THE EXILES Team Up With Bad Reputation Records For Reworked & Expanded 30th Anniversary Reissue

Expat classic rockers THE EXILES have joined forces with French label Bad Reputation Records for the release of their album 'Turning Time', which arrives on July 3. 

Purchase the CD: https://badreputation.fr/THE-EXILES-TURNING-TIME

The album's first single, 'Rainmaker', featuring Greg D’Angelo on drums, is streaming on the band’s Bandcamp page at https://theexilesuk.bandcamp.com/track/rainmaker-3

Formed by English guitarist Sean Manning, whose credits include stints with HURRICANE and QUIET RIOT offshoot, LITTLE WOMEN, and fellow Brit Paul Rafferty, the original vocalist for BONHAM, The Exiles were mainstays on the Southern California music scene in the early 1990s writing and recording a wealth of material and performing at venues such as the Troubadour, Whisky a Go Go, FM Station, and Club Lingerie. 

 

After originally moving to Los Angeles, CA to accompany his close friend and newly minted DIO axeman, Rowan Robertson, and intending to study jazz, things changed when Manning was introduced to Rafferty by legendary local music journalist, Jon Sutherland. Discovering their mutual love for British blues rock and bands such as Free, Bad Company, Led Zeppelin, and Faces, the duo quickly formed a strong writing partnership and recruited Hollywood-based English bassist, Paul Andrew Stanley. After briefly utilizing the services of former WHITE LION/CITIES drummer, Greg D'Angelo, the line-up was completed with the addition of Terry Mascall, a young John Bonham-style pounder from Cambridge. 

 

"The Exiles were quintessentially an English band, four English blokes living in Hollywood playing classic rock.... just as Nirvana and grunge hit the scene!", laughs Manning. "Paul and I were writing constantly over the course of the year, often up at Franklin Canyon reservoir, which resulted in all these tunes on the 'Turning Time' album. It's a pretty broad pallete from traditional rock to some soul and blues numbers. Heavy electric to acoustic and mandolin with orchestration. I was and still am a huge admirer of Jimmy Page's use of light and shade in the Zeppelin compositions. That sort of approach was really inspirational to us."