Mar. 20  ||  Atlanta, Ga.  ||  State Farm Arena  ||  49 Winchester
Mar. 27  ||  Hollywood, Fla.  ||  Hard Rock Live  ||  Kashus Culpepper
Apr. 3  ||  Greenville, S.C.  ||  Bon Secours Wellness Arena  ||  Ashley McBryde
Apr. 4  ||  Charlotte, N.C.  ||  Spectrum Center  ||  Ashley McBryde
Apr. 10  ||  Jacksonville, Fla.  ||  VyStar Veterans Memorial Arena  ||  Ashley McBryde
Apr. 11  ||  Tampa, Fla.  ||  Benchmark International Arena  ||  Ashley McBryde

About Eric Church
A seven-time ACM Award winner, four-time CMA Award winner (including 2020’s Entertainer of the Year), TIME100 Philanthropy 2025 honoree and 11-time GRAMMY nominee – including four nods for Best Country Album, Eric Church has built a passionate fan base through his critically acclaimed catalog of music. Church’s October 2024 release, “Darkest Hour,” saw the superstar signing over all of his publishing royalties to the people of North Carolina to provide immediate relief following the devastation of Hurricane Helene while also providing ongoing funds to support a more resilient future for his home state. The song is featured alongside current single “Hands Of Time” on his latest album, Evangeline vs. The Machine, marking his first new music since 2021’s Heart & Soul triple album (“Stick That In Your Country Song,” “Hell Of A View”). That project followed prior releases including RIAA Gold-certified Desperate Man (“Some Of It,” “Desperate Man”), Platinum-certified Sinners Like Me (“How ’Bout You,” “Guys Like Me”), Carolina (“Smoke a Little Smoke,” “Love Your Love the Most”) and Mr. Misunderstood (“Record Year,” “Round Here Buzz”), Double-Platinum certified The Outsiders (“Like a Wrecking Ball,” “Talladega”) and 4x Platinum-certified Chief (“Springsteen,” “Drink In My Hand”), as well as 32 Gold, Platinum and multi-Platinum certified songs. Church is also a minority owner of the Charlotte Hornets, a co-owner of the iconic Field & Stream brand, and has his own SiriusXM music channel, “Eric Church Outsiders Radio,” his own liquor offering, Whiskey JYPSI, and his own six-story venue on Nashville’s famed lower Broadway, Chief’s.