Jenna Paulette’s 20-track ‘The Girl I Was: Red Dirt Deluxe,’ Celebrates One Year of Her Debut Album

In the year that has passed since releasing her debut album The Girl I Was, Jenna Paulette has made her Grand Ole Opry Debut, performed the National Anthem at the National Finals Rodeo and, most recently, signed a record deal with Leo33. The singer/songwriter from Lewisville, Texas is celebrating her year of milestones with the release of the 20-track The Girl I Was: Red Dirt Deluxe, available tomorrow. 
 
Paulette notes it’s been a journey of self-discovery and redemption, “Red Dirt Deluxe connects my first record to what is coming—an exploration while returning to my roots. These songs hold a very special place in my heart, and I hope they’re as cathartic for listeners as they were for me.”
 
The Girl I Was: Red Dirt Deluxe was produced by Will Bundy. Alongside the 16 original tracks fans have streamed more than 32 million times, the deluxe will also feature four reimagined renditions of fan-favorites “Anywhere the Wind Blows,” “Slow Drawl,” “Country in the Girl” and “The Girl I Was.”
 
Paulette’s debut album, The Girl I Was, was released in March 2023. She swiftly earned critical acclaim from People MagazineGrammy.com, was named an Apple Music Country Riser of the Month and a CMT’s Next Women of Country.
 
Paulette is currently on the road with Aaron Watson as part of his The Armadillo Dance Hall Tour. For more information on new music and upcoming shows, visit jennapaulette.com or follow @JennaPaulette on all social platforms.

About Jenna Paulette: 
A CMT Next Women of Country in 2022 and Apple Music’s Country Riser of the Month for March 2023, singer-songwriter Jenna Paulette — a cowgirl who came of age amid the gritty realities of ranch life — is part of Nashville’s growing wave of female artists who are rewriting the rules and charting their own paths. Paulette settled in Nashville in 2015, where she struck up a mentorship with Ashley Gorley – a veteran songwriter with 60+ No. 1 tunes under his belt – which ultimately led to her publishing deal with Sea Gayle Music in June 2021. Since collaborating with songwriters Will Bundy, Rhett Akins and Jessie Jo Dillion, as well as opening for Mason Ramsey, Parmalee, John Michael Montgomery, Clay Walker and most recently Aaron Watson, Paulette has landed brand partnerships with Justin Boots, Boot Barn, Ely Cattleman and Ranch Water.
 
Her debut album The Girl I Was, is available now, showcasing Paulette’s finely calibrated blend of toughness and sensitivity in tracks like “Country In The Girl” and “Pretty Ugly.” Wearing her heart on her sleeve, Grammy.comremarked it as “transformative,” noting “fuses the sounds of Twain and Miranda Lambert, tackling mental health with the somber ‘You Ain't No Cowboy’ and waxing philosophical on ‘Country In The Girl.’ Paulette continued to spotlight her authentic western lifestyle, performing the national anthem at the National Finals Rodeo, making her Grand Ole Opry Debut and performing in multiple festivals including CMA Fest. Paulette recently signed with independent label Leo33. For more information, visit www.jennapaulette.com.

FOLTERKAMMER Shares BTS Footage for the Making of "Leck Mich!" Music Video

Operatic black metal rising stars FOLTERKAMMER are now sharing a behind-the-scenes look at the making of the band's Rococo "Fight Club" style music video for the song "Leck Mich!" The video was once again directed by FOLTERKAMMER drummer Brendan McGowan and produced by Vile Luxe Studios. Watch the making of "Leck Mich!" below.

The original video is 18th century class against 21st century crass; a bloody journey into the Rococo underground and its lustful ringleader, vocalist and frontwoman Andromeda Anarchia. The clip can be found HERE.

The song is taken from the band's sophomore full-length, 'Weibermacht,' which is due on April 19, 2024 via Century Media Records!

'Weibermacht' serves as a counterpart to the band's 2020 debut, 'Die Lederpredigt.' The new record is another searing blend of modern black metal and classical music elements, lending to its Avant Garde sound. The music itself is elevated by frontwoman and vocalist Andromeda Anarchia's dynamic vocal work as she juxtaposes her classical training as an opera singer with her hellfire screams, summoning a maelstrom of ethereal chaos. Pre-orders are now live HERE.

In addition, FOLTERKAMMER has recently announced their first ever U.S. tour! The rising powerhouse will be embarking on an East Coast headliner with support from WITCHING, which kicks off on March 22 in Baltimore and will circle back to the band's hometown of Brooklyn, NY on March 30. The full itinerary can be found below!

GET TICKETS HERE

FOLTERKAMMER U.S. TOUR DATES (w/ WITCHING):

03/22: Baltimore, MD @ Metro Gallery

03/23: Richmond, VA @ Another Round

03/24: Columbus, OH @ The Summit

03/25: Chattanooga, TN @ Dark Roast

03/26: Nashville, TN @ The End

03/27: Indianapolis, IN @ Black Circle

03/28: Chicago, IL @ Cobra Lounge

03/29: Cleveland, OH @ No Class

03/30: Brooklyn, NY @ Kingsland

Founded in New York around 2018/2019, Folterkammer, or “Torture Chamber,” is the operatic black metal outfit that is redefining modern music. This ingenious band seamlessly fuses beauty with brutality. A combination of raw passion and technique contributes to the epic nature of Folterkammer’s dark art. Their work is both nostalgic and remarkably fresh. Yes, Folterkammer fuses various musical traditions and genres to craft an unparalleled experience.

Folterkammer is composed of Andromeda Anarchia on vocals, Zachary Ezrin on guitars, Darren Hanson on guitars, Laurent David on bass, and Brendan McGowan on drums. Both Anarchia, who hails from Switzerland, and David, who was born in Paris, divide their time between Europe and Brooklyn. Thus, even though the group can be described as international, Anarchia states: “It took New York to create Folterkammer.” Her project Andromeda Anarchia’s DARKMATTERS acted as the catalyst that brought her to the Big Apple, where she met Ezrin. Many metalheads already know that Anarchia has appeared as a guest on the three most recent albums by Ezrin’s brainchild Imperial Triumphant — a leading avant-garde band that marries extreme metal, jazz, classical components, etc. McGowan has also provided guest vocals for Imperial Triumphant, and Hanson lent his songwriting excellence to their 2012 instrumental track “Scaphism.”

Ezrin, McGowan, and Hanson have a wealth of shared history. These friends attended college together in California, where Hanson and Ezrin studied classical composition. Thus, much of Folterkammer’s orchestration is classically based. Hanson harbors a special love of Baroque music and knows precisely how to expertly wed it with his passion for black metal. Folterkammer was actually conceived when Ezrin proposed that Anarchia collaborate with him on some of Hanson’s material. Ezrin writes killer riffs and more for the band. McGowan was invited to join Folterkammer on Hanson’s wise suggestion. His drums are perhaps the heaviest element keeping one of Folterkammer’s limbs firmly anchored in traditional black metal. McGowan mines inspiration from different generations of acts: He names 1349 and old-school heroes like Blasphemy and Marduk. That said, black metal fans will also be pleased to hear the spirit of the second wave in the aggression of Folterkammer’s tremolo picking, for example.

The exceptionally skilled David, Folterkammer’s newest weapon, truly perfects the group with his golden touch on bass. Whereas the bass is not always as prominent as it could be in the content of many black metal groups, Folterkammer purposely allows David’s bass to shine through. Like his bandmates, David is an avid consumer of several forms of music, and thus creates delightfully eclectic art. He has received both classical and jazz training. This major talent has toured worldwide alongside musicians and bands such as Ibrahim Maalouf, Guillaume Perret & The Electric Epic, Yael Naim, and Shijin. David has done so both as a side man and as a band leader/producer. Anarchia and Ezrin already knew David before asking him to join Folterkammer. After all, David founded the “avant metal-jazz trio” Kilter of which Imperial Triumphant’s Kenny Grohowski is an essential part. 

Lineup:

Andromeda Anarchia - Vocals

Zachary Ezrin - Guitars

Brendan McGowan - Drums

Darren Hanson - Guitars

Laurent David - Bass

 

Guest Harpsichord: Steve Blanco on "Anno Domina"

 

Album Credits:

Producer: Zachary Ezrin

Recording: Kevin Antreassian at Backroom Studios in NJ

Additional Recording: Laurent David and Antoine Delecroix

Mixing: Colin Marston at Menegroth, The Thousand Caves, in NY

Mastering: Fred Kevorkian

 

Cover Art: Eliran Kantor

Album Layout: Brendan McGowan

Photography: Alex Krauss

Logo Design: Mister Kams

Bio: Jillian Drachman

Photos: Alex Krauss

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