The Callous Daoboys touring with '68 in March

The Callous Daoboys will be going on tour with '68, along with The Homeless Gospel Choir.

The tour kicks off in early March and runs through April, after their European tour with Tesseract which runs until Feb 27th.

The Callous Daoboys will be opening for The Dillinger Escape Plan twice this summer, too - get your tickets soon!

Three new vinyl variants in stock, and shipping now:

 

'Celebrity Therapist' Alt Cover Version on Translucent Red Galaxy Vinyl, with a hand-numbered Alt Cover print.

Half & Half translucent Blue and Clear vinyl, limited to 300 worldwide.

Yellow, green, and blue swirl vinyl, limited to 750 worldwide.

SEE ALL CALLOUS DAOBOYS MUSIC + MERCH

THE CALLOUS DAOBOYS
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‘68 RELEASE VINYL REPRESS OF THEIR DEBUT ALBUM IN HUMOR AND SADNESS

FRESH OFF NEW ALBUM GIVE ONE TAKE ONE, OUT NOW

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ORDER: In Humor And Sadness (Vinyl Repress)

“Step right up, admit one and all for a ride on a killer groove thanks to Atlanta duo '68.”
-
Loudwire

“Hints of blues fuse with a noisy post-hardcore edge, resulting in a massive wall of sound — impressive considering ’68 are only two individuals.” - Consequence of Sound

“A sludgy twist on swaggering punk-blues” - BrooklynVegan

“A killer slice of sweaty, obnoxious noise rock, and I highly recommend it.” - MetalSucks

"The garage rock duo have some of the finest riffs in the game, and “Bad Bite” is proof."
-
The Alternative

April 15, 2021 - The noisy Atlanta duo ‘68, who are fresh off the release of their third full-length studio album Give One Take One, have announced the long-awaited vinyl repress of their 2014 debut LP In Humor and Sadness via Entertainment One (eOne) and Good Fight Music.

Led by vocalist and guitarist Josh Scogin (The Chariot, Norma Jean) and now completed by drummer Nikko Yamada, the group balances blistering walls of sound with nuanced songwriting. Their debut LP, featuring drummer Michael McClellan, brought Scogin back to the spotlight and saw critical acclaim for their untethered yet wildly creative mix of alternative, punk, and noise rock. In Humor and Sadness is available once again on vinyl through eOne, limited to 500 copies on clear with white splatter vinyl here.

‘68 RELEASE BOLD NEW ALBUM GIVE ONE TAKE ONE OUT NOW VIA COOKING VINYL

LISTEN: Give One Take One

“Step right up, admit one and all for a ride on a killer groove thanks to Atlanta duo '68.”
-
Loudwire

“Hints of blues fuse with a noisy post-hardcore edge, resulting in a massive wall of sound — impressive considering ’68 are only two individuals.” - Consequence of Sound

“A sludgy twist on swaggering punk-blues” - BrooklynVegan

“A killer slice of sweaty, obnoxious noise rock, and I highly recommend it.” - MetalSucks

"The garage rock duo have some of the finest riffs in the game, and “Bad Bite” is proof."
-
The Alternative

March 26, 2021 - The noisy Atlanta duo ‘68 released their third full-length studio album Give One Take One, out now via Cooking Vinyl. Across ten tracks, vocalist and guitarist Josh Scogin (The Chariot, Norma Jean) and drummer Nikko Yamada, display their boldest songwriting yet, laden with hooks without losing any of their raw, in-your-face approach. The duo balance blistering walls of sound with nuanced songwriting to keep the listener on their toes from beginning to end. Produced by Grammy-winner Nick Raskulinecz (Foo Fighters, Rush, Alice In Chains), Give One Take One is built on pure energy, a wild ride of ingenuity that still manages to be danceable and fun. In addition to the hand-drawn and animated music video for the single “Bad Bite”, Scogin also created a documentary around the making of the album, only viewable to those who pre-ordered the record. Watch a teaser for the documentary here and listen to the album here.

Speaking on the album release, Scogin said:
“This album has been a long time coming. We recorded in the summer of 2019 and had to sit on them until now, the next step in to see these songs fulfilled live. I’m hoping that comes sooner than later.”

He further commented on the creation of the documentary:
“While we sat in limbo during the 2020 shutdown, I gathered all my footage that I had and created a documentary. It was mostly done for fun, to keep me from losing my mind because I’m not good at sitting idle. The end product shows a small glimpse into the world of ‘68 and how winging it by the seat of your pants can be a real adventurous way to live.”

How much noise can two people make? ‘68 is the sound of simultaneous implosion and explosion, of destruction and creation unbound. These are songs that could almost fall apart at any moment, yet never do, devilishly dancing between life and death. It’s a primitive impulse delivered with postmodern purpose; a blacksmith’s resolve with an arsenal of electric distortion and raw nerve.

Josh Scogin kickstarted his small band with the big sound in 2013, naming the two-man outfit he modestly undersells as “a little rock, a little blues, a little hardcore” after his father’s old Camaro. And there’s a muscle car-sized rumble beneath the hood of what the Atlanta, Georgia native and his percussive partner-in-crime, Nikko Yamada, unleash with an array of guitar, bass, drums, keys, and pedals, careening between swinging barnburners, wild haymakers, and moody atmosphere.

The ’68 roadshow has taken them from Moscow to Tel Aviv, across Europe and Australia and all-over North America, often splitting up 20-hour drives between the two guys. The passion, the hunger, the good humor, it all connects with diverse crowds. Deliciously stripped down and vibrant, ’68 excels in intimate environments, to be sure, but is no less unignorable on giant festival stages or on the road with Bring Me The Horizon, Stone Sour, Beartooth, Avatar, August Burns Red, The Amity Affliction, and Underoath, where they’ve earned new converts every day.

In Humor and Sadness, the first album by ’68, debuted at No. 1 on the Billboard New Artist Chart. Two Parts Viper followed in 2017. “[‘68] bring the noise in the most righteous ways, caring less about the scene they came up through, the bloodless drivel that passes as ‘indie’ and the boring earnestness currently permeating ‘punk,’” declared Alternative Press. “Two Parts Viper is the best record of the year. Throw a copy in my casket, because I’ll never be done listening to it.”

Grammy-winning producer Nick Raskulinecz (Foo Fighters, Rush, Alice In Chains) became a believer after just a few songs of a ’68 set. On Give One Take One, crafted with Raskulinecz in Nashville, the band’s high intensity bombast threatens but never swallows the underlying groove.

With the same spirit of scrappy “winging it” and punchy minimalism that powered the Flat Duo Jets and The Jon Spencer Blues Explosion, ’68 push forward the pure rock traditions of audacity and disruption. Scogin gives everything to the microphone, as if singing to redeem his soul. He wields his guitar and keys like weapons, pulverizing away any false pretenses. It’s about the riff and the kick. It’s immediate. It’s alive. And it’s fun. Sweaty catharsis, cutting missives, surrendered by ’68 as if the world depends on them. Because in ’68, less is more. Oh, so much more.

‘68 PREMIERE NEW SINGLE “BAD BITE” WITH HAND DRAWN MUSIC VIDEO

NEW ALBUM GIVE ONE TAKE ONE
DUE OUT MARCH 26 VIA COOKING VINYL

PREORDER: Give One Take One

The noisy Atlanta duo ‘68 shared the latest single "Bad Bite" from their highly anticipated full-length album Give One Take One, due out March 26th via Cooking Vinyl. The high energy track weaves dizzying riffs between the band’s colossal guitar tones and Nikko Yamada’s precision drumming. The accompanying music video was painstakingly hand-drawn and animated entirely by vocalist and guitarist Josh Scogin (The Chariot, Norma Jean), mixing in subliminal notes from his 2020 experience. In true ‘68 fashion, the single and visuals are swaggering and raw, pulling the listener in with blistering instrumentals, Scogin’s one-of-a-kind delivery, and plenty of fun.

Their third record, Give One Take One, was produced by the Grammy-winning Nick Raskulinecz (Foo Fighters, Rush, Alice In Chains), and is the group’s boldest and biggest effort to date. During a time of uncertainty, ‘68 completed the album with Raskulinecz, only to return a few months later to record their previously released EP Love Is Ain’t Dead (2020) when their touring plans with Korn and Faith No More were derailed by the pandemic. Ahead of the release on March 26th, Give One Take One is available for pre-order here.

Speaking on the creation of the video, Josh Scogin says:

"The “subliminal” messages are actually what became kind of like a journal for me. A bit of a “dear diary” during the 2020 year of lemons. My computer is old and slow so I had to work on this video in small little, 3 second chunks each so, there was one moment that I assumed it would never actually be released to the public, but I had to finish it because I made a promise to myself a few years back that if I start something, I have to finish it. So anyway, I just started writing whatever I felt at the time (I think at one point I have some Star Wars references because I was making my way through each of those movies), and I also started writing the date on it somewhere each time I worked on it. Once I was basically done with the animation, I put it all together for the first time and bounced it down (it took an entire 24 hours to render it down) and I was so stoked. I knew I wanted it raw, and I wanted my “mistakes” to shine through (to rebuttal how perfect, pristine, and fake everything seems to be these days.). I wanted it to be HUMAN but before I actually placed it all together, I just thought it wasn’t going to actually work. Once I was able to see it all it blew me away. I love it."

How much noise can two people make? ‘68 is the sound of simultaneous implosion and explosion, of destruction and creation unbound. These are songs that could almost fall apart at any moment, yet never do, devilishly dancing between life and death. It’s a primitive impulse delivered with postmodern purpose; a blacksmith’s resolve with an arsenal of electric distortion and raw nerve.

Josh Scogin kickstarted his small band with the big sound in 2013, naming the two-man outfit he modestly undersells as “a little rock, a little blues, a little hardcore” after his father’s old Camaro. And there’s a muscle car-sized rumble beneath the hood of what the Atlanta, Georgia native and his percussive partner-in-crime, Nikko Yamada, unleash with an array of guitar, bass, drums, keys, and pedals, careening between swinging barnburners, wild haymakers, and moody atmosphere.

The ’68 roadshow has taken them from Moscow to Tel Aviv, across Europe and Australia and all-over North America, often splitting up 20-hour drives between the two guys. The passion, the hunger, the good humor, it all connects with diverse crowds. Deliciously stripped down and vibrant, ’68 excels in intimate environments, to be sure, but is no less unignorable on giant festival stages or on the road with Bring Me The Horizon, Stone Sour, Beartooth, Avatar, August Burns Red, The Amity Affliction, and Underoath, where they’ve earned new converts every day.

In Humor and Sadness, the first album by ’68, debuted at No. 1 on the Billboard New Artist Chart. Two Parts Viper followed in 2017. “[‘68] bring the noise in the most righteous ways, caring less about the scene they came up through, the bloodless drivel that passes as ‘indie’ and the boring earnestness currently permeating ‘punk,’” declared Alternative Press. “Two Parts Viper is the best record of the year. Throw a copy in my casket, because I’ll never be done listening to it.”

Grammy-winning producer Nick Raskulinecz (Foo Fighters, Rush, Alice In Chains) became a believer after just a few songs of a ’68 set. On Give One Take One, crafted with Raskulinecz in Nashville, the band’s high intensity bombast threatens but never swallows the underlying groove.

With the same spirit of scrappy “winging it” and punchy minimalism that powered the Flat Duo Jets and The Jon Spencer Blues Explosion, ’68 push forward the pure rock traditions of audacity and disruption. Scogin gives everything to the microphone, as if singing to redeem his soul. He wields his guitar and keys like weapons, pulverizing away any false pretenses. It’s about the riff and the kick. It’s immediate. It’s alive. And it’s fun. Sweaty catharsis, cutting missives, surrendered by ’68 as if the world depends on them. Because in ’68, less is more. Oh, so much more.

‘68 ANNOUNCE THIRD ALBUM GIVE ONE TAKE ONE DUE OUT MARCH 26th VIA COOKING VINYL

DEBUT NEW SINGLE AND MUSIC VIDEO
“THE KNIFE, THE KNIFE, THE KNIFE”

Official music video for a song on the upcoming album 'Give One Take One' that will be out on March 26th but you can pre order that bad boy right now at http...

PREORDER: Give One Take One

The noisy Atlanta duo ‘68 announced their highly anticipated third full-length album Give One Take One, due out March 26 via Cooking Vinyl. To celebrate the momentous occasion, the band debuted the lead single “The Knife, The Knife, The Knife” alongside a music video created by vocalist and guitarist Josh Scogin (The Chariot, Norma Jean). Completed by drummer Nikko Yamada, the duo burst in with their signature blues-inspired and crushing wall of sound, marking some of their catchiest work yet with tinges of doom, alternative rock, offering only a moment of reprieve before diving into the distinctive and heavy chorus. Produced by the Grammy-winner Nick Raskulinecz (Foo Fighters, Rush, Alice In Chains), who became a believer after just a few songs of a ’68 live set, Give One Take One offers the best of the band’s raucous yet dynamic songwriting with plenty of personalities and indomitable groove. The album follows on the heels of the band’s 2020 EP, Love Is Ain’t Dead, which was also recorded with Raskulinecz when their touring plans to support Korn and Faith No More were derailed by the pandemic. Give One Take One is available for pre-order here and “The Knife, The Knife, The Knife'' is available to stream here.

Speaking on the announcement, Josh Scogin says:
“Of all the music I've created over the years, this album holds some of my very favorite moments, lyrically, musically, and even mentally; I travel down several roads that are equal parts therapeutic to get off my chest and terrifying to share with the world. I believe you can feel the tangible joy that music gives each of us in this album; Nick captured the explosive and implosive nature that keeps '68 moving forward. You can hear the passion and the sincerity that Nick, Nikko, and I have for the art of creating sounds. I'm so proud of this album and humbled by the journey that it took to get here. And if I'm honest, the vast majority of my thoughts are circled around the hope that we will be able to perform these songs live one day soon.”

How much noise can two people make? ‘68 is the sound of simultaneous implosion and explosion, of destruction and creation unbound. These are songs that could almost fall apart at any moment, yet never do, devilishly dancing between life and death. It’s a primitive impulse delivered with postmodern purpose; a blacksmith’s resolve with an arsenal of electric distortion and raw nerve.

Josh Scogin kickstarted his small band with the big sound in 2013, naming the two-man outfit he modestly undersells as “a little rock, a little blues, a little hardcore” after his father’s old Camaro. And there’s a muscle car-sized rumble beneath the hood of what the Atlanta, Georgia native and his percussive partner-in-crime, Nikko Yamada, unleash with an array of guitar, bass, drums, keys, and pedals, careening between swinging barnburners, wild haymakers, and moody atmosphere.

The ’68 roadshow has taken them from Moscow to Tel Aviv, across Europe and Australia and all-over North America, often splitting up 20-hour drives between the two guys. The passion, the hunger, the good humor, it all connects with diverse crowds. Deliciously stripped down and vibrant, ’68 excels in intimate environments, to be sure, but is no less unignorable on giant festival stages or on the road with Bring Me The Horizon, Stone Sour, Beartooth, Avatar, August Burns Red, The Amity Affliction, and Underoath, where they’ve earned new converts every day.

In Humor and Sadness, the first album by ’68, debuted at No. 1 on the Billboard New Artist Chart. Two Parts Viper followed in 2017. “[‘68] bring the noise in the most righteous ways, caring less about the scene they came up through, the bloodless drivel that passes as ‘indie’ and the boring earnestness currently permeating ‘punk,’” declared Alternative Press. “Two Parts Viper is the best record of the year. Throw a copy in my casket, because I’ll never be done listening to it.”

Grammy-winning producer Nick Raskulinecz (Foo Fighters, Rush, Alice In Chains) became a believer after just a few songs of a ’68 set. On Give One Take One, crafted with Raskulinecz in Nashville, the band’s high intensity bombast threatens but never swallows the underlying groove.

With the same spirit of scrappy “winging it” and punchy minimalism that powered the Flat Duo Jets and The Jon Spencer Blues Explosion, ’68 push forward the pure rock traditions of audacity and disruption. Scogin gives everything to the microphone, as if singing to redeem his soul. He wields his guitar and keys like weapons, pulverizing away any false pretenses. It’s about the riff and the kick. It’s immediate. It’s alive. And it’s fun. Sweaty catharsis, cutting missives, surrendered by ’68 as if the world depends on them. Because in ’68, less is more. Oh, so much more.

'68 TO RELEASE NEW EP, LOVE IS AIN'T DEAD. ON SEPTEMBER 4

Dirty rock and dirty roll, from our new ep Love Is Ain't Dead. coming this Friday to Spotify, Apple Music and all those other ones. Recorded by the amazing N...

"BAD BAD LAMBO" MUSIC VIDEO AVAILABLE NOW


PRE SAVE AVAILABLE NOW
NEW EXCLUSIVE INTERVIEW WITH ALTERNATIVE PRESS

August 31, 2020 -- Atlanta power-duo '68 has released an all-new music video today and will release a new EP this Friday, September 4, 2020. The EP is titled Love Is Ain't Dead., and the music video for "Bad Bad Lambo" is available to watch now. Produced by Grammy-winning producer Nick Raskulinecz, this EP is the first crop of new songs we've heard from '68 since the release of Two Parts Viper in 2017. Pre-saves are available now.


Josh recently spoke with Alternative Press where AP states, "Scogin had written three new songs and was aching to get them recorded. Raskulinecz was available, and the band busted them all out in a week. Not an album but cooler than your typical stop-gap project, Love Is Ain’t Dead will sate fans and electrify new listeners." Read the full interview here.

How much noise can two people make? '68 is the sound of simultaneous implosion and explosion, destruction and creation, unbound. These are songs that could almost fall apart at any moment, yet never do, devilishly dancing between life and death. It's a primitive impulse delivered with postmodern purpose; a blacksmith's resolve with an arsenal of electric distortion and raw nerve.

Josh Scogin kickstarted his small band with the big sound in 2013, naming the two-person outfit he modestly undersells as "a little rock, a little blues, a little hardcore" after his father's old Camaro. And there's a muscle car-sized rumble beneath the hood of what the Atlanta, Georgia native and his percussive partner-in-crime, Nikko Yamada, unleash with an array of guitar, bass, drums, keys, and pedals, careening between swinging barnburners, wild haymakers, and moody atmosphere.

Like a Delta Blues reimagining of Bleach-era Nirvana or the disgraced punkish cousin of The Black Keys, '68 adheres to a single ethic: unbridled authenticity. There's no "plan" with '68 so much as a ride, with the duo hanging on for dear life in the eye of the storm every bit as much as the audience. The obstacle is the goal. The journey is the destination. Creative, disruptive, frantic, even when dipping into a bit of Otis Redding or James Brown-style funk, '68 sound urgent.

The '68 roadshow has taken them from Moscow to Tel Aviv, across Europe and Australia and all over North America, often splitting up 20-hour drives between the two guys. The passion, the hunger, the good humor, it all connects with diverse crowds. Deliciously stripped down and vibrant, '68 excels in intimate environments, to be sure, but is no less unignorable on giant festival stages or the road with Bring Me The Horizon, Stone Sour, Beartooth, Avatar, August Burns Red, The Amity Affliction, and Underoath, where they've earned new converts every day.