The Intemperate Sons Release Heavier, High Energy Cover of Nirvana's "Dumb"; New Album 'Dark Day’s Night' Out Now via FRAME|WORK

July 14, 2024

The Intemperate Sons have unveiled their latest song, a heavier more high energy cover of Nirvana's "Dumb," featured on their newly released album, Dark Day’s Night.

STREAM "Dumb"

https://ffm.to/tisdumb

WATCH "Dumb" (A Nirvana Cover) by The Intemperate Sons Below.

This album takes a darker turn from their debut, mirroring the tumultuous times we live in today. In Dark Day's Night, The Intemperate Sons explore the hidden demons within us all that no one else can see, reflecting the notion that the brightest souls often burn the shortest before fading away.

Immerse yourself in the gritty sonic landscape of The Intemperate Sons' second album, Dark Day's Night. With tracks like the haunting title song, the introspective "Falling Under," and the reflective "Way Back When," this album weaves a compelling story of resilience amidst turmoil. "Unrealized" and "CØNTRØL8" delve into the battle for autonomy in a disordered world, while "Game of Keep Away" offers a raw take on the struggle of self-destruction and survival. The album also features a heavier, more intense cover of Nirvana's "Dumb," adding a unique layer to this already diverse album. Dark Day's Night is not just an album; it's a journey through the shadows, echoing with the sounds of defiance and liberation.

The Intemperate Sons release all their music through the Frame|Work record label at the direction of Amir Derakh and Ryan Shuck. All Intemperate Sons’ tracks are mixed by Amir Derakh at Synthicide in Long Beach, CA. All mastering is done by Mike Marsh Mastering in the U.K.

Dark Day's Night is available HERE

The Intemperate Sons emerged onto the rock scene in the summer of 2019 in Dallas, TX, to bring their distinct sound to the genre. A deep love for music brought family members Keith Watson (drums), Jake Watson (guitars) and Max Watson (vocals, guitars, keys) together along with close friend Mark Marks, who provides the groove on bass to unite everything together. The band's sound has been described as a 90's alternative style that is obsessed with the 70's.

Keith is well acquainted with entertaining massive crowds of concert goers and has played with many successful bands in Dallas, such as Gun Hill, Natural Born Thrillersand Agents of Solace, on top of opening for Lynch Mob, Joe Lynn Turner and Sponge. He is the primary lyricist for the band and has written the music for some of their most successful songs, including “Dust to Dust,” “The Color Within,” and “Unrealized.”

Multi-talented and gifted with the ability to play various instruments, Max is also the lead vocalist of the group. Along with being musically dexterous, he has also collaborated with Keith to write lyrics on the released songs “Going Crazy” and “Way Back When.” In the studio, Max usually surmounts expectations and goes above and beyond to prepare prior to a session with his own vocal harmonies.

Jake is the song architect of the Sons and extremely instrumental in the crafting of the music. His inventive ways of bringing lyrics to life in clever ways are unprecedented and fascinating to see in the studio setting. He is a prolific writer of music as well and is credited with helping create the songs “What’s Done is Done,” “Remission,” “Way Back When” and “Wading in the Gray.” Both Max and he play lead guitar on many of the songs as well. The other members of the band fondly refer to him as the “art director” since he enjoys taking charge in those areas for the group.

Prolific and unifying, Mark is an accomplished bass player and well known in Dallas. He was in the regionally successful band, Haggard, and had opened for Sebastian Bach of Skid Row. His input in song writing has been invaluable to the process of creating captivating melodies.

Despite the pandemic putting a pause on many major events, The Intemperate Sonslived up to their name and let nothing hold them back from making music. Constantly hard at work in the studio, they have collaborated with Amir Derakh (Julien-K, Dead by Sunrise, Orgy, Rough Cutt) and Ryan Shuck (Julien-K, Adema, Dead by Sunrise, Orgy). Both have lent their musical talents to various songs and ultimately have brought the Sons on to their label, Frame|Work. This led the band to also recently join the management roster at The Label Group. Ryan worked with Amir to produce the band’s upcoming track, “Game of Keep Away,” and has had a huge impact on the group. He’s been especially influential on Max’s vocal melodies and delivery. Amir also plays guitar on this latest ballad and has been mixing all of the band’s music as well as performing on multiple songs.

Another notable collaboration has been with Tony Franklin (The Firm, Roy Harper, Kenny Wayne Shepherd, Whitesnake), primarily on the first album, The Color Within. He has been a valuable friend of the band and has played bass on some of their best tracks from that album, including “Running Man,” “Dust to Dust” and “The Color Within.”

The Intemperate Sons’ take on alternative rock is a dark and powerful concoction of hard rock mixed with folk and grunge concepts. The band has earned a serious reputation for writing and performing tracks that scratch deep into the backbone of the human experience. There is no shortage of darkness in their writing style, which has a retro vibe with many guitar-driven tracks stacked on top of a groovy rhythm section. The heavier style fits perfectly with the two and three-part vocal harmonies that are a huge part of their overall sound. It has been said that musicians that are related form unique sounds and communicate at a frequency only they can understand. This frequency has become engrained in their songwriting, arrangements, guitar melodies and vocal harmonies. The band has been compared to Alice in Chains, Stone Temple Pilots and even R.E.M.

Please get in touch if you would like to interview the band.

The Intemperate Sons are:

Max Watson (vocals, backing vocals, guitars, keys, bass)

Jake Watson (guitars, bass and backing vocals)

Keith Watson (drums, backing vocals)

Mark Marks (bass)

The Intemperate Sons Show Dates:

Sat July 20 @ Longhorn Icehouse in Dallas, TX
Sat July 27 @ The Railhead Saloon in Lawton, OK
Sat Aug 3 @ Hanovers Draught Haus in Pflugerville, TX w/ A Good Rogering
Fri Sep 6 @ The Zone Grill & Bar in Abilene, TX w/ Julien K & Grey Daze
Sat Sep 7 @ Fitzgerald's Bar & Live Music Venue in San Antonio, TX w/ Julien K & Grey Daze
Sat Oct 26 @ Lonestar Bulldog Rescue Benefit in Denton, TX
Wed Nov 13 @ Whisky A Go Go in West Hollywood, CA w/ Tantric
Sat Nov 16 @ Come And Take It Live in Austin, TX w/ A Good Rogering

For More Information Please Visit:

The Intemperate Sons

FRAME|WORK

Introducing Hunter Oliveri! Singer Drops "Dumb" Video — WATCH

September 7, 2023

Hunter Oliveri doesn't profess to having it all figured out.

At just 17, the artist is still making sense of himself — who he is, what he stands for, where his life is going. He doesn't arrive as the next ready-made rock star action figure cast in plastic. There is an unquestionable realness about the way he makes sense of life through his music. But he exhibits a surety of mind beyond his years, to create music that connects and inspires, and that will stoke the growing fire of rock's recent renaissance.

Spinefarm is pleased to announce that Hunter Oliveri has signed to the label's international roster. He has also shared the video for "Dumb."

The clip instantly transports the viewer to a gloriously misspent youth, simply in search of the next feel good moment — be it the next blunt, the next swill of beer, or the next hang session with a friend or a crew. It also offers keen insight into Oliveri's sound and songwriting, not to mention his wild coif of curls!

Watch it below.

"Dumb" boasts a baggy, distorted riff weaving around an earworm melody and a singalong chorus that finds Oliveri chewing over how "I made a home in the chip on my shoulder / I know I could change / but I'd rather be dumb."

It's a fitting look into the heart of a young and hungry artist, who is looking to hold onto and suck the marrow out of his youth and the right here, right now.

"My mom wants me to get a job, two jobs, everything's expensive as fuck, I have friends making more on OnlyFans than college graduates/doctors, everything's dumb," Oliveri says. "So I tried to grab the feelings I have on the daily of: What is the point of doing what my parents want me to do when shit just feels dumb as fuck?”

He continues, "I bet a lot of kids could relate to having people tell you to go to college, find a steady career, have a family, and be a part of this fucked up system, when in reality, I just want to be a kid my entire life, chase girls, skate, smoke, hang with my friends, and make music. I hope the song connects with anyone who just wants to forget all their problems and live life without all the bullshit. Just rather be 'Dumb.'"

So what else do you need to know about Hunter Oliveri, whose previous single "Kids" was tipped by Pigeons + Planes? Plenty!

His songs channel the alternative and grunge blueprint of his musical heroes — like Chris Cornell and Soundgarden, Billy Corgan and the Smashing Pumpkins — imbued with the playful opaqueness of Kurt Cobain's lyricism and the easy slacker hooks of Weezer.

Like all of Oliveri's music, it speaks to the messiness of growing up. It sounds exactly like that, too. He simply writes what he knows.

There are songs about partying too hard and songs about loving too much; songs about last night's headrush highs and the morning-after's anxious comedown. There are songs for when you seek the comfort of relatability, and there are songs for when you want to simply say "fuck it all."

They are the product of the humble authenticity of someone who's grown up in a place no different to a million others the world over. Most have never heard of Paso Robles, CA, and might never again. There's sunshine, strip malls, and vineyards that outnumber venues ten to one, where the nearby underground music scene of San Luis Obispo a few miles down the road is more accessible than anything resembling the bright lights of L.A. two hours to the south or San Francisco up north. "It's a boring city, but we make the most of it," Oliveri shrugs. "We'll go skating, or hang out and smoke. And anyway, it's fun to go moshing in someone's basement."

It's no surprise, then, that Oliveri is used to creating more interesting scenes than those that existed outside his window. As a kid, he would do so in the stories he dreamt up in his bedroom. "I like writing stories about worlds I'd want to live in," he says, "which made my own world seem so much bigger."

Such creativity inevitably morphed into songwriting in his early teenage years — though music had long since embedded itself within him. "I was probably four years old when I first heard 'Smells Like Teen Spirit' around my parents’ house," he recalls of music's omnipresence in his life. "I never knew the name of the song but every time I heard it, I'd be like, shit, it's that song. It would give me this majestic feeling." He laughs that his mom holds a video recording of her son gamely plucking through a rendition of a Metallica song (it was the epic "One") at his Kindergarten graduation performance. His dad — an avid fan of Korn and Tool — meanwhile tells him that his parents met at Woodstock; not the peace-and-love of Woodstock '69, but, more aptly, the confusion-and-chaos of Woodstock '99.

A chance meeting at age 14 with a local producer's father while in a coffee shop with his grandpa was the first domino to fall in Oliveri's music story. The rest is a history still to be written. "I've been so incredibly lucky, but I've manifested this, too," he says. "I've always known writing music would be my life. I just had to make it happen. It was hard to find kids around my city that played instruments and wanted to be in a band, but I've been writing songs every day in my bedroom since I was maybe 13 years old. It takes me to a different place."

Those songs are anthems for those disassociated with the world on their doorstep, the soundtrack to growing up marooned inside a digital world that Oliveri speaks of with disdain as "rotting people’s brains."

"I want to bring people into my world through my music," he adds. "I want people to feel something when they listen to my music, and to relate to me, and for me to be a friend and an outlet for them."

And as for everything else?

Well, he'll figure it out as he goes.

ENVY OF NONE RELEASE NEW SINGLE “DUMB (Der Dummkopf remix)”

July 21, 2022

Following the release of their debut self titled album, which charted worldwide and garnered praise from both fans and media, Envy Of None, the new project featuring Alex Lifeson (Rush), Andy Curran (Coney Hatch), Alfio Annibalini and singer Maiah Wynne have released a new digital single ( https://envyofnone.lnk.to/DumbRMX )and lyric video for a remix of the album track “DUMB” – “DUMB (Der Dummkopf remix)”.

“DUMB (Der Dummkopf remix)”, was created collectively by Envy Of None and chosen for the remix as it had proven to be one of the band’s favourite tracks from the album.

Envy Of None bassist Andy Curran comments on the process “The approach we took was to create a different version that also kept the spirit of the original. The seeds of DUMB were focused around the relentless bass line that sits under the chorus. The lyrical hook was something me & Maiah co-wrote trying to have fun with the 1+1=3 line as well as the “dumb dee dumb” lines. We always felt the song had a bit of a Euro-electronic dance vibe so on the remix we really pushed that button. Not only did Maiah add back in some her original vocal tracks which don’t appear on the original version, we added three additional drum loops, some keyboard pads and had fun with some voice samples layered in throughout the song. Lastly we added a new intro for the song as well as an outro which Maiah created after she heard some of the first few remixes passes. We really just had fun messing the hair up of this song while trying to keep its simple charm. But as per usual, it really was a joint effort - all 4 EONs had their fingers in the making of this pie! The video was also a blast to be part of. Hope you like it!”

Envy Of None, feature Rush’s Alex Lifeson, Coney Hatch founder/bassist Andy Curran, accomplished producer and engineer Alfio Annibalini and singer-songwriter Maiah Wynne, their self-titled 11 track debut album ricochets between various shades of alternative, experimental and synth rock, throwing surprises at every turn, twisting dark melodies against contemporary pop hooks.

WHAT THE PRESS SAY:

An engaging album that rewards repeat listens - Prog Magazine
Rich in its creativity – 4* - Record Collector
It may be a new musical avenue, but Alex and co sound most appealing – 8/10 - Guitar Techniques
Effective, modern, inspired tracks, a catchy and electro album set the bar very high! Album Of The Month - Rock Hard (Fr)
Ethereal sounding, oriental and kind of Industrial Rock – Lifeson breaks new ground - Good Times (DE)
The songs are without exception really intriguing and surprisingly catchy. Singer Wynne and her beautiful voice are a true discovery. - Lust For Life (NL)
Fresh sound fuelled by Alex Lifeson’s restrained guitar and newcomer Maiah Wynne’s ethereal vocals - Next Magazine (CAN)
Something truly beautiful and unique - Ultimate Guitar

WHAT ENVY OF NONE SAY:
“Were thrilled so far with the response for our new record. It’ s been nice to read all the positive comments and know that people are enjoying the record as much as we did making it. Four proud EONs!"
XoXo Envy of None

Envy Of None’s self-titled album is out now on Kscope on the following formats. Available to ORDER HERE (https://eon.lnk.to/EnvyOfNone)

Ltd Edition deluxe version – presented in a gatefold sleeve with a blue coloured vinyl LP, 2 CDs including a 5-track bonus disc, 28 page Booklet with exclusive content.

CD – includes a 16-page poster booklet
LP – on black vinyl / baby blue coloured vinyl (North America exclusive) / white coloured vinyl
Digital

Envy Of None are:
Alf Annibalini - Guitar, Keyboards, Programming
Andy Curran - Bass Guitar, Synthesized Bass, Programming, Guitar, Background Vocals, Stylophone
Alex Lifeson- Guitar, Mandola, Banjo, Programming
Maiah Wynne - Lead Vocals, Background Vocals, Keyboards

Follow Envy Of None:
https://www.instagram.com/envyofnone_
https://twitter.com/envyofnone_
https://www.tiktok.com/@envyofnone_
https://www.facebook.com/envyofnone
www.kscopemusic.com/artists/envyofnone